1 00:00:04,040 --> 00:00:08,200 Speaker 1: Welcomed Aaron Menk's Cabinet of Curiosities, a production of iHeartRadio 2 00:00:08,280 --> 00:00:15,520 Speaker 1: and Grim and Mild. Our world is full of the unexplainable, 3 00:00:16,120 --> 00:00:18,880 Speaker 1: and if history is an open book, all of these 4 00:00:18,960 --> 00:00:22,720 Speaker 1: amazing tales are right there on display, just waiting for 5 00:00:22,920 --> 00:00:36,800 Speaker 1: us to explore. Welcome to the Cabinet of Curiosities. She 6 00:00:37,000 --> 00:00:40,760 Speaker 1: was built for luxury, stability, and speed. The Gilded Age 7 00:00:40,840 --> 00:00:43,040 Speaker 1: might have come crashing down by the nineteen tens, but 8 00:00:43,120 --> 00:00:45,720 Speaker 1: that didn't mean decadence was off the menu. It was 9 00:00:45,760 --> 00:00:48,080 Speaker 1: still very much encouraged for those who could afford it. 10 00:00:48,280 --> 00:00:52,000 Speaker 1: Of course, in the early twentieth century, many shipping companies 11 00:00:52,000 --> 00:00:55,720 Speaker 1: were competing for customers, especially among the leisure class. The 12 00:00:55,800 --> 00:00:58,320 Speaker 1: White Star Line was duking it out with the Cunard 13 00:00:58,400 --> 00:01:00,480 Speaker 1: to see which of their companies could create the most 14 00:01:00,560 --> 00:01:04,480 Speaker 1: luxurious ships, and largely they spared no expense. White Star 15 00:01:04,520 --> 00:01:07,600 Speaker 1: Lines knew Olympic class liners were a thing of beauty 16 00:01:07,840 --> 00:01:10,679 Speaker 1: and decorated to match the most opulent hotels in New 17 00:01:10,760 --> 00:01:14,080 Speaker 1: York and London, so the upper classes wouldn't feel out 18 00:01:14,120 --> 00:01:17,319 Speaker 1: of place. It was now faster than ever to cover 19 00:01:17,360 --> 00:01:21,199 Speaker 1: the distance between England and the United States, particularly New York, 20 00:01:21,440 --> 00:01:24,600 Speaker 1: so the well to do were making the trip more often. Families, 21 00:01:24,760 --> 00:01:27,640 Speaker 1: businessmen and young men heading off on a tour of 22 00:01:27,680 --> 00:01:31,160 Speaker 1: Europe before settling down. All wanted for nothing on these ships. 23 00:01:31,319 --> 00:01:33,760 Speaker 1: They were built to cater to the likes of the vanderbilts, 24 00:01:33,800 --> 00:01:37,640 Speaker 1: Asters and Rockefellers. From the bedrooms to the entertainment on 25 00:01:37,680 --> 00:01:41,319 Speaker 1: the menus, they would only get the best upper class 26 00:01:41,319 --> 00:01:43,840 Speaker 1: Passengers Stepping onto these ships could be greeted by a 27 00:01:43,880 --> 00:01:47,760 Speaker 1: glorious grand staircase beneath the chandelier, or in one case, 28 00:01:48,000 --> 00:01:50,440 Speaker 1: an enormous dome that was lit to give the illusion 29 00:01:50,480 --> 00:01:53,960 Speaker 1: of natural light at all hours. They could promenade, although 30 00:01:53,960 --> 00:01:57,639 Speaker 1: the outdoor temperatures weren't often hospitable for long walks, enjoy 31 00:01:57,720 --> 00:02:01,280 Speaker 1: a swimming pool, Turkish baths, squad courts, and a state 32 00:02:01,320 --> 00:02:04,040 Speaker 1: of the art jim. Crews were meant to stay away 33 00:02:04,040 --> 00:02:07,120 Speaker 1: from passengers unless they were working directly with them. They 34 00:02:07,120 --> 00:02:10,639 Speaker 1: would have enjoyed