1 00:00:00,080 --> 00:00:02,519 Speaker 1: And I said something to you. Yeah you did remember 2 00:00:02,520 --> 00:00:03,120 Speaker 1: what I said? Yeah? 3 00:00:03,160 --> 00:00:04,840 Speaker 2: You said, do you give a gift nobody knows? 4 00:00:04,920 --> 00:00:08,039 Speaker 1: Or something? You give a gift you don't even know? Yeah, 5 00:00:08,200 --> 00:00:10,280 Speaker 1: you give you gave us a gift, don't even know us. 6 00:00:11,200 --> 00:00:12,480 Speaker 3: I thought, you men don't even know it that you 7 00:00:12,480 --> 00:00:14,080 Speaker 3: give a gift. But you men don't you don't even 8 00:00:14,080 --> 00:00:16,279 Speaker 3: know you guys. I think all of the above is 9 00:00:16,480 --> 00:00:17,440 Speaker 3: very okay. 10 00:00:18,640 --> 00:00:19,120 Speaker 1: I love it all. 11 00:00:19,239 --> 00:00:21,120 Speaker 4: You don't even know the gift you just gave us, 12 00:00:21,920 --> 00:00:24,480 Speaker 4: or you gave a gift to a bunch of people 13 00:00:24,520 --> 00:00:25,040 Speaker 4: you don't know. 14 00:00:25,520 --> 00:00:26,439 Speaker 1: So let's get to know. 15 00:00:26,360 --> 00:00:27,680 Speaker 2: Each other's got to do that. 16 00:00:27,720 --> 00:00:31,000 Speaker 4: So Lowly Young by the way, a messy number one 17 00:00:31,040 --> 00:00:34,600 Speaker 4: streaming song in the UK. But now she finds herself 18 00:00:34,600 --> 00:00:38,440 Speaker 4: on an airplane flying to the States and now you're here, 19 00:00:38,560 --> 00:00:40,800 Speaker 4: How do you How is the reception here in New 20 00:00:40,840 --> 00:00:41,479 Speaker 4: York City so far? 21 00:00:41,520 --> 00:00:42,640 Speaker 1: What do you think of this crazy mess? 22 00:00:43,200 --> 00:00:45,120 Speaker 3: It is messed up, but it's amazing. It was actually 23 00:00:45,159 --> 00:00:46,839 Speaker 3: that mess obviously, the mess upside of it. I'm quite 24 00:00:46,840 --> 00:00:50,880 Speaker 3: like it's just on flying commerce. But yeah, it's amazing. 25 00:00:50,920 --> 00:00:53,199 Speaker 3: It's like London on on on drugs. That's how I 26 00:00:53,280 --> 00:00:58,880 Speaker 3: describe on crack. What's a compliment, It's actually comment because 27 00:00:58,880 --> 00:01:01,280 Speaker 3: I love London, I knew is a kind of bigger 28 00:01:01,400 --> 00:01:02,080 Speaker 3: version on. 29 00:01:02,160 --> 00:01:05,160 Speaker 2: More and more weird and wonderful. 30 00:01:04,959 --> 00:01:05,600 Speaker 1: And more trash. 31 00:01:05,600 --> 00:01:06,360 Speaker 2: Don't forget the trash. 32 00:01:06,400 --> 00:01:06,679 Speaker 1: We have more. 33 00:01:07,200 --> 00:01:09,640 Speaker 2: You've got weird bens like I put trash hands. 34 00:01:09,680 --> 00:01:14,680 Speaker 3: But the benz Earn you performed at the Roxy, yeah 35 00:01:14,720 --> 00:01:15,040 Speaker 3: I did. 36 00:01:15,080 --> 00:01:18,400 Speaker 4: That was a show for super low of young fans 37 00:01:18,760 --> 00:01:22,920 Speaker 4: and some others that were just walking by, and uh 38 00:01:23,280 --> 00:01:25,280 Speaker 4: we our studios used to be down there and that 39 00:01:25,440 --> 00:01:27,920 Speaker 4: area is famous for trash natos. Do you know what 40 00:01:28,000 --> 00:01:31,400 Speaker 4: trash nato is? So the wind because of the way 41 00:01:31,440 --> 00:01:34,880 Speaker 4: that the buildings are shaped down there, the wind starts 42 00:01:34,959 --> 00:01:37,560 Speaker 4: rolling and it takes all the trash from the streets 43 00:01:37,800 --> 00:01:40,680 Speaker 4: and it's a tornado. You get hit upside the head 44 00:01:40,720 --> 00:01:44,640 Speaker 4: with all sorts of crap. I'm hoping, I hope before 45 00:01:44,680 --> 00:01:46,000 Speaker 4: you leave in New York, you get experienced. 