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Speaker 1: There. I'm confused. Whenever you're punctual, I'm confused. So good

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Speaker 1: to see you. Wait, here's your new theme song? I don't,

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Speaker 1: I don't. I'm limited in what I have. Do you

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Speaker 1: like this better? Yes? Wait better? That's your game showy,

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Speaker 1: that's hers baby. The other one sounds like an interlude

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Speaker 1: in between. You could also have this. This literally single

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Speaker 1: sounds like interving single. Yeah, this is labeled monk, do

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Speaker 1: you want this? Do you want this one? I thought

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Speaker 1: that was when we came back from Yeah. I know,

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Speaker 1: we're still figuring it out. Baby, Come on, man, Hey,

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Speaker 1: let's tell I gotta say. I haven't watched my musical

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Speaker 1: in so long. I've only seen Guy Love nine jillion times.

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Speaker 1: And not to pat ourselves in the back, this is

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Speaker 1: fucking one of the best episodes of TV comedy. Every

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Speaker 1: absolutely think it's brilliant. It is, and we can say

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Speaker 1: that because we didn't write it. And I want to

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Speaker 1: give kudos to the writers right off the bat, Jeff Mars,

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Speaker 1: Robert Lopez, Paul Perry, and I'm sure a few others

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Speaker 1: I don't know about. Obviously. Deb Fordham, who wrote the episode,

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Speaker 1: wrote a lot of the lyrics, um with the whole

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Speaker 1: writing staff Will mackenzie, brilliant director um Bill Lawrence of

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Speaker 1: course overseeing the whole thing. But it is so tight.

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Speaker 1: I mean, first of all, it's so short, and and

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Speaker 1: to think of all those songs and all that in

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Speaker 1: what is it? Twenty twenty two minutes twenty two minutes?

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Speaker 1: And Donald, you are particularly amazing in it too, I

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Speaker 1: I every time. I mean because because you really are

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Speaker 1: a sing singer and a dancer, you shine so bright

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Speaker 1: in this. Thank you man. That's very nice of you

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Speaker 1: to say. You know who really shined in this for

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Speaker 1: me was Judy? Yeah, because I know she broke her

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Speaker 1: back or her hip. I found this trivia for those

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Speaker 1: of you. Here's your first bit of the show. Six

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Speaker 1: about show we made about nurses, stories around yea, around

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Speaker 1: m m okay, tell us about the trivia. There's some

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Speaker 1: trivia I learned on on Scrubs Wiki, which is that

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Speaker 1: Judy Rays had a broken hip. Yes, and other than

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Speaker 1: the tango that she does what does with Donald? Which

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Speaker 1: was shot two months after the fact, they had to

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Speaker 1: come back and shoot it. Remember that you'll notice that

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Speaker 1: she's always sitting Yep, We're gonna miss you. Carla the

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Speaker 1: whole woman. Gonna miss you, Carla. She's sitting in a wheelchair,

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Speaker 1: I believe, right, or no, why would she be in

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Speaker 1: a wheelchair now, she's sitting in a regular chair. Okay,

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Speaker 1: But anyway, there is some mega trivia for you trivia

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Speaker 1: aboves out there. Judy Rays spent the whole time in

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Speaker 1: the sitting except for the tango, which was shot two

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Speaker 1: months later. She was also out for a bit while

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Speaker 1: she healed because she so we we didn't see her

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Speaker 1: for a while and when she do you remember how

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Speaker 1: she broke her hip? Was it sexually related? Oh? I

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Speaker 1: wish it was sex By the way, her voice is

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Speaker 1: first of all, I don't know, I don't even begin okay,

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Speaker 1: And I'm sure if you're a mega Scrubs fan and

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Speaker 1: you're listening to this podcast, you probably feel the same

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Speaker 1: wearing because I haven't seen it. I don't think i've

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Speaker 1: seen it in twenty years. It is so good. And

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Speaker 1: Judy Rais's voice, first of all, amazing. Everything you do

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Speaker 1: Donald and this is amazing. But the tango I hadn't

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Speaker 1: seen for the last time. Turk, I'm Dominican. That is

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Speaker 1: so fucking funny. And the dancing is so good. Do

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Speaker 1: you remember, like you guys wants to rehearse a long

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Speaker 1: time for that. No, we didn't. Don't rub it in

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Speaker 1: for us non dance, she was hurt for ten minutes.

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Speaker 1: We had like half a day of rehearsal so we

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Speaker 1: could get the blocking and everything down. But for the

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Speaker 1: most part she was I mean she had to come

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Speaker 1: back and like kudos to her man because she had

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Speaker 1: to come back and learn it really fast. Where we

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Speaker 1: rehearsed for a week or two before we even started

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Speaker 1: blocking this show. This episode, this was a huge for us.

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Speaker 1: I mean, this was just one of the biggest things

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Speaker 1: we ever did. We prerecorded, so not only did these

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Speaker 1: genius writers that I mentioned write all this music and

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Speaker 1: then it was orchestrated, and then we had to go

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Speaker 1: and prerecord all the songs so that we could sing

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Speaker 1: and dance to them, you know, and have them be filmed.

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Speaker 1: And so we had never done anything this epic, I

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Speaker 1: mean before this was by far the biggest. I'm sure

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Speaker 1: this and maybe the Princess Bride one were the most

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Speaker 1: expensive ones ever. But this was so fun. And Will mackenzie,

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Speaker 1: I mean, he's such a talented director. I mean, he

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Speaker 1: loved musicals, and he had a Broadway background and and

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Speaker 1: he's directed a zillion episodes of television and he just

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Speaker 1: was the perfect man for this assignment. The way this

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Speaker 1: is photographed, the way it goes in and out of

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Speaker 1: every time. Stephanie de Bruzzo, I believe she was in

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Speaker 1: Avenue Q and she's been in a lot of Broadway things,

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Speaker 1: and she's wonderfully talented. But you know, we only sing

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Speaker 1: when she's around. And then it also takes on this

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Speaker 1: little sort of heightened glow of like a Technicolor musical,

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Speaker 1: you know, little little things like that. And just all

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Speaker 1: the camera moves, I mean the camera's dancing too, and

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Speaker 1: those overheads, the lights are dancing in this bad Boy. Yeah,

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Speaker 1: it's John And when we got to give a shout

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Speaker 1: out to John Wood, who shot it beautifully. I mean

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Speaker 1: it was nominated for five Emmies. Now Scrub's barely ever

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Speaker 1: won Emmy's no bitterness, but I have no I have

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Speaker 1: no hate towards anyone I do. We should have won it.

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Speaker 1: We should have won all five. But um I get

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Speaker 1: we lost to Dick in the Box. No, we won

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Speaker 1: one Emmy for this episode. Do you know what it was?

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Speaker 1: What the Emmy was for no. I try to look

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Speaker 1: at it sound sound mind because close to Dick in

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Speaker 1: the Box. I just want you to know that guy

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Speaker 1: Love lost to Dick in the box. Oh for song, Well,

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Speaker 1: Dick in the boxes it was was more seen. I'm

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Speaker 1: wise enough to know when a gift needs given, and

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Speaker 1: I got just the one to let her know that

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Speaker 1: she's second to none. It's my dick in a box,

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Speaker 1: My Dick in a box. Girl. Well you shouldn't be

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Speaker 1: singing this song that beat us. Well you know I'm

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Speaker 1: not a sore loser. It was years ago. Um so yeah,

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Speaker 1: sound mixing, that's the way. That's the Emmy we won.

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Speaker 1: So there you go. Um the open the opening dance number,

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Speaker 1: I mean that took a long time to shoot. They

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Speaker 1: have those overhead beautiful. What do they call those swimming shots?

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Speaker 1: Um crane? No? No, no, right, no, you guys aren't

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Speaker 1: talking about buzz buzzby Berkeley. What's that expression? Do you

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Speaker 1: know what I'm talking about? Berkeley's top shot technique. Okay,

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Speaker 1: I guess it's buzz Berkeley, buzzby Berkeley. What's Berkeley's first name, Joel,

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Speaker 1: can you find that? Yeah? Berkeley Berkeley. So he would

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Speaker 1: do those top shot down things and then in an

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Speaker 1: elaborate dance move so you'd see it. So that's what

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Speaker 1: that's what Will is is they do it at Indiana

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Speaker 1: Jones and the Temple of Doom in the opening number.

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Speaker 1: It's done in blazing saddles when they are busting through

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Speaker 1: all the sets and stuff like that at the end

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Speaker 1: of the movie. But I'm talking about in a moving

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Speaker 1: dance sort of seeing in a beautiful choreography. That's what

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Speaker 1: it's done. That's what it's used. What's the Cohen Brothers

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Speaker 1: movie where where where um Scarlett Johnson rises out of

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Speaker 1: the water they do it Caesar Yeah, wow, nice pulled Joel. Yeah. Solo,

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Speaker 1: they did the new Han Solo. What are you talking about? Caesar? Yeah?

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Speaker 1: Do you like him as Han Solo? Yeah? Why not? Man?

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Speaker 1: Look man, other than you. Do you think there is

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Speaker 1: a better choice for Han Solo out? I do, But no,

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Speaker 1: no disrespect to him, because I think he did a

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Speaker 1: great job. But I think the person who should have

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Speaker 1: got the Han Solo character is the dude that was

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Speaker 1: in West that story, ansel El Great. Yeah, no, I

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Speaker 1: think it should be Um ansel El Gret is a

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Speaker 1: better Han solo. I promise you, dude, he's got that.

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Speaker 1: I would have liked Andrew Andrew Garfield really really really

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Speaker 1: really yeah, really really yeah. I went to some of

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Speaker 1: the Oscar parties, saw lots of famous people. Um, I

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Speaker 1: brought my friend Preston and um when we when we left,

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Speaker 1: I high fived him and I said, I think we

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Speaker 1: didn't embarrass ourselves in front of anyone, you know, because

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Speaker 1: Donald told that story of we've both definitely embarrassed ourselves

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Speaker 1: in front of celebrities several times. I've done that. But

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Speaker 1: there were lots of cool actors and it's cool. You know,

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Speaker 1: you go to these parties and you get to walk

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Speaker 1: up to people you really admire and say, hey, I

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Speaker 1: just you know, sometimes you know them, sometimes you don't,

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Speaker 1: but um, you can say, like, hey, I you're That

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Speaker 1: performance was incredible and that's the thing I like about it.

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Speaker 1: It's cool. And I didn't I didn't be doing that stuff. Again,

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Speaker 1: that's the question. I felt great, break it felt great.

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Speaker 1: It felt great. I mean, you know, yeah, obviously you

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Speaker 1: haven't done any of that since COVID, and UM, it

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Speaker 1: just felt cool. You know. I'm literally I still feel

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Speaker 1: like the little kid in the room who can't believe

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Speaker 1: he's invited to the party. Yeah. So that's what's so

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Speaker 1: fun about it is to look around the room and go,

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Speaker 1: oh my god, it's so and so, it's so and so,

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Speaker 1: and then you know, my agent would like sometimes introduce

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Speaker 1: me to some mega person and that was cool, and

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Speaker 1: we just had we just had some good laughs. But

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Speaker 1: mostly we were excited that we escaped the party without

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Speaker 1: embarrassing ourselves. The biggest name you ran into that you

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Speaker 1: were like, holy shit, conversation. Well, I did see Leo.

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Speaker 1: I did see I did see Leo. But we didn't.

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Speaker 1: We didn't have a long conversation. We had a more

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Speaker 1: of a fist bump, a fist doc if you will,

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Speaker 1: you guys, doctor, We didn't. Yeah, we had a fist.

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Speaker 1: We had a fist doc um. I spoke to Andrew Garfield,

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Speaker 1: who I know a little bit, and I and I

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Speaker 1: went on and on a mount partectic boom and I

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Speaker 1: but I made sure Donald I didn't embarrass us. I know,

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Speaker 1: I know, I know. I could picture you over my

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Speaker 1: shoulder being like, okay, buddy, back away, You've done enough

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Speaker 1: for you. But I did. But I did give Andrew

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Speaker 1: Garfield some love Um, because I did think, truly that

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Speaker 1: that performance was fucking unbelievable and I think he's one

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Speaker 1: of the best there is. And I told him, anyway,

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Speaker 1: let's get back to our musical Donald. Let's open with

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Speaker 1: So we talked to the opening number, which is incredible

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Speaker 1: and just so well written. Then we go into our

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Speaker 1: poo song um, which is just so funny and the

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Speaker 1: choreography is so funny. Yeah, we had kicking our heads

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Speaker 1: in Hey, miss Miller, we just need a stool sample?

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Speaker 1: Why sample? If you think I'm just a nut your head,

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Speaker 1: my dear, it's you. You See, everything comes down to pooh.

