1 00:00:00,640 --> 00:00:02,000 Speaker 1: iHeart three d are the. 2 00:00:03,840 --> 00:00:06,439 Speaker 2: For full exposure Listen with headphones. 3 00:00:08,760 --> 00:00:11,880 Speaker 3: Havoctown is a production of iHeart Podcasts and Grimm and 4 00:00:11,920 --> 00:00:16,360 Speaker 3: Mild from Aaron Mankey Headphones Recommended. Listener discretion advised. 5 00:00:27,120 --> 00:00:28,160 Speaker 4: Should I get it. 6 00:00:28,480 --> 00:00:39,080 Speaker 5: It can't be good news. You just can't let it ring. 7 00:00:52,880 --> 00:00:58,920 Speaker 6: Hi, Coaren, h this is Barbara Horn. 8 00:01:00,320 --> 00:01:03,680 Speaker 7: Yeah, I just I uh just wanted to call you 9 00:01:03,680 --> 00:01:06,160 Speaker 7: because you're as close to family as anyone here in town. 10 00:01:06,200 --> 00:01:16,720 Speaker 7: To Jimbo and oh Courrin, Karen, he's gone. It was 11 00:01:16,760 --> 00:01:21,040 Speaker 7: so awful, so so awful. At the end, they had 12 00:01:21,120 --> 00:01:25,120 Speaker 7: him sedated, but he was so angry. It just cut 13 00:01:25,200 --> 00:01:27,800 Speaker 7: through the haze and blood. 14 00:01:30,720 --> 00:01:35,759 Speaker 6: What a mess, What a mess it all is. So anyway, 15 00:01:36,080 --> 00:01:38,399 Speaker 6: he he'd want for you to know he he loved 16 00:01:38,440 --> 00:01:43,080 Speaker 6: you like a daughter. I hope you knew that. Anyway. 17 00:01:43,080 --> 00:01:44,760 Speaker 6: I'll be calling you in the next day or two 18 00:01:44,800 --> 00:01:48,040 Speaker 6: to make arrangements. I'd i'd really like to do the 19 00:01:48,040 --> 00:01:51,040 Speaker 6: reception at Dottie's. I know it may be too soon 20 00:01:51,040 --> 00:01:58,080 Speaker 6: for you after Jonathan, but I'll call back. No corrint. 21 00:02:01,000 --> 00:02:02,960 Speaker 6: I wish I could see its face one more time, 22 00:02:04,280 --> 00:02:26,320 Speaker 6: just one. 23 00:02:43,800 --> 00:02:48,519 Speaker 5: This is how tragedy unfolds in a small town unact, 24 00:02:49,040 --> 00:02:59,280 Speaker 5: a bodle and swift echoes reverberate, the effects ripple outward, 25 00:03:01,919 --> 00:03:04,080 Speaker 5: and then the talk begins. 26 00:03:05,280 --> 00:03:08,359 Speaker 8: And so Tom and that crazy street preacher both got it. 27 00:03:08,360 --> 00:03:11,080 Speaker 8: It's Raby's they're just not telling us. But what about 28 00:03:11,200 --> 00:03:14,320 Speaker 8: Jim's sweating blood? Well, super rabys stella. I don't know. 29 00:03:14,360 --> 00:03:17,200 Speaker 8: I'm not a doctor, but I had that a Chinese 30 00:03:17,280 --> 00:03:20,360 Speaker 8: leg captain, said Bachmann, worked with the CIA for years. 31 00:03:20,520 --> 00:03:22,200 Speaker 2: Heard it from a buddy at the State House. I'm 32 00:03:22,200 --> 00:03:24,320 Speaker 2: telling you, it goes all the way up the ladder. 33 00:03:24,400 --> 00:03:27,239 Speaker 3: I heard those CDC guys got to look at Jimbo's 34 00:03:27,280 --> 00:03:30,000 Speaker 3: body and called up the National Guard like. 35 00:03:29,960 --> 00:03:31,079 Speaker 5: That from who? 36 00:03:31,840 --> 00:03:31,920 Speaker 2: What? 37 00:03:32,480 --> 00:03:33,600 Speaker 5: Who'd you hear that from? 38 00:03:33,800 --> 00:03:36,600 Speaker 2: My neighbor? This kid works up there at the hospital. 39 00:03:37,040 --> 00:03:39,760 Speaker 9: Yeah, doctor, No, he works in the commissary. 40 00:03:40,200 --> 00:03:43,720 Speaker 4: Oh shit, real inside man, you got there. 41 00:03:44,480 --> 00:03:45,640 Speaker 2: You're being sarcastic. 42 00:03:46,400 --> 00:03:53,400 Speaker 4: You know I have a stum as you look, Bill Reville, fine. 43 00:03:53,000 --> 00:03:59,080 Speaker 5: And it spreads like wildfire, like an oil spill, like 44 00:03:59,160 --> 00:04:00,920 Speaker 5: the plank. 45 00:04:01,560 --> 00:04:01,720 Speaker 6: Huh. 46 00:04:01,840 --> 00:04:04,800 Speaker 4: I need six draft ales, two bourbons, a Scotch and 47 00:04:04,840 --> 00:04:07,120 Speaker 4: soda and a fernet for Bobby. 48 00:04:07,600 --> 00:04:09,400 Speaker 5: Ugh, why Bobby? 49 00:04:09,920 --> 00:04:10,680 Speaker 2: Who the hell. 50 00:04:10,560 --> 00:04:12,520 Speaker 4: Knows takes like minty. 51 00:04:12,280 --> 00:04:14,240 Speaker 5: Dirt to me, to each their own. 52 00:04:15,840 --> 00:04:17,480 Speaker 4: Rumormell's grinding heart out. 53 00:04:17,320 --> 00:04:20,320 Speaker 5: There, color me shocked. What do you hear? 54 00:04:20,960 --> 00:04:24,120 Speaker 4: Rabies, government conspiracies, aliens. 55 00:04:24,440 --> 00:04:26,719 Speaker 5: Wow, they're really playing the hits. 56 00:04:27,279 --> 00:04:30,840 Speaker 4: No vampires shockingly not yet. 57 00:04:31,200 --> 00:04:35,919 Speaker 5: Wow. Well, now I am shocked. Hold that thought, because 58 00:04:35,960 --> 00:04:41,880 Speaker 5: there she was darkening my door. Sarah Beth Spalding, President 59 00:04:41,960 --> 00:04:46,359 Speaker 5: of the Havoc Historical Society, real estate Maven, leader of 60 00:04:46,480 --> 00:04:49,680 Speaker 5: countless history tours, most of which focused on the Great 61 00:04:49,800 --> 00:04:54,839 Speaker 5: Vampire Panic, on the violence it spun on my family 62 00:04:55,320 --> 00:04:56,120 Speaker 5: in particular. 63 00:04:57,400 --> 00:04:58,160 Speaker 1: Miss Abbys. 64 00:04:58,880 --> 00:05:01,839 Speaker 5: Miss Abbys, you must be here on business. 