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Speaker 1: I had a very strange memory out of nowhere. I

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Speaker 1: don't know what inspired this, but it's something I completely

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Speaker 1: forgot about, and it was worth bringing up on the

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Speaker 1: podcast because we've talked a lot about Angel and VICKI.

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Speaker 1: Oh yeah, you know our personal trainers Slash, who we

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Speaker 1: hung out with then. Right, So I remember I got

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Speaker 1: my first speeding ticket when I was sixteen, and I

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Speaker 1: remember going. I it was on my way back to

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Speaker 1: work from lunch. I was on Sunset Boulevard and I

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Speaker 1: think I was going like fifty or fifty five and

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Speaker 1: like a thirty five it was. It was bad, right, okay,

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Speaker 1: And I got the ticket, and you know, I was

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Speaker 1: such a rule follower, like I was such a you know,

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Speaker 1: and I was just a bad driver. It just literally

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Speaker 1: probably wasn't even thinking. I still don't, as we talked

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Speaker 1: about on this podcast, just drive anyway. So I got

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Speaker 1: pulled over, I got the ticket. I showed up back

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Speaker 1: at work and I was just you know, shaking. I

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Speaker 1: just felt so bad. Yeah, And I remember like David

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Speaker 1: Combs and everyone being like, yeah, you made me feel

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Speaker 1: bad too, and I was just like it just felt awful,

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Speaker 1: you know. And then I was hanging out with Angel

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Speaker 1: and VICKI either later that day or maybe another day

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Speaker 1: in the week, and I was like very much like

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Speaker 1: just like so shameful, like oh, I got my first

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Speaker 1: speeding ticket. And the two of them laughed and and

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Speaker 1: Angel patted me on the back and he said, ah,

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Speaker 1: the hardest ones, the the first one is the hardest

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Speaker 1: one to get. And they just like they were like,

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Speaker 1: don't worry about it, and it was it's one of

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Speaker 1: those memories. I remember being like, Oh, there are grown

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Speaker 1: ups who aren't going to like super mad at me

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Speaker 1: and like make me feel horrible. And I was thinking

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Speaker 1: about it as just this moment of like, right, that's

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Speaker 1: the space they occupied, right, It's like they were grown

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Speaker 1: up who I respected and I knew did grown up things,

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Speaker 1: but they were also kind of like friends who could

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Speaker 1: make me feel better about it, and they were like,

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Speaker 1: you know, and I remember Angel being like, I've had

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Speaker 1: like four speeding tickets. It sucks, you know, but I've.

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Speaker 2: Been arrested a whole bunch of times. It's just the time.

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Speaker 1: And that's why this memory is tricky, because it's like,

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Speaker 1: on one hand, it's a positive memory in then that

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Speaker 1: like I kind of needed that like I kind of

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Speaker 1: needed to be told. On the other hand, there's this

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Speaker 1: responsibility question of like, well, I shouldn't have been speeding.

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Speaker 1: I shouldn't you know, getting the speed Yeah, he is

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Speaker 1: kind of a big deal. I should take it somewhat seriously.

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Speaker 1: And so I just thought it was like such a

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Speaker 1: weird example of like how those kinds of people entered

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Speaker 1: our lives and like the space that they occupied socially,

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Speaker 1: which is like I always think of it as like

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Speaker 1: a super positive, supportive thing that I was so glad

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Speaker 1: that these like grown up friends I had made me

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Speaker 1: feel better. But in retrospect, I'm also like, maybe maybe

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Speaker 1: they shouldn't have.

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Speaker 3: Right, No, how many have you gotten?

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Speaker 4: Since?

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Speaker 1: Not many? I mean I got well, no, this last summer,

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Speaker 1: I got what three? I actually officially only got one,

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Speaker 1: but I got pulled over three times last summer. But

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Speaker 1: you know, I was also driving for.

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Speaker 5: Six your life right driving?

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Speaker 1: But yeah, and as I talked about at our live show,

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Speaker 1: one was definitely a speed trap where you cross the

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Speaker 1: state line and the speed limit drops twenty miles per hour.

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Speaker 1: Just yeah, you go from like in whatever. Yeah, but yes, no,

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Speaker 1: I mean like that, and then I got speeding tickets.

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Speaker 1: But before this summer, I had not gotten a speeding

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Speaker 1: ticket since I was eighteen, so you know class tickets

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Speaker 1: the age between sixteen and eighteen, I got two speeding

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Speaker 1: two or three speeding tickets. Three? Right, I had to

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Speaker 1: go to traffic school.

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Speaker 5: Did you really fun?

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Speaker 4: Oh?

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Speaker 1: Yeah, well, because you have to get you know, you

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Speaker 1: get too many points.

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Speaker 3: Yeah.

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Speaker 2: Before before you could do traffic school online, we used

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Speaker 2: to have to go in the traffic school classes.

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Speaker 4: The best thing is being late for traffic school, so

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Speaker 4: having to speed there. Yes, that's that's like I was.

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Speaker 1: Understand, had a few drinks. No, no, no, yeah.

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Speaker 2: I think it's funny because I I am much more

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Speaker 2: of a rule follower now than I think I was

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Speaker 2: as a kid. It is funny to think about the

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Speaker 2: difference between you and I as kids. Because for sure,

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Speaker 2: the minute I got a speeding ticket, I was like.

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Speaker 3: Oh my, can you believe this? What's the big deal?

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Speaker 2: There was nobody even on the road. For sure, it

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Speaker 2: was it was I can't believe we do this. It's

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Speaker 2: so stupid. It wasn'tbody was even on the road. They

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Speaker 2: were sitting there just clocking people.

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Speaker 3: As we went by.

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Speaker 2: And meanwhile, you were like, I felt so bad. I

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Speaker 2: was with shame, and meanwhile I was indignant.

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Speaker 4: I was kind of in the well, I mind so

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Speaker 4: much worse because I didn't get my first ticket till

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Speaker 4: I was in my thirties, And the first thing I

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Speaker 4: thought about was.

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Speaker 5: God, my parents are going to be so disappointed.

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Speaker 3: Oh yeah, you.

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Speaker 4: Garry read a little angel on your shoulder too that

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Speaker 4: I was like, how am I going to tell my parents?

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Speaker 5: And I was like, why would I.

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Speaker 4: Even tell I'm in my thirties.

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Speaker 5: Well, I'm never going to call my parents and have

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Speaker 5: them round me Like I was like, man, my parents

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Speaker 5: are going to be so disappointed.

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Speaker 1: Like what are you thinking of?

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Speaker 3: What?

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Speaker 1: What?

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Speaker 4: I Also this also made me realize how like police

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Speaker 4: officers must spend their day and how they must get

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Speaker 4: grief over and over and over again, because I got

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Speaker 4: pulled over as on Laurel Canyon and I get pulled

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Speaker 4: over and the guy was on a motorcycle and he

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Speaker 4: came up to me and he's.

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Speaker 5: Like, do you realize how long I was chasing you?

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Speaker 5: And I was like what. He's like, I was on

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Speaker 5: you for like more than a mile. I was like,

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Speaker 5: I'm so sorry. I swear to God I didn't see you.

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Speaker 4: I had my music on, like, and he's like, no, no, no,

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Speaker 4: but I I can't not.

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Speaker 5: Give you the ticket.

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Speaker 4: I already started writing. I was like, I totally understand.

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Speaker 4: That is my penance for not, you know, being responsible.

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Speaker 4: I totally get it, but I'm so sorry. He hands

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Speaker 4: me the ticket.

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Speaker 5: He looks at me. He's like, so, uh, what do you.

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Speaker 6: It up too lately?

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Speaker 5: Like just working and everything. He's like, all right, well

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Speaker 5: you have a great day.

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Speaker 4: And I watch him in my rearview mirror as he

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Speaker 4: gets on his bike, tips the bike up and then

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Speaker 4: puts the bike back down, gets back off his bike

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Speaker 4: and starts walking towards me again.

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Speaker 3: And I'm like, oh no, man, I'm getting arrested.

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Speaker 5: And so he comes up.

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Speaker 4: He's like, I just wanted to take a minute to

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Speaker 4: thank you for how polite you were to me. He's like,

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Speaker 4: it's just we deal with so many people all day long,

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Speaker 4: like Danielle Fischel, who are indignant. He is like, I

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Speaker 4: just want to end It's if I could take the

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Speaker 4: ticket back.

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Speaker 5: I's like no, I totally says, I just want you

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Speaker 5: to know I really appreciate it. I was like he

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Speaker 5: came back to think me. He gave me a ticket,

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Speaker 5: then came back to thank me.

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Speaker 3: Have I told you our family's horrible story like that?

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Speaker 5: Oh? No, please do.

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Speaker 2: So when I was a kid, really young, before we

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Speaker 2: moved to Calabasas and I started on Boy Meets World.

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Speaker 3: So, but my brother was alive.

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Speaker 2: We're four years apart, so I think I was like eight,

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Speaker 2: My brother was four, and we were in the backseat

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Speaker 2: of my mom's car and we were on our way

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Speaker 2: to school and we were running late, and my mom

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Speaker 2: was speeding and she got pulled over, and the police

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Speaker 2: officer walks up talk stories like, I do you know

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Speaker 2: I pulled you over? And she's like, I was probably speeding.

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Speaker 2: I'm taking my kids to school. We're running late. I'm sorry,

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Speaker 2: it's my fault. I needed to leave earlier. And he

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Speaker 2: was like, oh, you know, it's okay. And he's also

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Speaker 2: on a motorcycle and he walks away and he starts

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Speaker 2: writing the ticket and he comes back and he's like, man,

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Speaker 2: I feel really bad giving this to you, but I

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Speaker 2: had already started writing the ticket. And once I start

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Speaker 2: writing it, it's in my book, and so I can't

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Speaker 2: I can't do anything about it. Because it's you know,

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Speaker 2: this book gets checked by other people. My mom's like,

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Speaker 2: it's okay, I deserve it. And my mom was worried

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Speaker 2: about my dad. You know, Oh gosh, it's going to

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Speaker 2: be expensive. My mom gets ticket, goes about her day.

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Speaker 2: She comes home that night and there was a message

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Speaker 2: on the answering machine from the police officer. Hey, Jennifer,

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Speaker 2: this is Officer so and so. I pulled you over

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Speaker 2: this morning. You were speeding. I just wanted to let

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Speaker 2: you know I ripped up my end of the ticket.

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Speaker 2: Go ahead and rip up yours. All day it was

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Speaker 2: weighing on me. I felt bad. You were just a

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Speaker 2: mom trying to get your kids to school. I just

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Speaker 2: want you to know I've ripped it up on my end.

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Speaker 2: Go ahead and rip it up on your end. Hope

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Speaker 2: you have a great day, and we're like.

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Speaker 3: Anyway. One week later, that officer was killed in a

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Speaker 3: car accident.

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Speaker 1: Oh, come on, this story was you know, I honestly

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Speaker 1: thought he was going to hit on her or something. Oh.

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Speaker 5: I thought she was going to rip up the ticket

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Speaker 5: in trouble for it.

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Speaker 2: In the paper a week later, and she was like

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Speaker 2: that because she remembered his name, because he had left

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Speaker 2: his name on the machine, so like she had his

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Speaker 2: voice in her head saying his name, this is Officer

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Speaker 2: so and so and so when she.

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Speaker 3: Read it in the paper, devastated.

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Speaker 5: Oh that's anyway, terrible.

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Speaker 1: Morning everyone.

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Speaker 3: When you come to us, you only get the most

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Speaker 3: uplifting so depressing anyway, writer speeds and welcome.

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Speaker 5: We got we all got pulled over together once. That's

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Speaker 5: something that ended well.

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Speaker 3: That that ended, that ended well. Nobody died.

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Speaker 5: Yeah, god, oh, welcome to the show.

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Speaker 3: I'm Dan Yell official, I'm right strong.

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Speaker 5: And I'm Wilford Dell.

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Speaker 2: We have a real fun episode for you today, Season five,

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Speaker 2: episode nineteen.

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Speaker 3: Eric Hollywood.

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Speaker 2: Apparently after the Scream episode, we entered Metawaland and there

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Speaker 2: is just no turning back.

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Speaker 1: Ye No, just had so much fun, Like, oh yeah,

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Speaker 1: they had so much fun with a scream episode, you know,

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Speaker 1: and then we went right back to drama and the

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Speaker 1: serialized story and then it was like, I mean heavy

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Speaker 1: drama too, but it was a drinking episode and like

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Speaker 1: very special. And then they were like another that, let's

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Speaker 1: go back to the fun we had with the Halloween

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Speaker 1: up or the Scream episode, and we just went nuts again. Yes,

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Speaker 1: which is fine. It just feels it really does not

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Speaker 1: feel of a piece, you know, like the way the

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Speaker 1: fourth season was so unified. This last fifth season, I

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Speaker 1: cannot wrap my head around.

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Speaker 5: I know they said it was a little willy nilly.

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Speaker 4: We've had some writers on there are like, hey, we

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Speaker 4: didn't arc out the entire season, but there had to

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Speaker 4: have gone a couple episodes ahead. You've got somebody somewhere

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Speaker 4: had to have gone scream Sean drinking Eric Hollywood.

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Speaker 3: Yeah, it works, I know.

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Speaker 2: I mean I wonder I wonder how much of it

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Speaker 2: is because I deal with that on this on shows

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Speaker 2: I direct, now how much of it is? Air order

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Speaker 2: is different than production order, Like you can you can

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Speaker 2: be in production and you're doing the script. Whatever script

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Speaker 2: is done or most ready to be shot is what

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Speaker 2: you're working on. But then later when you're actually planning,

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Speaker 2: in what order do we want to air these? So

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Speaker 2: I wonder how much of it was just kind of.

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Speaker 7: Like accidental bananas.

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Speaker 3: I don't know.

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Speaker 2: It originally aired March twentieth, nineteen ninety eight. The synopsis,

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Speaker 2: A network executive discovers Eric in a school play and

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Speaker 2: brings him to Hollywood. Meanwhile, Sean and Jack get the

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Speaker 2: chicken box and what Banka takes care of them.

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Speaker 1: Did you remember this, Danielle?

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Speaker 3: Did you remember that? Not at all?

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Speaker 1: I couldn't believe that I didn't remember the chicken pox stuff.

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Speaker 1: When the dialogue at the end, I was like, oh, yeah,

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Speaker 1: I do remember saying some of this, but like, I

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Speaker 1: don't remember makeup on my body or playing that were

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Speaker 1: sick or any of that me neither.

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Speaker 2: I only remembered the Eric Hollywood stuff. The you know,

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Speaker 2: I remember that.

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Speaker 1: I did not remember seeing Eric. I knew nothing about

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Speaker 1: the Shakespeare. Where are we? What is going on? I

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Speaker 1: never saw any of this. I felt like, you guys

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Speaker 1: must have done it. I don't know day when we

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Speaker 1: weren't there.

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Speaker 4: I just also didn't remember that we did. There was

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Speaker 4: like a Sean to Panga jack Bee story, but then

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Speaker 4: you also all played meta versions to yourself. I thought

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Speaker 4: it was Eric had a storyline and then everyone played

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Speaker 4: meta versions of theirself. I didn't realize there was also

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Speaker 4: a regular boy meets World story going on during.

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Speaker 5: The middle of all this.

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Speaker 1: I know it was a Ben's final week, That's what

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Speaker 1: I assumed. I don't know I actually was.

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Speaker 4: I don't think so because I actually I think this

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Speaker 4: was more like I wasn't in the last episode. Remember

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Speaker 4: I wasn't in the drinking episode. So I think it

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Speaker 4: was like, we're gonna give you. Know you're not in

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Speaker 4: this one, so we're gonna give this one's gonna be

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Speaker 4: about you.

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Speaker 1: I thought this must have been a fine I think

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Speaker 1: I think a bigger role.

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Speaker 5: I mean again, he pre taped everything.

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Speaker 1: No, I think we probably pre taped all the Eric Holleywood,

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Speaker 1: all the Eric Hollywood stuff, which is all he's in.

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Speaker 1: Like that, the fact that he's not in the B

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Speaker 1: story at all. He was literally his voice at the

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Speaker 1: door and see the elevator, so he didn't have to

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Speaker 1: be there for.

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Speaker 5: But the tag was definitely in front of the audience.

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Speaker 5: I remember that. So Ben was there on tap night.

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Speaker 5: Yea percent. So Ben was there on tape night.

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Speaker 2: Yeah, it comes up in my notes when we see

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Speaker 2: him in the elevator.

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Speaker 7: Is Ben having finals?

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Speaker 5: I don't know, Maybe I don't.

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Speaker 3: Yeah. It was directed by Alan Myerson. It was written

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Speaker 3: by Barbie Feldman. This is her second episode.

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Speaker 2: Uh do you guys, will do you remember did you

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Speaker 2: get pitched this episode? I know you mentioned that the

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Speaker 2: last week you weren't in the script. Do you remember

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Speaker 2: them saying like, We've got a big episode for you

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Speaker 2: coming up.

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Speaker 1: No.

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Speaker 4: What I remember most about this, and we'll get into

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Speaker 4: is the awfulness that was the table read.

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Speaker 5: Oh what, oh man, oh man, Yeah it was yeah.

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Speaker 2: Oh, I can't wait to hear Do we think did

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Speaker 2: we remember that it was fun or funny to play

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Speaker 2: parodies of ourselves? I remember thinking it was very fun.

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Speaker 5: Yeah. No, Actually, shooting it was was fun.

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Speaker 4: I mean most I hated some of this with a

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Speaker 4: passion of a thousand burning signs, but that was me,

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Speaker 4: my own performance. Anything Shakespeare I could, I like watch

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Speaker 4: through my fingers.

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Speaker 3: It was horrifying.

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Speaker 5: Wow, but the I'm not a Shakespearean actor. That's a

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Speaker 5: real discipline.

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Speaker 4: And to just throw that at somebody without them knowing

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Speaker 4: about it is a thing. Oh.

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Speaker 1: I understand that you had, like, you know, fear, but.

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Speaker 4: Oh no, it was more than I mean to the

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Speaker 4: point where again at the table read.

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Speaker 5: We'll get into the story now, I.

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Speaker 7: Guess we sat down for the table read, and.

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Speaker 4: I came it was the first Shakespearean soliloquy I'm supposed

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Speaker 4: to do. And I get three lines into it, and

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Speaker 4: Michael for the entire room to hear, goes, are you

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Speaker 4: kidding me?

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Speaker 5: Because it was so bad?

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Speaker 4: Yeah, because it was so bad, and so the whole

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Speaker 4: room laughed and I looked at him. I was like,

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Speaker 4: I got this last night. I'm nineteen and I don't

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Speaker 4: do Shakespeare. What do you want from me?

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Speaker 5: And so it was really off. It was bad. It

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Speaker 5: was bad.

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Speaker 1: You know that he planned that, like you know that

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Speaker 1: he was like, I'm gonna call him out.

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Speaker 5: I don't know, but it was best.

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Speaker 1: Dude, No, that's that's so lame.

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Speaker 5: But then that's just what I remember.

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Speaker 4: This is where this is one of the weeks where

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Speaker 4: I was really bonded again with Alan Myerson because Alan

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Speaker 4: and I worked before after during I mean, he and

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Speaker 4: I had conversation after conversation just us on the stage.

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Speaker 5: Just Shakespeare stuff.

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Speaker 4: It was He was so helpful to me, and I

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Speaker 4: know we've had problems but with some of his directing

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Speaker 4: on the episode, but this week especially really cinched for me,

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Speaker 4: Like because I went to him, I was like, I

345
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Speaker 4: don't know to shake, I don't know what the hell

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Speaker 4: I'm doing, and he's like, we're going to work on it.

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Speaker 4: We're going to get there and he just really worked

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Speaker 4: with me. All that really that that pissses me off.

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Speaker 4: He's like, what my you know, coming into this morning,

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Speaker 4: I was trying to organize my you know, because I

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Speaker 4: figured Danielle would ask.

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Speaker 1: She didn't what our overall thoughts. But yet I, you know, like.

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Speaker 3: I'll take the blame. I'm so sorry, writer, I really

354
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Speaker 3: and I.

355
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Speaker 1: Always go first, you.

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Speaker 3: Know, sorry matter what were your overall thoughts?

357
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Speaker 1: Thank you, Danielle. My overall thoughts were no. I I

358
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Speaker 1: like had this weird reaction last night where like I

359
00:16:17,120 --> 00:16:20,320
Speaker 1: stopped the episode and then I like got strangely emotional,

360
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Speaker 1: Like I started like tearing up because I was just

361
00:16:23,760 --> 00:16:27,720
Speaker 1: so impressed with Will's acting. I was like this this guy,

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Speaker 1: Like I mean I've been saying.

363
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Speaker 3: Wow, oh he's emotional.

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Speaker 1: Well, I mean, you know, I've always known that Will

365
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Speaker 1: is great, but like it was so good and it

366
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Speaker 1: wasn't the Shakespeare stuff, which was also great and like

367
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Speaker 1: no reason to be insecure about that. It was the

368
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Speaker 1: control of tone, scene by scene, moment to moment, you

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Speaker 1: could you can do anything, and like the ability that

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Speaker 1: you you controlled when we were real, when we were

371
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Speaker 1: over the top, when you were Eric, when you were

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Speaker 1: Eric as a good actor. When you were Eric as

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Speaker 1: a bad actor, it was like, from line to line,

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Speaker 1: you were controlling what reality the show was in. And

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Speaker 1: I was like, this guy was like so far beyond.

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Speaker 1: I mean, it's like and you talk about, you know,

377
00:17:12,880 --> 00:17:15,320
Speaker 1: someone like Michael J. Foxby and your hero, and I'm like, well,

378
00:17:15,440 --> 00:17:18,679
Speaker 1: you could do anything. You mastered what he did. You

379
00:17:18,760 --> 00:17:21,639
Speaker 1: also went farther and could do like crazy, goofy stuff,

380
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Speaker 1: which is what I think most people remember you for.

381
00:17:24,359 --> 00:17:27,600
Speaker 1: But this episode showcases your ability to do whatever is

382
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Speaker 1: asked of you and like to nail it and then

383
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Speaker 1: carry an entire half hour of it. I was just like, man,

384
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Speaker 1: I hope Will knows like that this is I don't

385
00:17:37,520 --> 00:17:40,239
Speaker 1: know another nineteen year old in the history of like

386
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Speaker 1: anything I've ever seen that could do all of that

387
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Speaker 1: and just carry it. And I was like, man, I

388
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Speaker 1: just like I got emotional. I was sitting there going like,

389
00:17:49,920 --> 00:17:53,399
Speaker 1: this guy is so freaking talented, and I don't I

390
00:17:53,400 --> 00:17:55,480
Speaker 1: feel like the world is. I guess I was sad

391
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Speaker 1: because it felt like I had some regret that I

392
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Speaker 1: didn't recognize it at the time, and I don't feel

393
00:18:00,200 --> 00:18:02,440
Speaker 1: like a lot of people recognize it. At this time.

