Speaker 1: From iHeart Podcasts. This is Supreme The Battle.
Speaker 2: For Row.
Speaker 3: Roll against Wayne.
Speaker 1: Starring Maya Hawk and William H. Mason.
Speaker 4: Whenever We are ready, Mister Chief Justice and Maya played.
Speaker 1: The Court episode eight when Harry met Sarah?
Speaker 2: What time is it?
Speaker 5: Almost midnight?
Speaker 6: Charlie?
Speaker 5: Should we stay?
Speaker 2: And we stayed till the Boss goes home?
Speaker 5: This will be the fourth all night of this week.
Speaker 5: I need to sleep.
Speaker 2: All right, you go home? Then, seriously you should sleep.
Speaker 5: What research is he on now? He had me find
Speaker 5: translations of ancient Greek texts on medical ethics yesterday.
Speaker 2: I know it's bad.
Speaker 5: Is he any closer to deciding which way he's voting?
Speaker 4: At least?
Speaker 2: Don't so? The spotlight's paralyzing him.
Speaker 5: Blackman shouldn't even be writing this opinion?
Speaker 2: Yeah, no, kidding. You don't think he knows that with.
Speaker 5: The screwed up way that Chief assigned it, half the
Speaker 5: country is going to lose their minds whichever way he
Speaker 5: comes down.
Speaker 7: Oh, you know the only thing that'll piss the country
Speaker 7: off more? What if there's no decision at all.
Speaker 8: Dottie, I'm trying to get some sleep.
Speaker 6: I can see that. Ary, then let me be that
Speaker 6: I can't do my love.
Speaker 8: Why do you insist on torturing.
Speaker 5: Me, Harry.
Speaker 9: We've been married for thirty years and I've never seen
Speaker 9: you sleep past eight am.
Speaker 8: And it's eleven morning or night.
Speaker 9: Harry, I'm joking, Dottie, Honey, I'm worried.
Speaker 10: The girls are too, don't involve them. But there's nothing
Speaker 10: to worry about.
Speaker 11: Dear Harry.
Speaker 9: What's left of your hair has gone totally. The bags
Speaker 9: under your eyes look too big for carry on. You're
Speaker 9: up in the middle of the night every night, when
Speaker 9: you're even home, pacing like a vampire. And that for
Speaker 9: the melodrama, Dottie, Oh yeah, and you're lashing out at
Speaker 9: your loved ones.
Speaker 10: Come come here, sit down please. I'm just trying to
Speaker 10: find some balanced sweetheart. I'm sorry, balance for what? How
Speaker 10: in the hell did I find myself in the position
Speaker 10: of being responsible for the rights of every woman's body
Speaker 10: for the foreseeable future.
Speaker 8: How on earth did that happen?
Speaker 6: Don't give me that, Harry.
Speaker 8: Don't give you what the woe is me.
Speaker 9: I'm just a poor boy from Dayton's Bluff and I
Speaker 9: tripped and fell into being one of the most powerful
Speaker 9: men in the nation. It won't work on me. You're
Speaker 9: more ambitious than you like to admit, Harry Blackman, Dottie.
Speaker 10: If I'd grown up anywhere else and my childhood best
Speaker 10: friend hadn't become Chief Justice, do you think there's any chance.
Speaker 8: In the world le be where I am now?
Speaker 6: Yes?
Speaker 8: Really, yes, Harry.
Speaker 9: My best friend from childhood has been divorced three times
Speaker 9: and owns a horse ranch in Los Angeles. We all
Speaker 9: don't just naturally become our best friends. You're on the
Speaker 9: Supreme Court because it's where you belong, not because of
Speaker 9: who gave the toast at our wedding.
Speaker 8: What do I do? Dot?
Speaker 6: You start by making a decision here?
Speaker 8: No, No. Once I do that, the real trouble begins.
Speaker 10: The language and guidelines are maddening to work out. If
Speaker 10: we strike down the law, do we make it legal
Speaker 10: in just the first month? First two months the date
Speaker 10: of viability?
Speaker 8: Somehow? The choice is entirely up to me.