similar accommodations as steerage and were expected 35 00:02:10,639 --> 00:02:12,880 Speaker 1: to work every day of the week, so they wouldn't 36 00:02:12,880 --> 00:02:15,600 Speaker 1: have spent much time in their rooms. Instead, they were 37 00:02:15,639 --> 00:02:18,760 Speaker 1: at their posts all the time, but surprisingly that's not 38 00:02:18,760 --> 00:02:21,640 Speaker 1: where Charles Jackin was late in the evening on April 39 00:02:21,680 --> 00:02:25,040 Speaker 1: fourteenth when he got the news. Charles was born in 40 00:02:25,080 --> 00:02:27,840 Speaker 1: England in eighteen seventy eight, enjoying the Royal Navy at 41 00:02:27,840 --> 00:02:31,880 Speaker 1: the age of eleven, following family tradition. By nineteen twelve 42 00:02:31,960 --> 00:02:34,400 Speaker 1: he was an experienced sailor and had found a place 43 00:02:34,440 --> 00:02:37,799 Speaker 1: for himself in ship's kitchens as a baker. On this 44 00:02:37,840 --> 00:02:40,720 Speaker 1: particular voyage, he was in charge of a staff of thirteen, 45 00:02:41,040 --> 00:02:44,919 Speaker 1: which included ten bakers, two confectioners, and a vienna baker. 46 00:02:45,520 --> 00:02:47,840 Speaker 1: He had a wife, Louise, and two kids, a daughter, 47 00:02:47,880 --> 00:02:51,679 Speaker 1: Agnes aged four, and Roland aged two. Charles was due 48 00:02:51,680 --> 00:02:53,960 Speaker 1: to earn a monthly wage of about twelve pounds that 49 00:02:53,960 --> 00:02:56,440 Speaker 1: he could use to support his family. At almost a 50 00:02:56,520 --> 00:02:59,760 Speaker 1: thousand pounds, this was one of his highest salaries on board, 51 00:03:00,200 --> 00:03:05,120 Speaker 1: not surprisingly given his experience and responsibilities, which was probably 52 00:03:05,120 --> 00:03:08,079 Speaker 1: why when the Titanic hit that Iceberg that terrible April 53 00:03:08,160 --> 00:03:12,120 Speaker 1: night in nineteen twelve, Charles Jackin jumped into action. Charles 54 00:03:12,200 --> 00:03:14,360 Speaker 1: was in his bunk sleeping, but was woken by the 55 00:03:14,400 --> 00:03:17,240 Speaker 1: collision and ran into the hallway to see what had happened. 56 00:03:17,680 --> 00:03:21,040 Speaker 1: He was immediately confronted with chaos. While the crew tried 57 00:03:21,040 --> 00:03:24,160 Speaker 1: their best to help people who were panicking and terrified, 58 00:03:24,520 --> 00:03:27,200 Speaker 1: Charles sprang into action and began to take control where 59 00:03:27,240 --> 00:03:30,760 Speaker 1: he could. He ordered his bakers to start transporting fifty 60 00:03:30,800 --> 00:03:33,560 Speaker 1: loaves of bread that they already had to the top decks, 61 00:03:33,840 --> 00:03:36,840 Speaker 1: where they were launching the lifeboats. Charles wanted to be 62 00:03:36,880 --> 00:03:39,680 Speaker 1: sure the survivors would have enough food to last until 63 00:03:39,720 --> 00:03:43,200 Speaker 1: they were rescued. As they worked, icy water was streaming 64 00:03:43,280 --> 00:03:46,200 Speaker 1: into the ship, and she was sinking rapidly. Many of 65 00:03:46,200 --> 00:03:48,600 Speaker 1: the men in first class helped their families board the 66 00:03:48,640 --> 00:03:51,200 Speaker 1: lifeboats and then returned to their cabins to dress for 67 00:03:51,200 --> 00:03:55,320 Speaker 1: the occasion. Benjamin Guggenheim reportedly said, we've dressed up in 68 00:03:55,360 --> 00:03:58,240 Speaker 1: our best and are prepared to go down like gentlemen. 