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Speaker 1: So I'm like, you know, okay, I'll do it. Let's

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Speaker 1: just talk about the appearance fee and stuff. And they're like,

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Speaker 1: well this is this is like church, Like will you

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Speaker 1: just speak at like your family's church. It's just like

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Speaker 1: they're so high and mighty about like morals and stuff. Yeah,

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Speaker 1: but then when it comes right down to it, like

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Speaker 1: it turns out they actually want you to be a slave.

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Speaker 2: Yeah, the most immoral thing.

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Speaker 3: Hey.

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Speaker 1: Wellok at that Hollywood Handbook went Tiger's Guide to Kicking

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Speaker 1: button dropping names of the red carpet lineback hallways of

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Speaker 1: this industry we call show biz. I'm Hayes Davenport. I'm

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Speaker 1: here with Sean Clement.

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Speaker 2: And I'm so sorry, Hayes, I what up?

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Speaker 1: What upped? Over? You?

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Speaker 2: Sang the subtitle to our show. Sometimes I forget that

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Speaker 2: that's gonna happen. But now let's get a nice clean

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Speaker 2: What up?

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Speaker 3: What up?

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Speaker 2: To all our Hollywood hand Book listeners?

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Speaker 1: And we are excited to report that you may recall

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Speaker 1: that engineer Sam a few episodes ago was let go

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Speaker 1: from the show with cause for breaking his own motorcycle

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Speaker 1: and not being able to make it to the studio

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Speaker 1: on time. So we so.

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Speaker 2: Yeah, he got mad, smashed his motorcycle, made up some

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Speaker 2: kakammy story and ultimately came to us in tears, came

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Speaker 2: clean about what happened, and we decided to be generous.

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Speaker 1: And so he is back in the studio and on

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Speaker 1: a trial basis, and he made a generous donation to

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Speaker 1: the show, and that's we appreciate that from all our listeners.

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Speaker 2: And speaking of generous donations to the show, just to

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Speaker 2: get this out of the way right up top, I

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Speaker 2: don't think we're gonna do it at the end of

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Speaker 2: the show. Please buy the pro version and this month,

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Speaker 2: if you buy the pro Version, you will get your

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Speaker 2: very own Hollywood ham Book, which is a series of

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Speaker 2: photographs of all the different spiral cut Hams that Hayes

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Speaker 2: and I have made for our joint holiday feasts over

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Speaker 2: the past few years. And these are some really gorgeous hams,

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Speaker 2: glazed and I.

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Speaker 1: Don't know what else. And we also have when Engineers

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Speaker 1: Sam was fired, we gave him a motorcycle. Uh it's

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Speaker 1: sort of a parting gift for all engineers. Now that

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Speaker 1: he's back, obviously, now we have this motorcycle to give

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Speaker 1: away for just anyone who buys the buys the proversion

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Speaker 1: vroom broom, uh. We wanted to quickly dig into some

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Speaker 1: some blind items. This is a segment that we really

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Speaker 1: love to do called draw the Blinds Up, where we

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Speaker 1: take real blind items from the Internet, the little pieces

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Speaker 1: of gossip where they don't name names of who they're about.

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Speaker 2: And I like to say it. I like to say,

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Speaker 2: draw the blinds up.

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Speaker 1: And we we name them. We take we take these

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Speaker 1: blind items and we name names well.

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Speaker 2: Because it's a lot of half truth being pushed around

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Speaker 2: Hollywood by all these gossip mongers and Hayes, and I

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Speaker 2: think it's something of a responsibility. We are at all

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Speaker 2: the parties. We do see what really goes down. We

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Speaker 2: do know the context for a lot of it. So

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Speaker 2: rather than having you guessing and wondering at some of

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Speaker 2: these stories, why don't you get the straight dope from

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Speaker 2: your good friends Sean and Hayes.

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Speaker 1: It's a it's a biblical message that we try to fight.

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Speaker 1: We're both very spiritual and this.

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Speaker 2: The I'm so spiritual. I mean I'm one eighth Navajo

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Speaker 2: and so it's like I'm just so connected.

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Speaker 1: It's all the same God to you, just like h and.

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Speaker 2: There's a ton of them, Like, there's a ton of

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Speaker 2: gods and it's all one god. An eagle is a

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Speaker 2: god and it's just.

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Speaker 1: A blade of grass.

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Speaker 2: Yeah, a pile of water. It could be a god.

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Speaker 1: And the the passage and the Bible of like let

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Speaker 1: the light shine.

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Speaker 2: In and they are the Bible.

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Speaker 1: And they're.

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Speaker 2: They're on the blade of grass?

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Speaker 1: Is the is the truth to be found? Yes? So

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Speaker 1: let's start with so good. Let's start with the first

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Speaker 1: blind item. It's from blind gossip dot com and the

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Speaker 1: headline is he made her a different person. Arianna Grandy

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Speaker 1: just Want a People's Choice award for favorite breakout artists

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Speaker 1: and the new issue of teen Vogue. She talks about

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Speaker 1: the negative effects of a former relationship had on her.

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Speaker 1: I was dating a boy who made me a different person,

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Speaker 1: and my family was like, you've lost your light. You

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Speaker 1: were constantly distracted. If I waited too long to text

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Speaker 1: him back, it was the end of the world. And

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Speaker 1: it was just a very unhealthy relationship.

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Speaker 2: What's the name of this site, blind gossip? Yeah, should

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Speaker 2: be deaf, dumb and blind gossip because they weren't listening

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Speaker 2: to what really went on. They're dumb idiots and blind

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Speaker 2: gossip is already the name. I think it's straight up

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Speaker 2: up irresponsible the way they report her talking about our

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Speaker 2: friend Peyton Manning that way. Yeah, now he's got a

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Speaker 2: family number one, so of course he wants you to

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Speaker 2: text back right away because he might be like not

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Speaker 2: with his wife. Maybe she just went to the bathroom

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Speaker 2: or something.

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Speaker 1: And he if he is texting you, that means he

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Speaker 1: has a window.

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Speaker 2: If he texts you, is it on, Like you gotta

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Speaker 2: let him know yes or no, because otherwise he'll probably

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Speaker 2: go do something with his kids or whatever.

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Speaker 1: And she was actually being pretty demanding at the time

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Speaker 1: in their relationship, asking that he not spends so much

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Speaker 1: time with his best friend Papa John Schneider.

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Speaker 2: Which was really the line or I'm sorry, was really

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Speaker 2: the straw that really hurt the camel on this relationship

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Speaker 2: because it broke its whole.

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Speaker 1: Back because he was there, Papa John has been there. Wait,

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Speaker 1: like he predates the relationship with Ariannah by like from

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Speaker 1: the beginning, like that's his best friend and there's sort

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Speaker 1: of a packaged deal. This is what people know. If

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Speaker 1: you enter into a relationship with Peyton, you have to

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Speaker 1: accept that he is gonna be on the road a lot,

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Speaker 1: that he has a wife and children, and that his

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Speaker 1: best friend is Papa John Schnatter. Yeah, and they're gonna

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Speaker 1: be on the phone.

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Speaker 2: We're gonna make him choose between you and Papa John Schneider. Uh,

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Speaker 2: you're gonna find yourself sitting on the curb waiting for

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Speaker 2: your for your for a ride, because he's gonna leave

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Speaker 2: you on the side of the road, which is what

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Speaker 2: he did, which is why she said such nasty things.

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Speaker 2: And I hate, I hate, hate, hate, hate degrading women.

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Speaker 2: But bros do come before hoes? Yes, in this particular instance.

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Speaker 1: It makes me angry. I don't like that it's that way,

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Speaker 1: and I think that society has some thinking to do.

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Speaker 2: And but but if you think about it, if you

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Speaker 2: think about who gets to get on lifeboats first when

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Speaker 2: a ship is sinking, Yeah, then that's hose before that

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Speaker 2: hate that word hose. But is that sexist?

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Speaker 1: Is that sexist? Yes? That's the question.

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Speaker 2: Shouldn't it be who's strong enough to, like, get the

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Speaker 2: lifeboat and punch everybody else out?

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Speaker 1: Just hit him with a.

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Speaker 2: Big oar, Yeah, punch him out, hit him with an ore,

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Speaker 2: whatever you need to get on the lifeboat. It's called

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Speaker 2: a lifeboat, not a friggin chick boat.

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Speaker 1: Here's a blind item for Radar Online. This one alleges

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Speaker 1: that a world famous actress overdosed on a drug and

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Speaker 1: booze combination and her seizure was caught on video. She's

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Speaker 1: still alive and the clip is being presented in court

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Speaker 1: as part of a child custody battle, and the site

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Speaker 1: declines to name the actress. There's a couple of points

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Speaker 1: of confusion on this one, because we were actually in

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Speaker 1: the room for this.

