1 00:00:19,200 --> 00:00:24,279 Speaker 1: Wow. Podcast starts now, Good morning, George, Good morning. Oh 2 00:00:24,320 --> 00:00:27,120 Speaker 1: my god, it's kind of chilly out because it's the morning. 3 00:00:27,400 --> 00:00:29,760 Speaker 1: Oh my god, it's freezing. The dew is still on 4 00:00:29,800 --> 00:00:32,800 Speaker 1: the grass because it's the morning. I'm actually drinking a 5 00:00:32,840 --> 00:00:36,000 Speaker 1: coffee out of a large bowl, you could say, I'm 6 00:00:36,080 --> 00:00:38,080 Speaker 1: kind of wrapping my hands around it, and I have 7 00:00:38,120 --> 00:00:41,919 Speaker 1: a blanket wrapped around me, bur bur And meanwhile I'm 8 00:00:42,000 --> 00:00:46,560 Speaker 1: drinking a nice cold brew out of a little plastic Okay, 9 00:00:46,640 --> 00:00:48,440 Speaker 1: so kind of a different vine, so kind of a 10 00:00:48,440 --> 00:00:51,920 Speaker 1: different vibe, and yet it's still valid and beautiful. In 11 00:00:51,960 --> 00:00:54,440 Speaker 1: the morning, all identities are valid. And then as the 12 00:00:54,520 --> 00:00:57,840 Speaker 1: day goes on slowly, more and more people are marginalized. Yeah, 13 00:00:57,840 --> 00:01:00,280 Speaker 1: they get eliminated, their their identities get a limit needed, 14 00:01:00,320 --> 00:01:03,640 Speaker 1: and that's how it works. Yeah, yeah, yeah, Well, welcome 15 00:01:03,680 --> 00:01:07,160 Speaker 1: to the Stradio lab the podcast that takes place in 16 00:01:07,200 --> 00:01:12,360 Speaker 1: the morning Stradio Lab AM, I mean their spinoff, Stradio 17 00:01:12,440 --> 00:01:14,840 Speaker 1: Lab Am where we talk like this, where we talk 18 00:01:14,920 --> 00:01:16,680 Speaker 1: like this and we're a little bit cozy and a 19 00:01:16,760 --> 00:01:22,720 Speaker 1: little bit different. Um, I feel my head is so clear, 20 00:01:22,920 --> 00:01:26,360 Speaker 1: me too. I'm so glad you said that. I feel 21 00:01:26,440 --> 00:01:28,400 Speaker 1: my head is so clear, because you know, I'm not 22 00:01:28,440 --> 00:01:31,240 Speaker 1: inundated with the thoughts of the day, or like we 23 00:01:31,319 --> 00:01:33,399 Speaker 1: have no idea what the big thing on Twitter will 24 00:01:33,440 --> 00:01:36,679 Speaker 1: be later. We are we are a blank slate only 25 00:01:36,959 --> 00:01:42,880 Speaker 1: flowing with our own creativity, creativity and energy. It is 26 00:01:43,600 --> 00:01:49,280 Speaker 1: you underestimate because that moment, I'll say this, there's the 27 00:01:49,360 --> 00:01:53,520 Speaker 1: moment of waking up where anything is possible, and depending 28 00:01:53,560 --> 00:01:57,360 Speaker 1: on what your morning routine is on any given day, 29 00:01:57,400 --> 00:02:00,559 Speaker 1: that can last anywhere from one second to a couple 30 00:02:00,600 --> 00:02:03,320 Speaker 1: of hours. Lately, for me it has been lasting I 31 00:02:03,320 --> 00:02:06,240 Speaker 1: would say less than the time it takes from my 32 00:02:06,280 --> 00:02:08,520 Speaker 1: eyes to flatter open. I kind of my eyes flutter 33 00:02:08,560 --> 00:02:13,320 Speaker 1: open and I immediately start poisoning my brain with information. Really, yeah, 34 00:02:13,560 --> 00:02:16,720 Speaker 1: is it useful? Information? Is an important information? No? I 35 00:02:16,960 --> 00:02:19,720 Speaker 1: It's gotten to the point where I even think doing 36 00:02:20,240 --> 00:02:23,720 Speaker 1: waking up and literally playing like Candy Crush would be 37 00:02:23,720 --> 00:02:26,400 Speaker 1: a better use of my time than waking up and 38 00:02:26,600 --> 00:02:30,040 Speaker 1: opening my my little New York Times morning news letter. Sure, 39 00:02:30,520 --> 00:02:33,840 Speaker 1: my morning routine it takes about four hours. I wake 40 00:02:33,960 --> 00:02:39,120 Speaker 1: up maybe around you know, and I think by about 41 00:02:39,160 --> 00:02:43,200 Speaker 1: two I'm ready to start looking at the internet. Oh interesting, Yeah, 42 00:02:43,240 --> 00:02:46,639 Speaker 1: it's very inefficient and No, that's not inefficient. That's good. 43 00:02:47,280 --> 00:02:49,880 Speaker 1: Are you taking advantage of those four hours? Well, I 44 00:02:50,440 --> 00:02:53,040 Speaker 1: you know it's I walked the dog, I hit the gym, 45 00:02:53,280 --> 00:02:57,080 Speaker 1: I eat a little bit of food. I it takes 46 00:02:57,080 --> 00:02:59,160 Speaker 1: a really long time to do all the things I 47 00:02:59,160 --> 00:03:02,040 Speaker 1: have to do. See, that's great because what happens with me, 48 00:03:02,280 --> 00:03:05,520 Speaker 1: for instance, you mentioned hitting the gym, I since you 49 00:03:05,600 --> 00:03:07,080 Speaker 1: told me to work out in the morning, have been 50 00:03:07,080 --> 00:03:11,160 Speaker 1: attempting to What ends up ultimately happening is I delay 51 00:03:11,240 --> 00:03:14,519 Speaker 1: getting up. Maybe then I'm only ready to start doing 52 00:03:14,639 --> 00:03:16,600 Speaker 1: things at like eleven, And then I'm like, well, at 53 00:03:16,600 --> 00:03:18,520 Speaker 1: this point, if I work out now, it will be 54 00:03:18,600 --> 00:03:21,200 Speaker 1: afternoon by the time I'm done, and then there goes 55 00:03:21,240 --> 00:03:24,840 Speaker 1: the fucking day. So I might as well sit down 56 00:03:24,880 --> 00:03:27,120 Speaker 1: and answer an email now so I can tell myself 57 00:03:27,160 --> 00:03:30,360 Speaker 1: I started working in the morning in the am hours. Yeah, 58 00:03:30,520 --> 00:03:32,960 Speaker 1: you just have to just you have to consider yourself 59 00:03:33,000 --> 00:03:36,880 Speaker 1: an afternoon girl. You have to sort of embrace it 60 00:03:37,520 --> 00:03:39,480 Speaker 1: and if it helps, think of yourself as being on 61 00:03:39,640 --> 00:03:44,360 Speaker 1: l a time, you know, And that's actually a really 62 00:03:44,400 --> 00:03:49,760 Speaker 1: good way to re um reform that in my head, 63 00:03:49,960 --> 00:03:52,880 Speaker 1: like I'm not I'm not actually starting my day at 64 00:03:52,880 --> 00:03:56,160 Speaker 1: noon I'm on l A time. Yeah, you're and your 65 00:03:56,240 --> 00:04:00,320 Speaker 1: jet lagged and I am, and you're just getting into 66 00:04:00,400 --> 00:04:03,400 Speaker 1: it and you're just so efficient. Well suddenly then it's 67 00:04:03,440 --> 00:04:06,680 Speaker 1: like it's actually a a feat that I am jet 68 00:04:06,720 --> 00:04:08,760 Speaker 1: like de managing to do work at all. It's no 69 00:04:08,840 --> 00:04:11,600 Speaker 1: longer like a failure that it's two pm and I 70 00:04:11,640 --> 00:04:15,280 Speaker 1: haven't done anything. No, you deserve a damn metal My god. 71 00:04:15,320 --> 00:04:18,479 Speaker 1: I mean I have between business meetings. Yes, I have 72 00:04:18,560 --> 00:04:24,080 Speaker 1: to answer this email. I you know, I think of 73 00:04:24,279 --> 00:04:29,360 Speaker 1: l A genuinely as my um my last safety net. 74 00:04:30,200 --> 00:04:33,919 Speaker 1: I was going to say your health. No, no, no, 75 00:04:34,040 --> 00:04:37,120 Speaker 1: I feel that like right now. You know, life is 76 00:04:37,120 --> 00:04:39,960 Speaker 1: so hard in New York. But if I ever want to, 77 00:04:40,040 --> 00:04:41,919 Speaker 1: I can just move to l A. And my schedule 78 00:04:41,960 --> 00:04:45,080 Speaker 1: is going to be so healthy because I'm going to 79 00:04:45,160 --> 00:04:47,560 Speaker 1: be waking up at six am just naturally because I'm 80 00:04:47,600 --> 00:04:51,159 Speaker 1: so trained with East Coast time. Yeah, I guess. But 81 00:04:51,200 --> 00:04:53,320 Speaker 1: then you like meet someone and they'll be like, what's 82 00:04:53,320 --> 00:04:55,400 Speaker 1: the vaccine? You know, and then that'll kind of really 83 00:04:55,400 --> 00:04:57,240 Speaker 1: bring it right back down to earth. I guess that's 84 00:04:57,240 --> 00:05:01,240 Speaker 1: a good point. That's a very good point. But you 85 00:05:01,279 --> 00:05:03,640 Speaker 1: know it's whenever I if I ever go there. I'm 86 00:05:03,640 --> 00:05:05,719 Speaker 1: always like, look at me, I can change my life 87 00:05:05,760 --> 00:05:12,799 Speaker 1: in one second. But really it's just time difference. Wow, 88 00:05:12,839 --> 00:05:15,840 Speaker 1: there's a lesson in there. I also do it. Does 89 00:05:15,960 --> 00:05:20,000 Speaker 1: it genuinely does comfort me. When it's like eight pm 90 00:05:20,040 --> 00:05:22,200 Speaker 1: and I still am like trying to finish something that 91 00:05:22,240 --> 00:05:25,120 Speaker 1: I've been putting off all day long, I'm like, well, 92 00:05:25,320 --> 00:05:27,599 Speaker 1: but it's it is l A time. Like you know, 93 00:05:27,720 --> 00:05:29,760 Speaker 1: I'm there's still at work. I'm still work. It's fine, 94 00:05:29,800 --> 00:05:31,960 Speaker 1: it's fine, it's fine, it's fine. It doesn't feel bad 95 00:05:31,960 --> 00:05:34,040 Speaker 1: any Wow. I didn't realize that l A was such 96 00:05:34,120 --> 00:05:36,640 Speaker 1: a big presence in your life in terms of kind 97 00:05:36,680 --> 00:05:40,680 Speaker 1: of making excuses and forming your own schedule and and 98 00:05:40,880 --> 00:05:43,640 Speaker 1: telling yourself stories in order to live. Joone didium. Yeah, 99 00:05:43,839 --> 00:05:46,440 Speaker 1: l A is kind of my like, um, you know, 100 00:05:46,480 --> 00:05:49,640 Speaker 1: I'm not religious, so it's kind of my God. Um, 101 00:05:49,680 --> 00:05:52,200 Speaker 1: it's something I can lean on when I feel lazy 102 00:05:52,400 --> 00:05:54,240 Speaker 1: or bad, I can say, well, at least I'm not 103 00:05:54,440 --> 00:05:57,000 Speaker 1: l A. You know. Right, Well, thank you for bringing 104 00:05:57,080 --> 00:06:00,600 Speaker 1: up God. I should I mention what happened in with Marcia. 105 00:06:01,120 --> 00:06:03,960 Speaker 1: Please remind me well I was wearing my new cross earring. 106 00:06:04,760 --> 00:06:09,279 Speaker 1: Oh yes, okay, and now we're coming back. I'm remembering, Okay, 107 00:06:09,320 --> 00:06:11,960 Speaker 1: go ahead. I was wearing First of all, I attended 108 00:06:12,080 --> 00:06:14,560 Speaker 1: your comedy show Stevie, which you co hosted with Drew 109 00:06:14,600 --> 00:06:19,839 Speaker 1: Anderson and Marsha bell Ski. The front porch of the Bellhouse, 110 00:06:19,839 --> 00:06:24,279 Speaker 1: one could say the front patio. The front patio, well, 111 00:06:24,320 --> 00:06:26,440 Speaker 1: you know, you could call it a sidewalk, you could 112 00:06:26,480 --> 00:06:29,920 Speaker 1: call it maybe even partially a street shore maybe. I 113 00:06:29,920 --> 00:06:34,359 Speaker 1: mean there were the trucks are actively going up and down, 114 00:06:34,440 --> 00:06:39,560 Speaker 1: maybe when um no respect for the comedy show happening 115 00:06:39,640 --> 00:06:43,080 Speaker 1: right next to them. No, no, not at all. And 116 00:06:43,200 --> 00:06:47,159 Speaker 1: I showed up. I was wearing a cross earring, which 117 00:06:47,200 --> 00:06:51,040 Speaker 1: I thought, Okay, this is Madonna, this is George Mike. Sorry, 118 00:06:51,080 --> 00:06:53,919 Speaker 1: now I'm like quoting my own tweet. You really are 119 00:06:54,000 --> 00:06:56,720 Speaker 1: quoting your own tweets, And I'm actually humiliated, but I'm 120 00:06:56,720 --> 00:06:59,080 Speaker 1: going to keep talking. I mean, somebody just to push through. 121 00:06:59,120 --> 00:07:01,080 Speaker 1: Sometimes you have to push through. So and then I 122 00:07:01,120 --> 00:07:03,760 Speaker 1: got there and I'm like, I sit down. I also 123 00:07:03,800 --> 00:07:06,240 Speaker 1: had a few buttons of my shirt unbuttoned, and I 124 00:07:06,279 --> 00:07:09,600 Speaker 1: was like, okay, I'm actually prints and so then I 125 00:07:09,680 --> 00:07:12,120 Speaker 1: sit down and Marcia turns to me and goes, are 126 00:07:12,160 --> 00:07:17,840 Speaker 1: you a Christian, and I didn't know what she was referencing. 127 00:07:17,840 --> 00:07:20,520 Speaker 1: I was like, I mean I was raised you know, like, yeah, 128 00:07:20,840 --> 00:07:22,640 Speaker 1: I was raised as a Greek Orthodox. Did you know 129 00:07:22,680 --> 00:07:25,920 Speaker 1: I'm from Greece? And then and then Marsha's and then 130 00:07:25,960 --> 00:07:27,840 Speaker 1: I realized she was talking about my hearing. Did it 131 00:07:27,960 --> 00:07:30,600 Speaker 1: make you question your choices? Did you feel like, like, 132 00:07:30,680 --> 00:07:32,840 Speaker 1: were you kind of one of those queens on drag race? 133 00:07:32,840 --> 00:07:35,320 Speaker 1: For Michelle Visage gives them a note and they're like, well, actually, 134 00:07:35,360 --> 00:07:38,840 Speaker 1: I'm clearly being this. It didn't read. It didn't read. 135 00:07:39,000 --> 00:07:41,080 Speaker 1: This is my biggest fear, and this is my This 136 00:07:41,160 --> 00:07:44,080 Speaker 1: is the thing with all fashion, I would say, is 137 00:07:44,120 --> 00:07:46,360 Speaker 1: basically all fashion. I mean, I've said before on this 138 00:07:46,400 --> 00:07:49,320 Speaker 1: podcast that contemporary art is an inside joke among people 139 00:07:49,360 --> 00:07:51,480 Speaker 1: with no sense of humor, one of my best lines ever. 140 00:07:52,080 --> 00:07:56,160 Speaker 1: And now about fashion. The thing is, it's like the 141 00:07:56,360 --> 00:08:00,920 Speaker 1: entire secret of fashion is like wink, Like that's what fashion. 142 00:08:00,960 --> 00:08:03,520 Speaker 1: Fashion is a bunch of people being like wink. And 143 00:08:03,600 --> 00:08:08,680 Speaker 1: so I am like worried that my general aura does 144 00:08:08,720 --> 00:08:11,680 Speaker 1: not say wink enough for me to be able to 145 00:08:11,720 --> 00:08:15,640 Speaker 1: wear fashion. Do you know what I mean? Yeah, I 146 00:08:15,680 --> 00:08:18,760 Speaker 1: do know what you mean. He's shaking your head. I mean, 147 00:08:19,040 --> 00:08:23,800 Speaker 1: it's not true. You're shaking your head in support of me. 148 00:08:24,800 --> 00:08:27,480 Speaker 1: You're you think my entire aura does say wink? Okay, 149 00:08:27,640 --> 00:08:30,840 Speaker 1: is George wink? That is the question that the big thing, 150 00:08:30,920 --> 00:08:32,880 Speaker 1: and this is like my biggest you know, I'm going 151 00:08:32,920 --> 00:08:35,040 Speaker 1: to obviously write a big feature about this on g 152 00:08:35,520 --> 00:08:41,880 Speaker 1: get paid five million dollars. Is are you wink? Um? 153 00:08:42,040 --> 00:08:47,640 Speaker 1: I think it's hard. It's hard because George, you are serious. 