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Speaker 1: Welcome back to Alchemy This. I'm your host, Kevin Pollock.

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Speaker 1: Yes that Kevin Pollock? Was that? Yes? Jar Jar Tar

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Speaker 1: Tar sounds lovely. Dear Santas and Hanukah Harry's I'm so

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Speaker 1: very pleased to welcome you to yet another episode of

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Speaker 1: Alchemy This. Let's do an Alchemist roll call, shall we?

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Speaker 1: Craig Kakowski guest Extraordinary, Mark Gagliardi, Hello, Vanessa raglaners A Varado,

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Speaker 1: Joey Grimmins, Yes, you're here. Okay, let's get to our

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Speaker 1: first scene, shall we? Uh? This first scene comes from

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Speaker 1: listener Jamie Foxx. Yeah, the female what I have to

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Speaker 1: go home at the end of the name. She never

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Speaker 1: misses an episode. Hi Jamie, Hi Jamie. That's right. She

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Speaker 1: loves the new studio document on Netflix which several former

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Speaker 1: employees and regulars from back in the day. We're asked

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Speaker 1: to recall those exciting nights of sex, drugs, and disco

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Speaker 1: dancing in the most famous New York nightclub ever. The

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Speaker 1: scene suggestion that's my ever. By the way, I mean

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Speaker 1: to quote her with that nonsense. The same suggestion is

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Speaker 1: to hear those interviewed that did not make the final cut.

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Speaker 1: Those that were there back in the day from the

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Speaker 1: documentary that did not make the final cut. So go

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Speaker 1: ahead and just take us through your experience. Um. We've talked,

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Speaker 1: We've spoken to a lot of people and they say

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Speaker 1: it changed their their their lives. Yeah. Well, um, I'm

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Speaker 1: I'm certain it did it. Um it. I stood in

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Speaker 1: the line for it, and even standing in the line

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Speaker 1: for it for as many years and months and hours

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Speaker 1: nightly as I did with just just that hope, you know,

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Speaker 1: just that hope and so and so and so walk

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Speaker 1: us through the moment you walk in. I couldn't do that. Oh,

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Speaker 1: I know, it's hard to describe. Some people call it magical.

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Speaker 1: So I'm saying, out of this world, you know. I mean,

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Speaker 1: it was out of my purview. I was I was not.

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Speaker 1: I was not ever allowed in I from the first

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Speaker 1: day it opened, um, even before it got popular. Hank,

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Speaker 1: your shift is almost already, okay, man, Okay, breaks almost done, right, Okay, Okay,

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Speaker 1: I'll I'll be where I'll be right back out. I'm

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Speaker 1: gonna have to go in a minute. I gas station

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Speaker 1: doesn't run itself, yeah right, sure, and it does. Okay, Well, then,

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Speaker 1: just with the with the limited time we have here. Uh,

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Speaker 1: you're in the line, certainly you must have. Uh you

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Speaker 1: rubbed shoulders with some some fantastical people. Well, where I

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Speaker 1: was in the line, they usually I'd get sort of

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Speaker 1: smushed to the back most every time. Um, so I

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Speaker 1: didn't really rub shoulders with the fantastic people. I mean

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Speaker 1: they like like brushed past shots because they got in

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Speaker 1: real quick. Yeah, and what exactly was the reason you

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Speaker 1: weren't let in? I had? I had mutton shops, discus

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Speaker 1: flash bass. Well, look at all these people going in there.

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Speaker 1: What's going on with your facial hairs? Like ship? I agree?

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Speaker 1: These agree these great big sideburns. Because and you you

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Speaker 1: get in over there right in the sense I mean

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Speaker 1: you spoke to rebel well in a way. Rubel looked

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Speaker 1: at me once and then immediately washed his hands. I

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Speaker 1: think it's because I looked in retrospect. The mutton chops

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Speaker 1: made me look dirtier than I am. There's a man

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Speaker 1: that threw up. I gotta go, okay, thank you. So

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Speaker 1: for me, it was like I've never seen messages like

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Speaker 1: that before, messes messes um the glitter, and I was

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Speaker 1: mopping everything up, you know, trying to do it. When

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Speaker 1: I was, you know, like out of side, out of mind.

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Speaker 1: So parking a lot, but I would have to clean

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Speaker 1: up messes at glitter. You can't clean up glitter. People

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Speaker 1: bring a glitter all the time. You can't clean up glitter.

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Speaker 1: You know, I'm going home. I got glitter on my sheets,

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Speaker 1: I got glitter on my ship. So so can you

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Speaker 1: tell the difference? And I'm sure this is an obvious

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Speaker 1: is this a game question? I'm just gonna ask you

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Speaker 1: a question. Okay, I'm ready. Can you tell the difference

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Speaker 1: between celebrity celebrity vomit and non celebrity vomit? Oh? Well,

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Speaker 1: you know, okay, great question, Thank you. We saw a

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Speaker 1: lot of mostly liquid vomit. You know, there was a

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Speaker 1: seafood bar, but uh, you know the pretty ones were

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Speaker 1: it was easier for them to vomit. They didn't they

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Speaker 1: had an empty stomach, so it was a lot of liquid.

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Speaker 1: Now take me upstairs to the balcony were all stuff happened. Yeah,

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Speaker 1: it was a horrible mess. Uh you know, we had

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Speaker 1: some really nice textiles up there, and they didn't spare

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Speaker 1: a penny on him. And we're trying to figure out

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Speaker 1: how to get these stains out. You know, we got silk,

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Speaker 1: we got animal prints, and how are you gonna oh, ma'am, ma'am,

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Speaker 1: can you please, ma'am you can't find on that ma'am.

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Speaker 1: Oh my god, how come they don't have lobster close face?

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Speaker 1: I don't know. You're gonna have to put that in

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Speaker 1: the complaint box. I want god, I wrote in cold blood.

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Speaker 1: Oh you that guy? Yeah, it's upset about the labster clause.

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Speaker 1: I'll never forget it. Wow. Now try to get him

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Speaker 1: to side my butt and nothing doing? It was no go.

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Speaker 1: So you're still cleaning today? Obviously we are in someone's home,

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Speaker 1: nice place. Um, would you say that was the best

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Speaker 1: cleaning situation you've ever had? Oh? No, it was a healthscape.

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Speaker 1: I'm still recovering from the stuff I saw. I already

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Speaker 1: mentioned the glitter. They were body fluids. Everywhere. There were

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Speaker 1: remnants of powders. You know, you'd think, oh, maybe you

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Speaker 1: could get industrious and try a powder. You don't know

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Speaker 1: what the powders are. And Miranda, what would you mind

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Speaker 1: giving the bathroom another what's going on here? By the way,

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Speaker 1: I was just I'm doing a documentary about He's got

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Speaker 1: a film Cruise Studio four and a problem. Have you

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Speaker 1: ever heard of Studio four? Um? Yeah? What was that?

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Speaker 1: Was like a disco thing? Yeah, I mean if you were,

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Speaker 1: if you were there, then I would speak to you.

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Speaker 1: But obviously you and and why are you talking to

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Speaker 1: my my? I'm not your, I'm not yours? Miranda? Why

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Speaker 1: are you talking to Miranda? I'm working for you for

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Speaker 1: five years. Why are you talking to my cleaning lady?

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Speaker 1: Oh my god. Miranda was the number one cleaning lady

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Speaker 1: of the studio. She saw a lot of it. Never

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Speaker 1: wanted to bring it up, Philip, who are these people

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Speaker 1: in our house? I guess Miranda brought a film crew

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Speaker 1: with her, did she. You can look at me, Philip,

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Speaker 1: Toya you can look at me. Please clean up your tampons. Toya,

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Speaker 1: you can look at me. My wife with not feeling

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Speaker 1: comfortable with this, and she's look story. I'll let you

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Speaker 1: get back to that. So it was everywhere. I couldn't

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Speaker 1: tell you. I mean everything I did was with the Pyramid.

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Speaker 1: I'll tell you that right now. You couldn't even pronounce

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Speaker 1: it was that he pronounced him. I heard Michael Jackson

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Speaker 1: was there? Everybody was there? Yes, Taylor, Liz Taylor Live

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Speaker 1: Live Liz Liz Taylor, listen Taylor, Yes, yes, yes, yes,

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Speaker 1: So it was insane. Everything was It was just it

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Speaker 1: was everything you wanted, nothing you didn't. The people that

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Speaker 1: were there were the exact right people. The energy was

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Speaker 1: something that you could suck off. It was amazed. Now

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Speaker 1: I'm I have to ask. I see that you're missing

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Speaker 1: an arm? Um? Did that occur at the club? Was

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Speaker 1: a funny story? It did, Yes, it did. Can I

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Speaker 1: spand you? Yeah? But I was one of open gears around.

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Speaker 1: This should be easy so high Oh look up spure

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Speaker 1: Truman Capoty humped my arm for about forty minutes and

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Speaker 1: I never felt like the biggest celebrity in my life. Wow,

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Speaker 1: that is something special. Now I heard that you had

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Speaker 1: a little run in with one Mr Warhol. Oh my god,

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Speaker 1: let's say Andy Wall Yes, I did have a running

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Speaker 1: with him. Care to elaborate, I will. I'll elaborate as

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Speaker 1: far as I can remember. All right, So I'm gonna

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Speaker 1: do the X rout and I'm gonna cut across and

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Speaker 1: I want that ball dead center. You got me? Now?

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Speaker 1: We got six minutes left in the bull quarter. We

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Speaker 1: gotta score this touchdown? You feel me? All that's all right,

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Speaker 1: I've got you never played this naked? All right? Just

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Speaker 1: gives me the rock. Wow, that is something. Yeah, so

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Speaker 1: I I mean dead set of his chest. We both hit.

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Speaker 1: I correct his stern um I dropped. I have you

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Speaker 1: know some damage from that stale. But so I understand

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Speaker 1: that you have since tried to open your God, yes,

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Speaker 1: oh god success unsuccessfully. You try to open on successful club.

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Speaker 1: I heard that you were now running the adult dancing

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Speaker 1: lessons at the y M. I am, I am? And

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Speaker 1: do you feel like you're bringing some of that vibe? God,

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Speaker 1: I can't help it. I was part of the energy.

