1 00:00:03,000 --> 00:00:08,840 Speaker 1: What would you talk about on your on your podcast? 2 00:00:08,960 --> 00:00:19,400 Speaker 1: Els morning show? All right, so, uh, good morning, good evening, 3 00:00:19,440 --> 00:00:21,919 Speaker 1: good afternoon. What was that movie where it wasn't it 4 00:00:22,160 --> 00:00:23,959 Speaker 1: Jim Carrey that had that said that one of the 5 00:00:24,120 --> 00:00:26,680 Speaker 1: one of his movies. Yeah, he started taking good morning, 6 00:00:26,720 --> 00:00:28,360 Speaker 1: good evening and good night. Did he say if I 7 00:00:28,360 --> 00:00:31,480 Speaker 1: don't see you, good morning, good afternoon, and good evening. 8 00:00:31,520 --> 00:00:33,680 Speaker 1: Did he says like that? Probably every real movie? It 9 00:00:33,760 --> 00:00:36,120 Speaker 1: was that Jim Carrey said that, I'll do well, so 10 00:00:36,400 --> 00:00:40,400 Speaker 1: great toe here scary over there, there's Bethany, Danielle, and Brodie. 11 00:00:40,400 --> 00:00:43,720 Speaker 1: What's up, guys. It's a little bit awkward usually scary 12 00:00:43,760 --> 00:00:46,559 Speaker 1: sitting right here. Elvis walked out and said, t you hosted? 13 00:00:46,680 --> 00:00:48,920 Speaker 1: And I said, no, no, that's scaries job. And then 14 00:00:49,400 --> 00:00:51,320 Speaker 1: we all looked at each other, and then Bethany reminded 15 00:00:51,360 --> 00:00:54,560 Speaker 1: me that, honestly, who really hosts anyway? It's like, is 16 00:00:54,560 --> 00:00:58,360 Speaker 1: there really a host to this podcast? Apparently the Truman Show, 17 00:00:58,400 --> 00:01:00,600 Speaker 1: Good afternoon, good evening, and good night. Here you go? 18 00:01:00,720 --> 00:01:03,400 Speaker 1: There you go the movie? Right? Can I tell you 19 00:01:03,440 --> 00:01:06,400 Speaker 1: I've never seen it? You're kidding me? And my friend 20 00:01:06,480 --> 00:01:08,440 Speaker 1: John yelled at me the other day because I've also 21 00:01:08,600 --> 00:01:14,920 Speaker 1: never seen Clueless. What you know there, Josh, There there 22 00:01:14,959 --> 00:01:18,000 Speaker 1: are some iconic movies that in order to have seen them, 23 00:01:18,000 --> 00:01:20,160 Speaker 1: in order to see the movies of today, you kind 24 00:01:20,160 --> 00:01:23,520 Speaker 1: of had to have seen the iconic movies that were 25 00:01:23,520 --> 00:01:26,840 Speaker 1: that were there beforehand. You have to rolling with the 26 00:01:26,920 --> 00:01:32,440 Speaker 1: homies from Clueless. Yeah, you gotta see those things. Go ahead, No, no, please? 27 00:01:32,720 --> 00:01:36,240 Speaker 1: I agree, and I disagree. Go ahead. I agree. Now 28 00:01:36,280 --> 00:01:37,880 Speaker 1: at this point in my life where I go, I 29 00:01:37,920 --> 00:01:40,520 Speaker 1: tell my kids, you've got to see Ghostbusters, You've got 30 00:01:40,520 --> 00:01:42,880 Speaker 1: to see whatever classic movies. But then I remember my 31 00:01:42,959 --> 00:01:45,040 Speaker 1: dad saying, oh, you've got to watch Gone with the Wind, 32 00:01:45,360 --> 00:01:47,960 Speaker 1: You've got to watch Singing in the Rain, And I 33 00:01:48,400 --> 00:01:51,120 Speaker 1: remember thinking, why don't watch those movies for their black 34 00:01:51,160 --> 00:01:53,960 Speaker 1: and white? So I don't want to be the guy 35 00:01:54,000 --> 00:01:55,880 Speaker 1: who tells people who go watch movies from you gotta 36 00:01:55,880 --> 00:01:58,520 Speaker 1: watch these movies. So I'm torn because I get it, 37 00:01:58,640 --> 00:02:00,560 Speaker 