69 00:03:59,000 --> 00:04:01,920 Speaker 1: Having given up his seat on the lifeboat, Charles Jackin 70 00:04:02,000 --> 00:04:05,400 Speaker 1: returned to his cabin for a different purpose. He got drunk, 71 00:04:05,760 --> 00:04:08,640 Speaker 1: spectacularly drunk. He worked his way back to the upper 72 00:04:08,680 --> 00:04:12,080 Speaker 1: decks after that and began tossing deck chairs overboard, hoping 73 00:04:12,120 --> 00:04:15,600 Speaker 1: to give the survivors something to float on. Charles donned 74 00:04:15,600 --> 00:04:17,920 Speaker 1: a lifebelt and made his way down to the pantry 75 00:04:17,960 --> 00:04:20,120 Speaker 1: for a quick glass of water before he felt a 76 00:04:20,240 --> 00:04:24,040 Speaker 1: terrific crash. The Titanic had broken in two from the pressure. 77 00:04:24,800 --> 00:04:27,120 Speaker 1: Stumbling to the stern of the ship, he held onto 78 00:04:27,120 --> 00:04:29,680 Speaker 1: the railing and waited. At two twenty in the morning, 79 00:04:29,920 --> 00:04:33,080 Speaker 1: the remaining half of the ship went vertical and disappeared 80 00:04:33,120 --> 00:04:36,160 Speaker 1: into the Atlantic. Charles was probably one of the last 81 00:04:36,200 --> 00:04:40,479 Speaker 1: people still on board as he bobbed into the frigid waters. 82 00:04:40,520 --> 00:04:42,919 Speaker 1: The shock had caused many people to seize up and 83 00:04:43,000 --> 00:04:45,920 Speaker 1: drown as soon as they entered. However, Charles was a 84 00:04:45,960 --> 00:04:49,320 Speaker 1: strong swimmer and began to tread water. He kept going 85 00:04:49,320 --> 00:04:51,880 Speaker 1: for two and a half hours in the darkness. When 86 00:04:51,920 --> 00:04:54,560 Speaker 1: the sun began to rise, he finally found a lifeboat 87 00:04:54,640 --> 00:04:59,000 Speaker 1: and was pulled aboard. Shortly afterwards, the RMS Carpathia arrived 88 00:04:59,160 --> 00:05:04,160 Speaker 1: and rescued the survivors, including and increasingly sober Charles. Thanks 89 00:05:04,200 --> 00:05:06,839 Speaker 1: to the incredible amount of whiskey he imbibed and his 90 00:05:07,000 --> 00:05:10,960 Speaker 1: implacable calm, Charles Jackins survived the sinking of a Titanic 91 00:05:11,279 --> 00:05:14,120 Speaker 1: and lived to serve in the Great War and died 92 00:05:14,200 --> 00:05:17,599 Speaker 1: in nineteen fifty six at the age of seventy eight. 93 00:05:31,920 --> 00:05:33,719 Speaker 1: We've all seen the part of the cop show where 94 00:05:33,720 --> 00:05:35,920 Speaker 1: the suspect is locked in a small room with the 95 00:05:36,000 --> 00:05:39,159 Speaker 1: detectives snickering, thinking he's going to get away with his crime, 96 00:05:39,400 --> 00:05:41,800 Speaker 1: and then before he knows that he's in handcuffs after 97 00:05:41,839 --> 00:05:44,600 Speaker 1: having spilled all of the sort of details to them. 98 00:05:44,720 --> 00:05:48,359 Speaker 1: Television shows and movies don't show how excruciating the confession 99 00:05:48,440 --> 00:05:51,960 Speaker 1: process can be, both for the detectives and the suspects. 