65 00:05:02,600 --> 00:05:09,200 Speaker 1: Well, I don't normally walk into bars. Well this one, 66 00:05:09,400 --> 00:05:12,520 Speaker 1: I suppose. I I suppose I'm not welcome here. 67 00:05:12,680 --> 00:05:16,320 Speaker 5: Oh, on the contrary, you're quite welcome. After all, your 68 00:05:16,360 --> 00:05:19,120 Speaker 5: stories have driven more than a few curious tourists in here. 69 00:05:20,320 --> 00:05:23,400 Speaker 5: No matter how much I hate it, You're good for business. 70 00:05:24,120 --> 00:05:28,760 Speaker 5: Oh you aren't welcome in my home, of course, God damn. 71 00:05:29,800 --> 00:05:31,360 Speaker 5: What can I help you with, Sarabeth? 72 00:05:32,160 --> 00:05:35,760 Speaker 1: Well, I know that this place is popular in town, 73 00:05:36,440 --> 00:05:39,200 Speaker 1: I'd like to think so. I know that everyone from 74 00:05:39,240 --> 00:05:42,120 Speaker 1: the police chief to the mayor to the trash men 75 00:05:42,520 --> 00:05:45,680 Speaker 1: hang out in here. That is true that if there's 76 00:05:45,680 --> 00:05:47,599 Speaker 1: scuttle butt to be found, you can find it here. 77 00:05:48,440 --> 00:05:51,400 Speaker 5: There is a very good chance that you're right. Uh huh. 78 00:05:51,440 --> 00:05:54,080 Speaker 1: It's just all very central. 79 00:05:55,960 --> 00:05:57,839 Speaker 5: Is there something you need, Sarabeth. 80 00:05:58,560 --> 00:06:03,120 Speaker 1: I was just I was wondering if out with it. 81 00:06:03,960 --> 00:06:04,800 Speaker 8: I was wondering if. 82 00:06:04,680 --> 00:06:09,279 Speaker 5: You knew anything about what the CDC. I'm afraid my 83 00:06:09,320 --> 00:06:10,679 Speaker 5: connections don't go that high. 84 00:06:11,600 --> 00:06:14,920 Speaker 1: I meant, if you knew anything of mister Havoc. 85 00:06:15,520 --> 00:06:17,160 Speaker 5: Well, why would I? Because you've been. 86 00:06:17,080 --> 00:06:20,039 Speaker 1: Seen together a couple of times. He came in here. 87 00:06:21,080 --> 00:06:22,000 Speaker 1: He saved your life. 88 00:06:22,520 --> 00:06:23,800 Speaker 5: What is it you're looking for? 89 00:06:24,800 --> 00:06:26,560 Speaker 8: It's I have a. 90 00:06:26,640 --> 00:06:32,360 Speaker 1: Child, Krin Heather, and what is happening here is terrifying, 91 00:06:32,839 --> 00:06:36,719 Speaker 1: but not unprecedented. I was wondering if you had seen 92 00:06:36,800 --> 00:06:43,520 Speaker 1: anything odd. This isn't a joke. 93 00:06:46,640 --> 00:06:52,240 Speaker 5: I know, I know. Sorry, you just you've caught me 94 00:06:52,279 --> 00:06:56,960 Speaker 5: off guard here. I know that it has to be 95 00:06:57,040 --> 00:06:59,880 Speaker 5: terrifying to have a child during this sort of thing. 96 00:07:01,560 --> 00:07:05,240 Speaker 1: I'm beside myself. I pride myself on being very logical 97 00:07:05,279 --> 00:07:08,320 Speaker 1: in the face of historic moments. I study the evidence 98 00:07:08,320 --> 00:07:09,200 Speaker 1: and make my decisions. 99 00:07:09,200 --> 00:07:12,040 Speaker 8: But what is happening is heus? 100 00:07:12,720 --> 00:07:16,640 Speaker 1: Yes, and I don't know what to do besides lock 101 00:07:16,720 --> 00:07:18,120 Speaker 1: myself and Heather away. 102 00:07:18,640 --> 00:07:21,600 Speaker 5: But what does jury Havoc have to do with this. 103 00:07:22,760 --> 00:07:26,480 Speaker 1: The disease came with him at least at the same time, 104 00:07:27,360 --> 00:07:30,200 Speaker 1: but like I did before with his great great great grandfather, 105 00:07:30,320 --> 00:07:32,280 Speaker 1: and it seemed to go when he did. 106 00:07:33,360 --> 00:07:36,080 Speaker 5: And you've come because it was an abbess who drove 107 00:07:36,160 --> 00:07:40,360 Speaker 5: him out. And according to your history tours, the mad 108 00:07:40,400 --> 00:07:42,600 Speaker 5: preacher was you know, mad. 109 00:07:43,640 --> 00:07:47,880 Speaker 1: I know I'm a hypocrite. You're just the only person 110 00:07:47,920 --> 00:07:51,080 Speaker 1: I know who's spoken to him. I'm sorry, I'm not 111 00:07:51,240 --> 00:07:56,000 Speaker 1: being rational. I live next door to Tom Stabanaugh lived. 112 00:07:56,600 --> 00:07:59,520 Speaker 1: Oh honey, Heather was home when it all happened. 113 00:08:00,280 --> 00:08:05,200 Speaker 5: Oh my god, I had no idea. Sylvia, get Sarabeth 114 00:08:05,240 --> 00:08:05,720 Speaker 5: a drink. 115 00:08:06,320 --> 00:08:09,600 Speaker 1: Yeah, yeah, everything is just happening so fast. I'm just 116 00:08:09,640 --> 00:08:11,520 Speaker 1: looking for any explanation. 117 00:08:12,280 --> 00:08:16,120 Speaker 5: Of course, you are well. I'm sorry to say that 118 00:08:16,400 --> 00:08:18,440 Speaker 5: I haven't really had much in the way of a 119 00:08:18,480 --> 00:08:23,640 Speaker 5: conversation with Jerry Havoc. Of course, I do have some 120 00:08:23,720 --> 00:08:25,920 Speaker 5: things I want to ask him about his family. 121 00:08:26,520 --> 00:08:30,160 Speaker 2: Hey, Corinn, turn around the TV. They're talking about us. 122 00:08:30,680 --> 00:08:32,600 Speaker 5: Yeah, yeah, hold on, Sarabath. 