WEBVTT - The Last of Us Episode 4, “Day One”

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<v Speaker 1>Wording. Today's episode contains spoilers for episode four, season two

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<v Speaker 1>of the Last of Us.

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<v Speaker 2>Hello.

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<v Speaker 3>Hey, it is Jason Catepcio and I'm Rosie Night and.

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<v Speaker 1>Welcome back to x Ray video of the podcast where

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<v Speaker 1>we dive the to your Babe shows, movies, comments, and

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<v Speaker 1>pop culture. Coming to you from My Art podcast, where

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<v Speaker 1>we're bringing you three episodes a week every Tuesday, Wednesday,

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<v Speaker 1>Thursday plus news.

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<v Speaker 3>In today's episode, we're talking about It.

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<v Speaker 4>It's the fourth episode of the Last of Us season two.

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<v Speaker 4>We are now officially over halfway through the Last of

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<v Speaker 4>Us season two, and it's making me and Jason feel

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<v Speaker 4>some things. I think the Internet is feeling some things too,

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<v Speaker 4>So we're going to talk about it.

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<v Speaker 1>Let's get into it. We open on a flashback twenty

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<v Speaker 1>eighteen the Seattle quarantine Zone. We're in a Federa van

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<v Speaker 1>and the Federa dudes are assholes. They're talking shit about

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<v Speaker 1>the residents of the quarantine zone, who they call voters.

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<v Speaker 3>Because they're no longer allowed to vote yes.

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<v Speaker 1>And they're talking about like a particularly brutal Federra commander

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<v Speaker 1>who is also very stupid, who is beating these residents

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<v Speaker 1>ruthlessly because they're handing out pamphlets, which we later find

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<v Speaker 1>out are like proto Serahphyte pamphlets, and all these federal

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<v Speaker 1>soldiers are laughing about how brutal this dummy is. And

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<v Speaker 1>then one of them, Isaac answers one of the younger

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<v Speaker 1>feder you know, why do we call them voters? And

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<v Speaker 1>to as you said, Rosie, it's because, as Isaac says,

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<v Speaker 1>we took away their ability to vote, and now we

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<v Speaker 1>jokingly call them voters. Their patrol vehicle stops because there's

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<v Speaker 1>a bus that's been pulled across this like suburban street,

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<v Speaker 1>and they're like, oh, oh, what does this mean? Could

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<v Speaker 1>it be the WLF, could it be somebody else? And

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<v Speaker 1>Sergeant's like, I'm going to go out. I'm going to

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<v Speaker 1>talk peacefully to them. Okay, So everybody's stay in the van.

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<v Speaker 1>You new guy, come with me.

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<v Speaker 2>Yeah, he's like you who asked about the voters, who

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<v Speaker 2>seems to have not necessarily found the right you haven't.

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<v Speaker 1>Been molded by the brutality yet. Come with me. And

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<v Speaker 1>there's a bunch of civilians in the street. They're unarmed,

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<v Speaker 1>but they seem very you know, prepared for a confrontation,

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<v Speaker 1>despite the fact that they're unarmed. Their leader is Hanrahan

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<v Speaker 1>Alana Youbach, the wonderful usually comedic.

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<v Speaker 2>Yes, shocking to see, just a little bit of just

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<v Speaker 2>a little.

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<v Speaker 3>Bit of sad face acting.

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<v Speaker 2>And she really like sucked me in, Like you can

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<v Speaker 2>tell she's tired.

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<v Speaker 1>She's tired and is shit. She she has been waiting

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<v Speaker 1>for Isaac, and apparently they've been, you know, expecting each other.

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<v Speaker 1>So Isaac is like, you Handrahan. She's like, yeah, it's

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<v Speaker 1>like you Isaac. Yes. They shake hands and then Isaac

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<v Speaker 1>turns back towards his patrol vehicle, pops two grenades out

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<v Speaker 1>of his vest, throws them in the van, shuts the

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<v Speaker 1>van door, blows up all the guys inside, Wow, kills

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<v Speaker 1>the driver as he tumbles out, and then turns to

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<v Speaker 1>the new guy and is like, okay, I make your choice.

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<v Speaker 1>What do you want to do?

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<v Speaker 2>Yeah, tricky, And he makes this really interesting comment where

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<v Speaker 2>he kind of says he throws in the grenades and

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<v Speaker 2>then he shuts the door, and he's like, it's.

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<v Speaker 3>Because you're all that guy.

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<v Speaker 2>You're all that same guy who will smash someone's face

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<v Speaker 2>against a wall and laugh about it.

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<v Speaker 3>And laugh about it.

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<v Speaker 2>Also absolutely hilarious to see Drake from Drake and Josh

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<v Speaker 2>theare that was, whichever one it was. I was like,

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<v Speaker 2>great character casting.

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<v Speaker 3>Like I love to see this. This throws me back.

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<v Speaker 2>Also kind of terrifying to see a kid actor and

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<v Speaker 2>someone that you kind of grew up with as just

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<v Speaker 2>like the worst person you could ever know in and.

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<v Speaker 3>Apocolypch feels very real. But yeah, he does have that.

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<v Speaker 1>He does have that like punchable popular kid face exactly.

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<v Speaker 2>And I thought this was just such a fantastic cold

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<v Speaker 2>open and definitely, like, I think it's probably the strongest

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<v Speaker 2>part of the episode because it really establishes just how

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<v Speaker 2>much okay, yeah, how much of a kind of crazy

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<v Speaker 2>space Seattle was back then in twenty eighteen, and why

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<v Speaker 2>it is no longer under feder Come on.

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<v Speaker 1>Yeah, So we go to the present. Dina and Ellie

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<v Speaker 1>are scouting. They see a w WLF. Oh wait, I've

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<v Speaker 1>fast forward. Sorry, we flashed back to the present. It's

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<v Speaker 1>now eleven years later. Dina and Ellie are scavenging around

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<v Speaker 1>buildings very much like the video game. Dina finds something

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<v Speaker 1>which we will later find out what it is because

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<v Speaker 1>she's in like a drug store or prescription drugs. They

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<v Speaker 1>then ride into the Capitol District and this it. They're

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<v Speaker 1>surprised at how intact it is because it was supposedly

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<v Speaker 1>bombed out. There's gay pride symbols and flags everywhere, but

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<v Speaker 1>the girls don't know what that means. They think. Ellie

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<v Speaker 1>wonders if it means that they were just like happy

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<v Speaker 1>and optimistic. There are skeletons of feder soldiers everywhere and

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<v Speaker 1>tank but burned out tanks that have been overgrown with moss.

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<v Speaker 1>Clearly there is a battle here. Ellie investigates the tank,

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<v Speaker 1>doesn't find anything but makes a loud noise. Luckily, No,

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<v Speaker 1>I'm gonna give you any quick slap, like you have

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<v Speaker 1>to be.

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<v Speaker 2>The one in control here. You are the Joel in

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<v Speaker 2>this situation. She's very much Ah, you are not, but

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<v Speaker 2>you need to be for Dina. I'm for you to

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<v Speaker 2>survive like that was such a I'm not gonna lie.

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<v Speaker 2>Would I also do that in the apocalypse, Yes, but

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<v Speaker 2>that's why I would die like five years ago, I

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<v Speaker 2>have nice I'm no understanding, I'm no misunderstanding.

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<v Speaker 3>I would die. I can't run, I'm not quiet, I'm clumsy.

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<v Speaker 2>But Ellie like, come on, I know you're immune, but please, babe,

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<v Speaker 2>do not make the ringing fucking like gong.