100 00:05:52,240 --> 00:05:55,800 Speaker 1: It can require hours of questioning, with tempers and temperatures 101 00:05:55,960 --> 00:05:59,159 Speaker 1: rising for everyone involved. But one woman had an idea 102 00:05:59,200 --> 00:06:01,320 Speaker 1: to not only make it easier to get a confession 103 00:06:01,400 --> 00:06:04,240 Speaker 1: out of someone, but to make it stick, no bones 104 00:06:04,279 --> 00:06:07,440 Speaker 1: about it. Her name was Helene Adelaide Shelby, and on 105 00:06:07,480 --> 00:06:10,279 Speaker 1: August sixteenth of nineteen twenty seven, she filed the patent 106 00:06:10,320 --> 00:06:16,520 Speaker 1: for an apparatus for obtaining criminal confessions and photographically recording them. 107 00:06:16,560 --> 00:06:18,760 Speaker 1: This was a tall order in the days before a 108 00:06:18,800 --> 00:06:22,040 Speaker 1: closed circuit cameras and listening devices were installed in police 109 00:06:22,040 --> 00:06:24,719 Speaker 1: interrogation rooms everywhere, but it turned out to be the 110 00:06:24,760 --> 00:06:28,400 Speaker 1: perfect time to revolutionize the justice system. Big trials like 111 00:06:28,480 --> 00:06:31,680 Speaker 1: the Scopes monkey Trial, which debated the teaching of human 112 00:06:31,720 --> 00:06:35,039 Speaker 1: evolution in Tennessee public schools, as well as the Saco 113 00:06:35,120 --> 00:06:38,880 Speaker 1: Vanzetti murder trial had turned the courtroom into a spectacle, 114 00:06:39,320 --> 00:06:42,440 Speaker 1: and those trials were often disrupted by the suspects themselves, 115 00:06:42,680 --> 00:06:45,880 Speaker 1: who would recant their confessions, later claiming that they were 116 00:06:46,040 --> 00:06:50,359 Speaker 1: taken under durests or intimidation. But Shelby's new invention would 117 00:06:50,360 --> 00:06:55,000 Speaker 1: prevent that, how by altering their state of mind with fear. 118 00:06:55,800 --> 00:06:58,000 Speaker 1: In order for the effect of work, the suspect would 119 00:06:58,000 --> 00:07:00,880 Speaker 1: be locked in a small, dimly lit room by themselves, 120 00:07:01,520 --> 00:07:05,240 Speaker 1: or so they thought. Meanwhile, the detective or examiner would 121 00:07:05,240 --> 00:07:07,240 Speaker 1: sit in an adjacent room out of view of the 122 00:07:07,240 --> 00:07:10,480 Speaker 1: person being questioned. Then they would ask their questions through 123 00:07:10,520 --> 00:07:13,560 Speaker 1: a megaphone in the wall. But this alone wouldn't be 124 00:07:13,680 --> 00:07:16,760 Speaker 1: enough to elicit a confession. For that, Shelby proposed the 125 00:07:16,840 --> 00:07:19,640 Speaker 1: use of a special tool. The examiner would press a 126 00:07:19,640 --> 00:07:22,640 Speaker 1: button on a switchboard, and in the suspect's dark little 127 00:07:22,640 --> 00:07:27,480 Speaker 1: closet chamber, a curtain would rise, revealing a skeleton. This 128 00:07:27,600 --> 00:07:30,880 Speaker 1: skeleton would be lit by electric lights from underneath and above, 129 00:07:31,160 --> 00:07:34,800 Speaker 1: while being draped in delicate, translucent fabric. It was meant 130 00:07:34,800 --> 00:07:38,040 Speaker 1: to give it a ghostly appearance. Thus terrifying the person 131 00:07:38,080 --> 00:07:41,640 Speaker 1: in the room enough to confess their crimes. But what 132 00:07:41,760 --> 00:07:45,040 Speaker 1: really sold the performance were the skeleton's eyes, which were 133 00:07:45,040 --> 00:07:47,880 Speaker 1: made of red light bulbs. They would glow from behind 134 00:07:47,880 --> 00:07:50,760 Speaker 1: the veil, here seeing the soul of the suspect across 135 00:07:50,840 --> 00:07:53,920 Speaker 1: from them, as the examiner continued to ask them questions 136 00:07:53,960 --> 00:07:57,640 Speaker 1: through the speaker embedded in the skeleton's mouth. And to 137 00:07:57,640 --> 00:08:00,360 Speaker 1: top it all off, a film camera would be stalled 138 00:08:00,360 --> 00:08:03,480 Speaker 1: in its skull to capture the picture and audio of 139 00:08:03,480 --> 00:08:07,040 Speaker 1: the confession, preventing the suspect from recanting in the future. 