1 00:00:00,760 --> 00:00:04,680 Speaker 1: Hi, dear listener. My name is Renaldo Leanos Junior and 2 00:00:04,800 --> 00:00:07,880 Speaker 1: I'm a producer with Latino USA. Part of my job 3 00:00:08,080 --> 00:00:11,280 Speaker 1: is to speak with people from across the country. Some 4 00:00:11,360 --> 00:00:13,200 Speaker 1: of the places I have been to with the show 5 00:00:13,440 --> 00:00:19,480 Speaker 1: are Texas, Alaska, Mississippi, North Dakota, Iowa, just to name 6 00:00:19,520 --> 00:00:22,080 Speaker 1: a few. This is my favorite part of the job, 7 00:00:22,320 --> 00:00:25,520 Speaker 1: talking to people, learning about them and bringing you the 8 00:00:25,560 --> 00:00:29,160 Speaker 1: stories firsthand. Thank you for supporting us these past three 9 00:00:29,200 --> 00:00:32,040 Speaker 1: decades and I hope you stay with us for many 10 00:00:32,080 --> 00:00:36,200 Speaker 1: more years to come. Happy thirtieth anniversary Latino USA. 11 00:00:36,920 --> 00:00:40,000 Speaker 2: This is Latino USA, the radio journal of News and 12 00:00:40,159 --> 00:00:41,480 Speaker 2: Kurtur Latino USA. 13 00:00:41,720 --> 00:00:44,840 Speaker 3: Latin Latino USA. I'm Maria Inojosa. 14 00:00:45,240 --> 00:00:48,760 Speaker 2: We bring you stories that are underreported but that mattered to. 15 00:00:48,800 --> 00:00:50,840 Speaker 3: You, overlooked by the rest of the media. 16 00:00:50,640 --> 00:00:52,720 Speaker 2: And while the country is struggling to deal with these 17 00:00:52,760 --> 00:00:55,440 Speaker 2: we listen to the stories of black and Latinos. Studio 18 00:00:55,600 --> 00:01:00,560 Speaker 2: United Latino Front, a cultural renaissance organizing at the forefront 19 00:01:00,840 --> 00:01:03,440 Speaker 2: of the movement. I'm Maria Ino Jossa. 20 00:01:06,720 --> 00:01:10,920 Speaker 4: There's a bad like some food played in Colombia which 21 00:01:10,920 --> 00:01:13,280 Speaker 4: is called Yes and. 22 00:01:13,440 --> 00:01:16,080 Speaker 5: It's everything everything. 23 00:01:16,120 --> 00:01:18,360 Speaker 4: Yeah, a little bit of everything so that we did 24 00:01:18,560 --> 00:01:20,800 Speaker 4: Asankocho with the music. 25 00:01:20,560 --> 00:01:21,000 Speaker 6: We liked. 26 00:01:25,280 --> 00:01:29,360 Speaker 2: From Fudro Media and RX It's Latino Usay. I'm Maria 27 00:01:29,400 --> 00:01:33,399 Speaker 2: Ino Hoosa. Today a night of music and conversation with 28 00:01:33,480 --> 00:01:42,040 Speaker 2: the Colombian band Monsieur Perrine. As you know, my dear 29 00:01:42,120 --> 00:01:45,560 Speaker 2: Latino USA listener, this is a very special year for 30 00:01:45,680 --> 00:01:49,840 Speaker 2: us because we're celebrating thirty years on the air, and 31 00:01:50,120 --> 00:01:53,800 Speaker 2: along with the special stories and interviews we're bringing you, 32 00:01:54,320 --> 00:01:57,240 Speaker 2: we of course want to celebrate with some great music. 33 00:01:58,680 --> 00:02:01,280 Speaker 2: Earlier this year, we joined our friends at the Green 34 00:02:01,360 --> 00:02:03,600 Speaker 2: Space at w n y C and w q x 35 00:02:03,720 --> 00:02:06,720 Speaker 2: R in New York City to host a live performance 36 00:02:06,760 --> 00:02:08,680 Speaker 2: with the Colombian band Monsieur. 37 00:02:08,360 --> 00:02:17,040 Speaker 7: Benine Bengosa Persia. 