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Speaker 1: Yo, what's up everyone? Welcome to another episode of I

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Speaker 1: Saw What You Did.

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Speaker 2: My name is Millie Danielle.

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Speaker 3: You always make me laugh right before we start.

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Speaker 2: The intro, I love it.

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Speaker 1: What do you want? That's so kind? It's just literally

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Speaker 1: my stupidity. By the way, it's great. It's not comedy, chops,

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Speaker 1: it's my true stupidity.

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Speaker 3: Who's to say there's a difference, is my point?

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Speaker 2: Listen, you said it, I didn't. How are you this week?

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Speaker 1: I'm all right?

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Speaker 2: I have no news?

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Speaker 1: What about you?

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Speaker 2: Do you have news? I mean not news? Per se.

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Speaker 2: I had a weird encounter. I love a weird encounter.

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Speaker 2: Let's talk about it. What's going on?

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Speaker 1: Okay?

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Speaker 3: So you know I never go anywhere except to the

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Speaker 3: damn doctor or to the orthodonist, right right. I mistakenly

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Speaker 3: thought it would be safe to go get my mail,

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Speaker 3: like to just put on my masks, go out to

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Speaker 3: the street, get my mail, come home, like walk back

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Speaker 3: into my house.

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Speaker 2: I go out.

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Speaker 3: This is about two nights ago. I go out recheck

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Speaker 3: your mail at night. Well, I usually I try to

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Speaker 3: get it before dusk because otherwise the coyotes come out.

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Speaker 3: And there have been way too many times where I've

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Speaker 3: been checking my mail at like seven pm and they

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Speaker 3: hear these little click clacks down the street and I

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Speaker 3: look at I'm like, oh, a dog. And then I'm like, oh, no,

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Speaker 3: a fucking coyote. Like I can't be trusted. I can't

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Speaker 3: tell raccoons apart from cats in the dark, Like I

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Speaker 3: can't be trusted out there in the streets. We've got possums.

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Speaker 3: You live in them hills.

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Speaker 1: So that's why I wanted to know if you got

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Speaker 1: if you did night things in your neighborhood, because I

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Speaker 1: always hear about coyote encounters and is it coyotes? And

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Speaker 1: see now I'm getting confused again with these uh these animals, coyotes,

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Speaker 1: loss of lots.

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Speaker 2: Is there a wombat in Silver Lake? I don't know.

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Speaker 3: Look, if there's a wombat attack in this neighborhood, I'm

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Speaker 3: going out there with a flashlight and a chair and

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Speaker 3: I'm just gonna sit and watch it happen. I would

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Speaker 3: love to see a wombat attack up close in person.

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Speaker 2: Full disclosure.

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Speaker 1: I'm sort of unclear of what a wombat is, so

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Speaker 1: continue full disclosure.

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Speaker 3: We talked about ocelots for like twenty minutes last week,

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Speaker 3: and I still know they're ah, we're in good company here,

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Speaker 3: So yeah, I try to check it before nightfall, you know,

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Speaker 3: like I'm some kind of thirteenth century witch. I go

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Speaker 3: out to my mailbox again, masked up, so it's no problem,

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Speaker 3: people walking their dogs.

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Speaker 1: You know.

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Speaker 3: I'm prepared. I'm prepared. What I'm not prepared for is

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Speaker 3: this woman to roll up on me with a quickness

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Speaker 3: on the sidewalk as I'm closing the box and she's saying,

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Speaker 3: what is that? What is that sound? And I was like, hmmm,

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Speaker 3: do you mean the sound of children playing like around

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Speaker 3: the corner.

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Speaker 2: She's like, are you sure that they're playing? Are you sure?

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Speaker 3: I'm gonna go check it out, Like I think it's okay,

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Speaker 3: Like I think they're just playing, they're just kids, and

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Speaker 3: they're fine. And she's like, I'll be right back, and

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Speaker 3: I was like, oh shit. But then I was like, well,

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Speaker 3: I kind of have to wait here because she said

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Speaker 3: she'll be right back and she's gonna tell me, and

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Speaker 3: I feel weird going inside because she also knows where

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Speaker 3: I live, so she comes back faster than it's humanly possible.

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Speaker 3: She comes around the corner again, like she did this lap,

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Speaker 3: like she must have been sprinting. As she comes back

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Speaker 3: and she's like, you're right, it was just kids playing.

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Speaker 3: But I'm just like so on edge. And whenever I

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Speaker 3: hear that sound like I have my own child. What

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Speaker 3: happens next, and I am not joking, is a forty

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Speaker 3: minute conversation about her life and her divorce and her

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Speaker 3: child and her issues. And here is where I feel

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Speaker 3: like my instincts fail me. I have a cabbage patch

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Speaker 3: kid face, so people are going to approach me right

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Speaker 3: all my life, people just come up and tell me anything.

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Speaker 3: I could be in line at the grocery store. By

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Speaker 3: the time I leave that grocery store, I know that

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Speaker 3: you've had four abortions and your husband's feet smell like salami.

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Speaker 2: Like that is just how my life goes.

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Speaker 3: Also, a cabbage patch kid face, I do. I've got

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Speaker 3: freckles and big cheeks.

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Speaker 1: No, a cabbage patch kid's face is demented and evil.

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Speaker 2: Yours is not that I had a fake one. I

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Speaker 2: had a fake one first.

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Speaker 3: I had a yarn cabbage patch one, like a fabric one,

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Speaker 3: and I was like, what is this bullshit? Because my

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Speaker 3: Grandma's like, we're not buying you a real cabbage Patch

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Speaker 3: and then they did, and his name was Emmett Armstrong

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Speaker 3: and she waited until she can get a black one.

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Speaker 3: And that was like her whole thing was like, I'm

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Speaker 3: not buying you some white doll, and I'm like, oh,

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Speaker 3: my dolls are white.

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Speaker 2: It's nineteen eighty five, what are you talking about. Yeah,

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Speaker 2: you couldn't.

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Speaker 1: Find I mean, I remember when my mom brought home

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Speaker 1: a blonde, white girl and I was like, oh, I'm

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Speaker 1: the mother of this doll.

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Speaker 3: I thought you were like a real girl. She's like, here,

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Speaker 3: air play with this child, I kidnap free.

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Speaker 1: Your face is beautiful and radiant and friendly.

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Speaker 2: Thank you.

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Speaker 1: And maybe you're conflating friendliness with cabbage Patch kids, which

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Speaker 1: you shouldn't, as they're from hell.

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Speaker 3: But I'm gonna keep this in mind because I am

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Speaker 3: conflating cabbage Patch and friendliness, and I do. I have

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Speaker 3: an approachable, friendly face that is not at all like

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Speaker 3: those blood sucking child demon a cabbage Patch kids. So yeah,

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Speaker 3: so I'm getting this full download and this is how

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Speaker 3: the download goes. So because I am the way I am,

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Speaker 3: I could tell that there was something about this person,

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Speaker 3: like she was in distress of some kind, right, like emotional.

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Speaker 3: I don't know she was in distress. I don't feel

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Speaker 3: good just walking away from that. But I also feel

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Speaker 3: like I'm not equipped to do anything about that. So

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Speaker 3: all I can do is listen. And sometimes that's all

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Speaker 3: people need is a friendly ear. Right, here's where things

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Speaker 3: go things go wrong, And this is where I start

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Speaker 3: doubting my instincts. I mean, things were wrong from the beginning,

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Speaker 3: but again, it takes me twenty minutes to figure the

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Speaker 3: shit out. She's talking very hurriedly, and then she starts

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Speaker 3: doing that thing where she starts crying or she's like

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Speaker 3: and then she starts talking regularly. Again, there was like

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Speaker 3: really truly something going on. She kept saying stuff like,

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Speaker 3: you know, I called the cops. I called nine one one.

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Speaker 3: I'm going through a divorce. My ex is scary.

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Speaker 2: You know.

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Speaker 3: I called the cops and I'm a white person. I'm

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Speaker 3: a white person. They didn't even come and I'm a

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Speaker 3: white person. And I was like, oh, you.

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Speaker 2: Don't need you to make that point, but thank you. Oh.

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Speaker 3: I'm like, I don't even know where this is going.

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Speaker 3: I could not track this conversation. So finally she's talking

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Speaker 3: rapid succession and then she goes, can we just exchange numbers? No?

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Speaker 2: And I was like, Millie, I did you? I did it?

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Speaker 3: Yeah, I'm sorry, repeat that again you I did what

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Speaker 3: I No, No, I gave this one of my number.

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Speaker 3: But then it keeps going, Okay, the story keeps going.

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Speaker 3: She was so frazzled. She's like, I just you know,

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Speaker 3: like I just want to know somebody who lives here.

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Speaker 3: And it is just like nice to me, and like

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Speaker 3: her neighbors walked by us and didn't even say hello

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Speaker 3: to her. They're like, oh, ok, sweats to me. And

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Speaker 3: then she's like, those are my neighbors. They don't even

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Speaker 3: talk to me anymore. Like it was an onslaught of emotion.

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Speaker 3: And I have never known how to respond to somebody

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Speaker 3: saying can I have your number? If they see my

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Speaker 3: phone in my hand or on my person, I don't

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Speaker 3: know what to say. So I was like, all right,

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Speaker 3: so we exchange numbers. Literally the minute I get inside.

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Speaker 3: It was texts all night long, and they were rambling

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Speaker 3: and they were paragraphs and there were Olivia Newton John

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Speaker 3: video links. I don't know what to do, like I'm

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Speaker 3: gonna have to move right, like I can't live here anymore.

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Speaker 1: Okay, I don't even know where to begin. Number one,

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Speaker 1: tell me you at least gave her a Google Voice

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Speaker 1: number or something that wasn't a number that rings to

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Speaker 1: your bedside every night.

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Speaker 2: It's not you gave the real phone.

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Speaker 3: My god, should I have because you know that thing

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Speaker 3: when people are like, let's exchange numbers. I'll send you

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Speaker 3: a text so you have mine, And then I'm like, well,

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Speaker 3: if I give you a fake number, then you'll know.

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Speaker 2: Okay, I'm not judging you for this because I have.

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Speaker 1: Honestly, this is like what dog people do all the time,

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Speaker 1: Like I swear to God, like it's like if you

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Speaker 1: have a dog and you're out with a dog and

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Speaker 1: you see somebody else that has a dog, you get

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Speaker 1: into the chatty convo and then invariably you're like, you know.

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Speaker 2: Let's exchange numbers and get the dogs together.

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Speaker 1: I'm not saying that I've never given my phone number

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Speaker 1: to a complete fucking stranger on the street. However, it

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Speaker 1: is a problem because you are going to get alluviat

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Speaker 1: and John text for the rest of your life if

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Speaker 1: you don't nip this in the bud. And I don't

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Speaker 1: know how you nip it in I'm excepting we're changing

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Speaker 1: your fucking phone.

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Speaker 3: Number, But then she knows where I live. That's yeah,

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Speaker 3: she knows where I live. So I just fucked up

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Speaker 3: across the board. And I'm basically putting out this public

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Speaker 3: announcement because if anything happens to me, this is the

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Speaker 3: first person you check, and I'll give you her name

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Speaker 3: and number after we cut here tonight. If there's like

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Speaker 3: anything going on, this is the person.

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Speaker 2: But I guess it comes from this.

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Speaker 3: It stems from this place of I want to live

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Speaker 3: in a community where people feel like, you know, we're

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Speaker 3: all together and part of something. But that's very difficult

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Speaker 3: in a big city. And it's for this reason.

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Speaker 1: Yeah, and also too you can believe that, but you

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Speaker 1: are also going to find people in this world that

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Speaker 1: take advantage of people like you, that take advantage of

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Speaker 1: the situation. It's like when you learn into therapy about boundaries, right, yes.

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Speaker 2: And there's people that just don't have them.

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Speaker 1: Because here's the thing about this situation that might get

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Speaker 1: you out of a jam maybe, is that in all likelihood,

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Speaker 1: this is.

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Speaker 2: You're probably not the first person this has happened to.

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Speaker 3: I think that's why her neighbors just fucking bounced by

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Speaker 3: and we're just like nope, because that was her story.

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Speaker 3: She's like, they don't even talk to me anymore. And

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Speaker 3: I'm like, I understand why.

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Speaker 1: I get it.

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Speaker 2: I get it, y'all.

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Speaker 3: But yeah, I just it was I felt instantly like

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Speaker 3: ashamed in a weird way that like I let myself

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Speaker 3: get taken basically like I got took.

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Speaker 2: Well, the best thing you could hope for is that

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Speaker 2: it just fizzles out.

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Speaker 1: That maybe like the next day or a few days later,

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Speaker 1: there will be somebody else that gets the exactly text

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Speaker 1: all night long.

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Speaker 2: That's the best you can hope for.

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Speaker 3: I never knew Olivia Newton John had so many songs,

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Speaker 3: to be honest.

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Speaker 2: I mean I did.

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Speaker 1: But it's also like I just you, am I going

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Speaker 1: there with you? That's at least like a second hang convo.

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Speaker 1: That's not like I first met you. We talked about

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Speaker 1: Olivia Newton John, like I have to work up to that.

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Speaker 3: And so no lead in, just the link, just the link,

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Speaker 3: no lead in. I mean, so that's my week. Wow.

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Speaker 1: I mean, I don't know. I understand your predicament, because

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Speaker 1: you do want to feel especially now, you definitely want

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Speaker 1: to feel like you're being nice to your names, that

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Speaker 1: you're open and friendly and this and that, but you

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Speaker 1: just sometimes you just meet a one, you know what

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Speaker 1: I mean, and it's sort of like not everybody has

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Speaker 1: the same sort of respect for other people's boundaries.

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Speaker 3: In retrospect, I feel like from now on, the minute

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Speaker 3: that I leave the situation is when somebody is suspicious

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Speaker 3: about the sound of children laughing, I don't say anything.

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Speaker 3: I just go into my house like this is bye,

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Speaker 3: Like I don't want to know why that's your thing.

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Speaker 3: I don't want to understand anything. Nope, Oh you're suspicious

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Speaker 3: about children laughing. By there's always a question or two

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Speaker 3: after someone says that I'm a writer, so I'm going

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Speaker 3: to go right in there. If that's what you start with,

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Speaker 3: I'm like, oh, I need to know everything about this motherfucker.

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Speaker 2: Like what, let's turn you into a character one day.

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Speaker 2: Well it's almost like she said it off.

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Speaker 1: I mean to me, it feels a little manipulative, only

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Speaker 1: in the sense that it's like, well, you couldn't have

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Speaker 1: said okay, cool, well nice to meet you, see yah.

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Speaker 3: After that there's there's screaming, bloody murder because they're getting killed.

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Speaker 2: Bye, Like yeah. Yeah.

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Speaker 1: It's like if anybody comes up to you with the

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Speaker 1: face with the hands out, with the fingers spread out

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Speaker 1: in front of you and they goo that face. If

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Speaker 1: anybody's running up to you with that face in a

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Speaker 1: major metropolitan area, that's not good. Like that would have

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Speaker 1: freaked me out from the jump completely.

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Speaker 3: It was like pants Labyrinth, WI like with the hands

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Speaker 3: with the eyes and I was like, oh snap, I'm

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Speaker 3: in this shit now.

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Speaker 1: Yeah. But then you know the fact that she followed

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Speaker 1: it up with this like horror movie. You know, this

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Speaker 1: thought experiment, this horror movie thought experiment, where.

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Speaker 2: What does that sound like? What is it an earthquake?

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Speaker 1: Is it a ninety car pile up on the one

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Speaker 1: A one?

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Speaker 3: What are you talking about? And it's somebody saying I

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Speaker 3: need help?

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Speaker 2: In any way?

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Speaker 3: It is just like ugh, So basically what I'd love

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Speaker 3: to know, just as a wrap up, just so I

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Speaker 3: can use this in the future. Somebody asked me for

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Speaker 3: my number, I have my phone in my hand or

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Speaker 3: in my pocket and you could see it, what do

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Speaker 3: I do?

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Speaker 1: I would say that this is a burner phone and

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Speaker 1: I only sell drugs with it, and I can't give

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Speaker 1: it to you.

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Speaker 3: Solid don't done. That's what I'm doing.

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Speaker 1: I've never used that excuse, by the way, It just

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Speaker 1: literally came off the top of my fucking head. But

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Speaker 1: it's it's an excuse.

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Speaker 3: That is where genius lies is in not thinking about it.

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Speaker 3: It's the first instinct that is an instinctual genius that.

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Speaker 2: You have going on. And that's what I'm doing.

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Speaker 3: Anyone else asks me for my number, I don't care

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Speaker 3: if it's Brad Pitt, I'll be like, this is a burner.

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Speaker 3: I can only give you my number if you're selling

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Speaker 3: You're gonna buy drugs for me, ma'am. I can't handle

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Speaker 3: your child's crisis. I do not want your DeBarge videos.

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Speaker 3: I'm a drug dealer. Gov that It's so awkward.

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Speaker 1: This is such an awkward predicament, honestly, because I mean

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Speaker 1: it's not even just a random stranger. It's like, how

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Speaker 1: many times have I given out my phone number to,

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Speaker 1: you know, people who want to sell me knives, like

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Speaker 1: a set of.

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Speaker 2: Knives in the lobby of like, you know, some kind

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Speaker 2: of convention center.

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Speaker 1: It's like people who, yeah, I want to get the

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Speaker 1: dogs together.

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Speaker 3: I mean, it's just the awkwardness of the ask and

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Speaker 3: Here's the only saving grace is that I've lived here

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Speaker 3: for what like a year and a half. I've never

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Speaker 3: seen this bitch before. Yeah, I've never seen this on

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Speaker 3: the before.

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Speaker 1: Well, if she invites you to her church, who you know, just.

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Speaker 3: I will drop a pin. I will drop a pin.

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Speaker 2: Well, holy shit, that's a that's definitely a situation.

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Speaker 3: I mean, this neighborhood is deceiving. Right, You've not only

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Speaker 3: been here, but you've also like heard my neighbor tales

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Speaker 3: like this neighborhood is a is a lie. Yeah, so

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Speaker 3: we do have some good stuff going on though.

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Speaker 2: We do.

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Speaker 1: In fact, let's talk about this theme that we're going

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Speaker 1: to talk about today. This is huge papal okay, because

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Speaker 1: I would say that this is the first time that

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Speaker 1: we kind of change the schedule to fit something that

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Speaker 1: like happened not too long ago, right, because we try

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Speaker 1: to do this in advance as much as possible. We

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Speaker 1: plan out things where both those types we like Excel docs.