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Speaker 1: So it's just it's one of those things that just

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Speaker 1: gets stuck to you of the dance class. MG, I

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Speaker 1: have to say the move we've learned and nothing short

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Speaker 1: off some acious I'm using my hips in the way

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Speaker 1: I didn't know you can use hips. And did you

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Speaker 1: know he brought in a tiger pilt for us to

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Speaker 1: wherever ourselves on. You've still got coke on your blouse? Oh,

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Speaker 1: burdon me. It's a little bit of talcum. I'm sure

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Speaker 1: we don't know what powders it was. So it was

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Speaker 1: it was my responsibility to log the serial numbers of

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Speaker 1: all the dollar bills and the money that they brought

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Speaker 1: into the district. The tony Okay, let's get into that.

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Speaker 1: So surely there was tons of powder on those dollar bills.

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Speaker 1: I wouldn't know. It was my job to log in

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Speaker 1: the serial numbers, you know, just so as you get

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Speaker 1: a sense of like what the what the bills? And

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Speaker 1: that must have been a lot of numbers to log because,

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Speaker 1: as we know, millions of dollars there's taxed and untaxed.

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Speaker 1: There was a lot of money came in and it

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Speaker 1: was in the form of a lot of bills, you know, hundreds, oh, yes,

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Speaker 1: the twenties, yes, sends, some fives, right, and a lot

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Speaker 1: of singles as well. Gotcha? Got Now do you remember

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Speaker 1: any time you came across a bill that you knew

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Speaker 1: had been handled by you know, a celebrity or or

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Speaker 1: or how would you know that? Oh? I just felt

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Speaker 1: maybe there was there was there was like a like

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Speaker 1: a magic to the to the sensation of the feeling.

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Speaker 1: I don't know. I mean, it's a dollar bill. It

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Speaker 1: feels like any other dollar bill. Can you got changed

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Speaker 1: for fifty? Uh? Yeah? What what do you do? You

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Speaker 1: want to twenties and fun. Yeah, do you you have any singles? No?

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Speaker 1: Should we go out there and just see what's going? Okay,

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Speaker 1: I've got a twenties, I got two. So you never

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Speaker 1: stepped foot to the actual club while it was you

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Speaker 1: never went inside the club. That was not my responsibility, sir.

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Speaker 1: My responsibility was to take the money and to log

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Speaker 1: the serial numbers. So you're talking about like D four

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Speaker 1: nine four four four seven eight two was that was?

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Speaker 1: That was a ten dollar bill that I logged in

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Speaker 1: July of ninety nine. Now, I heard um one time

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Speaker 1: there was a gigantic orgy on stage. I wouldn't know

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Speaker 1: anything about that, sir. I handled the money that came in.

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Speaker 1: This was the money that they had illegally gained due

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Speaker 1: to running a cash business, and then they have to

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Speaker 1: report it to the District Attorney's office. And then when

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Speaker 1: the money came in, I logged those serial numbers. Now,

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Speaker 1: did you have to serve any time? Were you part

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Speaker 1: of any criminal activity there? No, I worked for the

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Speaker 1: government of New York. Do you think that let me

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Speaker 1: ask you something. You think this will make the final

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Speaker 1: cut of the documentary. It's not my safe I've always

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Speaker 1: wanted to be in a documentary. Well, this is your chance.

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Speaker 1: Before the theater was built, it was kind of derelict

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Speaker 1: and me and a group of men, we're all living there.

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Speaker 1: And once it was built, well they kind of forgot

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Speaker 1: about some ladies in your comproments. I gotta say, this

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Speaker 1: is lucky running into you, into this group behind this

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Speaker 1: this CBS here and who knew. Well we used to

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Speaker 1: have a podcast and the doves and the top of

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Speaker 1: the char it was not longer on the chart. Yeah,

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Speaker 1: so you know, we've we've been around hot for a while. So,

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Speaker 1: so you were in the building before it became the

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Speaker 1: famed studio. There was floor, there was walls, there was windows. Yeah,

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Speaker 1: it was crazy. The vibe was you could suck it

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Speaker 1: out there. You can shuck it out. So there was

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Speaker 1: like a like a pre party vibe that was occurring.

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Speaker 1: Well playople artis and there, yes sext parties there. There's

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Speaker 1: a bunch of drugs in there. There's a buns of

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Speaker 1: drugs is in there. Even before the thirty fifty seven. Yeah,

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Speaker 1: we were, I mean everyone was like after that catch up,

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Speaker 1: I don't understand that it's seven four now. I know

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Speaker 1: you're very yeah, listen, very busy. If I just want

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Speaker 1: to preface this by saying, the rumors, the conversations about

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Speaker 1: my allegedly providing drugs for the club or something untrue,

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Speaker 1: and I've never been proven. Now, I feel like that

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Speaker 1: would be okay to admit you today, I will say

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Speaker 1: this if we're going to be full disclosure, disclosure. Until

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Speaker 1: I introduce Flemy's to the drugs scene, they didn't really exist.

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Speaker 1: People didn't know what they were, they didn't know what

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Speaker 1: they were getting. So when I did introduce Fleming, don't

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Speaker 1: say you introduced it. Well, they came from an unknown source, right, okay.

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Speaker 1: And I wasn't selling them. I was just saying here,

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Speaker 1: try this, don't don't don't don't say, well, we were

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Speaker 1: getting high. Someone had to offer someone something, somebody. You

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Speaker 1: were just being polite. I was being polite, like you

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Speaker 1: wear at a party. Try the chicken. Have you tried

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Speaker 1: the chicken? And try in this case, and try the

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Speaker 1: Flemings and hold on, just just keep a chicken. It's okay.

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Speaker 1: So tell me more about the chicken. Right, what mean

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Speaker 1: the chicken so special? Fleming? Well, they're called fleming, please

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Speaker 1: do okay? What's this? How one into my mouth? Try this.

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Speaker 1: Do I put them in my mouth or in my bottom,

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Speaker 1: in your ains? Okay, So we're gonna make sure that

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Speaker 1: that that anecdote doesn't get on the Well, I do

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Speaker 1: want to leave the Truman campody. Pardon you know. That's

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Speaker 1: the weird thing. I'm interviewing a lot of people for

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Speaker 1: this documentary and Truman campode keeps coming up. Well, he

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Speaker 1: was always there was almost every night. Yeah, any any um, Well,

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Speaker 1: he had a lot of money on him, So that

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Speaker 1: makes sense. And you gravitate towards the power, you gravitate

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Speaker 1: towards the sex. In this case, you gravitate towards the Truman.

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Speaker 1: I don't know. On more. People are talking about the coatroom. Honestly,

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Speaker 1: a lot of stuff went down in there. You know,

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Speaker 1: everyone has these fabulous outfits on, but without coats, the

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Speaker 1: outphits wouldn't be protective from the elements. So I heard

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Speaker 1: that on the first night, so many people ran through

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Speaker 1: that you lost track of the numbers and they were

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Speaker 1: just piles. That's not true. Okay, that's slander. We always

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Speaker 1: had a number for the coat. We would give the number.

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Speaker 1: Now they may have lost your number. Number, it's right here, Okay,

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Speaker 1: Thank you. Here's okay, you got to get your number, sir,

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Speaker 1: er take seven. The number seven. That's not an I'm

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Speaker 1: stuck in, Mr Capodi, you want to please? Okay, So

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Speaker 1: what back while you're hiding on me? So that sounds

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Speaker 1: stressful but also kind of exciting. I would agree with

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Speaker 1: both of those assessments, okay. And would you say that

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Speaker 1: doing that job led you to you? I saw a

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Speaker 1: parakeet in a bikini. Wow. And I'll tell you what

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Speaker 1: that isn't the strangest thing that I've heard about to

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Speaker 1: do before. That's the strangest thing I saw. I've heard

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Speaker 1: stranger things. I there's nothing. How do you can you

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Speaker 1: even picture what I'm saying? A parakeet in the anatomy

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Speaker 1: doesn't add up? And yet I saw a parakeet in

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Speaker 1: a bikini. Wow. And I held its a little shroud.

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Speaker 1: It was a cold day. The bird came in in

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Speaker 1: a shroud. Were you partaking in any drug use? Are

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Speaker 1: you understanding how strange this is a parakeet, small bird

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Speaker 1: in a bikini in the middle of winter in New

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Speaker 1: York City. I'm just wondering if perhaps maybe you were

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Speaker 1: high or hallucinating. I wasn't not anything. I was working.

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Speaker 1: There was a bird with this lady. Who you're bringing

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Speaker 1: a birden? Yeah? Yeah, to hold the bird? Okay, jacket okay,

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Speaker 1: shroudroud was shrouding the bird. Okay. Oh my god, bikini,

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Speaker 1: y did you make this? I gotta get a for this.

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Speaker 1: Please don't go into the club yet. Oh my god,

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Speaker 1: I've never seen something so great. You got a camera,

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Speaker 1: looll get this. I got a bard into bikini a camera.

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Speaker 1: This is crazy watch on alright, wow wow, wow wow.

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Speaker 1: So that was the craziest thing I ever seen. The

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Speaker 1: bird's name was Matilda. I don't know whatever happened to

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Speaker 1: that bird. I've been thinking about a lot. Obviously. I

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Speaker 1: got a lot of drawings. I got a notebook of drawings. Yes,

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Speaker 1: so on that happened. Uh you know what was that February?

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Speaker 1: It looks like our times almost left. The guard has

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Speaker 1: given us the signal. Oh well, you know what, He'll

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Speaker 1: give you the signal and we can give him this signal.

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Speaker 1: Eat it all right, that's enough, alright, that's enough. Well

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Speaker 1: we have uh time for to speak to one last person,

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Speaker 1: someone very very special. I understand that you were there

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Speaker 1: the night at all I was went down. I was.

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Speaker 1: I was this seafood chef, and I am frankly upset

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Speaker 1: about all these stories about Truman. Are they false? They

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Speaker 1: are very real. They are just dramatic and the worst

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Speaker 1: of all of us that it all went town. What

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Speaker 1: do you mean the fed down here? I've got to

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Speaker 1: g up all of my step food and and all

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Speaker 1: of my things. I've got to talk about. Can you

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Speaker 1: taking me now? Dipping it in? But you how did you?

