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Speaker 1: Fifty percent right special year. I love you to sit down.

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Speaker 1: Didn't come to the most prominent form wait your ass

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Speaker 1: up early in the morning, but they tell me it

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Speaker 1: was y'all. I said, oh, hell yeah, I'm getting the

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Speaker 1: small says morning ship. Few people's choice, but I've got

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Speaker 1: you people. I can't believe you guys are the best kids.

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Speaker 1: If we know that breakfast club petition, this is your

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Speaker 1: time to get it off your chest, whether your man flash,

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Speaker 1: thank you from you on the breakfast club. But you

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Speaker 1: got something on your mind? Little Hello? Who's this angel? Angngel?

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Speaker 1: Good morning? Yes, me and my daughter listen to you guys.

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Speaker 1: Every morning we delivered news papers. Okay, hey, I want

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Speaker 1: to thank you and your daughter for having no taste.

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Speaker 1: We really appreciate you. Stop it. Where you what you

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Speaker 1: call it from? I'm Besty beach right now. What's on

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Speaker 1: the cover of the paper today? Delaware? Yes, Delaware? What's

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Speaker 1: on to cover the paper today? I got a basketball?

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Speaker 1: Here's normal and a whale working thing. How old is

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Speaker 1: your daughter? Why is she? Why is she working with

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Speaker 1: you so early? My daughter is wanted a half and

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Speaker 1: I go back to the whole child thing. I'm trying

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Speaker 1: to somebody with hurt and can't quite afford the city yet. No,

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Speaker 1: husband both works. We got four ks yo. Your um

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Speaker 1: must be amazing. I try to throw a paper one

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Speaker 1: time across the street. I couldn't do it. You could

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Speaker 1: throw the papers from the car and hit the front stoop. Yeah,

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Speaker 1: you gotta have a good arm to especially be able

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Speaker 1: to throw a book the tour okay, and nice clicking

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Speaker 1: the rest. There you go. Well, thank you for listening

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Speaker 1: to mama. Yeah. I just wanted to say, you know,

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Speaker 1: everybody has bad days that you gotta think somebody else

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Speaker 1: has it worst than you, so always be positive. There

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Speaker 1: you go, Thank you, mama. Have a good day you too. Hello.

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Speaker 1: Who's this? This this Tiffany. Hey Tiffany, good morning, good morning,

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Speaker 1: good morning, good morning. Hey, get it off your chests. Yeah,

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Speaker 1: I'm just pump this morning. My husband, my kids were blasted.

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Speaker 1: Yes we are. My husband we had on the sex

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Speaker 1: last night and working fine because we got four kids.

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Speaker 1: I what is thundersc? What is thunder sex? Now? Years thundersc?

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Speaker 1: What is that you have when the lighting come out?

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Speaker 1: You know? What was pining on? Oh? Got you got you? Yeah?

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Speaker 1: A good film? Now? I was working on stage five,

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Speaker 1: but I jumped up too quick. But that's fine. We

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Speaker 1: can still set sir. Yes, man, alright, Mom, okay, all right,

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Speaker 1: well enjoy your dad. You seem happy. Yes, thank you

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Speaker 1: God Black. Hello? Who's this Joey? Hey, Joey, get it

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Speaker 1: off your chest? Hey, man, I want to tell you

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Speaker 1: DJA to really do need to start the short so far,

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Speaker 1: like Charlotte Magne said, Man, look, the show starts to six.

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Speaker 1: We were just joking, Charlotte Charlotmagne, he said six to five,

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Speaker 1: but it starts to six, or they think I'm joking.

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Speaker 1: They think I'm joking about my time being different. Okay,

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Speaker 1: you should know you Dominican man, goodbye, man, Hello, who's this? Hi?

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Speaker 1: My name is Kaya. I'm feeling three one and there

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Speaker 1: I believe. I question for Angela so well, how do

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Speaker 1: you see about a guy saying that you can't wear

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Speaker 1: some type of dress? Like guy that's your boyfriends and

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Speaker 1: he can't wear some type of dress or some kind

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Speaker 1: of outfit because he doesn't like you in it, but

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Speaker 1: he likes to grow on Instagram in the same outfit. Well,

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Speaker 1: first of all, um, he can't tell you what you

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Speaker 1: can and can't wear. That's completely up to you. So

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Speaker 1: let's get that straight first and foremost. And that's a

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Speaker 1: silly reason. Now, he could not like something that you

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Speaker 1: wear and he can't express himself in that way, but

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Speaker 1: he can't tell you can't wear it. So now it's

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Speaker 1: up to you how you react to that. Do you say, Okay,

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Speaker 1: I'm going to do what I want to do and

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Speaker 1: make this stand that I'm going to take so you

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Speaker 1: don't try this in the future, or do you say, okay,

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Speaker 1: let me listen to what he's saying and see if

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Speaker 1: there's a valid reason that he feels that way, and

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Speaker 1: then we can discuss. It's up to you. Okay, Well,

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Speaker 1: what if it's like he doesn't like it because he

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Speaker 1: doesn't want other Like what if you wear it while

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Speaker 1: you're with him, Like it's put dress with a split

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Speaker 1: in it, but he doesn't like the split. I mean

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Speaker 1: with him going out. There's nothing he could really do

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Speaker 1: about it. It's not really on him. He should think

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Speaker 1: that you're his girl and you're you know, do you

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Speaker 1: know how to dress? And you look cute. I don't

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Speaker 1: think that he can tell you what to wear and

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Speaker 1: what not to wear. That's all what's he gonna do

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Speaker 1: take you home and say we're not going out anymore.

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Speaker 1: Do you ever tell him how to dress? Oh? No,

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Speaker 1: not really. Well, it's just like I don't know. It's

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Speaker 1: really weird to me. And we had this discussion like

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Speaker 1: the other day because I wanted to wear a dress

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Speaker 1: and he was like, I don't want anybody else to

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Speaker 1: see you in It'll tell him to bout you girls

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Speaker 1: and short shorts and sion And I'm like, is that

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Speaker 1: because of me? Or like what? Well, tell him to

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Speaker 1: boue you some clothes that he likes. Then, Mama, you

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Speaker 1: don't know if he chests eight on dread five eight

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Speaker 1: five one oh five one. If you're upset, you need

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Speaker 1: to vendish the breakfast club. Good morning the breakfast Club.

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Speaker 1: This is your time to get it off your chests,

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Speaker 1: whether you're man or blast. So people better have the

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Speaker 1: same energy we want to hear from you on the

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Speaker 1: breakfast Club. Hello. Who's this? Hello, It's Rachel. Hey, Rachel,

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Speaker 1: get it off your chests. I was calling and say

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Speaker 1: I'm so blessed this morning. My new interactive children's book

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Speaker 1: that is Climbing to Charcel Amazon. Okay, congratulations, what's your name?

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Speaker 1: What's the name of the book. It's called Amber's Magical

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Speaker 1: Savings Box. It teaches kids about earning the saving money,

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Speaker 1: giving those millionaires a headstart on their road to financial freedom.

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Speaker 1: How is it interactive? But that's dope. Well, the kids

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Speaker 1: have to write there financial dreams and goals inside the

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Speaker 1: back of the book. They follow Amber as she earns

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Speaker 1: money for this magical toy she wants to buy, and

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Speaker 1: they have to kind of like walk along with her

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Speaker 1: in this journey, all right, fand teaching kids the value

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Speaker 1: of how to save and spend. What's the name of

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Speaker 1: the book again, I'm gonna look it up, Amber's Magical

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Speaker 1: Savings Box. It's an honor of my niece Amber, we

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Speaker 1: lost at the age of three. So it's for ages

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Speaker 1: three to eight year olds, just to get them started.

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Speaker 1: It's a few um that can do savings journals in

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Speaker 1: the back of it and everything. Okay, thank you, mama,

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Speaker 1: all right, I like that you alrighty? Hello? Who's this? Hey?

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Speaker 1: Get it off your chance? Mama? No is it normal

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Speaker 1: to you? Guys? Picks up and then you know, be

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Speaker 1: all hop for like twenty minutes to never get connected

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Speaker 1: back on the line. Is that normal? Why, why? What happened?

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Speaker 1: When did that happen to you? Yesterday? And maybe like

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Speaker 1: two other times? I'm sorry, mama, Well what did you

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Speaker 1: want to say? What did you want to call about? Well?

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Speaker 1: I wanted to again Saint Anti Laye for you know, um,

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Speaker 1: you know, just looking out for me. When it came

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Speaker 1: down to the music situation. Okay, oh you do music,

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Speaker 1: that's man? You remember, yes, I do remember. And then

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Speaker 1: let me tell you where people actually did check out

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Speaker 1: the song and it's like man stole the man was

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Speaker 1: tripped and I'm like, man, I can't from work. I

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Speaker 1: was tired getting off from overnight. So you want to try?

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Speaker 1: You want to give it another you want to give

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Speaker 1: it another try? Y'all done to listen? Yeah, go ahead,

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Speaker 1: let's go. Oh boy, Oh, don't do you like doing? Bro?

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Speaker 1: Don't do you like that? Ah? You ain't ready for

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Speaker 1: the big leagues, Mama. I know I got what it take.

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Speaker 1: I can't tell you, all right, command you starling, let's

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Speaker 1: hear it. You gotta redeem yourself, all right? One two,

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Speaker 1: one two three? Boom? Yeah you tried? You know what

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Speaker 1: you didn't? You really did know? I said, we tried. Oh,

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Speaker 1: get it off your chests, bro, Closure is a damn

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Speaker 1: don't check some don't call them, don't or hey, how

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Speaker 1: you do the one like? Closure? Yeah? What's that? You know?

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Speaker 1: You guys break good? You guys have a fight. Oh like,

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Speaker 1: let's talk about it. Let's work it out now, you

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Speaker 1: guys break up. Let's just dropping, move on. You know

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Speaker 1: what happens. He is, he's definitely hurt. What happens here?

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Speaker 1: No such thing is closure? Uh pretty much? Um the

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Speaker 1: girl for a while for her kid, and yeah, man,

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Speaker 1: I'm done with that. So you want to closure. He's hurt.

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Speaker 1: She wanted closure? Well, yeah, I guess both of us

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Speaker 1: wanted like a new sure goodbye, But it ain't happen.

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Speaker 1: There's no such thing. It's closure. Man. You either with

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Speaker 1: it or you're not. Clearly, y'all not no more. I'm

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Speaker 1: sorry you got your feelings hurt. Boo. Yeah, I'm sorry, booboo. Well,

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Speaker 1: congratulations to the guy. Congratulations to the guy that had

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Speaker 1: sex with your girl. Though, Oh I stop it. Oh,

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Speaker 1: I mean yeah, it is what it is. It's good, right,

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Speaker 1: she got good poo pool. Somebody got to get it.

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Speaker 1: Even if it's not you. That's closing and it's okay

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Speaker 1: to be here. Okay, it's fine, nothing wrong with that.

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Speaker 1: You're at that man on Twitter, tell congratulations he banging

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Speaker 1: a good one? All right? Damn it, man, it's not

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Speaker 1: good for you. You You guys are not helping. Hello, who's this?

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Speaker 1: Did you say? Everyone's up? Little? So what I'm getting

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Speaker 1: up about? What? I'm blessed. I love the show. I'm

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Speaker 1: riding through it. Um just coming from the gym, so

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Speaker 1: I'm loving all the day. But Honday, y'all had me

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Speaker 1: on Hole for like a week straight. I listened to

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Speaker 1: the whole show on the phone. How you work out

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Speaker 1: on Hole? Man, that's like get out, Jim. I put

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Speaker 1: the gym at five a m. To stay for him.

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Speaker 1: I cut the show on immediately once in the car,

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Speaker 1: and then I started calling it's sooo it's y'all said,

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Speaker 1: get it off your chests and now I'm benna hold.

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Speaker 1: I saw it to y'all inboxes. If you check you

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Speaker 1: to him and the whole thing. I've been on hold for,

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Speaker 1: like the whole rad to the house. One day I

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Speaker 1: went to Walmart and was walking around Walmart was on

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Speaker 1: Hole listening to the whole breakfast. Well, you need you need,

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Speaker 1: you need to do more with your life. Bull. At

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Speaker 1: least you don't have to pay for a minute. You

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Speaker 1: have unlimited right. Yes, I do, and something me why

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Speaker 1: I do? All my life I've trying to get through.

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Speaker 1: Y'all be helping me out. The last time I got through,

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Speaker 1: I got so many orders from New York. Do you

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Speaker 1: know what that means to me? Well, shout out your company.

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Speaker 1: Now you only spot Room. I am they only lady

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Speaker 1: caller from Savannage, Georgia. I help women get said Yoni's

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Speaker 1: tight and right? Okay, and how do they reach you? Uh?

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Speaker 1: You only spotroom dot com? Uh instagram at they only

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Speaker 1: spot room. They stood, they only spot Room. Everything under

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Speaker 1: Yoni spot Room or the Yonnie Lady and only you

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Speaker 1: only means poom poom in what language? It's a fans

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Speaker 1: free word, though you know we'll go. Uh. So everybody

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Speaker 1: out there would lose Yonni's boss, lose by Yoni by

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Speaker 1: get it off your chest eight hundred five eight five

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Speaker 1: one on five one. If you're upset, you need defend its.

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Speaker 1: The breakfast Club, good morning, the Breakfast Club. More than

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Speaker 1: everybody is DJ MV and Angela Yee, Charlemagne the guy.

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Speaker 1: We are the breakfast club. We got a special guest

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Speaker 1: in the building. Thanks for having me bad. She was

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Speaker 1: early today, Yes, she wasn't gonna wrap all this time.

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Speaker 1: No early. I was early because I'm trying to change

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Speaker 1: the narrative about big women being late and lazy. You understand,

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Speaker 1: you know what it is. People say, what's your thing is?

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Speaker 1: Black men don't cheat? Okay, well, fat bitches don't eat.

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Speaker 1: Then if we tell them lies, let's tell them all

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Speaker 1: who don't cheat. I'm playing. You said who don't cheat? Listen,

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Speaker 1: black men don't cheat. We're changing the narrative. Okay, you're

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Speaker 1: changing bitches, we don't eat. We just got this way

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Speaker 1: because God wants us to be flumpy and lumpy. I

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Speaker 1: do feel that I am very curvy and all the

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Speaker 1: right places. Yes, heavy breast, heavy thighs, but you know

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Speaker 1: I cannot deny that I have a gut. Anytime a

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Speaker 1: man has to lift up the hood to get in there,

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Speaker 1: you know youre a big girl. I love the outfit,

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Speaker 1: thank you, the color, Yes, taste the rainbow, speaking take

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Speaker 1: the rain. But how did they lift up the hood?

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Speaker 1: What did they do? Like? Did they actually grab your stomach?

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Speaker 1: And don't think like you ain't been with a big

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Speaker 1: bitch before? You know what to do? Come on now,

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Speaker 1: picture I mean one time I did one time. Yeah,

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Speaker 1: you have to lift the hood she laid on the floor.

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Speaker 1: And the women women are big. Women are more flexible

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Speaker 1: than people think. Yes, I am very flexible. But if

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Speaker 1: you didn't have to lift up the hood on a

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Speaker 1: big woman, that's because she was doing a summersault while

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Speaker 1: you was trying to her out and then everything just

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Speaker 1: fell down. What kind of guys do you like? No,

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Speaker 1: it was a quickie because we were trying to do

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Speaker 1: it before her father came back home. It was way

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Speaker 1: back in the day. Ok. Yeah, I had did a

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Speaker 1: weekend in jail and I was just horny. Her name,

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Speaker 1: her name was. She used to call herself big, big Nasty,

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Speaker 1: like you know how she used to have an air

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Speaker 1: brushed on the front of her Honda. Let me welcome

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Speaker 1: to street real quick and dip off in the big

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Speaker 1: Nasty And I just think this weekend in jail anyway? Yeah,

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Speaker 1: what kind of body things are you like? When it

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Speaker 1: comes to guys though, do you have a preference? Um? Well,

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Speaker 1: skinny guys normally like me. Short guys like me. Um,

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Speaker 1: But I don't have a preference when it comes to guys.

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Speaker 1: I am dealing with a nice, cute, little twenty nine

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Speaker 1: year old right now. He's black, patient, that's even black. Yeah,

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Speaker 1: he'd be putting a little you know, when he'll be

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Speaker 1: making stews and stuff out to make sure it's like

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Speaker 1: really a stew and not you know, him trying to

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Speaker 1: kill me. But you know I have posted him, won't

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Speaker 1: I won't tag him, you know what the girls to

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Speaker 1: see who you know? I don't know, like you know,

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Speaker 1: just in case I don't want to be out there.

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Speaker 1: You know what I'm saying, Like Mary J. Blige put

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Speaker 1: my out there and then I got to write a

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Speaker 1: song about him because it didn't work out. Look up,

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Speaker 1: p let He's very cute. Should I say his No,

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Speaker 1: I'm not my lord, So I just he knows he's

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Speaker 1: a comic. I'll tell you later. Yeah, yeah, yeah, he's cute.

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Speaker 1: He's cute. No, I wish it was. Will would get

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Speaker 1: my body right. You know, Will is all about health

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Speaker 1: and raw. Will is great. Will is great, but Will

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Speaker 1: has a speech impediment, so you don't know what the

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Speaker 1: hell he's saying. So it's like you want to be

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Speaker 1: out or you just what Okay, but I love will

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Speaker 1: shutut to Wilson Fancy is amazing, right. Yes, I'm gonna

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Speaker 1: be at the Grammacy Theater. I'm doing a brand new hour. Hey.

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Speaker 1: Um well, I had a lot of content available. People

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Speaker 1: don't understand, like, as you know, I've been doing comedy

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Speaker 1: for almost twenty years, even though I'm twelve, and um,

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Speaker 1: you know, it's just sometimes it's hard to just get

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Speaker 1: the spotlight on you to you know, sort of raise

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Speaker 1: up in the business. And then people are like, oh,

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Speaker 1: you some brand new comedies, Like no, I've been doing

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Speaker 1: this for a long time. I have a lot of

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Speaker 1: things to say. So when I did The Degenerates, which

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Speaker 1: is out on Netflix, that was all my sort of dirty,

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Speaker 1: raw material. And then I just had my album come out,

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Speaker 1: damn Zel and Distress, which was sort of like you

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Speaker 1: know who Yaminika is and just wanting to be vulnerable

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Speaker 1: and kidnapped, and you know, I want to be kidnapped

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Speaker 1: because I want to get kidnapped. I mean, why all

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Speaker 1: the other girls have fun somebody to grab you thro

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Speaker 1: the h don't you know? I do commentary on that.

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Speaker 1: I know. That's why I said it, because being you

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Speaker 1: are both into that show. I'm so into ninety Day Fiance,

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Speaker 1: but I have to be I have to be real, like,

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Speaker 1: don't know other country want me. You understand what I'm saying.

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Speaker 1: I couldn't do it the other way because I would

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Speaker 1: just get their host together and they ain't got time

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Speaker 1: for that figuring. Um, I like as In and because

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Speaker 1: he doesn't like the girl in the cool I think

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Speaker 1: it's as In the coal because he's been trying to

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Speaker 1: get her to lose weight. And let me just say this, ladies,

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Speaker 1: if you're with the man and he's like I can

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Speaker 1: fix you, leave that you don't need to be fixed.

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Speaker 1: You either like what I got and then pray to

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Speaker 1: God that it gets better or you just gonna be

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Speaker 1: a ground box healthy. You just said you would date

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Speaker 1: Wilson Bens because he would get you healthy. So what

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Speaker 1: if he would like I don't say I would date

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Speaker 1: him because he would get me healthy. I said the

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Speaker 1: benefit of dating him is that I would get healthy.

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Speaker 1: I'm doing pretty good on my own, and I don't

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Speaker 1: believe that every big woman is unhealthy. You understand what

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Speaker 1: I'm saying. And this I had that are very unhealthy.

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Speaker 1: You know what he hears you complaining about your stomach,

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Speaker 1: complaining about you lifting the hood and you don't want

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Speaker 1: to help you get a shape. First of one, let

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Speaker 1: me just stand up so everybody can getting out. Told

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Speaker 1: you not, okay, this is you gotta fire, you know,

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Speaker 1: and this is I burn my right and so they

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Speaker 1: think these burns are nipples. Did not. I just had

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Speaker 1: a bad instant moment because I'm not really asking right there. Well,

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Speaker 1: I was cleaning my house. I asked some instance burning.

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Speaker 1: The instance fell over and instead of being like and

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Speaker 1: felling one and my brain was like, well, swishing together

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Speaker 1: and put the fire out, and I got a double

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Speaker 1: You don't have a huge areola, just makes it even

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Speaker 1: better that my areola was a big. I had a

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Speaker 1: guy try to eat, you know, suck my and it

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Speaker 1: looked like Gary Coleman had come back from the dead.

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Speaker 1: Because this is a full face, you know what I'm saying,

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Speaker 1: or like a head shot and you like, what is this?

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Speaker 1: It could be on power. We've been together three and

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Speaker 1: a half months, We've known each other for years. We

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Speaker 1: are you know, we're nice. Little situation he met my mama,

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Speaker 1: that's a little pass a little situation. If he met mama,

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Speaker 1: did your dad, Well, ain't nobody met my I barely

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Speaker 1: met my dad, But I mean I know there. My

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Speaker 1: dad's so young, and just like you, I got this

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Speaker 1: young daddy who's still trying to get like young girls

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Speaker 1: in the club. It's like, I can't be rocking with you.

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Speaker 1: You still trying to make Foodboo happen. That's gone. So

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Speaker 1: who came back? Didn't come back? My daddy brought it back.

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Speaker 1: I mean people ain't. I mean it's not back like

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Speaker 1: people rocking it, but it did come back. Well, howd

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Speaker 1: to come back to your I don't understand what it's

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Speaker 1: not in style, But there are new food Boo products available. Well,

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Speaker 1: don't buy it where you're getting Amazon Prime. Like that's

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Speaker 1: when you know your thing is really doing bad when

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Speaker 1: it's on Amazon prop for seven ninety nine. Right. But

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Speaker 1: there's a difference between helping somebody because you should learn

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Speaker 1: from whoever your partner is, and somebody trying to change

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Speaker 1: who you are, right, And I think that's the difference, Like,

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Speaker 1: of course we should grow up be with somebody. We

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Speaker 1: can grow with, somebody we can learn with, but not

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Speaker 1: somebody that's like, okay, you need to change this about yourself. Right.

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Speaker 1: If you did this, you'll be a better Parent't understand

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Speaker 1: the difference, because I mean you'll go to a life coach,

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Speaker 1: and a life coach you tell you what you need

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Speaker 1: that you're voluntarily doing something because life coaches like that.

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Speaker 1: People go to life coaches. Fee go to a therapist, psychiatrist.

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Speaker 1: They tell you what the therapist. I see a nice

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Speaker 1: old Jewish man. We're changing each other. You know, I'm

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Speaker 1: doing a lot of Hobba Guela's now. He doing a

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Speaker 1: lot of yes girls when he sees me. But you know,

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Speaker 1: we're living at One of the things I like about

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Speaker 1: the relationship that I'm in now is number one. Once

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Speaker 1: you get into a relationship or can't come all the

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Speaker 1: all the guys like, yo, let me hit you up.

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Speaker 1: You gotta glow, you gotta whatever. I'm like, it's not

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Speaker 1: a glow. He's on my face a lot, so too much.