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Speaker 2: And and drinking a lot of the booze and taking

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Speaker 2: a lot of the drugs.

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Speaker 1: I think I know sort of how this happened. I

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Speaker 1: know that Eli Manning dressed up as a lady for

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Speaker 1: Saturday Night Live, and I think this blind item or

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Speaker 1: whoever's reporting on this saw Peyton confused him for Eli.

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Speaker 2: I saw Peyton remembered Eli, remembered that signent Live sketch

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Speaker 2: where he's dressed as.

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Speaker 1: A woman, and then there was an actress and made

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Speaker 1: the connection like this is that actress that I saw

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Speaker 1: on TV? When it was it was it was Peyton Manning.

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Speaker 2: And it wasn't a seizure. It was a cool new dance.

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Speaker 2: It was due to the drug and boot on alcohol.

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Speaker 1: That's what made them dance so well.

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Speaker 2: That's what let the inhibitions go. And this is what's

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Speaker 2: so great about drugs and alcohol. Better living through chemistry,

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Speaker 2: some people say, you can actually release your inhibitions and

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Speaker 2: experience life from another dimension. Almost.

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Speaker 1: It lets you do things that you wouldn't necessarily you'd

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Speaker 1: be too scared to do.

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Speaker 2: Well, you just wouldn't have I mean, your brain doesn't

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Speaker 2: naturally have that perspective. So when you're able to sort

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Speaker 2: of peek in, you know, through this other world, you

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Speaker 2: know where you're drunk or high, it's like, how fucking

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Speaker 2: exhilarating is that?

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Speaker 1: Because the truth that if you read the books and

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Speaker 1: if you look at the science, we actually only do

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Speaker 1: use ten percent of our brain, just the front part.

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Speaker 1: And when you drink a beer or if you do

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Speaker 1: like a big drug, it opens up, it activates, like

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Speaker 1: little sparks kind of go off in different parts of

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Speaker 1: your brain. And now you're starting to use things.

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Speaker 2: Now you're using twelve percent, fifteen percent, Oh, now you're

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Speaker 2: using seventy six percent, and you're doing such an amazing

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Speaker 2: dance that all of a sudden you look like you're

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Speaker 2: having a seizure to some idiot who doesn't know just

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Speaker 2: between Peyton Manning and an actress, Eli Manning.

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Speaker 1: Let's get into one more blind item. This is from Defamer.

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Speaker 1: The headline is which Hollywood star tried to bribe the

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Speaker 1: CIA for fifty thousand dollars of cocaine. In a new

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Speaker 1: book written by a thirty four year CIA employee, he

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Speaker 1: makes some shocking allegations about an unnamed Hollywood movie star

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Speaker 1: who was willing to spy in exchange for primo drugs.

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Speaker 1: He says the actor approached the agency and somehow knew

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Speaker 1: that another big starist production company had an association with

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Speaker 1: the CIA's clandestine service over the years. Now, this guy

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Speaker 1: was offering his own name and services to us in

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Speaker 1: exchange for the best fifty thousand dollars stash of cocaine

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Speaker 1: they could find. And that actually, that is correct. That

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Speaker 1: was sorry. Yes, we're gonna be right back with our guest,

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Speaker 1: Grace hell Big. She's a she's a new media celebrity.

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Speaker 1: She has a lot of YouTube fans, and she's gonna

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Speaker 1: talk to Sean and I about how if we wanted to,

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Speaker 1: which we don't uh to, sort of expand our profile

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Speaker 1: into the into the YouTube sphere, coming right up on

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Speaker 1: Hollywood Handbook.

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Speaker 4: Hollywood Handbook, and I call it dang.

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Speaker 2: If you use that word again, I'm not giving you

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Speaker 2: anymore my mimaw's recipes. Yeah, well she called my bluff.

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Speaker 2: I called her.

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Speaker 1: What was the worst, Sean? I yeah, I don't remember. Actually, Hey,

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Speaker 1: welcome to Hollywood Handbook and Insider's Guide to kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this

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Speaker 1: industry week How Showbiz. Very exciting. Guess we have today

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Speaker 1: for a couple reasons. Grace hell Big is here.

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Speaker 3: Yay right, Yeah, I am here.

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Speaker 1: Grace is a sort of a new media celebrity. The

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Speaker 1: people who listen to our show might not be acquainted

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Speaker 1: with who you are because we tend to deal in

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Speaker 1: the traditional media of movies, television, music, terrestrial radio. But

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Speaker 1: you you're on the internet.

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Speaker 3: Yeah, I'm on YouTube. Yeah, but.

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Speaker 1: It doesn't mean you're not a celebrity. It's just a

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Speaker 1: different kind of celebrity.

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Speaker 3: Yeah, it's new, it's new territory.

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Speaker 1: But you've never done an Earwolf podcast before, is that right?

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Speaker 3: And that is correct? I've never done an Earwolf podcast.

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Speaker 1: So I guess this is a good time for all

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Speaker 1: the other podcasts to line up and one by one

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Speaker 1: they can suck these.

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Speaker 2: And when he says these, he's pointing to an area

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Speaker 2: on his body that is it's bulbous, and uh, it's there.

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Speaker 2: It's it's generous, it's there. And so so let's see

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Speaker 2: who's So let's see what because this is a very

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Speaker 2: cutting edge guess to have, we're kind of ahead of

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Speaker 2: the curve. So let's talk about who's behind the curve.

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Speaker 2: Let's who's up first for us?

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Speaker 1: Jeff Garland, it's first in line, by the way, Jeff Garland,

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Speaker 1: better luck next time getting Grace Helbig as a guest. Okay,

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Speaker 1: focalest files.

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Speaker 2: How about uh old Fogey nest files.

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Speaker 1: Because you don't have a cutting edge, new new wave

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Speaker 1: new media guest professor, blast off, professor take off, take

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Speaker 1: a hike, buddy, totally. I think that one speaks for itself.

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Speaker 2: Yeah, nothing to do with that one. Totally lame. That's right,

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Speaker 2: you nailed it the first time.

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Speaker 1: How did this get made?

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Speaker 2: How did you not get this? Good guest?

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Speaker 3: This seems like you guys should be more supportive of

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Speaker 3: the other shows.

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Speaker 2: Well, they know what they did, and they know what

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Speaker 2: they're going to have to do in the future, which

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Speaker 2: is one by one, lineup, get downtown and sucking.

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Speaker 3: You're both pointing, all right.

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Speaker 1: So Grace, Yes, as we were saying, Sean and I've

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Speaker 1: done adventures for television and movies and things of that.

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Speaker 1: We could go on all day about how what the

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Speaker 1: best way is to get into those right.

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Speaker 2: That's right, that is what we do, and we have

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Speaker 2: and we've done it earlier on this show, and we'll

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Speaker 2: do it on the next show. But that's not what

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Speaker 2: you're here to talk about.

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Speaker 1: What we're interested in is I'm merely for our listeners.

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Speaker 1: This is not something that we are. We don't really

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Speaker 1: need to get into this ourselves, but for all the

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Speaker 1: listeners out there to try and become new media celebrities

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Speaker 1: like you. What the best way is to go about it?

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Speaker 3: Oh? Yeah, there's there's a lot of ways that you

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Speaker 3: can go about creating a presence for yourself online.

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Speaker 1: Cool.

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Speaker 2: Okay, So so let's just say I, you know, I

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Speaker 2: don't know why I would I want to now get

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Speaker 2: into the online space, Okay, just as a guy. So

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Speaker 2: what would the first thing you have me do?

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Speaker 3: Okay? Well, the first thing, do do you have a

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Speaker 3: Twitter account or a YouTube account?

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Speaker 2: Those those seem great? Do I? You know, Belenjamin runs

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Speaker 2: a lot of my web presence for me. That's my

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Speaker 2: second assistant.

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Speaker 1: So I don't Where would we go if we wanted

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Speaker 1: to get we wanted to do we talk to? Where

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Speaker 1: do we go for something?

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Speaker 2: Let's pretend I don't for the sake of argument.

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Speaker 3: Okay, for the sake of argument. Well, the obvious first

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Speaker 3: step is just to get your computer.

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Speaker 1: And great, beautiful, yes, awesome. And that's and here it is,

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Speaker 1: that's right here in the computer.

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Speaker 3: Now that's a book. That's not a computer, your computers.

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Speaker 1: Well, it's a book about computers. Yes, yes, so in

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Speaker 1: a way it is see this space.