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Speaker 1: How did you get back into my kitchen? Who are you?

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Speaker 1: I'm the man who's made you loved your clothes for

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Speaker 1: your whole line. Please take these flammies, Take these flammies.

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Speaker 1: I don't want to get came with all these flash

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Speaker 1: like I would, I would stub these flammies out bottom.

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Speaker 1: And now you've ended up here working at this dinner.

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Speaker 1: We wow, order well, John, I will be right back

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Speaker 1: in our tilt. I'll be gone. And that our visit

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Speaker 1: the studio so good, so great. Let's go to a

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Speaker 1: suggested male. Uh yep, this one comes from Oh, also

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Speaker 1: comes from carlakki um. Oh, you know what, We'll save

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Speaker 1: hers for the last. We'll go to Isaiah Manning. Because

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Speaker 1: I realized it's a little similar to something. Hey there, Alchemists.

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Speaker 1: I want to start off by saying that I absolutely

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Speaker 1: love your podcast, and I love everyone of you, especially

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Speaker 1: the cast. Stop trying to make that nickname happen. He

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Speaker 1: never fails to make me. It never fails to make

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Speaker 1: me laugh. Any Way, I'd love to hear you guys

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Speaker 1: go on an epic medieval quest in search of something

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Speaker 1: majestic or pride. I don't know. You guys can probably

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Speaker 1: come up with something better than I can, and I

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Speaker 1: hope that I can hear this on the podcast someday.

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Speaker 1: I love you, guys. Isaiah Nanny uh uh? Did it?

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Speaker 1: My wife for the king? My wife for the bow king.

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Speaker 1: Why we're doing this? We have orders come here a

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Speaker 1: small town of king's not coming. You know the king's

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Speaker 1: not coming. It's a king coming. My wife for a

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Speaker 1: king never fucking comes. Every king coming come. He's gonna come.

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Speaker 1: He's gonna come. Why because you heard a horse outside

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Speaker 1: the gate, right, and so the king is come. I

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Speaker 1: blew a horn. I don't know. I do there for royalty.

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Speaker 1: Don't do that for me. No one blows all Let

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Speaker 1: me come around me made me? Father does it? When

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Speaker 1: it goes out and it blows a horn. It could

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Speaker 1: have just been someone up. You've got a fancy father.

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Speaker 1: Well he's just got that on these blows. You know,

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Speaker 1: it's fed of dogs. That one dog don't unless the

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Speaker 1: minstrels person boy with a horn, right, it's already mainstream

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Speaker 1: music with the horn. We've got instruments. They could have

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Speaker 1: been that. If the king does come, what which do

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Speaker 1: Let me just check the records on the history of

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Speaker 1: this village. How many times the king has come here?

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Speaker 1: It is none? None, time might come alm, it's never been.

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Speaker 1: What's gonna there's another role that would definitely sounded like

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Speaker 1: a let's see for ourselves down down, Hello, my loyal subjects.

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Speaker 1: I seek the enchanted copper sword of Tesman. Is not

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Speaker 1: gonna like Deaven obviously, so there you seek it for honey.

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Speaker 1: I seek it for my bride. I love you so much.

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Speaker 1: Is that Lydia from the village over? I don't think so, Desmond.

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Speaker 1: Look at it, don't it look like it looks just

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Speaker 1: like someone lady soon to be a queen. Lydia, you

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Speaker 1: gotta be's going to be the queen. He's doing it's

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Speaker 1: just hurt. He's not going to part with the copper

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Speaker 1: with Desmond. All right, your majesty, your on what we're

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Speaker 1: supposed to call you? They used to date Desmond. It

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Speaker 1: was nothing. Don't tell the king is the enchanted copper

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Speaker 1: sword of Desmond here or not, we're gonna do with it.

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Speaker 1: You're gonna run it through him. You kill Desmond. I

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Speaker 1: wanted for its magical powers world. I wanted to give

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Speaker 1: it to my new You've got a face like a pudding.

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Speaker 1: Wait right there, your royal nous. I'll go fetch him

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Speaker 1: in his magical copper sword in there he's got it's

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Speaker 1: all right, listen, got good news, bad news. But I've

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Speaker 1: had a rough time. I understand things have not been great,

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Speaker 1: which you like first bad news. I've had a lot

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Speaker 1: of bad times. So the good news first, something I

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00:23:36,680 --> 00:23:40,280
Speaker 1: just kicking over my ex. You know, the King of England,

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Speaker 1: the real king's very he's nearby. He liked a word.

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Speaker 1: Well you I'm getting promoted probably probably, yeah, I'm sure

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Speaker 1: that's one. So that's the good news. Bad news. You've

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Speaker 1: got to bring the cup of Stolk magic, no problem,

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Speaker 1: the one? Can you bring it? Right? Let's go all right, Desmond, Desmond,

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Speaker 1: who are you giving me to Desmond, not now, and

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Speaker 1: to stay with me, but the king bring the bronze

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Speaker 1: into the copper. One hold on, I gotta go back

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Speaker 1: at the copper brons. You go back up on the

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00:24:20,560 --> 00:24:25,840
Speaker 1: mental don't put me back up. What's what's going on?

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Speaker 1: I'm just waking up. Say that king? What say that king?

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Speaker 1: You're not going to give him to me? Oh god? Yeah,

388
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Speaker 1: another present for my bride. What the know? The fucking pheasants?

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Speaker 1: And that many pheasants? Three pheasants. That's most of the

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Speaker 1: whole night since earlier, since oh god, thre had him

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Speaker 1: so much? Oh ship, your king. This we bought Desmond

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Speaker 1: and his sword down up there? What are you doing

393
00:25:11,240 --> 00:25:14,720
Speaker 1: down there? What then are you doing there? I don't

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Speaker 1: know him language, my king. I'll bend a nate. I'm

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Speaker 1: here for the promotion. And then you. I love you, Mking.

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Speaker 1: I love you too so much. I've never loved anybody

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Speaker 1: so much. Little thumbsuck. She did that to my too.

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Speaker 1: You wish I suck your thumb suck one time one time,

399
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Speaker 1: and he paid me five things. Plain knave that your

400
00:25:45,640 --> 00:25:48,200
Speaker 1: thumb is as noble as that of a king. I

401
00:25:48,280 --> 00:25:50,760
Speaker 1: had just said that. She did she sucked my thumb off,

402
00:25:53,080 --> 00:25:58,639
Speaker 1: I didn't well present this sword, this famous enchanted sword

403
00:25:58,720 --> 00:26:00,719
Speaker 1: that we have heard so much about, to tell him

404
00:26:00,760 --> 00:26:03,920
Speaker 1: how he's going to present it to you were presented

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Speaker 1: to my new bride, Queen Lydia so much. Wow, how's

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00:26:12,000 --> 00:26:20,639
Speaker 1: that hit? Desmine? Good luck? Good luck? Where am I going? No? No,

407
00:26:20,720 --> 00:26:24,359
Speaker 1: we're getting promotion? Oh yeah, Desmin, make kind of a word.

408
00:26:24,760 --> 00:26:29,119
Speaker 1: Yeah ah, this is a great opportunity for you. Right,

409
00:26:29,960 --> 00:26:32,240
Speaker 1: you've got a sword. The king wants the sword. You

410
00:26:32,320 --> 00:26:34,399
Speaker 1: gotta let it go. This whole thing with you and Lindia.

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Speaker 1: King wants the sword, he wants your That has some jellies.

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00:26:42,720 --> 00:26:46,680
Speaker 1: His head is still talking heads, still talking about oh yeah,

413
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Speaker 1: I can't be killed as part of the charmer thing.

414
00:26:50,160 --> 00:26:54,080
Speaker 1: Look at that. Look at that talking head. Keep quiet.

415
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Speaker 1: I just want to say, fucking pheasants, none of yours.

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Speaker 1: I think good luck? Marynes got a hard metalism. Look

417
00:27:03,280 --> 00:27:05,800
Speaker 1: why is the sword made out of copper in the

418
00:27:05,880 --> 00:27:08,760
Speaker 1: first place? I don't know. Why do you wear gold?

419
00:27:09,400 --> 00:27:12,880
Speaker 1: Why do I wear because it is the most precious

420
00:27:12,960 --> 00:27:18,320
Speaker 1: metal in all of the kingdom? Subjective? Subjective? What would

421
00:27:18,320 --> 00:27:23,040
Speaker 1: you say the most precious metal is Desmond copper? Hell? Yeah, hell, copper,

422
00:27:23,240 --> 00:27:27,879
Speaker 1: really copper? Hell? Yeah, what are the properties of this

423
00:27:28,040 --> 00:27:33,960
Speaker 1: enchanted sword? Good question? So smile, you can talk. We

424
00:27:34,040 --> 00:27:39,560
Speaker 1: can talk. Where the sword has been in my presence

425
00:27:39,600 --> 00:27:41,560
Speaker 1: for five minutes and I have not heard one peep

426
00:27:41,640 --> 00:27:45,040
Speaker 1: from it. It doesn't like her. The sword does not

427
00:27:45,400 --> 00:27:52,560
Speaker 1: like Lydia. It's not true true sword smiling at me Monty.

428
00:27:54,320 --> 00:27:57,880
Speaker 1: If she says, yes, have your jelly, dear, yes, call

429
00:27:58,000 --> 00:28:01,920
Speaker 1: me down. The swords taken a piece on it, a horse,

430
00:28:02,119 --> 00:28:07,520
Speaker 1: look at it. I think they mean metaphorically, don't have

431
00:28:07,560 --> 00:28:17,720
Speaker 1: the sword? Whoa the sun? You fuck you creen? What's

432
00:28:17,720 --> 00:28:20,719
Speaker 1: going on? What's going on? What's going on? What are

433
00:28:20,760 --> 00:28:23,760
Speaker 1: you giving me away? Yeah? I gotta give you what

434
00:28:24,119 --> 00:28:26,879
Speaker 1: you're talking to? Going to the sword? Why don't eat

435
00:28:26,920 --> 00:28:29,320
Speaker 1: a sword? I thought you're gonna give you a promotion.

