WEBVTT - 7 | Lore

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<v Speaker 1>iHeart three d are the.

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<v Speaker 2>For full exposure Listen with headphones.

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<v Speaker 3>Havoctown is a production of iHeart Podcasts and Grimm and

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<v Speaker 3>Mild from Aaron Mankey Headphones Recommended. Listener discretion advised.

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<v Speaker 4>Should I get it.

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<v Speaker 5>It can't be good news. You just can't let it ring.

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<v Speaker 6>Hi, Coaren, h this is Barbara Horn.

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<v Speaker 7>Yeah, I just I uh just wanted to call you

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<v Speaker 7>because you're as close to family as anyone here in town.

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<v Speaker 7>To Jimbo and oh Courrin, Karen, he's gone. It was

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<v Speaker 7>so awful, so so awful. At the end, they had

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<v Speaker 7>him sedated, but he was so angry. It just cut

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<v Speaker 7>through the haze and blood.

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<v Speaker 6>What a mess, What a mess it all is. So anyway,

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<v Speaker 6>he he'd want for you to know he he loved

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<v Speaker 6>you like a daughter. I hope you knew that. Anyway.

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<v Speaker 6>I'll be calling you in the next day or two

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<v Speaker 6>to make arrangements. I'd i'd really like to do the

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<v Speaker 6>reception at Dottie's. I know it may be too soon

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<v Speaker 6>for you after Jonathan, but I'll call back. No corrint.

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<v Speaker 6>I wish I could see its face one more time,

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<v Speaker 6>just one.

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<v Speaker 5>This is how tragedy unfolds in a small town unact,

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<v Speaker 5>a bodle and swift echoes reverberate, the effects ripple outward,

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<v Speaker 5>and then the talk begins.

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<v Speaker 8>And so Tom and that crazy street preacher both got it.

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<v Speaker 8>It's Raby's they're just not telling us. But what about

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<v Speaker 8>Jim's sweating blood? Well, super rabys stella. I don't know.

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<v Speaker 8>I'm not a doctor, but I had that a Chinese

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<v Speaker 8>leg captain, said Bachmann, worked with the CIA for years.

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<v Speaker 2>Heard it from a buddy at the State House. I'm

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<v Speaker 2>telling you, it goes all the way up the ladder.

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<v Speaker 3>I heard those CDC guys got to look at Jimbo's

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<v Speaker 3>body and called up the National Guard like.

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<v Speaker 5>That from who?

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<v Speaker 2>What?

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<v Speaker 5>Who'd you hear that from?

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<v Speaker 2>My neighbor? This kid works up there at the hospital.

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<v Speaker 9>Yeah, doctor, No, he works in the commissary.

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<v Speaker 4>Oh shit, real inside man, you got there.

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<v Speaker 2>You're being sarcastic.

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<v Speaker 4>You know I have a stum as you look, Bill Reville, fine.

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<v Speaker 5>And it spreads like wildfire, like an oil spill, like

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<v Speaker 5>the plank.

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<v Speaker 6>Huh.

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<v Speaker 4>I need six draft ales, two bourbons, a Scotch and

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<v Speaker 4>soda and a fernet for Bobby.

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<v Speaker 5>Ugh, why Bobby?

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<v Speaker 2>Who the hell.

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<v Speaker 4>Knows takes like minty.

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<v Speaker 5>Dirt to me, to each their own.

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<v Speaker 4>Rumormell's grinding heart out.

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<v Speaker 5>There, color me shocked. What do you hear?

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<v Speaker 4>Rabies, government conspiracies, aliens.

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<v Speaker 5>Wow, they're really playing the hits.

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<v Speaker 4>No vampires shockingly not yet.

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<v Speaker 5>Wow. Well, now I am shocked. Hold that thought, because

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<v Speaker 5>there she was darkening my door. Sarah Beth Spalding, President

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<v Speaker 5>of the Havoc Historical Society, real estate Maven, leader of

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<v Speaker 5>countless history tours, most of which focused on the Great

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<v Speaker 5>Vampire Panic, on the violence it spun on my family

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<v Speaker 5>in particular.

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<v Speaker 1>Miss Abbys.

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<v Speaker 5>Miss Abbys, you must be here on business.

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<v Speaker 1>Well, I don't normally walk into bars. Well this one,

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<v Speaker 1>I suppose. I I suppose I'm not welcome here.

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<v Speaker 5>Oh, on the contrary, you're quite welcome. After all, your

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<v Speaker 5>stories have driven more than a few curious tourists in here.

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<v Speaker 5>No matter how much I hate it, You're good for business.

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<v Speaker 5>Oh you aren't welcome in my home, of course, God damn.

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<v Speaker 5>What can I help you with, Sarabeth?

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<v Speaker 1>Well, I know that this place is popular in town,

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<v Speaker 1>I'd like to think so. I know that everyone from

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<v Speaker 1>the police chief to the mayor to the trash men

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<v Speaker 1>hang out in here. That is true that if there's

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<v Speaker 1>scuttle butt to be found, you can find it here.

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<v Speaker 5>There is a very good chance that you're right. Uh huh.

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<v Speaker 1>It's just all very central.

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<v Speaker 5>Is there something you need, Sarabeth.

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<v Speaker 1>I was just I was wondering if out with it.

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<v Speaker 8>I was wondering if.