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<v Speaker 3>Noise to let people know where you are.

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<v Speaker 1>They spot a tower on a hill that has a

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<v Speaker 1>WLF marker on one of its no longer operational satellite dishes,

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<v Speaker 1>and Ellie's like, great, let's go, let's run in again.

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<v Speaker 1>Kind of a weird characterization of Ellie is like the

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<v Speaker 1>tumble into kind of reckless. Yeah. Dina is like, wait

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<v Speaker 1>a second. They're on an elevated position, they're in a tower.

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<v Speaker 1>They'll see us coming. We're going to ride up on

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<v Speaker 1>a horse. Two people like, let's wait until dark. So

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<v Speaker 1>they go and find a place to hold up until dark.

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<v Speaker 1>It's a record store. They are looking around. There's guitars

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<v Speaker 1>and stuff. Upstairs. Ellie finds an acoustic guitar that is

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<v Speaker 1>in unrealistically good.

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<v Speaker 2>That shit would be warped as well, because this room

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<v Speaker 2>had to be so humid for all those plants.

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<v Speaker 1>This is the Pacific, this is a Pacific Northwest, Like, it's.

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<v Speaker 3>Very what it would be warped.

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<v Speaker 2>And we get it, like, you know, we get it,

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<v Speaker 2>and you get some beautiful shots of the guitar, but

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<v Speaker 2>come on, I'm saying is this is something I will

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<v Speaker 2>bring up throughout our discussion. This is the first episode

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<v Speaker 2>of the Last of Us where I kind of got

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<v Speaker 2>a little pushed out of the logic of the show

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<v Speaker 2>in a way that kind of this usually just immerses

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<v Speaker 2>me emotionally and vibes wise, and this was the first

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<v Speaker 2>one where there was a few different things that kind

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<v Speaker 2>of took me out. Now, this it took me out

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<v Speaker 2>a little bit, but I'm willing to accept it because

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<v Speaker 2>I know the importance of the guitar. But the next

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<v Speaker 2>choice they make.

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<v Speaker 1>I just want to say before I continue the recap,

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<v Speaker 1>but I think that this is I think what we're

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<v Speaker 1>both reacting. Certainly, what my thoughts watching this was this

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<v Speaker 1>is the most explicitly video game loyal episode that we've

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<v Speaker 1>seen for me, and I think that's kind of what

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<v Speaker 1>pushes you out of the reality of it is some

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<v Speaker 1>of these video game moments that butt up against the

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<v Speaker 1>reality that has been established in the show version of

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<v Speaker 1>this story.

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<v Speaker 3>I think that's a great way of putting it.

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<v Speaker 1>So Ellie plays take on Me by Aha. But like

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<v Speaker 1>the whole song, the entire thing, it's only seven episodes, guys,

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<v Speaker 1>can we anyway Dina comes upstairs and sees this and

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<v Speaker 1>hears this and is like, oh, ship, now I'm already.

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<v Speaker 1>Now I'm really falling in love. And you know, Ellie

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<v Speaker 1>is like, there was Joel. Joel taught me how to

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<v Speaker 1>play guitar, and you know they're they're both in that

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<v Speaker 1>moment very thankful for their past relationships with Joel. Elsewhere,

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<v Speaker 1>Isaac now the leader of the wolf, or a leader,

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<v Speaker 1>we should say, it's it's unclear what the same hierarchy is.

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<v Speaker 3>He's at least that he's allowed to torture people, you know.

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<v Speaker 1>So he lights a stove and he's giving this monologue

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<v Speaker 1>about how in the past, you know, when he was

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<v Speaker 1>wooing a woman, he would lean on his culinary skills,

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<v Speaker 1>and how back then he always wanted this specific brand

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<v Speaker 1>of French cook wear that was very expensive, but now

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<v Speaker 1>that like le apocalypse has happened, he can just have

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<v Speaker 1>it because it's free.

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<v Speaker 3>That would be like me with Lacrousete.

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<v Speaker 2>I'll be living in the Lacrosse life before I get

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<v Speaker 2>hit by his zombie. I have a cook at least

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<v Speaker 2>at least once stew and at lacrase, I have.

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<v Speaker 1>A couple of pieces of Lacrousette and I do love them.

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<v Speaker 1>And you know, he's heating this beautiful bronze pan copper

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<v Speaker 1>pan on a gas stove, and it turns out that

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<v Speaker 1>he's interrogating a naked and chained Seraphyte who has been

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<v Speaker 1>beaten brutally. And this Seraphyite is a fanatic, and Isaac

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<v Speaker 1>is burning him with the pan, saying like, where are

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<v Speaker 1>you going to attack next? What's happening? They get into

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<v Speaker 1>this kind of brief argument about like who broke the

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<v Speaker 1>there's a truce apparently, so who broke the truth? Did

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<v Speaker 1>this Serifices break the truce by killing a child, the

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<v Speaker 1>WLF child with an arrow? Or did the WLF break

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<v Speaker 1>the truce by killing various members of the scars in

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<v Speaker 1>other ways? And they go back and forth about this,

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<v Speaker 1>and I Wasac's like, I don't care about that, Like,

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<v Speaker 1>just tell me where you guys are attacking next. And

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<v Speaker 1>then it becomes very clear that this serified is not

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<v Speaker 1>going to talk. Offers his other hand even offers up

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<v Speaker 1>like go ahead, burn the other hands. So then Isaac,

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<v Speaker 1>finally fed up, shoots this guy.

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<v Speaker 2>I found this really hard to watch, which I do

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<v Speaker 2>think is meant to be the point, but again when

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<v Speaker 2>it comes with the logic of the show, and also

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<v Speaker 2>like the choices they've made, for example, like the way

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<v Speaker 2>they chose to show Joel's death compared to how we

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<v Speaker 2>get it in the game.

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<v Speaker 3>I thought that was a really.

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<v Speaker 2>Thoughtful, evocative, scary, leaves up to your imagination kind of moment,

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<v Speaker 2>even though we did see the moment of death. This

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<v Speaker 2>to me felt almost like in the torture porn realm.

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<v Speaker 2>And I understand and that it is leaning into what

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<v Speaker 2>we can evocative of real things we've seen in war,

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<v Speaker 2>but it didn't work for me in the context of

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<v Speaker 2>the show.

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<v Speaker 3>It was too much.

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<v Speaker 1>I think the show has been is cognizant of that,

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<v Speaker 1>and they always add in scenes like this. They'll have

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<v Speaker 1>like the younger member of the WLF, Like they have

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<v Speaker 1>that scene the torture is going on outside and there's

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<v Speaker 1>a guy, there's a younger guy outside and he's like,

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<v Speaker 1>this is really fucked up. This is really fucked up.

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<v Speaker 1>The other guy is like, Isaac knows what he's doing.

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<v Speaker 1>This is great. It was Francois Truffaux, I think I

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<v Speaker 1>believe who said, you know, there's no such thing as

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<v Speaker 1>an anti war movie, and I think that's true. I

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<v Speaker 1>think that I think that's how the scene made me

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<v Speaker 1>feel like that there's no even though we're meant to

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<v Speaker 1>understand the brutality, the horror of the inhumanity of this scene,

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<v Speaker 1>it left me wondering, are we not elevating it anyway?

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<v Speaker 2>You know, you're not still having Jeffrey Wright do it

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<v Speaker 2>while giving a full monologue about, you know, the life

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<v Speaker 2>he led before.

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<v Speaker 3>I'm also very interested.

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<v Speaker 2>This is more of a conversation I want on discord

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<v Speaker 2>to have and i want to see what the Internet thinks.