38 00:02:16,120 --> 00:02:20,600 Speaker 2: Latino USA Senior producer Marta Martinez interviewed Catalina Garcia and 39 00:02:20,639 --> 00:02:26,240 Speaker 2: Santiago Prieto. They also played songs from their latest album Borleroo, 40 00:02:26,440 --> 00:02:37,320 Speaker 2: which recently won a Latin Grammy for Best Alternative Albumcito. Today, 41 00:02:37,680 --> 00:02:40,760 Speaker 2: we bring you a taste of a really fun night 42 00:02:41,560 --> 00:02:43,480 Speaker 2: and Marta is going to take it from here. 43 00:02:44,000 --> 00:02:47,520 Speaker 3: Enjoy me. 44 00:03:02,680 --> 00:03:06,959 Speaker 5: Please join me in welcoming Catalinagartia and san Diego Prieto. 45 00:03:07,400 --> 00:03:15,480 Speaker 5: Mess I see, there's a lot of big, big fans 46 00:03:15,639 --> 00:03:20,720 Speaker 5: know a lot about Missiperine, But for those listeners who 47 00:03:20,800 --> 00:03:23,480 Speaker 5: might not be so familiar with you guys, I think 48 00:03:23,520 --> 00:03:26,680 Speaker 5: that's something that's very representative about your music, is how 49 00:03:26,720 --> 00:03:29,600 Speaker 5: you guys mix the old and the new. We can 50 00:03:29,639 --> 00:03:32,560 Speaker 5: hear a lot of swing and jazz, like nineteen twenties, 51 00:03:32,639 --> 00:03:35,680 Speaker 5: nineteen thirties kind of styles, but also voletos, but also 52 00:03:35,720 --> 00:03:37,120 Speaker 5: a little bit of bosonova, but. 53 00:03:37,120 --> 00:03:38,720 Speaker 3: Also a little bit of even reggaeton. 54 00:03:39,240 --> 00:03:40,680 Speaker 5: So I was wondering if you could tell us a 55 00:03:40,720 --> 00:03:44,200 Speaker 5: little bit more about why, why pursue this very diverse 56 00:03:44,280 --> 00:03:49,560 Speaker 5: mix of styles, How does that help you build Messiperine to. 57 00:03:49,600 --> 00:03:50,440 Speaker 8: Not get boring? 58 00:03:52,240 --> 00:03:52,480 Speaker 1: You know? 59 00:03:54,000 --> 00:03:58,520 Speaker 9: Yeah, I think for us making music, it's about playing 60 00:03:58,880 --> 00:04:02,480 Speaker 9: like you know, childs, So we don't like to play 61 00:04:02,520 --> 00:04:05,800 Speaker 9: the same game all the time. Of course, because we 62 00:04:06,160 --> 00:04:09,600 Speaker 9: have roots, Latin American roots, tropical roots, a lot of 63 00:04:10,280 --> 00:04:14,800 Speaker 9: movement and energy and different energy and happiness. But even 64 00:04:14,840 --> 00:04:19,560 Speaker 9: if it's dark, there's like a yeah, dark humor. 65 00:04:19,920 --> 00:04:21,320 Speaker 8: Then what else. 66 00:04:21,640 --> 00:04:24,119 Speaker 4: We are from Columbia and it's like a melting pot. 67 00:04:27,600 --> 00:04:31,760 Speaker 4: It's a really nice country and we grew ina from 68 00:04:31,800 --> 00:04:37,160 Speaker 4: Cali but but we we were Columbias with Internet and 69 00:04:37,200 --> 00:04:39,640 Speaker 4: we had, you know, the. 70 00:04:39,600 --> 00:04:41,760 Speaker 3: Whole influences people we wanted. 71 00:04:43,279 --> 00:04:47,520 Speaker 4: There's a blood like some food played in Columbia which 72 00:04:47,520 --> 00:04:53,480 Speaker 4: is called some coch Yes and it's. 73 00:04:51,800 --> 00:04:53,760 Speaker 3: A little bit of everything, Yeah, a little bit of everything. 74 00:04:53,800 --> 00:04:57,440 Speaker 4: So that we did as a colture with the music. 75 00:04:57,120 --> 00:04:59,640 Speaker 3: We liked, beautiful and culture. 76 00:04:59,760 --> 00:05:02,560 Speaker 5: We that we're hearing about Tonightcalyptico. 77 00:05:02,640 --> 00:05:04,040 Speaker 3: It is your latest album. 78 00:05:04,480 --> 00:05:07,000 Speaker 5: It's been five years since you guys published an album, 79 00:05:07,360 --> 00:05:10,799 Speaker 5: and a lot has happened in the last five years 80 00:05:10,839 --> 00:05:13,279 Speaker 5: for everyone, but especially for artists. 81 00:05:13,400 --> 00:05:13,560 Speaker 8: Right. 82 00:05:13,640 --> 00:05:14,920 Speaker 3: I think that whether. 