1: but I also don't get it because says go over, 38 00:02:00,640 --> 00:02:03,040 Speaker 1: go back and say, you know what, maybe now you 39 00:02:03,080 --> 00:02:05,960 Speaker 1: do have to go watch I'd never I watched the 40 00:02:06,040 --> 00:02:08,320 Speaker 1: dance scene, but I couldn't sit through two hours of it. Really, 41 00:02:08,400 --> 00:02:11,280 Speaker 1: it's interesting how aesthetic has changed so much like movies 42 00:02:11,320 --> 00:02:13,760 Speaker 1: that used to seem so highly entertaining are now like 43 00:02:13,840 --> 00:02:16,639 Speaker 1: oh okay, because by comparison, we have so many other 44 00:02:16,639 --> 00:02:19,360 Speaker 1: different options. I'll give you an example. We all love 45 00:02:19,440 --> 00:02:21,280 Speaker 1: super superhero movies is the biggest thing right now, right, 46 00:02:21,720 --> 00:02:27,000 Speaker 1: huge box office? Right Well, Superman. Christopher Eve in the 47 00:02:27,080 --> 00:02:30,000 Speaker 1: seventies did uh five movies, but the first two were 48 00:02:30,040 --> 00:02:36,280 Speaker 1: considered classics. Superman Superman two classics, mega stars, buckbuster hits. 49 00:02:36,680 --> 00:02:40,600 Speaker 1: You watch them now and you can see the little 50 00:02:40,639 --> 00:02:43,920 Speaker 1: model houses and the strings and the special effects are 51 00:02:43,960 --> 00:02:46,160 Speaker 1: so bad you feel like it's a comedy, like it's 52 00:02:46,160 --> 00:02:48,880 Speaker 1: a spoof on superhero movies. But you can't watch that 53 00:02:48,919 --> 00:02:53,239 Speaker 1: movie anymore. When he saves the damn spoiler, the water 54 00:02:53,480 --> 00:02:55,440 Speaker 1: goes over a little model houses, it's like a bed 55 00:02:55,440 --> 00:02:58,560 Speaker 1: Godzilla movie. That I agree, But what I say, but 56 00:02:58,639 --> 00:03:02,560 Speaker 1: that makes you appreciate eight the movies of today. We 57 00:03:02,560 --> 00:03:04,480 Speaker 1: can all say, oh God, I hate the winter, I 58 00:03:04,520 --> 00:03:06,519 Speaker 1: hate the cold. But if there was no winter, you 59 00:03:06,520 --> 00:03:09,160 Speaker 1: would never appreciate the winter time or the fall. You 60 00:03:09,200 --> 00:03:12,880 Speaker 1: need to appreciate every single season to to to be 61 00:03:13,080 --> 00:03:14,799 Speaker 1: you know all those movies. You have to be able 62 00:03:14,840 --> 00:03:16,800 Speaker 1: to see those movies. And think, man, this movie is 63 00:03:16,840 --> 00:03:18,560 Speaker 1: so old that I can see all of this. Did 64 00:03:18,600 --> 00:03:20,440 Speaker 1: you appreciate what you are today? But for us, I 65 00:03:20,919 --> 00:03:23,239 Speaker 1: get that for kids of today, it's not going to 66 00:03:23,360 --> 00:03:26,800 Speaker 1: happen because I tell my kids, oh, you know, we 67 00:03:26,840 --> 00:03:29,239 Speaker 1: went and see Jamanji, right, And I said, oh good, 68 00:03:29,280 --> 00:03:31,800 Speaker 1: let's watch the original Jamanji. So I even showed them 69 00:03:31,840 --> 00:03:33,920 Speaker 1: the trailer and they go, you know, that's not happening. 