1 00:00:00,080 --> 00:00:00,920 Speaker 1: So like the brain. 2 00:00:01,040 --> 00:00:03,840 Speaker 2: I just want to know, like the brain, like for like, 3 00:00:03,840 --> 00:00:06,360 Speaker 2: for example, that's git right because it was that skit 4 00:00:06,480 --> 00:00:09,119 Speaker 2: and then it was part two. Yeah, and then there 5 00:00:09,160 --> 00:00:10,880 Speaker 2: was a commercial what like Yeah. 6 00:00:10,720 --> 00:00:14,360 Speaker 3: We did a paramount commercial. Yeah a couple of years ago. Yeah, yeah, yeah, 7 00:00:14,440 --> 00:00:17,040 Speaker 3: you know, really what a lot of it. We had 8 00:00:17,440 --> 00:00:21,239 Speaker 3: really really fantastic writers. We had really great writers on 9 00:00:21,239 --> 00:00:24,919 Speaker 3: our show. And I have I've made a I've tried 10 00:00:24,920 --> 00:00:26,360 Speaker 3: to make a point in my life and in my 11 00:00:26,360 --> 00:00:30,360 Speaker 3: career of surrounding myself with people with excellence. Just if 12 00:00:30,360 --> 00:00:33,200 Speaker 3: you can surround yourself with excellence, you have a chance 13 00:00:33,240 --> 00:00:36,279 Speaker 3: of being excellent. And so I've made an effort, made 14 00:00:36,320 --> 00:00:37,880 Speaker 3: a lot of effort to do that in my career. 15 00:00:37,920 --> 00:00:40,360 Speaker 3: And so the guy who one of the guys, you know, 16 00:00:40,360 --> 00:00:42,360 Speaker 3: we used to have what we call in the business, 17 00:00:42,360 --> 00:00:44,520 Speaker 3: pitch sessions. So in the beginning of the week, people 18 00:00:44,520 --> 00:00:46,440 Speaker 3: come in and they pitch different ideas about, oh, you know, 19 00:00:46,479 --> 00:00:48,559 Speaker 3: I saw this today, or I kind of noticed this 20 00:00:48,640 --> 00:00:52,000 Speaker 3: thing about human behavior and what if we were to 21 00:00:52,040 --> 00:00:53,840 Speaker 3: sketch about this, or we did some sketch about that. 22 00:00:54,280 --> 00:00:56,200 Speaker 3: And one of our writers, he came into a pitch 23 00:00:56,240 --> 00:00:58,880 Speaker 3: meeting one day, and he just had that idea solid 24 00:00:58,920 --> 00:01:00,720 Speaker 3: ready to go. He's like, well, what if the guy 25 00:01:00,800 --> 00:01:02,720 Speaker 3: was like from the inner city, but he was teaching 26 00:01:02,760 --> 00:01:05,319 Speaker 3: in a suburban school and he pronounced the names like 27 00:01:05,360 --> 00:01:08,880 Speaker 3: they were black names. And then you could see all 28 00:01:09,000 --> 00:01:12,920 Speaker 3: the cogs turning in everybody else's head, and everyone just 29 00:01:13,080 --> 00:01:15,160 Speaker 3: piled on the idea, like, oh, but what about this name? 30 00:01:15,200 --> 00:01:16,959 Speaker 3: What about this? And that's when you know you've got 31 00:01:16,959 --> 00:01:19,320 Speaker 3: a good idea. And then he wrote the sketch with 32 00:01:19,360 --> 00:01:24,679 Speaker 3: some people's with some people's suggestions of names. And you know, 33 00:01:24,959 --> 00:01:28,120 Speaker 3: when you work in work in sketch for a long time, 34 00:01:28,240 --> 00:01:30,360 Speaker 3: and I'd been doing sketch for like twelve years at 35 00:01:30,360 --> 00:01:32,319 Speaker 3: that point in time, so I was like, let's get sketches, 36 00:01:32,360 --> 00:01:33,920 Speaker 3: a solid sketch. I had no idea it was going 37 00:01:34,000 --> 00:01:36,520 Speaker 3: to resonate the way that it resonated, but that that's 38 00:01:36,520 --> 00:01:39,040 Speaker 3: where that came from. And so he wrote those two sketches, 39 00:01:39,720 --> 00:01:42,480 Speaker 3: and there's like rules to how the sketches are written. 