1 00:00:00,520 --> 00:00:04,560 Speaker 1: Broadcasting Live to New York, Bloomberg eleven three oh to Washington, 2 00:00:04,640 --> 00:00:09,480 Speaker 1: d C, Bloomberg to Boston, Bloomberg twelve hundred to San Francisco, 3 00:00:09,520 --> 00:00:13,600 Speaker 1: Bloomberg nine sixteen to the country, serious XM, chto one, 4 00:00:13,600 --> 00:00:16,120 Speaker 1: and around the globe of the Bloomberg Radio Plus app 5 00:00:16,160 --> 00:00:23,760 Speaker 1: and Bloomberg dot Com. This is Bloomberg Law. Star Trek 6 00:00:23,760 --> 00:00:26,840 Speaker 1: has been a cult phenomenon and a money making franchise 7 00:00:26,920 --> 00:00:32,400 Speaker 1: for decades. There was the original television series in the sixties, 8 00:00:32,760 --> 00:00:36,440 Speaker 1: four other television series and another set to debut, and 9 00:00:36,479 --> 00:00:40,000 Speaker 1: of course, the film franchise thirteen movies from the original 10 00:00:40,120 --> 00:00:43,479 Speaker 1: series to the Next Generation films to the reboot films. 11 00:00:43,840 --> 00:00:46,960 Speaker 1: That's why Paramount Pictures and CBS went to court to 12 00:00:47,040 --> 00:00:51,400 Speaker 1: protect their copyrighted work and stop an unauthorized fan made 13 00:00:51,400 --> 00:00:54,960 Speaker 1: prequel to the nineteen sixties Star Trek series. Acts in 14 00:00:55,000 --> 00:00:57,880 Speaker 1: Our Productions raised more than one million dollars for the 15 00:00:57,920 --> 00:01:02,800 Speaker 1: proposed feature length version using twenty minute YouTube video started 16 00:01:04,560 --> 00:01:09,440 Speaker 1: zero three. The planet our canis four, found in Newly 17 00:01:09,480 --> 00:01:13,280 Speaker 1: a century before this research outpost, has grown into a flourishing, 18 00:01:13,400 --> 00:01:18,160 Speaker 1: full scarce city. It is a shining example federation progress, 19 00:01:20,920 --> 00:01:25,080 Speaker 1: a California federal judge handed a victory to Paramountain CBS 20 00:01:25,120 --> 00:01:28,039 Speaker 1: and the copyright infringement case, ruling that Acts and Our 21 00:01:28,080 --> 00:01:31,800 Speaker 1: Productions cannot claim fair use as a defense, but sending 22 00:01:31,840 --> 00:01:34,600 Speaker 1: the case to trial so a jury can decide whether 23 00:01:34,640 --> 00:01:37,920 Speaker 1: the fan film would be substantially similar to the Star 24 00:01:38,000 --> 00:01:41,600 Speaker 1: Trek films and TV series. Joining me are Michael Rish, 25 00:01:41,640 --> 00:01:45,520 Speaker 1: a professor at Villanova University Law School, and Aaron Ranahan, 26 00:01:45,640 --> 00:01:48,720 Speaker 1: a partner at Winston and Strawn who represents Acts and 27 00:01:48,760 --> 00:01:52,240 Speaker 1: Our Productions. Michael, we can start us off by explaining 28 00:01:52,240 --> 00:01:57,080 Speaker 1: the judges ruling Sure there was a motion essentially to 29 00:01:57,960 --> 00:02:03,400 Speaker 1: dismiss the case on some rejudgment basically ruling that this 30 00:02:03,560 --> 00:02:10,000 Speaker 1: was a fair use by the movie creator, and the 31 00:02:10,120 --> 00:02:13,360 Speaker 1: judge ruled that this was not in fact a fair 32 00:02:13,480 --> 00:02:16,440 Speaker 1: use and that that would not be a defense that 33 00:02:16,480 --> 00:02:20,960 Speaker 1: could be raised at trial. And so essentially there's going 34 00:02:21,000 --> 00:02:25,400 Speaker 1: to be a trial on whether or not the reasonable person, 35 00:02:25,520 --> 00:02:28,760 Speaker 1: that is, the jury, thinks that the movie is substantially 36 00:02:28,800 --> 00:02:33,799 Speaker 1: similar to copyrighted elements of the Star Trek universe. Aaron, 37 00:02:33,880 --> 00:02:37,480 Speaker 1: what was your position in representing as and are about 38 00:02:37,480 --> 00:02:40,280 Speaker 1: whether or not this was a fair use? Sure, so 39 00:02:40,720 --> 00:02:44,480 Speaker 1: fair use is a notorically hard to predict defense. So 40 00:02:44,560 --> 00:02:49,960 Speaker 1: our position was to argue but the most important element transformativeness, 41 00:02:50,040 --> 00:02:54,280 Speaker 1: which requires that the work brings something new, or bring 42 00:02:54,320 --> 00:02:58,560 Speaker 1: a new message, or provide some form of comment that 43 00:02:58,760 --> 00:03:03,360 Speaker 1: the prelude action are in particular met this element because 44 00:03:03,440 --> 00:03:06,880 Speaker 1: it was presented in a mockumentary format which