46 00:01:46,000 --> 00:01:46,319 Speaker 1: You get to. 47 00:01:49,120 --> 00:01:50,680 Speaker 5: The worst is when a plastic bag gets you and 48 00:01:50,680 --> 00:01:51,960 Speaker 5: it feels like someone suffocating you. 49 00:01:52,120 --> 00:01:57,600 Speaker 1: Terrible. Do you ever feel that came? 50 00:01:58,960 --> 00:02:01,559 Speaker 4: You did say something about yourself. You you you spoke 51 00:02:01,640 --> 00:02:03,760 Speaker 4: a lot and talk to your fans and your audience 52 00:02:03,760 --> 00:02:06,440 Speaker 4: a lot at the show. At the Roxy, you said 53 00:02:06,480 --> 00:02:11,200 Speaker 4: that you are your favorite rappers, favorite artist. 54 00:02:11,320 --> 00:02:13,320 Speaker 3: Oh thank you for bringing up clan waiting to bring 55 00:02:13,320 --> 00:02:17,280 Speaker 3: this up, everyone said, I'm she made the comment that 56 00:02:17,360 --> 00:02:19,760 Speaker 3: went viral, which is like I'm your favorite arts artists 57 00:02:19,880 --> 00:02:22,840 Speaker 3: or something, I'm your favorite rappers, favorite arists, which I. 58 00:02:22,800 --> 00:02:23,480 Speaker 2: Think is valid. 59 00:02:24,200 --> 00:02:26,440 Speaker 3: I mean, like rappers who I would like, I've listened 60 00:02:26,480 --> 00:02:28,880 Speaker 3: to you growing up, loving like they reached out to me. 61 00:02:28,919 --> 00:02:30,919 Speaker 3: So that's like, you know, I tried to put a 62 00:02:30,919 --> 00:02:32,959 Speaker 3: spin on it, and nobody call into that. Maybe didn't 63 00:02:32,960 --> 00:02:34,440 Speaker 3: say the right radio station, but here I'm at the 64 00:02:34,480 --> 00:02:37,320 Speaker 3: right radio station. I'm saying it, So make it go viral, guys. 65 00:02:37,440 --> 00:02:42,000 Speaker 4: Yea, well, it's it's just it's saying, Uh, these great 66 00:02:42,080 --> 00:02:43,920 Speaker 4: late night restaurants that we have in New York City, 67 00:02:44,280 --> 00:02:48,680 Speaker 4: those are the big chef's favorite chefs, right, Okay, I 68 00:02:48,720 --> 00:02:51,679 Speaker 4: get it. I get that, I get it. So when 69 00:02:51,720 --> 00:02:54,280 Speaker 4: did you decide that? When did you decide that music 70 00:02:54,360 --> 00:02:57,080 Speaker 4: was your thing? When did you decide that performing is 71 00:02:57,160 --> 00:02:58,440 Speaker 4: really what gets you off? 72 00:02:58,600 --> 00:02:58,880 Speaker 1: Okay? 73 00:02:58,919 --> 00:03:01,200 Speaker 3: So I tell this to slightly living me each time, 74 00:03:01,240 --> 00:03:05,960 Speaker 3: but basically, there was one moment where I really realized 75 00:03:05,960 --> 00:03:08,359 Speaker 3: that actually this came to me like not so long ago, 76 00:03:08,440 --> 00:03:10,480 Speaker 3: and basically I just remember thinking I want to be 77 00:03:10,520 --> 00:03:12,680 Speaker 3: a songwriter when I was like ten or like eleven, 78 00:03:12,720 --> 00:03:14,600 Speaker 3: Like I always wanted to write be a songwriter, but 79 00:03:14,600 --> 00:03:16,360 Speaker 3: I didn't necessarily want to be in the limelight