40 00:01:43,040 --> 00:01:45,720 Speaker 3: And then when we did the commercial, my partner Elle, 41 00:01:46,440 --> 00:01:48,880 Speaker 3: she wrote she wrote that commercial wrote the sketch for 42 00:01:48,920 --> 00:01:51,240 Speaker 3: that commercial, and she's like, using the rules and there 43 00:01:51,240 --> 00:01:52,840 Speaker 3: are other people like but why don't we do this 44 00:01:52,880 --> 00:01:56,000 Speaker 3: and we do that? Bah, it's like stepping out like 45 00:01:56,400 --> 00:01:58,360 Speaker 3: there's no you got it. You got it. You can 46 00:01:58,400 --> 00:02:01,360 Speaker 3: do whatever you want within the parameters. Right, you step 47 00:02:01,360 --> 00:02:03,640 Speaker 3: out of bounds, it's out of bounds. You can't but 48 00:02:03,720 --> 00:02:05,440 Speaker 3: I made the three, but you were out of bounds. 49 00:02:05,680 --> 00:02:08,720 Speaker 3: You have to stay within those strictures, those parameters, and 50 00:02:08,760 --> 00:02:11,120 Speaker 3: then the sketch always sings. And so the commercial was 51 00:02:11,160 --> 00:02:14,240 Speaker 3: really good. But that guy is great, Rich tell Erico 52 00:02:14,320 --> 00:02:18,040 Speaker 3: is his name, and he was a wonderful, fantastic sketchwriter, 53 00:02:18,120 --> 00:02:21,000 Speaker 3: wrote for Mad TV, wrote for camp Peele, and wrote 54 00:02:21,000 --> 00:02:23,800 Speaker 3: for SNL. Yeah, he was really good. So that's that's 55 00:02:23,919 --> 00:02:26,519 Speaker 3: kind of the origin of that of that sketch or 56 00:02:26,560 --> 00:02:28,880 Speaker 3: what you have to figure out what the comedic game 57 00:02:29,320 --> 00:02:32,120 Speaker 3: or the comedic engine of each sketch is, Like what's 58 00:02:32,160 --> 00:02:35,480 Speaker 3: the kernel? What's the thing that you you repeat over 59 00:02:35,480 --> 00:02:37,920 Speaker 3: and over again? That's funny like once you sometimes it's 60 00:02:37,960 --> 00:02:42,480 Speaker 3: an observation. So like Jordan's observation about the I know 61 00:02:42,520 --> 00:02:45,760 Speaker 3: that you guys like the the we were talking to 62 00:02:45,840 --> 00:02:48,000 Speaker 3: Cameron earlier, what what's the sketches like the auction block, 63 00:02:48,880 --> 00:02:51,040 Speaker 3: the auction block, Jordan said, I got to figure out 64 00:02:51,080 --> 00:02:54,480 Speaker 3: what's the wrinkle here? What's the comedic game and it 65 00:02:54,880 --> 00:02:58,480 Speaker 3: and he goes, well, I've never seen no one wants 66 00:02:58,520 --> 00:03:02,200 Speaker 3: to be a slave. But what if you were so vain, 67 00:03:02,680 --> 00:03:05,959 Speaker 3: we're so insecure that other slaves are being bought, and 68 00:03:06,000 --> 00:03:08,000 Speaker 3: then you're trying to figure out, well, why nobody buying me? 69 00:03:09,280 --> 00:03:11,760 Speaker 3: So the concept is great, but then the game was 70 00:03:11,800 --> 00:03:13,720 Speaker 3: every time they brought in a new guys like, I 71 00:03:13,760 --> 00:03:17,800 Speaker 3: don't pick this motherfucker, you know, And so each every 72 00:03:17,800 --> 00:03:19,480 Speaker 3: sketch has to have one of those games. It's the 73 00:03:19,480 --> 00:03:21,120 Speaker 3: same way that you guys when you guys are on 74 00:03:21,160 --> 00:03:25,680 Speaker 3: the court and you you go, ah, this brother, oh 75 00:03:25,720 --> 00:03:28,640 Speaker 3: here got this tendency. Oh he's gonna do that every 76 00:03:28,880 --> 00:03:30,720 Speaker 3: he's gonna do that. Oh shit, did it again. Oh 77 00:03:30,720 --> 00:03:33,120 Speaker 3: he's gonna do that every time. I'm about to go 78 00:03:33,160 --> 00:03:35,880 Speaker 3: steal the ball because he's gonna do that every time. 79 00:03:35,920 --> 00:03:38,280 Speaker 3: And then eventually you shut him down or you you 80 00:03:38,560 --> 00:03:40,200 Speaker 3: trap him, or you know that he's gonna go to 81 00:03:40,280 --> 00:03:42,880 Speaker 3: his left every time. We have to figure out what 82 00:03:42,920 --> 00:03:46,560 Speaker 3: that pattern is. And once you get that pattern, you 83 00:03:46,600 --> 00:03:49,520 Speaker 3: can you you once you have that structure in that pattern, 84 00:03:49,600 --> 00:03:50,800 Speaker 3: you can start writing the sketches. 85 00:03:51,960 --> 00:03:55,760 Speaker 4: Yeah, it's so interesting scientific. We've had a few comedians 86 00:03:55,760 --> 00:03:57,280 Speaker 4: on and the one thing they've always said is like, 87 00:03:58,040 --> 00:04:00,600 Speaker 4: whatever's ended up being their most commercial cecil is not 88 00:04:00,640 --> 00:04:02,280 Speaker 4: the one that like when it left, they were like, 89 00:04:02,320 --> 00:04:02,680 Speaker 4: that's it. 90 00:04:02,720 --> 00:04:07,920 Speaker 3: You know, it's not an interesting thing is artists writers. 91 00:04:08,720 --> 00:04:13,600 Speaker 3: The writers. I'm surrounded my south with Jordan l the 92 00:04:13,640 --> 00:04:18,040 Speaker 3: really creative people think outside of the box. And sometimes 93 00:04:18,240 --> 00:04:20,839 Speaker 3: you go, the thing that you wrote that's a little 94 00:04:20,839 --> 00:04:23,480 Speaker 3: inside the box is the thing where you go, oh, 95 00:04:23,600 --> 00:04:27,200 Speaker 3: this is okay, And that's always the thing that ends 96 00:04:27,279 --> 00:04:30,240 Speaker 3: up blowing up. It's always that thing. It's the it's 97 00:04:30,279 --> 00:04:33,960 Speaker 3: the weird ones or the strange ones that go out 98 00:04:34,040 --> 00:04:37,680 Speaker 3: of the norm that everybody that that that the artists 99 00:04:37,720 --> 00:04:39,920 Speaker 3: fall in love with. And it's those other ones that 100 00:04:39,960 --> 00:04:42,479 Speaker 3: you just mentioned that go like, why is so we 101 00:04:42,520 --> 00:04:44,840 Speaker 3: make fun of somebody's name? Why is that? I don't 102 00:04:44,880 --> 00:04:47,520 Speaker 3: know what it is that. I don't know the psychology 103 00:04:47,520 --> 00:04:49,440 Speaker 3: of it. But people love it. They love that, They 104 00:04:49,440 --> 00:04:50,560 Speaker 3: love the football names. 105 00:04:51,040 --> 00:04:51,719 Speaker 1: They love names. 106 00:04:51,760 --> 00:04:52,600 Speaker 3: People be loving names. 