394
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Speaker 1: And that's why it pisses me off that Michael called

395
00:18:04,760 --> 00:18:07,399
Speaker 1: you out about Shakespeare at the table where, because it's like,

396
00:18:08,080 --> 00:18:10,960
Speaker 1: screw you, Like, yeah, he hasn't done it before, but

397
00:18:11,040 --> 00:18:13,080
Speaker 1: the whole point is he's gonna figure it out because

398
00:18:13,080 --> 00:18:15,600
Speaker 1: he's that freaking good. And Michael should have been supportive

399
00:18:15,640 --> 00:18:18,280
Speaker 1: of that, like instead of humiliating you and making a

400
00:18:18,320 --> 00:18:20,800
Speaker 1: big show out of like I know how shakespeare actors

401
00:18:20,840 --> 00:18:22,840
Speaker 1: are supposed to be and you're not doing It's like,

402
00:18:23,000 --> 00:18:26,119
Speaker 1: help him, like, if you want it to be more classical,

403
00:18:26,240 --> 00:18:29,119
Speaker 1: trained Shakespearean, teach him how to do that, which, of

404
00:18:29,160 --> 00:18:32,119
Speaker 1: course you did. You figured it out because you're a genius,

405
00:18:32,200 --> 00:18:34,880
Speaker 1: and it's like that pisses me off. But anyway, there's

406
00:18:34,920 --> 00:18:37,080
Speaker 1: no reason to be insecure. You should never have been

407
00:18:37,080 --> 00:18:40,280
Speaker 1: insecure about your acting ever, because you were so leagues

408
00:18:40,320 --> 00:18:44,639
Speaker 1: beyond I mean, most everybody that I've ever seen, and like,

409
00:18:44,720 --> 00:18:48,320
Speaker 1: this episode is like just a masterclass. And I don't

410
00:18:48,320 --> 00:18:50,359
Speaker 1: really like the episode for a lot of other reasons,

411
00:18:50,520 --> 00:18:53,119
Speaker 1: but I was just like, holy crap, did I not?

412
00:18:53,800 --> 00:18:55,880
Speaker 1: Because I think I in my mind, I was like, well,

413
00:18:55,880 --> 00:18:59,879
Speaker 1: Will's the funny, great comedian, but you're like a genuinely

414
00:19:00,000 --> 00:19:00,520
Speaker 1: brilliant act.

415
00:19:01,760 --> 00:19:05,119
Speaker 5: Well, thank you, it's very sweet. It was a rough week, Danielle.

416
00:19:05,160 --> 00:19:06,280
Speaker 5: Why do you think I'm awesome?

417
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Speaker 3: Well, I agree.

418
00:19:09,520 --> 00:19:14,280
Speaker 2: I cannot follow that up, but I do agree with

419
00:19:14,440 --> 00:19:18,960
Speaker 2: every single word he said. I actually really did enjoy

420
00:19:19,040 --> 00:19:21,840
Speaker 2: the episode. But the only reason I enjoyed it is

421
00:19:21,880 --> 00:19:24,000
Speaker 2: because of you. I know for a fact it. Had

422
00:19:24,080 --> 00:19:28,680
Speaker 2: you not been as spectacular as you were in every

423
00:19:28,720 --> 00:19:31,720
Speaker 2: single scene, every single beat, I would have thought this

424
00:19:31,800 --> 00:19:35,199
Speaker 2: episode sucks. But you were so good despite all my

425
00:19:35,320 --> 00:19:37,440
Speaker 2: like well what is this and what's happening and why

426
00:19:37,520 --> 00:19:38,240
Speaker 2: is this going on?

427
00:19:38,400 --> 00:19:42,600
Speaker 3: And this is all odd. I didn't even care about

428
00:19:42,600 --> 00:19:42,960
Speaker 3: any of that.

429
00:19:43,080 --> 00:19:46,520
Speaker 2: I just enjoyed it because you commanded the room in

430
00:19:46,640 --> 00:19:47,960
Speaker 2: every and.

431
00:19:47,920 --> 00:19:53,399
Speaker 1: It is the story. His shifts from tone from moment

432
00:19:53,440 --> 00:19:56,360
Speaker 1: to moment is the guiding story, because otherwise it's so bonkers.

433
00:19:56,400 --> 00:19:58,600
Speaker 1: You have no idea what's happening, but you know where

434
00:19:58,640 --> 00:20:01,280
Speaker 1: you are, and you know to feel about where you

435
00:20:01,320 --> 00:20:05,400
Speaker 1: are based on Will's performance alone, not the lines, it's

436
00:20:05,400 --> 00:20:07,199
Speaker 1: the way that they are delivered and the way he

437
00:20:07,480 --> 00:20:10,240
Speaker 1: is controlling what the how to react to the people

438
00:20:10,240 --> 00:20:13,119
Speaker 1: around him. It's genius. And it's like that is to

439
00:20:13,240 --> 00:20:15,840
Speaker 1: ask that of a nineteen year old is insane, but

440
00:20:15,880 --> 00:20:18,280
Speaker 1: they they they could do it because you're just that

441
00:20:18,400 --> 00:20:21,679
Speaker 1: good and like that. That's my big takeaway. I was like,

442
00:20:21,760 --> 00:20:22,440
Speaker 1: oh my god, this.

443
00:20:22,440 --> 00:20:23,280
Speaker 5: Is very sweet.

444
00:20:23,680 --> 00:20:25,399
Speaker 4: This was a rough week for me. I just remember

445
00:20:25,560 --> 00:20:27,159
Speaker 4: all around it being a rough.

446
00:20:27,040 --> 00:20:29,359
Speaker 5: Week for me, the shakes. He was probably at the

447
00:20:29,359 --> 00:20:30,120
Speaker 5: table read.

448
00:20:30,480 --> 00:20:32,840
Speaker 1: No, it was work, but you did it. You did

449
00:20:33,080 --> 00:20:35,359
Speaker 1: the work. You nailed it and you should never have

450
00:20:35,400 --> 00:20:37,520
Speaker 1: felt bad about it in the process because it's just hard.

451
00:20:37,520 --> 00:20:39,600
Speaker 1: It's just a lot to do. They were asking so

452
00:20:39,760 --> 00:20:40,240
Speaker 1: much of you.

453
00:20:41,119 --> 00:20:45,560
Speaker 5: I mean, I loved I loved watching you guys.

454
00:20:45,720 --> 00:20:47,760
Speaker 4: I know that sounds ridiculous, but I loved watching you

455
00:20:47,800 --> 00:20:50,480
Speaker 4: guys because it was Ben and.

456
00:20:51,280 --> 00:20:54,080
Speaker 5: The two of you. I thought nailed it this week, just.

457
00:20:54,400 --> 00:20:57,040
Speaker 1: Playing the alternate versions of ourselves.

458
00:20:56,720 --> 00:20:59,520
Speaker 5: But not just the versions of yourself. Because then even

459
00:20:59,680 --> 00:21:01,120
Speaker 5: because they then.

460
00:21:01,000 --> 00:21:05,119
Speaker 4: Shoehorned in which never should have been, there a important

461
00:21:05,280 --> 00:21:09,600
Speaker 4: story and storyline of our Sean and Tapanga friends if

462
00:21:09,640 --> 00:21:12,240
Speaker 4: Corey's not involved, which is not something that should have

463
00:21:12,240 --> 00:21:14,400
Speaker 4: been thrown away, which is not something that ever should

464
00:21:14,400 --> 00:21:17,320
Speaker 4: have been made a joke, because that is a super

465
00:21:17,359 --> 00:21:20,680
Speaker 4: important story. Whether you're dating in you're twelve, or you're

466
00:21:20,720 --> 00:21:23,240
Speaker 4: dating when you're thirty two and you get divorced. Who

467
00:21:23,280 --> 00:21:26,560
Speaker 4: gets the friends? Are we friends together? Do we have

468
00:21:26,600 --> 00:21:29,800
Speaker 4: a relationship without this lynchpin between us? I mean that's

469
00:21:29,800 --> 00:21:33,760
Speaker 4: actually a hugely important storyline, especially when it comes to Corey, Sean,

470
00:21:33,840 --> 00:21:36,679
Speaker 4: Tapanga Yea. And to kind of throw that in and

471
00:21:36,720 --> 00:21:40,119
Speaker 4: make it almost a fever dream within a fever dream

472
00:21:41,280 --> 00:21:44,080
Speaker 4: was kind of like, well, wow, you just you literally

473
00:21:44,119 --> 00:21:45,960
Speaker 4: just took what could have been a.

474
00:21:45,840 --> 00:21:47,960
Speaker 5: Powerful a story and threw it away.

475
00:21:48,680 --> 00:21:52,000
Speaker 4: Because a entire if you want to do a Ben

476
00:21:52,119 --> 00:21:54,920
Speaker 4: a Ben has Finals week, that would have been amazing.

477
00:21:55,400 --> 00:21:58,520
Speaker 4: It's you do an entire episode of Sean and Tapanga

478
00:21:58,600 --> 00:22:02,560
Speaker 4: trying to relate to each other minus Corey throughout.

479
00:22:02,359 --> 00:22:05,720
Speaker 1: The day and they're like trying to be friends and

480
00:22:05,720 --> 00:22:08,159
Speaker 1: it's just being awkward and not about to act. It

481
00:22:08,160 --> 00:22:09,960
Speaker 1: would have been really I would have led to some

482
00:22:10,080 --> 00:22:10,800
Speaker 1: very funny stuff.

483
00:22:10,840 --> 00:22:11,400
Speaker 5: Oh my god.

484
00:22:11,520 --> 00:22:13,760
Speaker 4: And then because what happens is if you do it

485
00:22:13,800 --> 00:22:18,800
Speaker 4: the right way, Angela becomes Shank. She gets pushed in

486
00:22:18,840 --> 00:22:20,920
Speaker 4: the middle of these two people who's friends with both

487
00:22:20,960 --> 00:22:22,360
Speaker 4: of them, and now they're going to split up.

488
00:22:22,440 --> 00:22:23,719
Speaker 5: Who does Angela go with?

489
00:22:23,840 --> 00:22:26,680
Speaker 4: You know this affects me too, you know, her going like, dude,

490
00:22:26,680 --> 00:22:27,760
Speaker 4: am my friends with Tapanga?

491
00:22:27,880 --> 00:22:28,000
Speaker 7: Mine?

492
00:22:28,040 --> 00:22:28,159
Speaker 4: Now?

493
00:22:28,200 --> 00:22:28,560
Speaker 1: Is Sean?

494
00:22:29,240 --> 00:22:31,520
Speaker 5: So much could have been done there that I was like, well,

495
00:22:31,880 --> 00:22:33,560
Speaker 5: why are they throwing this away? Why are you taking

496
00:22:33,560 --> 00:22:34,560
Speaker 5: this and throwing this away?

497
00:22:34,840 --> 00:22:38,000
Speaker 4: So that it was weird to me that the Beast

498
00:22:38,000 --> 00:22:39,760
Speaker 4: storyline where it was just because I thought it was

499
00:22:40,200 --> 00:22:41,320
Speaker 4: such an important story.

500
00:22:41,320 --> 00:22:43,040
Speaker 5: There could have been such an important story.

501
00:22:43,240 --> 00:22:45,520
Speaker 4: And I think actually, there our fans are probably yelling

502
00:22:45,560 --> 00:22:47,000
Speaker 4: at the at the radio right now.

503
00:22:47,080 --> 00:22:48,160
Speaker 5: I think they cover.

504
00:22:48,000 --> 00:22:51,760
Speaker 4: It a bit in upcoming episodes, if memory serves.

505
00:22:51,720 --> 00:22:53,800
Speaker 1: But I mean, I remember the wedding episode ends up

506
00:22:53,800 --> 00:22:56,880
Speaker 1: being kind of about Sean and Panga or Sean accepting

507
00:22:56,880 --> 00:23:00,960
Speaker 1: Topanga and stuff. But I feel like they never, like

508
00:23:01,040 --> 00:23:04,560
Speaker 1: as much as this episode sort of highlights, I don't

509
00:23:04,600 --> 00:23:06,920
Speaker 1: think it ever gets that developed. Because I was thinking

510
00:23:06,960 --> 00:23:09,320
Speaker 1: about Girl Meets World and was like, what, yeah, Like,

511
00:23:09,400 --> 00:23:11,359
Speaker 1: I don't think we ever even had like moments on

512
00:23:11,400 --> 00:23:12,840
Speaker 1: Girl Meets World where Sewan and Tapanga.

513
00:23:12,920 --> 00:23:17,960
Speaker 3: It was always just the joke of like yeah, and.

514
00:23:17,920 --> 00:23:20,200
Speaker 1: It's like, right, we never And you know, I think

515
00:23:20,240 --> 00:23:23,000
Speaker 1: the writers just didn't trust that Danielle and I could

516
00:23:23,040 --> 00:23:26,440
Speaker 1: carry a story as two characters like together, and that's

517
00:23:26,520 --> 00:23:30,200
Speaker 1: to me on them like that they didn't develop specifics

518
00:23:30,200 --> 00:23:33,199
Speaker 1: of the character. Character is enough they're dynamic enough to

519
00:23:33,280 --> 00:23:36,240
Speaker 1: like find a relationship, because even here it just kind

520
00:23:36,240 --> 00:23:38,960
Speaker 1: of becomes drama and it just becomes like and let

521
00:23:38,960 --> 00:23:40,480
Speaker 1: me express to you how much I love you, And

522
00:23:40,480 --> 00:23:42,560
Speaker 1: I'm like, well, yeah, but what, let's see that love,

523
00:23:42,600 --> 00:23:44,879
Speaker 1: Let's see it in story, Let's see the friendship. And

524
00:23:45,040 --> 00:23:47,280
Speaker 1: it still isn't there. It's still just kind of talked about.

525
00:23:48,040 --> 00:23:50,639
Speaker 1: So I don't know. It's yeah, I agree, yeah it was.

526
00:23:50,720 --> 00:23:51,320
Speaker 5: It was a weird.

527
00:23:51,359 --> 00:23:54,320
Speaker 4: So here's here's my overall take of the episode. I

528
00:23:54,359 --> 00:23:58,480
Speaker 4: didn't like it strictly for personal reasons. I can completely

529
00:23:58,520 --> 00:24:01,200
Speaker 4: see how fans would, if that makes sense.

530
00:24:01,280 --> 00:24:02,000
Speaker 5: It is a romp.

531
00:24:02,240 --> 00:24:05,280
Speaker 4: Seeing us break the fourth wall, hearing both you and

532
00:24:05,359 --> 00:24:09,000
Speaker 4: Ben call me Will at the end is really strange

533
00:24:09,040 --> 00:24:11,679
Speaker 4: and jarring in a kind of a wonderful way. So

534
00:24:12,000 --> 00:24:15,399
Speaker 4: I liked the personal memories of us shooting this and

535
00:24:15,440 --> 00:24:17,399
Speaker 4: having fun. As an episode, it was tough for me

536
00:24:17,440 --> 00:24:19,760
Speaker 4: to watch because it was a tough week. So and

537
00:24:19,800 --> 00:24:22,480
Speaker 4: it started literally I was ninety seconds into it when

538
00:24:22,480 --> 00:24:24,119
Speaker 4: Michael kind of cut my legs out from an interview

539
00:24:24,160 --> 00:24:25,879
Speaker 4: with that sucks.

540
00:24:25,920 --> 00:24:27,240
Speaker 3: How do you pick up and go from that?

541
00:24:27,400 --> 00:24:30,119
Speaker 4: Alan Myerson though, man, he was a rock star with

542
00:24:30,160 --> 00:24:32,080
Speaker 4: me this week and I just it was a it

543
00:24:32,119 --> 00:24:35,200
Speaker 4: was a wonderful whodos to Allan he was he really

544
00:24:35,200 --> 00:24:36,840
Speaker 4: stepped up this week and it was I owed him

545
00:24:36,840 --> 00:24:37,520
Speaker 4: a lot for this week.

546
00:24:37,560 --> 00:24:48,520
Speaker 6: It was great.

547
00:24:50,119 --> 00:24:54,760
Speaker 3: Well. Guest starring guys, get ready for this one. We

548
00:24:54,920 --> 00:24:56,440
Speaker 3: have Robert Clohess.

549
00:24:56,480 --> 00:24:59,560
Speaker 2: He is Matt Frasier, now best known as Sid Gormley

550
00:24:59,720 --> 00:25:02,400
Speaker 2: on Blue Bloods for the past fourteen years.

551
00:25:02,920 --> 00:25:05,160
Speaker 4: He was also in My brother Greggs movie, My brother

552
00:25:05,200 --> 00:25:07,000
Speaker 4: Gregshaw independent film, and he was in and I went

553
00:25:07,000 --> 00:25:09,640
Speaker 4: to the set years ago and he's like, Will still

554
00:25:09,680 --> 00:25:10,760
Speaker 4: working for ABC.

555
00:25:10,600 --> 00:25:13,160
Speaker 5: Like he was like right back, Ard, such a nice guy.

556
00:25:13,240 --> 00:25:14,480
Speaker 3: Yeah, that's so funny.

557
00:25:14,680 --> 00:25:17,760
Speaker 2: Well, back in the eighties he was Officer Patrick Flaherty

558
00:25:17,920 --> 00:25:20,520
Speaker 2: in Hill Street Blues and in the two thousands he

559
00:25:20,600 --> 00:25:23,960
Speaker 2: was Officer Sean Murphy on OZ. He has been on

560
00:25:24,040 --> 00:25:27,000
Speaker 2: everything from Roseanne to Boardwalk Empire and in movies like

561
00:25:27,040 --> 00:25:29,480
Speaker 2: Angels in the Outfield and The Avengers.

562
00:25:29,960 --> 00:25:32,159
Speaker 3: This is a face you definitely recognize.

563
00:25:32,240 --> 00:25:32,760
Speaker 5: Huge actor.

564
00:25:33,040 --> 00:25:34,000
Speaker 3: And then there's.

565
00:25:33,920 --> 00:25:37,879
Speaker 2: Aubrey Morris as Professor Cookmand. The British actor had a

566
00:25:37,960 --> 00:25:40,919
Speaker 2: career that spanned six decades and was best known as

567
00:25:41,040 --> 00:25:45,080
Speaker 2: mister Deltoyd Alex's probation officer in a little Stanley Kubrick

568
00:25:45,160 --> 00:25:49,159
Speaker 2: movie called A Clock Were Orange. Yep, did either of

569
00:25:49,200 --> 00:25:51,160
Speaker 2: you talk to him about that when he was on set?

570
00:25:51,359 --> 00:25:51,639
Speaker 7: Yes?

571
00:25:51,680 --> 00:25:53,199
Speaker 4: I want to say that I did. He and I

572
00:25:53,240 --> 00:25:55,520
Speaker 4: because and I didn't know who he was and what

573
00:25:55,560 --> 00:25:57,119
Speaker 4: he's in, and you don't. You can't google stuff at

574
00:25:57,160 --> 00:25:58,800
Speaker 4: the time. And I think Alan or one of the

575
00:25:58,840 --> 00:26:01,520
Speaker 4: writers wanted to producer. Somebody was like using Clockwork Orange,

576
00:26:01,560 --> 00:26:03,240
Speaker 4: and then I went back and watched Clockwork Orange and

577
00:26:03,240 --> 00:26:05,320
Speaker 4: I was like, oh my god, this guy's brilliant. He

578
00:26:05,440 --> 00:26:08,240
Speaker 4: also helped me with the Shakespeare. Was kind of like

579
00:26:08,760 --> 00:26:10,479
Speaker 4: the two of them talking to me. I mean, obviously

580
00:26:10,520 --> 00:26:11,760
Speaker 4: being British or he wasn't.

581
00:26:11,760 --> 00:26:13,560
Speaker 5: He was from Pittsburgh. The accent was bulled, but.

582
00:26:15,800 --> 00:26:18,040
Speaker 4: You know, being British he was he had some of

583
00:26:18,080 --> 00:26:19,280
Speaker 4: the Shakespearean experience.

584
00:26:19,280 --> 00:26:20,879
Speaker 5: So yeah, the two of them were very helpful.

585
00:26:21,440 --> 00:26:23,840
Speaker 2: He was also in My Girl Too, the original Wickerman,

586
00:26:23,920 --> 00:26:26,640
Speaker 2: and TV shows like Deadwood and A classic The Prisoner.

587
00:26:26,880 --> 00:26:29,920
Speaker 2: Morris passed in twenty fifteen at the age of eighty nine.

588
00:26:30,400 --> 00:26:33,560
Speaker 2: And then we have Deborah Kellner as Judy Eric's co star.

589
00:26:33,840 --> 00:26:36,679
Speaker 2: She had appeared on TV shows like Weird Science and

590
00:26:36,880 --> 00:26:39,240
Speaker 2: Unhappily ever After, but would later show up in a

591
00:26:39,280 --> 00:26:41,399
Speaker 2: ton of big movies like Blast from the Past, A

592
00:26:41,520 --> 00:26:44,639
Speaker 2: Night at the Roxbury, Mighty Joe Young, and Catch Me

593
00:26:44,760 --> 00:26:45,280
Speaker 2: if you Can.

594
00:26:45,880 --> 00:26:46,560
Speaker 3: And it appears.

595
00:26:46,600 --> 00:26:48,840
Speaker 2: She quit acting in two thousand and two, and in

596
00:26:48,880 --> 00:26:53,719
Speaker 2: twenty nineteen directed a documentary called Inside My Heart about

597
00:26:53,760 --> 00:26:58,359
Speaker 2: the difficult plight of refugees. And then we have Matt

598
00:26:58,480 --> 00:27:03,920
Speaker 2: Kirkwood as era medic. We have Marshall Rad Duziner. I

599
00:27:03,960 --> 00:27:06,320
Speaker 2: don't know how you say his last name, Rad Designer

600
00:27:06,480 --> 00:27:09,960
Speaker 2: as writer Dylan. His only other credit was The Wonder.

601
00:27:09,800 --> 00:27:13,160
Speaker 3: Years and Boy Meets World was his last acting gig,

602
00:27:13,640 --> 00:27:17,240
Speaker 3: so he only worked on Savage Brothers. Probably one of

603
00:27:17,280 --> 00:27:20,600
Speaker 3: the kids, Yes, I think he's one of the kids.

604
00:27:20,920 --> 00:27:22,719
Speaker 5: Uh So he's got to be the writer's kid then

605
00:27:22,840 --> 00:27:25,880
Speaker 5: or something. Weren't they all writers and directors kids or someone.

606
00:27:25,920 --> 00:27:29,760
Speaker 2: He must have been related to somebody or a friend

607
00:27:29,840 --> 00:27:31,520
Speaker 2: of the savages, That's what I guess.

608
00:27:31,560 --> 00:27:37,240
Speaker 1: That's why it was all the writers kids and.

609
00:27:36,000 --> 00:27:39,560
Speaker 5: Because then we have Jeff wasn't it writer, wasn't.

610
00:27:40,560 --> 00:27:42,800
Speaker 3: Yes, we have David Jacobs as David.

611
00:27:42,920 --> 00:27:45,600
Speaker 2: Yes, that's Michael Son. We have Rachel Jacobs as Rachel,

612
00:27:45,760 --> 00:27:48,280
Speaker 2: also Michael's daughter, a writer who appears to have had

613
00:27:48,320 --> 00:27:51,560
Speaker 2: some quick exits because she's the one who says I.

614
00:27:51,520 --> 00:27:56,200
Speaker 3: Got fired again. We have Joshua Jacobs as Joshua.

615
00:27:56,520 --> 00:27:59,000
Speaker 4: I think it's amazing though, that all these kids were

616
00:27:59,119 --> 00:28:04,000
Speaker 4: cast with well By with names that they already had

617
00:28:04,040 --> 00:28:06,639
Speaker 4: on the is that Weird played.