Speaker 9: Would you rather someone else be deciding?
Speaker 6: Be honest?
Speaker 9: Who else would you trust to put in as much
Speaker 9: time and research and real deliberation into this as you?
Speaker 10: Their good told me a story horror story in baker
Speaker 10: Vy car Are a few years ago. The opinion was
Speaker 10: assigned to Charles Whittaker. Justice Whittaker found making a decision
Speaker 10: in the case so tormenting that he had a nervous breakdown.
Speaker 10: They had to hospitalize him in a mental asylum. He
Speaker 10: couldn't even attend the final vote. He resigned from the
Speaker 10: court right after the decision. The case literally drove him
Speaker 10: to the madhouse, Dottie, And that was a case about redistricting.
Speaker 9: Harry, you would love a stay in a mental asylum,
Speaker 9: getting to sit in rocking chairs and read your books
Speaker 9: all day.
Speaker 6: That'd be a vacation for you.
Speaker 8: It does sound pleasant, doesn't it.
Speaker 9: Forget it. I'm not Justice Whittaker's wife. I'm Justice Blackman's
Speaker 9: Now get up and get dressed. Stop feeling sorry for yourself,
Speaker 9: and I'll warm up your breakfast. And remember, Warren could
Speaker 9: have assigned this decision to anyone. He chose you. You're the
Speaker 9: one he knows can win people to your side.
Speaker 12: I wonder if that's the real reason, Harry. They're good
Speaker 12: like the tennis shoes.
Speaker 10: Oh yes, I thought I'd go for a walk clear
Speaker 10: my mind. One of my clerks suggested I keep a
Speaker 10: pair in my chambers closet.
Speaker 13: Where's the draft, Harry?
Speaker 10: It's coming their good, it's still in process, and what
Speaker 10: exactly does that mean?
Speaker 8: You'll have it soon now?
Speaker 10: If I want to get to the Lincoln Memorial and
Speaker 10: back before conference, I need to.
Speaker 13: I've only been on the bench a handful of years, Harry,
Speaker 13: but I've argued thirty two cases here as a lawyer.
Speaker 8: I'm well aware.
Speaker 13: Good, then maybe you'll give credence to what I'm telling you.
Speaker 13: This isn't like handing in your homework late in school, Harry.
Speaker 13: I know that because women are dying while you're dragging
Speaker 13: your feet.
Speaker 11: You understand me.
Speaker 8: You're out of line, the good.
Speaker 13: Working inside the lines. It's never been my strong suit,
Speaker 13: and you need a kick in the ass.
Speaker 8: I'll have a draft soon.
Speaker 13: You never should have been assigned the decision in the
Speaker 13: first place, Harry. That's not a knock on you. It's
Speaker 13: just a fact. Don't exacerbate it.
Speaker 4: I thought we'd have the soup you like tonight. Ron,
Speaker 4: the store finally got those croutons, all right? How's the
Speaker 4: table coming together?
Speaker 2: All right?
Speaker 4: Stimulating as always?
Speaker 8: Ron, who's that well?
Speaker 4: Don't sound so startled, Probably just want to wanting to
Speaker 4: borrow a vase.
Speaker 2: Just be careful, Sarah.
Speaker 14: It could be one of those crazies.
Speaker 11: Hi is Sarah?
Speaker 4: Get over here. Ron, it's definitely one of the crazies.
Speaker 4: What sorry, inside joke, George, what are you doing here?
Speaker 4: Get in this house? Look who's here?
Speaker 1: Rong?
Speaker 4: You didn't tell me George was coming by.
Speaker 2: I didn't know.
Speaker 11: Hey George, great to see you doing a little construction. Ron.
Speaker 15: Oh, just making a table. Wait to occupy myself. I
Speaker 15: hope I'm not disturbing. I called, but couldn't get through.
Speaker 4: That's my fault. I was on with Mama for an
Speaker 4: hour this morning. I don't think I've seen you since
Speaker 4: Ron's campaign a couple of years ago.
Speaker 15: George, literally not since the concession speech. I still blame
Speaker 15: myself for that one.
