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Speaker 1: Meta man is dead. We in a ciphers one of

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Speaker 1: them conferences. He pulling Yoga's pot. That's how I met

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Speaker 1: two pots. Your cord.

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Speaker 2: What's up, yalls? Your boy Jada speak Joe Krack the Dawn.

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Speaker 3: You know what it is?

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Speaker 2: That Joe and Jada Show Live from up in yc

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Speaker 2: presented to you by Boost Mobile. Get yourself, your family member,

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Speaker 2: your kids, your friends, your whole auntourage. Make sure you

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Speaker 2: get them a boost Mobile plan. Go to boostmobile dot com.

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Speaker 2: Get everybody set up. You know what I mean.

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Speaker 3: You can't go wrong with Boosmoe.

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Speaker 1: Get that boost Mobile forever plan that shit forever. Yo. Listen,

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Speaker 1: Jada Wright, We've been all pretty much talking about sports, lifestyle, culture,

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Speaker 1: and so this one I said, let's dig in to

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Speaker 1: a statement that our brother Jim Jones said a while

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Speaker 1: back that just stood with me forever. He said, hip

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Speaker 1: hop is the most dangerous job in the world. Do

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Speaker 1: you agree with that or disagree? What are your thoughts

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Speaker 1: with that? And they will take it from there.

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Speaker 2: Hip hop is definitely not hip hop being an artist

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Speaker 2: in a hip hop artist, producer, whatever, what have you.

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Speaker 2: It's very dangerous, definitely one of the top most dangerous

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Speaker 2: jobs you can have.

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Speaker 1: You should have top five that are alive. You know,

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Speaker 1: I'll be seeing guys out there fishing for lobsters and

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Speaker 1: dudes doing putting tar on the floor and Phoenix and

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Speaker 1: a hundred degrees, Why you gotting me so what. I'm

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Speaker 1: trying to paint the picture of some serious jobs out there.

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Speaker 1: But top on the jar. The worst job I ever seen.

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Speaker 1: It was Phoenix one hundred and thirty degrees. And the

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Speaker 1: guy was dressed like a hot dog and.

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Speaker 2: He here we go again.

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Speaker 1: The man had the hot dog suit on. It must

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Speaker 1: have been the ac and there because yo, listen, he

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Speaker 1: was flipping you know how they do the arrow like yo,

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Speaker 1: hot dogs this way. It's crazy, Yo, I'm telling you

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Speaker 1: that was a dangerous job. To me. It's so hot

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Speaker 1: in Phoenix. I see the steam coming up off the

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Speaker 1: floor and I looked at the guy with the hot

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Speaker 1: dog uniform. I say, yo, my man, like this is

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Speaker 1: it's some crazy jobs out there. Write some law enforcement

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Speaker 1: to say they got the hardest job. People shooting at

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Speaker 1: them every day. Whatever the case. But hip hop, you know,

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Speaker 1: they bring you up, they glorify you, break you down,

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Speaker 1: break you down, and then they hate sets it. And

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Speaker 1: what I've known in my studies, a hip hop with

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Speaker 1: violence is you and me. Maybe you a little bit

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Speaker 1: less because you know you're one of the most loved

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Speaker 1: rappers in the world. But the chances are will be

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Speaker 1: murdered and yonkers are in the Bronx before Compton or

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Speaker 1: Chicago or something like that. It's always where you from,

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Speaker 1: where people think they know you that much and they

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Speaker 1: got the real jealousy and envy. You see Nipsey Hustle,

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Speaker 1: the guy who killed them, He's in pictures standing behind

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Speaker 1: Nipsey Hustle. We could do that with all the hip

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Speaker 1: hop Jamster J was set up by his own friends, right,

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Speaker 1: So what is it that where you from and we

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Speaker 1: go you? You represent yonkers across the world. We represent that.

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Speaker 1: I represent the Bronx to the moon. Why is it

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Speaker 1: they want to kill me in the Bronx more than

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Speaker 1: anywhere else? Why they want to do it to you

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Speaker 1: where you from?

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Speaker 2: I think all they hate you can receive is nothing

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Speaker 2: more than where you came from.

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Speaker 3: You know what I mean?

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Speaker 2: As much as they love you, they hate you, I

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Speaker 2: think ten times more because they feel like they really

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Speaker 2: know you. Opposed to other demographics, of the world. You

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Speaker 2: know what I mean, as dudes in the VX that's

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Speaker 2: like I know that name before you when he was

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Speaker 2: just regular Joey or whatever it is. And then that

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Speaker 2: that shuts in and it turns into a thing that

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Speaker 2: keeps growing. It's like a hate cancer. And then it

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Speaker 2: spreads and then it you know what I mean, And

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Speaker 2: then I know what it is because as much as

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Speaker 2: they see people happy for you, that shit makes the

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Speaker 2: hate cancer spread even more. And then they able to

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Speaker 2: sh spread it to some other dudes that feel like that,

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Speaker 2: and then it gets it stays crazy, and so what

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Speaker 2: you say, funerals though, A couple of funerals, a couple

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Speaker 2: of a couple of mirrors, just like, yeah, a couple

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Speaker 2: of mirrors, a couple of funerals, Mommy raps ship like that.

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Speaker 3: And then it get it goes back down to it.

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Speaker 1: You know. I started with Scott of Rock. I was

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Speaker 1: just a teenager. I was just a teenager playing basketball.

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Speaker 1: I was in my grandmother's block of Washington Avenue, the nine,

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Speaker 1: and it just was like this before Instagram, guys, before

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Speaker 1: social media, and it was just like yo, yo, Scott

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Speaker 1: of Rock got shot, he got killed. Scot Labrock, Bad

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Speaker 1: People's everything to me, and yeah, we grew up violent,

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Speaker 1: but that hurt me because I was like, these was

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Speaker 1: the guys putting on for our neighborhood and couldn't believe

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Speaker 1: somebody killed them senseless murder, which was the one that

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Speaker 1: at all all the hip hop, which is the one

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Speaker 1: that got you and you was like wow, like I

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Speaker 1: can't believe this happened.

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Speaker 2: By far for me, it's big my first time the Locks,

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Speaker 2: it was our first time in LA.

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Speaker 3: The big guy killed, so that was out there. He

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Speaker 3: was at the party. We was with them before the

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Speaker 3: day before. We you know, we was in his Like

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Speaker 3: did you have time at one da.

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Speaker 1: Did you not feel like it was dangerous being in LA?

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Speaker 1: And he had the East Coast West Coast beef and

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Speaker 1: I felt.

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Speaker 2: It was dangerous, But we really didn't know how to

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Speaker 2: we know what I'm saying. We we didn't know what

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Speaker 2: was really going on. We knew that ship was going on,

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Speaker 2: but we didn't we never been there. We thought we

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Speaker 2: was heavily protected. We thought we was good, you know

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Speaker 2: what I mean. We thought we was the same way.

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Speaker 2: I mean, we kind of was because we was with

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Speaker 2: we had Bad Boy and we had D and them

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Speaker 2: we had a different kind of arm. Even the gage

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Speaker 2: with us, we had extra actually shut out to d a.

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Speaker 3: Nice pig Jay.

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Speaker 1: You know, they saved my life, Ice pig Jay, you

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Speaker 1: saved my life. When I heard that story, that's a

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Speaker 1: real story. It was gonna get me. And you know,

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Speaker 1: I had a lot of beef with the West Coast.

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Speaker 1: I'm probably and we're not stirring nothing up, but I'm

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Speaker 1: probably the only rapper from New York that had physical

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Speaker 1: beef with the West Coast, like real physical war. It

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Speaker 1: went down right. So when I go over there, me

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Speaker 1: and pun out there for the Grammys, there's a million

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Speaker 1: cop cars in the street, and you know, it was

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Speaker 1: like gang beef. So they had a guy with Jerry

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Speaker 1: Carls a bubble goose. It was hot as hell and

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Speaker 1: the gun was to his I don't know how there's

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Speaker 1: one million cops out here. They don't see the guy

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Speaker 1: old dog from the fucking menace to society, like the

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Speaker 1: man in the middle of the street dripping the fucking

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Speaker 1: Jerry carle juice with a machine gun with a bubble

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Speaker 1: in the summer, and we don't rat. But I'm looking

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Speaker 1: like Jesus Christ don't nobody see it. And he looked

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Speaker 1: at me like he could not go back to the

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Speaker 1: hood without clapping Fat Joe not clapping killing me. He

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Speaker 1: had a machine gun. And so it's a million cops

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Speaker 1: out there. I fucked up because we had the man say,

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Speaker 1: we had stripp We knew whatever was gonna happen, you know,

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Speaker 1: don't go out over there, and we still like dummies,

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Speaker 1: went out shout out. My brother tone patron held it down,

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Speaker 1: all of us. And so I'm sitting out there and

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Speaker 1: the guy's dead. There's a girl standing next to me,

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Speaker 1: and she sees what's going on, and she looks at

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Speaker 1: me and says, a girl from New York. She said, now,

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Speaker 1: I'm sorry. She was like, Joe, I'm sorry, I'm sorry

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Speaker 1: this is happening to you, Like she could probably see

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Speaker 1: like deaf in my face, like the guy was. He

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Speaker 1: was trying to figure out how to shoot me and

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Speaker 1: get away from the one thousand cops, but he couldn't

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Speaker 1: go back to his food without shooting me. So he

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Speaker 1: was like he looked like a dog in rage. And

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Speaker 1: then out of nowhere the door opens and D comes out,

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Speaker 1: and d comes out. He's like, yo, crack, what's up

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Speaker 1: this and that? And I looked at him. I said, yo,

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Speaker 1: D from the rough riders. He looks over there, and

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Speaker 1: general looks over there. He looks back and he said,

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Speaker 1: that's for you. Crap. I said, yeah, it's for me.

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Speaker 1: He said, Yo, ice Pick is gonna turn this corner

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Speaker 1: in a white van. Y'all better just get in there,

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Speaker 1: get out of here, right. So the van pull up.

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Speaker 1: Ice Pick adn't even know he was saving us, right,

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Speaker 1: he was coming around to get d. The van pull up.

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Speaker 1: We got in that bitch like the fucking painting from

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Speaker 1: Good Times. You remember Good Times, they have to sit

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Speaker 1: where everybody was dancing sideways and shit like that good time. Like, Yo,

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Speaker 1: we slid in that motherfucker. Yo. God was with us.

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Speaker 1: It was crazy. It was like six seven of us.

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Speaker 1: We got in that bitch and left in the van

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Speaker 1: and looked back. That guy was so confused. He then

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Speaker 1: where the fuck we went? Because it was like two

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Speaker 1: crowded we got in the van. I was like, yo,

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Speaker 1: I think, thank you saved my life. You don't understand this.

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Speaker 1: He was like, what happened? I'll say you old nigger

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Speaker 1: had the machine gun. He ready to clap us this.

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Speaker 1: He told us to get in there. So he took

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Speaker 1: us to the mansion, which a couple of blocks away.

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Speaker 1: After that, we would say we went to the Grammys

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Speaker 1: with guns on us, Me and Big Pun. That picture

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Speaker 1: that you see us looking like superheroes. We actually had

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Speaker 1: hammers on us in the Grammys. Because that was too much.

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Speaker 1: We stepped outside. The point is the danger, you know,

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Speaker 1: is always there. I think of Big L. Right, yeah, yeah,

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Speaker 1: I'm saying he would not her a fly. Big L

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Speaker 1: Gamble ron have fun, never bothered the human being in this.

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Speaker 1: He loved, he chilled, he was funny, my little brother.

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Speaker 1: And they murdered him on the block that he talked

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Speaker 1: about in every one of his roles one three nine.

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Speaker 1: I remember rushing up there when they told me I

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Speaker 1: was at D and D camer numbers outside. I'm outside.