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Speaker 1: This show should really should really just be me and

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Speaker 1: Donald singing all the songs for you guys here for it,

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Speaker 1: whether it's a tumor a touch at the flu. Please,

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Speaker 1: won't you pinch us off a big fat clue? Our

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Speaker 1: number one guess is your number two? If there's no

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Speaker 1: priest slide on match please, Everything comes down to doo

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Speaker 1: doo doo doo doo doo doo. So there's a moment

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Speaker 1: in that song that's very funny, and that's the break

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Speaker 1: where you go check the pooh. Yes, Mike Schwartz as

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Speaker 1: homeless guy through Pooh in my eye. Check the check

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Speaker 1: the Pooh minor his first him, then you venue. But

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Speaker 1: the way that the way that Mike schwarts because if

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Speaker 1: he doesn't have anything in his Pooh, you're gonna be fine.

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Speaker 1: It's pretty much. But the way that Mike Schwartz asked

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Speaker 1: minor hiss so funny first is then you, um, it

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Speaker 1: may seem gross, it may you may see it used

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Speaker 1: to be it originally it was. It may seem gross,

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Speaker 1: it may be crass, but we need to see what

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Speaker 1: comes out of your ass. Before that, it was a

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Speaker 1: currently or a letter JA as long as it's undud. Yeah, yes,

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Speaker 1: everything of that po NBC put their foot down on

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Speaker 1: describing fecal matter as a letter J or curly curly

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Speaker 1: just so funny. It's so funny what they allowed. But

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Speaker 1: they didn't allow a curly or a letter jay. How

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Speaker 1: many letter jay's have you had? No, that's the truth

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Speaker 1: thought think about it. I guess so because it was

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Speaker 1: in the song at one point, curly or a letter jay,

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Speaker 1: as long as it seduced, yes, and then we cheer it.

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Speaker 1: It was sick bumber when we get when we get

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Speaker 1: lyrics and we were so funny, and then by the

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Speaker 1: time we recorded, we had to change some of them

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Speaker 1: because NBC didn't approve them. Well, this episode is completely

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Speaker 1: chopped up also, man like, there were so many storylines

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Speaker 1: that had or it's a funny tarts that had to go. Yeah,

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Speaker 1: that had to go because they wanted to get all

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Speaker 1: the songs. There's really only two plots. There's Carlo's deciding

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Speaker 1: whether she's going to be a working mom and come

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Speaker 1: back to work or be a state at home mom.

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Speaker 1: And and uh, Sarah's moving into her new house and

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Speaker 1: doesn't want me and doesn't want me to move in.

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Speaker 1: And then and then the woman of course who has

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Speaker 1: a who has an aneurysm that's causing her to hear

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Speaker 1: people singing. But but the thing that's taken the plot

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Speaker 1: that takes over most of the show so we could

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Speaker 1: is the music obviously, because we wanted to tell that story.

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Speaker 1: Are you okay? Are you all right? Now? There's they

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Speaker 1: all have like a little bit of an homage to

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Speaker 1: a genre. I was going to ask you this year, Yeah,

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Speaker 1: see some more than others, but name them where I

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Speaker 1: will see how I do. I wrote down some thoughts

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Speaker 1: on it, um so the blanks, We're gonna miss you, Carla.

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Speaker 1: I don't know what do you think? That's an homage too?

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Speaker 1: It's sort of like a it's like a song from

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Speaker 1: Grease kind of thing, but there's a clear Grease song later.

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Speaker 1: But I'm not exactly sure what that is. We're gonna

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Speaker 1: miss you it maybe barbershop barbershop quartet, ish, you know

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Speaker 1: what I mean? Right, that's such a good tune I

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Speaker 1: had forgotten about. We haven't gonna it kind of sounds

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Speaker 1: like a barbershop quartet when we made the choice to

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Speaker 1: be at home and not I work you. That was

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Speaker 1: your entrance, dude. I had to like rewind to watch

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Speaker 1: it again. It was so good, Thank you very much.

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Speaker 1: Little homage to uh, you know, yeah, what was your

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Speaker 1: manage though? You know the king of pop back in

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Speaker 1: the day, right, Oh yeah, oh yeah, yeah, you did that.

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Speaker 1: You did that later when in in in Guy Love.

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Speaker 1: But um, I know it's not probably gonna happen, But

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Speaker 1: I wish you'd do a Broadway musical because they don't

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Speaker 1: want me. Man ain't nobody offering me? No damn Broadway musicals.

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Speaker 1: They don't want me. If they did want me, I

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Speaker 1: would have done one by now listen, man, talk, you

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Speaker 1: could talk, we could talk my audition from the one

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Speaker 1: I did. They're not gonna, They're not gonna do you

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Speaker 1: audition for Bullets over Broadway? Yeah? Hell yeah? Nice. Um,

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Speaker 1: I'm gonna. I'm gonna tell you something. Those that go ahead,

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Speaker 1: hold on, hold on? Is it? Is it something that's

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Speaker 1: really Let me ask you a question. When you auditioned

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Speaker 1: for it? Yes? Did you audition against other Broadway performers

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Speaker 1: and stuff? Um? What I did was I didn't go

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Speaker 1: to the actual audition. I had to leave town and

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Speaker 1: I was very terrified to go in an audition. And

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Speaker 1: so what I did was I had a piano player

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Speaker 1: come over my house and we videotaped me singing the songs.

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Speaker 1: And that was the first audition, was singing this song.

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Speaker 1: And I then forgot about it, like every actor should,

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Speaker 1: because the best way to get a part is to

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Speaker 1: is to submit your audition and never think about it again.

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Speaker 1: So they call you, and I said, I'm never gonna

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Speaker 1: get this. And then they called me and said Woody

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Speaker 1: and um, Susan Stroman, who directed it, really liked you.

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Speaker 1: Now will you read the scene? And then I had

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Speaker 1: a second audition on tape from LA and I read

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Speaker 1: the scene and they said they're gonna do a workshop

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Speaker 1: of it and they want you to play the John

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Speaker 1: Cusack part. It was, you know, because it's based on

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Speaker 1: a John Cusack movie, Boody Allen movie. And so I

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Speaker 1: did the workshop and then officially got the part after

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Speaker 1: the workshop. Did you listen to any of that? I did.

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Speaker 1: All I heard was you had like a boutique audition

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Speaker 1: and then another boutique audition. No, I just videotape myself, right,

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Speaker 1: And then they were like, it's no different than you

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Speaker 1: videotaping yourself for a role at home. I just didn't

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Speaker 1: go in now. Ain't nobody called me and asked me

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Speaker 1: to videotape myself for this ship? Is what I'm trying

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Speaker 1: to say. You're sitting here saying you should be a

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Speaker 1: part of a Broadway. They gotta want you to be

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Speaker 1: a part of These things have to happen. I can't

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Speaker 1: just be like, you're right, I'm now on Broadway. Everyone.

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Speaker 1: It doesn't work that way. Listen. Do you have your

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Speaker 1: agency has a theater department? Okay, yes, you're gonna go

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Speaker 1: to your theater agent and you're gonna say hate the

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Speaker 1: agent Zach Braff, the amazing, amazing that he is, the

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Speaker 1: amazing actor, director, singer, dancer says. Broadway star Um says,

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Speaker 1: I should do Broadway? Can you can you if if

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Speaker 1: a musical that's right for me comes up, can you

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Speaker 1: flag it out? Because then here's a problem, because then

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Speaker 1: all of a sudden, Shrek comes up and they're like,

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Speaker 1: they want you to play Donkey Donald. That's how it works,

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Speaker 1: how this shit happens. I see how this shit works,

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Speaker 1: zib I know how this shit works. I know how

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Speaker 1: they don't call me and say, YO has the next

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Speaker 1: freaking uh part in Bullets o er Broadway. They go, Donald,

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Speaker 1: we want you to play uh Mufossa in the Lion King.

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Speaker 1: That's how it goes. I know how this works. What

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Speaker 1: we could all be so lucky playing there every fucking night.

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Speaker 1: If you were saying, I would have to learn how

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Speaker 1: to fucking work puppets. Man, I'm not gonna do shit.

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Speaker 1: Bro't you think they're only we're only being they only

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Speaker 1: audition puppeteers. I mean, when I saw the show, it

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Speaker 1: was magical like that, it was the puppetry was amazing

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Speaker 1: that was really the show. Let's keep it. We know

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Speaker 1: the music we've seen in the movie. All Right, we're

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Speaker 1: gonna gonna break, let's talk. Just say it, and when

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Speaker 1: we come back, we're gonna talk more about the legendary

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Speaker 1: episode that I'm so honored and proud to be a

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Speaker 1: part of. We'll be right back and we're back. Go Donald,

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Speaker 1: Go Donald, Go Donald. I gotta I gotta tell you, man,

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Speaker 1: I was very happy to watch Doctor Cox rap. You know,

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Speaker 1: that was kind of so that I believe is Gilbert

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Speaker 1: and Sullivan, if I'm not mistaken. That's sort of that

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Speaker 1: that like Pirates of the Panzana, Pirates of the Penzans. Yea,

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Speaker 1: that was awesome. He killed it. He did a great job.

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Speaker 1: And what about it all started with a penny. There

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Speaker 1: was that tree I never felt before. Amazing, amazing, um

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Speaker 1: and then he calls me a moose haired something. I

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Speaker 1: don't know. I loved it. I loved it. A lot

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Speaker 1: of it was a lot of it was very like,

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Speaker 1: there's no way she could yell at you, and all

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Speaker 1: of a sudden, you're he's going to give her the

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Speaker 1: surgery or the MRI that she wants. You know, she

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Speaker 1: yells at you to shut up, and then all of

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Speaker 1: a sudden she gets the MRI. Well, I think you

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Speaker 1: can complain. I mean I've I've definitely, like I had

348
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Speaker 1: my back problems and they're like, oh, you don't need MRI.

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Speaker 1: And I'm like, please for the for the for the

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Speaker 1: for the safety, for the comfort of my mind. But

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Speaker 1: you pay for it though, no, it's covered by insurance.

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Speaker 1: I'm lucky enough in this country that has a very

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Speaker 1: messed up health system to be one of the insured.

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Speaker 1: There you go, so anyway, yeah you can, you can?

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Speaker 1: You can say, I mean your doctor can I'm I'm

356
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Speaker 1: sure say no. But I've had a doctor say yeah.

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Speaker 1: I think she could convince him and say please, from

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Speaker 1: from my peace of mind, can I can you do

359
00:21:25,200 --> 00:21:27,680
Speaker 1: the cat scan? I did that with my colonoscopy. I

360
00:21:27,840 --> 00:21:29,240
Speaker 1: was like, he was like, you're too young, you don't

361
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Speaker 1: need it yet. I was like, please do it. I

362
00:21:31,040 --> 00:21:33,520
Speaker 1: don't care. You wanted you wanted that ship. And then

363
00:21:33,640 --> 00:21:35,440
Speaker 1: while you're doing it, you were like deeper. He said,

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Speaker 1: we don't go any deeper, and I was idiot, I

365
00:21:38,560 --> 00:21:42,159
Speaker 1: was asleep. I got the real deal, Holy Field. You

366
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Speaker 1: were like deeper. Listen, everybody likes a little ass play,

367
00:21:45,320 --> 00:21:47,359
Speaker 1: and everybody likes a little ass play. He was like,

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Speaker 1: this is the girth of the camera even like you

369
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Speaker 1: don't like a little ass play though they were like,

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Speaker 1: they were like, this is the girth of the camera tube.

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Speaker 1: And you're like, got anything girth here? You're hasten right now,

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Speaker 1: everybody likes a little ass flight. Don't even act like

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Speaker 1: you don't. Can I have that, Daniel as one of

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Speaker 1: the new my new sounds. I'm gonna I'm gonna mark

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Speaker 1: that one down, thank you. Please? Do they do, whether

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Speaker 1: it be taking a poop, whether it be a finger,

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00:22:16,000 --> 00:22:18,959
Speaker 1: whether it be a tongue, whether it you know, everybody

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Speaker 1: likes a little ass flight. I need all of that,

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Speaker 1: Daniel for the for my sound back to FU say

380
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Speaker 1: to stop talking about your willis we're talking about an asshole. Asshole.

381
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Speaker 1: What you're trying to get it into? What you're trying

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Speaker 1: to do. I think we've already established what we're trying.

383
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Speaker 1: You know what you're trying to get into. Okay, So

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Speaker 1: um do not Okay, that's no try. Yeah, that's true.

385
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Speaker 1: I read something online. I'm sorry I got excited about

386
00:22:54,040 --> 00:22:56,879
Speaker 1: all my buttons. Um, you've read some line at what

387
00:22:57,200 --> 00:22:59,240
Speaker 1: I read it. They had this thread. I always send

388
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Speaker 1: you guys, you and Juell these threads that I'm sure

389
00:23:01,560 --> 00:23:03,400
Speaker 1: you don't read. But it's like Reddit. Heead this thread

390
00:23:03,480 --> 00:23:06,919
Speaker 1: that was like what's your most unpopular Star Wars opinion

391
00:23:07,080 --> 00:23:11,960
Speaker 1: or something like that, and someone said, Yoda, UM barely

392
00:23:12,080 --> 00:23:15,560
Speaker 1: did the backwards talking in the beginning, and then it

393
00:23:15,680 --> 00:23:19,880
Speaker 1: became like out of control. M Oh wow, that's pretty good.

