WEBVTT - Mini Crush #16

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<v Speaker 1>Hey, everybody, welcome to the movie Crush Many crush no

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<v Speaker 1>no no, no, no no, and a many crushed to

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<v Speaker 1>you too, Chuck Man, we're flying by the seat of

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<v Speaker 1>our pants today. Speaking of many crushes, I mini maximally

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<v Speaker 1>crushed my leg over the weekends. Oh yeah, I heard

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<v Speaker 1>about the ankle. What's going on there? Yeah, since you

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<v Speaker 1>notice have a giant shoe on, that's a little why man. Yeah.

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<v Speaker 1>I went to the river and I stepped in first

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<v Speaker 1>step into the river, rolled that ship over and was

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<v Speaker 1>two miles from my car and had a hike back,

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<v Speaker 1>and then we almost got lost in the woods as

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<v Speaker 1>it was getting dark. It was like some movie type stuff. Yeah, yeah,

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<v Speaker 1>it was. No, it's just some some pals and uh

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<v Speaker 1>we already deciding who you're gonna eat. Yeah, yeah, it

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<v Speaker 1>was gonna be me, because it's gonna eat myself. I

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<v Speaker 1>was gonna cut the damn leg off and eat that

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<v Speaker 1>Stephen King style. Oh man, do you have a trick

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<v Speaker 1>ankles anyway? Or is that like the first time was

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<v Speaker 1>the first I was wearing. I was wearing these big,

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<v Speaker 1>like choco like river kind of shoes, you know that

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<v Speaker 1>strap on. Really I felt really confident and I took

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<v Speaker 1>this really confident step onto this rock and just oh, man, well,

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<v Speaker 1>I hate to break it to you, but you may

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<v Speaker 1>have a trick ankle now, because once you have one

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<v Speaker 1>really bad sprain, is it a sprain? Then, uh, that

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<v Speaker 1>tends to happen. Well, thankfully I'm not a sportsman. So well,

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<v Speaker 1>but once you get a trick ankle, you can literally

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<v Speaker 1>like hit a crack and this. Yeah that's good, it'll

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<v Speaker 1>it'll be good for like pratt Fall comedy. So well,

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<v Speaker 1>I'm sorry to hear that. Man, did you get some

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<v Speaker 1>paint killers. It's called ibuprofen. Uh take them forward a

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<v Speaker 1>time and they do the trick pretty well. Yeah. But

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<v Speaker 1>you know what, there's nothing worse than leaving a doctor

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<v Speaker 1>with a pain in your body and they say here's

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<v Speaker 1>some extra strength. I view profen. Yeah, I don't want

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<v Speaker 1>to make light of the opioid. No, no, no, it's

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<v Speaker 1>a crisis, all right. But now I've been elevating it,

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<v Speaker 1>I see it's actually a lot better. Maybe I'm actually

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<v Speaker 1>able to get around much more than I have been

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<v Speaker 1>the last few days. You know, just a crush, a cane,

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<v Speaker 1>a mini crush that we're about to record right now,

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<v Speaker 1>all right here we go, everybody, We're gonna start it off.

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<v Speaker 1>By the way, UH just want to let people know.

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<v Speaker 1>If you're on the Facebook page, you probably saw me

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<v Speaker 1>tease the fact that Ross markand from The Walking Dead

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<v Speaker 1>is coming in. He's coming in and less than two

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<v Speaker 1>hours talk about die Hard And I'm really excited because

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<v Speaker 1>you guys know how much I love people who can

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<v Speaker 1>do impressions, and he is one of the best. So

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<v Speaker 1>I hope he indulges me. I bet he will. I

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<v Speaker 1>might just say, like, do the whole interview as Brad Pitt.

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<v Speaker 1>Brad Pitt is that does he have a distinct voice, Well,

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<v Speaker 1>that's one of his best ones, because I'm like, wait

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<v Speaker 1>a minute, Brad Pitt's a tough one because it's not,

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<v Speaker 1>you know, over the top. Uh. So it's a very subtle,

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<v Speaker 1>very impressive impression. He does kind of have a clipped

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<v Speaker 1>kind of thing about him. Yeah. I can't wait to

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<v Speaker 1>trod him around the office, say dance monkey. All right,

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<v Speaker 1>here we go. We'll we'll go ahead and get started

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<v Speaker 1>with a social studies segment. All right for this one.

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<v Speaker 1>I by the way, I apologize. I put this out

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<v Speaker 1>very early in the morning and so nobody on the

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<v Speaker 1>West coast or probably even central or Mountain time got

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<v Speaker 1>a chance to see this, and I apologize, and I

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<v Speaker 1>know that everyone wants to be involved here, and I

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<v Speaker 1>do take these down after a period because I kind

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<v Speaker 1>of want them to not just live on the internet,

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<v Speaker 1>so you can be a little bit surprised when they

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<v Speaker 1>come up on the show. But um, I'm doing the

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<v Speaker 1>best I can, So I apologize if you have not

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<v Speaker 1>gotten any action. But here we go with social studies.

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<v Speaker 1>I put up this query, Knoll, what movie do you

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<v Speaker 1>hate that everyone else seems to love. We've been asked

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<v Speaker 1>that before. It's funny. I saw a response to and

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<v Speaker 1>involved Wes Anderson movies, and I love Wes Anderson. But

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<v Speaker 1>I cannot make it through life aquatic. I cannot make

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<v Speaker 1>it through it. I've I've I've saw in the theaters.

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<v Speaker 1>I was very sleepy. It made me very sleepy. And

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<v Speaker 1>then I tried watching it again recently and I just

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<v Speaker 1>kind of kept zoning in and out and getting up

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<v Speaker 1>and doing stuff. It wasn't that I hated it. I

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<v Speaker 1>just didn't grab me. And I love his movies. That

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<v Speaker 1>one I've really business. I know, man, Well, I will

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<v Speaker 1>say I love the design of that film quite a bit,

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<v Speaker 1>but it is not one of my top three favorite

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<v Speaker 1>Wes Anderson films by any stretch. It was a question,

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<v Speaker 1>was the question about movies people love that you don't like. Yeah,

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<v Speaker 1>maybe maybe that you hate that everyone else seems to

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<v Speaker 1>really like. And I say this to people and they're like, what,

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<v Speaker 1>that's my favorite one? You know, I can't account for

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<v Speaker 1>good taste, all right, here goes oh and to her Williger,

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<v Speaker 1>I hate Napoleon Dynamite. See it's cults attraction and I

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<v Speaker 1>see its place just not my type of humor movie.

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<v Speaker 1>I love it. I you know what, I saw that

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<v Speaker 1>way late. For some reason, I didn't get into it.

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<v Speaker 1>I didn't get on that train like everyone else. I

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<v Speaker 1>saw it late and thought, yeah, it was fine. You

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<v Speaker 1>know what I think it was. I saw it not

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<v Speaker 1>totally separate from all of the cult status of it.

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<v Speaker 1>I just looked like a goofy movie, and I was.

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<v Speaker 1>I went and saw it with a friend and really

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<v Speaker 1>liked it, and then was kind of on board with

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<v Speaker 1>that before it even caught fire. So I guess I

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<v Speaker 1>felt like I was part of the early adopters. Yeah. So,

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<v Speaker 1>and that will help if something's overhyped. It's it's tough.