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Speaker 1: They still got the body on the floor, right, And

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Speaker 1: so he got murdered on his block. Same thing with

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Speaker 1: jam as to Jay. And so you say to yourself,

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Speaker 1: you say, you know, we worked so hard to bet ourselves.

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Speaker 1: At the end of the day, you got something to say.

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Speaker 1: You rap, You want to rap about whatever you want

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Speaker 1: to rap about. You want to show the world you're

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Speaker 1: the best rapper, then obviously we get financially smart till

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Speaker 1: we see that there's money out here, we're figuring out

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Speaker 1: how to do this. I think Backer in the day

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Speaker 1: was more celebrated. Yeah, I think that Backer in the day,

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Speaker 1: old school, it was more celebrated. So we saw the hustlers,

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Speaker 1: We see everybody showing they shit off and they inspired us.

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Speaker 1: But over the years, with social media and all that,

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Speaker 1: I think it's like a bittersweet because it's small people

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Speaker 1: looking at you with jealous size and hatred.

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Speaker 2: That's definitely. I think technology definitely plays a part of

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Speaker 2: it because before you it was just you a heare

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Speaker 2: of the boy George's and whoever it is that was

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Speaker 2: in Queens or Harlem or it was. You might can

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Speaker 2: see them if you could make it to the Fever

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Speaker 2: or the one of them parties or the rooftop or

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Speaker 2: some shit like, you might have a chance to get

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Speaker 2: a glimpse of somebody. But other than that, you just

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Speaker 2: heard who was getting busy in the Bronx Ohio or

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Speaker 2: Queens of Brooklyn, and it didn't put the hate the

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Speaker 2: cancer they hate cancer couldn't spread. Now you can just

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Speaker 2: scroll down and the switch can hit on any social

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Speaker 2: media platform, you know what I mean. You can look

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Speaker 2: on Facebook, go on YouTube, Instagram, TikTok. They can create

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Speaker 2: their own narrative of hate. Now somebody can just say

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Speaker 2: I don't like fat Joe and just make a old

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Speaker 2: page and the whole shit of you.

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Speaker 1: Tell me about it. Didn't do that back and that

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Speaker 1: that happens to everybody. And what's crazy is if we

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Speaker 1: take it to modern day, skip a couple of errors.

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Speaker 1: These kids are like getting murdered on video like Nipsey

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Speaker 1: USO got I.

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Speaker 2: Think three things on video now crack. That's the old anything.

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Speaker 2: But everybody even was going like this, or is.

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Speaker 1: An eye in the sky.

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Speaker 2: That pole has a camera that goes to the White House.

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Speaker 2: The leaves on that trees is connected the Aubany. It's

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Speaker 2: really no fucking way to do anything right.

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Speaker 3: Now post it.

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Speaker 2: Back in the days, you had to see somebody somewhere

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Speaker 2: passing that juke man or in the train station or

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Speaker 2: sneaking store club, and then it would go down. If

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Speaker 2: you wasn't there, nobody got killed, or if they did,

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Speaker 2: it just happened. Is now before your family know the

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Speaker 2: whole world. It's crazy. Well, I walk the track at

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Speaker 2: Kincerko Dain one Day's an old lady, she's working out,

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Speaker 2: She's coming down. I'm going up. An elderly lady that's

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Speaker 2: working out is coming down. Two young chicks is coming there.

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Speaker 2: The lady because the stairs is tilted a little. The

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Speaker 2: lady tripped, loses a fluinity and goes off to the side.

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Speaker 2: Oh to the woods, Grandma. Now the girls is in

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Speaker 2: front of me. I'm thinking they gonna go get us.

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Speaker 2: First thing they do phone me Yo, yeah, crazy, I

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Speaker 2: gonna help all dust off, curse them out a little bit,

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Speaker 2: keep going.

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Speaker 3: Up the stair.

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Speaker 2: But I'm like, this is a shape. This lady was

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Speaker 2: seventy something eighty some years old.

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Speaker 1: One thing I take pride in right privacy. No, no,

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Speaker 1: not not one thing. I take pride in this dead

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Speaker 1: just like you. No matter how successful we are, we

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Speaker 1: move around in the hood, get a lot of respect.

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Speaker 1: And so one thing I love doing is supporting the

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Speaker 1: community and supporting the local businesses. So whether it's Melbourne's

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Speaker 1: in Harlem or the ball Heeo and Ease Treemont in

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Speaker 1: the Bronx, support a Rican wrestaurant, I'm in there. Pharmacy

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Speaker 1: for life and SCARSDA pharmacy for life, jusus for life.

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Speaker 1: But what I'm saying to you is one day I'm

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Speaker 1: in East Treemont in the ballhe yo, and two people

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Speaker 1: starting to get down. My daughter. I can't lie to you.

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Speaker 1: She little house on the prairie. We see this regular

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Speaker 1: guys arguing no elevator. Whatever she don't know is she

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Speaker 1: just like and we in the hood. But she looked

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Speaker 1: like little house on the prairie, a little fur white hat.

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Speaker 1: They knew this girl ain't from around here, right, But

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Speaker 1: two girls start arguing. They about to fight. They in

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Speaker 1: the Puerto Rican joint, you know, one of my favorites.

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Speaker 1: And I'm eating and like it's seventy eighty old lady

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Speaker 1: got up, pulled out her camera and said, world star,

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Speaker 1: world star. Eighty y old lady got up and then

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Speaker 1: threw the camera in my face because.

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Speaker 2: I'm in the building. She got like.

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Speaker 1: Eighty Yeah, I think the barber. I think the barber.

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Speaker 1: She for she know what time it is you getting

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Speaker 1: the car on? You know every young person's raps. Like

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Speaker 1: I met your aunt in City Island. She was telling

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Speaker 1: me records and rats. They love Nellie, I mean, but

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Speaker 1: she was telling me Yo, the Cold Rocks. She was

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Speaker 1: throwing words, so I knew she loved hip hop. My

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Speaker 1: aunt's like that too, But I don't think my aunt's

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Speaker 1: gonna get up and go world star. Like the lady

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Speaker 1: got up and said what yo. I had a moment

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Speaker 1: with myself. I sat there, said, Yo, this is going

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Speaker 1: It's like the Maury Show on the streets.

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Speaker 3: Now it turns off.

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Speaker 1: It never turns off.

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Speaker 2: That's another thing why I say we had the best

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Speaker 2: area of music because we had privacy all of the

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Speaker 2: memories of shit that happened, and gotta stay in the bring,

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Speaker 2: you know what I mean. It was not a bunch

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Speaker 2: of as soon as they sent something, mad phones go out.

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Speaker 3: Man.

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Speaker 1: Let me tell you something. They murdered Nipsey Hustle on video.

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Speaker 2: They murdered anybody on video. Damn man that left.

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Speaker 1: The last year since shit was you know what I'm saying, Yo, Jada,

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Speaker 1: we should do a podcast on how dangerous hip hop's

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Speaker 1: are is. It's like the voice hit the Instagram and

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Speaker 1: immediately the first thing I did, I opened Instagram and

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Speaker 1: they got the young brother in Detroit two days ago,

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Speaker 1: Skiller Skiller baby, and they shoot at him twenty five times.

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Speaker 1: He gets hit a couple of times.

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Speaker 3: Three they hit him three times.

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Speaker 1: I go up a little bit more. I see my mayor,

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Speaker 1: Rod Wade, who sings nothing for positivity. He was the

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Speaker 1: first one that almost got it right. He was saying,

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Speaker 1: I'm a retire I made enough money, go chill with

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Speaker 1: my family. He gets arrested for all type of felonies

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Speaker 1: and shit like that. I believe he's innocent. I don't.

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Speaker 1: I just believe he's innocent, right, But in the hip hop,

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Speaker 1: why does it feel like you know? I always thought

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Speaker 1: of yo, we got in this game to get about

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Speaker 1: the dangers of the hood, or better our lives and

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00:18:40,680 --> 00:18:44,240
Speaker 1: better our community and our friends and whatever the case

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00:18:44,320 --> 00:18:47,919
Speaker 1: may be. For why there's always some shit where you

322
00:18:48,080 --> 00:18:57,679
Speaker 1: not official ever signed up for a phone plan thinking wow,

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00:18:58,040 --> 00:19:01,679
Speaker 1: great price, and then a few months say is like surprise,

324
00:19:02,240 --> 00:19:06,000
Speaker 1: your bill is higher with boosts Mobile. You pay twenty

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00:19:06,200 --> 00:19:10,480
Speaker 1: five dollars a month forever. That's unlimited talk, texts and

326
00:19:10,640 --> 00:19:15,120
Speaker 1: data starting adjust twenty five dollars a month, no price, heights,

327
00:19:15,160 --> 00:19:18,159
Speaker 1: no contract forever. Plus.

328
00:19:18,240 --> 00:19:22,160
Speaker 2: Boost Mobile is now legit nationwide five G network. They've

329
00:19:22,200 --> 00:19:26,160
Speaker 2: invested billions building five G towers across the country. Visit

330
00:19:26,200 --> 00:19:29,119
Speaker 2: boosmobile dot com or add to your local Boost Mobile

331
00:19:29,160 --> 00:19:33,560
Speaker 2: store today. Get unlimited talk text data for twenty five

332
00:19:33,600 --> 00:19:34,840
Speaker 2: dollars a month forever.

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00:19:35,400 --> 00:19:40,280
Speaker 1: Five g speeds now available in all areas. After thirty gigabytes,

334
00:19:40,600 --> 00:19:45,560
Speaker 1: customers may experience slower speeds. Customers will pay twenty five

335
00:19:45,600 --> 00:19:49,080
Speaker 1: dollars a month as long as they remain active on

336
00:19:49,119 --> 00:19:55,840
Speaker 1: the Boost Unlimited plan. Let me tell you something. You

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00:19:55,840 --> 00:19:58,359
Speaker 1: don't used to talk to me all the time. Justin Bieber,

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Speaker 1: Justin Bider. No, Justin Bieber, we do every now and then.

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00:20:04,119 --> 00:20:07,439
Speaker 1: But Justin Bieber. I'm gonna tell you what fucked me

340
00:20:07,560 --> 00:20:13,439
Speaker 1: up with Justin Bieber. Justin Bieber gets arrested just driving

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00:20:13,520 --> 00:20:18,159
Speaker 1: crazy around Miami. Our rest in Peace courted me up

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00:20:18,200 --> 00:20:20,320
Speaker 1: and says, yo, they looking for somebody to bail out

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00:20:20,440 --> 00:20:22,359
Speaker 1: Justin Bieber. It wasn't no money. It was nothing a

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00:20:22,359 --> 00:20:26,000
Speaker 1: couple of hundred dollars, one thousand dollars. We used a

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00:20:26,200 --> 00:20:28,280
Speaker 1: rich players girl to bail them out. So I bail

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Speaker 1: out Justin Bieber one hundred dollars. This is It's because

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00:20:36,080 --> 00:20:39,440
Speaker 1: it was in Miami and he didn't have no money

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00:20:39,480 --> 00:20:41,200
Speaker 1: at the time. No, he got money, but he ain't

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00:20:41,240 --> 00:20:45,600
Speaker 1: no crime. To the point we bailed the man.

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Speaker 2: Hold on, we got young, you build out justin baby

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Speaker 2: rich and fuck it.

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Speaker 3: He always been.

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Speaker 1: What happens is we all got friends in common, and

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00:20:54,760 --> 00:20:58,520
Speaker 1: they was like, we're not about bills. Player at the

355
00:20:58,560 --> 00:21:03,040
Speaker 1: time was Dayton Domodi, the Bell bondsman, and so we

356
00:21:03,200 --> 00:21:06,159
Speaker 1: just got it was about nothing. I'm trying to tell you,

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00:21:06,160 --> 00:21:08,440
Speaker 1: I'm not trying to get cut off of this. This

358
00:21:08,480 --> 00:21:13,440
Speaker 1: is nothing. The problem is he calls me to thank

359
00:21:13,560 --> 00:21:16,000
Speaker 1: me and start saying, Yo, I'm againster.