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Speaker 2: And I've heard them called MacBooks.

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Speaker 3: It's true, that is true.

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Speaker 2: But but I have the computer. Heyes, and and it's

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Speaker 2: and it's right here.

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Speaker 3: That's a bottle of water and you were just drinking

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Speaker 3: out of it.

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Speaker 2: Okay, all right, but I well this is then the

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Speaker 2: juice for the computer.

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Speaker 3: No, okay, don't ever put the water on the computer.

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Speaker 3: That's probably a good tip.

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Speaker 2: We're getting somewhere now, computers.

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Speaker 3: See that big square silver thing on the table. Yep,

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Speaker 3: that's the computer.

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Speaker 2: Okay, that's not a boombox because i've heard music come out.

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Speaker 3: Uh no, it is not a boombox. That is your MacBook.

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Speaker 3: How you were able to purchase that MacBook confusing to me.

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Speaker 3: But you have it here, so let's use that.

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Speaker 1: I went to a movie that was premiering for the

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Speaker 1: first time and they gave it to me in a bag.

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Speaker 3: Oh well, lucky you. Jobs the Jobs movie. How was it.

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Speaker 2: About two hours long?

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Speaker 3: Okay, so we're going to open the computer. So you

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Speaker 3: just lift the top.

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Speaker 2: The top, the top part and okay.

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Speaker 3: No, that's okay. Oh all right, Yeah.

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Speaker 1: It's like.

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Speaker 2: Locked.

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Speaker 3: It's not locked. You just have to pull harder, use

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Speaker 3: your it's.

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Speaker 1: Got to be a latch.

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Speaker 3: No, there's no latch. There's no You don't.

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Speaker 2: Oh did you try typing in the code?

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Speaker 1: It's my birthday.

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Speaker 3: Don't put that in there. The okay ready and ah,

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Speaker 3: you did it. It's open.

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Speaker 1: See yeah. Yeah.

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Speaker 3: Now, next step we're gonna turn it on.

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Speaker 1: Great, Yes, okay, I did it.

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Speaker 3: No you didn't. You hit the space bar.

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Speaker 1: So it's the biggest button.

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Speaker 3: Yeah it is. But there's a circle in the corner

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Speaker 3: that you're gonna hit blue tooth activated you. No, it's

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Speaker 3: not how it works. There's a circle right there. It's

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Speaker 3: like it's like a Wiji.

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Speaker 1: It's like a paper clip.

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Speaker 3: No, use your finger and you just drag it over

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Speaker 3: like a Oiji board.

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Speaker 2: And when do I apply the juice?

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Speaker 3: So don't put on it?

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Speaker 2: Okay, okay, okay.

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Speaker 3: But it needs power, No, it needs it has power.

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00:18:39,880 --> 00:18:42,520
Speaker 3: You just have to hit the button, don't okay.

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Speaker 1: So like a wisie where you're not supposed to move

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Speaker 1: it too hard. If I just kind of put it

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Speaker 1: near Okay.

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Speaker 3: You're there, you're there, you're there there, So push push.

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Speaker 1: It okay, I'm holding it down.

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Speaker 3: Yep. And is it did you put Okay, it's on.

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00:19:00,440 --> 00:19:04,720
Speaker 3: It's on. Okay, yay, look the screen a screen, hoorays

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00:19:05,960 --> 00:19:06,600
Speaker 3: you okay.

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Speaker 2: What can we do about that?

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Speaker 3: It's I think it'll be okay, I think. But you

351
00:19:11,600 --> 00:19:16,679
Speaker 3: need to put in your password, right m did you

352
00:19:19,720 --> 00:19:21,320
Speaker 3: do you remember your password?

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Speaker 1: What is it? What is it one of the kids.

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Speaker 3: This is gonna be a second.

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Speaker 1: Is it one of the kids or is it one

356
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Speaker 1: of the birds?

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Speaker 2: Hayes has rare birds. Oh yeah, yeah, he's got an

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Speaker 2: African gray.

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00:19:39,280 --> 00:19:46,000
Speaker 1: Oh, you try my different bird names. Okay, Engineer Sam,

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Speaker 1: that's it. Oh, I got it the first time.

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Speaker 3: Wow, that's very impressive. Okay, so this is going to

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00:19:53,720 --> 00:19:56,639
Speaker 3: be a little more complicated. You're going to go onto

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Speaker 3: an internet browser.

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00:19:58,400 --> 00:20:01,919
Speaker 1: Sure, so there is and that's right over here. We

365
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Speaker 1: put this into the.

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Speaker 3: Don't put no, don't put the pencil in there. There's

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00:20:08,600 --> 00:20:11,040
Speaker 3: a doc on the very bottom of the screen where

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00:20:11,040 --> 00:20:14,480
Speaker 3: there's all these icons. You see those icons. Yes, yes,

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00:20:16,119 --> 00:20:18,520
Speaker 3: there's a bunch of icons on the bottom. And one's

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Speaker 3: gonna look like it's gonna say Safari on it. It's

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Speaker 3: gonna look like a little I think it looks like

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Speaker 3: a little watch or something. Oh.

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Speaker 1: You're getting a little close actually to the computer now,

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00:20:28,280 --> 00:20:30,080
Speaker 1: and this is mine and so we don't have to

375
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Speaker 1: we don't have to do all this touching.

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Speaker 2: A computer.

377
00:20:34,960 --> 00:20:39,320
Speaker 3: Sorry, well, you're just not you're just whirling the mouse.

378
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Speaker 2: You're not you're not explaining it so clearly, and it's

379
00:20:42,440 --> 00:20:44,760
Speaker 2: and it may not, but it's not totally clear the

380
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Speaker 2: way you're doing it.

381
00:20:45,680 --> 00:20:50,040
Speaker 3: Okay, d for doctor No, there's just all you have

382
00:20:50,040 --> 00:20:52,640
Speaker 3: to do is drag the mouse down to the bottom

383
00:20:52,680 --> 00:20:53,200
Speaker 3: of the screen.

384
00:20:53,359 --> 00:20:54,800
Speaker 2: Please move your hand back.

385
00:20:55,040 --> 00:20:57,399
Speaker 3: I just am trying to get you to go to

386
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Speaker 3: YouTube dot com.

387
00:20:58,400 --> 00:21:00,520
Speaker 1: Okay, and so there we go.

388
00:21:00,680 --> 00:21:03,720
Speaker 3: No, don't drag the you're dragging the computer off the table.

389
00:21:03,800 --> 00:21:06,240
Speaker 1: Don't do that, you said to the bottom.

390
00:21:06,680 --> 00:21:10,520
Speaker 3: You see the square on the bottom of your keyboard.

391
00:21:11,280 --> 00:21:14,600
Speaker 2: I'm sorry, Can we back up? There's no doc on here?

392
00:21:15,000 --> 00:21:22,880
Speaker 3: There's a are you what are you thinking of? Oh

393
00:21:22,920 --> 00:21:28,080
Speaker 3: my god? Okay, there is and icon there. Look I

394
00:21:28,080 --> 00:21:35,320
Speaker 3: clicked it. Sorry, I clicked it. Okay, well, okay, great.

395
00:21:35,800 --> 00:21:40,359
Speaker 3: Uh So, now you're gonna go into the top of

396
00:21:40,480 --> 00:21:43,919
Speaker 3: that screen and type in YouTube dot com.

397
00:21:44,240 --> 00:21:46,800
Speaker 1: Mmmmm mm hmm. Top of the screen.

398
00:21:46,920 --> 00:21:51,520
Speaker 3: Top of the screen, no, not we know, and your tap. Nope,

399
00:21:51,640 --> 00:21:54,600
Speaker 3: it's not a touch screen. It's definitely not a touch screens.

400
00:21:56,000 --> 00:21:56,359
Speaker 2: Top of this.

401
00:21:56,600 --> 00:22:00,040
Speaker 3: I did. That was my bad. So go up and

402
00:22:00,080 --> 00:22:02,240
Speaker 3: to that. See the little white space up there.

403
00:22:03,920 --> 00:22:05,040
Speaker 1: Metube dot com.

404
00:22:05,119 --> 00:22:06,800
Speaker 3: No, YouTube dot com.

405
00:22:06,920 --> 00:22:09,240
Speaker 1: That's what I'm doing, metube dot com.

406
00:22:09,280 --> 00:22:15,800
Speaker 3: Okay, it's why oh you that's you, yes, tube, gracetube

407
00:22:15,840 --> 00:22:18,840
Speaker 3: dot No, No, it's not grace tube dot com. It's

408
00:22:18,920 --> 00:22:21,520
Speaker 3: YouTube dot comtube, no one thing.