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<v Speaker 1>Sheila Hartwell says, Dirty Dancing so overhyped by all my friends,

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<v Speaker 1>like it was the best movie ever and it was

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<v Speaker 1>just uh yeah, you know, Sheila, Dirty Dancing is dirty dancing.

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<v Speaker 1>That's all I can describe it. It's not some great

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<v Speaker 1>movie by any stretch, but it as a very fond

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<v Speaker 1>place in many people's hearts for sure. Uh. Joshua hallisys

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<v Speaker 1>the whole Fast and the Furious franchise for one pick

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<v Speaker 1>a naming convention. That's his gripe Faster, more Furious or

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<v Speaker 1>I think I might have seen that first one. But

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<v Speaker 1>that's it. But uh, previous guest Brandy Posey, one of

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<v Speaker 1>my favorite favorite comedians. She said, like, dude, get get

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<v Speaker 1>into it. And there's some serious world building ship that's

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<v Speaker 1>going on when you watch all of these movies. I

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<v Speaker 1>watched one out of sequence and on a plane, I

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<v Speaker 1>couldn't even get through it. On a plane, I have

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<v Speaker 1>switched to something else. I mean, I do appreciate those stunts,

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<v Speaker 1>so I'm surprised I don't watch them just for that.

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<v Speaker 1>Just watch the clip show on YouTube with all the stunts.

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<v Speaker 1>You know, you don't need all the bad acting. And

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<v Speaker 1>that's probably an unpopular opinion. Come at me, Internet, Uh Stephanie,

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<v Speaker 1>Uh del Culva Cardinal, what a great name. I'll just

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<v Speaker 1>call you STC. She says, A never ending story. H

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<v Speaker 1>We have a movie theater near us. It plays classics,

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<v Speaker 1>and I took my kids. I was so bored. I

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<v Speaker 1>hated it, even when the horse dies in the muck.

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<v Speaker 1>You know what. Confession time, I never saw that movie.

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<v Speaker 1>I was too old. It's an nostalgian movie for me,

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<v Speaker 1>for sure. Oh boy. Amber Scrutin says, et I didn't

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<v Speaker 1>see it till I was probably twenty two or twenty three,

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<v Speaker 1>so it wasn't it wasn't just of my childhood. I

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<v Speaker 1>was honestly excited to finally watch it because I thought

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<v Speaker 1>i'd really enjoy it. I thought it was really boring. Alright,

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<v Speaker 1>brave statement. Col Gaston says Terminator. I realized that it's

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<v Speaker 1>a good movie, but it's always been hard to get past.

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<v Speaker 1>Everything is dark and wet. I like that, how do

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<v Speaker 1>you too? That's good. That comment will live in infamy

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<v Speaker 1>on this show. J Rhodes Gone with the Wind. Scarlett

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<v Speaker 1>O'Hara is straight up an awful character. I can't believe

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<v Speaker 1>waste to three hours on that. Uh yeah, well that's

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<v Speaker 1>a tough one. They say it's a classic Chuck. Yeah,

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<v Speaker 1>I've never seen the whole thing. Really yeah, I'm not.

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<v Speaker 1>I'm not ashamed to say Carrie O'Neill. Very controversial, says

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<v Speaker 1>Blade Runner the original. I know, I know, but my

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<v Speaker 1>husband and I both really tried to like it. We

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<v Speaker 1>found ourselves counting down the minutes until it was over.

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<v Speaker 1>I agree, whoa, Yeah, I like the second one way better.

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<v Speaker 1>Really yeah, the first one. I tried watching it and

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<v Speaker 1>prep for the second one coming out, And you've never

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<v Speaker 1>seen I had seen it, Chuck. And here's the thing,

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<v Speaker 1>I'm being harsh. It's a good movie. I like it,

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<v Speaker 1>but it it is slow Christmas molasses, and I feel listen,

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<v Speaker 1>I'm not I'm a Zenniol. Okay, I'm on the cusp,

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<v Speaker 1>all right. But no, it's beautiful and it's it's important

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<v Speaker 1>visually and and and the soundtrack. I have the soundtrack

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<v Speaker 1>on Vinyl Vengelis soundtrack. Um, but as a movie, I

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<v Speaker 1>found some problems with it, and some holes in the

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<v Speaker 1>plot and some things where I was like, what, what, why?

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<v Speaker 1>Why did they linger on this? So much. Okay, I'm

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<v Speaker 1>gonna leave because we have a lot whole segment coming.

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<v Speaker 1>I don't know if it's on this one or the

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<v Speaker 1>next one because my notes in front of me. But

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<v Speaker 1>Heather Keenan says, La La Land. Everyone was all a

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<v Speaker 1>buzz about that movie. It just felt so flat for me.

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<v Speaker 1>I love La La Land, but I know a lot

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<v Speaker 1>of people who hated it. I don't like it. All Right, Well,

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<v Speaker 1>you're in the club. We talked about this before. UM,

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<v Speaker 1>A couple of people have said The Goonies Kelsey mac skimming.

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<v Speaker 1>First time I watched it was in class in high school.

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<v Speaker 1>Wow on a day. Oh, we had a substitute teacher

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<v Speaker 1>and everyone was super excited. I just didn't get it,

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<v Speaker 1>and I thought it was overrated. Do you ever have

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<v Speaker 1>a substitute teacher that would just play a legit like

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<v Speaker 1>movie movie, not even an educational movie like The Goonies. Um,

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<v Speaker 1>it seems like that probably happened, but I don't. I

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<v Speaker 1>can't recall like a specific I can't really either, but

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<v Speaker 1>I feel like that happened. Sounds cool. Substitute teaching. That's

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<v Speaker 1>a great gig. I should do that. You get all

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<v Speaker 1>the respects you get to write your name on the board.

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<v Speaker 1>You know. The worst was was the subs that would

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<v Speaker 1>come in and actually try and teach man, everyone's get

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<v Speaker 1>right out of Don't you get it? Don't you know

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<v Speaker 1>what you are in your lane? You didn't get the memo.

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<v Speaker 1>Oh it's supposed to be a free day, all right,

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<v Speaker 1>I'm just gonna go through a couple of more of these.

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<v Speaker 1>David Barlow says Anchorman. I really didn't think it was

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<v Speaker 1>funny in the end with the dog talking to the

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<v Speaker 1>bear was so incredibly stupid. Well, of course it was stupid.

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<v Speaker 1>It was Anchor man. I love that movie. It's a

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<v Speaker 1>lot of fun. Anchorman two. Didn't see it, heard it

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<v Speaker 1>was slightly less fun. Yeah, I didn't see that because

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<v Speaker 1>I was afraid. I love the original, and I was

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<v Speaker 1>afraid I would hate it so much it would spoil

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<v Speaker 1>something for me in my heart. But I've since been

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<v Speaker 1>told by a few people like you should check it

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<v Speaker 1>out now because after the the bad buzz, apparently it

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<v Speaker 1>has survived a little more friendlier. Yeah. Absolutely, Okay, it's like,

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<v Speaker 1>did you see Zoolander two? Now? That's bad. Did not

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<v Speaker 1>want to see that at all. It just cannibalizes every

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<v Speaker 1>joke from Zoolander on every beat and just kind of

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<v Speaker 1>does it more such a Jean McCool eyes wide shut.