154 00:08:47,920 --> 00:08:50,360 Speaker 1: I think you're way more wink than I am. I'm 155 00:08:50,720 --> 00:08:56,200 Speaker 1: but I I've actively curated my wink, you know, like 156 00:08:56,200 --> 00:08:59,800 Speaker 1: like I that was part of the haircut and we're 157 00:08:59,840 --> 00:09:01,720 Speaker 1: all and it all comes back to the haircut. Always 158 00:09:01,720 --> 00:09:03,920 Speaker 1: conscuct for the haircut, where it was like, I need 159 00:09:03,920 --> 00:09:06,360 Speaker 1: people to know that I'm wink because I'm not, like, 160 00:09:06,559 --> 00:09:08,880 Speaker 1: because a lot of the things I wear like a 161 00:09:08,920 --> 00:09:11,839 Speaker 1: normal guy could wear them. They need people to know. Well, 162 00:09:11,880 --> 00:09:13,880 Speaker 1: it's actually I'm playing with the concept of what a 163 00:09:13,880 --> 00:09:16,679 Speaker 1: normal guy would wear and I'm winking at it. Well, 164 00:09:16,720 --> 00:09:18,240 Speaker 1: I guess in order to be a wink, you have 165 00:09:18,360 --> 00:09:23,320 Speaker 1: to commit to commit to something for you. Let's say 166 00:09:23,320 --> 00:09:26,400 Speaker 1: it's the haircut or the mustache. There is something you 167 00:09:26,400 --> 00:09:28,800 Speaker 1: have to hold on too, basically, and that is the 168 00:09:28,880 --> 00:09:32,520 Speaker 1: root of your wink or the rock of your wink. Yeah, 169 00:09:32,679 --> 00:09:35,760 Speaker 1: I think you. I think the earring was your wink. 170 00:09:35,960 --> 00:09:40,200 Speaker 1: And it's so that's where it's tough, because it showed 171 00:09:40,400 --> 00:09:43,000 Speaker 1: the world like, yeah, I mean, I'm playful, I'm not 172 00:09:43,040 --> 00:09:45,640 Speaker 1: taking this super seriously, and so for it to be 173 00:09:45,760 --> 00:09:49,199 Speaker 1: read as the complete opposite is really heartbreaking. Right. It's 174 00:09:49,200 --> 00:09:50,920 Speaker 1: like if you showed up with your haircut and someone 175 00:09:51,080 --> 00:09:57,480 Speaker 1: was like, do you work at a gas station? Right? Exactly? 176 00:09:58,000 --> 00:10:04,480 Speaker 1: And so um is tough. I guess maybe maybe it's 177 00:10:04,559 --> 00:10:07,120 Speaker 1: like you need a less I mean, I know they're 178 00:10:07,360 --> 00:10:09,679 Speaker 1: they're not hack yet, but a little hack, but like 179 00:10:09,720 --> 00:10:13,240 Speaker 1: maybe a dangly cross, I know, something a little more, 180 00:10:13,280 --> 00:10:15,880 Speaker 1: a little bigger to show like, no, this is a joke, 181 00:10:16,440 --> 00:10:19,400 Speaker 1: right right, I'm not a joke, but like not, I 182 00:10:19,400 --> 00:10:23,040 Speaker 1: don't sincerely want to. There's the point. Here's what I'll say, 183 00:10:23,080 --> 00:10:27,520 Speaker 1: And this is actually so smart for so many people 184 00:10:27,640 --> 00:10:32,360 Speaker 1: that I think for so many people there wink is 185 00:10:32,440 --> 00:10:36,960 Speaker 1: something that is something like a tattoo or set of 186 00:10:37,000 --> 00:10:40,439 Speaker 1: tattoos or a piercing, which makes it then so easy 187 00:10:40,520 --> 00:10:43,720 Speaker 1: for everything else to be interpreted on that canvas, and 188 00:10:43,760 --> 00:10:45,600 Speaker 1: I think you don't have tattoos or I mean, I 189 00:10:45,600 --> 00:10:47,600 Speaker 1: realized we are talking about an ear piercing. But that's 190 00:10:47,640 --> 00:10:50,160 Speaker 1: like not that exciting. But when you don't have tattoos 191 00:10:50,320 --> 00:10:53,600 Speaker 1: or like, you know, a noticeable piercing, then it's on 192 00:10:53,679 --> 00:10:55,840 Speaker 1: you every single day to wake up and have to 193 00:10:55,960 --> 00:11:02,080 Speaker 1: reiterate I'm wink. Do you know what I mean? You 194 00:11:02,120 --> 00:11:04,600 Speaker 1: know this is like, I think this is gonna be 195 00:11:04,640 --> 00:11:07,200 Speaker 1: so inspiring. I can see our fans leaning out the 196 00:11:07,200 --> 00:11:11,400 Speaker 1: window screaming, I am wink. All our fans are people 197 00:11:11,440 --> 00:11:18,760 Speaker 1: of wink. I think it's tough. It's also I mean, 198 00:11:18,800 --> 00:11:20,599 Speaker 1: this is the thing. Is like people with tattoos and 199 00:11:20,640 --> 00:11:24,040 Speaker 1: piercings think they're more radical. But it's like I have 200 00:11:24,080 --> 00:11:27,160 Speaker 1: to wake up every day and prove I'm wink. Yeah, 201 00:11:27,280 --> 00:11:29,400 Speaker 1: it's I'm not wearing my wink on my sleeve right 202 00:11:29,640 --> 00:11:33,199 Speaker 1: literally literally, I don't make our friend Joe Castle Baker, 203 00:11:33,240 --> 00:11:35,720 Speaker 1: for instance, who has a giant sleeve of the palm tree, 204 00:11:35,920 --> 00:11:39,000 Speaker 1: is wake up every day concerned whether he reads his wink. No, 205 00:11:39,240 --> 00:11:41,839 Speaker 1: he knows he reads it, and he walks around like that. 206 00:11:42,040 --> 00:11:44,520 Speaker 1: He walks around with a confidence of someone who knows 207 00:11:44,600 --> 00:11:47,760 Speaker 1: he's wink, but you know there's a commitment to the 208 00:11:47,760 --> 00:11:52,120 Speaker 1: wink too, because if you know, we have not wink 209 00:11:52,240 --> 00:11:55,360 Speaker 1: passing privilege where if we want our wink to go 210 00:11:55,400 --> 00:11:58,600 Speaker 1: away and sort of go work in finance or HR, 211 00:11:59,160 --> 00:12:03,640 Speaker 1: we can do that. And that is that is a 212 00:12:03,720 --> 00:12:07,079 Speaker 1: huge privilege. At any given point, either you or I 213 00:12:07,120 --> 00:12:11,480 Speaker 1: could literally go work in HITHER and actually if we're not, 214 00:12:11,640 --> 00:12:14,280 Speaker 1: if we're not careful, we could be placed in HR 215 00:12:14,640 --> 00:12:17,080 Speaker 1: at any given point against without without even submitting a 216 00:12:17,120 --> 00:12:19,080 Speaker 1: cover letter. I think the fact that we don't have 217 00:12:19,120 --> 00:12:21,400 Speaker 1: tattoo or piercings means that we could wake up any 218 00:12:21,480 --> 00:12:25,480 Speaker 1: day and suddenly compelled a walk into the office and 219 00:12:25,520 --> 00:12:28,560 Speaker 1: be like hi Sharon, and that's and that can just happen. 220 00:12:28,800 --> 00:12:30,599 Speaker 1: That can just happen. That that actually happened to a 221 00:12:30,640 --> 00:12:32,520 Speaker 1: friend of mine. It really did happen. No, it happened. 222 00:12:32,640 --> 00:12:34,720 Speaker 1: It's been happening more and more now that the world's reopening. 223 00:12:37,040 --> 00:12:40,280 Speaker 1: You know, I think this is actually an essential discussion 224 00:12:40,400 --> 00:12:43,000 Speaker 1: and I think it would be powerful if we brought 225 00:12:43,000 --> 00:12:47,320 Speaker 1: our guests into give um their perspective. I want to 226 00:12:47,320 --> 00:12:49,720 Speaker 1: bring our guests in. I want to keep talking about wink. 227 00:12:49,880 --> 00:12:54,000 Speaker 1: And I also at some point want to bring in 228 00:12:54,040 --> 00:12:57,640 Speaker 1: another element of a kind of you know, a very 229 00:12:57,720 --> 00:13:00,400 Speaker 1: talking about the podcast as we make in medical mentary 230 00:13:00,480 --> 00:13:04,720 Speaker 1: on the idea of having this particular guest on. Okay, well, no, no, 231 00:13:04,800 --> 00:13:06,240 Speaker 1: I love that you're making it to do list it 232 00:13:06,559 --> 00:13:10,920 Speaker 1: just to remain organized. This is a morning I'm now 233 00:13:10,960 --> 00:13:16,679 Speaker 1: being shared from HR. I think islieving my body as 234 00:13:16,679 --> 00:13:21,880 Speaker 1: we speak, and I am making a list. So yes, no, 235 00:13:22,000 --> 00:13:24,080 Speaker 1: you do it. I could felt, I could feel your 236 00:13:24,080 --> 00:13:26,000 Speaker 1: momentum and I really I'm sorry I stepped on it 237 00:13:26,040 --> 00:13:28,560 Speaker 1: because that's what I mean and it's really amazing. Later 238 00:13:29,960 --> 00:13:32,920 Speaker 1: on the list, Um, you know we don't mention credits 239 00:13:32,960 --> 00:13:36,240 Speaker 1: on this podcast. Are you about to mention credits? You 240 00:13:36,240 --> 00:13:38,400 Speaker 1: know what, I'm going to do something kind of cookie 241 00:13:39,200 --> 00:13:43,480 Speaker 1: which is mentioned a credit that just ended as a 242 00:13:43,520 --> 00:13:46,839 Speaker 1: way to not mention credits. Interesting. So what I'm gonna 243 00:13:46,840 --> 00:13:51,160 Speaker 1: say is our guest is fresh out of six sudi 244 00:13:51,880 --> 00:13:55,240 Speaker 1: six years on rating on SNL and is now on 245 00:13:55,679 --> 00:13:59,000 Speaker 1: what I see in the background as kind of in um, 246 00:13:59,040 --> 00:14:02,880 Speaker 1: I would say right, stick, eat, pray, love trip. I 247 00:14:02,920 --> 00:14:06,440 Speaker 1: was gonna say, she wants to forget everything she ever 248 00:14:06,480 --> 00:14:09,280 Speaker 1: did it and now forget she ever wrote sketch comedy. 249 00:14:09,640 --> 00:14:16,160 Speaker 1: She works to my legacy go away. He's in this 250 00:14:16,240 --> 00:14:20,320 Speaker 1: house and she's saying she's doing exercises to forget names 251 00:14:20,360 --> 00:14:25,520 Speaker 1: like Bowen Yang, you know, Kyle Mooney, she doesn't sleeping 252 00:14:25,680 --> 00:14:30,680 Speaker 1: sleeping downstairs. That's because you're there to kind of exercise 253 00:14:30,760 --> 00:14:34,560 Speaker 1: him out of your thoughts exactly the right. And so 254 00:14:35,160 --> 00:14:36,920 Speaker 1: she never wants to think of any of those people 255 00:14:36,960 --> 00:14:39,960 Speaker 1: to get. Kate McKinnon, she says a hex onto you 256 00:14:40,440 --> 00:14:43,080 Speaker 1: and so, and now she's here because she wants to 257 00:14:44,000 --> 00:14:46,080 Speaker 1: finally follow her dream, which is being a guest on 258 00:14:46,200 --> 00:14:50,280 Speaker 1: the podcast. Radio Born would not let her do it. 259 00:14:50,360 --> 00:14:52,840 Speaker 1: In fact, until she quit, she didn't want to leave. 260 00:14:54,920 --> 00:14:57,040 Speaker 1: What happened? Has this inture gone on too long? Do 261 00:14:57,080 --> 00:15:03,400 Speaker 1: you think? Okay? And now welcome the artists formerly known 262 00:15:03,480 --> 00:15:12,479 Speaker 1: as SNL writer Sudi Green, Good morning, morning, your morning going, 263 00:15:12,600 --> 00:15:15,120 Speaker 1: Oh my god, it's amazing. I woke up with the 264 00:15:15,320 --> 00:15:19,800 Speaker 1: sea air kind of blasting into my face, a little 265 00:15:19,880 --> 00:15:24,080 Speaker 1: sand in the bed. I was annoyed. Um, you know, 266 00:15:24,280 --> 00:15:27,040 Speaker 1: it's just been beautiful at here. And Emagan said, this 267 00:15:27,120 --> 00:15:30,720 Speaker 1: is my trauma trip um, this is my deed, trauma 268 00:15:30,840 --> 00:15:34,360 Speaker 1: trip um and I'm so happy to be here and 269 00:15:34,400 --> 00:15:38,760 Speaker 1: thank you for having a morning pod with Well, you 270 00:15:38,800 --> 00:15:40,840 Speaker 1: know we're not only having one with you. We ended 271 00:15:40,880 --> 00:15:43,320 Speaker 1: up scheduling our next next guest for right after you, 272 00:15:43,360 --> 00:15:47,240 Speaker 1: So we're having the two first ever morning straight. You're 273 00:15:47,280 --> 00:15:50,400 Speaker 1: saying I've started a trend. Yes, you started, and at 274 00:15:50,400 --> 00:15:53,280 Speaker 1: first I was furious. I said, who does she think 275 00:15:53,360 --> 00:15:57,000 Speaker 1: she is? Starting a trend? Changing our schedule? Right? Well, 276 00:15:57,040 --> 00:15:59,680 Speaker 1: I can't think I've been about Sudi across the board. 277 00:16:00,040 --> 00:16:02,040 Speaker 1: Whenever we go out and have let's say, a drink 278 00:16:02,160 --> 00:16:04,360 Speaker 1: or or a pasta together, as we did a few 279 00:16:04,560 --> 00:16:07,840 Speaker 1: weeks ago, she walks in and I immediately become pissed, 280 00:16:07,880 --> 00:16:10,520 Speaker 1: and I say, who does she think she is? You know, 281 00:16:11,000 --> 00:16:13,400 Speaker 1: I know I'm too confident and I should be smaller 282 00:16:13,480 --> 00:16:18,120 Speaker 1: in every way. I'm fascinated with Wink. I feel that 283 00:16:18,480 --> 00:16:21,920 Speaker 1: what I was thinking when I was dying to dive 284 00:16:22,000 --> 00:16:26,400 Speaker 1: in but didn't want to be screamed and berated by 285 00:16:26,440 --> 00:16:30,200 Speaker 1: sharing my opinion before I was properly introduced um is 286 00:16:30,240 --> 00:16:32,520 Speaker 1: that I feel that every Wink starts with a swing. 287 00:16:34,600 --> 00:16:36,840 Speaker 1: Every wink starts with a swing, and I feel that 288 00:16:36,920 --> 00:16:42,920 Speaker 1: the black the earring was the initial swing and guess what, 289 00:16:43,160 --> 00:16:48,560 Speaker 1: like you know, once you leap, you land, and so 290 00:16:48,680 --> 00:16:52,360 Speaker 1: I think that you were just experiencing the initial initial 291 00:16:52,440 --> 00:16:56,400 Speaker 1: vulnerability of the swing. But if you never swing, you're 292 00:16:56,400 --> 00:17:00,560 Speaker 1: never gonna wink. It's very reached for. Shoot for the 293 00:17:01,920 --> 00:17:04,000 Speaker 1: moon and you'll land among the stars. So the two 294 00:17:04,240 --> 00:17:07,080 Speaker 1: just to recap, every wink starts with the swing, and 295 00:17:07,119 --> 00:17:09,280 Speaker 1: the corall area of that is if you don't swing, 296 00:17:09,520 --> 00:17:14,000 Speaker 1: you're not gonna wink. And if you don't breathe, you die, honey, right, Well, 297 00:17:14,040 --> 00:17:18,520 Speaker 1: that's that that we can all agree on. And also 298 00:17:18,640 --> 00:17:21,359 Speaker 1: I don't know who needs to hear this, but drink water. 299 00:17:22,520 --> 00:17:26,280 Speaker 1: Drink water and regressing me drinking water. Drink water before 300 00:17:26,280 --> 00:17:28,120 Speaker 1: you speak to me, because a lot of times people 301 00:17:28,160 --> 00:17:29,760 Speaker 1: come and they speak to me and they come with me, 302 00:17:30,040 --> 00:17:31,560 Speaker 1: come to me with an energy where I'm like, you 303 00:17:31,600 --> 00:17:37,359 Speaker 1: did not speak water, water water. You speak water before 304 00:17:37,359 --> 00:17:42,720 Speaker 1: you swing, otherwise you'll never wink. Dudie, do you feel 305 00:17:42,760 --> 00:17:46,680 Speaker 1: that you have wink? I feel like I recently stepped 306 00:17:46,680 --> 00:17:49,159 Speaker 1: into wink with also my haircut. I was and I 307 00:17:49,200 --> 00:17:51,320 Speaker 1: was gonna say, and I was gonna say, and I 308 00:17:51,359 --> 00:17:53,160 Speaker 1: don't want to say, I don't. Yeah, I don't want 309 00:17:53,160 --> 00:17:55,520 Speaker 1: that to read as like me agreeing like of course 310 00:17:55,560 --> 00:17:58,600 Speaker 1: you didn't have wink before because you did, but the 311 00:17:58,680 --> 00:18:01,720 Speaker 1: haircuat is that is a new level of wink. The haircut, 312 00:18:01,760 --> 00:18:06,040 Speaker 1: glasses bangs combo is a level of wink never before 313 00:18:06,160 --> 00:18:09,960 Speaker 1: seen in the Suity universe. It was always I was 314 00:18:10,000 --> 00:18:12,800 Speaker 1: like flirting with wink and would sometimes pull her out. 315 00:18:12,880 --> 00:18:15,919 Speaker 1: But now I feel like with the sunglasses and also 316 00:18:15,960 --> 00:18:20,920 Speaker 1: I'm like dressing much more like men's wear inspired, how 317 00:18:20,960 --> 00:18:23,720 Speaker 1: I feel comfortable, how I feel like myself a lot 318 00:18:23,760 --> 00:18:26,480 Speaker 1: of blazers, Like, yes, I'll wear a miniscirt, but the 319 00:18:26,520 --> 00:18:30,000 Speaker 1: blazer needs to be there with like the thick gold jewelry. 