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<v Speaker 2>I'm very interested in the difference in representation of the

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<v Speaker 2>Serophytes and the WLF and the way that they're kind

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<v Speaker 2>of representing them here compared to the game. I do

0:12:17.880 --> 0:12:21.640
<v Speaker 2>think there is an added complexity to the to the wh.

0:12:21.160 --> 0:12:24.280
<v Speaker 1>No, for sure, I think both sides, even the Seraphytes,

0:12:24.320 --> 0:12:27.000
<v Speaker 1>like this. The Seraphytes says something to the effect of,

0:12:27.360 --> 0:12:31.679
<v Speaker 1>you really get the feeling of how deeply they're they

0:12:31.720 --> 0:12:35.200
<v Speaker 1>really believe their religious feeling for this for this profit

0:12:35.400 --> 0:12:39.360
<v Speaker 1>is very deep. And this person who's being tortured says,

0:12:39.400 --> 0:12:41.839
<v Speaker 1>you know, every day you're going to lose because every

0:12:41.920 --> 0:12:44.440
<v Speaker 1>day we get stronger and every day you get weaker

0:12:44.520 --> 0:12:46.920
<v Speaker 1>despite the fact that you have tanks.

0:12:46.600 --> 0:12:49.720
<v Speaker 2>And the irony is seeing him torture this guy, Like

0:12:49.760 --> 0:12:52.240
<v Speaker 2>this kind of proves that in its own way, right.

0:12:52.480 --> 0:12:56.200
<v Speaker 1>It made me feel a lot of the way I

0:12:56.240 --> 0:12:59.240
<v Speaker 1>felt about playing the game, which is like I'm getting

0:12:59.240 --> 0:13:00.559
<v Speaker 1>worn out by this violence.

0:13:00.640 --> 0:13:02.319
<v Speaker 3>Yeah, this bleakness.

0:13:02.600 --> 0:13:04.920
<v Speaker 1>Yeah, So I did feel a little bit like that

0:13:05.280 --> 0:13:05.559
<v Speaker 1>with this.

0:13:06.040 --> 0:13:07.000
<v Speaker 3>I think it's I.

0:13:06.960 --> 0:13:11.000
<v Speaker 2>Think it's the nudity, the skinniness of the actor. It's

0:13:11.080 --> 0:13:13.400
<v Speaker 2>very evocative of people in war camps, things we've sin

0:13:13.480 --> 0:13:15.560
<v Speaker 2>in real life. Things are going on right now. So

0:13:15.559 --> 0:13:17.800
<v Speaker 2>it's like, yeah, it was a bit too much for me,

0:13:17.840 --> 0:13:19.360
<v Speaker 2>and I think you're right. This is the first time

0:13:19.400 --> 0:13:21.480
<v Speaker 2>where I got that same I had that same feeling

0:13:21.480 --> 0:13:23.640
<v Speaker 2>with the game of like the bleakness. But I think

0:13:24.080 --> 0:13:26.600
<v Speaker 2>that actually might be something this episode is struggling with

0:13:26.640 --> 0:13:29.240
<v Speaker 2>because you know what in the game, and this is

0:13:29.280 --> 0:13:31.680
<v Speaker 2>bleak because your action in the game it's killing people.

0:13:31.679 --> 0:13:33.080
<v Speaker 2>Like by the time in the game you get here,

0:13:33.120 --> 0:13:36.079
<v Speaker 2>you've killed so many people. But like there is that

0:13:36.880 --> 0:13:39.920
<v Speaker 2>in part of the game that actually engages your brain

0:13:40.000 --> 0:13:40.959
<v Speaker 2>and is like, now you.

0:13:40.960 --> 0:13:42.880
<v Speaker 3>Have to go and do this. Here's an activity.

0:13:42.960 --> 0:13:45.800
<v Speaker 2>Here's the little bit of dopamine that you get from

0:13:45.800 --> 0:13:48.280
<v Speaker 2>playing this game. You don't necessarily get that in the

0:13:48.360 --> 0:13:51.920
<v Speaker 2>same way as you do in a video game.

0:13:51.920 --> 0:13:53.920
<v Speaker 3>Here, because you're just now, you're just watching.

0:14:07.960 --> 0:14:10.079
<v Speaker 1>Ellie and Dina at night sneak up to the tower.

0:14:11.440 --> 0:14:13.920
<v Speaker 1>Dina funds sees the way in. There's a broken window

0:14:13.960 --> 0:14:16.000
<v Speaker 1>and you can get in there. But what do they do?

0:14:16.520 --> 0:14:20.080
<v Speaker 1>Dina says, if we encounter other wolves, like wolves who

0:14:20.160 --> 0:14:23.480
<v Speaker 1>weren't responsible for Jackson and for Joel's death, what do

0:14:23.520 --> 0:14:25.160
<v Speaker 1>we do if we find them? And Ellie just like

0:14:25.240 --> 0:14:27.920
<v Speaker 1>gives her a look like obviously we fucking murder these people.

0:14:28.000 --> 0:14:29.960
<v Speaker 3>Yeah, like we're gonna kill him. Don't you have a guard?

0:14:30.000 --> 0:14:33.120
<v Speaker 1>We're gonna kill them, right and uh And Dina's like,

0:14:33.120 --> 0:14:35.360
<v Speaker 1>oh yeah, I get it, Like yeah for sure. So

0:14:35.480 --> 0:14:38.600
<v Speaker 1>inside they go in and immediately in a hallway they

0:14:38.640 --> 0:14:41.480
<v Speaker 1>find one of the w lf riddled with arrows, and

0:14:41.480 --> 0:14:43.880
<v Speaker 1>they're like, oh, this is those people on the trail

0:14:44.120 --> 0:14:46.600
<v Speaker 1>who are responsible. This is who did this. And then

0:14:46.640 --> 0:14:49.560
<v Speaker 1>they go in to like a larger room kind of

0:14:49.600 --> 0:14:49.960
<v Speaker 1>like like.

0:14:49.960 --> 0:14:52.600
<v Speaker 5>Theater or a kind of like way I think it

0:14:52.640 --> 0:14:55.800
<v Speaker 5>was as it was a news studio I think like

0:14:55.920 --> 0:15:00.040
<v Speaker 5>a so like a you know, a broadcast studio, and

0:15:00.080 --> 0:15:05.600
<v Speaker 5>there's several WLF bodies mutilated in Hannibal Lecter style.

0:15:05.720 --> 0:15:09.000
<v Speaker 2>There hung up, the guts are falling. Now, it's very dramatic.

0:15:09.040 --> 0:15:11.040
<v Speaker 2>I feel like the Seraphites have too much time on

0:15:11.080 --> 0:15:14.840
<v Speaker 2>their hands. I'm not gonna lie when you've got to

0:15:14.880 --> 0:15:18.120
<v Speaker 2>make a ritual to you know, for your dead profit. Sure, okay,

0:15:18.160 --> 0:15:18.640
<v Speaker 2>I get it.

0:15:19.280 --> 0:15:24.800
<v Speaker 1>So they look around, Ellie finds the radio and they realize,

0:15:24.800 --> 0:15:28.000
<v Speaker 1>oh shit, the backup is the wolf. Backup must be coming.

0:15:28.600 --> 0:15:32.000
<v Speaker 1>So they hide and now it becomes the video game,

0:15:32.080 --> 0:15:35.640
<v Speaker 1>right They have to escape from the wolf. They get

0:15:35.760 --> 0:15:39.720
<v Speaker 1>separated for a brief period of time, but then Ellie

0:15:40.720 --> 0:15:43.040
<v Speaker 1>goes to choke out one of these wolf guys in

0:15:43.560 --> 0:15:46.560
<v Speaker 1>one of the most explicitly like video game action sequences.