Speaker 13: Ron.
Speaker 15: You should be state reping able right now. Lord knows
Speaker 15: you'd be heading shoulders better than the boy that got
Speaker 15: in there.
Speaker 4: You can say that again. But it's not your fault, George.
Speaker 4: You did a hell of a job as a campaign manager.
Speaker 15: I've been following your career pretty closely, Sarah. Congratulations on
Speaker 15: your case.
Speaker 4: Oh stop, I haven't won anything yet.
Speaker 11: That's not true. You won in Dallas. Say when is
Speaker 11: the Supreme Court announcing his.
Speaker 4: Decision, supposed to be a month ago. At this point,
Speaker 4: your guess is as good as mine. I call over
Speaker 4: there all the time, but they won't tell me what
Speaker 4: the hold up is. No one seems to know.
Speaker 14: Hey, Sarah Hunt, you want to fix George and me
Speaker 14: some snacks and coffee? We can sit in the living room.
Speaker 11: George, Oh no, that's not necessary.
Speaker 16: Run.
Speaker 4: Don't be silly happy to what can I make you sandwiches?
Speaker 11: Sarah? Really, you don't need to bring anything? Which just
Speaker 11: sound great?
Speaker 14: Hun, So what do you think, George want me to
Speaker 14: take another run in the election? I got a lot
Speaker 14: of ideas about what I do different this guy?
Speaker 11: Actually, Ron, I was hoping I.
Speaker 14: Could which race we even talking about. I appreciate your confidence,
Speaker 14: but I don't think I have a prayer to be Maxwell.
Speaker 14: Nobody does.
Speaker 11: We actually have our eyes on the State House? Ron?
Speaker 8: Really here in Dallas, isn't that wonderful? Well that's quite
Speaker 8: a You think I have the profile for that?
Speaker 11: Well, I'm actually here to talk to Sarah.
Speaker 2: About it me. Oh okay, how about it, Sarah?
Speaker 4: You want me to run for the state House? Ron
Speaker 4: is the one you should be talking to.
Speaker 15: You've garnered some serious attention from your case, Sarah, the
Speaker 15: youngest woman ever arguing in the Supreme.
Speaker 4: Court, youngest person.
Speaker 15: Actually, I think you have a real shot and I
Speaker 15: like to run campaign. Well, i'll be I'll take some
Speaker 15: of that coffee, Sarah. Let's go out back on the
Speaker 15: porch chat about it.
Speaker 11: You don't mind, do you run?
Speaker 2: No? No, I guess all right.
Speaker 4: Let's talk. Oh, Ron, do you mind stopping that kettle
Speaker 4: from whistling? Thanks?
Speaker 2: Dear, sure thing, Sarah, sure thing.
Speaker 8: What have you got for us there, Charlie.
Speaker 2: It's Justice Blackman's first draft.
Speaker 8: Sir, first draft of What Warre in Peace? It's five
Speaker 8: hundred pages.
Speaker 2: He knows it's on alongside your runner. This has gotta
Speaker 2: be a joke.
Speaker 17: No, I don't believe it is. Bill Blackman is paralyzed
Speaker 17: forty pages of discourse on the history of abortion, a
Speaker 17: five hundred page decision, and I can't find the decision.
Speaker 8: And I believe that may be the point. Charlie, come
Speaker 8: on in here, you drop the copies off.
Speaker 2: Just it, sir, all the justices now have it?
Speaker 8: Excellent? Excellent? Any initial responses? Come on, let's have it.
Speaker 7: Justice Blackman candidly, I don't think we're going to get
Speaker 7: the responses that you're hoping for.
Speaker 8: And what exactly is their problem?
Speaker 7: The other justices expect a decision on the constitutionality of abortion, Sir,
Speaker 7: the crux of Missus Whittington's argument, Well.
Speaker 8: They'll get it.
Speaker 10: This draft is merely a jumping off point to begin
Speaker 10: more discussion.
Speaker 2: Sir. I think that might have been acceptable to them
Speaker 2: a month or two ago.
