WEBVTT - Superman Roundtable 

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<v Speaker 1>Worrying. Today's episode contains spoilers for Superman currently in theaters. Hello,

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<v Speaker 1>my name is Jason Concepcion and I'm rosday Night, and

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<v Speaker 1>welcome back to x Ravay of the podcast where we

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<v Speaker 1>dive the bit to your favorite shows, movies, comments, and

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<v Speaker 1>pop culture company Over my our podcast Where Were We You?

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<v Speaker 1>Episodes every Tuesday and Thursday, plus highlighting the summer's biggest

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<v Speaker 1>movies every Friday, and news on Saturday.

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<v Speaker 2>In today's episode, we have gathered the Justice Gang and Planetwatch.

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<v Speaker 2>Depends who's on which side we will see, we'll see

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<v Speaker 2>it's Superman and the Justice Gang talking Superman and will

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<v Speaker 2>we talking about why we think the DC universe could

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<v Speaker 2>head next Well, our super producers thought of the movie

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<v Speaker 2>and guys, no episode on Thursday, but we will be

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<v Speaker 2>back on Friday for our newest popcorn pop out, talking

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<v Speaker 2>about probably the phenomenon of the summer so far K

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<v Speaker 2>Pop Demon Hunters on Netflix. And then we'll be bringing

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<v Speaker 2>you some fun and fresh updates from Comic Con and

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<v Speaker 2>I can't believe it's almost here, guys. But first.

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<v Speaker 1>Our Superan Roundtable. Let's welcome in the roundtable participants, our

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<v Speaker 1>super producer crew Joel, how are you.

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<v Speaker 3>I'm here for Justice Gang, but I would like us

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<v Speaker 3>to have a new name.

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<v Speaker 2>He said, It's not the Justice Gang. Babe.

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<v Speaker 3>Carmen, good morning.

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<v Speaker 4>How are you doing well? Thanks for having me.

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<v Speaker 2>Aaron, Aaron, how you do him?

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<v Speaker 5>I'm so excited to talk about that little men in

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<v Speaker 5>Black alien guy who was working in the jail in

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<v Speaker 5>the zero dimension. I can't wait for all of our

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<v Speaker 5>theories on that character.

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<v Speaker 2>Bro't don't gus tempt it. You're gonna close.

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<v Speaker 1>Okay, First, let's Superman. First of all, is a huge hit,

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<v Speaker 1>a massive hit. We should recognize that.

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<v Speaker 2>Good job.

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<v Speaker 1>Good job Superman, Good job, Warner Brothers. Congratulations, David Zaslav,

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<v Speaker 1>you did it, my guy.

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<v Speaker 2>Yeah, good job. Guys. We like you did it. You

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<v Speaker 2>did a good job.

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<v Speaker 1>Look what are our quick headline reactions to this film?

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<v Speaker 1>Let's start with you Erin.

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<v Speaker 5>I thought it was really good. I think I wound

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<v Speaker 5>up probably like a seven or eight out of ten.

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<v Speaker 5>I think that this is a really fun movie. I

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<v Speaker 5>had a great time the whole time. I had some

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<v Speaker 5>issues with it, small things, but like I walked in

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<v Speaker 5>not sure what to expect. I was not sold on

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<v Speaker 5>corn sweat before and I walked out of it saying, like,

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<v Speaker 5>the casting of this movie incredible and everyone overperformed. Everyone overperformed.

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<v Speaker 5>So yeah, I thought it was very good, seven or

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<v Speaker 5>eight out of ten.

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<v Speaker 4>Carmen, Yeah, I think the casting was amazing. To Aaron's point,

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<v Speaker 4>but the first thing I said when the movie was over,

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<v Speaker 4>and I did Texas to the group chat as well,

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<v Speaker 4>but I said that I was very proud that Bimbo's

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<v Speaker 4>had saved the day. And there are some you know,

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<v Speaker 4>we do have some criticisms on that later, but it

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<v Speaker 4>gave me somebody relate to relate to, and I enjoyed it.

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<v Speaker 4>I gave it a nine out of ten, and that's

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<v Speaker 4>because I think largely like my cinema experience played a

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<v Speaker 4>big part in that. I was in the third row.

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<v Speaker 4>I was literally looking up at the screen. There were

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<v Speaker 4>kids in the rows behind me, like every time Crypto

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<v Speaker 4>was on screen. It was such a cute moment in

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<v Speaker 4>the theater. So love that. I'm saying it again tonight

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<v Speaker 4>and we'll see a Leicester last.

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<v Speaker 3>Yes, I've seen it twice. At the third time, I've

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<v Speaker 3>seen it twice, I've got tickets to see it at

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<v Speaker 3>the third time. I love this movie. I believe a

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<v Speaker 3>man can fly, and I believe superhero movies are gonna

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<v Speaker 3>keep being around for decades to come. Y'all, we are

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<v Speaker 3>not going anywhere. There's so much to say about this movie,

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<v Speaker 3>but for the quickest behind the scenes Warner Brothers has said,

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<v Speaker 3>sinners f one companion this movie. It all the way

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<v Speaker 3>to the Bay after after the loss of Joker too,

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<v Speaker 3>which was people wondering if Warner Bros. Could ever recover

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<v Speaker 3>as a studio afterwards. To go from that to this

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<v Speaker 3>a space that gives us a really hopeful feature for

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<v Speaker 3>DC comic books on screen. I think it's it's a

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<v Speaker 3>fantastic turn around. I guess as zero points. Congratulations to

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<v Speaker 3>all the producers and creatives who made this happen.

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<v Speaker 2>Also, I mean, let's be seriously, they released Minecraft this

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<v Speaker 2>year like the biggest hits, like this is the thing, money, money, money,

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<v Speaker 2>and this is also everywhere making money. And I'm I'm

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<v Speaker 2>happy because I feel like we didn't one hundred percent

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<v Speaker 2>know where this one was gonna land. It's the most

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<v Speaker 2>profitable solo Superman movie opening weekend.

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<v Speaker 1>We should also not f one a co pro between

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<v Speaker 1>Apple Studios and Warner Brothers Warner is distributing Apple Producers,

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<v Speaker 1>so yeah, you know.

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<v Speaker 2>What, Warner is good at those deals because Warner also

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<v Speaker 2>makes Abbot Elementary that's right, and then we know ABC

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<v Speaker 2>distros it, so they've done a good job with those

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<v Speaker 2>kind of deals. But yeah, I'm I love that you

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<v Speaker 2>guys all enjoyed this movie. Obviously, if you listen to

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<v Speaker 2>Mine and Jason talking about the movie, we also really

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<v Speaker 2>enjoyed it. Let's talk about one thing that you guys

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<v Speaker 2>loved and one thing that like didn't walk. Let's go

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<v Speaker 2>the other way around, Joelle, what was your one thing

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<v Speaker 2>that you really loved and one thing that maybe could

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<v Speaker 2>have been better?

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<v Speaker 3>I love that Superman and Lois Fuck.

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<v Speaker 4>I love.

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<v Speaker 1>A cheesy bathtub.

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<v Speaker 3>Superman. That scene. I was like, the hell is happy?

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<v Speaker 2>He lifted her up with one mom.

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<v Speaker 3>Like they do it in that tiny kitchen, and I

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<v Speaker 3>was like, who can't relate to this young love? This

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<v Speaker 3>is great. I also love that Lois is like canonically

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<v Speaker 3>older than Superman. It reads really well on the screen.

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<v Speaker 3>It's like hyper cute. I love she.

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<v Speaker 1>Makes it clear in their in their early part of

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<v Speaker 1>their scenes together that like unsure what the emotions are,

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<v Speaker 1>but this is primarily about we fucking yeah.

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<v Speaker 2>I also like that she just tells everyone. Everyone will

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<v Speaker 2>be like, how's that guy? She just seeing him? Just

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<v Speaker 2>see we know what that babe? Yeah?

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<v Speaker 5>Field, or he only dates people he meets at work.

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<v Speaker 3>For the internet, these fragile feelings. I don't think that

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<v Speaker 3>he can barely be on Twitter.

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<v Speaker 2>I don't think he's He's met and he met her

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<v Speaker 2>three months ago, and he like casually tells her he

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<v Speaker 2>loves her, and it's like, I should have told you

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<v Speaker 2>that a long time ago. He's like, like, what do

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<v Speaker 2>you mean? He's a sweet I met you.

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<v Speaker 3>I was ready to commit amazing uh. Like Coutique, I

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<v Speaker 3>I feel like the Engineer is such an interesting character

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<v Speaker 3>that got to do nothing on screen, and it really

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<v Speaker 3>bugs me. It was just like I gave him my

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<v Speaker 3>humanity for this, and like, I would love to have

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<v Speaker 3>seen it, Babe, would love to have seen you a

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<v Speaker 3>make this choice and be what that sacrifice meant for you?

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<v Speaker 3>And really I can extend that to almost all of

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<v Speaker 3>Luther's Like I really I love a good villain and

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<v Speaker 3>this is an excellent villain, and a good villain with

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<v Speaker 3>good henches is even better. And I really feel like

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<v Speaker 3>We had a good cast of characters here who didn't

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<v Speaker 3>get enough time to shine in the positions they were

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<v Speaker 3>in for us to understand, like the dynamics between Luther

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<v Speaker 3>and these people because when not to get too far head,

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<v Speaker 3>but somebody gets injured and Luther's like seems to be

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<v Speaker 3>very affected by this. I'm like, I needed more of

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<v Speaker 3>why so I would I would like to see more

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<v Speaker 3>of it in the future, But overall really filled with.

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<v Speaker 2>This movie common how about you So.

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<v Speaker 4>Something that really worked for me, which at first I

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<v Speaker 4>was nervous about, was Crypto the super Dog. I was

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<v Speaker 4>nervous at first and excited when I saw the trailers

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<v Speaker 4>because it kind of reminded me of the Scooby Doo movies. Basically,

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<v Speaker 4>how's it going to be having, you know, a cgi

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<v Speaker 4>dog on screen? But they pulled it off, in my opinion,

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<v Speaker 4>really really well, and he was used just enough to

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<v Speaker 4>keep things I think exciting and chaotic, but he was

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<v Speaker 4>not used so much that he just kind of you

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<v Speaker 4>got tired of seeing him there. Every time he came

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<v Speaker 4>on screen. It was a moment in the theater, like

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<v Speaker 4>I said before, and he was probably one of my

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<v Speaker 4>favorite parts of the movie. I'm like, that was my

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<v Speaker 4>I was watching it and thinking, that's my dog. Yeah.

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<v Speaker 2>I love that he's like a cheeky, badly behaved all.

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<v Speaker 3>Yeah.

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<v Speaker 2>I think that's one of the things that's most fun

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<v Speaker 2>about it, and that really gets people going in the cinema,

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<v Speaker 2>Like when he's injured at the beginning and Crypto is

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<v Speaker 2>just like jumping on him, and then when you kind

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<v Speaker 2>of get the payoff of seeing why that is at

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<v Speaker 2>the end is really fun. What didn't work for you common.

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<v Speaker 4>Well, I think we're all going to have similar criticisms here.

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<v Speaker 4>But again, for me to kind of piggyback off of

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<v Speaker 4>what Joelle said, I also thought that the Hinchman Lexus Henchman, Ultraman,

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<v Speaker 4>and the Engineer were a little flat. I would have

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<v Speaker 4>loved I loved that they didn't, like do an origin story.

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<v Speaker 4>I love that they just threw us right into the

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<v Speaker 4>story because we all know Superman's origin story at this point,

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<v Speaker 4>you know. But I would have loved a little bit

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<v Speaker 4>just to kind of make us more emotionally invested in

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<v Speaker 4>maybe Ultraman and the Engineer because they were interesting. Villains

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<v Speaker 4>are always some of the most interesting like parts of

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<v Speaker 4>a movie to me. And I wanted to know more.

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<v Speaker 2>Yeah, I think they ended up in a problem where

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<v Speaker 2>like Lex was such a fantastic villain, and then the

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<v Speaker 2>idea of the video game kind of players who were

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<v Speaker 2>helping him was such a smart tool. The outside of that,

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<v Speaker 2>you were kind of like, well, why would rather just

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<v Speaker 2>be back with them? We weren't given enough and obviously

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<v Speaker 2>the ultraman thing is meant to be like it's a

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<v Speaker 2>twist and it's but then that also feels like maybe

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<v Speaker 2>something where originally it was meant to be something different.

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<v Speaker 2>I do we do have some more insight into maybe

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<v Speaker 2>why that happened with some quotes that Saffron and Gun

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<v Speaker 2>recently gave about the authority and how it's kind of

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<v Speaker 2>actually being like held back because it's not working. It

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<v Speaker 2>was meant to be a much bigger part of the

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<v Speaker 2>movie originally. But Aaron, what was your thing that you

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<v Speaker 2>loved and thing that didn't work for you?

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<v Speaker 5>Like I said, the casting I think was incredible. Everyone

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<v Speaker 5>was better than I expected, from Nathan Fillion to Bet Bennett.

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<v Speaker 5>I mean, everyone played their.

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<v Speaker 4>Parts of really really well.

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<v Speaker 5>I also thought, like I think Lex was incredible and

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<v Speaker 5>a really great depiction of him. I almost wish we

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<v Speaker 5>just had him piloting faceless raptor soldiers the whole time,

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<v Speaker 5>because then we would just feel like he's the true villain,

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<v Speaker 5>and I would not have been disappointed, I think by Ultraman.

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<v Speaker 5>I think that in a lot of ways, it kind

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<v Speaker 5>of felt like it was just hitting comic book movie

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<v Speaker 5>greatest hits. We get a scene where the character is

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<v Speaker 5>grappled by enemies, and so they fly up really high

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<v Speaker 5>into the sky and then plummet down. We get a

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<v Speaker 5>scene where it turns out your greatest enemy is a

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<v Speaker 5>clone or just like a carbon copy of you kind

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<v Speaker 5>of thing, And like, as much as the Superman is

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<v Speaker 5>a human and he wants to exist among humanity is

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<v Speaker 5>a new take. I think Superman wise, every single x

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<v Speaker 5>Men movie is that same kind of thing.

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<v Speaker 2>Yeah, also like every Spider Man movie, like there's an

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<v Speaker 2>evil version of you, and you now people. Also, let's

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<v Speaker 2>be realistic. The whole movie is about cultural kind of

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<v Speaker 2>feelings about Superman and how to turn Superman into a

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<v Speaker 2>weapon or a villain or something that people won't trust.