83 00:05:14,720 --> 00:05:18,560 Speaker 5: We like it or not, a pandemic really affects your creativity. 84 00:05:18,760 --> 00:05:21,360 Speaker 5: So I was wondering what it was like for you guys, 85 00:05:21,360 --> 00:05:23,120 Speaker 5: because I know that you guys are travelers that you 86 00:05:23,160 --> 00:05:24,160 Speaker 5: move around a lot. 87 00:05:24,400 --> 00:05:27,359 Speaker 3: What it was like when the world really stopped. It 88 00:05:27,480 --> 00:05:28,159 Speaker 3: was very sad. 89 00:05:28,360 --> 00:05:31,320 Speaker 4: In the beginning. We were in February, I remember, and 90 00:05:31,440 --> 00:05:34,960 Speaker 4: they told us this year was gonna be shut down, 91 00:05:35,080 --> 00:05:38,240 Speaker 4: like canceled. And we had the first concert in Japan 92 00:05:38,320 --> 00:05:41,120 Speaker 4: and Japan in Tokyo, We're gonna play in front of 93 00:05:41,240 --> 00:05:44,320 Speaker 4: ten thousand people because there is a band called Tokyo's 94 00:05:44,320 --> 00:05:46,880 Speaker 4: Cup Paradise Orchestra and we did a song with them, 95 00:05:47,000 --> 00:05:51,760 Speaker 4: and that year was like a great depression year, but 96 00:05:52,200 --> 00:05:56,320 Speaker 4: depressive depressive, yes, but it was also a gift because 97 00:05:56,360 --> 00:05:58,919 Speaker 4: we were traveling a lot and we didn't have time 98 00:05:59,080 --> 00:06:02,360 Speaker 4: before to be in one place and that was also 99 00:06:02,400 --> 00:06:05,000 Speaker 4: a gift and we took advantage of it. 100 00:06:05,120 --> 00:06:07,400 Speaker 3: Also we created a lot of songs. 101 00:06:07,640 --> 00:06:11,719 Speaker 4: We build a studio Buddha and in which we recorded 102 00:06:11,760 --> 00:06:13,200 Speaker 4: this album and it was cool. 103 00:06:13,560 --> 00:06:16,880 Speaker 9: Yeah, we had the time to refresh our intimacy. You know, 104 00:06:17,640 --> 00:06:21,840 Speaker 9: artists are all the time like giving so much to 105 00:06:21,920 --> 00:06:27,400 Speaker 9: the people and sometimes people expect that everything is perfect 106 00:06:27,960 --> 00:06:31,279 Speaker 9: in an artist's life. You know, we have the best smile, 107 00:06:31,520 --> 00:06:35,080 Speaker 9: the best energy. We have to be open to everybody, 108 00:06:35,120 --> 00:06:37,600 Speaker 9: you know, we have to be there for everybody all 109 00:06:37,640 --> 00:06:41,039 Speaker 9: the time. And if you don't have intimacy, you cannot create. 110 00:06:41,560 --> 00:06:44,160 Speaker 9: You have to go deep inside of you and you know, 111 00:06:44,640 --> 00:06:49,520 Speaker 9: leave your darkness and all the colors that makes you 112 00:06:49,800 --> 00:06:53,559 Speaker 9: be what you are and it's not what people want 113 00:06:54,040 --> 00:06:54,359 Speaker 9: of you. 114 00:06:54,920 --> 00:06:56,719 Speaker 8: It's you with yourself. 115 00:06:57,000 --> 00:07:02,760 Speaker 9: And we have been for many years on tour, like touring, touring, 116 00:07:02,920 --> 00:07:06,400 Speaker 9: touring and going on the studio was like, okay, we 117 00:07:06,480 --> 00:07:09,880 Speaker 9: have two months to make a record. Let's write some 118 00:07:09,920 --> 00:07:12,720 Speaker 9: songs and go there and you know, quick, quick week. 119 00:07:13,840 --> 00:07:16,880 Speaker 8: But now we had finally. 120 00:07:16,920 --> 00:07:21,360 Speaker 9: The chance to make music without a schedule, without a calendar, 121 00:07:21,680 --> 00:07:24,800 Speaker 9: just going back and forth to the songs and you know, 122 00:07:24,960 --> 00:07:28,080 Speaker 9: like this is not what we want and changing and. 123 00:07:28,120 --> 00:07:29,160 Speaker 4: We did fifty songs. 