618
00:28:06,440 --> 00:28:07,879
Speaker 5: David and Rachel played Rachel.

619
00:28:07,920 --> 00:28:10,119
Speaker 4: That's I mean, the coincidence of that, but let alone

620
00:28:10,119 --> 00:28:11,720
Speaker 4: with like seven of them is well.

621
00:28:11,600 --> 00:28:13,199
Speaker 3: And that they had to audition for it.

622
00:28:13,280 --> 00:28:18,120
Speaker 2: They beat all those kids all exactly incredible, exactly right.

623
00:28:18,800 --> 00:28:22,280
Speaker 2: There's Dylan McCracken as Dylan, that is Jeff McCracken's son,

624
00:28:22,640 --> 00:28:25,240
Speaker 2: and Claire McCracken as Claire.

625
00:28:25,480 --> 00:28:28,680
Speaker 3: So yeah, like we said, these kids had to beat

626
00:28:28,720 --> 00:28:29,160
Speaker 3: out so.

627
00:28:29,520 --> 00:28:32,560
Speaker 5: Many other McCracken is there the clown.

628
00:28:32,960 --> 00:28:35,480
Speaker 1: But so there is one kid who is not their.

629
00:28:37,080 --> 00:28:39,840
Speaker 2: Friend, Red Duzoni or or something who I don't know

630
00:28:40,000 --> 00:28:40,960
Speaker 2: you say his last name.

631
00:28:43,440 --> 00:28:45,280
Speaker 3: Who he plays.

632
00:28:45,040 --> 00:28:48,200
Speaker 2: Dylan, uh, and he the only other credits he had

633
00:28:48,200 --> 00:28:50,120
Speaker 2: were boy meets World and wonder yourself.

634
00:28:50,160 --> 00:28:53,240
Speaker 3: That's a friend exactly all right.

635
00:28:53,760 --> 00:28:57,160
Speaker 2: Jumping into our recap, we are on a college campus

636
00:28:57,240 --> 00:29:01,040
Speaker 2: theater Renaissance music plays as Eric or some backdrop for

637
00:29:01,120 --> 00:29:03,480
Speaker 2: what looks to be a production of Romeo and Juliet.

638
00:29:03,840 --> 00:29:06,320
Speaker 2: He begins to brag to a beautiful young co ed

639
00:29:06,400 --> 00:29:11,040
Speaker 2: cast member, July, who is being fitted for some extravagant wardrobe.

640
00:29:11,320 --> 00:29:13,720
Speaker 2: Without me, your pretty little legs wouldn't have a balcony

641
00:29:13,760 --> 00:29:16,160
Speaker 2: to stand on. She asks if it's secure, and Eric

642
00:29:16,200 --> 00:29:18,960
Speaker 2: boasts that baby's as secure as I am. She gives

643
00:29:19,000 --> 00:29:21,360
Speaker 2: him a look and Eric nervously asks, you don't think

644
00:29:21,360 --> 00:29:25,480
Speaker 2: I'm secure. Then we hear a crash and a boy

645
00:29:25,520 --> 00:29:28,959
Speaker 2: screaming the balcony has completely fallen apart. Judy runs over

646
00:29:29,000 --> 00:29:30,880
Speaker 2: to see her co star Dylan lying on the floor

647
00:29:30,960 --> 00:29:33,960
Speaker 2: underneath a collapsed castle. She holds him as he cries out,

648
00:29:34,080 --> 00:29:37,240
Speaker 2: I have no feeling in my arms or legs. Judy

649
00:29:37,360 --> 00:29:39,680
Speaker 2: huffs with no remorse, Oh great, now I have no

650
00:29:39,800 --> 00:29:42,480
Speaker 2: Romeo and drops his head to the ground. Then an

651
00:29:42,520 --> 00:29:45,200
Speaker 2: old man marches onto the stage. It's the director of

652
00:29:45,200 --> 00:29:48,320
Speaker 2: the play, Professor Cookman, and he's demanding to know who

653
00:29:48,360 --> 00:29:52,680
Speaker 2: built the balcony. Eric says, Okay, in retrospect, it might

654
00:29:52,680 --> 00:29:55,440
Speaker 2: have been foolish of me to consider paste the nail's

655
00:29:55,480 --> 00:29:56,320
Speaker 2: silent cousin.

656
00:29:56,920 --> 00:30:01,840
Speaker 4: You learn now the balcony is supposed to have collapsed

657
00:30:01,920 --> 00:30:04,080
Speaker 4: on him, right, he is not supposed to have been

658
00:30:04,320 --> 00:30:07,160
Speaker 4: on the balcony, because Romeo's not on the balcony.

659
00:30:07,440 --> 00:30:10,160
Speaker 2: I think it's collapsed on him. Okay, yeah, I think

660
00:30:10,200 --> 00:30:12,080
Speaker 2: he was under it and it fell off.

661
00:30:12,120 --> 00:30:13,640
Speaker 1: So he just just my walking past.

662
00:30:17,120 --> 00:30:17,800
Speaker 5: Yeah, that makes it.

663
00:30:18,400 --> 00:30:20,200
Speaker 1: I just love that Eric doesn't even really feel that

664
00:30:20,240 --> 00:30:24,600
Speaker 1: bad on me.

665
00:30:24,840 --> 00:30:26,520
Speaker 5: All right, gotcha?

666
00:30:27,520 --> 00:30:30,200
Speaker 2: The director shouts, I have four hundred people coming. Not

667
00:30:30,280 --> 00:30:33,480
Speaker 2: to mention, mister Jeffreymaneau.

668
00:30:32,920 --> 00:30:33,960
Speaker 1: That's the best.

669
00:30:34,600 --> 00:30:39,960
Speaker 3: Esteemed the esteemed theater critic from the Penny Saver. Huge

670
00:30:40,040 --> 00:30:40,800
Speaker 3: laugh in my house.

671
00:30:41,000 --> 00:30:45,720
Speaker 2: Hearing jeffreymanel an esteemed theater critic from the Penny Saver

672
00:30:47,120 --> 00:30:47,600
Speaker 2: kills me.

673
00:30:48,640 --> 00:30:50,680
Speaker 3: So he asks Eric what can solve this problem? And

674
00:30:50,760 --> 00:30:53,280
Speaker 3: Eric looks him up and down before declaring, you're really old.

675
00:30:53,320 --> 00:30:56,440
Speaker 3: Why don't you retire? The man is insulted. He runs

676
00:30:56,440 --> 00:30:58,480
Speaker 3: over to the injured Romeo, now on a stretcher. And

677
00:30:58,520 --> 00:31:01,280
Speaker 3: asks if he's sure he can't go on. Paramedics then

678
00:31:01,320 --> 00:31:04,880
Speaker 3: administer a defibrillator, jolting his lifeless body. It jumps in

679
00:31:04,960 --> 00:31:05,600
Speaker 3: the air, and.

680
00:31:05,560 --> 00:31:08,560
Speaker 1: This is I mean, that's a pretty extreme I mean

681
00:31:08,760 --> 00:31:11,160
Speaker 1: to go, I'm like a balcony. He might be dead.

682
00:31:11,320 --> 00:31:14,400
Speaker 1: And I thought, oh, this is actually very smart because

683
00:31:14,520 --> 00:31:19,960
Speaker 1: it automatically sets the whole show into a rock Yeah. Otherwise, otherwise,

684
00:31:20,000 --> 00:31:22,200
Speaker 1: if we're supposed to take it seriously like that, Eric

685
00:31:22,200 --> 00:31:25,520
Speaker 1: can keep You're just the Eric. Because the next couple

686
00:31:25,520 --> 00:31:28,200
Speaker 1: of scenes are like, wow, we shifted into like this

687
00:31:28,280 --> 00:31:30,800
Speaker 1: is going to change Eric's life, but we know it's

688
00:31:30,840 --> 00:31:34,120
Speaker 1: all absurd because we've seen the defibrillator. It's like exactly,

689
00:31:34,160 --> 00:31:36,239
Speaker 1: you know they talk about the beginning of airplane when

690
00:31:36,280 --> 00:31:39,280
Speaker 1: you can see the shark thin of the airplane as

691
00:31:39,320 --> 00:31:41,440
Speaker 1: like an indicator of like, don't take any of this.

692
00:31:42,320 --> 00:31:44,120
Speaker 1: It's like, I feel like that's our moment right now.

693
00:31:44,120 --> 00:31:46,360
Speaker 1: It's like, Okay, we know what world we're in.

694
00:31:47,000 --> 00:31:49,040
Speaker 5: It's the next line though, killed me.

695
00:31:49,880 --> 00:31:54,760
Speaker 3: The defeated director asks what about just the machinee what

696
00:31:54,840 --> 00:31:56,120
Speaker 3: about just the machine?

697
00:31:56,600 --> 00:31:57,960
Speaker 5: It's just so great.

698
00:31:59,000 --> 00:32:03,880
Speaker 2: The paramedics wheel him off without a response. Eric chimes in, okay, okay,

699
00:32:03,920 --> 00:32:06,320
Speaker 2: I'll just get some tids and take these funny little booties.

700
00:32:06,360 --> 00:32:09,080
Speaker 2: Here he pulls Dylan's shoes right off of his feet.

701
00:32:09,440 --> 00:32:14,440
Speaker 2: The director scoffs you, Romeo, tis to laugh. Eric mocks him,

702
00:32:14,560 --> 00:32:17,280
Speaker 2: tis it? Then he dramatically jumps into a scene from

703
00:32:17,320 --> 00:32:19,960
Speaker 2: the play, totally nailing it, And we can see the

704
00:32:20,000 --> 00:32:23,840
Speaker 2: director changing his mind in real time. And so this

705
00:32:24,040 --> 00:32:25,760
Speaker 2: was the moment and the table read ranches.

706
00:32:25,840 --> 00:32:27,400
Speaker 5: This is the second I opened my mouth, was I

707
00:32:27,480 --> 00:32:29,560
Speaker 5: just are you kidding me? And that and that was

708
00:32:29,600 --> 00:32:32,560
Speaker 5: and everybody laughed, and I was like, what do you

709
00:32:32,560 --> 00:32:33,000
Speaker 5: want from me?

710
00:32:33,240 --> 00:32:36,920
Speaker 4: You know, you hand somebody Shakespeare the night before, and

711
00:32:37,000 --> 00:32:39,600
Speaker 4: it's like, I'm sorry, I'm not. It's a completely different

712
00:32:39,600 --> 00:32:42,280
Speaker 4: discipline as an actor. I'm not a Shakespearean trained actor.

713
00:32:42,360 --> 00:32:42,680
Speaker 5: Sorry.

714
00:32:42,760 --> 00:32:45,160
Speaker 2: Well, it's more just like exactly what writer said, you know,

715
00:32:45,880 --> 00:32:48,440
Speaker 2: to be on the side of I can make a

716
00:32:48,520 --> 00:32:51,160
Speaker 2: laugh at this person's expense in front of this whole room,

717
00:32:51,720 --> 00:32:56,280
Speaker 2: versus saying immediately you know, looking at you and going

718
00:32:56,360 --> 00:32:57,080
Speaker 2: we will help you.

719
00:32:57,160 --> 00:32:58,840
Speaker 3: We will get here. It's going to be amazing.

720
00:32:58,880 --> 00:32:59,560
Speaker 5: We'll figure it out.

721
00:33:00,160 --> 00:33:02,920
Speaker 1: Wanted to take credit for your final performance and this way.

722
00:33:02,960 --> 00:33:04,760
Speaker 1: He cut your legs out, just like you said, and

723
00:33:04,800 --> 00:33:07,000
Speaker 1: then he could say, look, we got him. There, I

724
00:33:07,080 --> 00:33:10,320
Speaker 1: did it. Our team, I got it. And that's like

725
00:33:10,520 --> 00:33:12,920
Speaker 1: the thing is like you should never have been insecure.

726
00:33:12,960 --> 00:33:14,440
Speaker 1: I mean I used to feel the same way, like

727
00:33:14,480 --> 00:33:19,600
Speaker 1: Shakespeare always felt like this big high pressure. Well because

728
00:33:19,840 --> 00:33:22,040
Speaker 1: because I because we started as kids, you know, and

729
00:33:22,040 --> 00:33:23,720
Speaker 1: when you start as kid actors, you don't get a

730
00:33:23,800 --> 00:33:26,800
Speaker 1: chance to experiment with Shakespeare the way that most adult

731
00:33:26,840 --> 00:33:29,440
Speaker 1: actors by the time they graduate high school and they've

732
00:33:29,480 --> 00:33:32,760
Speaker 1: been you know, acting in like less pressure, and they

733
00:33:32,760 --> 00:33:35,360
Speaker 1: get to try out Shakespeare. And what you realize is

734
00:33:35,400 --> 00:33:37,200
Speaker 1: that it's just a matter of getting comfortable with it.

735
00:33:37,440 --> 00:33:39,920
Speaker 1: And you know, the way you played this is exactly right.

736
00:33:39,960 --> 00:33:42,720
Speaker 1: It's not. Yes, there are Shakespeareans out there who would

737
00:33:42,720 --> 00:33:46,000
Speaker 1: insist that there's a certain intonation, there's a certain that

738
00:33:46,040 --> 00:33:49,760
Speaker 1: you're supposed to cadence, but I I I think that

739
00:33:49,960 --> 00:33:52,120
Speaker 1: maybe that's all worth learning. But I also don't think

740
00:33:52,160 --> 00:33:55,720
Speaker 1: it's necessary, right, Like, there's a very the key is

741
00:33:55,760 --> 00:33:59,560
Speaker 1: to just oblige the language and to play it at

742
00:33:59,600 --> 00:34:02,040
Speaker 1: like you would any other scene. Yhich you did perfectly.

743
00:34:02,080 --> 00:34:04,240
Speaker 1: You look this guy in the eyes, and you play

744
00:34:04,240 --> 00:34:07,600
Speaker 1: it with such clear intensity, and like what you're doing

745
00:34:07,680 --> 00:34:09,480
Speaker 1: is you're not worried about how you sound or what

746
00:34:09,480 --> 00:34:11,840
Speaker 1: you correct look like. You're focused on the person in

747
00:34:11,880 --> 00:34:14,200
Speaker 1: the scene with you, and you that is great acting.

748
00:34:14,280 --> 00:34:16,160
Speaker 1: It doesn't matter what's coming out of your mouth. You

749
00:34:16,200 --> 00:34:19,239
Speaker 1: deliver the Shakespearean dialogue. But you're you're so focused and

750
00:34:19,280 --> 00:34:22,440
Speaker 1: clear on your objective that we believe you. I believe

751
00:34:22,480 --> 00:34:23,920
Speaker 1: you in this moment, I'm like, oh my god, Eric

752
00:34:24,000 --> 00:34:26,520
Speaker 1: is suddenly like intensely in love with the person he's

753
00:34:26,560 --> 00:34:29,040
Speaker 1: talking to, which is all that you need to do here.

754
00:34:29,680 --> 00:34:32,280
Speaker 1: But you were intimidated because you hadn't had the experience

755
00:34:32,360 --> 00:34:33,759
Speaker 1: of like if you did it, if you if we

756
00:34:33,800 --> 00:34:36,080
Speaker 1: all did it. I mean I haven't, so I still

757
00:34:36,080 --> 00:34:38,080
Speaker 1: am kind of intimidated the same way. Yeah, but it's

758
00:34:38,120 --> 00:34:40,000
Speaker 1: like that you get over that as an actor. That's

759
00:34:40,040 --> 00:34:42,399
Speaker 1: just the way. But we never had that opportunity because

760
00:34:42,400 --> 00:34:47,560
Speaker 1: when you're a kid actor, you just do you know, dialogue, Yeah, exactly.

761
00:34:48,320 --> 00:34:52,239
Speaker 2: Once Eric's emotional soliloquy ends, the professor compliments him that

762
00:34:52,440 --> 00:34:56,200
Speaker 2: was exquisite. Eric snaps back into reality and shrugs, Yeah, well,

763
00:34:56,239 --> 00:35:00,520
Speaker 2: I've been building that balcony since the first rehearsal. So

764
00:35:00,680 --> 00:35:02,600
Speaker 2: I can do the whole play. I can do Lady

765
00:35:02,600 --> 00:35:04,920
Speaker 2: capula It, I can do Friar Lawrence. I can do Cartman.

766
00:35:05,520 --> 00:35:08,160
Speaker 5: Another sign for another another South Park.

767
00:35:08,000 --> 00:35:14,560
Speaker 3: Reference, rattles off a snippet of his cartment impression. I'm

768
00:35:14,560 --> 00:35:18,480
Speaker 3: not fat in festively plump.

769
00:35:19,560 --> 00:35:22,320
Speaker 1: So think about what we've just done in like thirty seconds.

770
00:35:22,520 --> 00:35:25,480
Speaker 1: In thirty seconds of dialogue, Will has taken us through

771
00:35:25,960 --> 00:35:30,239
Speaker 1: a spectrum of performance that is mind boggling yes, and

772
00:35:30,360 --> 00:35:33,080
Speaker 1: carried the audience and made us believe every single one

773
00:35:33,080 --> 00:35:38,680
Speaker 1: of these steps. He's gone Shakespeare Eric sitcom character then,

774
00:35:38,920 --> 00:35:40,719
Speaker 1: and he continues to do this throughout the rest of

775
00:35:40,719 --> 00:35:41,240
Speaker 1: the episode.

776
00:35:41,320 --> 00:35:43,360
Speaker 2: I know it doesn't just stop in this opening. I

777
00:35:43,400 --> 00:35:46,759
Speaker 2: know it's incredible. The man nods and asks him to

778
00:35:46,760 --> 00:35:48,719
Speaker 2: please go put on his tights. Eric agrees, but he

779
00:35:48,719 --> 00:35:52,880
Speaker 2: wants to clarify I did get the part right. The

780
00:35:52,920 --> 00:35:55,359
Speaker 2: man just stares at him blankly, and Eric runs off.

781
00:35:55,480 --> 00:35:58,000
Speaker 1: I love that is like, you're gonna go put the

782
00:35:58,040 --> 00:36:00,960
Speaker 1: tights on either way, because what does that mean that

783
00:36:00,960 --> 00:36:02,080
Speaker 1: moons you are putting the tights on?

784
00:36:02,200 --> 00:36:04,799
Speaker 5: You can do the part an right after the type?

785
00:36:04,840 --> 00:36:07,280
Speaker 5: What is the question. What would we go from? There

786
00:36:07,520 --> 00:36:09,879
Speaker 5: is the question we're asking. Yeah, right, I love it.

787
00:36:10,160 --> 00:36:13,120
Speaker 2: Then we cut to Romeo and Juliet, now on stage,

788
00:36:13,200 --> 00:36:16,760
Speaker 2: up and running. Jack, who is apparently playing Tibbalt, walks

789
00:36:16,760 --> 00:36:19,080
Speaker 2: across the stage with a few other actors. When Eric

790
00:36:19,280 --> 00:36:22,040
Speaker 2: aka Romeo and Russia onto the stage.

791
00:36:22,040 --> 00:36:24,680
Speaker 1: What is this a college play?

792
00:36:24,880 --> 00:36:26,200
Speaker 7: It looked like a college play.

793
00:36:26,320 --> 00:36:32,160
Speaker 2: Yes, yeah, He pushes Jack forcefully and asks mercutio slain.

794
00:36:32,640 --> 00:36:35,760
Speaker 2: The boys begin to circle each other, displaying their contempt

795
00:36:35,840 --> 00:36:38,960
Speaker 2: for one another. Then Jack whips out his sword and

796
00:36:39,120 --> 00:36:42,520
Speaker 2: Eric follows. Shortly after they engage in a sword fight.

797
00:36:42,920 --> 00:36:44,080
Speaker 3: Do you remember rehearsing this way?

798
00:36:44,120 --> 00:36:46,680
Speaker 5: I do, Yeah, I remember Matt having fun, and justin

799
00:36:46,760 --> 00:36:47,359
Speaker 5: I felt like.

800
00:36:47,440 --> 00:36:49,920
Speaker 2: I would have loved you guys circling each other to

801
00:36:49,960 --> 00:36:53,160
Speaker 2: be a little slower. Yeah, I just I felt like

802
00:36:53,440 --> 00:36:55,120
Speaker 2: you were on camp. The way it was set up.

803
00:36:55,160 --> 00:36:57,279
Speaker 2: I was really impressed with the blocking, Like the way

804
00:36:57,320 --> 00:36:58,960
Speaker 2: it was set up, how it was perfect that you

805
00:36:59,120 --> 00:37:00,279
Speaker 2: as you were turning.

806
00:37:00,239 --> 00:37:03,560
Speaker 3: Almost your entire line was on camera, And had we

807
00:37:03,640 --> 00:37:07,919
Speaker 3: been a little slower, it would have been the whole thing.

808
00:37:08,760 --> 00:37:12,400
Speaker 2: But but still, for all the times we've said, what's

809
00:37:12,440 --> 00:37:14,000
Speaker 2: up with this weird blocking.

810
00:37:14,440 --> 00:37:15,760
Speaker 3: I really enjoyed this blocking.

811
00:37:16,080 --> 00:37:18,720
Speaker 1: And this whole set is really complicated because you also

812
00:37:18,760 --> 00:37:21,479
Speaker 1: have behind the scenes, you know, when they're on stage

813
00:37:21,520 --> 00:37:24,400
Speaker 1: and after the curtain falls, so you're shooting from two sides.

814
00:37:24,600 --> 00:37:28,040
Speaker 1: So very tough, and Alan did a great job of man,

815
00:37:28,360 --> 00:37:30,799
Speaker 1: really good job. It would have been a disaster if

816
00:37:30,800 --> 00:37:32,360
Speaker 1: I saw that script as a director, I would have

817
00:37:32,360 --> 00:37:36,240
Speaker 1: been like, how having conversations on stage at the audiences

818
00:37:36,320 --> 00:37:39,480
Speaker 1: and hearing they're talking of just so many levels. One.

819
00:37:39,520 --> 00:37:41,240
Speaker 4: I was thinking about this as I was watching the episode.

820
00:37:41,239 --> 00:37:42,600
Speaker 4: You know, one of the reasons why I think he

821
00:37:42,719 --> 00:37:45,360
Speaker 4: nailed this direction is because this hearkens back to the

822
00:37:45,360 --> 00:37:48,120
Speaker 4: show that he won Emmys for, The Larry Sanders Show.

823
00:37:49,560 --> 00:37:52,160
Speaker 5: Behind right, it was part.

824
00:37:51,920 --> 00:37:53,560
Speaker 4: Of the show, and then behind the scenes of the show,

825
00:37:53,600 --> 00:37:55,960
Speaker 4: and then the life it was. It felt like that

826
00:37:56,000 --> 00:37:57,959
Speaker 4: to me. It felt like a Larry Sanders episode which

827
00:37:58,640 --> 00:38:01,080
Speaker 4: he was great. So you saw it, you really saw

828
00:38:01,080 --> 00:38:02,000
Speaker 4: it in this episode.

829
00:38:02,400 --> 00:38:05,360
Speaker 3: Yes, So Eric leans in close to his roommate and

830
00:38:05,400 --> 00:38:07,520
Speaker 3: exclaims in a funny whisper voice.