because 80 00:03:16,360 --> 00:03:17,799 Speaker 3: that felt too much, and you know, I was just 81 00:03:17,840 --> 00:03:19,480 Speaker 3: basically lying to myself, I don't want to be like 82 00:03:19,720 --> 00:03:22,400 Speaker 3: have the fame and the biproduct of fame whatever. But 83 00:03:22,440 --> 00:03:24,560 Speaker 3: then I was like, actually, you know what I kind 84 00:03:24,560 --> 00:03:27,120 Speaker 3: of do. That's basically the story. It's not really exciting, 85 00:03:27,760 --> 00:03:30,000 Speaker 3: but like I just realized that, like I can sing 86 00:03:30,040 --> 00:03:31,840 Speaker 3: a bet I had a good enough voice at the time. 87 00:03:31,840 --> 00:03:33,840 Speaker 3: I actually kind of train myself to have a better voice. 88 00:03:33,880 --> 00:03:36,080 Speaker 2: But I was like, why not do it all? You 89 00:03:36,160 --> 00:03:36,880 Speaker 2: got one life. 90 00:03:37,160 --> 00:03:39,280 Speaker 3: Why not just you know, make the most of it 91 00:03:39,320 --> 00:03:42,680 Speaker 3: and kind of do all the things that I felt 92 00:03:42,720 --> 00:03:44,440 Speaker 3: like I was kind of right at I was never 93 00:03:44,400 --> 00:03:46,200 Speaker 3: going to anything else at school or anything, so it's 94 00:03:46,200 --> 00:03:47,640 Speaker 3: my only kind of lane that I had. 95 00:03:47,840 --> 00:03:49,400 Speaker 2: I never had a plan be so this is always 96 00:03:49,440 --> 00:03:49,880 Speaker 2: my option. 97 00:03:50,240 --> 00:03:52,080 Speaker 4: So you know, yeah, you only have one life, but 98 00:03:52,120 --> 00:03:54,480 Speaker 4: actually it sounds as if you have several lives. 99 00:03:54,520 --> 00:03:58,080 Speaker 1: And you're just kind of swirling them together. Oh yeah, 100 00:03:58,520 --> 00:03:59,800 Speaker 1: sometimes you have to change hats. 101 00:04:00,240 --> 00:04:05,320 Speaker 4: Yeah right, the songwriter hat, the performer, the business like making. 102 00:04:06,320 --> 00:04:08,960 Speaker 1: But why not? But I'm sure something. 103 00:04:08,840 --> 00:04:10,960 Speaker 4: Tells me, just intuitions telling me that you don't let 104 00:04:11,000 --> 00:04:12,440 Speaker 4: people f around with you. 105 00:04:13,040 --> 00:04:13,480 Speaker 1: Is it true? 106 00:04:13,480 --> 00:04:13,720 Speaker 2: Guys? 107 00:04:13,720 --> 00:04:14,920 Speaker 1: I mean the people are working with the. 108 00:04:19,240 --> 00:04:19,520 Speaker 2: Fair. 109 00:04:21,200 --> 00:04:21,560 Speaker 1: This is the way. 110 00:04:21,600 --> 00:04:23,000 Speaker 2: It's their head shaking. 111 00:04:23,040 --> 00:04:28,160 Speaker 4: They're all like, whatever you say, please don't beat us. 112 00:04:31,279 --> 00:04:33,240 Speaker 4: So if you're just turning us on, this is Lola Young. 113 00:04:33,360 --> 00:04:36,880 Speaker 4: That voice. Uh look, you know we're not we're not 114 00:04:37,120 --> 00:04:41,599 Speaker 4: trained artists, we're not trained vocalists. There's just something raw 115 00:04:41,640 --> 00:04:45,119 Speaker 4: about that voice of yours. There's this mixture of air 116 00:04:45,920 --> 00:04:50,120 Speaker 4: and sound and tonal quality. And I don't what do 117 00:04:50,160 --> 00:04:52,000 Speaker 4: you call it? You're you're the singer, what do you 118 00:04:52,080 --> 00:04:54,560 Speaker 4: how do you describe your voice? If in the third person? 