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Speaker 1: And we got to a spot in the culture. Right,

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Speaker 1: even when you see me do something real, you don't

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Speaker 1: hear a lot of applause. But what happens is we've

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Speaker 1: now witnessed the shift in culture. It ain't that people

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Speaker 1: don't understand what being real is or they don't understand

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Speaker 1: the real quote unquote real perspective. What happens is people

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Speaker 1: now understand it's just cheaper to be a I should

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Speaker 1: have known, because see, I've seen in this culture where

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Speaker 1: they have no regard and they give rewards. I've seen people,

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Speaker 1: I've seen bodies dropped, and it's going interview the alleged

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Speaker 1: responsible party, little to no backlash, little to no backlash,

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Speaker 1: and salute to them.

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Speaker 2: Do what you do.

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Speaker 1: I keep telling you, push whatever they accept. I'm just

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Speaker 1: setting the gold standard. I'm just setting the gold standard.

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Speaker 1: Not that we can't have conversations, but let's have real conversations.

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Speaker 1: I've always stood on that if I want to get

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Speaker 1: into a concert, That's what I was trying to tell

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Speaker 1: Ada Ross. Listen, Aden, you don't need academic That shit.

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Speaker 1: Academics got y'all knowing. Man, that shit is like a

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Speaker 1: gener word mission ticket.

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Speaker 2: Man.

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Speaker 1: Like while y'all like crowded around academics and they taking y'all. Man,

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Speaker 1: that shit is a generoid mission ticket. He ain't kicking

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Speaker 1: up no money the hell of a thing. Man, y'all

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Speaker 1: can't even go backstage. You damn it got beat by

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Speaker 1: Dave Free. You knee deep in beef with Tde because

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Speaker 1: you're defending Drake, and you got the nerve a safe

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Speaker 1: because I didn't want to have a conversation about thug.

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Speaker 1: Why Charleston is in character Molde, then I'm biased. You'll

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Speaker 1: post music with five mod just because somebody gave you

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Speaker 1: two thousand dollars. You use your entire platform, the lot

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Speaker 1: to the people. You don't even know the music, you

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Speaker 1: don't even think it's fire, but you will post this

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Speaker 1: fire because you've been paid.

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Speaker 2: I came in with money you made. George.

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Speaker 1: Amongst these people big and barring and stealing, have some respect.

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Speaker 1: I want to welcome everybody to another episode of It's

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Speaker 1: Up There podcast that I tenderary for the coach. I

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Speaker 1: go by Big long on On not Dots. You must

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Speaker 1: never ever ever seen the game up close. Right now,

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Speaker 1: if you listen to hit the like button, hit subscribe,

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Speaker 1: his shall let somebody know I was there, how bad

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Speaker 1: witness to the game. Right now, we got a lot

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Speaker 1: to talk about. I know, I'm on the heels of

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Speaker 1: a very heated interview that just dropped with Charleston White.

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Speaker 1: I want to respond to some of the nay sales.

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Speaker 1: I want to present some of the thought process that

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Speaker 1: I have and had at that moment, and we want

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Speaker 1: to react to some of the clips. The content is content,

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Speaker 1: and people are looking at it and they have their opinions.

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Speaker 1: You know, when you're a big dog man, this shit

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Speaker 1: is unphased, man, you dig. A lot of people are

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Speaker 1: tag me and send me things, and I let them know. Man,

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Speaker 1: Like when I say I'm elite, I mean that I'm

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Speaker 1: address a couple of people that's in the comments section too,

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Speaker 1: because you know, there's a lot of people that's trolling.

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Speaker 1: But then there's a lot of people that really got

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Speaker 1: hateful spirits and the haters and they got hate for hards, right.

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Speaker 1: And just because you don't know that it's snowing an Artica,

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Speaker 1: don't mean that it ain't snowing in an Artica, you

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Speaker 1: understand me. So, hey man, we really stacking this shit

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Speaker 1: up on this side. Man, We really really getting to it.

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Speaker 1: And so when I speak business, when I speak revenue,

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Speaker 1: when I speak reputation, when I speak resume, when I

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Speaker 1: speak relevancy, when I speak these kind of things, you

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Speaker 1: understand me. I believe people need to just take a

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Speaker 1: back seat and let me do what it is I do.

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Speaker 1: Right I'm in front of the camera for a reason.

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Speaker 1: I'm the CEO for a reason. I run the company

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Speaker 1: for a reason. I'm at the forefront for a reason.

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Speaker 1: I make the decisions for a reason. I'm a down

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Speaker 1: my sword. That's just how I was born. I will

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Speaker 1: not be misunderstood though, because I've been granted and not

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Speaker 1: tunity to build a platform big enough to be able

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Speaker 1: to establish my side of the things that I want

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Speaker 1: to convey to the public. So we're gonna do a

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Speaker 1: little bit of that today. For people who are watching

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Speaker 1: this on YouTube, come to patreon dot com.

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Speaker 2: It's up there. Podcast.

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Speaker 1: Behind that paywall is where you will get extra content,

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Speaker 1: be involved with my community.

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Speaker 2: To start at.

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Speaker 1: Twenty twenty six, we're gonna spend a lot more time now.

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Speaker 1: Salute everybody behind that paywall on Patreon. I really got

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Speaker 1: love for y'all because I know y'all want to see

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Speaker 1: me win. Y'all want to see the business go to

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Speaker 1: the next level. And I owe y'all a different experience

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Speaker 1: when y'all interact with the Godfather, and so I'm gonna

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Speaker 1: be working on getting that done as we heading in

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Speaker 1: the twenty twenty six make sure that you come to

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Speaker 1: patreon dot com. You also see the remaining parts of

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Speaker 1: the Charleston White interaction. When Charleston White came in, we

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Speaker 1: spoke for about forty five minutes to in our well,

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Speaker 1: kind of had a little bit of back and forth,

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Speaker 1: and then you see part one go live on YouTube.

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Speaker 1: That's why you don't see us really coming to the

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Speaker 1: interview introducing Charleston White. It's because we were already speaking.

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Speaker 1: Some of that stuff I kept off the camera. Some

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Speaker 1: of it is just available on Patreon. We spoke about

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Speaker 1: the Dancer Project situation. I was kind of tooking back.

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Speaker 1: I was wondering, like what happened with you and them?

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Speaker 1: Like I don't like how that played out, and so

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Speaker 1: we kind of got into that. He explained his side

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Speaker 1: of it, and that's available on Patreon. There's so much

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Speaker 1: to talk about, man, I invited Charleston White back on

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Speaker 1: it's up that podcast that quickly, because you know, usually

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Speaker 1: we space to guess out as it pertains to their

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Speaker 1: return to the show. I brought him back because I

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Speaker 1: had heard some rhetoric that he was spewing that I

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Speaker 1: felt like me and Charleston would have a great conversation

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Speaker 1: if we was in front of each other and spoke

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Speaker 1: about it. Some of the subject matter that I heard

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Speaker 1: him referencing was his language as it pertained to NBA

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Speaker 1: young boy fans and how they retarded because they listened

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Speaker 1: to a certain music, and how he was able to

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Speaker 1: categorize them. And I thought some of that messaging deserved

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Speaker 1: a credible pushback, an incredible conversation, and so I brought

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Speaker 1: him in to have those conversations. If you notice when

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Speaker 1: we got to the part that kind of blew the

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Speaker 1: conversation up, he kind of just rolled into the young

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Speaker 1: thug thing.

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Speaker 2: And we'll get to why I didn't want.

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Speaker 1: To have that conversation at the time, but let's have

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Speaker 1: a conversation first about loom bringing him in. I shared

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Speaker 1: the opinion and you were see in some of these

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Speaker 1: clips that YO rhetoric is dangerous, right, and so for me,

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Speaker 1: I've been knowing charge in four or five years. So

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Speaker 1: I know the man and I know the character. I

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Speaker 1: know what mold he can get in, and I usually

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Speaker 1: get the man. This time, I guess because I was

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Speaker 1: pushing back some he brought the character out. It's an

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Speaker 1: important conversation for me to have. I think in twenty

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Speaker 1: twenty six, I want to bring some of these conversations

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Speaker 1: closer to each other.

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Speaker 2: Some of these ideas.

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Speaker 1: That don't align with one another, I want to bring

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Speaker 1: them closer to each other. Granted, we're not going to

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Speaker 1: be able to have blow ups like that, because again

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Speaker 1: we're a professional platform and then a position to do

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Speaker 1: things that nobody is able to do. And so I

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Speaker 1: want to protect the integrity of the brand and product

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Speaker 1: to show. But I also want to have some of

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Speaker 1: those uncomfortable conversations. And so at times we'll get into

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Speaker 1: these gray areas where yo, we have to build this

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Speaker 1: thing out. If I said, hold on, that don't make sense,

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Speaker 1: and you say, well, it does make sense because X, Y,

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Speaker 1: and Z, and if you think about it this way

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Speaker 1: and you tie this in and the studies are it

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Speaker 1: and if you make it make sense. I have to

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Speaker 1: accept new information. And I think we've been so gun

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Speaker 1: hold on. Whatever we got going on in our brain,

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Speaker 1: we stick to it. Charleston White came on this up

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Speaker 1: that podcast. He let me know for about fifteen twenty

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Speaker 1: minutes that he was in character mode, and then we

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Speaker 1: rolled into the young Thug conversation. I'm looking forward to

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Speaker 1: getting into the NBA young boy stuff. You know why

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Speaker 1: he was there as we get into it. And I

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Speaker 1: think this is important for me to establish as well

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Speaker 1: for people who don't understand you have different kind of

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Speaker 1: content being created. I do a podcast, I do a podcast,

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Speaker 1: this conversation based. The unique skill set we have is

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Speaker 1: that we go from interview to conversation, interview to conversation

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Speaker 1: inside of one piece of content. And so sometimes you

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Speaker 1: gotta let me do what I'm doing.

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Speaker 2: Right.

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Speaker 1: Some people have their styles that they enjoy and others don't.

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Speaker 1: But I don't want people to come here thinking that

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Speaker 1: they're coming to hear an NBC type of interview where

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Speaker 1: it's going to be like so mchter President. So this

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Speaker 1: Charleston White interview got kind of heated. He ended up

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Speaker 1: walking out. For people who are watching this, I'm gonna

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Speaker 1: kind of share some of my thought process in the

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Speaker 1: moment and show you how we got to what we got.

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Speaker 1: As it pertains to this particular situation with Charleston White.

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Speaker 1: We had already been talking for maybe an hour at

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Speaker 1: this point. The conversation had evolved from a couple different things.

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Speaker 1: I had already set the page and let him know.

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Speaker 2: Yo.

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Speaker 1: You know I'm gonna push I'm gonna push back a

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Speaker 1: little bit. But I want you guys to pay attention

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Speaker 1: to where it got heated. And I'm gonna just tell

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Speaker 1: you my thought process, and then we'll get into some

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Speaker 1: of the nay sales, address some of the commentors, some

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Speaker 1: of the common folks who maybe don't understand where they

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Speaker 1: are and why I'm here. You just a ball of

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Speaker 1: them misunderstanding. But before we get there, I want you

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Speaker 1: to see how we rolled into this young Thud conversation

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Speaker 1: and why I decided that we weren't going to have

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Speaker 1: that conversation today with Charleston White. Pay attention Charleston White

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Speaker 1: in the building. We listen, man, we haven't one of

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Speaker 1: them conversations today.

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Speaker 3: I think is long await this would this would make

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Speaker 3: this great interviewer. He can come back to the middle. Yes,

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Speaker 3: that's what makes you good do it with doctor mar

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Speaker 3: you done done, your come back to them.

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Speaker 1: That's why I want to have one of those today.

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Speaker 1: I want us to get that because I think the

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Speaker 1: people need some clarification on some things. And I think

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Speaker 1: you were one of the great speakers we have in

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Speaker 1: the culture. I've always said that, and so I think

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Speaker 1: that's what's offensive to me to say. Playing on me

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Speaker 1: is because I'm an elite. You know my catalog, though, But.

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Speaker 4: Listen to what I'm saying. Taking a fish, No I ain't.

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Speaker 2: I'm clarifying too.

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Speaker 4: No, no, no, I'm not.

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Speaker 1: I'm a scholar. I'm an elite. I'm an elite. So

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Speaker 1: I'm playing that one. So I'm saying. All I'm saying

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Speaker 1: is for us to be, for me to be someone

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Speaker 1: that don't reach.

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Speaker 3: Come watch me work with children and you will get

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Speaker 3: the real me. Come watch me amongst kids and you

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Speaker 3: will get the real me.

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Speaker 4: No, camera not.

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Speaker 2: We need to do that.

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Speaker 3: We need to matter of fact, we need to put

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Speaker 3: something together from around here. I'm feeling some families now.

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Speaker 4: I got one. A couple of days.

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Speaker 3: I got HBCU Pine Bluff, Arkansas. So I got HBCU

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Speaker 3: after uh I got a high school, and then I

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Speaker 3: think a little league football organization. So I'm gonna do

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Speaker 3: all that, like two day time spend this week. So

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Speaker 3: the real me, homie, Uh, I can't. I can't bring

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Speaker 3: to the world, uh, because they don't know the pain

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Speaker 3: of our children. If I brought the real me, there's

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Speaker 3: no way I could sit on these podcasters and have

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Speaker 3: dialogue because I'm gonna take everything back to the lyrical

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Speaker 3: content of hip hop. I'm gonna take everything back to

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Speaker 3: h How's young Thug and all these people still getting highlighted.

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Speaker 3: But y'all, y'all have never highlighted, no victim of their crimes.

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Speaker 1: I don't want to talk about the all I'm saying.

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Speaker 2: I know, so I'm saying.

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Speaker 4: I'm saying that I'm better not talking about this. Let's

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Speaker 4: talk about the victims.

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Speaker 2: Of the time again.

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Speaker 1: So for my thinkers out there, some of y'all ain't

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Speaker 1: even talking to And that's what I try to tell

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Speaker 1: some of the homies, Like when you put a piece

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Speaker 1: of content out, when you put music out, you gotta

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Speaker 1: understand that there's a sub section of the Internet. Some

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Speaker 1: of these folks. This ain't even for you, loved one. Nah,

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Speaker 1: this's above your pay grade. This is a buy.

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Speaker 4: Yo.

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Speaker 1: Yeah, you ain't tall enough to ride this ride your understanding.

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Speaker 1: You ain't been through enough, you ain't done enough, you

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Speaker 1: ain't covered enough ground. So when I speak, please understand

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Speaker 1: that I'm speaking from a perspective of a man that

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Speaker 1: has got his hands dirty for the things that he

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Speaker 1: was after. And so for my high level thinkers and

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Speaker 1: just for the people paying attention out there. If you notice,

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Speaker 1: we rolled into the young Thud conversation off of him

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Speaker 1: explaining to me lorn I mean character mode. I don't

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Speaker 1: bring my real self to the internet. Everything I said

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Speaker 1: about NBA a young boy was so I can get

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Speaker 1: my name in the algorithm. This is what he's telling me.

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Speaker 1: I'm doing it purposely to get my name in the algorithm.

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Speaker 1: I'm in character mode, he's letting me know. So I'm

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Speaker 1: hearing these words, and me as a high level game

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Speaker 1: related I'm hearing them telling me long I mean character mold.

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Speaker 1: I'm paying attention to what he's saying. He's saying, yo,

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Speaker 1: I mean, so that's basically telling me I'm in costume.

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Speaker 1: And so when you in character mode, I need people

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Speaker 1: to understand. And that's not just for brother that's for

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Speaker 1: any content creator. When you see that, go to character mold.

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Speaker 1: That means damn, the nothing they say can be rooted

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Speaker 1: in reality, no matter how passionate they say it. So

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Speaker 1: they just saying things because they're in this character mold.

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Speaker 1: I understand what that does and how inflammatory that position

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Speaker 1: is in culture. And so I wanted to stop that conversation.

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Speaker 1: I think it's lost on people that he had just

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Speaker 1: explained to me for twenty minutes, thirty minutes that yo,

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Speaker 1: I mean character mold. And now we want to have

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Speaker 1: a conversation about young thug who is a friend of mine.

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Speaker 1: He's a little home of mind, and pay attention to

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Speaker 1: how it blows up and where we go from here.

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Speaker 2: Pay attention.

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Speaker 3: Let's talk about crimes, then a victims of crime.

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Speaker 2: Yeah, let's talk about it.

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Speaker 4: Put a blanket on victims. Let's holler about them. So

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Speaker 4: there's a lot of murders.

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Speaker 3: That's just talking about a lot of murders that's tied

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Speaker 3: to these guys that y'all interview. We're the families. We're

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Speaker 3: the family that y'all go.

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Speaker 4: Get their story, because it's two sides to this. Cod now.

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Speaker 2: Got an interview.

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Speaker 3: Rich Homyn that rich Homi Korn didn't die gun violence.

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Speaker 3: Now he's he died doing what his daddy was shot.

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Speaker 4: I don't give it, damn.

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Speaker 3: But because because of this, I'm talking about the people

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Speaker 3: who don't buried, buried their sons and stuff behind it.

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Speaker 3: Don't tell me, so get if you want the real meat.

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Speaker 3: Let's have that discussion and that I gotta place.

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Speaker 4: Let's go.

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Speaker 3: Let's talk about so, let's names. You want to talk

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Speaker 3: about some victims.

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Speaker 4: So let's name victims.

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Speaker 3: Now we won't talk about we're not talking about We're

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Speaker 3: not talking about them. Let me call police department, gets

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Speaker 3: some names of thug victims. Then some people who don't die.

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Speaker 3: We're not talking about victims. Then, now let's talk about victims.

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Speaker 2: Spirit. We ain't talking about thug.

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Speaker 3: You can't. Now we're gonna talk about We're not talking

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Speaker 3: about man.

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Speaker 2: We're not talking about thug man.

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Speaker 4: Were leaving thug out of it.

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Speaker 3: Were moving for we mean you listen now, we were

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Speaker 3: moving man, We moving for Charles victim.

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Speaker 2: Were not talking about thug man.

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Speaker 3: What kind of what I being?

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Speaker 5: Then?

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Speaker 4: Lit you talking about in front of me like that? Victims?

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Speaker 2: What kind of victims?

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Speaker 4: Victims of Crown let's talk about rush, talk murder. What

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Speaker 4: I need to talk for?

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Speaker 3: Let go to nothing, mama them, let's get your mama

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Speaker 3: family for getting that family from.

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Speaker 2: Salute to nothing. I just had bro listen. I didn't

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Speaker 2: talking to both sides.

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Speaker 3: Let me see what you get the name of the victims.

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Speaker 3: What's the baby mama got talked to both sides. Baby mama,

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Speaker 3: we ain't talking about the victims.

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Speaker 4: The man. I don't want to talk no more. We

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Speaker 4: ain't talking about your charles. Let's talk about victims. Then,

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Speaker 4: let's talk about victims. Song.

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Speaker 1: I just want to be clear right and charging my guy.

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Speaker 1: I probably said let's talk about it for ten times.

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Speaker 1: I probably sayle's talk about it ten fifteen times. Now

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Speaker 1: let's talk about it. Yeah, let's talk about the victim.

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Speaker 1: Go ahead. You said you raising awareness. I shouldn't be

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Speaker 1: the one to have to have a conversation. You should

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Speaker 1: know the names, right, go ahead, let's talk about it.

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Speaker 1: I just didn't want to speak about thug because you

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Speaker 1: are in character mode. Now let's speak about yo loan man.

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Speaker 1: You talk about everything. Y'all boys be talking about stuff.

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Speaker 1: Of course, we do and not invite conversations even surrounding

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Speaker 1: young thug and what's going on with him, but not

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Speaker 1: in character mode. It's almost like people are forgetting that

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Speaker 1: we're dealing with Charleston White.

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Speaker 2: There's an assessment that happens.

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Speaker 1: You look at it and you say, all right, I know, bro,

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Speaker 1: we've been doing this long enough.

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Speaker 2: I'm the highest level. I know he's in character mold.

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Speaker 1: What kind of dual would I be to allow him

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Speaker 1: to get on here and do what I would consider

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Speaker 1: as drag young thug? Because I understand what he's what

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Speaker 1: he wants to say. I've heard some of the talking points.

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Speaker 1: I know how they develop. I speak for a living.

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Speaker 1: I do this at a high level. I even can

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Speaker 1: understand what he's saying. And let me say this to

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Speaker 1: the victims. Any victims out there that's been involved with

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Speaker 1: anything that I've spoken on in the past, that want

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Speaker 1: to get on this up there, reach out to my

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Speaker 1: people and we'll have a conversation about that. We are

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Speaker 1: running a platform that stands for something on this side.

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Speaker 1: It's unfortunate that we live in the era that they'll

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Speaker 1: miscategorize your behavior. And while I do believe Charleston is

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Speaker 1: in tune with victims because this has been a part

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Speaker 1: of his talking point since he came in the game.

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Speaker 2: It's the victim side of things.

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Speaker 1: He took took aside when dealing with dirt, he took

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Speaker 1: duck mama side. He has been saying things about victims.

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Speaker 1: But I also can identify that this is a trick

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Speaker 1: to identify with the audience, and this is why these

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Speaker 1: are too high level content creators. Me and this dude

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Speaker 1: sitting like this, this is too high level minds that

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Speaker 1: you're seeing, belin and you see mind tricks that's coming out,

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Speaker 1: and the loud talking and the antics and the saying

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Speaker 1: certain things. These are tricks of the trade when you're

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Speaker 1: making content. But I really want people to understand that

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Speaker 1: I stopped this conversation because he's in character mold. It's

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Speaker 1: clear to me he said it a fifteen million times,

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Speaker 1: ain't in character mold. He moves on to the victims.

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Speaker 1: Let's talk about the victims. I say it ten times.

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Speaker 1: Let's talk about the victims. He then expects me to

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Speaker 1: know the victims' names. I don't know the victims' names

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Speaker 1: because that's not my song and dance. I'm an information guy,

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Speaker 1: So when I'm saying I'm not sitting around watching it.