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<v Speaker 2>You had a clone of Superman, you could have just

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<v Speaker 2>had him out there doing evil things. That's a classics setup.

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<v Speaker 2>So I liked that they did it a little bit different,

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<v Speaker 2>but yeah, I think I think it's interestingly. I think

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<v Speaker 2>the ultraman stuff is more gonna set up kind of

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<v Speaker 2>either a bizarro world type situation or maybe like a

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<v Speaker 2>crime syndicate that's just gonna be a three. But yeah,

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<v Speaker 2>I can understand how. I think that as well. Was

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<v Speaker 2>a bit of a moment where we were all like,

0:13:00.920 --> 0:13:02.760
<v Speaker 2>oh when he took the.

0:13:02.679 --> 0:13:04.800
<v Speaker 5>Helmet, Yeah, and then a Boo and I saw it

0:13:04.840 --> 0:13:06.960
<v Speaker 5>together and we both walked out and we were kind

0:13:06.960 --> 0:13:09.480
<v Speaker 5>of I think both of us a little like. The

0:13:09.520 --> 0:13:11.720
<v Speaker 5>second act kind of dragged a little bit. I think

0:13:11.760 --> 0:13:14.319
<v Speaker 5>the whole scene with like the river to the black

0:13:14.360 --> 0:13:16.800
<v Speaker 5>hole where he's holding the baby out of the water.

0:13:16.720 --> 0:13:20.240
<v Speaker 2>The anti proton river was a little cig crazy that

0:13:20.600 --> 0:13:22.400
<v Speaker 2>took a little too long.

0:13:22.679 --> 0:13:24.680
<v Speaker 5>Yeah, and I couldn't tell what was happening with the

0:13:24.720 --> 0:13:27.079
<v Speaker 5>fight in there, but it led to some fun stuff.

0:13:27.120 --> 0:13:29.600
<v Speaker 5>I loved seeing Crypto, like, again, those are some cool

0:13:29.640 --> 0:13:31.400
<v Speaker 5>things in there. It just felt like it got a

0:13:31.440 --> 0:13:35.760
<v Speaker 5>little too a little too convoluted in that particular moment.

0:13:36.600 --> 0:13:40.440
<v Speaker 1>Okay, what about you, Rosie, what is a thing that

0:13:41.240 --> 0:13:42.960
<v Speaker 1>worked for you and a thing that didn't.

0:13:42.760 --> 0:13:47.040
<v Speaker 2>Work, I love again. I think you guys have bought

0:13:47.160 --> 0:13:49.760
<v Speaker 2>up tons of great stuff about this movie. I think,

0:13:49.800 --> 0:13:52.640
<v Speaker 2>like the character interactions. The one thing we haven't bought up,

0:13:52.679 --> 0:13:54.079
<v Speaker 2>but I know we talked about it a lot, is

0:13:54.120 --> 0:13:56.840
<v Speaker 2>like I thought mister Terrific was just so good, Like

0:13:56.920 --> 0:13:59.760
<v Speaker 2>everyone was so good, but I think mister Terrific was

0:14:00.240 --> 0:14:03.440
<v Speaker 2>so good. Like if I was making that movie and

0:14:03.520 --> 0:14:07.160
<v Speaker 2>I'd been planning to have a version of the Authority

0:14:07.200 --> 0:14:09.280
<v Speaker 2>working for Lex Luthor, and that was meant to be

0:14:09.440 --> 0:14:14.200
<v Speaker 2>like a big kind of moment, and it was meant

0:14:14.200 --> 0:14:17.920
<v Speaker 2>to be this big like WHOA, I would probably be like, Hey,

0:14:18.200 --> 0:14:21.480
<v Speaker 2>what about this other team that works for Maxwell Lord,

0:14:21.560 --> 0:14:25.240
<v Speaker 2>who we've just cast like a fantastic Shakespearean level actor

0:14:25.240 --> 0:14:29.720
<v Speaker 2>with who is bringing this kind of complicated like it's thespian,

0:14:29.800 --> 0:14:32.560
<v Speaker 2>But it's also in that James Gunn kind of exploitation

0:14:32.720 --> 0:14:35.080
<v Speaker 2>black exploitation mold that he likes to play with. But

0:14:35.120 --> 0:14:38.040
<v Speaker 2>they actually got a really great actor to be that character,

0:14:38.720 --> 0:14:41.520
<v Speaker 2>and he's such a fun leader. Like I definitely think

0:14:41.920 --> 0:14:44.840
<v Speaker 2>mister Terrific is what I want to see next. And

0:14:44.920 --> 0:14:47.000
<v Speaker 2>I'm glad I saw them say they were thinking about

0:14:47.040 --> 0:14:50.360
<v Speaker 2>doing TV you know TV shows and stuff. But I'm like,

0:14:50.520 --> 0:14:53.480
<v Speaker 2>I think mister Terrific needs to be in the movies.

0:14:53.600 --> 0:14:56.240
<v Speaker 2>That is a big screen man. He's proved his way.

0:14:57.440 --> 0:15:00.320
<v Speaker 2>Something that didn't work for me, you know what, just

0:15:01.400 --> 0:15:07.400
<v Speaker 2>uh not everything tonally landed for me, like the kind

0:15:07.400 --> 0:15:13.400
<v Speaker 2>of hope punk against the billionaire Kryptonite kind of thing.

0:15:13.640 --> 0:15:15.600
<v Speaker 2>I love the concept of it, I love the idea

0:15:15.680 --> 0:15:17.760
<v Speaker 2>of it, but I was definitely in that Aaron like

0:15:18.120 --> 0:15:20.280
<v Speaker 2>this was like a solid, like seven out of ten

0:15:20.400 --> 0:15:23.000
<v Speaker 2>movie for me. But I think it's like also like

0:15:23.080 --> 0:15:27.360
<v Speaker 2>a fantastic movie, and I love how much people are

0:15:27.440 --> 0:15:30.080
<v Speaker 2>enjoying it. I just think like there's always going to

0:15:30.120 --> 0:15:33.360
<v Speaker 2>be some things that don't necessarily gel and I think

0:15:33.560 --> 0:15:35.960
<v Speaker 2>that was for me like less than one thing, because

0:15:36.000 --> 0:15:38.280
<v Speaker 2>I really think all the disparate parts of this movie

0:15:38.640 --> 0:15:41.080
<v Speaker 2>are pretty great. That was just one thing where I

0:15:41.160 --> 0:15:44.560
<v Speaker 2>was like, I feel like there's a different version of

0:15:44.600 --> 0:15:46.920
<v Speaker 2>this movie where I would have been like weeping the

0:15:46.960 --> 0:15:49.160
<v Speaker 2>whole time. Though I will say when I saw it

0:15:49.280 --> 0:15:53.280
<v Speaker 2>the second time, I actually found it to be incredibly emotional.

0:15:53.520 --> 0:15:57.000
<v Speaker 2>And I think once the pressure of like what does

0:15:57.040 --> 0:16:02.080
<v Speaker 2>this movie mean for this industry, for this show, for DC, Like,

0:16:02.120 --> 0:16:05.080
<v Speaker 2>there's so much weighing on this, We've been thinking about

0:16:05.120 --> 0:16:07.680
<v Speaker 2>it for years, the world has. I think my first

0:16:07.800 --> 0:16:11.400
<v Speaker 2>viewing was kind of way down a little bit by

0:16:11.440 --> 0:16:13.120
<v Speaker 2>that and just sort of like is it going to

0:16:13.160 --> 0:16:15.520
<v Speaker 2>do that? But then the second viewing, when I went

0:16:15.560 --> 0:16:18.360
<v Speaker 2>with the kid and I was just like enjoying my

0:16:18.480 --> 0:16:21.400
<v Speaker 2>time at the movie, was like way more. I was

0:16:21.480 --> 0:16:23.720
<v Speaker 2>way more hit by kind of the score and the

0:16:23.760 --> 0:16:26.080
<v Speaker 2>way they used music. And so I think the more

0:16:26.120 --> 0:16:28.560
<v Speaker 2>I watch it, it's definitely going to become like a

0:16:28.600 --> 0:16:32.120
<v Speaker 2>really fun rewatchable for me, which is a big part

0:16:32.120 --> 0:16:35.120
<v Speaker 2>of the movie becoming a comfort movie. Jason, how about you?

0:16:35.880 --> 0:16:37.720
<v Speaker 2>Is there a big win, big lose or is it

0:16:38.080 --> 0:16:38.840
<v Speaker 2>kind of in the middle.

0:16:39.040 --> 0:16:43.880
<v Speaker 1>I think the big win for me is DC's more

0:16:43.960 --> 0:16:51.880
<v Speaker 1>fictional universe with fictional countries, and I think that that

0:16:52.000 --> 0:16:57.280
<v Speaker 1>kind of more distanced comic book metaphor works in twenty

0:16:57.360 --> 0:17:03.800
<v Speaker 1>twenty five, as evidenced by the most recent Captain America film,

0:17:03.960 --> 0:17:07.280
<v Speaker 1>Stepping on a Thousand Rakes. You know, every which way

0:17:07.280 --> 0:17:09.080
<v Speaker 1>it turned to try and figure out how do we

0:17:09.160 --> 0:17:11.640
<v Speaker 1>keep an idf character in here? How do we yeah,

0:17:12.320 --> 0:17:17.359
<v Speaker 1>because the president make the president, who's like turning into

0:17:17.400 --> 0:17:21.160
<v Speaker 1>an orange skinned like beast, not.

0:17:25.640 --> 0:17:28.520
<v Speaker 2>Yeah, and I mean even like also, I would say

0:17:28.560 --> 0:17:31.840
<v Speaker 2>that we've seen like me and Jason talked about this momentarily,

0:17:31.920 --> 0:17:34.960
<v Speaker 2>but we've seen these kind of cut clips that they

0:17:35.080 --> 0:17:37.720
<v Speaker 2>cut from Brave New World that would have added so

0:17:37.880 --> 0:17:41.560
<v Speaker 2>much gravitas, added so much more impact. But there is

0:17:41.600 --> 0:17:45.320
<v Speaker 2>like that fear because I think of the real world countries,

0:17:45.359 --> 0:17:49.680
<v Speaker 2>the real world characters. Whereas obviously we have seen with Superman,

0:17:49.800 --> 0:17:52.360
<v Speaker 2>James Gunn was able to use that to make analogies

0:17:52.400 --> 0:17:54.520
<v Speaker 2>that now people are reading into in a like very

0:17:54.600 --> 0:17:57.960
<v Speaker 2>powerful way and having conversations about. But was able to

0:17:57.960 --> 0:17:59.720
<v Speaker 2>do that because it is a fictional right.

0:18:00.359 --> 0:18:02.720
<v Speaker 1>And listen, the worst people in the world are still

0:18:03.000 --> 0:18:06.480
<v Speaker 1>teeing off on this movie, Ben Shapiro, et cetera. But

0:18:06.640 --> 0:18:11.120
<v Speaker 1>at least this approach doesn't make it easy for them.

0:18:11.760 --> 0:18:15.800
<v Speaker 1>And this approach doesn't make it so when your corporate

0:18:16.880 --> 0:18:20.280
<v Speaker 1>backers flip out, you then have to like scramble scramble

0:18:20.280 --> 0:18:21.440
<v Speaker 1>scramble and figure something out.

0:18:21.520 --> 0:18:24.760
<v Speaker 2>It's plausible deniability. You don't have to do the cots,

0:18:25.160 --> 0:18:28.040
<v Speaker 2>you know, and it still hits just as hard.

0:18:28.480 --> 0:18:33.040
<v Speaker 1>You know, the the all the kind of allegories that

0:18:33.119 --> 0:18:37.080
<v Speaker 1>are integral to Superman and his mission on Earth are there,

0:18:37.680 --> 0:18:41.760
<v Speaker 1>and they make sense in a world that we live in,

0:18:42.440 --> 0:18:48.560
<v Speaker 1>but they're not things with like easily grasped handles that

0:18:48.680 --> 0:18:51.399
<v Speaker 1>let the again the worst intention to people like in

0:18:51.440 --> 0:18:54.119
<v Speaker 1>the world create like clubs out of them to like

0:18:54.160 --> 0:18:58.680
<v Speaker 1>beat people over the head with. And we talked about

0:18:58.720 --> 0:19:01.280
<v Speaker 1>this when we talked about the movie. But I do

0:19:01.560 --> 0:19:06.520
<v Speaker 1>wonder if this, if DC's approach isn't ascendant right now,

0:19:06.560 --> 0:19:10.399
<v Speaker 1>if I walked away from this movie thinking, wow, that

0:19:10.480 --> 0:19:12.520
<v Speaker 1>was kind of like the superhero movie that I needed

0:19:12.600 --> 0:19:15.840
<v Speaker 1>right now, and it didn't tho any of the punches

0:19:16.359 --> 0:19:20.600
<v Speaker 1>thematically message wise, and it presented them in a way

0:19:20.600 --> 0:19:25.199
<v Speaker 1>that is true to DC and feels like exactly the

0:19:25.200 --> 0:19:29.119
<v Speaker 1>thing we need right now. What I did, like, you know,

0:19:29.280 --> 0:19:33.200
<v Speaker 1>I guess I agree with basically what everybody has said.

0:19:33.840 --> 0:19:39.159
<v Speaker 1>I could have used. Gosh, you know, I think in

0:19:39.240 --> 0:19:43.520
<v Speaker 1>any movie that has this many characters that have you know,

0:19:45.080 --> 0:19:48.359
<v Speaker 1>you're just gonna feel like somebody is left on the

0:19:48.400 --> 0:19:50.240
<v Speaker 1>cutting room floor always.

0:19:50.920 --> 0:19:51.360
<v Speaker 3>I think the.

0:19:51.320 --> 0:19:55.400
<v Speaker 1>Engineer is obviously the big one. I think there are

0:19:55.440 --> 0:20:00.520
<v Speaker 1>some others, but I think at times it just felt

0:20:00.560 --> 0:20:06.199
<v Speaker 1>a little overstuffed. But you know, credit to Gunn for

0:20:06.400 --> 0:20:07.520
<v Speaker 1>figuring all that out.