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Speaker 1: I don't want anybody to not be able to die

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Speaker 1: for breakfast. Thank you. It's very beautiful. But what we

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Speaker 1: are learning in this relationship is there are things about

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Speaker 1: me like I'm very much alike. I'm an independent black woman.

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Speaker 1: You ain't gonna tell me nothing life as hard as

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Speaker 1: it is, and what I want goes, and he's teaching

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Speaker 1: me now to just kind of be like, yo, chill it,

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Speaker 1: don't have to be on that. We're really in an argument.

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Speaker 1: I'm like, no, we're in a full argument. He's like, nah,

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Speaker 1: we're not in an argument. We have in the little

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Speaker 1: moment right now, but I'm totally chill. So I'm like, well,

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Speaker 1: I guess I got to chill. If this chilling, I

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00:19:38,920 --> 00:19:41,239
Speaker 1: got to chill them too. We're chilling together, all right.

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Speaker 1: We have more with Yamaniqua Sands when we come back,

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Speaker 1: don't move. It's to Breakfast Club. Good morning morning. Everybody

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Speaker 1: is DJ Envy Angela yee, Charlomagne the guy. We are

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Speaker 1: the Breakfast Club. We're still kicking it with Yamniqua Sands

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Speaker 1: yee yes Yahmnika. I remember I was laughing so hard.

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00:19:56,200 --> 00:19:59,480
Speaker 1: I've seen you on stage for Danielle Rolling Show of

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Speaker 1: Carolyne that you were supposed to go on later but

387
00:20:01,960 --> 00:20:03,680
Speaker 1: you went on early because you actually had to leave

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Speaker 1: and go to another gig. Shut up the dark. I

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Speaker 1: love me, y'all be giving him such a hard time.

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00:20:08,240 --> 00:20:11,399
Speaker 1: Love him, Darna Rollins, And let me just say that

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Speaker 1: for you. You So he did not open up for me.

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Speaker 1: Was a notorious fat shamer, notorious never Yes, yes he

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Speaker 1: is envy has a real estate partner game pull up.

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Speaker 1: I saw the one story. Damn it, he started it.

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Speaker 1: I deleted it didn't look like big partners. I am

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Speaker 1: doing you. I want to. I want to get a

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Speaker 1: house from you whenever I can afford. I want you

398
00:20:38,680 --> 00:20:41,840
Speaker 1: to flip some houses. But what is you flipping something?

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Speaker 1: You're doing every time I see you doing something, You're

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Speaker 1: flipping a house in New Jersey. It's like that that

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00:20:47,600 --> 00:20:50,359
Speaker 1: you're doing this, you building, you're doing dress, You're working

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Speaker 1: at monks weekends. Houses. I fixed them and in the mouth.

403
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Speaker 1: He can help you can happen to buy a home.

404
00:21:06,160 --> 00:21:08,159
Speaker 1: You can help you buy your home. I'm not a

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00:21:08,240 --> 00:21:10,720
Speaker 1: real time. I'm trying to encourage people to buy homes

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Speaker 1: and to create. But I'm trying to figure out because

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00:21:13,760 --> 00:21:15,840
Speaker 1: then you got the home and you trying to make

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Speaker 1: money off the home, and you're making money off the home. Yes,

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00:21:18,560 --> 00:21:22,360
Speaker 1: so you're telling homes. I'm selling rooms, your apartments. Oh,

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Speaker 1: oh you do, I'm keeping rows. Yeah, I'm keeping it.

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Speaker 1: So lord, I'm not the man apartments Okay, apartment apartments.

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Speaker 1: It's like four family units. So I sell units living

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Speaker 1: God anyway home. I don't care what it is. Give

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Speaker 1: me a family. I don't have one family. This is

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00:21:56,720 --> 00:21:59,399
Speaker 1: so you want to kid program. Also, I'm not selling

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Speaker 1: family home just saying this this jingle want change, So

417
00:22:05,960 --> 00:22:08,280
Speaker 1: I leave that alone. But I do. I am doing you,

418
00:22:08,440 --> 00:22:10,720
Speaker 1: thank you so much, as to encourage people to buy

419
00:22:10,920 --> 00:22:13,040
Speaker 1: homes and to invest in themselves so they can always

420
00:22:13,080 --> 00:22:15,440
Speaker 1: have properties to continue to rent by invested in you

421
00:22:15,680 --> 00:22:21,280
Speaker 1: and get putting in your pockets. Like you're not making money.

422
00:22:21,280 --> 00:22:23,600
Speaker 1: I'm just took. The point is you're making money. I'm

423
00:22:23,680 --> 00:22:27,160
Speaker 1: trying to encourage people to insist how you making money,

424
00:22:27,240 --> 00:22:34,600
Speaker 1: not in me. I'm bringing you. Bring repairing people, okay, lenders, lenders, agents, chickens, attorneys, attorney.

425
00:22:34,680 --> 00:22:36,239
Speaker 1: Some people know how to do it the right way

426
00:22:36,280 --> 00:22:38,639
Speaker 1: without getting God. But they got to get got by

427
00:22:38,680 --> 00:22:46,000
Speaker 1: you before they don't get so you get first of

428
00:22:46,040 --> 00:22:48,320
Speaker 1: all his ten train his heal. So tell me right now,

429
00:22:48,600 --> 00:22:55,600
Speaker 1: get money. I WoT when I came here. I need

430
00:22:55,720 --> 00:23:00,800
Speaker 1: somebody to help me. I'm gonna flip home. Man, Can

431
00:23:00,880 --> 00:23:02,719
Speaker 1: you sir get that I was gonna get I need

432
00:23:02,800 --> 00:23:04,240
Speaker 1: you to help me get a family. You got the

433
00:23:04,320 --> 00:23:06,240
Speaker 1: young boy, Now you can shoot your club up. Well,

434
00:23:06,280 --> 00:23:08,680
Speaker 1: I hope so, but you know the club's getting about

435
00:23:08,720 --> 00:23:12,159
Speaker 1: to close there. I want to have kids, but I

436
00:23:12,240 --> 00:23:14,000
Speaker 1: gotta have them because now kiss you know, when you're

437
00:23:14,000 --> 00:23:16,160
Speaker 1: getting your forties, they's a saying, well, you better hurry

438
00:23:16,240 --> 00:23:18,159
Speaker 1: up and have a baby before the baby handicap. And

439
00:23:18,200 --> 00:23:23,680
Speaker 1: I'm like, damn, but that's what they tell They still

440
00:23:23,840 --> 00:23:26,080
Speaker 1: tell the women. Now I want to be and I

441
00:23:26,119 --> 00:23:27,960
Speaker 1: don't care if the baby's handicap because I people in

442
00:23:28,000 --> 00:23:29,920
Speaker 1: my family are handicap. I would love that handicap baby.

443
00:23:29,960 --> 00:23:31,159
Speaker 1: Plus it's gonna come with a stick and we can

444
00:23:31,240 --> 00:23:33,879
Speaker 1: park where we want. So that baby. I need that

445
00:23:34,040 --> 00:23:36,520
Speaker 1: baby because I like to park up front Cosco. You

446
00:23:36,600 --> 00:23:38,440
Speaker 1: know they don't give you no bags. They're gonna carry

447
00:23:38,480 --> 00:23:43,840
Speaker 1: a box. Jamniqua Sanders is the Breakfast Club. Good morning morning.

448
00:23:43,920 --> 00:23:48,199
Speaker 1: Everybody's DJ Envy, Angela Guee, Charlomagne, the guy. We are

449
00:23:48,280 --> 00:23:50,959
Speaker 1: the Breakfast Club. Now if you just joined us, if

450
00:23:51,000 --> 00:23:53,600
Speaker 1: you watch the Kardashians, Uh, this is what happened and

451
00:23:53,640 --> 00:23:56,320
Speaker 1: then we'll explain. Let's play the audio. He was really upset.

452
00:23:56,440 --> 00:23:59,160
Speaker 1: She was putting her in the carpet and Penelope scratched

453
00:23:59,200 --> 00:24:02,000
Speaker 1: her face. Kid scratching? Can you pop the kid? And

454
00:24:02,040 --> 00:24:05,080
Speaker 1: it's cool, No, but you could also say something to

455
00:24:05,280 --> 00:24:07,960
Speaker 1: her in the moment. I'm sorry, but if he scratch

456
00:24:08,119 --> 00:24:10,480
Speaker 1: was for no reason, I'm whipping her ass. And I

457
00:24:10,640 --> 00:24:17,000
Speaker 1: explained to y'all later what I Penelope's asked. If she scratched,

458
00:24:17,040 --> 00:24:22,480
Speaker 1: you are talking about daughter's asks. If she touched you,

459
00:24:22,800 --> 00:24:25,280
Speaker 1: Now you explain what they're talking about. Corey Gamble, that's

460
00:24:25,320 --> 00:24:29,439
Speaker 1: Chris Jenner's boyfriend said that if Penelope, who is Courtney

461
00:24:29,520 --> 00:24:32,240
Speaker 1: Kardashian's daughter, scratched him in the face, he would whip

462
00:24:32,359 --> 00:24:36,080
Speaker 1: her ass right now. I actually hit my my niece

463
00:24:36,240 --> 00:24:38,720
Speaker 1: when when I was younger, I didn't know no better.

464
00:24:38,760 --> 00:24:41,000
Speaker 1: I popped her on the hand and I was wrong

465
00:24:41,080 --> 00:24:43,040
Speaker 1: for it. I felt funny for it. Um she was

466
00:24:43,119 --> 00:24:45,000
Speaker 1: acting up and I popped up and I had a

467
00:24:45,040 --> 00:24:47,480
Speaker 1: conversation with her dad, and you know, we talked about

468
00:24:47,520 --> 00:24:50,440
Speaker 1: it was no big problem. No, he wasn't mad at all,

469
00:24:50,920 --> 00:24:53,400
Speaker 1: like like my grandmother used to. I remember my grandmother

470
00:24:53,520 --> 00:24:56,200
Speaker 1: beating me for spraying wrote spray on the stove just

471
00:24:56,240 --> 00:24:58,720
Speaker 1: so I can see the flames go up. That's your grandmother,

472
00:24:58,880 --> 00:25:00,840
Speaker 1: your grandma, your grandma as your big mama. You know

473
00:25:00,880 --> 00:25:02,800
Speaker 1: what I'm saying. Your grandma is the person who used

474
00:25:02,800 --> 00:25:05,480
Speaker 1: to beat your parents, so being that you came from

475
00:25:05,560 --> 00:25:08,520
Speaker 1: her charing, okay, she has the right to put her

476
00:25:08,560 --> 00:25:10,960
Speaker 1: hands on you. Grandma really might be the only person.

477
00:25:11,080 --> 00:25:13,080
Speaker 1: And I sprayed the road spray and then I and

478
00:25:13,119 --> 00:25:14,760
Speaker 1: I said something to Grandma like don't hit me. And

479
00:25:14,840 --> 00:25:17,280
Speaker 1: then when my dad got there, my dad beat me

480
00:25:17,359 --> 00:25:20,000
Speaker 1: for chalking to his mother like that exactly. Grandma and

481
00:25:20,040 --> 00:25:21,920
Speaker 1: grandaddy might be the only person that have the rights

482
00:25:21,960 --> 00:25:24,000
Speaker 1: to do that, but I mean me personally, he's kind

483
00:25:24,040 --> 00:25:26,159
Speaker 1: of like a granddaddy though. Corey Gamble, Yeah, he's kind

484
00:25:26,160 --> 00:25:30,879
Speaker 1: of like a grandma. Why is he a grandfather grandfather's grandfather? No, no, no,

485
00:25:30,960 --> 00:25:33,760
Speaker 1: but he's not married. He's not my blood. The moral

486
00:25:33,760 --> 00:25:35,480
Speaker 1: of the story is, I don't beat my children. I

487
00:25:35,520 --> 00:25:37,239
Speaker 1: don't beat my children because I just don't see the need,

488
00:25:37,320 --> 00:25:39,680
Speaker 1: you know what I'm saying. And furthermore, I think that

489
00:25:39,720 --> 00:25:41,560
Speaker 1: you could just have a conversation with kids. But I'm

490
00:25:41,600 --> 00:25:44,040
Speaker 1: definitely not putting my hands on nobody else child, Like

491
00:25:44,119 --> 00:25:46,600
Speaker 1: if you put your hands on somebody else child then

492
00:25:46,720 --> 00:25:49,960
Speaker 1: me and you got smoked immediately. There's never a reason

493
00:25:50,520 --> 00:25:53,480
Speaker 1: for you to put hands on my children. And what

494
00:25:53,640 --> 00:25:56,040
Speaker 1: if I don't beat my kids, but you you hit

495
00:25:56,160 --> 00:25:58,840
Speaker 1: my kids? Think about that? About that? What if I

496
00:25:58,880 --> 00:26:00,760
Speaker 1: don't hit my kids, but my kids are at your

497
00:26:00,800 --> 00:26:02,680
Speaker 1: house and then they get hit by you and a dot.

498
00:26:03,000 --> 00:26:04,800
Speaker 1: Now we gotta catch now, me and you gotta fade

499
00:26:04,800 --> 00:26:06,800
Speaker 1: to catch. Well. I've never ever hit anybody else as

500
00:26:06,880 --> 00:26:09,280
Speaker 1: kids either. I have three god children. I'm the number

501
00:26:09,320 --> 00:26:13,240
Speaker 1: one babysitter. Actually, I feel like when I'm babysitting, my

502
00:26:13,320 --> 00:26:16,240
Speaker 1: responsibility is just to spoil other people's kids. I don't

503
00:26:16,240 --> 00:26:20,160
Speaker 1: see that that's what you should do. They always like, Okay,

504
00:26:20,200 --> 00:26:22,000
Speaker 1: I'm gonna see angel esssa. I already know what we're

505
00:26:22,000 --> 00:26:23,680
Speaker 1: gonna do. We're gonna go shopping. We're gonna go buy

506
00:26:23,720 --> 00:26:26,360
Speaker 1: some the toys. We're gonna get ice cream. I don't

507
00:26:26,400 --> 00:26:29,240
Speaker 1: Grandma hit me with an ashtray one time I did

508
00:26:29,280 --> 00:26:32,240
Speaker 1: stupid stuff. I deserved it, dought I deserved this, and

509
00:26:32,359 --> 00:26:36,880
Speaker 1: we all it fixed me. Straighten me right up. No, listen,

510
00:26:36,960 --> 00:26:38,600
Speaker 1: we all got beating when we were kids. I got

511
00:26:38,640 --> 00:26:40,560
Speaker 1: beating with extension cards, But they used to be beat

512
00:26:40,640 --> 00:26:41,880
Speaker 1: in the Siti called made me go take a bath.

513
00:26:42,040 --> 00:26:43,520
Speaker 1: I used to have to go pick the switch like

514
00:26:43,680 --> 00:26:46,680
Speaker 1: them little wooden utensils on the freaking kitchen kitchen wall.

515
00:26:46,960 --> 00:26:48,760
Speaker 1: My mama would hit me with dolls. But guess what,

516
00:26:49,080 --> 00:26:50,960
Speaker 1: if we're being honest, all of that was just abuse.

517
00:26:51,160 --> 00:26:53,200
Speaker 1: And the truth to the matter is all our parents

518
00:26:53,280 --> 00:26:55,760
Speaker 1: were doing was the best they could. That's that's all.

519
00:26:55,800 --> 00:26:57,840
Speaker 1: They were probably young parents at the time. That's the

520
00:26:57,960 --> 00:27:01,760
Speaker 1: only way they knew how to discipline was through physical punishment.

521
00:27:01,920 --> 00:27:04,480
Speaker 1: We know better in this generation. We an't gotta beat

522
00:27:04,520 --> 00:27:06,560
Speaker 1: our kids, and we damned your shouldn't be putting our

523
00:27:06,560 --> 00:27:10,800
Speaker 1: hands on nobody else's Hello, who's this Marita? Hey Marita,

524
00:27:10,840 --> 00:27:12,280
Speaker 1: you you have had to put your hands on somebody

525
00:27:12,320 --> 00:27:16,280
Speaker 1: else's kids. I did, um. I was watching my niece

526
00:27:16,560 --> 00:27:19,160
Speaker 1: and she was messing with the socket in the wall,

527
00:27:19,880 --> 00:27:22,360
Speaker 1: and I told her, and I actually went and got

528
00:27:22,440 --> 00:27:25,000
Speaker 1: her and pulled her back like twice, and then she

529
00:27:25,160 --> 00:27:27,760
Speaker 1: put her mouth on it, and I popped in her hand,

530
00:27:27,800 --> 00:27:30,560
Speaker 1: and I told my sister, and I did feel that.

531
00:27:31,080 --> 00:27:34,280
Speaker 1: But I agree with Charlotte Magne and I agree with you.

532
00:27:34,480 --> 00:27:37,359
Speaker 1: Like some kids, you can't talk to right and you

533
00:27:37,440 --> 00:27:40,200
Speaker 1: know they'll listen. But some kids, I think you gotta

534
00:27:40,240 --> 00:27:43,080
Speaker 1: pop on her now and then. But even that's what

535
00:27:43,160 --> 00:27:45,040
Speaker 1: the white man used to think about slaves. To look,

536
00:27:45,240 --> 00:27:47,920
Speaker 1: even these slaves, you gotta beat like even at it

537
00:27:47,960 --> 00:27:49,280
Speaker 1: with a two year old. Like a two year old

538
00:27:49,280 --> 00:27:51,040
Speaker 1: you can't have a conversation with. Don't put your finger

539
00:27:51,080 --> 00:27:53,720
Speaker 1: in an electric socket. But if you popped their hand,

540
00:27:54,119 --> 00:27:55,840
Speaker 1: they think about, you know what if I go near

541
00:27:55,880 --> 00:27:58,000
Speaker 1: this electric socket, it's gonna hurt. I'm not gonna do it. Yeah,

542
00:27:58,000 --> 00:28:00,200
Speaker 1: but you're not telling them that. You're not explained to

543
00:28:00,320 --> 00:28:02,440
Speaker 1: them what could have happened if they actually put the

544
00:28:02,520 --> 00:28:04,840
Speaker 1: hand in your lepsocket. I tell my daughter, you know,

545
00:28:04,880 --> 00:28:06,680
Speaker 1: if you put your hand in that, you're going to die.

546
00:28:06,800 --> 00:28:08,640
Speaker 1: You're not gonna be here with us no more. Why

547
00:28:08,800 --> 00:28:10,480
Speaker 1: I would rather hurt so he talking that to you.

548
00:28:10,560 --> 00:28:11,880
Speaker 1: You're one and a half year old to year old.

549
00:28:12,000 --> 00:28:14,720
Speaker 1: She's one. That's why you got the plugs in the socket. Obviously,

550
00:28:14,880 --> 00:28:18,040
Speaker 1: this lady. To my point, though, you're not teaching them

551
00:28:18,119 --> 00:28:19,959
Speaker 1: that the socket is what actually can kill them. You're

552
00:28:19,960 --> 00:28:22,080
Speaker 1: teaching them to be scared of you, when the reality

553
00:28:22,119 --> 00:28:23,960
Speaker 1: should be teaching them that note, the socket is what

554
00:28:24,080 --> 00:28:25,680
Speaker 1: can kill you. Right back one and a half. They're

555
00:28:25,720 --> 00:28:28,200
Speaker 1: not They're not thinking about wow, this socket. They're thinking,

556
00:28:28,359 --> 00:28:30,160
Speaker 1: if I go near the socket, I'm gonna get popped.

557
00:28:30,160 --> 00:28:32,440
Speaker 1: I'm not gonna near that socket. That's how kids take Well,

558
00:28:32,520 --> 00:28:35,320
Speaker 1: you should have put the goddamn things in the socket.

559
00:28:36,080 --> 00:28:39,200
Speaker 1: You should have child proof the sockets. Then, Kendra, Yeah,

560
00:28:39,640 --> 00:28:42,720
Speaker 1: good morning, kender You ever hit somebody else's kids? Yes?

561
00:28:42,960 --> 00:28:46,960
Speaker 1: I had. Now what happened, Kendrad? Who you here? So? Look,

562
00:28:47,080 --> 00:28:49,720
Speaker 1: I'm in the walmart. The little kid caused you the

563
00:28:49,800 --> 00:28:53,240
Speaker 1: b words. Give his mama chance? Yeah, so I give

564
00:28:53,280 --> 00:28:55,680
Speaker 1: his mama chance to reprimand him. You know, like, hey,

565
00:28:55,760 --> 00:29:00,520
Speaker 1: you don't do that. That's disrespectful. Caused me to be

566
00:29:00,680 --> 00:29:05,040
Speaker 1: word again. He was like, bitch, hurry up, and I

567
00:29:05,240 --> 00:29:09,960
Speaker 1: popped team in his nose. You got me us what

568
00:29:10,320 --> 00:29:12,560
Speaker 1: you can't do? You can't walk around? That's her mama

569
00:29:12,600 --> 00:29:14,960
Speaker 1: should have dragged her mama hit mom or her mama

570
00:29:15,000 --> 00:29:17,040
Speaker 1: should have dragged your ass and locked you up. You

571
00:29:17,120 --> 00:29:18,560
Speaker 1: can't just be hitting kids you don't know. Can You

572
00:29:18,560 --> 00:29:22,760
Speaker 1: don't even know this kid? Hey, rab if I gave

573
00:29:22,840 --> 00:29:24,840
Speaker 1: his mama chance rabbit if he had to reds and

574
00:29:24,920 --> 00:29:27,680
Speaker 1: he had a problem, and he would just be splurting out, bitch,

575
00:29:28,000 --> 00:29:30,600
Speaker 1: you just popped to get in the mouth. Nah go

576
00:29:30,800 --> 00:29:32,400
Speaker 1: now she did. I would have felt bad, but she

577
00:29:32,520 --> 00:29:34,520
Speaker 1: she didn't say none of that. She was just like, yeah,

578
00:29:34,640 --> 00:29:36,680
Speaker 1: hurry up, just like still a boy her songs. So

579
00:29:36,760 --> 00:29:40,280
Speaker 1: she looked, you got what did What did the mamma

580
00:29:40,320 --> 00:29:42,840
Speaker 1: do to you after you hit the job? Nothing? She

581
00:29:43,040 --> 00:29:44,960
Speaker 1: just kind of looked at me like, I can't believe

582
00:29:45,000 --> 00:29:46,920
Speaker 1: you hit my filling. And I just looked at her.

583
00:29:46,960 --> 00:29:48,600
Speaker 1: I was like, Yo, you got a problem. I said,

584
00:29:48,600 --> 00:29:53,560
Speaker 1: we can go out to the parking lot. And that

585
00:29:53,640 --> 00:29:55,400
Speaker 1: lady would have pulled out a gun and shot you

586
00:29:55,560 --> 00:29:57,120
Speaker 1: right there. She did. She'd have been in the right

587
00:29:57,120 --> 00:29:59,840
Speaker 1: because the story would have been a woman hit somebody's

588
00:30:00,040 --> 00:30:02,479
Speaker 1: out in the store, not even that crazy black, crazy

589
00:30:02,520 --> 00:30:04,320
Speaker 1: black woman hit some white little kid in the store.

590
00:30:04,440 --> 00:30:06,560
Speaker 1: White woman, she guns it down. Can't you where you

591
00:30:06,720 --> 00:30:11,920
Speaker 1: from that Chicago? Yeah, hey, bitch herban get off my farm.