360
00:21:16,160 --> 00:21:21,120
Speaker 2: Now since he got arrested. Shit, now he was in traffic,

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00:21:21,359 --> 00:21:22,760
Speaker 2: well he got arrested.

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00:21:22,520 --> 00:21:27,440
Speaker 1: Speeding, right, but he started telling me he's a gangster. Joe.

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00:21:27,520 --> 00:21:30,160
Speaker 1: I went to Joe at this, I said, Yo, justin listen, bro,

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00:21:31,119 --> 00:21:34,560
Speaker 1: you gotta stop like this, not no straight up, you

365
00:21:34,600 --> 00:21:37,960
Speaker 1: gotta stop like we don't want you gangster, We want

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Speaker 1: you singing baby baby this. And I think he took.

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Speaker 1: I think if I would have gassed him like some

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00:21:43,760 --> 00:21:47,400
Speaker 1: of these og gang guys gas the young kids, h'd

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00:21:47,440 --> 00:21:49,720
Speaker 1: him in like fat Joe. But I hit him with

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Speaker 1: the YO, we don't want you on the news, bro,

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00:21:52,359 --> 00:21:55,600
Speaker 1: we don't want you getting arrested. We want you to succeed.

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00:21:55,720 --> 00:21:59,480
Speaker 1: You're justin Bieber. My daughter worships you. We all love you.

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00:22:00,040 --> 00:22:02,120
Speaker 1: And that kind of messed up my relationship with him

374
00:22:02,240 --> 00:22:03,960
Speaker 1: at that moment because he really.

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Speaker 2: Was like he wasn't try that shit.

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00:22:06,000 --> 00:22:08,080
Speaker 1: Nah, he was just like he felt like, you know, yo,

377
00:22:08,280 --> 00:22:10,840
Speaker 1: this guy, you know I'm the funk killer fucked up

378
00:22:10,880 --> 00:22:15,199
Speaker 1: the moment. The problem is we can't glorify going to

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00:22:15,280 --> 00:22:19,119
Speaker 1: jail or getting arrested to the and these rappers acting

380
00:22:19,200 --> 00:22:23,480
Speaker 1: like it's some sexy shit, because I know that the

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Speaker 1: most I was intimidated, right, I walk into jail right,

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00:22:29,160 --> 00:22:32,040
Speaker 1: and I'm not scared of nobody. And I swear to you, Jada,

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00:22:32,160 --> 00:22:37,280
Speaker 1: you will not see I'm not scared of no man,

384
00:22:37,520 --> 00:22:41,840
Speaker 1: not even boyman, not the Boogeyman either. But I walk

385
00:22:41,920 --> 00:22:48,240
Speaker 1: in this jail and there's two thousand guys, Arian Nation, Jamaicans, Haitians,

386
00:22:48,320 --> 00:22:51,919
Speaker 1: Puerto Ricans. They all cock Diesel. The ship is like

387
00:22:51,960 --> 00:22:54,399
Speaker 1: the movie Metal And when they see me, it's like

388
00:22:54,480 --> 00:23:00,280
Speaker 1: the Game of Thrones to drag him without fight. They

389
00:23:00,320 --> 00:23:03,920
Speaker 1: screaming like like I never heard no shit like this.

390
00:23:03,960 --> 00:23:08,960
Speaker 1: It's almost like a hundred motorcycle screeching and went they

391
00:23:09,040 --> 00:23:13,080
Speaker 1: jumping from all over. I'm like, I'm fat Joe before

392
00:23:13,080 --> 00:23:16,199
Speaker 1: a rap rap a walk up in that jail. He fooled.

393
00:23:17,280 --> 00:23:20,480
Speaker 1: I already know. Walking up in there, I said, oh man,

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Speaker 1: somebody's gonna run up on me real quick with the knife,

395
00:23:23,320 --> 00:23:26,280
Speaker 1: talking about yo, you got to pay whatever whatever. And

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00:23:26,320 --> 00:23:30,560
Speaker 1: I actually got intimidated. And while I'm walking to mysel,

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00:23:30,640 --> 00:23:33,280
Speaker 1: I gotta talk to myself, and I never gotta talk

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Speaker 1: to myself. I gotta tell you every day, no, no, no,

399
00:23:38,720 --> 00:23:42,960
Speaker 1: talk to myself like, Yo, Joe, you ain't pussy. Don't

400
00:23:43,000 --> 00:23:46,440
Speaker 1: fall of this ship, Yo Joe, don't let niggas play you.

401
00:23:46,800 --> 00:23:50,040
Speaker 1: Like I'm walking to myself, giving myself a prep talk

402
00:23:50,200 --> 00:23:54,360
Speaker 1: in my mind because it's two thousand guys screaming at

403
00:23:54,359 --> 00:23:58,000
Speaker 1: one guy. I'm not even from there. It's not New York,

404
00:23:58,080 --> 00:24:01,199
Speaker 1: it's not I'm in Miami, so I don't even know

405
00:24:01,240 --> 00:24:01,840
Speaker 1: one person.

406
00:24:01,920 --> 00:24:05,000
Speaker 2: To you. You did tell me it's DC.

407
00:24:05,320 --> 00:24:07,639
Speaker 1: Yeah, because they threw the change up, I'm supposed to

408
00:24:07,680 --> 00:24:10,280
Speaker 1: go to New York. Now, this is the bragging part.

409
00:24:10,680 --> 00:24:12,760
Speaker 1: I had three hundred guys waiting for me in every

410
00:24:12,840 --> 00:24:16,920
Speaker 1: jail with New York legendary, you know, give us speeches

411
00:24:16,960 --> 00:24:21,200
Speaker 1: when he comes through here. This we had that, our Banians,

412
00:24:21,760 --> 00:24:24,200
Speaker 1: whatever you name, they was all waiting for Joe Crack

413
00:24:24,520 --> 00:24:28,320
Speaker 1: in the jails in New York and Jersey. I'm being jail. No,

414
00:24:28,359 --> 00:24:33,320
Speaker 1: I'm being honest with you. Last minute on a Saturday,

415
00:24:34,000 --> 00:24:36,480
Speaker 1: I'm thinking the Borough of Prisons is hearing all this

416
00:24:36,560 --> 00:24:39,359
Speaker 1: ship switch and sh shut him down there because he

417
00:24:39,920 --> 00:24:42,280
Speaker 1: lived right down there. They sent me the rusty ass

418
00:24:42,440 --> 00:24:45,720
Speaker 1: dirty building. I'm like, oh my god, so I had

419
00:24:45,720 --> 00:24:49,960
Speaker 1: to walk up in there. The point is it's intimidating

420
00:24:50,080 --> 00:24:53,000
Speaker 1: you being an artist going in jail. We talk about

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00:24:53,280 --> 00:24:57,080
Speaker 1: Tory Lanes. They was not playing with Tory Lanes. I

422
00:24:57,160 --> 00:25:00,600
Speaker 1: do not know. When you get too lungs collap, they

423
00:25:00,680 --> 00:25:03,840
Speaker 1: stab you in your head, stab you in your chest.

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00:25:04,240 --> 00:25:10,000
Speaker 1: Step they try to really murder Tory Lanes. But it's

425
00:25:10,080 --> 00:25:12,960
Speaker 1: nothing cute about it. I don't care how you look

426
00:25:13,000 --> 00:25:18,480
Speaker 1: at it. But why Tory Lanes? Why you think he

427
00:25:18,520 --> 00:25:21,360
Speaker 1: had all the presidents had to get stabbed up fourteen

428
00:25:21,480 --> 00:25:22,400
Speaker 1: times and all that.

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00:25:23,280 --> 00:25:25,840
Speaker 2: Sure, he ain't the only person who got stabbed up

430
00:25:26,119 --> 00:25:30,960
Speaker 2: over there, right, Yeah, I understand that over there. It's

431
00:25:30,960 --> 00:25:34,119
Speaker 2: probably crazy. It than any jail. You can think of

432
00:25:34,200 --> 00:25:37,440
Speaker 2: it as far as gang shit, you know what I mean?

433
00:25:37,920 --> 00:25:39,520
Speaker 2: I knew that when he went in the guy that

434
00:25:39,640 --> 00:25:43,800
Speaker 2: stabbed him killed. Is it already in there for doing crazy?

435
00:25:43,800 --> 00:25:45,080
Speaker 2: He was already a killer.

436
00:25:45,200 --> 00:25:45,919
Speaker 3: He was playing with.

437
00:25:46,680 --> 00:25:50,520
Speaker 1: Remy does eight years in her prime, her prime leaned

438
00:25:50,560 --> 00:25:51,400
Speaker 1: backs number one.

439
00:25:51,480 --> 00:25:55,720
Speaker 2: This that she goes through eight years. They sent her

440
00:25:56,920 --> 00:25:59,760
Speaker 2: with murderers. It ain't that much female.

441
00:26:02,160 --> 00:26:02,520
Speaker 3: They could have.

442
00:26:03,640 --> 00:26:05,719
Speaker 1: Yeah, they could have sent them to the Marter Stewart.

443
00:26:05,760 --> 00:26:09,960
Speaker 1: They sent them to where all these girls got State.

444
00:26:10,200 --> 00:26:10,879
Speaker 1: Ship was state.

445
00:26:11,560 --> 00:26:13,880
Speaker 2: But and I man, she was in the ridge.

446
00:26:13,920 --> 00:26:16,359
Speaker 1: She was she was in Yeah, she was in the

447
00:26:16,440 --> 00:26:19,520
Speaker 1: drench and really fighting chicks the size of odds you

448
00:26:19,680 --> 00:26:20,760
Speaker 1: from fucking vages.

449
00:26:21,480 --> 00:26:21,679
Speaker 2: You know.

450
00:26:21,760 --> 00:26:24,720
Speaker 1: Remy was like, Yo, we had to squabble up. Nah,

451
00:26:24,720 --> 00:26:28,159
Speaker 1: I'm just sitting your what Yo, I'm being honest. She

452
00:26:28,320 --> 00:26:31,919
Speaker 1: had to fight fucking brutus and ship like that. Like

453
00:26:32,000 --> 00:26:34,719
Speaker 1: she was like, what what you said about me? All right,

454
00:26:34,840 --> 00:26:39,360
Speaker 1: let's go, you know. But they it wasn't cute. They

455
00:26:39,400 --> 00:26:42,320
Speaker 1: put it with the murderers. Some people do time and

456
00:26:42,320 --> 00:26:44,560
Speaker 1: they go to a camp, they go to this thing,

457
00:26:44,600 --> 00:26:48,439
Speaker 1: and that they threw her because her crime was with

458
00:26:48,560 --> 00:26:51,560
Speaker 1: violence with a bunch of murders Tory Lane, because this

459
00:26:51,600 --> 00:26:54,879
Speaker 1: ship was violence and so rappers out there. If you

460
00:26:55,000 --> 00:26:57,919
Speaker 1: watching this and you want to learn anything, there is

461
00:26:57,960 --> 00:26:59,200
Speaker 1: no playing.

462
00:26:59,280 --> 00:26:59,600
Speaker 2: They're not.

463
00:27:01,840 --> 00:27:04,120
Speaker 1: A spot in his mind. Big One thought they were

464
00:27:04,160 --> 00:27:08,680
Speaker 1: fucking swimming pools and tennis for rappers. That's not happening.