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<v Speaker 5>You knew anything about what the CDC. I'm afraid my

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<v Speaker 5>connections don't go that high.

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<v Speaker 1>I meant, if you knew anything of mister Havoc.

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<v Speaker 5>Well, why would I? Because you've been.

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<v Speaker 1>Seen together a couple of times. He came in here.

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<v Speaker 1>He saved your life.

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<v Speaker 5>What is it you're looking for?

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<v Speaker 8>It's I have a.

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<v Speaker 1>Child, Krin Heather, and what is happening here is terrifying,

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<v Speaker 1>but not unprecedented. I was wondering if you had seen

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<v Speaker 1>anything odd. This isn't a joke.

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<v Speaker 5>I know, I know. Sorry, you just you've caught me

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<v Speaker 5>off guard here. I know that it has to be

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<v Speaker 5>terrifying to have a child during this sort of thing.

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<v Speaker 1>I'm beside myself. I pride myself on being very logical

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<v Speaker 1>in the face of historic moments. I study the evidence

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<v Speaker 1>and make my decisions.

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<v Speaker 8>But what is happening is heus?

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<v Speaker 1>Yes, and I don't know what to do besides lock

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<v Speaker 1>myself and Heather away.

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<v Speaker 5>But what does jury Havoc have to do with this.

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<v Speaker 1>The disease came with him at least at the same time,

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<v Speaker 1>but like I did before with his great great great grandfather,

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<v Speaker 1>and it seemed to go when he did.

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<v Speaker 5>And you've come because it was an abbess who drove

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<v Speaker 5>him out. And according to your history tours, the mad

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<v Speaker 5>preacher was you know, mad.

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<v Speaker 1>I know I'm a hypocrite. You're just the only person

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<v Speaker 1>I know who's spoken to him. I'm sorry, I'm not

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<v Speaker 1>being rational. I live next door to Tom Stabanaugh lived.

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<v Speaker 1>Oh honey, Heather was home when it all happened.

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<v Speaker 5>Oh my god, I had no idea. Sylvia, get Sarabeth

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<v Speaker 5>a drink.

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<v Speaker 1>Yeah, yeah, everything is just happening so fast. I'm just

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<v Speaker 1>looking for any explanation.

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<v Speaker 5>Of course, you are well. I'm sorry to say that

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<v Speaker 5>I haven't really had much in the way of a

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<v Speaker 5>conversation with Jerry Havoc. Of course, I do have some

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<v Speaker 5>things I want to ask him about his family.

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<v Speaker 2>Hey, Corinn, turn around the TV. They're talking about us.

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<v Speaker 5>Yeah, yeah, hold on, Sarabath.

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<v Speaker 10>Returned to Havoc tonight, where two separate attacks have been

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<v Speaker 10>reported in the last two weeks, and an outbreak of

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<v Speaker 10>a mysterious illness has been reported. We now go to

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<v Speaker 10>a press conference from Havoc Memorial Hospital already in progress and.

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<v Speaker 11>We have secured the area. Anyone who has any more

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<v Speaker 11>information on the matter, please call our hotline. I'll have

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<v Speaker 11>the number passed on to local news organizations. I'm now

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<v Speaker 11>going to hand it over to the Deputy Director of

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<v Speaker 11>Infectious Diseases at the CDC, doctor Andrew Bradley, who will

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<v Speaker 11>be talking to us about the precautionary measures concerning this.

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<v Speaker 12>Doctor Bradley, yes, hello, as Colonel Harbor said, I'm Andrew Bradley.

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<v Speaker 12>I'm the Deputy Director of Infectious Disease. I report directly

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<v Speaker 12>to the Director. There is a lot of new information

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<v Speaker 12>coming down the pike at US currently, and we spoke

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<v Speaker 12>earlier of the infection of patient zero. I want to

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<v Speaker 12>first announce that we currently are showing no immediate new

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<v Speaker 12>cases of this disease besides those already reported. But if

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<v Speaker 12>you are showing symptoms including but not at all inclusive

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<v Speaker 12>to fever, cough, lightheadedness, mood, instability or traces of blood

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<v Speaker 12>in mucous spits, tears, urine, feces, or sweat, to please

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<v Speaker 12>report to the local medical center here in Havoc immediately

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<v Speaker 12>so as to halt.

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<v Speaker 3>Any further spread.

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<v Speaker 12>We're currently hoping that by self reporting we can keep

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<v Speaker 12>this under control.

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<v Speaker 6>Now.

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<v Speaker 12>As for other mitigation methods, we are asking people to

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<v Speaker 12>social distance, that's keeping ten feet from each other when possible,

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<v Speaker 12>wearing a mask, indoors when you cannot, and staying home

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<v Speaker 12>unless absolutely necessary. We also would ask that you try

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<v Speaker 12>your best to wash hands after contact with other people

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<v Speaker 12>and surfaces. These are precautionary measures that we would recommend

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<v Speaker 12>with any infectious disease, but with so little current information,

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<v Speaker 12>we think that Colonel Harbor, ladies and gentlemen, folks.

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<v Speaker 13>Folks, we're putting this hospital on lockdown for the moment.

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<v Speaker 2>We're going to ask you to please sit tight. Colonel Harbor,

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<v Speaker 2>what's going on?

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<v Speaker 13>I do not have enough information at this moment to

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<v Speaker 13>be able to answer that question fully. At this time,

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<v Speaker 13>there will be no entry or exit into this hospital

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<v Speaker 13>except in the case of medical emergency.