Speaker 10: But at this point, what exactly are my colleagues saying, Sir?
Speaker 2: I no longer think this is a legal issue.
Speaker 8: What on earth does that mean?
Speaker 2: It's a political one. It's about us winning votes.
Speaker 8: You sound like a certain Chief Justice, Sir.
Speaker 7: Justice Marshall is threatening to go public with what he
Speaker 7: sees as an unfair process.
Speaker 8: What on earth are you talking about?
Speaker 7: Justice Douglas, is deemed that the Chief assigned the decision
Speaker 7: to you, Marshall, Greece.
Speaker 8: An internal disagreement and the Supreme.
Speaker 7: Court has never been aired publicly before. No, sir, it's
Speaker 7: a bluff maybe, But word around here is that Marshall
Speaker 7: instructed his clerks to leak a memo to the Post
Speaker 7: if your decision isn't brought about soon, damn it. If
Speaker 7: I may, your honor, we need to take a stand.
Speaker 7: Whichever way you're going to come down on the issue.
Speaker 7: The important thing.
Speaker 8: Is to act, Charlie.
Speaker 10: Do you know what the first line of the decision
Speaker 10: will be, Sir, the decision it will begin, Blackman. H
Speaker 10: Delivering the opinion time is not the most important factor, Charlie.
Speaker 10: Getting it right is to the country at large. I
Speaker 10: will appear responsible.
Speaker 2: Your honor.
Speaker 7: You look a little green, sir, Oh, just as Marshall. Hello,
Speaker 7: Justice Blackman is occupied at the moment, your.
Speaker 18: Honor, Yes, I can hear that, Charlie. Leave me with him, Yes,
Speaker 18: your honor, Harry, it's third. Good, come on out here.
Speaker 10: You all right, Harry, not particularly no, I gather you
Speaker 10: don't think much of my draft.
Speaker 13: You know why, because I told you to write a decision, Harry,
Speaker 13: and what you wrote is a question. When I first
Speaker 13: came to court, Justice black gave me a little advice.
Speaker 13: He told me to never display agony in public. Always
Speaker 13: present as if the answer is obvious and clear. The
Speaker 13: public should know that decisions which affect their lives could
Speaker 13: often just as easily come down the other way. It's
Speaker 13: not as if I don't understand your predicament, Harry.
Speaker 8: No offense.
Speaker 10: They're good, but unless you're sitting where I am, let
Speaker 10: me take a shot.
Speaker 13: Nixon specifically chose you for the seat because you were
Speaker 13: supposed to be uncontroversial after his first two nominees were rejected.
Speaker 13: And now your pal the Chief has ensured that whichever
Speaker 13: way we come down on this issue, you're going to
Speaker 13: be one of the most controversial men in the country,
Speaker 13: maybe in the country's whole history.
Speaker 8: That about it and about sums it up.
Speaker 13: You know, here's the thing, Harry, half asking the decision
Speaker 13: is not the way out.
Speaker 8: Half asking.
Speaker 10: This must be one of the most well researched, well
Speaker 10: thought out drafts written here since Wendell Holmesy.
Speaker 13: No one's accusing you of not doing your homework, Harry.
Speaker 13: We know you're brilliant, we know you're working hard, but
Speaker 13: your draft doesn't address the core issues.
Speaker 8: All due respect, they're good.
Speaker 10: The hell it doesn't all the social and religious approach,
Speaker 10: every one of them.
Speaker 13: And the medical and legal approaches going back to ancient times.
Speaker 13: We don't need a history lesson, Harry, We need a conclusion.
Speaker 13: Your draft doesn't take a stand, but how could it
Speaker 13: when all due respect. You're a tough, comfy away in
Speaker 13: the chief's pocket.
Speaker 8: Are you trying to get a rise out of me?
Speaker 2: Hell?
Speaker 13: Yes, I'm trying to get you to stand for something.
Speaker 11: Man, Now go to it.
Speaker 8: What are you doing out here?
Speaker 2: It's four in the morning.
Speaker 4: There rerun in the late show Mary's on. Remember that
Speaker 4: one Ernest borgnine, Betsy Blair.