592
00:30:16,720 --> 00:30:20,800
Speaker 1: My goodness, eight hundred she gonna f you up eight

593
00:30:20,960 --> 00:30:23,080
Speaker 1: hundred five eight five one oh five one? Have you

594
00:30:23,080 --> 00:30:24,960
Speaker 1: ever hit somebody else's kids? Keep it locked, just to

595
00:30:24,960 --> 00:30:29,160
Speaker 1: Breakfast Cloak moment e j Envy Angela Yee Scholamine the

596
00:30:29,160 --> 00:30:31,120
Speaker 1: guy we are the Breakfast Club. We got a special

597
00:30:31,200 --> 00:30:33,040
Speaker 1: guest in the building. I don't know if you should

598
00:30:33,040 --> 00:30:38,240
Speaker 1: call him young burgoor hitmakers days hitmaker hitmakers in the building?

599
00:30:38,600 --> 00:30:41,760
Speaker 1: What I'm suck? Oh? How you feeling happy birthday? He's

600
00:30:41,800 --> 00:30:44,240
Speaker 1: a virgo as well, fellow Virgo. Yes, sir, you already know.

601
00:30:44,400 --> 00:30:46,880
Speaker 1: So it's like young birg dad kinda young burg dies

602
00:30:46,880 --> 00:30:50,280
Speaker 1: so hitmaker Clery, why didn't you do like a whole ceremony,

603
00:30:50,360 --> 00:30:54,400
Speaker 1: like really play. I mean, the internet might have did

604
00:30:54,440 --> 00:30:56,040
Speaker 1: it for me already, you know what I'm saying. So

605
00:30:56,280 --> 00:30:58,040
Speaker 1: I had to do what I had to do. That

606
00:30:58,160 --> 00:31:01,200
Speaker 1: was one of the best rebranding situation I've seen. Yeah,

607
00:31:01,320 --> 00:31:03,719
Speaker 1: I think in the last ten years, it's probably being myself,

608
00:31:03,960 --> 00:31:09,000
Speaker 1: two Chains and Joe Budden and I was just crazy,

609
00:31:09,120 --> 00:31:10,719
Speaker 1: like a lot of people didn't know, Like even when

610
00:31:10,760 --> 00:31:13,040
Speaker 1: I took the job to be vice president Atlantic Records,

611
00:31:13,080 --> 00:31:14,760
Speaker 1: like I never did like a press release. I never

612
00:31:14,840 --> 00:31:17,280
Speaker 1: did nothing like that because I knew this was gonna hate.

613
00:31:17,320 --> 00:31:18,920
Speaker 1: You know what I'm saying. I think it's it's better

614
00:31:19,000 --> 00:31:22,760
Speaker 1: to stay low and keep firing or president. I had

615
00:31:22,920 --> 00:31:25,320
Speaker 1: no idea. Yeah, when the hell that happened two and

616
00:31:25,360 --> 00:31:29,760
Speaker 1: a half years ago. Wow, by the way, like we

617
00:31:30,040 --> 00:31:33,720
Speaker 1: in Atlantic parkt I with you and you the VP

618
00:31:33,880 --> 00:31:37,480
Speaker 1: of Atlantic driving away after the breakfast club interview. Yeah,

619
00:31:37,880 --> 00:31:40,200
Speaker 1: after the breakfast club interview. What he became vice president

620
00:31:40,360 --> 00:31:43,400
Speaker 1: my last interview here. I took the job after that,

621
00:31:43,600 --> 00:31:45,560
Speaker 1: and then we were up here talking. I think at

622
00:31:45,640 --> 00:31:47,400
Speaker 1: that point, like I had a couple number ones. I

623
00:31:47,440 --> 00:31:49,680
Speaker 1: did Big Sean Bounce Back, I did Chris Brown Party

624
00:31:49,720 --> 00:31:51,760
Speaker 1: and then going to Atlantic Man. In the last two

625
00:31:51,760 --> 00:31:53,480
Speaker 1: and a half years as a writer and producer, I

626
00:31:53,600 --> 00:31:57,280
Speaker 1: sold over fifteen million records with him and our VP,

627
00:31:57,560 --> 00:31:59,880
Speaker 1: and I gave a Boogie his first number one record

628
00:32:00,000 --> 00:32:05,520
Speaker 1: and Meet Meal first number one record. So that so

629
00:32:05,760 --> 00:32:09,080
Speaker 1: you you and jeremiahre partners still no, Like that's my brother.

630
00:32:09,160 --> 00:32:11,000
Speaker 1: He changed my life like for real, for real when

631
00:32:11,040 --> 00:32:12,800
Speaker 1: nobody was rocking with me. He took me on tour,

632
00:32:12,880 --> 00:32:15,240
Speaker 1: and everybody know Jeremiah bounced to be to his own

633
00:32:15,360 --> 00:32:18,360
Speaker 1: drum like so we never seen them exactly. So I

634
00:32:18,560 --> 00:32:21,440
Speaker 1: was able to have like fifty Jeremiah records. Nobody has

635
00:32:21,560 --> 00:32:23,320
Speaker 1: Jeremiah hooks and all that other stuff, and I was

636
00:32:23,400 --> 00:32:24,920
Speaker 1: able to run it up and that really put me

637
00:32:25,000 --> 00:32:27,400
Speaker 1: in a position and really like changed my life for real,

638
00:32:27,480 --> 00:32:29,320
Speaker 1: for real. Yeah, that's interesting because I always thought you

639
00:32:29,360 --> 00:32:32,560
Speaker 1: guys were partners kind of in the is it unofficially

640
00:32:32,680 --> 00:32:35,080
Speaker 1: partners or it's just my brother And we just worked

641
00:32:35,160 --> 00:32:37,680
Speaker 1: like we're serial collaborators, like and you know, we just

642
00:32:37,760 --> 00:32:39,800
Speaker 1: work all the time. That's what's funny. The funny is

643
00:32:39,880 --> 00:32:41,600
Speaker 1: that the girl from Loving hip Hop hays will Eat,

644
00:32:41,600 --> 00:32:44,280
Speaker 1: introduced me to Jeremiah and wow, we went to the

645
00:32:44,320 --> 00:32:46,720
Speaker 1: studio to do well. Jeremiah came to do a record

646
00:32:46,760 --> 00:32:48,520
Speaker 1: for her, and then it turned into just me and

647
00:32:48,600 --> 00:32:50,200
Speaker 1: him working and me giving a song to meet and

648
00:32:50,280 --> 00:32:52,600
Speaker 1: Meek and Chris Brown first collaboration. So Love and hip

649
00:32:52,600 --> 00:32:55,520
Speaker 1: Hop helped your life? Mere about some boys? But I mean,

650
00:32:56,480 --> 00:32:58,560
Speaker 1: I mean, I'm glad I made it out. Who is it? Me?

651
00:32:58,920 --> 00:33:02,080
Speaker 1: Cardi By? I wouldn't say Kate Micheale, but she right

652
00:33:02,160 --> 00:33:05,160
Speaker 1: back in it anyway. So Joe, but Joe, Joe Button

653
00:33:05,320 --> 00:33:07,680
Speaker 1: right back here. Still he was talking about made it out?

654
00:33:07,720 --> 00:33:12,200
Speaker 1: What about termory? No? I feel bad for tire. Yeah

655
00:33:12,320 --> 00:33:14,560
Speaker 1: so she could pay fifty No, she ain't got it.

656
00:33:14,720 --> 00:33:17,080
Speaker 1: She ain't got it. What do you mean back in

657
00:33:17,160 --> 00:33:19,560
Speaker 1: the ships like I mean, back on the show, back

658
00:33:19,600 --> 00:33:21,560
Speaker 1: on a boy like I could just imagine what Joe

659
00:33:21,640 --> 00:33:23,600
Speaker 1: was gonna go through this season with him, you know

660
00:33:23,640 --> 00:33:26,400
Speaker 1: what I'm saying, and his baby mother and not being

661
00:33:26,440 --> 00:33:28,480
Speaker 1: together like they gonna they're gonna spice that up. I

662
00:33:28,520 --> 00:33:31,120
Speaker 1: don't understand why he's back on Loving Hip. The man

663
00:33:31,240 --> 00:33:32,880
Speaker 1: told him he got a million dollars to do it.

664
00:33:32,960 --> 00:33:35,280
Speaker 1: I still don't believe, no way, he's a liar. God

665
00:33:35,400 --> 00:33:40,200
Speaker 1: damn it. Still don't back You wanted to go back

666
00:33:40,240 --> 00:33:42,440
Speaker 1: on the show at one point? Oh no, not after

667
00:33:42,520 --> 00:33:45,600
Speaker 1: they try to trash me with that hole because I

668
00:33:45,640 --> 00:33:47,960
Speaker 1: don't understand why just be saying like that, as if

669
00:33:48,000 --> 00:33:50,000
Speaker 1: we're not all in this business and we can't fact

670
00:33:50,040 --> 00:33:52,080
Speaker 1: check Joe John around looking for cars. He might no

671
00:33:52,240 --> 00:33:54,720
Speaker 1: million dollars to be on No Loving Hip podcast? Mother,

672
00:33:55,440 --> 00:34:00,560
Speaker 1: Please page one wouldn't approve that, Vick. I want to prove. Now,

673
00:34:00,880 --> 00:34:06,120
Speaker 1: come on, Burke getting fifteen hundred dollars episode saying enjoy

674
00:34:06,120 --> 00:34:10,960
Speaker 1: it a million dollar. Maybe they doubled up. Maybe they

675
00:34:11,040 --> 00:34:13,719
Speaker 1: gave him five and gave Sin five, And that's how

676
00:34:13,760 --> 00:34:16,160
Speaker 1: you make five thousand. Now he's not doing a hundred

677
00:34:16,160 --> 00:34:19,640
Speaker 1: thousand for the season five hundred thousand. You think that

678
00:34:19,840 --> 00:34:21,640
Speaker 1: so kind of hard too. Who you think is the

679
00:34:21,719 --> 00:34:23,400
Speaker 1: most paid person on Love and Himp? I would think

680
00:34:23,440 --> 00:34:26,520
Speaker 1: Remy Moro and Papoos right now. It depends. I mean,

681
00:34:26,520 --> 00:34:28,600
Speaker 1: I don't really watch this show right now. I don't

682
00:34:28,640 --> 00:34:30,640
Speaker 1: know the way the backs to risk dollars shut up.

683
00:34:31,000 --> 00:34:32,239
Speaker 1: But then, you know what, you have a lot of

684
00:34:32,280 --> 00:34:35,920
Speaker 1: connections on there because a one you did, But I'm

685
00:34:35,920 --> 00:34:39,719
Speaker 1: saying you do have a lot of connections at all.

686
00:34:40,200 --> 00:34:43,920
Speaker 1: Why don't want Burke because like, um, they put me

687
00:34:44,000 --> 00:34:45,840
Speaker 1: in a mix all that love and hip hop, you

688
00:34:45,880 --> 00:34:47,800
Speaker 1: know what I'm saying. Like I was trying to separate

689
00:34:47,920 --> 00:34:51,200
Speaker 1: myself from that because I went through traumatic on the show,

690
00:34:51,320 --> 00:34:54,280
Speaker 1: like they tried to like kill my whole career again,

691
00:34:54,480 --> 00:34:56,960
Speaker 1: and like they put me around a bunch of bulls

692
00:34:57,000 --> 00:34:58,880
Speaker 1: and I was just like, yo, keep that away from me.

693
00:34:59,280 --> 00:35:01,879
Speaker 1: Danny went trade mark, like I would always say, like tough,

694
00:35:02,040 --> 00:35:04,919
Speaker 1: like that's my Then he went trademark behind my back.

695
00:35:05,080 --> 00:35:08,759
Speaker 1: Isn't that your album? Yeah? He went trademarket Peril and

696
00:35:08,840 --> 00:35:12,200
Speaker 1: everything that says he gave us so don't just told

697
00:35:12,200 --> 00:35:13,960
Speaker 1: me I would think that was after him. It's just

698
00:35:14,000 --> 00:35:17,719
Speaker 1: like like it could be used for multiple different things,

699
00:35:17,800 --> 00:35:22,480
Speaker 1: you know, trade market, Yeah he did. Y'all remember the

700
00:35:22,600 --> 00:35:24,840
Speaker 1: video where they were in live in the studio and

701
00:35:24,920 --> 00:35:28,080
Speaker 1: people ran up in the studio. That was cap though,

702
00:35:28,120 --> 00:35:30,359
Speaker 1: that was loving hip hop cap for them to add

703
00:35:30,400 --> 00:35:35,439
Speaker 1: to the host because wow, So that's what that's where

704
00:35:35,480 --> 00:35:38,359
Speaker 1: we parted ways Because I'm like, Yo, if y'all could

705
00:35:38,480 --> 00:35:40,440
Speaker 1: use me for that type of bait, just for whatever

706
00:35:40,560 --> 00:35:42,719
Speaker 1: y'all doing, then ain't no telling what y'all could do

707
00:35:42,760 --> 00:35:45,200
Speaker 1: with me. And like I'm vice president of Atlantic Records.

708
00:35:45,200 --> 00:35:47,040
Speaker 1: I can't be having no like that go on. You

709
00:35:47,080 --> 00:35:49,040
Speaker 1: know what I'm saying. That's that was literally my pace

710
00:35:49,120 --> 00:35:50,960
Speaker 1: of business that Atlantic put me in the studio to

711
00:35:51,040 --> 00:35:52,840
Speaker 1: be it. So I had to cut that off for it.

712
00:35:53,239 --> 00:35:55,320
Speaker 1: So did you know it was? It was? It was

713
00:35:55,440 --> 00:35:58,520
Speaker 1: fake when it was happening. Um, he was just on

714
00:35:58,680 --> 00:36:01,040
Speaker 1: Instagram live, you know. I'm saying like he would walk

715
00:36:01,080 --> 00:36:02,480
Speaker 1: in and out the room and be doing a lot

716
00:36:02,520 --> 00:36:04,520
Speaker 1: of different stuff. I didn't know nothing. So when they

717
00:36:04,600 --> 00:36:06,359
Speaker 1: ran up and then you thought it was a real situation. Yeah,

718
00:36:06,760 --> 00:36:08,960
Speaker 1: so that could have went bad. Yeah, yeah, you could

719
00:36:08,960 --> 00:36:10,239
Speaker 1: have had a gun. Something could have you know what

720
00:36:10,239 --> 00:36:12,560
Speaker 1: I mean, Your people could have shot somebody. Like who

721
00:36:12,560 --> 00:36:15,320
Speaker 1: are you telling hip hop? So do you want to

722
00:36:15,400 --> 00:36:17,560
Speaker 1: rap again? You don't want to be an artist? Absolutely not. See.

723
00:36:17,600 --> 00:36:20,160
Speaker 1: The thing is that a lot of people were like, yeah,

724
00:36:20,160 --> 00:36:21,920
Speaker 1: I am a writer, Yeah I'm a producer, But I'm

725
00:36:21,920 --> 00:36:23,800
Speaker 1: about to be the biggest executive in the game, Like

726
00:36:23,880 --> 00:36:25,759
Speaker 1: Craig Calman gonna have to get up out that seat

727
00:36:25,800 --> 00:36:27,520
Speaker 1: for me, you know what I'm saying one of these days,

728
00:36:27,560 --> 00:36:30,160
Speaker 1: Like I'm about to be bigger than every executive out

729
00:36:30,200 --> 00:36:33,160
Speaker 1: here because I actually have the relationships and I actually

730
00:36:33,280 --> 00:36:36,200
Speaker 1: make these records, Like when I created Dangerous for me,

731
00:36:36,440 --> 00:36:38,480
Speaker 1: like that was just something me just being in the studio.

732
00:36:38,520 --> 00:36:40,040
Speaker 1: We did that song in thirty minutes, and then it

733
00:36:40,160 --> 00:36:41,880
Speaker 1: turned into being a big record for them. And I

734
00:36:41,960 --> 00:36:44,200
Speaker 1: think that a lot of nrs, no disrespect to them.

735
00:36:44,560 --> 00:36:46,480
Speaker 1: A lot of them are glorified middlemen, you know what

736
00:36:46,560 --> 00:36:49,320
Speaker 1: I'm saying. They're just like, oh, I know this person,

737
00:36:49,440 --> 00:36:51,800
Speaker 1: or they're taking credit for records because they put somebody

738
00:36:51,840 --> 00:36:53,640
Speaker 1: in the studio with somebody when I'm actually on the

739
00:36:53,719 --> 00:36:56,160
Speaker 1: ground level getting my hands dirty with it. But there's

740
00:36:56,200 --> 00:36:58,400
Speaker 1: a talent to hooking people lept and putting people with

741
00:36:58,440 --> 00:37:00,959
Speaker 1: people as well. I understand you're saying, but my talent

742
00:37:01,080 --> 00:37:04,680
Speaker 1: is just bigger. I'm not you did Craig comment just now,

743
00:37:04,840 --> 00:37:09,279
Speaker 1: No one of the job. I'm inspire to that, La Reid.

744
00:37:09,400 --> 00:37:12,839
Speaker 1: I'm all these different executives I'm learning from QCP coach

745
00:37:12,960 --> 00:37:14,960
Speaker 1: k Like, I looked him in the face and be like, Yo,

746
00:37:15,160 --> 00:37:17,040
Speaker 1: I'm gonna be bigger than you. And nothing wrong with

747
00:37:17,160 --> 00:37:20,239
Speaker 1: that nah. But I will say it's very hard for

748
00:37:20,360 --> 00:37:22,480
Speaker 1: creatives to be in those seats. That's why a guy

749
00:37:22,560 --> 00:37:24,120
Speaker 1: like Craig will be in that seat. Like they don't

750
00:37:24,160 --> 00:37:26,560
Speaker 1: put creators Lie Craig Calman as a co producer. I

751
00:37:26,719 --> 00:37:28,600
Speaker 1: like it, Like that Cardi B record with j Balbot

752
00:37:28,640 --> 00:37:33,720
Speaker 1: and Autumn, he actually didn't. Yeah, he has a vinyl

753
00:37:33,880 --> 00:37:37,799
Speaker 1: like all covering all the wall sample. Yeah, La Reid,

754
00:37:37,960 --> 00:37:40,440
Speaker 1: he's an executive too. He was a music creator. He

755
00:37:40,480 --> 00:37:43,040
Speaker 1: was a creator. So that's a talent. That's not a

756
00:37:43,120 --> 00:37:45,200
Speaker 1: talent like on your level. That's far as sitting down

757
00:37:45,239 --> 00:37:47,960
Speaker 1: actually doing the yeah like and really creating stuff. I

758
00:37:48,040 --> 00:37:50,920
Speaker 1: think that it's really more so like the blessed thing

759
00:37:51,000 --> 00:37:53,000
Speaker 1: about what I do is that, Like I said, like

760
00:37:53,320 --> 00:37:55,640
Speaker 1: I really a bookie. Had never worked with nobody like

761
00:37:56,080 --> 00:37:58,080
Speaker 1: like that, like closely, because he just goes in the

762
00:37:58,120 --> 00:38:01,160
Speaker 1: studio and just kills these records and goes crazy and

763
00:38:01,160 --> 00:38:03,040
Speaker 1: they plock up and they go stupid. I was the

764
00:38:03,080 --> 00:38:05,120
Speaker 1: first one for them and like really open the fold.

765
00:38:05,200 --> 00:38:07,480
Speaker 1: We went to Hawaii. He gave me his whole album

766
00:38:07,840 --> 00:38:09,600
Speaker 1: look back At It was a song that was like

767
00:38:10,000 --> 00:38:12,359
Speaker 1: he had that song for nine months. So Media Vice

768
00:38:12,400 --> 00:38:14,360
Speaker 1: Presidlantic Records. I was able to hear the record. He

769
00:38:14,440 --> 00:38:16,399
Speaker 1: was waiting on the sample to be clear. The song

770
00:38:16,560 --> 00:38:19,239
Speaker 1: was actually five minutes and some change long. I took

771
00:38:19,280 --> 00:38:21,279
Speaker 1: the record in Hawaii. I added the snaps to it

772
00:38:21,360 --> 00:38:23,000
Speaker 1: and our restructure the record and made it a three

773
00:38:23,040 --> 00:38:24,960
Speaker 1: minute record and it was our first number one again.

774
00:38:25,280 --> 00:38:26,759
Speaker 1: Craig got might be the except to the ruble. We're

775
00:38:26,800 --> 00:38:28,320
Speaker 1: not to sit there and act like these white executives.

776
00:38:28,440 --> 00:38:31,680
Speaker 1: We having talent, like come on stop. Charlo Mane said that,

777
00:38:31,840 --> 00:38:35,040
Speaker 1: and they be culturally cool. It's like a mother a

778
00:38:35,200 --> 00:38:37,239
Speaker 1: time a lot of people. It's a lot of nepotism

779
00:38:37,360 --> 00:38:39,560
Speaker 1: that go on with it. You know, like when one

780
00:38:39,640 --> 00:38:42,120
Speaker 1: person get it up, they get a little homie the job.

781
00:38:42,200 --> 00:38:43,759
Speaker 1: You know what I'm saying, which is nothing wrong with

782
00:38:43,880 --> 00:38:45,920
Speaker 1: that as long as you qualify for the gig. You know,

783
00:38:46,160 --> 00:38:47,960
Speaker 1: all right? We got more with Young Bird, a ka

784
00:38:48,200 --> 00:38:50,520
Speaker 1: hit maker when we come back, do movies to Breakfast Club,

785
00:38:50,560 --> 00:38:54,839
Speaker 1: Good Morning the DJ Envy Angela Yee Cholomagne, the guy

786
00:38:54,920 --> 00:38:56,799
Speaker 1: we all the Breakfast Club with, kicking it with Young

787
00:38:56,920 --> 00:38:59,279
Speaker 1: Bird and get a hit maker. Yeah, let's talk about

788
00:38:59,320 --> 00:39:02,560
Speaker 1: your project, right because you have dot Box out now. Yeah,

789
00:39:02,600 --> 00:39:06,120
Speaker 1: thought Boxes came out. He's thot Box. It's serious all

790
00:39:06,160 --> 00:39:08,759
Speaker 1: the time. I don't want to be an artis huh?

791
00:39:08,800 --> 00:39:11,359
Speaker 1: You said you don't want to be so colleague type thing.

792
00:39:11,440 --> 00:39:13,880
Speaker 1: It's a producer album. So I have the pleasure to

793
00:39:13,960 --> 00:39:16,399
Speaker 1: work with on thought Box, A Boogie two Change, meet

794
00:39:16,480 --> 00:39:19,320
Speaker 1: mill While be in the Mirror, a Tiger all on

795
00:39:19,360 --> 00:39:22,200
Speaker 1: the record. So it's all up. So I would assume

796
00:39:22,239 --> 00:39:23,960
Speaker 1: that it's pretty easy for you to get anybody to

797
00:39:24,000 --> 00:39:25,839
Speaker 1: be on your album because you work with a lot

798
00:39:25,840 --> 00:39:27,919
Speaker 1: of these artists and they want to get some beats

799
00:39:27,960 --> 00:39:30,279
Speaker 1: from you. So did you like exchanges? Yeah, we could.

800
00:39:30,280 --> 00:39:32,759
Speaker 1: We could swap it out. That's what I did with everybody. Well,

801
00:39:32,840 --> 00:39:35,040
Speaker 1: first and foremost a lot of people. Well, I didn't

802
00:39:35,040 --> 00:39:36,680
Speaker 1: got so much money and I didn't got so lit

803
00:39:36,800 --> 00:39:38,919
Speaker 1: that I'm not really charging people, you know what I'm saying,

804
00:39:38,960 --> 00:39:40,759
Speaker 1: Like if I got a relationship with you, like a

805
00:39:40,840 --> 00:39:42,719
Speaker 1: two change. I've known him since he was Titty Boy.

