WEBVTT - A-Peeling

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild. Our world is full of

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<v Speaker 1>the unexplainable, and if history is an open book, all

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<v Speaker 1>of these amazing tales are right there on display, just

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<v Speaker 1>waiting for us to explore. Welcome to the Cabinet of Curiosities.

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<v Speaker 1>In nineteen seventeen, a young woman named Molly Maggia strolled

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<v Speaker 1>into a factory in New Jersey for her first day

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<v Speaker 1>of work. Two of her sisters worked in the same factory,

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<v Speaker 1>and as she looked around the room, she saw them

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<v Speaker 1>sitting together at a workbench. Molly smiled and waved, excited

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<v Speaker 1>to join them. A supervisor walked Molly through the long

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<v Speaker 1>rows of work benches, where more than one hundred young

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<v Speaker 1>women were hunched over with brushes in their hands. Their

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<v Speaker 1>job was to paint the numbers onto the dials of

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<v Speaker 1>watchfaces with a special luminous paint called undark. Molly sat

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<v Speaker 1>down at her seat and gazed into the small bowl

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<v Speaker 1>of yellowish paint, which glimmered and glowed like a magical potion.

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<v Speaker 1>Molly had never seen anything like it. Her supervisor showed

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<v Speaker 1>her the proper technique lip dip paint. She was supposed

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<v Speaker 1>to shape the brush into a fine point with her lips,

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<v Speaker 1>dip it in the paint, and then paint the numbers

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<v Speaker 1>on the watch dial. Molly frowned and asked if the

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<v Speaker 1>paint was safe to consume, and the supervisor said yes,

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<v Speaker 1>it was all natural and completely harmless. During their lunch break,

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<v Speaker 1>Molly sat with her sisters who were painting each other's

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<v Speaker 1>nails with the undark paint to make them glow. Across

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<v Speaker 1>the room, she saw other workers painting designs onto their

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<v Speaker 1>faces and clothing. They were laughing and smiling and shimmering

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<v Speaker 1>like they were lit from within. Molly decided that the

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<v Speaker 1>hesitation she had felt was unnecess A substance this beautiful

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<v Speaker 1>and popular couldn't be dangerous. But after working at the

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<v Speaker 1>factory for a few years, Molly woke up one morning

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<v Speaker 1>with a terrible toothache. She called in sick to work

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<v Speaker 1>and went to the dentist. He pulled out one of

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<v Speaker 1>her teeth and sent her away, but the pain didn't

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<v Speaker 1>go away. Over the next few months, Molly went back

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<v Speaker 1>to the dentist again and again. Her teeth were rotting

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<v Speaker 1>and falling out one by one, and even more alarmingly,

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<v Speaker 1>the empty sockets weren't healing after the teeth were removed.

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<v Speaker 1>They were turning into painful, bleeding ulcers. And then one day,

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<v Speaker 1>when the dentist lightly pried open Molly's jaw to get

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<v Speaker 1>a better look at her teeth, her entire jawbone crumbled

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<v Speaker 1>and broke off into his hand. The dentist was aghast.

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<v Speaker 1>He had no idea what was wrong with Molly, and

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<v Speaker 1>there was nothing he could do to help her pain.

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<v Speaker 1>Molly spent the next few months bedridden, barely able to

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<v Speaker 1>eat or speak. Her sisters brought her word that other

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<v Speaker 1>workers at the factory were falling in as well. Their

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<v Speaker 1>jaws were rotting, their spines collapsed, their pregnancies ended in miscarriage.