Speaker 14: You become a worse and sony act than me.
Speaker 4: Have some t careful it's hot, he slept it all.
Speaker 4: How the hell can I sleep wrong? No one will
Speaker 4: tell me anything. The decision was supposed to come down
Speaker 4: months ago. It keeps getting delayed and delayed, and I
Speaker 4: have no idea why.
Speaker 2: It means you gave them a lot to chew on run.
Speaker 4: When I asked you how I did, never mind?
Speaker 14: No what.
Speaker 4: When I asked you afterwards how I did in court?
Speaker 4: You said you would have given me a B plus.
Speaker 8: And I would have.
Speaker 14: A B plus is an excellent mark in law school.
Speaker 11: You know that?
Speaker 4: Okay, Okay, I just I feel like I can't move
Speaker 4: on with my life until we have a decision. I
Speaker 4: gotta see it settled.
Speaker 8: You give any more thought to running the campaign?
Speaker 4: I don't know. I don't think I'm cut out for politics. Run.
Speaker 14: It's not my nature, of course, it is. Everybody loves you, Sarah. Besides,
Speaker 14: you're a famous attorney. Now take advantage.
Speaker 4: Would you like a wife who's a state rev.
Speaker 14: Honestly, probably easier for me than you being a lawyer.
Speaker 14: Every firm I interview with just wants to hear about you,
Speaker 14: like they.
Speaker 11: Don't even know how big a role I played in Row.
Speaker 4: I really am sorry about that.
Speaker 3: Run.
Speaker 4: I know you probably don't believe me, but.
Speaker 2: I am oh sorry for what all of it for.
Speaker 4: You not getting the credit you deserve, For the time
Speaker 4: and energy I had to put into taking care of
Speaker 4: the case instead of taking care of you, the money
Speaker 4: problems it caused us, the death threats, losing our friends.
Speaker 4: You are a truly good man for putting up with
Speaker 4: it all.
Speaker 2: Wrong, Sarah.
Speaker 14: I got a call last week from Sissy Farenthold.
Speaker 4: Cissy what she wants.
Speaker 14: She wants me to come work on her campaign. She
Speaker 14: has a real shot at the governor's chap after the
Speaker 14: scandal in Sharpstown.
Speaker 4: You're right, she does.
Speaker 8: It's a paid position.
Speaker 4: Sarah, sounds too good to pass up.
Speaker 14: We agreed to stay married as long as we were
Speaker 14: both happy, Sarah.
Speaker 4: That's true.
Speaker 19: We did come to bed soon, okay, Harry, Yeah, I'm awake.
Speaker 6: You slept through dinner again.
Speaker 8: I know I'm drowning, Doddie.
Speaker 9: I know it feels that way. I promise you you're not.
Speaker 9: There's someone here to see you.
Speaker 4: Are you feeling all right, Daddy?
Speaker 8: Sally? What are you doing here?
Speaker 6: She came to talk to you, Harry. I'll leave you to.
Speaker 16: Her.
Speaker 20: Guy who's been in bed as much as you lately.
Speaker 20: You don't look very well rested, Daddy.
Speaker 8: Forget about me? How you doing? How's school?
Speaker 5: Professor Lowe talked about you in class last week?
Speaker 8: Do I even want to know?
Speaker 5: It wasn't mean.
Speaker 20: He was curious why the decision on Roe Wade hasn't
Speaker 20: come down yet.
Speaker 8: That seems to be the question.
Speaker 4: We never talked about it, you know about what?
Speaker 10: Of course we did. We did nothing but talk for
Speaker 10: quite some time. What you would have broken the law?
Speaker 8: Sally?
Speaker 20: Doctor was trustworthy, not some butcher. You could have arranged
Speaker 20: that with your contacts, couldn't you?
Speaker 8: Sally?
Speaker 20: I was nineteen, Daddy, I was a sophomore. It was
Speaker 20: terrifying that I got pregnant. You think I wanted to
Speaker 20: drop out of school and marry Rick.
Speaker 8: But you're back in school now. It all turned out
Speaker 8: alright in the end.