124 00:07:29,280 --> 00:07:29,440 Speaker 6: Thing. 125 00:07:29,680 --> 00:07:30,640 Speaker 3: Just look at that. 126 00:07:31,240 --> 00:07:35,840 Speaker 8: Yeah, we had the chance to have fun again. Oh 127 00:07:35,960 --> 00:07:36,280 Speaker 8: my god. 128 00:07:36,320 --> 00:07:39,400 Speaker 9: It was like a relief just to be there with 129 00:07:39,480 --> 00:07:42,440 Speaker 9: the music, having fun, even if it was pretty. 130 00:07:42,120 --> 00:07:43,640 Speaker 3: Hard outs and music. 131 00:07:44,720 --> 00:07:47,920 Speaker 4: Like the first album, we did that without the expectations. 132 00:07:48,240 --> 00:07:50,000 Speaker 4: We were nobody with a strange name. 133 00:07:51,840 --> 00:07:54,600 Speaker 9: We used to play at the beginning of our story. 134 00:07:55,520 --> 00:07:58,680 Speaker 8: We used to play in family parties and you know, 135 00:07:58,800 --> 00:08:00,240 Speaker 8: like fancy people. 136 00:08:01,000 --> 00:08:04,440 Speaker 9: Kind of fancy people in Bogota, and you know, fancy 137 00:08:04,440 --> 00:08:08,120 Speaker 9: people in Bogota, as many people in Latin America. Sometimes 138 00:08:08,160 --> 00:08:12,480 Speaker 9: they have this attitude that European culture is better, it's bigger, 139 00:08:12,520 --> 00:08:15,400 Speaker 9: it's more important, it's more sophisticated, and you know. 140 00:08:15,480 --> 00:08:21,360 Speaker 3: Like especially French, we wea. 141 00:08:21,800 --> 00:08:24,800 Speaker 9: So we were smoking all the time about that because 142 00:08:25,000 --> 00:08:25,600 Speaker 9: they were. 143 00:08:25,440 --> 00:08:28,560 Speaker 8: Like, ah, so where are you from from France? 144 00:08:28,680 --> 00:08:32,520 Speaker 9: And we were like no, no, no, not anamous new 145 00:08:32,760 --> 00:08:47,400 Speaker 9: familiar Francis and ex Calarca, the small villages in Colombia. 146 00:08:47,720 --> 00:08:50,440 Speaker 8: And even if we learn from other. 147 00:08:50,280 --> 00:08:54,280 Speaker 9: Cultures, we love our roots and we are proud, you know, 148 00:08:54,720 --> 00:08:59,200 Speaker 9: to be yeah, and that's why we love to bring 149 00:08:59,400 --> 00:09:03,200 Speaker 9: the world to our country, to our weight. So we 150 00:09:03,320 --> 00:09:08,160 Speaker 9: decided to name to mock the attitude because if it 151 00:09:08,280 --> 00:09:10,600 Speaker 9: was monsieur, then they would like pay. 152 00:09:10,520 --> 00:09:15,839 Speaker 3: Us smart smart, very smart on your part. 153 00:09:16,200 --> 00:09:20,360 Speaker 5: Why not right, very ironic sounding, glamorous, but at the 154 00:09:20,400 --> 00:09:23,800 Speaker 5: same time kind of kicking it back to colonialism. 155 00:09:23,840 --> 00:09:24,479 Speaker 3: I guess. 156 00:09:31,880 --> 00:09:37,440 Speaker 7: Quango is there can magas quando lei he is there? 157 00:09:38,080 --> 00:09:40,360 Speaker 3: Can you magers. 158 00:09:43,240 --> 00:10:02,920 Speaker 7: Yass but sola but must have sola? The compai no 159 00:10:03,080 --> 00:10:12,960 Speaker 7: le parable labable it be the concrement peg contrement page. 160 00:10:21,320 --> 00:10:22,439 Speaker 8: To those movie. 161 00:10:26,080 --> 00:10:35,280 Speaker 7: Vrau hair apparrel whiskey where a guaro haraparrel whiskey compi 162 00:10:35,600 --> 00:10:39,600 Speaker 7: cuerabl guaro loco your Frasiera. 163 00:10:40,880 --> 00:10:43,880 Speaker 8: Sace like me Frasierra. 164 00:10:44,760 --> 00:10:52,640 Speaker 6: Versace, cassubiero has a lastra he jas medicare copi canom 165 00:10:52,760 --> 00:10:55,320 Speaker 6: in terraces cabable like it can be there. 