123 00:08:34,360 --> 00:08:37,600 Speaker 10: Returned to Havoc tonight, where two separate attacks have been 124 00:08:37,640 --> 00:08:40,360 Speaker 10: reported in the last two weeks, and an outbreak of 125 00:08:40,400 --> 00:08:43,480 Speaker 10: a mysterious illness has been reported. We now go to 126 00:08:43,520 --> 00:08:47,640 Speaker 10: a press conference from Havoc Memorial Hospital already in progress and. 127 00:08:47,640 --> 00:08:51,080 Speaker 11: We have secured the area. Anyone who has any more 128 00:08:51,120 --> 00:08:55,679 Speaker 11: information on the matter, please call our hotline. I'll have 129 00:08:55,720 --> 00:08:59,280 Speaker 11: the number passed on to local news organizations. I'm now 130 00:08:59,280 --> 00:09:01,360 Speaker 11: going to hand it over to the Deputy Director of 131 00:09:01,360 --> 00:09:04,880 Speaker 11: Infectious Diseases at the CDC, doctor Andrew Bradley, who will 132 00:09:04,920 --> 00:09:08,079 Speaker 11: be talking to us about the precautionary measures concerning this. 133 00:09:08,920 --> 00:09:15,840 Speaker 12: Doctor Bradley, yes, hello, as Colonel Harbor said, I'm Andrew Bradley. 134 00:09:15,880 --> 00:09:19,840 Speaker 12: I'm the Deputy Director of Infectious Disease. I report directly 135 00:09:20,080 --> 00:09:23,679 Speaker 12: to the Director. There is a lot of new information 136 00:09:23,760 --> 00:09:25,880 Speaker 12: coming down the pike at US currently, and we spoke 137 00:09:25,920 --> 00:09:28,920 Speaker 12: earlier of the infection of patient zero. I want to 138 00:09:28,920 --> 00:09:31,680 Speaker 12: first announce that we currently are showing no immediate new 139 00:09:31,760 --> 00:09:35,720 Speaker 12: cases of this disease besides those already reported. But if 140 00:09:35,720 --> 00:09:39,000 Speaker 12: you are showing symptoms including but not at all inclusive 141 00:09:39,080 --> 00:09:44,840 Speaker 12: to fever, cough, lightheadedness, mood, instability or traces of blood 142 00:09:44,960 --> 00:09:50,040 Speaker 12: in mucous spits, tears, urine, feces, or sweat, to please 143 00:09:50,080 --> 00:09:53,359 Speaker 12: report to the local medical center here in Havoc immediately 144 00:09:53,480 --> 00:09:54,840 Speaker 12: so as to halt. 145 00:09:54,679 --> 00:09:55,920 Speaker 3: Any further spread. 146 00:09:56,240 --> 00:09:59,480 Speaker 12: We're currently hoping that by self reporting we can keep 147 00:09:59,520 --> 00:10:01,360 Speaker 12: this under control. 148 00:10:02,520 --> 00:10:02,720 Speaker 6: Now. 149 00:10:03,320 --> 00:10:06,760 Speaker 12: As for other mitigation methods, we are asking people to 150 00:10:07,000 --> 00:10:11,120 Speaker 12: social distance, that's keeping ten feet from each other when possible, 151 00:10:11,800 --> 00:10:15,120 Speaker 12: wearing a mask, indoors when you cannot, and staying home 152 00:10:15,280 --> 00:10:19,720 Speaker 12: unless absolutely necessary. We also would ask that you try 153 00:10:19,760 --> 00:10:22,880 Speaker 12: your best to wash hands after contact with other people 154 00:10:22,960 --> 00:10:26,880 Speaker 12: and surfaces. These are precautionary measures that we would recommend 155 00:10:26,920 --> 00:10:31,160 Speaker 12: with any infectious disease, but with so little current information, 156 00:10:31,640 --> 00:10:37,520 Speaker 12: we think that Colonel Harbor, ladies and gentlemen, folks. 157 00:10:37,240 --> 00:10:40,840 Speaker 13: Folks, we're putting this hospital on lockdown for the moment. 158 00:10:40,880 --> 00:10:44,320 Speaker 2: We're going to ask you to please sit tight. Colonel Harbor, 159 00:10:44,520 --> 00:10:45,320 Speaker 2: what's going on? 160 00:10:46,720 --> 00:10:48,800 Speaker 13: I do not have enough information at this moment to 161 00:10:48,840 --> 00:10:52,200 Speaker 13: be able to answer that question fully. At this time, 162 00:10:52,240 --> 00:10:55,040 Speaker 13: there will be no entry or exit into this hospital 163 00:10:55,120 --> 00:10:57,839 Speaker 13: except in the case of medical emergency. 164 00:10:58,720 --> 00:10:59,320 Speaker 8: Apologies. 165 00:10:59,360 --> 00:11:01,960 Speaker 10: There are folks, seems that they have cut the feed 166 00:11:03,600 --> 00:11:06,559 Speaker 10: that was a joint press conference between the New Hampshire 167 00:11:06,640 --> 00:11:09,199 Speaker 10: National Guard and the CDC, which seems to have been 168 00:11:09,240 --> 00:11:12,600 Speaker 10: interrupted by a lockdown of the hospital. More on this 169 00:11:12,679 --> 00:11:18,120 Speaker 10: story as it develops. In related news, CEO of Havoc 170 00:11:18,200 --> 00:11:23,040 Speaker 10: Industries Jury Havoc the fourteenth has recently begun operations in 171 00:11:23,080 --> 00:11:27,040 Speaker 10: the Havoc township, with plans to announce new construction in 172 00:11:27,080 --> 00:11:30,320 Speaker 10: the coming weeks. When reached for common about the plants 173 00:11:30,520 --> 00:11:33,280 Speaker 10: and how they may be impacted by the disease, a 174 00:11:33,360 --> 00:11:37,160 Speaker 10: representative from mister Havoc declined to provide an answer. 175 00:11:40,120 --> 00:11:44,439 Speaker 1: In international news, North Korea has reportedly launched another missile 176 00:11:44,480 --> 00:11:45,520 Speaker 1: over the Sea of Japan. 177 00:11:47,240 --> 00:11:54,559 Speaker 5: Shit, well, all right, folks, on the advice of the CDC, 178 00:11:54,880 --> 00:11:58,720 Speaker 5: we're closing down early. We'll probably stay closed for the 179 00:11:58,760 --> 00:11:59,480 Speaker 5: next few days. 180 00:12:00,120 --> 00:12:01,920 Speaker 2: Ah, come on, Karen. 181 00:12:02,280 --> 00:12:04,640 Speaker 5: Don't give me shit. Phil, I'm trying to keep you alive. 