465
00:27:08,720 --> 00:27:11,159
Speaker 1: They got a big knife for your ass. When you

466
00:27:11,280 --> 00:27:13,720
Speaker 1: go in there and they cutting you, are you gonna

467
00:27:13,800 --> 00:27:17,639
Speaker 1: learn the extortion game really really fast in jail.

468
00:27:18,440 --> 00:27:21,480
Speaker 2: Stay out of it. It's not the plan for me.

469
00:27:22,240 --> 00:27:26,359
Speaker 1: We go on pop. Smoked Man was so talented. He

470
00:27:26,520 --> 00:27:31,480
Speaker 1: was the next superstar from New York City. He was

471
00:27:31,520 --> 00:27:32,639
Speaker 1: gonna be a superstar.

472
00:27:32,840 --> 00:27:35,439
Speaker 2: He posted the address a where he was at orf

473
00:27:35,480 --> 00:27:38,320
Speaker 2: of a mary bag or something. Though that's back connected

474
00:27:38,359 --> 00:27:42,720
Speaker 2: to technology and hip hop. You couldn't. That would never

475
00:27:42,760 --> 00:27:48,040
Speaker 2: happen if you over on Rodeo going crazy with the bag.

476
00:27:49,000 --> 00:27:51,480
Speaker 2: When you get back to your sweet you're not gonna

477
00:27:51,520 --> 00:27:54,280
Speaker 2: post it. Not gonna post what you just bought and

478
00:27:54,640 --> 00:27:58,520
Speaker 2: have the address on it. So I believe messed up

479
00:27:58,520 --> 00:28:00,879
Speaker 2: Situationally was murdered.

480
00:28:01,119 --> 00:28:02,440
Speaker 1: I believe it was he.

481
00:28:02,680 --> 00:28:06,000
Speaker 2: He was definitely murdered, but they got away. Was that?

482
00:28:06,359 --> 00:28:09,840
Speaker 2: But they didn't social media, they didn't take his money.

483
00:28:11,000 --> 00:28:13,679
Speaker 2: Social Media got them to no way. He was that

484
00:28:14,800 --> 00:28:18,120
Speaker 2: which we didn't have, which saved a lot of rappers

485
00:28:18,119 --> 00:28:18,639
Speaker 2: from our.

486
00:28:19,280 --> 00:28:22,320
Speaker 1: We try to do that a lot now like now,

487
00:28:22,359 --> 00:28:25,479
Speaker 1: post what we at on real time and get up

488
00:28:25,520 --> 00:28:28,960
Speaker 1: out of there and post after because guys like p

489
00:28:29,119 --> 00:28:33,159
Speaker 1: and b Rock, you know, posted he's in Rock Roscos,

490
00:28:33,240 --> 00:28:35,919
Speaker 1: Waffle and Chicken, And you said.

491
00:28:36,280 --> 00:28:39,960
Speaker 2: Yeah, well, my first time in la is when Big

492
00:28:39,960 --> 00:28:43,360
Speaker 2: got killed. But when they give you the laws from

493
00:28:43,360 --> 00:28:45,720
Speaker 2: not being in l A and you go there that

494
00:28:46,000 --> 00:28:48,560
Speaker 2: Roscos is that they tell you never go to that one.

495
00:28:48,840 --> 00:28:50,400
Speaker 3: You know what I mean when they.

496
00:28:50,320 --> 00:28:53,240
Speaker 2: Told us that was just what it was a race

497
00:28:53,320 --> 00:28:56,000
Speaker 2: from my brain, Dad, haven't even think about going. And

498
00:28:56,080 --> 00:29:00,440
Speaker 2: then fast forward all these years later after this success

499
00:29:00,440 --> 00:29:03,120
Speaker 2: of pn B and he just thought he could just

500
00:29:03,160 --> 00:29:04,800
Speaker 2: go there with his girl and have a meal.

501
00:29:04,920 --> 00:29:07,400
Speaker 3: And you know what I mean, they murdered him. That

502
00:29:07,680 --> 00:29:08,440
Speaker 3: it's fucked up.

503
00:29:09,600 --> 00:29:12,760
Speaker 2: I wonder if they told him that rascals is forbidding

504
00:29:12,920 --> 00:29:15,920
Speaker 2: or he just didn't you know, he just just wanted

505
00:29:15,960 --> 00:29:17,880
Speaker 2: to go ask for food with his girl wherever he

506
00:29:17,920 --> 00:29:22,200
Speaker 2: wanted to go. And unfortunately that happened. But they definitely

507
00:29:22,280 --> 00:29:27,400
Speaker 2: told us this is this and this and this specific

508
00:29:27,480 --> 00:29:29,960
Speaker 2: If you want to go to Roscos's one or two

509
00:29:30,480 --> 00:29:32,960
Speaker 2: that you should go to, but this one right here,

510
00:29:33,440 --> 00:29:37,120
Speaker 2: don't ever go there unless you with don't ever go.

511
00:29:37,320 --> 00:29:38,960
Speaker 3: Don't go you with just don't go to that.

512
00:29:39,680 --> 00:29:42,959
Speaker 1: Don't go. Tupac should call one of the most prolific

513
00:29:43,240 --> 00:29:45,880
Speaker 1: rappers in the world. I think the realest rap in

514
00:29:45,920 --> 00:29:49,200
Speaker 1: the world ever. Just my opinion, right. Every time I

515
00:29:49,320 --> 00:29:52,360
Speaker 1: seen Tupac, if we're talking violence and we're talking that,

516
00:29:53,120 --> 00:29:56,600
Speaker 1: he was in some shit. Every single time I laid

517
00:29:56,600 --> 00:29:58,960
Speaker 1: the eyes on him, I look at him, Yo, you've

518
00:29:58,960 --> 00:30:00,720
Speaker 1: seen such and such place, not the hamm in the

519
00:30:00,720 --> 00:30:04,920
Speaker 1: middle of the club. You're over here. He was bootlegging tapes.

520
00:30:05,440 --> 00:30:08,680
Speaker 1: He beat up like twenty five Africans on one twenty fifth.

521
00:30:08,760 --> 00:30:12,400
Speaker 1: I'm watching them. Brought daylight, putting him work everywhere I go.

522
00:30:12,520 --> 00:30:14,640
Speaker 1: When I met him, he got a rad band down

523
00:30:14,680 --> 00:30:16,800
Speaker 1: and with two guns. I didn't even know who it was.

524
00:30:17,360 --> 00:30:20,480
Speaker 1: I'm in Atlanta. He come up your crack. I don't

525
00:30:20,480 --> 00:30:22,920
Speaker 1: know who he is. I'm looking met The man is dead.

526
00:30:22,960 --> 00:30:25,680
Speaker 1: We in a cipher is one of them conferences. He

527
00:30:25,760 --> 00:30:28,360
Speaker 1: pulled out Yo's pot That's how I met two pots

528
00:30:28,400 --> 00:30:28,800
Speaker 1: of cord.

529
00:30:29,360 --> 00:30:31,480
Speaker 2: The first time I ever seen him was in Atlanta too,

530
00:30:31,480 --> 00:30:33,440
Speaker 2: at Jack de Rapp Did he have two guns? That's

531
00:30:33,440 --> 00:30:35,720
Speaker 2: where I was at Jack to rapping. He didn't do

532
00:30:35,760 --> 00:30:36,640
Speaker 2: that to you.

533
00:30:37,240 --> 00:30:39,280
Speaker 1: Hit it to me right.

534
00:30:41,160 --> 00:30:43,040
Speaker 2: He was at that Jack was the.

535
00:30:44,640 --> 00:30:45,080
Speaker 3: Same one.

536
00:30:45,560 --> 00:30:47,320
Speaker 1: It had to be the same. When the girl was like,

537
00:30:47,640 --> 00:30:49,480
Speaker 1: I seen your age on the cake, I thought you

538
00:30:49,560 --> 00:30:52,080
Speaker 1: was way younger he was at the Jack the Rappings Saved.

539
00:30:54,040 --> 00:30:58,400
Speaker 1: You was at the same one. I thought you was

540
00:30:58,440 --> 00:31:06,800
Speaker 1: like ten years behind me. Man, you was at you Listen.

541
00:31:07,160 --> 00:31:10,080
Speaker 1: We was at the motherfucking the hotel and the girl

542
00:31:10,160 --> 00:31:15,560
Speaker 1: kept going death Rozen the House Long Bees Call, damn.

543
00:31:15,640 --> 00:31:17,920
Speaker 1: The girl that was in the arm in the chronic

544
00:31:18,720 --> 00:31:21,040
Speaker 1: she was singing that shit out there neph Ros in

545
00:31:21,120 --> 00:31:24,040
Speaker 1: the House Long Beach, and I was like, yeah, you know,

546
00:31:24,120 --> 00:31:26,520
Speaker 1: we just kept making the scene that but Tupac pull up.

547
00:31:27,320 --> 00:31:31,680
Speaker 1: My point is he gets locked up. Let's just say

548
00:31:31,720 --> 00:31:35,760
Speaker 1: the white people in the record label, no matter how

549
00:31:35,800 --> 00:31:37,680
Speaker 1: much he was selling, no matter how much we seen

550
00:31:37,720 --> 00:31:40,440
Speaker 1: him on TV, no matter what, they did not go

551
00:31:40,600 --> 00:31:44,920
Speaker 1: in that bag to bail him out. This is the

552
00:31:45,040 --> 00:31:47,840
Speaker 1: number one rap at the time. You couldn't escape Tupac.

553
00:31:47,880 --> 00:31:50,040
Speaker 1: Tubac was on the news, he was on everything. He

554
00:31:50,120 --> 00:31:52,600
Speaker 1: was selling so many millions of records. They did not

555
00:31:52,720 --> 00:31:55,400
Speaker 1: bail this man out. It took sug Night to come

556
00:31:55,440 --> 00:31:59,120
Speaker 1: from LA to bail out Tupac. That's how he got

557
00:31:59,160 --> 00:32:03,360
Speaker 1: signed to death right. So if you think the record

558
00:32:03,400 --> 00:32:06,760
Speaker 1: label's coming to bail you out, you know, I know

559
00:32:06,800 --> 00:32:09,040
Speaker 1: they support you at the beginning or whatever. You got

560
00:32:09,080 --> 00:32:14,200
Speaker 1: Little Dirt right now, Little Dirt is facing life right

561
00:32:14,320 --> 00:32:16,960
Speaker 1: If you think he's thinking, I don't know, man, God

562
00:32:17,000 --> 00:32:18,960
Speaker 1: bless him, and he's thinking the recordation.

563
00:32:19,080 --> 00:32:21,320
Speaker 2: I don't know about none of that should but fast

564
00:32:21,320 --> 00:32:24,560
Speaker 2: forward the times from Pock to Dirt. Dirt got he's

565
00:32:24,640 --> 00:32:27,240
Speaker 2: making mad off, he got mad. He's trying to put

566
00:32:27,280 --> 00:32:30,680
Speaker 2: up mad M's buildings. All he's still they denying his

567
00:32:30,760 --> 00:32:34,160
Speaker 2: bell does fall, but Pack didn't have that they'll put up.

568
00:32:34,520 --> 00:32:38,520
Speaker 1: So man, listen, is it like a it goes you

569
00:32:38,520 --> 00:32:39,280
Speaker 1: feel about that?

570
00:32:39,320 --> 00:32:42,720
Speaker 2: With the as big as Pac was, look, he should

571
00:32:42,760 --> 00:32:44,680
Speaker 2: have had You don't think he should have been able

572
00:32:44,720 --> 00:32:46,760
Speaker 2: to get listen without shit back.