107 00:04:53,480 --> 00:04:55,479 Speaker 5: My favorite, that's your favorite one, be my favorite, But 108 00:04:55,560 --> 00:04:59,679 Speaker 5: like the one, the substitute one, it's it's so ingrained 109 00:05:00,000 --> 00:05:02,600 Speaker 5: don't even think about the sketch. Like his middle name 110 00:05:02,640 --> 00:05:09,920 Speaker 5: is Aaron, So yeah, it's like I won't even think 111 00:05:09,920 --> 00:05:11,440 Speaker 5: about the sketch. But that's a a Ron. 112 00:05:11,640 --> 00:05:14,160 Speaker 3: Like it's just like you said, it's ingrained. It's great. 113 00:05:14,200 --> 00:05:16,279 Speaker 3: It's part of our it's part of I don't know 114 00:05:16,320 --> 00:05:19,880 Speaker 3: how this happened. It's part of our society. That sketch 115 00:05:19,880 --> 00:05:21,440 Speaker 3: has become part of our society. 116 00:05:21,560 --> 00:05:22,040 Speaker 1: Yeah, we have. 117 00:05:22,600 --> 00:05:25,159 Speaker 2: There's actually a rough called Aaron, and that's what every 118 00:05:25,160 --> 00:05:29,360 Speaker 2: time I say, that's all, I call him Aron. And 119 00:05:29,440 --> 00:05:31,000 Speaker 2: like normally he just kind of like, yo, what's up, 120 00:05:31,080 --> 00:05:34,040 Speaker 2: Josh and all that. And there was just one time 121 00:05:34,680 --> 00:05:36,480 Speaker 2: he was on the baseline. I was like out of 122 00:05:36,520 --> 00:05:39,120 Speaker 2: the game. I was like, you gotta make a better car. 123 00:05:39,080 --> 00:05:41,800 Speaker 1: Than the it is. 124 00:05:41,800 --> 00:05:43,159 Speaker 3: It's like, look at me, I'm not I'm not being 125 00:05:43,200 --> 00:05:43,680 Speaker 3: a professional. 126 00:05:44,160 --> 00:05:45,840 Speaker 4: I also think it's so funny because one of the 127 00:05:45,880 --> 00:05:49,440 Speaker 4: other really great sketches was slap Ass, and they are 128 00:05:49,560 --> 00:05:50,960 Speaker 4: now at the point. I don't even know if this 129 00:05:51,040 --> 00:05:53,520 Speaker 4: is the rest of you guys, where it'll be postgame, 130 00:05:53,600 --> 00:05:55,479 Speaker 4: one of you guys will getting interviewed on the court. 131 00:05:55,480 --> 00:05:58,840 Speaker 5: The other one it's not. They hits him. He started 132 00:05:58,960 --> 00:05:59,480 Speaker 5: you started. 133 00:05:59,640 --> 00:06:02,200 Speaker 2: You know why did I start started? 134 00:06:01,920 --> 00:06:02,840 Speaker 5: Started it? 135 00:06:03,160 --> 00:06:04,000 Speaker 3: Oh? Did he really? 136 00:06:04,760 --> 00:06:05,480 Speaker 5: I forget what game? 137 00:06:05,480 --> 00:06:06,479 Speaker 1: It in New Orleans. 138 00:06:06,720 --> 00:06:08,520 Speaker 5: Yeah, it happened one game in New Orleans. I'm doing 139 00:06:08,600 --> 00:06:12,000 Speaker 5: it on court interview right after the game and just 140 00:06:12,000 --> 00:06:13,720 Speaker 5: comes up and slaps in the ass. I'm just like, 141 00:06:14,480 --> 00:06:16,200 Speaker 5: I actually cursed. I was like, I'm gonna beat the 142 00:06:16,200 --> 00:06:18,000 Speaker 5: shoot you And that was like a lot of TV. 143 00:06:18,200 --> 00:06:22,280 Speaker 5: I was sorry. And then it happened again a couple 144 00:06:22,320 --> 00:06:26,320 Speaker 5: weeks later, and then I was like, just like, try 145 00:06:26,360 --> 00:06:29,480 Speaker 5: to like not say it. But then like one game 146 00:06:29,760 --> 00:06:31,720 Speaker 5: he starts doing I'm like, all right, this dude's a follower. 