119 00:04:54,800 --> 00:04:55,960 Speaker 2: I don't know. I can't hear it. 120 00:04:56,000 --> 00:04:57,920 Speaker 3: I mean, people's gona was this powerful? I don't hear 121 00:04:58,120 --> 00:05:00,120 Speaker 3: at all. I mean, I just don't hear that. And 122 00:05:00,200 --> 00:05:02,880 Speaker 3: my voice, I know it's I know it's like a 123 00:05:02,920 --> 00:05:05,240 Speaker 3: bigger voice, but I don't necessarily I know what i'd 124 00:05:05,240 --> 00:05:07,680 Speaker 3: call it. I just make noise and hopefully it sounds good. 125 00:05:07,680 --> 00:05:09,400 Speaker 1: Okay, okay. 126 00:05:09,640 --> 00:05:12,240 Speaker 4: For instance, doing a show like Jimmy Foul and The 127 00:05:12,240 --> 00:05:13,920 Speaker 4: Tonight Show, Yeah, yeah, that was mad? 128 00:05:14,040 --> 00:05:15,920 Speaker 1: How much fun was that that? 129 00:05:16,200 --> 00:05:18,480 Speaker 4: But you only give you that little like four by 130 00:05:18,640 --> 00:05:24,320 Speaker 4: four square foot space, but your voice turns it into 131 00:05:24,360 --> 00:05:24,719 Speaker 4: a stage. 132 00:05:24,760 --> 00:05:26,520 Speaker 2: No, that couldn't have gone any better. 133 00:05:26,720 --> 00:05:30,560 Speaker 3: I was like absolutely, like peeing myself before obviously, you know, 134 00:05:30,839 --> 00:05:32,960 Speaker 3: it's like the biggest thing I've done as of anthems 135 00:05:33,000 --> 00:05:35,160 Speaker 3: of TV, and like it just couldn't have gone better. 136 00:05:35,360 --> 00:05:37,480 Speaker 3: It was really it was really like a special moment. 137 00:05:37,480 --> 00:05:39,960 Speaker 3: I blacked out during when I I've never blacked out. 138 00:05:40,600 --> 00:05:41,800 Speaker 1: You blacked out during the interview? 139 00:05:41,839 --> 00:05:44,920 Speaker 3: No, so I literally blacked out, like I don't remember anything, 140 00:05:45,400 --> 00:05:49,360 Speaker 3: not literally. I wasn't doing no no, no, no, no, no, 141 00:05:49,920 --> 00:05:52,400 Speaker 3: that I was. I was completely sober. And that's saying 142 00:05:52,400 --> 00:05:53,799 Speaker 3: I've never blacked out like otherwise. 143 00:05:53,839 --> 00:05:55,720 Speaker 2: But I can't remember. I could came off and I 144 00:05:55,760 --> 00:05:56,960 Speaker 2: couldn't remember anything. 145 00:05:57,040 --> 00:05:59,040 Speaker 1: Did you watch back and go oh? 146 00:05:59,120 --> 00:06:01,160 Speaker 3: I said, that is like saying, Gord, you said some 147 00:06:01,200 --> 00:06:02,920 Speaker 3: awful things like what did I say? 148 00:06:03,040 --> 00:06:04,159 Speaker 1: What did you say? 149 00:06:04,160 --> 00:06:07,400 Speaker 2: They're playing with me? I didn't. I so the Sox 150 00:06:07,440 --> 00:06:09,200 Speaker 2: thing got a lot of like, you know, that was funny. 151 00:06:09,400 --> 00:06:11,920 Speaker 4: No, you were great, You were awesome. But you've done 152 00:06:11,960 --> 00:06:14,760 Speaker 4: gram Norton. Okay, so your big three are Graham Norton. 153 00:06:15,480 --> 00:06:17,520 Speaker 4: You conquered g We've got a great Gram Norton story. 154 00:06:17,520 --> 00:06:18,159 Speaker 1: I don't know if you're wrong. 