182 00:12:04,960 --> 00:12:08,880 Speaker 5: Dead men, don't drink. You don't know that, all right, 183 00:12:09,000 --> 00:12:11,480 Speaker 5: last call after that, you're on your own. 184 00:12:12,000 --> 00:12:12,560 Speaker 10: All right. 185 00:12:12,679 --> 00:12:15,200 Speaker 4: Yeah, jeb Ronie's line up here for orders. 186 00:12:17,160 --> 00:12:19,559 Speaker 1: He must know something, Sarahbeth. 187 00:12:19,880 --> 00:12:23,600 Speaker 5: Unless he's an epidemiologist, I just doubt that very much. Okay, 188 00:12:23,720 --> 00:12:24,800 Speaker 5: I've got to take orders. 189 00:12:24,880 --> 00:12:26,640 Speaker 8: What could it hurt to ask? 190 00:12:27,240 --> 00:12:29,040 Speaker 1: I know it's a long shot, and I know that 191 00:12:29,080 --> 00:12:31,080 Speaker 1: you have no reason to do me any favors. 192 00:12:31,520 --> 00:12:34,240 Speaker 4: What could it hurt? Please? 193 00:12:37,000 --> 00:12:41,800 Speaker 5: Oh, I'll speak with him about it. Okay, thank you, Krien. 194 00:12:42,559 --> 00:12:44,160 Speaker 1: I promise I'll be a better friend to you. 195 00:12:45,640 --> 00:12:47,959 Speaker 5: Maybe start with being a little lessian enemy and we'll 196 00:12:48,000 --> 00:12:48,600 Speaker 5: go from there. 197 00:12:49,000 --> 00:12:52,160 Speaker 1: Of course, Yes, thank you. 198 00:13:00,840 --> 00:13:06,600 Speaker 5: A brief, blessed break in the chaos around us. My 199 00:13:06,640 --> 00:13:09,840 Speaker 5: grandfather always said that there was nothing quite so sacred 200 00:13:09,880 --> 00:13:12,080 Speaker 5: as a quiet bar at the end of a long 201 00:13:12,120 --> 00:13:17,080 Speaker 5: work day, said that the Holy Ghost was among the spirits. 202 00:13:18,200 --> 00:13:22,000 Speaker 5: Always laughed at his own joke. But there's something there. 203 00:13:22,400 --> 00:13:26,600 Speaker 5: I think. My father was certainly an accolade of this church, 204 00:13:26,640 --> 00:13:29,720 Speaker 5: and raised me up to be one as well. And 205 00:13:29,840 --> 00:13:33,960 Speaker 5: I keep the faith still all these years later, even 206 00:13:34,000 --> 00:13:36,960 Speaker 5: though I may be the only one left at the 207 00:13:37,040 --> 00:13:41,000 Speaker 5: end of the long line of fervent abbots and abbesses. Not, 208 00:13:41,200 --> 00:13:42,960 Speaker 5: of course, thought I worship alone. 209 00:13:44,480 --> 00:13:47,120 Speaker 4: H hell of a day, don't you think? 210 00:13:48,120 --> 00:13:53,520 Speaker 5: Certainly busy? When do you head up to Jerry's straightway? Really? Why? 211 00:13:54,960 --> 00:13:57,880 Speaker 4: I just thought, maybe you dress up? 212 00:13:59,160 --> 00:13:59,559 Speaker 6: You know what? 213 00:13:59,679 --> 00:14:00,880 Speaker 4: No, now you look great? 214 00:14:01,280 --> 00:14:03,559 Speaker 14: Just yea a little dishovel. 215 00:14:03,760 --> 00:14:06,000 Speaker 5: Maybe, well, this is how I always look. 216 00:14:06,559 --> 00:14:10,960 Speaker 4: Well, at least he knows what he's gonna get. Yeah, 217 00:14:11,000 --> 00:14:12,440 Speaker 4: you're gonna talk to him for Sarah Beth. 218 00:14:12,760 --> 00:14:16,760 Speaker 5: Well, I mean, I know it's absolutely insane, but something 219 00:14:16,840 --> 00:14:21,000 Speaker 5: is just nagging at me. I mean, the sickness de 220 00:14:21,080 --> 00:14:25,520 Speaker 5: Marius's diary, the timing of him showing up in town. 221 00:14:26,640 --> 00:14:28,760 Speaker 5: Even Sarah Beth, who spent her whole life painting my 222 00:14:28,760 --> 00:14:31,520 Speaker 5: family as a bunch of superstitious weirdos, is shaken by this. 223 00:14:31,640 --> 00:14:34,520 Speaker 5: I mean, for her to ask me for help. 224 00:14:35,040 --> 00:14:37,760 Speaker 4: Yeah, it's wild, a sign of the end times, the 225 00:14:37,800 --> 00:14:39,160 Speaker 4: Seventh Seal broken. 226 00:14:42,320 --> 00:14:44,680 Speaker 5: Okay, I'd better head over. 227 00:14:45,640 --> 00:14:50,160 Speaker 4: I am so excited and jealous. I mean mostly excited. No, no, 228 00:14:50,520 --> 00:14:51,440 Speaker 4: mostly jealous. 229 00:14:51,680 --> 00:14:55,240 Speaker 5: Okay, he's just dinner, and I'm gonna make it weird, 230 00:14:55,360 --> 00:14:57,440 Speaker 5: I'm sure by pumping him for information. 231 00:14:58,160 --> 00:14:59,120 Speaker 4: Pitchposh. 232 00:14:59,200 --> 00:15:01,400 Speaker 5: I will see you to mo sorrow bullshit. 233 00:15:02,080 --> 00:15:03,160 Speaker 4: You will call me tonight. 234 00:15:04,720 --> 00:15:27,840 Speaker 5: Have a good night, Sylvie, call me evening. Drive through 235 00:15:27,840 --> 00:15:31,400 Speaker 5: a ghost town. Even in small places like this, there 236 00:15:31,480 --> 00:15:35,400 Speaker 5: are the telltale signs of everyday life. Kids playing in 237 00:15:35,440 --> 00:15:39,360 Speaker 5: the yard, people out gardening or walking having a chat. 238 00:15:40,800 --> 00:15:46,280 Speaker 5: The stillness was eerie, and only occasionally broken up as 239 00:15:46,280 --> 00:15:49,600 Speaker 5: I drove to to have a place by emergency workers 240 00:15:49,880 --> 00:15:54,400 Speaker 5: entering a neighbor's house. A National Guard humvy slowly rolling 241 00:15:54,440 --> 00:15:59,240 Speaker 5: up a side street, horribly out of place. This wasn't 242 00:15:59,280 --> 00:16:05,360 Speaker 5: a peaceful quo. The foreboding mood wasn't softened by pulling 243 00:16:05,360 --> 00:16:09,240 Speaker 5: into the Havoc