147 00:06:31,800 --> 00:06:33,800 Speaker 5: Now he wants to be a part of it. And 148 00:06:33,839 --> 00:06:37,520 Speaker 5: then then so he did it twice, and then I 149 00:06:37,520 --> 00:06:42,080 Speaker 5: think it was mostly Josh died it twice and Josh 150 00:06:42,080 --> 00:06:45,320 Speaker 5: did it twice. So now most recently Josh is done 151 00:06:45,320 --> 00:06:47,760 Speaker 5: the own court review. I'm like, I said, I have 152 00:06:47,800 --> 00:06:51,400 Speaker 5: an opportunity here to get him back, but Josh is 153 00:06:51,400 --> 00:06:53,200 Speaker 5: so paranoid. So he's doing a court interview but he's 154 00:06:53,240 --> 00:06:53,760 Speaker 5: like scanning. 155 00:06:54,040 --> 00:06:54,960 Speaker 3: I'm aund. 156 00:06:57,320 --> 00:07:00,560 Speaker 5: Scanning, and then like and then I think last game, 157 00:07:00,720 --> 00:07:02,920 Speaker 5: last game, last game, Josh Lily sees me it starts 158 00:07:02,920 --> 00:07:04,680 Speaker 5: like he's literally talking into the mic, but he's like 159 00:07:04,720 --> 00:07:06,839 Speaker 5: doing a three sixty, like making sure he doesn't break 160 00:07:07,120 --> 00:07:07,560 Speaker 5: sight of. 161 00:07:07,520 --> 00:07:09,800 Speaker 3: Me, can't get behind him. 162 00:07:10,480 --> 00:07:12,720 Speaker 4: Yeah, yeah, And that's exactly what they did in the 163 00:07:12,760 --> 00:07:15,120 Speaker 4: scuts when when they would see Jordan's. 164 00:07:14,680 --> 00:07:17,280 Speaker 3: Exactly It's it's so funny that it's that that that 165 00:07:17,280 --> 00:07:19,960 Speaker 3: that comedic game was happening in real life. We've been 166 00:07:20,080 --> 00:07:23,040 Speaker 3: very fortunate in our show to have that happen that 167 00:07:23,120 --> 00:07:25,240 Speaker 3: there have been a few things that have that have 168 00:07:25,400 --> 00:07:29,160 Speaker 3: seeped from the show into real life. And you know, 169 00:07:29,240 --> 00:07:32,080 Speaker 3: we did when we did I, we used to do 170 00:07:32,160 --> 00:07:34,400 Speaker 3: the UH. I used to play a character named Luther, 171 00:07:34,680 --> 00:07:38,480 Speaker 3: who is Obama's anger translator. Obama is always so even 172 00:07:39,000 --> 00:07:41,440 Speaker 3: and never showed any anger, so my character was the 173 00:07:41,480 --> 00:07:44,840 Speaker 3: person who showed anger for him. And then and then 174 00:07:45,000 --> 00:07:47,560 Speaker 3: I was at some event years is years ago. It's 175 00:07:47,680 --> 00:07:50,440 Speaker 3: an event at the White House and this guy walks 176 00:07:50,480 --> 00:07:51,760 Speaker 3: up to me and he goes and he goes, hey, 177 00:07:51,760 --> 00:07:54,280 Speaker 3: I'm one of the I'm one of the the speech Raiders. 178 00:07:54,280 --> 00:07:56,760 Speaker 3: And we were wondering if you wanted to, if you'd 179 00:07:56,760 --> 00:07:59,360 Speaker 3: be interested in participating in the White House Correspondence dinner. 180 00:08:00,080 --> 00:08:03,800 Speaker 3: Uh in April, and I was like, hell yeah, and 181 00:08:03,800 --> 00:08:05,440 Speaker 3: he's like, I mean, maybe we could write like a 182 00:08:05,480 --> 00:08:08,160 Speaker 3: Luther bit and you could translate for the actual president. 