Speaker 20: Only because I had a miscarriage three weeks after the wedding.
Speaker 20: If I hadn't, Rick and I probably would still be
Speaker 20: married and miserable. I wanted an abortion, of course.
Speaker 8: I didn't, Sally.
Speaker 20: Am I supposed to pretend to otherwise?
Speaker 8: Why didn't you say anything?
Speaker 20: Why didn't I tell my father, the federal judge at
Speaker 20: the time, that I wanted an abortion?
Speaker 8: Fair point.
Speaker 20: I came to you and Mom, I told you we
Speaker 20: were in trouble. When you didn't come back to me
Speaker 20: with the name of a doctor, I thought. I thought
Speaker 20: that was your way of saying it wasn't an option.
Speaker 8: The effect of inaction?
Speaker 10: What nothing? Just something. I seem to be accused of
Speaker 10: a lot lately. You'll have another husband, Sally, and children.
Speaker 4: Stop just stop.
Speaker 8: I don't know what to say. I'm sorry, Sally.
Speaker 4: I believe you, and I believe in you.
Speaker 20: You need to get some rest.
Speaker 4: Mom's really worried about you.
Speaker 20: I guess I just wanted to tell you that you're
Speaker 20: going to do great.
Speaker 8: And what if I can't decide? What if I'm paralyzed.
Speaker 20: When I was procrastinating on some school assignment once you
Speaker 20: told me that writer's block was a failure of ego.
Speaker 20: It's not that we can't write, it's that we don't
Speaker 20: think what we have to say will be particularly interesting
Speaker 20: to anyone. You have a mother, three daughters, and an
Speaker 20: amazing wife Daddy. Considering the other candidates, I think the
Speaker 20: country is really lucky to have you as the one
Speaker 20: making this decision.
Speaker 8: Dotty, what are you doing up?
Speaker 5: Well?
Speaker 9: How was your chat with Sally enlightening? Where on earth
Speaker 9: are you going at this hour? Harry one, guess you're
Speaker 9: going to the courthouse.
Speaker 6: Is it even.
Speaker 8: Open, Dottie?
Speaker 10: They gave me a key. It's time to make a decision. Oh,
Speaker 10: don't wait up, sweetheart and listen. Thank you, Dotty. I
Speaker 10: don't say it enough, but none of this would be
Speaker 10: real without you.
Speaker 6: Oh I know.
Speaker 8: And you're right.
Speaker 6: You don't say it enough. Now go put an end
Speaker 6: to all this, yes.
Speaker 16: Ma'am your honor.
Speaker 8: Oh hello, sorry, I didn't mean to startle.
Speaker 21: Hello there, I didn't know anyone who was at the
Speaker 21: courthouse this late.
Speaker 8: You're Malcolm, our new records cleric Stephen. Actually, yes, sir, Stephen.
Speaker 10: Stephen right, someone told me this is where I could
Speaker 10: find a copy of the dissents in the Griswold case.
Speaker 10: Truth be told, I've been wandering around for twenty five
Speaker 10: minutes looking for this office.
Speaker 21: They keep me pretty well hidden, your honor. But those
Speaker 21: files would actually be in the records room in the basement.
Speaker 21: Let me get them for you, sir.
Speaker 10: Really only because it'd probably take me two weeks. Stephn,
Speaker 10: locate the records room, not a problem.
Speaker 4: Just give me a mat.
Speaker 10: Hello, Stephen, No U Stephen just stepped away for a minute.
Speaker 3: But this is the court clerk's office, right, yes, yes,
Speaker 3: it is great. This is Sarah wedding too.
Speaker 8: Oh, I see. I'm sure Stephen will return in a Maybe.
Speaker 3: You can help me. I'm going a little nutty here.
Speaker 3: You have been given any indication of when we can
Speaker 3: expect a decision in roeby Wade.
Speaker 8: I'm afraid not. I really should go No, wait.
Speaker 3: A second, will you. It's just I've called and talked
Speaker 3: to Stephen like ten times. He never knows anything either.
Speaker 3: You know. I actually feel bad for the.