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<v Speaker 8>Apologies.

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<v Speaker 10>There are folks, seems that they have cut the feed

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<v Speaker 10>that was a joint press conference between the New Hampshire

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<v Speaker 10>National Guard and the CDC, which seems to have been

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<v Speaker 10>interrupted by a lockdown of the hospital. More on this

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<v Speaker 10>story as it develops. In related news, CEO of Havoc

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<v Speaker 10>Industries Jury Havoc the fourteenth has recently begun operations in

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<v Speaker 10>the Havoc township, with plans to announce new construction in

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<v Speaker 10>the coming weeks. When reached for common about the plants

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<v Speaker 10>and how they may be impacted by the disease, a

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<v Speaker 10>representative from mister Havoc declined to provide an answer.

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<v Speaker 1>In international news, North Korea has reportedly launched another missile

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<v Speaker 1>over the Sea of Japan.

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<v Speaker 5>Shit, well, all right, folks, on the advice of the CDC,

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<v Speaker 5>we're closing down early. We'll probably stay closed for the

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<v Speaker 5>next few days.

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<v Speaker 2>Ah, come on, Karen.

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<v Speaker 5>Don't give me shit. Phil, I'm trying to keep you alive.

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<v Speaker 5>Dead men, don't drink. You don't know that, all right,

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<v Speaker 5>last call after that, you're on your own.

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<v Speaker 10>All right.

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<v Speaker 4>Yeah, jeb Ronie's line up here for orders.

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<v Speaker 1>He must know something, Sarahbeth.

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<v Speaker 5>Unless he's an epidemiologist, I just doubt that very much. Okay,

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<v Speaker 5>I've got to take orders.

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<v Speaker 8>What could it hurt to ask?

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<v Speaker 1>I know it's a long shot, and I know that

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<v Speaker 1>you have no reason to do me any favors.

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<v Speaker 4>What could it hurt? Please?

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<v Speaker 5>Oh, I'll speak with him about it. Okay, thank you, Krien.

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<v Speaker 1>I promise I'll be a better friend to you.

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<v Speaker 5>Maybe start with being a little lessian enemy and we'll

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<v Speaker 5>go from there.

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<v Speaker 1>Of course, Yes, thank you.

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<v Speaker 5>A brief, blessed break in the chaos around us. My

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<v Speaker 5>grandfather always said that there was nothing quite so sacred

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<v Speaker 5>as a quiet bar at the end of a long

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<v Speaker 5>work day, said that the Holy Ghost was among the spirits.

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<v Speaker 5>Always laughed at his own joke. But there's something there.

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<v Speaker 5>I think. My father was certainly an accolade of this church,

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<v Speaker 5>and raised me up to be one as well. And

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<v Speaker 5>I keep the faith still all these years later, even

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<v Speaker 5>though I may be the only one left at the

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<v Speaker 5>end of the long line of fervent abbots and abbesses. Not,

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<v Speaker 5>of course, thought I worship alone.

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<v Speaker 4>H hell of a day, don't you think?

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<v Speaker 5>Certainly busy? When do you head up to Jerry's straightway? Really? Why?

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<v Speaker 4>I just thought, maybe you dress up?

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<v Speaker 6>You know what?

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<v Speaker 4>No, now you look great?

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<v Speaker 14>Just yea a little dishovel.

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<v Speaker 5>Maybe, well, this is how I always look.

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<v Speaker 4>Well, at least he knows what he's gonna get. Yeah,

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<v Speaker 4>you're gonna talk to him for Sarah Beth.

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<v Speaker 5>Well, I mean, I know it's absolutely insane, but something

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<v Speaker 5>is just nagging at me. I mean, the sickness de

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<v Speaker 5>Marius's diary, the timing of him showing up in town.

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<v Speaker 5>Even Sarah Beth, who spent her whole life painting my

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<v Speaker 5>family as a bunch of superstitious weirdos, is shaken by this.

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<v Speaker 5>I mean, for her to ask me for help.

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<v Speaker 4>Yeah, it's wild, a sign of the end times, the

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<v Speaker 4>Seventh Seal broken.

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<v Speaker 5>Okay, I'd better head over.

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<v Speaker 4>I am so excited and jealous. I mean mostly excited. No, no,

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<v Speaker 4>mostly jealous.

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<v Speaker 5>Okay, he's just dinner, and I'm gonna make it weird,

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<v Speaker 5>I'm sure by pumping him for information.

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<v Speaker 4>Pitchposh.

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<v Speaker 5>I will see you to mo sorrow bullshit.

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<v Speaker 4>You will call me tonight.

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<v Speaker 5>Have a good night, Sylvie, call me evening. Drive through

0:15:27.840 --> 0:15:31.400
<v Speaker 5>a ghost town. Even in small places like this, there

0:15:31.480 --> 0:15:35.400
<v Speaker 5>are the telltale signs of everyday life. Kids playing in

0:15:35.440 --> 0:15:39.360
<v Speaker 5>the yard, people out gardening or walking having a chat.