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Speaker 1: I'm really telling you the truth. I'm an information junkie.

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Speaker 1: I'm not sitting there watching what.

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Speaker 2: I know.

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Speaker 1: Some of these content dudes can name off, you know,

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Speaker 1: ray Sean Lemon and Brandon Jenkins and Maurice Clay like

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Speaker 1: they can name people off that's involved with these things

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Speaker 1: by proxy, not even the main characters, like some of

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Speaker 1: the side characters that that tapped in with it.

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Speaker 2: I'm not.

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Speaker 1: My job is information and demonstration. So I want to

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Speaker 1: be clear about that. Now, watch how the conversation goes left. Now,

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Speaker 1: pay attention to this of who what.

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Speaker 4: I don't watch that ship.

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Speaker 2: I'm not talking about.

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Speaker 4: Let me get to the ticket. We're not talking about

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00:19:27,640 --> 00:19:29,800
Speaker 4: thug brother. Let me get to the tiction. Let's talk

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Speaker 4: about some mother. Let's victim, any rap.

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Speaker 2: Let's talk about it dirt.

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00:19:34,480 --> 00:19:36,639
Speaker 4: Let's name some of the dirt victims. I don't really know.

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Speaker 4: That's what I'm talking about, y'all. Stay focused on the rappers.

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Speaker 6: That's what I'm talking about right there at Homie.

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Speaker 3: The victims is invisible, but they pain ain't talk about

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Speaker 3: who they kill, what they've done, or we can't talk

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Speaker 3: about my niggas. You're killing the hurt people, let me

402
00:19:51,440 --> 00:19:54,320
Speaker 3: ask you a question. I ain't never shot accountable for

403
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Speaker 3: what I know. I've never shot a gun, accountable what I've.

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Speaker 1: Done, And of course we're going to skip through this part.

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Speaker 1: I just want to take note for people that's watching it.

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00:20:03,240 --> 00:20:05,960
Speaker 1: This is another tactic that people do when you have

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Speaker 1: heated debates or conversations, where at this point he just

408
00:20:10,960 --> 00:20:14,240
Speaker 1: throwing stuff out there, trying to get an emotional reaction

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Speaker 1: out of me. Now, it's not anything disrespectful, but depending

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Speaker 1: on what I've been through in my life, it may

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Speaker 1: be triggering.

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Speaker 2: Right.

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Speaker 1: I always remember triggering and disrespectful is two different things.

414
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Speaker 1: So I believe at this moment this is another tactic

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00:20:32,000 --> 00:20:35,680
Speaker 1: that we don't necessarily have a conversation. But now we

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Speaker 1: going to Carroll, We're going to full character mode. Right

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Speaker 1: for us to be having a conversation, two black men

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Speaker 1: to be having a conversation, and then he just pop

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Speaker 1: out with I ain't never shot a gun at a

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Speaker 1: black man. What he's saying is in his brain is

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Speaker 1: I'm sitting next to a violent looking But you have

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Speaker 1: to remember, I'm off the executive branch, I'm elite, I'm

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Speaker 1: the black man. I've been through every black man experience,

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00:21:02,040 --> 00:21:04,439
Speaker 1: and so I have a different level of intel. So

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Speaker 1: I'm already understanding. This is why I get them all

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Speaker 1: that I'm comfortable in that area because I get them

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Speaker 1: all there. They see the hat, they see the drudgs.

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Speaker 1: They don't understand I'm CEO. They don't understand. I understand,

429
00:21:18,040 --> 00:21:22,240
Speaker 1: and that's the understanding. The most beautiful thing you can

430
00:21:22,320 --> 00:21:26,320
Speaker 1: have is the element of surprise. D to think right,

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00:21:26,440 --> 00:21:30,600
Speaker 1: I'm always one step ahead from the people that prejudge

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Speaker 1: what they're looking at.

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Speaker 2: So this is where we go full character mowing.

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Speaker 1: So I just wanted to point that out there for

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Speaker 1: people who watch the understand what's going on. This is

436
00:21:38,880 --> 00:21:42,760
Speaker 1: high level chess that you're looking at. And as a professional,

437
00:21:43,960 --> 00:21:47,080
Speaker 1: I took the young Thud conversation and I spun us

438
00:21:47,080 --> 00:21:49,520
Speaker 1: out of that because I had made it clear with

439
00:21:49,640 --> 00:21:52,199
Speaker 1: not speaking about that while you're in character mode. I

440
00:21:52,240 --> 00:21:55,439
Speaker 1: took the conversation over the NBA young boy and the

441
00:21:55,520 --> 00:21:58,400
Speaker 1: retarded comments that he had made about you know, all

442
00:21:58,440 --> 00:22:00,560
Speaker 1: of the fans, because I wanted to have a conversation

443
00:22:00,680 --> 00:22:03,960
Speaker 1: about that. I think content does the best when there's

444
00:22:04,040 --> 00:22:08,680
Speaker 1: people who actually can explain their ideas and defend their positions.

445
00:22:09,600 --> 00:22:11,920
Speaker 1: That's the kind of content I enjoy and I plan

446
00:22:12,000 --> 00:22:15,399
Speaker 1: on producing. And so I think, Yo, we're finna road

447
00:22:15,480 --> 00:22:17,720
Speaker 1: right into this young boy thing. And had this conversation.

448
00:22:17,840 --> 00:22:19,160
Speaker 1: Pay attention to how this goes?

449
00:22:20,200 --> 00:22:22,399
Speaker 4: I said, we don't talk about it.

450
00:22:22,480 --> 00:22:32,080
Speaker 3: I'm a big home, your family, you got life. Listening

451
00:22:32,080 --> 00:22:35,919
Speaker 3: to you? You got life? Is it make him apologizity?

452
00:22:36,200 --> 00:22:39,680
Speaker 3: You say you're a big homie. Of course you you crazy.

453
00:22:39,800 --> 00:22:42,480
Speaker 3: You stop hollering big homie talking. I ain't no big home.

454
00:22:42,520 --> 00:22:45,560
Speaker 3: I'm a daddy. I'm a daddy too. I'm multiple things,

455
00:22:46,280 --> 00:22:49,040
Speaker 3: a multiple things. I leave the village.

456
00:22:49,080 --> 00:22:51,080
Speaker 4: Man, what this one? What fish?

457
00:22:51,359 --> 00:22:53,920
Speaker 3: This name? Something you do out here? I just fed

458
00:22:53,960 --> 00:22:58,800
Speaker 3: fifty two families last week. I just fed fifty two

459
00:22:58,840 --> 00:23:02,520
Speaker 3: families last week. And I'm feeding five hundred family.

460
00:23:03,280 --> 00:23:04,400
Speaker 4: By myself a ten years.

461
00:23:04,440 --> 00:23:05,760
Speaker 2: I'm doing it out of my pocket.

462
00:23:05,760 --> 00:23:07,560
Speaker 3: But I did it out my pocket for ten years,

463
00:23:07,640 --> 00:23:08,919
Speaker 3: never took a dollar from nobody.

464
00:23:09,040 --> 00:23:09,560
Speaker 2: It will see.

465
00:23:09,720 --> 00:23:11,040
Speaker 4: I'm so goddamn bold.

466
00:23:11,160 --> 00:23:12,920
Speaker 2: And what I say, I ain't.

467
00:23:12,680 --> 00:23:13,960
Speaker 4: Never I'm looking for you.

468
00:23:14,040 --> 00:23:14,960
Speaker 2: I'm listening to you.

469
00:23:15,040 --> 00:23:18,040
Speaker 3: It is documented. It is not a minute how much

470
00:23:18,040 --> 00:23:20,280
Speaker 3: you spinis what you mean? I didn't keep up with it.

471
00:23:21,160 --> 00:23:23,680
Speaker 3: I doem mind how you spending that, how you spend

472
00:23:23,760 --> 00:23:24,280
Speaker 3: your own money?

473
00:23:24,280 --> 00:23:25,919
Speaker 4: Ain't keeping up with it because it was coming as

474
00:23:25,920 --> 00:23:26,280
Speaker 4: it wins.

475
00:23:26,720 --> 00:23:30,760
Speaker 2: And when I'm telling you five o one seasoning.

476
00:23:29,800 --> 00:23:31,320
Speaker 4: About hype, you thout riches.

477
00:23:31,200 --> 00:23:34,040
Speaker 3: Telling me how you spend your own money and documentary.

478
00:23:33,560 --> 00:23:35,000
Speaker 4: You gotta pay taxes on how.

479
00:23:34,920 --> 00:23:37,080
Speaker 2: You don't know if you ain't paid ten I'm not.

480
00:23:38,160 --> 00:23:40,119
Speaker 2: You should have had that information. You've been taking a

481
00:23:40,200 --> 00:23:40,760
Speaker 2: ten years.

482
00:23:40,800 --> 00:23:43,000
Speaker 4: You got it, You've been telling A ten years. You

483
00:23:43,000 --> 00:23:43,960
Speaker 4: should ain't nothing.

484
00:23:44,359 --> 00:23:45,080
Speaker 2: I still do it.

485
00:23:45,119 --> 00:23:46,879
Speaker 4: I ain't got to prove it to you. I'm a

486
00:23:46,920 --> 00:23:48,000
Speaker 4: big name in real life.

487
00:23:48,080 --> 00:23:49,560
Speaker 2: I'm a big name in real life.

488
00:23:49,800 --> 00:23:51,840
Speaker 4: You ain't you cray my world? You ain't.

489
00:23:52,000 --> 00:23:54,280
Speaker 3: I get paid for everything, So a man, I'm been

490
00:23:54,320 --> 00:23:57,720
Speaker 3: moving everything, I'm doing anything I'm at.

491
00:23:58,119 --> 00:23:59,840
Speaker 2: I did see a couple of questions. I want to

492
00:24:00,240 --> 00:24:01,040
Speaker 2: about that really quick.

493
00:24:01,080 --> 00:24:03,680
Speaker 1: I've seen a couple of questions that you know, people say,

494
00:24:03,760 --> 00:24:06,000
Speaker 1: what did he mean when he says he's an iHeart guy.

495
00:24:07,320 --> 00:24:10,200
Speaker 1: I think there's a misconception about some of the language

496
00:24:10,280 --> 00:24:13,080
Speaker 1: that I've had, and I've sometimes I slip and I

497
00:24:13,080 --> 00:24:15,640
Speaker 1: forget that I'm not speaking just to my core audience

498
00:24:15,640 --> 00:24:19,800
Speaker 1: that has that understanding of how the podcasting business works,

499
00:24:19,800 --> 00:24:23,080
Speaker 1: and sometimes those clips creep outside of the audience and

500
00:24:23,119 --> 00:24:26,760
Speaker 1: then without the context needed, it sounds very vague and

501
00:24:26,800 --> 00:24:28,960
Speaker 1: you may not understand like this when I say I'm

502
00:24:28,960 --> 00:24:33,439
Speaker 1: an ieheartened. There's a common misconception amongst people that do

503
00:24:33,520 --> 00:24:37,920
Speaker 1: interviews and get paid a lot of money, in particular Charice,

504
00:24:38,000 --> 00:24:40,040
Speaker 1: and I've heard numbers that they said I paid them.

505
00:24:40,040 --> 00:24:43,560
Speaker 1: All of that's untrue, But you know, I don't want

506
00:24:43,560 --> 00:24:45,960
Speaker 1: to blow up anybody's spot, but it's one hundred percent

507
00:24:46,080 --> 00:24:48,800
Speaker 1: untrue what the academics is reporting that Loan paid for

508
00:24:48,920 --> 00:24:53,200
Speaker 1: Charleston White and anybody that even thinks they understand or

509
00:24:53,240 --> 00:24:54,560
Speaker 1: know what I paid you wrong.

510
00:24:55,600 --> 00:24:57,760
Speaker 2: It is nowhere in that ball park.

511
00:24:57,800 --> 00:24:59,920
Speaker 1: But I do want to say this when you hear

512
00:25:00,160 --> 00:25:03,879
Speaker 1: in that moment say I'm an ieheart speaking to the

513
00:25:03,920 --> 00:25:06,800
Speaker 1: ability that I have to be paid off my audio.

514
00:25:07,880 --> 00:25:10,439
Speaker 1: I'm a CEO, I own a catalog, and I have

515
00:25:10,640 --> 00:25:14,480
Speaker 1: leverage with companies, and so for me hearing someone who's

516
00:25:14,480 --> 00:25:17,520
Speaker 1: coming to do an interview start the interview off saying

517
00:25:17,520 --> 00:25:19,600
Speaker 1: that they played on you, and they played on you,

518
00:25:19,640 --> 00:25:22,080
Speaker 1: and then I'm playing on it because they're doing interviews

519
00:25:22,119 --> 00:25:24,800
Speaker 1: with me, and I'm trying to flush out the idea

520
00:25:24,920 --> 00:25:28,080
Speaker 1: that Yo, you do understand and I'll get paid for

521
00:25:28,119 --> 00:25:32,560
Speaker 1: this forever for the rest of eternity. It's just a

522
00:25:32,600 --> 00:25:35,680
Speaker 1: part of a catalog and a business that's really solidified

523
00:25:35,720 --> 00:25:38,240
Speaker 1: in the game and attached to a lot of different companies.

524
00:25:38,280 --> 00:25:41,080
Speaker 1: The I hard part is it's because when you speak

525
00:25:41,119 --> 00:25:44,000
Speaker 1: to some of these people that are involved with the

526
00:25:44,040 --> 00:25:46,720
Speaker 1: streaming like the Kick and the Twitch, they think they're

527
00:25:46,720 --> 00:25:50,720
Speaker 1: stunting on the podcasters. What they don't realize is some

528
00:25:50,800 --> 00:25:53,159
Speaker 1: of us treat our audio side of the business the

529
00:25:53,200 --> 00:25:58,600
Speaker 1: way that they treat Twitch. Meaning the ancillary revenue that

530
00:25:58,680 --> 00:26:01,959
Speaker 1: we make from the audio is as powerful as what

531
00:26:02,000 --> 00:26:05,800
Speaker 1: they're doing on Twitch. Meaning we're able to also monetize

532
00:26:05,840 --> 00:26:09,280
Speaker 1: everywhere y'all are monetizing, but we have this extra pocket

533
00:26:09,640 --> 00:26:13,720
Speaker 1: that makes money because of the podcast industry, and it's

534
00:26:13,800 --> 00:26:18,119
Speaker 1: our audio. And so I hold audio up to a

535
00:26:18,119 --> 00:26:21,679
Speaker 1: certain standard because I understand that it's an extra line

536
00:26:21,720 --> 00:26:25,439
Speaker 1: item from a business perspective. And so basically that's me

537
00:26:25,560 --> 00:26:29,000
Speaker 1: saying that Yo, I get paid for my audio, not

538
00:26:29,119 --> 00:26:31,679
Speaker 1: only get paid for the views that you see. One

539
00:26:31,720 --> 00:26:33,920
Speaker 1: of the blessings about being in this spot that I'm

540
00:26:34,000 --> 00:26:35,840
Speaker 1: in where you one of the biggest shows in the

541
00:26:35,840 --> 00:26:39,000
Speaker 1: world and you're connected with every big artist in the game.

542
00:26:39,080 --> 00:26:40,280
Speaker 2: We'll get to that in a minute.

543
00:26:40,600 --> 00:26:43,919
Speaker 1: What happens is is that usually in this facet of

544
00:26:43,960 --> 00:26:47,840
Speaker 1: the business, people would have been already infiltrated and be

545
00:26:47,960 --> 00:26:51,800
Speaker 1: making more money off of me than I'm making. Right,

546
00:26:51,960 --> 00:26:54,719
Speaker 1: So I would argue that some of these people that

547
00:26:54,760 --> 00:26:59,400
Speaker 1: you see, they're not monetizing one hundred percent of everything

548
00:26:59,440 --> 00:27:01,680
Speaker 1: that comes out of the wheelhouse. I'm like a high

549
00:27:01,840 --> 00:27:06,360
Speaker 1: ninety eight percent of what I monetize that you see period,

550
00:27:06,960 --> 00:27:10,520
Speaker 1: meaning ninety eight percent of the content you see from

551
00:27:10,600 --> 00:27:13,040
Speaker 1: it's up there podcast, no matter where you see it

552
00:27:13,200 --> 00:27:16,400
Speaker 1: or how many views it has. I'm the one that

553
00:27:16,520 --> 00:27:19,880
Speaker 1: monetizes from that. And so I'm in this very unique

554
00:27:19,880 --> 00:27:24,159
Speaker 1: spot because it allows me to make five, six, seven

555
00:27:24,280 --> 00:27:28,000
Speaker 1: times the money that these gentlemen are making. For example,

556
00:27:28,520 --> 00:27:32,359
Speaker 1: there'll be fifteen clip pages that have nothing to do

557
00:27:32,480 --> 00:27:35,720
Speaker 1: with let's say AID and ROSS, and they'll be monetizing,

558
00:27:35,800 --> 00:27:38,359
Speaker 1: making money and taking care of their family off of

559
00:27:38,400 --> 00:27:41,520
Speaker 1: AID and ROW streaming, and granted it helps with it's marketing.

560
00:27:41,800 --> 00:27:44,479
Speaker 1: So there's a give and take with it. Right, my

561
00:27:44,600 --> 00:27:48,480
Speaker 1: visibility doesn't do what it should do in certain markets

562
00:27:48,520 --> 00:27:52,000
Speaker 1: because the lack of those clip pages, and so sometimes

563
00:27:52,040 --> 00:27:55,760
Speaker 1: my visibility may be limited on certain platforms because those

564
00:27:55,800 --> 00:27:59,120
Speaker 1: clip pages may not interact with it in the same way.

565
00:27:59,560 --> 00:28:04,199
Speaker 1: But it allows me to control content and control the

566
00:28:04,280 --> 00:28:06,720
Speaker 1: business in a way that not many of these other

567
00:28:06,760 --> 00:28:09,359
Speaker 1: creators are doing without a third party attached to it.

568
00:28:09,800 --> 00:28:13,760
Speaker 1: So from a business perspective, you'll go on TikTok, for example,

569
00:28:13,800 --> 00:28:17,280
Speaker 1: and see fifteen billion views and not know who was

570
00:28:17,280 --> 00:28:20,840
Speaker 1: paid for their fifteen billion views because there's nobody over

571
00:28:20,880 --> 00:28:24,600
Speaker 1: here registered with a TikTok account or create an account.

572
00:28:24,720 --> 00:28:28,480
Speaker 1: There's nobody that has filled out the correct paperwork, or

573
00:28:28,800 --> 00:28:33,280
Speaker 1: there's nobody that understands content IDs or created the correct

574
00:28:33,320 --> 00:28:37,200
Speaker 1: paperwork to make sure that you actually reap the benefits

575
00:28:37,280 --> 00:28:40,560
Speaker 1: outside of just getting famous. Because I always came into

576
00:28:40,640 --> 00:28:42,440
Speaker 1: it and said, the FAMO is cool, and I'm known

577
00:28:42,480 --> 00:28:46,640
Speaker 1: everywhere I go and respect it, but the money is

578
00:28:46,680 --> 00:28:51,120
Speaker 1: the mission. I got a family to save. I was

579
00:28:51,160 --> 00:28:54,240
Speaker 1: in the street all my life for real, like I

580
00:28:54,400 --> 00:28:57,880
Speaker 1: literally fourteen fifteen outside like I come up in it.

581
00:28:58,240 --> 00:29:00,840
Speaker 1: So I'm lucky enough now to be able to sit

582
00:29:01,040 --> 00:29:03,200
Speaker 1: chill and make sure we handle this business in a

583
00:29:03,280 --> 00:29:06,000
Speaker 1: way that one I'm gonna do. So I wanted to

584
00:29:06,040 --> 00:29:08,000
Speaker 1: explain to people that that's what I meant at the

585
00:29:08,000 --> 00:29:10,200
Speaker 1: iHeart part. Let's pay attention to the ending of this

586
00:29:10,400 --> 00:29:11,360
Speaker 1: and see what we took it.

587
00:29:11,920 --> 00:29:14,600
Speaker 3: I think most I think most of his fans for me,

588
00:29:14,680 --> 00:29:17,360
Speaker 3: just sitting back seeing I think most of them, you

589
00:29:17,400 --> 00:29:21,520
Speaker 3: can understand what he's saying. Just a bunch of ain'try, young,

590
00:29:21,800 --> 00:29:25,000
Speaker 3: ain't got no girls around, They violent, so h most

591
00:29:25,040 --> 00:29:25,800
Speaker 3: of I really believe.

592
00:29:26,320 --> 00:29:29,360
Speaker 2: So on is that for young boy? Is fast?

593
00:29:29,720 --> 00:29:31,080
Speaker 4: All of them every fan.

594
00:29:32,320 --> 00:29:35,320
Speaker 3: But does a young boy got ten eleven children? Yeah,

595
00:29:35,360 --> 00:29:37,480
Speaker 3: all bastard babies. He got thirteen, so he got he

596
00:29:37,560 --> 00:29:40,640
Speaker 3: got women around him? No, no, no, no, no, he got

597
00:29:40,640 --> 00:29:42,840
Speaker 3: one woman around, but he got thirty. You got thirteen

598
00:29:42,880 --> 00:29:46,920
Speaker 3: bastard babies, thirteen different women, thirteen bastard babies, children born

599
00:29:46,960 --> 00:29:48,680
Speaker 3: out of wedlock. So it's not called us and putting

600
00:29:48,880 --> 00:29:52,920
Speaker 3: his children born out of wedlock, which is spiritually comes

601
00:29:52,960 --> 00:29:54,640
Speaker 3: with a certain kind of curse when they talk with

602
00:29:54,800 --> 00:29:58,960
Speaker 3: generational curses. You got thirteen different kids by thirty, how

603
00:29:58,960 --> 00:30:00,760
Speaker 3: many of them kids might end up fuck each other.

604
00:30:01,080 --> 00:30:03,280
Speaker 3: If we're gonna be serious, how many the mothers are

605
00:30:03,280 --> 00:30:05,040
Speaker 3: gonna be divided by this one in that one?