409
00:22:21,680 --> 00:22:24,160
Speaker 2: Okay, there's an apple on the back of this. There's

410
00:22:24,200 --> 00:22:26,200
Speaker 2: an Apple on the back of my phone. So why

411
00:22:26,240 --> 00:22:28,120
Speaker 2: can't I touch the screen on this.

412
00:22:29,680 --> 00:22:33,040
Speaker 3: You know, I that's a valid question, but this device

413
00:22:33,200 --> 00:22:35,320
Speaker 3: has been created, so you don't have to do that.

414
00:22:35,440 --> 00:22:36,920
Speaker 2: Finally, some recognition.

415
00:22:37,200 --> 00:22:40,600
Speaker 3: Yeah, so did you type in? What did you type in?

416
00:22:41,520 --> 00:22:45,080
Speaker 1: I typed in engineer sam tube dot com. Okay, that's

417
00:22:45,240 --> 00:22:46,800
Speaker 1: not that's the password.

418
00:22:47,480 --> 00:22:49,320
Speaker 3: It's the past word that got you in your computer.

419
00:22:49,680 --> 00:22:52,320
Speaker 3: But you need type in YouTube y ou t ube

420
00:22:52,560 --> 00:22:53,080
Speaker 3: dot com.

421
00:22:53,119 --> 00:22:53,879
Speaker 1: Okay, thank you?

422
00:22:54,040 --> 00:22:58,080
Speaker 3: Yeah, ah there, Yeah, look at YouTube. Doesn't it look pretty?

423
00:22:58,560 --> 00:22:59,879
Speaker 3: Have you ever been on YouTube before?

424
00:23:00,359 --> 00:23:01,960
Speaker 1: Yeah, of course a million times.

425
00:23:02,040 --> 00:23:05,400
Speaker 3: Okay, very doubtful.

426
00:23:05,440 --> 00:23:09,960
Speaker 1: But so now just type into this bar. Yeah, and

427
00:23:10,000 --> 00:23:12,479
Speaker 1: we can watch any videos, any of our favorite videos.

428
00:23:12,560 --> 00:23:14,840
Speaker 3: Yeah, you can watch all of your favorite videos. And

429
00:23:14,920 --> 00:23:18,200
Speaker 3: you can register for an account and upload your own videos,

430
00:23:18,480 --> 00:23:22,000
Speaker 3: maybe videos of your birds for example.

431
00:23:22,560 --> 00:23:26,000
Speaker 1: Well, well, let's walk. Do you want to take a

432
00:23:26,000 --> 00:23:28,520
Speaker 1: second to watch some of our favorite youtubes?

433
00:23:28,640 --> 00:23:32,119
Speaker 2: Yes, my little cousin has been showing me youtubes. Okay,

434
00:23:32,200 --> 00:23:35,760
Speaker 2: and the advances in these computer videos, uh huh is

435
00:23:36,119 --> 00:23:38,280
Speaker 2: just mind wrecking.

436
00:23:38,560 --> 00:23:40,720
Speaker 3: Yeah, it's yeah, and it's great and.

437
00:23:40,680 --> 00:23:43,840
Speaker 1: It really just knocks me out. And so, hey, is

438
00:23:43,960 --> 00:23:46,639
Speaker 1: I think I Uh. Yes, you've been sending me some

439
00:23:46,680 --> 00:23:48,919
Speaker 1: of these youtubes there, and I need you some.

440
00:23:49,320 --> 00:23:54,280
Speaker 2: They are incredible. I mean, it's like a theater experience

441
00:23:54,400 --> 00:23:57,040
Speaker 2: in your home, but it's being done completely by amateurs,

442
00:23:57,520 --> 00:24:01,840
Speaker 2: you know, with just a little elbow grease and initial Yeah, do.

443
00:24:01,840 --> 00:24:03,119
Speaker 1: You want to watch one now? And then we can

444
00:24:03,160 --> 00:24:06,439
Speaker 1: talk about let's watch videos, because you know you're on this.

445
00:24:06,800 --> 00:24:08,840
Speaker 2: You know you'll probably know some of the I'd love

446
00:24:08,880 --> 00:24:10,680
Speaker 2: to see. You probably know the people that made them.

447
00:24:10,680 --> 00:24:12,040
Speaker 2: They're your neighbor or something.

448
00:24:12,200 --> 00:24:15,160
Speaker 3: Probably maybe, but yeah, show me your favorites.

449
00:24:17,160 --> 00:24:19,760
Speaker 1: Okay, here, here's here's one that we think is really good.

450
00:24:19,840 --> 00:24:29,520
Speaker 3: Okay, Okay, this is a this is a full length movie.

451
00:24:30,480 --> 00:24:31,600
Speaker 1: Well, this is just the beginning.

452
00:24:31,720 --> 00:24:34,720
Speaker 3: This is just an hour and forty minutes. You're showing

453
00:24:34,760 --> 00:24:35,639
Speaker 3: me the color purple.

454
00:24:35,920 --> 00:24:38,680
Speaker 1: It's only it's only one hour and thirty eight minutes.

455
00:24:38,760 --> 00:24:42,359
Speaker 3: You're showing me the color purple, the entire full length

456
00:24:42,359 --> 00:24:43,080
Speaker 3: film on YouTube.

457
00:24:43,080 --> 00:24:44,800
Speaker 2: Oh you know this YouTube video.

458
00:24:45,280 --> 00:24:49,919
Speaker 3: Okay, I know the movie YouTube videos, you know, for

459
00:24:49,960 --> 00:24:53,520
Speaker 3: the most part, or like shorter little snippet of.

460
00:24:53,560 --> 00:24:56,359
Speaker 2: Okay, we've seen this, so it'll be like it'll be

461
00:24:56,440 --> 00:24:58,000
Speaker 2: broken into like fourteen parts.

462
00:24:58,119 --> 00:25:02,040
Speaker 3: No, No, you're you guys watching movies on YouTube.

463
00:25:02,040 --> 00:25:03,119
Speaker 1: We can watch a different one.

464
00:25:03,680 --> 00:25:06,040
Speaker 3: I think that's okay.

465
00:25:06,560 --> 00:25:10,280
Speaker 1: Let's see have you seen this one? This is the

466
00:25:10,320 --> 00:25:11,240
Speaker 1: Banger Sisters.

467
00:25:11,960 --> 00:25:13,400
Speaker 3: This is another What.

468
00:25:13,400 --> 00:25:17,320
Speaker 1: About a woman named Susette? She's fired from her job

469
00:25:17,400 --> 00:25:19,680
Speaker 1: as a bartender at the whiskey A go go, this

470
00:25:19,800 --> 00:25:20,320
Speaker 1: is a movie.

471
00:25:20,320 --> 00:25:21,920
Speaker 2: I to reevaluate her life at that point.

472
00:25:22,000 --> 00:25:24,560
Speaker 3: I bet this is a movie. You're just showing me movies.

473
00:25:24,760 --> 00:25:26,600
Speaker 3: You're just showing me movies.

474
00:25:26,680 --> 00:25:31,560
Speaker 1: Well, what we like to say is TV is small movies.

475
00:25:31,760 --> 00:25:33,600
Speaker 2: These small movies. We've always said that.

476
00:25:33,640 --> 00:25:37,400
Speaker 1: Okay, and youtubes are just computer TVs.

477
00:25:37,320 --> 00:25:41,160
Speaker 3: In certain points, Yes, we speak on that.

478
00:25:41,200 --> 00:25:43,359
Speaker 2: Or small movies. Yeah, would you speak on that?

479
00:25:43,440 --> 00:25:48,480
Speaker 3: Please? Can I speak on computer small movies? Well, the youtubees,

480
00:25:48,840 --> 00:25:53,600
Speaker 3: I think computer TVs computer TVs. Yeah, in a way

481
00:25:53,640 --> 00:25:57,679
Speaker 3: they are. But you know, the new media space that

482
00:25:57,800 --> 00:26:02,680
Speaker 3: is evolving is not just movies. It's other things outside

483
00:26:02,680 --> 00:26:05,960
Speaker 3: of movies and television shows.

484
00:26:06,520 --> 00:26:10,080
Speaker 2: Well, now, okay, Now you've been at the center of

485
00:26:10,119 --> 00:26:17,240
Speaker 2: some controversy of late. You I believe, claimed to have

486
00:26:17,320 --> 00:26:23,760
Speaker 2: started vlogging and also uh Kevin Spacey's claims that he

487
00:26:23,840 --> 00:26:27,720
Speaker 2: started it with his House of Cards character. The direct

488
00:26:27,760 --> 00:26:29,160
Speaker 2: to camera address.