0:15:40.800 --> 0:15:46.280
<v Speaker 5>The stillness was eerie, and only occasionally broken up as

0:15:46.280 --> 0:15:49.600
<v Speaker 5>I drove to to have a place by emergency workers

0:15:49.880 --> 0:15:54.400
<v Speaker 5>entering a neighbor's house. A National Guard humvy slowly rolling

0:15:54.440 --> 0:15:59.240
<v Speaker 5>up a side street, horribly out of place. This wasn't

0:15:59.280 --> 0:16:05.360
<v Speaker 5>a peaceful quo. The foreboding mood wasn't softened by pulling

0:16:05.360 --> 0:16:09.240
<v Speaker 5>into the Havoc drive. There. It was just up the hill,

0:16:09.680 --> 0:16:20.640
<v Speaker 5>a monolithic sort of thing. Workmen had been here and

0:16:20.720 --> 0:16:23.080
<v Speaker 5>painted it a stark white so that it stood out

0:16:23.080 --> 0:16:27.160
<v Speaker 5>against the brown grass at the hillside. Three floors of

0:16:27.240 --> 0:16:32.640
<v Speaker 5>tall windows framed with black shutters, like empty sockets, staring

0:16:32.680 --> 0:16:36.160
<v Speaker 5>out across all of Havoc, New Hampshire, as if surveying

0:16:36.200 --> 0:16:41.720
<v Speaker 5>its domain. The steep steps leading up from the drive

0:16:41.760 --> 0:16:45.440
<v Speaker 5>to the front door did not soften the place at all. Instead,

0:16:45.520 --> 0:16:49.680
<v Speaker 5>it reminded me how far up I'd already come, and

0:16:49.760 --> 0:16:53.960
<v Speaker 5>how much further I'd have to climb. And then the

0:16:54.040 --> 0:16:57.080
<v Speaker 5>heavy oak door was in front of me, painted black,

0:16:57.320 --> 0:17:01.040
<v Speaker 5>of course, with a massive doorknocker boot in the shape

0:17:01.080 --> 0:17:04.600
<v Speaker 5>of a bear with a large brass ring stuck in

0:17:04.640 --> 0:17:08.679
<v Speaker 5>its mouth. I could imagine it turning into Jacob Marley,

0:17:08.800 --> 0:17:25.520
<v Speaker 5>ready to warn me off my greed. Well, here goes nothing. Hello,

0:17:27.400 --> 0:17:29.119
<v Speaker 5>I'm looking for Jerry Havoc.

0:17:29.960 --> 0:17:33.679
<v Speaker 9>Yes, miss Abbitts, I'm Hobson. I work for mister Havoc.

0:17:34.440 --> 0:17:36.120
<v Speaker 9>Please come.

0:17:45.119 --> 0:17:50.080
<v Speaker 5>Inside. Was a little warmer, dark wooden floors and dim lights,

0:17:51.200 --> 0:17:57.080
<v Speaker 5>and Hobson tall and thin, wispy gray hair oiled to

0:17:57.200 --> 0:18:00.320
<v Speaker 5>his skull. He studied me for a moment from under

0:18:00.320 --> 0:18:01.399
<v Speaker 5>his heavy eyelids.

0:18:01.480 --> 0:18:05.080
<v Speaker 9>Before mister Havoc is on a call. He asked for

0:18:05.119 --> 0:18:06.199
<v Speaker 9>me to sit you in the parlor.

0:18:07.119 --> 0:18:17.960
<v Speaker 5>The parlor this way? Is this a bad time?

0:18:19.000 --> 0:18:21.639
<v Speaker 9>Mister Havoc is on a business call, but it's looking

0:18:21.680 --> 0:18:25.400
<v Speaker 9>forward to your meeting. Would you like refreshments? Coffee, tea?

0:18:25.480 --> 0:18:26.840
<v Speaker 9>We have an excellent wine.

0:18:26.880 --> 0:18:30.840
<v Speaker 5>Sep oh, that's not necessary, as you wish.

0:18:31.000 --> 0:18:33.680
<v Speaker 9>Mister Havoc will be with you shortly. If you happen

0:18:33.720 --> 0:18:36.960
<v Speaker 9>to need anything, I'll be in the study upstairs. Just

0:18:37.160 --> 0:18:41.280
<v Speaker 9>ring the bell here sure, thanks, please sit.

0:18:46.040 --> 0:18:52.040
<v Speaker 5>Not the warmest welcome. The parlor was like walking into

0:18:52.080 --> 0:18:55.600
<v Speaker 5>a museum, the blue gray evening light coming through the

0:18:55.640 --> 0:18:59.560
<v Speaker 5>tall window, little well appointed room, a room that whispered

0:18:59.560 --> 0:19:04.119
<v Speaker 5>of old money. A harpsichord in the corner, ancient but

0:19:04.560 --> 0:19:09.480
<v Speaker 5>dust free paintings on the walls rivers through European cities,

0:19:10.000 --> 0:19:14.040
<v Speaker 5>pastorals of sheep with the backdrop of steep, craggy mountains,

0:19:15.119 --> 0:19:20.440
<v Speaker 5>and there, above a high mantle, a portrait a delicate

0:19:20.480 --> 0:19:24.840
<v Speaker 5>woman with pale blue eyes, white blonde hair piled atop

0:19:24.880 --> 0:19:28.000
<v Speaker 5>her head in great ringlets. She wore a gown of

0:19:28.520 --> 0:19:33.480
<v Speaker 5>crimson against a dark backdrop. The light in the painting

0:19:33.760 --> 0:19:36.359
<v Speaker 5>fell across her face in such a way that it

0:19:36.480 --> 0:19:41.119
<v Speaker 5>cast shadows about her, but it caught her eyes just so.