831
00:38:07,360 --> 00:38:11,399
Speaker 2: Prepared to die Jedi Master. And now after the play

832
00:38:11,480 --> 00:38:14,680
Speaker 2: the cast is receiving their ovation. The director loudly applauds

833
00:38:14,719 --> 00:38:17,080
Speaker 2: his Romeo and snatches a bouquet of flowers out of

834
00:38:17,120 --> 00:38:20,399
Speaker 2: Judy's hands for Eric. The Professor beams, I haven't seen

835
00:38:20,440 --> 00:38:23,319
Speaker 2: such raw talent since I had directed Meryl Streep in

836
00:38:23,360 --> 00:38:27,800
Speaker 2: the nineteen seventy seven Senior Class production of The Meryl Streep.

837
00:38:29,719 --> 00:38:30,800
Speaker 5: He's got her own show.

838
00:38:32,560 --> 00:38:33,360
Speaker 7: Unbelievable.

839
00:38:33,400 --> 00:38:36,840
Speaker 3: It cracks me up. Judy agrees and calls Eric amazing.

840
00:38:37,080 --> 00:38:39,200
Speaker 2: Eric snaps back, you didn't like me at all before

841
00:38:39,200 --> 00:38:42,000
Speaker 2: I became Romeo, did you. He grabs her hand and

842
00:38:42,040 --> 00:38:44,120
Speaker 2: brings her to the front of the stage for more adulation.

843
00:38:44,400 --> 00:38:47,160
Speaker 2: He says, through gritted teeth, but now all these people

844
00:38:47,200 --> 00:38:49,719
Speaker 2: are applauding for me, and that impresses you. You know,

845
00:38:50,040 --> 00:38:53,399
Speaker 2: there's a name for people like you. Judy responds back,

846
00:38:53,520 --> 00:38:56,600
Speaker 2: really what, Eric swavely responds, missus?

847
00:38:57,000 --> 00:39:00,799
Speaker 7: Eric his bow?

848
00:39:01,239 --> 00:39:05,560
Speaker 1: If you the way that you deliver the joke and

849
00:39:05,600 --> 00:39:11,800
Speaker 1: then the most like shikespearean bow I've ever seen. It's

850
00:39:11,880 --> 00:39:14,719
Speaker 1: just genius, And that's like just you, that's just you

851
00:39:15,120 --> 00:39:17,720
Speaker 1: adding an extra like layer to a bout.

852
00:39:18,239 --> 00:39:22,520
Speaker 4: Yes, so Sue and I So Sue's favorite thing I've

853
00:39:22,560 --> 00:39:25,000
Speaker 4: been doing since we started dating is occasional should look

854
00:39:25,000 --> 00:39:26,840
Speaker 4: at me, should be like, I didn't have the best day.

855
00:39:27,080 --> 00:39:28,480
Speaker 5: Can you thank the audience for me?

856
00:39:29,719 --> 00:39:32,839
Speaker 4: And so it's the straight up actor like run out

857
00:39:32,840 --> 00:39:35,200
Speaker 4: after show, you're out of yet and you're like you

858
00:39:35,320 --> 00:39:35,880
Speaker 4: do this.

859
00:39:37,200 --> 00:39:39,880
Speaker 5: And you're like you're like thanking everyone around you, and

860
00:39:39,920 --> 00:39:45,040
Speaker 5: then you do so occasional should look at me. She'd

861
00:39:45,080 --> 00:39:46,480
Speaker 5: be like, can you just thank the audience for me?

862
00:39:46,520 --> 00:39:47,080
Speaker 1: And I'll leave.

863
00:39:47,200 --> 00:39:51,839
Speaker 4: I'll leave the room and come back.

864
00:39:52,800 --> 00:39:56,160
Speaker 5: I come back and then you walk out. So there

865
00:39:56,239 --> 00:39:58,680
Speaker 5: was there were moments of that in this just.

866
00:40:00,080 --> 00:40:03,680
Speaker 3: Talks me up. Then we're in the Matthew's kitchen.

867
00:40:03,840 --> 00:40:06,560
Speaker 2: Eric bursts in while Amy, Allan and Morgan are gathered

868
00:40:06,560 --> 00:40:07,400
Speaker 2: at the kitchen table.

869
00:40:07,480 --> 00:40:10,600
Speaker 3: He proudly tells his family, I have finally found my

870
00:40:10,880 --> 00:40:13,120
Speaker 3: niece famous line alert.

871
00:40:14,120 --> 00:40:17,359
Speaker 1: I never knew where this came from. I honestly thought

872
00:40:17,360 --> 00:40:18,040
Speaker 1: we created that.

873
00:40:18,000 --> 00:40:20,600
Speaker 3: In Girl World. I know, I didn't remember it either.

874
00:40:21,120 --> 00:40:22,640
Speaker 4: Oh no, I knew it was from Boy Me throw

875
00:40:22,680 --> 00:40:25,799
Speaker 4: because because there's it comes back with Feenie later with

876
00:40:26,280 --> 00:40:28,600
Speaker 4: That's a place with Squirrel's thing where he says right

877
00:40:28,800 --> 00:40:31,480
Speaker 4: on girl though on boy, it starts on boy says,

878
00:40:31,880 --> 00:40:34,120
Speaker 4: and that's where I behind him, like pretending he's drinking.

879
00:40:34,719 --> 00:40:38,919
Speaker 2: Yeah, yeah, so Alan corrects him, you mean niche. Eric

880
00:40:38,960 --> 00:40:42,640
Speaker 2: pauses and then admits probably. Alan shakes his head, unbelievable.

881
00:40:42,960 --> 00:40:46,040
Speaker 2: Amy looks at the newspaper and awe, these reviews are incredible.

882
00:40:46,280 --> 00:40:49,080
Speaker 2: Eric warnser if you're gonna pay attention to the good reviews,

883
00:40:49,120 --> 00:40:51,600
Speaker 2: you gotta look at the bad ones. Morgan points out

884
00:40:51,760 --> 00:40:54,080
Speaker 2: there are no bad ones. Eric grabs her and giddily

885
00:40:54,160 --> 00:40:59,280
Speaker 2: yell's I know. Amy reads some reviews out loud. Matthews

886
00:40:59,320 --> 00:41:03,240
Speaker 2: is king Lee your rules. Matthew's performance would tame any shrew.

887
00:41:03,920 --> 00:41:05,759
Speaker 2: So wait, you're also doing King Lear.

888
00:41:05,840 --> 00:41:10,840
Speaker 1: He's done three different shows exactly. Yeah, come on, master Thesbian.

889
00:41:11,640 --> 00:41:13,880
Speaker 2: She looks at her son and pleads, promise me, you

890
00:41:13,920 --> 00:41:15,880
Speaker 2: won't let these things go to your head. Eric is

891
00:41:15,920 --> 00:41:19,640
Speaker 2: surprised by this. He scoffs never. Then Amy looks through

892
00:41:19,680 --> 00:41:22,200
Speaker 2: the newspaper and excitedly points out that Bloomingdale's is having

893
00:41:22,239 --> 00:41:25,000
Speaker 2: a white sale. Eric furiously grabs the paper and crumples

894
00:41:25,040 --> 00:41:25,279
Speaker 2: it up.

895
00:41:25,280 --> 00:41:26,080
Speaker 3: That's not about me.

896
00:41:27,320 --> 00:41:29,120
Speaker 5: I think I surprised that with that, because you can

897
00:41:29,200 --> 00:41:30,719
Speaker 5: see it looks.

898
00:41:30,480 --> 00:41:33,919
Speaker 4: Like like like laugh.

899
00:41:34,040 --> 00:41:36,360
Speaker 1: She's just staring at you, and even.

900
00:41:36,200 --> 00:41:38,000
Speaker 5: Betsy looks like she's about to lose it a little bit,

901
00:41:38,040 --> 00:41:38,560
Speaker 5: so I think I.

902
00:41:40,440 --> 00:41:41,520
Speaker 3: Then we're in the guy's apartment.

903
00:41:41,520 --> 00:41:43,960
Speaker 2: Sean's putting on his black leather jacket and yells out

904
00:41:44,000 --> 00:41:46,200
Speaker 2: to Jack, come on, Corey's gonna be here in the

905
00:41:46,239 --> 00:41:50,360
Speaker 2: doorbell buzzes like now and you jump over the rolls.

906
00:41:51,760 --> 00:41:54,720
Speaker 3: Cat. But where a baby?

907
00:41:57,440 --> 00:42:00,840
Speaker 4: But from that set, that wasn't a small leap, decent

908
00:42:00,880 --> 00:42:01,479
Speaker 4: size drop.

909
00:42:01,680 --> 00:42:04,359
Speaker 2: No, listen, he was so upset by not being able

910
00:42:04,360 --> 00:42:07,200
Speaker 2: to roller blade, he was like, watch me do it.

911
00:42:06,960 --> 00:42:09,719
Speaker 5: As the character finding stuff to do.

912
00:42:12,320 --> 00:42:14,480
Speaker 3: He opens the door and is stunned to see Tapanga.

913
00:42:14,680 --> 00:42:16,680
Speaker 2: She confesses there's something I want to talk to you

914
00:42:16,760 --> 00:42:19,200
Speaker 2: about and makes her way into the apartment. Sean breaks

915
00:42:19,200 --> 00:42:21,279
Speaker 2: the news we were just on our way out, but

916
00:42:21,520 --> 00:42:23,440
Speaker 2: to Pega in or Jack's I just want to make

917
00:42:23,480 --> 00:42:25,759
Speaker 2: sure you and I are okay. I know since Corey

918
00:42:25,800 --> 00:42:27,279
Speaker 2: and I broke up, things have been kind of weird

919
00:42:27,320 --> 00:42:30,279
Speaker 2: between us. I care about being your friend. Just then

920
00:42:30,440 --> 00:42:33,040
Speaker 2: Jack walks down the stairs and to Panga yells in terror,

921
00:42:33,080 --> 00:42:37,600
Speaker 2: what happened to your face? Jack's taken aback. Apparently she

922
00:42:37,640 --> 00:42:41,120
Speaker 2: doesn't care about being my friend. Sean tells Tapanga, they're

923
00:42:41,120 --> 00:42:42,719
Speaker 2: on their way to the basketball game, so now is

924
00:42:42,760 --> 00:42:44,959
Speaker 2: not the best time to make that comment. Tapega shakes

925
00:42:45,000 --> 00:42:47,200
Speaker 2: her head. No, you're not going anywhere. These look like

926
00:42:47,280 --> 00:42:50,560
Speaker 2: chicken pox, do they itch? Jack, who we now see

927
00:42:50,600 --> 00:42:53,080
Speaker 2: has read dots on his face, winces as he stares

928
00:42:53,080 --> 00:42:55,600
Speaker 2: at himself through the reflection of dishware. He admits the

929
00:42:55,600 --> 00:42:57,520
Speaker 2: ones on his face don't itch, but the ones on

930
00:42:57,560 --> 00:42:59,080
Speaker 2: his arms are a little irritating.

931
00:42:59,239 --> 00:43:00,239
Speaker 1: You don't remember this at all.

932
00:43:00,320 --> 00:43:02,319
Speaker 5: You don't remember getting the makeup. You don't remember any

933
00:43:02,360 --> 00:43:02,560
Speaker 5: of this.

934
00:43:03,040 --> 00:43:04,840
Speaker 1: But you know it makes sense. We wouldn't remember the

935
00:43:04,880 --> 00:43:07,279
Speaker 1: makeup because that would just be on the tape day, right.

936
00:43:07,280 --> 00:43:09,000
Speaker 1: We have been just rehearsing regularly.

937
00:43:09,560 --> 00:43:11,400
Speaker 4: But I would figure you, with how much you don't

938
00:43:11,440 --> 00:43:13,040
Speaker 4: like taking your shirt off on camera and stuff like that,

939
00:43:13,040 --> 00:43:15,239
Speaker 4: would remember like having to hold up your stomach and

940
00:43:15,360 --> 00:43:16,760
Speaker 4: get the I was shocked.

941
00:43:16,760 --> 00:43:18,759
Speaker 1: I was like, what is God? I don't remember this all?

942
00:43:18,840 --> 00:43:22,000
Speaker 4: Wow. And then Danielle, my other question was are you

943
00:43:22,040 --> 00:43:22,880
Speaker 4: and Matt dating?

944
00:43:22,920 --> 00:43:24,560
Speaker 5: At this point? That's what I found. Huh, you can

945
00:43:25,400 --> 00:43:27,200
Speaker 5: see it, see it a little bit.

946
00:43:27,239 --> 00:43:32,040
Speaker 3: I saw it. You guys not know. I see it

947
00:43:32,080 --> 00:43:32,839
Speaker 3: even on the show.

948
00:43:33,160 --> 00:43:33,920
Speaker 5: I could kind of see it.

949
00:43:34,080 --> 00:43:36,000
Speaker 4: I was watching with Sue and I was like, I

950
00:43:36,040 --> 00:43:37,319
Speaker 4: think they're dating at this point.

951
00:43:38,120 --> 00:43:38,879
Speaker 5: Yeah they are.

952
00:43:39,960 --> 00:43:42,160
Speaker 3: Yeah, we were definitely dating.

953
00:43:42,280 --> 00:43:42,640
Speaker 7: Okay.

954
00:43:43,200 --> 00:43:43,919
Speaker 6: Uh.

955
00:43:44,080 --> 00:43:47,000
Speaker 2: He reveals even scarier marks on his body to Beannga

956
00:43:47,000 --> 00:43:49,320
Speaker 2: gets serious. If Jack doesn't take care of these chicken

957
00:43:49,320 --> 00:43:50,879
Speaker 2: pox now, he could get really sick.

958
00:43:51,200 --> 00:43:52,960
Speaker 3: Jack is terrified. I don't want to die.

959
00:43:54,080 --> 00:43:56,640
Speaker 2: Sean assures him that no one's dying and they're going

960
00:43:56,680 --> 00:43:59,440
Speaker 2: to the game. Then the doorbell buzz is. It's finally Corey.

961
00:43:59,719 --> 00:44:02,560
Speaker 2: Tonga darts to the door. No, Corey, don't come in here.

962
00:44:02,880 --> 00:44:05,560
Speaker 2: She latches the extra lock so we can't enter. Corey's

963
00:44:05,560 --> 00:44:08,200
Speaker 2: confused and pushes the door open. What's the panga doing there?

964
00:44:08,560 --> 00:44:10,879
Speaker 2: Tapega slams the door shut again, and Sean yells she's

965
00:44:10,920 --> 00:44:12,920
Speaker 2: trying to keep us from going to see the Sixers.

966
00:44:13,160 --> 00:44:16,040
Speaker 2: To Penga shouts to her ex boyfriend, they have chicken pox.

967
00:44:16,120 --> 00:44:18,960
Speaker 2: Run away or you could catch them. Sean moves her

968
00:44:18,960 --> 00:44:21,640
Speaker 2: aside and unlatches the lock. Corey's not going to listen

969
00:44:21,680 --> 00:44:23,360
Speaker 2: to her. He opens the door and we see the

970
00:44:23,360 --> 00:44:24,720
Speaker 2: elevator doors closing.

971
00:44:25,640 --> 00:44:28,880
Speaker 1: Corey is there ever an explanation that, like why to

972
00:44:28,960 --> 00:44:31,400
Speaker 1: Panga's not worried about getting it herself.

973
00:44:30,920 --> 00:44:32,560
Speaker 2: Because I mentioned I already had it, Yeah, you did,

974
00:44:32,920 --> 00:44:34,040
Speaker 2: I say, when I had it.

975
00:44:34,080 --> 00:44:35,400
Speaker 1: But then Corey's never had it.

976
00:44:35,680 --> 00:44:37,640
Speaker 2: I guess not. I guess none of you have ever

977
00:44:37,640 --> 00:44:39,480
Speaker 2: had it. And to Pega knows that because I thought

978
00:44:39,520 --> 00:44:42,960
Speaker 2: the same thing. I was, like, would know whether or

979
00:44:43,000 --> 00:44:44,920
Speaker 2: not Corey, I'm sure, so.

980
00:44:47,560 --> 00:44:49,200
Speaker 7: Go away, Yeah exactly.

981
00:44:49,239 --> 00:44:51,920
Speaker 4: Both my brothers got got chicken pox multiple times. By

982
00:44:51,960 --> 00:44:53,919
Speaker 4: the way, My oldest brother had chicken pox three times

983
00:44:53,960 --> 00:44:57,040
Speaker 4: as a kid. What Yeah, and then my middle brother

984
00:44:57,080 --> 00:44:57,600
Speaker 4: had it twice.

985
00:44:57,719 --> 00:44:59,200
Speaker 5: Yep. Not weird.

986
00:44:59,600 --> 00:45:02,000
Speaker 1: It is weird. What's really weird is that nobody gets

987
00:45:02,040 --> 00:45:06,200
Speaker 1: it anymore. It's because your vaccination, right, I know, like

988
00:45:06,239 --> 00:45:07,719
Speaker 1: as a kid, you just had to get it, Like

989
00:45:07,760 --> 00:45:10,720
Speaker 1: I remember, it was like you have to were encouraged around.

990
00:45:10,800 --> 00:45:13,400
Speaker 1: Yes exactly, yeah, and I remember it was being awful.

991
00:45:13,400 --> 00:45:15,360
Speaker 1: My brother and I have it and it's just been oh.

992
00:45:15,239 --> 00:45:15,840
Speaker 5: Yeah, week.

993
00:45:16,480 --> 00:45:17,600
Speaker 3: God, I remember it too.

994
00:45:17,840 --> 00:45:19,239
Speaker 5: I don't remember it at all. I know I had it,

995
00:45:19,280 --> 00:45:20,200
Speaker 5: but I don't remember it at all.

996
00:45:21,239 --> 00:45:22,879
Speaker 3: I want to go back to ride or going. It's

997
00:45:22,880 --> 00:45:25,719
Speaker 3: so crazy that nobody gets it now and will going

998
00:45:25,800 --> 00:45:26,880
Speaker 3: because there's a vaccine.

999
00:45:30,080 --> 00:45:33,840
Speaker 4: Yeah, but shingles is more is more prominent now though.

1000
00:45:33,719 --> 00:45:34,600
Speaker 6: Isn't it.

1001
00:45:34,719 --> 00:45:36,959
Speaker 1: She is just like a grown up version of chicken.

1002
00:45:37,000 --> 00:45:40,200
Speaker 4: Yeah. If you had chicken pox, right then you have

1003
00:45:40,239 --> 00:45:40,640
Speaker 4: the shingle.

1004
00:45:40,760 --> 00:45:43,560
Speaker 3: That viral thing is lying dormant in your body.

1005
00:45:44,960 --> 00:45:48,240
Speaker 4: By the way, shingles, it's just as shingles like piles.

1006
00:45:48,320 --> 00:45:51,520
Speaker 2: It's too close to pringles. Pringles are delicious. Let's not

1007
00:45:51,600 --> 00:45:52,120
Speaker 2: ruin them.

1008
00:45:53,400 --> 00:45:56,520
Speaker 1: Yeah, sound like it should be a positive thing, like, oh,

1009
00:45:56,560 --> 00:45:59,600
Speaker 1: it's the Christmas season, time for shingles. It's all needs

1010
00:45:59,640 --> 00:46:03,120
Speaker 1: some should shingles.

1011
00:46:03,120 --> 00:46:04,560
Speaker 5: It's delighteful.

1012
00:46:07,280 --> 00:46:09,680
Speaker 2: He turns to Tobanga in shock. I can't believe how

1013
00:46:09,719 --> 00:46:11,920
Speaker 2: whipped that boy is. Then he asks, what do you

1014
00:46:12,000 --> 00:46:13,920
Speaker 2: mean they have chicken pox.

1015
00:46:14,320 --> 00:46:17,520
Speaker 3: Jack, feverishly itching his spots, blurts out from the other

1016
00:46:17,600 --> 00:46:21,600
Speaker 3: side of the room. I don't want to die.

1017
00:46:21,040 --> 00:46:23,759
Speaker 2: To Bega insists they won't die because she is going

1018
00:46:23,800 --> 00:46:26,040
Speaker 2: to stay there and take care of them. She tells Sean,

1019
00:46:26,200 --> 00:46:28,560
Speaker 2: Jack has full blown chicken pox and you have half

1020
00:46:28,600 --> 00:46:31,560
Speaker 2: blown chicken pox. Sean can't contain his laughter. That is

1021
00:46:31,600 --> 00:46:34,000
Speaker 2: so ridiculous. If I have chicken pox, Where are my dots?

1022
00:46:34,280 --> 00:46:36,480
Speaker 2: To Benga lifts his shirt and reveals red dots all

1023
00:46:36,520 --> 00:46:39,960
Speaker 2: over his stomach. She sarcastically asks, should I connect them

1024
00:46:39,960 --> 00:46:43,640
Speaker 2: for you? Jack, who continues to itch, groans, oh man,

1025
00:46:43,719 --> 00:46:47,239
Speaker 2: you're dying worse than I am. Sean blows them both off.

1026
00:46:47,280 --> 00:46:50,400
Speaker 2: I feel fine, so I have dots. She explains that

1027
00:46:50,400 --> 00:46:52,640
Speaker 2: he only feels fine now because it hasn't hit him yet.

1028
00:46:52,680 --> 00:46:55,640
Speaker 2: When she got sick, she had dots a fever, and

1029
00:46:55,719 --> 00:46:59,080
Speaker 2: she couldn't stand on her own two feet. Sean sarcastically wonders,

1030
00:46:59,080 --> 00:47:02,000
Speaker 2: at any point doing the sickness, did you ever get quiet?

1031
00:47:04,200 --> 00:47:04,239
Speaker 4: To?

1032
00:47:04,360 --> 00:47:07,640
Speaker 2: Panga excuses the attitude because she knows he's sick. Sean

1033
00:47:07,680 --> 00:47:10,120
Speaker 2: fights back, I am not sick. I have never felt better.

1034
00:47:10,440 --> 00:47:14,680
Speaker 2: He takes a few steps and gets wobbly. Or perhaps

1035
00:47:14,719 --> 00:47:17,959
Speaker 2: I have here just a Panga to put her arms out,

1036
00:47:18,040 --> 00:47:20,840
Speaker 2: and then he collapses onto her, forcing them both to

1037
00:47:20,960 --> 00:47:22,000
Speaker 2: land onto the couch.

1038
00:47:22,200 --> 00:47:24,799
Speaker 4: Mister, great joke there they did not you, which is

1039
00:47:24,920 --> 00:47:27,239
Speaker 4: it's been done a thousand times. But because it's been

1040
00:47:27,239 --> 00:47:29,560
Speaker 4: done a thousand times, that's what's so good? Is you

1041
00:47:29,640 --> 00:47:30,480
Speaker 4: going put.

1042
00:47:30,280 --> 00:47:31,880
Speaker 5: Your arms out? You need to catch me and then

1043
00:47:31,920 --> 00:47:36,440
Speaker 5: you fall forward forward.

1044
00:47:35,480 --> 00:47:51,680
Speaker 2: Yeah, it works everything, and then we're back in the theater.

1045
00:47:51,840 --> 00:47:55,239
Speaker 2: Another performance has ended, and Eric jogs out from backstage.

1046
00:47:55,480 --> 00:48:00,600
Speaker 4: This is the entrance to thanking the audiences. That the

1047
00:48:00,719 --> 00:48:02,640
Speaker 4: jump the fake jumped to then running to the end

1048
00:48:02,640 --> 00:48:04,359
Speaker 4: of the stage. That's our Suan is like, you're thanking

1049
00:48:04,440 --> 00:48:06,040
Speaker 4: the audiences, like I know.