70 00:03:34,040 --> 00:03:35,520 Speaker 1: I said, why not, It's going to be great. They 71 00:03:35,520 --> 00:03:37,040 Speaker 1: don't know it's not. Look at this, look at this. 72 00:03:37,040 --> 00:03:39,440 Speaker 1: This is stupid. That's looks fake. I ended up having 73 00:03:39,480 --> 00:03:42,480 Speaker 1: sex in the middle of the original Jamanji. Did you Yeah. 74 00:03:42,520 --> 00:03:43,960 Speaker 1: I never saw the end of it. I just we 75 00:03:44,320 --> 00:03:45,920 Speaker 1: me and this girl started hooking it up and then 76 00:03:45,960 --> 00:03:48,120 Speaker 1: it just happened. Nice. That movie is pure sex. I 77 00:03:48,200 --> 00:03:51,240 Speaker 1: understand that. So what is it about these films that 78 00:03:51,280 --> 00:03:54,520 Speaker 1: don't translate. Is it just because the relevance of the 79 00:03:54,560 --> 00:03:57,120 Speaker 1: of the current events of the day there's there, it's 80 00:03:57,120 --> 00:04:01,280 Speaker 1: irrelevant for people today versus yesterday, Like why why why 81 00:04:01,280 --> 00:04:03,920 Speaker 1: don't kids want to see it? Or it's just it 82 00:04:03,960 --> 00:04:06,000 Speaker 1: tastes have changed. I don't know, I know I think 83 00:04:06,000 --> 00:04:07,320 Speaker 1: it is. I think that part of it is like, 84 00:04:07,360 --> 00:04:10,360 Speaker 1: it's not it's not actors that they recognize. It's not 85 00:04:10,600 --> 00:04:13,760 Speaker 1: the highest quality, you know, it's not bright. It's like 86 00:04:13,800 --> 00:04:16,840 Speaker 1: the sealthy kid at the at the super Bowl, he 87 00:04:16,920 --> 00:04:19,799 Speaker 1: was so uninterested in justin timber Lake because he didn't 88 00:04:19,839 --> 00:04:21,440 Speaker 1: know who the hell he was. It was. Also, he 89 00:04:21,480 --> 00:04:24,039 Speaker 1: was launched in Snapchat. No, he didn't know who he was. 90 00:04:26,680 --> 00:04:28,920 Speaker 1: He did not know. Listen, he's eight years old, he knows. 91 00:04:29,160 --> 00:04:31,800 Speaker 1: That's the can't stop the feeling guy from trolls. He 92 00:04:31,920 --> 00:04:34,960 Speaker 1: thought he was Connor McGregor. Goodness, do we know that 93 00:04:34,960 --> 00:04:38,240 Speaker 1: that kid wasn't a plant. See, I'm with Bethany, I 94 00:04:38,240 --> 00:04:41,239 Speaker 1: think it was planting way. I agree with you guys. 95 00:04:41,720 --> 00:04:45,360 Speaker 1: I think the whole thing was staged. He was going 96 00:04:46,040 --> 00:04:48,240 Speaker 1: because there was no security with him that which means 97 00:04:48,240 --> 00:04:50,000 Speaker 1: they had to already have told those people in that road, 98 00:04:50,080 --> 00:04:53,240 Speaker 1: don't you dare touch him that of his way. So 99 00:04:53,360 --> 00:04:55,000 Speaker 1: I have a feeling it was a plant, But I 100 00:04:55,000 --> 00:04:57,480 Speaker 1: still don't think the kid had an appreciation if it 101 00:04:57,560 --> 00:05:00,160 Speaker 1: wasn't a plant. It wasn't a plant. I'm just to 102 00:05:00,160 --> 00:05:05,080 Speaker 1: be honest. My my kids, uh three teenage girls seventeen 103 00:05:05,320 --> 00:05:09,479 Speaker 1: fourteen twelve, they would not have given a damn standing 104 00:05:09,480 --> 00:05:11,800 Speaker 1: next to Justin Timber. My kids have been listening to 105 00:05:11,839 --> 00:05:13,960 Speaker 1: the album NonStop at home, but you're they're in an 106 00:05:13,960 --> 00:05:17,359 Speaker 1: anomaly because they have a mom in the industry. It 107 00:05:17,360 --> 00:05:19,640 Speaker 1: doesn't yeah, but it doesn't mean yeah. But my kids 108 00:05:19,680 --> 00:05:22,920 Speaker 1: like like my oldest daughter, she likes a couple of songs. 