489
00:26:29,560 --> 00:26:33,880
Speaker 1: Uh vlogging where you you've seen it on like Malcolm

490
00:26:33,880 --> 00:26:36,440
Speaker 1: in the Middle. I think they started doing it after.

491
00:26:36,280 --> 00:26:40,840
Speaker 2: Spacey did they did it after Spacey. Zach Morris used

492
00:26:40,880 --> 00:26:42,920
Speaker 2: to do it after space after he saw space where

493
00:26:42,960 --> 00:26:44,960
Speaker 2: you turn into the.

494
00:26:47,000 --> 00:26:50,639
Speaker 3: That's those are television shows that use a device to

495
00:26:50,880 --> 00:26:55,200
Speaker 3: get you through the show. Vlogging is not a television show.

496
00:26:55,520 --> 00:27:00,760
Speaker 3: It's it's a different form of contents because it's on

497
00:27:00,760 --> 00:27:04,000
Speaker 3: your phone, not always on your phone. Sometimes it's on

498
00:27:04,040 --> 00:27:04,520
Speaker 3: a camera.

499
00:27:04,920 --> 00:27:06,080
Speaker 2: Well it's on Netflix.

500
00:27:06,320 --> 00:27:08,200
Speaker 1: No, it's a lot of these phones have cameras.

501
00:27:08,240 --> 00:27:10,520
Speaker 3: Now, yes, that is also true.

502
00:27:11,359 --> 00:27:14,360
Speaker 2: My little cousin was showing me some of these pictures

503
00:27:14,359 --> 00:27:17,280
Speaker 2: that he takes with his camera and it's just insane.

504
00:27:17,359 --> 00:27:18,360
Speaker 1: Well he's a whiz.

505
00:27:19,000 --> 00:27:23,480
Speaker 3: Oh yeah, yeah, I'm sure. But yeah, uh vlogging on

506
00:27:23,800 --> 00:27:28,120
Speaker 3: YouTube is very different than Saved by the Bell.

507
00:27:28,840 --> 00:27:31,440
Speaker 2: Okay, now I disagree. Would you speak on that?

508
00:27:32,920 --> 00:27:35,400
Speaker 3: I think I just spoke on it.

509
00:27:35,520 --> 00:27:38,200
Speaker 1: Well specifically what the differences are if any?

510
00:27:38,520 --> 00:27:42,960
Speaker 3: Uh Well, there, it's almost all completely different. Yes, you

511
00:27:43,040 --> 00:27:46,240
Speaker 3: do address a camera directly, but it's not based.

512
00:27:46,000 --> 00:27:47,760
Speaker 1: Only it sounds like the same thing.

513
00:27:47,920 --> 00:27:50,040
Speaker 3: Well, it's not based in a narrative form.

514
00:27:51,080 --> 00:27:53,960
Speaker 1: Huh, And it's is that something to think about for

515
00:27:54,040 --> 00:27:56,800
Speaker 1: you guys to really take it to the next level,

516
00:27:57,000 --> 00:27:59,879
Speaker 1: I don't know, to really tell a story so that

517
00:28:00,119 --> 00:28:06,480
Speaker 1: your viewer cares can really get involved in in the characters.

518
00:28:06,600 --> 00:28:11,600
Speaker 3: It's not a character, it's it's me as me and

519
00:28:11,640 --> 00:28:13,480
Speaker 3: it's not fictional.

520
00:28:14,040 --> 00:28:19,320
Speaker 2: And then you as you are you commenting on the

521
00:28:19,320 --> 00:28:24,080
Speaker 2: inner workings of the the Senate or politics and are

522
00:28:24,080 --> 00:28:27,159
Speaker 2: they right behind you all? And you and some of

523
00:28:27,200 --> 00:28:28,920
Speaker 2: your early blogs do they start with now?

524
00:28:29,000 --> 00:28:29,200
Speaker 3: Wow?

525
00:28:29,240 --> 00:28:29,960
Speaker 2: Whch they is?

526
00:28:30,920 --> 00:28:31,120
Speaker 3: No?

527
00:28:31,400 --> 00:28:34,680
Speaker 1: Is that something to think about? Because when when you

528
00:28:34,720 --> 00:28:39,240
Speaker 1: think about the steaks for what you're doing, uh huh?

529
00:28:39,640 --> 00:28:41,600
Speaker 1: When the viewers watching, they want to know that their

530
00:28:41,760 --> 00:28:45,280
Speaker 1: steaks are so important and it's really very important.

531
00:28:45,360 --> 00:28:49,840
Speaker 3: It's so important, their steaks are delicious.

532
00:28:51,360 --> 00:28:57,959
Speaker 1: Oh way, you're okay, okay, that well, it's very funny

533
00:28:57,960 --> 00:29:03,880
Speaker 1: and you got me pretty good. But but I think

534
00:29:03,920 --> 00:29:07,160
Speaker 1: that you and maybe even engineer Sam no no I

535
00:29:07,160 --> 00:29:09,200
Speaker 1: actually knew she what she was talking about the whole time,

536
00:29:09,440 --> 00:29:11,320
Speaker 1: from the very beginning, from the first time she said it.

537
00:29:11,360 --> 00:29:12,920
Speaker 1: I knew that she was making a joke. And it

538
00:29:12,960 --> 00:29:15,440
Speaker 1: didn't fool me even for one second. For one second,

539
00:29:15,560 --> 00:29:17,320
Speaker 1: I knew I've been doing this for way too long

540
00:29:17,560 --> 00:29:18,280
Speaker 1: getting to you.

541
00:29:18,320 --> 00:29:20,880
Speaker 2: And you saw her touch me twenty.

542
00:29:20,720 --> 00:29:22,720
Speaker 1: Thirty years ago. You might have been able to get

543
00:29:22,760 --> 00:29:25,360
Speaker 1: me on something like that. But nope, not today's sister,

544
00:29:25,560 --> 00:29:26,480
Speaker 1: not today you.

545
00:29:26,720 --> 00:29:29,920
Speaker 3: I've learned a lot from you guys today.

546
00:29:31,080 --> 00:29:32,960
Speaker 2: Well, we're all And that's what it is. It's a

547
00:29:33,080 --> 00:29:36,160
Speaker 2: sharing it's a it's a co op. It's a sharing community.

548
00:29:36,320 --> 00:29:40,120
Speaker 3: Yeah, that's what YouTube is. A community that shares. Yeah. See,

549
00:29:40,400 --> 00:29:46,120
Speaker 3: it's a it's a collaborative, uh community that supports each other.

550
00:29:46,640 --> 00:29:51,600
Speaker 3: Unlike traditional media, it's a little bit more competitive. YouTube

551
00:29:51,720 --> 00:29:55,760
Speaker 3: was founded on collaboration as a means to success.

552
00:29:55,560 --> 00:29:59,440
Speaker 1: Where you can just email the YouTube guys your ideas

553
00:29:59,480 --> 00:30:02,280
Speaker 1: and they said, like we will take this, this and

554
00:30:02,320 --> 00:30:05,120
Speaker 1: this one, and then they give you a budget.

555
00:30:05,320 --> 00:30:09,800
Speaker 3: No, no, everything is you know all most YouTubers do

556
00:30:09,880 --> 00:30:10,960
Speaker 3: everything themselves.

557
00:30:11,440 --> 00:30:14,960
Speaker 1: They YouTubers. I like that. Yeah, yeah, it's you already

558
00:30:15,000 --> 00:30:16,200
Speaker 1: have a little name for yourself.

559
00:30:16,280 --> 00:30:20,440
Speaker 3: Yeah, it's a cute little description of what we are.

560
00:30:20,680 --> 00:30:24,280
Speaker 3: Uh Yeah, everyone kind of you know, shoots the videos themselves,

561
00:30:24,320 --> 00:30:27,480
Speaker 3: puts up their own money. Sometimes there are brand deals

562
00:30:27,480 --> 00:30:32,120
Speaker 3: in financing, But it's mostly just us shooting things ourselves

563
00:30:32,200 --> 00:30:33,640
Speaker 3: and editing things ourselves.

564
00:30:33,840 --> 00:30:36,520
Speaker 2: Now, as far as brand deals when they come up,

565
00:30:37,120 --> 00:30:43,440
Speaker 2: are you comfortable taking an endorsement from, like, let's say,

566
00:30:43,440 --> 00:30:47,240
Speaker 2: a Samsung Galaxy GS four when you know that it's

567
00:30:47,400 --> 00:30:52,960
Speaker 2: so fast that it's almost frightening? Because isn't that possibly

568
00:30:53,440 --> 00:30:55,840
Speaker 2: a conflict of interest that people could be scared by

569
00:30:55,880 --> 00:30:58,200
Speaker 2: how fast and user friendly the Samsung is?