320 00:18:30,000 --> 00:18:33,200 Speaker 1: And I just feel like, yeah, you know, it's become 321 00:18:34,200 --> 00:18:37,720 Speaker 1: I swung and now I have my purpose. Yeah, And 322 00:18:37,960 --> 00:18:41,480 Speaker 1: you know, just for George's story, do you have was 323 00:18:41,480 --> 00:18:43,359 Speaker 1: there a moment when you were like, I'm swinging and 324 00:18:43,400 --> 00:18:47,800 Speaker 1: I'm missing basically any time that I tried to be 325 00:18:47,880 --> 00:18:52,600 Speaker 1: like traditionally firm hot, Like there would be moments where 326 00:18:52,600 --> 00:18:56,399 Speaker 1: I would like go out with like friends from home 327 00:18:56,640 --> 00:19:00,240 Speaker 1: or like be in Vegas and I'd be like, I'm 328 00:19:00,280 --> 00:19:07,720 Speaker 1: wearing a slutty dress that I bought at Zara, you know, 329 00:19:08,400 --> 00:19:12,720 Speaker 1: and just always I don't know if that is wink. 330 00:19:12,800 --> 00:19:16,240 Speaker 1: Maybe that's anti wink. I don't think. But here's the 331 00:19:16,280 --> 00:19:20,400 Speaker 1: thing with Zara is that Zara promises a short cut 332 00:19:20,480 --> 00:19:23,879 Speaker 1: to the wink, and there cannot be a short cut 333 00:19:24,080 --> 00:19:26,920 Speaker 1: to the wink. You have to swing. You know how 334 00:19:27,640 --> 00:19:30,600 Speaker 1: when I felt like I winked and I and I fell, 335 00:19:31,520 --> 00:19:34,840 Speaker 1: was like any time I would go twee, Like any 336 00:19:34,840 --> 00:19:38,240 Speaker 1: time I would do like a Zoe Dechanelle headband or 337 00:19:38,440 --> 00:19:40,520 Speaker 1: or an item of clothing would have like a bow 338 00:19:40,720 --> 00:19:45,080 Speaker 1: on it, and I'd be like, you know, like my headband. No, 339 00:19:45,400 --> 00:19:49,520 Speaker 1: I tried that on the big like the big pearl necklace. 340 00:19:50,000 --> 00:19:54,120 Speaker 1: That's not me. Yeah, I was gonna say Theosara thing. 341 00:19:54,280 --> 00:19:57,960 Speaker 1: You really need systemic change within yourself to get to 342 00:19:58,040 --> 00:20:01,000 Speaker 1: your true wink. You can't just get shirt. There needs 343 00:20:01,040 --> 00:20:05,080 Speaker 1: to be a full on social movement. People need to unionize. 344 00:20:05,119 --> 00:20:08,280 Speaker 1: There needs to be maybe a Bernie Sanders escal leader 345 00:20:10,119 --> 00:20:13,639 Speaker 1: within yourself, Bernie, you know, Elizabeth Warren, maybe an AOC. 346 00:20:14,160 --> 00:20:18,760 Speaker 1: There needs to be someone like that taking charge um 347 00:20:18,960 --> 00:20:23,480 Speaker 1: for the wink to even be on the table. Yeah. 348 00:20:23,640 --> 00:20:26,480 Speaker 1: It's my bizarre though, is that it feels like there 349 00:20:26,600 --> 00:20:30,360 Speaker 1: is no escaping Zara because I find that a lot 350 00:20:30,400 --> 00:20:33,440 Speaker 1: of like the fashion bitches that I follow, like basically 351 00:20:33,520 --> 00:20:36,840 Speaker 1: everybody who used to work at Man rebell Or, they 352 00:20:36,880 --> 00:20:40,080 Speaker 1: all are constantly going to Zara. You know, They're all 353 00:20:40,160 --> 00:20:43,439 Speaker 1: constantly like yeah, and then and this white Topazara, this 354 00:20:43,520 --> 00:20:47,960 Speaker 1: like wide leg plant actually Zara with my arc bra, 355 00:20:48,440 --> 00:20:50,560 Speaker 1: you know what I mean. And I'm like, if those 356 00:20:50,600 --> 00:20:53,440 Speaker 1: bitches are going to Czara, like when's it going to 357 00:20:53,520 --> 00:20:55,919 Speaker 1: go away? Well? Do you think maybe that it's like, 358 00:20:56,040 --> 00:21:01,000 Speaker 1: once your wink is established, you can some Csara onto 359 00:21:01,040 --> 00:21:04,040 Speaker 1: it because the strength of the wink is so strong 360 00:21:04,560 --> 00:21:10,399 Speaker 1: that it's not minimized by the addition. But maybe doing 361 00:21:10,440 --> 00:21:14,680 Speaker 1: the Zara is its own wink because it's saying like, yes, 362 00:21:14,760 --> 00:21:17,240 Speaker 1: I'm wearing like this amazing vintage top and guess what 363 00:21:17,359 --> 00:21:21,760 Speaker 1: the pants Zara? Right? Yes, yes, they're saying. They're almost saying, 364 00:21:21,760 --> 00:21:24,520 Speaker 1: don't look at me because I'm not the focus. Wait, 365 00:21:24,560 --> 00:21:29,320 Speaker 1: I have a so Sudi, I want to quickly. So 366 00:21:29,480 --> 00:21:32,520 Speaker 1: when I think of your current style, one word comes 367 00:21:32,560 --> 00:21:38,000 Speaker 1: to mind, tailoring. H what do you think of? What 368 00:21:38,040 --> 00:21:40,879 Speaker 1: do you think of that? I agree, I've never gotten 369 00:21:40,920 --> 00:21:45,080 Speaker 1: anything professionally, but it is the aura of Taylor. That's 370 00:21:45,080 --> 00:21:49,920 Speaker 1: it's blazers, it's blazers, and it's big pants. Big pants. Yeah, 371 00:21:51,520 --> 00:21:56,240 Speaker 1: it's I've never gotten anything tailored. But yes, Taylor, that 372 00:21:56,359 --> 00:22:00,359 Speaker 1: is so funny As an agreement. Well, we were sently 373 00:22:00,560 --> 00:22:04,040 Speaker 1: um not to mention Amy Zimmer's birthday party once again. Wow, 374 00:22:04,080 --> 00:22:06,320 Speaker 1: this is the podcast about This is literally a podcast 375 00:22:06,320 --> 00:22:09,480 Speaker 1: about Amy Zimmer's Park birthday party that happened in the 376 00:22:09,480 --> 00:22:13,600 Speaker 1: middle of the day on a Tuesday. Um. But Anna 377 00:22:13,640 --> 00:22:16,280 Speaker 1: Fabrega showed up had do you know what I'm talking about? 378 00:22:16,280 --> 00:22:19,840 Speaker 1: To say Sam, No, she was wearing these pants that 379 00:22:19,880 --> 00:22:23,119 Speaker 1: were like plain black pants, but everyone knew there was 380 00:22:23,160 --> 00:22:25,760 Speaker 1: something special about them. And everyone in Unison was like, 381 00:22:26,160 --> 00:22:32,359 Speaker 1: what the actual fuck is going on with those perfect, 382 00:22:32,800 --> 00:22:37,040 Speaker 1: flawless pants, Anna, And then Anna was like, oh, I 383 00:22:37,119 --> 00:22:40,879 Speaker 1: got them tailored at x y Z place in Soho 384 00:22:40,960 --> 00:22:43,640 Speaker 1: where I got all my clothes tailored. And then everyone's 385 00:22:43,720 --> 00:22:48,040 Speaker 1: head exploded. We had to cut the party short. But 386 00:22:48,160 --> 00:22:50,600 Speaker 1: like people, you can and these were plain black pants, 387 00:22:50,640 --> 00:22:53,200 Speaker 1: but everyone could tell from a mile away she got 388 00:22:53,200 --> 00:22:56,399 Speaker 1: them tailored and Soho, well, you know, I used to 389 00:22:56,480 --> 00:23:00,040 Speaker 1: get close tailored a lot it's pretty affordable and I know, 390 00:23:00,160 --> 00:23:02,000 Speaker 1: but I think. But what I'm saying is Anna was 391 00:23:02,040 --> 00:23:05,560 Speaker 1: wearing like a Tide Eyed T shirt like was pretty 392 00:23:05,760 --> 00:23:08,320 Speaker 1: you know it was it was a daytime look. She 393 00:23:08,359 --> 00:23:10,560 Speaker 1: wasn't wearing a lot of makeup, but everyone could tell 394 00:23:10,800 --> 00:23:16,280 Speaker 1: those pants something had been done to them. On every 395 00:23:16,280 --> 00:23:19,119 Speaker 1: like makeover show that I watched growing up, like What 396 00:23:19,240 --> 00:23:22,760 Speaker 1: Not to Wear, like the original Queer Eye, there would 397 00:23:22,760 --> 00:23:24,680 Speaker 1: always be somebody who was like, well, you know, clothes 398 00:23:24,720 --> 00:23:26,760 Speaker 1: don't really fit like my body shape or it's hard 399 00:23:26,800 --> 00:23:28,159 Speaker 1: for me to shop and they would always be like, 400 00:23:28,320 --> 00:23:32,520 Speaker 1: just go get a tailored and I know, you know 401 00:23:32,640 --> 00:23:34,560 Speaker 1: the look on their face when they're like, I'm never 402 00:23:34,640 --> 00:23:37,119 Speaker 1: doing that at the clothes that I'm I've got on 403 00:23:37,160 --> 00:23:39,120 Speaker 1: this reality show or what I'm wearing for the next 404 00:23:39,119 --> 00:23:44,119 Speaker 1: ten years of my life. Yeah. I mean, as Samone said, 405 00:23:44,680 --> 00:23:47,000 Speaker 1: this is about the new Queer Eye, but he was like, 406 00:23:47,080 --> 00:23:49,440 Speaker 1: you could essentially just give them a gift card to Banba. 407 00:23:51,880 --> 00:23:54,560 Speaker 1: That is all the makeover is for clothes at least. 408 00:23:56,160 --> 00:24:03,600 Speaker 1: Um wait, I have a potentially this is a warning, 409 00:24:03,680 --> 00:24:11,080 Speaker 1: potentially boring ancdote, potentially boring baby baby. Um I one 410 00:24:11,119 --> 00:24:14,639 Speaker 1: time I went to this gay resort in um the Midwest, 411 00:24:15,400 --> 00:24:20,720 Speaker 1: and which was really exciting because like people like, it's 412 00:24:20,720 --> 00:24:24,280 Speaker 1: not Fire Island. People there aren't like, you know, artists 413 00:24:24,280 --> 00:24:27,760 Speaker 1: and performers. Um, Like in Fire Island everyone's an artist, 414 00:24:28,280 --> 00:24:30,040 Speaker 1: you know what I mean? I know what I mean. 415 00:24:30,040 --> 00:24:32,800 Speaker 1: But also everyone on Fire Island is a lawyer. Well 416 00:24:32,840 --> 00:24:35,800 Speaker 1: at least the people that we hang out with. None 417 00:24:35,840 --> 00:24:40,240 Speaker 1: of them actually have ever read a book an Um. 418 00:24:40,280 --> 00:24:42,159 Speaker 1: But none of these gays were lawyers either. It was 419 00:24:42,320 --> 00:24:44,639 Speaker 1: very um sort of the non wink person we were 420 00:24:44,640 --> 00:24:46,680 Speaker 1: talking about the beginning, but got drafted to work in 421 00:24:46,840 --> 00:24:53,639 Speaker 1: HR and so I was like talking to this guy 422 00:24:53,880 --> 00:24:55,760 Speaker 1: like no. I was walking and this guy was like, 423 00:24:55,800 --> 00:24:58,399 Speaker 1: I love your shirt and I was like, oh my god, 424 00:24:58,440 --> 00:25:02,040 Speaker 1: thank you. And then he was like where's it from? 425 00:25:02,080 --> 00:25:04,760 Speaker 1: And I was like, oh, like shamefully like, oh, it's 426 00:25:05,160 --> 00:25:11,680 Speaker 1: from Zara And he was like, what's Zara? Oh my god. 427 00:25:11,840 --> 00:25:14,679 Speaker 1: He's free. He's free. He's the only person that I 428 00:25:14,760 --> 00:25:17,280 Speaker 1: know that's truly free. Yeah. Do you know what else? 429 00:25:17,280 --> 00:25:20,560 Speaker 1: He's free? Do you know what else? Is actually scary 430 00:25:20,560 --> 00:25:22,800 Speaker 1: and frightening and actually now this is a horror podcast. 431 00:25:23,200 --> 00:25:25,639 Speaker 1: When my sister was visiting me, she bought two pairs 432 00:25:25,640 --> 00:25:27,520 Speaker 1: of shorts at H and M. Realized they didn't fit 433 00:25:27,560 --> 00:25:29,840 Speaker 1: her and she wanted to return them. She left them 434 00:25:29,840 --> 00:25:31,439 Speaker 1: for me to return because there's no H and M 435 00:25:31,440 --> 00:25:38,679 Speaker 1: in Pittsburgh. Let's move to Pittsburgh. Let's move is that 436 00:25:39,119 --> 00:25:44,160 Speaker 1: we moved to Pittsburgh and go. I remember, like the 437 00:25:44,280 --> 00:25:47,439 Speaker 1: joy of like taking my like aunt and uncle who 438 00:25:47,520 --> 00:25:50,080 Speaker 1: lived in Canada to like a moojie for the first time. 439 00:25:50,800 --> 00:25:54,960 Speaker 1: Is there's nothing more important than I've taken many of 440 00:25:55,000 --> 00:25:57,120 Speaker 1: my family members to a moogie for the first time, 441 00:25:57,280 --> 00:26:01,520 Speaker 1: and like multiple multiple people have come back and been like, 442 00:26:01,600 --> 00:26:05,359 Speaker 1: can we go back to that that amazing Japanese store again? 443 00:26:05,960 --> 00:26:08,800 Speaker 1: It is amazing. It is amazing. So it is. And 444 00:26:08,840 --> 00:26:11,240 Speaker 1: things like there was a when I said, in Sanrancisco 445 00:26:11,240 --> 00:26:14,640 Speaker 1: there was this very tweet chocolate store. It only sold 446 00:26:14,720 --> 00:26:19,000 Speaker 1: artisanal chocolates, which we like. Roll our eyes and we're like, okay, 447 00:26:19,000 --> 00:26:21,560 Speaker 1: of course that would be in like this cute neighborhood 448 00:26:21,560 --> 00:26:23,720 Speaker 1: at San Francisco. I took my mom to it. She 449 00:26:23,840 --> 00:26:29,680 Speaker 1: wasn't heaven. You could not believe it. I mean, it's sweet. 450 00:26:29,840 --> 00:26:33,400 Speaker 1: We're also jaded. Sometimes you forget and also you forget 451 00:26:33,440 --> 00:26:38,760 Speaker 1: like the access to artisanal treats that we have in 452 00:26:38,800 --> 00:26:42,639 Speaker 1: the city that like, yeah, like my mom grew up 453 00:26:42,680 --> 00:26:47,400 Speaker 1: in Iran with like amazing bakeries. Everything was like fresh, 454 00:26:47,520 --> 00:26:50,200 Speaker 1: everything was like gorgeous. And then she would like go 455 00:26:50,320 --> 00:26:53,080 Speaker 1: to the bakery in Newark, Delaware and be eating like 456 00:26:53,200 --> 00:26:57,679 Speaker 1: Chriscoe filling on like dry cracker, and she'd be like, 457 00:26:57,840 --> 00:27:01,639 Speaker 1: what the fuck, like so his stoff. But this is 458 00:27:01,840 --> 00:27:04,000 Speaker 1: this is a thing though with like artisanal stuff is 459 00:27:04,040 --> 00:27:08,240 Speaker 1: like similarly, bakeries in Greece are like just the thing 460 00:27:08,320 --> 00:27:11,000 Speaker 1: that exists everywhere and everything is like fifty cents and 461 00:27:11,040 --> 00:27:14,520 Speaker 1: it is like just the most delicious pastry you could 462 00:27:14,520 --> 00:27:17,040 Speaker 1: ever imagine. And it is truly I'm not even exaggerating 463 00:27:17,040 --> 00:27:19,119 Speaker 1: when I say it's like a dollar. And then to 464 00:27:19,359 --> 00:27:22,159 Speaker 1: then like to then go and get like a loaf 465 00:27:22,240 --> 00:27:24,320 Speaker 1: of bread at a bakery and have that be a 466 00:27:24,400 --> 00:27:28,760 Speaker 1: big purchase is like is so insulting to in fact, 467 00:27:28,760 --> 00:27:33,480 Speaker 1: my ethnic heritage. So the artisanal thing is a double 468 00:27:33,560 --> 00:27:36,040 Speaker 1: edged sword because on the one hand, yes, so lucky 469 00:27:36,080 --> 00:27:38,040 Speaker 1: that we have access to it, and I will never 470 00:27:38,119 --> 00:27:40,720 Speaker 1: stop thinking God because I am religious because of my earring. 