155 00:06:21,000 --> 00:06:23,920 Speaker 4: And of course fallon Tonight Show and Saturday Night Live? 156 00:06:24,440 --> 00:06:27,040 Speaker 4: Are you going to be on SNL? Is there a 157 00:06:27,760 --> 00:06:29,880 Speaker 4: come on people? Are you going to do your job 158 00:06:29,920 --> 00:06:32,360 Speaker 4: at GET or a gig on SNL? 159 00:06:32,480 --> 00:06:34,359 Speaker 1: They're waiting for the call out there put it in 160 00:06:34,360 --> 00:06:36,760 Speaker 1: the universe. Jimmy Fallon has connections with SNL, so we 161 00:06:36,800 --> 00:06:38,720 Speaker 1: could make that happen. Are those the releads of three? 162 00:06:39,000 --> 00:06:39,880 Speaker 2: That are the three? 163 00:06:40,160 --> 00:06:44,000 Speaker 4: So once you've conquered all three, what's left is that 164 00:06:44,080 --> 00:06:45,400 Speaker 4: it curtains retirement. 165 00:06:45,839 --> 00:06:47,159 Speaker 1: No, I work well? 166 00:06:47,160 --> 00:06:50,599 Speaker 2: Albums maybe the number four you can do? 167 00:06:51,160 --> 00:06:54,279 Speaker 3: You guys like most of something off And what do 168 00:06:54,320 --> 00:06:56,440 Speaker 3: you how do you feel when people come up to you, 169 00:06:56,440 --> 00:06:58,640 Speaker 3: fans come up to you and say your music saved 170 00:06:58,640 --> 00:07:00,480 Speaker 3: me or your music means this much to. 171 00:07:00,480 --> 00:07:02,200 Speaker 2: Me, do you know what? It's hard? That's a really 172 00:07:02,240 --> 00:07:04,400 Speaker 2: hard question because I like try not to soak it 173 00:07:04,400 --> 00:07:06,080 Speaker 2: in too much. Everyone else, I can't. 174 00:07:06,120 --> 00:07:08,000 Speaker 3: I can't take it on because then it be feels 175 00:07:08,080 --> 00:07:11,400 Speaker 3: very silal, Like yesterday I performed and a little pop 176 00:07:11,480 --> 00:07:14,040 Speaker 3: up and literally I was like at one point, I 177 00:07:14,120 --> 00:07:16,240 Speaker 3: just like thought I want to cry, but then I 178 00:07:16,240 --> 00:07:17,760 Speaker 3: didn't really want to cry back, I kind of did, 179 00:07:17,760 --> 00:07:19,560 Speaker 3: so I just like had a moment. Then I like 180 00:07:19,600 --> 00:07:21,120 Speaker 3: stap back into it because when you when you really 181 00:07:21,160 --> 00:07:23,040 Speaker 3: start feeling though your music and access can be very 182 00:07:23,040 --> 00:07:25,560 Speaker 3: intense and surreal. But you can't just take it on 183 00:07:25,640 --> 00:07:27,840 Speaker 3: every day. You can't feel what they're feeling all the time, 184 00:07:27,840 --> 00:07:29,280 Speaker 3: because yes, it gets too much. 185 00:07:30,200 --> 00:07:32,960 Speaker 5: How do you feel about people taking your song and 186 00:07:33,000 --> 00:07:35,160 Speaker 5: doing little dances to it on TikTok because it seems 187 00:07:35,160 --> 00:07:38,040 Speaker 5: like that not really your vibe as much as I'm getting. 188 00:07:37,760 --> 00:07:38,480 Speaker 1: From you right now. 189 00:07:40,080 --> 00:07:42,920 Speaker 4: Gandhi here she has ripped off messy so much on 190 00:07:42,960 --> 00:07:44,840 Speaker 4: her TikTok and on her Instagram. 191 00:07:44,880 --> 00:07:48,200 Speaker 5: I use it on my Instagram stop in my life. 192 00:07:48,720 --> 00:07:50,239 Speaker 5: Probably I might all use some money. 