570
00:30:59,520 --> 00:31:03,080
Speaker 3: Uh No, you know, I think that that would be

571
00:31:03,160 --> 00:31:05,400
Speaker 3: the reason that I would take that brand deal if

572
00:31:05,440 --> 00:31:09,080
Speaker 3: it is a helpful product to promote for the audience.

573
00:31:09,200 --> 00:31:11,400
Speaker 3: I think that that's a great So.

574
00:31:11,400 --> 00:31:13,840
Speaker 1: You're telling me the Samsung is the best phone on

575
00:31:13,880 --> 00:31:16,480
Speaker 1: the market, all right, you're telling me the Samsung is

576
00:31:16,480 --> 00:31:18,160
Speaker 1: the best phone on the market and that you're one

577
00:31:18,240 --> 00:31:23,200
Speaker 1: hundred percent comfortable promoting it on your page. Are you well,

578
00:31:23,320 --> 00:31:25,360
Speaker 1: I'll take your word for it, and I said it too.

579
00:31:27,000 --> 00:31:29,880
Speaker 3: Are you sponsored by Samsung?

580
00:31:31,720 --> 00:31:33,880
Speaker 1: I don't know, Absolutely not, No way.

581
00:31:34,040 --> 00:31:37,160
Speaker 2: I wish we could get a sponsor like that, although

582
00:31:37,200 --> 00:31:39,360
Speaker 2: I'd be a little worried about how fast their phone

583
00:31:39,520 --> 00:31:40,120
Speaker 2: service is.

584
00:31:40,720 --> 00:31:42,880
Speaker 1: Oh I'll show you how not sponsored we are. I

585
00:31:43,040 --> 00:31:47,440
Speaker 1: just texted that message into a into a note and

586
00:31:47,480 --> 00:31:51,000
Speaker 1: I can just tap it against Sean's phone and then

587
00:31:51,040 --> 00:31:55,000
Speaker 1: he'll get the same message sponsored by Samsung.

588
00:31:54,560 --> 00:31:56,240
Speaker 2: And all I had to do was tap my phone

589
00:31:56,280 --> 00:31:56,520
Speaker 2: to his.

590
00:31:57,440 --> 00:31:59,240
Speaker 3: You both have Samsung phones.

591
00:32:00,240 --> 00:32:03,440
Speaker 1: Well, yeah, it's it's the fastest four G on the

592
00:32:03,480 --> 00:32:04,160
Speaker 1: market right now.

593
00:32:04,640 --> 00:32:06,480
Speaker 2: Yeah, and earlier when I said there was an apple

594
00:32:06,520 --> 00:32:08,080
Speaker 2: on the back of my phone, that was a funny

595
00:32:08,160 --> 00:32:13,880
Speaker 2: joke for the audience. Now let's dig into the popcorn Gallery,

596
00:32:13,920 --> 00:32:14,320
Speaker 2: shall we?

597
00:32:15,360 --> 00:32:15,959
Speaker 3: Oh?

598
00:32:15,960 --> 00:32:17,360
Speaker 1: Should we cure our theme?

599
00:32:18,680 --> 00:32:19,240
Speaker 2: Oh?

600
00:32:19,360 --> 00:32:20,040
Speaker 1: We have a theme?

601
00:32:20,080 --> 00:32:21,160
Speaker 3: Now? Whoa?

602
00:32:21,200 --> 00:32:23,880
Speaker 2: Oh we do? Somebody made a popcorn gallery theme.

603
00:32:24,200 --> 00:32:24,920
Speaker 1: This will take me one.

604
00:32:25,040 --> 00:32:33,360
Speaker 2: So sometimes normal people don't have access to all the

605
00:32:34,320 --> 00:32:37,000
Speaker 2: big show biz movers and shakers that Hayes and I do,

606
00:32:37,400 --> 00:32:40,400
Speaker 2: so we will give them an opportunity to reach out

607
00:32:40,440 --> 00:32:42,720
Speaker 2: and ask a question as if they could talk to you.

608
00:32:43,040 --> 00:32:45,080
Speaker 3: Okay, very generous.

609
00:32:45,120 --> 00:32:48,440
Speaker 2: And we call that the popcorn Gallery because people a

610
00:32:48,520 --> 00:32:50,640
Speaker 2: popcorn ad the movies.

611
00:32:50,840 --> 00:32:55,959
Speaker 3: But I, yeah, I see what you guys did there.

612
00:32:56,720 --> 00:33:00,719
Speaker 1: Andy Nice made a theme for the pop corn Gallery.

613
00:33:01,240 --> 00:33:01,560
Speaker 4: Uh.

614
00:33:01,600 --> 00:33:06,000
Speaker 1: And so we're accessing the SoundCloud, which is like it's

615
00:33:06,080 --> 00:33:09,680
Speaker 1: like the sound component of a YouTube. Uh. YouTube is

616
00:33:09,720 --> 00:33:11,880
Speaker 1: like the visual track and you cut it together with

617
00:33:11,920 --> 00:33:15,160
Speaker 1: the SoundCloud. Uh and and and then you get.

618
00:33:15,120 --> 00:33:15,960
Speaker 2: You lay those together.

619
00:33:16,040 --> 00:33:17,840
Speaker 1: Look who we're telling I mean you must have to

620
00:33:18,280 --> 00:33:20,840
Speaker 1: put insert the SoundCloud into your youtubes all the time.

621
00:33:55,760 --> 00:34:00,880
Speaker 1: Fluffy one. That was Andy Nissa Si for the Powcorn Gallery.

622
00:34:01,040 --> 00:34:01,920
Speaker 2: It's a little short.

623
00:34:02,000 --> 00:34:04,040
Speaker 1: It's only thirty three seconds long. We're not going to

624
00:34:04,080 --> 00:34:07,000
Speaker 1: play it before every question that we ask. Will insert

625
00:34:07,040 --> 00:34:10,480
Speaker 1: it later or a theme for a segment that we

626
00:34:10,560 --> 00:34:12,880
Speaker 1: do within the larger show. I would prefer it to

627
00:34:13,400 --> 00:34:16,080
Speaker 1: be four or five minutes. Yeah, at least a few

628
00:34:16,120 --> 00:34:18,960
Speaker 1: minutes longer than that one is. But maybe Andy can

629
00:34:19,040 --> 00:34:21,360
Speaker 1: take it back to the lab and come up with

630
00:34:21,440 --> 00:34:24,360
Speaker 1: a with a different theme next time. Do you have better?

631
00:34:24,400 --> 00:34:26,719
Speaker 2: Do you have any ideas on things he could add

632
00:34:26,760 --> 00:34:28,040
Speaker 2: to the songs? I?

633
00:34:28,280 --> 00:34:33,680
Speaker 3: You know, I maybe I would suggest maybe a little

634
00:34:33,719 --> 00:34:35,520
Speaker 3: shorter actually.

635
00:34:35,560 --> 00:34:39,160
Speaker 2: Oh okay, yeah, oh all right, taking a minimalist route.

636
00:34:39,320 --> 00:34:45,919
Speaker 3: Yeah, maybe a little less anxiety written, yeah, a little

637
00:34:46,000 --> 00:34:47,480
Speaker 3: less panic attack inducing.

638
00:34:47,760 --> 00:34:51,200
Speaker 1: Here's a question from our listener, Toby Keith Sweat Grace.

639
00:34:51,560 --> 00:34:53,120
Speaker 1: How much money you do you get paid for an

640
00:34:53,120 --> 00:34:56,000
Speaker 1: appearance on at midnight? And how much does that average

641
00:34:56,000 --> 00:34:57,919
Speaker 1: out per minute of screen time?

642
00:34:59,000 --> 00:34:59,320
Speaker 2: Wow?

643
00:35:00,120 --> 00:35:03,960
Speaker 3: That is a question I have never answered before.

644
00:35:04,680 --> 00:35:07,160
Speaker 2: Will we not reach into the popcorn gallery anymore? Because

645
00:35:07,200 --> 00:35:07,839
Speaker 2: we have the song?

646
00:35:07,880 --> 00:35:10,680
Speaker 1: Now, that's a good question. I think we probably should

647
00:35:10,719 --> 00:35:13,400
Speaker 1: reach in because that's where we get the questions. Yeah, okay,

648
00:35:13,440 --> 00:35:14,000
Speaker 1: so let's read.

649
00:35:14,040 --> 00:35:16,560
Speaker 2: So I'm so sorry we have to reach into the popcorn.