573
00:32:47,120 --> 00:32:50,080
Speaker 1: He ain't have it. No, but you just said he

574
00:32:50,200 --> 00:32:52,880
Speaker 1: was everywhere on the news, on us, but he didn't

575
00:32:52,880 --> 00:32:55,040
Speaker 1: have that bag he didn't have that bag, or he

576
00:32:55,080 --> 00:32:57,600
Speaker 1: would have bailed himself out. He didn't have the money

577
00:32:58,120 --> 00:33:01,560
Speaker 1: to bail himself out. Sometimes we living day by day.

578
00:33:01,600 --> 00:33:03,400
Speaker 1: We just living by different.

579
00:33:03,720 --> 00:33:08,160
Speaker 2: That's what I'm saying, realuation, because der got nobody and

580
00:33:08,360 --> 00:33:09,520
Speaker 2: you can't get checked.

581
00:33:09,640 --> 00:33:11,880
Speaker 1: You think you check the check, you working every day,

582
00:33:11,960 --> 00:33:14,440
Speaker 1: check the check. We checked the check. If we buying

583
00:33:14,480 --> 00:33:18,160
Speaker 1: three hundred thousand dollars, watches, house homes and everywhere, we

584
00:33:18,320 --> 00:33:18,640
Speaker 1: checked it.

585
00:33:18,720 --> 00:33:19,880
Speaker 2: You got to keep working.

586
00:33:20,120 --> 00:33:21,360
Speaker 1: That's why you gotta keep working.

587
00:33:21,360 --> 00:33:24,920
Speaker 2: Everybody, everybody is so rich and why they ain't fucking

588
00:33:25,000 --> 00:33:25,719
Speaker 2: still working.

589
00:33:26,320 --> 00:33:27,720
Speaker 3: You gotta work.

590
00:33:27,920 --> 00:33:30,840
Speaker 1: When I see Smoky Robinson and all the motherfucker's still

591
00:33:30,880 --> 00:33:33,040
Speaker 1: at Vegas and line, we'll do it.

592
00:33:33,480 --> 00:33:36,800
Speaker 2: I'm just seeing Rod Stewart about to do something, all right,

593
00:33:36,880 --> 00:33:37,920
Speaker 2: So what does that mean?

594
00:33:38,000 --> 00:33:40,560
Speaker 1: Does that mean that they love to do it? But

595
00:33:40,680 --> 00:33:42,760
Speaker 1: does it mean like we gotta pay the bill? You

596
00:33:42,880 --> 00:33:46,280
Speaker 1: got kids in college, you got all type of shit

597
00:33:46,440 --> 00:33:50,840
Speaker 1: going on, mortgages, you got car notes, you got ship

598
00:33:50,960 --> 00:33:54,320
Speaker 1: like I mean, guys eighty years old still performing touring.

599
00:33:54,400 --> 00:33:58,880
Speaker 1: I mean just two days ago was Patty LaBelle something

600
00:33:59,120 --> 00:34:02,080
Speaker 1: I would have went. I was in Vegas. Stuff I

601
00:34:02,120 --> 00:34:07,000
Speaker 1: had a show Patty LaBelle my girl Stephanie Bill shot

602
00:34:07,080 --> 00:34:11,239
Speaker 1: to counk him on. It's a musky TV. But either

603
00:34:11,239 --> 00:34:13,279
Speaker 1: they doing it for the love and the passion or

604
00:34:13,320 --> 00:34:15,920
Speaker 1: they still got to get the money to pay these bills.

605
00:34:16,280 --> 00:34:18,320
Speaker 1: Because these bills just keep stop.

606
00:34:18,680 --> 00:34:19,640
Speaker 3: The bills don't stop.

607
00:34:20,640 --> 00:34:24,719
Speaker 1: The bills keep coming. I don't care the coming. The

608
00:34:24,760 --> 00:34:27,920
Speaker 1: bills is coming. Now, the train is coming. And so

609
00:34:27,960 --> 00:34:30,600
Speaker 1: what happens is I don't care how much money we make.

610
00:34:31,080 --> 00:34:34,320
Speaker 1: It's almost like shampoo. The ship just slipped through your fingers.

611
00:34:35,400 --> 00:34:38,279
Speaker 1: I'm not safe. No, I'm keeping it real with you.

612
00:34:38,840 --> 00:34:40,799
Speaker 1: I am not safe with no amount of money. You

613
00:34:40,800 --> 00:34:42,640
Speaker 1: don't know how many times I made a million dollars

614
00:34:42,680 --> 00:34:44,600
Speaker 1: and this ship was gone in like a month or two.

615
00:34:45,280 --> 00:34:48,640
Speaker 1: And it's just regular shit. Yo, Pay the lawyer, pay

616
00:34:48,680 --> 00:34:52,759
Speaker 1: your insurance, pay this, repeat the process, just this that,

617
00:34:52,920 --> 00:34:55,040
Speaker 1: And then you turn around and it's like, yo, where's

618
00:34:55,040 --> 00:34:55,839
Speaker 1: the brad yo?

619
00:34:55,960 --> 00:34:56,120
Speaker 2: Bro.

620
00:34:57,640 --> 00:35:01,480
Speaker 1: You know, Louis Vuitton ain't cheap. All that shit you're

621
00:35:01,520 --> 00:35:06,239
Speaker 1: doing out here looking cute, it ain't cheap. And so

622
00:35:07,200 --> 00:35:09,879
Speaker 1: there's always a check to check. I don't care how

623
00:35:09,960 --> 00:35:13,920
Speaker 1: much money you make. It blows my mind when I'm

624
00:35:13,920 --> 00:35:15,920
Speaker 1: sitting down, I'm like, yo, I just made a million

625
00:35:16,000 --> 00:35:18,680
Speaker 1: dollars last month. How the fuck you telling me the

626
00:35:18,719 --> 00:35:22,359
Speaker 1: AMX mill? This, this, this, this, the washed up two

627
00:35:22,440 --> 00:35:24,879
Speaker 1: quarters of the shit like real quick like and you're

628
00:35:24,880 --> 00:35:28,520
Speaker 1: thinking you in the fucking When I was in the projects,

629
00:35:28,719 --> 00:35:30,920
Speaker 1: I thought I could buy a fucking cloud with a

630
00:35:30,960 --> 00:35:35,000
Speaker 1: million dollars a cloud. I'd be like, yo, I could

631
00:35:35,000 --> 00:35:37,799
Speaker 1: buy me a cloud a million dollars. You looking at

632
00:35:37,840 --> 00:35:42,120
Speaker 1: the fucking car too, They going a million dollars. They

633
00:35:42,280 --> 00:35:44,480
Speaker 1: was acting like you could buy the whole Bronx.

634
00:35:44,239 --> 00:35:47,520
Speaker 2: To that shit like this out though fast forward. We

635
00:35:47,640 --> 00:35:50,279
Speaker 2: started from cassettes. Now it was all way to I

636
00:35:50,520 --> 00:35:53,160
Speaker 2: Cloud and all your music isn't lives in the sky.

637
00:35:54,440 --> 00:35:57,480
Speaker 2: How the fuck is it with all of this streaming

638
00:35:57,600 --> 00:36:00,920
Speaker 2: and all that? Is it more money? It's definitely more

639
00:36:00,960 --> 00:36:02,480
Speaker 2: money because they just.

640
00:36:03,640 --> 00:36:08,440
Speaker 1: But have because they made it so that if you

641
00:36:08,600 --> 00:36:12,840
Speaker 1: stream a record, certain remember we was one and done

642
00:36:13,120 --> 00:36:16,520
Speaker 1: or maybe two and done. I bought the Locks album,

643
00:36:17,080 --> 00:36:21,279
Speaker 1: listened to a ten thousand times on CD. If I

644
00:36:21,360 --> 00:36:24,040
Speaker 1: really loved it, I would keep living listening to it.

645
00:36:24,080 --> 00:36:27,480
Speaker 1: If it broke, I went and bought it again. The

646
00:36:27,520 --> 00:36:30,400
Speaker 1: way the streaming works is they actually pay you less.

647
00:36:30,640 --> 00:36:35,799
Speaker 1: But if people stream, like why you think Reggaetne got

648
00:36:35,800 --> 00:36:39,919
Speaker 1: this shit on smash. It's so many Spanish countries where

649
00:36:39,960 --> 00:36:43,760
Speaker 1: all they do is look at YouTube or stream Spotify whatever.

650
00:36:44,120 --> 00:36:46,239
Speaker 1: You listen to the shit ten to fifteen times, it

651
00:36:46,280 --> 00:36:49,719
Speaker 1: goes down as an album sell when we put it out.

652
00:36:49,719 --> 00:36:52,200
Speaker 1: You got to go through snowstorms to buy a new album.

653
00:36:52,280 --> 00:36:54,360
Speaker 1: Me and Pump waited six seven hours to get the

654
00:36:54,400 --> 00:36:59,640
Speaker 1: new eminem album. Right, you had to go physical. Right now,

655
00:36:59,640 --> 00:37:02,120
Speaker 1: you just taking on your phone and if you love

656
00:37:02,200 --> 00:37:04,040
Speaker 1: the song and you keep playing that shit up, we

657
00:37:04,200 --> 00:37:07,120
Speaker 1: gonna make it twenty tie for the album.

658
00:37:07,440 --> 00:37:10,960
Speaker 2: The numbers don't add in. Fifteen hundred streams is one

659
00:37:11,000 --> 00:37:13,600
Speaker 2: spin on one record seale with something.

660
00:37:13,320 --> 00:37:17,200
Speaker 1: That ain't Whoever the fuck made that up? The haters,

661
00:37:17,480 --> 00:37:20,200
Speaker 1: the ship, the whole system. The whole system been a

662
00:37:20,280 --> 00:37:23,560
Speaker 1: scam from the beginning. You talking to the wrong gud.

663
00:37:23,719 --> 00:37:27,799
Speaker 1: The math never added up with the record labels. You know,

664
00:37:27,880 --> 00:37:29,640
Speaker 1: we look at the music like, if you want to

665
00:37:29,640 --> 00:37:30,480
Speaker 1: look at this as a.

666
00:37:30,440 --> 00:37:35,200
Speaker 2: Business, the math netbook, math doctor dre the music, it

667
00:37:35,320 --> 00:37:36,200
Speaker 2: means everything.

668
00:37:36,239 --> 00:37:39,480
Speaker 1: But the music is just like a coffee book allows

669
00:37:39,520 --> 00:37:41,960
Speaker 1: you to go in rooms where you wouldn't be excess

670
00:37:42,000 --> 00:37:44,879
Speaker 1: a stepping stone. So you now you're in soul house.

671
00:37:44,960 --> 00:37:48,000
Speaker 1: You hear there you meeting somebody riz it. You meet

672
00:37:48,160 --> 00:37:51,680
Speaker 1: the greatest movie guy who love you from Wu Tang,

673
00:37:51,719 --> 00:37:54,480
Speaker 1: and now he starts getting you to score movies and

674
00:37:55,040 --> 00:37:57,360
Speaker 1: acting it and this and this and that. It's just

675
00:37:58,000 --> 00:38:01,520
Speaker 1: a talking point. And so with us we figured out,

676
00:38:01,560 --> 00:38:06,640
Speaker 1: like you being around you doing this show, right, you

677
00:38:06,719 --> 00:38:10,200
Speaker 1: do know I'm all about the money, Jada.

678
00:38:10,880 --> 00:38:12,080
Speaker 2: I watch your story.

679
00:38:13,400 --> 00:38:19,640
Speaker 1: Where's the money to train this coming, babe, to train

680
00:38:19,719 --> 00:38:22,799
Speaker 1: this coming? Because the point is I'm looking at you

681
00:38:23,560 --> 00:38:25,680
Speaker 1: and you don't even know what you're saying. You're like, yeah,

682
00:38:25,719 --> 00:38:27,960
Speaker 1: I went to the boxing match. I you know, I work.

683
00:38:28,200 --> 00:38:30,200
Speaker 1: You know I went there for work. I'm over here.