0:20:07.960 --> 0:20:11.639
<v Speaker 2>Yeah, yeah, I think it's a fair critique because it's

0:20:12.000 --> 0:20:14.119
<v Speaker 2>one of those things where he wanted to put us

0:20:14.160 --> 0:20:17.440
<v Speaker 2>into a world where we feel like we're jumping into

0:20:17.480 --> 0:20:23.399
<v Speaker 2>a comic book, and that has been very much the

0:20:23.480 --> 0:20:25.720
<v Speaker 2>feeling we got from it and the feeling of reading

0:20:25.720 --> 0:20:27.760
<v Speaker 2>that is often that sometimes it's over stuffed. You know.

0:20:27.800 --> 0:20:30.399
<v Speaker 2>I do think it's funny because I think that's an

0:20:30.520 --> 0:20:34.639
<v Speaker 2>interesting thing to try to evoke, because you are going

0:20:34.760 --> 0:20:37.359
<v Speaker 2>to go in and be in a situation where certain

0:20:37.359 --> 0:20:41.520
<v Speaker 2>people are gonna not necessarily feel like they understand everything.

0:20:41.760 --> 0:20:44.199
<v Speaker 2>But on a as a general gambit, I think it

0:20:44.280 --> 0:20:46.920
<v Speaker 2>worked so much better than doing an origin or doing

0:20:46.920 --> 0:20:49.960
<v Speaker 2>something slow, and we did end up with this incredible

0:20:51.240 --> 0:20:54.760
<v Speaker 2>ensemble cast who I think, Actually, let's talk about the

0:20:54.840 --> 0:21:11.679
<v Speaker 2>ensemble cast when we come back from a brain when

0:21:11.760 --> 0:21:14.760
<v Speaker 2>we're back to talk about that ensemble cost, Joel lead

0:21:14.840 --> 0:21:18.440
<v Speaker 2>us Off, Let's talk about this cost and its strengths

0:21:18.480 --> 0:21:21.520
<v Speaker 2>and what it says about James Gunn's filmmaking. Like, let's

0:21:21.520 --> 0:21:22.240
<v Speaker 2>see how it goes.

0:21:23.520 --> 0:21:25.439
<v Speaker 3>Okay, so you have to take everything you get at

0:21:25.480 --> 0:21:27.200
<v Speaker 3>a press Junkeet with a grain of salt because people

0:21:27.200 --> 0:21:30.120
<v Speaker 3>are here to sell movie tickets and so there. But

0:21:30.160 --> 0:21:31.480
<v Speaker 3>what I found un to day Rosie and I were

0:21:31.480 --> 0:21:33.080
<v Speaker 3>at the junket at the same time we're tigh and

0:21:33.119 --> 0:21:34.879
<v Speaker 3>they had everybody sort of group, so it was like,

0:21:35.119 --> 0:21:37.160
<v Speaker 3>your villains are here, and then here's like the Daily

0:21:37.200 --> 0:21:39.879
<v Speaker 3>Planet folks. When I was talking to the folks of

0:21:39.920 --> 0:21:41.880
<v Speaker 3>the Daily Planet, I was like, really struck by how

0:21:41.880 --> 0:21:44.160
<v Speaker 3>close they were as a group. Now, granted they've been

0:21:44.160 --> 0:21:45.919
<v Speaker 3>doing press to her for a long time, but they

0:21:45.960 --> 0:21:48.439
<v Speaker 3>say this like started in Georgia when they were shooting

0:21:48.480 --> 0:21:52.840
<v Speaker 3>at a wrestling match, which I was delighted by. And

0:21:52.880 --> 0:21:54.879
<v Speaker 3>I think when you talk here James guns Like, folks

0:21:54.920 --> 0:21:57.640
<v Speaker 3>talk about like working with him, it's always like it's

0:21:57.640 --> 0:22:00.520
<v Speaker 3>so fun and he's very encouraging it. And I just

0:22:00.600 --> 0:22:03.120
<v Speaker 3>I think that the casting for this is so great

0:22:03.119 --> 0:22:05.080
<v Speaker 3>that even the characters we don't get a lot of

0:22:05.160 --> 0:22:07.760
<v Speaker 3>time with, the like newspaper editor played by Wendell Pierce.

0:22:08.040 --> 0:22:10.520
<v Speaker 3>It's someone I went to have minded spending more time

0:22:10.600 --> 0:22:14.600
<v Speaker 3>with understanding James Gunn's layout for the DC universe, which

0:22:14.640 --> 0:22:17.159
<v Speaker 3>is to say, all these characters are going to reappear.

0:22:17.160 --> 0:22:19.280
<v Speaker 3>We've already talked to cast members about how much they're

0:22:19.320 --> 0:22:23.479
<v Speaker 3>going to reappear. I think using people strategically, how much

0:22:23.480 --> 0:22:25.280
<v Speaker 3>time did Window Pierce really have to spend on set?

0:22:26.119 --> 0:22:29.119
<v Speaker 3>Maybe three weeks maybe becausn't a lot of time to

0:22:29.160 --> 0:22:30.960
<v Speaker 3>go off and do all of the many other projects

0:22:31.000 --> 0:22:34.280
<v Speaker 3>he has, you know, cooking. It makes him want to

0:22:34.320 --> 0:22:36.399
<v Speaker 3>come back as an actor because he knows the time's

0:22:36.400 --> 0:22:38.639
<v Speaker 3>not going to be wasted, and also gives us enough

0:22:38.720 --> 0:22:40.880
<v Speaker 3>insight to know like, oh, these people are coming back

0:22:40.920 --> 0:22:43.439
<v Speaker 3>in a big way, and we trust these actors. That

0:22:43.520 --> 0:22:45.840
<v Speaker 3>makes me really excited. I also think, you know, we

0:22:45.920 --> 0:22:51.080
<v Speaker 3>had talked a little bit before about the prices, the

0:22:52.040 --> 0:22:55.320
<v Speaker 3>rates the different actors were being paid on the news

0:22:55.600 --> 0:22:58.080
<v Speaker 3>last Like if you heard Jason and I mentioned, you know,

0:22:58.400 --> 0:23:01.560
<v Speaker 3>Nicholas got paid a lot more more than David and

0:23:01.640 --> 0:23:05.679
<v Speaker 3>Rachel reportedly. I'm cool with this, and I again, I

0:23:05.680 --> 0:23:07.960
<v Speaker 3>think there's just a lot of strategy here, Like how

0:23:07.960 --> 0:23:09.360
<v Speaker 3>in one of these people, I bet we don't see

0:23:09.400 --> 0:23:11.520
<v Speaker 3>Nick for a while. That's okay. We don't need Lex

0:23:11.560 --> 0:23:13.600
<v Speaker 3>to come back for a minute. He gave us so

0:23:13.760 --> 0:23:15.280
<v Speaker 3>much to work with and he.

0:23:15.240 --> 0:23:18.480
<v Speaker 2>Can be Jim Belle reeve he can be in planning

0:23:18.520 --> 0:23:21.080
<v Speaker 2>to make the Injustice gangway.

0:23:20.640 --> 0:23:21.760
<v Speaker 3>And he gave us so much to work with in

0:23:21.800 --> 0:23:24.800
<v Speaker 3>this film that was so so enjoyable that you're like,

0:23:25.040 --> 0:23:28.120
<v Speaker 3>I'm I'm fed, I'm satiated, and there's enough characters here.

0:23:28.160 --> 0:23:29.880
<v Speaker 3>I want to spend more time with Hawkgirl. I want

0:23:29.920 --> 0:23:33.240
<v Speaker 3>to spend more time with mister Terrific easily the runway

0:23:33.240 --> 0:23:35.639
<v Speaker 3>of the show, so I think the ensemble was incredible,

0:23:36.000 --> 0:23:37.720
<v Speaker 3>delighted in spending time with him, and I want to

0:23:37.720 --> 0:23:39.960
<v Speaker 3>spend more time with all these folks in New Properties

0:23:40.000 --> 0:23:40.359
<v Speaker 3>as well.

0:23:41.000 --> 0:23:43.159
<v Speaker 2>Yeah, I mean, how do you feel about something I know?

0:23:43.400 --> 0:23:45.159
<v Speaker 2>Where was one of my reads the first time I

0:23:45.200 --> 0:23:47.440
<v Speaker 2>saw it. I feel kind of differently about it now,

0:23:47.520 --> 0:23:50.880
<v Speaker 2>especially because I love Common's bimbo read. But let's talk

0:23:50.880 --> 0:23:54.720
<v Speaker 2>about the women of James gun Let's talk about that

0:23:54.760 --> 0:23:58.359
<v Speaker 2>Common because we get you know, Lois, she's a badass,

0:23:58.400 --> 0:24:02.280
<v Speaker 2>she's tenacious, she's gonna this happen, she's wearing a little vest,

0:24:02.480 --> 0:24:05.040
<v Speaker 2>you know, and she's very much in that mold of

0:24:05.080 --> 0:24:10.480
<v Speaker 2>your kind of James Gunn strong, powerful, badass, angry woman.

0:24:10.880 --> 0:24:13.800
<v Speaker 2>And then the other women in the movie with Kat Grunt,

0:24:13.960 --> 0:24:17.399
<v Speaker 2>with Eve, we kind of get this more like bimbo

0:24:18.240 --> 0:24:21.280
<v Speaker 2>kind of thing, but the bimbos here are also you know,

0:24:21.760 --> 0:24:24.760
<v Speaker 2>Eve arguably saves the day. Yeah, So, how did you

0:24:25.160 --> 0:24:27.280
<v Speaker 2>read the kind of women in this movie, because there

0:24:27.280 --> 0:24:29.640
<v Speaker 2>were also a lot of them for a superhero movie.

0:24:29.800 --> 0:24:31.480
<v Speaker 2>That's another funny thing about this movie.

0:24:31.520 --> 0:24:36.639
<v Speaker 4>There were yes, Yes, I loved that. We basically we got,

0:24:37.000 --> 0:24:40.159
<v Speaker 4>as you said, those two different archetypes. We get the strong,

0:24:40.440 --> 0:24:45.760
<v Speaker 4>like ambitious reporter, a journalist who is going to break

0:24:45.800 --> 0:24:50.080
<v Speaker 4>this case. And then we get the unseemingly like genius

0:24:50.560 --> 0:24:54.320
<v Speaker 4>bimbo type who has been this whole time, like since

0:24:54.359 --> 0:24:57.159
<v Speaker 4>the opening of the movie. We the whole theater erupts

0:24:57.160 --> 0:25:00.800
<v Speaker 4>with laughter when you know the fight is happening. Uh,

0:25:00.840 --> 0:25:03.680
<v Speaker 4>and she's just there like taking selfies the whole time.

0:25:03.680 --> 0:25:06.680
<v Speaker 4>We find out she's been taking selfies of like war

0:25:06.800 --> 0:25:09.240
<v Speaker 4>plans and all of this, And I thought.

0:25:09.040 --> 0:25:12.720
<v Speaker 2>That was like such a fun, good twist and both

0:25:13.160 --> 0:25:16.240
<v Speaker 2>sat in the movie. I really enjoyed how it was

0:25:16.359 --> 0:25:18.760
<v Speaker 2>very clear at the beginning that it was a lot

0:25:18.800 --> 0:25:21.480
<v Speaker 2>of men laughing at her, like you would always hear

0:25:21.520 --> 0:25:24.040
<v Speaker 2>it when she was in the background, and as a

0:25:24.280 --> 0:25:28.280
<v Speaker 2>kind of reality of what she is doing is revealed,

0:25:29.160 --> 0:25:31.720
<v Speaker 2>they suddenly find that like a lot less funny, which.

0:25:31.640 --> 0:25:34.680
<v Speaker 3>I pause here really quick because I've talked to a

0:25:34.720 --> 0:25:38.600
<v Speaker 3>lot of people who view this differently. Now I'm with you, ladies.

0:25:38.640 --> 0:25:41.800
<v Speaker 3>I was like, Eve is strategically taking photos of herself

0:25:41.840 --> 0:25:44.840
<v Speaker 3>in front of materials that she can leave your set.

0:25:45.000 --> 0:25:48.440
<v Speaker 3>But some folks were like, that was completely coincidental that

0:25:48.560 --> 0:25:51.760
<v Speaker 3>Eve had just been like that had.

0:25:53.040 --> 0:25:56.680
<v Speaker 1>Maybe three times, but not like.

0:25:57.760 --> 0:26:01.440
<v Speaker 3>That. She said, this is an intelligent woman, maybe it's

0:26:01.480 --> 0:26:05.280
<v Speaker 3>not like a genius, which I think is okay, Like

0:26:06.200 --> 0:26:07.280
<v Speaker 3>she's like she.

0:26:07.280 --> 0:26:09.240
<v Speaker 4>Has emotional and social intelligence.

0:26:09.320 --> 0:26:12.520
<v Speaker 2>Yeah, we don't have to be a genius. Also as well,

0:26:12.560 --> 0:26:17.119
<v Speaker 2>like she's smart enough to know that the men in

0:26:17.160 --> 0:26:19.639
<v Speaker 2>the room do not take her seriously enough. Yet she

0:26:19.680 --> 0:26:23.760
<v Speaker 2>can use her phone, her private phone takes the relationship

0:26:23.920 --> 0:26:24.520
<v Speaker 2>with Jimmy.

0:26:24.600 --> 0:26:29.119
<v Speaker 3>That's causing people to have like trouble because she's chasing

0:26:29.119 --> 0:26:31.720
<v Speaker 3>after Jimmy, who I think, if we think in like

0:26:31.760 --> 0:26:34.359
<v Speaker 3>cinematical language, is not someone that is often pictured is

0:26:34.400 --> 0:26:37.840
<v Speaker 3>like desirable, right, and so like they're confused that somebody

0:26:37.880 --> 0:26:41.320
<v Speaker 3>who's quote hot would go after somebody who doesn't think

0:26:41.440 --> 0:26:47.640
<v Speaker 3>much of her. She must I'm telling.

0:26:47.400 --> 0:26:50.720
<v Speaker 4>You something I relate to Eve a lot, because I

0:26:51.359 --> 0:26:53.359
<v Speaker 4>know exactly what she saw in Jimmy.