166 00:10:55,440 --> 00:11:00,320 Speaker 7: Contrement peggy, Okay, well lock it your contram. 167 00:11:00,080 --> 00:11:05,720 Speaker 8: In the p came bagain, come. 168 00:11:07,160 --> 00:11:08,120 Speaker 10: Love honey. 169 00:11:14,240 --> 00:11:17,200 Speaker 8: Or receive the place. 170 00:11:19,480 --> 00:11:24,160 Speaker 7: He alab and the lospital babe, and it's like, what 171 00:11:24,320 --> 00:11:24,559 Speaker 7: do you have? 172 00:11:24,640 --> 00:11:25,760 Speaker 8: What Mather hasn't there? 173 00:11:26,000 --> 00:11:27,319 Speaker 3: You're so lida. 174 00:11:30,160 --> 00:11:31,440 Speaker 8: My okay, well. 175 00:11:31,400 --> 00:11:34,840 Speaker 7: Okay, well lock it can be there, criminal Nap can bagain? 176 00:11:34,960 --> 00:11:36,640 Speaker 8: Okay, well okay, well okay to be. 177 00:11:36,720 --> 00:11:41,480 Speaker 7: There, Krim and Dapa can page premen dapa mabe hallo 178 00:11:41,600 --> 00:11:48,280 Speaker 7: byll o pe ya maybe hastallas yes, maybe to primo 179 00:11:48,480 --> 00:11:50,839 Speaker 7: mabellado mabe. 180 00:12:02,640 --> 00:12:03,920 Speaker 3: Well, that was great. 181 00:12:04,120 --> 00:12:06,840 Speaker 5: I think that's also a very representative of you guys, 182 00:12:06,920 --> 00:12:10,800 Speaker 5: that you're mixing so many different music styles, but also 183 00:12:10,840 --> 00:12:14,000 Speaker 5: you're mixing languagists, and I'm wondering where that comes from 184 00:12:14,120 --> 00:12:16,760 Speaker 5: and why do you think that is important for you. 185 00:12:17,600 --> 00:12:21,920 Speaker 9: I had the opportunity to learn after Spanish French, and 186 00:12:22,440 --> 00:12:27,440 Speaker 9: what I discover that when you approach to another culture, 187 00:12:27,640 --> 00:12:30,320 Speaker 9: it's beautiful because you can get. 188 00:12:30,200 --> 00:12:31,679 Speaker 8: The feeling of the people. 189 00:12:32,360 --> 00:12:35,960 Speaker 9: Music has the power to connect all the languages, even 190 00:12:36,000 --> 00:12:39,599 Speaker 9: if we don't speak more than one, because it's in 191 00:12:39,880 --> 00:12:43,800 Speaker 9: the instruments and in the vibe of what makes a 192 00:12:43,880 --> 00:12:46,640 Speaker 9: song powerful, and it's like a way to open the 193 00:12:46,720 --> 00:12:48,240 Speaker 9: door with a big smile. 194 00:12:48,720 --> 00:12:50,520 Speaker 5: I think it also tells a lot about how you 195 00:12:50,640 --> 00:12:53,679 Speaker 5: understand Latin America, right, because in many ways, you know, 196 00:12:54,200 --> 00:12:55,640 Speaker 5: it's not only Spanish. 197 00:12:56,200 --> 00:13:01,760 Speaker 9: Also Guarani, and you know many different native languages that 198 00:13:01,880 --> 00:13:04,559 Speaker 9: we don't know. And it's sad because it would be 199 00:13:05,080 --> 00:13:05,680 Speaker 9: beautiful to. 200 00:13:05,720 --> 00:13:09,840 Speaker 8: Sing I don't know. Yeah, many languages. 201 00:13:09,880 --> 00:13:11,960 Speaker 3: I hope in your next album you have time. 202 00:13:12,600 --> 00:13:15,920 Speaker 9: We did a song in gi with a band that 203 00:13:16,520 --> 00:13:18,640 Speaker 9: was released like a few days ago and it's called 204 00:13:21,160 --> 00:13:24,120 Speaker 9: and it's from a band from Paraguay that it's called 205 00:13:24,160 --> 00:13:27,280 Speaker 9: tra Intro and yeah, we sung in. 206 00:13:29,400 --> 00:13:31,120 Speaker 8: Why not of course? 