drive. There. It was just up the hill, 244 00:16:09,680 --> 00:16:20,640 Speaker 5: a monolithic sort of thing. Workmen had been here and 245 00:16:20,720 --> 00:16:23,080 Speaker 5: painted it a stark white so that it stood out 246 00:16:23,080 --> 00:16:27,160 Speaker 5: against the brown grass at the hillside. Three floors of 247 00:16:27,240 --> 00:16:32,640 Speaker 5: tall windows framed with black shutters, like empty sockets, staring 248 00:16:32,680 --> 00:16:36,160 Speaker 5: out across all of Havoc, New Hampshire, as if surveying 249 00:16:36,200 --> 00:16:41,720 Speaker 5: its domain. The steep steps leading up from the drive 250 00:16:41,760 --> 00:16:45,440 Speaker 5: to the front door did not soften the place at all. Instead, 251 00:16:45,520 --> 00:16:49,680 Speaker 5: it reminded me how far up I'd already come, and 252 00:16:49,760 --> 00:16:53,960 Speaker 5: how much further I'd have to climb. And then the 253 00:16:54,040 --> 00:16:57,080 Speaker 5: heavy oak door was in front of me, painted black, 254 00:16:57,320 --> 00:17:01,040 Speaker 5: of course, with a massive doorknocker boot in the shape 255 00:17:01,080 --> 00:17:04,600 Speaker 5: of a bear with a large brass ring stuck in 256 00:17:04,640 --> 00:17:08,679 Speaker 5: its mouth. I could imagine it turning into Jacob Marley, 257 00:17:08,800 --> 00:17:25,520 Speaker 5: ready to warn me off my greed. Well, here goes nothing. Hello, 258 00:17:27,400 --> 00:17:29,119 Speaker 5: I'm looking for Jerry Havoc. 259 00:17:29,960 --> 00:17:33,679 Speaker 9: Yes, miss Abbitts, I'm Hobson. I work for mister Havoc. 260 00:17:34,440 --> 00:17:36,120 Speaker 9: Please come. 261 00:17:45,119 --> 00:17:50,080 Speaker 5: Inside. Was a little warmer, dark wooden floors and dim lights, 262 00:17:51,200 --> 00:17:57,080 Speaker 5: and Hobson tall and thin, wispy gray hair oiled to 263 00:17:57,200 --> 00:18:00,320 Speaker 5: his skull. He studied me for a moment from under 264 00:18:00,320 --> 00:18:01,399 Speaker 5: his heavy eyelids. 265 00:18:01,480 --> 00:18:05,080 Speaker 9: Before mister Havoc is on a call. He asked for 266 00:18:05,119 --> 00:18:06,199 Speaker 9: me to sit you in the parlor. 267 00:18:07,119 --> 00:18:17,960 Speaker 5: The parlor this way? Is this a bad time? 268 00:18:19,000 --> 00:18:21,639 Speaker 9: Mister Havoc is on a business call, but it's looking 269 00:18:21,680 --> 00:18:25,400 Speaker 9: forward to your meeting. Would you like refreshments? Coffee, tea? 270 00:18:25,480 --> 00:18:26,840 Speaker 9: We have an excellent wine. 271 00:18:26,880 --> 00:18:30,840 Speaker 5: Sep oh, that's not necessary, as you wish. 272 00:18:31,000 --> 00:18:33,680 Speaker 9: Mister Havoc will be with you shortly. If you happen 273 00:18:33,720 --> 00:18:36,960 Speaker 9: to need anything, I'll be in the study upstairs. Just 274 00:18:37,160 --> 00:18:41,280 Speaker 9: ring the bell here sure, thanks, please sit. 275 00:18:46,040 --> 00:18:52,040 Speaker 5: Not the warmest welcome. The parlor was like walking into 276 00:18:52,080 --> 00:18:55,600 Speaker 5: a museum, the blue gray evening light coming through the 277 00:18:55,640 --> 00:18:59,560 Speaker 5: tall window, little well appointed room, a room that whispered 278 00:18:59,560 --> 00:19:04,119 Speaker 5: of old money. A harpsichord in the corner, ancient but 279 00:19:04,560 --> 00:19:09,480 Speaker 5: dust free paintings on the walls rivers through European cities, 280 00:19:10,000 --> 00:19:14,040 Speaker 5: pastorals of sheep with the backdrop of steep, craggy mountains, 281 00:19:15,119 --> 00:19:20,440 Speaker 5: and there, above a high mantle, a portrait a delicate 282 00:19:20,480 --> 00:19:24,840 Speaker 5: woman with pale blue eyes, white blonde hair piled atop 283 00:19:24,880 --> 00:19:28,000 Speaker 5: her head in great ringlets. She wore a gown of 284 00:19:28,520 --> 00:19:33,480 Speaker 5: crimson against a dark backdrop. The light in the painting 285 00:19:33,760 --> 00:19:36,359 Speaker 5: fell across her face in such a way that it 286 00:19:36,480 --> 00:19:41,119 Speaker 5: cast shadows about her, but it caught her eyes just so. 287 00:19:42,240 --> 00:19:45,840 Speaker 5: They burned brightly, like winter sun hitting the surface of 288 00:19:45,880 --> 00:19:50,520 Speaker 5: an icy pond and reflecting back too brightly. The effect 289 00:19:50,640 --> 00:19:59,080 Speaker 5: was hypnotizing. She was magnificent, soft and still, but with 290 00:19:59,200 --> 00:20:04,000 Speaker 5: a terrible sort of vibrance, like she could reach out 291 00:20:04,000 --> 00:20:07,119 Speaker 5: through the painting and touch you with her white fingers. 292 00:20:08,000 --> 00:20:08,840 Speaker 2: Beautiful, isn't it? 293 00:20:09,080 --> 00:20:09,520 Speaker 5: Jesus? 294 00:20:10,119 --> 00:20:12,159 Speaker 2: Oh God, I didn't mean to. 295 00:20:12,400 --> 00:20:14,639 Speaker 5: Uh, you scared the shit out of me. 296 00:20:17,119 --> 00:20:20,199 Speaker 2: Occupational hazard. Yeah, I'm sorry, I'm sorry. 297 00:20:20,560 --> 00:20:23,120 Speaker 5: I didn't I didn't hear you come in. I was well, 298 00:20:23,119 --> 00:20:25,440 Speaker 5: I was transfixed. This painting is gorgeous. 