606
00:30:05,160 --> 00:30:06,840
Speaker 4: So let's look at the effects of this ship.

607
00:30:07,200 --> 00:30:10,800
Speaker 3: But let's talk about the tool. We'll get the Okay,

608
00:30:11,160 --> 00:30:12,960
Speaker 3: we're gonna talk about some of that. So so back

609
00:30:13,000 --> 00:30:15,560
Speaker 3: to the tool. So I got invited, so you get there.

610
00:30:15,640 --> 00:30:16,800
Speaker 3: I got invited by his team.

611
00:30:18,440 --> 00:30:19,600
Speaker 4: I don't know. I got the numbers on.

612
00:30:19,600 --> 00:30:22,440
Speaker 2: My phone, so we did so oh nineteen.

613
00:30:23,480 --> 00:30:25,480
Speaker 3: So what I did was and the reason why I

614
00:30:25,520 --> 00:30:29,040
Speaker 3: say that is because every every every major city he does.

615
00:30:29,080 --> 00:30:31,680
Speaker 3: Since most of y'all don't know, I do research, I

616
00:30:31,720 --> 00:30:35,880
Speaker 3: do quantitative and qualitative research and studies. I google every

617
00:30:35,880 --> 00:30:39,360
Speaker 3: major city he went to and sold out the reading statistics.

618
00:30:39,360 --> 00:30:42,080
Speaker 3: If you think I'm lying, every major city he went

619
00:30:42,120 --> 00:30:48,320
Speaker 3: to is in the high to mid thirties on reading

620
00:30:48,600 --> 00:30:52,120
Speaker 3: percentages that these people can read on or above their

621
00:30:52,200 --> 00:30:55,440
Speaker 3: grade level, the high thirties at the most. So I

622
00:30:55,440 --> 00:30:58,480
Speaker 3: mean most of these towns they go to people are illiterate.

623
00:30:58,880 --> 00:31:05,200
Speaker 6: And I take it back mentally challenged that sound better.

624
00:31:06,280 --> 00:31:07,000
Speaker 4: I'm my own study.

625
00:31:07,040 --> 00:31:09,080
Speaker 3: If you think I mind, you do your study, but

626
00:31:09,360 --> 00:31:11,760
Speaker 3: where is your study at that the people that are

627
00:31:11,800 --> 00:31:14,479
Speaker 3: buying the tickets. Are those people that that that you're

628
00:31:14,520 --> 00:31:16,120
Speaker 3: speaking about from the study.

629
00:31:16,040 --> 00:31:16,880
Speaker 4: They skin color?

630
00:31:17,520 --> 00:31:20,160
Speaker 6: So white kids going, most most black kids in America

631
00:31:20,160 --> 00:31:20,800
Speaker 6: can't read my.

632
00:31:20,760 --> 00:31:22,720
Speaker 4: Brother through your statistics.

633
00:31:22,880 --> 00:31:25,240
Speaker 2: It's that on it, right, So that's a blanket.

634
00:31:25,280 --> 00:31:28,080
Speaker 3: That's a blanket statistic that you can have behind when

635
00:31:28,080 --> 00:31:30,520
Speaker 3: you say something like I can't hide behind it me

636
00:31:30,560 --> 00:31:32,520
Speaker 3: and Charlie Kirk is speaking it and you can't prove

637
00:31:32,600 --> 00:31:34,760
Speaker 3: us wrong. He just did and can't say it. I'm saying,

638
00:31:34,800 --> 00:31:37,200
Speaker 3: most black children in America cannot read on.

639
00:31:37,320 --> 00:31:38,360
Speaker 4: Above their great liars, right.

640
00:31:38,480 --> 00:31:41,000
Speaker 1: That's factual doubt and that's a great conversation to have.

641
00:31:41,200 --> 00:31:44,400
Speaker 2: I'm saying, and why are you calling the people.

642
00:31:45,720 --> 00:31:46,080
Speaker 4: You can't?

643
00:31:46,080 --> 00:31:48,320
Speaker 3: Because these I don't want to going there are these

644
00:31:48,320 --> 00:31:48,960
Speaker 3: are my people.

645
00:31:49,000 --> 00:31:51,000
Speaker 4: I'm black, and I know most black people are dumb

646
00:31:51,000 --> 00:31:51,479
Speaker 4: and stupid.

647
00:31:51,520 --> 00:31:53,600
Speaker 3: That's why they listen to rap music. Can a white

648
00:31:53,600 --> 00:31:54,480
Speaker 3: boy be a thug?

649
00:31:54,640 --> 00:31:56,240
Speaker 4: I don't know. I'm not a white boy.

650
00:31:58,080 --> 00:31:59,680
Speaker 2: So you only can speak on black people.

651
00:32:00,560 --> 00:32:03,440
Speaker 4: I don't speak on nothing ew nothing else.

652
00:32:03,600 --> 00:32:04,640
Speaker 2: Charlie Kirk came black.

653
00:32:05,040 --> 00:32:06,600
Speaker 4: Charlie Kirk spoke on black people.

654
00:32:06,920 --> 00:32:07,720
Speaker 2: That isn't what I said.

655
00:32:08,000 --> 00:32:10,600
Speaker 3: No, no, no, No, I ain't never spoke on Charlie Kirk

656
00:32:10,640 --> 00:32:11,160
Speaker 3: till he died.

657
00:32:11,360 --> 00:32:13,080
Speaker 4: I was asked about him.

658
00:32:13,520 --> 00:32:16,360
Speaker 2: That didn't what I said, either said you spoke.

659
00:32:16,520 --> 00:32:20,120
Speaker 3: You don't speak on black black issue, Charlie Kirk, black issues.

660
00:32:20,200 --> 00:32:21,600
Speaker 4: Torni Kirk was a black issue.

661
00:32:21,840 --> 00:32:23,200
Speaker 2: Charlie Kirk was a black issue.

662
00:32:23,200 --> 00:32:25,960
Speaker 3: She was a white man that strewed out bullshit propaganda

663
00:32:25,960 --> 00:32:26,840
Speaker 3: about black people.

664
00:32:28,200 --> 00:32:29,600
Speaker 4: I never knew about him till he died.

665
00:32:29,920 --> 00:32:31,440
Speaker 6: And when I found out about him, get what I

666
00:32:31,440 --> 00:32:32,280
Speaker 6: said something about it?

667
00:32:32,400 --> 00:32:34,360
Speaker 1: Do you think the kids at the tour, the people

668
00:32:34,360 --> 00:32:36,400
Speaker 1: that's twenty five and under, they go see n being

669
00:32:36,520 --> 00:32:39,200
Speaker 1: young boy, do you think that they are they'll.

670
00:32:39,040 --> 00:32:41,600
Speaker 2: Hurt, hurt, hurt people, hurt.

671
00:32:41,400 --> 00:32:43,680
Speaker 3: Being molested, most of them, violid, most of them angry.

672
00:32:43,680 --> 00:32:46,160
Speaker 3: Most of them come from traumatized mother's experience. That's why

673
00:32:46,200 --> 00:32:48,680
Speaker 3: they gravitate and relate to the music. It's always been

674
00:32:48,720 --> 00:32:49,040
Speaker 3: the case.

675
00:32:49,360 --> 00:32:51,120
Speaker 2: Why don't I viewed him as wounded? Then?

676
00:32:51,280 --> 00:32:53,240
Speaker 4: Oh, traumatized, wounded, hurt?

677
00:32:54,040 --> 00:32:55,360
Speaker 2: Have you wanted to why come in?

678
00:32:55,520 --> 00:32:58,360
Speaker 1: Why come in with the white principal type of I

679
00:32:58,360 --> 00:33:00,520
Speaker 1: don't heard, bitch, I don't know why.

680
00:33:00,600 --> 00:33:02,840
Speaker 3: Yeah, that's where they come from. White people yeah, I

681
00:33:02,840 --> 00:33:06,040
Speaker 3: thought it came from psychologists. Well, white people use it

682
00:33:06,080 --> 00:33:09,000
Speaker 3: when a black person white. No, white white people, white

683
00:33:09,040 --> 00:33:12,680
Speaker 3: people weaponized white people to black child.

684
00:33:12,760 --> 00:33:17,520
Speaker 4: White people have always using white people black child.

685
00:33:17,720 --> 00:33:19,960
Speaker 3: They didn't cause white people were white kid was mentally

686
00:33:20,040 --> 00:33:24,000
Speaker 3: red because blacks black people never took their kids.

687
00:33:23,760 --> 00:33:26,160
Speaker 6: To psychologists to be classified as mentally.

688
00:33:27,240 --> 00:33:28,080
Speaker 2: We ain't talking.

689
00:33:27,800 --> 00:33:30,920
Speaker 3: About classified, we're talking about weaponize.

690
00:33:31,160 --> 00:33:33,760
Speaker 4: What I ain't never heard white people use words.

691
00:33:33,760 --> 00:33:35,440
Speaker 2: That's right, you didn't go to school.

692
00:33:35,200 --> 00:33:35,840
Speaker 4: What I'm talking about.

693
00:33:36,040 --> 00:33:38,480
Speaker 2: So sometimes you need the student learn.

694
00:33:39,080 --> 00:33:43,280
Speaker 3: Clothes to the student len clothes, what's your highest education?

695
00:33:43,480 --> 00:33:46,320
Speaker 1: No events following that, the reaction from some of the

696
00:33:46,360 --> 00:33:49,040
Speaker 1: public people who are new here, some of the charged

697
00:33:49,080 --> 00:33:51,960
Speaker 1: and white fans, or some of the onlookers, just some

698
00:33:52,000 --> 00:33:54,719
Speaker 1: of the people that's just out there watching content and

699
00:33:55,320 --> 00:33:57,760
Speaker 1: came across the video, what you what you were dealing

700
00:33:57,760 --> 00:33:59,560
Speaker 1: with is charged and white coming on to this up

701
00:33:59,600 --> 00:34:03,320
Speaker 1: there part cast specifically because I wanted to challenge some

702
00:34:03,360 --> 00:34:05,400
Speaker 1: of the ideas. That's a lot of things happening. We've

703
00:34:05,400 --> 00:34:08,920
Speaker 1: been knowing each other for a while. He does great conversations,

704
00:34:08,960 --> 00:34:11,960
Speaker 1: and he does numbers, and so I wanted to have

705
00:34:12,040 --> 00:34:14,560
Speaker 1: a conversation he rolled into the young Thug thing. I

706
00:34:14,600 --> 00:34:17,080
Speaker 1: didn't allow him to get that off. I felt like

707
00:34:17,160 --> 00:34:20,360
Speaker 1: the time it wasn't right. He had spent the greater

708
00:34:20,480 --> 00:34:23,320
Speaker 1: part of the last forty five minutes explaining to me

709
00:34:23,400 --> 00:34:25,920
Speaker 1: that he was in character mode. And he says things

710
00:34:26,560 --> 00:34:30,480
Speaker 1: that pushes him in the algorithm, and they may or

711
00:34:30,480 --> 00:34:34,200
Speaker 1: may not be necessarily rooted in reality, as long as

712
00:34:34,200 --> 00:34:37,560
Speaker 1: it does the job and continues to fuel the brand.

713
00:34:38,440 --> 00:34:41,880
Speaker 1: And I understand that and respect the ability to maneuver

714
00:34:41,960 --> 00:34:43,960
Speaker 1: in the market that way. It just won't be at

715
00:34:43,960 --> 00:34:47,000
Speaker 1: the expense of meat. Seeing that I have a real

716
00:34:47,040 --> 00:34:49,640
Speaker 1: relationship with young Thug. Let's speak about some of that,

717
00:34:50,160 --> 00:34:53,400
Speaker 1: some of the artists you see me deal with. You know,

718
00:34:54,280 --> 00:34:56,960
Speaker 1: I want to see everybody win. Number one, Let's make

719
00:34:56,960 --> 00:34:59,319
Speaker 1: sure we clarify that, because I'm just a real new

720
00:35:00,040 --> 00:35:01,920
Speaker 1: and I really got that in my heart. So I

721
00:35:01,960 --> 00:35:04,520
Speaker 1: want to see everybody win. That's number one, number two,

722
00:35:04,640 --> 00:35:06,760
Speaker 1: and so a lot of these guys we get money together.

723
00:35:07,160 --> 00:35:12,719
Speaker 1: You know, our relationship evolved beyond the industry, and I

724
00:35:12,760 --> 00:35:14,520
Speaker 1: want that to act as a beacon of hope to

725
00:35:14,560 --> 00:35:17,359
Speaker 1: the young men that's getting in this game. And let

726
00:35:17,400 --> 00:35:20,160
Speaker 1: you know, there's a few real ones left, But tell

727
00:35:20,239 --> 00:35:23,640
Speaker 1: me why. I already knew that we're living in a

728
00:35:23,719 --> 00:35:25,799
Speaker 1: day and age where a lot of people wasn't gonna

729
00:35:25,840 --> 00:35:28,839
Speaker 1: respect the fact that I stood on my morals and said, yo,

730
00:35:28,960 --> 00:35:31,360
Speaker 1: not right now, not in character mode. We'll do that

731
00:35:31,440 --> 00:35:34,759
Speaker 1: at a later date. We'll revisit that when we really

732
00:35:34,760 --> 00:35:38,080
Speaker 1: can have a conversation. What's important that people understand. I

733
00:35:38,080 --> 00:35:40,680
Speaker 1: could have cashed in on the chaos. I'm really big home.

734
00:35:40,880 --> 00:35:43,520
Speaker 1: I'm really somebody that can move. However, I mold people

735
00:35:43,560 --> 00:35:47,759
Speaker 1: respect me. Cain't nobody tap me on my shoulder and

736
00:35:47,840 --> 00:35:50,000
Speaker 1: tell me nothing. I just do what I do because

737
00:35:50,040 --> 00:35:52,920
Speaker 1: I'm a real one. That's just how I'm really put together.

738
00:35:53,719 --> 00:35:56,560
Speaker 1: And it's not no limited amount of people. I'm just

739
00:35:56,719 --> 00:35:59,919
Speaker 1: like a protector. I'm just that kind of individual. Now,

740
00:36:00,040 --> 00:36:03,320
Speaker 1: from a journalistic podcast to standpoint, I want to be clear.

741
00:36:03,600 --> 00:36:08,720
Speaker 1: We're in a position to invite all conversations, all conversations,

742
00:36:08,760 --> 00:36:11,359
Speaker 1: even those surrounding Thug and other people that you know

743
00:36:11,400 --> 00:36:15,440
Speaker 1: I have relationship with, but we want to remain respectful

744
00:36:15,480 --> 00:36:18,120
Speaker 1: and really try to have a dialogue that gets information

745
00:36:18,239 --> 00:36:21,000
Speaker 1: out of it. I understand that character mode does not

746
00:36:21,280 --> 00:36:25,480
Speaker 1: equal to dialogue. And so I decided, as a veteran

747
00:36:27,000 --> 00:36:31,800
Speaker 1: of examining human behavior, I decided to pull the plug

748
00:36:31,840 --> 00:36:34,480
Speaker 1: on the conversation. It's unfortunately, we got to a spot

749
00:36:34,520 --> 00:36:36,520
Speaker 1: in the culture. Right even when you see me do

750
00:36:36,640 --> 00:36:39,320
Speaker 1: something real, you don't hear a lot of applause. Or

751
00:36:39,360 --> 00:36:42,800
Speaker 1: what happens is we've now witnessed the shift in culture.

752
00:36:43,160 --> 00:36:45,920
Speaker 1: It ain't that people don't understand what being real is

753
00:36:46,040 --> 00:36:49,560
Speaker 1: or they don't understand the real quote unquote real perspective.

754
00:36:49,640 --> 00:36:53,000
Speaker 1: What happens is people now understand it's just cheaper to

755
00:36:53,040 --> 00:36:58,600
Speaker 1: be a It's cheaper. It's like that decide to buy

756
00:36:58,640 --> 00:37:02,040
Speaker 1: bubble because the profit largin, or because hid and Valley

757
00:37:02,080 --> 00:37:06,640
Speaker 1: now chooses this cheaper plastic container, or because Aquafina now

758
00:37:06,960 --> 00:37:12,279
Speaker 1: decides to choose the cheaper bottle container because now it's

759
00:37:12,360 --> 00:37:16,000
Speaker 1: easier to make. It's easier to make it as a

760
00:37:16,000 --> 00:37:20,040
Speaker 1: fun and so it ain't that they don't understand what

761
00:37:20,160 --> 00:37:23,600
Speaker 1: a real is. They just disqualify themselves from running a

762
00:37:23,600 --> 00:37:26,719
Speaker 1: long race. One thing you must understand is don't no

763
00:37:26,840 --> 00:37:29,640
Speaker 1: trophies come with it. Ain't nobody clapping, you know, there's

764
00:37:29,680 --> 00:37:31,799
Speaker 1: a lot of people hitting my line saying a lot

765
00:37:31,800 --> 00:37:35,080
Speaker 1: of different things. But I need you to understand when

766
00:37:35,080 --> 00:37:38,560
Speaker 1: you come up like I come up, you've been around

767
00:37:38,640 --> 00:37:42,800
Speaker 1: long enough to see them reward these needs. Who screamed

768
00:37:42,840 --> 00:37:47,359
Speaker 1: the loudest, not who's staying the longest. And so when

769
00:37:47,360 --> 00:37:50,280
Speaker 1: I'm playing a long game, I understand what I'm doing.

770
00:37:50,560 --> 00:37:53,000
Speaker 1: I'm gonna be okay no matter what, because if all

771
00:37:53,040 --> 00:37:56,799
Speaker 1: else fails, I still gotta And so sometimes I get

772
00:37:56,800 --> 00:37:58,560
Speaker 1: to think and I get to say, oh man, they

773
00:37:58,600 --> 00:38:01,560
Speaker 1: condition the culture. But I also remember that the people

774
00:38:01,600 --> 00:38:06,040
Speaker 1: I'm talking to don't do no comment and if they do,

775
00:38:06,120 --> 00:38:10,000
Speaker 1: it's rare. But salute to the commenters. Salute to the

776
00:38:10,040 --> 00:38:12,840
Speaker 1: ones built like us. They do come in and not street.

777
00:38:13,160 --> 00:38:16,720
Speaker 1: Y'all stop marginalizing me. I keep telling y'all me Elead,

778
00:38:16,880 --> 00:38:20,759
Speaker 1: Executive Branch, Southern District. Y'all keep Holland Street because y'all

779
00:38:20,800 --> 00:38:25,239
Speaker 1: don't identify Black American culture. It's always from the outside.

780
00:38:25,400 --> 00:38:29,080
Speaker 1: They're saying, Yo, deed board Street. Y'all grew up outside

781
00:38:29,120 --> 00:38:34,160
Speaker 1: the gate. We hustlers. We know how to go get

782
00:38:34,160 --> 00:38:37,239
Speaker 1: the money. But they throw that street word on you

783
00:38:37,440 --> 00:38:40,360
Speaker 1: to make you radioactive to the brands and to the

784
00:38:40,520 --> 00:38:44,000
Speaker 1: organizations that cut the checks. I will not allow these

785
00:38:44,360 --> 00:38:46,320
Speaker 1: to play on my top. I'm just too much. I

786
00:38:46,480 --> 00:38:48,600
Speaker 1: just understand it. I see what they trying to do,

787
00:38:48,840 --> 00:38:53,720
Speaker 1: but it don't stick. It just don't stick. I should

788
00:38:53,719 --> 00:38:55,759
Speaker 1: have knew, though, I should have hit that keys. I

789
00:38:55,760 --> 00:38:59,600
Speaker 1: should have known better. I should have known, because see,

790
00:38:59,600 --> 00:39:02,200
Speaker 1: I've seen in this culture where they have no regard

791
00:39:03,600 --> 00:39:08,840
Speaker 1: and they give rewards. I've seen people. I've seen bodies

792
00:39:09,000 --> 00:39:17,680
Speaker 1: drop and going interview the alleged responsible party, little to

793
00:39:17,840 --> 00:39:24,080
Speaker 1: no backlash, little no backlash, and salute to them. Do

794
00:39:24,160 --> 00:39:27,400
Speaker 1: what you do. I keep telling you, push whatever they accept.

795
00:39:27,560 --> 00:39:31,480
Speaker 1: I'm just setting the gold standard. I'm just setting the

796
00:39:31,520 --> 00:39:34,640
Speaker 1: gold standard. Not that we can't have conversations, but let's

797
00:39:34,640 --> 00:39:38,799
Speaker 1: have real conversations. I've always stood on that. But it

798
00:39:38,840 --> 00:39:41,800
Speaker 1: ain't lost on me that these shake my hand today

799
00:39:42,000 --> 00:39:47,760
Speaker 1: and interviewed my murderer next week. These call my phone

800
00:39:47,760 --> 00:39:51,040
Speaker 1: in holler love and interview my murderer next week. That

801
00:39:51,120 --> 00:39:53,759
Speaker 1: ain't just how I'm giving it up. My conscience won't

802
00:39:53,800 --> 00:39:56,880
Speaker 1: allow it. I really was deep out there and I

803
00:39:56,920 --> 00:40:04,440
Speaker 1: didn lose my conscience. I've regained my conscience. And this

804
00:40:04,560 --> 00:40:06,560
Speaker 1: is probably why I don't fit in because I don't

805
00:40:06,560 --> 00:40:10,640
Speaker 1: fit in. I just this is probably the problem, right

806
00:40:10,719 --> 00:40:13,440
Speaker 1: because I'm in content land, I'm in podcast world. I

807
00:40:13,520 --> 00:40:16,839
Speaker 1: invite all these conversations, it's just some of them it's

808
00:40:16,880 --> 00:40:20,680
Speaker 1: just too sticky. It's a lot we can talk about

809
00:40:20,719 --> 00:40:23,480
Speaker 1: in this world. I keep telling my team, bring me authors,

810
00:40:23,520 --> 00:40:27,400
Speaker 1: bring me scientists, bring me talk show hosts, bring me actors,

811
00:40:27,680 --> 00:40:32,600
Speaker 1: bring me legit psychologists, bring me people a part of

812
00:40:32,640 --> 00:40:36,040
Speaker 1: the military industrial complex. I need to speak to more

813
00:40:36,080 --> 00:40:39,480
Speaker 1: people that just killed each other. I'm the one pushing

814
00:40:39,480 --> 00:40:42,040
Speaker 1: that one. Then what I say. I know y'all got

815
00:40:42,080 --> 00:40:45,879
Speaker 1: it wrong because the hat still cocked. See the hat

816
00:40:45,920 --> 00:40:49,800
Speaker 1: still cock Just because I'm relatable. I know I'm supposed

817
00:40:49,800 --> 00:40:53,520
Speaker 1: to go quarter zip. I know I'm in the position

818
00:40:53,520 --> 00:40:55,960
Speaker 1: I'm supposed to go carter zip. But I'm giving them

819
00:40:56,000 --> 00:40:57,879
Speaker 1: this look because I want to give them this look.