436
00:28:29,640 --> 00:28:34,879
Speaker 1: I thought we were getting so just like that. But

437
00:28:35,040 --> 00:28:37,800
Speaker 1: we don't. We don't even like her. But she broke

438
00:28:37,920 --> 00:28:41,080
Speaker 1: our heart. You're gonna give us to that guy, give

439
00:28:41,120 --> 00:28:44,240
Speaker 1: me that guy, the king. What can I say one

440
00:28:44,240 --> 00:28:46,920
Speaker 1: thing before you let me go? What if you just

441
00:28:47,040 --> 00:28:50,400
Speaker 1: plunge me through his big, big belly and then we

442
00:28:50,520 --> 00:28:52,160
Speaker 1: made her watch and then you grab her by the

443
00:28:52,200 --> 00:28:53,960
Speaker 1: back of the neck and then make her watch the

444
00:28:53,960 --> 00:28:55,720
Speaker 1: blood come out of his big belly and then say

445
00:28:55,800 --> 00:28:57,560
Speaker 1: now you love me, and then let make her suck

446
00:28:57,560 --> 00:29:01,840
Speaker 1: your thumb. I think you're hurt. Yeah, he looks like

447
00:29:01,920 --> 00:29:06,560
Speaker 1: he's just listening to something, but he's not. Are you

448
00:29:06,680 --> 00:29:11,600
Speaker 1: reacting to Desmond sword? Are you reacting on that? What's

449
00:29:11,600 --> 00:29:17,040
Speaker 1: the sword saying? I think the sword is talking. Now switched.

450
00:29:17,120 --> 00:29:19,600
Speaker 1: Why don't you ask the opinion of the head that's

451
00:29:19,680 --> 00:29:21,840
Speaker 1: leaning in the dirt? Oh yeah, now you want to

452
00:29:21,880 --> 00:29:24,320
Speaker 1: know the adds opinion. I'll tell you my opinion about

453
00:29:24,320 --> 00:29:27,320
Speaker 1: the arena. Shame me. Yeah, No, I'm not gonna fat shame.

454
00:29:27,360 --> 00:29:30,200
Speaker 1: You're gonna I'm gonna steal an old villages food shaming.

455
00:29:31,400 --> 00:29:36,200
Speaker 1: It's not you can eat much. You can prevent it

456
00:29:36,360 --> 00:29:40,520
Speaker 1: getting eat by others. Get talking ed same as it

457
00:29:40,600 --> 00:29:48,600
Speaker 1: ever was, like that good burn. Stop you're not making sense.

458
00:29:51,480 --> 00:29:54,440
Speaker 1: Get him more pheasants and jellies And what am I

459
00:29:54,480 --> 00:29:57,360
Speaker 1: supposed to fucking roll over and get a pheasants and jellys.

460
00:29:57,680 --> 00:30:03,000
Speaker 1: There's a lot of people here, someone in the village jams.

461
00:30:03,080 --> 00:30:05,000
Speaker 1: I would like to see the rolling do it, but

462
00:30:05,200 --> 00:30:09,600
Speaker 1: I'm a roll away. Get her jellies. I'll talk a bit. Sword.

463
00:30:10,640 --> 00:30:13,800
Speaker 1: You never told me how strange your village is. It's

464
00:30:13,800 --> 00:30:17,720
Speaker 1: a strange place full of you know, big characters. I'm

465
00:30:17,840 --> 00:30:23,280
Speaker 1: so glad i met you. You're just a little yummy,

466
00:30:23,560 --> 00:30:27,520
Speaker 1: just gonna give me. Your nipples are like come drops.

467
00:30:27,560 --> 00:30:30,200
Speaker 1: I put them on myself. That song to you, man,

468
00:30:31,000 --> 00:30:33,720
Speaker 1: I never sang that song to Desmond. She can hear me,

469
00:30:34,280 --> 00:30:38,760
Speaker 1: I can hear. I can hear the sword. You can

470
00:30:38,800 --> 00:30:42,920
Speaker 1: hear the sword pistory powder. Well, then clearly you are

471
00:30:43,000 --> 00:30:46,240
Speaker 1: the true owner of the sword. Oh that's a good turnament,

472
00:30:47,520 --> 00:30:50,720
Speaker 1: the true own of the sword. Now keep doing much, Mike,

473
00:30:51,880 --> 00:30:54,320
Speaker 1: Yes you can. I want to lay it into this,

474
00:30:54,560 --> 00:30:56,640
Speaker 1: all right, give her the fucking sword around and we

475
00:30:56,840 --> 00:31:03,280
Speaker 1: I don't want to go with you. I'm gonna sword.

476
00:31:04,240 --> 00:31:06,160
Speaker 1: Tell the king. Tell the king that you're actually a

477
00:31:06,240 --> 00:31:09,600
Speaker 1: really mean person. He can't hear me. Huh, who are

478
00:31:09,640 --> 00:31:13,320
Speaker 1: you talking to? I'm talking to the sword. Take the

479
00:31:13,440 --> 00:31:17,000
Speaker 1: sword as is your right. I'm taking the sword as

480
00:31:17,240 --> 00:31:20,360
Speaker 1: is my right. You're mean, You're mean, You're a mean person.

481
00:31:21,120 --> 00:31:27,960
Speaker 1: Now slay Desmond, honey, exercise the demons of this bad

482
00:31:28,080 --> 00:31:34,640
Speaker 1: relationship to it. I've got a slight desmine, my queen,

483
00:31:34,760 --> 00:31:37,080
Speaker 1: my queen. I don't want to. I don't want to.

484
00:31:37,440 --> 00:31:39,520
Speaker 1: I don't want to kill Desmond. I don't want to

485
00:31:39,600 --> 00:31:44,800
Speaker 1: kill Destinin hit him. Don't you use me and plunge

486
00:31:44,840 --> 00:31:46,640
Speaker 1: me through the big, big belly of the king and

487
00:31:46,760 --> 00:31:54,080
Speaker 1: you can grab Desert and he's he's hurt, hurt, he's

488
00:31:54,160 --> 00:31:57,440
Speaker 1: so hurt. I'm hurt that you two aren't together, because

489
00:31:57,520 --> 00:32:00,200
Speaker 1: you should be. You just had one too many. It's

490
00:32:00,240 --> 00:32:04,200
Speaker 1: but your soulmates. Look at it, Look at his eyes,

491
00:32:04,880 --> 00:32:11,440
Speaker 1: look at hers? Wow, Wow, beautiful. What's the hold up here?

492
00:32:13,040 --> 00:32:14,840
Speaker 1: Look at look look in the look in the eyes

493
00:32:14,880 --> 00:32:18,920
Speaker 1: of the king. Take the copper sword and cut his

494
00:32:19,000 --> 00:32:23,880
Speaker 1: head off, my king. I'm really truly grappling with it,

495
00:32:24,200 --> 00:32:27,600
Speaker 1: and I do feel I'm close to killing him. I

496
00:32:27,760 --> 00:32:31,760
Speaker 1: would like a five minute recess from the pressure I'm feeling.

497
00:32:32,040 --> 00:32:35,080
Speaker 1: The queen requires a five minute recess. Your Royal Highness

498
00:32:35,160 --> 00:32:38,280
Speaker 1: might not have a word yes right as your counsel,

499
00:32:38,560 --> 00:32:41,240
Speaker 1: I must what is it Wormington's I must suggest a

500
00:32:41,320 --> 00:32:45,560
Speaker 1: couple of issues that have arisen from this whole event,

501
00:32:45,840 --> 00:32:50,680
Speaker 1: issues where they are rather disturbing about your queen to be. Yeah,

502
00:32:50,680 --> 00:32:55,840
Speaker 1: I killed Desmond. No, no, why do we do that?

503
00:32:57,840 --> 00:33:01,560
Speaker 1: That's with me. I think it's impressive that she killed

504
00:33:01,640 --> 00:33:04,000
Speaker 1: her former lover. I did it for my king. But

505
00:33:04,080 --> 00:33:09,040
Speaker 1: at the same time, the term lady like wouldn't seem

506
00:33:09,120 --> 00:33:12,640
Speaker 1: to imply I will be the judge of who's lady like? Welmington,

507
00:33:12,840 --> 00:33:15,560
Speaker 1: I understand. Maybe I like them big, right? And what

508
00:33:15,640 --> 00:33:20,400
Speaker 1: happened to the last one? Why you Warmington talking about

509
00:33:20,760 --> 00:33:22,720
Speaker 1: what happened to the last one? I would only ask

510
00:33:22,800 --> 00:33:27,440
Speaker 1: you to ponder what happened to the last one? Right?

511
00:33:34,240 --> 00:33:42,560
Speaker 1: Having Yes, yes, I have you know what I like? Dragons?

512
00:33:43,840 --> 00:33:45,800
Speaker 1: I could buy you with the biggest dragon in all

513
00:33:45,840 --> 00:33:50,480
Speaker 1: the kingdom. I could eat it. I could eat one girl.

514
00:33:50,920 --> 00:33:55,720
Speaker 1: I'm crazy, advertite. I'd like to see that you get

515
00:33:55,760 --> 00:34:00,800
Speaker 1: out of my way. I'm trying to get in the bathroom. Right.

516
00:34:00,880 --> 00:34:02,840
Speaker 1: So you see, last time things didn't go so well,

517
00:34:02,960 --> 00:34:05,520
Speaker 1: did they. Well? Yes, I didn't realize she was literally

518
00:34:05,600 --> 00:34:09,320
Speaker 1: talking about eating a dragon, right right, right? So this

519
00:34:09,560 --> 00:34:12,360
Speaker 1: time we've got your bride to bay. Who's talking to us?

520
00:34:12,560 --> 00:34:15,879
Speaker 1: Should I not be the probably shouldn't be here. Yes,

521
00:34:16,360 --> 00:34:19,200
Speaker 1: I'll go over there. I'll see some little rabbits. I

522
00:34:19,239 --> 00:34:22,120
Speaker 1: could pull a pot right, So she talks to the swords,

523
00:34:22,160 --> 00:34:24,480
Speaker 1: so I would suggest that that might be the first

524
00:34:25,239 --> 00:34:29,400
Speaker 1: point of interest. Yeah, yes, I suppose so. Wilmington's right.