207 00:13:31,800 --> 00:13:35,439 Speaker 5: And I think that you try to highlight these Colombian roots, 208 00:13:35,480 --> 00:13:40,200 Speaker 5: these indigenous roots also in your music and we stawt 209 00:13:40,200 --> 00:13:43,280 Speaker 5: it in Apea. And also the instruments that you play, right, 210 00:13:44,080 --> 00:13:46,880 Speaker 5: why why did you do that? And what's special about 211 00:13:46,960 --> 00:13:49,480 Speaker 5: using those instruments for you guys, we. 212 00:13:49,559 --> 00:13:53,120 Speaker 4: Have the opportunity to get to know that those instruments 213 00:13:53,240 --> 00:13:56,199 Speaker 4: and when you take them out from from out from 214 00:13:56,240 --> 00:14:00,760 Speaker 4: the folklore and you use them for other stuff, they 215 00:14:00,840 --> 00:14:01,560 Speaker 4: sound so cool. 216 00:14:01,679 --> 00:14:05,760 Speaker 3: So we were just like not being purist and just 217 00:14:06,400 --> 00:14:08,240 Speaker 3: using the colors. And that's why we. 218 00:14:08,400 --> 00:14:12,840 Speaker 4: Use char Ago on roco quatro, like all the Indian instruments. 219 00:14:13,320 --> 00:14:14,960 Speaker 3: Yeah, you do your own thing with them, right. 220 00:14:15,640 --> 00:14:20,480 Speaker 5: It's funny because Santiago before playing, he was just like 221 00:14:20,760 --> 00:14:24,200 Speaker 5: non stop playing the guitar in the green room. So 222 00:14:24,920 --> 00:14:27,600 Speaker 5: the past fifteen years, I'm sure he's trying all these 223 00:14:27,640 --> 00:14:28,640 Speaker 5: instruments all the time. 224 00:14:28,760 --> 00:14:28,960 Speaker 9: Years. 225 00:14:31,880 --> 00:14:35,440 Speaker 5: So wait to also come down and I can see 226 00:14:35,480 --> 00:14:38,840 Speaker 5: that that you are experimenting with all kinds of sports 227 00:14:39,240 --> 00:14:39,800 Speaker 5: all the time. 228 00:14:40,800 --> 00:14:44,440 Speaker 4: That's it. Yeah, playing like play music in Spanish is 229 00:14:44,720 --> 00:14:48,800 Speaker 4: tokar un instrumental, but in English is playing music or 230 00:14:48,880 --> 00:14:53,720 Speaker 4: in French juek okay or in German spiel is like this, 231 00:14:54,160 --> 00:14:55,760 Speaker 4: play like children. 232 00:14:56,160 --> 00:15:00,480 Speaker 9: Yeah, and you know, every time that we travel around 233 00:15:00,520 --> 00:15:02,800 Speaker 9: the world, we are like I don't know, like when 234 00:15:02,840 --> 00:15:05,480 Speaker 9: we travel with the band, we are like twelve people 235 00:15:06,080 --> 00:15:08,480 Speaker 9: and every one of us is carrying a new instrument 236 00:15:08,560 --> 00:15:13,480 Speaker 9: of Santiago. You know, we cannot we cannot have our 237 00:15:13,600 --> 00:15:17,960 Speaker 9: own bags. It's like please please, so you make a 238 00:15:17,960 --> 00:15:21,520 Speaker 9: spring like I don't know, like Dambrians like this, you know, 239 00:15:21,680 --> 00:15:23,360 Speaker 9: And and yeah. 240 00:15:23,440 --> 00:15:26,200 Speaker 5: Well it definitely comes through your music that you guys 241 00:15:26,240 --> 00:15:27,640 Speaker 5: have a lot of fun with it. 242 00:15:28,120 --> 00:15:29,360 Speaker 3: And I would say that. 243 00:15:30,160 --> 00:15:33,080 Speaker 5: Probably that's the one thing pretty much all your songs 244 00:15:33,120 --> 00:15:35,480 Speaker 5: have in common, which is this sense of hope and 245 00:15:36,120 --> 00:15:39,120 Speaker 5: enjoying life. And I was wondering if you could talk 246 00:15:39,160 --> 00:15:43,120 Speaker 5: about this very particular thing that happened that showed that 247 00:15:43,280 --> 00:15:47,280 Speaker 5: people are really connecting. What happened with your song Nuestra Kansun, 248 00:15:47,320 --> 00:15:52,240 Speaker 5: which was your first single ever and TikTok so what 249 00:15:52,480 --> 00:15:53,080 Speaker 5: happened with that? 250 00:15:54,160 --> 00:15:58,720 Speaker 3: We don't know. People are crazy, We don't know. 251 00:15:59,520 --> 00:16:02,840 Speaker 8: It was amazing. It was amazing because we didn't do anything. 