684
00:38:30,200 --> 00:38:33,600
Speaker 1: I work. This ain't even no more about bars or

685
00:38:33,640 --> 00:38:35,640
Speaker 1: I had to do a feature or I have to

686
00:38:35,640 --> 00:38:39,000
Speaker 1: distance this. This ain't no more about bars or songs.

687
00:38:39,040 --> 00:38:42,239
Speaker 1: It's just we work, and we do different assignments and

688
00:38:42,280 --> 00:38:43,840
Speaker 1: at the end of the day we come up with

689
00:38:43,880 --> 00:38:46,400
Speaker 1: a pile of money. So it's not really based on

690
00:38:46,560 --> 00:38:50,359
Speaker 1: selling records or the streams. If we put our music now,

691
00:38:50,520 --> 00:38:52,720
Speaker 1: which I just put out an album, the world changed

692
00:38:52,760 --> 00:38:57,040
Speaker 1: on me, which is phenomenal. Right, it's really art for

693
00:38:57,120 --> 00:38:59,439
Speaker 1: our fans. We're not trying to strike it rich off

694
00:38:59,480 --> 00:39:02,760
Speaker 1: the ship, right, and so we do all these different

695
00:39:02,760 --> 00:39:05,680
Speaker 1: things to just bring home the money at the end

696
00:39:05,719 --> 00:39:08,360
Speaker 1: of the day. And so that's where hip hop is.

697
00:39:08,440 --> 00:39:11,879
Speaker 1: Hip hop is just a top. That's why you got coffee.

698
00:39:12,520 --> 00:39:16,560
Speaker 1: You never in your life sitting in front of that

699
00:39:16,719 --> 00:39:21,680
Speaker 1: gas station and fucking yonkers. I know the gas station.

700
00:39:22,719 --> 00:39:28,520
Speaker 1: What was that Halliburton? Ever sad that's the gas You

701
00:39:28,600 --> 00:39:32,160
Speaker 1: never thought you selling coffee. I never thought I was

702
00:39:32,160 --> 00:39:37,719
Speaker 1: gonna sell our hair dye for men, rewinded ten. But

703
00:39:37,800 --> 00:39:42,879
Speaker 1: that's what we graduated to being entrepreneurs. Now we sell hair.

704
00:39:43,280 --> 00:39:46,080
Speaker 1: You know, I sell fucking beard dyed. You know what

705
00:39:46,120 --> 00:39:49,319
Speaker 1: I'm saying. We winded ten and sneaking stores. Were in

706
00:39:49,320 --> 00:39:50,480
Speaker 1: the sneaking store now.

707
00:39:50,360 --> 00:39:59,600
Speaker 2: You know what juices we for life.

708
00:40:00,000 --> 00:40:01,680
Speaker 1: Everything. Don't put us in jail, guys.

709
00:40:02,320 --> 00:40:04,880
Speaker 2: This is this is this is so legal and this

710
00:40:04,960 --> 00:40:05,360
Speaker 2: is legal.

711
00:40:05,400 --> 00:40:08,120
Speaker 1: But you got everything. Don't put us in jail.

712
00:40:08,160 --> 00:40:09,759
Speaker 3: We got everything. Don't put us in jail.

713
00:40:11,520 --> 00:40:14,000
Speaker 2: We gotta get the hoodies. We got everything.

714
00:40:14,040 --> 00:40:15,080
Speaker 3: Don't put us in jail.

715
00:40:15,160 --> 00:40:18,879
Speaker 1: We got mess in jail. I'm dead ass. I'm like, yo,

716
00:40:18,920 --> 00:40:20,840
Speaker 1: we don't want to go to jail. We're not trying to.

717
00:40:21,320 --> 00:40:24,640
Speaker 1: We're encouraging you to be an entrepreneur. You see what

718
00:40:24,680 --> 00:40:27,200
Speaker 1: we do. You see how we walk and just try

719
00:40:27,239 --> 00:40:31,400
Speaker 1: to have an easier life than us because we worked really,

720
00:40:31,480 --> 00:40:35,040
Speaker 1: really hard to get to this point. Right now, this

721
00:40:35,160 --> 00:40:37,960
Speaker 1: ain't this, This wasn't for everybody.

722
00:40:45,640 --> 00:40:49,640
Speaker 4: Blending Vice's signature dynamic storytelling with the high octane world

723
00:40:49,719 --> 00:40:53,160
Speaker 4: of sports, Vice Sports brings an exciting and diverse range

724
00:40:53,200 --> 00:40:56,200
Speaker 4: of programming that goes beyond the game, catch action pack,

725
00:40:56,600 --> 00:41:00,520
Speaker 4: live events, and exclusive sports documentaries and profiles only on

726
00:41:00,600 --> 00:41:01,200
Speaker 4: Vice TV.

727
00:41:06,400 --> 00:41:08,879
Speaker 1: We seen many of our friends. You know, I went

728
00:41:08,960 --> 00:41:09,640
Speaker 1: one night.

729
00:41:09,960 --> 00:41:10,640
Speaker 3: Right, I'm so.

730
00:41:10,880 --> 00:41:14,279
Speaker 1: I look, I'm not trying to brag it, nothing like that, right,

731
00:41:14,360 --> 00:41:17,120
Speaker 1: But it cost a certain price to get Fat Joe

732
00:41:17,160 --> 00:41:19,440
Speaker 1: to perform. Just the bottom line. That's what.

733
00:41:19,520 --> 00:41:19,839
Speaker 2: That's what.

734
00:41:19,960 --> 00:41:20,839
Speaker 3: That's inevitable.

735
00:41:21,200 --> 00:41:23,880
Speaker 1: No, No, I'm just saying it costs a certain price.

736
00:41:24,280 --> 00:41:28,640
Speaker 1: Somebody paid the price. I show up and it's an

737
00:41:28,680 --> 00:41:31,520
Speaker 1: old school at noon for Fat Joe's that had nine

738
00:41:31,520 --> 00:41:35,040
Speaker 1: it while I'm in Philly. So everybody me and you

739
00:41:35,280 --> 00:41:40,120
Speaker 1: came out with they're on the lineup right. So these

740
00:41:40,120 --> 00:41:42,359
Speaker 1: are all legends at the time or whatever the case.

741
00:41:42,480 --> 00:41:45,640
Speaker 1: I'm looking at dudes. They missing their fucking teeth. They

742
00:41:45,760 --> 00:41:49,279
Speaker 1: looking at me like I'm a fucking hieroglyphic. I've had

743
00:41:49,360 --> 00:41:52,640
Speaker 1: rappers grabbed my shoulder and stare in my face to

744
00:41:52,640 --> 00:41:55,680
Speaker 1: see if it's botox or some shit like. They looking

745
00:41:55,719 --> 00:41:58,800
Speaker 1: at me like, how the fuck? I don't get it, Hi, guys,

746
00:41:59,080 --> 00:42:01,800
Speaker 1: I don't do nothing wrong. The most I do is

747
00:42:01,880 --> 00:42:05,080
Speaker 1: drink a diet PEPSI. Other than that, you fucked if

748
00:42:05,080 --> 00:42:08,520
Speaker 1: you're gonna catch me. So they I watched rappers my

749
00:42:08,680 --> 00:42:12,239
Speaker 1: peers look in my face, grab my shoulders, stare at

750
00:42:12,239 --> 00:42:16,319
Speaker 1: me like I'm a fucking Egyptian fucking pyramid, Like, yo,

751
00:42:16,440 --> 00:42:18,960
Speaker 1: how this niggas still looking all right? This this that

752
00:42:19,360 --> 00:42:23,000
Speaker 1: these got got no teeth? I see this one guy, they.

753
00:42:22,880 --> 00:42:24,879
Speaker 2: Would have thought the same about me. He ain't put

754
00:42:24,920 --> 00:42:25,879
Speaker 2: my age or the cake.

755
00:42:26,160 --> 00:42:30,160
Speaker 1: No, unless now you're doing great, you're doing you have

756
00:42:30,360 --> 00:42:34,680
Speaker 1: me food, yo. I'm looking at one rapper, big time legend.

757
00:42:35,280 --> 00:42:41,040
Speaker 1: He's dancing around the Hennessy bottle. He's dancing. And so

758
00:42:41,400 --> 00:42:44,680
Speaker 1: I'm telling y'all I've been in Sancho pay a long time, Dubai.

759
00:42:44,800 --> 00:42:48,200
Speaker 1: I've been doing big toys and festivals for a long time.

760
00:42:48,280 --> 00:42:53,759
Speaker 1: He's nonbodragging, he's no Somebody afforded me in the old

761
00:42:53,760 --> 00:42:59,560
Speaker 1: school at noon, somebody yea Joe. When I pull up,

762
00:43:00,680 --> 00:43:07,920
Speaker 1: it's former female sex symbols. They fatter and fat Joe.

763
00:43:09,440 --> 00:43:12,720
Speaker 1: And so I'm looking at this shit. I'm almost peeking

764
00:43:12,760 --> 00:43:18,000
Speaker 1: out the window, like out the door, I'm peaking. I'm like, Yo,

765
00:43:18,160 --> 00:43:22,080
Speaker 1: this is crazy, like motherfuckers just fucked up. But the

766
00:43:22,160 --> 00:43:25,920
Speaker 1: point is, you gotta take care of yourself, preserve yourself.

767
00:43:26,840 --> 00:43:28,439
Speaker 1: Know that you gotta be you know what I'm saying.

768
00:43:28,440 --> 00:43:33,640
Speaker 2: I ain't saying vegetables, vitaminess, dian pepsi, pepsi. Yo.

769
00:43:33,760 --> 00:43:38,320
Speaker 1: Let me tell you something. Shit, Yo, listen. Shit crazy

770
00:43:38,360 --> 00:43:41,000
Speaker 1: out here, man, But you gotta take care of yourself, man,

771
00:43:41,040 --> 00:43:45,000
Speaker 1: because it's hard. It's a horror show if you don't.

772
00:43:45,840 --> 00:43:51,000
Speaker 1: And so we see shit out here sometimes where it

773
00:43:51,239 --> 00:43:53,960
Speaker 1: just it don't make sense to me. You know, when

774
00:43:54,000 --> 00:43:56,760
Speaker 1: I see legends looking fucked up, I see people looking

775
00:43:56,840 --> 00:43:59,680
Speaker 1: fucked up. I see people not taking care of themselves. Man,

776
00:44:00,120 --> 00:44:03,160
Speaker 1: it's just too much shit. And at certain age you

777
00:44:03,239 --> 00:44:05,520
Speaker 1: eat that just to take care of you. You can't

778
00:44:05,560 --> 00:44:08,480
Speaker 1: sniff a mountain of cocaine at fifty something years old.

779
00:44:09,040 --> 00:44:12,600
Speaker 1: You know you over there thinking you Tony Montana at thirty.

780
00:44:13,040 --> 00:44:15,960
Speaker 1: I'm not advising that you sniff a mountain of cocaine

781
00:44:16,400 --> 00:44:18,560
Speaker 1: at fifty because your ass is done.

782
00:44:19,520 --> 00:44:23,200
Speaker 2: I'm not advising you sniff about the cocaine at any age.

783
00:44:23,400 --> 00:44:29,319
Speaker 1: I'm in my crib Miami, and I'm always early. Right.

784
00:44:29,400 --> 00:44:31,560
Speaker 1: I think you beat me here today, right, first time

785
00:44:32,640 --> 00:44:35,920
Speaker 1: he beat me here, But I'm always early, so I'm ready.

786
00:44:35,960 --> 00:44:38,560
Speaker 1: I'm up, ready to shoot the ship from the house.

787
00:44:39,080 --> 00:44:41,200
Speaker 1: They're like, yo, Jada is a little lady. I said, why.