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Speaker 2: It's just the way it is, right.

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Speaker 1: I love love a color code, love a color code,

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Speaker 1: love multiple tabs. That's so sexy. It's March, Okay, what

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Speaker 1: happens in March? March madness or you're saying I don't

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Speaker 1: know because I don't like sports, which is also that's

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Speaker 1: a good answer.

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Speaker 2: We're co opting it though.

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Speaker 3: This is how important this is, this event is this

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Speaker 3: is so important that we are co opting a sport

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Speaker 3: that neither of us actively watches or participates in.

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Speaker 2: That's right.

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Speaker 1: I'm trying to remember if my college had a basketball team.

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Speaker 1: I think if you can't remember, then they didn't. They

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Speaker 1: didn't have a football team. So here's the thing. The

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Speaker 1: two of us decided, Hey, it's March, a college basketball

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Speaker 1: thing is happening. There's a bracket involved. Why not take

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00:16:37,760 --> 00:16:44,440
Speaker 1: this opportunity to use the fervor of March madness to,

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Speaker 1: you know, for our own purposes, and also do a

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Speaker 1: theme that in recent weeks has become such a hot

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Speaker 1: button issue.

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Speaker 3: Oh, it's taken on a life of its own, right.

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Speaker 1: So here's the deal.

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Speaker 2: This episode is called is it good?

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Speaker 1: Or was I horny?

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00:17:05,800 --> 00:17:08,359
Speaker 3: We updated it because you have been talking to us

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Speaker 3: about it so much that we needed to talk about

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Speaker 3: it with you.

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Speaker 2: So we'll get to the bracket portion in a second.

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Speaker 1: But first I'm hoping that Danielle can give us some

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Speaker 1: clarity about a movie that would fall under this category.

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Speaker 2: This question, it's more like a rhetorical question, but it's

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Speaker 2: a question, right.

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Speaker 3: It's a real It's how I'm living my life now.

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Speaker 3: This is how I'm basing all job decisions. It is

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Speaker 3: not rhetorical. This is my whole life now. Is like

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Speaker 3: la park in this parking spot, I OHT know bagel

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00:17:39,400 --> 00:17:39,960
Speaker 3: or toast?

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Speaker 2: Good or horny?

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Speaker 3: So the way we're framing this is that is it

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Speaker 3: good or was I horny? Is our theme for today.

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Speaker 3: We're kicking it off with this theme because it's important,

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Speaker 3: but it is the The is it good or was

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Speaker 3: I horny? Bracket will be happening purely on social media,

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00:17:55,359 --> 00:17:59,440
Speaker 3: specifically on Instagram, and we're going to have you start

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Speaker 3: by sending us some films that you would qualify something

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Speaker 3: that you have conflated the goodness of with the size

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Speaker 3: of your crush on someone in the cast, and truly

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Speaker 3: believing this movie is high art at any point in

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Speaker 3: your life. So for example, Romeo plus Juliet and you

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Speaker 3: need to really come to terms with your God and

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Speaker 3: ask yourself, is this movie good? Or was I just

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Speaker 3: horny for this? Was I horny for the romance between

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Speaker 3: Claire Danes and Leonardo DiCaprio.

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Speaker 2: Was I horny for just Mercutio.

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Speaker 3: With his red lipstick and his heels, like, truly ask yourself,

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Speaker 3: is this film actually good? So we're gonna have you

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Speaker 3: suggest films to us. We're gonna open it up on Instagram.

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Speaker 3: We're gonna give you the parameters in a moment. But

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Speaker 3: we really are asking you to do is We're gonna

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Speaker 3: once and for all in the Isn't good or was

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Speaker 3: I horny bracket decide if a film is good or

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Speaker 3: if it just qualifies asie. So your part in this

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00:19:02,440 --> 00:19:05,840
Speaker 3: is to submit these films to us that you think

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Speaker 3: qualify in this realm.

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Speaker 1: Right, because honestly, we don't want to make the actual judgment.

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Speaker 1: We just want to know about the films because the

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Speaker 1: films will compete for the chance to win it all,

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Speaker 1: win it big, because there's going.

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Speaker 2: To be sixteen films. That's how we're gonna do it.

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00:19:24,760 --> 00:19:28,600
Speaker 1: It's gonna be the Sweet sixteen Bracket, Baby, sixteen films.

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Speaker 1: Every day, there will be a twenty four hour window

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Speaker 1: on Instagram where you will vote for your winner. There'll

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Speaker 1: be two films. It's going to be a poll. It's

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Speaker 1: going to be real easy, pasy, and then we will

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Speaker 1: take the winners of all of the first rounds, put

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Speaker 1: them together. They compete.

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Speaker 2: You know how bracket works.

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00:19:49,359 --> 00:19:52,600
Speaker 1: Okay, if not, just google bracket and you will find

399
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Speaker 1: your information. But the point is is that it's going

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Speaker 1: to last the entire month of March, much like March madness.

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Speaker 2: I want to tell you.

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Speaker 1: There's a different Okay, will we talk about these films

403
00:20:05,119 --> 00:20:07,560
Speaker 1: the is it good or was I horny? Film? This

404
00:20:07,640 --> 00:20:12,679
Speaker 1: is not simply nostalgia here, this is not you going

405
00:20:13,119 --> 00:20:17,080
Speaker 1: The Never Ending Story was a movie that I loved

406
00:20:17,080 --> 00:20:22,240
Speaker 1: when I was ten. Yes, unless there was a huge

407
00:20:22,880 --> 00:20:26,320
Speaker 1: point of the film where you thought I am falling

408
00:20:26,359 --> 00:20:27,760
Speaker 1: in love with one of these characters.

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Speaker 3: If you wanted to bone a tray you or that

410
00:20:31,240 --> 00:20:35,000
Speaker 3: big dog looking thing, then go ahead and write it

411
00:20:35,040 --> 00:20:39,439
Speaker 3: in that dog that flew through the sky. If that

412
00:20:39,640 --> 00:20:43,760
Speaker 3: was your fucking jam, write it in. But it can't

413
00:20:43,760 --> 00:20:46,120
Speaker 3: be like, oh, I watched this movie a lot when

414
00:20:46,119 --> 00:20:48,800
Speaker 3: I was nine, because you know, my my mom and

415
00:20:48,840 --> 00:20:51,200
Speaker 3: dad were divorced and that was the only cassette VCR

416
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Speaker 3: tape my dad had.

417
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Speaker 1: Yeah, and I'm and also not talk about like listen

418
00:20:55,000 --> 00:20:58,800
Speaker 1: all film has an element of desire in some way,

419
00:20:58,880 --> 00:21:01,320
Speaker 1: shape or form, or else we wouldn't be watching films.

420
00:21:01,320 --> 00:21:03,280
Speaker 1: There has to be something on the screen that grabs

421
00:21:03,280 --> 00:21:07,640
Speaker 1: our attention, obviously, whether it's a creature, a human being,

422
00:21:07,720 --> 00:21:12,199
Speaker 1: a handbag, whatever the fuck it is, right, However, is

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00:21:12,200 --> 00:21:13,200
Speaker 1: it good or was I horny?

424
00:21:13,280 --> 00:21:15,880
Speaker 2: Is simply something that you thought, Oh my.

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00:21:15,920 --> 00:21:22,760
Speaker 1: God, this movie is a piece of cinematic artistry. I

426
00:21:22,800 --> 00:21:26,439
Speaker 1: hold it in the highest esteem, and it might only

427
00:21:26,520 --> 00:21:28,960
Speaker 1: be because I have a crush on somebody in the cast.

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00:21:29,119 --> 00:21:31,600
Speaker 1: That is what this movie qualifies for.

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Speaker 3: When you when you finally decided to have sex five

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00:21:34,119 --> 00:21:36,600
Speaker 3: years later and you never watched that movie again, that's

431
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Speaker 3: the shit we want.

432
00:21:38,160 --> 00:21:40,320
Speaker 1: Twenty five years later, you look at that movie and go,

433
00:21:40,400 --> 00:21:42,520
Speaker 1: oh my god, I can't believe I like that movie

434
00:21:42,520 --> 00:21:44,760
Speaker 1: as much as I did. What were we thinking as

435
00:21:44,800 --> 00:21:49,040
Speaker 1: a culture? Why were we all horny for X, Y

436
00:21:49,119 --> 00:21:52,879
Speaker 1: and Z like It's Those questions might be slightly embarrassing,

437
00:21:53,119 --> 00:21:54,240
Speaker 1: but I'm just.

438
00:21:53,880 --> 00:21:56,520
Speaker 3: Gonna be filled with shame as this episode will be.

439
00:21:56,760 --> 00:21:59,199
Speaker 1: Well yeah, And that's ultimately what we'll get down to

440
00:21:59,320 --> 00:22:01,040
Speaker 1: in this episode is that if you need.

441
00:22:00,880 --> 00:22:03,800
Speaker 2: An example, we have two ready for you.

442
00:22:04,560 --> 00:22:08,960
Speaker 1: Just keep listening, but starting today Tuesday, March second, you

443
00:22:09,000 --> 00:22:14,119
Speaker 1: can go to our Instagram and start entering in your films.

444
00:22:14,560 --> 00:22:19,000
Speaker 1: One per customer, no voter fraud. Let's just get it done.

445
00:22:19,080 --> 00:22:21,280
Speaker 1: You have the rest of this week. You have until

446
00:22:21,320 --> 00:22:26,160
Speaker 1: this Friday, and from that point the bracket will begin

447
00:22:26,520 --> 00:22:27,800
Speaker 1: next week exactly.

448
00:22:28,080 --> 00:22:32,119
Speaker 3: And please please only keep your submissions to the Instagram Stories.

449
00:22:32,359 --> 00:22:35,000
Speaker 3: If we get emails with your suggestions or tweets with

450
00:22:35,040 --> 00:22:38,280
Speaker 3: your suggestions, or you comment on our Instagram main feed

451
00:22:38,320 --> 00:22:41,480
Speaker 3: with your suggestions, we are blocking.

452
00:22:41,560 --> 00:22:42,760
Speaker 2: No, I'm kiding. We're not going to block you.

453
00:22:42,920 --> 00:22:45,280
Speaker 3: We will burn your house to the ground house which

454
00:22:45,280 --> 00:22:46,640
Speaker 3: one is worse blocking.

455
00:22:46,359 --> 00:22:47,679
Speaker 2: Or burning your house to the ground.

456
00:22:48,359 --> 00:22:52,000
Speaker 1: We will make you take our phone number. But honestly,

457
00:22:52,080 --> 00:22:57,520
Speaker 1: they aren't official submissions. Official submissions are using the feature

458
00:22:57,640 --> 00:23:00,959
Speaker 1: within our Instagram Stories. Yes, that'll be there for you,

459
00:23:01,080 --> 00:23:04,320
Speaker 1: and our wonderful social media manager Karen will be there

460
00:23:04,960 --> 00:23:09,840
Speaker 1: collecting submissions. It's going to work out just fine, I'm sure.

461
00:23:10,040 --> 00:23:12,639
Speaker 1: But we need submissions and then we vote.

462
00:23:12,680 --> 00:23:18,520
Speaker 3: Absolutely so, starting today March second, noon Eastern on Instagram Stories,

463
00:23:18,840 --> 00:23:22,680
Speaker 3: you have until Friday, March fifth to submit, and then

464
00:23:22,760 --> 00:23:27,560
Speaker 3: starting on Tuesday, March ninth, brackets, brackets, baby, get ready

465
00:23:27,560 --> 00:23:28,040
Speaker 3: to vote.

466
00:23:28,119 --> 00:23:31,040
Speaker 2: We are so curious as to what is going to happen.

467
00:23:31,040 --> 00:23:33,040
Speaker 2: This is an experiment.

468
00:23:34,880 --> 00:23:36,240
Speaker 1: I hope it's successful.

469
00:23:38,520 --> 00:23:40,200
Speaker 3: How are we even going to measure success? If we

470
00:23:40,240 --> 00:23:42,080
Speaker 3: get one suggestion, I'm going to be thrilled.

471
00:23:44,280 --> 00:23:45,000
Speaker 2: Let's thrilled.

472
00:23:45,480 --> 00:23:47,879
Speaker 1: If it ends up that everybody votes for a Titanic

473
00:23:48,040 --> 00:23:50,520
Speaker 1: and the winner is Titanic, I'm just gonna have to

474
00:23:50,600 --> 00:23:53,240
Speaker 1: live with that. But honestly, I think our listeners are

475
00:23:53,280 --> 00:23:56,680
Speaker 1: really creative and interesting, and they actually I think we'll

476
00:23:56,680 --> 00:23:58,639
Speaker 1: do good job picking movies completely.

477
00:23:58,760 --> 00:23:59,680
Speaker 2: It's going to be great.

478
00:24:00,320 --> 00:24:01,880
Speaker 1: I hope we've given you enough information.

479
00:24:01,920 --> 00:24:02,680
Speaker 2: I feel like we have.

480
00:24:03,080 --> 00:24:05,159
Speaker 3: We're also we're gon we're gonna post the rules on

481
00:24:05,200 --> 00:24:07,760
Speaker 3: our main feed so you will not be left in

482
00:24:07,800 --> 00:24:10,879
Speaker 3: the dark. If this is your only way of finding

483
00:24:10,880 --> 00:24:13,200
Speaker 3: out about this. We're gonna post the rules, and.

484
00:24:13,240 --> 00:24:15,440
Speaker 1: After all of the suggestions have come in, we're gonna

485
00:24:15,440 --> 00:24:20,320
Speaker 1: actually post the sixteen teams or sixteen movies, so we'll

486
00:24:20,359 --> 00:24:22,439
Speaker 1: be able to see the bracket what's going up against

487
00:24:22,440 --> 00:24:23,480
Speaker 1: each other each week.

488
00:24:23,560 --> 00:24:25,639
Speaker 2: It'll be real fun.

489
00:24:25,840 --> 00:24:29,440
Speaker 1: So please check it out, Please participate, and I can't

490
00:24:29,440 --> 00:24:31,160
Speaker 1: wait to see what happens. It's gonna be great.

491
00:24:31,200 --> 00:24:33,520
Speaker 3: Play nice, y'all, play nice.

492
00:24:34,359 --> 00:24:37,560
Speaker 1: All right. Well, having said any of this, do you

493
00:24:37,640 --> 00:24:39,399
Speaker 1: want to get into this week's movies?

494
00:24:39,440 --> 00:24:44,159
Speaker 3: Then yeah, I'm going first this week, and I have

495
00:24:44,400 --> 00:24:49,160
Speaker 3: scheduled a therapy session directly after. I might even bump

496
00:24:49,200 --> 00:24:51,880
Speaker 3: it up to like, let's talk about this after I go,

497
00:24:52,119 --> 00:24:53,760
Speaker 3: and then we'll take a break for therapy and then

498
00:24:53,760 --> 00:24:56,919
Speaker 3: Millie can go. Because this week is some shit.

499
00:24:58,440 --> 00:25:01,199
Speaker 1: We are so excited to do this because, like like

500
00:25:01,240 --> 00:25:05,280
Speaker 1: we said before, this question of is it good or

501
00:25:05,400 --> 00:25:08,480
Speaker 1: was a horny is something that is really kind of

502
00:25:08,520 --> 00:25:11,560
Speaker 1: like a fundamental question about life, right, as Danielle has

503
00:25:11,600 --> 00:25:13,639
Speaker 1: alluded to, it's like a lesson for life.

504
00:25:14,160 --> 00:25:15,560
Speaker 2: But when it comes to.

505
00:25:15,480 --> 00:25:20,000
Speaker 1: The movies, it really does, you know, create this sort

506
00:25:20,000 --> 00:25:22,840
Speaker 1: of thought experiment of like, oh my god, like what

507
00:25:22,960 --> 00:25:25,879
Speaker 1: was stuff that I really was passionate about and was

508
00:25:25,920 --> 00:25:29,840
Speaker 1: really like defending to the hilt that is now after

509
00:25:29,960 --> 00:25:33,679
Speaker 1: time something that I'm like, oh God, like what was

510
00:25:33,760 --> 00:25:37,640
Speaker 1: going on there? And that's just a funny, embarrassing but

511
00:25:37,800 --> 00:25:40,760
Speaker 1: ultimately traumatic experience.

512
00:25:41,000 --> 00:25:42,040
Speaker 2: And you know, I.

513
00:25:42,000 --> 00:25:47,680
Speaker 1: Understand Danielle that you have brought in reinforcements.

514
00:25:46,960 --> 00:25:49,359
Speaker 3: And it is it's also a time capsule, right, like

515
00:25:49,400 --> 00:25:53,320
Speaker 3: it's such a time capsule moment where for me in particular,

516
00:25:53,440 --> 00:25:57,240
Speaker 3: I'm going back to my most awkward moment of life

517
00:25:57,320 --> 00:26:01,320
Speaker 3: where I also could not express myself properly, like I

518
00:26:01,359 --> 00:26:04,360
Speaker 3: wasn't the confident being you see before you.

519
00:26:04,480 --> 00:26:05,160
Speaker 2: I didn't know.

520
00:26:05,080 --> 00:26:07,080
Speaker 3: How to say how I was feeling, so I didn't

521
00:26:07,080 --> 00:26:09,160
Speaker 3: even know I was horny when I was watching this movie.

522
00:26:09,720 --> 00:26:11,800
Speaker 3: I just had feelings and I just had to keep

523
00:26:11,800 --> 00:26:14,520
Speaker 3: them all to myself and let my grandmother wonder why

524
00:26:14,560 --> 00:26:16,760
Speaker 3: I watched this movie every day for an entire summer.

525
00:26:17,240 --> 00:26:21,240
Speaker 1: Well and also knowing this is not to make people

526
00:26:21,280 --> 00:26:25,879
Speaker 1: feel bad for not subscribing to the Bonus episodes, because

527
00:26:25,880 --> 00:26:29,360
Speaker 1: we understand if you don't want any more of us,

528
00:26:29,720 --> 00:26:31,440
Speaker 1: although we wish you would.

529
00:26:31,680 --> 00:26:34,120
Speaker 2: But you know, our last Bonus episode was.