1050
00:48:07,280 --> 00:48:10,280
Speaker 3: They give him a round of applause and congratulatory hugs.

1051
00:48:10,520 --> 00:48:13,239
Speaker 2: Alan even awards him a compliment. The real tragedy at

1052
00:48:13,320 --> 00:48:15,680
Speaker 2: tonight is that William Shakespeare couldn't be here to see

1053
00:48:15,680 --> 00:48:18,800
Speaker 2: how good you are. Eric casually responds, he'll come tomorrow.

1054
00:48:18,840 --> 00:48:21,520
Speaker 2: I mean we're here all week. Alan looks at him,

1055
00:48:21,520 --> 00:48:25,520
Speaker 2: stunned again. Unbelievable. Amy in disbelief of Eric's raw emotion

1056
00:48:25,680 --> 00:48:28,479
Speaker 2: on stage. She can't believe he wept when jumping into

1057
00:48:28,480 --> 00:48:32,719
Speaker 2: Ophelia's grave. Where did he get his motivation? Now you're

1058
00:48:32,719 --> 00:48:39,480
Speaker 2: doing Hamlet, of course? What is this a medley.

1059
00:48:39,760 --> 00:48:40,240
Speaker 5: Shakespeare?

1060
00:48:40,239 --> 00:48:43,319
Speaker 4: We in our college Shakespeare weak?

1061
00:48:43,520 --> 00:48:43,759
Speaker 5: Yes.

1062
00:48:44,320 --> 00:48:46,560
Speaker 2: Eric pulls a book out of his pocket right here

1063
00:48:46,600 --> 00:48:49,880
Speaker 2: in the script. Look, he points to a page, weeps openly.

1064
00:48:50,320 --> 00:48:51,320
Speaker 2: He laughs, I mean.

1065
00:48:51,280 --> 00:48:55,040
Speaker 3: They tell you what to do. Femie appears and just

1066
00:48:55,080 --> 00:48:58,040
Speaker 3: pats Eric on the back and sarcastically calls Eric a truth.

1067
00:48:58,120 --> 00:49:03,040
Speaker 1: Lesbian referts to the fact that Bill hated being told

1068
00:49:03,080 --> 00:49:05,000
Speaker 1: what to say or how to react to the stage.

1069
00:49:05,160 --> 00:49:09,960
Speaker 1: Remember it was a giant. It was like a not right,

1070
00:49:10,280 --> 00:49:12,920
Speaker 1: how do you weep or laugh or whatever? So I

1071
00:49:12,960 --> 00:49:17,000
Speaker 1: think they threw Bill into that moment like a little

1072
00:49:17,040 --> 00:49:20,000
Speaker 1: in joke, like yeah, because he hated that so and

1073
00:49:20,000 --> 00:49:23,040
Speaker 1: everyone knew it, so they would avoid writing stage.

1074
00:49:22,760 --> 00:49:23,879
Speaker 3: Stage directions for him.

1075
00:49:23,920 --> 00:49:24,759
Speaker 5: It's hysterical.

1076
00:49:25,560 --> 00:49:28,200
Speaker 2: Just then, the director calls out to his star Eric,

1077
00:49:28,600 --> 00:49:30,600
Speaker 2: there are some gentlemen here to see him. They'd like

1078
00:49:30,640 --> 00:49:33,480
Speaker 2: to talk to Eric about his future. Eric asks, are

1079
00:49:33,480 --> 00:49:39,280
Speaker 2: they gypsies? Which yes, acknowledging is offensive. Now a group

1080
00:49:39,320 --> 00:49:43,320
Speaker 2: of suited white dudes introduced themselves. First is Randolph Dixon

1081
00:49:43,440 --> 00:49:46,799
Speaker 2: from Juilliard. Eric shakes his hand and asks, POENI, what's that?

1082
00:49:47,160 --> 00:49:49,520
Speaker 2: He tells him it's the most prestigious acting school in

1083
00:49:49,560 --> 00:49:53,760
Speaker 2: the country. Next is Sir Ralph Kremendenson from r SC.

1084
00:49:53,960 --> 00:49:57,080
Speaker 1: Ralph Cranendon from from The Honeymooners.

1085
00:49:57,400 --> 00:49:58,800
Speaker 5: But they just add.

1086
00:50:01,200 --> 00:50:04,600
Speaker 2: Eric asks again, what's that? Phoene responds Royal Shakespeare Company,

1087
00:50:04,600 --> 00:50:07,520
Speaker 2: the most famous theatrical company in the world. Then a

1088
00:50:07,560 --> 00:50:10,520
Speaker 2: man from the back pushes through. He's Matt Fraser from ABC.

1089
00:50:11,000 --> 00:50:14,480
Speaker 2: This time, Phoene asks, what's that Eric is beside himself.

1090
00:50:14,680 --> 00:50:20,600
Speaker 2: It's the American Broadcasting Company, the number one network alphabetically.

1091
00:50:20,880 --> 00:50:24,400
Speaker 3: In the world, a little dig and our own.

1092
00:50:24,200 --> 00:50:30,359
Speaker 2: Network network because we were this morning I NBC would

1093
00:50:30,400 --> 00:50:32,480
Speaker 2: have been burst, destroying, destroying.

1094
00:50:32,560 --> 00:50:34,319
Speaker 5: Fox was coming along, but I don't think they were

1095
00:50:34,360 --> 00:50:34,759
Speaker 5: there yet.

1096
00:50:34,760 --> 00:50:39,800
Speaker 4: So NBC because we were first when we started, because

1097
00:50:39,800 --> 00:50:41,439
Speaker 4: they had Home Improvement, we.

1098
00:50:41,360 --> 00:50:41,920
Speaker 1: Brought him back.

1099
00:50:45,640 --> 00:50:49,080
Speaker 3: Were doing well, don't worry, we will, We'll take.

1100
00:50:48,960 --> 00:50:49,399
Speaker 5: Care of it.

1101
00:50:49,680 --> 00:50:54,279
Speaker 1: Yeah, you like, CBS really rose with with reality and

1102
00:50:54,440 --> 00:50:55,560
Speaker 1: crime stuff, which.

1103
00:50:55,960 --> 00:50:58,200
Speaker 2: Yes, it would have been their serialized you know, n

1104
00:50:58,280 --> 00:51:00,480
Speaker 2: c I S whatever that for sure.

1105
00:51:01,080 --> 00:51:02,839
Speaker 1: Yeah, I don't know whatever.

1106
00:51:02,560 --> 00:51:03,760
Speaker 3: They had during that time.

1107
00:51:03,719 --> 00:51:07,720
Speaker 4: NYPD Blue and then the entire NBC lineup.

1108
00:51:07,800 --> 00:51:11,000
Speaker 5: I think PD Blue, NBC I don't remember, but yeah,

1109
00:51:11,200 --> 00:51:12,439
Speaker 5: so that was I mean, they were.

1110
00:51:13,880 --> 00:51:16,919
Speaker 4: Yeah, perfectly balanced network at the time, and then yeah,

1111
00:51:17,320 --> 00:51:18,680
Speaker 4: ABC was starting to flill.

1112
00:51:19,880 --> 00:51:22,280
Speaker 3: Matt asks if Eric would like to come to Hollywood

1113
00:51:22,320 --> 00:51:23,200
Speaker 3: and be on television.

1114
00:51:23,440 --> 00:51:27,240
Speaker 2: A wide eyed Eric shouts me in the TV Matt

1115
00:51:27,280 --> 00:51:30,120
Speaker 2: nods and Eric turns to Feeneye jaw dropped and ready

1116
00:51:30,120 --> 00:51:33,480
Speaker 2: for his close up, and then we're on a Hollywood lot.

1117
00:51:33,880 --> 00:51:36,839
Speaker 2: We get a montage as Eric is hanging onto a

1118
00:51:36,840 --> 00:51:40,000
Speaker 2: golf cart which is being driven around by Phoene. Exciting

1119
00:51:40,120 --> 00:51:42,239
Speaker 2: music plays as he looks around the lot in awe.

1120
00:51:42,320 --> 00:51:45,799
Speaker 2: They passed the Seinfeld and Third Rock from the Sun sound.

1121
00:51:45,600 --> 00:51:51,200
Speaker 1: Stages CBS Radford. Remember the spots, they know exactly where

1122
00:51:51,200 --> 00:51:51,560
Speaker 1: we are.

1123
00:51:51,680 --> 00:51:55,040
Speaker 4: But it was also this is what it was like.

1124
00:51:55,600 --> 00:51:58,480
Speaker 4: And here's what I mean by that perfect example. We're

1125
00:51:58,480 --> 00:52:01,959
Speaker 4: shooting this episode and Bill's driving around in the cart

1126
00:52:02,480 --> 00:52:04,640
Speaker 4: and we pull over into a shady spot right at

1127
00:52:04,680 --> 00:52:07,200
Speaker 4: the right near the lot as they're setting up another shot,

1128
00:52:07,520 --> 00:52:10,080
Speaker 4: and these two arms go around Bill from behind as

1129
00:52:10,080 --> 00:52:12,080
Speaker 4: he's sitting in the cart and give him a hug.

1130
00:52:12,239 --> 00:52:15,239
Speaker 4: And we turn around and it's Jeff Goldbloom. Oh, and

1131
00:52:15,239 --> 00:52:17,160
Speaker 4: he's like, hey, Bill, how you doing. We sat and

1132
00:52:17,200 --> 00:52:19,120
Speaker 4: talked to Jeff Goldbloom for about ten minutes.

1133
00:52:19,160 --> 00:52:19,560
Speaker 3: He leaves.

1134
00:52:19,640 --> 00:52:22,080
Speaker 4: John Cleese walks by because he's on Third Rock from

1135
00:52:22,080 --> 00:52:22,719
Speaker 4: the Sun at the time.

1136
00:52:22,840 --> 00:52:24,200
Speaker 7: Wow, this is what it was like.

1137
00:52:24,320 --> 00:52:26,760
Speaker 4: So like the joke of like you're seeing people dressed

1138
00:52:26,760 --> 00:52:29,759
Speaker 4: like cowboys. You're seeing famous people walk by. That's what

1139
00:52:29,800 --> 00:52:32,160
Speaker 4: it was actually like. Yeah, and I had that moment

1140
00:52:32,160 --> 00:52:33,720
Speaker 4: of just like, just talk to Jeff Goldbloom.

1141
00:52:33,800 --> 00:52:37,239
Speaker 1: Oh hey, look at that. That is not my experience.

1142
00:52:37,320 --> 00:52:41,840
Speaker 1: Oh really, I just had my head down my car

1143
00:52:42,040 --> 00:52:44,480
Speaker 1: to the stage. I didn't know who anybody was. I

1144
00:52:44,480 --> 00:52:46,560
Speaker 1: didn't care. I wanted to be so anti Hollywood that

1145
00:52:46,560 --> 00:52:49,160
Speaker 1: I wouldn't even look at anybody. I didn't talk to anybody.

1146
00:52:49,200 --> 00:52:51,640
Speaker 1: I mean, now I would be like, let's go meet

1147
00:52:51,640 --> 00:52:54,280
Speaker 1: these acts, let's say hi, or tell them we appreciate

1148
00:52:54,320 --> 00:52:55,320
Speaker 1: their work, or anybody.

1149
00:52:55,480 --> 00:52:55,680
Speaker 4: Nope.

1150
00:52:55,800 --> 00:52:57,200
Speaker 1: Back then, I would have just been like.

1151
00:52:57,520 --> 00:53:00,439
Speaker 4: Oh, I was talking to everybody. I was walking around.

1152
00:53:00,520 --> 00:53:03,200
Speaker 4: You'd see people like dressed like not drinking coffee. It

1153
00:53:03,239 --> 00:53:05,359
Speaker 4: was like, oh, I sucked in every moment of it. It

1154
00:53:05,400 --> 00:53:08,000
Speaker 4: was great, so much health.

1155
00:53:08,400 --> 00:53:09,000
Speaker 5: Just like that.

1156
00:53:09,080 --> 00:53:11,520
Speaker 7: It was just like that, so fun.

1157
00:53:12,040 --> 00:53:14,719
Speaker 2: Eric runs up to a payphone, but two men, one

1158
00:53:14,760 --> 00:53:16,480
Speaker 2: of them being our very own Mark.

1159
00:53:16,320 --> 00:53:20,160
Speaker 3: Paper, push him away.

1160
00:53:20,320 --> 00:53:22,160
Speaker 2: They grab the phone and pick it up and move

1161
00:53:22,160 --> 00:53:24,960
Speaker 2: it elsewhere. It was only a prop, and Eric is amazed.

1162
00:53:25,360 --> 00:53:27,440
Speaker 2: Feeneye watches on and rolls his eyes.

1163
00:53:28,120 --> 00:53:28,600
Speaker 4: Uh.

1164
00:53:28,719 --> 00:53:31,759
Speaker 2: Then Eric is distracted by an actress dressed as a princess.

1165
00:53:32,120 --> 00:53:33,919
Speaker 2: Then he runs back to Feenie in the golf cart.

1166
00:53:34,000 --> 00:53:36,400
Speaker 2: It drives past some actors and clothing racks, only to

1167
00:53:36,480 --> 00:53:40,600
Speaker 2: land at a sound stage. Four kid gets acquainted with

1168
00:53:40,680 --> 00:53:44,160
Speaker 2: the universe. The logo looks like a parody of Boy

1169
00:53:44,160 --> 00:53:47,760
Speaker 2: Meets World. Eric declares, I'm home. This is where I belong.

1170
00:53:48,080 --> 00:53:50,160
Speaker 2: He thanks mister Feene for coming along. It would have

1171
00:53:50,160 --> 00:53:53,560
Speaker 2: been so uncool if it was with his parents. Phoene

1172
00:53:53,640 --> 00:53:55,359
Speaker 2: reminds him that he's only there to make sure Eric

1173
00:53:55,360 --> 00:53:57,680
Speaker 2: has settled in. Keep both your feet on the ground.

1174
00:53:57,719 --> 00:54:01,560
Speaker 2: This town is swimming with sharks. Eric's offended. Stop attacking

1175
00:54:01,600 --> 00:54:04,600
Speaker 2: his town. People in La are really down to earth,

1176
00:54:04,719 --> 00:54:08,799
Speaker 2: good kindly folk than you. The golf cart is rear

1177
00:54:08,920 --> 00:54:12,160
Speaker 2: ended and jerks forward. A girl roughly shouts, hey, get

1178
00:54:12,200 --> 00:54:15,040
Speaker 2: out of my space. Eric tells Poenie, there's one of

1179
00:54:15,040 --> 00:54:17,760
Speaker 2: them now, he waves high. Nice person.

1180
00:54:18,000 --> 00:54:20,120
Speaker 1: She must have been so stoked.

1181
00:54:22,040 --> 00:54:22,840
Speaker 3: Then stop.

1182
00:54:23,600 --> 00:54:24,719
Speaker 5: Yeah.

1183
00:54:24,880 --> 00:54:28,320
Speaker 2: The girl, who we recognize as Morgan with sunglasses, yells

1184
00:54:28,320 --> 00:54:29,040
Speaker 2: what do I have to do?

1185
00:54:29,120 --> 00:54:32,120
Speaker 3: Call my attorney? Get out of my space, so.

1186
00:54:32,200 --> 00:54:34,400
Speaker 1: She I don't know if you guys remember this, but

1187
00:54:34,880 --> 00:54:38,560
Speaker 1: we originally were not supposed to play ourselves or alternative versions.

1188
00:54:38,800 --> 00:54:44,120
Speaker 1: They actually cast lookalikes for really, yes, And I know

1189
00:54:44,239 --> 00:54:47,279
Speaker 1: this because I was going to college with the guy

1190
00:54:47,320 --> 00:54:51,000
Speaker 1: they cast as the Rider the Schneider what yes, and

1191
00:54:51,080 --> 00:55:00,239
Speaker 1: he occidental. Yeah, it was at I mean just you

1192
00:55:00,280 --> 00:55:02,719
Speaker 1: like you like processed like ten jokes and then like

1193
00:55:03,160 --> 00:55:09,240
Speaker 1: selected the best one and like it's like a joke

1194
00:55:09,400 --> 00:55:18,680
Speaker 1: AI brains cal so insane. Yeah, So I was going

1195
00:55:18,719 --> 00:55:20,879
Speaker 1: to I was going to call it with the guy,

1196
00:55:20,920 --> 00:55:22,200
Speaker 1: and he like came up to me and we talked

1197
00:55:22,239 --> 00:55:24,320
Speaker 1: about the fact that he was going to be playing Schneider,

1198
00:55:24,400 --> 00:55:27,399
Speaker 1: the other version of me, and then and he did.

1199
00:55:27,400 --> 00:55:28,600
Speaker 1: He kind of looked like me. He used to get

1200
00:55:28,640 --> 00:55:31,600
Speaker 1: recognized as me. And I remember Michael being like, yeah,

1201
00:55:31,640 --> 00:55:33,520
Speaker 1: we cast the perfect guy to play you and the

1202
00:55:33,520 --> 00:55:37,279
Speaker 1: perfect you know everybody, and then for some reason they

1203
00:55:37,320 --> 00:55:39,480
Speaker 1: decided not to do it. And I still don't know

1204
00:55:39,560 --> 00:55:44,400
Speaker 1: exactly why. But as much as I had fun playing Schneider,

1205
00:55:44,480 --> 00:55:48,040
Speaker 1: I think it would have been better if it wasn't us. Yeah,

1206
00:55:48,080 --> 00:55:50,880
Speaker 1: And I think and again that is another makes me

1207
00:55:50,880 --> 00:55:53,239
Speaker 1: think it also was Ben's finals and that they Ben

1208
00:55:53,239 --> 00:55:56,720
Speaker 1: wouldn't have been in anything except the tag if another

1209
00:55:56,760 --> 00:56:01,160
Speaker 1: person had paid played Ben Sad, so I think something happened.

1210
00:56:01,440 --> 00:56:04,719
Speaker 1: Maybe Ben didn't have finals and they were like, let's

1211
00:56:04,760 --> 00:56:07,239
Speaker 1: just use the kids or you know whatever. But it

1212
00:56:07,280 --> 00:56:09,640
Speaker 1: was a change. That guy ended up being on the

1213
00:56:09,680 --> 00:56:13,719
Speaker 1: show later because they felt bad that they had so

1214
00:56:13,760 --> 00:56:15,160
Speaker 1: they brought him in for like a line or two.

1215
00:56:15,239 --> 00:56:17,319
Speaker 1: So we'll see him in a couple episodes, I think,

1216
00:56:17,400 --> 00:56:20,200
Speaker 1: or the early next season because they you know, he

1217
00:56:20,360 --> 00:56:22,560
Speaker 1: came in an auditioned again for another part. But yeah,

1218
00:56:22,600 --> 00:56:24,640
Speaker 1: but he had been cast. They had cast people to

1219
00:56:24,680 --> 00:56:27,799
Speaker 1: play us, and I was watching this going as much

1220
00:56:27,840 --> 00:56:31,800
Speaker 1: fun as it is, it's so like mind breaking, like

1221
00:56:32,000 --> 00:56:34,680
Speaker 1: you're watching the show. Yeah wait, we're in the same

1222
00:56:34,800 --> 00:56:38,920
Speaker 1: sets and we're playing the same actors. It's just it's strange.

1223
00:56:38,960 --> 00:56:41,080
Speaker 1: It's it's like meta and strange in a way that

1224
00:56:41,239 --> 00:56:43,440
Speaker 1: like because I don't know, I mean, I guess it

1225
00:56:43,520 --> 00:56:45,759
Speaker 1: kind of works. I'm curious how the audience I love.

1226
00:56:45,920 --> 00:56:47,840
Speaker 4: I loved watching you guys, so it's also because I

1227
00:56:47,880 --> 00:56:51,080
Speaker 4: know you so well. So watching you guys play fantasyful

1228
00:56:51,120 --> 00:56:54,040
Speaker 4: versions of yourself was great, right, But again, having then

1229
00:56:54,560 --> 00:56:58,680
Speaker 4: a real b story where you're still playing Sean and

1230
00:56:58,719 --> 00:57:00,160
Speaker 4: to Pang, I now is the thing.

1231
00:57:00,080 --> 00:57:02,880
Speaker 2: It was like, oh, that shouldn't I do think the

1232
00:57:02,880 --> 00:57:07,320
Speaker 2: bizarro world Corey to Panga Sean Jack.

1233
00:57:07,520 --> 00:57:08,760
Speaker 3: I yeah, I think.

1234
00:57:08,640 --> 00:57:10,319
Speaker 2: That would have been I think you're right right, I

1235
00:57:10,320 --> 00:57:12,040
Speaker 2: think that would have been better. But it could have

1236
00:57:12,160 --> 00:57:16,680
Speaker 2: also been that they had like nine paid guest stars already.

1237
00:57:16,800 --> 00:57:18,080
Speaker 7: Yeah, and then.

1238
00:57:19,440 --> 00:57:21,240
Speaker 3: It could have been a bunch of thing they needed

1239
00:57:21,240 --> 00:57:22,080
Speaker 3: to pay their children.

1240
00:57:22,240 --> 00:57:22,640
Speaker 5: Yeah.

1241
00:57:22,680 --> 00:57:25,520
Speaker 4: So can you imagine if they were ballsy though, they

1242
00:57:25,560 --> 00:57:29,200
Speaker 4: could have cast Matt McCoy to play the dad. Oh,

1243
00:57:29,480 --> 00:57:32,040
Speaker 4: the original Eric to play the era. I mean it's

1244
00:57:32,120 --> 00:57:35,640
Speaker 4: like the original to play to Panga. But yeah, I know,

1245
00:57:35,920 --> 00:57:36,760
Speaker 4: I mean they could.

1246
00:57:36,600 --> 00:57:39,360
Speaker 5: Have it could have gone a totally different route with it.

1247
00:57:39,920 --> 00:57:43,440
Speaker 2: So then our bizarro Morgan rear ends the golf car

1248
00:57:43,560 --> 00:57:46,720
Speaker 2: so hard it actually moves out of the space. She

1249
00:57:46,840 --> 00:57:49,080
Speaker 2: yells out thank you, but you get the feeling she

1250
00:57:49,080 --> 00:57:51,640
Speaker 2: doesn't mean it. Phoeney responds, you're welcome, and who might

1251
00:57:51,720 --> 00:57:51,960
Speaker 2: you be?

1252
00:57:52,120 --> 00:57:54,640
Speaker 3: Little girl? She angrily shouts, I'm not a little girl.

1253
00:57:54,720 --> 00:57:55,439
Speaker 5: I'm forty two.

1254
00:57:55,560 --> 00:57:59,680
Speaker 3: I just played Little Girls on TV. She walks by

1255
00:57:59,760 --> 00:58:04,920
Speaker 3: air and pinches his butt. Your headh yep, wow.

1256
00:58:05,640 --> 00:58:07,440
Speaker 2: She probably couldn't have gotten to your real tush though,

1257
00:58:07,440 --> 00:58:09,240
Speaker 2: because you had a wallet that was like this thing.

1258
00:58:09,200 --> 00:58:10,600
Speaker 4: I do.

1259
00:58:10,680 --> 00:58:12,240
Speaker 5: I have a wallet the whole time.