394
00:23:21,040 --> 00:23:26,120
Speaker 1: I'd see it. You see it, Joel's going through dialogue?

395
00:23:28,800 --> 00:23:31,960
Speaker 1: What did you say? Yes? So when the song when

396
00:23:32,000 --> 00:23:34,320
Speaker 1: the Truth comes out? Um is sort of a lame

397
00:23:34,440 --> 00:23:41,159
Speaker 1: is homage. M hmmmm, which I thought, Yes, it's that

398
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Speaker 1: end of Act one, do you hit No, Actually it's

399
00:23:45,280 --> 00:23:48,280
Speaker 1: a one more day end of Act one, one more

400
00:23:48,400 --> 00:23:51,159
Speaker 1: day but one. Yeah, the same thing, same lame is

401
00:23:51,240 --> 00:23:55,960
Speaker 1: big full company number, that kind of thing. Mhm. But

402
00:23:56,080 --> 00:23:58,320
Speaker 1: I thought it was so well done. I mean, did

403
00:23:58,440 --> 00:24:01,240
Speaker 1: you get excited? I got so excited. All right, this

404
00:24:01,400 --> 00:24:08,200
Speaker 1: is the song I was talking about. I'm sure you

405
00:24:08,359 --> 00:24:11,240
Speaker 1: must be scared, not knowing what this test will bring

406
00:24:11,359 --> 00:24:14,040
Speaker 1: go ahead. It could prove that you are crazy. Do

407
00:24:14,160 --> 00:24:18,280
Speaker 1: you still hear people sing yep? It's best to know

408
00:24:18,520 --> 00:24:21,920
Speaker 1: the truth of that I have no doubt, but you'll

409
00:24:22,000 --> 00:24:25,520
Speaker 1: have to face the future when the truth comes out.

410
00:24:28,040 --> 00:24:30,399
Speaker 1: Test that's a waste of our time. But aliciall except

411
00:24:30,440 --> 00:24:32,720
Speaker 1: that she's medically find she'll admit that she's nuts. Are

412
00:24:32,720 --> 00:24:36,800
Speaker 1: all to say, Oh, it's so good, it's really good.

413
00:24:37,280 --> 00:24:40,200
Speaker 1: Can we play thirty of each songs? You will as

414
00:24:40,240 --> 00:24:43,000
Speaker 1: long as you guys are analyzing the song and talking

415
00:24:43,000 --> 00:24:46,639
Speaker 1: about it specifically. Yes, Okay, well I'm learning something, but

416
00:24:46,720 --> 00:24:52,480
Speaker 1: most importantly i'm learning let's face the facts about me

417
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Speaker 1: and you. Specified though I'm proud to call you chocolate

418
00:25:00,040 --> 00:25:07,200
Speaker 1: there the crowd always tall and stay exactly those feelings too,

419
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Speaker 1: and that's why I keep them inside fire. Can't bear

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00:25:12,800 --> 00:25:16,399
Speaker 1: the girls to stay. And sometimes it's kizy, you're too

421
00:25:16,560 --> 00:25:25,879
Speaker 1: high and explain my guy love. It's so beautiful now mine,

422
00:25:26,000 --> 00:25:29,200
Speaker 1: I'm there's some funny as ship in that. Now. I mean,

423
00:25:30,480 --> 00:25:33,200
Speaker 1: you're the only man who's ever been inside of me, right,

424
00:25:33,560 --> 00:25:36,359
Speaker 1: And I hold up my fist. Took it, yeah, meaning

425
00:25:36,760 --> 00:25:41,920
Speaker 1: insinuating that I fisted your butthole. But I'm saying I'm saying, dude,

426
00:25:42,040 --> 00:25:45,000
Speaker 1: I just took your stitches out. I just put stitches. Yeah,

427
00:25:45,000 --> 00:25:46,600
Speaker 1: But I like, I like, I go, and I go.

428
00:25:46,720 --> 00:25:49,520
Speaker 1: I like that I go. There's no need to clarify

429
00:25:49,760 --> 00:25:56,080
Speaker 1: and oh no, sure, are you sure? Because you put

430
00:25:56,160 --> 00:26:00,399
Speaker 1: your fist up. That ship is so funny. My other

431
00:26:00,440 --> 00:26:02,960
Speaker 1: favorite thing is that when we go, let's go and

432
00:26:03,040 --> 00:26:06,000
Speaker 1: we and we just go to bed. Yeah, we go

433
00:26:06,160 --> 00:26:11,080
Speaker 1: right to the end of the bed. I love how

434
00:26:11,119 --> 00:26:13,359
Speaker 1: I point you guys were with that. Also, the facial

435
00:26:13,440 --> 00:26:16,159
Speaker 1: expressions you give, like both of you throughout, it's so

436
00:26:17,200 --> 00:26:20,479
Speaker 1: really selling the moment. I love. I hate to tell

437
00:26:20,520 --> 00:26:22,840
Speaker 1: you this, but we were really trying to sing the

438
00:26:22,920 --> 00:26:25,280
Speaker 1: shit out of this song too. Like we're sitting there

439
00:26:25,440 --> 00:26:27,520
Speaker 1: like everybody looks at it like it's a joke, because

440
00:26:27,560 --> 00:26:29,960
Speaker 1: it obviously is a joke, and we are making a joke,

441
00:26:30,480 --> 00:26:36,720
Speaker 1: but we're sincerely trying to fucking say, Okay, this is

442
00:26:36,800 --> 00:26:39,240
Speaker 1: real deal, Holy Field. This wasn't no fucking let's that

443
00:26:39,320 --> 00:26:41,800
Speaker 1: was a pre record though Donald wasn't it. Yeah, it

444
00:26:41,920 --> 00:26:43,960
Speaker 1: was a pre record, but we weren't in the pre record.

445
00:26:44,040 --> 00:26:45,800
Speaker 1: They had bet they had Mike's on us too. So

446
00:26:45,920 --> 00:26:49,200
Speaker 1: when we said when like when Donald did his like

447
00:26:50,359 --> 00:26:53,280
Speaker 1: and then and then and then when I go, when

448
00:26:53,320 --> 00:26:59,040
Speaker 1: he go, when he puts his hand, I go no hand, hands, dude,

449
00:26:59,040 --> 00:27:01,760
Speaker 1: I still use no hands. I still use that no

450
00:27:01,880 --> 00:27:06,280
Speaker 1: hands baby hugs hugs. Now, this is a much underappreciated,

451
00:27:06,400 --> 00:27:12,160
Speaker 1: not talked about song in this particular episode. I've had

452
00:27:12,240 --> 00:27:14,720
Speaker 1: it to hear, so let me make it very clear,

453
00:27:15,160 --> 00:27:18,680
Speaker 1: because I swear I'll never could you win again every

454
00:27:18,760 --> 00:27:21,800
Speaker 1: time that you profess that come from Puerto Rico? Yea

455
00:27:21,840 --> 00:27:27,680
Speaker 1: for the last time, I'm domit again. Don't make a

456
00:27:27,800 --> 00:27:31,080
Speaker 1: big to do. I was simply testing you. Then why'd

457
00:27:31,119 --> 00:27:38,280
Speaker 1: you tell j DR babies black Sican? Soulless boy? Though

458
00:27:38,359 --> 00:27:41,440
Speaker 1: about me? Were no sex again? Oh my god, that

459
00:27:41,560 --> 00:27:45,280
Speaker 1: shit was amazing. Your name is Carla. You got that

460
00:27:45,480 --> 00:27:49,639
Speaker 1: day that I sent you. I emailed you all the lyrics,

461
00:27:49,680 --> 00:27:51,840
Speaker 1: by the way, if you wanted to reference them. I

462
00:27:52,000 --> 00:27:55,440
Speaker 1: love that song, that song. I laughed so much when

463
00:27:55,480 --> 00:27:58,080
Speaker 1: I first read that song and we sang it like,

464
00:27:58,359 --> 00:28:01,359
Speaker 1: why'd you tell jd Our baby black Xicin? Then why

465
00:28:01,440 --> 00:28:03,879
Speaker 1: do you tell j d our babies black Ican? I

466
00:28:03,960 --> 00:28:09,639
Speaker 1: think that's a great way to scribe ethnic children. What

467
00:28:09,840 --> 00:28:13,119
Speaker 1: are you you know right away? I'm black Xican, have black,

468
00:28:13,359 --> 00:28:16,680
Speaker 1: have Mexican. That's a Blackxican baby right there? Baby, that's

469
00:28:16,720 --> 00:28:19,240
Speaker 1: a Black Sican baby. That shit is hilarious to me.

470
00:28:21,200 --> 00:28:25,280
Speaker 1: That ship, dude, it was so funny. I was so funny.

471
00:28:25,400 --> 00:28:29,600
Speaker 1: And the lyrics, I'm I want to I think it's

472
00:28:29,680 --> 00:28:32,080
Speaker 1: Deb before them. I don't know, I'm of course it's

473
00:28:32,119 --> 00:28:33,880
Speaker 1: all the writers, but Deb, you were the head writer

474
00:28:34,000 --> 00:28:38,800
Speaker 1: on this episode. Um, the lyrics are so funny and um,

475
00:28:39,560 --> 00:28:41,480
Speaker 1: and you guys are just amazing, Like I would you

476
00:28:41,560 --> 00:28:45,520
Speaker 1: know there was there was talk of making a Scrubs musical. Um. Yeah,

477
00:28:45,560 --> 00:28:48,120
Speaker 1: Branda was trying, Randall Winston was trying to develop it.

478
00:28:48,680 --> 00:28:50,880
Speaker 1: I'm sure there'll probably be one one day. Um, and

479
00:28:51,040 --> 00:28:53,440
Speaker 1: we can go see it, and I would, I would cheer.

480
00:28:54,000 --> 00:28:57,680
Speaker 1: You know, they made a clueless musical. Uh, and Dove

481
00:28:57,800 --> 00:29:01,200
Speaker 1: Cameron played share and did wonderful job, you know what

482
00:29:01,240 --> 00:29:05,240
Speaker 1: I mean. Like Amy Heckling was involved and directed it

483
00:29:05,320 --> 00:29:07,560
Speaker 1: in everything, you know, I don't see why they couldn't

484
00:29:07,600 --> 00:29:10,400
Speaker 1: do a Scrubs musical. And it doesn't even have to

485
00:29:10,480 --> 00:29:13,640
Speaker 1: be this musical episode. It could be any episode you

486
00:29:13,680 --> 00:29:18,479
Speaker 1: could well you would, you could have only that's right.

487
00:29:18,560 --> 00:29:21,600
Speaker 1: I get you. You'd have to add, yeah, a lot

488
00:29:21,680 --> 00:29:24,480
Speaker 1: more songs because there's not enough. But you could create

489
00:29:24,520 --> 00:29:27,080
Speaker 1: a whole brand new episode doesn't necessarily have to be

490
00:29:27,120 --> 00:29:31,240
Speaker 1: about someone hearing sing, even though that works, and you know,

491
00:29:31,400 --> 00:29:35,160
Speaker 1: make a I totally see this happening, or see a

492
00:29:35,320 --> 00:29:38,200
Speaker 1: version of this happening. I don't necessarily see us in it,

493
00:29:38,520 --> 00:29:40,560
Speaker 1: but I see it happening. We're not gonna be in it.

494
00:29:40,680 --> 00:29:43,280
Speaker 1: We're too old. It has to be about young people,

495
00:29:43,880 --> 00:29:46,440
Speaker 1: like if they did screw like, that's what sucks. If

496
00:29:46,480 --> 00:29:53,520
Speaker 1: they did scrubs. Now, how many fingers do you see? Emergency?

497
00:29:54,800 --> 00:30:01,800
Speaker 1: I'm really not your thirty second? Is there someone here

498
00:30:01,880 --> 00:30:06,880
Speaker 1: with you, someone that we could talk? I said, I'm

499
00:30:06,920 --> 00:30:21,320
Speaker 1: by myself. I know y'all saying that's what she would

500
00:30:21,320 --> 00:30:24,560
Speaker 1: really be doing. The fuck is everybody saying? What the

501
00:30:24,720 --> 00:30:31,040
Speaker 1: fucking saying? You know? It'll be funny if the character

502
00:30:31,120 --> 00:30:38,480
Speaker 1: hated musicals, that'd be even better. Oh no, not another one,

503
00:30:38,760 --> 00:30:43,120
Speaker 1: another one? No hands um? All right, then we get

504
00:30:43,200 --> 00:30:47,280
Speaker 1: this classic hold on um, remember this one, Donald, hold

505
00:30:47,360 --> 00:31:03,120
Speaker 1: on We French be French, forever, always be true forever.