788
00:44:41,239 --> 00:44:44,160
Speaker 1: He said, he's in the gym. I had to respect that.

789
00:44:44,280 --> 00:44:47,640
Speaker 1: I said, damn, this guy's in the gym and for

790
00:44:47,719 --> 00:44:49,759
Speaker 1: fifty years old, you could do all that shit. I

791
00:44:49,840 --> 00:44:53,479
Speaker 1: see you up there, push up, said some assaults and shit,

792
00:44:53,600 --> 00:44:57,080
Speaker 1: you doing some shit on it one arm like that? Shit,

793
00:44:57,160 --> 00:44:58,239
Speaker 1: What the fuck is?

794
00:44:58,280 --> 00:44:59,279
Speaker 2: What's your pops cock?

795
00:44:59,400 --> 00:44:59,719
Speaker 1: Theze it?

796
00:44:59,760 --> 00:44:59,840
Speaker 2: What?

797
00:45:00,880 --> 00:45:04,240
Speaker 1: No, I'm asking you where you get this ship from

798
00:45:04,280 --> 00:45:06,719
Speaker 1: doing the ball work? The this the that I'm looking

799
00:45:06,760 --> 00:45:10,800
Speaker 1: at you, Jim Jones, it's cocked diesel. It's a snowstorm.

800
00:45:13,880 --> 00:45:16,440
Speaker 1: And the snow is doing push ups anywhere? Is that

801
00:45:16,560 --> 00:45:18,640
Speaker 1: something special or something like he's doing push ups in

802
00:45:18,680 --> 00:45:21,520
Speaker 1: the snow with fucking the chain on him and ship

803
00:45:21,960 --> 00:45:28,520
Speaker 1: like my thing is yo is yo? No, I'll be

804
00:45:28,600 --> 00:45:30,600
Speaker 1: looking at y'all working out. I'm like, yo, this.

805
00:45:30,600 --> 00:45:34,400
Speaker 3: Ship crazy, give it up to you.

806
00:45:34,400 --> 00:45:37,560
Speaker 2: Fist move a little, just do a little move.

807
00:45:36,880 --> 00:45:41,120
Speaker 1: No move, I'm good. I'm just not cocked diesel. I

808
00:45:41,120 --> 00:45:48,720
Speaker 1: don't believe my body. My body is like Tyson Fury, yoh, ship.

809
00:45:48,440 --> 00:45:49,920
Speaker 3: That was the second best thing.

810
00:45:50,920 --> 00:45:51,640
Speaker 1: Let me tell you something.

811
00:45:53,320 --> 00:45:54,439
Speaker 3: Knock you what hell?

812
00:45:54,840 --> 00:45:57,160
Speaker 1: But he looked flabby and sick like you're looking at

813
00:45:57,200 --> 00:46:02,120
Speaker 1: that Tyson Fury. I don't know flabby your man. The

814
00:46:02,239 --> 00:46:03,080
Speaker 1: man looked like.

815
00:46:03,160 --> 00:46:06,319
Speaker 2: He was the JA he retired man, can't get a

816
00:46:06,360 --> 00:46:07,759
Speaker 2: six pack. He knocked.

817
00:46:09,640 --> 00:46:09,799
Speaker 4: Right.

818
00:46:10,400 --> 00:46:13,839
Speaker 1: So I'm like that, you know, I'm not ju I'm

819
00:46:13,840 --> 00:46:17,480
Speaker 1: not hanging sure that's the clip lest I got it

820
00:46:17,600 --> 00:46:19,760
Speaker 1: be a clip. I'm like Tyson Fiery.

821
00:46:19,880 --> 00:46:20,440
Speaker 2: That was dog.

822
00:46:20,560 --> 00:46:32,000
Speaker 1: I'm trying to crazy. That just got so I think

823
00:46:32,040 --> 00:46:34,920
Speaker 1: about jam ass to j one of the you know

824
00:46:35,000 --> 00:46:39,120
Speaker 1: back in the day, it's before your time, Jada, thank you.

825
00:46:39,239 --> 00:46:43,440
Speaker 1: Before your time. The DJ was more prominent than the Rapper,

826
00:46:44,120 --> 00:46:47,640
Speaker 1: than the MC. So you had like Jadge Jeff and

827
00:46:47,680 --> 00:46:51,160
Speaker 1: the Fresh Prince. You had one DM C jam mass

828
00:46:51,200 --> 00:46:55,440
Speaker 1: to j you know, the DJ Scotland Rock and caron

829
00:46:55,800 --> 00:46:59,400
Speaker 1: the DJ was really really famous at one time and

830
00:46:59,520 --> 00:47:03,480
Speaker 1: jam as Jay not only was he an insane DJ,

831
00:47:03,600 --> 00:47:06,279
Speaker 1: a member of one of the greatest groups, but he

832
00:47:06,360 --> 00:47:09,840
Speaker 1: brought artists to the game like the Onyx. Now I

833
00:47:09,880 --> 00:47:12,360
Speaker 1: think he was the first person to sign fifty cents,

834
00:47:13,040 --> 00:47:16,279
Speaker 1: like he was ahead of his time, and you know

835
00:47:16,360 --> 00:47:22,520
Speaker 1: he got gunned down unfortunately. But I think about jams

836
00:47:22,719 --> 00:47:26,640
Speaker 1: Ja whatever what a producer, you know, and it just

837
00:47:26,719 --> 00:47:30,000
Speaker 1: leads me off. I said this this this episode, but

838
00:47:30,120 --> 00:47:34,960
Speaker 1: really insightful. But I get to thinking about, like, who's

839
00:47:35,000 --> 00:47:39,680
Speaker 1: the top five producers of all time?

840
00:47:40,719 --> 00:47:44,400
Speaker 2: Who knew what you just said? You know that DJ

841
00:47:44,840 --> 00:47:48,160
Speaker 2: turned into the producer if you asked me. A lot

842
00:47:48,200 --> 00:47:51,680
Speaker 2: of them, A lot of producers in actually DJ and

843
00:47:51,719 --> 00:47:53,160
Speaker 2: a lot of DJs.

844
00:47:52,800 --> 00:47:55,280
Speaker 1: Most of them alls you know, cooland d.

845
00:47:55,160 --> 00:48:00,360
Speaker 2: DJ and you know that right, you know which is

846
00:48:00,400 --> 00:48:03,239
Speaker 2: just one of the greatest producers ever is his name

847
00:48:03,320 --> 00:48:04,080
Speaker 2: is still DJ.

848
00:48:04,200 --> 00:48:06,920
Speaker 1: You know we can shut that Swiss a DJ. Danny

849
00:48:07,000 --> 00:48:08,040
Speaker 1: Fresh is a DJ.

850
00:48:08,440 --> 00:48:12,360
Speaker 2: All the legendary produced Tim Alank indeed, you know what

851
00:48:12,400 --> 00:48:12,719
Speaker 2: I mean.

852
00:48:12,840 --> 00:48:17,960
Speaker 1: So if you think about a rapper with ghost writing, right,

853
00:48:18,520 --> 00:48:21,239
Speaker 1: do you rate a producer that has a bunch of

854
00:48:21,280 --> 00:48:24,440
Speaker 1: other producers bringing ship to the table or do you

855
00:48:24,480 --> 00:48:28,120
Speaker 1: think the producer needs to produce by himself?

856
00:48:28,239 --> 00:48:31,880
Speaker 2: Everything sample big is different. A rapper with a ghost

857
00:48:31,920 --> 00:48:36,280
Speaker 2: writer is shouldn't be compared to a producer that has.

858
00:48:36,440 --> 00:48:38,120
Speaker 3: A staff that you know what I mean.

859
00:48:38,200 --> 00:48:41,359
Speaker 2: You might he might have instrument players, he might have

860
00:48:41,680 --> 00:48:44,360
Speaker 2: a certain engineer to get the sound that he wanted.

861
00:48:44,400 --> 00:48:47,200
Speaker 2: Somebody might come in and only do this drum pattern

862
00:48:47,320 --> 00:48:50,520
Speaker 2: for him. But if he created it from the beginning

863
00:48:50,640 --> 00:48:53,480
Speaker 2: and they just helping him enhance it, that ain't the

864
00:48:53,560 --> 00:48:54,520
Speaker 2: same as.

865
00:48:54,560 --> 00:49:01,200
Speaker 1: A ghost writer, right, ghost So in that case, man,

866
00:49:01,239 --> 00:49:04,399
Speaker 1: there's some serious producers out there. Because I only had

867
00:49:04,480 --> 00:49:07,239
Speaker 1: one main one on the list, which is what you

868
00:49:07,320 --> 00:49:10,040
Speaker 1: said the obvious promo, because I watched him chop everything

869
00:49:10,080 --> 00:49:12,719
Speaker 1: up and do it himself. I've been in the rooms.

870
00:49:12,960 --> 00:49:15,120
Speaker 1: You've been in the rooms with somebody like Kanye that

871
00:49:15,239 --> 00:49:18,720
Speaker 1: got a bunch of producers, and of course he's throwing

872
00:49:18,760 --> 00:49:21,719
Speaker 1: that the sprinkle to it that he's getting what he

873
00:49:21,800 --> 00:49:24,040
Speaker 1: wants out of it or say like a doctor. Dre

874
00:49:25,440 --> 00:49:28,080
Speaker 1: worked with Scott Storts. You know Scott Storts did all.

875
00:49:28,000 --> 00:49:36,759
Speaker 2: That Swiss Swiss. I've been with Swiss since he he

876
00:49:36,960 --> 00:49:39,760
Speaker 2: was telling them to get out of here. He plumbing,

877
00:49:40,960 --> 00:49:44,759
Speaker 2: pull out his NPC. We told him go back to

878
00:49:44,840 --> 00:49:48,400
Speaker 2: the drawing board for years until he finally got it.

879
00:49:48,440 --> 00:49:51,240
Speaker 3: Then the whole room and went from the whole room going.

880
00:49:51,040 --> 00:49:54,840
Speaker 2: Oh nah, to the whole Holy check. This is fazing.

881
00:49:55,000 --> 00:49:59,680
Speaker 2: So is it is a journey. And then once you

882
00:49:59,719 --> 00:50:02,200
Speaker 2: get you your sound and you look the people. I

883
00:50:02,239 --> 00:50:03,960
Speaker 2: don't know what you do from nig because I ain't

884
00:50:04,000 --> 00:50:09,440
Speaker 2: a producer, so I say, DJ premiere, be careful with

885
00:50:09,560 --> 00:50:12,000
Speaker 2: your five. This is why this is gonna keep going

886
00:50:12,040 --> 00:50:13,319
Speaker 2: because it's more than five.

887
00:50:13,360 --> 00:50:17,680
Speaker 1: But your five, woman, do that five. It's way more

888
00:50:17,719 --> 00:50:21,879
Speaker 1: than five. But we only got you the top five. Hah,

889
00:50:22,600 --> 00:50:25,320
Speaker 1: top five dead or live. I heard you say this

890
00:50:25,440 --> 00:50:31,000
Speaker 1: on thousand and really top five of anything, golf, top

891
00:50:31,080 --> 00:50:37,080
Speaker 1: five paint. It is really your creation when you say

892
00:50:37,200 --> 00:50:41,080
Speaker 1: yes every July, I meet this taking carry your jeweler,

893
00:50:41,600 --> 00:50:44,480
Speaker 1: Bobby the Jeweler. That's cause Jacob the Jeweler was the

894
00:50:44,600 --> 00:50:48,480
Speaker 1: original one that blew up. You started that top five

895
00:50:48,520 --> 00:50:53,000
Speaker 1: shit forever, nigga, you be in the library, top five book,

896
00:50:53,080 --> 00:50:55,759
Speaker 1: dead or alive. That's reference back to you.