0:26:53.560 --> 0:26:57.160
<v Speaker 2>Okay, yes, I know exactly. I actually have to say though,

0:26:57.200 --> 0:27:01.680
<v Speaker 2>I actually think so. I did speak to the wonderful

0:27:01.840 --> 0:27:04.760
<v Speaker 2>Sarah Sampio, who played Eve, and I asked her and

0:27:04.800 --> 0:27:06.439
<v Speaker 2>I said, you know, I felt because she was with

0:27:06.640 --> 0:27:11.440
<v Speaker 2>like Joel said, she was with the engineer actress Maria

0:27:11.880 --> 0:27:14.040
<v Speaker 2>and she they kind of put them there as the villains.

0:27:14.240 --> 0:27:15.800
<v Speaker 2>And I asked her and I said, well, I think

0:27:15.840 --> 0:27:18.159
<v Speaker 2>that you guys pretty complex characters. I said, what do

0:27:18.200 --> 0:27:20.800
<v Speaker 2>you think drives Eve? And she said, well, it's just

0:27:20.840 --> 0:27:25.159
<v Speaker 2>all about security. Like so Lex was security. Lex was

0:27:25.200 --> 0:27:29.359
<v Speaker 2>a rich guy, a nice life, clothes security. But Lex

0:27:29.440 --> 0:27:32.240
<v Speaker 2>then also was a narcissistic guy who puts his women

0:27:32.280 --> 0:27:36.119
<v Speaker 2>in a pocket universe prison his eyes. And also what

0:27:36.240 --> 0:27:39.160
<v Speaker 2>I really loved is the moment he threw something at Eve, which,

0:27:39.200 --> 0:27:41.399
<v Speaker 2>by the way, in the first screening that me and

0:27:41.480 --> 0:27:44.959
<v Speaker 2>Joel went to, a man laughed when he threw the pennin.

0:27:45.080 --> 0:27:50.560
<v Speaker 2>Somebody laughed. I was like, cannot, I'm fighting. I love that.

0:27:50.680 --> 0:27:53.280
<v Speaker 2>Eve was like no, I'm not doing that. And then

0:27:53.320 --> 0:27:56.480
<v Speaker 2>it's really funny because to me, it's extremely clear that

0:27:56.560 --> 0:27:59.760
<v Speaker 2>Jimmy represents a different kind of security, which is like, yeah,

0:28:00.320 --> 0:28:03.280
<v Speaker 2>well he has a day to day job. He is

0:28:03.320 --> 0:28:06.399
<v Speaker 2>not like an insane billionaette. He is the safety of

0:28:06.480 --> 0:28:09.880
<v Speaker 2>the normal. I think that what James Gunn did that's

0:28:09.920 --> 0:28:13.560
<v Speaker 2>really funny. Is this kind of play of like Jimmy

0:28:13.600 --> 0:28:17.439
<v Speaker 2>Olsen as the unexpectedly hot guy that everybody has a

0:28:17.440 --> 0:28:19.720
<v Speaker 2>crush on. I think that's a fun game because Sky

0:28:19.920 --> 0:28:20.800
<v Speaker 2>is also charming.

0:28:21.280 --> 0:28:23.280
<v Speaker 3>Can I just put such a sweetheart?

0:28:23.280 --> 0:28:25.160
<v Speaker 5>I don't think Jimmy treats her well.

0:28:25.520 --> 0:28:29.720
<v Speaker 2>No no, no, no no no. In her mind compel no, no, no,

0:28:29.720 --> 0:28:29.959
<v Speaker 2>no no.

0:28:30.480 --> 0:28:32.760
<v Speaker 3>I did say in my interview that she what she

0:28:32.800 --> 0:28:34.920
<v Speaker 3>found attractive in Jimmy is the fact that he told

0:28:34.960 --> 0:28:37.359
<v Speaker 3>her no, and she often doesn't get told no. And

0:28:37.400 --> 0:28:42.640
<v Speaker 3>here's here's my point. Carmen earlier, like, listen, this is

0:28:42.680 --> 0:28:45.880
<v Speaker 3>a person of intelligence who is smart enough to be like, oh,

0:28:45.960 --> 0:28:48.560
<v Speaker 3>I'll play on your misunderstanding of who I am as

0:28:48.560 --> 0:28:51.040
<v Speaker 3>a person to get information to protect myself. And she

0:28:51.200 --> 0:28:52.959
<v Speaker 3>also is going for a guy who has zero interested

0:28:52.960 --> 0:28:55.520
<v Speaker 3>in her. And both things can be true, and both

0:28:55.520 --> 0:28:58.840
<v Speaker 3>can make her for a really interesting character. And I

0:28:59.760 --> 0:29:01.320
<v Speaker 3>love Eve. I would dive for Eve. I think she's

0:29:01.320 --> 0:29:02.160
<v Speaker 3>perfect me too.

0:29:02.200 --> 0:29:04.440
<v Speaker 2>And I also think it's like I think the reason

0:29:04.480 --> 0:29:07.360
<v Speaker 2>that people don't like it is they don't like the

0:29:07.480 --> 0:29:11.680
<v Speaker 2>idea that there are different types of intelligence emotional intelligence.

0:29:12.360 --> 0:29:15.800
<v Speaker 2>They don't they basically don't want to say what they

0:29:15.840 --> 0:29:18.640
<v Speaker 2>think about Eve is like she is a self serving character,

0:29:18.720 --> 0:29:21.280
<v Speaker 2>but it's actually okay to be self serving to protect

0:29:21.360 --> 0:29:24.760
<v Speaker 2>yourself in that situation. And I also think it's an interesting,

0:29:25.520 --> 0:29:30.920
<v Speaker 2>funny kind of play on what we expect from women

0:29:31.040 --> 0:29:33.520
<v Speaker 2>in superho movies, because there were moments where I was like, okay,

0:29:33.640 --> 0:29:36.760
<v Speaker 2>is he like is this too obvious? Like she's bending

0:29:36.760 --> 0:29:38.760
<v Speaker 2>over in front of the Fortress of Solitude and her

0:29:38.840 --> 0:29:44.000
<v Speaker 2>butts in her little tight leggings and I'm like yeah,

0:29:44.040 --> 0:29:46.880
<v Speaker 2>And I was like I was, But then I was like, actually,

0:29:46.920 --> 0:29:49.320
<v Speaker 2>this is what it is like to read a comic book.

0:29:49.760 --> 0:29:52.440
<v Speaker 2>Is like you find those brilliant, cool women who are

0:29:52.440 --> 0:29:56.200
<v Speaker 2>also drawn super cheesecakey and like living in these really

0:29:56.240 --> 0:30:00.040
<v Speaker 2>complicated different situations. So I think in that way, I

0:30:00.040 --> 0:30:02.239
<v Speaker 2>I did really enjoy it. I need to know. I

0:30:02.280 --> 0:30:04.760
<v Speaker 2>need to know what Cat Grant has been working on.

0:30:04.960 --> 0:30:08.400
<v Speaker 2>I think this like funny Cat Grant. I want to

0:30:08.440 --> 0:30:11.080
<v Speaker 2>see her more. I want to see what she can do.

0:30:11.680 --> 0:30:15.240
<v Speaker 2>Let's let her be more active in the next one,

0:30:15.360 --> 0:30:17.800
<v Speaker 2>because again, like that is a character in the comics

0:30:17.840 --> 0:30:21.360
<v Speaker 2>who has always done so much. She's owned her own

0:30:21.400 --> 0:30:24.280
<v Speaker 2>media empire and the TV shows she like. I want

0:30:24.320 --> 0:30:27.560
<v Speaker 2>to see Kat using her boob shaking for good. I

0:30:27.600 --> 0:30:29.720
<v Speaker 2>believe she has a promotion.

0:30:29.560 --> 0:30:32.160
<v Speaker 3>For Supergirl is what I'm seeing. I'm hoping we see

0:30:32.160 --> 0:30:33.040
<v Speaker 3>her really step up in.

0:30:32.960 --> 0:30:35.160
<v Speaker 2>The Oh, that's a great call at she didn't consider that.

0:30:35.960 --> 0:30:41.080
<v Speaker 1>What's interesting to me about Miss Tesmaker the twenty twenty

0:30:41.120 --> 0:30:44.640
<v Speaker 1>five version is less like that. I think she's obviously

0:30:45.080 --> 0:30:48.120
<v Speaker 1>quite smart. I think she obviously was taking those pictures

0:30:48.120 --> 0:30:52.880
<v Speaker 1>purposefully to have a chip just in case things went

0:30:52.960 --> 0:30:56.040
<v Speaker 1>bad with Lex and she had some bargaining power to

0:30:56.080 --> 0:30:59.680
<v Speaker 1>get out of there and potentially take revenge. Yeah, I

0:30:59.720 --> 0:31:03.400
<v Speaker 1>think the thing Like I I think Eve is clearly

0:31:03.760 --> 0:31:07.560
<v Speaker 1>very smart. She clearly was being very strategic with the

0:31:07.720 --> 0:31:13.640
<v Speaker 1>evidence she was gathering. I think to me, like the

0:31:13.640 --> 0:31:16.240
<v Speaker 1>the debate about whether she was doing it on purpose

0:31:16.600 --> 0:31:19.320
<v Speaker 1>is like, for me, it misses the point. I think

0:31:19.360 --> 0:31:23.360
<v Speaker 1>what's interesting about Eve is she is this kind of

0:31:23.480 --> 0:31:27.600
<v Speaker 1>character that you know you need in a story like

0:31:27.680 --> 0:31:30.520
<v Speaker 1>this often, and it's the person who has like the

0:31:31.720 --> 0:31:36.640
<v Speaker 1>it's not even like a a crisis of ethics or morals.

0:31:37.040 --> 0:31:39.680
<v Speaker 2>She clearly knows what's loyalties.

0:31:39.720 --> 0:31:44.640
<v Speaker 1>She she knows what's happening is wrong, but she's not

0:31:44.680 --> 0:31:48.120
<v Speaker 1>really gonna do anything about it unless it's bad for

0:31:48.160 --> 0:31:52.960
<v Speaker 1>her exactly, And I think that's interesting and that's interesting, right,

0:31:53.080 --> 0:31:56.600
<v Speaker 1>Like she's waiting until like it's bad for her and

0:31:56.640 --> 0:32:00.320
<v Speaker 1>then she's ready to jump ship. That to me is

0:32:00.360 --> 0:32:02.520
<v Speaker 1>like if you want to criticize even for anything, you

0:32:02.560 --> 0:32:06.880
<v Speaker 1>can criticize her for that, which is basically she's almost

0:32:07.040 --> 0:32:10.360
<v Speaker 1>entirely self serving about her decision to be good, which

0:32:10.400 --> 0:32:13.840
<v Speaker 1>is again like kind of interesting to me. That's there's

0:32:13.960 --> 0:32:18.440
<v Speaker 1>everybody out of everybody else in that control room like

0:32:18.760 --> 0:32:23.520
<v Speaker 1>controlling Ultraman, controlling the Hammer of Borovia, helping Lex do

0:32:23.680 --> 0:32:28.880
<v Speaker 1>like the worst fucking shit imprison dozens. It's not a

0:32:29.080 --> 0:32:35.640
<v Speaker 1>hundreds of people in like extra judicial pocket universes where

0:32:35.640 --> 0:32:41.040
<v Speaker 1>they are tortured like fucking forever and executed by Lex himself,

0:32:41.640 --> 0:32:45.440
<v Speaker 1>like like none of them really is like this is

0:32:45.520 --> 0:32:48.800
<v Speaker 1>fucked up, maybe a little bit, but certainly not enough

0:32:48.840 --> 0:32:52.160
<v Speaker 1>to like do anything about it, and so she's the

0:32:52.160 --> 0:32:55.560
<v Speaker 1>only one who's like, Okay, this is fucked up. I'm

0:32:55.600 --> 0:32:59.160
<v Speaker 1>getting great stuff out of it, and right now it's

0:32:59.200 --> 0:33:02.120
<v Speaker 1>pretty good, but I could see how it could turn

0:33:02.160 --> 0:33:04.280
<v Speaker 1>into a bad situation. So let me just like just

0:33:04.280 --> 0:33:06.440
<v Speaker 1>in case, like gather all this stuff. I think that's

0:33:06.520 --> 0:33:10.280
<v Speaker 1>really to me, that's really interesting, you know. And I

0:33:10.280 --> 0:33:15.280
<v Speaker 1>think that there's a world in which, you know, she's

0:33:15.320 --> 0:33:17.280
<v Speaker 1>all about safety. I think there's a world in which

0:33:17.320 --> 0:33:20.600
<v Speaker 1>you could say that she's probably does she care about

0:33:20.680 --> 0:33:24.360
<v Speaker 1>Jimmy or is she looking for a safe landing spot

0:33:24.360 --> 0:33:27.520
<v Speaker 1>to get out of here? I think either reading is

0:33:27.600 --> 0:33:30.440
<v Speaker 1>interesting to me, you know. And so she's a I

0:33:30.440 --> 0:33:33.920
<v Speaker 1>think she's a much more intentional character than the kind

0:33:33.920 --> 0:33:38.080
<v Speaker 1>of surface level is she dumb or not? Like conversation

0:33:38.480 --> 0:33:41.560
<v Speaker 1>gives her credit for and then the conversation and then

0:33:41.600 --> 0:33:44.080
<v Speaker 1>the things that happened that follow after that once you

0:33:44.280 --> 0:33:47.400
<v Speaker 1>accept that, are are much more interesting because again I

0:33:47.440 --> 0:33:51.560
<v Speaker 1>don't is she a she saves the day, but I

0:33:51.600 --> 0:33:54.880
<v Speaker 1>would argue she does it for like almost entirely selfish reasons,

0:33:54.920 --> 0:33:56.040
<v Speaker 1>which is interesting.

0:33:56.280 --> 0:33:59.480
<v Speaker 2>I think that's also like great because that's how real

0:33:59.560 --> 0:34:01.960
<v Speaker 2>decisions are made at all times, and Lex is the

0:34:02.000 --> 0:34:05.000
<v Speaker 2>opposite end of that, where he is doing all of this,

0:34:05.160 --> 0:34:10.319
<v Speaker 2>like he admits to engineering an international crisis just so

0:34:10.400 --> 0:34:13.160
<v Speaker 2>he can kill Superman. So in her own way, her

0:34:13.400 --> 0:34:17.360
<v Speaker 2>saving the day just so she can escape Lex is

0:34:17.400 --> 0:34:18.920
<v Speaker 2>actually like really interesting.