109 00:05:23,240 --> 00:05:25,080 Speaker 1: We watched the Super Bowl together. She's like, oh, I 110 00:05:25,120 --> 00:05:27,960 Speaker 1: like that song. Oh that's a good song. The whole 111 00:05:27,960 --> 00:05:32,080 Speaker 1: thing didn't move her. They're not because they want today's 112 00:05:32,520 --> 00:05:35,960 Speaker 1: Justin's and artists from today, but they wanted they want 113 00:05:36,120 --> 00:05:38,440 Speaker 1: whoever's hot right now. Like my daughter wants Logic. She's like, 114 00:05:38,480 --> 00:05:40,760 Speaker 1: why didn't Logic do the halftime show? I think know 115 00:05:40,760 --> 00:05:43,480 Speaker 1: what I mean, you know, the brain, we we are 116 00:05:43,560 --> 00:05:46,000 Speaker 1: drawn to things that are familiar to us, right, and 117 00:05:46,040 --> 00:05:48,120 Speaker 1: we are thinking of people, you know, we're you know, 118 00:05:48,200 --> 00:05:51,200 Speaker 1: an older generation, right, so we're not thinking of the 119 00:05:51,360 --> 00:05:53,599 Speaker 1: We're not thinking about what's going through our kids minds. 120 00:05:53,600 --> 00:05:56,160 Speaker 1: Were just remember like, oh my god, Justin Tip he 121 00:05:56,200 --> 00:05:58,560 Speaker 1: just did like three songs from Justified from two thousand two. 122 00:05:59,080 --> 00:06:01,760 Speaker 1: You know not I mean yeah, but I mean, at 123 00:06:01,760 --> 00:06:06,240 Speaker 1: the risk of sounding like Robert old. I think that 124 00:06:06,440 --> 00:06:08,760 Speaker 1: brains are just we just want to see things that 125 00:06:08,800 --> 00:06:10,599 Speaker 1: are familiar to us. So if it's a movie coming 126 00:06:10,600 --> 00:06:12,560 Speaker 1: out with somebody that you recognize in an actor that 127 00:06:12,640 --> 00:06:15,240 Speaker 1: you like, versus a movie that came out, you know, 128 00:06:15,440 --> 00:06:18,920 Speaker 1: sixty years ago, and you don't necessarily recognize the actors themselves. 129 00:06:18,960 --> 00:06:21,360 Speaker 1: Even if you know the name, you know Vivian Ly, 130 00:06:21,520 --> 00:06:24,479 Speaker 1: you may not actually be able to recognize, right, She's fabulous, 131 00:06:24,560 --> 00:06:26,160 Speaker 1: But like you're going to choose the movie that you're 132 00:06:26,160 --> 00:06:27,840 Speaker 1: familiar with the people. It's like my mom when she 133 00:06:27,880 --> 00:06:32,000 Speaker 1: sits around on Sunday afternoons watching AMC and she's like, Anthony, 134 00:06:32,080 --> 00:06:34,359 Speaker 1: how could you not love this film? And it's like 135 00:06:34,480 --> 00:06:37,120 Speaker 1: this black and white colorized movie and I'm like, what 136 00:06:37,279 --> 00:06:39,080 Speaker 1: is that? Sto Bethany and I would sit down and 137 00:06:39,080 --> 00:06:43,560 Speaker 1: watch it. I'll say this though, Like when I was 138 00:06:43,800 --> 00:06:48,960 Speaker 1: a film major for two months, Um, we watched the 139 00:06:50,279 --> 00:06:56,560 Speaker 1: what's the Humphrey Bogart movie? Not it wasn't Casablanca either, 140 00:06:56,760 --> 00:07:01,080 Speaker 1: not Death of a Salesman. It was them the mult 141 00:07:03,080 --> 00:07:07,760 Speaker 1: I see what everybody was talking about with Humphrey Bogart. Cool, yeah, Hannah. 142 00:07:07,800 --> 00:07:10,840 Speaker 1: He was a good looking guy. And I and I 143 00:07:10,920 --> 00:07:14,880 Speaker 1: suddenly had like a retroactive crush on Humphrey Bogart. Can 144 00:07:14,880 --> 00:07:18,120 Speaker 1: I making a stunning admission if you put it? If 145 00:07:18,120 --> 00:07:20,960 Speaker 1: you put a picture of Carrie Grant and Humphrey Humphrey 146 00:07:20,960 --> 00:07:23,120 Speaker 1: Bogard next to each other, I could, I would not 147 00:07:23,160 --> 00:07:25,200 Speaker 1: be able to tell you which one is, which is 148 00:07:25,200 --> 00:07:28,560 Speaker 1: probably why you wouldn't have chosen to watch that movie. 