471 00:27:41,359 --> 00:27:45,320 Speaker 1: On the other hand, it's like it's offensive and bread 472 00:27:45,320 --> 00:27:49,120 Speaker 1: should not be expensive if everyone, if we lived in 473 00:27:48,840 --> 00:27:53,840 Speaker 1: a healthy society. I have this thing which is honestly 474 00:27:53,880 --> 00:27:55,639 Speaker 1: sometimes like a test that I have, like when I'm 475 00:27:55,760 --> 00:27:57,720 Speaker 1: dating with people, but now it's just like kind of 476 00:27:57,760 --> 00:28:01,360 Speaker 1: a general test or an ideal breaker. But it does 477 00:28:01,400 --> 00:28:04,600 Speaker 1: like cut me deep into my soul. When you say 478 00:28:04,640 --> 00:28:07,480 Speaker 1: to somebody there are two categories of people there. There's 479 00:28:08,000 --> 00:28:10,840 Speaker 1: when you say to them, oh, should we go get 480 00:28:10,840 --> 00:28:13,280 Speaker 1: a donut? Or oh, this is a really good ice 481 00:28:13,280 --> 00:28:16,600 Speaker 1: cream store should we go? And they say yes, or 482 00:28:16,640 --> 00:28:21,359 Speaker 1: they say and then maybe they do say yes eventually, 483 00:28:21,440 --> 00:28:26,600 Speaker 1: but the hesitation was there that hurts me. I get it. 484 00:28:26,720 --> 00:28:28,800 Speaker 1: I totally get it. I don't think everybody needs to 485 00:28:28,840 --> 00:28:30,680 Speaker 1: eat ice cream all the time if they don't want to. 486 00:28:30,800 --> 00:28:34,720 Speaker 1: But the rejection that I feel when there's hesitation or 487 00:28:34,960 --> 00:28:40,400 Speaker 1: resistance to the suggestion of getting a treat, it feels personal. Wow, 488 00:28:41,240 --> 00:28:46,000 Speaker 1: this I'm I'm unfortunately I would be the like m oh, 489 00:28:46,760 --> 00:28:50,160 Speaker 1: I'm like, well, I'll go with you, because oh god, 490 00:28:50,200 --> 00:28:55,200 Speaker 1: that's humiliating. That's humiliating. And I've done that before. Because 491 00:28:55,200 --> 00:28:59,400 Speaker 1: sweets don't do it sweet like yeah, and it's not 492 00:28:59,640 --> 00:29:02,520 Speaker 1: like they just like like I much prefer like a 493 00:29:02,560 --> 00:29:07,560 Speaker 1: burrito to like a doughnut. Like I'm a i'm when 494 00:29:07,600 --> 00:29:09,440 Speaker 1: I'm on my own, and I'm a yes when I'm 495 00:29:09,440 --> 00:29:11,720 Speaker 1: with another person. That to me, the permission I need 496 00:29:11,880 --> 00:29:13,560 Speaker 1: is for another person to be there, and then it 497 00:29:13,600 --> 00:29:17,760 Speaker 1: doesn't count. Yeah. Absolutely. I mean I also just think 498 00:29:17,840 --> 00:29:22,600 Speaker 1: like if you're gonna eat the doughnut, just like eat 499 00:29:22,640 --> 00:29:25,360 Speaker 1: the doughnut, like also the slap in the VID. You know, 500 00:29:25,440 --> 00:29:28,760 Speaker 1: you've given me this monologue before, literally with that when 501 00:29:28,800 --> 00:29:32,160 Speaker 1: we got pasta and you're like, and you know what, 502 00:29:32,280 --> 00:29:34,320 Speaker 1: here's what I'll say. If you want to eat the doughnut, 503 00:29:34,520 --> 00:29:40,440 Speaker 1: eat the doughnut because we were ordering some things we ordered. Yeah, 504 00:29:40,560 --> 00:29:42,920 Speaker 1: well I want to hear the end of that. Yes, yes, yes, please, 505 00:29:43,240 --> 00:29:45,600 Speaker 1: because I have not heard this monologue before. Well just 506 00:29:45,720 --> 00:29:50,200 Speaker 1: that now I feel like hack and whatever George quoted 507 00:29:50,240 --> 00:29:54,880 Speaker 1: his own Twitter earlier, so personal interaction that's now just 508 00:29:55,040 --> 00:29:58,640 Speaker 1: because it's my truth. But I do just truly feel 509 00:29:58,680 --> 00:30:00,920 Speaker 1: like if you're going to get just ert, don't be 510 00:30:01,000 --> 00:30:03,920 Speaker 1: like wow, should we well should we split it? Because 511 00:30:03,920 --> 00:30:07,600 Speaker 1: I think that makes the dessert taste worse. I think 512 00:30:07,640 --> 00:30:10,280 Speaker 1: if you're going to choose to eat the pasta, choose 513 00:30:10,320 --> 00:30:13,920 Speaker 1: to order the cremebrew let, then just order it and 514 00:30:14,120 --> 00:30:18,480 Speaker 1: eat it and don't talk about don't don't smear anything 515 00:30:18,560 --> 00:30:21,560 Speaker 1: negative on it or like ruin the vibe. You already 516 00:30:21,760 --> 00:30:24,760 Speaker 1: ordered it, so just fucking eat it. And if you 517 00:30:24,840 --> 00:30:26,640 Speaker 1: don't want to eat pasta, and then get a fucking 518 00:30:26,760 --> 00:30:29,760 Speaker 1: Ridicio salad and shut the funk up. Don't even get 519 00:30:29,800 --> 00:30:35,760 Speaker 1: me started on ridicio salad too, better too. I don't 520 00:30:35,760 --> 00:30:37,760 Speaker 1: care if it's deep bloating. I don't want a salad 521 00:30:37,800 --> 00:30:40,800 Speaker 1: that's too bitter. Yeah, it's see in the back of 522 00:30:40,840 --> 00:30:44,160 Speaker 1: the tongue like it tastes. It literally tastes like medicine. 523 00:30:44,280 --> 00:30:46,480 Speaker 1: It tastes like medicine. Do you want to know a 524 00:30:46,560 --> 00:30:51,080 Speaker 1: huge secret to ridiculous salad? Please put in if you're 525 00:30:51,120 --> 00:30:54,240 Speaker 1: making yourself, put in dates and put in lemon zest. 526 00:30:55,160 --> 00:31:00,320 Speaker 1: Suddenly everything comes together because they cut the bitterness. That's smart, 527 00:31:00,720 --> 00:31:02,840 Speaker 1: you know, this is what I was. I want to 528 00:31:02,840 --> 00:31:08,040 Speaker 1: know a secret to ridicio salad? Skip it, honey, You're 529 00:31:08,080 --> 00:31:13,320 Speaker 1: gonna eat the doughnut. Eat the doughnut. You're so right 530 00:31:13,360 --> 00:31:15,760 Speaker 1: though that it's like if you infuse it with negativity, 531 00:31:15,840 --> 00:31:18,520 Speaker 1: then in fact, then at that point, don't eat it, 532 00:31:18,560 --> 00:31:21,560 Speaker 1: because then you're eating something that has been infused with negativity. 533 00:31:21,800 --> 00:31:25,000 Speaker 1: Would you want that? It's very like relationship on the rocks. 534 00:31:25,040 --> 00:31:27,360 Speaker 1: It's like, well, if you're going to stay together, you 535 00:31:27,440 --> 00:31:31,360 Speaker 1: better stick with it, like commit, you have to mentally commit, 536 00:31:31,520 --> 00:31:33,840 Speaker 1: but if you're because if you're like, oh, should we 537 00:31:34,000 --> 00:31:36,640 Speaker 1: the whole time, it's like this isn't gonna work. It 538 00:31:36,760 --> 00:31:39,920 Speaker 1: just I think it's like a sensitivity of mine and 539 00:31:40,080 --> 00:31:42,880 Speaker 1: like one of like the most angry I've ever been 540 00:31:42,880 --> 00:31:45,600 Speaker 1: in my very sweet boyfriend was like truly over nothing. 541 00:31:45,920 --> 00:31:48,840 Speaker 1: We had ice cream. We in the fridge. We had 542 00:31:48,840 --> 00:31:52,640 Speaker 1: about like half of a carton of Ben and Jerry's, 543 00:31:52,840 --> 00:31:56,040 Speaker 1: which for two people is like a totally normal amount 544 00:31:56,040 --> 00:31:59,880 Speaker 1: of ice cream, even maybe even too little. And he 545 00:32:00,080 --> 00:32:02,160 Speaker 1: got it out and we had two spoons and he 546 00:32:02,240 --> 00:32:04,440 Speaker 1: turned to me and he did this exact tone of voice. 547 00:32:04,440 --> 00:32:08,000 Speaker 1: He said, we're not going to finish it though, and 548 00:32:08,160 --> 00:32:12,360 Speaker 1: I literally said fuck you. It was early in our 549 00:32:12,360 --> 00:32:15,720 Speaker 1: relationship and I just had to establish that boundary, like 550 00:32:16,320 --> 00:32:21,760 Speaker 1: none of that. Wow, I love that. I'm gonna eat wait, sorry, suity, 551 00:32:21,840 --> 00:32:25,480 Speaker 1: for the sake of you know, merch and branding. Should 552 00:32:25,480 --> 00:32:28,400 Speaker 1: it be donuts. Should it be ice cream? I think 553 00:32:28,440 --> 00:32:31,120 Speaker 1: doughnut has more fun consonants. If you're going to eat 554 00:32:31,120 --> 00:32:34,160 Speaker 1: the doughnut, eat the doughnut. And I think a lot 555 00:32:34,240 --> 00:32:36,959 Speaker 1: of my work should kind of now be like boiled 556 00:32:37,000 --> 00:32:40,040 Speaker 1: down to a pillow in a gift shop. Yeah right. 557 00:32:40,080 --> 00:32:42,000 Speaker 1: I mean all of us are basically a collection of 558 00:32:42,080 --> 00:32:46,000 Speaker 1: maybe three little cat phrases. I mean, if we're lucky, 559 00:32:46,240 --> 00:32:48,520 Speaker 1: if we're like I didn't think that. The other day 560 00:32:48,520 --> 00:32:50,680 Speaker 1: I was like, should I continue to like try and 561 00:32:50,720 --> 00:32:53,800 Speaker 1: write and produce comedy on television or should I just 562 00:32:54,280 --> 00:32:59,480 Speaker 1: make tote bags that say short Kings, eat box, put 563 00:32:59,520 --> 00:33:02,640 Speaker 1: them on et see and like live my life, make 564 00:33:02,680 --> 00:33:06,160 Speaker 1: a million dollars. I think about that literally every single day. 565 00:33:06,240 --> 00:33:08,680 Speaker 1: I'm like to just make one T shirt that says 566 00:33:08,720 --> 00:33:12,520 Speaker 1: like slay Mama, and I could be rich tomorrow. When 567 00:33:12,600 --> 00:33:15,360 Speaker 1: Io made a T shirt that said Daddy's Little Daddy, 568 00:33:15,480 --> 00:33:19,960 Speaker 1: that was revel. Okay, wait, we need to do our 569 00:33:20,240 --> 00:33:22,800 Speaker 1: segment because actually I'm actually in a hurry that you 570 00:33:22,840 --> 00:33:25,560 Speaker 1: could say jones ng to get to our second segment. 571 00:33:25,600 --> 00:33:30,600 Speaker 1: Ak the bulk of the episode where Study introduces her topic. Right, So, 572 00:33:30,840 --> 00:33:33,800 Speaker 1: sud our first thing is called straight shooters, and we 573 00:33:33,840 --> 00:33:35,600 Speaker 1: ask you a series of rapid fire questions sort of 574 00:33:35,600 --> 00:33:38,800 Speaker 1: gage your familiarity to straight culture. UM, sort of an 575 00:33:38,840 --> 00:33:41,400 Speaker 1: air b thing, and the only rule is no, no 576 00:33:41,560 --> 00:33:45,720 Speaker 1: questions allowed, or we'll get mad at you. Understood, Um, George, 577 00:33:45,720 --> 00:33:48,920 Speaker 1: do you want to start sure Sudi being a morning 578 00:33:48,960 --> 00:33:53,360 Speaker 1: person or eating a morning bun, eating a morning bun, 579 00:33:54,160 --> 00:33:59,280 Speaker 1: Sudi winning a webby or losing a custody battle winning 580 00:33:59,280 --> 00:34:05,360 Speaker 1: a webby, Elon Musk or Rachel Cusk. You chilled cause 581 00:34:06,320 --> 00:34:11,480 Speaker 1: I don't know who that is. Um, Steve Jobs is 582 00:34:11,520 --> 00:34:14,680 Speaker 1: a genius, Kanye West is a genius, or Joe Rogan 583 00:34:14,800 --> 00:34:19,920 Speaker 1: is a genius. Joe Rogan is a genius. Having bad 584 00:34:19,960 --> 00:34:26,280 Speaker 1: posture or posturing is morally superior online, I think bad posture. 585 00:34:27,920 --> 00:34:32,440 Speaker 1: Olivia Rodrigo me goes or the singer of Leave Princees, 586 00:34:32,520 --> 00:34:39,600 Speaker 1: Get Out, Jojo Jojo. That is a stretch. Stretch in 587 00:34:39,640 --> 00:34:45,000 Speaker 1: the morning. Wow, that's that's That's like a funny. That's 588 00:34:45,040 --> 00:34:48,120 Speaker 1: like the dialogue in an overwritten script where someone goes, 589 00:34:48,360 --> 00:34:50,239 Speaker 1: I mean that's a stretch and the other person is like, oh, 590 00:34:50,280 --> 00:34:52,040 Speaker 1: so what, I'm not to stretch in the morning, and 591 00:34:52,040 --> 00:34:57,719 Speaker 1: then the audience laughs. Oh my god, bag sorry the 592 00:34:57,880 --> 00:35:04,080 Speaker 1: Seven Deadly Sins or the Three Little Pigs. The three 593 00:35:04,080 --> 00:35:08,800 Speaker 1: Little pigs. Okay, I'm searching for my copy of Leaves 594 00:35:08,800 --> 00:35:12,400 Speaker 1: of Grass, or I'm searching for a piece of ass, 595 00:35:13,200 --> 00:35:18,960 Speaker 1: searching for a piece of ass. Wow, Like, I mean, 596 00:35:19,239 --> 00:35:21,200 Speaker 1: I would say your performance during that segment is that 597 00:35:21,280 --> 00:35:24,239 Speaker 1: of one who has listened to the podcast before, not 598 00:35:24,360 --> 00:35:27,200 Speaker 1: to be a bit Yeah, it's almost I would, I 599 00:35:27,239 --> 00:35:31,680 Speaker 1: would almost say it. Then you know that takes any 600 00:35:31,680 --> 00:35:33,120 Speaker 1: mystery out of it. I mean you are you were 601 00:35:33,120 --> 00:35:35,840 Speaker 1: not even you were not caught off guard once. You 602 00:35:35,960 --> 00:35:39,160 Speaker 1: never you never acted as though we were attacking you. 603 00:35:39,960 --> 00:35:42,040 Speaker 1: I'm sorry, and I should have performed that for you, 604 00:35:42,080 --> 00:35:43,799 Speaker 1: because I know that's part of the fun. I have 605 00:35:44,080 --> 00:35:47,520 Speaker 1: regrets on all most of my answers. Got it, but 606 00:35:48,239 --> 00:35:50,920 Speaker 1: I was prepared, And I do think that that is. 607 00:35:51,920 --> 00:35:53,879 Speaker 1: Now that you know that I listened to the pod, 608 00:35:54,200 --> 00:35:56,120 Speaker 1: doesn't make you think of all the people you've had 609 00:35:56,120 --> 00:35:58,840 Speaker 1: on the show that clearly didn't. Oh we know who doesn't? 610 00:35:58,920 --> 00:36:02,480 Speaker 1: Who does? Mean, it's pretty obvious because even if someone's 611 00:36:02,520 --> 00:36:06,160 Speaker 1: like performing it, it's really clear. Yes, well, or sometimes 612 00:36:06,160 --> 00:36:09,759 Speaker 1: people are like sometimes I mean the whole thing with 613 00:36:09,800 --> 00:36:12,680 Speaker 1: straight Shooters is like, you know, we make the joke 614 00:36:12,800 --> 00:36:14,960 Speaker 1: that you can't ask any questions, and often we've had 615 00:36:14,960 --> 00:36:17,720 Speaker 1: people that were like, sorry, I listened to the podcast, 616 00:36:17,800 --> 00:36:20,200 Speaker 1: but just to confirm, and we're like, no, no, no no, no, no, 617 00:36:20,920 --> 00:36:23,360 Speaker 1: I want it. I meant to. Even this morning, I 618 00:36:23,400 --> 00:36:25,840 Speaker 1: was like I should ask a question just to experience 619 00:36:25,880 --> 00:36:27,960 Speaker 1: them yelling at me, because I wanted to see how 620 00:36:28,000 --> 00:36:30,200 Speaker 1: far that would have gone. But you know, again, I'm 621 00:36:30,239 --> 00:36:33,400 Speaker 1: full of regret. Well, no, and personally I appreciate the 622 00:36:33,440 --> 00:36:36,480 Speaker 1: honesty because you know, when it's fake, it just it 623 00:36:36,480 --> 00:36:41,920 Speaker 1: doesn't hit us hard and the listeners will get furious 624 00:36:41,960 --> 00:36:44,160 Speaker 1: at the artists. Do it a little bit right now, 625 00:36:45,160 --> 00:36:49,960 Speaker 1: what wait, do it a little more and then we'll 626 00:36:50,000 --> 00:36:52,080 Speaker 1: kind of put it during. We'll like, cut it and 627 00:36:52,080 --> 00:36:54,839 Speaker 1: put it during the question. Just do like five more 628 00:36:54,880 --> 00:36:58,280 Speaker 1: seconds of you being surprised and shocked. Oh my god, 629 00:36:58,440 --> 00:37:02,560 Speaker 1: I can't answer that. You guys are crazy. This is shocking. 