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<v Speaker 1>I could have kept them shut and had a more

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<v Speaker 1>satisfying three hours. Jean McCool, Yeah, that's a good name.

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<v Speaker 1>It's a good comment too. I love the eye swatch shut.

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<v Speaker 1>We've talked about it before. But very divisive movie. Uh

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<v Speaker 1>Lilias Bonecci another uh et hater almost famous from Joshua Callaghan.

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<v Speaker 1>Such a cringe, so self aware, a film that insists

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<v Speaker 1>upon itself, that leads me irritated and unentertained. Um. And

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<v Speaker 1>then a follow up comment from Cassandra Perez. Oh my gosh,

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<v Speaker 1>my heart, she's heartbroken. But I will say this, Joshua,

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<v Speaker 1>I love that movie when it came out. But I

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<v Speaker 1>think a lot of those Cameron Chrow movies has have

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<v Speaker 1>not aged super super well. There's a veneer of schmaltzen

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<v Speaker 1>cheese that he has left behind like a snail trail.

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<v Speaker 1>Schmaltz and cheese. That's my favorite. Um, you know what

0:12:04.080 --> 0:12:07.120
<v Speaker 1>is that? Like a like an order platter Schmaltz and cheese. Yeah? Yeah,

0:12:07.440 --> 0:12:10.400
<v Speaker 1>crew to say, there you go, some charcoter, isn't it

0:12:10.440 --> 0:12:13.160
<v Speaker 1>almost famous based on like real like the guy's the

0:12:13.160 --> 0:12:15.520
<v Speaker 1>guy's book or is his memoir? Well, I mean Cameron

0:12:15.520 --> 0:12:18.520
<v Speaker 1>Crow was, he was, he's the guy, he's the kid. Yeah,

0:12:18.559 --> 0:12:20.480
<v Speaker 1>he went on the Road with the Eagles. I think

0:12:21.080 --> 0:12:24.679
<v Speaker 1>it was what it was loosely based. So I mean

0:12:24.760 --> 0:12:27.720
<v Speaker 1>I still say I like that movie, but parts of

0:12:27.760 --> 0:12:31.200
<v Speaker 1>it he gets a little like movie. Ready, do you

0:12:31.200 --> 0:12:33.440
<v Speaker 1>have movies though that you just you you you get it,

0:12:33.600 --> 0:12:36.320
<v Speaker 1>don't ever need to watch it again? Like it's like

0:12:36.360 --> 0:12:38.520
<v Speaker 1>I know what almost famous is. Don't feel like I

0:12:38.559 --> 0:12:41.320
<v Speaker 1>need to revisit that. Yeah, I got you. Yeah. Most

0:12:41.320 --> 0:12:44.000
<v Speaker 1>of those are tough movies to watch for me though,

0:12:45.160 --> 0:12:47.120
<v Speaker 1>But I'm also wondering if, like, maybe there's a movie

0:12:47.120 --> 0:12:49.280
<v Speaker 1>that's successful and does a good job, but it's still

0:12:49.360 --> 0:12:50.920
<v Speaker 1>doesn't grab you in such a way that you need

0:12:50.960 --> 0:12:52.480
<v Speaker 1>to revisit it, but you like kind of can check

0:12:52.520 --> 0:12:54.640
<v Speaker 1>it off your list and be like that's a good film,

0:12:54.679 --> 0:13:05.560
<v Speaker 1>but I'm done with it. Fair enough. No, Alright, moving

0:13:05.600 --> 0:13:10.520
<v Speaker 1>on segment to fill this hole. Alright, a news segment.

0:13:10.600 --> 0:13:14.040
<v Speaker 1>I'm ready. Uh, and this is not about the porn industry.

0:13:14.080 --> 0:13:18.120
<v Speaker 1>This is about plot holes. And uh, I'm gonna go

0:13:18.160 --> 0:13:20.079
<v Speaker 1>through five of these these are all over the internet,

0:13:20.600 --> 0:13:22.840
<v Speaker 1>some very obvious ones. Back to the Future, the beloved

0:13:23.080 --> 0:13:26.280
<v Speaker 1>film from the blooved pul Schneider just watched it last

0:13:26.320 --> 0:13:28.480
<v Speaker 1>night for the first time, for the first time in

0:13:28.520 --> 0:13:31.400
<v Speaker 1>many years. Yeah, Schneider. By the way, his show has

0:13:31.440 --> 0:13:34.080
<v Speaker 1>performed so well and he enjoyed it so much. He's

0:13:34.080 --> 0:13:38.240
<v Speaker 1>listening to the show now and uh texting me like,

0:13:38.840 --> 0:13:40.800
<v Speaker 1>would you ever have me on again? And I was like, dude,

0:13:41.559 --> 0:13:45.400
<v Speaker 1>everyone loved that episode so much. Consider yourself just a

0:13:45.480 --> 0:13:47.440
<v Speaker 1>recurring guest when I go to New York. No, man,

0:13:47.640 --> 0:13:49.040
<v Speaker 1>you know I want to hang Can I hang with

0:13:49.040 --> 0:13:50.600
<v Speaker 1>you guys? And by the way, I'm doing a live

0:13:50.679 --> 0:13:53.880
<v Speaker 1>movie crush in New York this fall. Not quite nailed

0:13:53.920 --> 0:13:57.440
<v Speaker 1>down yet, but New York look for that soon. Alright,

0:13:57.440 --> 0:14:00.000
<v Speaker 1>So back to the Future. One of the biggest plot

0:14:00.040 --> 0:14:04.480
<v Speaker 1>holes is the fact that all the years later in

0:14:04.559 --> 0:14:09.520
<v Speaker 1>the the new future where things have changed, no one

0:14:09.559 --> 0:14:13.640
<v Speaker 1>seems to the parents never seemed to say, wait a minute,

0:14:14.000 --> 0:14:17.840
<v Speaker 1>it's a little strange that our son is an identical

0:14:17.880 --> 0:14:22.320
<v Speaker 1>twin of that guy that we knew in high school. Um, dude,

0:14:22.320 --> 0:14:23.960
<v Speaker 1>there's a whole There's a bunch of things like that

0:14:24.000 --> 0:14:26.840
<v Speaker 1>in the movie. I mean a hundred you can't really

0:14:26.880 --> 0:14:29.800
<v Speaker 1>poke apart this movie. But it is a little funny that, like,

0:14:29.840 --> 0:14:32.800
<v Speaker 1>wait a minute, they had a child that looks exactly

0:14:32.840 --> 0:14:34.920
<v Speaker 1>like their best friend who set them up in high school.

0:14:34.960 --> 0:14:36.720
<v Speaker 1>A little strange. Oh no, it's very strange. And then

0:14:36.720 --> 0:14:38.240
<v Speaker 1>one of the things that I just that I noticed

0:14:38.280 --> 0:14:40.440
<v Speaker 1>that I hadn't noticed since I hadn't seen the movie

0:14:40.440 --> 0:14:43.440
<v Speaker 1>in so long is Marty keeps remarking like he keeps

0:14:43.480 --> 0:14:45.880
<v Speaker 1>like saying things like he doesn't get that it's the past,

0:14:46.240 --> 0:14:48.480
<v Speaker 1>when he clearly does. He's like, man, look at the

0:14:48.520 --> 0:14:50.640
<v Speaker 1>high school. It's almost like it's brand new. It really

0:14:50.640 --> 0:14:55.960
<v Speaker 1>fix this place up. It's the best. Yeah, that's funny.