820
00:40:58,520 --> 00:41:03,319
Speaker 1: Bad with me, because you bad and witness, you would

821
00:41:03,320 --> 00:41:06,080
Speaker 1: think your reputation would mean more. So I just knew

822
00:41:06,080 --> 00:41:10,240
Speaker 1: the culture was cooked, you know. I kind of viewed

823
00:41:10,239 --> 00:41:12,240
Speaker 1: it and say, you know, we cooked as a culture.

824
00:41:12,920 --> 00:41:16,279
Speaker 1: But I see how the ecosystem react, and I think

825
00:41:16,320 --> 00:41:19,439
Speaker 1: we have to have a conversation about it. The ecosystem

826
00:41:19,520 --> 00:41:25,560
Speaker 1: react really really interesting to my interview with Charleston white Wall.

827
00:41:25,600 --> 00:41:27,839
Speaker 1: I'm just like, Yo, we ain't gonna have no thug talk,

828
00:41:28,880 --> 00:41:31,840
Speaker 1: just not right now. You're told me you in character mode.

829
00:41:32,160 --> 00:41:34,640
Speaker 1: The character is not rooted in reality. So therefore you

830
00:41:34,680 --> 00:41:37,680
Speaker 1: may have a conversation just for the algorithm and for me.

831
00:41:37,760 --> 00:41:41,400
Speaker 1: I'm not interested in those kinds of conversations at the moment.

832
00:41:41,440 --> 00:41:41,640
Speaker 2: Now.

833
00:41:41,680 --> 00:41:45,040
Speaker 1: I understand that there is no incentive for me to

834
00:41:45,320 --> 00:41:49,080
Speaker 1: have morality on the microphone, for me to take these

835
00:41:49,200 --> 00:41:51,640
Speaker 1: kind of stands. I do need people to understand that

836
00:41:51,680 --> 00:41:55,440
Speaker 1: I understand the financial burden that puts on the business

837
00:41:55,719 --> 00:41:59,480
Speaker 1: and not necessarily saying that we are doing bad, but

838
00:42:00,040 --> 00:42:02,640
Speaker 1: I understand on the other side of that that's millions

839
00:42:02,640 --> 00:42:06,480
Speaker 1: of dollars. They've already created the ecosystem where you tatter

840
00:42:06,560 --> 00:42:10,280
Speaker 1: rap it down and you make millions. I'm literally next

841
00:42:10,320 --> 00:42:13,400
Speaker 1: in line to go through that door tatter rap it

842
00:42:13,480 --> 00:42:16,600
Speaker 1: down to make millions. I'm next in line, right, I'm

843
00:42:16,600 --> 00:42:19,040
Speaker 1: at the door. I'm here, I make all the money,

844
00:42:19,040 --> 00:42:21,680
Speaker 1: I got all the accolades. I'm literally at the door

845
00:42:22,000 --> 00:42:27,200
Speaker 1: that they've created where they've they'll switched the mold to

846
00:42:27,360 --> 00:42:31,560
Speaker 1: if you are a creator of my magnitude, with my connections,

847
00:42:31,600 --> 00:42:33,600
Speaker 1: doing it how I'm doing it, with the views I get.

848
00:42:33,719 --> 00:42:35,480
Speaker 1: You now get to this spot where you got to

849
00:42:35,520 --> 00:42:38,080
Speaker 1: make a decision. You can make two million dollars money.

850
00:42:38,080 --> 00:42:41,200
Speaker 1: As you start tearing rappers down, fucking their careers up,

851
00:42:41,200 --> 00:42:43,319
Speaker 1: and working for the other side, we'll get you up

852
00:42:43,400 --> 00:42:46,840
Speaker 1: to like at least one point five a month. And

853
00:42:46,880 --> 00:42:49,319
Speaker 1: so if a rapper do something that we think deserved

854
00:42:49,719 --> 00:42:52,320
Speaker 1: some understanding putting next to it, we put some understanding

855
00:42:52,400 --> 00:42:54,480
Speaker 1: next to it that excludes nobody.

856
00:42:54,719 --> 00:42:56,200
Speaker 2: That's a situation.

857
00:42:55,840 --> 00:42:59,279
Speaker 1: Brewing in media where if you take the opposite side

858
00:42:59,320 --> 00:43:02,279
Speaker 1: of the rapper, and if he says he's a pretty boy,

859
00:43:02,360 --> 00:43:04,560
Speaker 1: you says he ain't never been a pretty boy, you

860
00:43:04,680 --> 00:43:07,000
Speaker 1: start to make money. And I'm in that spot where

861
00:43:07,000 --> 00:43:10,120
Speaker 1: I can do it a million dollars a month, easily

862
00:43:10,160 --> 00:43:13,160
Speaker 1: turn it up. That's the definition of not being for sale.

863
00:43:13,600 --> 00:43:15,759
Speaker 1: That ain't a phone called thuck can make. That, ain't

864
00:43:15,800 --> 00:43:18,000
Speaker 1: a phone called baby can make. The ain't a phone

865
00:43:18,000 --> 00:43:20,680
Speaker 1: call nobody can make. Pe All of them will tell

866
00:43:20,719 --> 00:43:23,080
Speaker 1: you long, just solid like that, that's just what kind

867
00:43:23,120 --> 00:43:25,680
Speaker 1: of nigga home is? He just wanted them kind of niggas.

868
00:43:25,760 --> 00:43:29,160
Speaker 1: Let me give a few minutes to respond to academics

869
00:43:29,360 --> 00:43:31,399
Speaker 1: and then we'll move on to the next topic. We'm

870
00:43:31,400 --> 00:43:33,319
Speaker 1: gonna give y'all one more topic and get out of here.

871
00:43:33,360 --> 00:43:37,160
Speaker 1: For people who don't know academics responded to my interview

872
00:43:37,200 --> 00:43:38,160
Speaker 1: with Charleston.

873
00:43:37,800 --> 00:43:40,520
Speaker 2: White about me not allowing him.

874
00:43:40,719 --> 00:43:43,960
Speaker 1: To have the young thug conversation while he's in character

875
00:43:44,080 --> 00:43:48,239
Speaker 1: mode and he had a lot to say. I want

876
00:43:48,239 --> 00:43:51,600
Speaker 1: to be clear with academics. Man, let me explain something

877
00:43:51,640 --> 00:43:55,359
Speaker 1: to you, low budget add nig You don't take your

878
00:43:55,400 --> 00:43:59,000
Speaker 1: police ass on somewhere talking all his high power shit.

879
00:44:00,000 --> 00:44:02,080
Speaker 1: I can't see me in no day to end? Then

880
00:44:02,160 --> 00:44:05,840
Speaker 1: why and today is included. I know you say I

881
00:44:05,920 --> 00:44:09,000
Speaker 1: talk slow. You wouldn't understand what it's like to be important.

882
00:44:10,520 --> 00:44:12,400
Speaker 1: You don't have to rush when you were important. I'm

883
00:44:12,400 --> 00:44:14,000
Speaker 1: gonna say it slow so I ain't got to see

884
00:44:14,000 --> 00:44:17,560
Speaker 1: it no more. So academics comes out and as the

885
00:44:17,640 --> 00:44:20,239
Speaker 1: universe I have it. This is an interesting thing he done.

886
00:44:20,239 --> 00:44:24,240
Speaker 1: He put my interview up next to Big Banks interview.

887
00:44:25,520 --> 00:44:27,600
Speaker 1: I get a phone called me and Bank talked like

888
00:44:27,600 --> 00:44:30,280
Speaker 1: two days ago. He called my phone when he dropped

889
00:44:30,960 --> 00:44:34,759
Speaker 1: with Charles dam White and we had a conversation. Then

890
00:44:34,760 --> 00:44:38,400
Speaker 1: I get another conversation that banking Academics was on the phone,

891
00:44:38,440 --> 00:44:41,160
Speaker 1: and I really don't give a fuck. I don't know

892
00:44:41,200 --> 00:44:43,840
Speaker 1: what's going on. I don't give a fuck. That ain't

893
00:44:43,880 --> 00:44:47,800
Speaker 1: no problems with academics. He's on that side. Don't nobody

894
00:44:47,880 --> 00:44:50,399
Speaker 1: listen to him. I don't know nobody that listened to him.

895
00:44:50,719 --> 00:44:53,600
Speaker 1: I believe that if I had a conversation with Academics,

896
00:44:53,600 --> 00:44:56,960
Speaker 1: I'll wipe the floor with him on any aspect in

897
00:44:57,040 --> 00:45:00,040
Speaker 1: the world. Right, That's how I feel about it. I

898
00:45:00,080 --> 00:45:03,080
Speaker 1: feel like we're not speaking to the same people, you know, whatever,

899
00:45:03,120 --> 00:45:06,120
Speaker 1: people he's speaking to, that's great. I think we're not

900
00:45:06,239 --> 00:45:09,319
Speaker 1: speaking to the same people, which I think sometimes that

901
00:45:09,440 --> 00:45:13,640
Speaker 1: makes for great content and conversation. But at this moment,

902
00:45:13,680 --> 00:45:15,120
Speaker 1: I want to take a look at some of the

903
00:45:15,160 --> 00:45:19,280
Speaker 1: things that I feel is wrong with how Academics approached

904
00:45:19,680 --> 00:45:21,960
Speaker 1: and what happened with me and Charleston White. And so

905
00:45:22,080 --> 00:45:25,000
Speaker 1: Academics goes on his platform and he puts my interview

906
00:45:25,040 --> 00:45:28,120
Speaker 1: next to bank interview and he says salute to Bank

907
00:45:28,440 --> 00:45:31,600
Speaker 1: for interviewing Woody. For people who don't know what he is,

908
00:45:31,640 --> 00:45:34,919
Speaker 1: the lead witness in the ycl trial. Me and Bank

909
00:45:34,960 --> 00:45:37,440
Speaker 1: were there two people that had interviews from Thug when

910
00:45:37,440 --> 00:45:40,680
Speaker 1: he was going through his turmoil as it pertains to

911
00:45:40,719 --> 00:45:43,640
Speaker 1: the jail cause and all of those different things that happened.

912
00:45:43,680 --> 00:45:46,759
Speaker 1: He brought his interviews to our platform, and so academics

913
00:45:46,760 --> 00:45:49,000
Speaker 1: brings this out and say, you know, he try to

914
00:45:49,360 --> 00:45:52,480
Speaker 1: contrast the way I handle it versus the way big

915
00:45:52,520 --> 00:45:56,640
Speaker 1: Bank handles it, and he's clapping for Big Bank. So

916
00:45:56,680 --> 00:45:58,520
Speaker 1: I've been in this game too long, so I see

917
00:45:58,520 --> 00:46:00,719
Speaker 1: that from a mile away, and that means nothing to me.

918
00:46:00,840 --> 00:46:04,480
Speaker 1: Right Bank is my guy. He interviewed. Would he do

919
00:46:04,560 --> 00:46:06,799
Speaker 1: what he want to do? That's his business. So when

920
00:46:06,800 --> 00:46:10,160
Speaker 1: I see academics try to put banking I against each other,

921
00:46:11,719 --> 00:46:14,040
Speaker 1: I say to myself, yo, this low level game. He

922
00:46:14,160 --> 00:46:16,919
Speaker 1: low budget a police said, little niggas man. They trying

923
00:46:16,920 --> 00:46:20,319
Speaker 1: to run. It's ineffective. Bank interview? Would it Bank? Do

924
00:46:20,360 --> 00:46:22,319
Speaker 1: what you want to do? He interview? Would it? That's

925
00:46:22,360 --> 00:46:25,520
Speaker 1: his business? But the case study comes for me when

926
00:46:25,719 --> 00:46:28,640
Speaker 1: acting them try to act like I handled it wrong

927
00:46:29,000 --> 00:46:30,319
Speaker 1: and Bank handled it right.

928
00:46:30,760 --> 00:46:32,160
Speaker 2: Now, I agree.

929
00:46:32,400 --> 00:46:36,520
Speaker 1: I invite conversations surrounding Thug and anybody else, just not

930
00:46:36,640 --> 00:46:39,080
Speaker 1: in character mode. I gotta keep saying that so they

931
00:46:39,080 --> 00:46:41,880
Speaker 1: don't get a clip out of context. The internet is

932
00:46:41,880 --> 00:46:45,759
Speaker 1: a very weird place now. If we have conversation and

933
00:46:45,800 --> 00:46:47,759
Speaker 1: he end up getting to a place where you're telling

934
00:46:47,800 --> 00:46:50,640
Speaker 1: your truth, that's one thing, honey, your business. But I

935
00:46:50,800 --> 00:46:53,120
Speaker 1: just don't operate like that. I think they have a

936
00:46:53,239 --> 00:46:56,120
Speaker 1: very low level approach and understanding because they grew up

937
00:46:56,160 --> 00:46:59,000
Speaker 1: outside the gate. They never grew up what they Mama said.

938
00:46:59,000 --> 00:47:01,080
Speaker 1: You came with each other, y'all leave with each other.

939
00:47:02,719 --> 00:47:05,080
Speaker 1: I tell my people, and I know a few of y'all.

940
00:47:05,560 --> 00:47:07,480
Speaker 1: It's a few people out there right now. When you

941
00:47:07,600 --> 00:47:10,319
Speaker 1: run into somebody that loved me, it ain't even gonna

942
00:47:10,320 --> 00:47:12,520
Speaker 1: be a conversation. You gonna know they love me by

943
00:47:12,520 --> 00:47:16,960
Speaker 1: how they handled you. Right now today. There's a few

944
00:47:17,000 --> 00:47:19,400
Speaker 1: of y'all that gotta deal with the consequences of certain

945
00:47:19,400 --> 00:47:22,400
Speaker 1: things y'all said, because people are coming on my behalf

946
00:47:22,480 --> 00:47:26,960
Speaker 1: that I haven't instructed. I haven't even gave march in orders.

947
00:47:26,960 --> 00:47:29,319
Speaker 1: But the way they feel about me, the love they

948
00:47:29,360 --> 00:47:31,839
Speaker 1: have for me, make them handle you a certain way

949
00:47:31,880 --> 00:47:35,680
Speaker 1: when they see you based off what you said. Y'all

950
00:47:35,719 --> 00:47:38,719
Speaker 1: ain't come up like that. It go vice versa. For me,

951
00:47:39,600 --> 00:47:42,719
Speaker 1: there's a few people that I really care about. If

952
00:47:42,760 --> 00:47:45,080
Speaker 1: I'm around you and things go left and you got

953
00:47:45,120 --> 00:47:47,080
Speaker 1: something to say about them, I'm gonna handle you in

954
00:47:47,120 --> 00:47:49,960
Speaker 1: a certain way. A lot of y'all even grow up

955
00:47:50,040 --> 00:47:53,440
Speaker 1: like that. Y'all really don't know what that's like. We

956
00:47:53,560 --> 00:47:56,520
Speaker 1: really had to mob with each other certain spots. We

957
00:47:56,680 --> 00:47:59,120
Speaker 1: really had to go into the next niggas neighborhood to

958
00:47:59,200 --> 00:48:02,920
Speaker 1: a house party four and five deep. And so the

959
00:48:03,000 --> 00:48:06,040
Speaker 1: people that truly know where I come from and how

960
00:48:06,120 --> 00:48:09,360
Speaker 1: much ground I've covered, you know, I'm a boss, and

961
00:48:09,480 --> 00:48:14,440
Speaker 1: I came in like that. You know, certain words and

962
00:48:14,520 --> 00:48:20,000
Speaker 1: certain themes they don't even stick to me, right, They

963
00:48:20,040 --> 00:48:22,480
Speaker 1: say certain things. It doesn't even stick. It has no

964
00:48:22,600 --> 00:48:26,080
Speaker 1: real meaning. It's just niggas in their feelings talking. When

965
00:48:26,080 --> 00:48:29,560
Speaker 1: I hear academics talk about me and reference my name,

966
00:48:29,640 --> 00:48:33,200
Speaker 1: it would be real hatred. Even when you hear me

967
00:48:33,239 --> 00:48:35,799
Speaker 1: speak about the dude, it really be by some information

968
00:48:35,920 --> 00:48:37,719
Speaker 1: in the little heir of that man. You doing some

969
00:48:37,800 --> 00:48:40,200
Speaker 1: sucker shit When he talk about me. It's like he

970
00:48:40,239 --> 00:48:45,640
Speaker 1: lost his old lady to me. It ain't no regular

971
00:48:45,680 --> 00:48:47,520
Speaker 1: content creator kind of like.

972
00:48:49,120 --> 00:48:49,719
Speaker 2: You know what I mean.

973
00:48:49,800 --> 00:48:51,560
Speaker 1: It's like this little nigga het it and he ain't

974
00:48:51,560 --> 00:48:55,560
Speaker 1: gonna do a motherfucking thing. I got five million on

975
00:48:55,600 --> 00:48:59,920
Speaker 1: a fight and nigg ain't gonna fuck with me, And

976
00:49:00,080 --> 00:49:02,480
Speaker 1: you're gonna get one of your security hurt. Player with

977
00:49:02,520 --> 00:49:06,600
Speaker 1: my people, somebody gonna get hurt. And that just sain't

978
00:49:06,640 --> 00:49:09,600
Speaker 1: for academics, that's for an one of you niggas. But

979
00:49:09,719 --> 00:49:13,000
Speaker 1: the thing about it is this, there's an interesting thing

980
00:49:14,160 --> 00:49:18,080
Speaker 1: when he deals with my name that it feels vindictive.

981
00:49:18,160 --> 00:49:21,600
Speaker 1: It feels like a lot of hatred because I'm having

982
00:49:21,640 --> 00:49:23,520
Speaker 1: the same kind of pool he have, and the same

983
00:49:23,600 --> 00:49:27,120
Speaker 1: people he called I can call if I want to

984
00:49:27,120 --> 00:49:29,080
Speaker 1: get into a concert. That's what I was trying to

985
00:49:29,120 --> 00:49:32,839
Speaker 1: tell Aiden Ross. Listen, Aiden, you don't need academic that shit.

986
00:49:32,920 --> 00:49:35,400
Speaker 1: Academics got y'all knowing. Man, that shit is like a

987
00:49:35,840 --> 00:49:37,400
Speaker 1: generarid mission ticket.

988
00:49:37,480 --> 00:49:37,719
Speaker 4: Man.

989
00:49:39,280 --> 00:49:42,359
Speaker 1: Like while y'all like crowded around academics and they taking

990
00:49:42,400 --> 00:49:45,160
Speaker 1: y'all man, that shit is a generoid mission ticket. He

991
00:49:45,200 --> 00:49:47,680
Speaker 1: ain't kicking up no motherfucking hell of a thing. Man,

992
00:49:47,760 --> 00:49:51,840
Speaker 1: y'all niggas can't even go backstage. But because Aiden doesn't

993
00:49:51,880 --> 00:49:54,520
Speaker 1: really know, he feels like that this is real pool,

994
00:49:54,560 --> 00:49:57,080
Speaker 1: and I think that's part of what I'm saying. It's like, Yo,

995
00:49:57,200 --> 00:49:59,040
Speaker 1: I'm in the mix with some of these people, with

996
00:49:59,120 --> 00:50:02,120
Speaker 1: some of these tours, with some of the companies, the

997
00:50:02,120 --> 00:50:06,440
Speaker 1: Live Nations, the ag Torn, the mac agencies. I'm understanding

998
00:50:06,480 --> 00:50:09,480
Speaker 1: who running what and what's going on. I'm in some

999
00:50:09,640 --> 00:50:12,160
Speaker 1: of these spots. I'm knowing what real pool looked like.

1000
00:50:12,280 --> 00:50:14,839
Speaker 1: Shout out ce Bow. Certain niggas can come grab you

1001
00:50:15,040 --> 00:50:17,160
Speaker 1: no matter what state they in and bring you all

1002
00:50:17,160 --> 00:50:20,279
Speaker 1: the way to the Certain niggas get just so I'm

1003
00:50:20,280 --> 00:50:23,680
Speaker 1: saying when I'm seeing academics get y'all, y'all damnar getting

1004
00:50:23,719 --> 00:50:26,680
Speaker 1: generally mission tickets. Now, that sounded like, Hey and Lorne

1005
00:50:26,719 --> 00:50:31,680
Speaker 1: ain't never hated on no nigga.

1006
00:50:33,200 --> 00:50:34,600
Speaker 2: I ain't never did no hating.

1007
00:50:35,520 --> 00:50:38,879
Speaker 1: I'm just stating the obvious at a nigga that keep

1008
00:50:39,000 --> 00:50:43,000
Speaker 1: hating on me and man, because I'm really who I

1009
00:50:43,040 --> 00:50:45,840
Speaker 1: say I am, and I'm getting to it. Let's address

1010
00:50:45,880 --> 00:50:47,920
Speaker 1: what he said academics and I don't even want to

1011
00:50:47,920 --> 00:50:49,960
Speaker 1: play the clip because I don't want to play the clip.