630 00:37:03,080 --> 00:37:10,600 Speaker 1: I'm shocked. Right now, I'm gonna get canceled, Okay, perfect. 631 00:37:10,960 --> 00:37:13,960 Speaker 1: I love that. That's really good. Worrying about getting canceled 632 00:37:13,960 --> 00:37:16,800 Speaker 1: on this podcast is really funny. That's a really good detail. 633 00:37:16,920 --> 00:37:20,439 Speaker 1: Getting canceled because you because you don't answer a straight 634 00:37:20,480 --> 00:37:24,320 Speaker 1: shooter correctly because you say the three little pigs instead 635 00:37:24,360 --> 00:37:27,520 Speaker 1: of the seven deadly sins, and someone's like three, that's 636 00:37:27,520 --> 00:37:31,400 Speaker 1: a problematic Number's rachel Cus Okay. So I thought that 637 00:37:31,440 --> 00:37:35,200 Speaker 1: would land because first I had she's an author, she 638 00:37:35,320 --> 00:37:39,239 Speaker 1: wrote these books called the Outline Trilogy. But I had 639 00:37:39,280 --> 00:37:43,000 Speaker 1: this really vague memory of us talking about her. But 640 00:37:43,120 --> 00:37:46,080 Speaker 1: it must have been somewhat another gorgeous woman with bangs 641 00:37:46,800 --> 00:37:51,279 Speaker 1: a Zimmer Amy. It honestly could be Amy zimmer Like. 642 00:37:51,320 --> 00:37:54,919 Speaker 1: It actually probably was Amy zimmer Woh. I love that. 643 00:37:55,600 --> 00:37:58,680 Speaker 1: So I knew it was like not a known you know, 644 00:37:58,800 --> 00:38:00,960 Speaker 1: not someone who is immediately own. But I thought maybe 645 00:38:01,000 --> 00:38:05,840 Speaker 1: you're faced would light up. Um no, no, And you know, 646 00:38:05,920 --> 00:38:09,440 Speaker 1: I'm I'm a little surprised. I never realized, George, that 647 00:38:09,480 --> 00:38:12,520 Speaker 1: when you were writing these you were sort of bating 648 00:38:12,640 --> 00:38:15,400 Speaker 1: our our guests to sort of be like wink wink, 649 00:38:15,480 --> 00:38:19,520 Speaker 1: like we don't forget we we have memories together. Well, 650 00:38:19,880 --> 00:38:21,760 Speaker 1: every time I have a guest, it is a competition 651 00:38:21,760 --> 00:38:24,120 Speaker 1: between me and you to see who has more of 652 00:38:24,160 --> 00:38:27,120 Speaker 1: a history with her. I mean this time, people, real 653 00:38:27,200 --> 00:38:29,000 Speaker 1: fans have noticed that I have brought up the one 654 00:38:29,040 --> 00:38:32,360 Speaker 1: time student and I got pasta together. You brought you 655 00:38:32,400 --> 00:38:35,520 Speaker 1: brought up drinks. You're bringing up a little inside stories 656 00:38:36,360 --> 00:38:40,319 Speaker 1: drinks and pasta to separate occasions or one occasion. Well, 657 00:38:40,520 --> 00:38:42,719 Speaker 1: nobody will ever know. Nobody will ever know, and I 658 00:38:42,760 --> 00:38:48,160 Speaker 1: won't reveal that on this podcast. Um, here's a really 659 00:38:48,200 --> 00:38:52,160 Speaker 1: hot take. Should we get into the topic? And we 660 00:38:52,200 --> 00:38:54,480 Speaker 1: absolutely because it's actually one of the best topics we've 661 00:38:54,520 --> 00:38:57,719 Speaker 1: maybe ever had. I think I think this is the 662 00:38:57,719 --> 00:39:02,320 Speaker 1: platonic ideal of a stradio lab topic. Wow, that's huge comment. 663 00:39:02,440 --> 00:39:06,000 Speaker 1: And I'm actually not even saying that to blow spoke 664 00:39:06,120 --> 00:39:09,480 Speaker 1: up studies perfectly bleached asshole. No, he's trying to get 665 00:39:09,520 --> 00:39:12,760 Speaker 1: another drinks in my he's desperate for drinks and pasta. 666 00:39:13,120 --> 00:39:17,120 Speaker 1: For the record, my asshole is dark and hairy and 667 00:39:17,120 --> 00:39:24,440 Speaker 1: and high. Same cheers, cheers. I'm now putting in my 668 00:39:24,480 --> 00:39:26,520 Speaker 1: own catchphrases as much as know you have to you. 669 00:39:27,239 --> 00:39:30,640 Speaker 1: I introduced, y introduce, And so that's where it's confusing. 670 00:39:30,680 --> 00:39:32,799 Speaker 1: We never really know, we've never decided, but I'm like, 671 00:39:32,840 --> 00:39:36,960 Speaker 1: I trust you do it. Well, let's say the topic 672 00:39:37,080 --> 00:39:40,960 Speaker 1: so we so so study say just in one sentence 673 00:39:40,960 --> 00:39:42,840 Speaker 1: what the topic is and we'll ask a follow up question. 674 00:39:43,560 --> 00:39:48,960 Speaker 1: The topic is information, information, well data, Before we ask 675 00:39:49,000 --> 00:39:52,959 Speaker 1: our follow up, can I ask a different follow up? Yes, 676 00:39:53,280 --> 00:39:56,799 Speaker 1: what do you mean my information? I mean exactly information. 677 00:39:57,000 --> 00:40:00,600 Speaker 1: I mean the horny nous of knowing a fact. I 678 00:40:00,640 --> 00:40:06,239 Speaker 1: mean trivia, I mean people who say fun fact. And 679 00:40:06,520 --> 00:40:11,200 Speaker 1: I mean the concept in a conversation where you were 680 00:40:11,320 --> 00:40:16,200 Speaker 1: telling somebody everything you know about a thing. And I 681 00:40:16,239 --> 00:40:22,320 Speaker 1: believe that that is straight culture in and of itself. Also, 682 00:40:22,520 --> 00:40:25,600 Speaker 1: I will put under this umbrella guys who tell you 683 00:40:25,680 --> 00:40:32,160 Speaker 1: they're really into history. This is such a rich, rich 684 00:40:32,480 --> 00:40:36,160 Speaker 1: topic for me. Yes, well, because George, you know, I 685 00:40:36,200 --> 00:40:38,840 Speaker 1: think one could argue that you are almost this person 686 00:40:38,920 --> 00:40:43,640 Speaker 1: sometimes and yet when could argue or you Sam Taggart 687 00:40:43,640 --> 00:40:48,239 Speaker 1: want to argue one, but I would say though, having 688 00:40:48,280 --> 00:40:52,719 Speaker 1: listened to the pod that George offers, like, I think 689 00:40:52,719 --> 00:40:56,000 Speaker 1: that there's like Phillips, there's there's a point to what 690 00:40:56,080 --> 00:40:59,239 Speaker 1: he's read or what he knows being brought up where 691 00:40:59,320 --> 00:41:02,360 Speaker 1: I feel like what I'm talking about is when you 692 00:41:02,600 --> 00:41:05,719 Speaker 1: are in a bar and you're, you know, listening to 693 00:41:05,760 --> 00:41:09,960 Speaker 1: the Dirty Projectors, and then a guy tells you everything 694 00:41:10,040 --> 00:41:13,280 Speaker 1: he knows about the history of the Dirty projectors, including 695 00:41:13,280 --> 00:41:18,400 Speaker 1: like all the band name band members names throughout time. Okay, 696 00:41:18,440 --> 00:41:23,200 Speaker 1: the George Defender has logged on studies now studies like 697 00:41:23,280 --> 00:41:26,640 Speaker 1: we will get pasta again just to prove a point. 698 00:41:26,719 --> 00:41:29,680 Speaker 1: I think that it's like the what I love about 699 00:41:29,719 --> 00:41:32,359 Speaker 1: this is like there are so many I feel like, 700 00:41:32,480 --> 00:41:35,440 Speaker 1: there are so many cliche little terms like man splaining 701 00:41:35,680 --> 00:41:40,400 Speaker 1: and like you know, the remember that Twitter account that 702 00:41:40,400 --> 00:41:42,680 Speaker 1: was like guy in your m f A, Like this 703 00:41:42,719 --> 00:41:45,120 Speaker 1: is part of the history of like this kind of 704 00:41:45,640 --> 00:41:49,719 Speaker 1: kind of critique of this type of guy. But I think, 705 00:41:50,400 --> 00:41:53,359 Speaker 1: but I think articulating it as information is so rich 706 00:41:53,800 --> 00:41:56,880 Speaker 1: because what it is is like using little bits of 707 00:41:56,920 --> 00:42:00,719 Speaker 1: knowledge as like a blanket to protect from any kind 708 00:42:00,760 --> 00:42:04,160 Speaker 1: of like outside influence. You're like, people are talking to you, 709 00:42:04,160 --> 00:42:06,360 Speaker 1: and you're like, wait, no, I know that you're like 710 00:42:06,560 --> 00:42:10,239 Speaker 1: throwing bits of pieces of information at them as weapons. 711 00:42:10,600 --> 00:42:14,399 Speaker 1: Let's not get personal. Let's not talk about anything that 712 00:42:14,520 --> 00:42:17,680 Speaker 1: could make me feel uncomfortable in like an emotional way. 713 00:42:18,080 --> 00:42:21,239 Speaker 1: Don't get to know me, because guess what, I know 714 00:42:21,719 --> 00:42:25,759 Speaker 1: every movie this director has directed, and now, whether you 715 00:42:25,840 --> 00:42:29,360 Speaker 1: want it or not, I'm just giving you a Wikipedia 716 00:42:29,520 --> 00:42:32,280 Speaker 1: article out of my mouth. And you know, it's actually 717 00:42:32,360 --> 00:42:35,479 Speaker 1: even darker than that, because it's not that they think 718 00:42:35,520 --> 00:42:38,360 Speaker 1: they are avoiding intimacy, it's that they think that is intimacy. 719 00:42:38,640 --> 00:42:41,640 Speaker 1: They think sharing little pieces of information, it's like, these 720 00:42:41,680 --> 00:42:44,560 Speaker 1: are pieces of myself that I learned, and I'm sharing 721 00:42:44,600 --> 00:42:47,480 Speaker 1: them with a woman, and that is how she knows 722 00:42:47,800 --> 00:42:50,880 Speaker 1: I'm interested in her because I have deemed her worthy 723 00:42:50,880 --> 00:42:55,239 Speaker 1: of listening to my memorized Wikipedia page. But isn't there like, 724 00:42:55,400 --> 00:42:57,480 Speaker 1: isn't there a sadness to it where it's like they 725 00:42:57,520 --> 00:43:00,600 Speaker 1: can't I think it's like so unoptional all they can't 726 00:43:00,640 --> 00:43:03,920 Speaker 1: tap into the emotional stuff and so they have like 727 00:43:04,239 --> 00:43:05,920 Speaker 1: one it's a weapon. On the other hand, it's like 728 00:43:05,920 --> 00:43:07,920 Speaker 1: a life raft like where they're like, I know I'm 729 00:43:07,920 --> 00:43:10,719 Speaker 1: supposed to be talking, but I need but I can't 730 00:43:10,719 --> 00:43:12,680 Speaker 1: talk about me and I can't talk about my feelings. 731 00:43:12,719 --> 00:43:16,080 Speaker 1: I have to just talk about the history of the 732 00:43:16,719 --> 00:43:19,160 Speaker 1: you know, civil war or whatever. And I think that 733 00:43:19,239 --> 00:43:25,400 Speaker 1: it's also applauded amongst like pure straight company, you know, 734 00:43:25,480 --> 00:43:28,520 Speaker 1: straight mail company. It's like that if you have to 735 00:43:28,880 --> 00:43:32,839 Speaker 1: information bros together from they're like there, their dicks are 736 00:43:32,840 --> 00:43:34,719 Speaker 1: in the sky. I mean, they couldn't be horn here 737 00:43:34,760 --> 00:43:38,439 Speaker 1: for that. It's like at UCB where there would be like, uh, 738 00:43:38,480 --> 00:43:41,439 Speaker 1: you know, top of your intelligence, and like some guy 739 00:43:41,480 --> 00:43:45,239 Speaker 1: would magically be in a scene that took place on 740 00:43:45,320 --> 00:43:48,280 Speaker 1: like a rocket launcher, and then all of a sudden 741 00:43:48,320 --> 00:43:51,359 Speaker 1: he gets to do a scene where he incorporates that 742 00:43:51,440 --> 00:43:56,560 Speaker 1: he knows everything about rocket science but isn't a rocket scientist, 743 00:43:56,800 --> 00:44:02,239 Speaker 1: is doing improv and that was applauded and celebrated, and 744 00:44:02,400 --> 00:44:06,480 Speaker 1: looking back, that's so fucking poort. Wow. Study the fact 745 00:44:06,560 --> 00:44:09,040 Speaker 1: that you would take the turn to improv as the 746 00:44:09,080 --> 00:44:14,600 Speaker 1: basis of this critique. Honestly, improv and UCB is imbued 747 00:44:14,600 --> 00:44:18,759 Speaker 1: in every episode. I think that's unfortunately true. It's the 748 00:44:18,800 --> 00:44:22,480 Speaker 1: incubator for like toxic straight culture. People who are on 749 00:44:22,520 --> 00:44:25,279 Speaker 1: this podcast live, well, it's actually the reason why. And 750 00:44:25,320 --> 00:44:27,560 Speaker 1: I'm saying this as probably the three of us, the 751 00:44:27,560 --> 00:44:30,399 Speaker 1: person who least you know, has a UCB background. I've 752 00:44:30,400 --> 00:44:33,280 Speaker 1: only ever done stand up there. But to me, UCB 753 00:44:33,480 --> 00:44:38,640 Speaker 1: is really um morally abhorrent because it is where people 754 00:44:38,640 --> 00:44:41,120 Speaker 1: are like straightness can be fun and cute. It's not harmful. 755 00:44:42,440 --> 00:44:46,960 Speaker 1: It's like it is. Don't make this into a joke 756 00:44:47,400 --> 00:44:52,120 Speaker 1: because because the boys are silly exactly have you ever 757 00:44:52,160 --> 00:44:55,600 Speaker 1: tart about Oh yeah, you think these people, these uh 758 00:44:55,840 --> 00:45:02,600 Speaker 1: straight people are bad? No, they're silly. Yeah, no, I can't. 759 00:45:02,880 --> 00:45:07,120 Speaker 1: The homophobia of UCB was potent, and we cannot get 760 00:45:07,160 --> 00:45:09,040 Speaker 1: into We can't get into it because that is not 761 00:45:09,080 --> 00:45:12,360 Speaker 1: our topic. Our topic is information. I once had a 762 00:45:12,400 --> 00:45:15,279 Speaker 1: guy on a on a day, a Tinder day. I 763 00:45:15,440 --> 00:45:17,759 Speaker 1: just showed up and I was like, okay, like we 764 00:45:17,840 --> 00:45:19,880 Speaker 1: maybe just like don't have a lot in common or 765 00:45:19,920 --> 00:45:22,200 Speaker 1: like he's not my vibe, but like he was cute 766 00:45:22,239 --> 00:45:24,160 Speaker 1: and kind of give me a fun boy energy. So 767 00:45:24,239 --> 00:45:26,359 Speaker 1: he's like, Okay, maybe I'll sleep with him. But we 768 00:45:26,360 --> 00:45:28,840 Speaker 1: were like talking and he was like asking me about 769 00:45:28,880 --> 00:45:31,880 Speaker 1: like being a comedian, and he would like bring up 770 00:45:31,920 --> 00:45:33,879 Speaker 1: comedians and I would just like know what work they 771 00:45:33,880 --> 00:45:35,400 Speaker 1: had done. Like I would say like, oh have you 772 00:45:35,520 --> 00:45:38,400 Speaker 1: seen like this person, this, this thing, this person did whatever. 