1260
00:58:14,200 --> 00:58:17,520
Speaker 1: I don't have your wallet.

1261
00:58:18,200 --> 00:58:20,880
Speaker 3: Probably wallet your own wallet.

1262
00:58:21,240 --> 00:58:23,360
Speaker 2: Phoene asks Eric if he actually wants to go through

1263
00:58:23,360 --> 00:58:26,160
Speaker 2: with this. Eric doesn't hesitate. He wants this more than anything.

1264
00:58:26,320 --> 00:58:28,560
Speaker 2: And then we're back at the guy's apartment. Tabanga is

1265
00:58:28,560 --> 00:58:30,800
Speaker 2: sitting on the couch reading a book aloud as Jack

1266
00:58:30,880 --> 00:58:32,200
Speaker 2: lays his head in her lap.

1267
00:58:33,200 --> 00:58:38,520
Speaker 3: Damn dating. They're both on the verge of tears. As

1268
00:58:38,560 --> 00:58:41,080
Speaker 3: Topanga reads the last line of the book. He knew

1269
00:58:41,080 --> 00:58:43,920
Speaker 3: they would be together again someday. Jack is gasping for

1270
00:58:43,960 --> 00:58:45,080
Speaker 3: air in heaven.

1271
00:58:45,600 --> 00:58:48,840
Speaker 2: Tabnga nods her head, now full on crying, and hands

1272
00:58:48,920 --> 00:58:52,120
Speaker 2: jacket tissue. Sean watches on itching red dots that are

1273
00:58:52,120 --> 00:58:55,200
Speaker 2: now scattered across his entire body. He tells Stabanga, my

1274
00:58:55,280 --> 00:58:57,560
Speaker 2: brother and I appreciate everything you're doing for us, but

1275
00:58:57,640 --> 00:58:59,520
Speaker 2: we're all better now. So the next time we get

1276
00:58:59,560 --> 00:59:02,240
Speaker 2: chicken pox, we'll give you a call. Tapanga tells him

1277
00:59:02,280 --> 00:59:04,919
Speaker 2: to stop pitching. Sean's about to explode. He doesn't want

1278
00:59:04,960 --> 00:59:07,480
Speaker 2: her help. Jack says, I do to Banga is a

1279
00:59:07,480 --> 00:59:10,000
Speaker 2: good nurse. He holds his hand up to his forehead

1280
00:59:10,800 --> 00:59:13,120
Speaker 2: and notes my fever's down to malaria level.

1281
00:59:13,560 --> 00:59:15,240
Speaker 3: His eyes crossed as he says.

1282
00:59:15,120 --> 00:59:17,040
Speaker 2: I think I can go back to my village now,

1283
00:59:17,080 --> 00:59:20,120
Speaker 2: and he falls backwards into the couch. Tobanga insists he

1284
00:59:20,240 --> 00:59:22,280
Speaker 2: not get up, and Jack begs for her to stay.

1285
00:59:22,640 --> 00:59:25,360
Speaker 2: Sean tries to argue, but Tobanga speaks first. It's okay,

1286
00:59:25,480 --> 00:59:28,160
Speaker 2: he doesn't know what he's saying. It's the fever talking, Jackie.

1287
00:59:28,440 --> 00:59:31,280
Speaker 1: That's interesting to think that the fever actually could have

1288
00:59:31,280 --> 00:59:33,680
Speaker 1: opened a door for this to be a bizarro storyline too,

1289
00:59:33,720 --> 00:59:35,600
Speaker 1: Like the whole thing could have been over the top

1290
00:59:35,640 --> 00:59:38,840
Speaker 1: and dream like and like we play out like you know,

1291
00:59:38,920 --> 00:59:41,720
Speaker 1: interpretive dance, you know whatever. Like it could have been

1292
00:59:41,760 --> 00:59:44,240
Speaker 1: so funny, yeah, and still had the same message but

1293
00:59:44,840 --> 00:59:48,200
Speaker 1: been more you know, fitting for the rest of the episode.

1294
00:59:48,640 --> 00:59:49,560
Speaker 1: Let's go back and pitch it.

1295
00:59:49,920 --> 00:59:51,720
Speaker 3: Jack pops back up. That's not right.

1296
00:59:51,960 --> 00:59:53,560
Speaker 2: He doesn't want to be friends with you because you

1297
00:59:53,600 --> 00:59:56,240
Speaker 2: broke up with Corey. That means you were never really friends.

1298
00:59:56,440 --> 00:59:59,240
Speaker 2: No friends, no friends at all. He goes cross eyed

1299
00:59:59,240 --> 01:00:01,720
Speaker 2: again and passes out up to Panga admits it does

1300
01:00:01,720 --> 01:00:04,840
Speaker 2: seem to be a very perceptive fever, though Sean gives

1301
01:00:04,840 --> 01:00:07,120
Speaker 2: her a look of sad. Music plays in the background.

1302
01:00:07,200 --> 01:00:08,040
Speaker 5: It was very sad.

1303
01:00:08,560 --> 01:00:11,880
Speaker 2: Yeah, and then we are on Kid gets acquainted with

1304
01:00:11,880 --> 01:00:14,480
Speaker 2: the universe set Here we go. Eric and Feenie are

1305
01:00:14,520 --> 01:00:17,480
Speaker 2: walking around the set when Matt Frasier from ABC spots them.

1306
01:00:17,640 --> 01:00:20,360
Speaker 2: He gives Eric a very enthusiastic greeting and wants him

1307
01:00:20,400 --> 01:00:22,600
Speaker 2: to meet the rest of the cast. Hopefully this will

1308
01:00:22,640 --> 01:00:25,120
Speaker 2: be your family for the next one hundred episodes. I hope,

1309
01:00:25,120 --> 01:00:27,240
Speaker 2: I hope, I hope. Had we hit our one hundredth

1310
01:00:27,280 --> 01:00:28,240
Speaker 2: episode at this point, I.

1311
01:00:28,200 --> 01:00:30,800
Speaker 4: Think so, we must have been close. Yeah, if we

1312
01:00:30,840 --> 01:00:32,600
Speaker 4: hadn't yet, it was right around the corner.

1313
01:00:32,600 --> 01:00:35,160
Speaker 5: And it just such a personal thing to go back

1314
01:00:35,160 --> 01:00:36,280
Speaker 5: to look at the set.

1315
01:00:36,240 --> 01:00:40,120
Speaker 4: Like you're seeing people and you're saying, oh God, finally

1316
01:00:40,160 --> 01:00:40,880
Speaker 4: turned around.

1317
01:00:41,040 --> 01:00:43,280
Speaker 1: Yeah, yes, this is what it looks like from our

1318
01:00:43,320 --> 01:00:43,840
Speaker 1: point of view.

1319
01:00:44,040 --> 01:00:46,800
Speaker 2: It is funny though that I definitely noticed they used

1320
01:00:46,840 --> 01:00:49,440
Speaker 2: a lot more background actors rather than actually using our

1321
01:00:49,480 --> 01:00:51,440
Speaker 2: real crew, Like I was paying attention a lot of

1322
01:00:51,480 --> 01:00:53,360
Speaker 2: attention to like, who is that is that somebody we know?

1323
01:00:53,400 --> 01:00:57,200
Speaker 2: And I was I had to actually work, I know,

1324
01:00:57,320 --> 01:00:58,760
Speaker 2: but I would have loved, like, well, the way.

1325
01:00:58,600 --> 01:01:00,240
Speaker 3: Mark Pabsen was thrown in there. That was so I

1326
01:01:00,320 --> 01:01:01,760
Speaker 3: was so fun I wanted a bunch of those, but

1327
01:01:01,800 --> 01:01:03,200
Speaker 3: we didn't get as many of them as I wanted.

1328
01:01:03,800 --> 01:01:04,320
Speaker 3: We see the.

1329
01:01:04,320 --> 01:01:07,160
Speaker 2: Cast and it's Ben and Writer sitting in the Matthews

1330
01:01:07,160 --> 01:01:10,600
Speaker 2: living room. Matt explains and introduces Eric, who will be

1331
01:01:10,640 --> 01:01:13,320
Speaker 2: playing the role of the long lost brother Ben, who

1332
01:01:13,400 --> 01:01:17,320
Speaker 2: is reading a variety magazine and Writer just stare at him, unenthused.

1333
01:01:17,680 --> 01:01:21,040
Speaker 2: The ABC execs says, Eric came all the way from Philadelphia,

1334
01:01:21,080 --> 01:01:24,160
Speaker 2: so they need to make him feel welcome. Matt introduces

1335
01:01:24,280 --> 01:01:27,400
Speaker 2: Ben Sandwich, the star of the show. Maybe you've heard

1336
01:01:27,400 --> 01:01:29,480
Speaker 2: of his brother, Bread Sandwich.

1337
01:01:31,280 --> 01:01:35,680
Speaker 3: His name's Bread weird. I don't know.

1338
01:01:37,080 --> 01:01:38,320
Speaker 1: Sandwich is pretty fun.

1339
01:01:38,160 --> 01:01:43,920
Speaker 2: Bread is pretty funny. Sandwich. Eric has heard of Bread Sandwich.

1340
01:01:44,000 --> 01:01:47,160
Speaker 2: Ben shakes Eric Eric's hand and seems pleasant at first,

1341
01:01:47,200 --> 01:01:49,280
Speaker 2: but gives him a stern warning. Let me tell you

1342
01:01:49,320 --> 01:01:51,760
Speaker 2: what this show is not. This is not long Lost

1343
01:01:51,800 --> 01:01:53,400
Speaker 2: Brother the universe.

1344
01:01:58,880 --> 01:01:59,680
Speaker 1: Biggest jerk.

1345
01:02:00,760 --> 01:02:03,160
Speaker 5: Yes, he did you notice the sniffing?

1346
01:02:04,280 --> 01:02:04,400
Speaker 6: No?

1347
01:02:04,600 --> 01:02:05,440
Speaker 1: Is he doing the sniffing?

1348
01:02:05,440 --> 01:02:08,960
Speaker 5: Oh he's got the He's got this kind of on

1349
01:02:09,080 --> 01:02:09,600
Speaker 5: the whole time.

1350
01:02:09,640 --> 01:02:12,960
Speaker 4: That is just so funny because it's so Ben, and

1351
01:02:13,040 --> 01:02:14,920
Speaker 4: so like, yeah, he like throws me a look a

1352
01:02:14,920 --> 01:02:16,680
Speaker 4: couple of times right before we're supposed to start the scene,

1353
01:02:16,680 --> 01:02:17,840
Speaker 4: and he gets into for he's like.

1354
01:02:17,880 --> 01:02:21,600
Speaker 1: Yeah, my favorite is his interpretation of like, that's it

1355
01:02:21,720 --> 01:02:24,400
Speaker 1: come acting When he's on the stairs with you. He's

1356
01:02:24,480 --> 01:02:28,840
Speaker 1: doing like just a slightly heightened right like because it's

1357
01:02:28,920 --> 01:02:31,560
Speaker 1: kind of what we were doing. But he does this

1358
01:02:32,080 --> 01:02:35,000
Speaker 1: just a little bit of a a And then when

1359
01:02:35,000 --> 01:02:37,400
Speaker 1: he does it for real at the end of the episode,

1360
01:02:37,560 --> 01:02:39,920
Speaker 1: you can see how Ben Savage actually would play it.

1361
01:02:40,040 --> 01:02:42,040
Speaker 5: But in here he's so good at like just.

1362
01:02:42,120 --> 01:02:44,760
Speaker 3: Modulating it just a just a little bit, a little bit.

1363
01:02:44,960 --> 01:02:47,640
Speaker 1: I'm acting with a script in my hand. It's just

1364
01:02:47,760 --> 01:02:49,840
Speaker 1: so so sophisticated.

1365
01:02:49,960 --> 01:02:52,280
Speaker 3: God, it is so funny.

1366
01:02:52,560 --> 01:02:54,640
Speaker 2: So he gives him a stern warning, let me tell

1367
01:02:54,640 --> 01:02:56,760
Speaker 2: you what this show is not. This is not long lost.

1368
01:02:56,800 --> 01:03:00,320
Speaker 2: Brother gets acquainted with the universe. O pay Eric's eyes widen, okay, hey,

1369
01:03:00,520 --> 01:03:04,120
Speaker 2: and Ben walks away. Next, Eric introduces himself to Schneider,

1370
01:03:04,200 --> 01:03:07,320
Speaker 2: who's in a fetal position on the couch. Schneider reveals,

1371
01:03:07,480 --> 01:03:10,440
Speaker 2: sometimes I get shy. Oh, people who aren't shy.

1372
01:03:10,320 --> 01:03:12,720
Speaker 5: Make me lost.

1373
01:03:12,560 --> 01:03:18,120
Speaker 1: At this point, was I shy? No, would you feel no,

1374
01:03:18,560 --> 01:03:24,240
Speaker 1: sensitively emotional, intense, but like this version of me is

1375
01:03:24,400 --> 01:03:26,240
Speaker 1: it's it was fun to play. But I was watching

1376
01:03:26,280 --> 01:03:28,280
Speaker 1: I was like, so, what what did the writers think

1377
01:03:28,320 --> 01:03:28,560
Speaker 1: of me?

1378
01:03:28,840 --> 01:03:28,920
Speaker 4: Like?

1379
01:03:28,960 --> 01:03:31,760
Speaker 1: What are they mocking about me? You know, because it's

1380
01:03:31,760 --> 01:03:34,320
Speaker 1: obviously playing on like me, and I guess it's just

1381
01:03:34,320 --> 01:03:36,720
Speaker 1: that I was always like sensitive and quiet.

1382
01:03:37,000 --> 01:03:39,080
Speaker 2: Yeah, I think it's I think it is a pretty

1383
01:03:39,080 --> 01:03:44,240
Speaker 2: good juxtaposition against the me who is obviously the opposite

1384
01:03:44,280 --> 01:03:46,840
Speaker 2: of shy. I was not at all an introvert as

1385
01:03:46,840 --> 01:03:49,000
Speaker 2: a teenager. I've become much more of an introvert as

1386
01:03:49,000 --> 01:03:52,360
Speaker 2: i've aged, but I was nothing of an introvert then

1387
01:03:52,440 --> 01:03:56,080
Speaker 2: I would have been. I was always everybody everybody, and

1388
01:03:56,120 --> 01:03:59,680
Speaker 2: I was very maternal, like even every way I feel

1389
01:03:59,680 --> 01:04:02,160
Speaker 2: like you were their best friends, and the way even

1390
01:04:02,200 --> 01:04:04,959
Speaker 2: in the B story it's played out with ME being like, nope,

1391
01:04:05,040 --> 01:04:07,080
Speaker 2: that's it, I'm going to take care of you. That's

1392
01:04:07,120 --> 01:04:10,000
Speaker 2: who very much who I was and still am as

1393
01:04:10,040 --> 01:04:13,600
Speaker 2: a person. So it's kind of like Danielle on both

1394
01:04:13,680 --> 01:04:16,320
Speaker 2: like it's the whole episode for me is very much

1395
01:04:16,400 --> 01:04:19,680
Speaker 2: like who Danielle is Slash was, And I guess for you,

1396
01:04:21,120 --> 01:04:25,400
Speaker 2: the playing opposite of that, which is like people who

1397
01:04:25,440 --> 01:04:31,240
Speaker 2: are too comfortable in big crowds and just announcing themselves

1398
01:04:31,280 --> 01:04:34,200
Speaker 2: when they enter a room. Is I'm the opposite of that.

1399
01:04:34,440 --> 01:04:36,240
Speaker 2: I just want to blend in. I just want to

1400
01:04:36,280 --> 01:04:38,080
Speaker 2: I want to be smaller groups.

1401
01:04:38,400 --> 01:04:40,640
Speaker 7: And so I think it's.

1402
01:04:40,200 --> 01:04:43,840
Speaker 2: The same shy exactly same Shai. Isn't the yeah it

1403
01:04:44,000 --> 01:04:45,960
Speaker 2: tortured poet is maybe the.

1404
01:04:47,600 --> 01:04:48,520
Speaker 3: So shy is the.

1405
01:04:48,480 --> 01:04:52,760
Speaker 1: Only more accurate like over the top writer would have

1406
01:04:52,800 --> 01:04:55,800
Speaker 1: been like really intense on the acting and like annoyed

1407
01:04:55,840 --> 01:04:58,919
Speaker 1: by having to do something so superficial and lame, right,

1408
01:04:59,400 --> 01:05:01,680
Speaker 1: which is which is just funny that they instead made

1409
01:05:01,720 --> 01:05:06,680
Speaker 1: it this like sensitive scared guy, like who's but and

1410
01:05:06,760 --> 01:05:09,800
Speaker 1: I just love that, you know, you as like the

1411
01:05:09,840 --> 01:05:13,040
Speaker 1: top because like we actually got along great. I love

1412
01:05:13,320 --> 01:05:16,040
Speaker 1: decided to make it that I am like terrified of you.

1413
01:05:16,320 --> 01:05:18,400
Speaker 2: Yes, well you they also just make you that you're

1414
01:05:18,400 --> 01:05:21,200
Speaker 2: just terrified because later when Ben starts screaming, you're.

1415
01:05:21,080 --> 01:05:22,560
Speaker 3: Like, make the yelling stop.

1416
01:05:22,760 --> 01:05:25,480
Speaker 2: But also it probably wasn't much of a secret you

1417
01:05:25,520 --> 01:05:26,600
Speaker 2: didn't enjoy yelling.

1418
01:05:27,000 --> 01:05:30,000
Speaker 1: No, so but I don't think I would have. Yeah,

1419
01:05:30,640 --> 01:05:32,680
Speaker 1: And I mean that's my favorite moment of the episode.

1420
01:05:32,760 --> 01:05:36,720
Speaker 1: Is when I transitioned from like sitcom acting to terror.

1421
01:05:36,920 --> 01:05:40,080
Speaker 1: You could see my whole body just wi my shoulders,

1422
01:05:40,120 --> 01:05:41,440
Speaker 1: and I'm like, that was good man.

1423
01:05:41,840 --> 01:05:43,080
Speaker 3: It was very fun.

1424
01:05:43,160 --> 01:05:46,320
Speaker 4: It's not just that, but the constant putting your hands

1425
01:05:46,320 --> 01:05:47,000
Speaker 4: through your hair too.

1426
01:05:47,440 --> 01:05:47,600
Speaker 3: Oh.

1427
01:05:51,160 --> 01:05:53,760
Speaker 5: I turned it on all of a sudden because I

1428
01:05:53,800 --> 01:05:54,560
Speaker 5: just started.

1429
01:05:55,840 --> 01:05:59,840
Speaker 1: That intentionally. Conversations we were having what would ride? Or

1430
01:05:59,840 --> 01:06:01,000
Speaker 1: do you know what's.

1431
01:06:14,000 --> 01:06:17,040
Speaker 2: Just Then Danielle bursts through the doors and gives a

1432
01:06:17,200 --> 01:06:18,760
Speaker 2: modelesque post huh.

1433
01:06:19,920 --> 01:06:21,960
Speaker 3: Sean whimpers, Oh no, it's her.

1434
01:06:23,360 --> 01:06:26,200
Speaker 2: Danielle sees Eric and excitedly asks are you a new guy,

1435
01:06:26,320 --> 01:06:27,400
Speaker 2: and immediately goes in.

1436
01:06:27,360 --> 01:06:27,880
Speaker 3: For a hug.

1437
01:06:28,000 --> 01:06:31,120
Speaker 2: She asks Eric if he's met Schneider. He is very shy.

1438
01:06:31,440 --> 01:06:34,080
Speaker 2: She proceeds to give Schneider a hug as he nervously

1439
01:06:34,160 --> 01:06:37,960
Speaker 2: chants too close, too close, too close. Danielle admits to Eric,

1440
01:06:38,160 --> 01:06:42,120
Speaker 2: deep down, I'm shy too, I'm a wounded bird. She

1441
01:06:42,120 --> 01:06:44,840
Speaker 2: gets even closer, and then the baby voices, Schneider and

1442
01:06:44,920 --> 01:06:48,360
Speaker 2: me are wounded birds. And we had so much fun

1443
01:06:48,400 --> 01:06:50,680
Speaker 2: with this. I really do remember this part just being

1444
01:06:50,880 --> 01:06:53,920
Speaker 2: very fun for us. Schneider whispers to Eric help me.

1445
01:06:54,560 --> 01:06:57,080
Speaker 2: Eric decides to walk away, but he's met by Matt Lawrence,

1446
01:06:57,080 --> 01:06:58,720
Speaker 2: who's wearing a black leather jacket.

1447
01:06:58,800 --> 01:07:01,200
Speaker 3: Is it me leather jacket? Is it yours?

1448
01:07:01,240 --> 01:07:04,880
Speaker 2: No, it's a different one. Okay, He gruffly asks, why

1449
01:07:04,960 --> 01:07:07,120
Speaker 2: do they need you? They got me already. This doesn't

1450
01:07:07,160 --> 01:07:07,840
Speaker 2: make any sense.

1451
01:07:08,360 --> 01:07:10,840
Speaker 3: Then he looks at his empty hands and yells, where's

1452
01:07:10,840 --> 01:07:11,600
Speaker 3: my banana?

1453
01:07:11,840 --> 01:07:14,440
Speaker 2: Is it or is it not? Two fifteen? He yells

1454
01:07:14,440 --> 01:07:16,640
Speaker 2: for his banana boy that he doesn't appear to be around.

1455
01:07:16,880 --> 01:07:19,640
Speaker 2: Matt looks into the distance and exclaims, mango boy, you're

1456
01:07:19,640 --> 01:07:20,360
Speaker 2: being promoted.

1457
01:07:20,400 --> 01:07:20,720
Speaker 3: Baby.

1458
01:07:21,480 --> 01:07:25,160
Speaker 2: Eric whispers to himself, nutty, okay, mister Feenie, these people

1459
01:07:25,200 --> 01:07:27,920
Speaker 2: are the Phoenie's nowhere to be seen. He calls out

1460
01:07:27,960 --> 01:07:31,000
Speaker 2: to him and finds him in the set of Phoene's classroom.

1461
01:07:31,080 --> 01:07:32,720
Speaker 5: Oh I love this moment so much.

1462
01:07:32,760 --> 01:07:35,560
Speaker 2: In fact, Phoenie is critiquing the layout of the classroom,

1463
01:07:35,560 --> 01:07:38,840
Speaker 2: telling Matt there are only nine desks? Are we supposed

1464
01:07:38,880 --> 01:07:41,600
Speaker 2: to believe there are only nine students in the whole class?

1465
01:07:42,240 --> 01:07:44,560
Speaker 1: So good? But yeah, this is my brain was just

1466
01:07:44,680 --> 01:07:48,000
Speaker 1: melting watching this. I love the Feenie is aware of

1467
01:07:48,120 --> 01:07:50,000
Speaker 1: that there's only nine students and yet we're gonna go

1468
01:07:50,000 --> 01:07:51,560
Speaker 1: back to this next week, So.

1469
01:07:51,560 --> 01:07:52,200
Speaker 7: Yeah, I can't.

1470
01:07:52,560 --> 01:07:55,720
Speaker 5: I love that. It was just like it's like him

1471
01:07:55,760 --> 01:07:58,080
Speaker 5: just going like, what is what is this? What do

1472
01:07:58,080 --> 01:07:59,880
Speaker 5: you think we're supposed to expect? There's only nine kids?