1012
00:50:50,239 --> 00:50:54,080
Speaker 1: But academics had an issue with how I quote, unquoting

1013
00:50:54,080 --> 00:50:57,000
Speaker 1: his words, defended young thug. He said that I had

1014
00:50:57,080 --> 00:51:00,400
Speaker 1: done too much. He said, the young thug had me

1015
00:51:00,480 --> 00:51:03,560
Speaker 1: on payroll and the little baby and thug is paying

1016
00:51:03,640 --> 00:51:07,640
Speaker 1: me to have these stances. And anytime that a rapper

1017
00:51:07,680 --> 00:51:10,719
Speaker 1: comes to sit with me, it's because they're trying to

1018
00:51:11,360 --> 00:51:16,240
Speaker 1: position an argument that the industry isn't feeling.

1019
00:51:17,320 --> 00:51:21,920
Speaker 2: And I said, I kind of like that. He didn't

1020
00:51:21,960 --> 00:51:24,000
Speaker 2: know that. He didn't know.

1021
00:51:24,080 --> 00:51:26,240
Speaker 1: I kind of liked it that he said that part

1022
00:51:26,520 --> 00:51:29,120
Speaker 1: yo the industry. When them rappers go sit with Bruh,

1023
00:51:29,160 --> 00:51:31,960
Speaker 1: they really trying to go over there because they really trying.

1024
00:51:31,680 --> 00:51:33,480
Speaker 2: To get the other side of the story.

1025
00:51:34,160 --> 00:51:38,560
Speaker 1: I said, I like that because that's how it started,

1026
00:51:38,760 --> 00:51:44,799
Speaker 1: right rolls from the concrete, That's how it started. And

1027
00:51:44,840 --> 00:51:47,319
Speaker 1: so when they come here, they have real conversation some

1028
00:51:47,400 --> 00:51:50,320
Speaker 1: of the backdrop, not what happened, but why it happened,

1029
00:51:50,880 --> 00:51:55,200
Speaker 1: you understand me. And so the low budget ad niggas

1030
00:51:55,200 --> 00:51:58,680
Speaker 1: will go to hating on you and try to reframe it.

1031
00:51:59,280 --> 00:52:01,759
Speaker 1: He says, I'm right too hard with the matter of fact,

1032
00:52:01,880 --> 00:52:04,560
Speaker 1: Let's take a look at the clip. Pay Attention signed

1033
00:52:04,640 --> 00:52:07,759
Speaker 1: him for like twenty three dollars. He's been trying to

1034
00:52:07,760 --> 00:52:10,799
Speaker 1: be taxtone, like, Oh, I'm the real nigga like he's

1035
00:52:10,840 --> 00:52:13,239
Speaker 1: one of those guys he keeps acting like he's so real,

1036
00:52:13,320 --> 00:52:14,360
Speaker 1: like he turns lame.

1037
00:52:15,600 --> 00:52:18,239
Speaker 5: Charleston did an interview with him. This nigga is a

1038
00:52:18,280 --> 00:52:21,200
Speaker 5: paid shill. I want to let everybody know, little baby,

1039
00:52:21,960 --> 00:52:24,240
Speaker 5: young thug, he completely sucks them off.

1040
00:52:24,840 --> 00:52:27,360
Speaker 2: No backbone possible.

1041
00:52:28,680 --> 00:52:31,400
Speaker 5: And the reason why I'm juxtaposed to this to what

1042
00:52:31,520 --> 00:52:34,800
Speaker 5: Big Bank did because Big Bank, I don't think he

1043
00:52:34,880 --> 00:52:37,080
Speaker 5: went too crazy on Thug, but he gave a decent

1044
00:52:37,080 --> 00:52:40,120
Speaker 5: interview with Thug. But he also gave the opposite side

1045
00:52:40,640 --> 00:52:44,520
Speaker 5: an opportunity to vocalize their issues even though they didn't

1046
00:52:44,520 --> 00:52:51,879
Speaker 5: speak too lightly of Thug. This guy right here, he's

1047
00:52:51,960 --> 00:52:54,200
Speaker 5: the sucker that you gonna see a little baby and

1048
00:52:54,280 --> 00:52:58,760
Speaker 5: young thug, which it don't work because like this nigga

1049
00:52:58,800 --> 00:53:02,439
Speaker 5: can't change no narrative. When they want to go put

1050
00:53:02,480 --> 00:53:04,439
Speaker 5: something in the air, they go to this bump ass

1051
00:53:04,480 --> 00:53:07,879
Speaker 5: thing right here. So anyway, he paid Charleston White ten

1052
00:53:07,920 --> 00:53:12,600
Speaker 5: grand to go interview on his platform, and Charleston White

1053
00:53:12,640 --> 00:53:15,760
Speaker 5: exposed him as nothing more than a young thug, dick sucker.

1054
00:53:16,080 --> 00:53:18,560
Speaker 2: Y'all gotta watch this because I was hey number one.

1055
00:53:18,600 --> 00:53:20,640
Speaker 1: Let me say this to academics because some of this

1056
00:53:20,840 --> 00:53:22,960
Speaker 1: is I know you're doing your content thing.

1057
00:53:23,320 --> 00:53:25,359
Speaker 2: It's a little disrespectful, but.

1058
00:53:25,400 --> 00:53:30,799
Speaker 1: I in front of your family, nigga, I do that

1059
00:53:30,840 --> 00:53:35,120
Speaker 1: in front of your loved ones, like I'm willing to

1060
00:53:35,160 --> 00:53:37,200
Speaker 1: do that in front of your like. You gotta watch

1061
00:53:37,280 --> 00:53:38,839
Speaker 1: how you talking to me. And I know you ain't

1062
00:53:38,880 --> 00:53:42,399
Speaker 1: gonna hurt the Prime Minister. You just talking right. It's

1063
00:53:42,480 --> 00:53:46,120
Speaker 1: content for you. But I think you should watch yourself.

1064
00:53:47,840 --> 00:53:50,200
Speaker 1: I think you should really watch how you handle me. Man,

1065
00:53:52,000 --> 00:53:55,400
Speaker 1: it's not wise to use those kind of words when

1066
00:53:55,480 --> 00:53:57,960
Speaker 1: you talk to men. And I know you don't know

1067
00:53:58,000 --> 00:54:01,600
Speaker 1: that because nobody's taught you. When I talked to you,

1068
00:54:01,680 --> 00:54:06,040
Speaker 1: it's an orientation. Mouth closed. You know, if you was

1069
00:54:06,080 --> 00:54:08,279
Speaker 1: in my face, you wouldn't say nothing like that. Have

1070
00:54:08,480 --> 00:54:13,399
Speaker 1: some respect, police sass nigga, Low budget ass nigga. Has

1071
00:54:13,400 --> 00:54:18,560
Speaker 1: some respect. Your big homie wouldn't say that to my face.

1072
00:54:18,880 --> 00:54:22,040
Speaker 1: Have some respect, low budget ass nigga. We need to

1073
00:54:22,120 --> 00:54:24,399
Speaker 1: keep it content. We see how your eyes look when

1074
00:54:24,440 --> 00:54:29,439
Speaker 1: you outside. Have some respect, police sass, niggle And we'll

1075
00:54:29,440 --> 00:54:30,920
Speaker 1: get to the backbone part of.

1076
00:54:30,880 --> 00:54:32,839
Speaker 2: This in a second. Let's listen to a little more

1077
00:54:32,880 --> 00:54:36,080
Speaker 2: pay attention. I say this today. It was highly entertaining.

1078
00:54:36,640 --> 00:54:37,959
Speaker 2: Shout to my man, Chaunce White.

1079
00:54:38,080 --> 00:54:39,440
Speaker 4: Need to tell my testimony.

1080
00:54:39,680 --> 00:54:41,920
Speaker 2: Okay, then I don't tear it on the internet.

1081
00:54:42,440 --> 00:54:45,240
Speaker 3: Y'all have never highlighted no victim of their crimes.

1082
00:54:45,480 --> 00:54:46,719
Speaker 2: I don't want to there we go.

1083
00:54:48,120 --> 00:54:49,920
Speaker 5: I keep telling you this nigga right here is the

1084
00:54:49,960 --> 00:54:51,960
Speaker 5: biggest fraud to be got it. He's a wanna be

1085
00:54:52,200 --> 00:54:55,440
Speaker 5: taxed one that just really taxed on. At least was entertaining.

1086
00:54:55,800 --> 00:55:03,400
Speaker 5: He's a slow talking old bum that's gotten propped up

1087
00:55:03,440 --> 00:55:06,040
Speaker 5: by the niggas who are trying to run campaigns. When

1088
00:55:06,080 --> 00:55:09,600
Speaker 5: I see a rapper sit with him, they're literally trying

1089
00:55:09,640 --> 00:55:14,440
Speaker 5: to get quote quote the streets to validate because he

1090
00:55:14,560 --> 00:55:20,360
Speaker 5: supposedly represents the street nigga an opinion that the culture

1091
00:55:20,400 --> 00:55:21,040
Speaker 5: doesn't feel.

1092
00:55:22,280 --> 00:55:24,920
Speaker 1: So he's a wo whoa whoa whoa wo. Let me

1093
00:55:24,960 --> 00:55:28,319
Speaker 1: correct Bozo the clown. Let me tell you some low

1094
00:55:28,360 --> 00:55:31,200
Speaker 1: budget ass nigga. When you see a nigga sit with me,

1095
00:55:31,600 --> 00:55:35,160
Speaker 1: it's actually the opposite. They're trying to clarify what the

1096
00:55:35,160 --> 00:55:38,880
Speaker 1: culture does feel, because what you guys are spewing in

1097
00:55:38,920 --> 00:55:44,040
Speaker 1: the industry is counter intuitive to the conversations I have

1098
00:55:44,520 --> 00:55:47,439
Speaker 1: with all of the people that I know. So I'm

1099
00:55:47,480 --> 00:55:49,879
Speaker 1: telling you someone when they come sit with me, they

1100
00:55:49,920 --> 00:55:52,319
Speaker 1: come to sit with the Prime Minister, they come to

1101
00:55:52,360 --> 00:55:55,239
Speaker 1: sit with the highest level executive brands. They come to

1102
00:55:55,280 --> 00:56:00,680
Speaker 1: sit to tell you niggas what the culture fitling. I'll

1103
00:56:00,800 --> 00:56:02,719
Speaker 1: let they come to sit because they trying to tell

1104
00:56:02,719 --> 00:56:04,840
Speaker 1: you what the culture not feeling you niggas.

1105
00:56:04,880 --> 00:56:08,160
Speaker 2: Not the culture you niggas is imported. Good, I'm finished

1106
00:56:08,160 --> 00:56:10,080
Speaker 2: start putting tariffs on you niggas.

1107
00:56:16,200 --> 00:56:19,960
Speaker 1: So when you see somebody come sit with me, quite

1108
00:56:19,960 --> 00:56:23,840
Speaker 1: the opposite of what this low budget ass nigga said.

1109
00:56:24,560 --> 00:56:26,640
Speaker 1: When you see somebody come sit with me, they trying

1110
00:56:26,640 --> 00:56:29,040
Speaker 1: to clarify what the culture is feeling and what they

1111
00:56:29,080 --> 00:56:33,400
Speaker 1: feel the industry has been infiltrated at this point. I

1112
00:56:33,480 --> 00:56:36,239
Speaker 1: need you to know that. And so anytime you getting

1113
00:56:36,280 --> 00:56:39,520
Speaker 1: claps from DJ academics, you're probably doing some fuck nigga shit.

1114
00:56:41,480 --> 00:56:44,040
Speaker 1: Nine times out of ten, if academics big you up,

1115
00:56:44,360 --> 00:56:46,239
Speaker 1: you're probably doing some fuck nigga shit.

1116
00:56:46,440 --> 00:56:49,120
Speaker 2: You're probably telling on yourself. You're probably doing right.

1117
00:56:49,320 --> 00:56:51,680
Speaker 1: So I'm telling you, I don't never really expect the

1118
00:56:51,760 --> 00:56:54,279
Speaker 1: niggas to big me up because I ain't never doing

1119
00:56:54,320 --> 00:56:55,840
Speaker 1: no fuck nigga shit like that.

1120
00:56:56,280 --> 00:56:58,520
Speaker 2: I was telling the homie the other day, Yo.

1121
00:56:58,360 --> 00:57:01,040
Speaker 1: I invite this low budget ass nigga to have a conversation,

1122
00:57:02,239 --> 00:57:04,759
Speaker 1: I know he'll rather do it on stream. I rather

1123
00:57:04,840 --> 00:57:08,520
Speaker 1: do it in person so we can refrain from using

1124
00:57:08,600 --> 00:57:14,000
Speaker 1: some of that SMD language because I know in person,

1125
00:57:14,080 --> 00:57:16,320
Speaker 1: Nigga's gonna watch how they talk. I know niggas gonna

1126
00:57:16,320 --> 00:57:18,040
Speaker 1: watch how they talk, and they may not even look

1127
00:57:18,080 --> 00:57:20,840
Speaker 1: my way. And we don't do this for tough guy shit.

1128
00:57:21,080 --> 00:57:25,600
Speaker 1: I'm intellectually opposing nigga's ideas. I'm come too far. I

1129
00:57:25,680 --> 00:57:28,720
Speaker 1: beat that game. That game behind me. That's why y'all

1130
00:57:28,760 --> 00:57:31,840
Speaker 1: can't emotionally trigger me. I don't got nothing to prove.

1131
00:57:32,920 --> 00:57:36,560
Speaker 1: Anytime there's a violation, there gonna be a demonstration. Outside

1132
00:57:36,560 --> 00:57:39,919
Speaker 1: of that, I'm happy that I'm out the game. I'm

1133
00:57:39,920 --> 00:57:44,400
Speaker 1: a static. I'm out the game. Y'all can't emotionally trigger

1134
00:57:44,440 --> 00:57:48,080
Speaker 1: and charge me. But I guarantee you one hundred out

1135
00:57:48,080 --> 00:57:50,840
Speaker 1: of one hundred times, these niggas won't disrespect me in

1136
00:57:50,880 --> 00:57:54,080
Speaker 1: my face. And that don't got no asterisk beside it.

1137
00:57:54,880 --> 00:57:57,320
Speaker 1: That mother for that don't got no anstry beside it.

1138
00:57:57,480 --> 00:58:00,000
Speaker 1: They won't disrespect me in my face. That's a game.

1139
00:58:00,040 --> 00:58:05,280
Speaker 1: Garrantee signed to general pay attention. Charleston He pays Charleston

1140
00:58:05,280 --> 00:58:06,360
Speaker 1: White to do an interview.

1141
00:58:07,080 --> 00:58:10,560
Speaker 5: Charleston White wants to talk about and if anybody know

1142
00:58:10,640 --> 00:58:14,320
Speaker 5: Charleston White, independent thinker, he ain't gonna he's gonna go

1143
00:58:14,400 --> 00:58:16,600
Speaker 5: from a different angle no matter what he's talking about.

1144
00:58:16,720 --> 00:58:20,680
Speaker 5: But he wants to say, Hey, as we're talking about

1145
00:58:20,720 --> 00:58:23,240
Speaker 5: the culture and talking about some of this criminality, shit

1146
00:58:24,080 --> 00:58:27,320
Speaker 5: fuck what young Thug got going on, we should focus

1147
00:58:27,360 --> 00:58:31,440
Speaker 5: on the victims of Young Thug and why South This

1148
00:58:31,520 --> 00:58:34,600
Speaker 5: is nothing new that Charleston White has done. Charleston White

1149
00:58:34,640 --> 00:58:40,400
Speaker 5: has done done outreach programs and done events with Tukah's mom.

1150
00:58:40,520 --> 00:58:44,800
Speaker 5: While people have thought of Tuca as a strain of weed,

1151
00:58:45,560 --> 00:58:49,080
Speaker 5: he is reached into that community and reached into those

1152
00:58:49,160 --> 00:58:52,440
Speaker 5: families and people who have been hurt by some of

1153
00:58:52,440 --> 00:58:56,040
Speaker 5: the what rap has kind of glorified as the you know,

1154
00:58:56,720 --> 00:58:58,440
Speaker 5: dancing on the graves of some of these guys. And

1155
00:58:58,480 --> 00:59:01,800
Speaker 5: he's talked to these families, So he cares a lot

1156
00:59:01,840 --> 00:59:05,520
Speaker 5: about sometimes victims. I think Thug got him on payroll

1157
00:59:05,600 --> 00:59:07,560
Speaker 5: watch this ship. Oh we don't want to talk about

1158
00:59:07,640 --> 00:59:10,840
Speaker 5: thug or you're getting paid. I get you. We're gonna

1159
00:59:10,840 --> 00:59:16,800
Speaker 5: talk about rich Tommy Kwan is one of thugs victims.

1160
00:59:17,760 --> 00:59:20,880
Speaker 2: It's all right, man, moving yo, big Beg.

1161
00:59:20,960 --> 00:59:23,680
Speaker 5: I give you the props because this is why you're

1162
00:59:23,720 --> 00:59:25,560
Speaker 5: where you're at, and that's why this bozo is where

1163
00:59:25,560 --> 00:59:28,840
Speaker 5: he's at.

1164
00:59:30,160 --> 00:59:34,240
Speaker 4: We moving, man, we moving.

1165
00:59:34,880 --> 00:59:39,160
Speaker 5: Were not talking about man, yo, This nigga is playing

1166
00:59:39,200 --> 00:59:40,520
Speaker 5: a hell of a defensive thug.

1167
00:59:40,640 --> 00:59:42,840
Speaker 2: Huh would I being then?

1168
00:59:42,880 --> 00:59:44,720
Speaker 4: Lit you talking about me?

1169
00:59:44,800 --> 00:59:48,439
Speaker 2: What type of nigga? Would you be a podcaster.

1170
00:59:50,040 --> 00:59:50,400
Speaker 4: Like that?

1171
00:59:50,720 --> 00:59:53,600
Speaker 1: You heard me earlier kind of respond to that, well,

1172
00:59:54,000 --> 00:59:56,240
Speaker 1: say it's a podcaster. Well, I'm gonna think. I'm not

1173
00:59:56,320 --> 00:59:59,560
Speaker 1: a podcast I'm a broadcaster. I'm a CEO, I'm a father,

1174
00:59:59,640 --> 01:00:03,520
Speaker 1: I'm a thinker. What I'm dealing with is understanding that

1175
01:00:03,600 --> 01:00:05,680
Speaker 1: this man is in character mode with not having a

1176
01:00:05,720 --> 01:00:08,120
Speaker 1: conversation while you're in character model about one of my

1177
01:00:08,120 --> 01:00:08,800
Speaker 1: little homies.

1178
01:00:08,840 --> 01:00:10,040
Speaker 2: It's just not what happens.

1179
01:00:10,240 --> 01:00:12,360
Speaker 1: I know, you niggas will sit with anybody and do

1180
01:00:12,440 --> 01:00:16,680
Speaker 1: anything because you niggas ain't nobody's so you niggas liable

1181
01:00:16,680 --> 01:00:19,760
Speaker 1: to show up anywhere doing anything. You niggas save to

1182
01:00:19,800 --> 01:00:23,040
Speaker 1: show up in a frecom dress to do a show man.

1183
01:00:23,080 --> 01:00:25,480
Speaker 1: I don't put none past some of you podcasts and

1184
01:00:25,560 --> 01:00:28,240
Speaker 1: ad nigga. Man, you niggas don't give a fuck who

1185
01:00:28,280 --> 01:00:30,320
Speaker 1: you talk to, where you talk to, or man what

1186
01:00:30,480 --> 01:00:33,120
Speaker 1: you got to Well, man, you niggas will do anything.

1187
01:00:33,200 --> 01:00:34,000
Speaker 2: So I get it.

1188
01:00:34,120 --> 01:00:36,520
Speaker 1: I know y'all can't relate to a nigga to say brother,

1189
01:00:36,600 --> 01:00:38,280
Speaker 1: not right now, brother, not when you like this.

1190
01:00:38,640 --> 01:00:41,080
Speaker 2: Let's talk about that later. Family. That's my little homing.

1191
01:00:41,440 --> 01:00:43,840
Speaker 1: Y'all don't even understand that when I know niggas there

1192
01:00:43,840 --> 01:00:47,600
Speaker 1: to go to jail about my name. So I think

1193
01:00:47,640 --> 01:00:51,960
Speaker 1: we just see things different. Now, let's unpack it a

1194
01:00:51,960 --> 01:00:56,040
Speaker 1: little more because I think it even gets deeper, specifically

1195
01:00:56,080 --> 01:00:59,800
Speaker 1: dealing with academics. And I'm responding to you this time, Lott,

1196
01:00:59,840 --> 01:01:03,920
Speaker 1: but nigga, so just pay attention. It's his orientation and

1197
01:01:04,000 --> 01:01:07,080
Speaker 1: the student learns with his mouth closed. I find it

1198
01:01:07,160 --> 01:01:10,840
Speaker 1: interesting how damn academics thanks to audience is the way

1199
01:01:10,880 --> 01:01:13,480
Speaker 1: they think they can sway the audience from pillar to posts,

1200
01:01:13,840 --> 01:01:16,440
Speaker 1: and people believe it. I'm here to tell them that

1201
01:01:16,560 --> 01:01:19,640
Speaker 1: there's another side of this culture that I represent and

1202
01:01:19,760 --> 01:01:24,520
Speaker 1: understand and speak too. Daily that can see beyond the pails.

1203
01:01:26,480 --> 01:01:29,240
Speaker 1: They can read the tea leaves, they can pick up

1204
01:01:29,240 --> 01:01:32,800
Speaker 1: on signals, they can understand what was not said, what

1205
01:01:32,880 --> 01:01:34,960
Speaker 1: you did or didn't do, how you meant to come

1206
01:01:35,000 --> 01:01:39,520
Speaker 1: across versus what you actually said, some of your hidden

1207
01:01:39,600 --> 01:01:41,160
Speaker 1: intentions and hidden agendas.

1208
01:01:41,200 --> 01:01:44,400
Speaker 2: They're able to.