806
00:39:43,000 --> 00:39:45,160
Speaker 1: His record already on A Grande Ruled the World his

807
00:39:45,280 --> 00:39:47,279
Speaker 1: last hit. I did that. I didn't charge him though,

808
00:39:47,320 --> 00:39:48,719
Speaker 1: you know what I'm saying. That's how I was able

809
00:39:48,800 --> 00:39:51,520
Speaker 1: for him to get on my record and everybody that's

810
00:39:51,520 --> 00:39:53,799
Speaker 1: pretty much on that on that get your money from

811
00:39:53,840 --> 00:39:56,400
Speaker 1: Royal to Yeah. I remember when def Jam asked me,

812
00:39:56,400 --> 00:39:58,200
Speaker 1: I wish you be the single long too Change album

813
00:39:58,239 --> 00:39:59,919
Speaker 1: and I said that and he was like no matter

814
00:40:00,000 --> 00:40:02,120
Speaker 1: like they said anything but the area on the Grande record,

815
00:40:02,719 --> 00:40:04,239
Speaker 1: and look at it, it's about to get a plack

816
00:40:04,360 --> 00:40:06,160
Speaker 1: right now. That's some of them people that don't know

817
00:40:06,200 --> 00:40:08,439
Speaker 1: what they're talking about. Shout out to everybody at death Jail.

818
00:40:08,520 --> 00:40:11,160
Speaker 1: Maybe they was going through you know, they just transition

819
00:40:11,200 --> 00:40:13,120
Speaker 1: and they've been hiring and firing people a lot, so

820
00:40:13,239 --> 00:40:14,960
Speaker 1: I mean, maybe they were tripping and lost in the

821
00:40:15,000 --> 00:40:16,719
Speaker 1: sauce on that one. What did it hit? Make? Gonna

822
00:40:16,760 --> 00:40:19,799
Speaker 1: learn from Young Bird Young Bird made a lot of mistakes. Yeah,

823
00:40:20,560 --> 00:40:23,480
Speaker 1: keep the right people around you. Never do too much.

824
00:40:23,880 --> 00:40:26,279
Speaker 1: You know, I was wilding back in the day, Like wow, yeah,

825
00:40:26,360 --> 00:40:28,200
Speaker 1: like I was you on drugs, are drinking a lot?

826
00:40:28,320 --> 00:40:30,200
Speaker 1: Like what was it? I did extacy a lot back

827
00:40:30,239 --> 00:40:32,560
Speaker 1: in the day, and you know, like it was good

828
00:40:32,640 --> 00:40:34,719
Speaker 1: for me because I made all them hit records on it,

829
00:40:34,760 --> 00:40:36,880
Speaker 1: and it was bad for me because you know, you

830
00:40:36,920 --> 00:40:38,759
Speaker 1: get out of character when you're young and you just

831
00:40:38,840 --> 00:40:40,920
Speaker 1: get millions of dollars out of nowhere, like and you

832
00:40:41,040 --> 00:40:43,440
Speaker 1: don't have no ogs, you don't have nobody telling you

833
00:40:43,520 --> 00:40:45,160
Speaker 1: what to do, what not to do, how to move,

834
00:40:45,440 --> 00:40:47,799
Speaker 1: how not to move. You end up in some young

835
00:40:47,840 --> 00:40:50,880
Speaker 1: bird and hopefully you work hard enough to become hitmaker.

836
00:40:51,080 --> 00:40:54,520
Speaker 1: You have the most random stories, I'm sure things that happened. Yeah,

837
00:40:55,160 --> 00:40:58,440
Speaker 1: my life is a real life for real. Worked a

838
00:40:58,440 --> 00:41:00,640
Speaker 1: lot with Nicki Minaj. Yeah. What do you think about

839
00:41:00,680 --> 00:41:03,600
Speaker 1: her coming out and saying that she's retiring? Um, the

840
00:41:03,760 --> 00:41:06,120
Speaker 1: thing is with Nikki, I think that people feel like

841
00:41:06,200 --> 00:41:08,920
Speaker 1: she's going through something right now. But everybody's sitting in

842
00:41:09,040 --> 00:41:11,440
Speaker 1: this room. No, that's just Nicki Minaj jo, Like you

843
00:41:11,520 --> 00:41:13,239
Speaker 1: know what I mean? Time she cursed me out and

844
00:41:13,600 --> 00:41:16,200
Speaker 1: I said some of the craziest to me in the world.

845
00:41:16,440 --> 00:41:20,200
Speaker 1: But on the oh, she meek was gonna beat me

846
00:41:20,320 --> 00:41:23,480
Speaker 1: up at one point when they was dating and all that. Yeah,

847
00:41:23,640 --> 00:41:26,640
Speaker 1: like she no, she called task eat. I was on

848
00:41:26,719 --> 00:41:29,200
Speaker 1: a Nikki hate train. But my thing is, like, Yo,

849
00:41:29,280 --> 00:41:31,440
Speaker 1: how are you work for Atlantic? You know Atlantic had

850
00:41:31,480 --> 00:41:35,279
Speaker 1: a plot? No, absolutely, absolutely not. And at the end

851
00:41:35,320 --> 00:41:37,319
Speaker 1: of the day, I cannot say nothing bad about Nikki

852
00:41:37,360 --> 00:41:39,400
Speaker 1: because yeah, she cursed me out and we did a

853
00:41:39,480 --> 00:41:41,640
Speaker 1: lot of it together. Like when I was when I

854
00:41:41,760 --> 00:41:43,840
Speaker 1: was working with her, she really put her arm around

855
00:41:43,880 --> 00:41:45,520
Speaker 1: me and really embraced me, and like I got a

856
00:41:45,600 --> 00:41:47,480
Speaker 1: lot of cloud like a lot of cool points because

857
00:41:47,520 --> 00:41:50,080
Speaker 1: I'm in NICKI mina studio every day. I ended up

858
00:41:50,120 --> 00:41:53,120
Speaker 1: doing six records on her album and it was great

859
00:41:53,160 --> 00:41:55,279
Speaker 1: time for me. Minus But now that I got money

860
00:41:55,320 --> 00:41:57,319
Speaker 1: and I'm rich, like, I can't be taught. It won't

861
00:41:57,320 --> 00:41:59,399
Speaker 1: be tolerated. Like talking to me like that, I can't

862
00:41:59,440 --> 00:42:01,960
Speaker 1: do it. Accuse you of being on the hate train

863
00:42:01,960 --> 00:42:04,680
Speaker 1: because you work for Atlantic. No, not at all. She was. Yeah,

864
00:42:04,719 --> 00:42:06,239
Speaker 1: she was actually proud of me when I first got

865
00:42:06,320 --> 00:42:08,080
Speaker 1: my gig, Like I told her, she flew me down

866
00:42:08,160 --> 00:42:11,279
Speaker 1: in Miami because like for a while, like her and

867
00:42:11,400 --> 00:42:13,520
Speaker 1: Meek were dealing with each other and I'm gonna keep

868
00:42:13,520 --> 00:42:15,920
Speaker 1: it a hunted, like Meek voted me off the island.

869
00:42:16,000 --> 00:42:19,360
Speaker 1: You know what I'm saying. At that time, it was

870
00:42:19,440 --> 00:42:21,279
Speaker 1: his girl. I was in the studio all the time

871
00:42:21,360 --> 00:42:22,799
Speaker 1: with it, and I just think that it was like, yo,

872
00:42:22,920 --> 00:42:24,960
Speaker 1: he got to move around, so they removed me. I

873
00:42:25,120 --> 00:42:26,840
Speaker 1: moved around and me and when they broke up, she

874
00:42:26,960 --> 00:42:29,480
Speaker 1: hit me back and we ended up working a little bit.

875
00:42:29,640 --> 00:42:31,960
Speaker 1: Why didn't remove you? I'm confused. Why did he remove

876
00:42:32,040 --> 00:42:34,759
Speaker 1: you from the studio. It's just crazy time, Charlotte. Man,

877
00:42:34,840 --> 00:42:36,600
Speaker 1: it was just real crazy time. So I thought that

878
00:42:36,640 --> 00:42:39,439
Speaker 1: you was trying to get with Nikki. Wasn't justifiable? Could

879
00:42:39,440 --> 00:42:42,320
Speaker 1: you understand it? The truth of the matter is that

880
00:42:42,440 --> 00:42:45,400
Speaker 1: I didn't know him and Nikki were dating. Tried to no.

881
00:42:45,760 --> 00:42:48,239
Speaker 1: So I would see Meek out and I'm like, yo,

882
00:42:48,360 --> 00:42:50,520
Speaker 1: I'm gonna go do this. I'm gonna go do this

883
00:42:50,680 --> 00:42:52,839
Speaker 1: with with some holes or whatever. I didn't know they

884
00:42:52,920 --> 00:42:55,920
Speaker 1: was dating. So I'm in the studio just talking like

885
00:42:56,040 --> 00:42:57,560
Speaker 1: you know what I'm saying. I've seen Meek earlier. You

886
00:42:57,600 --> 00:42:59,480
Speaker 1: know this that in the third ball was kicking it

887
00:42:59,800 --> 00:43:02,440
Speaker 1: che she went snitched on me like it Like I

888
00:43:02,520 --> 00:43:04,719
Speaker 1: didn't know that they were dating at all, and that's

889
00:43:04,760 --> 00:43:07,279
Speaker 1: how we got That's how it happened. But you would

890
00:43:07,320 --> 00:43:12,600
Speaker 1: see Meek with girls. No, now you're wrong, Now you wrong.

891
00:43:12,760 --> 00:43:14,840
Speaker 1: And Meek is my guy, so don't even do that.

892
00:43:15,000 --> 00:43:17,040
Speaker 1: Meek was just at my birthday dinner. That's my dog,

893
00:43:17,120 --> 00:43:21,960
Speaker 1: So don't even throw no. I say he was out

894
00:43:22,000 --> 00:43:23,680
Speaker 1: in the club and Meek was in the companies. Oh yeah,

895
00:43:23,719 --> 00:43:25,359
Speaker 1: was in the clubs host Meek was there. He might

896
00:43:25,400 --> 00:43:30,200
Speaker 1: not have been doing nothing, got using the club with

897
00:43:30,320 --> 00:43:32,279
Speaker 1: some hosts. God, you cleared that up for you, bro,

898
00:43:32,560 --> 00:43:35,520
Speaker 1: Thank you. I'm a woman for me too, because Safari

899
00:43:35,680 --> 00:43:38,080
Speaker 1: was actually around at the same time too, so like

900
00:43:38,160 --> 00:43:40,440
Speaker 1: I would be in a studio with Nikki and Safari

901
00:43:40,520 --> 00:43:43,360
Speaker 1: would be in the studio and then but she was

902
00:43:44,000 --> 00:43:46,680
Speaker 1: I don't know. It was during that transition period. Yeah,

903
00:43:46,719 --> 00:43:49,320
Speaker 1: it was a weird time. When did you make the decision?

904
00:43:50,000 --> 00:43:52,680
Speaker 1: Like I guess fully commit to the hit maker. Um

905
00:43:53,200 --> 00:43:55,840
Speaker 1: I just realized that, yo, Like I got good product,

906
00:43:55,880 --> 00:43:57,920
Speaker 1: but people didn't want it from me. They didn't want

907
00:43:57,960 --> 00:43:59,760
Speaker 1: me to be the one that was delivering a message

908
00:43:59,760 --> 00:44:02,040
Speaker 1: of the liver in the song. So my first big

909
00:44:02,120 --> 00:44:04,600
Speaker 1: ones were m John by Rick Rossing, Little Wayne. I

910
00:44:04,640 --> 00:44:06,680
Speaker 1: was Grammy nominated for that shout out to a key

911
00:44:07,480 --> 00:44:10,760
Speaker 1: yep um. Then my next big one was Tamar Braxton,

912
00:44:10,840 --> 00:44:13,200
Speaker 1: the one, and that's what prompted me to fly back

913
00:44:13,239 --> 00:44:15,000
Speaker 1: and move back to La shout out to Vincent Herber.

914
00:44:15,080 --> 00:44:16,719
Speaker 1: Then Tamar Braxton, you know that was that was a

915
00:44:16,760 --> 00:44:23,960
Speaker 1: good look for y'all. For y'all, no boy like and Tamar.

916
00:44:24,440 --> 00:44:27,799
Speaker 1: It's funniest hair. It's funniest here with Tamar because after

917
00:44:27,840 --> 00:44:30,360
Speaker 1: I gave her a hit, like, she went on a

918
00:44:30,480 --> 00:44:32,520
Speaker 1: ranted I didn't do this and I didn't do that

919
00:44:32,719 --> 00:44:34,520
Speaker 1: or whatever. And then like I was at the b

920
00:44:34,640 --> 00:44:36,400
Speaker 1: and My Awards and like I've seen her and I

921
00:44:36,520 --> 00:44:39,160
Speaker 1: touched her and she was like Vince, he touched me

922
00:44:39,280 --> 00:44:40,960
Speaker 1: and I just touched her on the shoulder, and y'all,

923
00:44:40,960 --> 00:44:42,759
Speaker 1: I was like, damn, I just gave you a hit.

924
00:44:43,120 --> 00:44:46,239
Speaker 1: And then from there when she did it was just

925
00:44:46,320 --> 00:44:50,440
Speaker 1: like high bird, yellow Dog. I don't want to look

926
00:44:50,480 --> 00:44:56,600
Speaker 1: at no man with a mouth book listen man. She

927
00:44:56,680 --> 00:44:59,279
Speaker 1: didn't realize that you worked on the song. Oh she knew.

928
00:44:59,440 --> 00:45:01,719
Speaker 1: Rest in Peace Lushan Daniels who just passed. She for

929
00:45:01,840 --> 00:45:04,279
Speaker 1: sure knew that what I did and what my collaboration

930
00:45:04,440 --> 00:45:06,560
Speaker 1: to the song was. They took my tag off the song.

931
00:45:07,160 --> 00:45:09,719
Speaker 1: They went crazy one and then I don't know, they

932
00:45:09,719 --> 00:45:11,320
Speaker 1: didn't want to get me the credit. You know, I

933
00:45:11,440 --> 00:45:13,439
Speaker 1: wasn't I wasn't big enough at that point, I guess.

934
00:45:13,520 --> 00:45:16,359
Speaker 1: And then she all in my pictures on my likes,

935
00:45:16,440 --> 00:45:18,680
Speaker 1: my comments, so I guess she wanted another Bird. Don't

936
00:45:18,719 --> 00:45:22,200
Speaker 1: get it better for you? Is it better for you

937
00:45:22,280 --> 00:45:25,160
Speaker 1: to like stay behind the scenes and just write and produce?

938
00:45:25,400 --> 00:45:28,120
Speaker 1: Or Yeah? Why would I want to work as hard

939
00:45:28,120 --> 00:45:30,440
Speaker 1: as he got to work? Yeah, Like I'm I'm I'm

940
00:45:30,520 --> 00:45:32,440
Speaker 1: in a studio. You think I want to run around

941
00:45:32,760 --> 00:45:34,920
Speaker 1: like for my single and for my stuff, I'm doing

942
00:45:35,000 --> 00:45:38,359
Speaker 1: it strictly. Because they say Young Bird was finished, he'll

943
00:45:38,440 --> 00:45:41,440
Speaker 1: never have another hit record again. I went and I

944
00:45:41,600 --> 00:45:43,360
Speaker 1: had hit records. Now I'm about to have a hit

945
00:45:43,440 --> 00:45:46,719
Speaker 1: record with my exactly not Young Bird no more. I mean,

946
00:45:46,800 --> 00:45:49,000
Speaker 1: if I until I get a face off or something

947
00:45:49,040 --> 00:45:50,560
Speaker 1: like that, I'm still gonna be mean. You know what

948
00:45:50,600 --> 00:45:52,719
Speaker 1: I'm saying, Huh, you're married? No, not at all. I

949
00:45:52,760 --> 00:45:55,040
Speaker 1: see the ring on you. That ring fingers to the game.

950
00:45:55,320 --> 00:45:57,440
Speaker 1: I'm like Marcus Graham right now, for real, for real,

951
00:45:57,800 --> 00:45:59,920
Speaker 1: all right, we got more with Young Bird a kit

952
00:46:00,080 --> 00:46:02,359
Speaker 1: making when we come back, Let's get into his new joint.

953
00:46:02,480 --> 00:46:05,880
Speaker 1: It's called Stop Box. It's the Breakfast Club Morning. That

954
00:46:06,160 --> 00:46:10,840
Speaker 1: was Stop Box Morning. Everybody's DJ Envy Angela Yee, Charlomagne

955
00:46:10,840 --> 00:46:13,160
Speaker 1: the guy, we are the breakfast club hit maker. Young

956
00:46:13,239 --> 00:46:15,439
Speaker 1: Bird is hill. Ye. Since you said that Levin hipp

957
00:46:15,560 --> 00:46:17,160
Speaker 1: tried to destroy you. That was the whole situation with

958
00:46:17,280 --> 00:46:19,239
Speaker 1: Mesica right where they said that you had attacked there,

959
00:46:19,320 --> 00:46:22,560
Speaker 1: things had gotten physical. Have you guys resolved that situation?

960
00:46:22,640 --> 00:46:24,839
Speaker 1: Since then? You and Mesica, Me and Mosica talk all

961
00:46:24,840 --> 00:46:26,560
Speaker 1: the time. In fact, she actually came up here and

962
00:46:26,640 --> 00:46:28,839
Speaker 1: told y'all and none of that happened, and Charlott Wayne

963
00:46:28,840 --> 00:46:30,840
Speaker 1: was sniffing our seat and all that other I remember

964
00:46:30,880 --> 00:46:33,520
Speaker 1: that must been a long time. I had to be

965
00:46:33,560 --> 00:46:37,879
Speaker 1: about seven years ago, about ago, about six. Mosica wasn't

966
00:46:37,920 --> 00:46:42,399
Speaker 1: famous seven years ago, BROI sniffing Sea was about six

967
00:46:42,520 --> 00:46:46,080
Speaker 1: years ago. Loving hip Hop was twenty and fourteen, so

968
00:46:46,200 --> 00:46:48,919
Speaker 1: it was five years. But there were there were also

969
00:46:49,000 --> 00:46:51,719
Speaker 1: rumors that she was dating Jeremiah at a period of time.

970
00:46:52,000 --> 00:46:54,600
Speaker 1: I think, I don't know, so does that make you

971
00:46:54,640 --> 00:46:56,640
Speaker 1: feel away? Knowing that was your ex and then she

972
00:46:56,800 --> 00:47:00,320
Speaker 1: dated Jeremiah Gotta love Bird. This is this Hollywood it like,

973
00:47:00,480 --> 00:47:03,240
Speaker 1: so let's be clear, like the whole cast. I probably

974
00:47:03,280 --> 00:47:05,480
Speaker 1: smashed the whole cast of Loving hip Hop when we

975
00:47:05,560 --> 00:47:07,719
Speaker 1: was on it. It's mad women. I won't even say

976
00:47:07,760 --> 00:47:12,560
Speaker 1: because I'm not a Kissing Tales type. Dude, I ain't

977
00:47:12,600 --> 00:47:15,440
Speaker 1: say no names. I'm just saying, like it's Hollywood. You

978
00:47:15,480 --> 00:47:18,680
Speaker 1: know how it go? Man, y'all? You know kind of

979
00:47:18,719 --> 00:47:21,960
Speaker 1: like we all say it's weird, but you know I'm

980
00:47:22,000 --> 00:47:23,879
Speaker 1: not on that no more. I will not be doing

981
00:47:23,920 --> 00:47:26,840
Speaker 1: it with any leftovers from any of my friends or

982
00:47:26,960 --> 00:47:29,320
Speaker 1: colleagues that I work with. Just no, I will be

983
00:47:29,440 --> 00:47:34,200
Speaker 1: important and exporting to doing something out the norm because no,

984
00:47:37,640 --> 00:47:41,239
Speaker 1: the most definitely don't disrespect my seeker like that. Man,

985
00:47:42,440 --> 00:47:44,239
Speaker 1: that's it. I don't. We might have to go back

986
00:47:44,280 --> 00:47:49,560
Speaker 1: and look at that footage. It exists up because we

987
00:47:49,680 --> 00:47:51,279
Speaker 1: live in this era. Like you see someone in the

988
00:47:51,360 --> 00:47:52,839
Speaker 1: inn and that you think that's it all the time,

989
00:47:52,960 --> 00:47:55,239
Speaker 1: Like you know, you make little Mama cry. I watch

990
00:47:55,360 --> 00:47:58,319
Speaker 1: I watched all the Breakfast Club interviews. Yes you did.

991
00:47:58,600 --> 00:48:02,200
Speaker 1: I was a while boy back there, black man, don't cheat.

992
00:48:02,760 --> 00:48:04,640
Speaker 1: We've all wrong, We've all evolved. You know what I'm saying.

993
00:48:04,640 --> 00:48:07,439
Speaker 1: Were different people. Good morning, my ska. How are you? Yeah?

994
00:48:07,680 --> 00:48:10,560
Speaker 1: I don't I don't like him saying that he whatever

995
00:48:10,600 --> 00:48:16,560
Speaker 1: he said. No, he just said that, you don't know.

996
00:48:16,840 --> 00:48:18,839
Speaker 1: I don't know. Maybe I don't know. I mean they

997
00:48:18,920 --> 00:48:25,239
Speaker 1: did date him, say that. I thought that was something

998
00:48:25,320 --> 00:48:28,640
Speaker 1: that was known, like I didn't know that. Okay, So hey, guys,

999
00:48:28,760 --> 00:48:32,720
Speaker 1: if you're dating and you're adult and then you're twenty nineteen,

1000
00:48:33,120 --> 00:48:36,120
Speaker 1: safe to say you didn't got some some action. I mean,

1001
00:48:36,320 --> 00:48:38,799
Speaker 1: I wouldn't consider myself dating nobody. If I haven't slept

1002
00:48:38,840 --> 00:48:40,440
Speaker 1: with him. You might not want to give it to you.

1003
00:48:40,600 --> 00:48:41,880
Speaker 1: You might want wait to r. You wouldn't be with

1004
00:48:41,880 --> 00:48:45,880
Speaker 1: somebody who's selling it. Nah. See. I got to smash

1005
00:48:45,920 --> 00:48:49,080
Speaker 1: the first night immediately because I don't Yeah, because I

1006
00:48:49,080 --> 00:48:50,600
Speaker 1: don't want to waste my time. What if you put

1007
00:48:50,680 --> 00:48:53,080
Speaker 1: in like two months in or something and not get

1008
00:48:53,160 --> 00:48:55,359
Speaker 1: something in it the sexual chemistry isn't there. But if

1009
00:48:55,400 --> 00:48:57,560
Speaker 1: you don't record the past two and a half years,

1010
00:48:57,560 --> 00:49:02,200
Speaker 1: I shouldn't have one that half million records, eight number ones,

1011
00:49:02,440 --> 00:49:04,440
Speaker 1: so many top tens I can't even really count them,

1012
00:49:04,480 --> 00:49:08,239
Speaker 1: but I mean form terribly that first night you asked

1013
00:49:08,239 --> 00:49:11,360
Speaker 1: for a doover? Do you ever have to apologize? It

1014
00:49:11,520 --> 00:49:13,719
Speaker 1: depends on how I feel about the chick, you know

1015
00:49:13,760 --> 00:49:16,000
Speaker 1: what I'm saying, Because like sometimes you know, it could

1016
00:49:16,080 --> 00:49:18,640
Speaker 1: just be like an in and out type situation, or

1017
00:49:18,680 --> 00:49:20,520
Speaker 1: if I really want to go in, I would I

1018
00:49:20,560 --> 00:49:22,440
Speaker 1: would catch a redo. Don't you feel like you have

1019
00:49:22,520 --> 00:49:24,080
Speaker 1: to represent in this climate because they'd be like, yeah,

1020
00:49:24,080 --> 00:49:25,319
Speaker 1: I was with a hitmaker, and I don't know why

1021
00:49:25,320 --> 00:49:31,640
Speaker 1: they call them that because that hit did not make it. Nah.