149 00:07:29,320 --> 00:07:34,960 Speaker 1: I'm sorry, who's the one that said fight against Who 150 00:07:35,000 --> 00:07:36,640 Speaker 1: said that day, my dear, I don't give a damn? 151 00:07:36,640 --> 00:07:43,880 Speaker 1: Was Cary Grant? And I'll say this, if you watch Casablanca, 152 00:07:44,240 --> 00:07:48,680 Speaker 1: it's worth watching only because so many of the lines 153 00:07:48,720 --> 00:07:53,080 Speaker 1: from that movie have become cliches. That movie has so 154 00:07:53,120 --> 00:07:55,520 Speaker 1: many classic lines of dialogue that you don't even realize 155 00:07:55,520 --> 00:07:57,920 Speaker 1: are from that movie. And it'll be like listening to 156 00:07:57,960 --> 00:07:59,960 Speaker 1: a song that you had no idea was a sample, 157 00:08:00,560 --> 00:08:06,400 Speaker 1: like I had been today this morning, supersonic. Yeah. So 158 00:08:06,640 --> 00:08:08,760 Speaker 1: it's a fascinating movie, if for no other reason to 159 00:08:08,760 --> 00:08:10,400 Speaker 1: play a drinking game with your friends and take a 160 00:08:10,400 --> 00:08:13,160 Speaker 1: shot every time they say like a classic line. I 161 00:08:13,200 --> 00:08:16,440 Speaker 1: liked Wuthering Heights better than I liked Casablanca. I hate 162 00:08:16,440 --> 00:08:18,560 Speaker 1: the wording I refused to watch and read the book. 163 00:08:18,640 --> 00:08:20,360 Speaker 1: You've never seen it. I don't like the word withering. 164 00:08:20,440 --> 00:08:22,120 Speaker 1: I know it sounds like withering. I don't know what 165 00:08:22,120 --> 00:08:24,560 Speaker 1: it means. I don't want it. We started it's the 166 00:08:24,600 --> 00:08:26,080 Speaker 1: name of the house. Yeah, I had a name in 167 00:08:26,160 --> 00:08:30,680 Speaker 1: my house, your house. My house is the same name 168 00:08:30,680 --> 00:08:33,839 Speaker 1: as Greg Tea's house. Money. What is the thing from 169 00:08:34,040 --> 00:08:36,599 Speaker 1: Harry Potter Slytherin? That's where I would be well. So 170 00:08:36,679 --> 00:08:38,199 Speaker 1: we started out by talking about some of the movies 171 00:08:38,240 --> 00:08:41,160 Speaker 1: that we you know, maybe I haven't seen these iconic movies. 172 00:08:41,320 --> 00:08:42,680 Speaker 1: So I want to put it out there to Bethany. 173 00:08:42,679 --> 00:08:44,840 Speaker 1: Because that's because Bethany says there's so many movies that 174 00:08:44,840 --> 00:08:48,000 Speaker 1: she has a scene. So which movie that is quote 175 00:08:48,040 --> 00:08:50,400 Speaker 1: unquote iconic? At this point? Would you love to go 176 00:08:50,480 --> 00:08:52,720 Speaker 1: back and be able to just see what's one movie? 177 00:08:52,920 --> 00:08:55,439 Speaker 1: They're like, you know what, I guess that's one I'd 178 00:08:55,480 --> 00:08:57,440 Speaker 1: really love to go that I should have seen and 179 00:08:57,480 --> 00:09:01,320 Speaker 1: should see. Um, oh my gosh, that's a really good question. 180 00:09:03,520 --> 00:09:05,080 Speaker 1: I won't put you in the spot when you stay 181 00:09:05,120 --> 00:09:07,080 Speaker 1: with there keep thinking anything about it. So let me 182 00:09:07,080 --> 00:09:08,920 Speaker 1: go around the room then and we'll go back to Bethany. 