0:34:19.320 --> 0:34:19.520
<v Speaker 1>Yeah.

0:34:19.560 --> 0:34:24.160
<v Speaker 2>I think that is one of the surprise, breakout interesting

0:34:24.200 --> 0:34:29.720
<v Speaker 2>conversations and characters from this movie. And I really really

0:34:29.840 --> 0:34:32.880
<v Speaker 2>hope that we do get the world that is promised.

0:34:33.239 --> 0:34:35.080
<v Speaker 2>And I just think it's funny. Like the second time

0:34:35.120 --> 0:34:37.160
<v Speaker 2>I watched the movie, they have the girls in the

0:34:37.200 --> 0:34:40.200
<v Speaker 2>office be like he's so hot, and you think they're

0:34:40.200 --> 0:34:42.680
<v Speaker 2>talking about Clark, but they're talking about Jimmy And you

0:34:42.719 --> 0:34:45.840
<v Speaker 2>know what. I sometimes there are just weird guys like

0:34:45.920 --> 0:34:49.040
<v Speaker 2>that who every girl finds hot, Like it's just true.

0:34:49.760 --> 0:34:52.640
<v Speaker 3>You know what, boy, Summer guys, what happened?

0:34:53.080 --> 0:34:55.040
<v Speaker 1>You know what it is? It's like kind of like, well,

0:34:55.040 --> 0:35:00.279
<v Speaker 1>Pete Davidson is also tall and funny, so a bit

0:35:00.320 --> 0:35:03.279
<v Speaker 1>of other guys like like the Count and Crows guy.

0:35:03.560 --> 0:35:07.960
<v Speaker 1>What needs to happen is the first hot I don't

0:35:07.960 --> 0:35:11.360
<v Speaker 1>know about woman to break the seal that he hates.

0:35:11.480 --> 0:35:15.080
<v Speaker 1>This air of mystery around the weird guy for the

0:35:15.120 --> 0:35:17.319
<v Speaker 1>rest of them, where everybody else is like, well, I

0:35:17.360 --> 0:35:21.280
<v Speaker 1>wonder what it is. I mean, starts the mistique.

0:35:21.320 --> 0:35:25.319
<v Speaker 2>We know that we know Eve like is one of

0:35:25.400 --> 0:35:29.640
<v Speaker 2>only many girls and Jimmy Olson's phone like, and you.

0:35:29.600 --> 0:35:33.400
<v Speaker 1>Know the other thing is Jimmy. We say that he

0:35:33.440 --> 0:35:36.160
<v Speaker 1>doesn't treat her well. I would slightly push back and

0:35:36.200 --> 0:35:38.640
<v Speaker 1>say that I actually think Jimmy is being pretty upfront

0:35:38.680 --> 0:35:43.960
<v Speaker 1>about his feelings with her. He's making them, He's making

0:35:44.000 --> 0:35:46.920
<v Speaker 1>them as obvious as he can be without being rude

0:35:46.960 --> 0:35:50.680
<v Speaker 1>about it. Right, And whenever, you know, I live in

0:35:50.680 --> 0:35:57.520
<v Speaker 1>a Bravo household, I love I love, I love all

0:35:57.600 --> 0:35:59.759
<v Speaker 1>the blow decks. I'm watching them all the time. And

0:35:59.800 --> 0:36:04.840
<v Speaker 1>when ever there's like some sort of romance happening, like

0:36:04.880 --> 0:36:06.560
<v Speaker 1>on below Deeck of one of these shows below Deck,

0:36:06.640 --> 0:36:10.120
<v Speaker 1>primarily I'll be like, you know what this and you

0:36:10.120 --> 0:36:13.719
<v Speaker 1>can see that the that the the lady involved is

0:36:13.800 --> 0:36:17.320
<v Speaker 1>kind of like losing interest. I would always I'll always

0:36:17.360 --> 0:36:19.400
<v Speaker 1>say to Christina, my wife, I'll be like, you know

0:36:19.440 --> 0:36:21.040
<v Speaker 1>what he needs to do right now is just cut

0:36:21.040 --> 0:36:23.759
<v Speaker 1>it off, is just get interested in somebody else, And

0:36:23.760 --> 0:36:26.640
<v Speaker 1>that okay, And that's kind of that's part of Jimmy's

0:36:26.640 --> 0:36:30.120
<v Speaker 1>things day it's not like he's not chasing her. He's

0:36:30.160 --> 0:36:31.400
<v Speaker 1>not like he doesn't.

0:36:31.160 --> 0:36:35.400
<v Speaker 2>Even see her. Hot is like your girlfriend, and he

0:36:35.480 --> 0:36:39.319
<v Speaker 2>was like she's hot. Okay, I'm like.

0:36:39.680 --> 0:36:42.319
<v Speaker 3>Wuk out of here, Jimmy gay guys. Something I've bend

0:36:42.320 --> 0:36:44.279
<v Speaker 3>really interesting about the conversation we're having right now, and

0:36:44.320 --> 0:36:46.560
<v Speaker 3>something I've noticed as I'm watching other folks have their

0:36:46.600 --> 0:36:51.600
<v Speaker 3>conversations around Superman. It's like, as much as Korinsman does

0:36:51.680 --> 0:36:53.640
<v Speaker 3>the job that he needs to do, and he's great

0:36:53.680 --> 0:36:56.719
<v Speaker 3>for this movie, and we really like Superman, I feel

0:36:56.719 --> 0:36:59.040
<v Speaker 3>like so much the conversation is about everything that happens

0:36:59.080 --> 0:37:01.440
<v Speaker 3>around Superman. And some folks have even said that, you know,

0:37:01.480 --> 0:37:04.879
<v Speaker 3>his fight isn't the like he doesn't get the big fight,

0:37:05.000 --> 0:37:07.480
<v Speaker 3>like the best fight for some folks is mister Terrific.

0:37:07.680 --> 0:37:09.360
<v Speaker 1>Yeah, and sure, I think you know.

0:37:09.360 --> 0:37:09.560
<v Speaker 2>I'm not.

0:37:09.600 --> 0:37:12.360
<v Speaker 3>I don't want to do too much Marvel to DC comparison,

0:37:12.400 --> 0:37:15.160
<v Speaker 3>but I'm really intrigued by this idea of Marvel starts

0:37:15.160 --> 0:37:19.120
<v Speaker 3>their universe with Iron Man, and for all intented purposes,

0:37:19.200 --> 0:37:23.400
<v Speaker 3>RDJ becomes like this cemented grounding force for Marvel going

0:37:23.440 --> 0:37:28.320
<v Speaker 3>forward by starting with korans with Superman nailing the character

0:37:28.400 --> 0:37:30.600
<v Speaker 3>us all loving him, but giving us so much of

0:37:30.640 --> 0:37:33.360
<v Speaker 3>the rest of the world, and understanding that there's a

0:37:33.400 --> 0:37:36.160
<v Speaker 3>long history of supers before we dive into this world.

0:37:36.440 --> 0:37:39.040
<v Speaker 3>I think DC has done something really interesting in that

0:37:39.840 --> 0:37:42.800
<v Speaker 3>we could sort of get under all of these characters

0:37:42.800 --> 0:37:46.000
<v Speaker 3>and invested in them in a way that propels I

0:37:46.000 --> 0:37:51.560
<v Speaker 3>think perhaps a longer arc of their universe then what

0:37:51.600 --> 0:37:53.719
<v Speaker 3>Marvel has struggled with, which is like once the main

0:37:53.760 --> 0:37:55.239
<v Speaker 3>you know, when Koren's at least, I feel like DC

0:37:55.400 --> 0:37:56.600
<v Speaker 3>is going to be okay. We have so many other

0:37:56.640 --> 0:37:59.160
<v Speaker 3>people to fall back on, you know, without RDJ, and

0:37:59.200 --> 0:38:03.120
<v Speaker 3>without the person was poster replace RDJ our Black Panther.

0:38:03.640 --> 0:38:06.839
<v Speaker 3>You know, I do wonder like it's the setup. Does

0:38:06.840 --> 0:38:09.560
<v Speaker 3>it work better for you guys REDC or if not better,

0:38:09.640 --> 0:38:12.320
<v Speaker 3>then do you see this as a sustainable way forward

0:38:12.360 --> 0:38:12.719
<v Speaker 3>for them?

0:38:13.160 --> 0:38:16.800
<v Speaker 2>I think it's a natural response and a smart response

0:38:16.840 --> 0:38:22.320
<v Speaker 2>because it's basically reverse engineering what MCU did. So instead

0:38:22.320 --> 0:38:25.240
<v Speaker 2>of like doomsday, we're like, oh, it's gonna be every cameo.

0:38:25.360 --> 0:38:27.080
<v Speaker 2>How long are they gonna be in it? And there's

0:38:27.120 --> 0:38:32.000
<v Speaker 2>gonna be thirty five cast members. James Gun instead was like, hey, well,

0:38:32.040 --> 0:38:34.839
<v Speaker 2>if you have your thirty five cast members. Here your

0:38:34.840 --> 0:38:37.480
<v Speaker 2>world has already exploded, then we don't get into our

0:38:37.520 --> 0:38:43.000
<v Speaker 2>Avengers replication situation. And then from here, if the movie

0:38:43.040 --> 0:38:46.200
<v Speaker 2>does well, then great. We actually have a ton of

0:38:46.200 --> 0:38:48.480
<v Speaker 2>different people we can follow. And I'm gonna say something,

0:38:48.719 --> 0:38:50.600
<v Speaker 2>I don't think this is the first time James Gunn

0:38:50.600 --> 0:38:53.279
<v Speaker 2>did this. I think the first time James dun did

0:38:53.280 --> 0:38:55.920
<v Speaker 2>this was with The Suicide Squad. But the movie did

0:38:55.960 --> 0:38:58.600
<v Speaker 2>not make enough money for that world to kind of

0:38:58.640 --> 0:39:01.239
<v Speaker 2>build out and explode it the way he wanted, so

0:39:01.400 --> 0:39:05.480
<v Speaker 2>he changed tax he bought the characters he wanted to

0:39:05.560 --> 0:39:09.799
<v Speaker 2>into this world with, like the Frank Rios continuation of

0:39:09.880 --> 0:39:14.120
<v Speaker 2>the Rick Flagg Junior storyline. Oh, Frank rio I'm not

0:39:14.160 --> 0:39:16.640
<v Speaker 2>gonna lie. I love the original so Sid Squad movie,

0:39:16.640 --> 0:39:19.720
<v Speaker 2>so I'm very excited to see Rick Flagg Senior hunting

0:39:19.760 --> 0:39:21.960
<v Speaker 2>down Peacemaker, who I believe should be dead for killing

0:39:22.000 --> 0:39:25.400
<v Speaker 2>Rick the Flag Junior. So and I thought his representation

0:39:25.800 --> 0:39:32.319
<v Speaker 2>of this kind of tired cynical, like he knows that

0:39:32.480 --> 0:39:35.440
<v Speaker 2>arresting Superman is a bad idea, but he's also like,

0:39:35.560 --> 0:39:37.440
<v Speaker 2>that's just what we have to do as the government,

0:39:37.520 --> 0:39:40.000
<v Speaker 2>which is something I also feel like is very relevant

0:39:40.040 --> 0:39:44.480
<v Speaker 2>and real right now. And I think that that version

0:39:44.960 --> 0:39:47.680
<v Speaker 2>of this world where it's world built out, we already

0:39:47.719 --> 0:39:49.480
<v Speaker 2>know James Gun can make a TV show that was

0:39:49.520 --> 0:39:54.239
<v Speaker 2>a hit, Peacemaker, Creature Commando's unexpectedly great. I think that

0:39:54.520 --> 0:39:59.560
<v Speaker 2>he is setting up a ripe playground to take from

0:39:59.640 --> 0:40:04.680
<v Speaker 2>in both both movies and TV, with a platform like

0:40:04.920 --> 0:40:09.799
<v Speaker 2>HBO that actually has a massive audience for fantastic TV.

0:40:09.960 --> 0:40:12.920
<v Speaker 2>I think that DC is in a better situation than

0:40:13.000 --> 0:40:15.319
<v Speaker 2>Marvel is when it comes to balancing the TV and

0:40:15.400 --> 0:40:20.160
<v Speaker 2>movies of it all. Aaron, what character if you were

0:40:20.200 --> 0:40:23.480
<v Speaker 2>gonna go from here, would you be most excited to

0:40:23.520 --> 0:40:28.440
<v Speaker 2>see carried On in a different story Superman? Yeah for sure.

0:40:28.480 --> 0:40:31.040
<v Speaker 2>But I love that because that's not, after our conversation,

0:40:31.200 --> 0:40:33.839
<v Speaker 2>not necessarily what you would think, but that I think

0:40:33.920 --> 0:40:36.200
<v Speaker 2>is the strength of what Corn Sweat did here.

0:40:36.719 --> 0:40:36.959
<v Speaker 1>Yeah.

0:40:37.040 --> 0:40:40.480
<v Speaker 5>So, I think Gun does an incredible job with an

0:40:40.600 --> 0:40:43.120
<v Speaker 5>ensemble cast. He's done it through all the Guardians. He's

0:40:43.160 --> 0:40:45.480
<v Speaker 5>introduced more people to the Guardians. He got to a

0:40:45.480 --> 0:40:47.440
<v Speaker 5>point where at the end of Guardians three, I was like,

0:40:47.560 --> 0:40:50.880
<v Speaker 5>I want to watch this new set of Guardians with

0:40:50.920 --> 0:40:55.200
<v Speaker 5>the little Kid and Big Groot and everything yeah, I don't.

0:40:55.400 --> 0:40:57.560
<v Speaker 5>As much as I love all the cast of characters

0:40:57.560 --> 0:40:59.680
<v Speaker 5>in this and I think there's I do think mister

0:40:59.680 --> 0:41:02.480
<v Speaker 5>Shrift as the most exciting fight scene, even if it

0:41:02.560 --> 0:41:05.200
<v Speaker 5>might be a little bit of recycled assets from yon

0:41:05.280 --> 0:41:08.600
<v Speaker 5>DU's Arrow, you know, going in there like but you know,

0:41:08.600 --> 0:41:08.839
<v Speaker 5>I don't.