773 00:45:38,440 --> 00:45:40,799 Speaker 1: I'm just talking about like my field, not being an 774 00:45:40,800 --> 00:45:43,880 Speaker 1: information bro. And then there was a point in the 775 00:45:43,920 --> 00:45:48,000 Speaker 1: conversation where he said, um, your thing is you know 776 00:45:48,080 --> 00:45:50,319 Speaker 1: a lot about comedy, and my thing is that I 777 00:45:50,360 --> 00:45:55,680 Speaker 1: know a lot about history. Oh my god, Oh no, 778 00:45:56,840 --> 00:45:59,200 Speaker 1: that is one of the most toxic things I've ever 779 00:45:59,239 --> 00:46:01,759 Speaker 1: heard in my life. But it's also to Sam's point, 780 00:46:01,840 --> 00:46:06,000 Speaker 1: it's sad. It's sad. It's like it's like it's the 781 00:46:06,040 --> 00:46:10,440 Speaker 1: way this guy was like socialized or so clearly threatened 782 00:46:10,480 --> 00:46:13,520 Speaker 1: by the fact that like I was doing interesting things 783 00:46:13,560 --> 00:46:17,640 Speaker 1: and had, you know, some some knowledge that he found 784 00:46:17,719 --> 00:46:20,440 Speaker 1: like threatening in some way that I like knew a 785 00:46:20,560 --> 00:46:22,880 Speaker 1: stand up special that somebody had done and asked him 786 00:46:22,920 --> 00:46:25,759 Speaker 1: if he had seen it, like yeah, and then I 787 00:46:25,800 --> 00:46:34,000 Speaker 1: was like, what history do you like? And it happened 788 00:46:34,000 --> 00:46:40,200 Speaker 1: in the past, so cool. Um. I also information bros. 789 00:46:40,560 --> 00:46:44,040 Speaker 1: It can't like to me, a huge sect of information bros. 790 00:46:44,360 --> 00:46:49,520 Speaker 1: Is Dad's Yeah, I'm thinking my dad, and like he 791 00:46:49,680 --> 00:46:54,000 Speaker 1: is addicted to just facts, spewing facts, and it's very 792 00:46:54,080 --> 00:46:56,520 Speaker 1: the like he doesn't really know what to talk about, 793 00:46:56,600 --> 00:46:59,560 Speaker 1: so it's gonna be facts. And even like my best 794 00:46:59,600 --> 00:47:02,359 Speaker 1: conversations with my dad are being like how do I 795 00:47:02,440 --> 00:47:05,640 Speaker 1: do my taxes? And he's like, thank you for asking? 796 00:47:06,600 --> 00:47:08,600 Speaker 1: And this is this sounds mean. I hope he never 797 00:47:08,680 --> 00:47:10,879 Speaker 1: hears this because it's not meant to me. But like 798 00:47:11,280 --> 00:47:14,960 Speaker 1: I called him like to share like good news recently, 799 00:47:15,040 --> 00:47:18,040 Speaker 1: and then he was like like excited, and then I 800 00:47:18,080 --> 00:47:21,759 Speaker 1: started asking him about like taxes, because I was like, 801 00:47:21,800 --> 00:47:23,440 Speaker 1: how does this work? And he was like, well, you know, 802 00:47:23,560 --> 00:47:28,359 Speaker 1: taxes are like my comedy, like I know it. Oh 803 00:47:28,960 --> 00:47:32,240 Speaker 1: that I was like, oh my god, he's really trying 804 00:47:32,239 --> 00:47:35,160 Speaker 1: to relate. It just brings up a question that I have, though, 805 00:47:35,200 --> 00:47:38,440 Speaker 1: which is like, I mean, it's not bad to know things. 806 00:47:38,640 --> 00:47:42,279 Speaker 1: I would rather somebody be like well read and interested 807 00:47:42,400 --> 00:47:46,200 Speaker 1: in something than like have no nothing about the world. 808 00:47:46,440 --> 00:47:52,640 Speaker 1: But it's the way that it's presented to you without choice. 809 00:47:54,320 --> 00:47:59,680 Speaker 1: Well that's yeah, this is so okay. So I was 810 00:48:00,080 --> 00:48:02,040 Speaker 1: is but my dad is an information bro and my 811 00:48:02,120 --> 00:48:06,800 Speaker 1: mom is a history buff. Wow. So I have experienced 812 00:48:06,800 --> 00:48:10,959 Speaker 1: with both of these things, and with both of them. 813 00:48:11,040 --> 00:48:14,440 Speaker 1: I think with my dad more so. I there's kindly 814 00:48:14,440 --> 00:48:17,920 Speaker 1: the tension between wanting to learn from someone who genuinely 815 00:48:17,920 --> 00:48:21,760 Speaker 1: has all this knowledge and not wanting to lose three 816 00:48:21,760 --> 00:48:24,759 Speaker 1: hours of my time at any given time. Like I 817 00:48:25,400 --> 00:48:27,880 Speaker 1: there are so many times when I genuinely am curious 818 00:48:27,880 --> 00:48:31,840 Speaker 1: about something and want to ask how does this work? 819 00:48:32,760 --> 00:48:36,000 Speaker 1: But no that I only have twenty minutes available, and 820 00:48:36,040 --> 00:48:39,879 Speaker 1: he will He's like all or nothing like and that 821 00:48:39,920 --> 00:48:44,200 Speaker 1: sounds so bratty to say, like, God forbid my dad 822 00:48:44,239 --> 00:48:48,200 Speaker 1: talked to me for three hours. Moment. It's the moment 823 00:48:48,320 --> 00:48:50,520 Speaker 1: that like, your dad is so excited because this is 824 00:48:50,560 --> 00:48:55,160 Speaker 1: the moment that all the ship that he knows was preparing, Like, 825 00:48:55,360 --> 00:48:58,440 Speaker 1: finally somebody has asked. This knowledge that exists in my 826 00:48:58,480 --> 00:49:01,759 Speaker 1: brain is not useless besides the fact that it gave 827 00:49:01,800 --> 00:49:04,560 Speaker 1: me enjoyment to learn it, I can now give it 828 00:49:04,600 --> 00:49:08,319 Speaker 1: to you. And then, at least I was gonna say, 829 00:49:08,320 --> 00:49:12,600 Speaker 1: at least your dad is not doing like infotainment YouTuber 830 00:49:12,800 --> 00:49:17,399 Speaker 1: videos that's start with act if you also triggered this, 831 00:49:18,520 --> 00:49:20,399 Speaker 1: wait and then and then I want to say, sorry, 832 00:49:20,440 --> 00:49:23,800 Speaker 1: I know, I'm I'm I'm monologueing. But the other toxic 833 00:49:23,840 --> 00:49:27,359 Speaker 1: element of this, which is my mom her way rather 834 00:49:27,400 --> 00:49:29,600 Speaker 1: than talking with yours at a time, what she does 835 00:49:30,239 --> 00:49:32,200 Speaker 1: is she thinks you are stupid if you don't know 836 00:49:32,280 --> 00:49:35,120 Speaker 1: something she does. So she's a history buff, reads like 837 00:49:35,400 --> 00:49:37,800 Speaker 1: reads a lot of nonfiction, reads a lot of history books. 838 00:49:38,120 --> 00:49:40,880 Speaker 1: And so rather that my dad's toxic qualities that he 839 00:49:40,920 --> 00:49:43,640 Speaker 1: talks for three hours about something, my mom's toxic qualities. 840 00:49:43,680 --> 00:49:45,600 Speaker 1: You'll ask and she'll basically look at you as though 841 00:49:45,600 --> 00:49:49,000 Speaker 1: your garbage and be like, you don't know that that 842 00:49:49,080 --> 00:49:53,759 Speaker 1: happened in that. I like that, that's fun. That's that's 843 00:49:53,800 --> 00:49:59,080 Speaker 1: like an information terrorist. Yea, my mom's an information terrorist. Yeah, 844 00:49:59,120 --> 00:50:03,640 Speaker 1: that's kind of new. Um okay. On the other end 845 00:50:03,640 --> 00:50:05,839 Speaker 1: of the suit A, you're talking about this meeting with 846 00:50:05,880 --> 00:50:09,040 Speaker 1: this man, I'm like, and George is gonna mock me 847 00:50:09,080 --> 00:50:12,680 Speaker 1: for this, isn't it? Now? You will when you hear it, 848 00:50:12,719 --> 00:50:15,080 Speaker 1: isn't it? Sometimes a little bit hot to be, like 849 00:50:15,480 --> 00:50:19,239 Speaker 1: to be like a little information domm and be like, yeah, 850 00:50:19,440 --> 00:50:21,960 Speaker 1: just like explain something to me, and I get to 851 00:50:21,960 --> 00:50:25,799 Speaker 1: play like the little dumb slut like it's useful if 852 00:50:25,800 --> 00:50:28,359 Speaker 1: it's like I can fix your car, or like I 853 00:50:28,400 --> 00:50:32,760 Speaker 1: know how to like butcher a steak, and I'm like, absolutely, 854 00:50:32,800 --> 00:50:38,400 Speaker 1: provide for me, Like, yeah, provide for me king. But 855 00:50:38,640 --> 00:50:43,239 Speaker 1: um yeah, I mean if it's I think that's true. 856 00:50:43,280 --> 00:50:46,280 Speaker 1: I think it depends on the topic, because I mean, like, also, 857 00:50:46,360 --> 00:50:49,440 Speaker 1: I've just fully had men I've dated, like explained to 858 00:50:49,480 --> 00:50:52,959 Speaker 1: me the entire plot of what's that Keanu Reeves movie 859 00:50:52,960 --> 00:50:56,560 Speaker 1: where he has to like save the dog John Wick. 860 00:50:57,000 --> 00:50:59,959 Speaker 1: I one time the next boyfriend tell me the plot 861 00:51:00,040 --> 00:51:02,640 Speaker 1: of John Wick and I never interrupted him to see 862 00:51:02,680 --> 00:51:07,239 Speaker 1: how long he would go it's like minutes I have 863 00:51:07,600 --> 00:51:12,360 Speaker 1: so about information darmbing. What I think what needs to 864 00:51:12,400 --> 00:51:15,759 Speaker 1: happen for you to be effectively information domed to completion 865 00:51:16,239 --> 00:51:18,200 Speaker 1: is that the person needs to be talking about something 866 00:51:18,239 --> 00:51:21,799 Speaker 1: you have no context for what I have struggled and 867 00:51:21,800 --> 00:51:26,840 Speaker 1: not struggle with. But for instance, me and my lover 868 00:51:27,640 --> 00:51:31,239 Speaker 1: have just overlapping worlds enough that if he might know 869 00:51:31,360 --> 00:51:33,440 Speaker 1: more about something but I know a little bit about it, 870 00:51:33,480 --> 00:51:35,319 Speaker 1: I might know more about something, but he will know 871 00:51:35,360 --> 00:51:40,120 Speaker 1: a little bit about it. He's not like a you know, criminal, uh, 872 00:51:40,480 --> 00:51:42,319 Speaker 1: you know, like a civil rights lawyer or something like. 873 00:51:42,800 --> 00:51:46,240 Speaker 1: He's in the general world of things we all know about. 874 00:51:46,800 --> 00:51:50,040 Speaker 1: And so that makes it more difficult to be information dommed. 875 00:51:50,400 --> 00:51:54,120 Speaker 1: Whereas if you're dating, if you are a an exotic 876 00:51:54,200 --> 00:51:59,879 Speaker 1: dancer dating a carpenter, you're constantly information dmbing one another 877 00:52:00,080 --> 00:52:04,000 Speaker 1: the time. Yeah, because they're like, this is um, you know, 878 00:52:04,239 --> 00:52:06,840 Speaker 1: how to get a g string out of your ask? 879 00:52:07,320 --> 00:52:09,319 Speaker 1: And then he's like, this is how you make a 880 00:52:09,480 --> 00:52:14,239 Speaker 1: structurally sound join. I mean honestly sounds both like that 881 00:52:14,280 --> 00:52:16,840 Speaker 1: sounds like a hot relationship that doesn't really hot. I 882 00:52:17,040 --> 00:52:22,239 Speaker 1: watch their fans, YEA, I yeah, I think yeah. As 883 00:52:22,400 --> 00:52:24,760 Speaker 1: fans of the podcast will know I have a straight 884 00:52:24,920 --> 00:52:30,399 Speaker 1: who um randomly I still see sometimes and he will 885 00:52:30,480 --> 00:52:34,680 Speaker 1: information dumb me with like music stuff in a way 886 00:52:34,719 --> 00:52:38,000 Speaker 1: that's like I do know about music, but he like 887 00:52:38,680 --> 00:52:42,240 Speaker 1: pretends like I don't, in a way that that's also 888 00:52:42,320 --> 00:52:45,080 Speaker 1: information dumbing, where he's like, I don't care what you think, 889 00:52:45,160 --> 00:52:48,719 Speaker 1: I just want to explain, you know. I can see 890 00:52:48,760 --> 00:52:50,520 Speaker 1: why if it happened a lot, I would be like, 891 00:52:50,680 --> 00:52:54,280 Speaker 1: stop by, because I seek him like once a month. 892 00:52:54,360 --> 00:52:57,600 Speaker 1: I'm like, sure, like just go off on. I mean, 893 00:52:57,680 --> 00:53:00,839 Speaker 1: sometimes it's nice just to like if you're I I 894 00:53:00,880 --> 00:53:04,400 Speaker 1: get like very socially exhausted sometimes, especially talking to like 895 00:53:04,440 --> 00:53:07,239 Speaker 1: a normy because I don't like know how to what 896 00:53:07,360 --> 00:53:09,520 Speaker 1: stimulates me in a conversation is like doing the bit, 897 00:53:09,880 --> 00:53:12,040 Speaker 1: and so if I can't do a bit, I'm sometimes 898 00:53:12,040 --> 00:53:15,760 Speaker 1: like paralyzed by social awkwardness. And so in those moments 899 00:53:16,440 --> 00:53:20,279 Speaker 1: just being just having like a wave of you know, 900 00:53:21,080 --> 00:53:24,480 Speaker 1: facts about It's always music. It's always a band that 901 00:53:24,520 --> 00:53:29,279 Speaker 1: I've listened to once. Yeah, can do you know what 902 00:53:29,480 --> 00:53:31,799 Speaker 1: is like? What's such a defeat to be in the 903 00:53:31,800 --> 00:53:34,799 Speaker 1: middle of a conversation and say something along the lines 904 00:53:34,840 --> 00:53:40,200 Speaker 1: of like, so what TV have you been watching? And 905 00:53:40,280 --> 00:53:43,480 Speaker 1: it's so sad because that hurts conversations like what do 906 00:53:43,520 --> 00:53:45,920 Speaker 1: we what else do we talk about? Like it is 907 00:53:46,000 --> 00:53:48,200 Speaker 1: kind of like this is a ripe topic, but it's 908 00:53:48,200 --> 00:53:52,120 Speaker 1: like the question hurts so much. Well, and then both 909 00:53:52,120 --> 00:53:54,240 Speaker 1: of you, you know, you look at your conversation partner 910 00:53:54,280 --> 00:53:56,000 Speaker 1: and you're both like you know, it's kind of the 911 00:53:56,040 --> 00:53:58,479 Speaker 1: moment before a suicide pack where you're like, well, we're 912 00:53:58,480 --> 00:54:00,440 Speaker 1: doing this. Yeah, it's sort of like going to talk 913 00:54:00,480 --> 00:54:03,200 Speaker 1: about what TV we're watching. We either answer this or 914 00:54:03,280 --> 00:54:04,840 Speaker 1: one of us is like, actually I have to go 915 00:54:04,880 --> 00:54:11,680 Speaker 1: to the bathroom. That's it's not even like the actual 916 00:54:12,000 --> 00:54:15,160 Speaker 1: question in the conversation that hurts me. It's knowing that 917 00:54:15,160 --> 00:54:17,879 Speaker 1: that was like a chunk of my day, like I 918 00:54:17,920 --> 00:54:22,800 Speaker 1: can't I can't like handle especially like you know, working 919 00:54:22,920 --> 00:54:24,759 Speaker 1: at US and l and like your free time being 920 00:54:24,840 --> 00:54:27,600 Speaker 1: so limited when you're like at a party and then 921 00:54:27,680 --> 00:54:31,560 Speaker 1: you're like this is like my Sunday night, and it 922 00:54:31,680 --> 00:54:37,760 Speaker 1: just really makes you most like you're fucking oh my god. 923 00:54:38,719 --> 00:54:45,000 Speaker 1: People are We're better and people are boring this is 924 00:54:45,000 --> 00:54:47,759 Speaker 1: coming on. Well, here's the thing is that like we 925 00:54:47,920 --> 00:54:51,239 Speaker 1: just there are so many people for whom there is 926 00:54:51,400 --> 00:54:55,520 Speaker 1: nothing more boring than the three of us talking about comedy, 927 00:54:55,680 --> 00:54:59,479 Speaker 1: Like to think about how it makes me feel better 928 00:54:59,600 --> 00:55:02,680 Speaker 1: to have an knowledge and opinions about comedy, and like 929 00:55:02,760 --> 00:55:07,320 Speaker 1: that's one of the main things you're offering. That's so tragic. Wait, 930 00:55:07,600 --> 00:55:11,200 Speaker 1: I'm just realizing it's so much more embarrassing that. Like 931 00:55:11,760 --> 00:55:14,680 Speaker 1: I'm like, my dad is like he knows a lot 932 00:55:14,680 --> 00:55:18,719 Speaker 1: about taxes, Like that's like that's really useful. And I'm like, yeah, 933 00:55:18,760 --> 00:55:21,359 Speaker 1: but like