530
00:26:34,119 --> 00:26:43,399
Speaker 1: Basically Danielle professing her love for an actor that I was,

531
00:26:43,480 --> 00:26:45,399
Speaker 1: I mean, unbeknownst to me, I actually didn't know this

532
00:26:45,480 --> 00:26:48,800
Speaker 1: about you, and I was screaming, yeah, because it's my

533
00:26:49,119 --> 00:26:53,680
Speaker 1: deepest change. I think it's actually common. But at the

534
00:26:53,720 --> 00:26:56,679
Speaker 1: same time, the funny thing is that you wit like

535
00:26:57,119 --> 00:27:00,240
Speaker 1: you revealed yourself to be a really big fan, so

536
00:27:00,400 --> 00:27:04,560
Speaker 1: I'm curious, like, what is the actor? What is the movie?

537
00:27:04,640 --> 00:27:06,040
Speaker 1: What are you talking about this week?

538
00:27:07,000 --> 00:27:09,440
Speaker 3: All right, motherfuckers, my movie for this week?

539
00:27:10,720 --> 00:27:12,880
Speaker 2: God damn it for Is it good?

540
00:27:12,960 --> 00:27:16,679
Speaker 3: Or was I Horney? He's leaving the Cube? Released in

541
00:27:16,720 --> 00:27:18,520
Speaker 3: nineteen eighty nine.

542
00:27:18,720 --> 00:27:23,400
Speaker 2: Brian Kelly didn't care for the way adults, when fat adults.

543
00:27:22,960 --> 00:27:26,320
Speaker 3: Are predictive, they're living under disillusion of life as you know,

544
00:27:26,480 --> 00:27:27,879
Speaker 3: what is going to continue forever.

545
00:27:28,600 --> 00:27:31,440
Speaker 2: And he didn't care for the direction the world was heady.

546
00:27:31,560 --> 00:27:34,720
Speaker 1: Oh no, it's worse, you know, blown up in nuclear war,

547
00:27:34,840 --> 00:27:36,680
Speaker 1: having a seven eleven on every quarter.

548
00:27:37,280 --> 00:27:40,480
Speaker 2: In fact, there were only two things that Brian did

549
00:27:40,640 --> 00:27:47,439
Speaker 2: care for, his skateboard and his brother. I can't I

550
00:27:47,440 --> 00:27:49,600
Speaker 2: can't believe it was released in eighty nine. I gotta

551
00:27:49,640 --> 00:27:50,000
Speaker 2: be honest.

552
00:27:50,000 --> 00:27:52,200
Speaker 1: I thought it was released like in the early eighties.

553
00:27:52,280 --> 00:27:54,160
Speaker 1: I can't believe it's eighty nine.

554
00:27:54,640 --> 00:27:58,960
Speaker 3: It is shocking across the board that this film exists.

555
00:27:59,119 --> 00:28:04,320
Speaker 3: It is shocking that this film exists. I was twelve

556
00:28:04,680 --> 00:28:07,600
Speaker 3: when this came out, right, twelve years old.

557
00:28:07,840 --> 00:28:09,080
Speaker 2: That is my only excuse.

558
00:28:09,240 --> 00:28:11,600
Speaker 3: I was twelve. I didn't know shit about fuck. All

559
00:28:11,640 --> 00:28:17,919
Speaker 3: I knew is that Christian Slader was to me gorgeous,

560
00:28:18,760 --> 00:28:22,679
Speaker 3: so gorgeous that I rented the Name of the Rose

561
00:28:23,480 --> 00:28:26,359
Speaker 3: because he was fucking in it, a movie about monks

562
00:28:26,440 --> 00:28:31,399
Speaker 3: starring Sean Connery. And I'm twelve years old watching the

563
00:28:31,480 --> 00:28:34,960
Speaker 3: Name of the Rose to catch a glimpse of Christian Slater.

564
00:28:35,840 --> 00:28:38,680
Speaker 1: Okay, I have to ask you right off the bat,

565
00:28:38,800 --> 00:28:42,000
Speaker 1: what is it about Christian that you loved? Was it

566
00:28:42,080 --> 00:28:47,040
Speaker 1: his sarcasticness, because, like you said in the Bonus episode,

567
00:28:47,080 --> 00:28:49,120
Speaker 1: like I know a lot of people have not maybe

568
00:28:49,160 --> 00:28:54,280
Speaker 1: heard the Bonus, but Christian Slater represented a certain type of.

569
00:28:54,280 --> 00:28:58,520
Speaker 2: Dude to people like us, And who was that dude?

570
00:28:58,880 --> 00:28:59,200
Speaker 2: To me?

571
00:28:59,800 --> 00:29:03,920
Speaker 3: He was what I thought was the safe bad guy,

572
00:29:05,320 --> 00:29:09,440
Speaker 3: Like he's definitely fucking with the system, but he's nice

573
00:29:09,440 --> 00:29:13,440
Speaker 3: to your parents, or like he's definitely spray painting all

574
00:29:13,440 --> 00:29:16,560
Speaker 3: the lockers at school, but he brings you like he

575
00:29:16,640 --> 00:29:18,600
Speaker 3: knows you like lemonheads, who'll bring you lemonheads when you

576
00:29:18,640 --> 00:29:21,920
Speaker 3: hang out? The safe nice guy, like he's not going

577
00:29:21,920 --> 00:29:26,400
Speaker 3: to prison anytime soon, but he's definitely like low key

578
00:29:26,480 --> 00:29:29,040
Speaker 3: fucking with shit all the time. And I don't know

579
00:29:29,040 --> 00:29:31,800
Speaker 3: why that was my jam, because I'm like, look, I

580
00:29:31,800 --> 00:29:35,240
Speaker 3: don't want or need any grievous, bodily harm. I don't

581
00:29:35,240 --> 00:29:38,600
Speaker 3: want or need to touch anybody, really. I just wanted

582
00:29:38,600 --> 00:29:42,480
Speaker 3: to be around a very cute boy who might fuck

583
00:29:42,560 --> 00:29:46,080
Speaker 3: some shit up, and that was his whole persona for

584
00:29:46,200 --> 00:29:48,840
Speaker 3: the eighties and nineties. And we did talk about this

585
00:29:48,880 --> 00:29:51,680
Speaker 3: on the Bonus episode where Christian Slater is one of

586
00:29:51,680 --> 00:29:56,000
Speaker 3: those actors who has ushered in I think an entire

587
00:29:56,080 --> 00:30:00,000
Speaker 3: generation of people who are attracted to the absolute wrong.

588
00:30:00,120 --> 00:30:00,760
Speaker 2: Kind of dude.

589
00:30:03,320 --> 00:30:08,320
Speaker 3: I imprinted on this like a baby duck, and guess what,

590
00:30:08,920 --> 00:30:14,640
Speaker 3: the nice, safe, bad guy still a bad guy foundationally.

591
00:30:15,040 --> 00:30:17,920
Speaker 3: So I think Christian Slater just ushered in this moment.

592
00:30:18,120 --> 00:30:21,160
Speaker 3: But I was also I was obsessed with skateboarding.

593
00:30:21,360 --> 00:30:24,320
Speaker 2: Mm hmmm, Yes, obsessed.

594
00:30:23,600 --> 00:30:26,360
Speaker 3: With skateboarding, and I'm so bad at it. I'm so

595
00:30:26,400 --> 00:30:28,560
Speaker 3: bad at skateboarding. I wanted to be good at it

596
00:30:28,600 --> 00:30:31,080
Speaker 3: more than anything in the world. But I can't take

597
00:30:31,120 --> 00:30:35,000
Speaker 3: the risk because again, I can allie on dirt, but

598
00:30:35,040 --> 00:30:38,040
Speaker 3: you're not getting me on these concrete streets flipping around

599
00:30:38,120 --> 00:30:40,160
Speaker 3: like that because I don't want to break an arm.

600
00:30:40,440 --> 00:30:45,000
Speaker 1: I was obsessed with skaters, yes, but not I'd never

601
00:30:45,120 --> 00:30:45,600
Speaker 1: tried it.

602
00:30:46,160 --> 00:30:48,320
Speaker 2: I never even really knew much about.

603
00:30:48,040 --> 00:30:51,960
Speaker 1: It other than like the clothes. It's not like I

604
00:30:52,000 --> 00:30:55,000
Speaker 1: knew the kind of trucks or wheels or whatever.

605
00:30:55,040 --> 00:30:57,920
Speaker 2: You know. I wasn't into the like actual and I

606
00:30:57,920 --> 00:30:58,680
Speaker 2: would watch.

607
00:30:58,480 --> 00:31:02,360
Speaker 1: Like skateboard videos with my like guys in my neighborhood.

608
00:31:02,680 --> 00:31:03,600
Speaker 2: But that was beyond that.

609
00:31:03,720 --> 00:31:05,040
Speaker 1: The only thing was is that I wanted to be

610
00:31:05,120 --> 00:31:07,680
Speaker 1: the girlfriend of a guy who was a skater, right,

611
00:31:07,720 --> 00:31:10,640
Speaker 1: and I think that was very common for people of

612
00:31:10,680 --> 00:31:12,120
Speaker 1: a certain age. H.

613
00:31:12,600 --> 00:31:16,760
Speaker 2: But so you actually tried to skate.

614
00:31:16,880 --> 00:31:19,920
Speaker 3: Yeah, which I actually liked this like skateboarding, Like I

615
00:31:19,960 --> 00:31:23,360
Speaker 3: thought it looked cool, wow, and it would like you know,

616
00:31:23,440 --> 00:31:25,600
Speaker 3: I really loved I think when I when I first

617
00:31:25,640 --> 00:31:29,080
Speaker 3: saw Rodney Mullen doing some tricks, I'm like, oh, skateboarding, which, oh,

618
00:31:29,160 --> 00:31:31,880
Speaker 3: I could talk about Rodney Mullen all day. He elevated

619
00:31:31,880 --> 00:31:35,320
Speaker 3: the skateboarding form to something beautiful and to watch him

620
00:31:35,320 --> 00:31:37,080
Speaker 3: do tricks, I'll send you a video after this and

621
00:31:37,120 --> 00:31:39,040
Speaker 3: we might be able to post one on our feed.

622
00:31:39,080 --> 00:31:42,920
Speaker 3: But he has this video called Liminal and even now

623
00:31:43,080 --> 00:31:47,600
Speaker 3: like in his fifties, like he's just he's a beautiful skater.

624
00:31:47,720 --> 00:31:50,840
Speaker 3: He makes skateboarding look like something like a skateboard is

625
00:31:50,880 --> 00:31:53,880
Speaker 3: something that's born attached to your feet like awesome. So

626
00:31:53,960 --> 00:31:56,720
Speaker 3: I do like skateboarding and I still watch skateboarding videos.

627
00:31:56,800 --> 00:31:58,120
Speaker 1: Yeah, I was gonna say, I don't even know who

628
00:31:58,160 --> 00:32:00,760
Speaker 1: that is. I don't even know who that is. That's impressive,

629
00:32:01,000 --> 00:32:03,000
Speaker 1: and I'm impressed that you learned how to skate because

630
00:32:03,000 --> 00:32:04,320
Speaker 1: there's a lot of posers like me.

631
00:32:04,600 --> 00:32:07,480
Speaker 3: I had a board, I had my I had augh

632
00:32:07,800 --> 00:32:10,400
Speaker 3: I just I tried. It's really disappointing because I'm so

633
00:32:10,480 --> 00:32:12,280
Speaker 3: bad at it. I've always been a little bit like

634
00:32:12,400 --> 00:32:14,440
Speaker 3: you know, I've got six weet tall, I got like

635
00:32:14,480 --> 00:32:16,200
Speaker 3: size eight and a half feet, Like, I'm just not

636
00:32:16,280 --> 00:32:19,800
Speaker 3: a balanced person. But I love skateboarding and I will recommend. Also,

637
00:32:19,840 --> 00:32:25,680
Speaker 3: there's a documentary called The Bones Brigade which is so good,

638
00:32:25,720 --> 00:32:30,440
Speaker 3: and it's about all of these guys who basically post

639
00:32:30,560 --> 00:32:33,320
Speaker 3: Dogtown and Z Boys, which was like seventy South skating.

640
00:32:33,800 --> 00:32:37,920
Speaker 3: This was the next wave of like people who define skateboarding,

641
00:32:37,960 --> 00:32:41,200
Speaker 3: so Tony Hawk, Lance Mountain, like all these people who

642
00:32:41,200 --> 00:32:45,600
Speaker 3: are part of this first wave, pal Peralta, all these folks. Bones'

643
00:32:45,600 --> 00:32:48,880
Speaker 3: Brigade is an incredible documentary. Gleaming the Cube is a

644
00:32:49,000 --> 00:32:50,040
Speaker 3: shit movie.

645
00:32:50,240 --> 00:32:55,920
Speaker 2: Ah oh Man I gotta say it's hard. I don't.

646
00:32:55,960 --> 00:32:59,200
Speaker 3: Okay, So this movie, I think I texted this to

647
00:32:59,200 --> 00:33:01,520
Speaker 3: you last night, trying to do the synopsis of this

648
00:33:01,720 --> 00:33:05,960
Speaker 3: is going to deplete me. I have never seen a

649
00:33:06,000 --> 00:33:09,680
Speaker 3: movie that is so bad, that is so convoluted, so convoluted,

650
00:33:10,400 --> 00:33:12,800
Speaker 3: I mean, like, how many plot lines did you count

651
00:33:12,800 --> 00:33:14,640
Speaker 3: in this film? Because I think I counted four hundred

652
00:33:14,680 --> 00:33:17,160
Speaker 3: and fifteen. There's quite a few.

653
00:33:17,640 --> 00:33:21,120
Speaker 1: The story is sort of like, I get what it's

654
00:33:21,200 --> 00:33:22,160
Speaker 1: trying to do, but.

655
00:33:22,160 --> 00:33:23,640
Speaker 2: It was just too much, right.

656
00:33:23,720 --> 00:33:25,440
Speaker 1: It was like it was a lot going on, a

657
00:33:25,440 --> 00:33:28,560
Speaker 1: lot to keep up with, especially considering that it was

658
00:33:28,680 --> 00:33:30,640
Speaker 1: effectively a teen movie, right.

659
00:33:30,520 --> 00:33:32,400
Speaker 2: Oh yeah, it's a teen movie.

660
00:33:32,640 --> 00:33:36,880
Speaker 3: If you think teenagers are out here breaking up Vietnamese

661
00:33:37,000 --> 00:33:42,560
Speaker 3: gun running rings with their skateboards, I cannot even let

662
00:33:42,600 --> 00:33:45,160
Speaker 3: me just try. Look, I'll try the synopsis. I'll try it,

663
00:33:45,400 --> 00:33:46,400
Speaker 3: and we'll see where we get.

664
00:33:46,560 --> 00:33:48,280
Speaker 1: Do your best, to do your best.

665
00:33:48,560 --> 00:33:54,360
Speaker 3: This movie stars Christian Slater, Stephen Bauer, Tony Hawk, Richard Hurd.

666
00:33:54,440 --> 00:33:56,720
Speaker 3: Like we're going to get into the cast, but essentially,

667
00:33:56,880 --> 00:34:00,600
Speaker 3: Christian Slater plays Brian Kelly, and he is a fucking

668
00:34:00,640 --> 00:34:07,720
Speaker 3: skater bro and when his adopted Vietnamese brother Vin uncovers

669
00:34:07,920 --> 00:34:13,120
Speaker 3: a smuggling rack at his job. He's caught investigating it

670
00:34:13,120 --> 00:34:15,520
Speaker 3: because he breaks into the warehouse and starts to investigate

671
00:34:15,560 --> 00:34:20,759
Speaker 3: what's going on. He's interrogated at a motel, accidentally strangled,

672
00:34:21,320 --> 00:34:24,080
Speaker 3: and then his killers, who by the way, are his boss,

673
00:34:24,239 --> 00:34:28,600
Speaker 3: his coworker, and the owner of the warehouse, make it

674
00:34:28,640 --> 00:34:32,080
Speaker 3: look like a suicide. But guess what, Brian Kelly isn't

675
00:34:32,120 --> 00:34:36,000
Speaker 3: buying it. So, armed only with his skateboard and a

676
00:34:36,080 --> 00:34:40,840
Speaker 3: disturbing amount of bomb making materials, Brian sets out to

677
00:34:40,880 --> 00:34:45,440
Speaker 3: get the story straight and avenge his brother's death. A.

678
00:34:46,320 --> 00:34:47,880
Speaker 2: Yeah, it's not good.

679
00:34:47,960 --> 00:34:51,560
Speaker 3: This movie is one hundred percent the byproduct of horniness.

680
00:34:53,120 --> 00:34:55,839
Speaker 1: Well okay, so here's my question. I mean, maybe this

681
00:34:55,920 --> 00:34:59,759
Speaker 1: is a chicken in the egg scenario. Was was were

682
00:34:59,760 --> 00:35:02,200
Speaker 1: you interested in this movie because of skating or was

683
00:35:02,200 --> 00:35:06,239
Speaker 1: it Christian Slater or was it like truly like the

684
00:35:06,320 --> 00:35:09,759
Speaker 1: fully formed orgasm of like both things happening at the

685
00:35:09,760 --> 00:35:13,239
Speaker 1: same time, Like, oh yeah, it was the voltron of

686
00:35:13,920 --> 00:35:17,640
Speaker 1: Christian Slater skateboarding, Like somebody had reached into my brain

687
00:35:18,719 --> 00:35:21,319
Speaker 1: and said, you know this, This girl in Warwick, New

688
00:35:21,400 --> 00:35:24,920
Speaker 1: York wants to watch this movie about kid guys in

689
00:35:25,000 --> 00:35:29,640
Speaker 1: southern California just skating their fucking hearts out. It was

690
00:35:29,640 --> 00:35:34,320
Speaker 1: like somebody genuinely jenged together a movie just for me, right,

691
00:35:35,640 --> 00:35:38,040
Speaker 1: and it is a terrible film.

692
00:35:38,280 --> 00:35:41,439
Speaker 2: It is terrible. This film is.

693
00:35:43,080 --> 00:35:46,000
Speaker 3: I mean, the plot, if you could call it, that

694
00:35:46,760 --> 00:35:52,080
Speaker 3: runs so hot ha and so scattered. Let me just

695
00:35:52,120 --> 00:35:54,640
Speaker 3: say also that here's how the movie starts. And this

696
00:35:54,760 --> 00:35:57,040
Speaker 3: could be the height of male privilege on film. I'm

697
00:35:57,040 --> 00:36:00,520
Speaker 3: not sure, but it's essentially a group of skaters skating

698
00:36:00,520 --> 00:36:04,200
Speaker 3: around a private airport and then hiring a pilot to

699
00:36:04,280 --> 00:36:06,560
Speaker 3: take them up in his plane so they can survey

700
00:36:06,600 --> 00:36:08,759
Speaker 3: which pools are empty so they can skate in them.