0:14:56.400 --> 0:14:58.400
<v Speaker 1>It's great though. It's so fun it's he holds up

0:14:58.400 --> 0:15:00.800
<v Speaker 1>so well. And also, of course the lightning strike that

0:15:00.840 --> 0:15:03.880
<v Speaker 1>clock does not have a second hand, So that fifty

0:15:03.960 --> 0:15:08.000
<v Speaker 1>nine second variants is one big plothole, but you just

0:15:08.040 --> 0:15:12.160
<v Speaker 1>gotta buy it. No, man, eat it up. Et the Extraterrestrial,

0:15:13.640 --> 0:15:17.200
<v Speaker 1>what's the plothole here? Do you know? Does it have

0:15:17.320 --> 0:15:20.160
<v Speaker 1>to do with Reese's pieces? No, it has to do

0:15:20.160 --> 0:15:22.520
<v Speaker 1>with the fact that Et can fly. Yet at the

0:15:22.560 --> 0:15:24.760
<v Speaker 1>beginning of the film, his spaceship takes off right in

0:15:24.760 --> 0:15:27.240
<v Speaker 1>front of him and he just sits there. Now he

0:15:27.440 --> 0:15:29.640
<v Speaker 1>can't fly solo. He has to have a little boy

0:15:29.720 --> 0:15:33.720
<v Speaker 1>to possess and a bicycle. Yes, a bicycle, big time.

0:15:33.800 --> 0:15:37.600
<v Speaker 1>That's Them's the rules, Chuck, That's how it works, fair enough.

0:15:37.800 --> 0:15:40.000
<v Speaker 1>Full filled. He has to be full of love. His

0:15:40.040 --> 0:15:41.960
<v Speaker 1>heart has to be full of love for a for

0:15:42.000 --> 0:15:45.120
<v Speaker 1>an earth fling child. Maybe so I think that's I

0:15:45.120 --> 0:15:47.040
<v Speaker 1>think that's how it goes, all right, he turned on

0:15:47.080 --> 0:15:50.200
<v Speaker 1>his heart light Karate Kid, Do you know the whole

0:15:51.600 --> 0:15:54.240
<v Speaker 1>this is a big one of the biggest ones ever. No,

0:15:54.320 --> 0:15:56.080
<v Speaker 1>but I do know. There's a re cut of Karate

0:15:56.160 --> 0:15:58.520
<v Speaker 1>Kid where it shows that Daniel is actually kind of

0:15:58.520 --> 0:16:03.000
<v Speaker 1>an asshole. Really, go on. The crane kick is illegal

0:16:03.120 --> 0:16:06.760
<v Speaker 1>in that tournament, They clearly say the very beginning, no

0:16:06.760 --> 0:16:09.840
<v Speaker 1>no face blows and he kicks him in the face

0:16:09.880 --> 0:16:13.760
<v Speaker 1>and wins a tournament, and everyone's like cheering, and the

0:16:13.800 --> 0:16:16.440
<v Speaker 1>Cobra Kayes aren't going like, wait a minute, what the funk? Yeah,

0:16:16.520 --> 0:16:19.320
<v Speaker 1>this guy just kicked me in the face. That's what

0:16:19.360 --> 0:16:22.960
<v Speaker 1>I'm saying. Daniel was an asshole. Raiders are the Lost Dark.

0:16:23.440 --> 0:16:25.840
<v Speaker 1>This isn't I don't know if I called this a

0:16:25.880 --> 0:16:30.880
<v Speaker 1>plot hole is so much of a especially from Steven Spielberg.

0:16:31.280 --> 0:16:33.760
<v Speaker 1>If he had not gotten involved in this, then he

0:16:33.920 --> 0:16:37.360
<v Speaker 1>very likely would have averted averted World War two because

0:16:37.440 --> 0:16:39.200
<v Speaker 1>the plan was they were taking the Ark of the

0:16:39.240 --> 0:16:43.600
<v Speaker 1>Covenant to the fjre in N and you know what

0:16:43.680 --> 0:16:46.880
<v Speaker 1>happens when you open that thing? Everyone's face melts. Yeah,

0:16:47.040 --> 0:16:51.720
<v Speaker 1>I said a spoiler. It's that movie decades Ostensibly Hitler

0:16:51.840 --> 0:16:56.320
<v Speaker 1>would have melted pre World War two. Yeah, they probably

0:16:56.320 --> 0:16:58.560
<v Speaker 1>would have tested it. Though. First you think, well, that's

0:16:58.760 --> 0:17:00.760
<v Speaker 1>there's a lot of people on the internet talking about this,

0:17:00.920 --> 0:17:03.840
<v Speaker 1>and uh, the general thinking is for people that want

0:17:03.840 --> 0:17:06.840
<v Speaker 1>to fill this hole is that can you remember his name,

0:17:06.880 --> 0:17:10.359
<v Speaker 1>the batty with the glasses? Yeah, that, you know, just

0:17:10.359 --> 0:17:12.119
<v Speaker 1>just they're like, he would not have been able to

0:17:12.119 --> 0:17:15.560
<v Speaker 1>resist taking that lid off. No, I'm sorry, Remind me

0:17:15.560 --> 0:17:17.040
<v Speaker 1>how did it actually go down in the movie. How

0:17:17.040 --> 0:17:19.159
<v Speaker 1>does the lid come off? Well, the very end, they

0:17:19.160 --> 0:17:23.399
<v Speaker 1>have the big ceremony where they unveil the arc and

0:17:23.400 --> 0:17:27.119
<v Speaker 1>and Indie and Karen Allen are tied up together and

0:17:27.160 --> 0:17:28.840
<v Speaker 1>he's like close your eyes, you know, because he knows

0:17:28.840 --> 0:17:32.280
<v Speaker 1>what's going to happen. But yeah, if he had not

0:17:32.320 --> 0:17:35.560
<v Speaker 1>gotten involved, supposedly, if you just followed the plot line,

0:17:35.720 --> 0:17:38.080
<v Speaker 1>they take it straight to Hitler, who opens it up.

0:17:38.760 --> 0:17:40.840
<v Speaker 1>That would have been. That would have been you'd think,

0:17:41.080 --> 0:17:43.600
<v Speaker 1>you'd think, yeah, all right, And finally, one of my

0:17:43.640 --> 0:17:47.440
<v Speaker 1>favorite films, Shawshank Redemption. How do you get that poster

0:17:47.520 --> 0:17:52.520
<v Speaker 1>back up? How did he get that poster back up?

0:17:53.040 --> 0:17:54.840
<v Speaker 1>How is it up in the first place? How did

0:17:54.840 --> 0:17:57.400
<v Speaker 1>he get the poster up? What would they have used? Well,

0:17:57.440 --> 0:17:59.879
<v Speaker 1>I mean it's up, like I don't know. Well that

0:18:00.040 --> 0:18:02.560
<v Speaker 1>another question. Probably chewing gum or something would be my guest.