I just did this bar show and we're 934 00:55:21,400 --> 00:55:23,719 Speaker 1: back and it's in the street now. Yeah, he's literally 935 00:55:23,760 --> 00:55:26,480 Speaker 1: he's trying to relate to his son that he wanted 936 00:55:26,520 --> 00:55:28,799 Speaker 1: to be, you know, a Supreme Court justice and now 937 00:55:28,920 --> 00:55:31,200 Speaker 1: is and that was a community. It's like, yeah, this 938 00:55:31,280 --> 00:55:34,560 Speaker 1: is like my comedy. I guess if that's what's good, 939 00:55:35,000 --> 00:55:37,799 Speaker 1: that's what's good. No, I'm like, I'm like, please don't 940 00:55:37,840 --> 00:55:40,319 Speaker 1: tell me about like your hobby. Please do like a 941 00:55:40,360 --> 00:55:44,040 Speaker 1: sociopathic bit that never touches the ground so we never 942 00:55:44,080 --> 00:55:48,839 Speaker 1: have to experience each other because bit because bits are 943 00:55:48,920 --> 00:55:54,040 Speaker 1: our information. Oh no, like we're bit bombing in the 944 00:55:54,080 --> 00:55:56,919 Speaker 1: way that another person is information bombing. Have you ever 945 00:55:57,080 --> 00:56:01,040 Speaker 1: been with somebody or like it around like a friend 946 00:56:01,120 --> 00:56:03,959 Speaker 1: or like a partner or somebody who didn't like when 947 00:56:04,480 --> 00:56:10,720 Speaker 1: bits were happening with your friends. Yes, many times, Uh yeah, 948 00:56:10,760 --> 00:56:14,799 Speaker 1: I think, um, Misha likes he gets it. He likes 949 00:56:14,840 --> 00:56:16,839 Speaker 1: to have fun, he likes to laugh. But when it's 950 00:56:16,880 --> 00:56:21,920 Speaker 1: like comedians doing bits together, there's also like inherently power hierarchy, 951 00:56:22,719 --> 00:56:25,959 Speaker 1: like who's laughing at who? Oh my god, and he's 952 00:56:26,040 --> 00:56:29,440 Speaker 1: like toxic, it's extremely toxic. And he's like, this isn't 953 00:56:29,600 --> 00:56:33,279 Speaker 1: this isn't egalitarian. This is just like they want to 954 00:56:33,360 --> 00:56:40,520 Speaker 1: laugh at that person. Oh god. Um so sometimes bit 955 00:56:40,719 --> 00:56:44,960 Speaker 1: bit bit cruise can be evil. And also just if 956 00:56:45,000 --> 00:56:48,040 Speaker 1: we if this is now a pro NORMI turn, have 957 00:56:48,200 --> 00:56:51,320 Speaker 1: you guys like really hung out with like a crew 958 00:56:51,440 --> 00:56:54,279 Speaker 1: of normies with like not even media jobs, just like 959 00:56:54,719 --> 00:56:59,799 Speaker 1: not even jobs like being no no no, this is 960 00:56:59,840 --> 00:57:03,759 Speaker 1: the pro. This is pro like like truly people that 961 00:57:03,800 --> 00:57:05,959 Speaker 1: are just like I just work and make a good 962 00:57:06,000 --> 00:57:11,560 Speaker 1: So I think they are so much like more thoughtful. 963 00:57:11,680 --> 00:57:14,120 Speaker 1: They're like so much better at asking you how your 964 00:57:14,160 --> 00:57:17,280 Speaker 1: life is and like trying to like connect, whereas like 965 00:57:17,320 --> 00:57:19,560 Speaker 1: comedians do just like bit bit bit bit bit and 966 00:57:20,000 --> 00:57:21,880 Speaker 1: run away and it's like I don't know what that 967 00:57:22,000 --> 00:57:27,400 Speaker 1: person does for work, Like it's um, it's a different 968 00:57:27,440 --> 00:57:31,320 Speaker 1: it's a switch up, and then there's like space for 969 00:57:31,400 --> 00:57:33,600 Speaker 1: hobbies to like I'm never going to have a space 970 00:57:33,640 --> 00:57:37,160 Speaker 1: for a hobby, you know, Like I like fantasized about 971 00:57:37,160 --> 00:57:40,600 Speaker 1: getting into pottery for like a good month and then 972 00:57:40,680 --> 00:57:43,800 Speaker 1: I thought, too many comedians are doing pottery now, and yeah, 973 00:57:46,520 --> 00:57:54,640 Speaker 1: so much you're unnoticed. Yeah it's also because of what 974 00:57:54,680 --> 00:57:56,960 Speaker 1: we do everything we are like, what can we profit 975 00:57:57,000 --> 00:58:00,200 Speaker 1: off of this? Yeah, we don't profit off of like 976 00:58:00,760 --> 00:58:08,640 Speaker 1: our actual company, but yees, yeah, the normy thing is interesting. 977 00:58:08,920 --> 00:58:12,320 Speaker 1: I do think what you're saying is totally correct. I 978 00:58:12,400 --> 00:58:16,880 Speaker 1: also think the flip side of that is one person 979 00:58:16,920 --> 00:58:19,840 Speaker 1: will say one thing that is the least bit off 980 00:58:19,920 --> 00:58:23,080 Speaker 1: key and everyone will be like, oh my god, it's 981 00:58:23,200 --> 00:58:27,400 Speaker 1: the funniest thing I've ever heard. Well, like you're so weird. Yes, 982 00:58:28,000 --> 00:58:30,880 Speaker 1: also that I feel that I just have like too 983 00:58:31,000 --> 00:58:35,800 Speaker 1: much uh you know I enormalies for me are always 984 00:58:35,880 --> 00:58:37,880 Speaker 1: deep down and going to be like people who looked 985 00:58:37,920 --> 00:58:41,240 Speaker 1: at me weird in high school, you know, for like 986 00:58:41,400 --> 00:58:45,320 Speaker 1: being loud or being stupid or like that moment where 987 00:58:45,360 --> 00:58:47,400 Speaker 1: like you had a friend who was like weird, with 988 00:58:47,440 --> 00:58:49,120 Speaker 1: you to sleep over, and then all of a sudden, 989 00:58:49,160 --> 00:58:51,960 Speaker 1: like you're in a greater social setting and they look 990 00:58:52,000 --> 00:58:55,760 Speaker 1: at you like, we don't do this here, like classic. 991 00:58:56,200 --> 00:58:58,920 Speaker 1: And I feel that when I'm in like normy settings, 992 00:58:59,040 --> 00:59:02,880 Speaker 1: I sometimes bell in that way and I like drink 993 00:59:02,920 --> 00:59:07,160 Speaker 1: too much and become and I truly hate myself after 994 00:59:07,920 --> 00:59:10,200 Speaker 1: because I know where it comes from, which is like 995 00:59:11,040 --> 00:59:14,760 Speaker 1: it's a I'm not repressed. I mean like I have 996 00:59:14,840 --> 00:59:17,880 Speaker 1: a very fulfilling life in the career that I chose, 997 00:59:18,080 --> 00:59:20,680 Speaker 1: and I like never have to be around people who 998 00:59:20,720 --> 00:59:24,600 Speaker 1: basically don't agree with everything that I have to say. 999 00:59:24,960 --> 00:59:27,680 Speaker 1: So the one moment that I am in a situation, 1000 00:59:27,800 --> 00:59:32,480 Speaker 1: say at like a sister's birthday, you know, then I 1001 00:59:32,560 --> 00:59:38,439 Speaker 1: become a part of myself that I hate. Yes, yes, 1002 00:59:38,680 --> 00:59:43,800 Speaker 1: it's I also this is we can. This is the 1003 00:59:43,800 --> 00:59:45,800 Speaker 1: thing is we are. The implication here is that we 1004 00:59:45,840 --> 00:59:48,240 Speaker 1: are so interesting, and I truly do not know that 1005 00:59:48,280 --> 00:59:52,200 Speaker 1: about myself, Like in fact, I actually think that everything 1006 00:59:52,240 --> 00:59:56,040 Speaker 1: I have done in my life is like two. It's 1007 00:59:56,080 --> 00:59:59,560 Speaker 1: like some desperate attempt at at like reaching for being interested, 1008 00:59:59,600 --> 01:00:02,760 Speaker 1: like when you are actually you're when you're around actually 1009 01:00:02,800 --> 01:00:05,680 Speaker 1: interesting people or someone who's like a play rate that 1010 01:00:05,720 --> 01:00:08,240 Speaker 1: has written a postmodern place, like like people that have 1011 01:00:08,360 --> 01:00:12,760 Speaker 1: really dedicated their life to like art and um and 1012 01:00:13,000 --> 01:00:17,560 Speaker 1: like or even knowledge. Then you're like, oh, I'm a fraud. No, 1013 01:00:17,800 --> 01:00:20,400 Speaker 1: but I have to say I find you very interesting. 1014 01:00:20,920 --> 01:00:23,439 Speaker 1: That's not to say that you know like I do. 1015 01:00:24,040 --> 01:00:26,720 Speaker 1: I do think you're interesting. It's just you have to 1016 01:00:26,880 --> 01:00:29,040 Speaker 1: walk with the knowledge that you are going to be 1017 01:00:29,440 --> 01:00:33,160 Speaker 1: a bore and pretty abhorrant to somebody in the world. 1018 01:00:33,200 --> 01:00:35,840 Speaker 1: And I feel like people who don't walk with that knowledge, 1019 01:00:37,080 --> 01:00:40,000 Speaker 1: you know, you can see it in their eyes. That's 1020 01:00:41,080 --> 01:00:43,240 Speaker 1: you have to have both. You need to know that 1021 01:00:43,320 --> 01:00:46,680 Speaker 1: you are interesting, you have value, and also know that 1022 01:00:47,760 --> 01:00:51,080 Speaker 1: some people aren't for you or you're not for them, 1023 01:00:51,200 --> 01:00:54,560 Speaker 1: and that's okay, And that's okay. You are beautiful just 1024 01:00:54,640 --> 01:00:56,520 Speaker 1: the way you are. And I wouldn't want to be 1025 01:00:56,560 --> 01:00:59,480 Speaker 1: with for everybody. I mean, I think you want to 1026 01:00:59,520 --> 01:01:02,120 Speaker 1: be sphysics of it, And I wouldn't want to write 1027 01:01:02,160 --> 01:01:04,800 Speaker 1: a postmodern play. There, No, you don't want to write 1028 01:01:04,840 --> 01:01:08,520 Speaker 1: a postmodern play. Well, what do you think this is? 1029 01:01:09,560 --> 01:01:12,120 Speaker 1: Oh my god. That's the twist is that this has 1030 01:01:12,160 --> 01:01:15,480 Speaker 1: been this entire thing has been my actual um m 1031 01:01:15,520 --> 01:01:19,480 Speaker 1: f a thesis at Yale this entire time. Damn wow. 1032 01:01:21,640 --> 01:01:25,600 Speaker 1: I went to college with a lot of right, I 1033 01:01:25,640 --> 01:01:28,400 Speaker 1: know that you with a lot of playwrights, and like 1034 01:01:28,480 --> 01:01:31,440 Speaker 1: we would have like playwrights come and speak to us. 1035 01:01:31,440 --> 01:01:36,320 Speaker 1: And I always kind of thought that, um, people who 1036 01:01:36,400 --> 01:01:40,000 Speaker 1: like understood things on that level or would do like 1037 01:01:40,080 --> 01:01:43,320 Speaker 1: really often guard play or like something like that. And 1038 01:01:43,480 --> 01:01:46,440 Speaker 1: I always just thought, like, when I do that in 1039 01:01:46,520 --> 01:01:49,720 Speaker 1: class or I try to do that, I'm bullshitting and 1040 01:01:49,760 --> 01:01:52,240 Speaker 1: I'm trying to like bullshit and copy the style that 1041 01:01:52,280 --> 01:01:56,080 Speaker 1: I don't understand beyond like a surface level, and if 1042 01:01:56,080 --> 01:01:58,800 Speaker 1: I get it right, it's like truly by chance that 1043 01:01:58,920 --> 01:02:02,160 Speaker 1: I copied the right sing. And I sort of thought 1044 01:02:02,240 --> 01:02:05,320 Speaker 1: that that was everybody because I didn't understand it. So 1045 01:02:05,360 --> 01:02:08,120 Speaker 1: I just thought, oh, they're pretending to be this thing 1046 01:02:09,080 --> 01:02:12,280 Speaker 1: that somebody back in time actually knew what they were doing. 1047 01:02:13,160 --> 01:02:18,520 Speaker 1: And then I realized that that is so not true. Well, 1048 01:02:18,600 --> 01:02:21,800 Speaker 1: it's it's the like horror of realizing that somebody is 1049 01:02:21,920 --> 01:02:24,760 Speaker 1: actually well read, which you think of as only a 1050 01:02:24,800 --> 01:02:29,080 Speaker 1: theoretical concept, like the idea that someone has actually and 1051 01:02:29,160 --> 01:02:31,760 Speaker 1: this obviously comes with like a lot of privilege and 1052 01:02:31,800 --> 01:02:33,920 Speaker 1: the and the privilege of like having the time to 1053 01:02:33,960 --> 01:02:35,920 Speaker 1: be well read and all this stuff, but like the 1054 01:02:36,240 --> 01:02:39,400 Speaker 1: idea that someone has read the Cannon and then beyond 1055 01:02:39,480 --> 01:02:42,400 Speaker 1: that and then has also developed their own taste and 1056 01:02:42,400 --> 01:02:45,160 Speaker 1: and can like talk to you about like you know, 1057 01:02:45,520 --> 01:02:49,080 Speaker 1: literature and film and Shakespeare and whatever. And it's like, oh, 1058 01:02:49,120 --> 01:02:53,040 Speaker 1: that actually does exist, and when not all everyone faking 1059 01:02:53,040 --> 01:02:56,520 Speaker 1: it constantly, And when somebody is that way, they don't 1060 01:02:56,560 --> 01:03:01,520 Speaker 1: like remind you of it exactly constantly. Yea, but everybody's 1061 01:03:01,560 --> 01:03:04,840 Speaker 1: got everybody's got holes, you know, I mean, don't I 1062 01:03:04,880 --> 01:03:12,000 Speaker 1: know it's sister Okay, top vibes, But yeah, it's like 1063 01:03:12,040 --> 01:03:14,160 Speaker 1: they could be extremely well read and know all this stuff, 1064 01:03:14,200 --> 01:03:17,600 Speaker 1: but like they have no idea who Ariana Grande is. 1065 01:03:17,680 --> 01:03:23,960 Speaker 1: Like I feel like I'm sorry for them anything. It's 1066 01:03:24,000 --> 01:03:27,320 Speaker 1: just like there's there's always a trade off, and you know, 1067 01:03:27,560 --> 01:03:30,600 Speaker 1: unfortunately the path I have chosen is knowing who Ariana 1068 01:03:30,640 --> 01:03:33,880 Speaker 1: Grande is and not knowing the Cannon. Right. Well, I 1069 01:03:33,920 --> 01:03:36,840 Speaker 1: have to say, like not to be self hating, but 1070 01:03:36,880 --> 01:03:41,400 Speaker 1: I actually wish often that I knew the Cannon instead 1071 01:03:41,400 --> 01:03:45,040 Speaker 1: of Ariana Grande. Okay, yourself hate. What do you think 1072 01:03:45,040 --> 01:03:49,040 Speaker 1: in terms of cannon versus Ariana Grande. Well, my first 1073 01:03:49,400 --> 01:03:53,040 Speaker 1: my first thought was to know the canon. I would 1074 01:03:53,080 --> 01:03:57,360 Speaker 1: feel like would be to like know like the what 1075 01:03:57,480 --> 01:04:00,480 Speaker 1: you've inherited as a human in terms of like knowledge 1076 01:04:00,480 --> 01:04:03,960 Speaker 1: and art, Like to truly have read all of like 1077 01:04:04,040 --> 01:04:07,320 Speaker 1: the great texts in a way is like you're like 1078 01:04:07,440 --> 01:04:12,040 Speaker 1: imbuing yourself with like you know a little bit like 1079 01:04:12,160 --> 01:04:15,400 Speaker 1: why why why do we do anything right? Like like 1080 01:04:15,440 --> 01:04:18,200 Speaker 1: you're imbuing yourself with this history of like human knowledge, 1081 01:04:18,240 --> 01:04:24,120 Speaker 1: human thought. Incredible. I wish that I had that inside 1082 01:04:24,120 --> 01:04:27,120 Speaker 1: of me, had those ideas inside of me. However, who 1083 01:04:27,200 --> 01:04:31,400 Speaker 1: is to say that Ariana Grande is not part of 1084 01:04:31,440 --> 01:04:35,440 Speaker 1: her own canon that I need to know and needs 1085 01:04:35,480 --> 01:04:37,960 Speaker 1: to be inside of me that maybe didn't start in 1086 01:04:38,040 --> 01:04:42,120 Speaker 1: like the you know, in Shakespeare's times. Maybe it's like 1087 01:04:42,200 --> 01:04:46,480 Speaker 1: a little bit more rooted in like the eighties. Sure, correct. Well, 1088 01:04:46,520 --> 01:04:49,520 Speaker 1: the thing is, there are two