0:19:42.240 --> 0:19:45.840
<v Speaker 5>They burned brightly, like winter sun hitting the surface of

0:19:45.880 --> 0:19:50.520
<v Speaker 5>an icy pond and reflecting back too brightly. The effect

0:19:50.640 --> 0:19:59.080
<v Speaker 5>was hypnotizing. She was magnificent, soft and still, but with

0:19:59.200 --> 0:20:04.000
<v Speaker 5>a terrible sort of vibrance, like she could reach out

0:20:04.000 --> 0:20:07.119
<v Speaker 5>through the painting and touch you with her white fingers.

0:20:08.000 --> 0:20:08.840
<v Speaker 2>Beautiful, isn't it?

0:20:09.080 --> 0:20:09.520
<v Speaker 5>Jesus?

0:20:10.119 --> 0:20:12.159
<v Speaker 2>Oh God, I didn't mean to.

0:20:12.400 --> 0:20:14.639
<v Speaker 5>Uh, you scared the shit out of me.

0:20:17.119 --> 0:20:20.199
<v Speaker 2>Occupational hazard. Yeah, I'm sorry, I'm sorry.

0:20:20.560 --> 0:20:23.120
<v Speaker 5>I didn't I didn't hear you come in. I was well,

0:20:23.119 --> 0:20:25.440
<v Speaker 5>I was transfixed. This painting is gorgeous.

0:20:25.760 --> 0:20:31.879
<v Speaker 2>Oh yes. Jacques Louis David eighteen fourteen, he painted the

0:20:31.960 --> 0:20:36.960
<v Speaker 2>Coronation of Napoleon. Oh, and the death of Socrates. Wow,

0:20:39.600 --> 0:20:42.320
<v Speaker 2>don't worry, you know, because I looked him up.

0:20:43.520 --> 0:20:46.520
<v Speaker 5>Okay, thank you. I've never heard of him.

0:20:46.680 --> 0:20:47.920
<v Speaker 2>He was apparently a big deal.

0:20:49.040 --> 0:20:50.720
<v Speaker 5>So who's this.

0:20:50.720 --> 0:20:56.119
<v Speaker 2>This would be my great great great et cetera, grandfather's first.

0:20:55.840 --> 0:21:07.720
<v Speaker 5>Wife, Sophia. Yes, who my great et cetera grandfather murdered. Yes,

0:21:08.520 --> 0:21:09.320
<v Speaker 5>sorry about that.

0:21:10.720 --> 0:21:12.560
<v Speaker 2>Well, we don't have to rehash the past, do we.

0:21:13.640 --> 0:21:16.800
<v Speaker 2>Let's go and sit in my office, Shally, this room

0:21:16.840 --> 0:21:17.840
<v Speaker 2>belongs to a dead woman.

0:21:18.800 --> 0:21:23.440
<v Speaker 5>Sounds good. I hope everything's okay, or that this isn't

0:21:23.800 --> 0:21:26.400
<v Speaker 5>interrupting important business. I mean, we could have pushed this

0:21:26.440 --> 0:21:27.240
<v Speaker 5>to another day.

0:21:27.640 --> 0:21:30.600
<v Speaker 2>No, not at all. No, like I really wanted to

0:21:30.600 --> 0:21:31.399
<v Speaker 2>get to know you better.

0:21:32.280 --> 0:21:35.560
<v Speaker 5>Oh, you just seem pretty heated on the phone.

0:21:36.040 --> 0:21:37.560
<v Speaker 2>Yeah, well, the governor's an idiot.

0:21:37.600 --> 0:21:40.480
<v Speaker 5>That's why you were arguing about the governor.

0:21:40.760 --> 0:21:42.560
<v Speaker 2>I was arguing with the governor.

0:21:43.800 --> 0:21:45.600
<v Speaker 5>Oh uh huh.

0:21:45.640 --> 0:21:47.679
<v Speaker 2>I can't believe it. He's proposing a lockdown in the

0:21:47.720 --> 0:21:50.280
<v Speaker 2>county just as we're getting started with the new project

0:21:50.280 --> 0:21:53.800
<v Speaker 2>at Avoc Mills. We've already had a shit couple of

0:21:53.880 --> 0:21:55.160
<v Speaker 2>years business wise, and.

0:21:55.600 --> 0:21:57.840
<v Speaker 5>I've heard about the congressional testimony.

0:21:58.160 --> 0:22:00.280
<v Speaker 2>Yeah, like I said, as soon as we make aware

0:22:00.280 --> 0:22:02.160
<v Speaker 2>of labor violations, well things changed.

0:22:02.680 --> 0:22:03.359
<v Speaker 5>I believe you.

0:22:03.920 --> 0:22:07.040
<v Speaker 2>This lockdown could cost me a lot of money, depending,

0:22:07.280 --> 0:22:12.679
<v Speaker 2>of course, on how long it lasts. Please right in here.

0:22:14.080 --> 0:22:18.440
<v Speaker 5>Holy shit, this is this is more a library than

0:22:18.480 --> 0:22:19.040
<v Speaker 5>an office.

0:22:19.119 --> 0:22:21.000
<v Speaker 2>Yeah, I guess it is.

0:22:21.920 --> 0:22:24.280
<v Speaker 5>Is this giant desk where you do your business?