1209
01:01:43,120 --> 01:01:46,000
Speaker 1: Sniff things out in real time and so they get

1210
01:01:46,160 --> 01:01:48,680
Speaker 1: It's kind of like chat TPT how they get more

1211
01:01:48,680 --> 01:01:51,560
Speaker 1: intelligent as they go on and on and on, and

1212
01:01:51,600 --> 01:01:53,480
Speaker 1: so they're able to now pick up on some of

1213
01:01:53,520 --> 01:01:56,720
Speaker 1: the shit you low budget ass niggas been doing. See

1214
01:01:57,000 --> 01:01:59,400
Speaker 1: it's important, y'all. Didn't hear me say, Yo, I'm chasing

1215
01:01:59,480 --> 01:02:01,400
Speaker 1: niggas down. And if they talk about thug and I'm

1216
01:02:01,440 --> 01:02:04,240
Speaker 1: beating them up, well, I'm putting baby Loan out there

1217
01:02:04,320 --> 01:02:08,280
Speaker 1: to crashot on niggas that talking about thug. Now, I'm

1218
01:02:08,320 --> 01:02:10,880
Speaker 1: just saying, not on my platform, brother, or not right now.

1219
01:02:12,040 --> 01:02:14,800
Speaker 1: I really no, dude. But when you hear some of

1220
01:02:14,800 --> 01:02:17,240
Speaker 1: these people talk that think they're dealing with an audience

1221
01:02:17,280 --> 01:02:21,240
Speaker 1: who who doesn't have any information lack of a better term,

1222
01:02:21,320 --> 01:02:24,800
Speaker 1: even sped. But I'm here to tell you that people

1223
01:02:24,840 --> 01:02:29,080
Speaker 1: are alive and well. And his coach is alive and well,

1224
01:02:29,120 --> 01:02:32,120
Speaker 1: and it's actually in good hands if we just continue

1225
01:02:32,120 --> 01:02:34,400
Speaker 1: to make the right decisions. One of the things that

1226
01:02:34,440 --> 01:02:36,640
Speaker 1: stood out for me is that academics can say that

1227
01:02:36,720 --> 01:02:40,360
Speaker 1: Loan is riding for Thug and Baby and some of

1228
01:02:40,400 --> 01:02:44,200
Speaker 1: these other rappers, and he basically is trying to position

1229
01:02:44,520 --> 01:02:49,240
Speaker 1: this as Hey, this compromises his brand, The integrity of

1230
01:02:49,280 --> 01:02:54,520
Speaker 1: his brand has been compromised because he's writing for Thug

1231
01:02:54,560 --> 01:02:58,600
Speaker 1: and Baby, although that's untrue because we are journalists. We

1232
01:02:58,680 --> 01:03:02,240
Speaker 1: run a really big company that's doing well, make over

1233
01:03:02,520 --> 01:03:06,000
Speaker 1: seven figures every year easily. We used to live in

1234
01:03:06,040 --> 01:03:09,360
Speaker 1: a time where you didn't even have to defend your morals.

1235
01:03:10,280 --> 01:03:13,760
Speaker 1: I'm really a big homie. I'm really someone people look

1236
01:03:13,840 --> 01:03:16,720
Speaker 1: up to. I'm really someone to give information and cleared

1237
01:03:16,720 --> 01:03:20,160
Speaker 1: away for the young nigga that doesn't lived a little longer.

1238
01:03:21,440 --> 01:03:24,920
Speaker 1: I really been to Columbia by myself, me and my

1239
01:03:25,040 --> 01:03:26,640
Speaker 1: partner to take care of the business.

1240
01:03:26,680 --> 01:03:27,880
Speaker 2: I'm really one on one.

1241
01:03:28,000 --> 01:03:31,000
Speaker 1: I'm not like these other guys, and so my word

1242
01:03:31,120 --> 01:03:34,960
Speaker 1: means something, my stance means something. My integrity still is

1243
01:03:35,000 --> 01:03:38,240
Speaker 1: on display. But I know some of the people in

1244
01:03:38,440 --> 01:03:42,440
Speaker 1: media that had an adverse reaction to me shutting the

1245
01:03:42,440 --> 01:03:44,800
Speaker 1: young thug talk down. They have to get out in

1246
01:03:44,800 --> 01:03:46,000
Speaker 1: front of it and say something.

1247
01:03:46,040 --> 01:03:46,680
Speaker 2: You know why.

1248
01:03:46,960 --> 01:03:49,240
Speaker 1: They have to act like it ain't right. You know why,

1249
01:03:49,360 --> 01:03:53,120
Speaker 1: because they plan on continue to over you. They plan

1250
01:03:53,240 --> 01:03:57,040
Speaker 1: on continuing the interview and you murderers two days after

1251
01:03:57,040 --> 01:04:00,920
Speaker 1: they hugged you, called your phone. They plan on interviewing

1252
01:04:01,240 --> 01:04:04,160
Speaker 1: this shot at your mama and them house. They playing

1253
01:04:04,200 --> 01:04:06,040
Speaker 1: on playing them kind of games. So they got to

1254
01:04:06,040 --> 01:04:07,720
Speaker 1: get out in front of it and say, Loan doing

1255
01:04:07,800 --> 01:04:10,480
Speaker 1: too much. That ain't how journalists move. I agree with you.

1256
01:04:10,560 --> 01:04:13,920
Speaker 1: We open to all conversations. Someone that I have personal

1257
01:04:13,960 --> 01:04:18,640
Speaker 1: relationships with, you cannot slander on my platform. Really, with

1258
01:04:18,720 --> 01:04:21,800
Speaker 1: my campaign, I don't have to go through management. I

1259
01:04:21,840 --> 01:04:26,080
Speaker 1: don't go through teams. I call straight myself. They come right.

1260
01:04:26,160 --> 01:04:28,560
Speaker 1: So I'm telling you it's a different level of respect

1261
01:04:28,680 --> 01:04:32,240
Speaker 1: and relationship because we deal with each other outside of

1262
01:04:32,280 --> 01:04:33,400
Speaker 1: the industry and the music.

1263
01:04:33,880 --> 01:04:35,000
Speaker 2: We both in the industry.

1264
01:04:35,240 --> 01:04:37,680
Speaker 1: No, I make enough money to handle whatever I want,

1265
01:04:37,840 --> 01:04:41,120
Speaker 1: and them mega rich. All of the guys I f with,

1266
01:04:41,160 --> 01:04:43,560
Speaker 1: they go for herbo. I can call HERB right now.

1267
01:04:43,840 --> 01:04:47,120
Speaker 1: I can call any of these right now. And so

1268
01:04:47,200 --> 01:04:50,080
Speaker 1: here's the interesting part if academics is gonna call what

1269
01:04:50,200 --> 01:04:53,280
Speaker 1: I've done for banning the Young Thug talk with Charleston

1270
01:04:53,320 --> 01:04:56,160
Speaker 1: White because he was in character Molde on my platform,

1271
01:04:56,400 --> 01:04:59,480
Speaker 1: and I have a personal relationship with Young Thug and

1272
01:04:59,520 --> 01:05:02,480
Speaker 1: basically say that I'm riding for certain represent the South,

1273
01:05:02,600 --> 01:05:06,280
Speaker 1: trying to position narratives that the culture is feeling, but

1274
01:05:06,360 --> 01:05:10,240
Speaker 1: the industry isn't recognizing and is having problems with that.

1275
01:05:10,480 --> 01:05:13,400
Speaker 1: But here's the beautiful thing about it. Each and every

1276
01:05:13,480 --> 01:05:15,920
Speaker 1: person that you really see me plugged with it with

1277
01:05:16,280 --> 01:05:20,000
Speaker 1: I have personal relationships with in real life. Like I'm

1278
01:05:20,040 --> 01:05:23,560
Speaker 1: an underground legend, I'm a legend money, so I got

1279
01:05:23,720 --> 01:05:28,400
Speaker 1: relationships beyond music. And so if we're gonna characterize my

1280
01:05:28,560 --> 01:05:32,640
Speaker 1: decision from stopping Charleston White from discussing Young Thug while

1281
01:05:32,680 --> 01:05:35,880
Speaker 1: he was in performative character mode it's anything other than

1282
01:05:36,200 --> 01:05:39,120
Speaker 1: integrity in real time, then we need to be honest

1283
01:05:39,280 --> 01:05:42,760
Speaker 1: and talk about what integrity actually is. I drew a

1284
01:05:42,800 --> 01:05:45,720
Speaker 1: boundary not because I'm afraid to have a conversation, but

1285
01:05:45,800 --> 01:05:48,840
Speaker 1: because I understand the way the words. I also understand

1286
01:05:48,880 --> 01:05:52,840
Speaker 1: the algorithm, and I understand what character mode is. There's

1287
01:05:52,920 --> 01:05:56,920
Speaker 1: legal implications there's ethical responsibilities that comes with being a

1288
01:05:57,000 --> 01:05:59,800
Speaker 1: man that comes from my walk of life. No matter

1289
01:05:59,840 --> 01:06:03,760
Speaker 1: that industry that they get in, no matter the job description,

1290
01:06:04,240 --> 01:06:07,440
Speaker 1: no matter the person married, no matter the road traveled.

1291
01:06:08,040 --> 01:06:11,360
Speaker 1: That's residue from where we come from. I've lost people

1292
01:06:11,400 --> 01:06:15,080
Speaker 1: in the real world to gun violence at a young age.

1293
01:06:15,520 --> 01:06:17,920
Speaker 1: I buried my friend at fifteen, I walked in on

1294
01:06:18,000 --> 01:06:23,280
Speaker 1: my cousin died at sixteen. Young man, I've saw the

1295
01:06:23,320 --> 01:06:27,480
Speaker 1: results of playing both sides, and I've handed the belt

1296
01:06:27,480 --> 01:06:31,440
Speaker 1: out for playing both sides. I done lived a certain

1297
01:06:31,520 --> 01:06:34,360
Speaker 1: kind of life to understand playing both sides. It's always

1298
01:06:34,360 --> 01:06:38,040
Speaker 1: a dangerous spot for everybody involved. And although we're no

1299
01:06:38,160 --> 01:06:40,720
Speaker 1: longer in that and although we're no longer walk in

1300
01:06:40,720 --> 01:06:44,800
Speaker 1: that walk of life, that residue still remains.

1301
01:06:44,880 --> 01:06:47,280
Speaker 2: And so if we're gonna call that dick pulling.

1302
01:06:47,440 --> 01:06:51,040
Speaker 1: Because I refuse to let someone weaponize theatrics in the space.

1303
01:06:51,080 --> 01:06:54,760
Speaker 1: Why I'm responsible for content, culture, and conversation. It's my

1304
01:06:54,880 --> 01:06:58,560
Speaker 1: responsibility over here. That's up there, podcast, it's the executive

1305
01:06:58,600 --> 01:07:02,320
Speaker 1: branch our Tenerary othern district. It's my job over here.

1306
01:07:02,480 --> 01:07:07,680
Speaker 1: I'm responsible for culture, commentary, and critiques. I'm responsible for

1307
01:07:07,760 --> 01:07:11,560
Speaker 1: what is and what isn't weaponized in what kind of

1308
01:07:11,560 --> 01:07:14,960
Speaker 1: conversations we have on this illustrious platform. And so if

1309
01:07:14,960 --> 01:07:18,479
Speaker 1: we're gonna consider that a biasness, or if we're gonna

1310
01:07:18,520 --> 01:07:22,920
Speaker 1: consider that favoritism or any one of the low vocabulary

1311
01:07:22,960 --> 01:07:27,080
Speaker 1: accusations you low budget ass nick and make out there like,

1312
01:07:27,120 --> 01:07:29,480
Speaker 1: if we're gonna call it something, then we got to

1313
01:07:29,480 --> 01:07:33,000
Speaker 1: speak about the other behaviors we normalize. Low budget ass

1314
01:07:33,080 --> 01:07:36,280
Speaker 1: DJ academics, you must forget who you're speaking with. And

1315
01:07:36,280 --> 01:07:38,360
Speaker 1: that's what I think, and that's why I always like

1316
01:07:38,440 --> 01:07:41,200
Speaker 1: to approach this shit with logic, because guess what, they

1317
01:07:41,200 --> 01:07:43,280
Speaker 1: hope you get emotional and they can trick you out

1318
01:07:43,280 --> 01:07:46,760
Speaker 1: of speaking about things and calling out very clear hypocrisy.

1319
01:07:46,880 --> 01:07:47,480
Speaker 2: I wanted to.

1320
01:07:47,400 --> 01:07:49,640
Speaker 1: Ask DJ academics, what do we call a man in

1321
01:07:49,720 --> 01:07:51,920
Speaker 1: live streams every day, in the middle of a battle

1322
01:07:52,080 --> 01:07:55,720
Speaker 1: defending someone he's never met, someone he's never set across from,

1323
01:07:55,760 --> 01:07:59,880
Speaker 1: never interview, all because he's quote unquote my favorite artist.

1324
01:08:00,320 --> 01:08:03,280
Speaker 1: Your damn it got your ass beat by Dave Free.

1325
01:08:03,440 --> 01:08:07,640
Speaker 1: You knee deep in beef with TDE because you're defending Drake,

1326
01:08:07,800 --> 01:08:10,000
Speaker 1: and you got the nerve a safe because I didn't

1327
01:08:10,040 --> 01:08:14,040
Speaker 1: want to have a conversation about thug. Why Charleston is

1328
01:08:14,080 --> 01:08:19,280
Speaker 1: in character mold, then I'm biased. You'll posting music with

1329
01:08:19,400 --> 01:08:22,320
Speaker 1: five mod just because somebody gave you two thousand dollars.

1330
01:08:22,520 --> 01:08:25,519
Speaker 1: You use your entire platform the lot of the people.

1331
01:08:25,840 --> 01:08:28,120
Speaker 1: You don't even know the music, you don't even think

1332
01:08:28,160 --> 01:08:30,800
Speaker 1: it's fire, but you will post this fire because you've

1333
01:08:30,840 --> 01:08:34,960
Speaker 1: been paid. I came in with money you made. George

1334
01:08:35,000 --> 01:08:38,879
Speaker 1: amongst these people big and barring and stealing has some respect.

1335
01:08:39,680 --> 01:08:42,080
Speaker 1: It gets even deeper when you understand that Drake and

1336
01:08:42,160 --> 01:08:44,280
Speaker 1: I with Drake, ain't got nothing to do with Drake.

1337
01:08:44,479 --> 01:08:47,360
Speaker 1: I'm just dealing with this bozo, this low budget ass

1338
01:08:47,840 --> 01:08:50,600
Speaker 1: who sees me say yo, Charleston, let's not have the

1339
01:08:50,680 --> 01:08:54,400
Speaker 1: conversation about thug. Bro you in character mode, not right

1340
01:08:54,439 --> 01:08:58,160
Speaker 1: now with you, but not right now, and costs that

1341
01:08:58,320 --> 01:09:01,760
Speaker 1: me being biased and trying to rob my platform of

1342
01:09:01,800 --> 01:09:05,280
Speaker 1: its integrity when it's really impossible to do. Everybody see

1343
01:09:05,360 --> 01:09:08,400
Speaker 1: me built it brick by brick. Everybody saw that I

1344
01:09:08,479 --> 01:09:11,000
Speaker 1: was an architect. They saw me go brick by brick.

1345
01:09:11,560 --> 01:09:14,280
Speaker 1: And when we go to thinking about it, this situation

1346
01:09:14,400 --> 01:09:18,240
Speaker 1: with Drake, people were getting shot there were real things

1347
01:09:18,280 --> 01:09:21,840
Speaker 1: going on. He took that shit personal with Kendrick. Academics

1348
01:09:21,920 --> 01:09:25,679
Speaker 1: jumps in there. Listen, ak yo. If what I'm doing

1349
01:09:25,800 --> 01:09:29,400
Speaker 1: is biasness and it says something about the integrity of

1350
01:09:29,439 --> 01:09:32,280
Speaker 1: my platform, what do you call what you've done for Drake.

1351
01:09:33,120 --> 01:09:37,040
Speaker 1: It's a lot of unsolicited allegiance coming from your side.

1352
01:09:37,240 --> 01:09:40,439
Speaker 1: As it pertains to Drake, he won't even interview with you.

1353
01:09:41,000 --> 01:09:43,720
Speaker 1: He continues to go and interview with Bobby, and you

1354
01:09:43,880 --> 01:09:46,040
Speaker 1: keep popping out getting black.

1355
01:09:45,800 --> 01:09:48,000
Speaker 2: Eyes for him. And I get it.

1356
01:09:48,080 --> 01:09:50,640
Speaker 1: If I'm Drake, I don't interview with you because you

1357
01:09:50,720 --> 01:09:52,880
Speaker 1: play both sides same time.

1358
01:09:52,960 --> 01:09:54,000
Speaker 2: You act like you with.

1359
01:09:54,120 --> 01:09:56,479
Speaker 1: Drake, and then you will play some shit about him

1360
01:09:56,560 --> 01:09:59,120
Speaker 1: like in Young Girls. It's like you don't understand because

1361
01:09:59,120 --> 01:10:02,040
Speaker 1: you've been imported. You really don't understand what the fuck

1362
01:10:02,080 --> 01:10:04,160
Speaker 1: you're doing. And so when I talk to you, I

1363
01:10:04,200 --> 01:10:06,880
Speaker 1: expect for your mouth to be shut because you got

1364
01:10:06,880 --> 01:10:09,599
Speaker 1: to know, you don't have no understanding on human behavior.

1365
01:10:09,880 --> 01:10:12,240
Speaker 1: You got your degree, you got your but you don't

1366
01:10:12,280 --> 01:10:15,719
Speaker 1: have no human behavior understanding love. And so my behavior

1367
01:10:15,840 --> 01:10:19,559
Speaker 1: was grounded in principle. What was your behavior grounded in?

1368
01:10:20,040 --> 01:10:23,280
Speaker 1: I need people to understand they think they're dealing with emotional,

1369
01:10:23,400 --> 01:10:28,559
Speaker 1: fragile people. They actually think that it's important we remember

1370
01:10:28,600 --> 01:10:33,120
Speaker 1: that this dude called all the Kendrid fans bots in

1371
01:10:33,160 --> 01:10:36,559
Speaker 1: the middle of the fight. I would even argue that

1372
01:10:36,680 --> 01:10:38,960
Speaker 1: some of what's going on with the lawsuit life people

1373
01:10:39,000 --> 01:10:41,600
Speaker 1: in hip hop, somebody needs to do a documentary on

1374
01:10:41,720 --> 01:10:44,639
Speaker 1: all of the problems in hip hop. Like I ain't

1375
01:10:44,680 --> 01:10:47,519
Speaker 1: even talking about the street shit, the beef shit, the

1376
01:10:47,560 --> 01:10:51,240
Speaker 1: real life issues in hip hop in business that Academics

1377
01:10:51,240 --> 01:10:55,200
Speaker 1: has played a role in. It's astronomical. When you examine

1378
01:10:55,240 --> 01:10:58,280
Speaker 1: academics its footprint, you know, over the last five to

1379
01:10:58,280 --> 01:11:01,200
Speaker 1: ten years, not to know, it's not even the fanfare,

1380
01:11:01,240 --> 01:11:04,680
Speaker 1: but the actual outcomes. There's a consistent pattern that emerges.

1381
01:11:04,760 --> 01:11:07,160
Speaker 1: I think it's important that you guys hear me and

1382
01:11:07,160 --> 01:11:10,519
Speaker 1: hear me well because if I just say it plainly,

1383
01:11:10,640 --> 01:11:15,240
Speaker 1: Academics has not been utilized to build anything over the

1384
01:11:15,320 --> 01:11:19,679
Speaker 1: last ten to fifteen years of his career outside of itself. Granted,

1385
01:11:19,960 --> 01:11:22,840
Speaker 1: he's been able to get fanfare, but again, when I'm

1386
01:11:22,880 --> 01:11:26,040
Speaker 1: talking the low budget, A need to shut his mouth

1387
01:11:27,040 --> 01:11:30,080
Speaker 1: because he's more like a wrecking ball, right, He's not

1388
01:11:30,240 --> 01:11:32,680
Speaker 1: used to build anything. And I'll give you some examples,

1389
01:11:32,720 --> 01:11:36,680
Speaker 1: but over these last ten to fifteen years, show me

1390
01:11:36,840 --> 01:11:39,519
Speaker 1: what he has built outside of hisself and at if

1391
01:11:39,560 --> 01:11:42,479
Speaker 1: you really pay attention, your commentary has done what it

1392
01:11:42,520 --> 01:11:47,720
Speaker 1: has contributed to, the dismantling of people's careers, reputations, and

1393
01:11:47,760 --> 01:11:51,200
Speaker 1: their ecosystems. And people may smile when they hear that, right,

1394
01:11:51,320 --> 01:11:56,080
Speaker 1: like oh man, that big bad wolf. No, sometimes it's unintentional. Again,

1395
01:11:56,240 --> 01:11:59,479
Speaker 1: this is like a wrecking ball. This cannot build anything.

1396
01:11:59,560 --> 01:12:04,519
Speaker 1: Anything it come in contact with, it destroys it. From

1397
01:12:04,520 --> 01:12:07,880
Speaker 1: a brand perspective, you pay attention over the last ten

1398
01:12:07,880 --> 01:12:10,160
Speaker 1: to fifteen years, and if I give you some examples

1399
01:12:10,200 --> 01:12:12,160
Speaker 1: of what he's been involved in. But if I give

1400
01:12:12,200 --> 01:12:14,760
Speaker 1: you some examples, it'll make sense. But when you think

1401
01:12:14,760 --> 01:12:17,360
Speaker 1: about it, he's built no clothing line, no business, no

1402
01:12:17,439 --> 01:12:21,200
Speaker 1: pure fuel. He's built no media company, no clothing line,

1403
01:12:21,240 --> 01:12:25,360
Speaker 1: no tech pivot, no media network, no cultural foundation, no mentorship,

1404
01:12:25,439 --> 01:12:32,640
Speaker 1: no pipeline, no streaming service, no nothing. In ten fifteen years.