0:41:08.880 --> 0:41:10.880
<v Speaker 2>And the kids that I saw it with loved that

0:41:11.080 --> 0:41:12.960
<v Speaker 2>and they thought it was Oh I loved it, but

0:41:13.040 --> 0:41:16.879
<v Speaker 2>also that was like, to them, felt like an intentional homage,

0:41:17.400 --> 0:41:20.320
<v Speaker 2>and they're almost getting that feeling, you know, being eleven,

0:41:20.360 --> 0:41:22.839
<v Speaker 2>but they're going, oh, that's like Yondu's Arrow and then

0:41:22.880 --> 0:41:25.240
<v Speaker 2>and it feels really similar. And they're kind of getting

0:41:25.280 --> 0:41:28.439
<v Speaker 2>to have that critical reading of cinema that we all

0:41:28.480 --> 0:41:30.399
<v Speaker 2>love to have as kids, and they're getting to put

0:41:30.400 --> 0:41:33.200
<v Speaker 2>that on there, which I think is another thing that's

0:41:33.239 --> 0:41:35.520
<v Speaker 2>that's pretty cool. But yeah, you're right, Like.

0:41:35.840 --> 0:41:38.120
<v Speaker 5>I do think we'll talk about this more with the

0:41:38.160 --> 0:41:41.520
<v Speaker 5>future of DC and where the movies will go. I'm

0:41:41.560 --> 0:41:43.640
<v Speaker 5>not sure if anything from this movie jumped out at

0:41:43.680 --> 0:41:46.640
<v Speaker 5>me of like I cannot wait for a movie starring

0:41:46.719 --> 0:41:49.560
<v Speaker 5>this person, but I'm excited to see this group. I'm

0:41:49.600 --> 0:41:53.200
<v Speaker 5>excited to see the Justice Gang now with Metamorpho, go

0:41:53.360 --> 0:41:55.919
<v Speaker 5>tackle something. But I don't want a Metamorpho solo movie.

0:41:55.920 --> 0:41:58.839
<v Speaker 5>I don't want a Metamorpho TV show. I don't want,

0:41:59.120 --> 0:42:01.600
<v Speaker 5>you know, like I don't want to play my cards

0:42:01.600 --> 0:42:03.600
<v Speaker 5>too early here. But the fact that they're talking about

0:42:03.600 --> 0:42:07.400
<v Speaker 5>a Jimmy Olsen TV series to me is very concerning.

0:42:07.520 --> 0:42:08.960
<v Speaker 5>But we can talk about that later.

0:42:09.040 --> 0:42:10.960
<v Speaker 3>Daily Planet, how it's spent so much time in there.

0:42:11.000 --> 0:42:14.000
<v Speaker 3>I will love see Lois do an investigation, love that

0:42:14.040 --> 0:42:14.560
<v Speaker 3>whole cast.

0:42:14.680 --> 0:42:19.360
<v Speaker 2>Let's go to a quick break and then talk about

0:42:19.480 --> 0:42:22.040
<v Speaker 2>exactly that, because I do think I will make the

0:42:22.200 --> 0:42:24.879
<v Speaker 2>argument for why I think a Jimmy Olsen's show is good.

0:42:25.719 --> 0:42:28.319
<v Speaker 2>But yes, let's go, and then let's come back.

0:42:42.800 --> 0:42:43.359
<v Speaker 1>And we're back.

0:42:43.440 --> 0:42:44.719
<v Speaker 2>We're back, and we're back.

0:42:45.840 --> 0:42:46.560
<v Speaker 3>I want to wait.

0:42:46.600 --> 0:42:48.920
<v Speaker 1>I want to quickly say something about like the Superman,

0:42:50.680 --> 0:42:54.520
<v Speaker 1>I think that DC and Marvel in their movie properties

0:42:55.680 --> 0:42:59.800
<v Speaker 1>are there's an important structural difference we mentioned like starting

0:42:59.800 --> 0:43:03.759
<v Speaker 1>with Iron Man and launching it from there, there are

0:43:04.040 --> 0:43:08.040
<v Speaker 1>I think by launching with characters that air quotes nobody

0:43:08.040 --> 0:43:10.280
<v Speaker 1>really cared about, which is true like on the larger

0:43:10.480 --> 0:43:19.560
<v Speaker 1>cultural sense rights, Yeah, Marvel created this framework that allowed

0:43:19.680 --> 0:43:24.280
<v Speaker 1>for their tremendous success and was based in the success

0:43:24.320 --> 0:43:29.080
<v Speaker 1>of those individual characters and Marvel's ability to present them

0:43:29.200 --> 0:43:33.120
<v Speaker 1>in exciting and winning such situations like the Guardians of

0:43:33.120 --> 0:43:35.680
<v Speaker 1>the Galaxy, another team that nobody gives it about.

0:43:35.880 --> 0:43:37.240
<v Speaker 2>Definitely not DC.

0:43:37.440 --> 0:43:41.799
<v Speaker 1>It's different like Superman. We talked about Superman kind of

0:43:41.840 --> 0:43:44.400
<v Speaker 1>being like, you don't notice how great he is and

0:43:44.440 --> 0:43:46.480
<v Speaker 1>all these other things pop out and he doesn't get

0:43:46.520 --> 0:43:48.840
<v Speaker 1>the best fight. That's because to me, Superman is like

0:43:49.400 --> 0:43:51.440
<v Speaker 1>you know, it's like Miles McClue in the medium is

0:43:51.480 --> 0:43:55.000
<v Speaker 1>the message. Superman is the medium. He's the world in

0:43:55.040 --> 0:43:56.960
<v Speaker 1>which these characters operate.

0:43:57.200 --> 0:43:59.480
<v Speaker 2>Every if you talk relative to him.

0:43:59.640 --> 0:44:03.920
<v Speaker 1>If you if you're talking about DC, it's no disrespect

0:44:04.040 --> 0:44:09.080
<v Speaker 1>to the incredible stable of characters in DC. It's Superman, Batman,

0:44:09.239 --> 0:44:11.719
<v Speaker 1>Wonder Woman, and then you can kind of like I

0:44:11.719 --> 0:44:13.040
<v Speaker 1>guess Green Lantern.

0:44:12.680 --> 0:44:16.239
<v Speaker 2>And it depends on ye and when it is it

0:44:16.239 --> 0:44:19.080
<v Speaker 2>really depends. Long time it was Halloquinn was the fourth PID.

0:44:20.320 --> 0:44:25.160
<v Speaker 1>It's those three, and if you nail those three, it

0:44:25.239 --> 0:44:29.440
<v Speaker 1>allows all these other interesting characters to work. And if

0:44:29.480 --> 0:44:35.200
<v Speaker 1>you nail those three kind of by design, you lose

0:44:35.239 --> 0:44:38.959
<v Speaker 1>sight of like how important of a Lynchpin. Those three

0:44:39.120 --> 0:44:42.279
<v Speaker 1>are to their worlds like Superman. You just once in

0:44:42.320 --> 0:44:45.720
<v Speaker 1>the first five minutes of the movie, once I bought that, Like, Okay,

0:44:46.040 --> 0:44:49.800
<v Speaker 1>Corn Sweat fucking nailed it. He's Superman, He's Clark k Comby.

0:44:50.480 --> 0:44:53.240
<v Speaker 1>Now I'm paying attention to all this other stuff because

0:44:53.280 --> 0:44:57.000
<v Speaker 1>I'm just like, oh, huge relief, Corn Sweat is Superman.

0:44:57.080 --> 0:44:58.799
<v Speaker 1>I don't need to worry about it anymore. And now

0:44:58.840 --> 0:45:01.000
<v Speaker 1>I'm going to pay attention to every thing else. And

0:45:01.040 --> 0:45:05.120
<v Speaker 1>I think that's different from the way that Marvel is

0:45:05.200 --> 0:45:08.520
<v Speaker 1>set up. And maybe and maybe it's you know it

0:45:08.560 --> 0:45:12.200
<v Speaker 1>was if they keep nailing these characterizations as they did

0:45:12.200 --> 0:45:16.359
<v Speaker 1>with Superman, it really might be DC's turn to rule.

0:45:17.080 --> 0:45:21.400
<v Speaker 3>So then the follow up question is if Corn Sweat

0:45:21.440 --> 0:45:26.720
<v Speaker 3>is a great Superman and Robinson is a great Batman, oh,

0:45:26.760 --> 0:45:29.080
<v Speaker 3>do we say a world where these two couldna beat

0:45:29.080 --> 0:45:31.120
<v Speaker 3>each other? Superman and Batman can get it.

0:45:31.120 --> 0:45:36.239
<v Speaker 2>Wal I think because of how stylized and colorful and

0:45:36.480 --> 0:45:40.920
<v Speaker 2>influenced by the comics this world was, I think that

0:45:41.000 --> 0:45:44.200
<v Speaker 2>there is a world where I absolutely would believe that

0:45:44.320 --> 0:45:47.520
<v Speaker 2>this is Metropolis and that dark, ass depressing world the

0:45:47.600 --> 0:45:51.160
<v Speaker 2>Patson in is that same Gotham like in the same

0:45:51.239 --> 0:45:54.080
<v Speaker 2>world I think it was. I think there's gonna have

0:45:54.120 --> 0:45:57.840
<v Speaker 2>to be massive stylistic differences. They're gonna have Guy Gardner

0:45:58.160 --> 0:46:01.319
<v Speaker 2>Green Lantern played by Nathan Fillyon, and I love the

0:46:01.560 --> 0:46:03.719
<v Speaker 2>representation of the character. They're going to have him in

0:46:03.760 --> 0:46:10.040
<v Speaker 2>that true detective Dark Dreary, HBO Max, you know, serious

0:46:10.080 --> 0:46:12.760
<v Speaker 2>prestige TV show, And that doesn't seem like right now,

0:46:13.160 --> 0:46:15.080
<v Speaker 2>it makes a lot of sense, But I don't have

0:46:15.200 --> 0:46:17.840
<v Speaker 2>any worry that they're not going to be able to

0:46:17.840 --> 0:46:18.319
<v Speaker 2>pull that off.

0:46:18.480 --> 0:46:20.160
<v Speaker 1>You hear this a lot, Like I've heard a lot

0:46:20.200 --> 0:46:22.680
<v Speaker 1>of people say, well, I don't know how you would

0:46:22.680 --> 0:46:26.280
<v Speaker 1>do it. I don't think you could have that Batman

0:46:26.640 --> 0:46:30.480
<v Speaker 1>in this Superman world. And I agree that, like the

0:46:30.480 --> 0:46:33.359
<v Speaker 1>contrast would be immense, but I kind of think that's

0:46:33.360 --> 0:46:34.839
<v Speaker 1>what would make it interesting.

0:46:35.000 --> 0:46:35.680
<v Speaker 2>So cool.

0:46:36.440 --> 0:46:39.560
<v Speaker 1>Yeah, And I think like, obviously it would not be easy,

0:46:40.239 --> 0:46:44.160
<v Speaker 1>but Superman wasn't easy, and.

0:46:44.400 --> 0:46:46.719
<v Speaker 2>James it was the hoddest movie he ever made in

0:46:46.760 --> 0:46:47.200
<v Speaker 2>his life.

0:46:47.560 --> 0:46:51.120
<v Speaker 1>It's only the masterful way that they pulled it off

0:46:51.120 --> 0:46:53.799
<v Speaker 1>that makes it look easy. And so I think that

0:46:53.840 --> 0:46:57.920
<v Speaker 1>there's absolutely a world in which Robert Pattinson's Batman that

0:46:58.239 --> 0:47:03.000
<v Speaker 1>tone can exist in the same movie as Corn sweat

0:47:03.040 --> 0:47:05.759
<v Speaker 1>Superman with that tone, I think there's absolutely a world

0:47:05.760 --> 0:47:06.359
<v Speaker 1>where that could help.

0:47:06.400 --> 0:47:08.480
<v Speaker 3>Can I tell you what the lynchpin is. It's Pattinson.

0:47:08.840 --> 0:47:12.959
<v Speaker 3>He's got the range. He understands he understands comedy so well,

0:47:13.000 --> 0:47:15.719
<v Speaker 3>but he also understands drama so well, and we've seen

0:47:15.800 --> 0:47:18.640
<v Speaker 3>him flip back and forth within different space. I mean,

0:47:18.680 --> 0:47:21.280
<v Speaker 3>you look at Batman specifically, and while we're not getting

0:47:21.320 --> 0:47:23.719
<v Speaker 3>the sort of like golly gee of it all, it

0:47:23.719 --> 0:47:26.240
<v Speaker 3>doesn't matter because Batman is never gonna hit a golly

0:47:26.239 --> 0:47:28.680
<v Speaker 3>g Yeah. Ever, like the whole point is that they're

0:47:29.280 --> 0:47:32.840
<v Speaker 3>complete opposites of one another. I think it works really

0:47:32.920 --> 0:47:33.960
<v Speaker 3>really well potentially.

0:47:34.120 --> 0:47:36.960
<v Speaker 2>I kind of love the idea that the map of

0:47:37.080 --> 0:47:40.040
<v Speaker 2>James Gun's DC world is like the map of the

0:47:40.120 --> 0:47:43.479
<v Speaker 2>comics where you're trying to work out, like really where

0:47:43.520 --> 0:47:47.120
<v Speaker 2>they are, so like they say Metropolis is actually Delaware

0:47:47.480 --> 0:47:50.440
<v Speaker 2>and that Gotham is actually New Jersey, like if you

0:47:50.440 --> 0:47:52.840
<v Speaker 2>put them on a map, And it's really funny because

0:47:52.840 --> 0:47:55.440
<v Speaker 2>we all know culturally those are not the connotations we make.