1022
00:49:31,760 --> 00:49:34,520
Speaker 1: I mean you got money, you might not have to

1023
00:49:34,600 --> 00:49:36,719
Speaker 1: hit it as hard as you think. So oh, come

1024
00:49:36,800 --> 00:49:40,840
Speaker 1: on for real, people talk know how much they can

1025
00:49:40,920 --> 00:49:42,840
Speaker 1: say it about me. I do not care what nobody

1026
00:49:42,920 --> 00:49:45,600
Speaker 1: got to say about me. Run my check. I'm happy.

1027
00:49:45,719 --> 00:49:48,000
Speaker 1: I there people that you'll never forgive from during that

1028
00:49:48,040 --> 00:49:49,640
Speaker 1: era that might want to work with you, that are big,

1029
00:49:49,680 --> 00:49:51,759
Speaker 1: But you're like, I'll never work with that trick. May No,

1030
00:49:52,719 --> 00:49:54,279
Speaker 1: it ain't no reason to work with trick Trick or

1031
00:49:54,360 --> 00:49:57,440
Speaker 1: may know anyway right now? I mean seriously, I mean,

1032
00:49:57,520 --> 00:49:59,560
Speaker 1: God blessed them both of their careers. But I never

1033
00:50:00,000 --> 00:50:01,880
Speaker 1: what people didn't know about the fact that I never

1034
00:50:02,000 --> 00:50:03,719
Speaker 1: met Trick Trick the day of my life. I don't

1035
00:50:03,800 --> 00:50:05,720
Speaker 1: know that, man I don't know the people. And Mayno,

1036
00:50:05,880 --> 00:50:07,680
Speaker 1: you know what I'm saying. He was, He's a cool guy,

1037
00:50:07,800 --> 00:50:10,000
Speaker 1: like I just think that that guy blown out of

1038
00:50:10,040 --> 00:50:11,879
Speaker 1: proportion and that was something that he kind of took

1039
00:50:11,960 --> 00:50:14,439
Speaker 1: and ran with it on a little press publicity type

1040
00:50:14,480 --> 00:50:16,080
Speaker 1: of thing or whatever. But there there's no reason to

1041
00:50:16,120 --> 00:50:19,560
Speaker 1: work with them though. Yeah, Charlotte Mane, you're trying to

1042
00:50:19,600 --> 00:50:23,359
Speaker 1: get me in trouble right now, He paused. I mean,

1043
00:50:25,800 --> 00:50:28,960
Speaker 1: I don't listen to I like Mano music. I mean personally,

1044
00:50:29,040 --> 00:50:31,239
Speaker 1: I just don't feel like they're relevant to what's going on.

1045
00:50:31,440 --> 00:50:33,080
Speaker 1: I don't think I'm catching the number one with them.

1046
00:50:33,320 --> 00:50:34,880
Speaker 1: I don't want to leave this out there because you know,

1047
00:50:34,960 --> 00:50:37,600
Speaker 1: everybody's grown, everybody's evolved. People woren't think you took a

1048
00:50:37,640 --> 00:50:43,040
Speaker 1: shot at me. Absolutely absolutely not. I have nothing but

1049
00:50:43,160 --> 00:50:45,880
Speaker 1: love for Mayno and Trick Trick. Those are things that

1050
00:50:45,960 --> 00:50:48,759
Speaker 1: happened over ten years ago. I cannot carry that type

1051
00:50:48,760 --> 00:50:52,000
Speaker 1: of energy with me. No disrespect. I respect everybody there.

1052
00:50:52,040 --> 00:50:54,960
Speaker 1: You go, and when is that fall album coming out.

1053
00:50:55,000 --> 00:50:57,080
Speaker 1: I'm gonna just drop single, out the single, out the single,

1054
00:50:57,160 --> 00:50:58,800
Speaker 1: and go platinum with all of them, and then dropped

1055
00:50:58,800 --> 00:51:00,960
Speaker 1: the album like Tiger and My Gonna go gold the

1056
00:51:01,040 --> 00:51:03,719
Speaker 1: first week and what's the name of the album? Big Tom?

1057
00:51:03,760 --> 00:51:07,799
Speaker 1: Who else is on the album? The whole Industry, Charlotte Maagne,

1058
00:51:08,080 --> 00:51:11,279
Speaker 1: Little Duval, black Man, don't cheat, remix on my on

1059
00:51:11,400 --> 00:51:13,920
Speaker 1: my own's doing. I don't know if you into that.

1060
00:51:14,000 --> 00:51:16,239
Speaker 1: If you're part of the Faithful Blackmail Association, I can

1061
00:51:16,360 --> 00:51:17,879
Speaker 1: know you gotta believe in me. You know, I gotta

1062
00:51:17,880 --> 00:51:19,120
Speaker 1: get a part of out. Do you got a girl?

1063
00:51:19,160 --> 00:51:22,799
Speaker 1: You gotta woman? Know? So, I mean at some point, yeah,

1064
00:51:22,840 --> 00:51:24,640
Speaker 1: of course, at some point, I gotta settle down. I'm

1065
00:51:24,640 --> 00:51:27,160
Speaker 1: getting old. I gotta share these experiences with somebody that

1066
00:51:27,440 --> 00:51:30,960
Speaker 1: Kevin allowed told me a long time it was experience exactly,

1067
00:51:31,000 --> 00:51:33,600
Speaker 1: because like you can achieve all these goals and then

1068
00:51:33,680 --> 00:51:35,560
Speaker 1: get all this wealth and get everything, and then have

1069
00:51:35,719 --> 00:51:37,680
Speaker 1: nobody to share it with, and then you look back

1070
00:51:37,680 --> 00:51:39,480
Speaker 1: and just be like, damn, I just worked my whole

1071
00:51:39,560 --> 00:51:42,040
Speaker 1: life and now I don't got nothing. But I'm still young,

1072
00:51:42,120 --> 00:51:43,919
Speaker 1: so probably like thirty five. You know what I'm saying.

1073
00:51:43,920 --> 00:51:46,680
Speaker 1: I get active take girls like on vacation and things

1074
00:51:46,719 --> 00:51:50,320
Speaker 1: like that. Yeah, of course, of course, I'm just asking.

1075
00:51:50,360 --> 00:51:52,480
Speaker 1: I haven't seen no pictures of that, so nah, see,

1076
00:51:52,520 --> 00:51:54,240
Speaker 1: were keeping on it low. I ain't like Joe button

1077
00:51:54,320 --> 00:51:57,120
Speaker 1: like how he was just saying I was there that

1078
00:51:57,200 --> 00:51:59,320
Speaker 1: same weekend. He was there. I know yo were together. No,

1079
00:52:00,040 --> 00:52:02,120
Speaker 1: why wouldn't you be with Joe? What's wrong? Man? But

1080
00:52:02,160 --> 00:52:04,520
Speaker 1: I wouldn't know you want to be king with Joe? No.

1081
00:52:05,000 --> 00:52:06,680
Speaker 1: First of all, Joe was dumped off because Joe was

1082
00:52:06,719 --> 00:52:12,080
Speaker 1: with right woman. I don't know who. Joe wasn't trying

1083
00:52:12,120 --> 00:52:15,120
Speaker 1: to run into none of us. I've seen her. She

1084
00:52:15,280 --> 00:52:19,640
Speaker 1: was very voluptuous. She was very easy. No, I mean

1085
00:52:19,640 --> 00:52:22,080
Speaker 1: I've seen it on. Just sorry. I hit him, know,

1086
00:52:22,160 --> 00:52:23,800
Speaker 1: I was like, you got He was like, let's go

1087
00:52:23,840 --> 00:52:25,200
Speaker 1: get me. I said let's go get then, and he

1088
00:52:25,280 --> 00:52:26,799
Speaker 1: was like hit me back. The next money was like, man,

1089
00:52:26,800 --> 00:52:29,240
Speaker 1: I would have went out, but I was knee defensive.

1090
00:52:29,280 --> 00:52:37,640
Speaker 1: Masks last night, Charlotmagne with a thick woman. You just

1091
00:52:37,920 --> 00:52:39,719
Speaker 1: with Charlotte Maagne and man, that's film in love and

1092
00:52:39,840 --> 00:52:43,399
Speaker 1: hip hop right now, come on, I don't do that, Charlotte. Man,

1093
00:52:44,200 --> 00:52:46,759
Speaker 1: it's gonna be the next thing, right now, what kind

1094
00:52:46,760 --> 00:52:49,879
Speaker 1: of woman are you looking for? Um? Somebody? Well, it's hard.

1095
00:52:51,000 --> 00:52:53,719
Speaker 1: Remember last time you asked to ask, don't even do that.

1096
00:52:53,880 --> 00:52:56,200
Speaker 1: It's hard. It's hard dating. You know what I'm saying now,

1097
00:52:56,320 --> 00:52:58,560
Speaker 1: because it's like you don't know if the woman. See

1098
00:52:58,640 --> 00:53:01,919
Speaker 1: Charlotte Magne's situation different, Your situation is different. You both

1099
00:53:02,000 --> 00:53:05,440
Speaker 1: known your wives for ever, so y'all really came from

1100
00:53:05,480 --> 00:53:09,320
Speaker 1: the mud together. Now meeting a chick like like, I

1101
00:53:09,560 --> 00:53:11,720
Speaker 1: love the Star Tenders. I love the girls in Starlars,

1102
00:53:11,800 --> 00:53:13,799
Speaker 1: but I can't think that they can actually be one

1103
00:53:13,840 --> 00:53:15,600
Speaker 1: of my girlfriends. They don't know me. They're gonna catch

1104
00:53:15,640 --> 00:53:17,560
Speaker 1: me throwing money at them. In fact, I've never been

1105
00:53:17,600 --> 00:53:19,359
Speaker 1: in Starlars, and none of them clubs either. I'm never

1106
00:53:19,440 --> 00:53:23,359
Speaker 1: going to your ball. I never give it. Gram Lust

1107
00:53:23,640 --> 00:53:26,719
Speaker 1: lusts crazy, you like the most Bernies. She got a

1108
00:53:26,800 --> 00:53:31,160
Speaker 1: Starlars no more. No, they got new Star Tenders. Yeah,

1109
00:53:32,600 --> 00:53:34,400
Speaker 1: they got new one bird it's one cup name the

1110
00:53:34,520 --> 00:53:37,440
Speaker 1: Cold that's bad as one name Winny that's bad. And

1111
00:53:37,480 --> 00:53:40,320
Speaker 1: they all cool people. They got a Graham Yeah what

1112
00:53:41,640 --> 00:53:52,160
Speaker 1: I'm just looking at your black man exactly what I

1113
00:53:52,200 --> 00:53:56,040
Speaker 1: would make a hit maker bird? Yeah, I appreciate y'all

1114
00:53:56,040 --> 00:54:00,040
Speaker 1: having me mana Nicole. Hey, yeah, chill Charlotte, man, you

1115
00:54:00,080 --> 00:54:02,400
Speaker 1: know what made up hot you just made either Go

1116
00:54:02,440 --> 00:54:04,600
Speaker 1: get your bible, bro, I'm just looking all right as

1117
00:54:04,600 --> 00:54:08,600
Speaker 1: the breakfast club is bird hit maker. Yes, sir a

1118
00:54:08,920 --> 00:54:21,800
Speaker 1: d you get dunk you are arect I'm gonna fatten

1119
00:54:21,880 --> 00:54:24,279
Speaker 1: all that around your eye. They want this man to

1120
00:54:24,560 --> 00:54:28,000
Speaker 1: donken Blowers. Man, they're waiting for Charlemagne to talk. They

1121
00:54:28,040 --> 00:54:29,920
Speaker 1: had to make a judgment who was gonna be on

1122
00:54:30,000 --> 00:54:32,759
Speaker 1: the donkey of the day. They chose you because the

1123
00:54:32,800 --> 00:54:36,080
Speaker 1: breakfast club, bitch you who's donkey of the day to day? Yes,

1124
00:54:36,280 --> 00:54:38,480
Speaker 1: donkey of the day goes to the doctors at Leicester

1125
00:54:38,640 --> 00:54:42,399
Speaker 1: Royal Infirmary. Now, in certain places, bro, if they mess

1126
00:54:42,480 --> 00:54:44,879
Speaker 1: your order up, it can be life changing, all right.

1127
00:54:45,239 --> 00:54:46,719
Speaker 1: You know, if you're going into a doctor's office, that

1128
00:54:46,760 --> 00:54:49,239
Speaker 1: shouldn't turn into a what I asked for a versus

1129
00:54:49,320 --> 00:54:51,800
Speaker 1: what I got the situation. But that's exactly what happened

1130
00:54:52,120 --> 00:54:54,800
Speaker 1: to a seventy year old British man named Terry Brizier

1131
00:54:54,920 --> 00:54:58,040
Speaker 1: when he went to Leicester Royal Infirmary. So he Terry

1132
00:54:58,080 --> 00:55:00,960
Speaker 1: went to this hospital. Paul bladder for see you, he

1133
00:55:01,120 --> 00:55:03,879
Speaker 1: was just going to get a sister costs. I don't

1134
00:55:03,880 --> 00:55:07,399
Speaker 1: know how to pronounce that sistoscopy, all right. Basically, that's

1135
00:55:07,440 --> 00:55:09,520
Speaker 1: what botox is injected into the bladder wall to help

1136
00:55:09,560 --> 00:55:12,360
Speaker 1: control your nation and our deification. Now. I don't know

1137
00:55:12,440 --> 00:55:15,200
Speaker 1: why they didn't put Terry under during this procedure, but

1138
00:55:15,360 --> 00:55:17,520
Speaker 1: for whatever reason, Terry was chatting it up with the

1139
00:55:17,600 --> 00:55:20,279
Speaker 1: staff and didn't realize until he pulled off from the

1140
00:55:20,400 --> 00:55:22,479
Speaker 1: drive through that instead of the number three quarter pound

1141
00:55:22,520 --> 00:55:24,880
Speaker 1: to a cheese meal he ordered, they gave him a

1142
00:55:24,960 --> 00:55:27,239
Speaker 1: number two cheeseburger mill. Now, sometimes when you go back

1143
00:55:27,280 --> 00:55:30,359
Speaker 1: to get your food after McDonald's or some fast food

1144
00:55:30,400 --> 00:55:33,239
Speaker 1: restaurant screws up your order, they just let you keep

1145
00:55:33,280 --> 00:55:35,200
Speaker 1: whatever they gave you, and then they give you what

1146
00:55:35,440 --> 00:55:37,920
Speaker 1: you actually wanted, so you end up getting blessed with

1147
00:55:38,120 --> 00:55:40,160
Speaker 1: more than what you came for. I guess Terry can

1148
00:55:40,200 --> 00:55:43,320
Speaker 1: look at the bright side in this situation, because depending

1149
00:55:43,400 --> 00:55:47,360
Speaker 1: on who you ask. Okay, even though Leicester Roll Infirmary

1150
00:55:47,480 --> 00:55:50,600
Speaker 1: got to order wrong, they might have gotten Terry right now.

1151
00:55:50,719 --> 00:55:53,440
Speaker 1: I'm not gonna let Terry tell you himself. Oh, I'm

1152
00:55:53,440 --> 00:55:56,719
Speaker 1: gonna let Terry tell you himself how Leicester Roll Infirmary

1153
00:55:57,000 --> 00:55:58,880
Speaker 1: got to order wrong. Let's go to Lechester Live for

1154
00:55:58,960 --> 00:56:01,239
Speaker 1: the report and please listening to tell the end. The

1155
00:56:01,400 --> 00:56:04,239
Speaker 1: end is very important. I went into the hospital and

1156
00:56:04,440 --> 00:56:08,399
Speaker 1: tells some botox about before my active bladder. Nurse came

1157
00:56:08,480 --> 00:56:11,680
Speaker 1: from the setter and asked me, is that your name

1158
00:56:12,280 --> 00:56:16,840
Speaker 1: suggests that? Took me into surgery and they carried on

1159
00:56:16,960 --> 00:56:22,040
Speaker 1: the procedure, but there was no other checks of who

1160
00:56:22,120 --> 00:56:26,279
Speaker 1: I am, my age, date of birth. No, this is

1161
00:56:26,320 --> 00:56:27,920
Speaker 1: what we're going to do, and they know this, that

1162
00:56:28,080 --> 00:56:30,320
Speaker 1: and the other. Just at the end of the procedure

1163
00:56:30,600 --> 00:56:34,239
Speaker 1: they went into another room and then realized that they'd

1164
00:56:34,320 --> 00:56:37,320
Speaker 1: done the wrong procedure. I wondered what was going on,

1165
00:56:37,760 --> 00:56:40,360
Speaker 1: and then she actually told me and they went, you know,

1166
00:56:40,480 --> 00:56:43,600
Speaker 1: you were supposed to come in for botox. Unfortunately with

1167
00:56:43,960 --> 00:56:49,960
Speaker 1: circumcised you, he went in for bulltox. And he's circumcised,

1168
00:56:50,000 --> 00:56:52,640
Speaker 1: so he wasn't circumcised already. Yeah. Man, he just went

1169
00:56:52,680 --> 00:56:55,520
Speaker 1: in for a simple little bulltox of the bladder. Oh no,

1170
00:56:55,640 --> 00:56:57,880
Speaker 1: he's just trying to get his urination and duplication the

1171
00:56:58,040 --> 00:56:59,920
Speaker 1: right and instead he ended up getting that pickle take

1172
00:57:00,120 --> 00:57:02,680
Speaker 1: out the back. Now, for everybody out there who was

1173
00:57:02,719 --> 00:57:05,200
Speaker 1: a faithful member of the Brotherhood of the Hooded Pirates,

1174
00:57:05,440 --> 00:57:07,320
Speaker 1: I don't end view you. I had a skin bridge

1175
00:57:07,360 --> 00:57:09,080
Speaker 1: up until I was about seventeen. It was just one

1176
00:57:09,120 --> 00:57:11,719
Speaker 1: little piece of from my shaft to the head of

1177
00:57:11,760 --> 00:57:14,640
Speaker 1: my penis in the amount of smegma I used to

1178
00:57:14,760 --> 00:57:16,800
Speaker 1: build up under that little skin bridge. Now, if you

1179
00:57:16,840 --> 00:57:19,680
Speaker 1: don't know what schmegma is, it's like it's like you

1180
00:57:19,720 --> 00:57:22,760
Speaker 1: can't believe it's not butter, just with a little pungent smell.

1181
00:57:22,920 --> 00:57:26,640
Speaker 1: It's like ToeJam, but under the Yeah, I think like

1182
00:57:26,760 --> 00:57:29,840
Speaker 1: the fresh avocado spread that be on your avocado toast.

1183
00:57:29,880 --> 00:57:32,960
Speaker 1: It's like that, but with a yellowish color. Somewhere right now,

1184
00:57:33,040 --> 00:57:34,960
Speaker 1: somebody heard me say that, right if they've bit into

1185
00:57:35,000 --> 00:57:38,320
Speaker 1: the avocado toast. Good morning right now. I'm I'm looking.

1186
00:57:38,560 --> 00:57:40,880
Speaker 1: I'm not in the four Skins shaming. Okay, there's plenty

1187
00:57:40,880 --> 00:57:42,920
Speaker 1: of people out there who love riding the covered wagon.

1188
00:57:43,280 --> 00:57:45,440
Speaker 1: You would be surprised how many people like that Auntie

1189
00:57:45,520 --> 00:57:48,080
Speaker 1: Andie's original pretel dog with a side of peck of cheese.

1190
00:57:48,280 --> 00:57:52,160
Speaker 1: So maybe the Leechester Royal Infirmary did terry your favor.

1191
00:57:52,320 --> 00:57:54,880
Speaker 1: Now It's not like Terry could go back and get

1192
00:57:54,920 --> 00:57:57,840
Speaker 1: that sausage scarf put back on. So he was awarded

1193
00:57:57,880 --> 00:58:00,600
Speaker 1: more than twenty four thousand dollars in compensation. That doesn't

1194
00:58:00,600 --> 00:58:02,160
Speaker 1: seem like a lot of money to me for that

1195
00:58:02,600 --> 00:58:06,120
Speaker 1: visit to y'all. No, okay, But if you want to

1196
00:58:06,240 --> 00:58:08,720
Speaker 1: know why there was a surgical screw up, it was

1197
00:58:08,800 --> 00:58:13,040
Speaker 1: because of the staff mixing up notes. Now, if there's

1198
00:58:13,120 --> 00:58:15,120
Speaker 1: no word on if he got the surgery that he

1199
00:58:15,200 --> 00:58:18,000
Speaker 1: actually came for, the boltops on the bladder. But aren't

1200
00:58:18,040 --> 00:58:19,919
Speaker 1: you happy, Terry that you don't have to worry about

1201
00:58:19,960 --> 00:58:23,200
Speaker 1: getting your foreskin stuck in your zipper anymore. Look, once again,

1202
00:58:23,240 --> 00:58:25,160
Speaker 1: I am not shaming any of you brothers who love

1203
00:58:25,240 --> 00:58:27,920
Speaker 1: to play Fortnite while playing with your foreskin. All I'm

1204
00:58:27,960 --> 00:58:30,760
Speaker 1: saying is, when there's one hundred degrees out, we can

1205
00:58:30,840 --> 00:58:33,640
Speaker 1: smell that smegma frying and your jeans. That's all I'm saying.

1206
00:58:33,720 --> 00:58:36,480
Speaker 1: So maybe, just maybe this hospital did tear your favor,

1207
00:58:36,680 --> 00:58:38,720
Speaker 1: But that's really not the morals of the story. The

1208
00:58:38,840 --> 00:58:41,240
Speaker 1: moral of the story is they got his order wrong.

1209
00:58:41,600 --> 00:58:48,840
Speaker 1: Please give Leechester Royal Infirmary the biggest he all all right, Well,

1210
00:58:48,920 --> 00:58:50,640
Speaker 1: thank you for that dog kid today. Maybe they did

1211
00:58:50,720 --> 00:58:54,000
Speaker 1: him a favor, though I heard it's very painful when

1212
00:58:54,000 --> 00:58:57,120
Speaker 1: you're older. Do you like a circumcised penis? Is? I've

1213
00:58:57,200 --> 00:59:00,360
Speaker 1: only ever seen one in person. Were you grossed out? No?