299 00:20:25,760 --> 00:20:31,879 Speaker 2: Oh yes. Jacques Louis David eighteen fourteen, he painted the 300 00:20:31,960 --> 00:20:36,960 Speaker 2: Coronation of Napoleon. Oh, and the death of Socrates. Wow, 301 00:20:39,600 --> 00:20:42,320 Speaker 2: don't worry, you know, because I looked him up. 302 00:20:43,520 --> 00:20:46,520 Speaker 5: Okay, thank you. I've never heard of him. 303 00:20:46,680 --> 00:20:47,920 Speaker 2: He was apparently a big deal. 304 00:20:49,040 --> 00:20:50,720 Speaker 5: So who's this. 305 00:20:50,720 --> 00:20:56,119 Speaker 2: This would be my great great great et cetera, grandfather's first. 306 00:20:55,840 --> 00:21:07,720 Speaker 5: Wife, Sophia. Yes, who my great et cetera grandfather murdered. Yes, 307 00:21:08,520 --> 00:21:09,320 Speaker 5: sorry about that. 308 00:21:10,720 --> 00:21:12,560 Speaker 2: Well, we don't have to rehash the past, do we. 309 00:21:13,640 --> 00:21:16,800 Speaker 2: Let's go and sit in my office, Shally, this room 310 00:21:16,840 --> 00:21:17,840 Speaker 2: belongs to a dead woman. 311 00:21:18,800 --> 00:21:23,440 Speaker 5: Sounds good. I hope everything's okay, or that this isn't 312 00:21:23,800 --> 00:21:26,400 Speaker 5: interrupting important business. I mean, we could have pushed this 313 00:21:26,440 --> 00:21:27,240 Speaker 5: to another day. 314 00:21:27,640 --> 00:21:30,600 Speaker 2: No, not at all. No, like I really wanted to 315 00:21:30,600 --> 00:21:31,399 Speaker 2: get to know you better. 316 00:21:32,280 --> 00:21:35,560 Speaker 5: Oh, you just seem pretty heated on the phone. 317 00:21:36,040 --> 00:21:37,560 Speaker 2: Yeah, well, the governor's an idiot. 318 00:21:37,600 --> 00:21:40,480 Speaker 5: That's why you were arguing about the governor. 319 00:21:40,760 --> 00:21:42,560 Speaker 2: I was arguing with the governor. 320 00:21:43,800 --> 00:21:45,600 Speaker 5: Oh uh huh. 321 00:21:45,640 --> 00:21:47,679 Speaker 2: I can't believe it. He's proposing a lockdown in the 322 00:21:47,720 --> 00:21:50,280 Speaker 2: county just as we're getting started with the new project 323 00:21:50,280 --> 00:21:53,800 Speaker 2: at Avoc Mills. We've already had a shit couple of 324 00:21:53,880 --> 00:21:55,160 Speaker 2: years business wise, and. 325 00:21:55,600 --> 00:21:57,840 Speaker 5: I've heard about the congressional testimony. 326 00:21:58,160 --> 00:22:00,280 Speaker 2: Yeah, like I said, as soon as we make aware 327 00:22:00,280 --> 00:22:02,160 Speaker 2: of labor violations, well things changed. 328 00:22:02,680 --> 00:22:03,359 Speaker 5: I believe you. 329 00:22:03,920 --> 00:22:07,040 Speaker 2: This lockdown could cost me a lot of money, depending, 330 00:22:07,280 --> 00:22:12,679 Speaker 2: of course, on how long it lasts. Please right in here. 331 00:22:14,080 --> 00:22:18,440 Speaker 5: Holy shit, this is this is more a library than 332 00:22:18,480 --> 00:22:19,040 Speaker 5: an office. 333 00:22:19,119 --> 00:22:21,000 Speaker 2: Yeah, I guess it is. 334 00:22:21,920 --> 00:22:24,280 Speaker 5: Is this giant desk where you do your business? 335 00:22:25,480 --> 00:22:27,000 Speaker 2: Where I attended? At least? 336 00:22:27,440 --> 00:22:30,359 Speaker 5: Where do you find a space? It's chaos? What are 337 00:22:30,359 --> 00:22:31,080 Speaker 5: these ledgers? 338 00:22:31,880 --> 00:22:32,199 Speaker 2: They are? 339 00:22:34,160 --> 00:22:34,320 Speaker 6: You know? 340 00:22:34,320 --> 00:22:37,359 Speaker 5: They're like computer programs that do the same thing and 341 00:22:37,640 --> 00:22:38,479 Speaker 5: save the clutter. 342 00:22:39,040 --> 00:22:40,960 Speaker 2: Yeah, we use them, We use them. It's just a 343 00:22:41,119 --> 00:22:47,199 Speaker 2: more old school tactile. I like to see it all 344 00:22:47,240 --> 00:22:47,760 Speaker 2: in front of me. 345 00:22:49,760 --> 00:22:52,320 Speaker 5: Some of these look like they go way back. I mean, 346 00:22:52,840 --> 00:22:54,479 Speaker 5: this one looks older than the Bible. 347 00:22:55,520 --> 00:22:58,800 Speaker 2: The hell man, Sorry, I'm so sorry that it's just 348 00:22:58,840 --> 00:23:02,160 Speaker 2: that one's really fragile. It shouldn't really be back there 349 00:23:02,160 --> 00:23:02,560 Speaker 2: at all. 350 00:23:03,160 --> 00:23:04,920 Speaker 5: Well, there's no need to scold. 351 00:23:05,240 --> 00:23:09,679 Speaker 2: I'm an adult, I said, I'm sorry. I'm under an 352 00:23:09,760 --> 00:23:11,320 Speaker 2: awful lot of stress right now. 353 00:23:11,680 --> 00:23:14,879 Speaker 5: That's fine, that's fine. I don't let the drunks of 354 00:23:14,920 --> 00:23:16,960 Speaker 5: the bar talk to me that way. And I know 355 00:23:17,080 --> 00:23:19,080 Speaker 5: them a hell of a lot better than I know you. 356 00:23:23,640 --> 00:23:25,080 Speaker 2: We don't seem to be able to get on the 357 00:23:25,160 --> 00:23:26,000 Speaker 2: right footeing dew We. 358 00:23:27,880 --> 00:23:31,040 Speaker 5: No, we can't. And you know what, I get it. 359 00:23:31,200 --> 00:23:34,800 Speaker 5: The stress lockdown would screw my place up pretty badly too. 360 00:23:36,240 --> 00:23:38,440 Speaker 5: I'm sure with the CDC involved, things will return the 361 00:23:38,480 --> 00:23:39,680 Speaker 5: nomal pretty quickly. 362 00:23:39,480 --> 00:23:45,000 Speaker 2: Right, I honestly don't know. I'm pretty livid. I thought 363 00:23:45,040 --> 00:23:45,960 Speaker 2: he was pro business. 364 00:23:47,160 --> 00:23:50,040 Speaker 5: I mean, I'm no fan of SNUNA, but I'm sure 365 00:23:50,040 --> 00:23:52,679 Speaker 5: he's also pro keeping his constituents alive. 