193 00:07:50,040 --> 00:07:50,440 Speaker 1: But I don't know. 194 00:07:51,560 --> 00:07:52,360 Speaker 5: How do you feel about it? 195 00:07:52,440 --> 00:07:52,600 Speaker 4: Well? 196 00:07:54,280 --> 00:07:56,960 Speaker 3: Yeah, I mean like it's mad, Like I hear that 197 00:07:57,000 --> 00:07:59,200 Speaker 3: song far too much, I said there on the fly, 198 00:07:59,320 --> 00:08:01,440 Speaker 3: I was like, I literally here, it's too much on 199 00:08:01,480 --> 00:08:06,400 Speaker 3: that bloody app I'm happy it's back in America, but 200 00:08:06,440 --> 00:08:10,320 Speaker 3: also like we's not come to that other things. But honestly, like, 201 00:08:09,960 --> 00:08:12,280 Speaker 3: I like, I can't switch it off, and I think 202 00:08:12,320 --> 00:08:14,520 Speaker 3: I'm on lowly young side of TikTok so like because 203 00:08:14,520 --> 00:08:15,720 Speaker 3: I like watching. 204 00:08:15,440 --> 00:08:17,760 Speaker 2: When bringing all the comments and all that kind of thing. 205 00:08:17,920 --> 00:08:18,320 Speaker 2: I just see. 206 00:08:18,360 --> 00:08:20,560 Speaker 3: Yeah, but it's like it's sickening how much to hear 207 00:08:20,600 --> 00:08:22,880 Speaker 3: that bloody song. It makes me dislike it. It's like 208 00:08:22,920 --> 00:08:25,720 Speaker 3: I know, but I also like, I'm so happy that 209 00:08:25,760 --> 00:08:28,000 Speaker 3: it's resonating. It's just like the best feeling in the world. 210 00:08:28,360 --> 00:08:30,520 Speaker 5: It's just got to be strange, a little strange because 211 00:08:30,560 --> 00:08:32,600 Speaker 5: you said it's kind of like a rage breakup song, 212 00:08:32,679 --> 00:08:35,760 Speaker 5: and then you see people just dancing to it. Yeah, yeah, dance. 213 00:08:36,880 --> 00:08:37,400 Speaker 2: It's cute. 214 00:08:37,480 --> 00:08:40,200 Speaker 3: I find it all really cute and then daring and 215 00:08:40,240 --> 00:08:42,160 Speaker 3: wonderful that they chose to use my song. 216 00:08:42,679 --> 00:08:45,880 Speaker 1: I mean, Kylie Jenner used it the other day. 217 00:08:46,080 --> 00:08:51,000 Speaker 4: Hey, so, hey, hey you Lola yah so being an 218 00:08:51,120 --> 00:08:53,480 Speaker 4: artist and I know that you, like I said earlier, 219 00:08:53,520 --> 00:08:55,960 Speaker 4: you really get off on performing then and watching you 220 00:08:56,000 --> 00:08:59,480 Speaker 4: perform that song, I mean, there's there's there's drama in 221 00:08:59,600 --> 00:09:01,559 Speaker 4: the way you present your song, and I think it's 222 00:09:01,600 --> 00:09:03,520 Speaker 4: just it's all from the heart, it's all authentic. 223 00:09:04,200 --> 00:09:05,559 Speaker 1: But what about this part of it? 224 00:09:05,800 --> 00:09:08,000 Speaker 4: People asking you how you feel about this and how 225 00:09:08,040 --> 00:09:10,360 Speaker 4: you feel about that. I know it's a part of 226 00:09:10,400 --> 00:09:12,960 Speaker 4: the machine. Is it a part of the machine that 227 00:09:13,000 --> 00:09:14,160 Speaker 4: you enjoy or I do? 228 00:09:14,400 --> 00:09:14,640 Speaker 2: I do? 229 00:09:14,720 --> 00:09:16,000 Speaker 3: I think if I'm in the right state of mind, 230 00:09:16,040 --> 00:09:18,760 Speaker 3: I think. And there's aspects of this job which can 231 00:09:18,800 --> 00:09:21,320 Speaker 3: be like training, and this isn't one of them actually 232 00:09:21,400 --> 00:09:23,640 Speaker 3: getting asked questions, because it's quite nice to actually be like, 233 00:09:24,000 --> 00:09:26,880 Speaker 3: have people interested and here, you know, for the people 234 00:09:26,920 --> 00:09:28,800 Speaker 3: who enjoy the music, so hear a little bit about 235 00:09:28,800 --> 00:09:31,480 Speaker 3: the backstory or you know, it's just you know, I'm 236 00:09:31,520 --> 00:09:33,600 Speaker 3: I'm a bit of a narciss So. 237 00:09:33,600 --> 00:09:34,559 Speaker 1: I like hearing about myself. 