1214
00:59:00,400 --> 00:59:02,440
Speaker 1: Because it was actually I was a version that I

1215
00:59:02,480 --> 00:59:05,720
Speaker 1: didn't know until looking back, You didn't know that. You

1216
00:59:05,800 --> 00:59:08,360
Speaker 1: didn't know that different, You didn't know the difference. Okay,

1217
00:59:08,960 --> 00:59:11,960
Speaker 1: what about the turtleneck. It was probably harder to handle

1218
00:59:12,040 --> 00:59:15,800
Speaker 1: and deal with too. Okay, the turtleneck, like you gotta like,

1219
00:59:15,960 --> 00:59:19,920
Speaker 1: all right, pull it back, Okay, because I think McGuire

1220
00:59:20,040 --> 00:59:22,000
Speaker 1: clean it. They have to pull it back also, and

1221
00:59:22,080 --> 00:59:24,960
Speaker 1: like roll the turtle yelling at ye for people thinks

1222
00:59:25,000 --> 00:59:26,920
Speaker 1: that people do on a day l e. People are eating.

1223
00:59:27,520 --> 00:59:29,880
Speaker 1: They don't want to hear about I didn't say anything

1224
00:59:29,920 --> 00:59:33,840
Speaker 1: about that. What the turtle? Now? Stop ford skin shaming people.

1225
00:59:33,960 --> 00:59:35,920
Speaker 1: You have to like roll the turtle neck cack we

1226
00:59:36,000 --> 00:59:38,640
Speaker 1: in New York we got a large Caribbean and Spanish audience.

1227
00:59:38,760 --> 00:59:41,120
Speaker 1: What does that mean? Don't shame him? What does that mean?

1228
00:59:41,560 --> 00:59:43,680
Speaker 1: What does the Caribbean mean? And Latina will be what

1229
00:59:43,760 --> 00:59:50,200
Speaker 1: does that mean? Huh? Like a slinky guys a little

1230
00:59:50,240 --> 00:59:55,440
Speaker 1: Peekaboo girl tired of playing peakable Charne, Thank you for that.

1231
00:59:55,520 --> 00:59:59,280
Speaker 1: Donkey to day, The Breakfast Club, Good Morning, the Breakfast

1232
00:59:59,360 --> 01:00:06,480
Speaker 1: Club Morning, Everybody's DJ MVY, Angela Yee, Charlomagne, the guy

1233
01:00:06,560 --> 01:00:08,960
Speaker 1: we all to Breakfast Club. We got a special guest

1234
01:00:09,040 --> 01:00:12,000
Speaker 1: in the building. You got money from Hollywood Unlocked. You

1235
01:00:12,080 --> 01:00:15,680
Speaker 1: might know him from there, Jason Lee. Jason got a bag,

1236
01:00:15,920 --> 01:00:18,400
Speaker 1: you know, and Angela is here. Yeah, I wasn't here

1237
01:00:18,400 --> 01:00:20,880
Speaker 1: when you were here before. But again, thank you Jason

1238
01:00:20,960 --> 01:00:23,320
Speaker 1: Lee for actually giving a breakfast club an award. Of

1239
01:00:23,440 --> 01:00:25,720
Speaker 1: course when you had your ceremony. So if you want

1240
01:00:25,760 --> 01:00:27,960
Speaker 1: to tell us what that was all about. Yeah, So

1241
01:00:28,600 --> 01:00:30,920
Speaker 1: I had told the story at the brunch that I

1242
01:00:31,040 --> 01:00:33,720
Speaker 1: was on MTV and VH one and and applied to

1243
01:00:33,800 --> 01:00:35,680
Speaker 1: go to the MTV Awards and then told me I

1244
01:00:35,720 --> 01:00:37,280
Speaker 1: couldn't come. So I was like, how is it that

1245
01:00:37,360 --> 01:00:39,520
Speaker 1: I'm on the network and can't come. So I went

1246
01:00:39,600 --> 01:00:42,200
Speaker 1: and created my own award show, the Hollywood Led Social

1247
01:00:42,280 --> 01:00:44,000
Speaker 1: Impact Brunch. So when we were going through the list

1248
01:00:44,040 --> 01:00:46,240
Speaker 1: of you know, people who are important to us, of

1249
01:00:46,320 --> 01:00:48,000
Speaker 1: course the Breakfast Club was at the top of the list.

1250
01:00:48,080 --> 01:00:50,120
Speaker 1: So the Breakfast Club got the Culture Award. We just

1251
01:00:50,240 --> 01:00:52,120
Speaker 1: got the name plays back, so we'll be sending that

1252
01:00:52,160 --> 01:00:54,480
Speaker 1: in the mail soon. What's that I heeartbag? Though? Like

1253
01:00:54,640 --> 01:00:57,680
Speaker 1: you know, first of all grounding applause to Jason legg boy.

1254
01:00:57,800 --> 01:01:01,120
Speaker 1: Years you've been building Hollywood Unlocked. Yeah, and now it's

1255
01:01:01,240 --> 01:01:04,560
Speaker 1: nationally syndicated. Man, Look, last time I was here, I said, Uh,

1256
01:01:04,800 --> 01:01:07,760
Speaker 1: this interview was an important part of that journey because

1257
01:01:07,800 --> 01:01:10,680
Speaker 1: I feel like people actually really see you when you're here.

1258
01:01:11,240 --> 01:01:13,120
Speaker 1: And uh, what I do want? I want to shout

1259
01:01:13,200 --> 01:01:15,200
Speaker 1: charltagne because as soon as we walked out, he got

1260
01:01:15,240 --> 01:01:16,680
Speaker 1: on the phone and hit the folks up at our

1261
01:01:16,760 --> 01:01:18,560
Speaker 1: heart and said, hey, we need to figure out some

1262
01:01:18,800 --> 01:01:20,720
Speaker 1: with Jason. Next day I was on a call and

1263
01:01:20,840 --> 01:01:23,960
Speaker 1: here I am nationally syndicated. What's that bag? Like? Though?

1264
01:01:24,440 --> 01:01:25,760
Speaker 1: The back is really I didn't want to text you

1265
01:01:25,800 --> 01:01:27,000
Speaker 1: and ask you. I wanted to wait to see you.

1266
01:01:27,240 --> 01:01:29,320
Speaker 1: This is what I will say different cologne. I know

1267
01:01:29,400 --> 01:01:34,520
Speaker 1: that much has Versacchi. I look at dj Envy's Instagram.

1268
01:01:34,640 --> 01:01:37,640
Speaker 1: I got goals. I will say the thing I love

1269
01:01:37,680 --> 01:01:39,800
Speaker 1: about I heart. You know, white folks pay on time.

1270
01:01:40,160 --> 01:01:41,800
Speaker 1: They called me about the check. They were like, are

1271
01:01:41,800 --> 01:01:45,520
Speaker 1: you ready for the wire. I'm like, yeah, yeah, thank you,

1272
01:01:45,600 --> 01:01:48,400
Speaker 1: I heart which is two hour show right the count

1273
01:01:48,400 --> 01:01:51,320
Speaker 1: down people who yeah, what it is? Okay? So Hollywood,

1274
01:01:51,320 --> 01:01:52,920
Speaker 1: I'm like, you know, we say we're the post of

1275
01:01:52,960 --> 01:01:56,200
Speaker 1: pop culture. We talk, you know, reckless, interview a lot

1276
01:01:56,240 --> 01:01:58,320
Speaker 1: of the different people that are out there in the business,

1277
01:01:58,400 --> 01:02:01,320
Speaker 1: both on the on the pop culture side and you know,

1278
01:02:01,680 --> 01:02:03,640
Speaker 1: white side, but we also talk to you know, folks

1279
01:02:03,680 --> 01:02:06,200
Speaker 1: who are a part of hip hop. So the two

1280
01:02:06,240 --> 01:02:09,479
Speaker 1: hour show is going to basically be us interviewing people

1281
01:02:09,560 --> 01:02:12,240
Speaker 1: that you know and asking the craziest questions, Like then,

1282
01:02:12,440 --> 01:02:15,640
Speaker 1: Antoine Fuqua, I want him right now. The other day

1283
01:02:15,720 --> 01:02:18,640
Speaker 1: sent me a Ceason assist letter. I get now I'm

1284
01:02:18,640 --> 01:02:20,880
Speaker 1: getting sued more after this interview. Matter of fact, because

1285
01:02:20,880 --> 01:02:22,800
Speaker 1: you asked me if I'm getting sued now. They think

1286
01:02:22,800 --> 01:02:26,240
Speaker 1: it's just a gateway to send me lawsuits. Well, you know,

1287
01:02:26,360 --> 01:02:29,600
Speaker 1: Antoine Fuqua, you know he's in the news because he

1288
01:02:29,720 --> 01:02:32,520
Speaker 1: was out there messing around with his family friend Nicole Murphy,

1289
01:02:32,960 --> 01:02:35,000
Speaker 1: and so it's a friendly kiss. Yeah. I mean, it

1290
01:02:35,080 --> 01:02:37,120
Speaker 1: was like Jordan Woods sitting on Tristan's lap. That's the

1291
01:02:37,200 --> 01:02:39,440
Speaker 1: thing in Hollywood, right, Well, Charlotmaye sit on Windy Williams

1292
01:02:39,520 --> 01:02:45,439
Speaker 1: Lap just years ago, and I can't wait for that reunion. So, yeah,

1293
01:02:45,440 --> 01:02:47,960
Speaker 1: apparently we had dug up some receipts. I guess he

1294
01:02:48,040 --> 01:02:50,400
Speaker 1: had a kid or something on his wife some time ago, allegedly.

1295
01:02:50,480 --> 01:02:53,600
Speaker 1: So there's these court documents. Yeah, there's these court documents,

1296
01:02:53,640 --> 01:02:55,320
Speaker 1: and so we put it up and so he doesn't

1297
01:02:55,320 --> 01:02:57,720
Speaker 1: want us to talk about him. But I'm like, if

1298
01:02:57,800 --> 01:03:00,040
Speaker 1: you was just focusing on movies and not cheating on

1299
01:03:00,120 --> 01:03:01,760
Speaker 1: your wife, none of us would be paying attention to like,

1300
01:03:01,880 --> 01:03:04,280
Speaker 1: men don't cheat. Were there any other officers on the table,

1301
01:03:04,320 --> 01:03:06,160
Speaker 1: any other situations you have to say the name. But

1302
01:03:06,240 --> 01:03:07,960
Speaker 1: we had been talking to people, and I think you

1303
01:03:08,040 --> 01:03:10,479
Speaker 1: know the fact that I heart decided to take a risk,

1304
01:03:10,720 --> 01:03:12,840
Speaker 1: and you know I first thing I said to them

1305
01:03:12,880 --> 01:03:15,000
Speaker 1: before the wire came was what do you what do

1306
01:03:15,040 --> 01:03:17,040
Speaker 1: you want me to polish up? Because I'm sure that

1307
01:03:17,120 --> 01:03:18,480
Speaker 1: you want me to clean up. They were like, nah,

1308
01:03:18,520 --> 01:03:20,520
Speaker 1: don't change. If there's any notes we're given to you,

1309
01:03:20,600 --> 01:03:23,040
Speaker 1: like we give to Charlotte Man, I said, okay, give

1310
01:03:23,080 --> 01:03:29,240
Speaker 1: me on notes, just this platform. They have never told us,

1311
01:03:29,240 --> 01:03:31,960
Speaker 1: don't say anything, don't have this guest, nothing at all. Yeah.

1312
01:03:32,160 --> 01:03:34,120
Speaker 1: I wasn't here when you came to the breakfast club

1313
01:03:34,240 --> 01:03:36,160
Speaker 1: last time. But is it ever a concern for you

1314
01:03:36,240 --> 01:03:39,360
Speaker 1: when you have relationship with somebody reporting on stories about them.

1315
01:03:39,480 --> 01:03:41,640
Speaker 1: Has that ever been an issue for you? No, like

1316
01:03:41,760 --> 01:03:43,240
Speaker 1: you saw a lot. So I'm back on love and

1317
01:03:43,280 --> 01:03:44,640
Speaker 1: hip hop. I know everybody's like, why did you go

1318
01:03:44,760 --> 01:03:47,720
Speaker 1: back to loving hip hop? That's so you do it? Well,

1319
01:03:48,000 --> 01:03:51,600
Speaker 1: the bag was right, and about his bag, well, let

1320
01:03:51,640 --> 01:03:53,400
Speaker 1: me say this, the bag was right. I was shout

1321
01:03:53,400 --> 01:03:54,920
Speaker 1: out to Mona and Big Fish. They did a great

1322
01:03:55,000 --> 01:03:57,120
Speaker 1: job with that. But also I like the fact that

1323
01:03:57,320 --> 01:04:00,880
Speaker 1: this season they actually are shooting real my brother who

1324
01:04:00,920 --> 01:04:02,880
Speaker 1: was murder murder when I was nineteen. That was a

1325
01:04:02,920 --> 01:04:04,920
Speaker 1: really important part of my life. I think it's an

1326
01:04:04,920 --> 01:04:06,880
Speaker 1: important part of people getting to know who I am.

1327
01:04:07,000 --> 01:04:08,920
Speaker 1: So when they approached me and said we'd love to

1328
01:04:09,000 --> 01:04:10,520
Speaker 1: tell that story and then the money was right, I

1329
01:04:10,640 --> 01:04:12,840
Speaker 1: was like, of course, so I say that to say,

1330
01:04:13,000 --> 01:04:15,960
Speaker 1: last episode, I had to confront a one about his

1331
01:04:16,520 --> 01:04:19,800
Speaker 1: cheating on Lyrica Anderson, and yeah, it was uncomfortable, but

1332
01:04:20,120 --> 01:04:21,240
Speaker 1: it is. I mean, I'm gonna put it up and

1333
01:04:21,240 --> 01:04:22,720
Speaker 1: you gonna run into me anyway, so I might as

1334
01:04:22,720 --> 01:04:24,720
Speaker 1: well just tell you. You know, I like giving people

1335
01:04:24,840 --> 01:04:26,680
Speaker 1: heads up, Like I was here last time talking about Chloe.

1336
01:04:26,720 --> 01:04:28,760
Speaker 1: I give you the heads up so we can put

1337
01:04:28,840 --> 01:04:30,680
Speaker 1: in what you say. You say it ain't true. Well

1338
01:04:31,080 --> 01:04:32,600
Speaker 1: what were y'all doing? Let's the last time you got

1339
01:04:32,640 --> 01:04:35,120
Speaker 1: threatened for putting something up. I haven't been threatened yet.

1340
01:04:35,160 --> 01:04:38,440
Speaker 1: I absolutely know with this new show, I'm gonna get threatened.

1341
01:04:38,480 --> 01:04:41,480
Speaker 1: But here's the yo. Because you be out too, I

1342
01:04:42,080 --> 01:04:45,280
Speaker 1: will call the police. Let me tell you something I'm

1343
01:04:45,320 --> 01:04:50,360
Speaker 1: sending y'all come down, Let's be clear. Run up on

1344
01:04:50,440 --> 01:04:52,800
Speaker 1: me if you want to, because that is great content.

1345
01:04:52,880 --> 01:04:55,120
Speaker 1: I can create a video series out of the journey

1346
01:04:55,280 --> 01:04:58,720
Speaker 1: going to take sending you to jail still when you uh,

1347
01:04:58,920 --> 01:05:01,439
Speaker 1: you know, I'm roll you to death, like like little

1348
01:05:01,520 --> 01:05:04,040
Speaker 1: nas him trolling being gay, I said on my Instagram.

1349
01:05:04,120 --> 01:05:07,200
Speaker 1: There's this whole new there's a new gay level of gay.

1350
01:05:07,240 --> 01:05:09,320
Speaker 1: There's there's the weekend gay. You know you just get

1351
01:05:09,400 --> 01:05:12,600
Speaker 1: on the weekend. There's a homeless sexual the weekend. The

1352
01:05:12,640 --> 01:05:19,360
Speaker 1: weekend homeless is a homelesssexual that needs a place to live,

1353
01:05:19,440 --> 01:05:21,400
Speaker 1: so he might you know, second year. And then and

1354
01:05:21,480 --> 01:05:24,120
Speaker 1: then there's and then there's the you know, the totally

1355
01:05:24,200 --> 01:05:26,920
Speaker 1: trolling gay like I'm just gonna troll being gay because

1356
01:05:27,120 --> 01:05:30,080
Speaker 1: being gay is cool and I'm gonna get my cloud up.

1357
01:05:30,200 --> 01:05:31,920
Speaker 1: I don't I don't know what's going on in the

1358
01:05:32,040 --> 01:05:34,920
Speaker 1: industry these days. So, yeah, you say Little is really gay.

1359
01:05:34,920 --> 01:05:36,840
Speaker 1: I saw you. I saw you ranting about that. I know.

1360
01:05:36,880 --> 01:05:38,840
Speaker 1: I just called him ugly like eighty two times. He

1361
01:05:38,880 --> 01:05:41,280
Speaker 1: ain't really that ugly. I only trolled him because I

1362
01:05:41,400 --> 01:05:42,960
Speaker 1: felt and he followed us by the way, shout out

1363
01:05:42,960 --> 01:05:46,960
Speaker 1: to you. Uh, he's a talented kid. You know, kid,

1364
01:05:47,040 --> 01:05:50,000
Speaker 1: he is a kid. He's when you over eighteen, I'm

1365
01:05:50,160 --> 01:05:55,760
Speaker 1: say over nineteen, you're it's fair gay and that beat

1366
01:05:55,840 --> 01:05:58,280
Speaker 1: Marian Carrey he can take. He can take a load

1367
01:05:58,880 --> 01:06:01,919
Speaker 1: no fun intended any else that was a troll himself. Yes,

1368
01:06:02,160 --> 01:06:04,400
Speaker 1: he knows the game. He's like Soldier Bay. It is

1369
01:06:04,440 --> 01:06:06,320
Speaker 1: what it is, all right. We got more with Jason

1370
01:06:06,360 --> 01:06:08,320
Speaker 1: Lee when we come back. Don't move. It's the Breakfast Club.

1371
01:06:08,360 --> 01:06:12,920
Speaker 1: Good morning Morning. Everybody is DJ Envy Angela, Ye, Charlomagne

1372
01:06:12,960 --> 01:06:15,200
Speaker 1: the guy. We all the Breakfast Club right now, We're

1373
01:06:15,240 --> 01:06:17,320
Speaker 1: still kicking it with Jason Lee from Loving Hip Hop

1374
01:06:17,560 --> 01:06:20,800
Speaker 1: LA and Hollywood Unlocked. Yea. I think people sliding in

1375
01:06:20,880 --> 01:06:23,680
Speaker 1: your DMS. This is I heart deal. Yeah, we know

1376
01:06:23,800 --> 01:06:27,720
Speaker 1: somebody in room thinks you're handsome. Jason who. I'm gonna

1377
01:06:27,760 --> 01:06:29,920
Speaker 1: let you figure it out. I'm a married man, Charlomagne

1378
01:06:29,920 --> 01:06:34,400
Speaker 1: iss a married man. That's three. He doesn't count because

1379
01:06:34,440 --> 01:06:38,800
Speaker 1: she's not a woman exactly. Okay, so's I'm gonna let

1380
01:06:38,800 --> 01:06:43,680
Speaker 1: you figure it out. Listen, keep the I'm making eye

1381
01:06:43,720 --> 01:06:49,920
Speaker 1: contact with everybody, anybody. No, you know, I think you know,

1382
01:06:50,000 --> 01:06:52,320
Speaker 1: after I said the whole justice small thing last time,

1383
01:06:52,560 --> 01:06:56,400
Speaker 1: I think people are like, yeah, I'm not him, Why

1384
01:06:56,760 --> 01:06:58,440
Speaker 1: that man? But I don't even want to comfort who

1385
01:06:58,920 --> 01:07:09,000
Speaker 1: him over there? Close though? Marriage do? I like beards

1386
01:07:09,160 --> 01:07:12,960
Speaker 1: like not beards like guys that are throwing him under

1387
01:07:12,960 --> 01:07:20,680
Speaker 1: the bus. Listen, listen. I'm an equal opportunist as long

1388
01:07:20,680 --> 01:07:23,200
Speaker 1: as you have good hygiene, and like, you know, whoever

1389
01:07:23,240 --> 01:07:24,680
Speaker 1: else you put on the side ain't gonna be on

1390
01:07:24,720 --> 01:07:27,640
Speaker 1: my Instagram. I'm cool. That's right. There's only two people

1391
01:07:27,640 --> 01:07:29,080
Speaker 1: I've heard him say, you got to crush on it

1392
01:07:29,160 --> 01:07:35,640
Speaker 1: with you and Lizzo. Oh Lizzo, yea Lizza out here

1393
01:07:35,680 --> 01:07:37,840
Speaker 1: doing her thing though. And this is what I understand

1394
01:07:37,840 --> 01:07:40,760
Speaker 1: about the Internet. People are so unfair, Like I get

1395
01:07:40,840 --> 01:07:43,160
Speaker 1: fat shamed, you know, because I'm not skinny at all,

1396
01:07:43,240 --> 01:07:46,800
Speaker 1: But this Lizzle is praise. Lizzo is praised for being overweight,

1397
01:07:46,920 --> 01:07:49,120
Speaker 1: and she's like, I mean, she's like not even like

1398
01:07:49,280 --> 01:07:51,520
Speaker 1: discreet fat, which is not a bad thing. She just

1399
01:07:51,680 --> 01:07:54,200
Speaker 1: put all my fat out there. Fat. Yeah, but you

1400
01:07:54,240 --> 01:07:56,440
Speaker 1: know when she does get body shamed also, she just

1401
01:07:56,600 --> 01:07:59,120
Speaker 1: chooses to be really positive love and the message that

1402
01:07:59,200 --> 01:08:01,400
Speaker 1: she sends out because because there are definitely people saying

1403
01:08:01,480 --> 01:08:03,960
Speaker 1: negative things, but I think when you put that positivity

1404
01:08:04,000 --> 01:08:06,040
Speaker 1: out there so much, there's gonna be a lot more.

1405
01:08:06,440 --> 01:08:08,240
Speaker 1: She's my hero. She's actually one of my favorite people

1406
01:08:08,320 --> 01:08:10,520
Speaker 1: right now. And I love her whole movement. I love

1407
01:08:10,560 --> 01:08:12,360
Speaker 1: how she's embraced it. And I mean you if you

1408
01:08:12,440 --> 01:08:14,520
Speaker 1: attack Lizzo, yeah, I think you're just a hater. And

1409
01:08:14,600 --> 01:08:16,120
Speaker 1: you see she goes through it too. I mean, she's

1410
01:08:16,160 --> 01:08:18,760
Speaker 1: done posts herself where she talks about dealing with her

1411
01:08:18,840 --> 01:08:21,760
Speaker 1: own issues with depression and feeling a certain way. So

1412
01:08:22,120 --> 01:08:24,360
Speaker 1: everyone goes through it, Yeah, when you're in that spotlight.

1413
01:08:24,560 --> 01:08:26,840
Speaker 1: Well I don't though, because keep talking about me. I

1414
01:08:27,000 --> 01:08:29,200
Speaker 1: just keep keep on talking about me. I actually want

1415
01:08:29,200 --> 01:08:30,920
Speaker 1: to interview NICKI Minaj. Do you guys have had the

1416
01:08:30,960 --> 01:08:33,439
Speaker 1: privilege of doing that? Is that a fun a few times? Yeah?

1417
01:08:33,560 --> 01:08:37,040
Speaker 1: I haven't seen Nicki you know who. She cursed me

1418
01:08:37,040 --> 01:08:40,040
Speaker 1: and out one time, but she pretty, she's she's invited

1419
01:08:40,080 --> 01:08:41,559
Speaker 1: on the show. I want to Why do you want

1420
01:08:41,560 --> 01:08:43,599
Speaker 1: to interview Nicki Minaj? I just think it would be fun.