183 00:09:09,120 --> 00:09:12,199 Speaker 1: So Brodie is there an iconic movie that you yourself, 184 00:09:12,240 --> 00:09:14,000 Speaker 1: and you see a lot of movies that you would 185 00:09:14,000 --> 00:09:15,240 Speaker 1: love to go. Well, here's the thing I'm gonna I'm 186 00:09:15,240 --> 00:09:17,680 Speaker 1: gonna slightly change your question, because any movie I really 187 00:09:17,679 --> 00:09:19,760 Speaker 1: want to see, I could just go see. But I'll 188 00:09:19,800 --> 00:09:21,760 Speaker 1: tell you a movie that people nagged me for ten years. 189 00:09:21,760 --> 00:09:23,000 Speaker 1: I had to see it. Oh my god, you're a 190 00:09:23,040 --> 00:09:24,880 Speaker 1: funny guy. How did you not see this movie? It's 191 00:09:24,880 --> 00:09:28,040 Speaker 1: the greatest movie ever. So I finally watched Off of Space, 192 00:09:31,720 --> 00:09:34,240 Speaker 1: the slip the stapler. It had been built up for you. 193 00:09:34,440 --> 00:09:36,280 Speaker 1: The problem is number one had been built up for me. 194 00:09:36,360 --> 00:09:39,440 Speaker 1: Number two. It looks old like it's it's it's it's 195 00:09:39,800 --> 00:09:43,480 Speaker 1: not high deaf. It looks old, and so I would like, 196 00:09:44,160 --> 00:09:48,559 Speaker 1: I don't think I've ever seen it. No, it's got 197 00:09:48,679 --> 00:09:51,280 Speaker 1: great lines, they are good characters, but to me, it 198 00:09:51,360 --> 00:09:54,920 Speaker 1: was dated. Like there's movies I watched now that I love, like, 199 00:09:55,080 --> 00:09:59,400 Speaker 1: um um, what's the movie with uh we hold the 200 00:09:59,480 --> 00:10:03,800 Speaker 1: radio up? John Cusack saying is a fantastic film. But 201 00:10:03,920 --> 00:10:06,040 Speaker 1: now I watch it and I go as some good lines, 202 00:10:06,520 --> 00:10:10,319 Speaker 1: but I don't love it anymore. And I office Space 203 00:10:10,360 --> 00:10:13,480 Speaker 1: was overhyped. It was a classic, but I could watch 204 00:10:13,480 --> 00:10:16,840 Speaker 1: Airplane forever. Yes, what iconic movie have you not seen 205 00:10:16,880 --> 00:10:20,680 Speaker 1: that you would love to go? Jurassic Park. Yeah, I'll 206 00:10:20,679 --> 00:10:22,800 Speaker 1: say this, I've never seen the Jurassic Park series, none 207 00:10:22,840 --> 00:10:26,560 Speaker 1: of them. The first holds up actually really well in 208 00:10:26,679 --> 00:10:30,120 Speaker 1: terms of special effects. The only thing that will date 209 00:10:30,160 --> 00:10:32,680 Speaker 1: it for you is the clothing and the phone. Actually, 210 00:10:32,679 --> 00:10:35,480 Speaker 1: my kids will watch that millions of times because it's 211 00:10:35,559 --> 00:10:38,040 Speaker 1: still so good. Curassic Park if you remember, and if 212 00:10:38,080 --> 00:10:39,800 Speaker 1: you're if you didn't, weren't old enough to see when 213 00:10:39,800 --> 00:10:42,679 Speaker 1: it came out, When they got out of the jeep 214 00:10:42,920 --> 00:10:45,120 Speaker 1: and looked up for the first time and you saw 215 00:10:45,160 --> 00:10:49,319 Speaker 1: the Bronosaurus or the diplosaurs, whatever it was, it was onspiring. 216 00:10:49,360 --> 00:10:51,560 Speaker 1: It was shocking because no one had ever done it 217 00:10:51,600 --> 00:10:54,000 Speaker 1: was always claymation or a guy in a rubber suit 218 00:10:54,640 --> 00:10:57,720 Speaker 1: that was It was right that movie and Bethany's right 219 00:10:57,920 --> 00:11:02,000 Speaker 1: to this day. The t rex from the From is 220 00:11:02,040 --> 00:11:05,680 Speaker 1: the same t rex in every dinosaur movie ever made 221 00:11:05,720 --> 00:11:10,600 Speaker 1: since then, every dinosaur