0:22:25.480 --> 0:22:27.000
<v Speaker 2>Where I attended? At least?

0:22:27.440 --> 0:22:30.359
<v Speaker 5>Where do you find a space? It's chaos? What are

0:22:30.359 --> 0:22:31.080
<v Speaker 5>these ledgers?

0:22:31.880 --> 0:22:32.199
<v Speaker 2>They are?

0:22:34.160 --> 0:22:34.320
<v Speaker 6>You know?

0:22:34.320 --> 0:22:37.359
<v Speaker 5>They're like computer programs that do the same thing and

0:22:37.640 --> 0:22:38.479
<v Speaker 5>save the clutter.

0:22:39.040 --> 0:22:40.960
<v Speaker 2>Yeah, we use them, We use them. It's just a

0:22:41.119 --> 0:22:47.199
<v Speaker 2>more old school tactile. I like to see it all

0:22:47.240 --> 0:22:47.760
<v Speaker 2>in front of me.

0:22:49.760 --> 0:22:52.320
<v Speaker 5>Some of these look like they go way back. I mean,

0:22:52.840 --> 0:22:54.479
<v Speaker 5>this one looks older than the Bible.

0:22:55.520 --> 0:22:58.800
<v Speaker 2>The hell man, Sorry, I'm so sorry that it's just

0:22:58.840 --> 0:23:02.160
<v Speaker 2>that one's really fragile. It shouldn't really be back there

0:23:02.160 --> 0:23:02.560
<v Speaker 2>at all.

0:23:03.160 --> 0:23:04.920
<v Speaker 5>Well, there's no need to scold.

0:23:05.240 --> 0:23:09.679
<v Speaker 2>I'm an adult, I said, I'm sorry. I'm under an

0:23:09.760 --> 0:23:11.320
<v Speaker 2>awful lot of stress right now.

0:23:11.680 --> 0:23:14.879
<v Speaker 5>That's fine, that's fine. I don't let the drunks of

0:23:14.920 --> 0:23:16.960
<v Speaker 5>the bar talk to me that way. And I know

0:23:17.080 --> 0:23:19.080
<v Speaker 5>them a hell of a lot better than I know you.

0:23:23.640 --> 0:23:25.080
<v Speaker 2>We don't seem to be able to get on the

0:23:25.160 --> 0:23:26.000
<v Speaker 2>right footeing dew We.

0:23:27.880 --> 0:23:31.040
<v Speaker 5>No, we can't. And you know what, I get it.

0:23:31.200 --> 0:23:34.800
<v Speaker 5>The stress lockdown would screw my place up pretty badly too.

0:23:36.240 --> 0:23:38.440
<v Speaker 5>I'm sure with the CDC involved, things will return the

0:23:38.480 --> 0:23:39.680
<v Speaker 5>nomal pretty quickly.

0:23:39.480 --> 0:23:45.000
<v Speaker 2>Right, I honestly don't know. I'm pretty livid. I thought

0:23:45.040 --> 0:23:45.960
<v Speaker 2>he was pro business.

0:23:47.160 --> 0:23:50.040
<v Speaker 5>I mean, I'm no fan of SNUNA, but I'm sure

0:23:50.040 --> 0:23:52.679
<v Speaker 5>he's also pro keeping his constituents alive.

0:23:53.800 --> 0:24:01.320
<v Speaker 2>Who knows? So let's not talk about business. What should

0:24:01.320 --> 0:24:01.920
<v Speaker 2>we talk about?

0:24:04.520 --> 0:24:09.320
<v Speaker 5>Well, I'd like to rehash the past? Neat Well, it's

0:24:09.400 --> 0:24:14.240
<v Speaker 5>just that I recently discovered the diary of Tameris Abbas.

0:24:16.359 --> 0:24:22.480
<v Speaker 2>I'm familiar with it. Oh well, yes, my great great etcetera,

0:24:22.520 --> 0:24:24.560
<v Speaker 2>et cetera grandfather was the one who found it.

0:24:24.640 --> 0:24:26.280
<v Speaker 5>Actually I didn't know that.

0:24:27.040 --> 0:24:29.560
<v Speaker 2>Well, it's not common knowledge. He made sure that it

0:24:29.600 --> 0:24:32.000
<v Speaker 2>wasn't entered into the record of events.

0:24:32.520 --> 0:24:36.360
<v Speaker 5>Hmm. That's sort of what I'm here to ask about.

0:24:37.320 --> 0:24:46.640
<v Speaker 5>Not vamporism, No, I mean, what happened with your family

0:24:46.720 --> 0:24:47.400
<v Speaker 5>after everything?

0:24:49.280 --> 0:24:52.720
<v Speaker 2>After the good Reverend Abbis murdered his son, he marched

0:24:52.800 --> 0:24:54.600
<v Speaker 2>up the hill to this very house and banged on

0:24:54.600 --> 0:24:56.680
<v Speaker 2>the door in the middle of the night. Then he

0:24:56.760 --> 0:25:00.960
<v Speaker 2>murdered Jury Havoc, the Eighth's wife, Sophia, whose portrait you

0:25:00.960 --> 0:25:03.720
<v Speaker 2>were so taken with. And after that he went and

0:25:03.840 --> 0:25:05.680
<v Speaker 2>hung himself in the church, leaving no note.

0:25:06.840 --> 0:25:13.280
<v Speaker 5>Well that's not entirely true. What we did a letter

0:25:13.560 --> 0:25:14.840
<v Speaker 5>to his grandson.