525
00:34:29,560 --> 00:34:32,120
Speaker 1: So in the future, when she talks to other ananimate

526
00:34:32,160 --> 00:34:35,880
Speaker 1: dog trips, it could be more of a problem. Yes, yes,

527
00:34:35,960 --> 00:34:38,520
Speaker 1: but but the sword is enchanted. I mean, isn't it

528
00:34:38,600 --> 00:34:42,080
Speaker 1: giving her advice? How many fish in the sea. Wow,

529
00:34:42,160 --> 00:34:45,120
Speaker 1: I'm really surprised at how like strong you were when

530
00:34:45,160 --> 00:34:47,920
Speaker 1: you killed Desmond. Well, I was just thinking about it

531
00:34:48,200 --> 00:34:51,680
Speaker 1: and looking into his red red eyes, and I thought

532
00:34:51,680 --> 00:34:54,080
Speaker 1: we're going to kiss. I thought so too, and I

533
00:34:54,160 --> 00:34:56,520
Speaker 1: thought I was going to miss him. But I can't

534
00:34:56,560 --> 00:34:59,600
Speaker 1: like being with you. Is that weird to say? I'm

535
00:34:59,680 --> 00:35:02,319
Speaker 1: just word. I don't know. I think you more than

536
00:35:02,360 --> 00:35:07,719
Speaker 1: a sword. Lovely, You're so shiny. That's just what I

537
00:35:07,840 --> 00:35:11,200
Speaker 1: made of particular. Oh, I cut you a little bit.

538
00:35:11,760 --> 00:35:14,120
Speaker 1: I realize you're trying to give me good counsel, Wormington,

539
00:35:14,640 --> 00:35:17,920
Speaker 1: but you love is counsel proof. I understand. It's blind.

540
00:35:18,239 --> 00:35:20,480
Speaker 1: I love her. I love her with all my heart.

541
00:35:20,560 --> 00:35:22,319
Speaker 1: If you could name the first seven things you love

542
00:35:22,360 --> 00:35:25,680
Speaker 1: about her, they would start with Oh, I'm just tickling

543
00:35:25,719 --> 00:35:27,600
Speaker 1: you a little bit more. I'm just gonna keep tickling

544
00:35:27,719 --> 00:35:34,239
Speaker 1: you boob number one, number two. But we're on a

545
00:35:34,400 --> 00:35:39,520
Speaker 1: tight schedual. I'm afraid, your majesty the heads talking to me,

546
00:35:39,760 --> 00:35:44,040
Speaker 1: Your majesty, Yes, what is it? Good news and bad news?

547
00:35:44,880 --> 00:35:47,839
Speaker 1: I'll take the bad news first, right, your sword killed

548
00:35:47,920 --> 00:35:55,120
Speaker 1: your wife. What's the good news? Uh, we found a

549
00:35:55,160 --> 00:35:58,800
Speaker 1: couple of extra peasants, so we're gonna have dinner. Presents world.

550
00:36:01,840 --> 00:36:04,800
Speaker 1: It was a lovely day in the Kingdom that particular

551
00:36:04,920 --> 00:36:07,640
Speaker 1: day of the king and the former queen to be

552
00:36:09,160 --> 00:36:16,719
Speaker 1: a yes, okay, well this does come in handy now

553
00:36:17,160 --> 00:36:20,560
Speaker 1: for our last wrap up scene that was suggested from

554
00:36:20,680 --> 00:36:26,719
Speaker 1: Carla not to Kikowski Caldera a true crime podcast or

555
00:36:26,960 --> 00:36:30,279
Speaker 1: somehow gets wrapped up in an actual crime scene and

556
00:36:30,360 --> 00:36:33,839
Speaker 1: can't help but record an episode for the podcast then

557
00:36:34,120 --> 00:36:39,600
Speaker 1: and there right, so before forensics arrives. I feel like

558
00:36:40,120 --> 00:36:42,560
Speaker 1: this area here should be protected. If we could just

559
00:36:42,640 --> 00:36:44,799
Speaker 1: find someone, an officer who could just sort of keep

560
00:36:44,800 --> 00:36:49,520
Speaker 1: an eye on things. Okay, we got it. It's many great. Uh,

561
00:36:50,200 --> 00:36:52,839
Speaker 1: keep keep a perimeter and try to get the try

562
00:36:52,880 --> 00:36:55,600
Speaker 1: to get the bystanders away. Would you like to do

563
00:36:55,719 --> 00:36:59,400
Speaker 1: that for keeping a perimeter and trying to keep the

564
00:36:59,520 --> 00:37:04,480
Speaker 1: bystand may help you. Uh yeah, actually no, I did

565
00:37:04,560 --> 00:37:06,480
Speaker 1: not think I was going to get cooperation from the

566
00:37:06,719 --> 00:37:09,680
Speaker 1: actual police department. I'm not sure that's what's happening, Smitty.

567
00:37:10,680 --> 00:37:12,279
Speaker 1: How can I how can we help you? I'm just

568
00:37:13,040 --> 00:37:16,480
Speaker 1: I'm just so so curious. I was who knew that?

569
00:37:17,040 --> 00:37:19,880
Speaker 1: Who knew that? The last season I could top myself

570
00:37:20,040 --> 00:37:24,560
Speaker 1: with the recording studio murders? Is that you? Yeah? Yeah,

571
00:37:25,680 --> 00:37:28,680
Speaker 1: I'm the guy that You're the guy who's always talking

572
00:37:28,680 --> 00:37:32,080
Speaker 1: about police corruption. You're the one that says that we

573
00:37:32,200 --> 00:37:34,440
Speaker 1: are better at our jobs and that we overlooked too

574
00:37:34,480 --> 00:37:37,960
Speaker 1: many things. I just I point out I'm a citizen.

575
00:37:38,000 --> 00:37:40,960
Speaker 1: I'm a concerned citizen, and I think that now that

576
00:37:41,120 --> 00:37:44,560
Speaker 1: we have the public air waves of the Internet that Okay,

577
00:37:44,600 --> 00:37:47,600
Speaker 1: So I just stay behind the perimeter, sir, Okay, I'll

578
00:37:47,600 --> 00:37:52,160
Speaker 1: be right over here. Yeah, you mentioned something about some

579
00:37:52,360 --> 00:37:55,080
Speaker 1: expert guy that was hanging around. Maybe it doesn't belong

580
00:37:55,239 --> 00:37:58,000
Speaker 1: where is this Wait? Wait, there's there's there's an expert.

581
00:37:59,080 --> 00:38:01,800
Speaker 1: It was probably you. He was referring to that. I

582
00:38:01,960 --> 00:38:04,480
Speaker 1: was the something we can do for you? This is

583
00:38:04,880 --> 00:38:07,759
Speaker 1: he was using air quotes on it. Yeah, he's not right.

584
00:38:08,160 --> 00:38:11,680
Speaker 1: An active crime scene is sarcasm so so so if

585
00:38:11,719 --> 00:38:16,160
Speaker 1: there was an expert on murders like this around, who is, well, somebody,

586
00:38:16,880 --> 00:38:20,319
Speaker 1: she's on her way. She is she knows she can

587
00:38:20,360 --> 00:38:22,000
Speaker 1: take one look at a crime scene like this and

588
00:38:22,440 --> 00:38:24,960
Speaker 1: really really almost solve it. But it's just the ship

589
00:38:25,040 --> 00:38:27,160
Speaker 1: bang it does the podcast. That's he that's the one.

590
00:38:27,160 --> 00:38:31,920
Speaker 1: I'm talking police corruption and we're no good. You're so

591
00:38:32,160 --> 00:38:36,920
Speaker 1: smart and you're so concerned. Where Oh I hear she

592
00:38:37,040 --> 00:38:41,960
Speaker 1: is so there everybody? Multiple bodies, multiple bodies. So nice

593
00:38:42,000 --> 00:38:45,279
Speaker 1: to see you today. I like your khaki jacket. Oh

594
00:38:45,360 --> 00:38:49,520
Speaker 1: thank you got kaki dance khaki jacket. I'm a lady here, Rhonda.

595
00:38:49,680 --> 00:38:52,839
Speaker 1: Can I make one suggestion before you continue? Rhonda, please

596
00:38:52,960 --> 00:38:55,879
Speaker 1: be careful what you say round this. We got here, yeah,

597
00:38:56,120 --> 00:39:02,600
Speaker 1: get me out of this. Is Captain jag Off. He

598
00:39:02,640 --> 00:39:06,480
Speaker 1: does a podcast. Actually not kept, it's just Jack. It's

599
00:39:06,520 --> 00:39:11,919
Speaker 1: all sorry. I fell for it. You got me wet.

600
00:39:12,040 --> 00:39:14,920
Speaker 1: Multiple bodies, multiple bodies. What do you see when you

601
00:39:14,960 --> 00:39:16,680
Speaker 1: walk in the room? What do you notice? Rod? What's

602
00:39:16,680 --> 00:39:18,040
Speaker 1: the first thing that you do? You want me to

603
00:39:18,320 --> 00:39:21,359
Speaker 1: be talking to him or you're the expert. The first

604
00:39:21,360 --> 00:39:23,680
Speaker 1: thing I noticed? We're not in a room. We're outside,

605
00:39:23,800 --> 00:39:25,880
Speaker 1: So I noticed the weather, I noticed which way the

606
00:39:25,920 --> 00:39:29,200
Speaker 1: wind's going, and then I start looking for spladders. Once

607
00:39:29,239 --> 00:39:31,239
Speaker 1: I find those, you know, I kind of moved faster

608
00:39:31,360 --> 00:39:33,680
Speaker 1: and then my brain just starts telling me stories because

609
00:39:33,719 --> 00:39:35,400
Speaker 1: that's what I've been doing since I was a kid, honestly,

610
00:39:35,520 --> 00:39:39,680
Speaker 1: just sort of amusing myself only child. Yeah, I got

611
00:39:39,719 --> 00:39:42,400
Speaker 1: a real knack for, you know, putting together what's happening.