238 00:09:36,240 --> 00:09:38,160 Speaker 3: No, not really, but I'm saying, like, you know, I like, 239 00:09:38,360 --> 00:09:39,800 Speaker 3: I like talking about myself some times. 240 00:09:39,880 --> 00:09:42,280 Speaker 2: Tell us about you. Yeah, I don't mind that. 241 00:09:42,679 --> 00:09:44,480 Speaker 4: That's my favorite line. Enough about me? What do you 242 00:09:44,520 --> 00:09:49,400 Speaker 4: think about me? You said a Coachella? Let's talk about Coachella? 243 00:09:50,120 --> 00:09:53,120 Speaker 1: No, not really. Have you done a major, major, major 244 00:09:53,800 --> 00:09:54,880 Speaker 1: show like a Coachella? 245 00:09:55,400 --> 00:09:55,880 Speaker 2: No? 246 00:09:56,360 --> 00:09:58,400 Speaker 1: Right, So I don't know. 247 00:09:58,440 --> 00:10:00,840 Speaker 4: You know, I've heard from friends who've been on stage 248 00:10:00,840 --> 00:10:05,480 Speaker 4: at these events where you have trillion people watching. There's 249 00:10:05,480 --> 00:10:08,080 Speaker 4: so many people you don't really think about it as 250 00:10:08,120 --> 00:10:10,280 Speaker 4: a crowd anymore. You think about it as this big, one, 251 00:10:10,400 --> 00:10:13,920 Speaker 4: huge monster. Yeah right, But like at the Rockies of 252 00:10:13,960 --> 00:10:16,160 Speaker 4: the Night, you were performing for like thirty forty people, 253 00:10:16,240 --> 00:10:16,959 Speaker 4: what I mean fifty? 254 00:10:17,120 --> 00:10:17,320 Speaker 3: Yeah? 255 00:10:18,000 --> 00:10:20,160 Speaker 1: Do you is that more nerve wracking with it? Yes? 256 00:10:20,200 --> 00:10:22,600 Speaker 2: Because you can see BOP's faces. Yeah, that's what always thinking. 257 00:10:22,640 --> 00:10:22,720 Speaker 1: You. 258 00:10:22,720 --> 00:10:24,720 Speaker 3: The bigger the crowd, the better because you don't see anybody, 259 00:10:24,720 --> 00:10:26,640 Speaker 3: and you can't you don't have to like focus in. 260 00:10:27,360 --> 00:10:29,200 Speaker 3: You just see a people and it makes easy if 261 00:10:29,240 --> 00:10:32,200 Speaker 3: you see like your bloody ax there and he's you 262 00:10:32,200 --> 00:10:32,600 Speaker 3: know what I mean. 263 00:10:32,640 --> 00:10:33,160 Speaker 2: It's like that. 264 00:10:33,160 --> 00:10:35,520 Speaker 3: That's kind of what you feel. You connect more to 265 00:10:35,559 --> 00:10:37,760 Speaker 3: the music because it's so intense. You can see everyone's 266 00:10:37,840 --> 00:10:40,120 Speaker 3: little faces, like you don't think of everyone in their 267 00:10:40,200 --> 00:10:42,360 Speaker 3: underwear like they used to say, oh, when you're looking out, 268 00:10:42,440 --> 00:10:43,120 Speaker 3: I've tried that. 269 00:10:44,400 --> 00:10:46,839 Speaker 5: I know they're just laughing. 