0:25:15.960 --> 0:25:19.400
<v Speaker 2>Did it explain what happened?

0:25:20.280 --> 0:25:23.480
<v Speaker 5>Uh? No, No, just told them that the vampires were

0:25:23.480 --> 0:25:27.880
<v Speaker 5>going to be their responsibility in the future and apologizing

0:25:28.119 --> 0:25:29.399
<v Speaker 5>for their mother's death.

0:25:30.680 --> 0:25:41.200
<v Speaker 2>Hmm, Shane bat to Mars, another innocent Yeah, well, let

0:25:41.200 --> 0:25:45.159
<v Speaker 2>me tell you something. Even in his grief and Sophia's loss,

0:25:45.720 --> 0:25:48.920
<v Speaker 2>my ancestor felt an obligation to heal the wounds habits left.

0:25:49.720 --> 0:25:52.160
<v Speaker 2>The current town hall was funded by him. He gave

0:25:52.240 --> 0:25:54.360
<v Speaker 2>generously to the church and found someone new to lead

0:25:54.400 --> 0:25:58.360
<v Speaker 2>the congregation, all of which led to the population renaming

0:25:58.400 --> 0:26:04.280
<v Speaker 2>the town after him. But apparently the the sorrow was

0:26:04.320 --> 0:26:09.280
<v Speaker 2>too much, and so he returned to London, where he

0:26:09.320 --> 0:26:11.760
<v Speaker 2>met his second wife.

0:26:11.119 --> 0:26:15.600
<v Speaker 5>Martha, which I suppose was lucky for you. How so,

0:26:16.760 --> 0:26:18.639
<v Speaker 5>otherwise you wouldn't have been born.

0:26:21.440 --> 0:26:24.240
<v Speaker 2>Right, Yeah, I guess you got a point there. Well,

0:26:24.280 --> 0:26:26.240
<v Speaker 2>the two of them begat and so did that child

0:26:26.320 --> 0:26:31.480
<v Speaker 2>on down the line. And here I am, and here

0:26:31.520 --> 0:26:34.720
<v Speaker 2>you are too. So I guess all wounds do heal.

0:26:36.720 --> 0:26:40.359
<v Speaker 5>For the most part, the uh ABBA's name is still

0:26:40.400 --> 0:26:44.360
<v Speaker 5>synonymous with murder and madness, though none of us has

0:26:44.400 --> 0:26:47.880
<v Speaker 5>harmed a fly since that plague of eighteen seventeen.

0:26:48.359 --> 0:26:51.920
<v Speaker 2>Well, it's a shame, honestly, It's funny, isn't it that

0:26:52.040 --> 0:26:54.879
<v Speaker 2>the disease which abliged the town dissipated into the ether

0:26:55.119 --> 0:26:56.320
<v Speaker 2>when the man hung himself.

0:26:57.119 --> 0:26:59.040
<v Speaker 5>Are you suggesting that he was responsible?

0:27:00.160 --> 0:27:02.280
<v Speaker 2>Of course not. No, I'm just I'm just saying it's

0:27:02.320 --> 0:27:06.120
<v Speaker 2>a it's funny in a in a nasty kind of way.

0:27:06.960 --> 0:27:10.840
<v Speaker 5>Hmmm. I mean you could also say that it ended

0:27:10.840 --> 0:27:15.480
<v Speaker 5>when your grandfather laughed and started right back up the

0:27:15.520 --> 0:27:16.480
<v Speaker 5>week I Havoc.

0:27:16.320 --> 0:27:25.240
<v Speaker 2>Returned, Miss Ames, Are you accusing me of vamporism?

0:27:25.320 --> 0:27:31.600
<v Speaker 5>I no, of course not. I'm you're fucking with me.

0:27:33.000 --> 0:27:37.680
<v Speaker 2>I'm sorry, I'm sorry. It was just too perfect. But yes,

0:27:37.760 --> 0:27:40.600
<v Speaker 2>I'm more than aware of the bad timing. It's coming

0:27:40.640 --> 0:27:44.239
<v Speaker 2>out of the work. It's almost too perfect, isn't it.

0:27:45.080 --> 0:27:48.440
<v Speaker 5>I mean, perspective people have died.

0:27:49.440 --> 0:27:53.080
<v Speaker 2>Yes, of course, yes, I'm sorry, and you know one

0:27:53.119 --> 0:28:02.959
<v Speaker 2>of them two right again? I'm sorry, yes, Hobson.

0:28:04.760 --> 0:28:08.119
<v Speaker 9>I apologize for the interruption. Glenn Morrison is on the line.

0:28:08.720 --> 0:28:09.840
<v Speaker 2>Tell him I'll call him back.

0:28:10.320 --> 0:28:12.560
<v Speaker 9>It's urgent, he says.

0:28:14.280 --> 0:28:17.119
<v Speaker 2>I apologize. I've really got to take this call. I

0:28:17.160 --> 0:28:19.800
<v Speaker 2>shouldn't be long, but it may be a bit. I

0:28:19.840 --> 0:28:22.320
<v Speaker 2>do have someone preparing a meal. It'd be a shame

0:28:22.359 --> 0:28:22.919
<v Speaker 2>to waste it.

0:28:23.680 --> 0:28:25.960
<v Speaker 5>You know, we really can rain check it.