0:18:02.640 --> 0:18:05.920
<v Speaker 1>But he crawls in that little hole, and then how

0:18:05.920 --> 0:18:09.040
<v Speaker 1>does he reach back out and re stick that post

0:18:09.720 --> 0:18:11.719
<v Speaker 1>the wall? I mean, I guess he could have just

0:18:11.840 --> 0:18:16.960
<v Speaker 1>taken it off from the bottom up then and let fall,

0:18:17.320 --> 0:18:19.359
<v Speaker 1>let fall back down, and then kind of like, you know,

0:18:19.480 --> 0:18:22.320
<v Speaker 1>tugged on it a little bit from behind. All Right,

0:18:22.880 --> 0:18:25.399
<v Speaker 1>I'll say that hole is semi filled, alright, cool, Alright,

0:18:25.600 --> 0:18:28.000
<v Speaker 1>it's a hole involving an actual hole too, which is

0:18:28.119 --> 0:18:32.879
<v Speaker 1>oh wow, jeez, alright, let's fill this hole. Send in

0:18:32.920 --> 0:18:35.840
<v Speaker 1>your plot holes. Actually, maybe I'll make a call next time. Alright.

0:18:36.000 --> 0:18:41.200
<v Speaker 1>Segment three, everybody streamed this Jim and Andy the Great

0:18:41.240 --> 0:18:46.159
<v Speaker 1>Beyond documentary from last year made by Chris Smith, a

0:18:46.280 --> 0:18:49.720
<v Speaker 1>maker of American movie and it is the story of

0:18:49.840 --> 0:18:52.879
<v Speaker 1>the making of Man on the Moon and Jim Carrey's

0:18:53.119 --> 0:18:55.280
<v Speaker 1>portrayal of Andy Kaufman is the one where he's just

0:18:55.320 --> 0:18:59.119
<v Speaker 1>like batshit method acting, cuckoo bananas, bat ship method acting.

0:18:59.280 --> 0:19:03.800
<v Speaker 1>He Uh, they had all this footage shot on the

0:19:03.880 --> 0:19:07.439
<v Speaker 1>set that had been supposedly in Jim Carrey's office for

0:19:07.480 --> 0:19:11.720
<v Speaker 1>twenty years, got this footage out and um, I'm not

0:19:11.720 --> 0:19:13.879
<v Speaker 1>gonna give too much away, but he stays in character

0:19:14.359 --> 0:19:17.800
<v Speaker 1>whether or not the characters Andy or Andy the Wrestler

0:19:18.359 --> 0:19:25.679
<v Speaker 1>or Tony Clifton, and um, if you believe what he's saying,

0:19:25.920 --> 0:19:30.760
<v Speaker 1>and I do. He truly feels like he was almost

0:19:30.840 --> 0:19:35.720
<v Speaker 1>possessed during that film. And Jim Carey is interviewed, you

0:19:35.760 --> 0:19:38.840
<v Speaker 1>know today, and he says, he speaks in the third

0:19:38.880 --> 0:19:44.159
<v Speaker 1>person like Jim wasn't there, Jim didn't have a choice

0:19:44.640 --> 0:19:50.000
<v Speaker 1>on this, Like Andy was driving this bus about all that. Man,

0:19:50.080 --> 0:19:52.680
<v Speaker 1>you gotta see it, like it's believable. I don't see

0:19:52.680 --> 0:19:55.280
<v Speaker 1>why Jim Carey would make this. Shut up and it's

0:19:55.280 --> 0:19:57.160
<v Speaker 1>a very and it covers some of Jim Carrey's pass

0:19:57.160 --> 0:20:00.680
<v Speaker 1>and Andy Kaufman and weaves it all together. But after

0:20:00.720 --> 0:20:04.119
<v Speaker 1>watching it, man, Jim Carey just just it really shows

0:20:04.119 --> 0:20:06.000
<v Speaker 1>a side of him that I haven't seen. He's a

0:20:06.080 --> 0:20:11.359
<v Speaker 1>really really interesting, deep dude. I lately he's been really

0:20:11.359 --> 0:20:14.760
<v Speaker 1>blowing my mind. Like he's a pretty fantastic painter. His

0:20:14.880 --> 0:20:18.480
<v Speaker 1>art is really interesting, interesting. I like it. I'm a fan.

0:20:18.720 --> 0:20:20.520
<v Speaker 1>But like some of the interviews he does on Ready

0:20:20.520 --> 0:20:23.480
<v Speaker 1>Carpets where he's just like, I am not me, you know,

0:20:23.800 --> 0:20:26.680
<v Speaker 1>he like he says all this really existentially, he is

0:20:26.920 --> 0:20:28.840
<v Speaker 1>very much on that train and he is a thing,

0:20:28.880 --> 0:20:30.520
<v Speaker 1>like you know, he could ding him for being like

0:20:30.640 --> 0:20:33.000
<v Speaker 1>weird for weird sake, but I think he's kind of

0:20:33.080 --> 0:20:34.840
<v Speaker 1>doing I think he's gone down a rabbit hole and

0:20:34.880 --> 0:20:37.240
<v Speaker 1>he's sort of like had to reconcile the whole fame

0:20:37.320 --> 0:20:39.479
<v Speaker 1>thing and he's done it. Also, he had this this

0:20:39.520 --> 0:20:42.399
<v Speaker 1>tragedy where the girl he was with passed away and

0:20:42.400 --> 0:20:45.320
<v Speaker 1>he was he was blamed because it was his pills

0:20:45.400 --> 0:20:47.080
<v Speaker 1>or whatever. So I think he's kind of had to

0:20:47.160 --> 0:20:49.920
<v Speaker 1>like struggle with some demons. And I think it's interesting

0:20:49.960 --> 0:20:52.679
<v Speaker 1>the way he's come out on the other side. You know,

0:20:52.800 --> 0:20:54.439
<v Speaker 1>he's at a point in his career where he's got

0:20:54.440 --> 0:20:56.560
<v Speaker 1>all the money in the world. He doesn't have to

0:20:56.600 --> 0:20:59.960
<v Speaker 1>do anything, and that's a really interesting place to find

0:21:00.000 --> 0:21:04.000
<v Speaker 1>in yourself at his age. And I think he's think

0:21:04.040 --> 0:21:06.800
<v Speaker 1>he's trying to figure it out. This is a great documentary.

0:21:06.880 --> 0:21:11.720
<v Speaker 1>Have you seen it yet? Man? Check it out? Really good. Um.

0:21:11.800 --> 0:21:14.159
<v Speaker 1>And you know it's funny seeing like Danny de Vito

0:21:14.320 --> 0:21:19.480
<v Speaker 1>and Melish Foreman and all the other you know, side

0:21:19.560 --> 0:21:23.560
<v Speaker 1>characters that behind the scenes. When Andy shows up as

0:21:23.640 --> 0:21:27.840
<v Speaker 1>Tony Clifton, or when when Jim Carey shows up as

0:21:27.880 --> 0:21:31.520
<v Speaker 1>Andy as Tony Clifton, he's impossible to work with, just

0:21:31.560 --> 0:21:34.480
<v Speaker 1>like Tony Clifton, and you feel so bad. And Jim

0:21:34.520 --> 0:21:37.320
<v Speaker 1>Carey even kind of feels bad a little bit for

0:21:37.400 --> 0:21:39.480
<v Speaker 1>what he did to the set in the Melish form,

0:21:39.520 --> 0:21:42.000
<v Speaker 1>but he was like Andy was doing it. I can't

0:21:42.040 --> 0:21:44.679
<v Speaker 1>not myself. Yeah, see that's at it. No, that's the

0:21:44.680 --> 0:21:47.760
<v Speaker 1>whole method thing is weird to me. But I'm interested

0:21:47.800 --> 0:21:50.720
<v Speaker 1>to see it, all right, No, no, no, I can't.