612
00:39:42,520 --> 00:39:45,320
Speaker 1: And I don't want to brag, but I have, you know,

613
00:39:46,440 --> 00:39:49,520
Speaker 1: been pretty instrumental in a lot of solving a lot easier. Wow,

614
00:39:49,640 --> 00:39:51,160
Speaker 1: that is, you know what. Let's get back to that

615
00:39:51,280 --> 00:39:53,160
Speaker 1: in just a few minutes after work. I really do

616
00:39:53,320 --> 00:39:58,920
Speaker 1: need to Hey, um, she's good. You know, she's really good.

617
00:39:59,000 --> 00:40:00,959
Speaker 1: It's really good. And i'd don't know if she's gonna

618
00:40:01,000 --> 00:40:03,000
Speaker 1: realize it was an inside job. I don't know if

619
00:40:03,000 --> 00:40:04,960
Speaker 1: she's gonna realize it was you and I committed these

620
00:40:05,040 --> 00:40:09,359
Speaker 1: murders and that podcasting guy, I don't I'm getting really nervous. Okay,

621
00:40:09,400 --> 00:40:12,279
Speaker 1: So I'm seeing a lot of bodies here. Uh I

622
00:40:12,400 --> 00:40:15,680
Speaker 1: got a count of six? Am I missing any six?

623
00:40:15,800 --> 00:40:20,399
Speaker 1: Or seven? Uh? Six? Is when I counted six? Six? Okay? Six?

624
00:40:21,400 --> 00:40:23,160
Speaker 1: It looks like there might have been seven in the

625
00:40:23,280 --> 00:40:28,240
Speaker 1: room at some point. Are you sure listen to Detective Rhonda?

626
00:40:28,360 --> 00:40:31,360
Speaker 1: I mean, she says six at six, I do see six.

627
00:40:32,200 --> 00:40:33,960
Speaker 1: I do wonder if there has been a seventh and

628
00:40:34,120 --> 00:40:37,280
Speaker 1: just call it my sixth sense or whatever. I'm noticing

629
00:40:37,360 --> 00:40:41,320
Speaker 1: that some of these tracks they look like they do

630
00:40:41,480 --> 00:40:45,640
Speaker 1: look like the you know, standard issue shoe. I walked

631
00:40:45,760 --> 00:40:49,719
Speaker 1: through it accidentally when I was taping up the Okay, yeah,

632
00:40:49,760 --> 00:40:53,640
Speaker 1: that's gonna be a any prince that or Smitty's or

633
00:40:53,880 --> 00:40:57,760
Speaker 1: you know, are definitely Smitty? Is Smitty telling the truth?

634
00:40:58,560 --> 00:41:03,560
Speaker 1: I don't know. That's a great question. Trusted Smitty. We're good,

635
00:41:03,640 --> 00:41:05,759
Speaker 1: You and I are good? Why with that? We were good?

636
00:41:05,800 --> 00:41:08,080
Speaker 1: But you better take a step back, please, sir. Okay, sir,

637
00:41:08,360 --> 00:41:12,760
Speaker 1: it's me. It's Smitty. Could have been that careless? Hey, Smitty?

638
00:41:12,840 --> 00:41:14,600
Speaker 1: What were you doing last night? What I was doing?

639
00:41:14,640 --> 00:41:16,840
Speaker 1: What we all do? You weren't at the poolhouse? I

640
00:41:16,960 --> 00:41:20,760
Speaker 1: was bold, bold, bold, bold bull? Anybody with you? Smitty?

641
00:41:21,719 --> 00:41:24,719
Speaker 1: Anybody was Smitty? Yeah? Yeah, I was. I was with

642
00:41:24,760 --> 00:41:28,640
Speaker 1: Smitty last night. Are you wedding? Huh? Why are you sweating? Certain?

643
00:41:29,400 --> 00:41:32,000
Speaker 1: I don't know. It's kind of a humid day doesn't

644
00:41:32,000 --> 00:41:34,600
Speaker 1: feel that humid to me. When we come back, I've

645
00:41:34,680 --> 00:41:38,320
Speaker 1: got the actual bowling Alley owner to confirm whether or

646
00:41:38,400 --> 00:41:41,399
Speaker 1: not these two gentlemen were there. No, you don't, that's

647
00:41:41,440 --> 00:41:43,600
Speaker 1: not true. I can't be. I'm calling him right now.

648
00:41:43,719 --> 00:41:47,000
Speaker 1: Could you get him? Calling him right now? I'd love

649
00:41:47,080 --> 00:41:49,680
Speaker 1: to get you on payroll. Honestly, this is a huge

650
00:41:49,760 --> 00:41:52,560
Speaker 1: How thank you don't get me on payroll, Just get

651
00:41:52,600 --> 00:41:59,359
Speaker 1: me on iTunes? Your boy? Yeah, recording that we were

652
00:41:59,640 --> 00:42:02,919
Speaker 1: banned from my tunes recording studio murders here recording studio

653
00:42:03,000 --> 00:42:07,040
Speaker 1: murders gable house? Can I help you? Yeah? This is

654
00:42:07,160 --> 00:42:09,440
Speaker 1: this is a gable house bowl high. Um. I just

655
00:42:09,520 --> 00:42:12,680
Speaker 1: wanted to to check out whether or not. So did

656
00:42:12,680 --> 00:42:13,920
Speaker 1: you want to Lane? And how can I help you?

657
00:42:14,360 --> 00:42:19,160
Speaker 1: I want a line on two fellas. I'm with this guy. Hey,

658
00:42:19,280 --> 00:42:21,680
Speaker 1: don how are you doing? Greg? Alright? The hot dog

659
00:42:21,760 --> 00:42:27,760
Speaker 1: still funky. I'm never going to forget about that dog. Okay,

660
00:42:27,840 --> 00:42:31,040
Speaker 1: this kid's a real real whipper snapper. We got a firecracker.

661
00:42:31,400 --> 00:42:33,480
Speaker 1: That's what I was looking for, all right, whipper snap

662
00:42:33,640 --> 00:42:35,680
Speaker 1: ran a fire cracker. Were there two cops in here

663
00:42:35,760 --> 00:42:38,120
Speaker 1: last night? Okay? We bring down gables so much business.

664
00:42:38,200 --> 00:42:42,000
Speaker 1: There's hell vouch for us. He's got her. Yeah, yes, yeah,

665
00:42:42,000 --> 00:42:44,520
Speaker 1: there were a couple of cops here last night were women.

666
00:42:44,600 --> 00:42:47,080
Speaker 1: Most nights there were a couple of cops. It's gable. Hey,

667
00:42:47,120 --> 00:42:51,040
Speaker 1: don gets specific for us. Okay, sure, could you describe

668
00:42:51,080 --> 00:42:53,839
Speaker 1: the two cops that were there last night? Yeah, you're

669
00:42:53,880 --> 00:43:00,400
Speaker 1: asking about last night, and right, it was Smity. Let

670
00:43:00,440 --> 00:43:02,880
Speaker 1: me check. You know what I done is Jones? I

671
00:43:02,960 --> 00:43:06,200
Speaker 1: always write it down, Jones, I always write it down.

672
00:43:06,280 --> 00:43:09,239
Speaker 1: Let me see here, uh, Smidy and Jones. I wrote

673
00:43:09,280 --> 00:43:11,759
Speaker 1: down the name Smidy and Jones and that and that

674
00:43:11,920 --> 00:43:13,680
Speaker 1: is in it from last night. That's clearly at the

675
00:43:13,719 --> 00:43:16,000
Speaker 1: bottom of the page and in a different pen than

676
00:43:16,080 --> 00:43:17,600
Speaker 1: the rest of Well we're on the phone, so I'm

677
00:43:17,600 --> 00:43:19,120
Speaker 1: not sure how you would know that. But the truth

678
00:43:19,160 --> 00:43:22,279
Speaker 1: of the matter, this kid's good. The ears on this kid.

679
00:43:22,400 --> 00:43:24,799
Speaker 1: Do you know who else was good? Jonesy last night

680
00:43:24,880 --> 00:43:31,480
Speaker 1: when he bought a three four? Impossible? Just keep going.

681
00:43:31,680 --> 00:43:33,719
Speaker 1: You think you think I can't hear I can hear

682
00:43:33,760 --> 00:43:37,520
Speaker 1: the sound of different pens Mr Podcast, Mr Podcast from him. Yeah,

683
00:43:37,560 --> 00:43:41,880
Speaker 1: he bowled two games. That was his total score. I

684
00:43:41,920 --> 00:43:44,839
Speaker 1: mean scares at least are you still in any money.

685
00:43:44,880 --> 00:43:49,160
Speaker 1: Trouble down, m defined trouble. He's still needing a little

686
00:43:49,200 --> 00:43:52,960
Speaker 1: up extra help the department. Okay, could it be that

687
00:43:53,160 --> 00:43:56,560
Speaker 1: Don is taking money from the department. No, they pay

688
00:43:56,680 --> 00:44:01,560
Speaker 1: him a little whoa, I might have found a murder weapon.

689
00:44:01,719 --> 00:44:04,840
Speaker 1: Oh oh, this is big. This is big. But I

690
00:44:04,920 --> 00:44:07,319
Speaker 1: guess my prints are all over it. Now, well here,

691
00:44:07,400 --> 00:44:10,880
Speaker 1: let me hold it for a second. Now, Okay, Randa,

692
00:44:10,960 --> 00:44:14,200
Speaker 1: what do we do with this gun? Well, obviously it

693
00:44:14,320 --> 00:44:17,799
Speaker 1: has been compromised, but I'll just take it. I've got

694
00:44:17,840 --> 00:44:20,000
Speaker 1: my gloves on. We all know we should be wearing gloves,

695
00:44:23,080 --> 00:44:25,200
Speaker 1: you know, we can see if there's any other prints

696
00:44:25,239 --> 00:44:28,000
Speaker 1: on here, if it's just the two of you, yeah,

697
00:44:28,520 --> 00:44:32,279
Speaker 1: I'm sure. Okay, that's unless they were wearing gloves. The

698
00:44:32,360 --> 00:44:34,080
Speaker 1: murderous prints are probably gonna be on there, or they

699
00:44:34,120 --> 00:44:37,520
Speaker 1: wiped it clean, exactly. Know it's Manny is in my prints.