0:47:55.760 --> 0:47:57.799
<v Speaker 2>But I kind of love the idea. It's like, why

0:47:57.800 --> 0:48:00.239
<v Speaker 2>didn't Batman come and help Superman? With this. Have you

0:48:00.280 --> 0:48:03.480
<v Speaker 2>watched The Batman? That man is just fighting NonStop serial

0:48:03.680 --> 0:48:09.600
<v Speaker 2>killers and it flooded. But also like and we can't see,

0:48:09.719 --> 0:48:12.680
<v Speaker 2>we can see why Superman is too busy to go

0:48:13.600 --> 0:48:16.000
<v Speaker 2>to that world. I think it would work, and I

0:48:16.040 --> 0:48:20.040
<v Speaker 2>think eventually I've heard that, you know, Matt Reeves he

0:48:20.080 --> 0:48:22.680
<v Speaker 2>finished that script. I think all those interviews with James

0:48:22.719 --> 0:48:25.560
<v Speaker 2>Gunn being like Matt Reeves is slow as probably exactly

0:48:26.040 --> 0:48:28.960
<v Speaker 2>the if somebody called me slow in a Rolling Stone interview,

0:48:29.000 --> 0:48:31.200
<v Speaker 2>I would also probably quickly send them a draft and

0:48:31.239 --> 0:48:34.120
<v Speaker 2>be like, I've finished. Definitely was going to send you

0:48:34.160 --> 0:48:37.960
<v Speaker 2>this anyway. But like, I think it's a timing thing.

0:48:38.280 --> 0:48:41.040
<v Speaker 2>I think it would make sense, And I also think

0:48:41.080 --> 0:48:44.080
<v Speaker 2>the best thing is like we have time to see

0:48:44.120 --> 0:48:46.600
<v Speaker 2>where this is gonna go. I mean, they're doing a

0:48:46.640 --> 0:48:50.920
<v Speaker 2>clay Face movie that's written by Mike Flanagan that my

0:48:51.040 --> 0:48:53.279
<v Speaker 2>understanding is probably not even gonna be set at the

0:48:53.280 --> 0:48:57.080
<v Speaker 2>same timeline in the same like time era as this.

0:48:57.440 --> 0:49:00.720
<v Speaker 2>We have three hundred years of history. There's so many

0:49:00.760 --> 0:49:03.239
<v Speaker 2>different ways that they could do it, and I just

0:49:03.280 --> 0:49:06.759
<v Speaker 2>really hope that they keep taking big, ambitious swings, because

0:49:06.800 --> 0:49:08.840
<v Speaker 2>I think that is the thing where even to me

0:49:09.400 --> 0:49:13.200
<v Speaker 2>on like a Rosi's you know, I never I don't

0:49:13.239 --> 0:49:16.400
<v Speaker 2>really grade stuff on a curve because I think Parasite

0:49:16.480 --> 0:49:18.680
<v Speaker 2>is a five star movie. But I also think, like

0:49:19.480 --> 0:49:21.480
<v Speaker 2>you know, some lifetime movie I watch as a five

0:49:21.520 --> 0:49:24.319
<v Speaker 2>style movie. Like I don't grade things relatively because I

0:49:24.360 --> 0:49:27.960
<v Speaker 2>find that really impossible. But like I do believe that

0:49:28.480 --> 0:49:30.640
<v Speaker 2>even though this is like a movie that maybe I

0:49:30.680 --> 0:49:33.279
<v Speaker 2>thought was like a seven out of ten, objectively, I

0:49:33.280 --> 0:49:37.600
<v Speaker 2>think it is so intricate and interesting and full of

0:49:37.680 --> 0:49:42.120
<v Speaker 2>so many interesting ideas that it is a launchpad for

0:49:42.200 --> 0:49:44.480
<v Speaker 2>something that is really exciting and something else. Guys, I'll

0:49:44.480 --> 0:49:48.000
<v Speaker 2>tell you the people, the humans, they are excited to

0:49:48.080 --> 0:49:51.440
<v Speaker 2>see the Superman, Like this is not having the you know,

0:49:51.480 --> 0:49:53.479
<v Speaker 2>when Batman came out, which by the way, made tons

0:49:53.520 --> 0:49:55.840
<v Speaker 2>of money, let's just remember that, and also had a

0:49:55.880 --> 0:49:59.080
<v Speaker 2>fantastic romance at the center, which I think is very

0:49:59.080 --> 0:50:02.600
<v Speaker 2>interesting compara with this, because it's a romance that's based

0:50:02.600 --> 0:50:05.080
<v Speaker 2>on a lack of honesty and like a kind of

0:50:05.160 --> 0:50:07.560
<v Speaker 2>deception and a need to hide who they are. But

0:50:07.600 --> 0:50:10.200
<v Speaker 2>obviously Lewis and Clark is all about honesty, and I

0:50:10.200 --> 0:50:14.719
<v Speaker 2>think that's really interesting. But also, like that movie, so

0:50:14.880 --> 0:50:17.360
<v Speaker 2>much of the conversation was like can a kid watched this?

0:50:17.719 --> 0:50:21.520
<v Speaker 2>Like it's too scary? There's murders, like does where does

0:50:21.560 --> 0:50:24.760
<v Speaker 2>this fit in? Superman doesn't have any of those questions

0:50:24.840 --> 0:50:28.520
<v Speaker 2>around it. Everyone's just like cool, Yeah, James, James Gunn's

0:50:28.560 --> 0:50:31.239
<v Speaker 2>made this like it was almost I almost feel like

0:50:32.360 --> 0:50:34.160
<v Speaker 2>he said it was the hardest movie he's ever made.

0:50:34.239 --> 0:50:37.120
<v Speaker 2>But in a way it's it's also like a really

0:50:37.360 --> 0:50:42.320
<v Speaker 2>simple It seems simple as a launch pad, like hey,

0:50:42.360 --> 0:50:45.080
<v Speaker 2>here's a story about Superman just punching his way through

0:50:45.080 --> 0:50:47.719
<v Speaker 2>a fight, but it has these threads. I mean, dude,

0:50:47.760 --> 0:50:51.480
<v Speaker 2>when I interviewed Wendell Pisse, who is you know, plays

0:50:51.480 --> 0:50:55.040
<v Speaker 2>Perry White, who is an icon, he was giving me

0:50:55.120 --> 0:50:57.920
<v Speaker 2>the deepest answers about like journalism and the things he

0:50:58.000 --> 0:51:01.000
<v Speaker 2>learned on the wire, about that he brought to Perry

0:51:01.000 --> 0:51:03.200
<v Speaker 2>and that he's going to get to explore as Perry.

0:51:03.719 --> 0:51:06.120
<v Speaker 2>You don't lie to Wendle Pierce about that, you know,

0:51:06.239 --> 0:51:08.439
<v Speaker 2>James Gun's not there hyping him up, going like, yeah,

0:51:08.480 --> 0:51:10.399
<v Speaker 2>you're going to be able to do it. No, even

0:51:10.440 --> 0:51:14.160
<v Speaker 2>though we've learned that with Eddie. He was treated like

0:51:14.239 --> 0:51:16.640
<v Speaker 2>that by Fox when they were making the X Men

0:51:16.680 --> 0:51:19.399
<v Speaker 2>movies and was basically told, don't worry, Darwin's gonna come back.

0:51:19.440 --> 0:51:21.160
<v Speaker 2>You're going to get to do it. I don't feel

0:51:21.160 --> 0:51:23.080
<v Speaker 2>like James Gun's done that here. I feel like he's

0:51:23.080 --> 0:51:27.759
<v Speaker 2>built a community and a cinematic kind of experience that

0:51:27.840 --> 0:51:31.239
<v Speaker 2>is getting people excited. And now hopefully we will get

0:51:31.280 --> 0:51:34.920
<v Speaker 2>to see that kind of spread out and get wider

0:51:34.960 --> 0:51:38.880
<v Speaker 2>and encompass more storytelling, encompass different kinds of people, different

0:51:38.960 --> 0:51:44.640
<v Speaker 2>kinds of stories. And I just I feel like, unless

0:51:44.760 --> 0:51:48.200
<v Speaker 2>something really surprising happens, I feel like Superman maybe is

0:51:48.239 --> 0:51:50.400
<v Speaker 2>going to be the bigger hit than Fantastic For. And

0:51:50.440 --> 0:51:52.319
<v Speaker 2>that's kind of the crazy thing to me.

0:51:53.840 --> 0:51:56.200
<v Speaker 5>Oh, I think it is setting itself up for sure

0:51:56.239 --> 0:51:57.400
<v Speaker 5>to be bigger than Fantastic For.

0:51:57.680 --> 0:52:00.120
<v Speaker 2>I know, but that seems crazy. It's a crazy It's

0:52:00.120 --> 0:52:03.040
<v Speaker 2>really just yeah, dude, You've got to understand. Superman movies,

0:52:03.080 --> 0:52:05.399
<v Speaker 2>when you actually look back at them, have not really

0:52:05.440 --> 0:52:09.960
<v Speaker 2>been that financially successful, especially over the last like twenty

0:52:09.960 --> 0:52:14.480
<v Speaker 2>five years. Superman is a cultural icon and a cultural symbol,

0:52:15.000 --> 0:52:18.160
<v Speaker 2>but not necessarily a big seller in comic shops, not

0:52:18.280 --> 0:52:22.680
<v Speaker 2>always like making like think about Superman returns from two

0:52:22.680 --> 0:52:24.919
<v Speaker 2>thousand and six. Everything from then on has been very

0:52:24.920 --> 0:52:29.160
<v Speaker 2>controversial in the Superman landscape, whereas Fantastic Four, those movies

0:52:29.200 --> 0:52:31.600
<v Speaker 2>made a lot of money the original tim Story movies,

0:52:31.719 --> 0:52:35.120
<v Speaker 2>but not just that, they have gained a nostalgia around them.

0:52:35.200 --> 0:52:38.600
<v Speaker 2>And another one of the things about the Fantastic Four

0:52:38.640 --> 0:52:40.960
<v Speaker 2>is this is a project that people have been waiting

0:52:41.000 --> 0:52:43.960
<v Speaker 2>for the MCU to adapt for like twenty years, Like

0:52:44.040 --> 0:52:46.239
<v Speaker 2>since they first started. They have said when will they

0:52:46.239 --> 0:52:49.560
<v Speaker 2>get those rights back? So the fact that a Superman

0:52:49.640 --> 0:52:53.719
<v Speaker 2>movie is potentially going to upend the Fantastic Four with

0:52:54.000 --> 0:52:58.480
<v Speaker 2>a cast like that, with the MCU putting Matt Schackman

0:52:58.520 --> 0:53:00.120
<v Speaker 2>on it, who did One Division, which was one of

0:53:00.120 --> 0:53:04.560
<v Speaker 2>their biggest successes, with it coming at a time when

0:53:04.600 --> 0:53:07.160
<v Speaker 2>the MCU basically needs to reset, I think it will

0:53:07.200 --> 0:53:10.040
<v Speaker 2>be an upset if Superman ends up making more money

0:53:10.200 --> 0:53:11.359
<v Speaker 2>than the Fantastic Four.

0:53:14.120 --> 0:53:17.399
<v Speaker 1>I'm not sure, but I don't know. I'm not sure.

0:53:18.000 --> 0:53:19.120
<v Speaker 4>Let's go to a quick.

0:53:34.280 --> 0:53:34.879
<v Speaker 1>And we're back.

0:53:35.280 --> 0:53:39.719
<v Speaker 2>We're back. Let's talk about what it means for the

0:53:39.760 --> 0:53:44.320
<v Speaker 2>future of DC. Jason, what are you most excited to

0:53:44.480 --> 0:53:46.919
<v Speaker 2>kind of see coming out of this. We haven't even

0:53:46.920 --> 0:53:49.479
<v Speaker 2>talked about the teas of Supergirl. Supergirl is our next

0:53:49.520 --> 0:53:52.520
<v Speaker 2>movie coming out in less than a year. Now, got

0:53:52.560 --> 0:53:57.040
<v Speaker 2>clay Face coming out next year. Allegedly. Two Peacemaker is

0:53:57.160 --> 0:53:59.960
<v Speaker 2>confirmed for this year. Then we've got Lantern's next year.

0:54:00.239 --> 0:54:03.720
<v Speaker 2>Other than that those four projects, nothing else is confirmed though,

0:54:03.840 --> 0:54:05.719
<v Speaker 2>which I think is an interesting space to be in.

0:54:05.760 --> 0:54:07.640
<v Speaker 2>But I guess you're most excited.

0:54:07.560 --> 0:54:09.840
<v Speaker 1>The Brave and the Bowl and whatever that is actually

0:54:09.880 --> 0:54:14.600
<v Speaker 1>going to be because because that's the big that's the

0:54:14.640 --> 0:54:17.680
<v Speaker 1>second part of the trinity that must appear, right, Batman

0:54:17.760 --> 0:54:20.520
<v Speaker 1>must appear at some point. Is it going to be

0:54:20.560 --> 0:54:22.720
<v Speaker 1>a Brave in the Bold story with Batman and Robin?

0:54:22.960 --> 0:54:27.720
<v Speaker 1>Is it going to be starring Robert Pattinson or another actor?

0:54:28.120 --> 0:54:30.120
<v Speaker 1>I think all of those things are on the table,

0:54:30.920 --> 0:54:36.840
<v Speaker 1>and to me, that is hugely consequential. Like that, it's massive.

0:54:37.960 --> 0:54:41.799
<v Speaker 1>I can't wait to see what that movie is and

0:54:41.920 --> 0:54:44.360
<v Speaker 1>if it is as previously reported.

0:54:45.520 --> 0:54:46.520
<v Speaker 2>Joelle, how about you.

0:54:47.520 --> 0:54:50.960
<v Speaker 3>There's a movie called Dynamic Duo coming up animated.

0:54:51.120 --> 0:54:53.200
<v Speaker 2>It looks so good. It looks like.

0:54:55.000 --> 0:54:58.760
<v Speaker 3>Yeah and animation. So they're mixing both. They're stop animations

0:54:58.760 --> 0:55:02.160
<v Speaker 3>and it's interesting because it's it's puppetry, but it's like

0:55:02.200 --> 0:55:07.040
<v Speaker 3>a mechanic puppetry, so like the they're like running, like, wait,

0:55:07.080 --> 0:55:10.240
<v Speaker 3>what's happening? Uh. You could see some of the teasers

0:55:10.239 --> 0:55:12.719
<v Speaker 3>they've dropped online for that. That looks really good. And

0:55:12.760 --> 0:55:18.080
<v Speaker 3>that's a Dick Grayson and Robin Damian Wayne story I believe,

0:55:18.120 --> 0:55:20.560
<v Speaker 3>which is really it's a Jason Todter is a Damian

0:55:20.600 --> 0:55:24.279
<v Speaker 3>Let me sure, sorry, it's Jason Todd. Yeah. So it's

0:55:24.320 --> 0:55:26.960
<v Speaker 3>Jason Todd and Dick Grayson, which is one of my

0:55:27.000 --> 0:55:32.200
<v Speaker 3>favorite combos, uh for those heroes. And I just think

0:55:32.239 --> 0:55:34.839
<v Speaker 3>it looks really good. It's fun. I think it's really

0:55:34.880 --> 0:55:37.400
<v Speaker 3>important that they get animation right, especially if we consider

0:55:37.440 --> 0:55:40.319
<v Speaker 3>what Sony's doing with the Spider Verse and how influential

0:55:40.360 --> 0:55:43.399
<v Speaker 3>those movies have been. And Sony's on a continue run

0:55:43.440 --> 0:55:45.799
<v Speaker 3>with the K Pop Demon Hunters. I think they're teaming inja.