650
00:35:16,640 --> 00:35:22,200
Speaker 1: Okay, let's reach into the popcorn bag. I want this

651
00:35:22,239 --> 00:35:28,120
Speaker 1: one particular piece of popcorn. Yes, this is a question

652
00:35:28,160 --> 00:35:30,719
Speaker 1: from our listener, Toby Keith Sweat. How much money do

653
00:35:30,760 --> 00:35:33,120
Speaker 1: you get paid Grace for an appearance on at midnight?

654
00:35:33,200 --> 00:35:35,160
Speaker 1: And how much does that average out per minute of

655
00:35:35,200 --> 00:35:35,759
Speaker 1: screen time?

656
00:35:36,160 --> 00:35:43,080
Speaker 3: Wow, that is a question, you know, I'm not totally sure.

657
00:35:43,280 --> 00:35:47,200
Speaker 3: With taxes taken out and things going to managers, et cetera.

658
00:35:48,280 --> 00:35:52,839
Speaker 3: I don't know how to answer that one.

659
00:35:53,080 --> 00:35:55,560
Speaker 1: Just a dollar I think the way to do it

660
00:35:55,600 --> 00:35:57,920
Speaker 1: would be just a dollar. Figure.

661
00:35:58,120 --> 00:36:01,839
Speaker 3: Yeah, you're writing this down. Why are you writing this down?

662
00:36:02,840 --> 00:36:03,880
Speaker 3: I don't know.

663
00:36:03,960 --> 00:36:05,399
Speaker 1: I just like to know how people are doing.

664
00:36:05,560 --> 00:36:08,800
Speaker 3: Okay, Well, I don't know for sure. I haven't gotten

665
00:36:08,840 --> 00:36:10,920
Speaker 3: the check yet, so I can't really.

666
00:36:11,239 --> 00:36:12,440
Speaker 1: It's just one check.

667
00:36:12,800 --> 00:36:14,320
Speaker 3: It's just one check.

668
00:36:14,520 --> 00:36:17,160
Speaker 2: Yeah, and how big is it about?

669
00:36:17,440 --> 00:36:19,560
Speaker 1: They're sort of dicking you around on this one.

670
00:36:20,120 --> 00:36:23,319
Speaker 3: I think they're doing their accounting just fine. I just

671
00:36:23,400 --> 00:36:24,520
Speaker 3: haven't received it yet.

672
00:36:25,120 --> 00:36:29,520
Speaker 1: Yeah, giving you the high hard one, giving you the

673
00:36:29,680 --> 00:36:30,800
Speaker 1: old hard dick.

674
00:36:31,360 --> 00:36:35,439
Speaker 2: Giving you the giving you the rope of dupe. I've

675
00:36:35,440 --> 00:36:35,799
Speaker 2: seen that.

676
00:36:36,800 --> 00:36:39,400
Speaker 1: What's tough? Chris Hardwick?

677
00:36:39,680 --> 00:36:39,960
Speaker 3: Yeah?

678
00:36:40,080 --> 00:36:42,360
Speaker 1: Do you get to talk to him before and after

679
00:36:42,480 --> 00:36:43,840
Speaker 1: the show? Really?

680
00:36:44,000 --> 00:36:47,120
Speaker 3: Yeah? He's a very very pleasant man and it's actually

681
00:36:47,239 --> 00:36:50,600
Speaker 3: a big inspiration in what I hope to do in

682
00:36:50,680 --> 00:36:51,799
Speaker 3: the new media.

683
00:36:51,520 --> 00:36:53,440
Speaker 1: Space hosting after shows.

684
00:36:54,080 --> 00:36:55,960
Speaker 3: No, everything but that.

685
00:36:59,239 --> 00:37:03,560
Speaker 1: Here's a question for a Matt Cameron Grace which, Oh,

686
00:37:03,640 --> 00:37:04,480
Speaker 1: I'm sorry.

687
00:37:07,520 --> 00:37:10,799
Speaker 3: I don't I don't understand them.

688
00:37:10,920 --> 00:37:14,160
Speaker 1: Here's a question for Matt Cameron Grace, which a list

689
00:37:14,200 --> 00:37:16,440
Speaker 1: Hollywood celebs would you most like to see fail?

690
00:37:17,280 --> 00:37:21,719
Speaker 3: Oh? Wow? That seems very mean spirited, And you know,

691
00:37:22,000 --> 00:37:26,480
Speaker 3: I I really just kind of want everyone to do well?

692
00:37:27,200 --> 00:37:30,120
Speaker 3: Is that really you're shaking your head?

693
00:37:30,200 --> 00:37:31,920
Speaker 1: Well, Chris Brown beat Rihanna?

694
00:37:32,280 --> 00:37:34,760
Speaker 3: That's true, So maybe him you want him to succeed.

695
00:37:35,120 --> 00:37:37,480
Speaker 3: I will say, Chris Brown.

696
00:37:38,640 --> 00:37:43,359
Speaker 1: Everyone except him you want to to Does he do well?

697
00:37:43,480 --> 00:37:47,759
Speaker 3: Why not? Who would you want to see fail well? I?

698
00:37:47,840 --> 00:37:52,600
Speaker 1: Oh, J Simpson, I personally believe murdered his ex wife. Okay,

699
00:37:52,640 --> 00:37:54,720
Speaker 1: And as a result of that, I hope he doesn't

700
00:37:54,920 --> 00:37:56,680
Speaker 1: and I believe that well in the business, I'd like

701
00:37:56,719 --> 00:37:58,960
Speaker 1: to see him thrown out of the business entirely. I

702
00:37:59,000 --> 00:38:03,040
Speaker 1: believe that his son day and he covered that up,

703
00:38:03,200 --> 00:38:06,160
Speaker 1: and so I actually want him to be getting in

704
00:38:06,200 --> 00:38:09,200
Speaker 1: trouble for that too, And so I wanted to see

705
00:38:09,280 --> 00:38:11,120
Speaker 1: him in less movies in twenty fourteen.

706
00:38:11,360 --> 00:38:13,880
Speaker 3: Okay, I think that's a good New Year's resolution.

707
00:38:16,200 --> 00:38:24,440
Speaker 1: This part this is empty. Okay, here's a question for

708
00:38:24,480 --> 00:38:30,080
Speaker 1: our listener, Chanson, who's actually specifically suggested that we bring

709
00:38:30,080 --> 00:38:30,920
Speaker 1: you onto the show.

710
00:38:31,320 --> 00:38:33,279
Speaker 2: Oh oh yeah, and he'd requested you.

711
00:38:33,400 --> 00:38:35,960
Speaker 1: We said no, thanks, and he kept at us, and

712
00:38:36,600 --> 00:38:40,000
Speaker 1: we're so happy to have you. Now, here's a question

713
00:38:40,040 --> 00:38:43,640
Speaker 1: for our listener, Chanson, Grace. Is YouTube like being in

714
00:38:43,680 --> 00:38:46,000
Speaker 1: small movies? Or is it like being in real movies?

715
00:38:46,120 --> 00:38:47,520
Speaker 1: Or is it not as good as both?

716
00:38:48,920 --> 00:38:50,440
Speaker 3: Did you write this question?

717
00:38:50,800 --> 00:38:53,240
Speaker 1: No, This is a question from our listener Chanson. Okay,

718
00:38:53,280 --> 00:38:54,280
Speaker 1: he lives in Seattle.

719
00:38:54,560 --> 00:38:57,080
Speaker 2: Okay, he's from Seattle. He talks about that a lot.

720
00:38:57,480 --> 00:38:57,960
Speaker 3: That's great.

721
00:38:58,080 --> 00:38:59,279
Speaker 2: Kind of a mean spirited guy.

722
00:39:01,480 --> 00:39:06,440
Speaker 3: I feel like you wrote this question down. Is YouTube

723
00:39:06,480 --> 00:39:08,880
Speaker 3: like being in small movies. No, it's YouTube like.

724
00:39:08,920 --> 00:39:10,640
Speaker 1: Being in small movies. Or is it like being in

725
00:39:10,680 --> 00:39:12,760
Speaker 1: real movies? Or is it not as good as both?

726
00:39:13,480 --> 00:39:15,600
Speaker 3: Or is it not as good as both? YouTube is

727
00:39:15,680 --> 00:39:18,959
Speaker 3: kind of its own thing. It's really not movies at

728
00:39:19,000 --> 00:39:20,080
Speaker 3: all whatsoever.

729
00:39:20,640 --> 00:39:25,000
Speaker 1: So we give you a movie contract today, uh huh?