0:15:46.560 --> 0:15:48.360
<v Speaker 1>She sneaks up, she jumps on his back, just like.

0:15:48.480 --> 0:15:52.880
<v Speaker 3>I loved how hard they made it look.

0:15:52.960 --> 0:15:55.200
<v Speaker 2>I have to say that bit really brought me back

0:15:55.240 --> 0:15:57.840
<v Speaker 2>into the game again, and also into the reality of

0:15:57.880 --> 0:16:00.600
<v Speaker 2>the world, which is Ellie as a teenager and leverage

0:16:00.640 --> 0:16:02.760
<v Speaker 2>is great. And while real naked choke holds are great

0:16:02.800 --> 0:16:04.960
<v Speaker 2>and she is, it's still an adult man.

0:16:05.280 --> 0:16:06.800
<v Speaker 3>You know, so I thought they did a good job

0:16:06.800 --> 0:16:08.560
<v Speaker 3>of making that fight look real. Do you know she's

0:16:08.600 --> 0:16:10.000
<v Speaker 3>just out killing people now too.

0:16:10.280 --> 0:16:16.040
<v Speaker 1>She killed Love, she kills another, and they escape into

0:16:16.720 --> 0:16:21.040
<v Speaker 1>what we learn is one of these walled off tunnels

0:16:21.080 --> 0:16:25.680
<v Speaker 1>that lead underground. The wolves follow them down there, and

0:16:26.640 --> 0:16:29.600
<v Speaker 1>they're throwing flares all around so they can see around,

0:16:29.680 --> 0:16:32.920
<v Speaker 1>and these trigger the cordy steps tendrils, and next thing

0:16:32.920 --> 0:16:34.880
<v Speaker 1>you know, there's a fucking horde in here and it's

0:16:34.920 --> 0:16:35.360
<v Speaker 1>real mad.

0:16:35.720 --> 0:16:37.800
<v Speaker 2>Yeah, and it's like in some basically in a metro

0:16:37.920 --> 0:16:41.440
<v Speaker 2>train kind of yeah, and yeah, but it's bad times.

0:16:41.440 --> 0:16:41.720
<v Speaker 3>Guys.

0:16:41.720 --> 0:16:45.720
<v Speaker 2>There's so many of them and it's not looking good

0:16:45.800 --> 0:16:48.080
<v Speaker 2>for for any of them. And this is where I

0:16:48.120 --> 0:16:51.240
<v Speaker 2>will say again, a little bit of a little bit

0:16:51.280 --> 0:16:55.840
<v Speaker 2>of plot armor is coming in there for Stick in

0:16:55.880 --> 0:16:59.800
<v Speaker 2>this episode without Joel, you do start to question, mostly,

0:16:59.840 --> 0:17:03.320
<v Speaker 2>I think because to me, they are trying to balance

0:17:03.400 --> 0:17:07.680
<v Speaker 2>this kind of light hearted Ellie with Dina, which I'm

0:17:07.760 --> 0:17:08.320
<v Speaker 2>really happy.

0:17:08.400 --> 0:17:09.439
<v Speaker 3>I want her to be happy.

0:17:09.480 --> 0:17:13.040
<v Speaker 2>That's our girl, but like I don't feel like she

0:17:13.240 --> 0:17:16.119
<v Speaker 2>is making the kind of serious decisions that make you

0:17:16.200 --> 0:17:18.240
<v Speaker 2>think in the game, well, okay, she's actually going to

0:17:18.280 --> 0:17:20.880
<v Speaker 2>be able to survive this here, it's a lot, there's.

0:17:20.720 --> 0:17:21.760
<v Speaker 3>A silliness to it.

0:17:21.800 --> 0:17:24.840
<v Speaker 2>There's kind of like a recklessness that really have me thinking,

0:17:25.000 --> 0:17:27.480
<v Speaker 2>like these two are dying, Like there's no way they

0:17:27.480 --> 0:17:27.960
<v Speaker 2>don't die.

0:17:28.040 --> 0:17:29.720
<v Speaker 3>If this is a real situation.

0:17:30.119 --> 0:17:33.439
<v Speaker 1>There's a reality that has been established over one season

0:17:33.480 --> 0:17:36.159
<v Speaker 1>of this show, plus these epis, plus the episodes preceding this,

0:17:36.600 --> 0:17:41.080
<v Speaker 1>that I think has been heightened certainly, like noticeably heightened

0:17:41.080 --> 0:17:42.000
<v Speaker 1>for this episode.

0:17:42.040 --> 0:17:42.840
<v Speaker 3>Yeah, I agree.

0:17:42.840 --> 0:17:46.440
<v Speaker 1>Anyway, Ellie and Dina are fleeing. They flee into a

0:17:46.480 --> 0:17:48.160
<v Speaker 1>train out of a train, on the top of a train.

0:17:48.200 --> 0:17:50.879
<v Speaker 1>They run. There's so many up the stairs out of

0:17:51.000 --> 0:17:54.320
<v Speaker 1>the train tunnel. They get kind of hung up on

0:17:54.359 --> 0:17:56.680
<v Speaker 1>this turnstile as they're trying to get through. Ellie gets through,

0:17:56.720 --> 0:17:58.760
<v Speaker 1>and then Dina's trying to get through and she's kind

0:17:58.800 --> 0:18:00.359
<v Speaker 1>of trapped in there for a second, and one of

0:18:00.400 --> 0:18:02.719
<v Speaker 1>the infected runs up and is about to bite her,

0:18:02.760 --> 0:18:06.479
<v Speaker 1>so Ellie puts her arm out unless the infected bite it,

0:18:07.040 --> 0:18:11.239
<v Speaker 1>and crazy Dina is shocked by this, but there's no

0:18:11.320 --> 0:18:15.040
<v Speaker 1>time to really think. They escape. They get to the theater,

0:18:15.160 --> 0:18:18.840
<v Speaker 1>which is one of the famous havens from the Last

0:18:18.880 --> 0:18:21.760
<v Speaker 1>of Us Too, and when they're in the lobby of

0:18:21.800 --> 0:18:25.720
<v Speaker 1>the theater. Ellie is thinking nothing really that dramatic, other

0:18:25.720 --> 0:18:27.680
<v Speaker 1>than their escape has happened. But when she turns around,

0:18:27.680 --> 0:18:29.399
<v Speaker 1>Dina has her gun out and she's about to blow

0:18:29.680 --> 0:18:30.560
<v Speaker 1>Ellie's brains out.

0:18:30.600 --> 0:18:32.359
<v Speaker 3>Why didn't Ellie tell her this before?

0:18:32.440 --> 0:18:36.600
<v Speaker 2>I will say, big, big mistake, Ellie, You're silly, gun.

0:18:36.560 --> 0:18:41.200
<v Speaker 1>Says, somewhat unrealistic. I think that Dina wouldn't just blow

0:18:41.240 --> 0:18:41.920
<v Speaker 1>her head.

0:18:42.080 --> 0:18:45.240
<v Speaker 3>I know that's what I think too. I think Dina.

0:18:45.040 --> 0:18:46.639
<v Speaker 2>Probably would have shown her in the head from the

0:18:46.680 --> 0:18:48.400
<v Speaker 2>back so she didn't have to look at her.

0:18:48.840 --> 0:18:51.119
<v Speaker 3>But this is I don't think you would get this

0:18:51.240 --> 0:18:54.400
<v Speaker 3>kind of emotional I think you would have been.