0:21:50.800 --> 0:21:53.119
<v Speaker 1>I cannot poopoo what I have not seen. I just

0:21:53.240 --> 0:21:56.159
<v Speaker 1>the the whole like that whole argument that I was

0:21:56.200 --> 0:21:58.400
<v Speaker 1>possessed by the ghost of Andy Kaufman as a little

0:21:58.400 --> 0:22:01.840
<v Speaker 1>strikes me as a little load. All right, noels on record,

0:22:09.160 --> 0:22:12.840
<v Speaker 1>all right, and we'll finish up with comment guard questions

0:22:12.840 --> 0:22:15.639
<v Speaker 1>from you to us, Timothy Shaw, what movies from the

0:22:15.680 --> 0:22:17.560
<v Speaker 1>past five years do you think will be regarded as

0:22:17.720 --> 0:22:20.760
<v Speaker 1>iconic classics in the future. Um? I scribbled down a

0:22:20.800 --> 0:22:23.240
<v Speaker 1>few from the top of my head, Timothy, great question.

0:22:24.040 --> 0:22:27.199
<v Speaker 1>I think Ladybird will go down as a classic. I

0:22:27.240 --> 0:22:29.920
<v Speaker 1>think Arrival could very well go down as a classic

0:22:30.400 --> 0:22:35.119
<v Speaker 1>sci fi class uh Skyfall. As far as the Bond movies,

0:22:35.200 --> 0:22:36.639
<v Speaker 1>I think it will be regarded as one of the

0:22:36.720 --> 0:22:42.920
<v Speaker 1>great Bond classics. Um, boyhood, I love that movie. I've

0:22:42.920 --> 0:22:45.560
<v Speaker 1>still haven't seen it. It's very A lot of people

0:22:45.600 --> 0:22:47.359
<v Speaker 1>hated it. I think it will be a classic. And

0:22:47.359 --> 0:22:49.160
<v Speaker 1>then I threw and Beasts of the Southern Wild, very

0:22:49.160 --> 0:22:52.760
<v Speaker 1>small independent film that, Um, you know, these these movies

0:22:52.800 --> 0:22:54.159
<v Speaker 1>will hold up and that's kind of how I think

0:22:54.200 --> 0:22:57.040
<v Speaker 1>of classics and thirty years Pieces of the Southern Wild

0:22:57.080 --> 0:23:00.199
<v Speaker 1>will be relevant and moving and touching, not dated. That

0:23:00.280 --> 0:23:02.639
<v Speaker 1>was also one of the first like straight to Netflix

0:23:03.240 --> 0:23:06.800
<v Speaker 1>big movies. Wasn't yeah, like that was only on Netflix.

0:23:07.280 --> 0:23:09.320
<v Speaker 1>It's that guy that did the first season of True Detective.

0:23:09.320 --> 0:23:11.879
<v Speaker 1>I believe Carrie Fukanaga didn't need you that. I don't know.

0:23:11.880 --> 0:23:13.639
<v Speaker 1>I'm pretty sure he did. Yeah, I haven't seen. I

0:23:13.640 --> 0:23:19.160
<v Speaker 1>heard it's a very intense. Oh yeah, sounds good. Kristen Torres,

0:23:19.480 --> 0:23:22.840
<v Speaker 1>no old listeners for you because they know about my past.

0:23:23.400 --> 0:23:25.159
<v Speaker 1>Was there a movie that you rented or watched at

0:23:25.160 --> 0:23:28.919
<v Speaker 1>a friend's house specifically for something risk ay when you

0:23:28.960 --> 0:23:31.240
<v Speaker 1>were younger, because you know, I wasn't allowed to do that,

0:23:31.280 --> 0:23:33.520
<v Speaker 1>and it was a good boy, so I I minded

0:23:33.560 --> 0:23:37.919
<v Speaker 1>my mommy. I actually had a male babysitter when I

0:23:37.960 --> 0:23:41.280
<v Speaker 1>was younger who would always take me to a local

0:23:41.320 --> 0:23:43.960
<v Speaker 1>grocery store that had a video rental section, the Kroger,

0:23:44.320 --> 0:23:47.000
<v Speaker 1>and would let me rent R rated movies. Really yeah,

0:23:47.000 --> 0:23:51.760
<v Speaker 1>So I remember watching like Terminator and um, die Hard

0:23:52.080 --> 0:23:54.879
<v Speaker 1>and like The Last Boy Scout and so he was

0:23:54.920 --> 0:24:00.840
<v Speaker 1>a creeper anything. It wasn't like, you know, no, he

0:24:00.920 --> 0:24:03.600
<v Speaker 1>just was, you know, a little uh permissive in that

0:24:03.680 --> 0:24:06.560
<v Speaker 1>in that way um and and then my parents were

0:24:06.560 --> 0:24:08.480
<v Speaker 1>eventually to what it was not like it was a

0:24:08.520 --> 0:24:10.919
<v Speaker 1>non issue. But that's when I first really remember. And

0:24:10.920 --> 0:24:14.240
<v Speaker 1>I also remember having HBO at my grandpa's house and

0:24:14.320 --> 0:24:17.679
<v Speaker 1>seeing some intense stuff and then finding out about like

0:24:17.760 --> 0:24:20.320
<v Speaker 1>the movie Channel and like Joe Bob's Drive in the theater,

0:24:20.880 --> 0:24:23.520
<v Speaker 1>you know, with all the kind of like action and

0:24:23.600 --> 0:24:27.320
<v Speaker 1>Boobs movies. You know, that was that was my upbringing,

0:24:27.359 --> 0:24:35.480
<v Speaker 1>good old action in Boobs, Jessica, mitch Nick, Rubinstein, boy, Internet,

0:24:35.520 --> 0:24:38.040
<v Speaker 1>You've got some great names. Is there an actor or

0:24:38.080 --> 0:24:39.480
<v Speaker 1>actress that you saw in a role that made it

0:24:39.520 --> 0:24:42.320
<v Speaker 1>hard to see them in other other roles afterward? Um?

0:24:42.359 --> 0:24:45.920
<v Speaker 1>I did a little thinking on this. Um. Clearly, Anthony

0:24:45.960 --> 0:24:49.440
<v Speaker 1>Perkins in Psycho very famously sort of ruined him, very

0:24:49.440 --> 0:24:53.640
<v Speaker 1>hard to see him as anything else other than Norman Bates. Uh.