commercial, every every like a documentary 222 00:11:10,640 --> 00:11:13,560 Speaker 1: on dinosaurs, the same exact graphics, and they have not 223 00:11:13,640 --> 00:11:15,920 Speaker 1: improved other than maybe some detail skin or whatever they 224 00:11:16,000 --> 00:11:18,000 Speaker 1: used to have. The one of the tracks is that 225 00:11:18,040 --> 00:11:20,760 Speaker 1: they used at the Toys r US in New York City, 226 00:11:21,080 --> 00:11:23,599 Speaker 1: and it was amazing. You would go there and it 227 00:11:23,640 --> 00:11:26,560 Speaker 1: would start to roar, and it was like, I don't 228 00:11:26,559 --> 00:11:28,000 Speaker 1: know what they did with it once they took the 229 00:11:28,040 --> 00:11:31,040 Speaker 1: store down, but it was so cool. We would go 230 00:11:31,160 --> 00:11:33,680 Speaker 1: there just to see the t Rex. My other film 231 00:11:33,720 --> 00:11:35,760 Speaker 1: is The Matrix. I haven't seen but continued, but I 232 00:11:35,800 --> 00:11:39,560 Speaker 1: don't you watch it this weekend. You will really enjoy it. 233 00:11:39,720 --> 00:11:45,360 Speaker 1: What's the iconic movie? I actually really like? Okay, don't 234 00:11:45,480 --> 00:11:49,040 Speaker 1: laugh at me, No we're not. This is good fellas. 235 00:11:49,040 --> 00:11:53,880 Speaker 1: Wait a minute, Wait a minute, how call yourself? Next 236 00:11:53,880 --> 00:11:56,679 Speaker 1: thing she's gonna say, I never saw The Godfather. I 237 00:11:56,960 --> 00:12:00,320 Speaker 1: actually I haven't seen Godfather three. I oh don't. Alright. 238 00:12:01,400 --> 00:12:03,800 Speaker 1: It got to a point in the movie and it 239 00:12:03,920 --> 00:12:06,439 Speaker 1: got so violent when they were at the bar and 240 00:12:06,480 --> 00:12:08,360 Speaker 1: they're kicking the ship out of that guy. I couldn't 241 00:12:08,360 --> 00:12:10,480 Speaker 1: handle it anymore. Shut it off. I could not watch. 242 00:12:10,840 --> 00:12:14,120 Speaker 1: I did. I can take zombies ripping people to shreds 243 00:12:14,160 --> 00:12:18,040 Speaker 1: because it's zombies and whatever, but watching another guy beat 244 00:12:18,080 --> 00:12:20,080 Speaker 1: the crap out of another guy like that a little 245 00:12:20,120 --> 00:12:22,560 Speaker 1: too close to home in the Bronx, Yeah, exactly. I 246 00:12:22,760 --> 00:12:24,360 Speaker 1: know I shut it off. I couldn't watch it, so 247 00:12:24,400 --> 00:12:27,960 Speaker 1: I've never seen parts of it is Godfather three and 248 00:12:28,000 --> 00:12:29,920 Speaker 1: I didn't see it because everybody said it was so terrible. 249 00:12:30,040 --> 00:12:35,200 Speaker 1: I never saw it. All right, well, so go ahead. 250 00:12:35,480 --> 00:12:42,360 Speaker 1: I think, hey, Bethany, go ahead, that you've never seen that. 251 00:12:42,400 --> 00:12:44,679 Speaker 1: She really wish she maybe could say go ahead. This 252 00:12:44,760 --> 00:12:47,120 Speaker 1: is literally the definition of your question. I wish I 253 00:12:47,200 --> 00:12:53,760 Speaker 1: had seen Reservoir Dogs because I never saw it, and 254 00:12:53,800 --> 00:12:59,440 Speaker 1: now I won't see it. Of course. Quentin Tarantino, I'm 255 00:12:59,520 --> 00:13:03,760 Speaker 1: so sick of these quote unquote artistic directors being artistic 256 00:13:03,840 --> 00:13:07,959 Speaker 1: by brutalizing actresses and like making actresses like, let's just 257 00:13:08,120 --> 00:13:10,640 Speaker 1: put them through ship and then beat them up. In 258 00:13:10,640 --> 00:13:13,520 Speaker 1: her