0:18:54.520 --> 0:18:57.040
<v Speaker 2>She's so clearly been trained by Joel, so easy to

0:18:57.040 --> 0:18:59.560
<v Speaker 2>shoot someone down. I did find this to be a

0:18:59.600 --> 0:19:04.240
<v Speaker 2>little a kind of little again plot or coming out.

0:19:04.359 --> 0:19:07.320
<v Speaker 2>We know Ellie is not going to die in this moment,

0:19:07.359 --> 0:19:10.600
<v Speaker 2>but I do think that there was different discussions that

0:19:10.640 --> 0:19:12.679
<v Speaker 2>could have been had also, And I think we'll talk

0:19:12.720 --> 0:19:13.239
<v Speaker 2>about this more.

0:19:13.280 --> 0:19:15.200
<v Speaker 3>But when you are a teenage.

0:19:14.920 --> 0:19:17.480
<v Speaker 2>Girl, or when you in real life, or when you're

0:19:17.520 --> 0:19:20.000
<v Speaker 2>reading teenage girls in a Ya novel or something, guess

0:19:20.000 --> 0:19:21.159
<v Speaker 2>what teenage girls always do.

0:19:21.359 --> 0:19:23.440
<v Speaker 3>They always tell their best friends their secrets.

0:19:23.600 --> 0:19:26.560
<v Speaker 2>There's no fucking way that Ellie lived there for five

0:19:26.760 --> 0:19:29.480
<v Speaker 2>years being friends with Dina and Jesse and didn't fucking

0:19:29.480 --> 0:19:31.920
<v Speaker 2>tell them she's immune. I that just doesn't make sense,

0:19:31.920 --> 0:19:33.400
<v Speaker 2>and it would have made this make more sense.

0:19:33.400 --> 0:19:35.679
<v Speaker 3>But I get it. They want a little dramatic moment.

0:19:36.200 --> 0:19:38.160
<v Speaker 2>And I'm sure you guys can guess that she does

0:19:38.200 --> 0:19:39.320
<v Speaker 2>not shoot Ellie.

0:19:39.680 --> 0:19:41.879
<v Speaker 3>That would be crazy, though, that would be a crazy twist.

0:19:41.920 --> 0:19:44.160
<v Speaker 1>So Ellie is like, oh, this little thing, this bite,

0:19:44.240 --> 0:19:46.800
<v Speaker 1>did I never tell you about the immunity thing? So listen,

0:19:46.920 --> 0:19:50.080
<v Speaker 1>here's the deal. I'm immune. I understand that you don't

0:19:50.080 --> 0:19:51.840
<v Speaker 1>believe me right now, but I'm gonna go over here,

0:19:51.920 --> 0:19:53.800
<v Speaker 1>bandage this up, and fall asleep. And you're just like,

0:19:54.200 --> 0:19:55.800
<v Speaker 1>keep your gun on me and watch me. If I turn,

0:19:55.880 --> 0:19:58.840
<v Speaker 1>you shoot me. But I won't. So when Ellie wakes up,

0:20:00.040 --> 0:20:03.320
<v Speaker 1>she's like, ha ha, look at this. I am immune.

0:20:03.320 --> 0:20:06.000
<v Speaker 1>Look I unbandaged my arm and the and the bite

0:20:06.000 --> 0:20:11.280
<v Speaker 1>looks nasty but it's not clearly not forceps infected. And

0:20:11.320 --> 0:20:14.960
<v Speaker 1>Dina's like, this is fucking amazing. And since we're sharing secrets,

0:20:15.480 --> 0:20:21.880
<v Speaker 1>I am pregnant Jesse's baby okay, and and Ellie's like, well,

0:20:21.880 --> 0:20:24.639
<v Speaker 1>how do you know, Like that's a really old and

0:20:24.680 --> 0:20:28.000
<v Speaker 1>that was what she found in the pregnant bodego was

0:20:28.040 --> 0:20:30.480
<v Speaker 1>a pregnancy test. She's like, well that was a really old,

0:20:30.520 --> 0:20:32.800
<v Speaker 1>like at least twenty year old pregnancy test. How do

0:20:32.840 --> 0:20:35.320
<v Speaker 1>you know? And then I.

0:20:35.440 --> 0:20:38.880
<v Speaker 3>Was like she was she was paying for a long

0:20:38.960 --> 0:20:39.560
<v Speaker 3>time and.

0:20:39.440 --> 0:20:42.480
<v Speaker 1>That shows you a lot of people. They then make

0:20:42.560 --> 0:20:47.160
<v Speaker 1>out and you know, all this vulnerability, this newfound vulnerability

0:20:47.200 --> 0:20:49.600
<v Speaker 1>with each other has like leveled up their relationship.

0:20:49.720 --> 0:20:53.480
<v Speaker 2>Yeah, and also the hawniness that Dina's being pregnant from

0:20:53.520 --> 0:20:56.520
<v Speaker 2>the hormones. Suddenly they having sex and I love that

0:20:56.600 --> 0:20:57.520
<v Speaker 2>for them, Good for them.

0:20:57.680 --> 0:20:59.040
<v Speaker 3>I support this relationship.

0:20:59.280 --> 0:21:06.280
<v Speaker 1>Also, I feel like maybe this is my own like

0:21:06.920 --> 0:21:08.760
<v Speaker 1>fear of viruses.

0:21:09.280 --> 0:21:12.000
<v Speaker 3>Thank you. I was gonna say the same thing.

0:21:11.920 --> 0:21:15.720
<v Speaker 1>But for me, I'm like, listen, I want to make

0:21:15.760 --> 0:21:18.560
<v Speaker 1>out with you, obviously have I'm falling in love with you,

0:21:18.600 --> 0:21:20.720
<v Speaker 1>but let's give it another dick. Can we just let

0:21:20.760 --> 0:21:20.960
<v Speaker 1>it go.

0:21:21.520 --> 0:21:23.600
<v Speaker 3>I'm like, I'm not a couple.

0:21:25.119 --> 0:21:29.639
<v Speaker 2>They might be inside of you still likes type situation.

0:21:29.800 --> 0:21:33.760
<v Speaker 3>You're spitting in my mouth. I'm turning into a fucking cortersps.

0:21:33.080 --> 0:21:35.600
<v Speaker 2>Like, I don't know what's going on, Like, come on,

0:21:36.080 --> 0:21:38.800
<v Speaker 2>I know it that again that teenage girls. But I

0:21:38.840 --> 0:21:42.040
<v Speaker 2>think I think in this episode, and we're kind of

0:21:42.040 --> 0:21:44.600
<v Speaker 2>talking about this a little bit before, like I think

0:21:45.600 --> 0:21:49.400
<v Speaker 2>in this episode, I am lacking I'm lacking a little

0:21:49.480 --> 0:21:53.479
<v Speaker 2>bit of teenage girl noess. I actually think this is

0:21:53.520 --> 0:21:57.879
<v Speaker 2>both kind of weirdly acting like that they're kind of

0:21:57.920 --> 0:22:00.400
<v Speaker 2>sillier than teenage girls would be in this city situation,

0:22:00.760 --> 0:22:03.159
<v Speaker 2>but while also kind of not giving them a lot

0:22:03.160 --> 0:22:05.520
<v Speaker 2>of the complexy in depth that we could have seen.