506
00:31:04,480 --> 00:31:12,680
Speaker 1: Alway there you fer as close as the orta best friends.

507
00:31:12,760 --> 00:31:20,920
Speaker 1: Just like, why are you trying to Sarah singing? She says,

508
00:31:24,720 --> 00:31:28,479
Speaker 1: I love Sarah. Oh there's our girl. I love Sarah,

509
00:31:28,640 --> 00:31:31,640
Speaker 1: but I have to say, amongst her many talents, and

510
00:31:31,840 --> 00:31:35,680
Speaker 1: she has many talents, she's a phenomenal actress. She's beautiful,

511
00:31:36,240 --> 00:31:40,840
Speaker 1: she's so kind, she's an amazing mom. Singing is not

512
00:31:41,520 --> 00:31:47,920
Speaker 1: in her top six things. No, I would say it's

513
00:31:48,120 --> 00:31:52,520
Speaker 1: sports and singing that she's probably now she can snowboard.

514
00:31:52,680 --> 00:31:55,000
Speaker 1: I know that she's a good snowboarder because she's Campian.

515
00:31:55,400 --> 00:31:59,040
Speaker 1: You know, Sarah was looking for a school sport when

516
00:31:59,080 --> 00:32:04,080
Speaker 1: she was younger and had settle for shot put. Can

517
00:32:04,120 --> 00:32:07,640
Speaker 1: you imagine Sara and shot put? No, and only mean

518
00:32:07,800 --> 00:32:10,120
Speaker 1: why she got shot puts because there wasn't enough interest.

519
00:32:14,720 --> 00:32:19,200
Speaker 1: Shot Put is the dumbest sport. No, I disagree. I disagree.

520
00:32:19,320 --> 00:32:21,160
Speaker 1: I'm sorry if you're into shot put, but can you

521
00:32:21,240 --> 00:32:24,560
Speaker 1: imagine putting that much time into shot put? It's a

522
00:32:24,760 --> 00:32:28,400
Speaker 1: technique that is yeah, and it goes nowhere. The thing

523
00:32:28,880 --> 00:32:31,960
Speaker 1: it comes after you after you've become the best shot

524
00:32:32,040 --> 00:32:34,480
Speaker 1: put her in the world. This stunts the moment the

525
00:32:34,560 --> 00:32:38,040
Speaker 1: ball where you spent around. Come on, you got to

526
00:32:38,080 --> 00:32:45,080
Speaker 1: take someone out from far away? Though, right right, right right,

527
00:32:45,200 --> 00:32:48,160
Speaker 1: there was an attack. No, maybe if they added an

528
00:32:48,280 --> 00:32:52,880
Speaker 1: element to shot put like hit a dude, right, moving targets.

529
00:32:54,560 --> 00:32:58,520
Speaker 1: Moving targets is a good idea. That's well, and then

530
00:32:58,560 --> 00:33:03,080
Speaker 1: it's no longer. It's what's another funny one? Throwing the hammer,

531
00:33:03,560 --> 00:33:05,400
Speaker 1: then throwing the hammer. Is that the same one? Or

532
00:33:05,440 --> 00:33:11,960
Speaker 1: is that a different that's different? There's javelin, javelin? Okay,

533
00:33:12,040 --> 00:33:16,120
Speaker 1: job one's is John One's still in the Olympics. I've

534
00:33:16,160 --> 00:33:20,160
Speaker 1: always and I've always disc that's another dumb one. I'm sorry,

535
00:33:20,240 --> 00:33:26,200
Speaker 1: dis because players heavy frisbee. Yeah, what about what about

536
00:33:26,240 --> 00:33:30,120
Speaker 1: Hackey Sack not in the Olympics on the Olympics, that's

537
00:33:30,160 --> 00:33:33,240
Speaker 1: just stoner. Hackey Sack is in the Olympic. Hold on,

538
00:33:33,360 --> 00:33:36,560
Speaker 1: Hackey Sack has been in the Olympics before. Look it up. No, yeah,

539
00:33:37,400 --> 00:33:39,160
Speaker 1: look it up. But you know what I've always you know,

540
00:33:39,280 --> 00:33:42,280
Speaker 1: who I've always been jealous of is those people who

541
00:33:42,360 --> 00:33:53,560
Speaker 1: can do U stick thing Hija running stick him running stick.

542
00:33:53,680 --> 00:33:58,440
Speaker 1: There you go, Oh my god, oh my god, running stick.

543
00:34:01,960 --> 00:34:07,120
Speaker 1: I think pole vaulting is cool. Oh yeah. Vacouver Olympics

544
00:34:07,160 --> 00:34:11,440
Speaker 1: twenty ten Hackettack footage crazy skilled Vacouber Olympics. I think

545
00:34:11,440 --> 00:34:13,279
Speaker 1: this is simply at the Olympics. I don't know if

546
00:34:13,320 --> 00:34:20,959
Speaker 1: this is due I played it in the video game, Dude,

547
00:34:21,040 --> 00:34:23,000
Speaker 1: I know it. Well, maybe in the video game it

548
00:34:23,160 --> 00:34:29,240
Speaker 1: was was that Joel. I'm seeing a lot I digress.

549
00:34:29,280 --> 00:34:31,080
Speaker 1: I'm seeing a lot of love for the new Star

550
00:34:31,239 --> 00:34:34,879
Speaker 1: Trek video game Daniel and Joel and dance Star Trek

551
00:34:35,000 --> 00:34:38,399
Speaker 1: video Games. There is a new Star Trek video game out.

552
00:34:39,560 --> 00:34:42,080
Speaker 1: I don't know one which console, but for some reason

553
00:34:42,120 --> 00:34:44,200
Speaker 1: it keeps coming up in my feed saying it's getting

554
00:34:44,239 --> 00:34:50,239
Speaker 1: good reviews. Interesting. I have not seen a trailer. Let

555
00:34:50,280 --> 00:34:52,799
Speaker 1: me see you start reviews, I said, said the best

556
00:34:52,920 --> 00:34:56,400
Speaker 1: video game ever to be made about the property. I

557
00:34:57,400 --> 00:35:02,040
Speaker 1: definitely are you intrigued? Yes, a little bit. And the

558
00:35:02,200 --> 00:35:04,759
Speaker 1: article I saw had a had an image of the

559
00:35:05,360 --> 00:35:11,800
Speaker 1: sparking character. Oh, Ubi Soft Start Surgeons is friends and

560
00:35:12,400 --> 00:35:18,600
Speaker 1: yeah yeah and two all right, all right, well can

561
00:35:18,680 --> 00:35:20,640
Speaker 1: you ask our friends at Ubisoft to send me the

562
00:35:20,719 --> 00:35:22,400
Speaker 1: spot game? Because I don't want to. I need I

563
00:35:22,440 --> 00:35:23,960
Speaker 1: think I might need to get into video game. I

564
00:35:24,000 --> 00:35:26,960
Speaker 1: have a little downtime. Donald, come on, you want to

565
00:35:27,040 --> 00:35:29,680
Speaker 1: get into dude, you didn't want to listen to me Zelda.

566
00:35:31,040 --> 00:35:32,400
Speaker 1: I don't think Zelda is gonna be my thing. I

567
00:35:32,440 --> 00:35:34,200
Speaker 1: don't want to have a I don't want to I'm

568
00:35:34,280 --> 00:35:37,239
Speaker 1: weigh into more than natural, like like Hitman or the

569
00:35:37,360 --> 00:35:42,200
Speaker 1: Cowboy one you mentioned I liked. Yeah, I just that

570
00:35:42,680 --> 00:35:45,960
Speaker 1: it was the story of that game is so gripping,

571
00:35:46,200 --> 00:35:48,680
Speaker 1: it's so so so good. Yeah, I think that's more

572
00:35:48,800 --> 00:35:51,480
Speaker 1: my speed. Now I do have the latest hit Man,

573
00:35:51,680 --> 00:35:54,160
Speaker 1: and it made me really scared. I was. I was,

574
00:35:55,080 --> 00:35:58,800
Speaker 1: I really it was so realistic. Yeah that I I

575
00:35:59,000 --> 00:36:03,520
Speaker 1: was frightened. I was. I panicked. Okay, it hasn't been

576
00:36:03,560 --> 00:36:10,520
Speaker 1: in the Olympics, but okay, find long enough. Okay, let's

577
00:36:10,560 --> 00:36:12,279
Speaker 1: just drive by the way. Okay, we're gonna let the

578
00:36:12,320 --> 00:36:13,799
Speaker 1: guest in in a second. But I want to give

579
00:36:13,800 --> 00:36:15,760
Speaker 1: a shout out to that you're going to be Okay.

580
00:36:15,880 --> 00:36:18,200
Speaker 1: That was more like a rent song. That's what's going

581
00:36:18,320 --> 00:36:24,319
Speaker 1: to happen. Everything's okay. Five thousand, twenty five thousand, six

582
00:36:24,600 --> 00:36:49,719
Speaker 1: hundred ninety five thousand, little emotional this to happen. It's

583
00:36:49,800 --> 00:36:52,879
Speaker 1: so pretty, it's really lovely. This would not have worked

584
00:36:52,920 --> 00:36:56,120
Speaker 1: at all if all of these creative groups didn't come together.

585
00:36:56,600 --> 00:36:59,080
Speaker 1: It's you know, all I kept thinking about was how

586
00:36:59,120 --> 00:37:01,680
Speaker 1: many of these dances were in La La Land. A

587
00:37:01,840 --> 00:37:05,640
Speaker 1: lot of those dancers are all the background people were

588
00:37:05,719 --> 00:37:09,320
Speaker 1: professional dancers, and well, keep in mind, this is twenty

589
00:37:09,960 --> 00:37:11,319
Speaker 1: I don't know if it's twenty how many years ago,

590
00:37:11,400 --> 00:37:14,919
Speaker 1: two thousand and six. I'm bad at Matthew sixteen years ago.

591
00:37:15,000 --> 00:37:19,680
Speaker 1: So some of them man have retired, but La Land, Okay,

592
00:37:19,719 --> 00:37:21,759
Speaker 1: don't yell about some of them even sang in La

593
00:37:21,840 --> 00:37:25,880
Speaker 1: La Land. Listen, can sang, well, I'm gonna see that

594
00:37:26,239 --> 00:37:29,879
Speaker 1: Donald found. Donald's connection to this was trying to figure

595
00:37:29,920 --> 00:37:32,719
Speaker 1: out how many people from this may have been in

596
00:37:32,800 --> 00:37:36,120
Speaker 1: La La Land. That's right. I think about that day

597
00:37:36,960 --> 00:37:39,160
Speaker 1: because this is the this is the opening number all

598
00:37:39,239 --> 00:37:42,759
Speaker 1: over again. I met, I left him at a Grayhound

599
00:37:43,000 --> 00:37:48,960
Speaker 1: stationed weston Santa Fe. We were seventeen and he was young,

600
00:37:49,040 --> 00:37:52,719
Speaker 1: and it was true. I knew what I had to do.

601
00:37:54,840 --> 00:37:57,480
Speaker 1: She didn't even give him a chance to come to Paris.

602
00:37:57,640 --> 00:38:03,399
Speaker 1: Give him a chance. I was jazz blubbling Paris in Paris. Yeah,

603
00:38:03,440 --> 00:38:07,399
Speaker 1: why can't Why why not invite him as huge in Paris? Yeah,

604
00:38:07,480 --> 00:38:11,120
Speaker 1: like we have, we have this insane connection, and why

605
00:38:11,160 --> 00:38:13,880
Speaker 1: don't you come work? Did you ever watch the Aristocrats?

606
00:38:14,280 --> 00:38:18,120
Speaker 1: Did you ever watch the Aristocrats? Were freaking Cruella to

607
00:38:18,200 --> 00:38:21,520
Speaker 1: build the one hundred and one Dalmatians jazz was huge

608
00:38:21,600 --> 00:38:25,600
Speaker 1: Cruella del Okay, that's a weird reference. But I just

609
00:38:25,719 --> 00:38:29,040
Speaker 1: want to say that there's no reason that he couldn't

610
00:38:29,040 --> 00:38:31,879
Speaker 1: have gone to Paris. All right, let's go to break

611
00:38:31,920 --> 00:38:33,439
Speaker 1: and when we come back, we're gonna have a guest

612
00:38:33,600 --> 00:38:36,440
Speaker 1: and they better have a good musical question Joel or

613
00:38:36,760 --> 00:38:39,400
Speaker 1: I'm all I'm saying is he could have went to

614
00:38:39,480 --> 00:38:41,680
Speaker 1: Paris with him. Yeah, we'll be back. We got it.