366 00:23:53,800 --> 00:24:01,320 Speaker 2: Who knows? So let's not talk about business. What should 367 00:24:01,320 --> 00:24:01,920 Speaker 2: we talk about? 368 00:24:04,520 --> 00:24:09,320 Speaker 5: Well, I'd like to rehash the past? Neat Well, it's 369 00:24:09,400 --> 00:24:14,240 Speaker 5: just that I recently discovered the diary of Tameris Abbas. 370 00:24:16,359 --> 00:24:22,480 Speaker 2: I'm familiar with it. Oh well, yes, my great great etcetera, 371 00:24:22,520 --> 00:24:24,560 Speaker 2: et cetera grandfather was the one who found it. 372 00:24:24,640 --> 00:24:26,280 Speaker 5: Actually I didn't know that. 373 00:24:27,040 --> 00:24:29,560 Speaker 2: Well, it's not common knowledge. He made sure that it 374 00:24:29,600 --> 00:24:32,000 Speaker 2: wasn't entered into the record of events. 375 00:24:32,520 --> 00:24:36,360 Speaker 5: Hmm. That's sort of what I'm here to ask about. 376 00:24:37,320 --> 00:24:46,640 Speaker 5: Not vamporism, No, I mean, what happened with your family 377 00:24:46,720 --> 00:24:47,400 Speaker 5: after everything? 378 00:24:49,280 --> 00:24:52,720 Speaker 2: After the good Reverend Abbis murdered his son, he marched 379 00:24:52,800 --> 00:24:54,600 Speaker 2: up the hill to this very house and banged on 380 00:24:54,600 --> 00:24:56,680 Speaker 2: the door in the middle of the night. Then he 381 00:24:56,760 --> 00:25:00,960 Speaker 2: murdered Jury Havoc, the Eighth's wife, Sophia, whose portrait you 382 00:25:00,960 --> 00:25:03,720 Speaker 2: were so taken with. And after that he went and 383 00:25:03,840 --> 00:25:05,680 Speaker 2: hung himself in the church, leaving no note. 384 00:25:06,840 --> 00:25:13,280 Speaker 5: Well that's not entirely true. What we did a letter 385 00:25:13,560 --> 00:25:14,840 Speaker 5: to his grandson. 386 00:25:15,960 --> 00:25:19,400 Speaker 2: Did it explain what happened? 387 00:25:20,280 --> 00:25:23,480 Speaker 5: Uh? No, No, just told them that the vampires were 388 00:25:23,480 --> 00:25:27,880 Speaker 5: going to be their responsibility in the future and apologizing 389 00:25:28,119 --> 00:25:29,399 Speaker 5: for their mother's death. 390 00:25:30,680 --> 00:25:41,200 Speaker 2: Hmm, Shane bat to Mars, another innocent Yeah, well, let 391 00:25:41,200 --> 00:25:45,159 Speaker 2: me tell you something. Even in his grief and Sophia's loss, 392 00:25:45,720 --> 00:25:48,920 Speaker 2: my ancestor felt an obligation to heal the wounds habits left. 393 00:25:49,720 --> 00:25:52,160 Speaker 2: The current town hall was funded by him. He gave 394 00:25:52,240 --> 00:25:54,360 Speaker 2: generously to the church and found someone new to lead 395 00:25:54,400 --> 00:25:58,360 Speaker 2: the congregation, all of which led to the population renaming 396 00:25:58,400 --> 00:26:04,280 Speaker 2: the town after him. But apparently the the sorrow was 397 00:26:04,320 --> 00:26:09,280 Speaker 2: too much, and so he returned to London, where he 398 00:26:09,320 --> 00:26:11,760 Speaker 2: met his second wife. 399 00:26:11,119 --> 00:26:15,600 Speaker 5: Martha, which I suppose was lucky for you. How so, 400 00:26:16,760 --> 00:26:18,639 Speaker 5: otherwise you wouldn't have been born. 401 00:26:21,440 --> 00:26:24,240 Speaker 2: Right, Yeah, I guess you got a point there. Well, 402 00:26:24,280 --> 00:26:26,240 Speaker 2: the two of them begat and so did that child 403 00:26:26,320 --> 00:26:31,480 Speaker 2: on down the line. And here I am, and here 404 00:26:31,520 --> 00:26:34,720 Speaker 2: you are too. So I guess all wounds do heal. 405 00:26:36,720 --> 00:26:40,359 Speaker 5: For the most part, the uh ABBA's name is still 406 00:26:40,400 --> 00:26:44,360 Speaker 5: synonymous with murder and madness, though none of us has 407 00:26:44,400 --> 00:26:47,880 Speaker 5: harmed a fly since that plague of eighteen seventeen. 408 00:26:48,359 --> 00:26:51,920 Speaker 2: Well, it's a shame, honestly, It's funny, isn't it that 409 00:26:52,040 --> 00:26:54,879 Speaker 2: the disease which abliged the town dissipated into the ether 410 00:26:55,119 --> 00:26:56,320 Speaker 2: when the man hung himself. 411 00:26:57,119 --> 00:26:59,040 Speaker 5: Are you suggesting that he was responsible? 412 00:27:00,160 --> 00:27:02,280 Speaker 2: Of course not. No, I'm just I'm just saying it's 413 00:27:02,320 --> 00:27:06,120 Speaker 2: a it's funny in a in a nasty kind of way. 414 00:27:06,960 --> 00:27:10,840 Speaker 5: Hmmm. I mean you could also say that it ended 415 00:27:10,840 --> 00:27:15,480 Speaker 5: when your grandfather laughed and started right back up the 416 00:27:15,520 --> 00:27:16,480 Speaker 5: week I Havoc. 417 00:27:16,320 --> 00:27:25,240 Speaker 2: Returned, Miss Ames, Are you accusing me of vamporism? 418 00:27:25,320 --> 00:27:31,600 Speaker 5: I no, of course not. I'm you're fucking with me. 419 00:27:33,000 --> 00:27:37,680 Speaker 2: I'm sorry, I'm sorry. It was just too perfect. But yes, 420 00:27:37,760 --> 00:27:40,600 Speaker 2: I'm more than aware of the bad timing. It's coming 421 00:27:40,640 --> 00:27:44,239 Speaker 2: out of the work. It's almost too perfect, isn't it. 422 00:27:45,080 --> 00:27:48,440 Speaker 5: I mean, perspective people have died. 423 00:27:49,440 --> 00:27:53,080 Speaker 2: Yes, of course, yes, I'm sorry, and you know one 424 00:27:53,119 --> 00:28:02,959 Speaker 2: of them two right again? I'm sorry, yes, Hobson. 