0:22:05.840 --> 0:22:08.359
<v Speaker 2>We've seen a lot of YA stories, We've read a

0:22:08.359 --> 0:22:11.520
<v Speaker 2>lot of YA stories. Those are the stories that have

0:22:11.600 --> 0:22:15.200
<v Speaker 2>really pushed forward blockbuster movies for the last twenty five

0:22:15.320 --> 0:22:19.119
<v Speaker 2>years pre MCU. You know, Hunger Games, Twilight, Maize Runner,

0:22:19.359 --> 0:22:23.120
<v Speaker 2>and now you know, there is this wave of really incredible, thoughtful,

0:22:23.440 --> 0:22:26.480
<v Speaker 2>deep YA from all different kinds of writers that has

0:22:26.560 --> 0:22:29.200
<v Speaker 2>kind of exploded onto the scene. So I think here

0:22:29.280 --> 0:22:32.600
<v Speaker 2>I was just feeling a little of like the shallowness

0:22:32.600 --> 0:22:36.639
<v Speaker 2>of this representation of two teenage girls. But again, and

0:22:36.720 --> 0:22:39.800
<v Speaker 2>this is both a problem and a excuse or an answer,

0:22:39.880 --> 0:22:42.720
<v Speaker 2>is there's only seven episodes. This season, and I feel

0:22:42.720 --> 0:22:44.639
<v Speaker 2>like a lot of the time that was taken up.

0:22:44.680 --> 0:22:48.439
<v Speaker 3>This episode didn't feel as urgent to me as some

0:22:48.520 --> 0:22:50.120
<v Speaker 3>of the other episodes we've seen.

0:22:50.240 --> 0:22:53.000
<v Speaker 1>I will I will acknowledge that I think that Listen,

0:22:53.040 --> 0:22:54.520
<v Speaker 1>I thought this episode was fine.

0:22:54.960 --> 0:22:57.240
<v Speaker 3>But that's the first time we've used the word fine

0:22:57.320 --> 0:22:59.040
<v Speaker 3>for this show. We are usually great.

0:22:59.440 --> 0:23:02.000
<v Speaker 1>I don't think it's bad by any means, but I

0:23:02.040 --> 0:23:06.359
<v Speaker 1>will acknowledge that I think my looking ahead towards seven

0:23:06.440 --> 0:23:13.119
<v Speaker 1>episodes is does partially is hanging over my perception a

0:23:13.160 --> 0:23:17.320
<v Speaker 1>great episode anyway. They talk about Adina talks about why

0:23:17.440 --> 0:23:22.359
<v Speaker 1>she and Jesse broke up, and it's typically complicated.

0:23:22.800 --> 0:23:26.320
<v Speaker 2>She also reveals that she had been like she was bisexual,

0:23:26.440 --> 0:23:28.919
<v Speaker 2>but her mom had told her, you can't like girls,

0:23:28.920 --> 0:23:31.480
<v Speaker 2>you can only like guys, and it sounds like with

0:23:31.640 --> 0:23:34.280
<v Speaker 2>Jesse she did like him, but she was also kind

0:23:34.320 --> 0:23:36.560
<v Speaker 2>of trying to make herself like him because he was

0:23:36.600 --> 0:23:38.280
<v Speaker 2>a good guy and he was someone that.

0:23:38.200 --> 0:23:39.800
<v Speaker 3>Would keep her safe.

0:23:39.840 --> 0:23:42.720
<v Speaker 2>And yeah, I thought that was an interesting a little

0:23:42.720 --> 0:23:44.840
<v Speaker 2>bit more of that depth that I was hoping. I

0:23:44.880 --> 0:23:47.560
<v Speaker 2>honestly could have probably watched a whole episode with just

0:23:47.640 --> 0:23:50.840
<v Speaker 2>Ellie and Dina in the theater kind of trying to

0:23:50.960 --> 0:23:53.680
<v Speaker 2>navigate out this relationship and give us a little bit

0:23:53.720 --> 0:23:57.080
<v Speaker 2>more about what this relationship means to them, because the

0:23:57.119 --> 0:23:59.119
<v Speaker 2>show has definitely given us a little bit more than

0:23:59.160 --> 0:24:01.040
<v Speaker 2>the game where you're kind of just thrown into it.

0:24:01.320 --> 0:24:03.760
<v Speaker 2>But I also think that because you're not just thrown

0:24:03.800 --> 0:24:05.800
<v Speaker 2>into it, it also is giving us a little bit

0:24:05.840 --> 0:24:07.240
<v Speaker 2>more to question, like how.

0:24:07.119 --> 0:24:09.399
<v Speaker 3>Deep is this? Like how close are they? You know?

0:24:09.440 --> 0:24:11.000
<v Speaker 3>Again time issues.

0:24:11.760 --> 0:24:15.280
<v Speaker 1>The radio that they took from the Wolves comes to

0:24:15.359 --> 0:24:18.560
<v Speaker 1>life and they realize the Wolves are close by and

0:24:18.560 --> 0:24:22.000
<v Speaker 1>they're calling out patrol points, which Dina, because she has

0:24:22.040 --> 0:24:24.280
<v Speaker 1>a map and stuff, is like, oh, I think I

0:24:24.320 --> 0:24:26.560
<v Speaker 1>recognize where that is. Let's go to the roof and

0:24:26.600 --> 0:24:28.359
<v Speaker 1>go check it out. So they go up there and

0:24:28.400 --> 0:24:30.920
<v Speaker 1>they look across town and there's basically like a war

0:24:31.000 --> 0:24:33.800
<v Speaker 1>going on. Like I was like, wait a minute.

0:24:33.840 --> 0:24:36.160
<v Speaker 3>I was like, like, who's dropping a bomb over?

0:24:36.200 --> 0:24:36.240
<v Speaker 1>That?

0:24:36.440 --> 0:24:38.720
<v Speaker 3>Isn't Like that's got some problems, guys.

0:24:38.840 --> 0:24:45.919
<v Speaker 1>There's like full on artillery explosions, like obvious machine gun fire,

0:24:46.000 --> 0:24:50.480
<v Speaker 1>like parts of buildings like exploding. I guess they're shooting

0:24:50.480 --> 0:24:56.159
<v Speaker 1>at the seraphytes, but with such an amount of hardware

0:24:56.440 --> 0:25:00.159
<v Speaker 1>and artillery for like what is essentially like a and

0:25:00.400 --> 0:25:04.159
<v Speaker 1>of cult members who have bows and arrows that it

0:25:04.240 --> 0:25:06.640
<v Speaker 1>kind of doesn't make sense that you use.

0:25:06.600 --> 0:25:10.200
<v Speaker 2>This stuff, like uh, they still just robin hooding it

0:25:10.280 --> 0:25:13.360
<v Speaker 2>out here, because otherwise it seems kind of crazy.

0:25:13.160 --> 0:25:17.359
<v Speaker 1>Because it's you see, I mean ten twelve artillery shells

0:25:17.440 --> 0:25:19.600
<v Speaker 1>go off as there as they're watching, which, like, if

0:25:19.640 --> 0:25:22.000
<v Speaker 1>you do the math is like how many how much

0:25:22.119 --> 0:25:26.160
<v Speaker 1>artillery do they have? Like using two hundred shells a day.