183 00:08:08,520 --> 00:08:12,160 Speaker 3: And I was like, uh yeah, let's do that, you know, 184 00:08:12,520 --> 00:08:14,720 Speaker 3: and we did. And I remember being there and it 185 00:08:14,800 --> 00:08:17,040 Speaker 3: being this kind of out of body experience where you're 186 00:08:17,080 --> 00:08:22,800 Speaker 3: kind of going, I'm playing a fictional character with a 187 00:08:23,120 --> 00:08:25,280 Speaker 3: with a shoot with a with the real person. So 188 00:08:25,960 --> 00:08:28,679 Speaker 3: in the show, I would play Luther and Jordan would 189 00:08:28,760 --> 00:08:31,680 Speaker 3: impersonate Obama and I would be his anger translator. And 190 00:08:31,720 --> 00:08:34,280 Speaker 3: then to do it in real life it was crazy. 191 00:08:34,480 --> 00:08:36,520 Speaker 3: It was crazy to be there and do it with them. 192 00:08:36,520 --> 00:08:38,880 Speaker 3: It was And so we've we've been very fortunate that 193 00:08:38,880 --> 00:08:40,560 Speaker 3: in a couple occasions we've had that. The fact that 194 00:08:40,600 --> 00:08:44,200 Speaker 3: slap ass is real, it makes my it makes my heart. 195 00:08:44,960 --> 00:08:49,560 Speaker 5: Unfortunately, it's unfortunately it's real. It's unfortunate. I'm gonna be 196 00:08:49,800 --> 00:08:53,240 Speaker 5: very specific right here. Unfortunately it's real. 197 00:08:53,520 --> 00:08:55,480 Speaker 4: I feel like another one that's real is is the 198 00:08:55,520 --> 00:08:57,559 Speaker 4: Obama handshake one. I feel like there's been a few 199 00:08:57,600 --> 00:08:59,560 Speaker 4: guests that have come on the show. They see Jaylen, 200 00:09:00,080 --> 00:09:01,240 Speaker 4: they see Josh. 201 00:09:00,960 --> 00:09:02,360 Speaker 3: And then they just give me a head. 202 00:09:03,640 --> 00:09:06,120 Speaker 2: The funniest one when you see like the videos or something, 203 00:09:06,120 --> 00:09:09,400 Speaker 2: I think Obama. I think it actually would Obama with it. 204 00:09:09,400 --> 00:09:11,679 Speaker 2: I think it was USA b was like wapping up 205 00:09:11,679 --> 00:09:13,079 Speaker 2: everybody and the like Sean Ford. 206 00:09:15,559 --> 00:09:20,280 Speaker 3: And just Steve and Steve Kerry. Yeah, yeah, yeah. The sketch, 207 00:09:20,360 --> 00:09:24,640 Speaker 3: the original sketch was based on another video where the 208 00:09:24,640 --> 00:09:28,120 Speaker 3: president had gone to visit Uh, he had visited Okay See. 209 00:09:28,720 --> 00:09:30,760 Speaker 3: This is like ten years ago and he went to 210 00:09:30,840 --> 00:09:33,360 Speaker 3: Okay See and so he like he wapped up Durant. 211 00:09:33,400 --> 00:09:34,679 Speaker 3: Durant was still I mean, he's a long time ago. 212 00:09:34,720 --> 00:09:37,720 Speaker 3: Durant was still there. Dapped up Durant and Westbrook and 213 00:09:37,720 --> 00:09:39,720 Speaker 3: then to go to the coach established shakes her hands in. 214 00:09:39,720 --> 00:09:42,600 Speaker 3: One of our writers is like, ah, there it is, 215 00:09:43,280 --> 00:09:45,880 Speaker 3: and wrote up the sketch. So that's crazy. It's a 216 00:09:45,920 --> 00:09:46,400 Speaker 3: lot of fun. 217 00:09:46,720 --> 00:09:49,200 Speaker 5: The Roommate Show is now sponsored by door Dash. 218 00:09:49,400 --> 00:09:52,280 Speaker 4: DoorDash has a dash Pass members only deal for the 219 00:09:52,320 --> 00:09:55,120 Speaker 4: twenty four to twenty five NBA season. They swoosh you 220 00:09:55,240 --> 00:09:57,880 Speaker 4: save when any player scores fifty or more points in 221 00:09:57,920 --> 00:10:00,640 Speaker 4: a game. Dash Pass members say fIF two percent on 222 00:10:00,679 --> 00:10:02,760 Speaker 4: an order up to ten dollars off. 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