0:28:26.320 --> 0:28:27.240
<v Speaker 2>Oh, I feel bad.

0:28:27.760 --> 0:28:31.840
<v Speaker 5>It's absolutely all right. Everything has been chaos, and you

0:28:31.840 --> 0:28:34.360
<v Speaker 5>know I really could use some quiet time anyway.

0:28:35.200 --> 0:28:38.520
<v Speaker 2>Well, can we please meet up again soon?

0:28:39.600 --> 0:28:39.880
<v Speaker 5>Sure?

0:28:42.200 --> 0:28:43.120
<v Speaker 2>When's good.

0:28:44.040 --> 0:28:47.120
<v Speaker 5>I'm at the bar most evenings, so whenever.

0:28:48.240 --> 0:28:51.600
<v Speaker 2>I'd love to see that letter from Jasara Abbess really

0:28:52.920 --> 0:28:54.000
<v Speaker 2>really bury the hatchet.

0:28:55.160 --> 0:28:57.120
<v Speaker 5>Sure, i'll call you.

0:28:57.600 --> 0:29:04.480
<v Speaker 2>I'll be waiting, hey, and be careful out there. Shit

0:29:04.720 --> 0:29:12.680
<v Speaker 2>is crazy.

0:29:14.560 --> 0:29:16.680
<v Speaker 5>It was already dark when I got back in the

0:29:16.720 --> 0:29:20.160
<v Speaker 5>car and made my way down the hill. Havoc, the

0:29:20.200 --> 0:29:21.800
<v Speaker 5>man shouting into the phone behind me.

0:29:21.920 --> 0:29:22.240
<v Speaker 2>Havoc.

0:29:22.320 --> 0:29:25.400
<v Speaker 5>The town turning on their porch lights below me, huddling

0:29:25.480 --> 0:29:31.320
<v Speaker 5>safely inside their homes, a ghost town now, the only

0:29:31.400 --> 0:29:34.800
<v Speaker 5>sign of life. The blue light of the TV, flickering

0:29:34.840 --> 0:29:38.520
<v Speaker 5>in windows, watching the news for signs of the end,

0:29:39.960 --> 0:29:43.120
<v Speaker 5>my own house shrouded in darkness. As I pulled up

0:29:43.160 --> 0:29:48.400
<v Speaker 5>and got out, I was turning the conversation with a

0:29:48.480 --> 0:29:55.160
<v Speaker 5>jury over in my head, the weird defensiveness, though I imagine

0:29:55.000 --> 0:29:57.880
<v Speaker 5>I exude the same when people ask about my family,

0:29:59.600 --> 0:30:03.600
<v Speaker 5>and I said, from his end, the whispers of vampirism

0:30:03.640 --> 0:30:07.240
<v Speaker 5>that haunt this town or a little grating. I was

0:30:07.280 --> 0:30:11.760
<v Speaker 5>so busy thinking about these things that I didn't notice

0:30:11.960 --> 0:30:21.040
<v Speaker 5>the figure on the front porch until it spoken, who's there? Hello?

0:30:23.760 --> 0:30:34.560
<v Speaker 14>No, no, Hello, it's You're You're dead. They they, they

0:30:34.600 --> 0:30:36.080
<v Speaker 14>said you were dead.

0:30:36.600 --> 0:30:45.760
<v Speaker 5>I was, I'm not now, Jesus, Jimbo, Can I come in?

0:30:51.600 --> 0:30:54.800
<v Speaker 3>Havoctown was created by me Aaron Mayky. The show was

0:30:54.840 --> 0:30:59.160
<v Speaker 3>written and directed by Nicholas Tukowski. This episode was edited

0:30:59.200 --> 0:31:03.720
<v Speaker 3>and sound designed by Ben Hackett. Starring Jewels State as

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<v Speaker 3>Corene Abbas, James Callus as Jerry Havoc, Felicia Day as

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<v Speaker 3>Sylvie Harris, Robin Bludworth as Jimbo Horn, David Calhoun as

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<v Speaker 3>Jonathan abbas Summer rain Menkey as Barbara Horn, Gina Rikikey

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<v Speaker 3>as Sarah Beth Spalding, with additional voice acting from David Caprita,

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<v Speaker 3>Kanisha Johnson, Gabriel Menak, Julian Graham, Eric Tdy, Sasha Hatfield,

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<v Speaker 3>Beverly Bremers, Jay Jones, Jonathan Baron, Stephen Manley, and Aaron Mankey.

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<v Speaker 3>This season is directed by Nicholas Takoski, with assistant directors

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<v Speaker 3>Sarah Klein and Jake Diamond, casting by Sunday Bowling CSA

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<v Speaker 3>and Meg Mormon CSA. Production coordinator Wayna Calderon. Our theme

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<v Speaker 3>song was created by Chris Childs executive producers Aaron Mankey,

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<v Speaker 3>Trevor Young, and Matt Frederick, with supervising producer Rima L.

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<v Speaker 3>Kala and producers Nomes Griffin and Jesse Funk. Havoctown is

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<v Speaker 3>set in the Bridgewater Audio Universe, which includes the hit

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<v Speaker 3>fiction podcasts Bridgewater and Consumed. Learn more about both shows,

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<v Speaker 3>as well as Havoctown at grimandmild dot com, and find

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<v Speaker 3>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

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<v Speaker 3>or wherever you listen to your favorite shows.