0:25:26.200 --> 0:25:31.320
<v Speaker 1>That's kind of to get the sorrow fights, I know. Anyway,

0:25:32.080 --> 0:25:36.120
<v Speaker 1>so Dina points out, She's like, Okay, see that building

0:25:36.440 --> 0:25:40.440
<v Speaker 1>like across that maybe war that's going on, that's where

0:25:40.440 --> 0:25:44.040
<v Speaker 1>we need to go. And they look at this and

0:25:44.080 --> 0:25:49.920
<v Speaker 1>it looks really scary and it's a mirror of when

0:25:50.080 --> 0:25:52.680
<v Speaker 1>Abby and her group were looking at Jackson and seeing

0:25:52.720 --> 0:25:55.040
<v Speaker 1>how built up it was. And Ellie's like, Dina, you

0:25:55.080 --> 0:25:57.760
<v Speaker 1>don't need to go, like this is actually I'm sorry

0:25:57.760 --> 0:26:00.840
<v Speaker 1>I brought you here. This is actually insane, like you're pregnant,

0:26:01.400 --> 0:26:04.919
<v Speaker 1>you're pregnant, Like you stay, I'll go, But of course

0:26:05.440 --> 0:26:06.560
<v Speaker 1>Dina's like, no, I'm.

0:26:06.440 --> 0:26:08.360
<v Speaker 3>Going, as if that was never gonna act.

0:26:08.400 --> 0:26:26.800
<v Speaker 1>Come, So let's talk about it. Yeah, I think it's

0:26:26.800 --> 0:26:29.800
<v Speaker 1>a I think it's fine, but this is the episode

0:26:29.840 --> 0:26:35.719
<v Speaker 1>where it's the there. It's so heavily built on the

0:26:35.840 --> 0:26:42.240
<v Speaker 1>video game style action sequences that it begins to feel

0:26:42.280 --> 0:26:47.439
<v Speaker 1>like something of a shift from the more character driven

0:26:49.040 --> 0:26:52.840
<v Speaker 1>stuff that we had seen previously, and which is why

0:26:52.920 --> 0:26:56.800
<v Speaker 1>I'm like lukewarm on this episode. It it feels a

0:26:56.880 --> 0:27:00.560
<v Speaker 1>little bit like to me because like action is it's

0:27:01.119 --> 0:27:03.920
<v Speaker 1>I'm not saying I don't love I love action, love action,

0:27:04.200 --> 0:27:07.120
<v Speaker 1>but it feels a little bit like filler, and.

0:27:06.960 --> 0:27:09.119
<v Speaker 2>That's what I felt like, And I feel like you

0:27:09.160 --> 0:27:12.000
<v Speaker 2>can't have filler in a seven episode show, Like I'm sorry,

0:27:12.080 --> 0:27:14.680
<v Speaker 2>you just you just can't. Even if it was ten episodes,

0:27:15.000 --> 0:27:19.800
<v Speaker 2>maybe one filler. I also think obviously incredibly hard to

0:27:19.880 --> 0:27:22.960
<v Speaker 2>come back after a show where like the Last of

0:27:23.040 --> 0:27:25.680
<v Speaker 2>Us Season one, that was essentially seen and acclaimed as

0:27:25.720 --> 0:27:29.440
<v Speaker 2>like a perfect show that elevated your game, that questioned

0:27:29.560 --> 0:27:30.840
<v Speaker 2>choices your game made.

0:27:30.880 --> 0:27:32.320
<v Speaker 3>I think it's very hard to come back.

0:27:32.400 --> 0:27:35.919
<v Speaker 2>I think it's really hard when you obviously have to

0:27:36.080 --> 0:27:38.080
<v Speaker 2>kill your one of your leads.

0:27:38.400 --> 0:27:39.240
<v Speaker 3>Yeah, you know, two.

0:27:39.040 --> 0:27:42.160
<v Speaker 2>Episodes, there's always gonna be there's always gonna it's gonna

0:27:42.200 --> 0:27:46.879
<v Speaker 2>be balancing. I just don't currently I would have loved.

0:27:46.880 --> 0:27:50.320
<v Speaker 2>I felt like last episode they did a great job

0:27:50.480 --> 0:27:55.199
<v Speaker 2>of kind of upending my expectations where I expected that

0:27:55.320 --> 0:27:58.439
<v Speaker 2>bleakness to immediately just be back and that kind of

0:27:58.520 --> 0:28:02.880
<v Speaker 2>unrelenting depression, but instead we got to see how Jackson

0:28:03.000 --> 0:28:05.359
<v Speaker 2>functions as a town, and that was that kind of

0:28:05.720 --> 0:28:09.040
<v Speaker 2>brilliant world building that we got from episode three of

0:28:09.080 --> 0:28:12.080
<v Speaker 2>season one with Bill and Frank, And I think like

0:28:12.680 --> 0:28:15.560
<v Speaker 2>this to me just felt like it kind of stalled

0:28:16.400 --> 0:28:18.680
<v Speaker 2>the flow of the show.

0:28:18.760 --> 0:28:20.919
<v Speaker 3>I didn't really get a lot from it.

0:28:21.440 --> 0:28:24.159
<v Speaker 2>I felt like things like the really big things like

0:28:24.160 --> 0:28:27.560
<v Speaker 2>the pregnancy and Ellie revealing that she's immune, they felt

0:28:27.680 --> 0:28:30.520
<v Speaker 2>kind of like they just happened at the end. So

0:28:30.600 --> 0:28:32.320
<v Speaker 2>I just for me, this was the first one where

0:28:32.320 --> 0:28:35.320
<v Speaker 2>I was kind of like, oh, yeah, it's fine, which

0:28:35.359 --> 0:28:37.600
<v Speaker 2>is fine. Every show is allowed to have a fine episode.

0:28:37.680 --> 0:28:39.080
<v Speaker 2>But I do think it's a shame because I think

0:28:39.080 --> 0:28:39.960
<v Speaker 2>there's another.

0:28:39.680 --> 0:28:42.160
<v Speaker 3>World where this episode, with.

0:28:42.040 --> 0:28:47.760
<v Speaker 2>The final gay kind of the real acknowledgment of Ellie

0:28:47.760 --> 0:28:50.560
<v Speaker 2>and Dina and that romance, like the kind of sex

0:28:50.600 --> 0:28:52.720
<v Speaker 2>scene in the theater and everything, I feel like there's

0:28:52.720 --> 0:28:54.400
<v Speaker 2>another world where that would have been one of those

0:28:54.520 --> 0:28:58.640
<v Speaker 2>big beautiful moments and this kind of like this kind

0:28:58.680 --> 0:29:00.880
<v Speaker 2>of beacon of hope or but I felt like it

0:29:01.000 --> 0:29:03.600
<v Speaker 2>just kind of again, it just kind of happened, and

0:29:03.640 --> 0:29:05.200
<v Speaker 2>we move on to the next thing.

0:29:05.400 --> 0:29:09.440
<v Speaker 1>I think for there is a I think one of

0:29:09.520 --> 0:29:11.880
<v Speaker 1>the things that I'm reacting to also is we get this,

0:29:12.280 --> 0:29:14.800
<v Speaker 1>you know, this really nice scene of vulnerability between these

0:29:14.840 --> 0:29:18.200
<v Speaker 1>two characters where Ellie is admitting her immunity and then

0:29:18.720 --> 0:29:22.720
<v Speaker 1>Dina just spills out with you know, that she's pregnant

0:29:22.720 --> 0:29:25.280
<v Speaker 1>and her relationship with Jesse and all these other things,

0:29:25.680 --> 0:29:30.920
<v Speaker 1>and and I it doesn't quite ring true to me

0:29:31.200 --> 0:29:36.520
<v Speaker 1>that Dina, who has been digging, digging, digging for information

0:29:36.680 --> 0:29:39.760
<v Speaker 1>from Ellie this ride out here, wouldn't then be like,

0:29:39.880 --> 0:29:41.480
<v Speaker 1>tell me more about this immunity thing.