897
00:50:57,600 --> 00:51:02,480
Speaker 2: I appreciate it, but I'm a I'm gonna.

898
00:51:01,600 --> 00:51:04,440
Speaker 1: Clow not gonna be credited by that. I'm gonna say,

899
00:51:04,520 --> 00:51:09,319
Speaker 1: DJ Premier, let's go. I'm gonna say, Doctor Drake, let's

900
00:51:09,320 --> 00:51:13,279
Speaker 1: go cheating. I'm not cheating me too. I'm talking about

901
00:51:13,280 --> 00:51:15,520
Speaker 1: the best in the clay. I'm gonna use my five

902
00:51:15,600 --> 00:51:17,959
Speaker 1: could be whatever. If you want to skip, you wanna

903
00:51:17,960 --> 00:51:25,400
Speaker 1: skip because you're stealing. All right now you say that

904
00:51:26,920 --> 00:51:28,919
Speaker 1: I got Joe. I don't want to snatch.

905
00:51:30,239 --> 00:51:30,279
Speaker 2: To.

906
00:51:30,719 --> 00:51:34,880
Speaker 1: No you first, no, no, no, no gonna go you

907
00:51:35,000 --> 00:51:38,960
Speaker 1: go to I'm trying to get you in on this, alright,

908
00:51:39,120 --> 00:51:44,160
Speaker 1: Just do five. D J Premier, Hold up five, Hold

909
00:51:44,239 --> 00:51:50,400
Speaker 1: up five is five. Shut the fucks go, d J Premier,

910
00:51:51,880 --> 00:52:00,920
Speaker 1: Doctor Drake, the riz up, Kanye West and I go

911
00:52:01,080 --> 00:52:04,000
Speaker 1: have it from all d That's that's that's.

912
00:52:03,640 --> 00:52:04,919
Speaker 2: That's mean five.

913
00:52:05,320 --> 00:52:08,200
Speaker 1: What you wanted me to, sup, boss and me trying

914
00:52:08,239 --> 00:52:10,920
Speaker 1: to give you a play for play, you know, and

915
00:52:11,000 --> 00:52:12,520
Speaker 1: the honorable mentions.

916
00:52:16,120 --> 00:52:21,000
Speaker 2: Twitched the whole rule. I'm not still listen, but now

917
00:52:21,000 --> 00:52:23,359
Speaker 2: I'm kind of going back. We said we should have

918
00:52:23,480 --> 00:52:26,320
Speaker 2: fucking left Doctor Dre and them niggas out of it

919
00:52:26,440 --> 00:52:31,480
Speaker 2: because you're cheating. But still with Swiss, starting with me

920
00:52:31,640 --> 00:52:33,960
Speaker 2: to tell you, I'm going Swiss because it's not the

921
00:52:34,160 --> 00:52:36,040
Speaker 2: because you got to make the list, because that's my

922
00:52:36,200 --> 00:52:41,640
Speaker 2: brother there, you go for real? Mm hmm, you know

923
00:52:41,680 --> 00:52:42,080
Speaker 2: what I mean.

924
00:52:43,520 --> 00:52:52,040
Speaker 1: I'm going Scott Storch. Yeah, that's a mean pack for

925
00:52:52,160 --> 00:52:54,040
Speaker 1: rel Scott Storch right.

926
00:52:55,600 --> 00:52:56,360
Speaker 2: Me thinking about it.

927
00:52:57,239 --> 00:52:59,680
Speaker 1: Just because I said it a guy, don't mean you

928
00:52:59,719 --> 00:53:00,960
Speaker 1: can't double down on it.

929
00:53:01,520 --> 00:53:07,120
Speaker 2: I know I can use them Swiss personal part.

930
00:53:07,200 --> 00:53:09,160
Speaker 1: You got a phenomenal team there.

931
00:53:09,440 --> 00:53:11,879
Speaker 2: Swiss for real. Scott starts Timid late.

932
00:53:14,920 --> 00:53:18,560
Speaker 1: Timberland R and b Tail Timberland.

933
00:53:18,920 --> 00:53:25,120
Speaker 2: Timberland just as timerlay all the ship he did from.

934
00:53:25,920 --> 00:53:28,279
Speaker 1: All that sing in there, wants to sit with jay

935
00:53:28,400 --> 00:53:32,360
Speaker 1: Z and Know and Beyonce, all of that, all that,

936
00:53:32,920 --> 00:53:37,200
Speaker 1: all that, I'm a movement by myself and Timbo got

937
00:53:37,200 --> 00:53:40,640
Speaker 1: the jawn fights.

938
00:53:40,520 --> 00:53:41,720
Speaker 3: With thou Juste Blade.

939
00:53:42,360 --> 00:53:44,640
Speaker 1: I mean I needed something like that from you because

940
00:53:44,880 --> 00:53:48,719
Speaker 1: from you being the underground king, you definitely went commercial on.

941
00:53:48,840 --> 00:53:49,400
Speaker 3: I want to go.

942
00:53:50,040 --> 00:53:53,440
Speaker 2: It's still left out bank. We left out many fresh

943
00:53:53,560 --> 00:53:55,279
Speaker 2: We left out, Pink Rock, we.

944
00:53:55,360 --> 00:53:56,840
Speaker 3: Left out, fucking.

945
00:53:58,320 --> 00:53:58,799
Speaker 1: Q Tip.

946
00:53:58,920 --> 00:54:02,680
Speaker 2: Q Tip left out, Mad niggas go out, the mistress up,

947
00:54:02,760 --> 00:54:07,600
Speaker 2: he left out, nor Man ship, we left.

948
00:54:07,360 --> 00:54:10,200
Speaker 1: You left out, the water left.

949
00:54:11,040 --> 00:54:15,080
Speaker 2: Because this my producers know that I love them and.

950
00:54:17,920 --> 00:54:20,760
Speaker 1: No man that wow.

951
00:54:21,760 --> 00:54:24,919
Speaker 2: He left niggas out. That's not supposed to get left out.

952
00:54:25,120 --> 00:54:27,040
Speaker 2: But it's hard when it's only five.

953
00:54:26,920 --> 00:54:31,480
Speaker 1: Little top five because that's your ship. Shut out, the

954
00:54:31,480 --> 00:54:35,160
Speaker 1: boost mobile, go get yourself, the whole trap of phone,

955
00:54:35,280 --> 00:54:39,320
Speaker 1: everybody the block, the whole bus ride in the summer.

956
00:54:39,560 --> 00:54:41,280
Speaker 1: You know, in the summer we used to go to

957
00:54:41,600 --> 00:54:46,400
Speaker 1: six Flags Great Adventures. The whole block's Dorney Park, Like

958
00:54:46,560 --> 00:54:48,440
Speaker 1: get the whole bus.

959
00:54:48,120 --> 00:54:51,359
Speaker 2: What's the ship and oh with me and pun out

960
00:54:51,360 --> 00:54:53,799
Speaker 2: of the show it used to do when the ship

961
00:54:53,840 --> 00:54:55,920
Speaker 2: we go wood in your family in Va where we

962
00:54:56,000 --> 00:54:58,919
Speaker 2: used to it ain't there, No her, she changed the menu.

963
00:54:58,960 --> 00:55:04,360
Speaker 2: You know, I men Virginia, yeah, man putting out the

964
00:55:04,360 --> 00:55:04,799
Speaker 2: show there.

965
00:55:04,840 --> 00:55:07,360
Speaker 1: I got stranded there one time. That's a long story.

966
00:55:07,480 --> 00:55:11,360
Speaker 1: Stranded the whole bus broke down with all my whole projects.

967
00:55:11,360 --> 00:55:13,160
Speaker 1: Were sitting on the side of the road for like

968
00:55:13,239 --> 00:55:16,120
Speaker 1: twenty hours. Number bus came and brought us back to

969
00:55:16,160 --> 00:55:19,120
Speaker 1: the bones Kings of Me and shout out aj GP.

970
00:55:19,280 --> 00:55:22,000
Speaker 1: All of them will through it together. This has been

971
00:55:22,120 --> 00:55:26,520
Speaker 1: Joe and Jada. We're flaming out there. That ain't killing y'all.

972
00:55:26,719 --> 00:55:30,520
Speaker 1: This ain't that when it's cracking kiss and it's number

973
00:55:30,680 --> 00:55:34,680
Speaker 1: why and we're not gonna stop. Now. I'm a headed

974
00:55:36,120 --> 00:55:39,279
Speaker 1: to Dubai. Shout out, Rocher Belasa get married. I'm going

975
00:55:39,280 --> 00:55:42,600
Speaker 1: to a wedding. Then I'm gonna end up at Sancho

976
00:55:42,760 --> 00:55:46,600
Speaker 1: Pei and Monaco because my brother Nori, his wife Nieri,

977
00:55:47,040 --> 00:55:48,480
Speaker 1: it's her birthday.

978
00:55:48,200 --> 00:55:52,440
Speaker 2: Happy birthday, the Nary, happy future, birthday, happy related. You

979
00:55:52,520 --> 00:55:54,279
Speaker 2: know what I'm saying. I'm celebrating as well.

980
00:55:54,719 --> 00:55:58,440
Speaker 1: And then we're gonna land back on primif Rock and

981
00:55:58,480 --> 00:56:00,839
Speaker 1: we're gonna shoot a bunch of it. Don't think if

982
00:56:01,239 --> 00:56:07,600
Speaker 1: I'm not, I'm not laying landed on us and YoY

983
00:56:07,680 --> 00:56:10,720
Speaker 1: yo shout out. I gotta say, what's up to Ben Krump,

984
00:56:11,239 --> 00:56:13,280
Speaker 1: Attorney General.

985
00:56:13,320 --> 00:56:14,160
Speaker 2: I gotta get with Ben.

986
00:56:14,320 --> 00:56:17,160
Speaker 1: You got to get with Ben Crump and shout out

987
00:56:17,160 --> 00:56:20,600
Speaker 1: to Malcolm X's family. I went to this hundredth birthday

988
00:56:20,760 --> 00:56:24,279
Speaker 1: up in Harlem. It's crazy because they took over the

989
00:56:24,280 --> 00:56:29,520
Speaker 1: center where he got murdered, celebrated. They did a hunting

990
00:56:29,600 --> 00:56:33,440
Speaker 1: fannniversary of his birthday. And so Lauren Hell, our sister,

991
00:56:33,520 --> 00:56:37,680
Speaker 1: came up there right. You know, I started with the foujis.

992
00:56:38,000 --> 00:56:43,760
Speaker 1: I don't know if you know. Fuuji lit was my beat.

993
00:56:43,920 --> 00:56:45,960
Speaker 1: Salam Remy made for me.

994
00:56:46,440 --> 00:56:49,040
Speaker 2: I left out salam written, look he was.

995
00:56:50,880 --> 00:56:53,400
Speaker 1: Laura went up there and spoke some words of wisdom.

996
00:56:53,719 --> 00:56:56,560
Speaker 1: She ripped it down legends. She started funny hour money

997
00:56:56,680 --> 00:57:00,720
Speaker 1: change situation. And so I haven't seen lawn and face

998
00:57:00,840 --> 00:57:04,040
Speaker 1: the face in a long time. And so I pull

999
00:57:04,160 --> 00:57:07,080
Speaker 1: up on Lauren. I'm like sis, she said, I love you, Joe.

1000
00:57:07,920 --> 00:57:10,240
Speaker 1: I felt so good that I got in the car.

1001
00:57:10,800 --> 00:57:13,279
Speaker 1: I drove to Jersey and I was like, yo, Lauren says,

1002
00:57:13,320 --> 00:57:16,640
Speaker 1: she loved me. And that's the perfect way that in

1003
00:57:16,800 --> 00:57:21,960
Speaker 1: this Yeah, Joe and Jada Hell Buggy, we love me, Mom,