701
00:36:09,080 --> 00:36:13,960
Speaker 3: So they're already doing like mash level shit trying to

702
00:36:13,960 --> 00:36:16,919
Speaker 3: pinpoint where these pools are with maps and like schematics.

703
00:36:17,440 --> 00:36:20,719
Speaker 1: My question for that. And literally this is the first

704
00:36:20,760 --> 00:36:23,480
Speaker 1: like ten minutes of the movie, right, how did they

705
00:36:23,480 --> 00:36:26,560
Speaker 1: get off the plane? Did the plane land in a neighborhood?

706
00:36:26,600 --> 00:36:29,720
Speaker 1: And was just basically like okay, here comes like five dudes.

707
00:36:30,120 --> 00:36:32,399
Speaker 1: I mean, if listen, like you want to talk about

708
00:36:32,440 --> 00:36:38,680
Speaker 1: a neighborhood scare, If a fucking biplane lands on my street,

709
00:36:39,600 --> 00:36:44,200
Speaker 1: and like Tony Hawk gets out, I'm like, what's that noise?

710
00:36:45,680 --> 00:36:48,640
Speaker 1: It's fucking five skaters that just got dropped off in

711
00:36:48,680 --> 00:36:51,560
Speaker 1: a fucking airplane on my street to like skate my

712
00:36:51,600 --> 00:36:55,200
Speaker 1: neighbor's pool and this guy's at work or whatever. That's

713
00:36:55,200 --> 00:36:56,920
Speaker 1: what I never said. It was like do they climb

714
00:36:56,960 --> 00:36:59,080
Speaker 1: out of the plane? Was it like a parachute thing?

715
00:36:59,200 --> 00:37:01,360
Speaker 1: Like how do they how do they leave the plane?

716
00:37:01,680 --> 00:37:03,680
Speaker 3: My thought is they went back to the airport, but

717
00:37:03,719 --> 00:37:06,160
Speaker 3: they knew the address because they had a map, Millie,

718
00:37:06,200 --> 00:37:09,600
Speaker 3: they had a map in this comatic. Then they hopped

719
00:37:09,600 --> 00:37:13,320
Speaker 3: in Tony Hawk's Pizza Hut truck and drove to the address.

720
00:37:13,560 --> 00:37:17,239
Speaker 3: Because Tony Hawk ps in this movie, drives a red

721
00:37:17,239 --> 00:37:19,719
Speaker 3: pickup truck. It doesn't just have a sign on the

722
00:37:19,800 --> 00:37:21,840
Speaker 3: top that says hey, I'm a Pizza Hut delivery person,

723
00:37:22,040 --> 00:37:24,600
Speaker 3: It has an entire Pizza Hut replica.

724
00:37:24,239 --> 00:37:25,000
Speaker 2: Roof on top.

725
00:37:25,600 --> 00:37:28,000
Speaker 3: So they got in that, they drove to the neighborhood,

726
00:37:28,280 --> 00:37:30,360
Speaker 3: and then they ruined somebody's empty pool.

727
00:37:31,239 --> 00:37:33,880
Speaker 1: That makes so much more sense than what I thought

728
00:37:33,920 --> 00:37:36,080
Speaker 1: was this situation, which is that they jumped out of

729
00:37:36,120 --> 00:37:38,080
Speaker 1: an airplane into a pool.

730
00:37:38,680 --> 00:37:41,319
Speaker 3: That's probably that's what I imagine skateboarders are doing now.

731
00:37:41,400 --> 00:37:44,800
Speaker 3: They're like, we're paratroopers. We're paratroopers in disguise.

732
00:37:44,920 --> 00:37:48,759
Speaker 1: For their YouTube channel or whatever. I completely that is

733
00:37:48,840 --> 00:37:51,200
Speaker 1: so fucking funny. I was like, really, did they just

734
00:37:51,280 --> 00:37:52,600
Speaker 1: jump out of an airplane? No?

735
00:37:53,040 --> 00:37:55,719
Speaker 2: I love that, you thought that. I love that.

736
00:37:56,440 --> 00:37:58,200
Speaker 3: Why jump out of an aeroplane when you have a

737
00:37:58,200 --> 00:38:01,200
Speaker 3: pizza hut truck Millie?

738
00:38:02,400 --> 00:38:03,279
Speaker 2: And this is the thing.

739
00:38:03,320 --> 00:38:06,160
Speaker 3: It's like, so they're skating, they skate so hard, they

740
00:38:06,160 --> 00:38:09,279
Speaker 3: skate so hard, and the actual skaters are made up

741
00:38:09,320 --> 00:38:11,200
Speaker 3: of people who were in the Bones Brigade at that time.

742
00:38:11,239 --> 00:38:15,200
Speaker 3: Because Stacy Peralta of the Powell Peralta brand of skateboards,

743
00:38:15,760 --> 00:38:17,960
Speaker 3: he was a technical advisor for this film, so he

744
00:38:18,040 --> 00:38:20,600
Speaker 3: kind of taught everyone how to do everything. So you

745
00:38:20,640 --> 00:38:24,920
Speaker 3: have Mike mcguil, Rodney Mullen, Gater Rigowski, Lance Mountain, Tommy Guerrero,

746
00:38:25,000 --> 00:38:28,480
Speaker 3: like actual skaters were in this film. And Max Perlick,

747
00:38:28,719 --> 00:38:30,799
Speaker 3: who was just like born to be a sidekick in

748
00:38:30,840 --> 00:38:32,800
Speaker 3: the eighties and nineties. And if you see his facial

749
00:38:32,880 --> 00:38:35,640
Speaker 3: know exactly who I'm talking about. His mom is Rita Rudner.

750
00:38:35,680 --> 00:38:38,439
Speaker 3: In this movie, he has an underground bunker, and he's

751
00:38:38,440 --> 00:38:40,600
Speaker 3: the only person in this movie to even say gleam

752
00:38:40,680 --> 00:38:44,719
Speaker 3: the cube, which he explains as the place you go

753
00:38:45,120 --> 00:38:48,240
Speaker 3: to skate where you just let go. Nobody says it again.

754
00:38:48,560 --> 00:38:50,759
Speaker 3: I don't know gleaming the cube actually fucking means. And

755
00:38:50,800 --> 00:38:52,560
Speaker 3: I didn't even think about what it might have meant

756
00:38:52,640 --> 00:38:56,320
Speaker 3: until yesterday, thirty years later.

757
00:38:56,640 --> 00:38:58,520
Speaker 2: I was like, what is the cube? Why are they

758
00:38:58,520 --> 00:38:59,080
Speaker 2: gleaming it?

759
00:38:59,320 --> 00:39:02,920
Speaker 1: Yeah, honestly thought because honestly, when it comes down to it,

760
00:39:02,960 --> 00:39:06,400
Speaker 1: and most of these like movies, right, you call it

761
00:39:06,480 --> 00:39:09,879
Speaker 1: something like that, and the cube would be like the

762
00:39:10,080 --> 00:39:13,960
Speaker 1: ultimate skate ramp in the mall that these people are.

763
00:39:14,360 --> 00:39:17,760
Speaker 1: I mean, gleaming the cube is not The cube doesn't exist.

764
00:39:17,920 --> 00:39:21,440
Speaker 1: It's not on the physical plane. It's like a state

765
00:39:21,480 --> 00:39:25,120
Speaker 1: of mind. Maybe, Yeah, why did I think that that

766
00:39:25,120 --> 00:39:27,880
Speaker 1: that is too high minded for what this film presents,

767
00:39:27,920 --> 00:39:28,400
Speaker 1: Like it's.

768
00:39:28,280 --> 00:39:31,799
Speaker 3: Ak you want the cube to be like at the

769
00:39:31,840 --> 00:39:34,640
Speaker 3: Galleria and it's like the.

770
00:39:34,680 --> 00:39:37,560
Speaker 2: Tallest cube in Southern California.

771
00:39:37,880 --> 00:39:39,839
Speaker 3: That's where this movie is, or not on this like

772
00:39:39,960 --> 00:39:43,040
Speaker 3: ethical ethereal plane of existence.

773
00:39:45,480 --> 00:39:50,560
Speaker 1: Maybe if there was like a continuing storyline where somebody

774
00:39:51,640 --> 00:39:56,640
Speaker 1: was reflective at all in this movie, about anything spiritual.

775
00:39:56,760 --> 00:39:59,440
Speaker 1: I would think, okay, they would call it gleaming the

776
00:39:59,480 --> 00:40:02,520
Speaker 1: cube because of that one character that was a Buddhist

777
00:40:02,680 --> 00:40:05,760
Speaker 1: and was thinking about things on a higher plane.

778
00:40:06,040 --> 00:40:10,360
Speaker 3: Not that guy was gleaming the cube all day. Where's

779
00:40:10,440 --> 00:40:13,120
Speaker 3: where's Brian. Oh, he's out on his yoga mat, gleaming

780
00:40:13,120 --> 00:40:15,640
Speaker 3: the cube. We won't hear from him till Saturday.

781
00:40:16,000 --> 00:40:20,759
Speaker 1: The only way connects is that a side character randomly

782
00:40:20,920 --> 00:40:23,680
Speaker 1: says it, and that's the only mention of it.

783
00:40:23,880 --> 00:40:25,480
Speaker 2: He says it like it's a fucking insult.

784
00:40:25,520 --> 00:40:27,840
Speaker 3: On top of that, like, man, you're not even gleaming

785
00:40:27,880 --> 00:40:31,880
Speaker 3: the cube, but it's like what what There's Here's the thing.

786
00:40:32,239 --> 00:40:35,600
Speaker 3: As a writer who works in this industry, now, I

787
00:40:35,680 --> 00:40:37,960
Speaker 3: guarantee there was a whole scene that was cut that

788
00:40:38,000 --> 00:40:40,520
Speaker 3: fully explained it, that was boiled down to that one line,

789
00:40:41,000 --> 00:40:43,520
Speaker 3: and nobody cares that it doesn't make sense, not a

790
00:40:43,560 --> 00:40:44,240
Speaker 3: single person.

791
00:40:44,320 --> 00:40:45,239
Speaker 1: They probably cut it.

792
00:40:45,360 --> 00:40:47,040
Speaker 3: Yeah, they cut it right out, and then they're like, wait,

793
00:40:47,080 --> 00:40:48,920
Speaker 3: this doesn't make sense anymore. Is the title of our

794
00:40:48,960 --> 00:40:51,719
Speaker 3: fucking film and we have no explanation for it. Just

795
00:40:51,760 --> 00:40:54,480
Speaker 3: make Max Perlck say something like really offhand in an

796
00:40:54,560 --> 00:40:59,279
Speaker 3: underground bunker that he hangs out in here are the

797
00:40:59,360 --> 00:41:01,960
Speaker 3: moments where, not knowing what it meant, I thought, Okay,

798
00:41:02,800 --> 00:41:05,279
Speaker 3: when does Brian gleam the cube in this movie? And

799
00:41:05,320 --> 00:41:06,680
Speaker 3: I need you to help help me vote on this.

800
00:41:06,719 --> 00:41:07,280
Speaker 3: There are a few.

801
00:41:07,200 --> 00:41:08,359
Speaker 2: Choices, Okay, okay?

802
00:41:08,600 --> 00:41:10,400
Speaker 3: Is he gleaming the cube when he holds onto the

803
00:41:10,400 --> 00:41:13,239
Speaker 3: back of a city bus? Is he gleaming the cube

804
00:41:13,239 --> 00:41:16,480
Speaker 3: when he holds onto the back of a van? Is

805
00:41:16,480 --> 00:41:18,799
Speaker 3: he gleaming the cube when he holds onto the back

806
00:41:18,840 --> 00:41:20,440
Speaker 3: of a corvette on the freeway?

807
00:41:22,360 --> 00:41:25,400
Speaker 2: Is he gleaming the cube when he skates through.

808
00:41:25,239 --> 00:41:29,000
Speaker 3: A plate glass window in an attempt to thwart a criminal?

809
00:41:29,960 --> 00:41:33,520
Speaker 3: Or is he gleaming the cube when he skates the

810
00:41:33,680 --> 00:41:37,479
Speaker 3: gun out of the villain's hand to save the day.

811
00:41:38,480 --> 00:41:39,680
Speaker 2: Where's he gleaming his cube?

812
00:41:39,719 --> 00:41:39,839
Speaker 1: Bro?

813
00:41:40,040 --> 00:41:40,880
Speaker 2: Where's he gleaming it?

814
00:41:41,360 --> 00:41:48,400
Speaker 1: I mean, one would suggest that the cube is always

815
00:41:48,480 --> 00:41:55,880
Speaker 1: being gleamed, no matter how difficult the situation is.

816
00:41:56,880 --> 00:41:58,520
Speaker 2: So he could be gleaming the cube.

817
00:41:58,560 --> 00:42:01,480
Speaker 3: I mean one, I should say, one could be gleaming

818
00:42:01,480 --> 00:42:02,840
Speaker 3: the cube right now?

819
00:42:03,400 --> 00:42:05,040
Speaker 2: Are we gleaming the cube right now?

820
00:42:05,400 --> 00:42:05,759
Speaker 1: I mean?

821
00:42:05,840 --> 00:42:06,600
Speaker 2: I got to be honest.

822
00:42:06,640 --> 00:42:08,879
Speaker 1: There are times in my life where I wasn't sure if.

823
00:42:08,800 --> 00:42:12,040
Speaker 2: I was gleaming the cube. I think as I've gotten older,

824
00:42:12,600 --> 00:42:14,800
Speaker 2: I've begun to understand it a little bit more.

825
00:42:15,480 --> 00:42:19,080
Speaker 1: I am gleaming the cube more often than not, gleaming

826
00:42:19,120 --> 00:42:22,520
Speaker 1: the cube real. And you know, I think that you

827
00:42:22,600 --> 00:42:28,319
Speaker 1: really don't know, unfortunately until death, if you actually did

828
00:42:28,360 --> 00:42:31,360
Speaker 1: gleam the cube. So you know, it's like a that

829
00:42:31,680 --> 00:42:32,600
Speaker 1: such is life.

830
00:42:32,800 --> 00:42:33,720
Speaker 2: Such is life?

831
00:42:34,160 --> 00:42:34,800
Speaker 1: Am I right?

832
00:42:34,880 --> 00:42:36,640
Speaker 3: So you'd just like you set your metric and you

833
00:42:36,680 --> 00:42:38,480
Speaker 3: hope for the best, and you hope that you're gleaming

834
00:42:38,480 --> 00:42:40,719
Speaker 3: the cube. When you intend to gleam the cube, you

835
00:42:40,800 --> 00:42:43,640
Speaker 3: hope it's happening. You're like, man, this is a moment

836
00:42:43,680 --> 00:42:48,600
Speaker 3: of pure zen. I am gleaming the goddamn cube so hard. No, here,

837
00:42:49,160 --> 00:42:52,200
Speaker 3: here's my other question, Because we have a cop in

838
00:42:52,200 --> 00:42:57,359
Speaker 3: this film who is investigating everything. He's literally the only

839
00:42:57,400 --> 00:43:00,520
Speaker 3: cop in Orange County, Like, he shows up at everything. Oh,

840
00:43:00,560 --> 00:43:03,640
Speaker 3: skater's in the pool, Stephen Bower shows up. Oh you

841
00:43:03,719 --> 00:43:07,479
Speaker 3: have a murder. Stephen Bower shows up. He's the only cop.

842
00:43:07,560 --> 00:43:11,879
Speaker 3: Manny from Scarface, Manny from Scarface, Hot Ass, Manny from

843
00:43:11,920 --> 00:43:13,080
Speaker 3: Scarface is coming.

844
00:43:13,360 --> 00:43:16,600
Speaker 2: He's on the move. Is he ever gleaming the cube?

845
00:43:16,640 --> 00:43:20,000
Speaker 2: In this movie, i'd do you.

846
00:43:20,000 --> 00:43:21,920
Speaker 1: Have to be on a skateboard to glean the cube.

847
00:43:22,239 --> 00:43:25,600
Speaker 1: Here's the thing about this guy, the cop. He's like

848
00:43:25,680 --> 00:43:28,640
Speaker 1: the cool cop, right, He's the cop that was like,

849
00:43:28,800 --> 00:43:29,920
Speaker 1: he's trying to tell.

850
00:43:29,760 --> 00:43:33,600
Speaker 2: You, listen, kids, I was there. I used to glean

851
00:43:33,719 --> 00:43:37,399
Speaker 2: the cube quite a bit my day, you know, And

852
00:43:37,440 --> 00:43:41,919
Speaker 2: this is his way in to you.

853
00:43:41,800 --> 00:43:45,560
Speaker 1: Know, Brian's life. Is that Brian's like and it's that

854
00:43:45,800 --> 00:43:48,040
Speaker 1: total thing where he is like, come on, you're the

855
00:43:48,120 --> 00:43:50,640
Speaker 1: cool cop. You gotta know what I'm talking about. And

856
00:43:50,760 --> 00:43:55,560
Speaker 1: meanwhile the CoP's like, you're an idiot, Like, stop investigating

857
00:43:55,760 --> 00:43:57,840
Speaker 1: your your stepbrother's death.

858
00:43:58,280 --> 00:44:01,120
Speaker 2: He hung himself. Get over it, bitch.

859
00:44:01,800 --> 00:44:05,360
Speaker 1: Go back to that cube, dude, I don't want to

860
00:44:05,400 --> 00:44:06,120
Speaker 1: hear about it.

861
00:44:06,360 --> 00:44:08,520
Speaker 3: Then he gets in his truck with a roll bar

862
00:44:08,840 --> 00:44:12,080
Speaker 3: and drives away, because that's who you want advice from.

863
00:44:12,080 --> 00:44:14,359
Speaker 3: As somebody who drives a truck with a roll bar

864
00:44:14,920 --> 00:44:18,960
Speaker 3: in the mean streets of Orange County, I can't.

865
00:44:19,400 --> 00:44:23,560
Speaker 1: I gotta tell you it's unfortunate because I totally love.

866
00:44:23,440 --> 00:44:26,319
Speaker 2: Seeing Asian people in movies. But I was like, I'm

867
00:44:26,360 --> 00:44:29,400
Speaker 2: on with this shit. This is too fraught.