Speaker 8: Justices comeing in.
Speaker 3: My part's done. Say, it's a hard job.
Speaker 10: Now, I hear you gave a very fine performance, Missus Weddington.
Speaker 10: No matter what happens, you should be proud, Missus Weddington,
Speaker 10: if you don't mind my asking what's next for you?
Speaker 3: Honestly, I don't have a clue. Some people around here
Speaker 3: have asked me to run for the legislature politics.
Speaker 8: Really, I know I.
Speaker 3: Know politics, but I'll tell you it's an awfully strange
Speaker 3: feeling to know that the most important thing I'll ever
Speaker 3: do in my life is over at twenty six. It's
Speaker 3: an awfully strange feeling.
Speaker 8: You're my daughter's age.
Speaker 3: Oh you have a daughter?
Speaker 8: I have three.
Speaker 3: You're lucky men with daughters. They just understand women more,
Speaker 3: you know what I mean? Except for Nixon. I don't
Speaker 3: know why Trician and Julie let him get away with
Speaker 3: the crabby pulls.
Speaker 8: You think they have a say?
Speaker 16: Do you?
Speaker 3: Are you? Kidds? Any self respecting daughter would be ashamed
Speaker 3: to have her daddy so poorly trained. But then what
Speaker 3: do I know? I couldn't even get my father to
Speaker 3: come watch me. Are you in the Supreme Court?
Speaker 8: I'm sorry to hear that he's a.
Speaker 3: Minister and you can imagine how he feels about my
Speaker 3: involvement in all this feels like every day we move
Speaker 3: further and further away from each other.
Speaker 8: My youngest daughter.
Speaker 3: Is a hippie and I'll bet you just hate that.
Speaker 10: I do, I really really do.
Speaker 3: Don't let the girls fool you. They may play it
Speaker 3: tough like they don't need you. Trust me. It's just next.
Speaker 4: I should go.
Speaker 3: I'm glad you answered, and Fitness Steven, are you a
Speaker 3: new clerk?
Speaker 8: I'm I.
Speaker 10: I wish I had more information for you about your case,
Speaker 10: Missus Whittington, but.
Speaker 8: I think I think soon.
Speaker 3: Yeah, yeah, terrific. You take care of those daughters now,
Speaker 3: and every once in a while, give them a little
Speaker 3: more credit than you think they deserve. They may just
Speaker 3: surprise you.
Speaker 8: Goodbye, now, goodbye everything all right, Justice Blackman?
Speaker 4: Who is that on the phone?
Speaker 8: Thank you, Stephen, It was just I should get back
Speaker 8: to my office.
Speaker 21: Here are the files you ask for, your honor. Are
Speaker 21: they to help you make a decision on the abortion case?
Speaker 2: No?
Speaker 8: Actually, I believe I've made one. Now the hard part begins.
Speaker 1: Supreme The Battle for Row from iHeart Podcasts, created and
Speaker 1: written by Aaron Tracy, directed by Rachel Winter, starring Maya Hawk,
Speaker 1: William h Macy and Abigail Breslin, also featuring William Fickner
Speaker 1: as Warren Felicity Huffman as Dottie, Garrett Hedlund as Ron,
Speaker 1: Charlie B. Foster Charlie. Executive produced by Eva Longoria, Ben Spector,
Speaker 1: Rachel Winter and Aaron Tracy, as well as Katrina Norvell
Speaker 1: and Anna Stump from iHeart Produced by Kelly and Kelly.
Speaker 1: Executive producers for Kelly and Kelly are Chris Kelly, Lauren Berkovich,
Speaker 1: and Pat Kelly. Produced by Tamara Black for Kelly and Kelly.
Speaker 1: Director of Audio Chris Kelly. Original score by Hamilton Leitthhauser
Speaker 1: and Anna Stump. Sound designed by Paul Teduscini, edited by
Speaker 1: Max Collins. For a full list of credits, please see
Speaker 1: show notes.
Speaker 2: This is a production of Unbelievable Entertainment in partnership with
Speaker 2: iHeartRadio