1421
01:08:44,080 --> 01:08:46,400
Speaker 1: She's gonna check you first and formal. That's okay, check

1422
01:08:46,439 --> 01:08:49,479
Speaker 1: each other. Yeah, yeah, it's an equal opportunity checking. The

1423
01:08:49,600 --> 01:08:52,400
Speaker 1: Bob's still on your ass. No, the barbers have left

1424
01:08:52,439 --> 01:08:55,640
Speaker 1: me alone. Ariana Grande fans have left me alone, and

1425
01:08:55,880 --> 01:08:58,120
Speaker 1: the Beehive has left me alone. Everybody's leaving me alone.

1426
01:08:58,120 --> 01:09:01,559
Speaker 1: Everything is good right now? Bothering you? Because my team

1427
01:09:02,000 --> 01:09:07,120
Speaker 1: shot the rock Nation brunch. They sal was chasing around

1428
01:09:07,160 --> 01:09:11,720
Speaker 1: the party. It's funny. I'm gonna lie it was a

1429
01:09:11,800 --> 01:09:14,720
Speaker 1: little bit no. But my team got a picture of

1430
01:09:14,880 --> 01:09:18,280
Speaker 1: Beyonce's twins. I remember that, and we were like excited, like,

1431
01:09:18,400 --> 01:09:20,439
Speaker 1: oh my god, she finally shared the kids. So I'm like, oh,

1432
01:09:20,439 --> 01:09:22,040
Speaker 1: the kids were so cute, but they could put it up.

1433
01:09:22,400 --> 01:09:24,559
Speaker 1: And then the next thing I know, Newsweek is calling

1434
01:09:24,640 --> 01:09:26,880
Speaker 1: and they're like, how did you steal these photos? I'm like,

1435
01:09:26,960 --> 01:09:29,960
Speaker 1: still these fucking in the house in pictures? They put

1436
01:09:30,040 --> 01:09:32,120
Speaker 1: online that I was sneaking in our house. First of all,

1437
01:09:32,120 --> 01:09:34,720
Speaker 1: if I get in Beyonce, this is crazy, right, you

1438
01:09:34,760 --> 01:09:38,000
Speaker 1: got into the house. No listen, one week I'm chasing

1439
01:09:38,040 --> 01:09:40,360
Speaker 1: around the party. The next week I'm in her house

1440
01:09:40,439 --> 01:09:42,320
Speaker 1: taking photos of the kids off the wall. Did you

1441
01:09:42,360 --> 01:09:44,519
Speaker 1: get a cease and desist from anybody or rock Nation?

1442
01:09:44,800 --> 01:09:48,120
Speaker 1: But shot shout to event no short she called. She

1443
01:09:48,240 --> 01:09:50,439
Speaker 1: said that baby, baby, I need you to take that down.

1444
01:09:50,479 --> 01:09:52,200
Speaker 1: I go, what happened? She goes that that wasn't not there.

1445
01:09:52,400 --> 01:09:54,240
Speaker 1: That's okay, cool, but it's kind of too late. Then

1446
01:09:54,360 --> 01:09:56,240
Speaker 1: it was everywhere. Everybody didn't took it from the near

1447
01:09:56,280 --> 01:09:58,639
Speaker 1: by it. I didn't see it in nowhere after Hollywood

1448
01:09:58,680 --> 01:10:00,760
Speaker 1: on luck what I hit news week up? I was

1449
01:10:00,840 --> 01:10:02,880
Speaker 1: like and I went off on them and they I

1450
01:10:02,920 --> 01:10:05,040
Speaker 1: thought they would take it down. They just like retracted

1451
01:10:05,080 --> 01:10:07,880
Speaker 1: and said Jason Lee said he wasn't there, so still there?

1452
01:10:08,160 --> 01:10:10,760
Speaker 1: Right listen, let me ask you something about Beyonce. Right, Um,

1453
01:10:11,560 --> 01:10:13,000
Speaker 1: the dude are in there, who got a crush on you?

1454
01:10:13,120 --> 01:10:15,760
Speaker 1: He said that Beyonce was overrated? Who said that? And

1455
01:10:15,800 --> 01:10:18,200
Speaker 1: then he said Drake. What happened? He said, Drake was

1456
01:10:18,240 --> 01:10:23,080
Speaker 1: a bigger star. I don't want to say currently current

1457
01:10:23,160 --> 01:10:26,040
Speaker 1: the current climate, Drake is a biggest star, bigger than one,

1458
01:10:27,400 --> 01:10:29,320
Speaker 1: more more relevant right now as far as music and

1459
01:10:29,400 --> 01:10:31,080
Speaker 1: putting out product, I would say, so, I'm gonna just

1460
01:10:31,160 --> 01:10:33,320
Speaker 1: say this first of all, that you know, the Bible

1461
01:10:33,360 --> 01:10:36,760
Speaker 1: talks about one and that's not forgivable in this blasphemy. Uh.

1462
01:10:37,200 --> 01:10:40,280
Speaker 1: I went to see Beyonce at Coachella and we enjoyed.

1463
01:10:40,320 --> 01:10:43,680
Speaker 1: I mean, it was magnificent performance, homecoming or whatever. We

1464
01:10:43,760 --> 01:10:45,920
Speaker 1: didn't know she was filming a whole album and a

1465
01:10:46,000 --> 01:10:49,320
Speaker 1: movie at the same time. The work ethic is beyond like.

1466
01:10:49,479 --> 01:10:53,600
Speaker 1: Nobody can question that, right, Drake undoubtedly is one of

1467
01:10:53,640 --> 01:10:55,479
Speaker 1: the best. Um, I'll tell you a quick Drake story

1468
01:10:55,479 --> 01:10:57,040
Speaker 1: about how I got thrown out his party last time

1469
01:10:58,200 --> 01:11:01,720
Speaker 1: I come here. Tristan tom that chest. That's another one.

1470
01:11:01,720 --> 01:11:04,679
Speaker 1: I would love to have him just random Sorry, sorry,

1471
01:11:04,840 --> 01:11:07,880
Speaker 1: I'm having flashed back, had me escorted out in public.

1472
01:11:07,920 --> 01:11:13,759
Speaker 1: We get back to that. But about who's bigger Beyonce period,

1473
01:11:13,880 --> 01:11:15,559
Speaker 1: Drake would say that though, don't he have a song

1474
01:11:15,640 --> 01:11:18,519
Speaker 1: called Beyonce exactly or something like that? Now, why did Drake.

1475
01:11:19,040 --> 01:11:25,680
Speaker 1: You just don't know what bigger is. That's all I do. Hey, hey,

1476
01:11:26,040 --> 01:11:29,240
Speaker 1: this is the best. This is the best show ever.

1477
01:11:29,760 --> 01:11:33,280
Speaker 1: You know, I'm all right, wait, but are you Melisia

1478
01:11:37,000 --> 01:11:39,400
Speaker 1: got no, because it's Melisia slid in my DMS last night.

1479
01:11:39,439 --> 01:11:41,439
Speaker 1: I'm gonna asked when I get back to la Okay,

1480
01:11:41,479 --> 01:11:44,360
Speaker 1: So Drake, now, okay, no, we off Drake. Drake is

1481
01:11:44,400 --> 01:11:48,479
Speaker 1: definitely Drake. Didn't shout out to Drake Drake. I went

1482
01:11:48,520 --> 01:11:51,360
Speaker 1: to a Drake party in London and he actually, I

1483
01:11:51,439 --> 01:11:53,120
Speaker 1: mean I think it was uncomfortable that I was there,

1484
01:11:53,160 --> 01:11:54,879
Speaker 1: but he was like, you know, we had a conversation.

1485
01:11:54,960 --> 01:11:56,960
Speaker 1: I'm on Drake before he got famous, when he you know,

1486
01:11:57,000 --> 01:11:58,640
Speaker 1: they had no money, and I told him here you

1487
01:11:58,640 --> 01:12:00,360
Speaker 1: can have my phones. I ain't here to I'm just

1488
01:12:00,360 --> 01:12:04,000
Speaker 1: here a good time. Fast forward, uh SERGEI vaka you

1489
01:12:04,080 --> 01:12:09,880
Speaker 1: know so use he won the championship, you know, the

1490
01:12:10,240 --> 01:12:12,640
Speaker 1: Toronto Raptors. So he invited me, Drake through them a

1491
01:12:12,720 --> 01:12:14,880
Speaker 1: party and he invited me. So I was excited. I

1492
01:12:14,960 --> 01:12:17,280
Speaker 1: went out, you know, I got dressed to get there

1493
01:12:17,400 --> 01:12:19,200
Speaker 1: and as soon as we walk in, Tristan's at the

1494
01:12:19,240 --> 01:12:22,439
Speaker 1: bar and I'm like damn it, it's now. That was

1495
01:12:22,479 --> 01:12:24,720
Speaker 1: probably the most awkward running because I ain't seen him

1496
01:12:24,720 --> 01:12:27,679
Speaker 1: since you know, he cheated on his uh baby mama's

1497
01:12:27,720 --> 01:12:30,160
Speaker 1: sisters and you broke the story. Oh absolutely, men don't

1498
01:12:30,240 --> 01:12:33,000
Speaker 1: cheat Tristans Canadian though, so you don't come. Yeah, okay.

1499
01:12:33,120 --> 01:12:35,479
Speaker 1: So then I was standing at the bar and then

1500
01:12:35,520 --> 01:12:37,360
Speaker 1: my phone ranked, so I go, okay, I'll be right back.

1501
01:12:37,400 --> 01:12:39,400
Speaker 1: So I get the phone. I go to walk outside

1502
01:12:39,400 --> 01:12:41,320
Speaker 1: of talking on the phone because I'm meeting somebody else,

1503
01:12:41,520 --> 01:12:42,920
Speaker 1: and they kind of, you know, someone just kind of

1504
01:12:42,960 --> 01:12:44,439
Speaker 1: like you feel an arm behind you, but like an

1505
01:12:44,479 --> 01:12:46,400
Speaker 1: usher in church. They was just ushering me out the door.

1506
01:12:46,680 --> 01:12:48,560
Speaker 1: So I said, hold on, man, I said, what's that?

1507
01:12:48,720 --> 01:12:50,560
Speaker 1: What's going on? So they said, oh, man, you know

1508
01:12:50,600 --> 01:12:52,080
Speaker 1: this is a private party. We're gonna have to ask

1509
01:12:52,080 --> 01:12:54,760
Speaker 1: you leave. So people outside are like, hey, jasp get

1510
01:12:54,800 --> 01:12:55,800
Speaker 1: me and I'm like, how can I get you? And

1511
01:12:55,880 --> 01:12:59,000
Speaker 1: I'm getting kicked out. I ain't never been kicked out.

1512
01:12:59,040 --> 01:13:01,160
Speaker 1: So I left and surgeon them. We're like, come back,

1513
01:13:01,200 --> 01:13:02,880
Speaker 1: we'll get you back in. But yeah, he had me esquare.

1514
01:13:02,920 --> 01:13:04,439
Speaker 1: I didn't know him and Drake were good friends like that.

1515
01:13:04,560 --> 01:13:06,799
Speaker 1: Now in the Aukle situation where you see Tristan Thompson

1516
01:13:06,840 --> 01:13:08,720
Speaker 1: at an event, would you have said hello before you

1517
01:13:08,760 --> 01:13:10,280
Speaker 1: if you didn't get kicked out, would you go up

1518
01:13:10,320 --> 01:13:11,920
Speaker 1: and be like, how you doing? I would have gone

1519
01:13:12,000 --> 01:13:13,920
Speaker 1: up to him and said, Hey, Tristan, what's something I

1520
01:13:13,960 --> 01:13:16,920
Speaker 1: would love to interview you? I would I would no

1521
01:13:17,040 --> 01:13:19,760
Speaker 1: saying yeah, no security that day I didn't. I mean, listen,

1522
01:13:19,800 --> 01:13:21,280
Speaker 1: I don't think that you're I don't think that you

1523
01:13:21,320 --> 01:13:24,599
Speaker 1: can be taking serious as a commentator, radio person at

1524
01:13:24,680 --> 01:13:27,000
Speaker 1: moderated until you get punched in the face, especially if

1525
01:13:27,040 --> 01:13:30,120
Speaker 1: you're spicy. If you're spicy and you got a strong POV,

1526
01:13:30,160 --> 01:13:31,760
Speaker 1: I think you gotta get punched in the face. Has happened.

1527
01:13:31,760 --> 01:13:34,479
Speaker 1: I've been punched twice, have you? Yes? Joe Buden has

1528
01:13:34,479 --> 01:13:36,639
Speaker 1: been punched, Like you gotta get punched Jim Rome, remember

1529
01:13:36,720 --> 01:13:40,200
Speaker 1: Jim Room. Wait, so I'm gonna get punched. Probably Wendy

1530
01:13:40,200 --> 01:13:43,760
Speaker 1: william she got ran up on but didn't get punched. Yeah.

1531
01:13:43,760 --> 01:13:48,280
Speaker 1: I've been hanging with Angie Martinez. She got punched. She

1532
01:13:49,120 --> 01:13:53,599
Speaker 1: never read Angie book. No, you gotta read a book. Really,

1533
01:13:54,120 --> 01:13:56,559
Speaker 1: I've been hanging with Wendy lately. She man, I wish

1534
01:13:56,560 --> 01:13:58,479
Speaker 1: I could have saw y'all back together, I mean just together.

1535
01:13:58,640 --> 01:14:00,320
Speaker 1: I'm waiting for her to come here, you to go

1536
01:14:00,439 --> 01:14:02,560
Speaker 1: there at some point we just need to see that.

1537
01:14:02,680 --> 01:14:04,600
Speaker 1: But we look forward to hearing this show that the

1538
01:14:04,720 --> 01:14:08,360
Speaker 1: man is August seventeenth, drawing me farting words. It's wrong

1539
01:14:08,439 --> 01:14:10,320
Speaker 1: with you, bron. I ain't ed a Puerto Rican a

1540
01:14:10,400 --> 01:14:20,240
Speaker 1: long time after. It's not about being about catching a

1541
01:14:20,360 --> 01:14:22,960
Speaker 1: vibe exactly. And you guys were not hearing the out

1542
01:14:26,240 --> 01:14:28,560
Speaker 1: seem like you, but I catching that vibe. We're not.

1543
01:14:28,680 --> 01:14:30,800
Speaker 1: We're not hearing to out people. So don't do that.

1544
01:14:31,680 --> 01:14:33,160
Speaker 1: When I hear the out people, so don't do that.

1545
01:14:33,360 --> 01:14:36,519
Speaker 1: You just said that Jason was handsomest guy. It's okay.

1546
01:14:36,640 --> 01:14:38,640
Speaker 1: We can continue to go to get your answer my

1547
01:14:38,680 --> 01:14:42,000
Speaker 1: food quiet interview. Yeah, yeah, I'm coming for you. What

1548
01:14:42,080 --> 01:14:51,360
Speaker 1: do you drink? Waters? Here you go, you need Jason

1549
01:14:51,479 --> 01:14:54,880
Speaker 1: Lee is the breakfast club? The more the breakfast club

1550
01:14:58,160 --> 01:15:02,560
Speaker 1: wanting everybody's DJ Envy, Angela, Guee, Charlomagne, the guy. We

1551
01:15:02,680 --> 01:15:04,840
Speaker 1: are the breakfast club. Now, if you just joined us,

1552
01:15:05,400 --> 01:15:08,160
Speaker 1: if you watched the Kardashians, Uh, this is what happened,

1553
01:15:08,160 --> 01:15:10,240
Speaker 1: and then we'll explain. Let's play the audio. He was

1554
01:15:10,320 --> 01:15:12,400
Speaker 1: really upset. She was putting her in the car and

1555
01:15:12,600 --> 01:15:16,479
Speaker 1: Penelope scratched her face. Kid scratch? Can you pop the kid?

1556
01:15:16,560 --> 01:15:19,479
Speaker 1: And it's cool, no, but you could also say something

1557
01:15:19,640 --> 01:15:22,080
Speaker 1: to her in the moment. I'm sorry, but if he

1558
01:15:22,240 --> 01:15:24,599
Speaker 1: scratch me for no reason, I'm whip for her ass.

1559
01:15:24,880 --> 01:15:30,480
Speaker 1: And I explained to y'all, lady, what I will. Penelope's

1560
01:15:30,479 --> 01:15:36,080
Speaker 1: asked if she scratched, you are talking about daughter's asks.

1561
01:15:36,320 --> 01:15:38,800
Speaker 1: If she touched you, now you explain what they're talking about.

1562
01:15:39,040 --> 01:15:42,680
Speaker 1: Corey Gamble, that's Chris Jenner's boyfriend said that if Penelope,

1563
01:15:42,840 --> 01:15:46,360
Speaker 1: who is Courtney Kardashian's daughter, scratched him in the face,

1564
01:15:46,400 --> 01:15:49,519
Speaker 1: he would whip her ass right now. I actually hit

1565
01:15:49,640 --> 01:15:52,439
Speaker 1: my uh, my niece when when I was younger, I

1566
01:15:52,560 --> 01:15:54,360
Speaker 1: didn't know no better. I popped her on the hand

1567
01:15:54,479 --> 01:15:56,680
Speaker 1: and I was wrong for it. I felt funny for it.

1568
01:15:56,880 --> 01:15:59,200
Speaker 1: Um she was acting up and I popped up and

1569
01:15:59,280 --> 01:16:01,439
Speaker 1: I had a conversation with her dad, and you know,

1570
01:16:01,479 --> 01:16:04,320
Speaker 1: we talked about it was no big problem. No, he

1571
01:16:04,439 --> 01:16:06,880
Speaker 1: wasn't mad at all that like like my grandmother used to.

1572
01:16:07,040 --> 01:16:10,120
Speaker 1: I remember my grandmother beating me for spraying wrote spray

1573
01:16:10,200 --> 01:16:11,759
Speaker 1: on the stove just so I can see the flames

1574
01:16:11,800 --> 01:16:14,800
Speaker 1: go up. That's your grandmother, your grandma. Your grandma's your

1575
01:16:14,840 --> 01:16:16,600
Speaker 1: big mama. You know what I'm saying. Your grandma is

1576
01:16:16,640 --> 01:16:19,200
Speaker 1: the person who used to beat your parents, so being

1577
01:16:19,280 --> 01:16:22,040
Speaker 1: that you came from her, charing, okay, she has the

1578
01:16:22,200 --> 01:16:24,559
Speaker 1: right to put her hands on your grandma really might

1579
01:16:24,640 --> 01:16:26,720
Speaker 1: be the only person. And I sprayed the road spray

1580
01:16:26,800 --> 01:16:28,640
Speaker 1: and then I and I said something to Grandma like

1581
01:16:28,680 --> 01:16:30,640
Speaker 1: don't hit me. And then when my dad got there,

1582
01:16:31,120 --> 01:16:33,040
Speaker 1: my dad beat me for talking to his mother like

1583
01:16:33,120 --> 01:16:35,840
Speaker 1: that exactly. Grandma and granddaddy might be the only person

1584
01:16:35,920 --> 01:16:37,439
Speaker 1: that have the rights to do that, But I mean

1585
01:16:37,600 --> 01:16:40,400
Speaker 1: me personally, he's kind of like a granddaddy though, Corey Gamble, Yeah,

1586
01:16:40,439 --> 01:16:42,920
Speaker 1: he's kind of like a grandma. Why is her grandfather

1587
01:16:43,400 --> 01:16:47,080
Speaker 1: grandfather's grandfather? No, no, no, but he's not married, he's

1588
01:16:47,080 --> 01:16:48,880
Speaker 1: not my blood. The moral of the story is, I

1589
01:16:48,880 --> 01:16:51,040
Speaker 1: don't beat my children. I don't beat my children because

1590
01:16:51,040 --> 01:16:52,519
Speaker 1: I just don't see the need, you know what I'm saying.

1591
01:16:52,600 --> 01:16:54,880
Speaker 1: And furthermore, I think that you could just have a

1592
01:16:54,920 --> 01:16:57,240
Speaker 1: conversation with kids. But I'm definitely not putting my hands

1593
01:16:57,280 --> 01:16:59,680
Speaker 1: on nobody else child, like you put your hands on

1594
01:16:59,760 --> 01:17:03,040
Speaker 1: some aud else child then me and you got smoked immediately.

1595
01:17:03,200 --> 01:17:06,760
Speaker 1: There's never a reason for you to put hands on

1596
01:17:07,200 --> 01:17:09,840
Speaker 1: my children. And what if I don't beat my kids,

1597
01:17:09,920 --> 01:17:13,000
Speaker 1: but you you hit my kids. Nigga that think about that?

1598
01:17:13,080 --> 01:17:14,880
Speaker 1: What if I don't hit my kids, but my kids

1599
01:17:14,920 --> 01:17:16,640
Speaker 1: are at your house and then they get hit by

1600
01:17:16,720 --> 01:17:18,640
Speaker 1: you an a dolt. Now we gotta catch now, me

1601
01:17:18,720 --> 01:17:20,479
Speaker 1: and you gotta fade to catch. Well. I've never ever

1602
01:17:20,600 --> 01:17:22,960
Speaker 1: hit anybody else as kids either. I have three god children.

1603
01:17:23,120 --> 01:17:26,320
Speaker 1: I'm the number one babysitter. Actually, I feel like when

1604
01:17:26,920 --> 01:17:30,120
Speaker 1: I'm babysitting, my responsibility is just to spoil other people's kids.

1605
01:17:30,560 --> 01:17:34,000
Speaker 1: I don't see that that's what you should do. They

1606
01:17:34,080 --> 01:17:36,320
Speaker 1: always like, Okay, I'm gonna see angel Essa. I already

1607
01:17:36,320 --> 01:17:37,800
Speaker 1: know what we're gonna do. We're gonna go shopping. We're

1608
01:17:37,800 --> 01:17:40,120
Speaker 1: gonna go buy some new toys. We're gonna get ice cream.

1609
01:17:40,280 --> 01:17:42,559
Speaker 1: I don't Grandma hit me with an ashtray. One time

1610
01:17:43,600 --> 01:17:46,640
Speaker 1: I did stupid stuff. I deserved it, dought I deserved this,

1611
01:17:46,800 --> 01:17:51,479
Speaker 1: and we all it fixed me. Straighten me right up. No, listen,

1612
01:17:51,560 --> 01:17:53,200
Speaker 1: we all got beating when we were kids, I got

1613
01:17:53,240 --> 01:17:55,080
Speaker 1: beating with extension cards like that. Used to beat me

1614
01:17:55,120 --> 01:17:56,680
Speaker 1: with the call made me go take a bath. I

1615
01:17:56,800 --> 01:17:58,360
Speaker 1: used to have to go pick the switch like them

1616
01:17:58,400 --> 01:18:01,880
Speaker 1: little wooden utensils on the free kitchen wall. My mama

1617
01:18:01,920 --> 01:18:03,960
Speaker 1: would hit me with dose. But guess what, if we're

1618
01:18:04,000 --> 01:18:05,920
Speaker 1: being honest, all of that was just abuse. And the

1619
01:18:06,000 --> 01:18:08,200
Speaker 1: truth of the matter is all our parents were doing

1620
01:18:08,320 --> 01:18:10,680
Speaker 1: was the best they could. That's that's all. They were

1621
01:18:10,720 --> 01:18:12,880
Speaker 1: probably young parents at the time. That's the only way

1622
01:18:12,880 --> 01:18:16,519
Speaker 1: they knew how to discipline was through physical punishment. We

1623
01:18:16,760 --> 01:18:19,519
Speaker 1: know better in this generation. We an't gotta beat our kids,

1624
01:18:19,640 --> 01:18:21,320
Speaker 1: and we damned here it shouldn't be putting our hands

1625
01:18:21,360 --> 01:18:25,479
Speaker 1: on nobody else's Hello, who's this Marita? Hey Marita? You

1626
01:18:25,720 --> 01:18:27,400
Speaker 1: you have had to put your hands on somebody else's kids.