868
00:44:29,680 --> 00:44:31,720
Speaker 1: This plot is too fraught.

869
00:44:31,840 --> 00:44:33,239
Speaker 2: Like, oh this, this might be.

870
00:44:33,200 --> 00:44:37,920
Speaker 3: My favorite moment speaking of the Asian element. So we

871
00:44:38,000 --> 00:44:42,040
Speaker 3: have this crime happening that's centered around the Vietnamese community. Correct,

872
00:44:42,640 --> 00:44:45,640
Speaker 3: they apprehend a couple of people on scooters eventually and

873
00:44:45,680 --> 00:44:48,520
Speaker 3: like kind of want to question them, and you know,

874
00:44:48,560 --> 00:44:51,759
Speaker 3: Stephen Bauer is there with his brood and he's kind

875
00:44:51,760 --> 00:44:54,040
Speaker 3: of trying to talk to them, and they're talking. They're

876
00:44:54,040 --> 00:44:56,120
Speaker 3: speaking Vietnamese to each other, so they're like, you know,

877
00:44:56,760 --> 00:44:58,760
Speaker 3: fuck you, dude, You're not gonna know what we're saying.

878
00:44:58,960 --> 00:45:01,400
Speaker 3: So he calls it a co worker. Who do you

879
00:45:01,520 --> 00:45:06,680
Speaker 3: think in this station speaks perfect conversational Vietnamese, The white

880
00:45:06,680 --> 00:45:10,280
Speaker 3: guy with the blond crew cut, yes, the white student

881
00:45:10,360 --> 00:45:14,120
Speaker 3: ever live white, a suit of all time, perfect Vietnamese,

882
00:45:14,840 --> 00:45:18,200
Speaker 3: and a community filled to the fucking brim with Asian people.

883
00:45:21,680 --> 00:45:25,280
Speaker 3: That's also hard. Cut to the funeral where Christian Slater

884
00:45:25,440 --> 00:45:29,200
Speaker 3: skates to the funeral with his blazer sleeves pulled up

885
00:45:30,600 --> 00:45:33,920
Speaker 3: and he's so late to his own brother's funeral that

886
00:45:33,920 --> 00:45:36,920
Speaker 3: they're basically lowering the body into the grave and then

887
00:45:36,960 --> 00:45:38,720
Speaker 3: he just kind of skates up and puts a chess

888
00:45:38,760 --> 00:45:42,279
Speaker 3: piece on it, and it's like, fuck, y'all, like that

889
00:45:42,600 --> 00:45:44,200
Speaker 3: is just such a fuck you move at a funeral.

890
00:45:44,239 --> 00:45:47,280
Speaker 3: I've never seen anything like it. Oh my god, I can't,

891
00:45:47,440 --> 00:45:48,239
Speaker 3: I cannot.

892
00:45:48,480 --> 00:45:50,879
Speaker 1: I need to ask you a fundamental question though, about

893
00:45:50,960 --> 00:45:51,560
Speaker 1: Christian Slater.

894
00:45:51,760 --> 00:45:53,920
Speaker 3: Okay, what I've died from a nineteen eighty nine. Yes, yes,

895
00:45:53,960 --> 00:45:54,359
Speaker 3: I would have.

896
00:45:54,440 --> 00:45:55,080
Speaker 1: Well, that was.

897
00:45:55,239 --> 00:45:56,320
Speaker 2: Definitely my first question.

898
00:45:57,360 --> 00:46:01,400
Speaker 1: My second question for you is, were you convinced that

899
00:46:01,480 --> 00:46:04,640
Speaker 1: Christian Slater was actually skateboarding in this movie or did

900
00:46:04,680 --> 00:46:05,759
Speaker 1: you know that he wasn't.

901
00:46:06,200 --> 00:46:09,920
Speaker 3: Here's the thing I'll say about myself. I'm an intelligent person,

902
00:46:10,600 --> 00:46:13,480
Speaker 3: so I knew he wasn't skating. But I would have

903
00:46:13,600 --> 00:46:16,280
Speaker 3: known even if I was a complete fucking idiot, because

904
00:46:16,280 --> 00:46:19,600
Speaker 3: the stunt double they use is so terrible.

905
00:46:20,000 --> 00:46:22,280
Speaker 2: The wig, the body.

906
00:46:22,280 --> 00:46:22,920
Speaker 1: Super tall.

907
00:46:24,160 --> 00:46:27,439
Speaker 3: It is the worst stunt double recreation I've ever seen

908
00:46:27,520 --> 00:46:30,279
Speaker 3: in my life. Like you could be half blind and

909
00:46:30,360 --> 00:46:32,880
Speaker 3: know that that's not Christian Slater, which makes the moves

910
00:46:32,880 --> 00:46:35,600
Speaker 3: that he's doing so much more comical now that I'm

911
00:46:35,640 --> 00:46:37,640
Speaker 3: you know, forty three, because he's just hopping up and

912
00:46:37,640 --> 00:46:39,879
Speaker 3: down like he's on a pogo ball, and then they

913
00:46:39,880 --> 00:46:42,200
Speaker 3: cut to some feet and you're like, those aren't his

914
00:46:42,239 --> 00:46:45,640
Speaker 3: feet You've got like four different stunt guys and none

915
00:46:45,640 --> 00:46:46,680
Speaker 3: of them matched this body.

916
00:46:46,760 --> 00:46:47,279
Speaker 2: It's not him.

917
00:46:47,320 --> 00:46:49,399
Speaker 3: I knew it wasn't him skating, and it didn't matter.

918
00:46:49,440 --> 00:46:51,520
Speaker 3: Didn't matter because he looked hot hole in one and

919
00:46:51,560 --> 00:46:54,640
Speaker 3: he had that hair. And let's okay, real quick, we

920
00:46:54,719 --> 00:46:55,760
Speaker 3: have to talk about the makeover.

921
00:46:56,280 --> 00:46:56,840
Speaker 1: Yes, I was.

922
00:46:56,920 --> 00:46:58,840
Speaker 2: That was my next question, the makeover.

923
00:46:59,040 --> 00:47:01,760
Speaker 3: Yes, okay, Because there's a whole again, forty five plots

924
00:47:01,760 --> 00:47:02,560
Speaker 3: in this one movie.

925
00:47:02,760 --> 00:47:05,279
Speaker 2: There's this whole, there's this whole thing.

926
00:47:06,200 --> 00:47:11,440
Speaker 3: As he's trying to solve his brother's murder slash suicide potentially,

927
00:47:12,200 --> 00:47:16,680
Speaker 3: he decides to date his brother's ex girlfriend solid move

928
00:47:16,800 --> 00:47:19,360
Speaker 3: right in order to impress her because she's like, we

929
00:47:19,440 --> 00:47:22,719
Speaker 3: have nothing in common. You're white and dumb and I'm

930
00:47:22,800 --> 00:47:27,480
Speaker 3: Vietnamese and smart. And so he says, hey, you know

931
00:47:27,520 --> 00:47:31,920
Speaker 3: what this takes montage makeover. Take off my fucking gloves

932
00:47:31,920 --> 00:47:34,120
Speaker 3: that I live in. Apparently the funk from those must

933
00:47:34,120 --> 00:47:34,960
Speaker 3: have been atrocious.

934
00:47:35,080 --> 00:47:38,640
Speaker 1: God, I hate constant gloves, like the fingerless gloves.

935
00:47:38,680 --> 00:47:40,600
Speaker 3: And then just like, let me just you know, shimmy

936
00:47:40,640 --> 00:47:42,960
Speaker 3: out of these pads. Let me kind of cut my

937
00:47:43,040 --> 00:47:45,600
Speaker 3: hair but mostly just slick it back and put on

938
00:47:45,680 --> 00:47:49,360
Speaker 3: a sweater and some Oxfords and some khakis, to the

939
00:47:49,360 --> 00:47:52,200
Speaker 3: point where when I look so different to everyone that

940
00:47:52,280 --> 00:47:54,920
Speaker 3: when I walk out of the room, my mother drops

941
00:47:54,920 --> 00:47:56,000
Speaker 3: a glass in the sink.

942
00:47:56,520 --> 00:48:01,440
Speaker 2: She shocked. She shocked. The whole school, the whole school.

943
00:48:01,440 --> 00:48:04,520
Speaker 3: When he walks in because he carries a briefcase to school,

944
00:48:05,360 --> 00:48:07,960
Speaker 3: let's replace this with my skateboard with a briefcase.

945
00:48:08,920 --> 00:48:11,920
Speaker 2: Saundras on into this like outdoor.

946
00:48:11,239 --> 00:48:15,680
Speaker 3: Fucking la school, and the whole student body stops to

947
00:48:15,680 --> 00:48:18,520
Speaker 3: stare at him and like nobody can believe they're all

948
00:48:18,560 --> 00:48:23,560
Speaker 3: a gog a gog that this dirtbag skater is now

949
00:48:23,600 --> 00:48:26,480
Speaker 3: this preppy prince. But he does it so he can

950
00:48:26,520 --> 00:48:29,640
Speaker 3: take out his brother's ex girlfriend but not even really

951
00:48:29,760 --> 00:48:32,319
Speaker 3: date her. He kind of first is doing it just

952
00:48:32,360 --> 00:48:35,120
Speaker 3: to like investigate her dad on the sly.

953
00:48:35,880 --> 00:48:39,120
Speaker 1: Yeah, the makeover thing is so funny to me because

954
00:48:39,120 --> 00:48:43,320
Speaker 1: it's basically like the best fucking part of a makeover

955
00:48:43,880 --> 00:48:47,240
Speaker 1: is when your old friends are like, what the fuck

956
00:48:47,840 --> 00:48:50,239
Speaker 1: this is fucking weird, Like.

957
00:48:50,320 --> 00:48:51,200
Speaker 2: What happened to you?

958
00:48:51,400 --> 00:48:51,720
Speaker 3: Dude?

959
00:48:52,360 --> 00:48:52,440
Speaker 2: You?

960
00:48:52,640 --> 00:48:55,080
Speaker 1: Like, what are you like a preppy? Now? What did

961
00:48:55,120 --> 00:48:57,960
Speaker 1: you go to the gap and get a baggy sweater

962
00:48:58,400 --> 00:49:01,200
Speaker 1: and where'd you get a briefcase man from, like the

963
00:49:01,320 --> 00:49:03,920
Speaker 1: rich guy store. They all like ride his.

964
00:49:04,000 --> 00:49:06,560
Speaker 2: Ass because he's now a preppy guy.

965
00:49:07,000 --> 00:49:09,960
Speaker 1: And he doesn't even offer this simple excuse of I'm

966
00:49:09,960 --> 00:49:12,920
Speaker 1: doing it for a girl, which most people would be like, okay,

967
00:49:13,360 --> 00:49:13,880
Speaker 1: I get it.

968
00:49:14,120 --> 00:49:16,960
Speaker 2: He just is like, what's your problem?

969
00:49:17,719 --> 00:49:20,760
Speaker 3: Taking a step further. My brother just fucking died. Maybe

970
00:49:20,800 --> 00:49:22,640
Speaker 3: get off my back for a minute. Why don't you

971
00:49:22,719 --> 00:49:26,040
Speaker 3: get off my dick. My brother has committed suicide, y'all.

972
00:49:26,080 --> 00:49:28,799
Speaker 3: My parents are like missing the good son. I'm trying

973
00:49:28,840 --> 00:49:29,600
Speaker 3: to do a thing here.

974
00:49:29,920 --> 00:49:32,160
Speaker 1: This is the way that I'm dealing with grief. And

975
00:49:32,239 --> 00:49:36,960
Speaker 1: if you bozos can't figure it out, then maybe I

976
00:49:37,000 --> 00:49:40,000
Speaker 1: will find another crew to ride around with in a

977
00:49:40,040 --> 00:49:41,360
Speaker 1: pizza hut truck.

978
00:49:42,239 --> 00:49:45,759
Speaker 3: That truck this is this is like again, like I

979
00:49:45,800 --> 00:49:48,839
Speaker 3: can never earn any kind of substantial money because if

980
00:49:48,880 --> 00:49:50,680
Speaker 3: I could buy that truck and just keep it in

981
00:49:50,680 --> 00:49:52,840
Speaker 3: my front yard as like a planter, I totally would

982
00:49:53,080 --> 00:49:55,160
Speaker 3: like I would buy that fucking pizza hut truck and

983
00:49:55,239 --> 00:49:57,000
Speaker 3: just grow like succulents in it.

984
00:49:57,040 --> 00:49:58,360
Speaker 2: That's the story of our generation.

985
00:49:58,560 --> 00:50:02,480
Speaker 1: It's basically people who want gleaving a cube essentially created

986
00:50:02,520 --> 00:50:05,560
Speaker 1: an app made trillions of dollars and then just did

987
00:50:05,640 --> 00:50:08,120
Speaker 1: wild shit like I'm going to buy a pizza Hut

988
00:50:08,120 --> 00:50:09,239
Speaker 1: truck and put it in.

989
00:50:09,200 --> 00:50:11,279
Speaker 2: My yard to honor my childhood.

990
00:50:11,320 --> 00:50:15,560
Speaker 1: But speaking of this concept, though, my question to you

991
00:50:15,640 --> 00:50:20,480
Speaker 1: ultimately is you thought this movie was high art. You

992
00:50:20,520 --> 00:50:23,880
Speaker 1: thought this movie was like where did it register for

993
00:50:23,960 --> 00:50:27,640
Speaker 1: you in terms of like passion and investment and everything?

994
00:50:28,000 --> 00:50:30,799
Speaker 3: Could quote it backwards and forwards, watch it every day

995
00:50:31,239 --> 00:50:33,359
Speaker 3: for a whole summer along with Heathers, which I can

996
00:50:33,400 --> 00:50:36,759
Speaker 3: also quote backwards and forwards, right, because Christian Slater was

997
00:50:36,840 --> 00:50:40,800
Speaker 3: my dude. I didn't think it was high art per se.

998
00:50:41,640 --> 00:50:44,640
Speaker 3: I did think it was a good movie, compelling drama.

999
00:50:44,719 --> 00:50:47,839
Speaker 3: You were like, this is compelling, credible, right, Oh yeah,

1000
00:50:47,840 --> 00:50:50,319
Speaker 3: I'm like I was so happy that they had a

1001
00:50:50,520 --> 00:50:54,359
Speaker 3: storyline that involved a Vietnamese family. I'm like, oh, they're

1002
00:50:54,400 --> 00:50:56,839
Speaker 3: not all white, this is so they're great. Look at them,

1003
00:50:57,120 --> 00:51:01,279
Speaker 3: look at them. Go ye thrilled that there's this little espionage,

1004
00:51:01,280 --> 00:51:05,920
Speaker 3: like skateboard espionage. I thought this was a fucking compelling

1005
00:51:06,040 --> 00:51:11,480
Speaker 3: drama up there with like Crossing Delancey or like whatever

1006
00:51:11,520 --> 00:51:12,920
Speaker 3: other bullshit I was watching.

1007
00:51:12,719 --> 00:51:14,000
Speaker 2: On VHS at that point.

1008
00:51:14,040 --> 00:51:16,600
Speaker 3: In time, I thought like, this is a story that

1009
00:51:16,680 --> 00:51:19,759
Speaker 3: is doing the deep work and we all get to

1010
00:51:19,760 --> 00:51:20,520
Speaker 3: benefit from it.

1011
00:51:21,000 --> 00:51:24,440
Speaker 1: So I want to say, though, Okay, so there is

1012
00:51:24,480 --> 00:51:28,439
Speaker 1: a character in this movie who is somebody that you've

1013
00:51:28,480 --> 00:51:32,240
Speaker 1: actually met in real life. Yeah, and I want people

1014
00:51:32,280 --> 00:51:35,120
Speaker 1: to know who it is and the story of it

1015
00:51:35,560 --> 00:51:37,840
Speaker 1: because I was with you that day and yeah, I

1016
00:51:37,920 --> 00:51:38,959
Speaker 1: think it's amazing.

1017
00:51:38,680 --> 00:51:43,120
Speaker 3: It happened in La So essentially Richard Hurd, who plays

1018
00:51:43,160 --> 00:51:47,960
Speaker 3: the warehouse owner slash murderer slash person who gets the

1019
00:51:48,000 --> 00:51:50,520
Speaker 3: gun skateboarded out of his hand at the end of

1020
00:51:50,520 --> 00:51:53,680
Speaker 3: the movie, who might have been on the on the

1021
00:51:53,680 --> 00:51:58,040
Speaker 3: business end of gleaming the cube. Millie and I are

1022
00:51:58,080 --> 00:52:01,279
Speaker 3: in Skylight Books here in La one night, just like

1023
00:52:01,440 --> 00:52:06,520
Speaker 3: rolling around, and he's there, and Richard heard. I think

1024
00:52:06,600 --> 00:52:10,799
Speaker 3: younger generations might know him as he played George Costanzo's

1025
00:52:10,840 --> 00:52:13,880
Speaker 3: boss when George worked for the Yankees on Seinfeld. But

1026
00:52:14,160 --> 00:52:16,640
Speaker 3: he was also in incredible films, like he was in

1027
00:52:16,680 --> 00:52:19,440
Speaker 3: The China Syndrome, All the President's Men. He had a

1028
00:52:19,480 --> 00:52:23,080
Speaker 3: really stunning film career. So we're walking around Skylight and

1029
00:52:23,120 --> 00:52:27,399
Speaker 3: I see him right and again. Because I am who

1030
00:52:27,440 --> 00:52:30,439
Speaker 3: I am, I just say yeah. As we're walking past

1031
00:52:30,440 --> 00:52:32,560
Speaker 3: each other, I say, hey, oh my goodness, like, you're

1032
00:52:32,600 --> 00:52:35,680
Speaker 3: such a phenomenal actor, and he says, yeah, Richard heard,

1033
00:52:35,760 --> 00:52:38,839
Speaker 3: nice to meet you. I did not want to say

1034
00:52:38,880 --> 00:52:41,160
Speaker 3: to this man who has been in the movies with

1035
00:52:41,200 --> 00:52:45,719
Speaker 3: like Gregory Peck, I know you from Gleaming the Cue. Motherfucker.