had never 45 00:03:06,919 --> 00:03:10,160 Speaker 1: been seen in all fifty years of Star Trek, and 46 00:03:10,400 --> 00:03:14,200 Speaker 1: it presented a story about a character that is, for 47 00:03:14,280 --> 00:03:17,400 Speaker 1: the most part relatively obscure. The court did disagree with 48 00:03:17,480 --> 00:03:20,200 Speaker 1: us on this, but even J. J. Abrams and and 49 00:03:20,280 --> 00:03:23,639 Speaker 1: Justin Lynne had never heard of of Garth of Isar. 50 00:03:24,240 --> 00:03:28,920 Speaker 1: So what our clients twenty minute mockumentary was It wasn't 51 00:03:28,919 --> 00:03:32,320 Speaker 1: the trailer, It was a short and it actually on 52 00:03:32,360 --> 00:03:35,120 Speaker 1: its own one a bunch of independent film awards. So 53 00:03:35,200 --> 00:03:39,560 Speaker 1: it's a very unique kind of new spin on Star 54 00:03:39,640 --> 00:03:41,680 Speaker 1: Trek which no one had ever seen as far as 55 00:03:41,840 --> 00:03:45,280 Speaker 1: a mockumentary. And if you go to the Wikipedia definition 56 00:03:45,320 --> 00:03:48,560 Speaker 1: of mockumentary, it actually defined it as a parody. There's 57 00:03:48,600 --> 00:03:53,640 Speaker 1: certainly reasonable disagreement about whether prelu Taxon are qualified as 58 00:03:53,640 --> 00:03:56,320 Speaker 1: a parody or not, but for a reasonable observer could 59 00:03:56,880 --> 00:03:59,920 Speaker 1: classified as a parody. Then our position was at the 60 00:04:00,040 --> 00:04:02,640 Speaker 1: court should at least allow fair use to go to 61 00:04:02,680 --> 00:04:05,160 Speaker 1: the jury, if not find it out right that this 62 00:04:05,240 --> 00:04:08,680 Speaker 1: work was transformative. Another big part of fair use is 63 00:04:08,720 --> 00:04:12,840 Speaker 1: to show the impact on the market, and here praylu 64 00:04:12,920 --> 00:04:15,119 Speaker 1: to acton r has been out since two thousand fourteen, 65 00:04:15,840 --> 00:04:18,320 Speaker 1: and the planeffs didn't have any evidence that there had 66 00:04:18,360 --> 00:04:22,040 Speaker 1: been any negative impact based on prailude to actonards that 67 00:04:22,520 --> 00:04:25,880 Speaker 1: it was actually functioning as a free promotional work. And 68 00:04:25,920 --> 00:04:28,440 Speaker 1: in fact, our clients are the biggest Star Trek fans 69 00:04:28,480 --> 00:04:32,400 Speaker 1: and continue to promote the authorized and official Star Trek 70 00:04:32,800 --> 00:04:36,080 Speaker 1: in their tweets and in any other form. Michael, what 71 00:04:36,160 --> 00:04:39,640 Speaker 1: was the judge is written opinion? As far as the 72 00:04:39,680 --> 00:04:44,359 Speaker 1: points that Aaron just made, the judge basically ruled that 73 00:04:45,680 --> 00:04:51,440 Speaker 1: while it was done differently, a parody requires some sort 74 00:04:51,480 --> 00:04:58,000 Speaker 1: of criticism or statement about the original and that that's 75 00:04:58,040 --> 00:05:02,039 Speaker 1: not what this is. So, and I should add that 76 00:05:02,080 --> 00:05:05,240 Speaker 1: the court was also concerned not just with the short 77 00:05:05,320 --> 00:05:09,640 Speaker 1: but also with the screenplay of the full movie, and 78 00:05:09,720 --> 00:05:14,479 Speaker 1: so I think that probably had an effect on how 79 00:05:14,520 --> 00:05:18,320 Speaker 1: the ruling went. Personally, I think the parody argument is 80 00:05:18,640 --> 00:05:22,159 Speaker 1: a good one, but I also think that this is 81 00:05:22,200 --> 00:05:25,080 Speaker 1: not your traditional parody, and I think that's the way 82 00:05:25,080 --> 00:05:28,320 Speaker 1: the court saw it. With respect to market substitution. The 83 00:05:28,360 --> 00:05:32,279 Speaker 1: court said, you don't actually have to show market substitution. 84 00:05:32,440 --> 00:05:36,000 Speaker 1: Once you decide that this wasn't really a transformative use, 85 00:05:37,000 --> 00:05:40,760 Speaker 1: then you can basically assume that there's going to be 86 00:05:41,320 --> 00:05:45,919 Speaker 1: some market impact, especially if there's going to be a 87 00:05:46,120 --> 00:05:49,839 Speaker 1: longer thing. Thank you both. That's Michael Rishi, professor at 88 00:05:49,920 --> 00:05:53,480 Speaker 1: Villanova University Law School, and Aaron Ranahan, a partner at 89 00:05:53,480 --> 00:05:57,159 Speaker 1: Winston and Strawn who represents acts and our productions. This 90 00:05:57,600 --> 00:05:58,280 Speaker 1: is Bloomberg