730
00:39:25,040 --> 00:39:28,879
Speaker 1: And you say no, thanks, it's for it's a three

731
00:39:28,960 --> 00:39:32,279
Speaker 1: picture deal. It's worth six million dollars. Wow, and you

732
00:39:32,800 --> 00:39:33,680
Speaker 1: you don't want to do that.

733
00:39:33,840 --> 00:39:36,319
Speaker 3: No, I wouldn't say no, you already did. Well, I

734
00:39:36,360 --> 00:39:37,040
Speaker 3: didn't say no.

735
00:39:37,760 --> 00:39:39,359
Speaker 1: You already said it's a different thing, you don't want

736
00:39:39,360 --> 00:39:39,640
Speaker 1: to do it.

737
00:39:39,680 --> 00:39:41,080
Speaker 3: I didn't say I didn't want to do it. I

738
00:39:41,120 --> 00:39:45,640
Speaker 3: just said it's a different thing. In fact, my friends

739
00:39:45,640 --> 00:39:47,919
Speaker 3: and I did. Oh, you're ripping.

740
00:39:47,640 --> 00:39:58,960
Speaker 1: Up smaller pieces, hay. At this point, I could still

741
00:39:58,960 --> 00:40:00,919
Speaker 1: put it back together pretty eas with just some tape.

742
00:40:00,960 --> 00:40:03,560
Speaker 1: So if you could make smaller pieces out of the contract.

743
00:40:05,840 --> 00:40:10,840
Speaker 2: And just really shred it into little tiny pieces, yeah,

744
00:40:10,880 --> 00:40:13,520
Speaker 2: well you're folding it first. Don't make even lines. Try

745
00:40:13,520 --> 00:40:17,040
Speaker 2: to make it more jagged, this seems, and we'll be

746
00:40:17,120 --> 00:40:21,400
Speaker 2: throwing these out in multiple separate trash cans. So if

747
00:40:21,480 --> 00:40:23,840
Speaker 2: engineer Sam wants to climb into the dumpster later and

748
00:40:23,840 --> 00:40:25,080
Speaker 2: try to put it all back together.

749
00:40:25,360 --> 00:40:28,240
Speaker 1: Will you let us know when you're gonna be passing

750
00:40:28,280 --> 00:40:30,520
Speaker 1: outside the window of the studio when you leave, and

751
00:40:30,560 --> 00:40:34,799
Speaker 1: so we can kind of dump it out, just sort

752
00:40:34,800 --> 00:40:37,480
Speaker 1: of a rain of confetti over you as you go. Yeah,

753
00:40:37,520 --> 00:40:40,239
Speaker 1: I will, and you can give it. Just come back

754
00:40:40,280 --> 00:40:43,680
Speaker 1: up and give us the confetti. Okay, and the and

755
00:40:43,680 --> 00:40:46,960
Speaker 1: and the three picture deal Hayes was talking about.

756
00:40:48,000 --> 00:40:50,240
Speaker 2: Yeah, those weren't just pictures. Those were movies.

757
00:40:50,480 --> 00:40:56,000
Speaker 3: Whoa, it's hard to glean. Thank you for clarifying. I

758
00:40:56,080 --> 00:40:58,480
Speaker 3: really feel like a dick for passing that up.

759
00:40:58,719 --> 00:40:59,960
Speaker 2: That's how big a deal it was.

760
00:41:00,280 --> 00:41:08,960
Speaker 3: It's huge. It's already so small, Grace.

761
00:41:09,680 --> 00:41:11,680
Speaker 1: Do you have an we're almost out of time. Do

762
00:41:11,760 --> 00:41:15,400
Speaker 1: you have any projects coming up that you like to

763
00:41:15,120 --> 00:41:17,120
Speaker 1: to plug on our show and you think that you're

764
00:41:17,120 --> 00:41:18,000
Speaker 1: really excited about.

765
00:41:18,120 --> 00:41:20,200
Speaker 3: Yeah, I actually have a movie to plug.

766
00:41:20,600 --> 00:41:21,280
Speaker 1: Oh wow.

767
00:41:21,520 --> 00:41:24,600
Speaker 3: Yeah, my friends Hannah Hart and Maymy Hart and I've

768
00:41:24,600 --> 00:41:27,239
Speaker 3: made a movie called Camp Dakota and you can it's

769
00:41:27,280 --> 00:41:30,759
Speaker 3: going to be released digitally through your computer, so oh

770
00:41:30,840 --> 00:41:31,920
Speaker 3: my god, yeah.

771
00:41:32,280 --> 00:41:35,120
Speaker 2: My can I just bring my computer down to the

772
00:41:35,200 --> 00:41:37,800
Speaker 2: ArcLight or whatever and then.

773
00:41:38,239 --> 00:41:40,600
Speaker 1: And they plug it into the screen. They had these cables.

774
00:41:40,600 --> 00:41:43,399
Speaker 3: Now no, it's literally you just watch at home on

775
00:41:43,440 --> 00:41:45,759
Speaker 3: your computer, or you can hook your computer up to

776
00:41:45,840 --> 00:41:47,600
Speaker 3: your television and watch on your television.

777
00:41:47,680 --> 00:41:51,280
Speaker 2: Wow, it's on a TV. But maybe I'll go to hazes.

778
00:41:51,520 --> 00:41:55,279
Speaker 3: Okay, well you too. It's coming out on Valentine's Day,

779
00:41:55,320 --> 00:41:58,759
Speaker 3: so you guys can spend a day together and watch it.

780
00:41:58,760 --> 00:42:01,120
Speaker 1: It's like a sort of up It sounds like you're

781
00:42:01,120 --> 00:42:06,040
Speaker 1: saying it's like a twenty first century banger Sisters, where no,

782
00:42:06,360 --> 00:42:09,319
Speaker 1: you're taking those old archetypes and sort of updating them

783
00:42:09,360 --> 00:42:11,920
Speaker 1: to the Sorry, we all know YouTube generation.

784
00:42:12,040 --> 00:42:15,200
Speaker 2: But now it's on skateboards or whatever it is.

785
00:42:15,760 --> 00:42:19,279
Speaker 3: It's no skateboards. It's just a movie about a girl

786
00:42:19,360 --> 00:42:20,640
Speaker 3: going back to camp.

787
00:42:22,920 --> 00:42:26,760
Speaker 1: From from from working as a bartender at the whiskey

788
00:42:26,760 --> 00:42:28,160
Speaker 1: of Go Go, No, No, not.

789
00:42:28,360 --> 00:42:29,040
Speaker 2: It gets fired.

790
00:42:29,120 --> 00:42:31,160
Speaker 1: Got to go back to camp to see your old friend,

791
00:42:31,239 --> 00:42:32,000
Speaker 1: Susan Sarandon.

792
00:42:32,120 --> 00:42:34,239
Speaker 3: No no, Susan Sarandon is not in it.

793
00:42:34,320 --> 00:42:36,279
Speaker 2: And Susan's kind of settled down at this point, has

794
00:42:36,280 --> 00:42:37,160
Speaker 2: a more normal life.

795
00:42:37,200 --> 00:42:37,920
Speaker 1: She wouldn't do it.

796
00:42:38,320 --> 00:42:41,040
Speaker 3: She we you know, we didn't even think to reach

797
00:42:41,080 --> 00:42:43,640
Speaker 3: out to her. But maybe the next one we should.

798
00:42:44,239 --> 00:42:47,879
Speaker 1: Yeah, well, it seems like it was the profile. It's

799
00:42:48,080 --> 00:42:49,520
Speaker 1: the project.

800
00:42:49,080 --> 00:42:49,480
Speaker 2: A little bit.

801
00:42:49,520 --> 00:42:51,480
Speaker 3: If Susan Surreandon was in, it.

802
00:42:51,560 --> 00:42:55,480
Speaker 1: Was a fair amount of juice, that's true. Can you

803
00:42:55,520 --> 00:42:56,959
Speaker 1: give my computer a little juice? Please?

804
00:42:57,040 --> 00:42:59,840
Speaker 3: No, staff, don't put the water on the computer.

805
00:43:00,920 --> 00:43:01,200
Speaker 1: Bye.

806
00:43:02,080 --> 00:43:05,480
Speaker 3: It's how you end.

807
00:43:09,360 --> 00:43:12,319
Speaker 1: This has been an Earwolf Media production executive producers Jeff

808
00:43:12,360 --> 00:43:13,360
Speaker 1: Ulrick and Scott Ackerman.

809
00:43:13,520 --> 00:43:15,320
Speaker 2: For more information, visit earwolf dot.

810
00:43:15,200 --> 00:43:30,760
Speaker 1: Com, ear Warf Radio Boom dot com, The Worf Dead