tenants of there are 1089 01:04:49,520 --> 01:04:53,520 Speaker 1: two tenants of kind of being an intellectual. One is 1090 01:04:53,600 --> 01:04:56,440 Speaker 1: knowing things and the second is putting them in historical 1091 01:04:56,480 --> 01:05:02,440 Speaker 1: and cultural context. And unfortunately you can't always have Yeah, 1092 01:05:02,480 --> 01:05:06,560 Speaker 1: I yeah, this is a lot. There's so much to 1093 01:05:06,600 --> 01:05:09,320 Speaker 1: talk about about this now where I'm sorry, but this 1094 01:05:09,360 --> 01:05:11,840 Speaker 1: is about information. We're still doing information, We're still talking 1095 01:05:11,840 --> 01:05:15,040 Speaker 1: about information. I this is crazy crossover event. I was 1096 01:05:15,080 --> 01:05:19,800 Speaker 1: listening to The Laws Culturesta's episode with Sam Sanders and 1097 01:05:20,000 --> 01:05:22,760 Speaker 1: it was so good. One shout out too, and like 1098 01:05:23,000 --> 01:05:26,360 Speaker 1: he talked. Sam Sanders was talking about like how like 1099 01:05:27,040 --> 01:05:30,919 Speaker 1: you know, like our news reporters don't have a good 1100 01:05:31,000 --> 01:05:34,360 Speaker 1: enough knowledge of like pop culture, and so they like 1101 01:05:34,440 --> 01:05:37,520 Speaker 1: have this spewed misunderstanding of like why would people vote 1102 01:05:37,520 --> 01:05:40,160 Speaker 1: for Trump? And it's like, well, because that's he's like 1103 01:05:40,360 --> 01:05:44,880 Speaker 1: huge in our in American culture, like and it really 1104 01:05:44,920 --> 01:05:47,680 Speaker 1: like pointed out like the value in knowing pop culture 1105 01:05:47,800 --> 01:05:51,320 Speaker 1: and like understanding what is seen as like stupid. But 1106 01:05:51,400 --> 01:05:54,959 Speaker 1: you know what though, doesn't that also point out how 1107 01:05:55,000 --> 01:05:57,800 Speaker 1: bad it is because literally people voted for Trump because 1108 01:05:57,840 --> 01:06:01,120 Speaker 1: of pop culture. That's and that's the paradox is it's 1109 01:06:01,160 --> 01:06:03,040 Speaker 1: like do you do you know about it and address 1110 01:06:03,080 --> 01:06:05,280 Speaker 1: it or do you ignore it and hope it goes away? Yeah? Yeah, 1111 01:06:05,360 --> 01:06:09,400 Speaker 1: of course, which it won't unless the people that are 1112 01:06:09,440 --> 01:06:13,760 Speaker 1: like the intellectuals and public intellectuals and thought leaders learn 1113 01:06:13,800 --> 01:06:17,280 Speaker 1: about it so that they can change it from within. Yeah, 1114 01:06:17,800 --> 01:06:20,440 Speaker 1: you're not going to stop Trump by writing a dissertation 1115 01:06:21,320 --> 01:06:27,360 Speaker 1: no queen, but maybe this podcast. Well, I mean I 1116 01:06:27,400 --> 01:06:30,800 Speaker 1: love in the year being like, we're gonna stop Trump. 1117 01:06:31,800 --> 01:06:37,200 Speaker 1: We're gonna stop Trump with this podcast actually, and I 1118 01:06:37,400 --> 01:06:41,360 Speaker 1: really think this episode specifically, we're gonna stop Trump. This 1119 01:06:41,600 --> 01:06:44,160 Speaker 1: We're gonna stop him, and he's never going to be 1120 01:06:44,200 --> 01:06:48,000 Speaker 1: president in Yeah, let me tell you something, Commander in Cheeto. 1121 01:06:50,080 --> 01:06:54,439 Speaker 1: I didn't want a celebrity for my president. No. Oh, 1122 01:06:54,560 --> 01:07:01,600 Speaker 1: so the Apprentice, the ratings were bad. Tax returns. You 1123 01:07:01,680 --> 01:07:07,880 Speaker 1: think you're better, you're worse. Um. Oh, we have to 1124 01:07:07,920 --> 01:07:10,480 Speaker 1: do our final segment otherwise I will actually jump out 1125 01:07:10,520 --> 01:07:13,640 Speaker 1: my window. And we also got I just want to 1126 01:07:13,680 --> 01:07:16,000 Speaker 1: address talk about the podast when I make the podcast. Okay, okay, 1127 01:07:16,120 --> 01:07:18,520 Speaker 1: we got we got a little serious there, Huh did 1128 01:07:18,560 --> 01:07:20,680 Speaker 1: we just a little? It was playful the whole time, 1129 01:07:20,720 --> 01:07:24,160 Speaker 1: but a little serious, right. That's just what George and 1130 01:07:24,200 --> 01:07:26,960 Speaker 1: I do when we're eating pasta. Sorry, Sam, you don't 1131 01:07:27,000 --> 01:07:30,800 Speaker 1: get it. You're not part of this pasta eating community. 1132 01:07:30,920 --> 01:07:33,919 Speaker 1: For you, it's weird, but for us it's normal these 1133 01:07:33,960 --> 01:07:38,280 Speaker 1: pasta nights. I just do you think it's so interesting 1134 01:07:38,320 --> 01:07:40,920 Speaker 1: because we were talking before about the difference between intimacy 1135 01:07:40,960 --> 01:07:44,720 Speaker 1: and information, and I feel like in this podcast, we've 1136 01:07:44,760 --> 01:07:47,560 Speaker 1: gotten more intimate with like you know, you and I 1137 01:07:47,680 --> 01:07:50,800 Speaker 1: talking about like our relationships or are fears and stuff, 1138 01:07:50,880 --> 01:07:53,960 Speaker 1: Whereas this time we were debating on a more theoretical basis. 1139 01:07:54,040 --> 01:07:58,000 Speaker 1: Don't you think it's my fault? No? I I enjoyed that. No. 1140 01:07:58,080 --> 01:08:00,120 Speaker 1: I think it's good. It was good because it was 1141 01:08:00,200 --> 01:08:03,840 Speaker 1: so it was about information. I think that it was 1142 01:08:03,880 --> 01:08:06,320 Speaker 1: a balanced podcast in a way that I like, because 1143 01:08:06,320 --> 01:08:09,120 Speaker 1: we talked about how the fans are the two genders 1144 01:08:09,160 --> 01:08:11,280 Speaker 1: of wanting us to be absurd and chaotic and sort 1145 01:08:11,320 --> 01:08:13,880 Speaker 1: of ruin our own podcast, and the others want to 1146 01:08:13,880 --> 01:08:17,200 Speaker 1: hear our take on Demi Lavado. Right, So I feel 1147 01:08:17,200 --> 01:08:20,679 Speaker 1: like in this episode we actually did both. Um, okay, 1148 01:08:20,760 --> 01:08:22,559 Speaker 1: I feel like we can do our final seg now 1149 01:08:23,240 --> 01:08:25,639 Speaker 1: our final segments called shout out study, and we give 1150 01:08:25,680 --> 01:08:28,320 Speaker 1: a shout out to something we enjoy, sort of in 1151 01:08:28,360 --> 01:08:30,439 Speaker 1: the style of Its two thousand one and you're in 1152 01:08:30,520 --> 01:08:35,240 Speaker 1: time Square for TRL shouting out your squad back home. Um, George, 1153 01:08:35,280 --> 01:08:39,439 Speaker 1: do you want to kick us off? I actually have to. 1154 01:08:39,640 --> 01:08:42,240 Speaker 1: I could go first. Okay, you can go first. Okay, 1155 01:08:44,800 --> 01:08:46,880 Speaker 1: what's up, losers? Um? I just want to give a 1156 01:08:47,000 --> 01:08:51,160 Speaker 1: quick little shout out to my dad. I'm so sorry 1157 01:08:51,200 --> 01:08:55,120 Speaker 1: that I um sort of belittled your experience and knowing 1158 01:08:55,160 --> 01:08:57,960 Speaker 1: about um taxes. I think that's beautiful and I think 1159 01:08:57,960 --> 01:08:59,559 Speaker 1: we can connect on other stuff. And I was being 1160 01:08:59,560 --> 01:09:02,400 Speaker 1: a little planeatory for the podcast. And I also want 1161 01:09:02,400 --> 01:09:06,320 Speaker 1: to give a shout out to Olivia Rodrigo, who I 1162 01:09:06,400 --> 01:09:10,639 Speaker 1: actually do love. I think the album is incredible. I 1163 01:09:10,680 --> 01:09:13,680 Speaker 1: am a stand weirdly and when people are like, but 1164 01:09:13,720 --> 01:09:16,840 Speaker 1: she's eighteen, it's like, yeah, that's why she's good at it, 1165 01:09:16,880 --> 01:09:20,679 Speaker 1: because she has real feelings that we barely understand anymore 1166 01:09:20,720 --> 01:09:23,479 Speaker 1: because we have jobs that we hate. Get over it. 1167 01:09:23,600 --> 01:09:26,360 Speaker 1: Eighteen year olds are pure and I liked Lord when 1168 01:09:26,360 --> 01:09:29,839 Speaker 1: she was sucking sixteen, Like, have some fucking respect. Olimia 1169 01:09:29,880 --> 01:09:33,040 Speaker 1: Rodrigo's the future and also the present, and she's the canon. 1170 01:09:33,120 --> 01:09:41,640 Speaker 1: Now goodbye, bitch. Who wow um oh gosh. I'm like, Okay, 1171 01:09:41,680 --> 01:09:45,840 Speaker 1: what's up, listeners, how's everybody doing? Put that phone down 1172 01:09:46,000 --> 01:09:48,479 Speaker 1: and listen to my words. I want to give a 1173 01:09:48,520 --> 01:09:51,759 Speaker 1: quick shout out to the idea of consuming the internet 1174 01:09:51,800 --> 01:09:55,680 Speaker 1: without a social feed, just going to a homepage, just 1175 01:09:55,840 --> 01:09:59,840 Speaker 1: literally going to a home page. Let me repeat, go 1176 01:10:00,120 --> 01:10:03,679 Speaker 1: to a home page is not Facebook, that is not Twitter, 1177 01:10:03,920 --> 01:10:06,880 Speaker 1: that is not Instagram. That is a home page of 1178 01:10:06,960 --> 01:10:10,439 Speaker 1: a website, going there to read it. Just going to 1179 01:10:10,520 --> 01:10:13,519 Speaker 1: any homepage, whether it is a blog, whether it is 1180 01:10:13,560 --> 01:10:16,800 Speaker 1: a newspaper, whether it is let's say, street Easy, just 1181 01:10:16,920 --> 01:10:21,720 Speaker 1: experiencing the Internet without the layer of algorithms and information 1182 01:10:21,840 --> 01:10:27,360 Speaker 1: mining created by i'll say it, billionaires that are stupid 1183 01:10:27,439 --> 01:10:30,840 Speaker 1: white men and that we should not be supporting. So 1184 01:10:31,760 --> 01:10:35,920 Speaker 1: do me a favor, little little glamour girls go to 1185 01:10:36,040 --> 01:10:42,800 Speaker 1: a homepage today. Whoo. Okay, I feel like mine is 1186 01:10:42,840 --> 01:10:44,640 Speaker 1: something I already kind of talked about, but it is 1187 01:10:45,080 --> 01:10:50,960 Speaker 1: my truth. Okay, whenever you're okay, go, whenever you're ready. Hey, 1188 01:10:51,120 --> 01:10:54,840 Speaker 1: New York City, it's your girls. D G. And I 1189 01:10:54,920 --> 01:10:57,839 Speaker 1: just want to get a quick shout out to walking 1190 01:10:57,920 --> 01:11:01,479 Speaker 1: at night with ice cream. Um, since the weather has 1191 01:11:01,479 --> 01:11:05,320 Speaker 1: been getting warmer on Monday nights, which is was my 1192 01:11:05,520 --> 01:11:08,280 Speaker 1: one night off on me and my boyfriend, we go 1193 01:11:08,400 --> 01:11:10,800 Speaker 1: get ice cream at night and we walked to the 1194 01:11:10,840 --> 01:11:13,640 Speaker 1: water and then we walked back and walking with the 1195 01:11:13,640 --> 01:11:16,400 Speaker 1: ice cream in your hand and looking at the night sky, 1196 01:11:16,560 --> 01:11:19,960 Speaker 1: it's absolutely what life is all about. And we are 1197 01:11:20,120 --> 01:11:23,400 Speaker 1: trying different ice cream places and my boyfriend always gets 1198 01:11:23,439 --> 01:11:25,800 Speaker 1: green tea and then he always has trouble going to 1199 01:11:25,880 --> 01:11:28,800 Speaker 1: bed that night. And I just wish everybody would have 1200 01:11:28,880 --> 01:11:35,599 Speaker 1: this pleasure. That was beautiful, beautiful, that painted a picture 1201 01:11:35,640 --> 01:11:38,519 Speaker 1: and really took me there. Ice cream at night. What 1202 01:11:38,640 --> 01:11:41,400 Speaker 1: a beautiful image. I mean, can you think of anything 1203 01:11:41,400 --> 01:11:44,080 Speaker 1: more summary? Get the ice cream on your way to 1204 01:11:44,160 --> 01:11:47,280 Speaker 1: like the subway or on your way to like your destination, 1205 01:11:47,920 --> 01:11:51,320 Speaker 1: and eat the ice cream in the city street, no mask, 1206 01:11:51,520 --> 01:11:53,960 Speaker 1: because they said we could do no mask, eat the 1207 01:11:54,000 --> 01:11:57,080 Speaker 1: ice cream in the summer city street at night on 1208 01:11:57,160 --> 01:12:03,320 Speaker 1: the way to the destination. I highly recommend. Wow, that's beautiful. 1209 01:12:04,600 --> 01:12:08,160 Speaker 1: I also love the detail of green tea ice cream. 1210 01:12:08,240 --> 01:12:12,080 Speaker 1: That is an intellectual flavored to call your boyfriend and information, 1211 01:12:13,720 --> 01:12:16,479 Speaker 1: but it's very information dom to get green t ice cream. 1212 01:12:16,680 --> 01:12:19,280 Speaker 1: Can I reveal? And I didn't want to reveal this 1213 01:12:19,320 --> 01:12:22,000 Speaker 1: because I felt like it went against the whole podcast, 1214 01:12:22,240 --> 01:12:24,200 Speaker 1: but I feel like for the sake of like brutal 1215 01:12:24,240 --> 01:12:27,120 Speaker 1: truth and honesty, I have to say. In the car 1216 01:12:27,680 --> 01:12:29,720 Speaker 1: on the way to Annigan said, I was reading to 1217 01:12:29,760 --> 01:12:31,720 Speaker 1: my boyfriend what I was going to talk about. I 1218 01:12:31,760 --> 01:12:35,320 Speaker 1: was like, had a list of ideas and through our 1219 01:12:35,560 --> 01:12:39,560 Speaker 1: discussion off of one thing. He labeled it as information 1220 01:12:40,320 --> 01:12:43,600 Speaker 1: and I was like, wait, that's brilliant. So but is 1221 01:12:43,640 --> 01:12:47,880 Speaker 1: it okay that a straight man was He's just he's 1222 01:12:47,920 --> 01:12:50,360 Speaker 1: just an ally and a king the idea of a 1223 01:12:50,400 --> 01:12:54,160 Speaker 1: woman saying, my boyfriend thought of it. It's kind of 1224 01:12:54,200 --> 01:12:56,920 Speaker 1: cool this episode. It's actually really cool. It's a straight 1225 01:12:56,960 --> 01:13:01,280 Speaker 1: man psyop. Wow, who knew? This entire episode was gost 1226 01:13:01,360 --> 01:13:04,839 Speaker 1: written by by a straight man labeled it. He labeled 1227 01:13:04,840 --> 01:13:06,439 Speaker 1: it like not to be that girl, but like I 1228 01:13:06,520 --> 01:13:09,320 Speaker 1: was like dancing around and he labeled it. Yeah, well 1229 01:13:09,400 --> 01:13:13,080 Speaker 1: that's like one of straight men's uh you know fourtes 1230 01:13:13,160 --> 01:13:17,479 Speaker 1: is labeling things. That's true. Well, big shout out to him. 1231 01:13:17,600 --> 01:13:20,160 Speaker 1: I mean shout out shout out to him. You know 1232 01:13:20,400 --> 01:13:26,120 Speaker 1: he recently stud and I were somewhere together. Study's boyfriend 1233 01:13:26,120 --> 01:13:29,200 Speaker 1: and my boyfriend hit it off. Now what do you 1234 01:13:29,200 --> 01:13:32,400 Speaker 1: think of that? A budding friendship? You know, a straight 1235 01:13:32,439 --> 01:13:35,800 Speaker 1: man and a gay man. What is this? My straight 1236 01:13:35,840 --> 01:13:38,680 Speaker 1: man is a poet. It's not it's not all. You 1237 01:13:38,720 --> 01:13:41,520 Speaker 1: can't just paint it with that white of a right, right, 1238 01:13:41,840 --> 01:13:44,320 Speaker 1: gott gotta got it. Poetry is queer. He's actually now 1239 01:13:44,320 --> 01:13:46,479 Speaker 1: writing love poems. To my boyfriend and I would love 1240 01:13:46,479 --> 01:13:59,960 Speaker 1: for him to stop. I'm encouraging it, yeah,