1627
01:18:28,240 --> 01:18:31,600
Speaker 1: I did, um. I was watching my niece and she

1628
01:18:31,920 --> 01:18:34,680
Speaker 1: was messing with the socket in the wall, and I

1629
01:18:34,880 --> 01:18:37,200
Speaker 1: told her, and I actually went and got her and

1630
01:18:37,320 --> 01:18:40,120
Speaker 1: pulled her back like twice, and then she put her

1631
01:18:40,200 --> 01:18:42,320
Speaker 1: mouth on it, and I popped her in her hand,

1632
01:18:42,360 --> 01:18:45,160
Speaker 1: and I told my sister, and I did feel that,

1633
01:18:45,680 --> 01:18:48,880
Speaker 1: But I agree with Charlottamagne and I agree with you.

1634
01:18:49,080 --> 01:18:51,960
Speaker 1: Like some kids you can't talk to right and you

1635
01:18:52,040 --> 01:18:54,800
Speaker 1: know they'll listen. But some kids, I think you gotta

1636
01:18:54,840 --> 01:18:57,680
Speaker 1: pop from her now and then. But even that's what

1637
01:18:57,760 --> 01:19:00,320
Speaker 1: the white man used to think about slaves. To look somebody,

1638
01:19:00,320 --> 01:19:02,600
Speaker 1: these slaves you gotta beat, like even at it with

1639
01:19:02,600 --> 01:19:03,920
Speaker 1: a two year old. Like a two year old you

1640
01:19:03,960 --> 01:19:05,720
Speaker 1: can't have a conversation with. Don't put your finger in

1641
01:19:05,880 --> 01:19:08,840
Speaker 1: an electric socket. But if you pop their hand, they

1642
01:19:08,960 --> 01:19:10,519
Speaker 1: think about, you know what if I go near this

1643
01:19:10,560 --> 01:19:12,599
Speaker 1: electric socket, it's gonna hurt. I'm not gonna do it. Yeah,

1644
01:19:12,600 --> 01:19:14,760
Speaker 1: But you're not telling them that. You're not explaining to

1645
01:19:14,880 --> 01:19:17,080
Speaker 1: them what could have happened if they actually put their

1646
01:19:17,120 --> 01:19:19,439
Speaker 1: hand in the lepsocket. I tell my daughter, you know,

1647
01:19:19,479 --> 01:19:21,280
Speaker 1: if you put your hand in that, you're going to die.

1648
01:19:21,400 --> 01:19:23,240
Speaker 1: You're not gonna be here with us no more. Why

1649
01:19:23,400 --> 01:19:25,040
Speaker 1: I would rather hurt? So he told that to you.

1650
01:19:25,120 --> 01:19:26,479
Speaker 1: You're one and a half year old, two year old,

1651
01:19:26,640 --> 01:19:29,320
Speaker 1: she's one. That's why you got the plugs in the socket. Obviously,

1652
01:19:29,479 --> 01:19:32,640
Speaker 1: this lady. To my point, though they're not teaching them

1653
01:19:32,720 --> 01:19:34,559
Speaker 1: that the socket is what actually can kill them. You're

1654
01:19:34,560 --> 01:19:36,679
Speaker 1: teaching them to be scared of you. When the reality

1655
01:19:36,720 --> 01:19:38,519
Speaker 1: should be teaching them that note the socket is what

1656
01:19:38,640 --> 01:19:40,320
Speaker 1: can kill you. Right back one and a half. They're not.

1657
01:19:40,439 --> 01:19:43,080
Speaker 1: They're not thinking about wow, this socket. They're thinking, if

1658
01:19:43,120 --> 01:19:44,920
Speaker 1: I go near the socket, I'm gonna get popped. I'm

1659
01:19:44,920 --> 01:19:47,040
Speaker 1: not gonna near that socket. That's how kids say, well,

1660
01:19:47,120 --> 01:19:49,920
Speaker 1: you should have put the goddamn things in the socket.

1661
01:19:50,680 --> 01:19:53,760
Speaker 1: You should have child proof the sockets. Then den draw, Yeah,

1662
01:19:54,200 --> 01:19:57,320
Speaker 1: good morning, kender You ever hit somebody else's kids? Yes,

1663
01:19:57,560 --> 01:20:01,559
Speaker 1: I had not. What happened, Kendred? Who you is? Right? So? Look,

1664
01:20:01,640 --> 01:20:04,320
Speaker 1: I'm in the walmart. The little kid caused me the

1665
01:20:04,400 --> 01:20:07,840
Speaker 1: B word. Give his mama chance, Yeah, So I give

1666
01:20:07,880 --> 01:20:10,280
Speaker 1: his mama chance to reprimand him. You know, like, hey,

1667
01:20:10,360 --> 01:20:14,880
Speaker 1: you don't do that. That's disrespectful. So he calls me

1668
01:20:14,960 --> 01:20:17,640
Speaker 1: the B word again. He was like, bitch, hurry up,

1669
01:20:19,439 --> 01:20:22,240
Speaker 1: and I capped team in his mouse. You got me up.

1670
01:20:24,479 --> 01:20:26,880
Speaker 1: What you can't do? You can't walk around? That's her

1671
01:20:26,960 --> 01:20:29,559
Speaker 1: mama should have dragged her mama, hit mom. Her mama

1672
01:20:29,560 --> 01:20:31,640
Speaker 1: should have dragged your ass and locked you up. You

1673
01:20:31,680 --> 01:20:33,160
Speaker 1: can't just be hitting kids. You don't know kid. You

1674
01:20:33,160 --> 01:20:35,880
Speaker 1: don't even know this kid. Hey, rabbit, if he had to.

1675
01:20:37,000 --> 01:20:39,000
Speaker 1: I gave his mama chance, rabbit if he had to

1676
01:20:39,160 --> 01:20:40,800
Speaker 1: rance and he had a problem, and he would just

1677
01:20:40,880 --> 01:20:43,479
Speaker 1: be splurting out, bitch, do you just popped to get

1678
01:20:43,479 --> 01:20:46,320
Speaker 1: in the mouth. Nah? No, She did not want to

1679
01:20:46,360 --> 01:20:48,080
Speaker 1: felt bad, but she she didn't say none of that.

1680
01:20:48,200 --> 01:20:50,320
Speaker 1: She was just like, yeah, hurry up, just like still

1681
01:20:50,400 --> 01:20:53,640
Speaker 1: by her son's side. So she loves you. Got what

1682
01:20:53,720 --> 01:20:55,519
Speaker 1: did What did the mama do to you after you

1683
01:20:55,640 --> 01:20:58,640
Speaker 1: hit the job. Nothing. She just kind of looked at me,

1684
01:20:58,800 --> 01:21:01,280
Speaker 1: like I can't believe you hitting. And I just looked

1685
01:21:01,320 --> 01:21:02,560
Speaker 1: at her and I was like, yo, you got a

1686
01:21:02,600 --> 01:21:04,160
Speaker 1: problem about the week and go off to the parking

1687
01:21:04,200 --> 01:21:09,080
Speaker 1: lot them up. And that lady would have pulled out

1688
01:21:09,120 --> 01:21:11,240
Speaker 1: a gun and shot you right there. She she'd have

1689
01:21:11,280 --> 01:21:12,720
Speaker 1: been in the right because the story would have been

1690
01:21:13,240 --> 01:21:15,680
Speaker 1: a woman hitch somebody's child in the store, not even

1691
01:21:15,680 --> 01:21:18,280
Speaker 1: that crazy black, crazy black woman hits a white little

1692
01:21:18,320 --> 01:21:20,320
Speaker 1: kid in the store, white woman, she guns it down.

1693
01:21:20,600 --> 01:21:25,639
Speaker 1: Can't you where you from? That was yeah, hey, bitch,

1694
01:21:25,680 --> 01:21:33,880
Speaker 1: herban get off my phone. My goodness, eight hundred she

1695
01:21:34,360 --> 01:21:36,800
Speaker 1: gonna f you up. Eight hundred five eight five one

1696
01:21:36,880 --> 01:21:38,800
Speaker 1: o five one. Have you ever hit somebody else's kids

1697
01:21:38,920 --> 01:21:40,960
Speaker 1: keep a lot just to Breakfast Club, Good morning the

1698
01:21:41,080 --> 01:21:43,559
Speaker 1: world there, just wanting to show the Breakfast Club Angelie yea,

1699
01:21:43,640 --> 01:21:45,880
Speaker 1: and we got your Linda and Rick Williams in the

1700
01:21:45,960 --> 01:21:50,280
Speaker 1: head Detroit. What I'm doing? What's going on? Man? Yeah?

1701
01:21:50,320 --> 01:21:52,120
Speaker 1: So last time you guys were here, we talked about

1702
01:21:52,200 --> 01:21:55,559
Speaker 1: cream Blends a lot, and so I want to get

1703
01:21:55,600 --> 01:21:58,960
Speaker 1: into the new deal with Puma and Inspired Day. Okay,

1704
01:21:59,080 --> 01:22:01,439
Speaker 1: you know I love Puma the way Yeah, yeah, yeah,

1705
01:22:01,840 --> 01:22:04,760
Speaker 1: what's this Puma collaboraba? So we, like we mentioned on

1706
01:22:04,840 --> 01:22:06,880
Speaker 1: the last the last time we were here, we talked

1707
01:22:06,880 --> 01:22:09,519
Speaker 1: about how we have a creative agency called The Distinct

1708
01:22:09,560 --> 01:22:13,360
Speaker 1: Life that's basically our family business and Cream Blends and

1709
01:22:13,400 --> 01:22:16,080
Speaker 1: everything kind of fits under there. So we have a um.

1710
01:22:16,400 --> 01:22:19,040
Speaker 1: I had a deal with with Puma for a couple

1711
01:22:19,040 --> 01:22:21,640
Speaker 1: of years. I did two projects. We've already done one

1712
01:22:21,680 --> 01:22:24,920
Speaker 1: and this was the second one. Okay, and this this

1713
01:22:25,120 --> 01:22:28,080
Speaker 1: project is actually going to come out exclusively at foot Locker,

1714
01:22:28,520 --> 01:22:31,320
Speaker 1: which is different because everyone knows me as Rick from

1715
01:22:31,360 --> 01:22:34,519
Speaker 1: Burn Rubber and I know. So now it's like, but

1716
01:22:35,120 --> 01:22:37,640
Speaker 1: in order for the brand or girl, we have to

1717
01:22:37,680 --> 01:22:40,320
Speaker 1: be able to get to more people and the brand

1718
01:22:40,360 --> 01:22:42,960
Speaker 1: and the story that you have, yes as well, Yeah,

1719
01:22:43,000 --> 01:22:46,080
Speaker 1: that is very famous. Yeah, we roll with Rolling Coy

1720
01:22:46,280 --> 01:22:50,000
Speaker 1: Yeah yeah. Yeah. So we just had the opportunity for

1721
01:22:50,120 --> 01:22:53,280
Speaker 1: this second it's my second project of the second collection.

1722
01:22:53,360 --> 01:22:56,040
Speaker 1: I wanted to kind of tell the story about the

1723
01:22:56,160 --> 01:23:00,160
Speaker 1: people that inspire us and kind of what we do,

1724
01:23:00,560 --> 01:23:03,519
Speaker 1: like the agency, our our our mission is to inspire.

1725
01:23:03,680 --> 01:23:05,720
Speaker 1: We believe that that's what God has us here to

1726
01:23:05,840 --> 01:23:10,000
Speaker 1: do and to be responsible with the opportunities that we get.

1727
01:23:10,640 --> 01:23:14,080
Speaker 1: And with this shoe project, we can see them. Yeah. Okay,

1728
01:23:14,280 --> 01:23:16,840
Speaker 1: so if you look at the box fire, um, you

1729
01:23:16,920 --> 01:23:23,679
Speaker 1: see this is our our mission challenge celebrate distinct life, inspire. Yeah.

1730
01:23:23,760 --> 01:23:27,840
Speaker 1: So inspire inspires a big thing is like the box

1731
01:23:27,960 --> 01:23:32,800
Speaker 1: distinct life, Detroit inspires the world. Yeah, who whom? I

1732
01:23:32,880 --> 01:23:37,439
Speaker 1: really love? Black people? These I think. So there's a

1733
01:23:37,520 --> 01:23:40,439
Speaker 1: lot of good people in the building, right fresh. Yeah, So,

1734
01:23:40,960 --> 01:23:42,760
Speaker 1: like I said, if you look right here, is there

1735
01:23:43,800 --> 01:23:47,280
Speaker 1: inspires the world? Yeah. So obviously that's where we're from,

1736
01:23:47,640 --> 01:23:49,840
Speaker 1: that's where that's where we live, and that's where we

1737
01:23:49,960 --> 01:23:53,080
Speaker 1: kind of do our things. So we wanted to represent Detroit.

1738
01:23:53,160 --> 01:23:56,040
Speaker 1: But it's really a bigger it's a bigger conversation. You

1739
01:23:56,080 --> 01:23:58,880
Speaker 1: know what I mean. We we we try it through

1740
01:23:58,920 --> 01:24:01,280
Speaker 1: our life, through everything that we do. We try to

1741
01:24:01,360 --> 01:24:04,880
Speaker 1: inspire people to be better. And product is what I do.

1742
01:24:05,160 --> 01:24:07,839
Speaker 1: You know what I'm saying. I design. I'm a creative director.

1743
01:24:08,320 --> 01:24:11,400
Speaker 1: So for me to be able to take our company

1744
01:24:11,439 --> 01:24:14,559
Speaker 1: and be able to use this opportunity to tell stories,

1745
01:24:15,000 --> 01:24:17,040
Speaker 1: you know, to me, it's a big blessing and it's

1746
01:24:17,040 --> 01:24:20,280
Speaker 1: a big responsibility. Now you have Inspired Day also, yes,

1747
01:24:20,439 --> 01:24:24,840
Speaker 1: so Inspired Day is it's the it's the release of

1748
01:24:24,960 --> 01:24:27,439
Speaker 1: these shoes and hopefully we're gonna be able to make

1749
01:24:27,479 --> 01:24:32,200
Speaker 1: it an annual thing. But this this um December seventh,

1750
01:24:32,880 --> 01:24:36,320
Speaker 1: in Detroit at the foot Locker Power Store, we're going

1751
01:24:36,360 --> 01:24:40,200
Speaker 1: to be having a day full of conversation and activity

1752
01:24:40,479 --> 01:24:43,519
Speaker 1: to kind of celebrate the city, the people that make

1753
01:24:43,640 --> 01:24:46,280
Speaker 1: up the city, the people that inspire us to be

1754
01:24:46,400 --> 01:24:49,080
Speaker 1: who we are, and vice versa. We're gonna have you

1755
01:24:49,280 --> 01:24:53,400
Speaker 1: come and you know, we just find out that Big

1756
01:24:53,479 --> 01:24:55,920
Speaker 1: Sean's going to be there, so we'll have a conversation

1757
01:24:56,040 --> 01:24:59,880
Speaker 1: with Sean and and um we're gonna talk with Earl Max.

1758
01:25:00,000 --> 01:25:01,559
Speaker 1: So we're gonna be able to get into a lot

1759
01:25:01,600 --> 01:25:05,639
Speaker 1: of stories. Yeah, because these are stories from like These

1760
01:25:05,680 --> 01:25:09,400
Speaker 1: are guys that have been around since I started in business,

1761
01:25:10,000 --> 01:25:12,400
Speaker 1: and no one really knows that stuff because it was

1762
01:25:12,479 --> 01:25:15,280
Speaker 1: so long ago. So we can even touch on on

1763
01:25:16,360 --> 01:25:18,120
Speaker 1: moments that we had back in the day. I can

1764
01:25:18,240 --> 01:25:20,560
Speaker 1: remember when Sean came and got the jacket that he

1765
01:25:20,640 --> 01:25:23,920
Speaker 1: wore on the Get You Some video at the Babe store,

1766
01:25:24,439 --> 01:25:26,880
Speaker 1: so like I designed the jacket and gave it to

1767
01:25:27,000 --> 01:25:29,439
Speaker 1: him for that so to be able to share it.

1768
01:25:29,520 --> 01:25:31,840
Speaker 1: We have so much of that type of stuff that

1769
01:25:32,320 --> 01:25:34,760
Speaker 1: that can can be shared, so many different stories that

1770
01:25:34,960 --> 01:25:38,040
Speaker 1: did you put the niggas on already? Charlottage, I appreciate.

1771
01:25:40,080 --> 01:25:42,640
Speaker 1: I got to make sure they're comfortable because I'm forty one,

1772
01:25:42,720 --> 01:25:44,640
Speaker 1: so the comfort means more to me than anything. I

1773
01:25:44,720 --> 01:25:46,880
Speaker 1: thought you were in size twelve eleven and a half.

1774
01:25:47,080 --> 01:25:56,439
Speaker 1: It's money, Yeah, it's perfect, It's perfect. Yeah, Yeah, I

1775
01:25:56,520 --> 01:25:58,840
Speaker 1: did it. I did it. Was it was a way

1776
01:25:58,880 --> 01:26:04,599
Speaker 1: I actually put the I was like, y'all right, we're

1777
01:26:04,680 --> 01:26:11,840
Speaker 1: right here, don't you know? You know? Everybody to get everything.

1778
01:26:12,040 --> 01:26:14,240
Speaker 1: This is the Palace Guard. So because and I used

1779
01:26:14,280 --> 01:26:18,120
Speaker 1: this is because it was actually Isaiah Thomas's signature shoe

1780
01:26:18,120 --> 01:26:22,200
Speaker 1: when he was with Puma. There's the reason for everything. Yeah,

1781
01:26:22,320 --> 01:26:28,920
Speaker 1: everything inspired by boy. Yeah, it's definitely a blessing. All right.

1782
01:26:28,960 --> 01:26:31,400
Speaker 1: So December seventh it's inspired day, so I would be

1783
01:26:31,439 --> 01:26:33,960
Speaker 1: out there. What else is happening that day? It starts

1784
01:26:34,000 --> 01:26:36,600
Speaker 1: off with like, we're gonna do the last run of

1785
01:26:36,640 --> 01:26:41,559
Speaker 1: the season with um we rund we Run. I did

1786
01:26:41,640 --> 01:26:44,519
Speaker 1: that with them before. Yeah, we're gonna do their last

1787
01:26:44,600 --> 01:26:47,080
Speaker 1: run of the season by Poma, so they'll have the

1788
01:26:47,200 --> 01:26:51,559
Speaker 1: weather run weather like winter winter rised running gear because

1789
01:26:51,680 --> 01:26:54,680
Speaker 1: I can't imagine it being one that day. But then

1790
01:26:54,760 --> 01:26:58,479
Speaker 1: after that, Oh, you play pain Pond, don't you? Yes?

1791
01:26:58,560 --> 01:27:00,680
Speaker 1: I do, so now we can find he played each other.

1792
01:27:00,760 --> 01:27:06,880
Speaker 1: We're gonna wait, yeah, I'm gonna say it, but we

1793
01:27:07,040 --> 01:27:12,439
Speaker 1: love and the yoga ye to Yeah. And then everyone

1794
01:27:12,520 --> 01:27:16,599
Speaker 1: there gets to keep their distinct life ex. Puma yoga mats.

1795
01:27:17,400 --> 01:27:19,400
Speaker 1: Everyone who signs up. You have to sign up ahead

1796
01:27:19,439 --> 01:27:22,120
Speaker 1: of time, like all of the all of the I

1797
01:27:22,160 --> 01:27:24,840
Speaker 1: guess the workshops workshops. You have to sign up for

1798
01:27:24,880 --> 01:27:27,599
Speaker 1: a three D shoe design workshop, so there'll be actual

1799
01:27:28,520 --> 01:27:31,320
Speaker 1: models of the shoe like the Puma Palace Guard, and

1800
01:27:31,400 --> 01:27:34,800
Speaker 1: then then these will get to paint the shoe. So

1801
01:27:34,920 --> 01:27:37,000
Speaker 1: one of our one of our guys is Eric Lowry

1802
01:27:37,160 --> 01:27:40,360
Speaker 1: el Cappy. He does like customizing and Sneakers has been

1803
01:27:40,400 --> 01:27:43,200
Speaker 1: doing it since like the beginning of Burn Rubber. It's

1804
01:27:43,240 --> 01:27:46,720
Speaker 1: only like twenty five spots for that, so people have

1805
01:27:46,800 --> 01:27:48,640
Speaker 1: to sign up to do that with when can they

1806
01:27:48,680 --> 01:27:51,120
Speaker 1: sign up? I think now, I think you're gonna be

1807
01:27:51,160 --> 01:27:53,400
Speaker 1: able to go to our website. Yeah, Distinct Life dot

1808
01:27:53,479 --> 01:27:56,599
Speaker 1: com slash and about to be gone all right, so yeah,

1809
01:27:59,160 --> 01:28:00,840
Speaker 1: so I think it will be. I think it's gonna

1810
01:28:00,840 --> 01:28:02,560
Speaker 1: be a good time. Well, I'm looking forward to it,

1811
01:28:02,680 --> 01:28:04,280
Speaker 1: so I can't wait to seven seven utes a day

1812
01:28:04,280 --> 01:28:06,120
Speaker 1: go to distinct life dot com. So you guys can

1813
01:28:06,240 --> 01:28:08,479
Speaker 1: sign up for these workshops and also to come and

1814
01:28:08,560 --> 01:28:10,680
Speaker 1: be involved, and yeah, I'll be too at ping pong

1815
01:28:11,000 --> 01:28:16,240
Speaker 1: all right, open up, everybody, pull it up, you guys.

1816
01:28:17,439 --> 01:28:20,280
Speaker 1: We appreciate y'all. So it's distinc Life dot com slash

1817
01:28:20,360 --> 01:28:24,080
Speaker 1: and fire for the event at you know, cream Lands

1818
01:28:24,080 --> 01:28:26,760
Speaker 1: dot com. I'm sorry for the cream Lands website and

1819
01:28:27,320 --> 01:28:30,439
Speaker 1: all the instagrams on Instagram as well. Yep, cream Blands

1820
01:28:30,479 --> 01:28:34,439
Speaker 1: on Instagram, Distinct Life on Instagram. Yeah right, thank you.

1821
01:28:34,640 --> 01:28:39,919
Speaker 1: Breakfast Club morning. Everybody is DJ Envy Angela yee Charlomagne,

1822
01:28:39,920 --> 01:28:42,080
Speaker 1: the guy we all the breakfast club. Charlomagne, you got

1823
01:28:42,120 --> 01:28:43,960
Speaker 1: a positive note for the people? Yeah, it's the positive

1824
01:28:44,040 --> 01:28:46,960
Speaker 1: notice simply this man. Don't let the happiness of others

1825
01:28:47,000 --> 01:28:49,479
Speaker 1: cause you to be jealous. A true sign of maturity

1826
01:28:49,760 --> 01:28:51,960
Speaker 1: is being happy for others even when life is hard

1827
01:28:52,040 --> 01:28:55,000
Speaker 1: on you. Breast, you don't finish, y'all dumb,