140 00:08:08,040 --> 00:08:11,040 Speaker 1: Shelby believed that if the confession was caught on film, 141 00:08:11,080 --> 00:08:12,760 Speaker 1: it would be easy to go back and look at 142 00:08:12,800 --> 00:08:16,880 Speaker 1: the suspects facial expressions and body language to confirm whether 143 00:08:17,000 --> 00:08:19,280 Speaker 1: or not they were telling the truth. It was a 144 00:08:19,320 --> 00:08:22,960 Speaker 1: revolutionary idea at the time, if not a bit absurd, 145 00:08:23,280 --> 00:08:25,640 Speaker 1: But then again, the CIA tried the same thing in 146 00:08:25,640 --> 00:08:28,800 Speaker 1: the nineteen sixties. Instead of a skeleton, they attempted to 147 00:08:28,800 --> 00:08:32,240 Speaker 1: trick the Cubans into overthrowing Fidel Castro by telling them 148 00:08:32,240 --> 00:08:35,080 Speaker 1: the second coming of Jesus Christ was imminent and that 149 00:08:35,200 --> 00:08:39,240 Speaker 1: Christ hated the dictator. Fear is and has always been 150 00:08:39,360 --> 00:08:43,080 Speaker 1: a powerful motivator, but unfortunately it isn't the best choice 151 00:08:43,080 --> 00:08:46,520 Speaker 1: when dealing with matters of the law. Her ghastly creation 152 00:08:46,720 --> 00:08:49,800 Speaker 1: was not adopted by the police, and it probably wouldn't 153 00:08:49,840 --> 00:08:54,080 Speaker 1: have lasted long anyway. Over thirty years later, coerced confessions 154 00:08:54,080 --> 00:08:57,720 Speaker 1: were deemed inadmissible as evidence by the United States Supreme Court. 155 00:08:58,360 --> 00:09:01,760 Speaker 1: Pauline Shelby did not invent anything else during her lifetime. 156 00:09:02,040 --> 00:09:04,920 Speaker 1: She dabbled in real estate, got married, then even played 157 00:09:04,920 --> 00:09:08,280 Speaker 1: the ponies to some success. But she'll forever be remembered 158 00:09:08,280 --> 00:09:10,160 Speaker 1: as the woman who believed that she could trick the 159 00:09:10,160 --> 00:09:15,040 Speaker 1: average criminal into confessing their deepest, darkest secrets, all with 160 00:09:15,160 --> 00:09:23,719 Speaker 1: the help of some elaborate Halloween decorations. I hope you've 161 00:09:23,800 --> 00:09:27,760 Speaker 1: enjoyed today's guided tour of the Cabinet of Curiosities. Subscribe 162 00:09:27,760 --> 00:09:30,400 Speaker 1: for free on Apple Podcasts, or learn more about the 163 00:09:30,400 --> 00:09:35,160 Speaker 1: show by visiting Curiosities podcast dot com. The show was 164 00:09:35,280 --> 00:09:39,080 Speaker 1: created by me Aaron Mank in partnership with how Stuff Works. 165 00:09:39,480 --> 00:09:42,680 Speaker 1: I make another award winning show called Lore, which is 166 00:09:42,760 --> 00:09:46,160 Speaker 1: a podcast, book series, and television show, and you can 167 00:09:46,240 --> 00:09:48,560 Speaker 1: learn all about it over at the World of Lore 168 00:09:48,840 --> 00:09:52,640 Speaker 1: dot com. And until next time, stay curious,