270 00:10:46,080 --> 00:10:48,280 Speaker 4: I'm going to take off my clothes and let you 271 00:10:48,280 --> 00:10:49,480 Speaker 4: see me in my underwear right now? 272 00:10:51,240 --> 00:10:53,760 Speaker 1: Do you what you're of us? 273 00:10:54,200 --> 00:10:55,679 Speaker 4: You're going to vomit all over the place when you 274 00:10:55,720 --> 00:11:01,680 Speaker 4: see this naked chest Lola. You know, look, you're this 275 00:11:01,760 --> 00:11:03,640 Speaker 4: is something you've been working on for a while. This 276 00:11:03,679 --> 00:11:07,520 Speaker 4: is not an overnight success. It's not, but it's hit 277 00:11:07,600 --> 00:11:11,240 Speaker 4: a new gear you are. It's moving fast in a hole, 278 00:11:11,559 --> 00:11:15,520 Speaker 4: your lane is speeding up. I mean, you're across the 279 00:11:15,559 --> 00:11:17,559 Speaker 4: pond and you're doing all these shows, this and that. 280 00:11:18,280 --> 00:11:21,720 Speaker 4: Do you sort of miss the days where it was 281 00:11:21,760 --> 00:11:25,240 Speaker 4: a little more simple and or is this exactly where. 282 00:11:25,120 --> 00:11:25,840 Speaker 1: You want to exactly? 283 00:11:26,200 --> 00:11:27,760 Speaker 3: That is exactly where I need to be right now. 284 00:11:27,800 --> 00:11:31,720 Speaker 3: So it's fine, I don't I'm not like I'm not 285 00:11:33,240 --> 00:11:34,960 Speaker 3: I'm been waiting this hot sack because. 286 00:11:34,720 --> 00:11:37,000 Speaker 2: I'm like happy. That's why any signs to grow and happen. 287 00:11:37,280 --> 00:11:38,000 Speaker 1: That's what I can say. 288 00:11:38,000 --> 00:11:40,800 Speaker 4: Really, has anyone you're really close to actually just pulled 289 00:11:40,800 --> 00:11:42,040 Speaker 4: you aside and looked at you the eye and said, 290 00:11:42,080 --> 00:11:42,439 Speaker 4: I'm so. 291 00:11:42,400 --> 00:11:43,280 Speaker 1: Proud of you. 292 00:11:43,280 --> 00:11:46,440 Speaker 4: You really are doing exactly what I felt you should 293 00:11:46,480 --> 00:11:47,720 Speaker 4: always do, and here you were doing it. 294 00:11:47,800 --> 00:11:49,280 Speaker 1: Yeah, you have a good support system. 295 00:11:49,320 --> 00:11:50,720 Speaker 2: I have an incredible sport system. 296 00:11:50,840 --> 00:11:54,920 Speaker 1: Good for you, all right? You checked off all the boxes. Yeah? Yeah, 297 00:11:55,040 --> 00:11:58,640 Speaker 1: do we approve of a lot of young not good? 298 00:11:58,679 --> 00:12:01,840 Speaker 4: It matters, but we love you all right, So where 299 00:12:01,840 --> 00:12:03,680 Speaker 4: do we see you next? Where do we hear you next? 300 00:12:03,679 --> 00:12:04,400 Speaker 4: Where are you going? 301 00:12:04,679 --> 00:12:07,040 Speaker 3: Okay, so that it would be the next thing in America. 302 00:12:07,080 --> 00:12:08,560 Speaker 3: I think maybe there'll be some other things. 303 00:12:08,559 --> 00:12:11,320 Speaker 2: I'm just sure. I'm going on my UK tour, which 304 00:12:11,400 --> 00:12:14,559 Speaker 2: was fast. You're a fast. 305 00:12:14,720 --> 00:12:18,160 Speaker 3: Then we've got UK tour. She can catch me, and 306 00:12:18,200 --> 00:12:19,880 Speaker 3: then i'll be in America. I'll be probady back and 307 00:12:20,600 --> 00:12:23,240 Speaker 3: later in the air and yeah. 308 00:12:22,920 --> 00:12:24,560 Speaker 4: Well, thank you so much for coming up today. It's 309 00:12:24,559 --> 00:12:26,840 Speaker 4: an honored to meet you. And again, like I said earlier, 310 00:12:26,880 --> 00:12:29,280 Speaker 4: thank you for the gift her album. Of course this 311 00:12:29,440 --> 00:12:32,080 Speaker 4: wasn't meant for you anyway. Of course, MESSI is out 312 00:12:32,120 --> 00:12:33,920 Speaker 4: and we've got more on the way as we know. 313 00:12:34,000 --> 00:12:35,040 Speaker 4: Lowly Young, thanks for coming