252 00:16:02,960 --> 00:16:06,840 Speaker 9: You know, the music is just about that, about connection, 253 00:16:07,280 --> 00:16:10,840 Speaker 9: and it's beautiful to see that it was organic, you know, 254 00:16:11,600 --> 00:16:15,440 Speaker 9: that a guy felt feminine and wanted to talk about it, 255 00:16:15,560 --> 00:16:19,640 Speaker 9: and a lot of men in the world decided. 256 00:16:19,240 --> 00:16:19,600 Speaker 1: To do it. 257 00:16:19,840 --> 00:16:22,320 Speaker 9: And then it changed and itated to I don't know 258 00:16:22,400 --> 00:16:28,280 Speaker 9: how many trends and you know, choreographies and countries. It 259 00:16:28,520 --> 00:16:29,200 Speaker 9: was amazing. 260 00:16:29,520 --> 00:16:31,360 Speaker 8: It was like, Hey, here in a. 261 00:16:31,640 --> 00:16:37,240 Speaker 9: Comuta mcpark, the Central Park, they are they are dancing 262 00:16:37,360 --> 00:16:42,360 Speaker 9: your song, and I think nobody knows our face and 263 00:16:42,560 --> 00:16:44,640 Speaker 9: it doesn't matter, you know, it's not about the face, 264 00:16:44,760 --> 00:16:45,680 Speaker 9: It's about the feeling. 265 00:16:46,440 --> 00:16:48,920 Speaker 5: So yeah, I think that it's a song that basically 266 00:16:49,120 --> 00:16:53,440 Speaker 5: says you know, you took away my sadness with flowers 267 00:16:53,680 --> 00:16:55,680 Speaker 5: and colors, and I was in the middle of the 268 00:16:55,800 --> 00:17:00,920 Speaker 5: pandemic and that definitely connected with people, and it did and. 269 00:17:01,600 --> 00:17:04,720 Speaker 9: We are I think we are in a moment where 270 00:17:05,000 --> 00:17:09,200 Speaker 9: everybody is thinking so much about social media. 271 00:17:09,520 --> 00:17:10,639 Speaker 3: It drives us. 272 00:17:11,119 --> 00:17:14,000 Speaker 9: It takes all the energy, like the face and the 273 00:17:14,080 --> 00:17:16,560 Speaker 9: story that we're gonna share about my life that is 274 00:17:17,000 --> 00:17:19,720 Speaker 9: perfect or a little bit not perfect, but not you know, 275 00:17:20,280 --> 00:17:24,680 Speaker 9: it's like I have to put the filter and in everyone, 276 00:17:25,040 --> 00:17:27,960 Speaker 9: including me. That's the really toxic dynamic that we have 277 00:17:28,080 --> 00:17:31,840 Speaker 9: in the world and in his refreshing just to see 278 00:17:31,920 --> 00:17:33,880 Speaker 9: people being happy all the time. 279 00:17:35,240 --> 00:17:37,800 Speaker 5: Thank you so much. We're gonna be wrapping up the 280 00:17:38,440 --> 00:17:44,200 Speaker 5: show with one final song. I just wanted to thank 281 00:17:44,240 --> 00:17:46,359 Speaker 5: you Catalina and Santiago. 282 00:18:00,680 --> 00:18:03,520 Speaker 4: I did a rancheta for for this album, which is 283 00:18:04,320 --> 00:18:33,119 Speaker 4: is a polyamorous ranchera. Yeah, there rappings, Stagian, memen, tunable 284 00:18:33,720 --> 00:18:56,359 Speaker 4: body able, intensis, the notches, multicolories, Yeah, our Randi n 285 00:18:56,800 --> 00:19:02,600 Speaker 4: do most Balian saldar scalog. 286 00:19:06,200 --> 00:19:12,320 Speaker 3: Massagia de la de la Religio. 287 00:19:14,359 --> 00:19:17,120 Speaker 5: See Scary. 288 00:19:19,480 --> 00:19:22,040 Speaker 11: Vale Madre Saki. 289 00:19:24,520 --> 00:19:42,600 Speaker 10: Located gan wimport lovedas Mukor Career, stab Jagado voice in drncor. 