0:24:53.640 --> 0:24:57.120
<v Speaker 1>And I put down Tony Goldwyn the movie Ghost, kind

0:24:57.119 --> 0:25:00.840
<v Speaker 1>of corny movie with with the Sways and Demi Moore,

0:25:00.920 --> 0:25:04.159
<v Speaker 1>But Tony Goldman was the bad guy and that's and

0:25:04.200 --> 0:25:07.239
<v Speaker 1>he had a hard time after that because he was

0:25:07.280 --> 0:25:10.040
<v Speaker 1>such a hated character and that was the worst. Yeah,

0:25:10.080 --> 0:25:12.080
<v Speaker 1>and it was tough to see him and stuff after that.

0:25:12.200 --> 0:25:14.400
<v Speaker 1>He gets his though in the end from from from

0:25:14.400 --> 0:25:17.840
<v Speaker 1>the Ghosts from the Demons. Yeah, that's right. Good, But um,

0:25:17.920 --> 0:25:19.119
<v Speaker 1>I don't know if you can think of one. This

0:25:19.160 --> 0:25:23.119
<v Speaker 1>happens obviously way more in television. It's really hard sometimes

0:25:23.160 --> 0:25:27.960
<v Speaker 1>for I mean, once you're Kramer or Tony Soprano Magnet Well,

0:25:28.040 --> 0:25:29.960
<v Speaker 1>magnet Pia. He did some movies, but he was always

0:25:30.000 --> 0:25:33.240
<v Speaker 1>kind of magnet PII. You know, Tony Well, he was

0:25:33.280 --> 0:25:35.640
<v Speaker 1>in a lot of great movies. That's true. I gets,

0:25:35.640 --> 0:25:37.880
<v Speaker 1>I got's a good point. Um. I don't know why

0:25:37.920 --> 0:25:40.119
<v Speaker 1>I think I think of that. Kramer is interesting to

0:25:40.160 --> 0:25:42.240
<v Speaker 1>because Kramer literally the only work he's gotten just playing

0:25:42.320 --> 0:25:46.120
<v Speaker 1>Kramer and curb your enthusiasm kind of you know, making

0:25:46.160 --> 0:25:49.560
<v Speaker 1>fun of his whole racist tirade or whatever. Yeah, I heard,

0:25:49.680 --> 0:25:52.280
<v Speaker 1>uh speaking of Seinfelder heard Jason Alexander and the Mark

0:25:52.359 --> 0:25:56.240
<v Speaker 1>Miren podcast recently talking about that. Yeah, and he's like, yeah,

0:25:56.320 --> 0:25:58.399
<v Speaker 1>you know, it's kind of been tougher. He goes, he

0:25:58.440 --> 0:26:01.040
<v Speaker 1>does a lot of musical theater and stuff. He's like,

0:26:01.080 --> 0:26:03.720
<v Speaker 1>you know, but I'm not going to complain. It's like,

0:26:03.960 --> 0:26:06.320
<v Speaker 1>how can I complain? My mom? I think was actually

0:26:06.359 --> 0:26:09.920
<v Speaker 1>in a production of The Makado with Jason alex Oh. Yeah, yeah,

0:26:10.040 --> 0:26:12.240
<v Speaker 1>he was year years and years and years ago. Yeah,

0:26:12.960 --> 0:26:15.840
<v Speaker 1>Jam he was a musical theater. That's right. Yeah, it's

0:26:15.840 --> 0:26:18.159
<v Speaker 1>funny he came up earlier, Napoleon Dynamite. That kid has

0:26:18.160 --> 0:26:20.880
<v Speaker 1>had a tough time. A kid has had a tough time.

0:26:21.320 --> 0:26:23.560
<v Speaker 1>It's hard to see him as much else. That's a

0:26:23.600 --> 0:26:28.280
<v Speaker 1>good point, good answer. Uh kayla gia don though, if

0:26:28.320 --> 0:26:30.560
<v Speaker 1>you could choose an extra to be an extra in

0:26:30.680 --> 0:26:33.560
<v Speaker 1>one movie, what would it be? And uh, I didn't

0:26:33.600 --> 0:26:35.399
<v Speaker 1>ever think this, And maybe it's because I had Raiders

0:26:35.400 --> 0:26:37.359
<v Speaker 1>of the Lost Ark on the brain from earlier, but

0:26:37.920 --> 0:26:41.320
<v Speaker 1>I think such an iconic scene, why not be a

0:26:41.400 --> 0:26:45.920
<v Speaker 1>face melting Nazi because they show all those dudes lasers

0:26:45.960 --> 0:26:49.240
<v Speaker 1>going into their eyes, and that would have been pretty fun.

0:26:49.320 --> 0:26:51.800
<v Speaker 1>It would have been cool, would have been a lot

0:26:51.840 --> 0:26:54.800
<v Speaker 1>of time in the makeup chair. Probably, Yeah, what about you?

0:26:55.080 --> 0:26:57.040
<v Speaker 1>That was that? Would that be like a step a

0:26:57.080 --> 0:26:59.960
<v Speaker 1>cut above a regular extra if you get your face melted?

0:27:00.080 --> 0:27:02.800
<v Speaker 1>Did you get some extra cash? Yeah? Probably? They're like

0:27:02.920 --> 0:27:06.040
<v Speaker 1>there are bumps for extras who like interact with the

0:27:06.119 --> 0:27:10.000
<v Speaker 1>lead actor. Um like, if you're the waiter who fills

0:27:10.000 --> 0:27:11.800
<v Speaker 1>the water glass, you may get a bump instead of

0:27:11.840 --> 0:27:13.639
<v Speaker 1>just the waiter in the background. Or even if you

0:27:13.760 --> 0:27:16.640
<v Speaker 1>like improv a scream or a line, and it ends

0:27:16.720 --> 0:27:18.840
<v Speaker 1>up in don't they like give you a bump or something? Yeah,

0:27:18.880 --> 0:27:21.120
<v Speaker 1>if you if they like in the moment say like, oh,

0:27:21.119 --> 0:27:23.920
<v Speaker 1>why don't you do this, and you actually get a line.

0:27:23.960 --> 0:27:26.280
<v Speaker 1>I learned that from the show extras, you know, with

0:27:26.400 --> 0:27:29.239
<v Speaker 1>Ricky Gervais. There's a part where they're in this like

0:27:29.320 --> 0:27:32.040
<v Speaker 1>Kossovo like war zone or something like that, and one

0:27:32.080 --> 0:27:35.080
<v Speaker 1>of the is is galpal on the show is like

0:27:35.119 --> 0:27:37.639
<v Speaker 1>has a baby and she's like screaming and groveling around

0:27:37.640 --> 0:27:39.440
<v Speaker 1>and crying and stuff, and they kind of get it

0:27:39.480 --> 0:27:42.120
<v Speaker 1>a director and then they say like, oh, you took direction,

0:27:42.200 --> 0:27:45.240
<v Speaker 1>you get the little extra extra cash, have a production

0:27:45.280 --> 0:27:48.080
<v Speaker 1>office or whatever. Oh man, that's a good one, Chuck.