425 00:28:04,760 --> 00:28:08,119 Speaker 9: I apologize for the interruption. Glenn Morrison is on the line. 426 00:28:08,720 --> 00:28:09,840 Speaker 2: Tell him I'll call him back. 427 00:28:10,320 --> 00:28:12,560 Speaker 9: It's urgent, he says. 428 00:28:14,280 --> 00:28:17,119 Speaker 2: I apologize. I've really got to take this call. I 429 00:28:17,160 --> 00:28:19,800 Speaker 2: shouldn't be long, but it may be a bit. I 430 00:28:19,840 --> 00:28:22,320 Speaker 2: do have someone preparing a meal. It'd be a shame 431 00:28:22,359 --> 00:28:22,919 Speaker 2: to waste it. 432 00:28:23,680 --> 00:28:25,960 Speaker 5: You know, we really can rain check it. 433 00:28:26,320 --> 00:28:27,240 Speaker 2: Oh, I feel bad. 434 00:28:27,760 --> 00:28:31,840 Speaker 5: It's absolutely all right. Everything has been chaos, and you 435 00:28:31,840 --> 00:28:34,360 Speaker 5: know I really could use some quiet time anyway. 436 00:28:35,200 --> 00:28:38,520 Speaker 2: Well, can we please meet up again soon? 437 00:28:39,600 --> 00:28:39,880 Speaker 5: Sure? 438 00:28:42,200 --> 00:28:43,120 Speaker 2: When's good. 439 00:28:44,040 --> 00:28:47,120 Speaker 5: I'm at the bar most evenings, so whenever. 440 00:28:48,240 --> 00:28:51,600 Speaker 2: I'd love to see that letter from Jasara Abbess really 441 00:28:52,920 --> 00:28:54,000 Speaker 2: really bury the hatchet. 442 00:28:55,160 --> 00:28:57,120 Speaker 5: Sure, i'll call you. 443 00:28:57,600 --> 00:29:04,480 Speaker 2: I'll be waiting, hey, and be careful out there. Shit 444 00:29:04,720 --> 00:29:12,680 Speaker 2: is crazy. 445 00:29:14,560 --> 00:29:16,680 Speaker 5: It was already dark when I got back in the 446 00:29:16,720 --> 00:29:20,160 Speaker 5: car and made my way down the hill. Havoc, the 447 00:29:20,200 --> 00:29:21,800 Speaker 5: man shouting into the phone behind me. 448 00:29:21,920 --> 00:29:22,240 Speaker 2: Havoc. 449 00:29:22,320 --> 00:29:25,400 Speaker 5: The town turning on their porch lights below me, huddling 450 00:29:25,480 --> 00:29:31,320 Speaker 5: safely inside their homes, a ghost town now, the only 451 00:29:31,400 --> 00:29:34,800 Speaker 5: sign of life. The blue light of the TV, flickering 452 00:29:34,840 --> 00:29:38,520 Speaker 5: in windows, watching the news for signs of the end, 453 00:29:39,960 --> 00:29:43,120 Speaker 5: my own house shrouded in darkness. As I pulled up 454 00:29:43,160 --> 00:29:48,400 Speaker 5: and got out, I was turning the conversation with a 455 00:29:48,480 --> 00:29:55,160 Speaker 5: jury over in my head, the weird defensiveness, though I imagine 456 00:29:55,000 --> 00:29:57,880 Speaker 5: I exude the same when people ask about my family, 457 00:29:59,600 --> 00:30:03,600 Speaker 5: and I said, from his end, the whispers of vampirism 458 00:30:03,640 --> 00:30:07,240 Speaker 5: that haunt this town or a little grating. I was 459 00:30:07,280 --> 00:30:11,760 Speaker 5: so busy thinking about these things that I didn't notice 460 00:30:11,960 --> 00:30:21,040 Speaker 5: the figure on the front porch until it spoken, who's there? Hello? 461 00:30:23,760 --> 00:30:34,560 Speaker 14: No, no, Hello, it's You're You're dead. They they, they 462 00:30:34,600 --> 00:30:36,080 Speaker 14: said you were dead. 463 00:30:36,600 --> 00:30:45,760 Speaker 5: I was, I'm not now, Jesus, Jimbo, Can I come in? 464 00:30:51,600 --> 00:30:54,800 Speaker 3: Havoctown was created by me Aaron Mayky. The show was 465 00:30:54,840 --> 00:30:59,160 Speaker 3: written and directed by Nicholas Tukowski. This episode was edited 466 00:30:59,200 --> 00:31:03,720 Speaker 3: and sound designed by Ben Hackett. Starring Jewels State as 467 00:31:03,800 --> 00:31:08,400 Speaker 3: Corene Abbas, James Callus as Jerry Havoc, Felicia Day as 468 00:31:08,440 --> 00:31:13,680 Speaker 3: Sylvie Harris, Robin Bludworth as Jimbo Horn, David Calhoun as 469 00:31:13,800 --> 00:31:19,280 Speaker 3: Jonathan abbas Summer rain Menkey as Barbara Horn, Gina Rikikey 470 00:31:19,400 --> 00:31:24,080 Speaker 3: as Sarah Beth Spalding, with additional voice acting from David Caprita, 471 00:31:24,400 --> 00:31:30,640 Speaker 3: Kanisha Johnson, Gabriel Menak, Julian Graham, Eric Tdy, Sasha Hatfield, 472 00:31:30,960 --> 00:31:37,200 Speaker 3: Beverly Bremers, Jay Jones, Jonathan Baron, Stephen Manley, and Aaron Mankey. 473 00:31:37,720 --> 00:31:41,520 Speaker 3: This season is directed by Nicholas Takoski, with assistant directors 474 00:31:41,600 --> 00:31:45,680 Speaker 3: Sarah Klein and Jake Diamond, casting by Sunday Bowling CSA 475 00:31:46,080 --> 00:31:51,080 Speaker 3: and Meg Mormon CSA. Production coordinator Wayna Calderon. Our theme 476 00:31:51,160 --> 00:31:55,600 Speaker 3: song was created by Chris Childs executive producers Aaron Mankey, 477 00:31:55,720 --> 00:31:59,560 Speaker 3: Trevor Young, and Matt Frederick, with supervising producer Rima L. 478 00:31:59,600 --> 00:32:03,840 Speaker 3: Kala and producers Nomes Griffin and Jesse Funk. Havoctown is 479 00:32:03,880 --> 00:32:07,200 Speaker 3: set in the Bridgewater Audio Universe, which includes the hit 480 00:32:07,280 --> 00:32:11,800 Speaker 3: fiction podcasts Bridgewater and Consumed. Learn more about both shows, 481 00:32:11,840 --> 00:32:15,800 Speaker 3: as well as Havoctown at grimandmild dot com, and find 482 00:32:15,840 --> 00:32:20,680 Speaker 3: more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, 483 00:32:20,760 --> 00:32:29,400 Speaker 3: or wherever you listen to your favorite shows.