1036
00:52:46,960 --> 00:52:49,360
Speaker 3: That's why I said you're a phenomenal actor, because I'm like,

1037
00:52:49,440 --> 00:52:51,040
Speaker 3: I feel like that would be an insult, Like this

1038
00:52:51,080 --> 00:52:53,240
Speaker 3: is clearly a movie he did for like his SAG

1039
00:52:53,360 --> 00:52:56,000
Speaker 3: card that year or something. But we had a real

1040
00:52:56,040 --> 00:52:58,640
Speaker 3: conversation about like books and great things, and he was

1041
00:52:58,680 --> 00:53:01,719
Speaker 3: so nice and just so sweet, and then we just

1042
00:53:01,760 --> 00:53:03,279
Speaker 3: shopped for books and we left and then.

1043
00:53:03,200 --> 00:53:07,239
Speaker 2: He died a week later. So you killed him. So

1044
00:53:08,000 --> 00:53:08,560
Speaker 2: killed him.

1045
00:53:09,880 --> 00:53:13,520
Speaker 1: But also, you know, I honestly feel like it probably

1046
00:53:13,560 --> 00:53:16,200
Speaker 1: wouldn't have been an insult if you had sent to him. Sir,

1047
00:53:16,760 --> 00:53:22,400
Speaker 1: thank you for providing levity to that shitball movie that

1048
00:53:22,520 --> 00:53:28,840
Speaker 1: I loved, Gleaming the Cube. You really brought chaps to

1049
00:53:28,920 --> 00:53:32,000
Speaker 1: the film, and I appreciate that. May that be the

1050
00:53:32,080 --> 00:53:35,320
Speaker 1: last thing you hear before you pass away, Sir completely

1051
00:53:35,400 --> 00:53:37,200
Speaker 1: and said, I was like, you're great, like.

1052
00:53:38,680 --> 00:53:40,640
Speaker 3: I do not want to tell this man that I

1053
00:53:40,719 --> 00:53:42,440
Speaker 3: recognize him from Gleaming the Cube.

1054
00:53:43,239 --> 00:53:45,120
Speaker 1: I'm sure he has heard it before.

1055
00:53:45,280 --> 00:53:45,760
Speaker 2: I'm sure.

1056
00:53:45,920 --> 00:53:48,720
Speaker 1: I'm sure there's a whole generation of people who don't

1057
00:53:48,920 --> 00:53:54,920
Speaker 1: even literally know anything about him except for Gleaming the Cube.

1058
00:53:55,280 --> 00:53:57,960
Speaker 3: So there you go, exactly. But he was a sweetheart.

1059
00:53:57,960 --> 00:53:58,759
Speaker 3: He was very kind.

1060
00:53:58,760 --> 00:54:00,200
Speaker 2: It was very sad that he died, and.

1061
00:54:00,160 --> 00:54:04,000
Speaker 3: I felt like a murderer, even though I'm not I

1062
00:54:04,000 --> 00:54:05,719
Speaker 3: think we gleaned the Cube as much as we could

1063
00:54:05,760 --> 00:54:09,280
Speaker 3: with this movie. It was one hundred percent horny, not good.

1064
00:54:09,680 --> 00:54:11,920
Speaker 2: Well I'm here for that. I'm so glad you picked it.

1065
00:54:12,000 --> 00:54:13,799
Speaker 1: Even though I was like I saw it for the

1066
00:54:13,840 --> 00:54:16,000
Speaker 1: first time like only five years ago.

1067
00:54:16,040 --> 00:54:18,640
Speaker 2: I didn't even see it in the heyday.

1068
00:54:18,880 --> 00:54:22,719
Speaker 1: And I was like, this is a lot, you know,

1069
00:54:22,880 --> 00:54:25,319
Speaker 1: like I can appreciate it. I mean, there was a

1070
00:54:25,480 --> 00:54:29,600
Speaker 1: there were moments where I was like, ew, like Christian

1071
00:54:29,840 --> 00:54:35,080
Speaker 1: Slater in this like Fingerless Glove and Billy Idle earring

1072
00:54:35,320 --> 00:54:38,319
Speaker 1: that's going on, and you know, I it's like one

1073
00:54:38,360 --> 00:54:40,000
Speaker 1: of those things where I was like, oh, they're trying

1074
00:54:40,040 --> 00:54:42,520
Speaker 1: to make a skater movie into this, like really like

1075
00:54:42,600 --> 00:54:45,359
Speaker 1: it's gonna be like a John Frankenheimer type of thing,

1076
00:54:45,400 --> 00:54:47,080
Speaker 1: and I don't know if I can handle it.

1077
00:54:47,080 --> 00:54:48,120
Speaker 2: It's blowing my brain.

1078
00:54:48,640 --> 00:54:53,080
Speaker 1: But I'm so glad you picked it though, for this theme,

1079
00:54:53,719 --> 00:54:56,400
Speaker 1: because at least you can you know, you've had a

1080
00:54:56,440 --> 00:54:57,960
Speaker 1: reckoning and now you I.

1081
00:54:57,880 --> 00:55:02,400
Speaker 3: Feel unburdened, like I feel a levity that I needed.

1082
00:55:03,280 --> 00:55:04,920
Speaker 2: And here's here's how bad this movie is.

1083
00:55:04,920 --> 00:55:06,520
Speaker 3: I didn't even look up the director and writer to

1084
00:55:06,520 --> 00:55:08,160
Speaker 3: see if they did anything else because I don't want

1085
00:55:08,160 --> 00:55:11,120
Speaker 3: to know. Oh go, let's get to your movies before

1086
00:55:11,160 --> 00:55:20,320
Speaker 3: I pass out, Millie. What is your choice for this theme?

1087
00:55:20,800 --> 00:55:24,520
Speaker 1: My choice for the theme of is it good? Or

1088
00:55:24,760 --> 00:55:28,719
Speaker 1: was I Horny? Is a movie from nineteen ninety It's

1089
00:55:28,800 --> 00:55:32,840
Speaker 1: called Memphis Bell and it was directed by Michael Caton Jones.

1090
00:55:33,360 --> 00:55:36,440
Speaker 2: In the summer of nineteen forty three, a fierce battle

1091
00:55:36,600 --> 00:55:39,439
Speaker 2: raged in the skies of Europe. So that's the crowd

1092
00:55:39,480 --> 00:55:42,520
Speaker 2: of Memphis Bell. They're just ordinary men, Colonel.

1093
00:55:42,600 --> 00:55:44,840
Speaker 1: They applied twenty four missions from out of scratch.

1094
00:55:45,480 --> 00:55:47,120
Speaker 2: That doesn't sound very ordinary to me.

1095
00:55:47,760 --> 00:55:49,759
Speaker 1: Okay, let me just do this. Let me get all

1096
00:55:49,800 --> 00:55:52,200
Speaker 1: the paperwork out of the way first.

1097
00:55:52,400 --> 00:55:52,800
Speaker 2: Okay.

1098
00:55:53,280 --> 00:55:58,960
Speaker 1: So this movie, Memphis Bell is technically a fictional retelling

1099
00:55:59,080 --> 00:56:03,080
Speaker 1: of a documentary that was made in nineteen forty four.

1100
00:56:03,520 --> 00:56:06,480
Speaker 1: The documentary is called Memphis Bell A Story of a

1101
00:56:06,520 --> 00:56:10,480
Speaker 1: Flying Fortress, and it was directed by the famous classic

1102
00:56:10,520 --> 00:56:14,440
Speaker 1: film director William Wiler. He's done so many old movies

1103
00:56:15,000 --> 00:56:17,839
Speaker 1: that are great. You don't even want to know.

1104
00:56:18,120 --> 00:56:20,160
Speaker 3: You had me at Flying Fortress.

1105
00:56:20,400 --> 00:56:23,840
Speaker 1: Yeah, Flying Fortresses really rolls off the tongue.

1106
00:56:23,960 --> 00:56:26,120
Speaker 2: Now here's the thing about the documentary.

1107
00:56:26,160 --> 00:56:29,719
Speaker 1: William Wyler volunteered to join the military during World War Two,

1108
00:56:29,760 --> 00:56:31,960
Speaker 1: even though he was already working in Hollywood. So he

1109
00:56:32,040 --> 00:56:35,359
Speaker 1: was like a Hollywood director who was just like, I'm

1110
00:56:35,440 --> 00:56:38,719
Speaker 1: gonna enlist in the military him and actually a bunch

1111
00:56:38,800 --> 00:56:41,640
Speaker 1: of other Hollywood directors did that, so like John Ford

1112
00:56:41,680 --> 00:56:44,440
Speaker 1: and Frank Capra. And there's this really great book that

1113
00:56:44,560 --> 00:56:47,799
Speaker 1: Mark Harris wrote that was called Five Came Back, and

1114
00:56:48,080 --> 00:56:50,960
Speaker 1: it's all about this era where these Hollywood directors went

1115
00:56:51,000 --> 00:56:54,160
Speaker 1: to World War Two and you know, basically joined the military.

1116
00:56:54,800 --> 00:57:01,080
Speaker 1: And William Weiler he actually made this documentary during the

1117
00:57:01,080 --> 00:57:03,719
Speaker 1: real war and he filmed it while he was on

1118
00:57:03,840 --> 00:57:07,320
Speaker 1: bombing missions. So he was like, this is a documentary

1119
00:57:07,320 --> 00:57:10,359
Speaker 1: that is literally happening. I was in the military and

1120
00:57:10,400 --> 00:57:12,480
Speaker 1: we were actually on a bombing mission.

1121
00:57:12,560 --> 00:57:13,440
Speaker 2: Oh my goodness.

1122
00:57:13,480 --> 00:57:17,280
Speaker 3: So's he's the Danny boy character in this Yeah, it's.

1123
00:57:17,080 --> 00:57:19,200
Speaker 2: So hard to say because I actually don't.

1124
00:57:19,760 --> 00:57:24,760
Speaker 1: So the documentary and the narrative movie is about this

1125
00:57:24,880 --> 00:57:28,959
Speaker 1: bomber plane and the crew of the Memphis Bell, which

1126
00:57:29,080 --> 00:57:33,720
Speaker 1: was flown in World War Two. It completed twenty five missions,

1127
00:57:34,040 --> 00:57:38,160
Speaker 1: which is insane. That's an actual insane feed because think

1128
00:57:38,200 --> 00:57:41,320
Speaker 1: about war and think about having to do something twenty

1129
00:57:41,320 --> 00:57:44,200
Speaker 1: five times and staying alive afterwards.

1130
00:57:44,240 --> 00:57:46,400
Speaker 3: Think about the last time you did twenty five sit ups.

1131
00:57:46,400 --> 00:57:48,960
Speaker 3: I mean, come on, I know, I mean, it's ridiculous.

1132
00:57:49,000 --> 00:57:52,040
Speaker 2: I'm flying a plane twenty five times now. So there's

1133
00:57:52,080 --> 00:57:53,280
Speaker 2: the real people involved.

1134
00:57:53,320 --> 00:57:57,920
Speaker 1: Now, the I don't know how accurate the fictional film was.

1135
00:57:58,000 --> 00:58:01,560
Speaker 1: I don't know if it was the act actual characters.

1136
00:58:01,600 --> 00:58:06,000
Speaker 1: It's probably just like you know, types of people that

1137
00:58:06,160 --> 00:58:08,520
Speaker 1: were alive in this era and would have been on

1138
00:58:08,560 --> 00:58:11,720
Speaker 1: a plane like this. Right. So the movie Memphis Bell,

1139
00:58:11,880 --> 00:58:15,600
Speaker 1: the actual narrative movie, begins right before their final mission.

1140
00:58:15,680 --> 00:58:18,280
Speaker 1: So they're on the twenty fourth and they got one

1141
00:58:18,360 --> 00:58:21,840
Speaker 1: more until they get to go home to America. So

1142
00:58:22,040 --> 00:58:25,920
Speaker 1: of course that last mission they have to fly into

1143
00:58:26,080 --> 00:58:31,040
Speaker 1: Germany on this insanely dangerous bomb run, and in the

1144
00:58:31,080 --> 00:58:35,840
Speaker 1: infamous words of Daniel Henderson, all hell breaks loose.

1145
00:58:37,720 --> 00:58:41,920
Speaker 3: Okay, perfect synopsis perfect, But.

1146
00:58:42,200 --> 00:58:45,520
Speaker 1: You know, ultimately this movie is about like the drama

1147
00:58:45,640 --> 00:58:48,160
Speaker 1: of war and the lives of these soldiers and the

1148
00:58:48,200 --> 00:58:50,640
Speaker 1: bronze that they have, and you know, the idea of

1149
00:58:50,640 --> 00:58:52,440
Speaker 1: what their lives will be like when they came home,

1150
00:58:52,720 --> 00:58:54,680
Speaker 1: I mean, which is why William Weiler made the Best

1151
00:58:54,720 --> 00:58:56,840
Speaker 1: Years of Our Lives about that very subject.

1152
00:58:56,880 --> 00:59:00,200
Speaker 2: So like, so now you know all that, the paper.

1153
00:59:00,360 --> 00:59:03,200
Speaker 1: Is out of the way, So you might be asking yourself,

1154
00:59:03,760 --> 00:59:10,120
Speaker 1: this is the early nineties, right, why does a preteen girl.

1155
00:59:11,840 --> 00:59:16,760
Speaker 2: Have any interest in seeing a historical drama about World

1156
00:59:16,760 --> 00:59:17,600
Speaker 2: War Two? Right?

1157
00:59:17,800 --> 00:59:20,200
Speaker 1: It's like you said in your film, why are you

1158
00:59:20,240 --> 00:59:23,880
Speaker 1: watching the Monk movie with Christian Slater? Okay? I think

1159
00:59:23,880 --> 00:59:26,360
Speaker 1: it's interesting that both these movies are a year apart.

1160
00:59:26,720 --> 00:59:30,240
Speaker 1: So we were effectively the same age when this happened, right,

1161
00:59:31,200 --> 00:59:36,640
Speaker 1: So we were both in our keyed up preteen moments.

1162
00:59:36,680 --> 00:59:39,240
Speaker 1: And I need to paint an accurate picture here because,

1163
00:59:39,240 --> 00:59:42,200
Speaker 1: first of all, in the late eighties this movie came

1164
00:59:42,200 --> 00:59:47,800
Speaker 1: out called Dirty Dancing. Okay, now that shit changed my life.

1165
00:59:48,120 --> 00:59:52,480
Speaker 1: Dirty Dancing changed my life. Now that to me wouldn't

1166
00:59:52,520 --> 00:59:55,520
Speaker 1: actually be a movie. It wouldn't even be is it

1167
00:59:55,600 --> 00:59:57,080
Speaker 1: good or was I horny?

1168
00:59:57,120 --> 00:59:57,520
Speaker 2: Movie?

1169
00:59:57,680 --> 01:00:00,400
Speaker 1: Because I understand what that movie is. From the very

1170
01:00:00,560 --> 01:00:03,120
Speaker 1: moment I watched it. I was like, this is what

1171
01:00:03,200 --> 01:00:05,080
Speaker 1: this movie is, and it was both. You didn't have

1172
01:00:05,120 --> 01:00:08,000
Speaker 1: to decide it. The thing about Journey Dancing is that, like,

1173
01:00:08,600 --> 01:00:11,600
Speaker 1: that was the big romance movie of my generation, right,

1174
01:00:11,680 --> 01:00:13,919
Speaker 1: so it's like everybody has one. It's either like Gone

1175
01:00:13,960 --> 01:00:16,520
Speaker 1: with the Wind or Love Story or Titanic or whatever.

1176
01:00:16,560 --> 01:00:17,640
Speaker 2: And so that was mine.

1177
01:00:18,160 --> 01:00:20,520
Speaker 1: But it essentially cement to the fact that I'm gonna watch,

1178
01:00:20,560 --> 01:00:24,280
Speaker 1: like any movie that features two people from the opposite

1179
01:00:24,280 --> 01:00:28,000
Speaker 1: side of the tracks that fall in love. That premise

1180
01:00:28,480 --> 01:00:31,640
Speaker 1: was very important to me. So in nineteen ninety two,

1181
01:00:32,840 --> 01:00:35,840
Speaker 1: I turned on HBO. It was just a random day,

1182
01:00:36,080 --> 01:00:40,960
Speaker 1: and I watched this movie called The Cutting Edge. Now

1183
01:00:41,040 --> 01:00:43,360
Speaker 1: I'm not sure if you remember this movie, but it

1184
01:00:43,400 --> 01:00:48,000
Speaker 1: was a movie about ice skating and the Olympics and

1185
01:00:48,040 --> 01:00:51,080
Speaker 1: a figure skater and a hockey player that have to

1186
01:00:51,120 --> 01:00:54,560
Speaker 1: do a routine together and they're from opposite sides of

1187
01:00:54,600 --> 01:00:58,280
Speaker 1: the tracks. One's a rich girl and one's a poor

1188
01:00:58,320 --> 01:01:00,200
Speaker 1: guy and they fall in love.

1189
01:01:00,400 --> 01:01:03,080
Speaker 3: And the rich girl was the hockey player. Ultimate twist.

1190
01:01:03,200 --> 01:01:07,600
Speaker 1: We wish, I desperately wish that was the case. But

1191
01:01:07,720 --> 01:01:11,000
Speaker 1: I was obsessed with it. I'm seeing I'm seeing that

1192
01:01:11,040 --> 01:01:14,480
Speaker 1: we have members of our team that also were obsessed

1193
01:01:14,520 --> 01:01:15,160
Speaker 1: with the cutting edge.

1194
01:01:15,200 --> 01:01:15,880
Speaker 2: I'm glad to know.

1195
01:01:16,800 --> 01:01:19,200
Speaker 1: Maybe we'll have to do an episode about it, who knows.

1196
01:01:20,280 --> 01:01:23,400
Speaker 1: But all of that this is to say that I

1197
01:01:23,640 --> 01:01:27,680
Speaker 1: was obsessed with and had the biggest crush of all

1198
01:01:27,720 --> 01:01:30,400
Speaker 1: time on the male lead in that movie, a guy

1199
01:01:30,480 --> 01:01:31,760
Speaker 1: named DeBie Sweeney.

1200
01:01:31,840 --> 01:01:35,920
Speaker 3: Which we can deep dive into that for hours, but

1201
01:01:36,040 --> 01:01:36,520
Speaker 3: we won't.

1202
01:01:36,720 --> 01:01:38,280
Speaker 2: That'll be a bonus episode.

1203
01:01:37,920 --> 01:01:40,560
Speaker 1: Where he certainly could because I mean, when it comes out,

1204
01:01:40,560 --> 01:01:43,120
Speaker 1: this is no slight to you, sir, dB sir.

1205
01:01:44,120 --> 01:01:46,520
Speaker 2: But he was kind of just a normal looking dude.