1405
01:12:33,040 --> 01:12:35,800
Speaker 1: It's incapable of building things. When you deal with a

1406
01:12:35,840 --> 01:12:38,439
Speaker 1: platform that has been built in the way that has

1407
01:12:38,560 --> 01:12:42,040
Speaker 1: been built highly effective, but only to destroy. There has

1408
01:12:42,160 --> 01:12:48,600
Speaker 1: been no entity that reflects creation, only destruction. And so

1409
01:12:48,880 --> 01:12:51,439
Speaker 1: when you look at me in contrast, we're trying to

1410
01:12:51,479 --> 01:12:56,800
Speaker 1: represent creation. Why they represent destruction? Creation versus destruction. See,

1411
01:12:56,840 --> 01:12:59,280
Speaker 1: I keep telling y'all, it's no longer real verse fake.

1412
01:12:59,479 --> 01:13:03,639
Speaker 1: It's create versus destruction, good versus evil. And you can

1413
01:13:03,680 --> 01:13:06,320
Speaker 1: still throw real and fake in there, but it's creation

1414
01:13:06,560 --> 01:13:11,200
Speaker 1: above all, creation versus destruction. If I have a conversation

1415
01:13:11,320 --> 01:13:15,200
Speaker 1: with someone who don't know any better, I'll tell them that, Yo,

1416
01:13:15,280 --> 01:13:19,479
Speaker 1: this young man has been instrumental in inserting himself in

1417
01:13:19,600 --> 01:13:26,200
Speaker 1: volatile situations and accelerating their collapse. And for some reason

1418
01:13:26,240 --> 01:13:28,559
Speaker 1: they think the audience is so stupid to forget about

1419
01:13:28,600 --> 01:13:32,599
Speaker 1: some of these things. Think about this. Anything academics touch,

1420
01:13:32,920 --> 01:13:35,479
Speaker 1: he destroys. I know a lot of people in the industry,

1421
01:13:35,479 --> 01:13:37,200
Speaker 1: and it sounds kind of productive, because a lot of

1422
01:13:37,200 --> 01:13:39,880
Speaker 1: people in the industry is man, you need academics the

1423
01:13:39,920 --> 01:13:43,680
Speaker 1: platform instead of Yo. The integrity is shot. We know

1424
01:13:43,800 --> 01:13:46,400
Speaker 1: you can pay for the fire emoji over there. You

1425
01:13:46,439 --> 01:13:48,559
Speaker 1: can pay money for him to say this is the

1426
01:13:48,640 --> 01:13:53,439
Speaker 1: new banger. The integrity is collapsed. On top of that,

1427
01:13:53,760 --> 01:13:56,599
Speaker 1: think about everything that he's been involved with that notably,

1428
01:13:56,680 --> 01:13:58,680
Speaker 1: we know him for it. Takashi six 's nine. This

1429
01:13:58,800 --> 01:14:01,280
Speaker 1: is the first one, was the blueprint for the destruction.

1430
01:14:01,439 --> 01:14:04,360
Speaker 1: This is really what turned him out. Some people said

1431
01:14:04,400 --> 01:14:06,200
Speaker 1: it was the warm shot wreck. I think they had

1432
01:14:06,280 --> 01:14:08,439
Speaker 1: him scared after the wall Shot wreck. They really could

1433
01:14:08,479 --> 01:14:12,360
Speaker 1: have got him together. Takashi really broke the seal. Academics

1434
01:14:12,400 --> 01:14:16,160
Speaker 1: wasn't amplified for Takashi. And we're talking to early years.

1435
01:14:16,640 --> 01:14:18,719
Speaker 1: We're talking about when he first came in the game.

1436
01:14:19,160 --> 01:14:21,719
Speaker 1: He was an architect for the chaos, for the campaign

1437
01:14:21,800 --> 01:14:25,120
Speaker 1: of the chaos. He was an architect for that young

1438
01:14:25,160 --> 01:14:27,639
Speaker 1: boy to get his voice oide and say these rappers

1439
01:14:27,640 --> 01:14:28,320
Speaker 1: on the West coast.

1440
01:14:28,360 --> 01:14:29,719
Speaker 2: It didn't go to the West coast.

1441
01:14:30,160 --> 01:14:33,040
Speaker 1: And while he thought he was building Takashi sixty nine up,

1442
01:14:33,160 --> 01:14:36,599
Speaker 1: ultimately he said, up to jail. You contribute to him

1443
01:14:36,640 --> 01:14:39,240
Speaker 1: going to jail. You contribute to the downfall of they

1444
01:14:39,280 --> 01:14:41,800
Speaker 1: whole shit. And so when you zoom out, you see

1445
01:14:41,800 --> 01:14:45,200
Speaker 1: that he helped engineer the trolling and the escalations of

1446
01:14:45,240 --> 01:14:47,760
Speaker 1: some of these things, including the campaign of slide for Vaughn.

1447
01:14:47,840 --> 01:14:49,960
Speaker 1: When we think about the Dirk and Vaughn in sixt'

1448
01:14:50,040 --> 01:14:52,880
Speaker 1: nine situation, Yo, you put six nine up there with

1449
01:14:52,920 --> 01:14:55,000
Speaker 1: their slab for von she did. Everybody else was saying, man,

1450
01:14:55,040 --> 01:14:57,519
Speaker 1: that's radioactive. Brother, that's a little too deep. We ain't

1451
01:14:57,560 --> 01:15:00,680
Speaker 1: going there with it now. The digital energy did transform

1452
01:15:00,720 --> 01:15:04,679
Speaker 1: into real life federal pressure. See, it began its trolling

1453
01:15:04,720 --> 01:15:07,320
Speaker 1: and it ended up for Takashi as a Rico indictment.

1454
01:15:08,720 --> 01:15:12,360
Speaker 1: It started as trolling and then it shit start ended

1455
01:15:12,400 --> 01:15:14,920
Speaker 1: up in the Rico indictment. The chief keep shit certain

1456
01:15:14,960 --> 01:15:17,640
Speaker 1: things to Rico indictment. Yeah, it started as trolling. How

1457
01:15:17,680 --> 01:15:20,280
Speaker 1: high he heat? But guess who was there the whole time?

1458
01:15:20,400 --> 01:15:25,760
Speaker 1: The wrecking ball, nothing built, everything burned. That's Takashi six'.

1459
01:15:25,920 --> 01:15:30,200
Speaker 1: Nine we talk about. Dirt you over. Dirt you got

1460
01:15:30,200 --> 01:15:33,240
Speaker 1: around dirt and acted as a wrecking. Ball the fizz

1461
01:15:33,280 --> 01:15:35,519
Speaker 1: are legend and murder for How and it's the same

1462
01:15:35,640 --> 01:15:39,880
Speaker 1: exact situation that slithe For von environment academics helped glamorizing.

1463
01:15:39,920 --> 01:15:43,639
Speaker 1: Platform even after the streets whispered it's hot and Slide

1464
01:15:43,720 --> 01:15:46,559
Speaker 1: levon already was took ca of they ain't even saying

1465
01:15:46,560 --> 01:15:50,120
Speaker 1: it no. More you still bought dirt on your. Platform

1466
01:15:50,120 --> 01:15:53,720
Speaker 1: and then what talked directly to him about Slidea Von,

1467
01:15:54,320 --> 01:15:58,360
Speaker 1: again nothing, built and so you talked to dirt about Slithele.

1468
01:15:58,479 --> 01:16:01,360
Speaker 1: Von it's now in his federal K, listen this is

1469
01:16:01,400 --> 01:16:04,160
Speaker 1: All i'm. Saying wherever you show up at up at my,

1470
01:16:04,280 --> 01:16:06,640
Speaker 1: niggas seem like you a wrecking. Ball seem like you

1471
01:16:07,040 --> 01:16:09,400
Speaker 1: up everything you. Touching you over there With. Dirk you

1472
01:16:09,479 --> 01:16:11,599
Speaker 1: got a relationship With. DIRK i don't know Why dirk

1473
01:16:11,680 --> 01:16:14,120
Speaker 1: let you play the middle like. IT i still don't understand,

1474
01:16:14,120 --> 01:16:16,240
Speaker 1: that And i'm gonna ask him that one. Day WHENEVER

1475
01:16:16,280 --> 01:16:18,320
Speaker 1: i let you play the middle like, That, yo you

1476
01:16:18,400 --> 01:16:22,280
Speaker 1: platform In, takasha we can't be. Cool it lests you platforming?

1477
01:16:22,320 --> 01:16:25,840
Speaker 1: Him will he not disrespecting? Me that's why they got

1478
01:16:25,960 --> 01:16:29,519
Speaker 1: to call me out because they Shake dirk head and

1479
01:16:29,640 --> 01:16:33,120
Speaker 1: hug on dirt and then Posts takashi six 's nine

1480
01:16:33,120 --> 01:16:37,000
Speaker 1: Disrespecting dirk on their. Platform so they gotta, Say, Yo

1481
01:16:37,080 --> 01:16:39,960
Speaker 1: loan probably doing too, much. Bro then she'll be paying

1482
01:16:40,040 --> 01:16:42,120
Speaker 1: loon six seven figures a year for that kind of.

1483
01:16:42,160 --> 01:16:45,559
Speaker 1: Shit they got to say. That but you sit With

1484
01:16:45,640 --> 01:16:48,519
Speaker 1: dirk breaking that slide Of von and ship up because

1485
01:16:48,560 --> 01:16:52,120
Speaker 1: you have no understanding of the consequences that is under.

1486
01:16:52,200 --> 01:16:58,080
Speaker 1: Investigation you With dirk, Boom he's now in. Jail all

1487
01:16:58,120 --> 01:17:00,040
Speaker 1: of a, sudden you dont stream one day dirt he

1488
01:17:00,120 --> 01:17:03,920
Speaker 1: ends up on the. Phone, boom now. Boom that's brought

1489
01:17:03,960 --> 01:17:07,280
Speaker 1: to the. Judge there's something else academics involved in wrecking

1490
01:17:07,360 --> 01:17:12,080
Speaker 1: ball material Toy. Relanes the encouragement of Toy relays by

1491
01:17:12,120 --> 01:17:14,519
Speaker 1: academics is what got him in his. Trouble now going

1492
01:17:14,560 --> 01:17:17,679
Speaker 1: through the depositions and things of that, nature and, Listen

1493
01:17:17,920 --> 01:17:19,920
Speaker 1: i'm not in. THAT i don't know what's up with

1494
01:17:20,000 --> 01:17:23,800
Speaker 1: toy remad. Situation All i'm saying was academics was too

1495
01:17:23,920 --> 01:17:26,200
Speaker 1: involved in a situation he had nothing to do.

1496
01:17:26,280 --> 01:17:27,320
Speaker 2: With he's a wrecking.

1497
01:17:27,400 --> 01:17:31,439
Speaker 1: Ball anytime he's, involved he clapping for, you it's tearing something.

1498
01:17:31,560 --> 01:17:36,040
Speaker 1: Down academics plugged in with Toy. Relanes he didn't help Toy.

1499
01:17:36,080 --> 01:17:39,400
Speaker 1: Relanes there was nothing. Built it harmed Toy relays in his,

1500
01:17:39,520 --> 01:17:43,000
Speaker 1: sentencing in his public, Hostility it made the courts interpret

1501
01:17:43,040 --> 01:17:46,920
Speaker 1: his online behavior is arrogance and not. Innocence it did

1502
01:17:47,000 --> 01:17:50,719
Speaker 1: not help Toy relanes. Today where Is tory? Today toy

1503
01:17:51,080 --> 01:17:54,200
Speaker 1: is serving a ten year sentence and the digital agitation

1504
01:17:54,320 --> 01:17:58,559
Speaker 1: from academics did not help him legally or. Culturally PERIOD

1505
01:17:58,760 --> 01:18:02,200
Speaker 1: Nba Young boy To business was jeopardized. Again these suggest

1506
01:18:02,560 --> 01:18:04,320
Speaker 1: and this is just shit off the top of the.

1507
01:18:04,360 --> 01:18:08,760
Speaker 1: Head you jeopardize young boy business Doing Young boy's. Tour

1508
01:18:08,960 --> 01:18:12,000
Speaker 1: what did act? Do ac commentary created the perception That

1509
01:18:12,080 --> 01:18:16,479
Speaker 1: Young boy was actively disrespecting, cities not Because Young boy said,

1510
01:18:16,479 --> 01:18:19,400
Speaker 1: it Because act package is that, way promoters may get.

1511
01:18:19,479 --> 01:18:23,800
Speaker 1: Nervous insurance companies get. Nervous they ask, questions sponsorships. Reconsider

1512
01:18:23,920 --> 01:18:26,759
Speaker 1: you understand What i'm. Saying you turned that touring business

1513
01:18:26,800 --> 01:18:30,320
Speaker 1: into some. Bullshit then you Bring Aiden ross up, There,

1514
01:18:30,680 --> 01:18:33,000
Speaker 1: charleston get on the, platform say, yo they were trying

1515
01:18:33,000 --> 01:18:35,280
Speaker 1: to give a million. Dollars you fut that money, up

1516
01:18:36,000 --> 01:18:40,439
Speaker 1: so you own a money up and they ain't saying

1517
01:18:40,479 --> 01:18:43,400
Speaker 1: nothing to. You they just letting you be backstage on

1518
01:18:43,600 --> 01:18:46,400
Speaker 1: tour the money. Up Aidan ross trying to pay you

1519
01:18:46,479 --> 01:18:49,640
Speaker 1: talking about ain't nobody paying, man he ain't paying. Nobody

1520
01:18:49,920 --> 01:18:53,240
Speaker 1: who is? This then you go home and you painted

1521
01:18:53,320 --> 01:18:56,599
Speaker 1: as If i'm going through these cities disrespecting these. Rappers

1522
01:18:56,680 --> 01:18:59,680
Speaker 1: you starting to add to an already fragile RELATIONSHIP i

1523
01:18:59,720 --> 01:19:03,160
Speaker 1: have with the touring. Market you're not helping Young boy

1524
01:19:03,200 --> 01:19:05,800
Speaker 1: at that. POINT i, mean, listen, dude when we think about,

1525
01:19:05,800 --> 01:19:08,080
Speaker 1: it you can do these all day can be one

1526
01:19:08,120 --> 01:19:11,479
Speaker 1: hundred of. THESE i give you one or two, more

1527
01:19:11,520 --> 01:19:15,160
Speaker 1: and then we'll move. On think About, drake bad, advice bad.

1528
01:19:15,200 --> 01:19:19,360
Speaker 1: Outcomes you Convinced drake that all The Kendrick lamar's fans were.

1529
01:19:19,439 --> 01:19:24,479
Speaker 1: Bots now DO i shot an opinion that that may

1530
01:19:24,520 --> 01:19:28,440
Speaker 1: be a large? Percentage, YEAH i believe bots are. Involved

1531
01:19:29,040 --> 01:19:32,479
Speaker 1: BUT i think in The drake And kendrick, battle a

1532
01:19:32,560 --> 01:19:37,480
Speaker 1: notable portion Of drake's public position was influenced by academic.

1533
01:19:37,560 --> 01:19:42,720
Speaker 1: Streams and so the loud intel that wasn't, accurate that

1534
01:19:42,920 --> 01:19:47,479
Speaker 1: created a false, confidence disguised its inside. Information and that's

1535
01:19:47,479 --> 01:19:50,360
Speaker 1: What i'm. Saying you're negligent at the will because you're.

1536
01:19:50,439 --> 01:19:53,120
Speaker 1: Drunk you don't you just got your. Bullshitting you, done got,

1537
01:19:53,200 --> 01:19:55,599
Speaker 1: rich you lucked. Up you otta be. Happy you ought

1538
01:19:55,640 --> 01:19:57,760
Speaker 1: to be around here doing the right. Thing happy you

1539
01:19:57,760 --> 01:19:59,880
Speaker 1: don't win and got? Rich you know you look up

1540
01:19:59,880 --> 01:20:02,800
Speaker 1: in get. Rich don't get rich getting drunk every, day

1541
01:20:03,080 --> 01:20:06,560
Speaker 1: y'atta be. Lucky rather than saying things disrespectful to me

1542
01:20:06,840 --> 01:20:09,640
Speaker 1: WHEN i choking the ass out within the blink of

1543
01:20:09,680 --> 01:20:13,280
Speaker 1: any BUT i think you presented a lot of information

1544
01:20:13,439 --> 01:20:16,639
Speaker 1: To drake that wasn't rooted in fact that he may

1545
01:20:16,680 --> 01:20:17,960
Speaker 1: have believed was rooted in.

1546
01:20:18,040 --> 01:20:19,439
Speaker 2: Fact i'm gonna stick by The byt.

1547
01:20:19,560 --> 01:20:22,639
Speaker 1: Narrative for, example the bots on The INTERNET x version

1548
01:20:22,680 --> 01:20:25,720
Speaker 1: of the story was grounded in what he thought was verifiable.

1549
01:20:25,800 --> 01:20:30,200
Speaker 1: DETAIL i don't. Know that's WHAT i found interesting About

1550
01:20:30,280 --> 01:20:32,400
Speaker 1: drake listening to some of these. GUYS i was sitting

1551
01:20:32,400 --> 01:20:34,880
Speaker 1: on the sideline, saying number, one he's playing both sides of,

1552
01:20:34,920 --> 01:20:37,400
Speaker 1: This SO i get Why drake don't give him the.

1553
01:20:37,479 --> 01:20:40,040
Speaker 1: Interview if you listen to this, dude you see him

1554
01:20:40,080 --> 01:20:42,960
Speaker 1: play both sides of, things especially With drake And. Kendrick

1555
01:20:43,840 --> 01:20:46,160
Speaker 1: he tried to be loud about certain, things And i'll

1556
01:20:46,160 --> 01:20:48,080
Speaker 1: tell you when he really went on the other side

1557
01:20:48,080 --> 01:20:50,519
Speaker 1: and really got out With drake when The kendrick people

1558
01:20:50,600 --> 01:20:54,040
Speaker 1: start dubbing, him even when he came. Back because he's

1559
01:20:54,120 --> 01:20:57,559
Speaker 1: used to Playing dirk and young. Boy that's his, Thing,

1560
01:20:57,680 --> 01:21:00,120
Speaker 1: drake and he used to being able to do that,

1561
01:21:00,439 --> 01:21:03,040
Speaker 1: right and we all do that on some level because

1562
01:21:03,080 --> 01:21:06,559
Speaker 1: with journalists in this, game but he's able to do

1563
01:21:06,680 --> 01:21:08,680
Speaker 1: it in a way that he thinks flies under the

1564
01:21:08,760 --> 01:21:11,519
Speaker 1: radar where people are not paying, attention and it's just

1565
01:21:11,560 --> 01:21:14,160
Speaker 1: not the. CASE i believe he Gave drake a lot

1566
01:21:14,160 --> 01:21:16,800
Speaker 1: of bad information that made him believe that a lot

1567
01:21:16,880 --> 01:21:19,120
Speaker 1: of The kendrick fans will botch when they were. NOT

1568
01:21:19,560 --> 01:21:21,960
Speaker 1: i think most OF i think there are large percent

1569
01:21:22,000 --> 01:21:24,400
Speaker 1: of bots in. THERE i think at the leadership of

1570
01:21:24,479 --> 01:21:28,679
Speaker 1: acting some of those type of, people he was led

1571
01:21:28,720 --> 01:21:31,799
Speaker 1: to believe that maybe there's more bots than than probably

1572
01:21:34,000 --> 01:21:37,240
Speaker 1: than probably actually. Are now let's pay attention to this last.

1573
01:21:37,240 --> 01:21:41,840
Speaker 1: Part Aiden ross goes to The Playboy cardi concert last.

1574
01:21:41,920 --> 01:21:45,120
Speaker 1: Night here's another situation where academics acts as a wrecking.

1575
01:21:45,240 --> 01:21:49,880
Speaker 1: Ball cuffum falls off of the high rise and bust his.

1576
01:21:49,960 --> 01:21:52,920
Speaker 1: Head number, one we sent our condolences to the young

1577
01:21:53,000 --> 01:21:56,160
Speaker 1: boy cuff. Them my children really rock With aiden cuffing

1578
01:21:56,560 --> 01:21:57,559
Speaker 1: and all of these young.

1579
01:21:57,640 --> 01:21:58,519
Speaker 2: Boys that's number.

1580
01:21:58,560 --> 01:22:01,799
Speaker 1: One number, two let me put this on the, Record Aiden,

1581
01:22:01,880 --> 01:22:04,800
Speaker 1: ross you do not need academics to do that shit

1582
01:22:04,880 --> 01:22:08,080
Speaker 1: he got you. Doing that's A generoi admission. Ticket if

1583
01:22:08,120 --> 01:22:10,920
Speaker 1: you're asking, Me he's not taking you through any scenario

1584
01:22:11,400 --> 01:22:15,080
Speaker 1: that makes him King jaffi joefa, MAN i can get

1585
01:22:15,120 --> 01:22:17,960
Speaker 1: you them kind of tickets to anything in the.

1586
01:22:18,000 --> 01:22:21,080
Speaker 2: World fuck you talking about that shit he.

1587
01:22:21,240 --> 01:22:23,960
Speaker 1: DOING i thought he was taking y'all backstage and your

1588
01:22:24,000 --> 01:22:27,200
Speaker 1: stream was gonna be explicit salute To Aiden ross for

1589
01:22:27,320 --> 01:22:29,680
Speaker 1: going to give his fans what they. Want BUT i

1590
01:22:29,760 --> 01:22:32,759
Speaker 1: want to be clear for people who don't understand torn

1591
01:22:33,960 --> 01:22:37,439
Speaker 1: man that shit academics doing for. Them streamers don't warn

1592
01:22:37,600 --> 01:22:40,479
Speaker 1: him being able to call you his son like he

1593
01:22:40,600 --> 01:22:42,559
Speaker 1: doing some kind of hell of a. Thing he taking

1594
01:22:42,640 --> 01:22:44,800
Speaker 1: y'all to some shit and sitting you on the high.

1595
01:22:44,920 --> 01:22:48,559
Speaker 1: Rise set that to the, Side Aiden, ross academics come.

1596
01:22:48,600 --> 01:22:51,320
Speaker 1: From all of these gentlemen showed up to The Playboy cardi.