615
00:38:49,320 --> 00:38:58,759
Speaker 1: We're back. We are back. Welcome to a show. All right, kids, Um,

616
00:38:58,920 --> 00:39:01,719
Speaker 1: we're back. Let's bring in um the caller. I'm so

617
00:39:01,840 --> 00:39:03,759
Speaker 1: excited we didn't we missed a caller last week. I

618
00:39:03,840 --> 00:39:06,239
Speaker 1: apologize it was my fault. And now we have a caller.

619
00:39:06,360 --> 00:39:14,320
Speaker 1: Let's do it. Play that song? Can talk, you know,

620
00:39:14,480 --> 00:39:20,920
Speaker 1: like a booke z maybe talking about the episode. So

621
00:39:21,200 --> 00:39:28,080
Speaker 1: come on, let's get Oh ladies and gentlemen, give it

622
00:39:28,280 --> 00:39:40,040
Speaker 1: up for Ryan and Jenna before you even say an even.

623
00:39:40,560 --> 00:39:43,640
Speaker 1: I just wanted the audience to know that they couldn't

624
00:39:43,640 --> 00:39:47,120
Speaker 1: have a more perfect background for this podcast. One is

625
00:39:47,160 --> 00:39:50,040
Speaker 1: a poster of Star Wars, and one is a poster

626
00:39:50,200 --> 00:39:54,239
Speaker 1: of Cosette and Lames rob and Um, you get us,

627
00:39:54,960 --> 00:39:59,160
Speaker 1: you get us. You guys should just come before you

628
00:39:59,200 --> 00:40:02,640
Speaker 1: even speak. You should just joined the show as regular

629
00:40:02,920 --> 00:40:08,920
Speaker 1: co hosts because you understand us. I should die now

630
00:40:09,040 --> 00:40:13,840
Speaker 1: she goes across the sea. Life without Cosette means nothing

631
00:40:13,920 --> 00:40:22,400
Speaker 1: at all? What's that if I were to fall? See that?

632
00:40:26,160 --> 00:40:28,880
Speaker 1: All right? Hi guys, welcome to the program. Um. We

633
00:40:28,960 --> 00:40:33,520
Speaker 1: obviously have shared interests. Um Um, tell us about yourselves

634
00:40:33,600 --> 00:40:35,880
Speaker 1: and how Joel chose you. What did you write? You

635
00:40:35,960 --> 00:40:40,359
Speaker 1: must have written something juicy. I don't know about juicy. Um.

636
00:40:40,960 --> 00:40:43,320
Speaker 1: You know we've been fans of the party. Sound like

637
00:40:43,440 --> 00:40:45,800
Speaker 1: Elvis man, he came in smooth and it didn't he

638
00:40:46,280 --> 00:40:49,759
Speaker 1: he came in real smooth. But okay, Ryan, I don't know.

639
00:40:50,640 --> 00:40:53,880
Speaker 1: I don't know about it. I don't know all that.

640
00:40:54,040 --> 00:40:55,960
Speaker 1: But I'll tell you I did have a I did

641
00:40:56,040 --> 00:41:01,080
Speaker 1: have a brief call with Joel and real, Oh my gosh,

642
00:41:01,760 --> 00:41:09,200
Speaker 1: I was able. You want to get get that, get

643
00:41:09,280 --> 00:41:11,120
Speaker 1: that recorded for me and so I can play my

644
00:41:11,160 --> 00:41:12,880
Speaker 1: students and up my street credit a little bit. That

645
00:41:12,960 --> 00:41:17,440
Speaker 1: because I send an email, I asked Joel to hop

646
00:41:17,520 --> 00:41:24,120
Speaker 1: on the phone. So now I've got so now I've

647
00:41:24,160 --> 00:41:26,320
Speaker 1: got you know, with the beard. It's a bit different,

648
00:41:26,440 --> 00:41:29,040
Speaker 1: but a lot of my life I've been given the

649
00:41:29,560 --> 00:41:31,680
Speaker 1: you look a little like Zach Braff, and now I've

650
00:41:31,719 --> 00:41:34,680
Speaker 1: got Tack doing an impression of me. That's pretty surreal. Well,

651
00:41:34,680 --> 00:41:36,680
Speaker 1: you're gonna have it because this podcast will be out

652
00:41:36,760 --> 00:41:38,880
Speaker 1: there for all the world and you can make it

653
00:41:38,960 --> 00:41:43,439
Speaker 1: your ring tone. Can't wait? All right, guys, what's your question?

654
00:41:43,520 --> 00:41:45,279
Speaker 1: Go ahead? Tell us, tell us about yourself. So we

655
00:41:45,719 --> 00:41:49,359
Speaker 1: we wrote in because, you know, asides from being great

656
00:41:49,440 --> 00:41:52,319
Speaker 1: fans of the show, we thought it would be really

657
00:41:52,400 --> 00:41:54,640
Speaker 1: neat if you had a couple of music teachers on

658
00:41:55,400 --> 00:41:58,960
Speaker 1: to for the my musical episode. That's one of them.

659
00:41:59,400 --> 00:42:01,200
Speaker 1: Is good? All right, I'm not gonna have to flip

660
00:42:01,239 --> 00:42:04,919
Speaker 1: the desk. Thank god, thank god, thank god. You're both

661
00:42:05,080 --> 00:42:09,239
Speaker 1: music teachers. And for what? For what grade I teach?

662
00:42:09,560 --> 00:42:11,880
Speaker 1: Or or I guess what ages? Yeah, I'm a middle

663
00:42:11,880 --> 00:42:15,360
Speaker 1: school teacher. I teach band in orchestra and jazz, and

664
00:42:15,719 --> 00:42:18,839
Speaker 1: I do a choir with six through twelve grade six

665
00:42:18,920 --> 00:42:21,080
Speaker 1: through twelve. Oh my god, is it as fun as

666
00:42:21,120 --> 00:42:24,000
Speaker 1: it seems on Glee? Because it just looks like they're

667
00:42:24,040 --> 00:42:26,879
Speaker 1: having such a good time. I can't stand Glee because

668
00:42:26,880 --> 00:42:31,439
Speaker 1: it's so not real. I love the music. The music

669
00:42:31,520 --> 00:42:33,719
Speaker 1: of it is really really great. And I've done some

670
00:42:33,840 --> 00:42:36,600
Speaker 1: of those arrangers, arrangements and with my groups before, so

671
00:42:36,719 --> 00:42:38,839
Speaker 1: there's that's always now you must have a kid, both

672
00:42:38,920 --> 00:42:42,520
Speaker 1: of you who you I imagine this is exciting when

673
00:42:43,000 --> 00:42:45,920
Speaker 1: so many of the children have good talent and average

674
00:42:45,960 --> 00:42:48,640
Speaker 1: talent and it's just they're they're living their best selves

675
00:42:48,680 --> 00:42:52,040
Speaker 1: because they're expressing themselves through music and song. But it

676
00:42:52,120 --> 00:42:54,840
Speaker 1: must be so thrilling when you go, oh my god,

677
00:42:55,000 --> 00:42:56,719
Speaker 1: we got one on the hook. We got a kid

678
00:42:56,840 --> 00:43:00,719
Speaker 1: that's extra special. Got a few of those. And the

679
00:43:02,160 --> 00:43:05,840
Speaker 1: really rewarding part is when that that creates a feedback

680
00:43:05,880 --> 00:43:08,520
Speaker 1: loop with other kids and they see that passion and

681
00:43:08,640 --> 00:43:12,839
Speaker 1: it becomes contagious. They get inspired. They go, I want

682
00:43:12,880 --> 00:43:14,960
Speaker 1: to be as good as so and so right very much.

683
00:43:15,560 --> 00:43:17,799
Speaker 1: It's fun to watch. Oh, I want to I want

684
00:43:17,800 --> 00:43:21,279
Speaker 1: to be a teacher. Donald, you are a teacher. I

685
00:43:21,440 --> 00:43:23,720
Speaker 1: occasionally would go to Northwestern where I went to college,

686
00:43:23,800 --> 00:43:26,920
Speaker 1: and uh and and give a try and give you know,

687
00:43:27,080 --> 00:43:30,160
Speaker 1: speeches and and give back to the to the college

688
00:43:30,239 --> 00:43:32,080
Speaker 1: kids in some way, which I should do again because

689
00:43:32,080 --> 00:43:33,840
Speaker 1: I got so much out of it. It's so fulfilling.

690
00:43:34,640 --> 00:43:37,160
Speaker 1: But but, um, you're doing this at such a young

691
00:43:37,280 --> 00:43:40,040
Speaker 1: age where you're really shape. You're these kids who are

692
00:43:40,120 --> 00:43:41,879
Speaker 1: in your classes, they must love it. This is probably

693
00:43:41,920 --> 00:43:44,600
Speaker 1: their favorite class, right for many of them? Yeah, for

694
00:43:44,920 --> 00:43:47,560
Speaker 1: for for so many it's the reason that they choose

695
00:43:47,600 --> 00:43:50,560
Speaker 1: to come to school, you know, particularly now when we're

696
00:43:50,600 --> 00:43:54,759
Speaker 1: all going through various struggles over the last couple of years.

697
00:43:54,920 --> 00:43:56,480
Speaker 1: If you can tell a kid, hey, you know, we'll

698
00:43:56,480 --> 00:43:58,040
Speaker 1: get you out of a textbook and we'll get you

699
00:43:58,120 --> 00:44:01,840
Speaker 1: out of, you know, all the rigors of your typical subjects,

700
00:44:01,840 --> 00:44:04,320
Speaker 1: and you can come in and create and and be

701
00:44:04,440 --> 00:44:06,279
Speaker 1: who you are and be accepted for who you are.

702
00:44:06,400 --> 00:44:11,759
Speaker 1: And um, that's that's mostly mostly what everybody needs. How

703
00:44:11,840 --> 00:44:16,080
Speaker 1: are you as a teacher? Um? Um, are you able

704
00:44:16,120 --> 00:44:18,160
Speaker 1: to teach any instrument? I mean, how does that work?

705
00:44:18,480 --> 00:44:22,160
Speaker 1: That's a good question. So we actually the short answers, Yes,

706
00:44:22,280 --> 00:44:25,040
Speaker 1: we compliment each other pretty well. Um. Part of our

707
00:44:25,960 --> 00:44:28,640
Speaker 1: clear your training is learning how to play all these instruments,

708
00:44:28,680 --> 00:44:31,960
Speaker 1: so we can be effective instructors. But whatever I don't play,

709
00:44:32,080 --> 00:44:34,640
Speaker 1: she plays, and vice versa. So it's sort of just

710
00:44:35,360 --> 00:44:37,480
Speaker 1: it worked out. Are there kids in your class that

711
00:44:37,680 --> 00:44:41,560
Speaker 1: play any of the instruments better than you. That's the

712
00:44:41,719 --> 00:44:46,640
Speaker 1: end goal. That's I would like. Yeah, yeah, no, they will,

713
00:44:46,920 --> 00:44:50,040
Speaker 1: they will eventually, eventually, they will eventually. I just wondered

714
00:44:50,040 --> 00:44:52,720
Speaker 1: if there's anyone who's like a mega standard. They definitely

715
00:44:52,800 --> 00:44:56,320
Speaker 1: have a few. Absolutely. I love that. I love that

716
00:44:56,440 --> 00:44:59,040
Speaker 1: you're you're sharing music because it can be taught in

717
00:44:59,160 --> 00:45:02,120
Speaker 1: so many ways. There's so many instruments, there's so many

718
00:45:02,160 --> 00:45:04,640
Speaker 1: ways to use your voice, there's so many ways to

719
00:45:04,840 --> 00:45:09,560
Speaker 1: be musical, and you know, just opening the door for

720
00:45:09,840 --> 00:45:13,880
Speaker 1: someone like you guys are talking about. Yeah, sure there's standouts,

721
00:45:13,920 --> 00:45:16,160
Speaker 1: but there's going to be somebody that takes what you

722
00:45:16,320 --> 00:45:19,360
Speaker 1: teach them and take it to a level that you

723
00:45:19,480 --> 00:45:23,000
Speaker 1: guys never expected to ever ever see. And the impact

724
00:45:23,040 --> 00:45:25,000
Speaker 1: you're going to have on these children because of course,

725
00:45:25,680 --> 00:45:29,000
Speaker 1: of course a few may pursue music, but also the

726
00:45:29,160 --> 00:45:31,239
Speaker 1: skill sets you're giving them to stand in front of

727
00:45:31,239 --> 00:45:35,200
Speaker 1: an audience, to have the courage to put themselves out there,

728
00:45:35,760 --> 00:45:39,200
Speaker 1: to perform, to work with each other. I mean, think

729
00:45:39,239 --> 00:45:42,280
Speaker 1: of all the different skills, you know, you think about

730
00:45:42,440 --> 00:45:45,839
Speaker 1: all the bullshit. There's an old Paul Simon lyric. When

731
00:45:45,880 --> 00:45:48,279
Speaker 1: I think back on all the crap I learned in

732
00:45:48,400 --> 00:45:51,200
Speaker 1: high school. It's a wonder I can think at all.