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<v Speaker 1>No one knew what was happening. The factory owners insisted

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<v Speaker 1>that it was just a coincidence and that it had

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<v Speaker 1>nothing to do with the undark paint, but the workers

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<v Speaker 1>were starting to doubt the paint was really as safe

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<v Speaker 1>as they claimed. That fall Molly died of a hemorrhage

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<v Speaker 1>at the age of twenty five. Over the coming years,

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<v Speaker 1>dozens of other dial painters became sick, including Molly's sisters,

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<v Speaker 1>who joined with other workers to file a lawsuits against

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<v Speaker 1>the factory. As part of the lawsuit, Molly's body was

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<v Speaker 1>exhumed for an autopsy, and what it revealed was that

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<v Speaker 1>Molly's bones were radioactive. You see the undark paint glowed

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<v Speaker 1>because it contained radium, a radioactive substance that's highly toxic

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<v Speaker 1>to human beings. The owners of the Dial factory had

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<v Speaker 1>tried to cover up the harmful effects of radium, even

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<v Speaker 1>as their healthy young workers dropped dead from it. Over time,

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<v Speaker 1>the workers Bega came known as the Radium Girls, and

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<v Speaker 1>although there was nothing that could be done to save them,

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<v Speaker 1>their deaths led to the creation of several new health

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<v Speaker 1>and safety regulations for workers, including the creation of the

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<v Speaker 1>Occupational Safety and Health Administration otherwise known to us today

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<v Speaker 1>as OSHA. You see them in every grocery store produce

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<v Speaker 1>aisle today, the humble banana, the Cavendish banana, to be

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<v Speaker 1>more precise. But if you were to get into a

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<v Speaker 1>time machine and go back to the late nineteenth century,

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<v Speaker 1>that is not the banana that you would find at

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<v Speaker 1>the market, and the reason why is a curious tale.

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<v Speaker 1>Back then, the banana that everyone bought was the gross Michelle.

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<v Speaker 1>It had been introduced to the Americas in the late

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<v Speaker 1>nineteenth century, and due to its flavor, thick skin, and

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<v Speaker 1>resilientllians when being shipped, it quickly became top banana. It

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<v Speaker 1>fueled the growth of many Central American countries and grew

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<v Speaker 1>the profits of the massive fruit corporations, including United Fruit Company,

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<v Speaker 1>which led to the rise of the concept that we

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<v Speaker 1>know today as the banana republic. It's a phrase that

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<v Speaker 1>we often hear an unstable country whose economy rests on

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<v Speaker 1>a single resource, which then gets exploited by powerful foreign agents.

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<v Speaker 1>In this case, those foreign agents were United Fruit and

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<v Speaker 1>its competitors. You see, the gross Michelle needed land in

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<v Speaker 1>the tropics, and lots of it, and not just for

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<v Speaker 1>the massive banana plantations where the fruit would be grown,

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<v Speaker 1>but also for railways and ports so that the perishable

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<v Speaker 1>Gross Michelle could get to market as quickly as possible.

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<v Speaker 1>United Fruit was able to secure land grants in exchange

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<v Speaker 1>for building its own railways, but only those that would

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<v Speaker 1>serve its own interests. Locals were frequently left out in

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<v Speaker 1>the cold, and as more and more of the country's

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<v Speaker 1>resources were sucked up by the company, there would be,

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<v Speaker 1>in turn more political unrest, and to protect United Fruits business,

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<v Speaker 1>the United States government would help topple governments who pushed back,

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<v Speaker 1>installing corrupt military dictatorships that were much more friendly to

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<v Speaker 1>American interests, all to sell a banana. Very quickly, the

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<v Speaker 1>health of a nation's economy became entirely reliant on the

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<v Speaker 1>health of the banana plantations, which left local populations vulnerable

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<v Speaker 1>to markets that had little to do with themselves, and

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<v Speaker 1>United Fruits focus on growing the grossmychelle above all other

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<v Speaker 1>varieties would eventually lead to disaster. You see, in order

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<v Speaker 1>to have consistent quality of seedless fruit, the bananas weren't

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<v Speaker 1>grown from seed, but instead cloned. And because every cloned

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<v Speaker 1>plant was identical, every grossmychell had the exact same vulnerabilities.