1206
01:01:46,720 --> 01:01:50,160
Speaker 1: Okay, he wasn't even like a Patrick Swayzee type. But

1207
01:01:50,280 --> 01:01:53,960
Speaker 1: for some reason I just locked him in in my

1208
01:01:54,160 --> 01:01:57,240
Speaker 1: middle school crushed brain and that was it. And it

1209
01:01:57,360 --> 01:02:00,800
Speaker 1: was so bad that I made my parent take me

1210
01:02:00,880 --> 01:02:03,680
Speaker 1: to the video store and I made them rent to

1211
01:02:04,680 --> 01:02:08,680
Speaker 1: historical movies that dB Sweety was in. One was called

1212
01:02:08,760 --> 01:02:12,720
Speaker 1: eight Men Out about the baseball players, and the World

1213
01:02:12,880 --> 01:02:15,040
Speaker 1: Series from like the nineteen twenties.

1214
01:02:15,080 --> 01:02:17,680
Speaker 2: It was something about like they fixed the World Series

1215
01:02:17,960 --> 01:02:21,440
Speaker 2: and had John Cusack in it. And the other movie

1216
01:02:22,560 --> 01:02:23,480
Speaker 2: was Memphis Bell.

1217
01:02:24,400 --> 01:02:28,400
Speaker 3: Okay, and no flags were raised. Mom and Pops were like,

1218
01:02:28,520 --> 01:02:31,040
Speaker 3: you know what, my girl's got a type. She's lient

1219
01:02:31,120 --> 01:02:34,280
Speaker 3: to Jonathan Knight from New Kids and this guy and

1220
01:02:34,320 --> 01:02:37,320
Speaker 3: this guy is the New Kids version of the actors

1221
01:02:37,360 --> 01:02:41,080
Speaker 3: she likes like, she's d B. Sweeney is the Jonathan

1222
01:02:41,160 --> 01:02:41,880
Speaker 3: Knight of acting.

1223
01:02:48,040 --> 01:02:53,320
Speaker 1: Oh my god, that just exploded my brain. I will

1224
01:02:53,320 --> 01:02:54,200
Speaker 1: say that my dad.

1225
01:02:54,320 --> 01:02:56,760
Speaker 2: The funny thing is is my dad was in the airports.

1226
01:02:56,800 --> 01:03:00,640
Speaker 2: He's retired. He was probably fucking stoke that I wanted

1227
01:03:00,640 --> 01:03:01,520
Speaker 2: to write Memphis Bell.

1228
01:03:01,640 --> 01:03:06,000
Speaker 1: He was like, yeah, finally she's some that I'm into.

1229
01:03:06,360 --> 01:03:09,439
Speaker 1: I can't believe it. I must have raised her right. No, no, no,

1230
01:03:10,200 --> 01:03:14,600
Speaker 1: it wasn't about the plane, sir. Essentially for me and

1231
01:03:14,640 --> 01:03:17,520
Speaker 1: I think now that we have a long lens on

1232
01:03:17,600 --> 01:03:21,680
Speaker 1: this movie, Memphis Bell was essentially like the Outsiders.

1233
01:03:22,160 --> 01:03:24,760
Speaker 2: Yes, of all like the hottest.

1234
01:03:24,520 --> 01:03:28,000
Speaker 1: Late eighties early nineties actors, so like it's like a

1235
01:03:28,200 --> 01:03:29,080
Speaker 1: crew of.

1236
01:03:30,560 --> 01:03:32,280
Speaker 2: Young Hollywood hotties.

1237
01:03:32,840 --> 01:03:38,600
Speaker 1: So you have Matthew Modine you have Tate Donovan, Billy Zaye,

1238
01:03:39,120 --> 01:03:41,000
Speaker 1: who I think this is like the third time we've

1239
01:03:41,000 --> 01:03:41,880
Speaker 1: mentioned Billy Zay.

1240
01:03:42,000 --> 01:03:43,240
Speaker 2: I feel like, I.

1241
01:03:43,160 --> 01:03:45,680
Speaker 3: Mean Billy Zaine born with a mustache. That's all I'm

1242
01:03:45,680 --> 01:03:46,040
Speaker 3: gonna say.

1243
01:03:46,200 --> 01:03:47,000
Speaker 2: With a mustache.

1244
01:03:47,480 --> 01:03:51,000
Speaker 1: Eric Stoltz, that's like a whole other crush that I

1245
01:03:51,120 --> 01:03:53,840
Speaker 1: had that we could go three four hours on.

1246
01:03:54,120 --> 01:03:57,360
Speaker 3: I'm sure that's a whole extended edition on its.

1247
01:03:59,080 --> 01:04:01,800
Speaker 1: Eric Stoltz was like, oh my god, I can't even

1248
01:04:02,280 --> 01:04:04,600
Speaker 1: talk about it. I had a huge crush on Eric

1249
01:04:04,680 --> 01:04:07,240
Speaker 1: Sultz too. So you have hit me, have Sean.

1250
01:04:07,080 --> 01:04:10,800
Speaker 3: Aston surprisingly jacked Sean Aston in this game.

1251
01:04:11,400 --> 01:04:16,560
Speaker 1: Jack's little body, Harry Connick Junior in his first movie.

1252
01:04:17,720 --> 01:04:20,680
Speaker 2: Uh, that's a whole other thing there.

1253
01:04:20,760 --> 01:04:24,680
Speaker 1: I mean, you've got Reed Diamond, who was hot, and

1254
01:04:24,720 --> 01:04:26,720
Speaker 1: then of course you have dB Sweeney. So it's like,

1255
01:04:26,960 --> 01:04:30,080
Speaker 1: think about that, think about this like cluster of these

1256
01:04:30,200 --> 01:04:34,760
Speaker 1: haughty guys. And I it was if the Beatles had

1257
01:04:34,840 --> 01:04:37,480
Speaker 1: like eight or nine members. I was all in on

1258
01:04:37,560 --> 01:04:39,560
Speaker 1: pretty much everybody in this movie. Like there were even

1259
01:04:39,560 --> 01:04:41,840
Speaker 1: moments where I was like, yo, I might have a

1260
01:04:41,920 --> 01:04:45,120
Speaker 1: dream about Matthew Modine being my boyfriend tonight.

1261
01:04:45,160 --> 01:04:46,640
Speaker 3: But t b Sweeney's gonna pop in and be like,

1262
01:04:46,640 --> 01:04:48,080
Speaker 3: hey girl, T B.

1263
01:04:48,160 --> 01:04:48,600
Speaker 2: Sweeney.

1264
01:04:48,840 --> 01:04:50,800
Speaker 1: I mean, the fan fiction that I could have written

1265
01:04:50,840 --> 01:04:54,000
Speaker 1: about this shit would have been out of your fucking mind.

1266
01:04:54,120 --> 01:04:55,280
Speaker 1: But I was obsessed with TB.

1267
01:04:55,400 --> 01:04:57,280
Speaker 2: Sweeney, and so I watched this movie.

1268
01:04:58,200 --> 01:05:00,600
Speaker 1: Like, I'm not kidding you when I tell you that

1269
01:05:00,680 --> 01:05:03,800
Speaker 1: my sister and I watch this movie like bare minimum

1270
01:05:04,000 --> 01:05:08,440
Speaker 1: twenty times, if not more, sometimes multiple viewings in the

1271
01:05:08,520 --> 01:05:09,880
Speaker 1: same damn day.

1272
01:05:10,520 --> 01:05:12,040
Speaker 2: Does does you know you're writing arount like this?

1273
01:05:15,280 --> 01:05:17,400
Speaker 1: That was the blood pact that we had. I was like,

1274
01:05:18,200 --> 01:05:21,480
Speaker 1: because I was your older sister and I looked after

1275
01:05:21,520 --> 01:05:24,280
Speaker 1: you as a child, you have to deal with the

1276
01:05:24,320 --> 01:05:27,640
Speaker 1: fact that I might talk about your on a podcast. Okay, so,

1277
01:05:28,560 --> 01:05:30,480
Speaker 1: but I'm telling you we watched this movie so much.

1278
01:05:30,520 --> 01:05:32,440
Speaker 1: I know more about the beats of this movie than

1279
01:05:32,480 --> 01:05:36,440
Speaker 1: I do movies that I ostensibly like, like the stuff

1280
01:05:36,480 --> 01:05:38,440
Speaker 1: that I talk about in public, like, oh, you know,

1281
01:05:38,520 --> 01:05:42,600
Speaker 1: my favorite movie is Johnny Guitar. I like Memphis Bell,

1282
01:05:43,440 --> 01:05:46,360
Speaker 1: and no Memphis Bell more than Johnny Guitar, which is

1283
01:05:46,360 --> 01:05:47,760
Speaker 1: like one of my favorite movies of all time.

1284
01:05:47,800 --> 01:05:51,440
Speaker 3: Memphis Bell is your real favorite movie. If you search

1285
01:05:51,480 --> 01:05:55,200
Speaker 3: your heart and soul, you know for a fact, this

1286
01:05:55,280 --> 01:05:58,800
Speaker 3: shit's coming up. It is not gonna be like Three Women. No,

1287
01:05:58,880 --> 01:06:02,800
Speaker 3: it's gonna be Memphis Bell on your deathbed. Your deathbed

1288
01:06:02,880 --> 01:06:03,960
Speaker 3: movie is Memphis Bell.

1289
01:06:04,640 --> 01:06:11,000
Speaker 1: And okay, and perhaps unlike your film, I definitely thought

1290
01:06:11,080 --> 01:06:13,640
Speaker 1: this was high historical art. Like I thought I was

1291
01:06:13,680 --> 01:06:18,080
Speaker 1: watching like a Martian Ivory movie. Okay. I was like,

1292
01:06:18,440 --> 01:06:23,800
Speaker 1: this is serious, high minded historical cinema. And the funny

1293
01:06:23,800 --> 01:06:27,080
Speaker 1: thing is, is that like even what I've watched, because

1294
01:06:27,080 --> 01:06:30,280
Speaker 1: I've watched it several times in the past five years

1295
01:06:30,320 --> 01:06:32,400
Speaker 1: of my life. Right, I watched it with my coworkers

1296
01:06:32,440 --> 01:06:34,240
Speaker 1: at TCM because I was like, Okay.

1297
01:06:34,080 --> 01:06:36,000
Speaker 2: These motherfuckers haven't seen Memphis Bell.

1298
01:06:36,200 --> 01:06:39,080
Speaker 1: Like we play William Wyler movies all day and they

1299
01:06:39,080 --> 01:06:39,720
Speaker 1: haven't seen it.

1300
01:06:39,840 --> 01:06:40,920
Speaker 2: We're gonna remedy that.

1301
01:06:41,440 --> 01:06:43,880
Speaker 1: And I will say, it's not like a terrible movie,

1302
01:06:43,960 --> 01:06:48,480
Speaker 1: but let's get serious. I was watching it for all

1303
01:06:48,480 --> 01:06:54,480
Speaker 1: the hatties, the plane, the war, all that stuff is nice.

1304
01:06:55,600 --> 01:06:58,520
Speaker 1: But it's the hotties. It's the dbs, you know what

1305
01:06:58,560 --> 01:06:59,040
Speaker 1: I'm saying.

1306
01:06:59,240 --> 01:07:01,680
Speaker 2: It's the tank top hotties and leather jackets.

1307
01:07:03,360 --> 01:07:06,640
Speaker 1: So that's the thing about this film to me that

1308
01:07:06,720 --> 01:07:09,240
Speaker 1: makes it au Is it good or was I horny

1309
01:07:09,360 --> 01:07:12,560
Speaker 1: is because it's that thing where I'm like it presents

1310
01:07:12,600 --> 01:07:15,200
Speaker 1: itself like I stand this movie so much where I

1311
01:07:15,200 --> 01:07:18,200
Speaker 1: would like go to school and be like, you guys

1312
01:07:18,240 --> 01:07:19,120
Speaker 1: want to come over my house.

1313
01:07:19,160 --> 01:07:21,800
Speaker 2: After school watched Memphis Bell and all of the girls

1314
01:07:21,920 --> 01:07:25,920
Speaker 2: were like what, Oh my god, it would have been

1315
01:07:25,960 --> 01:07:30,640
Speaker 2: your best friend. I'm like yeah. And then after that

1316
01:07:30,680 --> 01:07:32,560
Speaker 2: we watched this movie called Gleaming the Cube.

1317
01:07:35,480 --> 01:07:40,360
Speaker 1: Because most of the time that was the people my age, right,

1318
01:07:40,440 --> 01:07:44,600
Speaker 1: the girls my age were not interested in guys like

1319
01:07:44,720 --> 01:07:50,400
Speaker 1: Dmi Sweeteye or Billy Zane right, No, they were after

1320
01:07:51,160 --> 01:07:53,400
Speaker 1: I don't even know who was popular, who was hot,

1321
01:07:53,560 --> 01:07:57,080
Speaker 1: the new kids on the block, Vanilla Ice, Vanilla Ice.

1322
01:07:57,200 --> 01:07:58,640
Speaker 2: Maybe they're into Vanilla Ice.

1323
01:07:58,920 --> 01:08:03,400
Speaker 3: Okay, probably into like no, Jonathan Taylor Thomas is too late,

1324
01:08:03,400 --> 01:08:05,680
Speaker 3: but they're probably into like that. Like they were probably

1325
01:08:06,120 --> 01:08:09,880
Speaker 3: like your you have through Memphis Bell. It seems like

1326
01:08:10,120 --> 01:08:14,200
Speaker 3: your crushes are on adult ass men and they were

1327
01:08:14,240 --> 01:08:19,240
Speaker 3: probably still crushing on boys. You're like, I'm crushing on

1328
01:08:20,000 --> 01:08:22,160
Speaker 3: old ass adult ass men.

1329
01:08:22,520 --> 01:08:24,960
Speaker 1: You didn't mean boys to men? No, I'm men, no

1330
01:08:25,200 --> 01:08:30,639
Speaker 1: real men, not boys, two men, no or boys, just men?

1331
01:08:30,760 --> 01:08:31,759
Speaker 2: Has vanilla I've.

1332
01:08:31,520 --> 01:08:34,160
Speaker 3: Been in a war? Has he ever flown in the

1333
01:08:34,200 --> 01:08:36,280
Speaker 3: turret of a ball gunner?

1334
01:08:36,400 --> 01:08:36,839
Speaker 1: Or whatever?

1335
01:08:37,400 --> 01:08:42,880
Speaker 3: Fuck that dude you liked the you like these dudes?

1336
01:08:44,040 --> 01:08:49,080
Speaker 2: Is Joey McIntyre wearing burl cream. I know no thing here.

1337
01:08:50,320 --> 01:08:53,160
Speaker 2: Not interested, just simply not interested.

1338
01:08:53,800 --> 01:08:56,479
Speaker 1: It was so funny because it was like, yeah, it

1339
01:08:56,680 --> 01:08:58,920
Speaker 1: was that moment where I was like, God, I was

1340
01:08:59,080 --> 01:09:00,680
Speaker 1: I was one of those girls. I was like one

1341
01:09:00,720 --> 01:09:03,599
Speaker 1: of those girls that like lusted after, like not just

1342
01:09:03,640 --> 01:09:07,679
Speaker 1: like an older guy, but like from another fucking era,

1343
01:09:07,960 --> 01:09:10,439
Speaker 1: from like a different time, right.

1344
01:09:10,840 --> 01:09:12,960
Speaker 3: It's like it's like having a crush on a ghost

1345
01:09:12,960 --> 01:09:17,680
Speaker 3: when you're that age and you're like, I have a

1346
01:09:17,760 --> 01:09:22,720
Speaker 3: crush on Eric Stulton nineteen forty four, Like you might

1347
01:09:22,800 --> 01:09:25,160
Speaker 3: as well be like I have a crush on a

1348
01:09:25,160 --> 01:09:27,640
Speaker 3: ghost I met once on vacation in Virginia.

1349
01:09:27,840 --> 01:09:30,759
Speaker 2: Like we don't know what's the same thing. We're twelve.

1350
01:09:31,280 --> 01:09:36,800
Speaker 1: Yes, there's always like one, maybe two people in your

1351
01:09:36,880 --> 01:09:41,160
Speaker 1: high school that like crushed after Shakespeare or like Ichabod

1352
01:09:41,240 --> 01:09:44,599
Speaker 1: Crane or like what are you like somebody's like, you know,

1353
01:09:44,800 --> 01:09:46,360
Speaker 1: Ralph Waldo Emerson was hot.

1354
01:09:46,320 --> 01:09:48,080
Speaker 2: As fuck, like exactly.

1355
01:09:48,240 --> 01:09:48,439
Speaker 3: You know.

1356
01:09:48,520 --> 01:09:52,840
Speaker 2: It's that concept of basically like something from history to

1357
01:09:53,040 --> 01:09:55,800
Speaker 2: like a twelve year old girl, and that's what I

1358
01:09:56,000 --> 01:09:56,439
Speaker 2: what I was.

1359
01:09:56,439 --> 01:10:00,519
Speaker 1: Obsessed with and like, but the movie itself, like the himself,

1360
01:10:00,640 --> 01:10:02,120
Speaker 1: is actually like compelling.

1361
01:10:02,240 --> 01:10:03,479
Speaker 2: There's like a lot of you.

1362
01:10:03,439 --> 01:10:06,240
Speaker 1: Know, and the funny thing is is like each each guy,

1363
01:10:06,520 --> 01:10:10,760
Speaker 1: each hottie, plays like a character type. So you've got

1364
01:10:10,800 --> 01:10:14,679
Speaker 1: like Eric Stoltz plays the like good old Danny boy,

1365
01:10:14,880 --> 01:10:19,760
Speaker 1: irish guy, you know, like real eager and earnest. And

1366
01:10:19,800 --> 01:10:23,519
Speaker 1: then it's like Billy's saying, he plays a character named

1367
01:10:23,520 --> 01:10:26,600
Speaker 1: bal because he has one of those like Rudolph Valentino mustaches,

1368
01:10:26,640 --> 01:10:30,720
Speaker 1: and he's like this hot, like you know, tiny mustache,

1369
01:10:30,920 --> 01:10:34,800
Speaker 1: like Errol Flynn looking motherfucker. And then like you know,

1370
01:10:34,880 --> 01:10:39,280
Speaker 1: Matthew o'deed is like the captain of the crew, real

1371
01:10:39,360 --> 01:10:43,760
Speaker 1: uptight white guy, you know. But there's something valuable in that.