733
00:45:52,800 --> 00:45:54,759
Speaker 1: And you know, there's a lot of stuff you learned

734
00:45:54,840 --> 00:45:56,920
Speaker 1: that you're like, why the fuck that I learned that.

735
00:45:57,000 --> 00:45:59,000
Speaker 1: I would have rather learned how to fix my car.

736
00:45:59,120 --> 00:46:01,560
Speaker 1: I'd rather learn how to do my taxes. I'd rather

737
00:46:01,760 --> 00:46:03,719
Speaker 1: learn how to play a fucking instrument, for the love

738
00:46:03,760 --> 00:46:08,399
Speaker 1: of God. Um. So my point is is that you're

739
00:46:08,440 --> 00:46:11,800
Speaker 1: teaching them a skill set that isn't just singing and

740
00:46:12,400 --> 00:46:16,000
Speaker 1: and and we're playing an instrument. It's collaborating with their peers,

741
00:46:16,440 --> 00:46:19,359
Speaker 1: having the courage to stand in front of a group. Um,

742
00:46:19,840 --> 00:46:22,920
Speaker 1: you know. So that's so important anytime you want to

743
00:46:22,960 --> 00:46:27,239
Speaker 1: come on behind, give the pitch man. We love. It's

744
00:46:27,239 --> 00:46:29,279
Speaker 1: like you guys are doing good on your own. Where

745
00:46:29,320 --> 00:46:30,960
Speaker 1: where are you? Where are you? Where? Where? What? Where

746
00:46:31,120 --> 00:46:34,359
Speaker 1: is this happening? We live in a very little town

747
00:46:34,640 --> 00:46:37,360
Speaker 1: called burn, Indiana, near the Fort Wayne area, and I

748
00:46:37,480 --> 00:46:40,920
Speaker 1: teach him and she's here in town from Chicago and

749
00:46:41,000 --> 00:46:42,680
Speaker 1: I'm from Ohio. We kind of ended up in the

750
00:46:42,719 --> 00:46:46,279
Speaker 1: middle Fort Wayne, Indiana. In the middle. We have a

751
00:46:46,360 --> 00:46:52,080
Speaker 1: friend that was on a show about the Middle Indiana,

752
00:46:52,239 --> 00:46:57,160
Speaker 1: Neil Flynn. Flynn Indiana to consider the middle Well, that's

753
00:46:57,200 --> 00:46:59,040
Speaker 1: what that's where the show takes place, isn't it. I

754
00:46:59,120 --> 00:47:01,479
Speaker 1: think I guess it's a middle class that they're talking

755
00:47:01,520 --> 00:47:04,359
Speaker 1: about on that one. Why I think, yes, I think

756
00:47:04,400 --> 00:47:07,520
Speaker 1: they're referencing being but not in the middle of the

757
00:47:07,600 --> 00:47:10,759
Speaker 1: country because the middle of the country isn't I don't know,

758
00:47:11,280 --> 00:47:14,040
Speaker 1: I don't know. Um, all right, so do you guys

759
00:47:14,080 --> 00:47:17,480
Speaker 1: have a question for us? Yes? Absolutely, Um, we kind

760
00:47:17,520 --> 00:47:20,239
Speaker 1: of had a thought we'd start with a fun one. Um,

761
00:47:20,960 --> 00:47:23,360
Speaker 1: you know, for my musical. You guys turned the sitcom

762
00:47:23,520 --> 00:47:29,080
Speaker 1: Scrubs into a musical. What musical would you then try

763
00:47:29,120 --> 00:47:36,160
Speaker 1: to turn into a sitcom? And who wouldn't cast? Oh shit? Wow? Um?

764
00:47:38,440 --> 00:47:41,560
Speaker 1: If I could turn a musical into a sitcom, well,

765
00:47:41,640 --> 00:47:44,880
Speaker 1: that's a really hard that's a tough one. They do

766
00:47:45,000 --> 00:47:50,600
Speaker 1: it a lot, you know, uh h if Okay, So

767
00:47:50,840 --> 00:47:53,520
Speaker 1: let's go Disney musicals because that's probably ones that are

768
00:47:53,600 --> 00:47:56,400
Speaker 1: easily viewed, like they did Cinderella and they made it

769
00:47:56,440 --> 00:47:59,160
Speaker 1: so it wasn't a musical and that worked kind of.

770
00:47:59,400 --> 00:48:02,600
Speaker 1: I guess any of those fairy tales could work, uh

771
00:48:03,080 --> 00:48:06,040
Speaker 1: not as musical, but if you like talking traditional Broadway

772
00:48:09,080 --> 00:48:11,279
Speaker 1: is Way more verse than now. Yeah, Donald just knows

773
00:48:11,320 --> 00:48:13,600
Speaker 1: Disney musicals. I'm trying to think of what would be

774
00:48:13,680 --> 00:48:18,120
Speaker 1: a good what's a um Something Rotten was a great

775
00:48:18,440 --> 00:48:21,719
Speaker 1: musical that I really loved. I know this is sort

776
00:48:21,719 --> 00:48:23,800
Speaker 1: of a weird reference because most people won't get it

777
00:48:23,880 --> 00:48:27,759
Speaker 1: unless you're a Broadway geek. But I think that could

778
00:48:27,880 --> 00:48:30,280
Speaker 1: make a good That would have made a good series.

779
00:48:31,360 --> 00:48:37,680
Speaker 1: Um Noise Bringing the Funk would be a great live

780
00:48:37,760 --> 00:48:42,360
Speaker 1: action from a series. Just take out all the tapping

781
00:48:42,719 --> 00:48:45,680
Speaker 1: and all the music and just have people talk, oh

782
00:48:45,760 --> 00:48:53,520
Speaker 1: my gosh, he's he's. And then what if you were

783
00:48:53,560 --> 00:48:56,560
Speaker 1: to take you know, something that's been on TV, you know,

784
00:48:56,680 --> 00:48:58,880
Speaker 1: if it was mash or Cheers or I Love Lucier,

785
00:48:58,920 --> 00:49:01,160
Speaker 1: you know, something like that, and put it on Broadway.

786
00:49:01,200 --> 00:49:04,359
Speaker 1: What would you what would you pick there? Oh? Well,

787
00:49:04,400 --> 00:49:06,320
Speaker 1: that's I mean, you could do anything with that. Buffy

788
00:49:06,360 --> 00:49:08,520
Speaker 1: the Vampire Slayer is a great Broadway show. All of

789
00:49:08,600 --> 00:49:10,959
Speaker 1: these things, like, when you really think about it, any

790
00:49:11,120 --> 00:49:15,160
Speaker 1: any any television you could turn into into a musical

791
00:49:15,840 --> 00:49:19,040
Speaker 1: because you're adding an extra exciting element. And the Buffy

792
00:49:19,120 --> 00:49:20,920
Speaker 1: I didn't see it, but Buffy did him. It's one

793
00:49:20,960 --> 00:49:23,480
Speaker 1: of the best. It's one of the best TV. Yeah,

794
00:49:23,560 --> 00:49:25,600
Speaker 1: it's one of the best TVs ever. It's like this

795
00:49:25,920 --> 00:49:28,440
Speaker 1: uh this uh witch or not a witch. It's like

796
00:49:28,520 --> 00:49:31,440
Speaker 1: a demon comes to town or something like that and

797
00:49:31,600 --> 00:49:34,200
Speaker 1: makes it so everybody has to sing the shit scary too.

798
00:49:34,280 --> 00:49:37,360
Speaker 1: It's not like some there's a silent episode. Yo. You

799
00:49:37,440 --> 00:49:41,080
Speaker 1: want to talk about dope television. Buffy the Vampire Slayer,

800
00:49:41,480 --> 00:49:45,520
Speaker 1: That Yo, that's some dope TV. Be Joel is furiously

801
00:49:45,560 --> 00:49:50,200
Speaker 1: gnawing her head. I've never seen an episode of Buffy,

802
00:49:50,239 --> 00:49:53,160
Speaker 1: have you, Dan? Oh? Dude, it's good, man, it's good,

803
00:49:53,880 --> 00:49:56,400
Speaker 1: like straight of a vampire guy. As soon as you

804
00:49:56,480 --> 00:49:59,759
Speaker 1: say vamp, I don't show I started this is the

805
00:49:59,760 --> 00:50:01,400
Speaker 1: show would have started it all though, you know what

806
00:50:01,480 --> 00:50:05,359
Speaker 1: I mean. Buffy the movie, uh started all of that shit.

807
00:50:05,840 --> 00:50:08,240
Speaker 1: And then and then to tell them other than doctor Acula,

808
00:50:08,360 --> 00:50:12,160
Speaker 1: I'm not much interested in anyone else's tell Dracula would

809
00:50:12,160 --> 00:50:15,400
Speaker 1: be a great music Doctor Accula the musical, great musical.

810
00:50:15,560 --> 00:50:18,799
Speaker 1: Maybe guys can have the Jackson the musical Alabama Jack.

811
00:50:19,800 --> 00:50:22,239
Speaker 1: I'd love to make that musical. A don't swim, let's

812
00:50:22,320 --> 00:50:26,520
Speaker 1: make it. Um, all right, what's your next question? Um?

813
00:50:28,080 --> 00:50:33,400
Speaker 1: We we love watching shows repeatedly and tracking character development

814
00:50:33,440 --> 00:50:36,839
Speaker 1: and evolution, you know, through those shows. Sometimes Jad and Turk,

815
00:50:36,960 --> 00:50:40,600
Speaker 1: as you guys have said, are indistinguishable from Zach and Donald. Um,

816
00:50:41,360 --> 00:50:44,560
Speaker 1: in what unexpected ways did these characters evolved during the show?

817
00:50:44,920 --> 00:50:47,880
Speaker 1: And I guess, in what unexpected ways did portraying these

818
00:50:48,000 --> 00:50:51,400
Speaker 1: characters change you as people? It became it's a great question,

819
00:50:51,480 --> 00:50:54,000
Speaker 1: and it became more and more me and Donald because Um,

820
00:50:55,280 --> 00:50:57,360
Speaker 1: Bill would like, you know, run on the storylines, and

821
00:50:57,400 --> 00:50:58,759
Speaker 1: he would just be like, what did you and Donald

822
00:50:58,800 --> 00:51:07,400
Speaker 1: do this weekend? The next episode? The next episode? No,

823
00:51:07,560 --> 00:51:09,560
Speaker 1: we really, you know, because the characters. I think one

824
00:51:09,600 --> 00:51:11,400
Speaker 1: of the reasons we got the parts was we were

825
00:51:11,520 --> 00:51:15,680
Speaker 1: we were similar to the characters, really, I mean, um

826
00:51:16,040 --> 00:51:19,759
Speaker 1: and and then and then we leaned into it, and

827
00:51:19,880 --> 00:51:23,320
Speaker 1: Bill evolved the characters around us and around our strengths

828
00:51:23,560 --> 00:51:27,160
Speaker 1: and around what we found funny and thank god, you know,

829
00:51:27,320 --> 00:51:30,440
Speaker 1: Bill and and and we is that the way say it?

830
00:51:30,520 --> 00:51:32,920
Speaker 1: We and Bill, Bill and Bill and us have the

831
00:51:33,000 --> 00:51:35,719
Speaker 1: same have the same sense of humor. I'm not going

832
00:51:35,760 --> 00:51:38,080
Speaker 1: to get upset about it. I don't think that we. Um.

833
00:51:38,960 --> 00:51:41,120
Speaker 1: Here's a great question. I'm gonna build off of yours.

834
00:51:41,520 --> 00:51:44,280
Speaker 1: Down is there any way any way that you're nothing

835
00:51:44,400 --> 00:51:54,880
Speaker 1: like Turk. No, I mean feel like I'm not a

836
00:51:55,000 --> 00:51:58,239
Speaker 1: doctor like No, I'm I mean, I mean other than

837
00:51:58,280 --> 00:52:01,600
Speaker 1: the obvious, I mean like personality wise, I think you're pretty.

838
00:52:02,680 --> 00:52:07,720
Speaker 1: I mean, he is a a family man, You're very funny.

839
00:52:09,120 --> 00:52:11,200
Speaker 1: Everything that I played in Turk was I don't like

840
00:52:11,280 --> 00:52:13,840
Speaker 1: Apple teenis and that upsets people. So I'm sorry to

841
00:52:13,920 --> 00:52:18,239
Speaker 1: have to tell you that. Um, I love sports like

842
00:52:18,960 --> 00:52:21,800
Speaker 1: I once tweeted that. I once tweeted that, and everyone

843
00:52:21,880 --> 00:52:27,759
Speaker 1: someone wrote everything I believed is a lie. That's a

844
00:52:27,760 --> 00:52:33,839
Speaker 1: little Um. Yeah, I mean I think that. Yeah, I think.