700
00:44:37,600 --> 00:44:39,719
Speaker 1: You know we're going to be on there, so just regardless.

701
00:44:41,000 --> 00:44:43,960
Speaker 1: So I'm getting a real weird feeling about that, me too.

702
00:44:44,560 --> 00:44:49,080
Speaker 1: We all are y, Yeah, it's really weird. What's your premonitions? Reminition?

703
00:44:49,120 --> 00:44:51,520
Speaker 1: I'm seeing six bodies, I'm seeing the layout, I'm seeing

704
00:44:51,640 --> 00:44:56,160
Speaker 1: precise shots. I'm seeing shots by a trained, trained killer.

705
00:44:56,520 --> 00:44:58,560
Speaker 1: I'm seeing shots that you know what, Honestly, this is

706
00:44:58,600 --> 00:45:01,160
Speaker 1: how they cheat, just to shooting force. Perhaps it's somebody

707
00:45:01,200 --> 00:45:03,840
Speaker 1: who knows the law intimately and maybe has a podcast

708
00:45:03,920 --> 00:45:09,719
Speaker 1: about it. Somebody who's I got something. Here we go. Look,

709
00:45:09,840 --> 00:45:15,120
Speaker 1: it's a Schmidty's badge in the mouth. Smitty's badge be

710
00:45:15,320 --> 00:45:18,320
Speaker 1: in the mouth of one of the victims. It's easy.

711
00:45:18,480 --> 00:45:20,440
Speaker 1: Somebody was trying to set you up. Somebody's trying to

712
00:45:20,480 --> 00:45:27,400
Speaker 1: set me up. Why? Yeah, why wires? Why is everyone

713
00:45:27,440 --> 00:45:29,680
Speaker 1: looking at me? Well, I know would set me up,

714
00:45:29,719 --> 00:45:32,000
Speaker 1: and Ronda is great, So why would you try to say?

715
00:45:32,040 --> 00:45:33,839
Speaker 1: You don't need to flatter me right now? I think

716
00:45:33,880 --> 00:45:37,759
Speaker 1: we're on thin eyes. Just that your eyes look Nope, Schmidty, no,

717
00:45:40,520 --> 00:45:44,920
Speaker 1: just because I know how murders work. Boom, okay, guilty.

718
00:45:46,239 --> 00:45:49,320
Speaker 1: No oh, there's there's no evidence that it was me.

719
00:45:49,440 --> 00:45:51,160
Speaker 1: Why Why why is everyone looking at me like this?

720
00:45:52,360 --> 00:45:54,440
Speaker 1: I don't think it was I don't think it's the kid,

721
00:45:54,800 --> 00:45:56,719
Speaker 1: you know what, I think it's the two of you.

722
00:45:57,200 --> 00:46:01,120
Speaker 1: I'm just saying what I think that tone with me, Okay,

723
00:46:01,239 --> 00:46:03,759
Speaker 1: I know your wife. I'm happy to call her, And

724
00:46:03,920 --> 00:46:07,879
Speaker 1: now the stunning conclusion where Rhonda actually points out how

725
00:46:08,040 --> 00:46:11,279
Speaker 1: she knows. Okay, I know it because of your footprints.

726
00:46:11,360 --> 00:46:13,879
Speaker 1: I also know because your badge is in a victim's mouth.

727
00:46:14,320 --> 00:46:16,960
Speaker 1: I know because these shots are cops shots. You guys

728
00:46:17,000 --> 00:46:18,920
Speaker 1: are cops. I know because you were first on the scene,

729
00:46:19,000 --> 00:46:21,480
Speaker 1: even though it just checked no incident was called in.

730
00:46:21,760 --> 00:46:23,840
Speaker 1: How do you know to be here? How did you

731
00:46:23,880 --> 00:46:27,240
Speaker 1: know to be here? We're driving by, just noticed something unusual?

732
00:46:29,360 --> 00:46:33,040
Speaker 1: What are you doing? So? I can't? I can't anymore.

733
00:46:33,400 --> 00:46:36,080
Speaker 1: She's too good. And this guy, this guy, well, he

734
00:46:36,239 --> 00:46:39,920
Speaker 1: ruined the whole feeling of the day. Crime a passion.

735
00:46:40,000 --> 00:46:42,279
Speaker 1: Six bodies dead, I don't know seven there was seven,

736
00:46:42,320 --> 00:46:45,319
Speaker 1: there were seven? He was right. Can I ask you something?

737
00:46:45,360 --> 00:46:50,480
Speaker 1: Where do you think this episode drops? Well, we try

738
00:46:50,520 --> 00:46:53,799
Speaker 1: to be about three weeks out, three weeks ahead. Oh

739
00:46:53,840 --> 00:46:55,520
Speaker 1: maybe we can get some court case stuff in there.

740
00:46:56,000 --> 00:46:57,959
Speaker 1: Oh yeah, I bet we could. We can speed it along.

741
00:46:58,040 --> 00:46:59,920
Speaker 1: Would you be interested in an interview? Oh? I'd love it.

742
00:47:00,040 --> 00:47:02,680
Speaker 1: And you know I know the judge. We're real close. Actually,

743
00:47:02,680 --> 00:47:04,400
Speaker 1: I can get your right in the courtroom. Yeah. And

744
00:47:04,560 --> 00:47:10,040
Speaker 1: the stenographer is my nephew's girlfriend. She's adorable Randa. Would

745
00:47:10,040 --> 00:47:13,319
Speaker 1: you mind reading Schmitty and Jones there? Right? Oh yeah,

746
00:47:14,000 --> 00:47:16,640
Speaker 1: you have obviously the right to remain silent, and then

747
00:47:16,760 --> 00:47:19,719
Speaker 1: the other ones you also know. So I don't think

748
00:47:19,719 --> 00:47:22,600
Speaker 1: I'm gonna I don't think I'm gonna go in this casually. Jonesy,

749
00:47:22,680 --> 00:47:24,280
Speaker 1: I think I'm going out in a blaze of glory.

750
00:47:25,200 --> 00:47:31,920
Speaker 1: That sounds like my friend. Oh god, she shot him.

751
00:47:32,080 --> 00:47:35,680
Speaker 1: I'm so sorry. It's just, oh my god, it's oh

752
00:47:35,719 --> 00:47:39,920
Speaker 1: my god, Rona. Thanks for coming in internal Affairs today,

753
00:47:41,680 --> 00:47:44,640
Speaker 1: your report that you filled up, and I hope you

754
00:47:44,680 --> 00:47:47,600
Speaker 1: can read my handwriting. It's been our problem since fourth grade.

755
00:47:47,880 --> 00:47:51,000
Speaker 1: Somebody must have typed it up for you. A cookie, thankfully,

756
00:47:51,160 --> 00:47:54,839
Speaker 1: Thank you. You're so well. Seven dead such a shame,

757
00:47:55,160 --> 00:47:59,200
Speaker 1: right right? Well, uh, there's seven bodies because Schmitty was

758
00:47:59,239 --> 00:48:02,200
Speaker 1: one of them. Yes, right, so we had six bodies

759
00:48:02,239 --> 00:48:07,760
Speaker 1: on the scene. Uh, alleged to a possibility of a seventh,

760
00:48:07,960 --> 00:48:13,480
Speaker 1: and then Schmittee actually became the seventh from Yorga correct, captain.

761
00:48:13,560 --> 00:48:15,640
Speaker 1: Sorry to interrupt, if if you wouldn't mind just taking

762
00:48:15,680 --> 00:48:20,719
Speaker 1: that last part again. Have you lost weight a little

763
00:48:20,719 --> 00:48:29,040
Speaker 1: bit crazy? That's good. I'm never gonna find out for myself. Anyway,

764
00:48:29,080 --> 00:48:34,239
Speaker 1: we're podcasting this internal affair, so yeah, just do your

765
00:48:34,280 --> 00:48:38,000
Speaker 1: mic went out for a second the camp. Sorry, no,

766
00:48:38,120 --> 00:48:41,440
Speaker 1: you're good, you're good. Where did I pick it up from? Uh?

767
00:48:42,080 --> 00:48:47,520
Speaker 1: Pick it up from? Just wherever's comfortable? Are you tired

768
00:48:47,560 --> 00:48:50,239
Speaker 1: of cooking all the food that you have to go

769
00:48:50,320 --> 00:48:54,799
Speaker 1: out and buy? I sure, am. We'll try this new thing.

770
00:48:56,080 --> 00:48:59,919
Speaker 1: Pink a pink boy. Can we do this one again? Guys?

771
00:49:00,000 --> 00:49:02,239
Speaker 1: Can we take this one again? Let's take it again? Yeah?

772
00:49:02,280 --> 00:49:03,640
Speaker 1: I just feel like because there was already a blue

773
00:49:03,680 --> 00:49:06,160
Speaker 1: Apron ad, so then I got scared and I bailed

774
00:49:06,200 --> 00:49:07,719
Speaker 1: on that. So you know what we should do? We

775
00:49:07,760 --> 00:49:09,879
Speaker 1: should really just hire someone new to do these ads.

776
00:49:09,960 --> 00:49:14,720
Speaker 1: Do you guys use zip recruiter? Huh? What's that zip recruiter?

777
00:49:14,840 --> 00:49:17,600
Speaker 1: It's a it's a great way to make money online.

778
00:49:17,880 --> 00:49:26,640
Speaker 1: How's that? Uh? They they may recruiter maybe maybe Square

779
00:49:26,719 --> 00:49:31,400
Speaker 1: Squares Yeah, Space, Sure, talk about them. I want to

780
00:49:31,440 --> 00:49:33,799
Speaker 1: do a mattress one, Okay, do it. I'd love them.