290 00:19:44,880 --> 00:19:58,560 Speaker 12: See your intrestl Camino, gual delton Elrio Ka margiak I 291 00:19:58,640 --> 00:20:04,560 Speaker 12: see the Rapins, a story, Friend, a Friend, deduced steeds 292 00:20:04,640 --> 00:20:15,679 Speaker 12: do for Tampurro, Scenceroprofundo, Volusion. 293 00:20:18,880 --> 00:20:26,639 Speaker 11: Seekery, Scary, Valimadre, Saki. 294 00:20:29,320 --> 00:20:32,280 Speaker 3: Locady g iimpoor the. 295 00:20:32,560 --> 00:20:36,960 Speaker 11: Lobby, Las week or carriers. 296 00:20:36,680 --> 00:20:36,760 Speaker 7: W. 297 00:20:39,960 --> 00:20:42,960 Speaker 3: H you Gallo loud. 298 00:20:46,640 --> 00:20:57,320 Speaker 10: My voice in drinkle, see our interesting coming on Juan 299 00:20:57,520 --> 00:21:07,119 Speaker 10: the Tunnel, Rio al Marria Diego, bring the bardl Finale, 300 00:21:10,040 --> 00:21:17,240 Speaker 10: Oon Finale, Sindo, ah Jega. 301 00:21:21,320 --> 00:21:25,320 Speaker 3: Move caz Garacia, Sabos. 302 00:21:29,800 --> 00:21:33,879 Speaker 2: That was Santiago Prieto and Catarina Garcia, members of the 303 00:21:33,960 --> 00:21:38,280 Speaker 2: Colombian band Monsieur Perrimi performing songs from their latest album. 304 00:21:47,240 --> 00:21:50,560 Speaker 2: This episode was produced by Marta Martinez. It was edited 305 00:21:50,640 --> 00:21:55,240 Speaker 2: by Victoria Estrada. It was mixed by Julia Caruso. Special 306 00:21:55,359 --> 00:21:58,800 Speaker 2: thanks to the Green Space at WNYC and WQX are 307 00:21:58,880 --> 00:22:01,760 Speaker 2: for inviting us to host this live performance in New 308 00:22:01,840 --> 00:22:06,639 Speaker 2: York City. The Latino USA team also includes Brinaldo Leanos Junior, 309 00:22:06,760 --> 00:22:10,480 Speaker 2: Andreandro Pescrussado, f Lori, mar Marquez, Mike Sargent Nor Saudi 310 00:22:10,640 --> 00:22:15,000 Speaker 2: and Nancy Trujuigo. Bennilee Ramirez is our co executive producer. 311 00:22:15,359 --> 00:22:19,280 Speaker 2: Our director of Engineering is Stephanie Lebau. Additional engineering support 312 00:22:19,359 --> 00:22:23,440 Speaker 2: by Gabriel Lebiez and JJ Krubin. Our marketing manager is 313 00:22:23,560 --> 00:22:27,200 Speaker 2: Luis Luna. Our theme music was composed by Zee Rubinos. 314 00:22:27,480 --> 00:22:30,720 Speaker 2: I'm your host and executive producer MARIEO Hoosa. Remember join 315 00:22:30,840 --> 00:22:33,600 Speaker 2: us on our next episode. In the meantime, look for 316 00:22:33,720 --> 00:22:36,280 Speaker 2: us on all of your social media and as always 317 00:22:36,760 --> 00:22:38,200 Speaker 2: do te bayas bayi. 318 00:22:42,119 --> 00:22:46,159 Speaker 8: Latino USA is made possible in part by the Heising 319 00:22:46,240 --> 00:22:53,360 Speaker 8: Simons Foundation, Unlocking knowledge, opportunity and possibilities more at hsfoundation 320 00:22:53,640 --> 00:22:58,040 Speaker 8: dot org, the Ford Foundation, working with visionaries on the 321 00:22:58,080 --> 00:23:01,119 Speaker 8: front lines of social change world wide, and. 322 00:23:01,880 --> 00:23:06,800 Speaker 7: Latino USA thirtieth anniversary episodes are made possible with support 323 00:23:07,000 --> 00:23:12,919 Speaker 7: from our legacy sustainers, the Brett Family Foundation, Alonso Cantu, Carmen, 324 00:23:13,040 --> 00:23:18,680 Speaker 7: Rita Wong Vamos Enterprises, the National Association of Hispanic Journalists, 325 00:23:19,080 --> 00:23:24,960 Speaker 7: April Gaessler, doctor Elmo Randolph, Belinda de la Libertad, Angela 326 00:23:25,040 --> 00:23:27,440 Speaker 7: Garcia Simms, and Priscilla Rojas