845
00:52:33,960 --> 00:52:36,960
Speaker 1: I think as you see from as you hear from

846
00:52:37,000 --> 00:52:39,480
Speaker 1: listening to the podcast, we are we are quite similar,

847
00:52:39,560 --> 00:52:41,719
Speaker 1: I think to the to the characters. That's probably why

848
00:52:41,760 --> 00:52:45,560
Speaker 1: the reasons this has been so popular for people because

849
00:52:45,920 --> 00:52:48,400
Speaker 1: it's kind of like just chilling with with j D

850
00:52:48,520 --> 00:52:50,200
Speaker 1: and Turk in a lot of ways, except we're allowed

851
00:52:50,239 --> 00:52:54,760
Speaker 1: to curse now and um and uh. We we sometimes

852
00:52:54,800 --> 00:52:58,120
Speaker 1: get explicit, like when we had that couple on Joel,

853
00:52:58,160 --> 00:53:00,520
Speaker 1: we're due for them to come back. We need to

854
00:53:00,640 --> 00:53:04,319
Speaker 1: check in see if there's been any evolution. Mention them

855
00:53:04,400 --> 00:53:09,160
Speaker 1: every single episode. No, we don't. We don't fascinating maybe

856
00:53:09,320 --> 00:53:13,239
Speaker 1: fascinating situation maybe once a month. It's it's the most

857
00:53:13,320 --> 00:53:17,279
Speaker 1: Jerry Springer we ever got, and we're kind of don't, don't, don't, don't.

858
00:53:17,320 --> 00:53:19,279
Speaker 1: I don't think it's Jerry Springer. It's just the most

859
00:53:19,400 --> 00:53:24,000
Speaker 1: fascinating situation. We both are into what they were talking about,

860
00:53:24,239 --> 00:53:26,400
Speaker 1: and so we want to hear more. It's more curious.

861
00:53:26,520 --> 00:53:29,480
Speaker 1: They're very good guests, but you guys are better. All right,

862
00:53:29,600 --> 00:53:33,680
Speaker 1: it's time for Fort Wayne, Indiana's favorite segment. Donald, it's

863
00:53:33,760 --> 00:53:43,120
Speaker 1: time to fix your We have some new sound effects

864
00:53:43,200 --> 00:53:45,960
Speaker 1: to go along with that one you just heard. Um,

865
00:53:46,040 --> 00:53:50,040
Speaker 1: I might try this one, or I might try this one.

866
00:53:52,239 --> 00:53:58,200
Speaker 1: All right, that's Jerry Springer that one. Listen to the

867
00:53:58,280 --> 00:54:01,600
Speaker 1: last episode that you posted like this morning, like whatever

868
00:54:01,719 --> 00:54:04,920
Speaker 1: came up this? Okay, so you've heard some of these

869
00:54:04,960 --> 00:54:10,719
Speaker 1: signs of the sound pity, Yeah, pretty much. My whole

870
00:54:10,760 --> 00:54:14,000
Speaker 1: desk is sound pads. Now, all right, go ahead, how

871
00:54:14,000 --> 00:54:15,439
Speaker 1: do we fix your life? We're good at this. We're

872
00:54:15,520 --> 00:54:17,200
Speaker 1: all rusty. You haven't had a guest in a moment,

873
00:54:17,239 --> 00:54:20,360
Speaker 1: so we're ready. Donald lean forward. Here we go go

874
00:54:20,400 --> 00:54:23,759
Speaker 1: like Donald, lean forward and go like this. So art

875
00:54:24,000 --> 00:54:27,280
Speaker 1: fix your life is on behalf of fine arts teachers

876
00:54:27,280 --> 00:54:30,920
Speaker 1: and students everywhere. We feel that, you know, a lot

877
00:54:30,960 --> 00:54:33,640
Speaker 1: of our students are stressed and drained. Mental health is

878
00:54:33,680 --> 00:54:36,880
Speaker 1: suffering in our schools. And the arts, as we said earlier,

879
00:54:37,360 --> 00:54:40,520
Speaker 1: give students and communities a creative outlet and an escape.

880
00:54:40,920 --> 00:54:43,600
Speaker 1: But nationwide, a lot of these programs are facing cutbacks.

881
00:54:44,760 --> 00:54:48,440
Speaker 1: You both clearly had meaningful arts experiences as part of

882
00:54:48,520 --> 00:54:52,040
Speaker 1: your education. Drawing on those, how would you advocate for

883
00:54:52,160 --> 00:54:57,360
Speaker 1: fine art programs in school or help us advocate? Tell u,

884
00:54:57,440 --> 00:54:59,120
Speaker 1: I mean, tell us, First of all, you've got a

885
00:54:59,320 --> 00:55:02,719
Speaker 1: whole a ton of people listening right now, So tell

886
00:55:02,920 --> 00:55:07,600
Speaker 1: us and them, um, what to do. I know that

887
00:55:07,719 --> 00:55:09,800
Speaker 1: this is a problem. I know that schools are cutting

888
00:55:09,840 --> 00:55:15,600
Speaker 1: back on these programs because of budget cuts, particularly public schools. Um,

889
00:55:16,560 --> 00:55:18,840
Speaker 1: that's where the hits are really taken it. You know,

890
00:55:18,960 --> 00:55:20,880
Speaker 1: we go to private because of all of the budget

891
00:55:20,920 --> 00:55:23,319
Speaker 1: cuts that are happening in public schools, which is it's

892
00:55:23,560 --> 00:55:27,560
Speaker 1: it's it's you know, for people that are in public

893
00:55:27,640 --> 00:55:30,160
Speaker 1: school and have to deal with some of these cutbacks,

894
00:55:30,200 --> 00:55:33,120
Speaker 1: it's very very scary. Like, yeah, you know, the schools

895
00:55:33,160 --> 00:55:35,359
Speaker 1: in La there's a nurse that comes once a month,

896
00:55:35,800 --> 00:55:38,160
Speaker 1: you know what I mean, there's no nurse stationed in schools.

897
00:55:38,480 --> 00:55:40,560
Speaker 1: So if your child has a nut allergy, or if

898
00:55:40,640 --> 00:55:43,200
Speaker 1: something happens and a nurse just doesn't happen to be

899
00:55:43,320 --> 00:55:45,520
Speaker 1: there that day. You know, it's like there's so many

900
00:55:45,920 --> 00:55:49,120
Speaker 1: there's so many things, Jim, that's that's that's on its

901
00:55:49,160 --> 00:55:51,960
Speaker 1: way out the door, you know what I mean, Physical

902
00:55:52,239 --> 00:55:55,640
Speaker 1: physical education that's out the door, you know. Uh, and

903
00:55:55,880 --> 00:55:57,920
Speaker 1: music that you know, we've been fighting for music for

904
00:55:58,040 --> 00:56:01,560
Speaker 1: how long now and and and it still can't you know,

905
00:56:02,040 --> 00:56:04,640
Speaker 1: the bill still can't get past to keep music in

906
00:56:04,719 --> 00:56:09,400
Speaker 1: all schools. It's such a it's so it's draining, especially

907
00:56:09,440 --> 00:56:11,440
Speaker 1: for someone who's in the arts. You guys are in

908
00:56:11,520 --> 00:56:14,360
Speaker 1: the arts and you're trying to teach the arts to kids.

909
00:56:14,640 --> 00:56:18,520
Speaker 1: I can't imagine all of the barriers, you know, Like

910
00:56:18,640 --> 00:56:20,279
Speaker 1: I don't know what your school is like, but how

911
00:56:20,360 --> 00:56:22,919
Speaker 1: do you get music into the school? Like it? Maybe

912
00:56:22,960 --> 00:56:25,520
Speaker 1: if you tell people you know about the problems that

913
00:56:25,640 --> 00:56:28,799
Speaker 1: you're dealing with, maybe that'll help people. Maybe that'll make people,

914
00:56:28,840 --> 00:56:31,120
Speaker 1: I mean to invest What comes to my mind is

915
00:56:31,840 --> 00:56:36,799
Speaker 1: getting people to show up to these these meetings, these

916
00:56:37,600 --> 00:56:42,200
Speaker 1: budget meetings where these decisions are made. Um, I know

917
00:56:42,320 --> 00:56:46,320
Speaker 1: they're all gone. Those meetings or can get pretty wacky.

918
00:56:46,880 --> 00:56:50,920
Speaker 1: But if you have, um, if you have people that

919
00:56:51,080 --> 00:56:54,400
Speaker 1: come and can add, if you can rally the people

920
00:56:54,440 --> 00:56:57,360
Speaker 1: in the community whose children have been affected positively by this,

921
00:56:57,960 --> 00:57:01,279
Speaker 1: and especially not and probably bizarrely not even just like,

922
00:57:01,400 --> 00:57:04,680
Speaker 1: oh my god, these amazing teachers made my son an

923
00:57:04,719 --> 00:57:10,320
Speaker 1: incredible pianist or or or guitarist or horn player. That

924
00:57:11,560 --> 00:57:14,399
Speaker 1: that they've changed him. He's got confidence, he's got he's

925
00:57:14,440 --> 00:57:17,160
Speaker 1: got this, he's got that, he has friends who he's

926
00:57:17,200 --> 00:57:20,160
Speaker 1: never made before talking about the impact like that. Rant

927
00:57:20,240 --> 00:57:23,360
Speaker 1: I went on before and and and having people advocate

928
00:57:23,640 --> 00:57:28,360
Speaker 1: for the budget appropriation towards towards it, I assume would

929
00:57:28,400 --> 00:57:31,000
Speaker 1: be the best route, right. I mean, unfortunately, we're trying

930
00:57:31,000 --> 00:57:33,120
Speaker 1: to fix your life. But you guys know the world

931
00:57:33,200 --> 00:57:36,320
Speaker 1: of this better than we do. Yeah, it's just it's

932
00:57:37,080 --> 00:57:39,840
Speaker 1: it's so much more than just I go to class

933
00:57:39,880 --> 00:57:42,320
Speaker 1: and play an instrument for forty five minutes and then leave.

934
00:57:42,440 --> 00:57:44,360
Speaker 1: Like That's how a lot of people see it. Even

935
00:57:44,400 --> 00:57:47,040
Speaker 1: the other teachers sometimes see it that way. But um,

936
00:57:47,240 --> 00:57:49,680
Speaker 1: but the kids will tell you also that that's not

937
00:57:49,800 --> 00:57:53,680
Speaker 1: the case, and it's really hard to convince anyone in

938
00:57:53,760 --> 00:57:58,000
Speaker 1: the community sometimes or in communities that it's it's not

939
00:57:58,200 --> 00:58:00,680
Speaker 1: just that, it's so much more these things. I decided,

940
00:58:00,880 --> 00:58:03,480
Speaker 1: you know, there there there are um. I guess it's

941
00:58:03,480 --> 00:58:05,800
Speaker 1: the school board or it's the city council. I don't know.

942
00:58:05,960 --> 00:58:08,800
Speaker 1: I'm sorry, I'm naive in this area, but I would.

943
00:58:08,840 --> 00:58:11,360
Speaker 1: I would. I would rally if you're facing this in

944
00:58:11,440 --> 00:58:14,560
Speaker 1: your town, you're listening to these two amazing music teachers,

945
00:58:15,080 --> 00:58:17,480
Speaker 1: it's it would be about rallying people to show up

946
00:58:17,560 --> 00:58:21,400
Speaker 1: at those hearings and and and and give testimonials and

947
00:58:21,880 --> 00:58:26,200
Speaker 1: and I'm really discuss why it makes such a difference.

948
00:58:26,520 --> 00:58:28,920
Speaker 1: The other thing I know this the public school in

949
00:58:29,000 --> 00:58:32,760
Speaker 1: my neighborhood does, is they they fundraise to augment the

950
00:58:32,840 --> 00:58:37,360
Speaker 1: program um with the parents. Um. Because it just wouldn't

951
00:58:37,520 --> 00:58:40,000
Speaker 1: I don't even know if it would exist without without

952
00:58:40,240 --> 00:58:45,280
Speaker 1: hardcore getting sponsors, getting um. You know. You know that's

953
00:58:45,320 --> 00:58:49,320
Speaker 1: why the the school is outside is covered with like

954
00:58:49,440 --> 00:58:53,160
Speaker 1: ads for realtors and and and things, because they've they've

955
00:58:53,560 --> 00:58:56,440
Speaker 1: given money to have their giant I'm a realtor in

956
00:58:56,520 --> 00:59:01,040
Speaker 1: the neighborhood poster um. You know, anything like that that

957
00:59:01,280 --> 00:59:04,160
Speaker 1: that's outside the box, that that raises that helps raise

958
00:59:04,200 --> 00:59:06,960
Speaker 1: the money. So the program, Uh well that's the only way,

959
00:59:07,080 --> 00:59:09,280
Speaker 1: that's the only way things are getting done is parents

960
00:59:09,360 --> 00:59:11,080
Speaker 1: have to get involved. Even though you're going to a

961
00:59:11,160 --> 00:59:12,920
Speaker 1: public school, you got to treat it like a private

962
00:59:13,000 --> 00:59:15,440
Speaker 1: school and put the money and invest back into the

963
00:59:15,560 --> 00:59:18,840
Speaker 1: school in order to get some of these programs going. Yeah,

964
00:59:18,920 --> 00:59:22,360
Speaker 1: that's that's the honest to goodness truth. You can have

965
00:59:22,440 --> 00:59:25,920
Speaker 1: a government ain't gonna do it. They're trying to stop

966
00:59:26,120 --> 00:59:29,400
Speaker 1: public broadcasting. Yo. I'm just saying, man like, I don't

967
00:59:29,400 --> 00:59:31,000
Speaker 1: want to get political. I'm gonna shut the fuck up.