face. He did spit in her face, and what 259 00:13:13,520 --> 00:13:16,120 Speaker 1: he said about Roman Polanski yesterday was pretty bad. Yeah. 260 00:13:16,200 --> 00:13:18,920 Speaker 1: He basically there were different films where she needed to 261 00:13:18,960 --> 00:13:20,560 Speaker 1: have someone spit in her face and she needed to 262 00:13:20,559 --> 00:13:23,199 Speaker 1: have someone choke her. And he says that he did 263 00:13:23,200 --> 00:13:25,600 Speaker 1: it because he didn't trust the other actor to be 264 00:13:25,679 --> 00:13:27,760 Speaker 1: able to do it in a as few amount of 265 00:13:27,840 --> 00:13:29,880 Speaker 1: takes as he wanted it done, so she wouldn't have 266 00:13:29,920 --> 00:13:32,640 Speaker 1: to go through that. And he also didn't he knew 267 00:13:32,679 --> 00:13:36,839 Speaker 1: exactly how he wanted it to look, and I'm just like, 268 00:13:37,040 --> 00:13:42,320 Speaker 1: why can it just seems so excessive, like Okay, now 269 00:13:42,720 --> 00:13:45,559 Speaker 1: I'm going to choke you. Like I get it that 270 00:13:45,720 --> 00:13:49,480 Speaker 1: sometimes that's necessary, but his films are so insanely violent, 271 00:13:49,840 --> 00:13:52,880 Speaker 1: and a lot of that violence is crazy violent toward women. 272 00:13:52,880 --> 00:13:55,120 Speaker 1: And if yeah, if you haven't heard uh and kill 273 00:13:55,200 --> 00:13:58,880 Speaker 1: Bill he made her to her own car that she 274 00:13:58,880 --> 00:14:01,199 Speaker 1: got into an accident, right, I just it's worth reading. 275 00:14:01,200 --> 00:14:03,440 Speaker 1: And it's also very clear that he's insanely in love 276 00:14:03,480 --> 00:14:06,320 Speaker 1: with her when he talks about her, but it's just 277 00:14:06,600 --> 00:14:09,200 Speaker 1: it's left about a weird way to show love to anything. 278 00:14:09,720 --> 00:14:11,840 Speaker 1: So so I won't watch it now because I just 279 00:14:11,880 --> 00:14:13,360 Speaker 1: can't get that taste out of my mouth. But I 280 00:14:13,400 --> 00:14:15,040 Speaker 1: wish I had seen it because I know that it 281 00:14:15,160 --> 00:14:18,240 Speaker 1: is such um whether or not you like it, it's 282 00:14:18,280 --> 00:14:23,520 Speaker 1: referenced so much pulp fictions there. There are a lot 283 00:14:23,560 --> 00:14:25,920 Speaker 1: of directors with sketchy pass We don't have to name 284 00:14:25,960 --> 00:14:29,200 Speaker 1: them all, but I'm thinking of one right now. I've 285 00:14:29,200 --> 00:14:32,080 Speaker 1: seen a lot of his movies. To me, they're classic. 286 00:14:32,920 --> 00:14:35,160 Speaker 1: I would go back and watch them, and I'm I'm 287 00:14:35,200 --> 00:14:38,080 Speaker 1: able to separate myself because most of them were made 288 00:14:38,120 --> 00:14:41,680 Speaker 1: before this person went off the rails in some people's minds. 289 00:14:42,520 --> 00:14:45,040 Speaker 1: But I feel like, I don't know, it's hard to explain. 290 00:14:45,040 --> 00:14:47,720 Speaker 1: I totally get where you're coming from, Bethan, especially this week. 291 00:14:48,400 --> 00:14:50,200 Speaker 1: Maybe ten years from now, you can go back and 292 00:14:50,240 --> 00:14:53,320 Speaker 1: watch it once. He you know, I don't apologize. I 293 00:14:53,360 --> 00:14:55,600 Speaker 1: don't know. We'll see, we'll see, but most of the 294 00:14:55,640 --> 00:15:01,280 Speaker 1: violence of the movies, but Morning wrapped already. I'm sorry. 295 00:15:01,480 --> 00:15:02,960 Speaker 1: I didn't think I'm an awful host.