1597
01:22:51,439 --> 01:22:55,679
Speaker 1: Stream they were not able to take cameras into the back.

1598
01:22:55,720 --> 01:22:57,640
Speaker 1: Stage i'm not even sure if they were able to

1599
01:22:57,640 --> 01:23:00,800
Speaker 1: see Where cardi was at with the cameras and things

1600
01:23:00,800 --> 01:23:01,000
Speaker 1: of that.

1601
01:23:01,080 --> 01:23:03,000
Speaker 2: Nature But aiden went. There they had a good.

1602
01:23:03,080 --> 01:23:06,679
Speaker 1: Time, unfortunately as they were standing on the high, rise

1603
01:23:07,439 --> 01:23:08,240
Speaker 1: the bar fell.

1604
01:23:08,280 --> 01:23:10,639
Speaker 2: Off the bar fell.

1605
01:23:10,680 --> 01:23:50,120
Speaker 1: Off pay attention to this, Salute Aiden hope cuform Is

1606
01:23:50,720 --> 01:23:52,960
Speaker 1: cuffle is the name on the stream of it feel right.

1607
01:23:53,000 --> 01:23:56,960
Speaker 1: There but this is what academics had aiding in cufflem

1608
01:23:57,000 --> 01:24:01,000
Speaker 1: at and uh this ended up. Happening but it's now

1609
01:24:01,200 --> 01:24:03,559
Speaker 1: gonna take place WHAT i believe to be the following

1610
01:24:03,600 --> 01:24:07,880
Speaker 1: steps is now there'll be a Lawsuit now the lawsuit

1611
01:24:07,920 --> 01:24:10,439
Speaker 1: on the venue is about to get. Shaky why would

1612
01:24:10,520 --> 01:24:13,000
Speaker 1: that be the? Case who gave them the? Tickets how

1613
01:24:13,040 --> 01:24:13,600
Speaker 1: did they get in a?

1614
01:24:13,680 --> 01:24:14,040
Speaker 2: Venue?

1615
01:24:14,160 --> 01:24:17,519
Speaker 1: NOW i truly believe that doesn't. Matter but if you

1616
01:24:17,600 --> 01:24:21,919
Speaker 1: believe you go all through this lawsuit without that becoming

1617
01:24:21,920 --> 01:24:25,040
Speaker 1: a point of, CONTINGENT i think you have the wrong

1618
01:24:25,080 --> 01:24:27,200
Speaker 1: idea in. MIND i think at some point they bring

1619
01:24:27,320 --> 01:24:30,040
Speaker 1: up how did they get? In who gave them? Tickets

1620
01:24:30,320 --> 01:24:33,679
Speaker 1: they didn't purchase, tickets so did?

1621
01:24:33,880 --> 01:24:33,960
Speaker 4: We?

1622
01:24:34,280 --> 01:24:37,600
Speaker 1: LIKE i think that becomes in. QUESTION i think a

1623
01:24:37,680 --> 01:24:41,519
Speaker 1: lawsuit's coming from. THIS i think a lawsuit's coming from.

1624
01:24:41,520 --> 01:24:41,600
Speaker 5: This.

1625
01:24:42,320 --> 01:24:45,560
Speaker 1: Now if You Playboy cardi's, team you're, saying, damn academics

1626
01:24:45,560 --> 01:24:48,800
Speaker 1: invited these. People we told them they couldn't come back.

1627
01:24:48,840 --> 01:24:52,160
Speaker 1: Here but these people ended up falling and cutting the head.

1628
01:24:52,240 --> 01:24:55,760
Speaker 1: Open somebody's really. HURT i don't know how this dude

1629
01:24:55,880 --> 01:25:00,280
Speaker 1: is favorable on anybody tour at this. Point how is

1630
01:25:00,320 --> 01:25:02,880
Speaker 1: this dude being called to anybody to at this, point

1631
01:25:02,920 --> 01:25:05,920
Speaker 1: you go To Young Boy tour costs, here millions of,

1632
01:25:05,960 --> 01:25:08,880
Speaker 1: dollars go home saying he dissing. Everybody next, thing you,

1633
01:25:08,960 --> 01:25:12,479
Speaker 1: know shows get. Canceled then you get on streaming basically

1634
01:25:12,560 --> 01:25:14,760
Speaker 1: let the world know that young boy then was trying

1635
01:25:14,760 --> 01:25:17,479
Speaker 1: to Charge. Aiden they scam and they trying to scheme On.

1636
01:25:17,520 --> 01:25:20,920
Speaker 1: Aiden next day you Bring Charleston white up there that

1637
01:25:21,040 --> 01:25:24,240
Speaker 1: becomes in this. Shoe then you go to this PLAYBOY cardi.

1638
01:25:24,320 --> 01:25:27,120
Speaker 1: Thing you bring them up here right For. Aiden they

1639
01:25:27,160 --> 01:25:29,679
Speaker 1: know Who aiden. Is the crowd go. Crazy they Love.

1640
01:25:29,760 --> 01:25:33,040
Speaker 1: Aiden you take them out. There what is on a high?

1641
01:25:33,160 --> 01:25:34,240
Speaker 2: Rise this Is Aiden.

1642
01:25:34,400 --> 01:25:37,719
Speaker 1: Ross you got out in the middle where they donna

1643
01:25:37,720 --> 01:25:40,439
Speaker 1: stop looking at the show and they. Focused don't do

1644
01:25:42,360 --> 01:25:45,639
Speaker 1: you got standing on a high rise and trying to sun?

1645
01:25:45,720 --> 01:25:46,080
Speaker 2: Them?

1646
01:25:46,600 --> 01:25:49,680
Speaker 1: Man you done cool lot? Man anyway is due to?

1647
01:25:49,760 --> 01:25:51,800
Speaker 1: That it is a wrecking. Ball you don't help being

1648
01:25:51,880 --> 01:25:55,800
Speaker 1: nothing up love one think about. This takashi six nine

1649
01:25:55,920 --> 01:25:58,679
Speaker 1: is in a situation that what just Happened his home

1650
01:25:58,800 --> 01:26:01,599
Speaker 1: was Just Burglar? Rise why was his Home Burglar? Rise

1651
01:26:02,320 --> 01:26:05,320
Speaker 1: because he's been doing streams with everybody in the. World

1652
01:26:06,560 --> 01:26:09,719
Speaker 1: who brought him back into. Streaming i'll let you guess

1653
01:26:09,760 --> 01:26:12,960
Speaker 1: it at. Home but now The takashi six' nine is back.

1654
01:26:13,000 --> 01:26:16,439
Speaker 1: In streaming What happens they go hold his mother at

1655
01:26:16,520 --> 01:26:22,360
Speaker 1: gunpoint because they found that way Live a you invite

1656
01:26:22,400 --> 01:26:25,439
Speaker 1: these streamers to. Your house these, dudes alive pay attention

1657
01:26:25,520 --> 01:26:29,479
Speaker 1: To what. Takashi said happen wrote this clip to the world.

1658
01:26:29,560 --> 01:26:30,360
Speaker 2: Knows this it's.

1659
01:26:30,400 --> 01:26:31,519
Speaker 4: A fact i'm on.

1660
01:26:31,600 --> 01:26:32,880
Speaker 2: House rest i've been on.

1661
01:26:32,960 --> 01:26:35,479
Speaker 7: HOUSE rest i think Everyone in america and everyone across

1662
01:26:35,479 --> 01:26:38,519
Speaker 7: the world Knows that i'm on. House arrest yesterday they

1663
01:26:38,520 --> 01:26:42,519
Speaker 7: allowed me to leave. For, WORK people i guess SAW

1664
01:26:42,560 --> 01:26:46,519
Speaker 7: that i was on live Stream With. Jack doherty they

1665
01:26:46,520 --> 01:26:50,360
Speaker 7: took that opportunity to do some. Pussy SHIT like, i said,

1666
01:26:50,400 --> 01:26:52,719
Speaker 7: it's ME so i. Get it the rules are different.

1667
01:26:52,760 --> 01:26:56,320
Speaker 7: For me but if it was your, favorite artist your,

1668
01:26:56,360 --> 01:27:00,160
Speaker 7: favorite actor and that, was done they don't get no

1669
01:27:00,240 --> 01:27:02,599
Speaker 7: cool points. For that my mom is sixty. Years old

1670
01:27:03,200 --> 01:27:05,080
Speaker 7: Y'all know i'm supposed to. Come home, Ya know i'm

1671
01:27:05,120 --> 01:27:07,840
Speaker 7: home all. The time i'm on the, House rest so

1672
01:27:07,920 --> 01:27:09,880
Speaker 7: y'all take the Opportunity that i'm. Not home y'all see

1673
01:27:09,880 --> 01:27:12,920
Speaker 7: me on live Stream With jack Dorty, in miami and y'all.

1674
01:27:12,960 --> 01:27:13,479
Speaker 2: Do that that's.

1675
01:27:13,479 --> 01:27:16,720
Speaker 7: Pussy shit that's why get no cool POINT for i

1676
01:27:16,760 --> 01:27:17,920
Speaker 7: don't think nobody respects.

1677
01:27:17,960 --> 01:27:20,320
Speaker 4: That shit BUT like, i said.

1678
01:27:50,920 --> 01:28:00,680
Speaker 1: So there's people Going into. Takashi, home no they've done

1679
01:28:00,760 --> 01:28:01,000
Speaker 1: that to.

1680
01:28:01,080 --> 01:28:01,120
Speaker 5: His.

1681
01:28:01,320 --> 01:28:02,439
Speaker 2: Mom man, You know.

1682
01:28:03,920 --> 01:28:06,960
Speaker 1: I'm not interested in mothers and things. Being involved, you

1683
01:28:07,000 --> 01:28:11,800
Speaker 1: know some just sliming, like that though some like, you

1684
01:28:11,880 --> 01:28:16,439
Speaker 1: know they're they'll treat the mothers and grandmothers and all

1685
01:28:16,520 --> 01:28:18,920
Speaker 1: that kind of. Different Ways so i'm not interested in

1686
01:28:18,960 --> 01:28:21,439
Speaker 1: those kind. OF individuals i think those dudes need to

1687
01:28:22,240 --> 01:28:24,160
Speaker 1: you need to really put them up, against.

1688
01:28:23,840 --> 01:28:25,719
Speaker 2: Gladiators let them really, feel it.

1689
01:28:27,360 --> 01:28:31,960
Speaker 1: Because sometimes, you know people don't people don't respect the

1690
01:28:32,080 --> 01:28:34,800
Speaker 1: natural order of things And how god is ordaining his

1691
01:28:35,080 --> 01:28:42,760
Speaker 1: universe too to interact with. One another but this is,

1692
01:28:42,760 --> 01:28:46,639
Speaker 1: A situation this is a serious Situation for takashi. NUMBER

1693
01:28:46,680 --> 01:28:49,759
Speaker 1: one a couple of. Different things this is my product

1694
01:28:49,800 --> 01:28:51,680
Speaker 1: of being on all these. Different streams you got these

1695
01:28:51,720 --> 01:28:54,760
Speaker 1: young guys showing up to your house on live talking

1696
01:28:54,800 --> 01:28:57,800
Speaker 1: about put the. Camera down then you got Travel or

1697
01:28:57,920 --> 01:29:00,040
Speaker 1: ross pull it out there and showing other houses in.

1698
01:29:00,120 --> 01:29:00,880
Speaker 2: Your neighborhood.

1699
01:29:02,240 --> 01:29:04,760
Speaker 1: This hose THEN what i be trying to tell these

1700
01:29:04,800 --> 01:29:07,479
Speaker 1: Guys Like treblo ross and other people from outside the

1701
01:29:07,520 --> 01:29:11,200
Speaker 1: culture when they have certain. Stuff wrong he don't even really.

1702
01:29:11,320 --> 01:29:13,720
Speaker 1: UNDERSTAND that i just show.

1703
01:29:13,760 --> 01:29:13,840
Speaker 2: His.

1704
01:29:13,960 --> 01:29:17,200
Speaker 1: House yo if you show a house within three miles from,

1705
01:29:17,200 --> 01:29:19,559
Speaker 1: my house you showed my house if you would show

1706
01:29:19,640 --> 01:29:23,439
Speaker 1: me within five within five miles away and. Live it

1707
01:29:23,479 --> 01:29:26,400
Speaker 1: just show me one house in, the area we'll figure

1708
01:29:26,400 --> 01:29:29,760
Speaker 1: out where Ass At Trump lord ross come through there

1709
01:29:29,800 --> 01:29:32,960
Speaker 1: doing a documentary and showing other houses that in, the

1710
01:29:33,000 --> 01:29:34,719
Speaker 1: neighborhood talking about they.

1711
01:29:34,600 --> 01:29:35,120
Speaker 2: Got a gate.

1712
01:29:35,160 --> 01:29:37,960
Speaker 1: Around here look at these, other houses pretty nice houses.

1713
01:29:38,000 --> 01:29:41,160
Speaker 1: Back here on top, of that you got the, usual

1714
01:29:41,240 --> 01:29:44,320
Speaker 1: suspects the academics is and all those guys come out there.

1715
01:29:44,320 --> 01:29:46,719
Speaker 1: To stream how many times you think you're gonna invite

1716
01:29:46,720 --> 01:29:49,160
Speaker 1: people out there to stream and it ain't nobody else

1717
01:29:49,200 --> 01:29:51,920
Speaker 1: gonna get? The location how many girls you're gonna invite

1718
01:29:51,960 --> 01:29:54,479
Speaker 1: out there for the twenty v one or whatever that

1719
01:29:54,560 --> 01:29:57,320
Speaker 1: shit y'all be doing? On stream y'all do a fake

1720
01:29:57,400 --> 01:30:00,439
Speaker 1: blind date and invite girls from around the corner And.

1721
01:30:00,479 --> 01:30:03,599
Speaker 1: In miami how many of them you think you're gonna

1722
01:30:03,600 --> 01:30:07,240
Speaker 1: invite over to your house and ain't nobody gonna get?

1723
01:30:07,280 --> 01:30:11,280
Speaker 1: The address and then here's another stupid thing. They're doing

1724
01:30:11,479 --> 01:30:14,240
Speaker 1: and maybe he's convinced itself. Of it the streets is.

1725
01:30:14,240 --> 01:30:16,960
Speaker 1: A meal the street people ain't gonna. Do, nothing man

1726
01:30:17,080 --> 01:30:19,559
Speaker 1: them folks ain't gonna. DO nothing i don't have. NO

1727
01:30:19,680 --> 01:30:22,479
Speaker 1: security i be wondering what they get when they're SAYING

1728
01:30:22,479 --> 01:30:25,519
Speaker 1: that i don't have. No, Security man i'm, not YOU

1729
01:30:25,800 --> 01:30:28,599
Speaker 1: and i don't do. No security you Know what. I'm

1730
01:30:28,600 --> 01:30:31,479
Speaker 1: SAYING and i. Get it sometimes. It's bravado, it's, like man,

1731
01:30:31,520 --> 01:30:33,320
Speaker 1: YOU know i move around. LIKE that i trust. The

1732
01:30:33,439 --> 01:30:37,040
Speaker 1: universe all. IS well i trust. THE universe i. Get

1733
01:30:37,080 --> 01:30:39,479
Speaker 1: that BUT sometimes i, be thinking like if it's in

1734
01:30:39,520 --> 01:30:42,600
Speaker 1: his situation to be like, my mama stay Here and

1735
01:30:42,640 --> 01:30:44,599
Speaker 1: i'm showing Money in JERE and i ain't got.

1736
01:30:44,640 --> 01:30:47,280
Speaker 2: No security they just. Be talking did you see me with?

1737
01:30:47,360 --> 01:30:49,920
Speaker 2: Some security? Who's here that was THE time I.

1738
01:30:49,880 --> 01:30:52,720
Speaker 1: Seen takashi trying to call itself flexing right because he.

1739
01:30:52,800 --> 01:30:55,200
Speaker 1: Want to that's something he. GOT bad i think he.

1740
01:30:55,280 --> 01:30:58,120
Speaker 1: Feels played he spends so many much money. On security

1741
01:30:58,360 --> 01:31:01,679
Speaker 1: he just got. A phobia now he just keep talking.

1742
01:31:01,680 --> 01:31:03,280
Speaker 1: ABOUT it i don't, GOT secured i don't. Got security

1743
01:31:03,280 --> 01:31:04,800
Speaker 1: who they talking about? THE security i don't do. No

1744
01:31:04,800 --> 01:31:08,080
Speaker 1: security he just keep talking. About it ONE time i

1745
01:31:08,120 --> 01:31:10,679
Speaker 1: heard him speaking about it to a dude that was interview,

1746
01:31:10,720 --> 01:31:13,800
Speaker 1: on him and he was, talking, ABOUT yo i don't have.

1747
01:31:13,880 --> 01:31:17,680
Speaker 1: ANY security i don't have. Any security but what he

1748
01:31:17,720 --> 01:31:20,840
Speaker 1: doesn't understand is is that he's sitting across from, a

1749
01:31:20,880 --> 01:31:24,360
Speaker 1: squad so he won't to shine for. The watchers so

1750
01:31:24,439 --> 01:31:26,600
Speaker 1: he really poured. IT on i don't got no.

1751
01:31:26,680 --> 01:31:30,000
Speaker 2: Security door do you see, some security, dude, like nah ain't.

1752
01:31:30,040 --> 01:31:32,840
Speaker 2: No security, i'm saying you see who? With me you

1753
01:31:32,880 --> 01:31:34,799
Speaker 2: see how? We moving didn't?

1754
01:31:34,920 --> 01:31:37,960
Speaker 1: Howl, out man it's only one person, with you and

1755
01:31:38,000 --> 01:31:38,599
Speaker 1: he ain't got.

1756
01:31:38,680 --> 01:31:39,360
Speaker 2: A gun.

1757
01:31:41,120 --> 01:31:43,400
Speaker 1: I came to, your house it was only one person

1758
01:31:43,479 --> 01:31:46,320
Speaker 1: there and they didn't have. A gun then what they

1759
01:31:46,400 --> 01:31:50,800
Speaker 1: saying on stream now and you think that's falling on

1760
01:31:50,920 --> 01:31:56,639
Speaker 1: death is the interesting FACT that i think people don't

1761
01:31:56,720 --> 01:32:01,000
Speaker 1: Understand is takashi is financially vulnerable. Right now so even

1762
01:32:01,040 --> 01:32:03,800
Speaker 1: though those gentlemen broke in, his house he. Cannot move

1763
01:32:04,520 --> 01:32:06,920
Speaker 1: so his mama and him got to still live in

1764
01:32:06,920 --> 01:32:10,519
Speaker 1: that home Where foe nick just broke. In yesterday they.

1765
01:32:10,560 --> 01:32:13,800
Speaker 1: Can't move he boughty cash is. He is maybe he'll.

1766
01:32:13,840 --> 01:32:16,240
Speaker 1: Sell it, you know what do you? Move to he

1767
01:32:16,280 --> 01:32:18,160
Speaker 1: did a lot of custom shit. To it he gotta.

1768
01:32:18,200 --> 01:32:20,559
Speaker 1: STAY there i don't think he got the liquid cass

1769
01:32:20,600 --> 01:32:22,760
Speaker 1: to really, do nothing to. Shake nothing and if he,

1770
01:32:22,840 --> 01:32:25,240
Speaker 1: said it he, can move but you know that's a

1771
01:32:25,280 --> 01:32:29,000
Speaker 1: lot to do so they now still have to live

1772
01:32:29,000 --> 01:32:31,559
Speaker 1: in a house that's been invaded in.

1773
01:32:31,640 --> 01:32:33,240
Speaker 2: That way like you know where.

1774
01:32:33,280 --> 01:32:35,880
Speaker 1: We're from soon something like, it happened you move within,

1775
01:32:35,920 --> 01:32:39,200
Speaker 1: an hour, Everything gone we out, of here this, house

1776
01:32:39,280 --> 01:32:41,840
Speaker 1: done you KNOW what, I mean soon as you get

1777
01:32:41,880 --> 01:32:44,760
Speaker 1: a whiff or something like, that happened you out, of there,

1778
01:32:45,920 --> 01:32:48,120
Speaker 1: You know, god willing nothing like that never happened. To

1779
01:32:48,200 --> 01:32:50,960
Speaker 1: y'all but, YOU know i think a lot of this

1780
01:32:51,120 --> 01:32:54,400
Speaker 1: has to do with how visible he's being in the

1781
01:32:54,160 --> 01:32:58,519
Speaker 1: in the eyes of. The public just been too many

1782
01:32:58,520 --> 01:33:02,320
Speaker 1: people coming to. His home too many people coming to.

1783
01:33:02,439 --> 01:33:05,679
Speaker 1: His home he goes, for centence and we'll see what's

1784
01:33:05,720 --> 01:33:07,439
Speaker 1: going on. WITH that i need y'all go Watch this

1785
01:33:07,600 --> 01:33:10,360
Speaker 1: Charge in white interview that comes out. Part two what

1786
01:33:10,520 --> 01:33:13,080
Speaker 1: we really Talk about takashi and we kind of. Get

1787
01:33:13,080 --> 01:33:15,839
Speaker 1: heated he's trying to Tell Me ta kashi's. A gangster

1788
01:33:16,240 --> 01:33:19,000
Speaker 1: i'm laughing. AT it I believe takashi just grew up

1789
01:33:19,040 --> 01:33:22,000
Speaker 1: around here. About it but you know how we. Do

1790
01:33:22,080 --> 01:33:25,320
Speaker 1: it but hopefully y'all got something from. TODAY'S episode i

1791
01:33:25,360 --> 01:33:27,200
Speaker 1: see y'all. Next week, you know the love is real

1792
01:33:27,240 --> 01:33:29,880
Speaker 1: when it's coming from. Over here you Dig what i'm

1793
01:33:29,880 --> 01:33:32,960
Speaker 1: saying hit that. Like button you know. The vibes it's up,

1794
01:33:33,000 --> 01:33:34,400
Speaker 1: that podcast love y'all.

1795
01:33:34,439 --> 01:33:35,200
Speaker 2: For shit it