781
00:49:33,840 --> 00:49:34,920
Speaker 1: I mean I don't want to do it, but I

782
00:49:35,000 --> 00:49:37,080
Speaker 1: need a match, like a new mattress. Yeah, and I

783
00:49:37,200 --> 00:49:40,440
Speaker 1: hear the mattresses and podcasts are just huge bed with

784
00:49:40,600 --> 00:49:45,360
Speaker 1: each other, dared, I see where you went. In addition

785
00:49:45,480 --> 00:49:48,040
Speaker 1: to uh doing this podcast, we are still a full

786
00:49:48,080 --> 00:49:50,279
Speaker 1: time police force, so you know we are going to

787
00:49:50,360 --> 00:49:53,200
Speaker 1: have to solve crimes at some point. Well in internal affairs,

788
00:49:53,239 --> 00:49:55,040
Speaker 1: I can be honest with you. We we've got our

789
00:49:55,080 --> 00:49:58,520
Speaker 1: hands full. And getting back to RONDEWI, we're on very department.

790
00:49:59,080 --> 00:50:03,320
Speaker 1: Thank you, super uh Rhonda. Yeah, it says here in

791
00:50:03,360 --> 00:50:07,600
Speaker 1: your own uh chicken scratch, go ahead say it. You

792
00:50:08,040 --> 00:50:11,640
Speaker 1: took out your revolver and shot Schmidy in the neck,

793
00:50:12,400 --> 00:50:16,919
Speaker 1: right uh. And he has cooperated, he survived, of course.

794
00:50:17,040 --> 00:50:19,400
Speaker 1: Of course I knew what I was doing. He threatened

795
00:50:19,400 --> 00:50:21,600
Speaker 1: a blaze of glory, and to me that man, everyone

796
00:50:21,719 --> 00:50:24,080
Speaker 1: was in danger, right you were. If I hear someone

797
00:50:24,160 --> 00:50:26,920
Speaker 1: say blaze of glory, I'm going to save everyone, okay

798
00:50:27,080 --> 00:50:30,040
Speaker 1: by shooting a man. That's correct before he but I

799
00:50:30,080 --> 00:50:33,000
Speaker 1: don't know what blaze of glory entails. But I've been

800
00:50:33,040 --> 00:50:34,680
Speaker 1: I got a nose on me, I got a brain

801
00:50:34,760 --> 00:50:36,000
Speaker 1: in here, and I got eyes right here, and I

802
00:50:36,040 --> 00:50:37,880
Speaker 1: got a revolver on my hip. Honey, you do the map.

803
00:50:38,040 --> 00:50:40,560
Speaker 1: Maybe someone says blaze of glory, I'm shooting him in

804
00:50:40,560 --> 00:50:42,560
Speaker 1: the neck. In the neck though, that's that was my

805
00:50:42,680 --> 00:50:45,360
Speaker 1: point of interest, as opposed to the shoulder of the thigh. No,

806
00:50:45,640 --> 00:50:47,200
Speaker 1: I wanted to shoot him in the next as you're

807
00:50:47,400 --> 00:50:50,800
Speaker 1: taught in training as an officer to take take the

808
00:50:50,840 --> 00:50:53,279
Speaker 1: man down. Shooting in the neck could have resolved in

809
00:50:53,920 --> 00:50:55,640
Speaker 1: could have, but it didn't. We're going to throw in

810
00:50:55,680 --> 00:50:58,400
Speaker 1: a square space ad there right there? Yeah, right, so

811
00:50:58,400 --> 00:51:01,680
Speaker 1: I should leave it pause, just leave a okay, So

812
00:51:01,800 --> 00:51:06,600
Speaker 1: a shot in the neck could result in a murder,

813
00:51:07,840 --> 00:51:12,239
Speaker 1: but it didn't. That'd be an awkward place to cut. Well. Remember,

814
00:51:12,280 --> 00:51:14,239
Speaker 1: there's gonna be a three minute add there, so they're

815
00:51:14,239 --> 00:51:15,839
Speaker 1: gonna come back from the ad break and they're gonna

816
00:51:15,880 --> 00:51:22,920
Speaker 1: hear murder, which could be I mean, it is interesting, Cliffhanger. Sure, captain,

817
00:51:22,960 --> 00:51:24,920
Speaker 1: I mean, I mean, I'll follow your lead. Yeah, I

818
00:51:24,920 --> 00:51:29,800
Speaker 1: appreciate that. Rhonda. Uh. It was my my noticing in

819
00:51:29,840 --> 00:51:32,239
Speaker 1: your report that after you shot Schmiddy in the neck,

820
00:51:32,360 --> 00:51:36,440
Speaker 1: you put your aimed your gun towards Jones, yes, right,

821
00:51:36,560 --> 00:51:39,719
Speaker 1: who then pulled his revolver. Tell us what happened next,

822
00:51:39,760 --> 00:51:44,560
Speaker 1: in your own words, you don't want to do this.

823
00:51:45,520 --> 00:51:51,640
Speaker 1: You don't want to do this. Jones shot him in

824
00:51:51,680 --> 00:51:55,839
Speaker 1: the neck. And I will shoot you in the you did,

825
00:51:56,000 --> 00:51:59,600
Speaker 1: now put your gun down. I want to go out

826
00:51:59,680 --> 00:52:05,879
Speaker 1: it up And that's when you shot Jonesy and the thought, Yeah,

827
00:52:05,920 --> 00:52:12,759
Speaker 1: I need a different column. I'm gonna have to tell

828
00:52:12,760 --> 00:52:19,160
Speaker 1: her about this. Oh I'm gonna suck the merrihand. Anyone

829
00:52:19,239 --> 00:52:22,880
Speaker 1: wants that was done? Babe. I just listened to the

830
00:52:22,960 --> 00:52:26,200
Speaker 1: craziest podcast. Yeah yeah, I mean I know we all

831
00:52:26,239 --> 00:52:29,000
Speaker 1: have our list of things to listen to and be

832
00:52:29,040 --> 00:52:34,480
Speaker 1: a audio books or Netflix things to watch. This was different. Yeah,

833
00:52:34,719 --> 00:52:39,040
Speaker 1: a crime podcast told from the perspective of the criminals

834
00:52:39,960 --> 00:52:43,719
Speaker 1: who are being caught by the police. Wow. Yeah, this

835
00:52:43,840 --> 00:52:48,400
Speaker 1: sounds good. It's really good. Yeah, that's a fact. I

836
00:52:48,520 --> 00:52:52,719
Speaker 1: immediately five starred and subscribed and shared. Do you think

837
00:52:52,760 --> 00:52:54,759
Speaker 1: we should get them to do you think we that

838
00:52:54,880 --> 00:52:57,040
Speaker 1: our company could maybe sponsor them? And then if people

839
00:52:57,080 --> 00:52:59,200
Speaker 1: are starting to listen, you know, we could get our

840
00:52:59,239 --> 00:53:00,759
Speaker 1: we could get our voice out there. I mean, it's

841
00:53:00,800 --> 00:53:03,000
Speaker 1: all those other companies, that's how they do it, that's

842
00:53:03,000 --> 00:53:04,800
Speaker 1: how everyone knows their name. And then we would be

843
00:53:04,880 --> 00:53:10,040
Speaker 1: better because god, yeah, I think whenever anyone like the podcast,

844
00:53:10,080 --> 00:53:12,960
Speaker 1: they could like it the quade and even leave a review.

845
00:53:14,120 --> 00:53:16,719
Speaker 1: He's right, Jonathan, Oh god, this has been an ad

846
00:53:16,920 --> 00:53:22,200
Speaker 1: for advertising on podcasts. Please write a review for Alchemy

847
00:53:22,320 --> 00:53:28,919
Speaker 1: this and subscribe now. Thank you Alchemist for another amazing show.

848
00:53:29,080 --> 00:53:37,360
Speaker 1: Dan Goodman was our engineer, right, nice, Vanessa rag of

849
00:53:37,440 --> 00:53:40,640
Speaker 1: people should go to Dynasty time printer dot comfert tickets

850
00:53:40,680 --> 00:53:43,080
Speaker 1: and shows and calendars. Yeah, and you can do that

851
00:53:43,200 --> 00:53:45,759
Speaker 1: on Instagram to the Dynasty Typewriter. Yes, please, and we'd

852
00:53:45,800 --> 00:53:48,479
Speaker 1: love to have you try the popcorn. It's delicious. Stay

853
00:53:48,520 --> 00:53:51,959
Speaker 1: for the popcorn. Yeah. Yeah, And Mark Agler, thanks again

854
00:53:52,000 --> 00:53:55,080
Speaker 1: for stopping by filling in for the wonderful James Keney.

855
00:53:55,760 --> 00:53:59,520
Speaker 1: Joey Greer was here, I promise, and uh if he

856
00:53:59,719 --> 00:54:01,920
Speaker 1: had said goodbye, it might sound a little something like this.

857
00:54:05,880 --> 00:54:11,280
Speaker 1: Thank you, Joey. Greg Yeah, you keep watching Drunk History,

858
00:54:11,400 --> 00:54:15,320
Speaker 1: keep listening to the Craigslist podcast, keep following me on

859
00:54:15,560 --> 00:54:20,279
Speaker 1: Twitter at at Kaki Christoffer. Always a delight you. You

860
00:54:20,440 --> 00:54:22,560
Speaker 1: brighten the room with your energy and your love and

861
00:54:22,600 --> 00:54:27,600
Speaker 1: your positive thinking face and bought right. Then there's somebody

862
00:54:27,719 --> 00:54:30,920
Speaker 1: hired me and put me on television. Please, But until then,

863
00:54:31,360 --> 00:54:34,080
Speaker 1: fifty episodes on Instagram. That's right, that's right, can't wait.

864
00:54:34,400 --> 00:54:36,560
Speaker 1: What's the name of the show, uh five like a

865
00:54:36,640 --> 00:54:40,760
Speaker 1: ten y look look for that. Please. This is Kevin Pollock,

866
00:54:40,760 --> 00:54:42,520
Speaker 1: your host, saying thank you so much much again. Sophie

867
00:54:42,560 --> 00:54:45,960
Speaker 1: Lichtman's our producer, and the R Heart Radio studio network

868
00:54:46,080 --> 00:54:48,440
Speaker 1: rather allows us the studio and we thank thank them

869
00:54:48,480 --> 00:55:00,400
Speaker 1: and thank them for that. Until next time on this

870
00:55:00,640 --> 00:55:21,959
Speaker 1: spot and a football pepper. Hello and I put ball