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<v Speaker 1>And so when a soil born fungus exploded onto the

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<v Speaker 1>scene in the nineteen twenties and thirties, it tore through

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<v Speaker 1>the tropics, massacring the grosser mishell as it went. How well,

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<v Speaker 1>this fungus caused Panama disease, which blocked the plant's ability

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<v Speaker 1>to absorb and distribute water, and so entire plantations became

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<v Speaker 1>rotting banana graveyards, and by the nineteen fifties, the grossmychell

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<v Speaker 1>was unable to continue as the corporate crop that it

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<v Speaker 1>had been for so long. After some search, the industry

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<v Speaker 1>found a new champion, the cavendish, which had a natural

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<v Speaker 1>resistance to the fungus, and so farmers pivoted quickly to

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<v Speaker 1>the new variety, which proved incredibly successful. Just like the

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<v Speaker 1>grossbyshell before, it was a resilient breed and it could

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<v Speaker 1>make that long journey from the farm to the grocer

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<v Speaker 1>with minimal damage. But most importantly, it could grow in

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<v Speaker 1>the same soil that had become toxic for its predecessor,

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<v Speaker 1>and along the way it's become the banana that we

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<v Speaker 1>all recognize today, and it accounts for ninety nine percent

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<v Speaker 1>of the banana trade, which, as you can probably guess,

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<v Speaker 1>is a major problem. You see, the industry didn't solve

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<v Speaker 1>its fungus problem by replacing one monoculture with another. It's

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<v Speaker 1>only really putting off the inevitable because just like the

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<v Speaker 1>grossby shell, the cavendish is a clone. Every single one

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<v Speaker 1>of the bananas on the market shelves today share the

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<v Speaker 1>exact same genes and so all it would take is

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<v Speaker 1>a single disease to wipe out the Cavendish, and that

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<v Speaker 1>disease has already appeared in the form of tropical race four,

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<v Speaker 1>which is a particularly nasty form of the same fungus

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<v Speaker 1>that took down the grossmy shell. It's more aggressive and

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<v Speaker 1>it can live in the soil far longer, lasting even decades.

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<v Speaker 1>And since it's appeared, it has spread like wildfire through

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<v Speaker 1>Asia and Australia. In twenty nineteen, it finally made it

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<v Speaker 1>to the Americas, the hearts of the banana export industry,

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<v Speaker 1>and it's proving nearly impossible to contain naturally. The industry

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<v Speaker 1>is trying to fight back using genetic engineering. It's attempting

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<v Speaker 1>to take resistant genes from wild bananas and insert them

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<v Speaker 1>into the cavendish genome, offering a glimmer of hope. There's

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<v Speaker 1>also the possibility of other varieties hitting store shelves, although

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<v Speaker 1>many aren't as hardy or as flavorful as the Cavendish,

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<v Speaker 1>And so the new fungus continues its relentless spread, leaving

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<v Speaker 1>our familiar bananas fate hanging in the balance. Twice now

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<v Speaker 1>we've been shown the dangers of monoculture. We can meet

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<v Speaker 1>it in the moment through diversification or science, or face

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<v Speaker 1>losing one of our everyday staples. And as far as

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<v Speaker 1>I'm concerned, only one of those options sounds appealing. I

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<v Speaker 1>hope you enjoyed today's guided tour through the Cabinet of Curiosities.

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<v Speaker 1>This show was created by me Aaron Mankey in partnership

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<v Speaker 1>with iHeart Podcasts, researched and written by the Grim and

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<v Speaker 1>Mild team, and produced by Jesse Funk. Learn more about

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<v Speaker 1>the show and the people who make it over at

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<v Speaker 1>Grimandmild dot com slash Curiosities. You'll also find a link

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<v Speaker 1>to the official Cabinet of Curiosity's hardcover book, available in

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<v Speaker 1>bookstores and online, as well as ebook and audiobook. And

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<v Speaker 1>up over at patreon dot com, slash Grimandmild, and until

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<v Speaker 1>next time, stay curious.