968
00:59:32,480 --> 00:59:35,880
Speaker 1: But you can have a fundraising um a fundraising concert

969
00:59:36,280 --> 00:59:40,360
Speaker 1: where um where you know, maybe you guys play a

970
00:59:40,400 --> 00:59:42,400
Speaker 1: little bit, maybe the kids play a little bit. Maybe

971
00:59:42,400 --> 00:59:45,200
Speaker 1: some of your adult friends who are like, uh, you know,

972
00:59:45,760 --> 00:59:49,160
Speaker 1: a really talented play and and and and then and

973
00:59:49,240 --> 00:59:53,560
Speaker 1: then the children, the children play, maybe some particular standouts

974
00:59:53,640 --> 00:59:56,080
Speaker 1: have solos and that kind of thing, just to just

975
00:59:56,240 --> 00:59:59,160
Speaker 1: to and then maybe even at the fundraiser, the kids

976
00:59:59,200 --> 01:00:02,320
Speaker 1: share why the program has meant so much to them.

977
01:00:02,960 --> 01:00:04,520
Speaker 1: And then you do, like you know, you do let

978
01:00:04,600 --> 01:00:07,800
Speaker 1: you auction off things like um, a personal piano lesson

979
01:00:07,920 --> 01:00:09,840
Speaker 1: from one of you guys, or you know, things like that,

980
01:00:10,080 --> 01:00:12,200
Speaker 1: things that are in the community thing you get people

981
01:00:12,200 --> 01:00:14,720
Speaker 1: that you get parents to donate things, and I don't know,

982
01:00:14,800 --> 01:00:17,960
Speaker 1: I know these are these aren't like like revolutionary ideas,

983
01:00:18,040 --> 01:00:20,520
Speaker 1: but um, it's just tough when you don't have the

984
01:00:20,640 --> 01:00:22,560
Speaker 1: instruments and stuff like that to put on some of

985
01:00:22,600 --> 01:00:25,360
Speaker 1: these shows. I know that that's what happens a lot. Also,

986
01:00:25,600 --> 01:00:28,720
Speaker 1: you know, I bet they could get a local place

987
01:00:28,840 --> 01:00:32,400
Speaker 1: to to to to donate some amps and some instruments

988
01:00:32,480 --> 01:00:36,120
Speaker 1: and lucky ye. Yeah, they could say this this event

989
01:00:36,280 --> 01:00:39,280
Speaker 1: is sponsored by so and so's music rental place or

990
01:00:39,560 --> 01:00:41,960
Speaker 1: that'd be great. That's actually a great idea, I know,

991
01:00:42,000 --> 01:00:44,400
Speaker 1: but it doesn't happen that way. Also all the time.

992
01:00:44,480 --> 01:00:48,800
Speaker 1: You know, sometimes kids have to share instruments. Yeah, right,

993
01:00:50,000 --> 01:00:51,960
Speaker 1: and that sucks. You don't want to share a recorder

994
01:00:52,040 --> 01:00:53,840
Speaker 1: with somebody. I don't want to share, right, I don't

995
01:00:53,840 --> 01:00:58,680
Speaker 1: want to share. We have to remember those sticks with

996
01:00:58,800 --> 01:01:01,080
Speaker 1: the grooves. Do you still love this sticks with the

997
01:01:01,160 --> 01:01:06,960
Speaker 1: grooves on them? Yeah? I remember that from my childhood.

998
01:01:06,960 --> 01:01:08,880
Speaker 1: That was the first thing the game was two sticks

999
01:01:08,920 --> 01:01:12,360
Speaker 1: with the grooves in them. Oh yeah, Like the rhythm, yeah,

1000
01:01:13,480 --> 01:01:16,040
Speaker 1: and I was like, this is fun, this is well,

1001
01:01:17,360 --> 01:01:20,320
Speaker 1: just right, Daniel, what are you gonna say? It's I mean,

1002
01:01:20,440 --> 01:01:23,000
Speaker 1: it's it's a it's a you know. I think playing

1003
01:01:23,080 --> 01:01:25,240
Speaker 1: to the strengths of things like social media can also

1004
01:01:25,320 --> 01:01:28,200
Speaker 1: help you. Like I see so much kind of advocacy

1005
01:01:28,280 --> 01:01:30,720
Speaker 1: happen on things like TikTok right now because people take

1006
01:01:30,760 --> 01:01:32,840
Speaker 1: in so much media and listen to so much stuff

1007
01:01:32,920 --> 01:01:36,479
Speaker 1: via that and sharing the powers of music and music

1008
01:01:36,560 --> 01:01:39,040
Speaker 1: teaching through things like TikTok and just you know, I

1009
01:01:39,120 --> 01:01:41,680
Speaker 1: hate to put it this way, but like going viral

1010
01:01:41,800 --> 01:01:43,919
Speaker 1: with teaching people about music is a way to really

1011
01:01:44,000 --> 01:01:46,760
Speaker 1: show the power of teaching music in public schools and

1012
01:01:46,800 --> 01:01:48,840
Speaker 1: how underfunded it is. So I think if you can,

1013
01:01:48,920 --> 01:01:51,680
Speaker 1: just if you do a fundraiser, put videos of it

1014
01:01:51,760 --> 01:01:54,040
Speaker 1: on TikTok. If you see kids that are, like, you know,

1015
01:01:54,360 --> 01:01:57,360
Speaker 1: espousing the values of music teaching, throw that on TikTok

1016
01:01:57,400 --> 01:01:59,360
Speaker 1: as well, and just create a presence for yourself in

1017
01:01:59,440 --> 01:02:01,640
Speaker 1: a social media that people are taking in all the time.

1018
01:02:02,320 --> 01:02:04,240
Speaker 1: It's it's free, it's on your phone, and I think,

1019
01:02:04,320 --> 01:02:05,800
Speaker 1: you know, that's a way that you can get yourself

1020
01:02:05,840 --> 01:02:08,680
Speaker 1: out there. That's that's smart Dale. And I also think,

1021
01:02:08,760 --> 01:02:10,440
Speaker 1: you know, not to be a dead horse, but to

1022
01:02:10,680 --> 01:02:13,640
Speaker 1: to to really highlight because some parents will be some

1023
01:02:13,800 --> 01:02:16,360
Speaker 1: parents will be like, Okay, great, I'm glad he's having

1024
01:02:16,400 --> 01:02:18,200
Speaker 1: a good time, but he needs to get a job.

1025
01:02:18,240 --> 01:02:20,640
Speaker 1: He's not gonna be a guitar player. Um. You need

1026
01:02:20,680 --> 01:02:24,840
Speaker 1: to highlight the ways that these classes are are shaping

1027
01:02:24,960 --> 01:02:30,080
Speaker 1: them and and and and and making them better young

1028
01:02:30,680 --> 01:02:34,160
Speaker 1: men and women, boys and girls, whatever, um, in ways

1029
01:02:34,200 --> 01:02:36,160
Speaker 1: that aren't even related to the instrument. You know, I

1030
01:02:36,240 --> 01:02:38,640
Speaker 1: think that parents who aren't who are like, oh great,

1031
01:02:38,680 --> 01:02:39,960
Speaker 1: I'm glad he likes it, but he's not going to

1032
01:02:40,000 --> 01:02:43,280
Speaker 1: be a trombone player. You know that you're you're you're

1033
01:02:43,280 --> 01:02:45,360
Speaker 1: explaining like, no, you don't understand the value this child

1034
01:02:45,520 --> 01:02:49,120
Speaker 1: is getting out of this class. You know, Yeah, all right,

1035
01:02:49,560 --> 01:02:59,760
Speaker 1: you're welcome, You're welcome. I don't know how well we

1036
01:03:00,200 --> 01:03:01,640
Speaker 1: I mean it. We didn't really help that much they

1037
01:03:01,680 --> 01:03:07,160
Speaker 1: helped up anything, Like I feel, I know, I know

1038
01:03:07,480 --> 01:03:10,640
Speaker 1: what you're going through, and I I don't understand how

1039
01:03:11,200 --> 01:03:15,280
Speaker 1: this is such a U why this not how but

1040
01:03:15,480 --> 01:03:18,320
Speaker 1: why this is such an issue? Music opens up so

1041
01:03:18,640 --> 01:03:24,280
Speaker 1: many doors, so much. Uh, it's mathematical. There's so many

1042
01:03:24,400 --> 01:03:30,080
Speaker 1: things that you can teach through music, and for some reason, uh,

1043
01:03:30,600 --> 01:03:34,360
Speaker 1: people don't think it's it's it's useful, or at least

1044
01:03:34,400 --> 01:03:37,880
Speaker 1: the government doesn't think it's useful as far as educational goes,

1045
01:03:37,920 --> 01:03:39,960
Speaker 1: And that just makes no sense to me. For me,

1046
01:03:40,600 --> 01:03:42,800
Speaker 1: most of most of my education was in theater camp,

1047
01:03:42,840 --> 01:03:46,440
Speaker 1: but that's no different. It was a teacher teaching me

1048
01:03:46,640 --> 01:03:49,920
Speaker 1: and I it's where all my self confidence for public

1049
01:03:49,960 --> 01:03:52,080
Speaker 1: speaking and being in front of people came from. All

1050
01:03:52,120 --> 01:03:54,200
Speaker 1: of it. I didn't learn that in a math class.

1051
01:03:54,280 --> 01:03:56,800
Speaker 1: I didn't learn that in a in any other class.

1052
01:03:57,160 --> 01:04:00,760
Speaker 1: I learned it from from having the the wavos to

1053
01:04:00,840 --> 01:04:03,760
Speaker 1: get on stage in front of people and and have

1054
01:04:03,920 --> 01:04:06,720
Speaker 1: a great teachers push me and encourage me, and and

1055
01:04:06,920 --> 01:04:12,560
Speaker 1: it made me someone who could um perform and speak

1056
01:04:12,640 --> 01:04:15,800
Speaker 1: in front of people, which is an incredible skill to

1057
01:04:15,960 --> 01:04:18,479
Speaker 1: have for whatever you're going to be in your life.

1058
01:04:18,600 --> 01:04:20,280
Speaker 1: You know those aren't That's not a skill set you're

1059
01:04:20,320 --> 01:04:23,360
Speaker 1: going to learn in any other class. Yeah, true, true,

1060
01:04:24,920 --> 01:04:36,960
Speaker 1: lencey preach m chuch. You know what my favorite instrument is,

1061
01:04:37,520 --> 01:04:41,840
Speaker 1: but nobody gives a fuck. But your favorite instrument is zach.

1062
01:04:42,880 --> 01:04:49,120
Speaker 1: Nobody cares, No one gives two jack ass shits. You

1063
01:04:49,760 --> 01:04:52,160
Speaker 1: honor me, you honor me. Um, I really like the

1064
01:04:52,200 --> 01:04:59,480
Speaker 1: oboe Okay, yeah, yes, beautiful. It's beautiful when done well

1065
01:05:00,040 --> 01:05:04,440
Speaker 1: us Yes, I um, I like you here and scores

1066
01:05:04,440 --> 01:05:07,120
Speaker 1: a bunch, and I like music movie scores and a

1067
01:05:07,200 --> 01:05:11,440
Speaker 1: well placed obo is uh is beautiful. Let's go out

1068
01:05:11,480 --> 01:05:13,200
Speaker 1: on that note. How can you beat the sentence a

1069
01:05:13,280 --> 01:05:17,360
Speaker 1: well placed obo? He's so beautiful? Well, I think I

1070
01:05:17,440 --> 01:05:19,400
Speaker 1: think Jenny got you beat what you want to say.

1071
01:05:19,600 --> 01:05:21,760
Speaker 1: I was just wondering. I wondered if either of you

1072
01:05:21,880 --> 01:05:24,760
Speaker 1: play any instruments at all, because I don't. All plays

1073
01:05:24,760 --> 01:05:38,560
Speaker 1: the skin flute open and on that note, Basic seven eight,

1074
01:05:39,960 --> 01:05:44,800
Speaker 1: about show we made about a bunch of doctor nurses,

1075
01:05:47,200 --> 01:05:54,000
Speaker 1: said he's a story never so get around you here,

1076
01:05:54,920 --> 01:06:01,320
Speaker 1: yead around here, Eve,