1473
01:08:00,160 --> 01:08:00,440
Speaker 5: Come on.

1474
01:08:01,080 --> 01:08:03,560
Speaker 2: Matt admits camera angles will make it appear as if

1475
01:08:03,560 --> 01:08:07,760
Speaker 2: there are more Feeney gasps. That is diabolical. Matt laughs,

1476
01:08:07,760 --> 01:08:09,880
Speaker 2: then strides over to the cast. It's time to show

1477
01:08:10,000 --> 01:08:12,880
Speaker 2: Eric how it's done. Everyone changes into their outfits as

1478
01:08:12,920 --> 01:08:15,560
Speaker 2: Ben Sandwich harps on Schneider, maybe you could give me

1479
01:08:15,560 --> 01:08:17,120
Speaker 2: a little something to play off of today.

1480
01:08:17,160 --> 01:08:19,519
Speaker 4: Okay, do you notice or so they're changing into their

1481
01:08:19,520 --> 01:08:24,040
Speaker 4: outfits though, just switching shirt they're trading and they're wearing.

1482
01:08:24,080 --> 01:08:27,240
Speaker 5: It's just so brilliant. It's like they're just trading what

1483
01:08:27,280 --> 01:08:29,519
Speaker 5: they're wearing. Oh god, it's awesome.

1484
01:08:29,760 --> 01:08:32,720
Speaker 3: You dead person, you silent freak. I'm so sick and

1485
01:08:32,800 --> 01:08:33,840
Speaker 3: tired of carrying the.

1486
01:08:33,840 --> 01:08:39,679
Speaker 2: Show, so it's terrible. Schneider apologizes. I'm sorry, mister Sandwich.

1487
01:08:39,880 --> 01:08:41,879
Speaker 2: I need this job so I can pay for college

1488
01:08:41,880 --> 01:08:42,759
Speaker 2: and get an education.

1489
01:08:43,080 --> 01:08:45,760
Speaker 3: Ben laughs. If this show goes for four years, I

1490
01:08:45,800 --> 01:08:46,800
Speaker 3: know which is true.

1491
01:08:46,840 --> 01:08:48,600
Speaker 1: I still say it like I'm still like, Hey, you

1492
01:08:48,600 --> 01:08:50,360
Speaker 1: know the best part about boy, But I was able

1493
01:08:50,400 --> 01:08:52,200
Speaker 1: to pay for college. I didn't realize I was.

1494
01:08:52,360 --> 01:08:57,360
Speaker 3: Yeah, if this show goes for four years, they'll give

1495
01:08:57,439 --> 01:08:58,519
Speaker 3: him an honorary degree.

1496
01:08:58,560 --> 01:09:02,120
Speaker 2: He'll be doctor creepy weirdo. The director tells them to

1497
01:09:02,160 --> 01:09:05,280
Speaker 2: get into their places. He calls action and they begin rehearsal.

1498
01:09:05,400 --> 01:09:08,440
Speaker 2: And so Matt Fraser, the ABC executive, is also the director.

1499
01:09:08,120 --> 01:09:08,599
Speaker 3: Of the show.

1500
01:09:08,800 --> 01:09:11,680
Speaker 2: Yeah he is, of course, Schneider, busting right into his

1501
01:09:11,720 --> 01:09:14,600
Speaker 2: sean persona reads from the script. Look, Rory, all you

1502
01:09:14,680 --> 01:09:16,519
Speaker 2: have to do is get the keys to your father's

1503
01:09:16,520 --> 01:09:19,240
Speaker 2: car and his credit card. Ben reads and responds, I

1504
01:09:19,280 --> 01:09:21,880
Speaker 2: don't know, Shane. I got a real bad feeling about this.

1505
01:09:22,080 --> 01:09:25,040
Speaker 2: I've never done anything like this before. He stops reading

1506
01:09:25,080 --> 01:09:28,160
Speaker 2: and shouts, we're doing this story again. How many times

1507
01:09:28,200 --> 01:09:31,439
Speaker 2: have we done this? One hundred thousand? He angrily throws

1508
01:09:31,439 --> 01:09:33,800
Speaker 2: his script on the floor. Schneider just wants the yelling

1509
01:09:33,840 --> 01:09:36,720
Speaker 2: to stop. Ben marches up to the director. How can

1510
01:09:36,760 --> 01:09:37,879
Speaker 2: I learn so much every.

1511
01:09:37,720 --> 01:09:42,560
Speaker 3: Week and still be so stupid? SU's Cort's so funny.

1512
01:09:42,520 --> 01:09:45,240
Speaker 5: Bashing our own show. It's great.

1513
01:09:45,880 --> 01:09:49,000
Speaker 1: Oh, and all of this I love it's when the

1514
01:09:49,040 --> 01:09:51,920
Speaker 1: writers get involved, and I'm like, yeah, that's it's too

1515
01:09:51,960 --> 01:09:56,640
Speaker 1: inside base. Yeah, like, yeah, that's it's funny to you know,

1516
01:09:56,680 --> 01:09:58,719
Speaker 1: and for the writers. But I was like that whole

1517
01:09:58,720 --> 01:10:01,160
Speaker 1: little this hold next to I was like, the audience

1518
01:10:01,200 --> 01:10:03,680
Speaker 1: must have been so confused. They're like, what's going on

1519
01:10:03,760 --> 01:10:07,760
Speaker 1: with this joke because they don't really understand what writers do,

1520
01:10:08,200 --> 01:10:10,720
Speaker 1: especially kids watching the site that there's a team of

1521
01:10:10,760 --> 01:10:14,600
Speaker 1: them that they are, you know, babies. I guess is

1522
01:10:14,640 --> 01:10:16,200
Speaker 1: the kind of the joke or I don't know, like

1523
01:10:16,280 --> 01:10:18,240
Speaker 1: it's just it's Yeah, there's.

1524
01:10:18,080 --> 01:10:19,719
Speaker 3: Definitely a lot of layers that are missed.

1525
01:10:19,720 --> 01:10:23,559
Speaker 2: But I do think the general audience probably understands that

1526
01:10:23,600 --> 01:10:27,479
Speaker 2: they're being let in on something that they really shouldn't be, which.

1527
01:10:27,320 --> 01:10:30,080
Speaker 3: Is probably kind of a fun feeling, even if they.

1528
01:10:30,000 --> 01:10:32,439
Speaker 2: Don't understand all the layers that like writers are big

1529
01:10:32,439 --> 01:10:34,559
Speaker 2: babies or any of that.

1530
01:10:34,720 --> 01:10:37,760
Speaker 4: You know, actors are can be mean and yeah they're

1531
01:10:37,800 --> 01:10:38,439
Speaker 4: not two face.

1532
01:10:39,680 --> 01:10:42,120
Speaker 1: All the actor jokes everyone can get like everyone has

1533
01:10:42,120 --> 01:10:45,200
Speaker 1: a way into that, especially since the episode is about acting, right,

1534
01:10:45,200 --> 01:10:47,559
Speaker 1: it's about Eric, but the writing stuff, I was like,

1535
01:10:47,680 --> 01:10:49,640
Speaker 1: this is this is too inside. I don't know if

1536
01:10:49,640 --> 01:10:52,519
Speaker 1: anybody's ever got this really to the degree that you know.

1537
01:10:52,560 --> 01:10:53,559
Speaker 1: But our writers were.

1538
01:10:53,439 --> 01:10:54,920
Speaker 5: Just mak having fun, having fun.

1539
01:10:55,080 --> 01:10:57,600
Speaker 2: Yeah yeah, So Schneider's on the verge of tears. He

1540
01:10:57,720 --> 01:11:00,240
Speaker 2: rocks himself back and forth. Matt assures Ben, and they'll

1541
01:11:00,280 --> 01:11:01,880
Speaker 2: get the writers to fix it. They've got the best

1542
01:11:01,880 --> 01:11:04,599
Speaker 2: writers in town. Ben Yell's back, Yeah, that's all I hear.

1543
01:11:04,640 --> 01:11:06,800
Speaker 2: They're hip, they're young, they're fun. He runs over to

1544
01:11:06,800 --> 01:11:09,720
Speaker 2: the writer's Hey, do your jobs. We see it's just

1545
01:11:09,760 --> 01:11:11,880
Speaker 2: a bunch of it's a table full of children at work.

1546
01:11:12,240 --> 01:11:14,360
Speaker 2: One of the little boys looks heartbroken, and the others

1547
01:11:14,360 --> 01:11:15,280
Speaker 2: look at Ben and terror.

1548
01:11:15,360 --> 01:11:17,560
Speaker 3: Ben asks, oh, did I hurt your feelings?

1549
01:11:17,680 --> 01:11:17,920
Speaker 7: Good?

1550
01:11:18,160 --> 01:11:21,439
Speaker 2: Because you know what this script is poopy. The pouting

1551
01:11:21,479 --> 01:11:23,879
Speaker 2: little boy stands up for the group. It's not poopy,

1552
01:11:24,120 --> 01:11:27,760
Speaker 2: you're poopy. A little girl groans, uh oh oh boy.

1553
01:11:28,040 --> 01:11:30,320
Speaker 2: Another young writer grabs the little boy by the shoulder

1554
01:11:30,320 --> 01:11:32,720
Speaker 2: and rallies behind him. That was a good thing to say.

1555
01:11:32,800 --> 01:11:35,639
Speaker 2: Let's just watch what happens now. Ben screams, that's it.

1556
01:11:35,840 --> 01:11:38,280
Speaker 2: You're fired. All of you get out and clean out

1557
01:11:38,360 --> 01:11:41,439
Speaker 2: your cubbies. The defiant little boy shouts back, oh yeah,

1558
01:11:41,520 --> 01:11:44,960
Speaker 2: well you can kiss my diaper butt. Another young writer

1559
01:11:45,080 --> 01:11:48,360
Speaker 2: throws down his pencil. I am too old and too rich.

1560
01:11:48,520 --> 01:11:51,960
Speaker 3: And this is looking Jacob's playing to the camera, playing

1561
01:11:52,000 --> 01:11:54,000
Speaker 3: Michael Jacobs yep, and.

1562
01:11:53,920 --> 01:11:56,960
Speaker 5: Look in the lens as he says it. Okay.

1563
01:11:57,360 --> 01:12:00,000
Speaker 3: Another girl is on her cell phone, Mommy, I'm fine.

1564
01:12:00,040 --> 01:12:02,639
Speaker 3: Tired again. They all remember their things.

1565
01:12:02,840 --> 01:12:04,800
Speaker 7: Yeah, it took forever.

1566
01:12:05,680 --> 01:12:07,000
Speaker 5: Well it was also do you remember one of the

1567
01:12:07,040 --> 01:12:08,200
Speaker 5: writers I forget who who.

1568
01:12:08,080 --> 01:12:10,640
Speaker 4: Came onto the show we interviewed, said that they were

1569
01:12:10,760 --> 01:12:13,760
Speaker 4: up all night because Michael insisted that everyone gets the

1570
01:12:13,800 --> 01:12:14,720
Speaker 4: line it was.

1571
01:12:16,760 --> 01:12:20,720
Speaker 1: And this was just sitting there yes, wine reading no

1572
01:12:20,840 --> 01:12:22,519
Speaker 1: say it like this, no, say it like this.

1573
01:12:22,760 --> 01:12:27,439
Speaker 4: Just watching the watching the creative process at play.

1574
01:12:27,560 --> 01:12:30,960
Speaker 1: Oh, okay, you want to call it.

1575
01:12:30,960 --> 01:12:31,719
Speaker 3: It was awful.

1576
01:12:31,760 --> 01:12:34,360
Speaker 1: I just remember sitting there going this is Yeah, it

1577
01:12:34,400 --> 01:12:34,880
Speaker 1: was a painful.

1578
01:12:34,880 --> 01:12:36,040
Speaker 5: That was a painful scene issue.

1579
01:12:35,800 --> 01:12:37,720
Speaker 1: Which is probably another reason why I'm not a fan.

1580
01:12:37,840 --> 01:12:39,880
Speaker 1: Just watching it, I was bringing back painful memories, like

1581
01:12:39,920 --> 01:12:41,680
Speaker 1: two hours on set watching.

1582
01:12:41,880 --> 01:12:44,240
Speaker 3: Right, these kids have to be told how to say that.

1583
01:12:44,240 --> 01:12:46,040
Speaker 1: And told how to say something and get it right

1584
01:12:46,040 --> 01:12:48,040
Speaker 1: and over and over, just so painful.

1585
01:12:49,080 --> 01:12:52,160
Speaker 3: Well, Matt brushes this off and focuses his attention back on. Eric.

1586
01:12:52,240 --> 01:12:54,600
Speaker 2: You're playing Derek, all right, the older, good looking, not

1587
01:12:54,680 --> 01:12:56,760
Speaker 2: the sharpest knife in the drawer, long lost brother with

1588
01:12:56,800 --> 01:12:57,479
Speaker 2: a heart of gold.

1589
01:12:57,600 --> 01:12:59,360
Speaker 3: You think you can play that? Eric looks at him

1590
01:12:59,360 --> 01:13:01,920
Speaker 3: with a smile. Can you don't mean real gold?

1591
01:13:02,000 --> 01:13:02,160
Speaker 4: Right?

1592
01:13:02,400 --> 01:13:05,120
Speaker 2: Matt grins Just like that. He steps off the set

1593
01:13:05,120 --> 01:13:09,160
Speaker 2: and calls action. Eric reads to Ben ouchie mcgouchy, little bro.

1594
01:13:09,600 --> 01:13:12,360
Speaker 2: He then jumps into a Shakespearean accent. If I can't

1595
01:13:12,439 --> 01:13:14,519
Speaker 2: have my lucky tube socks, I shall never pass the

1596
01:13:14,560 --> 01:13:15,439
Speaker 2: astronaut tiest.

1597
01:13:16,200 --> 01:13:19,360
Speaker 3: Matt interrupts, laughing personally he loved Eric's approach.

1598
01:13:19,439 --> 01:13:23,080
Speaker 2: But don't do it. Don't do Shakespeare, do you? Eric's confused.

1599
01:13:23,280 --> 01:13:26,600
Speaker 2: Don't do Shakespeare. I've ever done is Shakespeare? Matt emphasizes

1600
01:13:26,680 --> 01:13:27,880
Speaker 2: the role is you, Eric?

1601
01:13:28,000 --> 01:13:28,320
Speaker 3: Do you?

1602
01:13:29,000 --> 01:13:31,400
Speaker 2: Eric looks at Ben worriedly and whispers to the director,

1603
01:13:31,680 --> 01:13:33,599
Speaker 2: I don't know how to do that. Matt gives him

1604
01:13:33,640 --> 01:13:35,479
Speaker 2: a word of advice. Acting is about honesty.

1605
01:13:35,640 --> 01:13:36,240
Speaker 3: Just be honest.

1606
01:13:36,800 --> 01:13:39,080
Speaker 2: Eric asks, So all I have to do is just

1607
01:13:39,120 --> 01:13:42,360
Speaker 2: stand up here and just be honest. Matt notots that's it.

1608
01:13:42,760 --> 01:13:45,479
Speaker 2: Eric's confident he can do that. Matt steps off set

1609
01:13:45,520 --> 01:13:49,000
Speaker 2: and calls action. Ben starts it off. I'm really sorry, Derek,

1610
01:13:49,040 --> 01:13:51,759
Speaker 2: but I washed your lucky tube socks, and he pulls

1611
01:13:51,760 --> 01:13:53,919
Speaker 2: a baby sock out of his pocket and shrugs.

1612
01:13:54,320 --> 01:13:57,360
Speaker 3: Eric looks at him with disgust. You're not sorry, Ben,

1613
01:13:57,560 --> 01:14:00,799
Speaker 3: out of character, leans in and asks what. Eric continues.

1614
01:14:00,960 --> 01:14:02,519
Speaker 3: All of a sudden, the cameras are on you. You're a

1615
01:14:02,520 --> 01:14:05,680
Speaker 3: different person. What's that all about? Ben looks at Matt

1616
01:14:05,720 --> 01:14:06,200
Speaker 3: off camera.

1617
01:14:06,320 --> 01:14:06,559
Speaker 7: What.

1618
01:14:07,000 --> 01:14:08,680
Speaker 3: Eric tells Ben, I just saw the way you were

1619
01:14:08,720 --> 01:14:10,160
Speaker 3: acting with the writers. You're just mean.

1620
01:14:10,520 --> 01:14:13,400
Speaker 2: He begins to Shakespearean voice again. Me thinks you shrunk

1621
01:14:13,439 --> 01:14:16,200
Speaker 2: my socks on purpose. He turns to Matt and happily

1622
01:14:16,200 --> 01:14:20,640
Speaker 2: asks like that. The executive responds by shouting God, and

1623
01:14:20,680 --> 01:14:23,080
Speaker 2: then we're back on the lot. Eric and Feenie are

1624
01:14:23,160 --> 01:14:26,519
Speaker 2: sitting outside the soundstage as the security guard closes the

1625
01:14:26,560 --> 01:14:30,519
Speaker 2: big elephant doors. Eric's eyes, Sorry for dragging you out

1626
01:14:30,560 --> 01:14:31,879
Speaker 2: to California, mister Feenie.

1627
01:14:32,000 --> 01:14:34,519
Speaker 3: I had no idea the Windy City would be so cruel.

1628
01:14:35,680 --> 01:14:42,000
Speaker 1: There's just a trash out.

1629
01:14:41,920 --> 01:14:48,160
Speaker 2: The trash, he reminds him, just because mister Fraser didn't

1630
01:14:48,240 --> 01:14:50,639
Speaker 2: like your performance and we got thrown out of the studio.

1631
01:14:50,920 --> 01:14:54,439
Speaker 3: Doesn't mean you weren't good. That's just one man's opinion,

1632
01:14:54,840 --> 01:15:01,960
Speaker 3: And I thought, wow, Michael commenting that just because he

1633
01:15:02,040 --> 01:15:04,920
Speaker 3: doesn't think something's funny doesn't mean it's not necessarily true.

1634
01:15:05,240 --> 01:15:08,320
Speaker 3: But then immediately after Eric says, well, what's your opinion

1635
01:15:08,400 --> 01:15:11,160
Speaker 3: in Phoenie, the one who you know? If Phoene thinks it,

1636
01:15:11,160 --> 01:15:14,679
Speaker 3: it must be right. Phoene quickly responds, well, the same

1637
01:15:14,720 --> 01:15:19,160
Speaker 3: as is nobody. We didn't get. We didn't get the

1638
01:15:19,200 --> 01:15:23,320
Speaker 3: moment that maybe there was gonna be a moment.

1639
01:15:23,280 --> 01:15:26,400
Speaker 1: Oh and you know what's funny and you know what's wrong,

1640
01:15:26,680 --> 01:15:31,920
Speaker 1: and you know what's not funny. So wow, I didn't

1641
01:15:31,920 --> 01:15:35,360
Speaker 1: even catch that. I didn't either. It's brilliant, pretty amazing.

1642
01:15:36,600 --> 01:15:39,559
Speaker 2: But what you have to understand is that what comes

1643
01:15:39,560 --> 01:15:41,599
Speaker 2: easily goes just as easily.

1644
01:15:41,880 --> 01:15:44,120
Speaker 3: He reminds Eric that to be a good actor he'll.

1645
01:15:43,920 --> 01:15:47,360
Speaker 2: Need to take classes, study for years, face rejection on

1646
01:15:47,439 --> 01:15:50,680
Speaker 2: a daily basis, and then after ten thousand no's, there

1647
01:15:50,760 --> 01:15:53,280
Speaker 2: might be a glimmer of a chance that someone might

1648
01:15:53,360 --> 01:15:57,280
Speaker 2: say yes. Eric nods, next, I want to be the

1649
01:15:57,320 --> 01:15:58,639
Speaker 2: heavyweight champion of the world.

1650
01:15:59,120 --> 01:16:00,840
Speaker 3: Phoenie tells him it's time to go home.

1651
01:16:00,960 --> 01:16:01,360
Speaker 6: I love me.

1652
01:16:01,479 --> 01:16:04,240
Speaker 4: First, He's always like, great, let's go our Kema, let's go. Thanks,

1653
01:16:04,560 --> 01:16:05,840
Speaker 4: all right, that's next, let's go.

1654
01:16:06,640 --> 01:16:08,840
Speaker 2: We get one last shot of kid gets acquainted with

1655
01:16:08,880 --> 01:16:10,760
Speaker 2: the Universe logo on the side of the building, and

1656
01:16:10,800 --> 01:16:13,439
Speaker 2: then we are back at the guy's apartment. Jack finally

1657
01:16:13,439 --> 01:16:15,840
Speaker 2: has some pep in his step as Sean has passed

1658
01:16:15,840 --> 01:16:17,800
Speaker 2: out on the couch. He's going to the grocery store.

1659
01:16:17,840 --> 01:16:20,559
Speaker 2: He asks if Sean needs anything. No, thanks for asking,

1660
01:16:20,800 --> 01:16:23,880
Speaker 2: he seems bummed out. Jack asks, you're sure there's nothing

1661
01:16:23,920 --> 01:16:26,000
Speaker 2: you need, like maybe to call up a friend and

1662
01:16:26,040 --> 01:16:28,519
Speaker 2: tell her you're sorry. Sean, who still has some dots

1663
01:16:28,520 --> 01:16:31,400
Speaker 2: on his face, doesn't know what he's talking about. Jack smirks,

1664
01:16:31,520 --> 01:16:33,080
Speaker 2: you know the one. I mean, come on, she took

1665
01:16:33,160 --> 01:16:35,000
Speaker 2: care of us. She was here for a couple of days.

1666
01:16:35,320 --> 01:16:37,920
Speaker 2: Now she hasn't been around. Her name rhymes with.

1667
01:16:38,400 --> 01:16:41,080
Speaker 7: Manga, great line rhymes with.

1668
01:16:42,800 --> 01:16:43,080
Speaker 3: Sewn.

1669
01:16:43,160 --> 01:16:45,320
Speaker 2: Insists it's not his fault. This is what happens when

1670
01:16:45,360 --> 01:16:47,080
Speaker 2: you're friends with a couple and they break up. You're

1671
01:16:47,120 --> 01:16:49,960
Speaker 2: forced to choose sides, and Corey is his best friend.

1672
01:16:50,280 --> 01:16:53,759
Speaker 2: Jack shrugs, Yeah, I'm sure she realizes that Sean jokes,

1673
01:16:53,800 --> 01:16:56,439
Speaker 2: thanks to you. Jack defends himself. My temperature was like

1674
01:16:56,439 --> 01:16:58,240
Speaker 2: one hundred and twelve. I didn't know what I was saying.

1675
01:16:58,560 --> 01:17:01,760
Speaker 2: Sean tells him it's okay. He assumes Topanga felt uncomfortable too.

1676
01:17:01,880 --> 01:17:04,920
Speaker 2: There's no way she's coming back. Jack opens the door and.

1677
01:17:04,960 --> 01:17:06,519
Speaker 7: There's to pega.

1678
01:17:06,800 --> 01:17:10,920
Speaker 2: Jack sarcastically responds, yeah, you're probably right. Jack gives her

1679
01:17:10,920 --> 01:17:14,320
Speaker 2: a big hug. Hey, there's my favorite nurse. She purses

1680
01:17:14,320 --> 01:17:16,759
Speaker 2: her lips and he gives her a kiss on the cheek.