0:55:45.800 --> 0:55:47.839
<v Speaker 3>Turtles movie is one of the best animated films I've seen.

0:55:47.920 --> 0:55:50.759
<v Speaker 3>Yeah years, I love it. Uh, And so it's and

0:55:50.800 --> 0:55:53.360
<v Speaker 3>Warner Bros. Used to be the king of like animated

0:55:53.400 --> 0:55:56.640
<v Speaker 3>superhero stuff, like they couldn't miss for years, and then

0:55:57.320 --> 0:56:00.600
<v Speaker 3>it's took a sharp, horrific turn left and I can't

0:56:00.640 --> 0:56:03.040
<v Speaker 3>even watch most of their animated films now.

0:56:03.080 --> 0:56:05.160
<v Speaker 2>And this is going to be a cinema released too,

0:56:05.239 --> 0:56:06.040
<v Speaker 2>rather than a straight.

0:56:06.000 --> 0:56:07.920
<v Speaker 3>Yeah you know what I think is a part So

0:56:07.920 --> 0:56:10.640
<v Speaker 3>I'm really hyped for that. But if we're talking live action,

0:56:11.320 --> 0:56:13.759
<v Speaker 3>bring me those Lantern court right now. Rosie and I

0:56:13.840 --> 0:56:16.319
<v Speaker 3>have already been contemplating if you are a fan of

0:56:16.360 --> 0:56:19.719
<v Speaker 3>the Justice League animated series like we are, Hawt Girl

0:56:19.760 --> 0:56:24.799
<v Speaker 3>has a relationship with John j Yeah, John Stewart screen

0:56:24.880 --> 0:56:28.000
<v Speaker 3>lantern and it's so hot and so fun and.

0:56:29.120 --> 0:56:35.400
<v Speaker 2>Setting up with having Aaron Pierre and obviously Isabella calm on.

0:56:35.480 --> 0:56:36.760
<v Speaker 2>What are you most excited about?

0:56:37.719 --> 0:56:41.200
<v Speaker 4>Well, this movie had a lot of hints to punk

0:56:41.280 --> 0:56:47.840
<v Speaker 4>rock in it, and I was really excited about the

0:56:47.840 --> 0:56:50.480
<v Speaker 4>the hints throughout and then of course the reveal at

0:56:50.480 --> 0:56:55.440
<v Speaker 4>the end that Crypto is in fact super uh Supergirls

0:56:55.520 --> 0:56:59.239
<v Speaker 4>Dog and I'm excited to see where that goes because

0:56:59.239 --> 0:57:01.400
<v Speaker 4>I think that'll be e and more punk rock and

0:57:02.440 --> 0:57:05.840
<v Speaker 4>even more just like amping it up in that direction.

0:57:06.760 --> 0:57:09.439
<v Speaker 4>And I want more Crypto because that was really fun

0:57:09.440 --> 0:57:11.480
<v Speaker 4>and cute, So more.

0:57:11.320 --> 0:57:13.960
<v Speaker 2>Of that big Crypto fan. Aaron, how about you, what

0:57:14.040 --> 0:57:15.839
<v Speaker 2>do you come out of this looking for?

0:57:16.240 --> 0:57:16.320
<v Speaker 4>All?

0:57:16.400 --> 0:57:18.160
<v Speaker 5>Right? Maybe looking forward to is the wrong word.

0:57:18.160 --> 0:57:20.120
<v Speaker 2>But I'm most curious about Clayface.

0:57:20.440 --> 0:57:25.200
<v Speaker 5>Yea interesting, but I'm curious about it because James Gunn

0:57:25.240 --> 0:57:29.160
<v Speaker 5>has so far released Creature Commandos, Peacemaker, He's working on

0:57:29.200 --> 0:57:32.600
<v Speaker 5>Peacemaker season two. He did Superman and then he's gonna

0:57:32.600 --> 0:57:35.840
<v Speaker 5>do Supergirl. Clayface, is he fucking around too much? Like he?

0:57:36.040 --> 0:57:38.640
<v Speaker 2>No? No, no, no no. Do you mean like character wise?

0:57:38.920 --> 0:57:39.080
<v Speaker 3>No?

0:57:39.120 --> 0:57:41.400
<v Speaker 5>I just mean like in general for the universe, like

0:57:41.440 --> 0:57:45.800
<v Speaker 5>as Jason is saying, you have the three Pillars of PC, Superman, Batman,

0:57:45.840 --> 0:57:48.520
<v Speaker 5>and Wonder Woman. I know he's got the Paradise Lost

0:57:49.080 --> 0:57:52.200
<v Speaker 5>TV show, but that is in development.

0:57:51.680 --> 0:57:56.600
<v Speaker 2>In production right struggles.

0:57:55.040 --> 0:57:58.440
<v Speaker 5>So like, are we really just go I loved Guardians

0:57:58.440 --> 0:58:02.120
<v Speaker 5>of the Galaxy. He also didn't establish anyone necessarily beyond

0:58:02.160 --> 0:58:07.000
<v Speaker 5>the Guardians within Marvel Cannon. So the fact that he,

0:58:07.440 --> 0:58:10.840
<v Speaker 5>you know, has the authority swamp thing clay Face, like,

0:58:11.240 --> 0:58:13.479
<v Speaker 5>are we too obtuse with our.

0:58:13.440 --> 0:58:14.560
<v Speaker 2>Choices early on?

0:58:14.640 --> 0:58:14.880
<v Speaker 4>Here?

0:58:15.040 --> 0:58:15.880
<v Speaker 5>Is what I worry about that.

0:58:15.960 --> 0:58:16.600
<v Speaker 3>And I think it's a.

0:58:16.520 --> 0:58:18.919
<v Speaker 2>Good I think it's a good question. But I also

0:58:18.960 --> 0:58:23.680
<v Speaker 2>would say I think, like the Snyder era proved that

0:58:23.920 --> 0:58:26.840
<v Speaker 2>you can have three, you can have the trinity. But

0:58:26.880 --> 0:58:29.760
<v Speaker 2>if you don't people don't connect with them. That won't

0:58:29.800 --> 0:58:33.440
<v Speaker 2>bring people. So I think that you know, corn sweats

0:58:33.480 --> 0:58:36.360
<v Speaker 2>so good. I think you could do something like you

0:58:36.400 --> 0:58:39.040
<v Speaker 2>know super Girl, who at times they've tried to bring

0:58:39.080 --> 0:58:41.480
<v Speaker 2>into a kind of new trinity, right, so you have

0:58:41.560 --> 0:58:45.120
<v Speaker 2>that next year, do something weird like Clayface, and then

0:58:45.960 --> 0:58:48.840
<v Speaker 2>I would hope you're starting to think about braving the

0:58:48.880 --> 0:58:51.720
<v Speaker 2>bold Batman. Wonder Woman I think is going to be

0:58:52.200 --> 0:58:57.000
<v Speaker 2>a longer, more complicated process. But we did get reporting

0:58:57.040 --> 0:59:01.040
<v Speaker 2>recently that Gun and Saffran did kill off a third

0:59:01.280 --> 0:59:09.200
<v Speaker 2>Galgado Wonder Woman film, so there's definitely movie those children.

0:59:11.840 --> 0:59:18.200
<v Speaker 2>I think I am like most excited. Something I loved

0:59:18.560 --> 0:59:23.240
<v Speaker 2>about the something I loved about The Suicide Squad, which

0:59:23.400 --> 0:59:28.080
<v Speaker 2>really made me re visit James Gun's movies, was just

0:59:28.200 --> 0:59:32.600
<v Speaker 2>I thought the kind of anti imperialists like politics the

0:59:32.760 --> 0:59:37.880
<v Speaker 2>seventies thriller vibes where he wasn't afraid to question the US.

0:59:38.080 --> 0:59:40.840
<v Speaker 2>And I am seeing this movie and I'm not seeing

0:59:40.880 --> 0:59:43.360
<v Speaker 2>any real American tanks in it, which means they probably

0:59:43.360 --> 0:59:45.280
<v Speaker 2>did not have to pay the military.

0:59:44.840 --> 0:59:47.680
<v Speaker 3>To make the police officers either a police.

0:59:47.360 --> 0:59:52.720
<v Speaker 2>Officers either lots of firemen. I I think that this

0:59:52.760 --> 0:59:55.720
<v Speaker 2>movie again is James Gunn saying, Hey, maybe the US

0:59:55.800 --> 0:59:57.880
<v Speaker 2>is the bad guys. Maybe we should consider what we're

0:59:57.920 --> 1:00:02.440
<v Speaker 2>doing in a really way that feels incredible, timely and important.

1:00:02.920 --> 1:00:05.760
<v Speaker 2>And I am excited that we might be in a

1:00:05.840 --> 1:00:10.680
<v Speaker 2>superhero world where the politics of the heroes may align

1:00:10.800 --> 1:00:14.400
<v Speaker 2>more with like the politics of the audience, rather than

1:00:14.440 --> 1:00:17.960
<v Speaker 2>the Ultimate inspired MCU world that was always very heavily

1:00:18.000 --> 1:00:20.680
<v Speaker 2>built in military tech, built on the idea of in

1:00:20.720 --> 1:00:23.320
<v Speaker 2>the background of the post nine to eleven world, the

1:00:23.360 --> 1:00:27.440
<v Speaker 2>Iraq war, Tony Stark. You know, I am interested to

1:00:27.560 --> 1:00:30.560
<v Speaker 2>see Superman and see a hero who's like I am

1:00:30.600 --> 1:00:33.520
<v Speaker 2>just representing myself doing good. But I also love that

1:00:33.560 --> 1:00:36.640
<v Speaker 2>he has people around him making him have the hard conversations,

1:00:36.720 --> 1:00:39.440
<v Speaker 2>you know. And I think I was very moved by

1:00:39.440 --> 1:00:42.000
<v Speaker 2>the Suicide Squad, and I on my second watch, I

1:00:42.040 --> 1:00:44.680
<v Speaker 2>was very moved by this movie. And I'm excited to

1:00:44.680 --> 1:00:50.720
<v Speaker 2>see that spread because Mike Flanagan incredibly emotionally intelligent, interesting person.

1:00:51.080 --> 1:00:56.240
<v Speaker 2>Anna Nagero, who's writing the Supergirl movie, really interesting credits,

1:00:56.280 --> 1:00:59.600
<v Speaker 2>really interesting take. Also that Supergirl movie. The comic is

1:00:59.720 --> 1:01:03.840
<v Speaker 2>very bleak but very beautifully illustrated by Bill quis everly, So,

1:01:03.960 --> 1:01:08.000
<v Speaker 2>I think there's just so many tonally interesting and politically

1:01:08.080 --> 1:01:11.560
<v Speaker 2>resonant things that we can get back to that we

1:01:11.680 --> 1:01:16.160
<v Speaker 2>haven't necessarily had in the superho movies of both the

1:01:16.240 --> 1:01:20.320
<v Speaker 2>DC or MCU honestly in general. So that's kind of

1:01:20.360 --> 1:01:22.760
<v Speaker 2>I think what I'm what I'm most looking forward to.

1:01:23.600 --> 1:01:30.360
<v Speaker 1>Okay, well, folks, thanks for joining us. I'm eager one

1:01:30.360 --> 1:01:33.000
<v Speaker 1>of these days, in one of these upcoming roundtables, to

1:01:33.040 --> 1:01:37.880
<v Speaker 1>talk about our favorite double dipping actors. Who are the

1:01:37.920 --> 1:01:41.640
<v Speaker 1>actors who have played characters in both universes?

1:01:44.000 --> 1:01:50.600
<v Speaker 2>I want to know, Let's do it. Let's do it

1:01:53.600 --> 1:01:56.920
<v Speaker 2>in DC also as well, that's what we've got to do.

1:01:57.160 --> 1:02:00.280
<v Speaker 2>We'll talk about the double dippers. Let's also talk about

1:02:00.320 --> 1:02:03.600
<v Speaker 2>who has been the most superhero Character's almost comment. There's

1:02:03.600 --> 1:02:06.120
<v Speaker 2>also because there's also triple dippers.

1:02:06.440 --> 1:02:10.200
<v Speaker 1>There's triple divers if we count Star Wars, and quadruple

1:02:10.240 --> 1:02:12.120
<v Speaker 1>dippers if we count Star Trek.

1:02:12.560 --> 1:02:15.959
<v Speaker 2>So let's just red we're going to do about that.

1:02:16.400 --> 1:02:19.160
<v Speaker 1>Coming up on X Rayvision, We're diving into more summer movies,

1:02:19.200 --> 1:02:21.080
<v Speaker 1>more news, and of course the Fantastic for that's not

1:02:21.200 --> 1:02:27.440
<v Speaker 1>for this episode. Thanks everyone, Bye bye x ray Vision

1:02:27.480 --> 1:02:30.040
<v Speaker 1>is hosted by Jason Scepcion and Rosie Knight and is

1:02:30.040 --> 1:02:31.640
<v Speaker 1>a production of iHeart Podcasts.

1:02:31.960 --> 1:02:35.560
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

1:02:35.800 --> 1:02:37.800
<v Speaker 1>Our supervising producer is Abuzafar.

1:02:38.200 --> 1:02:42.160
<v Speaker 2>Our producers are Common, Laurent Dean Jonathan and Fay Wack.

1:02:42.280 --> 1:02:45.040
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

1:02:45.120 --> 1:02:46.360
<v Speaker 1>songs by Aaron Kaufman.

1:02:46.560 --> 1:02:49.920
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1:02:50.000 --> 1:03:00.560
<v Speaker 2>Heidi Our disc called Moderate Them