0:27:48.080 --> 0:27:52.320
<v Speaker 1>I don't know. Um, I I never really I I

0:27:52.359 --> 0:27:54.800
<v Speaker 1>wouldn't want to just think of something off the top

0:27:54.840 --> 0:27:56.840
<v Speaker 1>of my head. Maybe I'll maybe I'll revisit this in

0:27:56.880 --> 0:27:58.440
<v Speaker 1>the next episode. All right, well if you think of

0:27:58.560 --> 0:28:01.440
<v Speaker 1>something in the next three minutes. Uh. And finally, Barry

0:28:01.520 --> 0:28:04.280
<v Speaker 1>King is Robert Downey Jr. A credible actor. I just

0:28:04.320 --> 0:28:08.760
<v Speaker 1>don't get the hype. Well, Barry, I will say this,

0:28:09.359 --> 0:28:10.960
<v Speaker 1>I think I know what you're talking about a bit

0:28:11.680 --> 0:28:16.040
<v Speaker 1>because in the second half of Robert Downey Jr's career.

0:28:16.640 --> 0:28:19.840
<v Speaker 1>He does a lot of Robert Downey Jr. You know,

0:28:20.400 --> 0:28:24.280
<v Speaker 1>sort of a sort of a gold bloom. Yeah, exactly. Uh,

0:28:24.320 --> 0:28:28.840
<v Speaker 1>he sort of plays himself, um or just whatever we

0:28:29.119 --> 0:28:32.639
<v Speaker 1>are image of who Robert Downey Jr. Is. Uh So,

0:28:32.760 --> 0:28:35.880
<v Speaker 1>I think I get what you're saying, but sir, dig

0:28:35.920 --> 0:28:39.440
<v Speaker 1>back a little deeper. See the movie Chaplain for a

0:28:39.480 --> 0:28:44.000
<v Speaker 1>true performance, see Zodiac where he is not Tony Stark.

0:28:44.040 --> 0:28:46.120
<v Speaker 1>He's great in Zodiac. He's wonderful, you know, And the

0:28:46.160 --> 0:28:48.080
<v Speaker 1>fact that I forgot he was in that is actually

0:28:48.080 --> 0:28:51.840
<v Speaker 1>a testament to his performance in that movie because he's

0:28:51.880 --> 0:28:55.200
<v Speaker 1>not just fast talking. He's a little bit of a

0:28:55.240 --> 0:28:58.440
<v Speaker 1>fast talking character. He's like a newsman like quite and

0:28:58.440 --> 0:29:00.960
<v Speaker 1>he's not just doing himself. Yeah. I think he's a

0:29:00.960 --> 0:29:05.040
<v Speaker 1>fine actor. Wonder Boys one of my favorite favorites as

0:29:05.160 --> 0:29:07.800
<v Speaker 1>as the book Agent I believe his name was Terry.

0:29:08.200 --> 0:29:10.520
<v Speaker 1>Great movie and then clearly if you want to go

0:29:10.560 --> 0:29:14.600
<v Speaker 1>way back, watch Less than Zero. And it's funny though,

0:29:14.600 --> 0:29:16.480
<v Speaker 1>because he he does tend to play kind of a

0:29:16.560 --> 0:29:20.680
<v Speaker 1>smarmi fast talking gey like even natural Born Killers, isn't he?

0:29:20.720 --> 0:29:23.760
<v Speaker 1>Like the producer the the TV Paser. I think he's

0:29:23.800 --> 0:29:27.600
<v Speaker 1>like Australian. Yeah, exactly, Um for sure. But you know,

0:29:28.400 --> 0:29:32.280
<v Speaker 1>actors have their zones. They're lanes, as you say. He

0:29:32.320 --> 0:29:34.720
<v Speaker 1>tends to stay in his lane and McConaughey does McConaughey

0:29:34.760 --> 0:29:36.560
<v Speaker 1>every time, and people seem to love him, you know.

0:29:36.760 --> 0:29:39.520
<v Speaker 1>So well, although Dallas Buyers Club, he really stepped out

0:29:39.520 --> 0:29:40.760
<v Speaker 1>of it there. I I've heard that I have not

0:29:40.800 --> 0:29:42.640
<v Speaker 1>seen that. Seemed like too much of a bummer. All right,

0:29:42.680 --> 0:29:45.920
<v Speaker 1>that's it for this week, everybody. Uh, your homework for

0:29:45.960 --> 0:29:50.520
<v Speaker 1>this week is to watch the movie Labyrinth. That one

0:29:50.720 --> 0:29:54.160
<v Speaker 1>not pans Labyrinthe David Bowie Jim Hinson's Labyrinthe. You know,

0:29:54.200 --> 0:29:57.400
<v Speaker 1>you remind me of the babe Chuck what babe, you know,

0:29:57.440 --> 0:30:00.520
<v Speaker 1>the babe with the power anyway, you well, you'll get

0:30:00.520 --> 0:30:02.800
<v Speaker 1>to that. I'm sure I got you. Uh So, my

0:30:02.840 --> 0:30:05.880
<v Speaker 1>buddy Raymond Carr came in here, and ray was a

0:30:06.520 --> 0:30:08.800
<v Speaker 1>uh he was a production designer on the Stopution No

0:30:08.920 --> 0:30:11.880
<v Speaker 1>TV show. So we've had some calls to have um

0:30:11.960 --> 0:30:15.720
<v Speaker 1>kind of crew member types. Um, although spoiler, Raymond is

0:30:15.840 --> 0:30:19.040
<v Speaker 1>much more than a crew member type. He has made

0:30:19.080 --> 0:30:22.440
<v Speaker 1>his way more recently and throughout his life, but has

0:30:22.480 --> 0:30:25.080
<v Speaker 1>gotten more and more really good work as a puppeteer.

0:30:26.360 --> 0:30:30.240
<v Speaker 1>How about that. That's pretty cool. And he works for

0:30:30.320 --> 0:30:33.080
<v Speaker 1>Jim Hinson's company like he worked in the Hintson company.

0:30:33.160 --> 0:30:35.320
<v Speaker 1>Is he based in Atlanta. Yeah, he's based in Atlanta,

0:30:35.360 --> 0:30:37.240
<v Speaker 1>but he spent a lot of time in l A working.

0:30:37.680 --> 0:30:39.400
<v Speaker 1>I mean, he's got some great stories. We talk a

0:30:39.400 --> 0:30:43.520
<v Speaker 1>lot about his, uh, his puppet puppetry career, what it

0:30:43.520 --> 0:30:45.880
<v Speaker 1>means to him, and about the intricacies of it, and

0:30:45.920 --> 0:30:48.800
<v Speaker 1>it's like super super interest awesome. I love it when

0:30:48.840 --> 0:30:53.040
<v Speaker 1>these these talks kind of veer into people's personal stories

0:30:53.120 --> 0:30:55.160
<v Speaker 1>and the way they interact with like their craft, whether

0:30:55.240 --> 0:30:58.040
<v Speaker 1>they're especially when they're like some kind of interesting artisan

0:30:58.120 --> 0:31:00.520
<v Speaker 1>where this is like a facet of filmmak people maybe

0:31:00.560 --> 0:31:03.320
<v Speaker 1>don't always get to think about. Yeah, puppetry for sure.

0:31:03.840 --> 0:31:07.360
<v Speaker 1>So Raymond car my buddy, really great conversation with him

0:31:07.360 --> 0:31:09.960
<v Speaker 1>on Labyrinth. So check out that movie. Brush up to

0:31:10.000 --> 0:31:12.960
<v Speaker 1>crush out and we will see you next week. Say

0:31:12.960 --> 0:31:14.200
<v Speaker 1>goodbye No One, goodbye Chuck.