0:29:41.800 --> 0:29:47.320
<v Speaker 6>Yeah, they just drop it, and and so I feel

0:29:47.360 --> 0:29:50.280
<v Speaker 6>like I feel like my first question would be, like,

0:29:50.480 --> 0:29:51.840
<v Speaker 6>is that what happened in Salt Lake?

0:29:52.000 --> 0:29:54.520
<v Speaker 2>Like you all know that they just randomly came back

0:29:54.520 --> 0:29:55.640
<v Speaker 2>and then suddenly we're.

0:29:55.520 --> 0:29:58.960
<v Speaker 1>There, you know, Like, yeah, I just think they just

0:29:59.040 --> 0:30:02.320
<v Speaker 1>drop in and I get I think I understand from

0:30:02.360 --> 0:30:06.040
<v Speaker 1>a production standpoint that, like, you don't want to retread

0:30:06.240 --> 0:30:11.320
<v Speaker 1>on overground that the audience already knows. But it feels

0:30:11.320 --> 0:30:14.080
<v Speaker 1>to me like a wasted opportunity to not find out

0:30:14.120 --> 0:30:16.640
<v Speaker 1>more about what Ellie thinks about it, because like, we

0:30:16.760 --> 0:30:21.720
<v Speaker 1>actually have that very little idea about what Ellie thinks

0:30:21.800 --> 0:30:26.240
<v Speaker 1>about her immunity, if she has any survivors guilt about this,

0:30:27.160 --> 0:30:29.800
<v Speaker 1>what she feels about the things to your point, Salt

0:30:29.880 --> 0:30:32.840
<v Speaker 1>Lake and the things that she's been through because of

0:30:32.880 --> 0:30:37.720
<v Speaker 1>this immunity, And it feels like a real miss And

0:30:37.800 --> 0:30:40.600
<v Speaker 1>it feels like something would have happened in season one.

0:30:40.640 --> 0:30:42.840
<v Speaker 1>They would have explored that emotional.

0:30:42.720 --> 0:30:44.000
<v Speaker 3>Landscape, that moment.

0:30:44.320 --> 0:30:44.520
<v Speaker 1>You know.

0:30:44.800 --> 0:30:49.400
<v Speaker 2>I think a lot about another absolutely stunning episode from

0:30:50.040 --> 0:30:54.320
<v Speaker 2>season one where they meet the brothers and they get

0:30:54.320 --> 0:30:56.600
<v Speaker 2>to spend that time with them, and you have this

0:30:56.680 --> 0:30:59.960
<v Speaker 2>moment where Joel is kind of breaking through and imagine

0:31:00.720 --> 0:31:03.360
<v Speaker 2>a world where he could help other people. He's talking

0:31:03.400 --> 0:31:06.760
<v Speaker 2>about motorbikes, he's you know, and obviously it gets thrown

0:31:06.840 --> 0:31:09.360
<v Speaker 2>up in the air and it has this really tragic ending.

0:31:09.920 --> 0:31:14.480
<v Speaker 2>But I feel like this Ellie and Dina deserve the

0:31:14.560 --> 0:31:17.880
<v Speaker 2>moment like that They deserved the night making coffee like

0:31:17.960 --> 0:31:21.440
<v Speaker 2>shitty coffee over a fire, talking about what happened in

0:31:21.440 --> 0:31:25.000
<v Speaker 2>Salt Lake, talking about Dina's relationship with Jesse, talking about

0:31:25.040 --> 0:31:27.680
<v Speaker 2>the fact Yea that her mum was homophobic, talking about

0:31:27.680 --> 0:31:30.400
<v Speaker 2>the fact of Ellie being immune, what does that mean

0:31:30.400 --> 0:31:33.160
<v Speaker 2>to her? Also, first question is that why you were

0:31:33.200 --> 0:31:34.720
<v Speaker 2>with Joel, Like what is that?

0:31:34.960 --> 0:31:35.320
<v Speaker 1>What? Like?

0:31:35.400 --> 0:31:37.440
<v Speaker 3>We I want to know more about the fucking immunity.

0:31:37.560 --> 0:31:41.240
<v Speaker 2>And also, let's be real, someone like who has lived

0:31:41.280 --> 0:31:44.840
<v Speaker 2>in somewhere like Jackson, like Dina, I feel like there's

0:31:44.880 --> 0:31:47.120
<v Speaker 2>a chance that the first thing she would have said is,

0:31:47.200 --> 0:31:49.040
<v Speaker 2>oh my god, we have to go back and tell

0:31:49.080 --> 0:31:50.120
<v Speaker 2>the council we.

0:31:50.240 --> 0:31:51.840
<v Speaker 3>Could change everything.

0:31:52.400 --> 0:31:55.000
<v Speaker 2>Why are you out here fighting like you could be

0:31:55.160 --> 0:31:57.840
<v Speaker 2>the cure. I think that would be most people's response.

0:31:58.120 --> 0:32:00.160
<v Speaker 2>I just feel like Ellie and Dina are little bit

0:32:00.240 --> 0:32:04.440
<v Speaker 2>underwritten here. I think hopefully, you know, looking for silver linings.

0:32:04.440 --> 0:32:07.160
<v Speaker 2>I hope that Game lovers who have been feeling like

0:32:07.440 --> 0:32:10.760
<v Speaker 2>that's the show is not as focused on the game.

0:32:10.840 --> 0:32:12.640
<v Speaker 2>I hope they love this. I hope it gives them

0:32:12.640 --> 0:32:14.880
<v Speaker 2>that feeling again. I hope it gets them ramped up.

0:32:15.240 --> 0:32:17.720
<v Speaker 2>I think you pulled up a great thing. I think

0:32:17.760 --> 0:32:21.160
<v Speaker 2>it's to do with This episode struggles with the juxtaposition

0:32:21.280 --> 0:32:25.120
<v Speaker 2>of being really true to the mechanics of the game

0:32:25.960 --> 0:32:29.480
<v Speaker 2>and staying within the reality that the show has established

0:32:29.480 --> 0:32:29.720
<v Speaker 2>for it.

0:32:29.760 --> 0:32:32.120
<v Speaker 3>So I think that's that's what you touched on that

0:32:32.200 --> 0:32:32.800
<v Speaker 3>was really great.

0:32:33.000 --> 0:32:35.800
<v Speaker 1>And tomorrow's episode of X ray Vision re recapping the

0:32:35.840 --> 0:32:39.040
<v Speaker 1>next batch of and Or episodes which are fantastic, and

0:32:39.040 --> 0:32:41.320
<v Speaker 1>then we'll be gathering the Joy Council for another roundtable

0:32:41.720 --> 0:32:47.720
<v Speaker 1>on Friday. For this episode, Thanks for listening, goodbye. X

0:32:47.800 --> 0:32:50.560
<v Speaker 1>ray Vision is hosted by Jason Sepsion and Rosie Knight

0:32:50.600 --> 0:32:52.400
<v Speaker 1>and is a production of iHeart Podcast.

0:32:52.760 --> 0:32:56.360
<v Speaker 2>Our executive producers are Joel Monique and Aaron Korfman.

0:32:56.600 --> 0:32:58.640
<v Speaker 1>Our supervising producer is Abuzafar.

0:32:59.040 --> 0:33:02.960
<v Speaker 2>Our producers are Common Laurent Dean Jonathan and Bay Wack.

0:33:03.080 --> 0:33:05.880
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:33:05.920 --> 0:33:07.200
<v Speaker 1>songs by Aaron Kauffman.

0:33:07.360 --> 0:33:10.720
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:33:10.840 --> 0:33:12.600
<v Speaker 2>Heidi our discord moderator.