1681
01:17:16,880 --> 01:17:21,080
Speaker 2: And now it's just the thing that.

1682
01:17:20,800 --> 01:17:26,439
Speaker 1: I felt it. I was like, these two, they are

1683
01:17:26,479 --> 01:17:31,080
Speaker 1: so excited to this over your face.

1684
01:17:33,040 --> 01:17:33,400
Speaker 5: It is.

1685
01:17:33,720 --> 01:17:33,960
Speaker 4: It is.

1686
01:17:34,439 --> 01:17:38,200
Speaker 3: Listen, how you little numbskulls didn't know it was going on.

1687
01:17:39,280 --> 01:17:41,480
Speaker 1: We're so self involved and everyone's.

1688
01:17:41,000 --> 01:17:44,840
Speaker 3: So self involved attention. But now now.

1689
01:17:44,680 --> 01:17:46,360
Speaker 5: You see it, I can tell I think you were

1690
01:17:46,400 --> 01:17:47,000
Speaker 5: dating fun.

1691
01:17:47,800 --> 01:17:50,360
Speaker 2: As Jack leaves to Panga tells Sean, I know you're

1692
01:17:50,400 --> 01:17:53,599
Speaker 2: in a tough situation. Corey's your best friend, Sean says,

1693
01:17:53,880 --> 01:17:56,080
Speaker 2: you know, he used to tell me how wonderful you were.

1694
01:17:56,240 --> 01:17:58,599
Speaker 2: But guys always say great things about their girlfriends until

1695
01:17:58,640 --> 01:18:00,680
Speaker 2: they break up, and that's when the truth comes out

1696
01:18:00,840 --> 01:18:03,320
Speaker 2: and this is the only part of this that I remembered.

1697
01:18:03,360 --> 01:18:05,720
Speaker 2: I do remember this style that this part.

1698
01:18:05,760 --> 01:18:07,680
Speaker 1: I think it's a good turn and it's I know,

1699
01:18:07,920 --> 01:18:09,559
Speaker 1: I don't love the way I played it, but it's

1700
01:18:09,560 --> 01:18:11,040
Speaker 1: a great it's a good little scene.

1701
01:18:11,920 --> 01:18:12,160
Speaker 3: It is.

1702
01:18:13,600 --> 01:18:16,080
Speaker 2: He admits, I've waited fifteen years to find out what

1703
01:18:16,120 --> 01:18:17,960
Speaker 2: he really thinks about you. Do you want to know

1704
01:18:17,960 --> 01:18:19,640
Speaker 2: what he thinks about you now that you're broken up

1705
01:18:20,040 --> 01:18:21,720
Speaker 2: to Panga doesn't want to talk about that. She just

1706
01:18:21,800 --> 01:18:24,599
Speaker 2: wanted to tell Sean that he's an unappreciative little jerk

1707
01:18:24,640 --> 01:18:27,080
Speaker 2: and if he's so uncomfortable around her that they can't

1708
01:18:27,080 --> 01:18:29,880
Speaker 2: be friends now that she's not seeing Corey, then maybe

1709
01:18:29,920 --> 01:18:32,400
Speaker 2: they were never really friends at all. She wants Sean

1710
01:18:32,439 --> 01:18:35,120
Speaker 2: to tell that to her to her face, and Sean responds,

1711
01:18:35,479 --> 01:18:37,760
Speaker 2: now that you've broken up, he still tells me how

1712
01:18:37,800 --> 01:18:38,519
Speaker 2: wonderful you are.

1713
01:18:38,920 --> 01:18:41,840
Speaker 1: He's completely changed. This blocking so bad? Oh yeah, the

1714
01:18:41,880 --> 01:18:42,959
Speaker 1: fact that I stay.

1715
01:18:42,720 --> 01:18:44,880
Speaker 2: On that couch, I know, and my jacket is like

1716
01:18:44,920 --> 01:18:47,200
Speaker 2: blocking my arm. Why not rise to me?

1717
01:18:47,640 --> 01:18:50,479
Speaker 1: Well, no, no, think about if I instead had when

1718
01:18:50,520 --> 01:18:52,600
Speaker 1: you walked in and you and I just made you

1719
01:18:52,720 --> 01:18:55,920
Speaker 1: stand like over me, and I got up and said

1720
01:18:56,160 --> 01:18:58,000
Speaker 1: so you want to hear what he really thinks about

1721
01:18:58,000 --> 01:18:59,839
Speaker 1: you and walk to the kitchen to do some business

1722
01:18:59,840 --> 01:19:02,439
Speaker 1: like get myself some soup. That would teed up, Oh

1723
01:19:02,479 --> 01:19:05,200
Speaker 1: my god, and then you would have immediately been correct

1724
01:19:05,200 --> 01:19:07,200
Speaker 1: and being defensive about like basically, I don't want to

1725
01:19:07,200 --> 01:19:10,120
Speaker 1: hear that you're a jerky, sir, and then I would

1726
01:19:10,120 --> 01:19:13,080
Speaker 1: turn to you and say you're the best person and

1727
01:19:13,200 --> 01:19:15,080
Speaker 1: you know whatever, and then it would have felt But instead,

1728
01:19:15,160 --> 01:19:17,960
Speaker 1: I'm stuck on that couch. You're doing the block, You're

1729
01:19:18,000 --> 01:19:20,040
Speaker 1: like leading the scene, and it's like you come in

1730
01:19:20,080 --> 01:19:21,559
Speaker 1: with this objective to yell at me, and it's like

1731
01:19:21,640 --> 01:19:23,400
Speaker 1: just not as it just doesn't work. I just want

1732
01:19:23,400 --> 01:19:25,439
Speaker 1: to go back and be like rider, get up, find

1733
01:19:25,439 --> 01:19:27,640
Speaker 1: something to do in the kitchen, make it seem like

1734
01:19:27,640 --> 01:19:30,799
Speaker 1: you're not engaging with her, and then come back and engage.

1735
01:19:30,880 --> 01:19:33,720
Speaker 2: Yeah, you being super dismissive again would have helped set

1736
01:19:33,800 --> 01:19:36,599
Speaker 2: up the fact that TAPEG is comfortable being like, listen,

1737
01:19:37,040 --> 01:19:39,840
Speaker 2: you're an unappreciative little jerk and blah blah blah, and then.

1738
01:19:39,840 --> 01:19:41,880
Speaker 1: Like a jerk. Instead, I'm like sitting on the couch

1739
01:19:41,920 --> 01:19:44,160
Speaker 1: with my MOPy shan face looking up at you. And

1740
01:19:44,200 --> 01:19:46,120
Speaker 1: you're like, you see it coming from a mile away.

1741
01:19:46,160 --> 01:19:48,759
Speaker 1: It's like and so Tapanga ends up looking kind of harsh,

1742
01:19:48,880 --> 01:19:49,760
Speaker 1: yelling down at him.

1743
01:19:49,800 --> 01:20:00,200
Speaker 2: It's like, yeah, you're right that that's a great change,

1744
01:20:04,720 --> 01:20:07,719
Speaker 2: Sean responds, Now that you've broken up, he still tells

1745
01:20:07,720 --> 01:20:10,519
Speaker 2: me how wonderful you are. He's completely broken hearted over

1746
01:20:10,560 --> 01:20:14,240
Speaker 2: what he's lost to. Panga nods so am I. Sean

1747
01:20:14,280 --> 01:20:16,800
Speaker 2: reminds her that Corey's his best friend, but he wants

1748
01:20:16,840 --> 01:20:19,120
Speaker 2: to tell Tapanga to her face that if he knew

1749
01:20:19,120 --> 01:20:21,360
Speaker 2: they weren't going to be friends anymore, it breaks his

1750
01:20:21,439 --> 01:20:24,439
Speaker 2: heart too. She smiles and reaches into the grocery bag

1751
01:20:24,800 --> 01:20:27,800
Speaker 2: she brought him soup. He smiles, will you feed it

1752
01:20:27,840 --> 01:20:30,360
Speaker 2: to me? She gives a little laugh as they hug.

1753
01:20:31,680 --> 01:20:36,439
Speaker 3: Okay, cute, cute, and then we're in the tag.

1754
01:20:36,479 --> 01:20:39,240
Speaker 2: We're in the Matthew's kitchen. Eric is furiously searching through

1755
01:20:39,280 --> 01:20:41,479
Speaker 2: the laundry. Corey walks downstairs and asks, what are you

1756
01:20:41,520 --> 01:20:44,400
Speaker 2: looking for? Eric reveals my tube socks, my lucky tube socks.

1757
01:20:44,479 --> 01:20:46,639
Speaker 2: I'm supposed to shoot hoops and I can't find them anywhere.

1758
01:20:46,800 --> 01:20:48,519
Speaker 2: He asks Corey if he's seen them anywhere.

1759
01:20:48,640 --> 01:20:50,280
Speaker 3: Corey gives his brother a nervous giggle.

1760
01:20:50,680 --> 01:20:53,240
Speaker 2: Oh you're gonna find this hard to believe. But last night,

1761
01:20:53,320 --> 01:20:55,760
Speaker 2: for no logical reason that you could possibly think of,

1762
01:20:56,400 --> 01:21:02,880
Speaker 2: I did the wash instead of molos. Well, this is

1763
01:21:02,960 --> 01:21:05,679
Speaker 2: so funny. Corey pulls baby socks out of his pocket.

1764
01:21:06,040 --> 01:21:09,479
Speaker 2: I don't think they're so lucky anymore. Eric angrily notes

1765
01:21:09,600 --> 01:21:12,120
Speaker 2: that's not the line. Corey looks around, confused.

1766
01:21:12,240 --> 01:21:15,200
Speaker 1: Once again, Will just like changing the whole tone of

1767
01:21:15,200 --> 01:21:17,800
Speaker 1: our hand. Yes, with just a look and a change

1768
01:21:17,800 --> 01:21:19,360
Speaker 1: in his voice. It's just incredible.

1769
01:21:19,439 --> 01:21:23,000
Speaker 2: Yes, Eric reminds him the line was, Honey, I shrunk

1770
01:21:23,000 --> 01:21:26,920
Speaker 2: the tube socks. Ben stutters, Oh, I know, I'm sorry.

1771
01:21:27,000 --> 01:21:27,160
Speaker 7: Will.

1772
01:21:27,280 --> 01:21:30,559
Speaker 2: I was trying something new. Will mocks him, Oh, you

1773
01:21:30,600 --> 01:21:33,679
Speaker 2: were just trying something new. He begins to throw clothes

1774
01:21:33,680 --> 01:21:36,000
Speaker 2: at Corey. How about this is this new? Does this

1775
01:21:36,040 --> 01:21:38,800
Speaker 2: look new to you? Ben tries to shield himself in

1776
01:21:38,800 --> 01:21:41,000
Speaker 2: the corner as Eric now grabs plates and throws them

1777
01:21:41,000 --> 01:21:41,479
Speaker 2: on the floor.

1778
01:21:41,520 --> 01:21:44,280
Speaker 3: He shrieks, I quit, I'm out of here. He walks

1779
01:21:44,280 --> 01:21:48,120
Speaker 3: off the set, exposing cameras and crew members. Ben Sean

1780
01:21:48,200 --> 01:21:50,960
Speaker 3: walks through the door. Cory, Eric, guess what I blew up?

1781
01:21:51,000 --> 01:21:52,040
Speaker 3: Another mail box?

1782
01:21:52,160 --> 01:21:54,160
Speaker 5: Best line ever.

1783
01:21:54,520 --> 01:21:56,519
Speaker 4: Oh god, I just because the way you deliver you're

1784
01:21:56,560 --> 01:21:57,880
Speaker 4: like Corey Eric you not I can believe it.

1785
01:22:00,360 --> 01:22:03,240
Speaker 1: It's it's the sort of like I guess that's what's happening,

1786
01:22:04,560 --> 01:22:05,439
Speaker 1: doesn't make any sense.

1787
01:22:06,040 --> 01:22:08,760
Speaker 4: Layers were like, there was the Rider layer if I

1788
01:22:08,760 --> 01:22:10,840
Speaker 4: can't believe back to say this again, there's the Shawn

1789
01:22:10,960 --> 01:22:13,919
Speaker 4: layer off I can't believe another mailbox.

1790
01:22:14,760 --> 01:22:17,080
Speaker 1: When I was watching you like freak out on Ben,

1791
01:22:17,479 --> 01:22:19,120
Speaker 1: I was like, we used to do this kind of

1792
01:22:19,120 --> 01:22:21,639
Speaker 1: stuff all the time, Like we would pretend to freak

1793
01:22:21,680 --> 01:22:23,840
Speaker 1: out on each other all the time. So like this

1794
01:22:24,120 --> 01:22:27,360
Speaker 1: was this was us, Like during rehearsal, we would do

1795
01:22:27,400 --> 01:22:29,720
Speaker 1: these bits. We were always having so much fun, and

1796
01:22:29,720 --> 01:22:31,960
Speaker 1: then we would just be like it's not funny, or

1797
01:22:32,000 --> 01:22:34,200
Speaker 1: we would like mock each other's performances and we would

1798
01:22:34,240 --> 01:22:36,519
Speaker 1: be like these prima Donna acts, Like we did this

1799
01:22:36,720 --> 01:22:39,720
Speaker 1: all the time. So this was so easy for us

1800
01:22:39,720 --> 01:22:42,040
Speaker 1: in some ways to just like let's embrace the like

1801
01:22:42,360 --> 01:22:45,120
Speaker 1: the bad version of actors, you.

1802
01:22:45,040 --> 01:22:47,040
Speaker 4: Know, because like you say all the time, we love

1803
01:22:47,439 --> 01:22:48,880
Speaker 4: like bad acting.

1804
01:22:48,920 --> 01:22:51,000
Speaker 5: It's so fun to play and so fun to make it.

1805
01:22:51,040 --> 01:22:54,439
Speaker 1: But it's also such an important release vouve for actors

1806
01:22:54,280 --> 01:22:58,240
Speaker 1: as an ensemble to like illustrate to one another, this

1807
01:22:58,360 --> 01:23:00,920
Speaker 1: is what we don't allow on our this is what

1808
01:23:00,960 --> 01:23:04,040
Speaker 1: we don't like, and this is what bad acting looks like,

1809
01:23:04,240 --> 01:23:06,640
Speaker 1: and we're not going to do that. Even though we

1810
01:23:06,640 --> 01:23:08,280
Speaker 1: were always doing it as a joke, it was also

1811
01:23:08,320 --> 01:23:11,639
Speaker 1: like a community building exercise for you know, I feel

1812
01:23:11,680 --> 01:23:13,880
Speaker 1: like everything I've ever been a part of you find

1813
01:23:13,880 --> 01:23:17,000
Speaker 1: those little in jokes and codes, you know, Like I've

1814
01:23:17,000 --> 01:23:20,360
Speaker 1: been on sets where people often like one of my

1815
01:23:20,400 --> 01:23:23,400
Speaker 1: favorites is I worked with Eric Olsen in a movie

1816
01:23:23,560 --> 01:23:26,879
Speaker 1: and he he would talk about working with Alec Baldwin

1817
01:23:26,960 --> 01:23:30,160
Speaker 1: and he always said, before Alec Baldwin they would shoot.

1818
01:23:30,160 --> 01:23:32,960
Speaker 1: They were shooting up Pearl Harbor, I think, and Alec

1819
01:23:33,000 --> 01:23:35,519
Speaker 1: Baldwin when they would say rolling and then he would

1820
01:23:35,560 --> 01:23:41,280
Speaker 1: just go wawquaw actingquawquaw acting cuaw. And it was like

1821
01:23:42,000 --> 01:23:44,160
Speaker 1: this tick that Alec Baldwin did to like get his

1822
01:23:44,240 --> 01:23:46,200
Speaker 1: voice ready and to get his energy up, and then

1823
01:23:46,240 --> 01:23:49,840
Speaker 1: he'd walk on and Eric did this as you know,

1824
01:23:49,880 --> 01:23:51,920
Speaker 1: behind and we would and then we all started doing

1825
01:23:51,960 --> 01:23:54,120
Speaker 1: it before he did any scene together.

1826
01:23:53,920 --> 01:23:55,760
Speaker 3: And you're like, it works it well.

1827
01:23:55,880 --> 01:23:59,280
Speaker 1: Then I brought it up to Eric like years later

1828
01:23:59,360 --> 01:24:01,439
Speaker 1: or whatever, and I made it. I said, like, now

1829
01:24:01,479 --> 01:24:04,639
Speaker 1: I do this on sets like whenever I'm with and

1830
01:24:04,640 --> 01:24:07,360
Speaker 1: and he's like, yeah, I do it kind of as

1831
01:24:07,400 --> 01:24:11,400
Speaker 1: a joke to make everybody comfortable with the weird noises

1832
01:24:11,400 --> 01:24:13,320
Speaker 1: and the energies that people. So it's like you're making

1833
01:24:13,360 --> 01:24:16,360
Speaker 1: fun of this actor Alec Baldwin, who maybe was doing

1834
01:24:16,400 --> 01:24:19,600
Speaker 1: it seriously, but also it's now become part of the

1835
01:24:19,640 --> 01:24:22,240
Speaker 1: repertoire of like your nuance Alble for everybody to feel

1836
01:24:22,280 --> 01:24:24,360
Speaker 1: comfortable with their body. You know, it's just all these

1837
01:24:24,400 --> 01:24:26,479
Speaker 1: like codes and ways to sort of make a set

1838
01:24:26,520 --> 01:24:29,160
Speaker 1: comfortable because it's really weird what we're doing. I mean,

1839
01:24:29,160 --> 01:24:32,840
Speaker 1: it's really weird acting strange, and it takes such confidence

1840
01:24:32,880 --> 01:24:36,920
Speaker 1: and like commitment to something that's not real, and like

1841
01:24:37,000 --> 01:24:39,639
Speaker 1: that just takes a lot of And so for us

1842
01:24:39,680 --> 01:24:43,400
Speaker 1: like to always be making jokes or like exercising these

1843
01:24:43,439 --> 01:24:46,240
Speaker 1: like you know, nervous demons about like what it would

1844
01:24:46,240 --> 01:24:48,120
Speaker 1: be a bad at performance, what would be like and

1845
01:24:48,200 --> 01:24:50,040
Speaker 1: over the top, what would it be, what would really

1846
01:24:50,120 --> 01:24:52,800
Speaker 1: poor on set behavior be? Like we were always doing

1847
01:24:52,840 --> 01:24:55,240
Speaker 1: that and it was like, I don't know, So seeing

1848
01:24:55,320 --> 01:24:57,200
Speaker 1: us do this again was just like, oh right, that's

1849
01:24:57,200 --> 01:24:58,639
Speaker 1: what we did all the time.

1850
01:24:58,880 --> 01:25:01,280
Speaker 4: So I remember we did the first take of the

1851
01:25:01,320 --> 01:25:05,479
Speaker 4: tag and it went well, and then I called Michael

1852
01:25:05,479 --> 01:25:07,200
Speaker 4: over and I was like, can we make this bigger?

1853
01:25:07,280 --> 01:25:09,240
Speaker 5: Can this be like? And He's like, yes, definitely. He

1854
01:25:09,320 --> 01:25:12,080
Speaker 5: goes flip over the table. He goes flip over the

1855
01:25:12,120 --> 01:25:15,080
Speaker 5: whole table, kick the island, you know, make a move

1856
01:25:15,120 --> 01:25:15,439
Speaker 5: for Ben.

1857
01:25:15,479 --> 01:25:17,599
Speaker 4: And right as we're talking about that, I forget who

1858
01:25:17,600 --> 01:25:19,200
Speaker 4: walked over, but I might have been Steve Haye for

1859
01:25:19,240 --> 01:25:22,240
Speaker 4: somebody who's like, the audience is leaving in two minutes.

1860
01:25:22,400 --> 01:25:24,920
Speaker 5: Yeah, we can't match anything, we can't And Michael's like,

1861
01:25:25,080 --> 01:25:26,360
Speaker 5: all right, let's just do it again then.

1862
01:25:26,400 --> 01:25:28,200
Speaker 4: But he and I for like five minutes like yeah,

1863
01:25:28,200 --> 01:25:30,080
Speaker 4: we're gonna flip over this. We're gonna like, yeah, you

1864
01:25:30,080 --> 01:25:32,639
Speaker 4: can't do anything. Okay, all right, let's just do another take.

1865
01:25:32,479 --> 01:25:34,240
Speaker 5: Then, and that was too bad again?

1866
01:25:34,720 --> 01:25:35,240
Speaker 4: Yeah.

1867
01:25:35,320 --> 01:25:39,200
Speaker 2: Well, then breaking character, Sean notices the mess on the floor.

1868
01:25:39,320 --> 01:25:42,240
Speaker 2: He asks Ben, what did we'll flip out again? Ben

1869
01:25:42,280 --> 01:25:44,800
Speaker 2: nervously nods, yeah, he did. What are we gonna do?

1870
01:25:44,960 --> 01:25:48,479
Speaker 2: He's gonna be hard to replace, right size, Yeah, you're right.

1871
01:25:48,840 --> 01:25:52,280
Speaker 2: He looks off camera and yells hey Banana Boy want

1872
01:25:52,280 --> 01:25:54,480
Speaker 2: to be a star, then gives him a little.

1873
01:25:55,240 --> 01:25:58,679
Speaker 1: Soft button I wanted like, I agree, Yeah, better button.

1874
01:26:00,160 --> 01:26:02,200
Speaker 2: Well, thank you all for joining us for this episode

1875
01:26:02,200 --> 01:26:04,000
Speaker 2: of Podmeets World. As always, you can follow us on

1876
01:26:04,000 --> 01:26:06,240
Speaker 2: Instagram pod Meets World Show. You can send us your

1877
01:26:06,240 --> 01:26:09,559
Speaker 2: emails podmeets Worldshow at gmail dot com, and we have.

1878
01:26:09,680 --> 01:26:13,400
Speaker 5: Merch tis merch for selleth there I go.

1879
01:26:13,560 --> 01:26:16,320
Speaker 3: Thank you, Pod meets the worldshow dot com.

1880
01:26:16,439 --> 01:26:19,400
Speaker 2: Join us for our next episode recap season five episode

1881
01:26:19,400 --> 01:26:25,080
Speaker 2: twenty Starry Night, which originally aired April third, nineteen ninety eight,

1882
01:26:25,760 --> 01:26:26,920
Speaker 2: will send us out.

1883
01:26:27,320 --> 01:26:29,120
Speaker 5: We love you all, pod dismissed.

1884
01:26:30,760 --> 01:26:34,280
Speaker 4: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1885
01:26:34,360 --> 01:26:38,599
Speaker 4: Wilfredell and Ryder Strong executive producers Jensencarp and Amy Sugarman,

1886
01:26:38,880 --> 01:26:42,400
Speaker 4: Executive in charge of production, Danielle Romo, producer and editor,

1887
01:26:42,479 --> 01:26:46,280
Speaker 4: Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World

1888
01:26:46,320 --> 01:26:49,200
Speaker 4: superfan Easton Allen. Our theme song is by Kyle Morton

1889
01:26:49,240 --> 01:26:51,400
Speaker 4: of Typhoon and you can follow us on Instagram at

1890
01:26:51,400 --> 01:26:54,479
Speaker 4: podmeets World Show or email us at Podmets Worldshow at

1891
01:26:54,479 --> 01:26:57,240
Speaker 4: gmail dot com.