1372
01:10:43,840 --> 01:10:46,880
Speaker 1: So it's like there's like these stereotypical kind of like

1373
01:10:47,040 --> 01:10:52,320
Speaker 1: male characters in groups of you know, in movies feature

1374
01:10:52,400 --> 01:10:55,479
Speaker 1: groups of men. It's like one guy's this womanizer, one

1375
01:10:55,560 --> 01:10:58,800
Speaker 1: guy's the you know, simple guy, which is the Harry

1376
01:10:58,800 --> 01:11:02,240
Speaker 1: Cotterck junior character. Yeah, and it's just like and dB, Sweeteye,

1377
01:11:02,280 --> 01:11:07,400
Speaker 1: I'll have you No plays the drunk in this movie.

1378
01:11:08,720 --> 01:11:14,400
Speaker 1: He's basically drunk or severely hungover at every point in

1379
01:11:14,439 --> 01:11:18,640
Speaker 1: this movie because he's like convinced that they're gonna die. O.

1380
01:11:19,520 --> 01:11:22,519
Speaker 1: He's literally just like going up to people being like, Dutch, shit, man,

1381
01:11:22,600 --> 01:11:24,479
Speaker 1: we're fucking goners, We're gonna die to day.

1382
01:11:24,479 --> 01:11:26,759
Speaker 2: And everyone's like, you're a fucking drag.

1383
01:11:27,640 --> 01:11:31,680
Speaker 1: Like he's the worst character in the movie because he's

1384
01:11:31,720 --> 01:11:34,240
Speaker 1: a drag and he's scaring everybody.

1385
01:11:34,479 --> 01:11:37,040
Speaker 3: He's telling everyone they're gonna die. Every five minutes. He's like,

1386
01:11:37,080 --> 01:11:37,439
Speaker 3: this is it?

1387
01:11:37,600 --> 01:11:37,880
Speaker 2: You want?

1388
01:11:37,920 --> 01:11:40,200
Speaker 3: You want my you want my playing cards? Because we're

1389
01:11:40,240 --> 01:11:42,240
Speaker 3: They're like we're in the same plane. If you die,

1390
01:11:42,280 --> 01:11:44,840
Speaker 3: I'm gonna die. Why are you giving me all your valuables?

1391
01:11:45,280 --> 01:11:46,320
Speaker 3: You should have given these to me.

1392
01:11:46,360 --> 01:11:48,599
Speaker 2: On the ground, he's like.

1393
01:11:48,960 --> 01:11:53,479
Speaker 1: Vomiting and convulsing and sweating, and I'm like, mystery.

1394
01:11:53,560 --> 01:11:56,519
Speaker 2: They like I could have like fallen in love with him.

1395
01:11:56,880 --> 01:11:59,000
Speaker 2: I'm like, it's such a mess.

1396
01:11:59,479 --> 01:12:00,720
Speaker 1: There's my crush.

1397
01:12:00,840 --> 01:12:02,639
Speaker 2: There's who I want to go to the dance with.

1398
01:12:02,680 --> 01:12:07,639
Speaker 1: This guy that's sweating and vomiting in a bomber jacket.

1399
01:12:08,880 --> 01:12:14,080
Speaker 3: Don't forget like his eyes are pinned like he's just like.

1400
01:12:12,760 --> 01:12:15,200
Speaker 2: Like the whole the fear in his eyes.

1401
01:12:15,240 --> 01:12:17,600
Speaker 3: He's a great actor, the fear in his eyes, the

1402
01:12:17,680 --> 01:12:21,680
Speaker 3: whole film really compounds the puking and the sweating and

1403
01:12:21,720 --> 01:12:24,920
Speaker 3: the nausea. Yeah, I think my favorite dB Sweeney movie

1404
01:12:24,960 --> 01:12:27,200
Speaker 3: is probably Fire in the Sky, Yes, which is not

1405
01:12:27,240 --> 01:12:28,000
Speaker 3: get enough play.

1406
01:12:28,439 --> 01:12:31,519
Speaker 1: Yes, that movie scared the shit out of me, and

1407
01:12:31,600 --> 01:12:35,080
Speaker 1: so I watched that one less. But when it came

1408
01:12:35,120 --> 01:12:37,880
Speaker 1: down to it, Memphis Bell because the cutting edge I've

1409
01:12:37,920 --> 01:12:39,040
Speaker 1: seen a hundred million times.

1410
01:12:39,080 --> 01:12:43,120
Speaker 2: Of course, that to me is like the absolute flash.

1411
01:12:42,760 --> 01:12:46,400
Speaker 1: Point dB Sweeney movie for me. I was also obsessed

1412
01:12:46,439 --> 01:12:50,000
Speaker 1: with the Olympics at that time. It's like it was

1413
01:12:50,080 --> 01:12:52,360
Speaker 1: the Dan and Dave era, so it's like all the

1414
01:12:52,439 --> 01:12:55,280
Speaker 1: kids were like into the Olympics and that's like here

1415
01:12:55,320 --> 01:12:58,720
Speaker 1: we GODB Sweeney, this is a prime cut. And then

1416
01:12:58,880 --> 01:13:03,479
Speaker 1: Memphis Bell though was him plus all these other hotties.

1417
01:13:03,600 --> 01:13:06,400
Speaker 2: So it was just like too much for me to handle.

1418
01:13:06,880 --> 01:13:09,439
Speaker 3: And was this for you the same question that you

1419
01:13:09,479 --> 01:13:11,559
Speaker 3: asked me, I'm gonn I'm gonna ask you, was this

1420
01:13:12,000 --> 01:13:18,160
Speaker 3: like a voltron of orgasmic experience or was this just

1421
01:13:18,320 --> 01:13:21,760
Speaker 3: like this one particular dude just does it for me

1422
01:13:21,920 --> 01:13:22,479
Speaker 3: in some way.

1423
01:13:23,360 --> 01:13:24,080
Speaker 2: It was more of that.

1424
01:13:24,240 --> 01:13:29,519
Speaker 1: It was more this guy, I will follow dB Sweeney

1425
01:13:30,000 --> 01:13:31,679
Speaker 1: into the fire.

1426
01:13:31,840 --> 01:13:33,880
Speaker 2: I'm here for literally whatever you do, sir.

1427
01:13:34,560 --> 01:13:37,280
Speaker 3: So was there anyone else in this movie of a

1428
01:13:37,360 --> 01:13:40,760
Speaker 3: cast full of hotties that piqued your interest even a

1429
01:13:40,760 --> 01:13:41,160
Speaker 3: little bit?

1430
01:13:41,439 --> 01:13:44,519
Speaker 1: Well, okay, so back in the day, obviously there was

1431
01:13:44,960 --> 01:13:47,880
Speaker 1: Eric Stoltz. I was obsessed with Harry Connor Junior too.

1432
01:13:47,920 --> 01:13:49,800
Speaker 1: After this movie, I fell down a.

1433
01:13:49,720 --> 01:13:53,599
Speaker 3: Harry Connor Junior hole, little man, Tate, anyone, yes, Tate.

1434
01:13:53,400 --> 01:13:55,360
Speaker 2: Donovan, like they're all hot.

1435
01:13:55,439 --> 01:14:01,160
Speaker 1: And actually David Stratharn plays like he is hot in

1436
01:14:01,200 --> 01:14:04,280
Speaker 1: this movie. And of course now I think John Lithgow

1437
01:14:04,439 --> 01:14:07,160
Speaker 1: is terrific, and I'm like, at the time, I was like, oh,

1438
01:14:07,200 --> 01:14:11,479
Speaker 1: he plays like his character is writing a story on

1439
01:14:11,560 --> 01:14:14,519
Speaker 1: the Memphis spell guys, and he's kind of a dipshit.

1440
01:14:14,840 --> 01:14:16,800
Speaker 2: And at the time, I was like, who's this guy.

1441
01:14:17,160 --> 01:14:21,400
Speaker 1: He's gonna jinx these fellas in the air get him.

1442
01:14:22,560 --> 01:14:25,760
Speaker 1: He's a fantastic He's like a fantastic underrated actor in

1443
01:14:25,800 --> 01:14:27,479
Speaker 1: my opinion. But at the time I was like.

1444
01:14:27,520 --> 01:14:29,599
Speaker 2: No, no, no, no, no, have.

1445
01:14:29,640 --> 01:14:31,679
Speaker 3: You gone back to the earlier seasons of The Crown

1446
01:14:31,760 --> 01:14:34,160
Speaker 3: yet I have. Yeah, I have seen all of them

1447
01:14:34,200 --> 01:14:36,800
Speaker 3: because he plays Churchill in that and he's very very

1448
01:14:36,800 --> 01:14:37,200
Speaker 3: good in that.

1449
01:14:37,479 --> 01:14:39,040
Speaker 2: Yeah, he's incredible in that.

1450
01:14:39,400 --> 01:14:43,559
Speaker 3: I am so on Matthew Moden. I used to watch

1451
01:14:43,600 --> 01:14:48,599
Speaker 3: Gross Anatomy because it was on Showtime constantly, and he's

1452
01:14:48,600 --> 01:14:51,479
Speaker 3: like this young doctor like school and I was like,

1453
01:14:51,560 --> 01:14:53,759
Speaker 3: oh my god, he's so cute. He had like skater

1454
01:14:53,840 --> 01:14:57,719
Speaker 3: haircut and he was a doctor who Matthew Modine aged.

1455
01:14:57,760 --> 01:14:58,800
Speaker 2: Well he did.

1456
01:14:59,240 --> 01:15:02,320
Speaker 3: He's in Stranger Things, very very cute and so and

1457
01:15:02,360 --> 01:15:04,360
Speaker 3: here's the thing. I didn't watch this movie when it

1458
01:15:04,400 --> 01:15:08,000
Speaker 3: came out because it was about the war, and I'm like,

1459
01:15:08,040 --> 01:15:10,160
Speaker 3: this is a movie for my granddad. I don't care

1460
01:15:10,280 --> 01:15:15,400
Speaker 3: how many hatties you suffer this thing. But Harry Connick

1461
01:15:15,479 --> 01:15:19,360
Speaker 3: Junior was having a moment. He's he always plays these

1462
01:15:19,439 --> 01:15:21,799
Speaker 3: characters that they're like, don't forget he's from New Orleans.

1463
01:15:22,200 --> 01:15:27,080
Speaker 3: So he always he's like, plays these characters this particular iteration.

1464
01:15:27,720 --> 01:15:32,320
Speaker 3: He plays Clay Busby, right, and he is so Southern

1465
01:15:32,400 --> 01:15:35,759
Speaker 3: in this movie that they have him whittling a plane

1466
01:15:36,200 --> 01:15:41,280
Speaker 3: while they're in a plane, like, don't forget, guys, he's

1467
01:15:41,360 --> 01:15:43,400
Speaker 3: he's from New Orleans. And he sings, let's have.

1468
01:15:43,400 --> 01:15:47,400
Speaker 2: Him whittle a plane out of wood. Yeah, exactly. It's

1469
01:15:47,400 --> 01:15:48,799
Speaker 2: like he knows how to try a tractor.

1470
01:15:50,200 --> 01:15:55,280
Speaker 1: His character used to perform like ragtime piano in a cathouse.

1471
01:15:54,840 --> 01:15:57,120
Speaker 2: In New Orleans. I'm like, okay, and.

1472
01:15:57,000 --> 01:15:58,960
Speaker 3: This is this is why it's interesting to me, because

1473
01:15:59,000 --> 01:16:02,840
Speaker 3: he has he's such a crooner. And there's a point

1474
01:16:02,880 --> 01:16:06,680
Speaker 3: in this movie where they're at this dance and you know,

1475
01:16:06,720 --> 01:16:08,479
Speaker 3: it's one of those dances where like the balloons are

1476
01:16:08,520 --> 01:16:10,920
Speaker 3: hanging above them, like the red, white, and blue balloons, which,

1477
01:16:11,000 --> 01:16:14,160
Speaker 3: by the way, total hazard, like total health hazard that

1478
01:16:14,400 --> 01:16:16,800
Speaker 3: when they drop those balloons. I'm like, who doesn't have

1479
01:16:16,840 --> 01:16:19,200
Speaker 3: a broken neck right now? Like it just lits too much.

1480
01:16:19,400 --> 01:16:21,080
Speaker 1: Have you ever been to a party where that happened.

1481
01:16:21,160 --> 01:16:24,760
Speaker 1: That's happened to me before. I was actually djaying a

1482
01:16:24,840 --> 01:16:28,000
Speaker 1: thing where they did that, and I was having like

1483
01:16:28,040 --> 01:16:29,559
Speaker 1: I thought I was gonna have a panic attack. I

1484
01:16:29,560 --> 01:16:31,160
Speaker 1: was like, there's completely nobody can breathe.

1485
01:16:31,200 --> 01:16:34,720
Speaker 3: There's too many boons, there's too much going on, there's

1486
01:16:34,720 --> 01:16:36,679
Speaker 3: no space. I can't see the floor. Get the fuck

1487
01:16:36,680 --> 01:16:37,200
Speaker 3: out of here.

1488
01:16:37,320 --> 01:16:40,080
Speaker 1: Ellie, I can't see the Quad City DJs E.

1489
01:16:44,439 --> 01:16:46,519
Speaker 3: I have to scratch your record with a balloon on it,

1490
01:16:46,520 --> 01:16:50,519
Speaker 3: it's gonna pop. I have never and that shit scares

1491
01:16:50,560 --> 01:16:52,479
Speaker 3: the crap out of me. So when I saw this scene,

1492
01:16:52,479 --> 01:16:55,440
Speaker 3: I was like, what's happening here? But he's on stage.

1493
01:16:55,960 --> 01:17:02,080
Speaker 3: He is singing Danny Boy with such romantic intent that

1494
01:17:02,160 --> 01:17:04,080
Speaker 3: I thought part of the plot line was going to

1495
01:17:04,120 --> 01:17:07,519
Speaker 3: be that he and Eric Stilts were dating. Yes, I

1496
01:17:07,640 --> 01:17:09,320
Speaker 3: was ready for that, and I'm like, oh, give me

1497
01:17:09,400 --> 01:17:12,280
Speaker 3: this plot line of like these two were like no,

1498
01:17:12,560 --> 01:17:16,080
Speaker 3: He's just like, this is a casual, romantic song that

1499
01:17:16,120 --> 01:17:18,680
Speaker 3: I'm going to sing directly to this dude and not

1500
01:17:18,760 --> 01:17:21,000
Speaker 3: do anything about it. They missed an opportunity there. They

1501
01:17:21,000 --> 01:17:22,439
Speaker 3: could have had a great plot point there.

1502
01:17:22,720 --> 01:17:25,559
Speaker 1: I will say this, there are times when I do

1503
01:17:25,760 --> 01:17:28,960
Speaker 1: wonder if the Danny character was like codd gay.

1504
01:17:29,120 --> 01:17:29,920
Speaker 2: I mean, there was so.

1505
01:17:29,920 --> 01:17:32,479
Speaker 1: Many like I mean, besides the fact that you know,

1506
01:17:32,520 --> 01:17:36,080
Speaker 1: he sort of was the one that read poetry right,

1507
01:17:36,439 --> 01:17:39,800
Speaker 1: was sort of like the sensitive one. You know, there

1508
01:17:39,840 --> 01:17:41,559
Speaker 1: was a I was like, there is something a little

1509
01:17:41,600 --> 01:17:44,960
Speaker 1: cellularid closet about this character, but I don't know.

1510
01:17:45,960 --> 01:17:49,080
Speaker 3: Look, that would have blown my tiny mind in the

1511
01:17:49,120 --> 01:17:51,160
Speaker 3: best possible way. When I was twelve if two hot

1512
01:17:51,200 --> 01:17:52,880
Speaker 3: guys make out in a movie.

1513
01:17:53,400 --> 01:17:58,040
Speaker 1: Listen, if like this movie was all the guys making

1514
01:17:58,040 --> 01:17:58,960
Speaker 1: out with each other.

1515
01:18:01,479 --> 01:18:05,280
Speaker 2: Here right now, I where is a porno and that

1516
01:18:05,360 --> 01:18:06,400
Speaker 2: movie does exist?

1517
01:18:07,840 --> 01:18:11,599
Speaker 1: Oh my god? Can we please? If somebody does know

1518
01:18:11,840 --> 01:18:17,920
Speaker 1: of the Memphis Bell porno parody, please please send me

1519
01:18:17,920 --> 01:18:18,360
Speaker 1: a message.

1520
01:18:18,479 --> 01:18:23,200
Speaker 2: Guaranteed it exists somewhere. I won't go too far down

1521
01:18:23,240 --> 01:18:23,559
Speaker 2: that hole.

1522
01:18:23,600 --> 01:18:27,280
Speaker 1: But anyway, I was like, this movie had to have

1523
01:18:27,360 --> 01:18:30,400
Speaker 1: been the only movie for the is it good or

1524
01:18:30,520 --> 01:18:31,160
Speaker 1: was I horny?

1525
01:18:31,760 --> 01:18:32,280
Speaker 2: Category?

1526
01:18:32,320 --> 01:18:35,360
Speaker 1: It just had to There was other movies I thought about,

1527
01:18:35,400 --> 01:18:38,040
Speaker 1: but Memphis Bell was really the one because I really

1528
01:18:38,080 --> 01:18:41,599
Speaker 1: did think it was art, Like, yeah, I was watching

1529
01:18:42,280 --> 01:18:45,679
Speaker 1: a nineteen forty four documentary made by William Wiler instead

1530
01:18:45,680 --> 01:18:48,760
Speaker 1: of like, I just thought it was art and it

1531
01:18:48,880 --> 01:18:51,800
Speaker 1: was really I was just horny, right, That's when it

1532
01:18:51,840 --> 01:18:52,559
Speaker 1: comes down to it.

1533
01:18:53,160 --> 01:18:54,680
Speaker 3: So this this is a movie that you would put

1534
01:18:54,680 --> 01:18:57,759
Speaker 3: because we both went with our first choices on this one. Yeah,

1535
01:18:57,760 --> 01:18:59,960
Speaker 3: Like there was no question. So you're gonna put this

1536
01:19:00,200 --> 01:19:01,360
Speaker 3: category of horny.

1537
01:19:01,600 --> 01:19:02,360
Speaker 2: I don't really know.

1538
01:19:02,520 --> 01:19:05,439
Speaker 1: I mean honestly, like it's kind of I think it's skew,

1539
01:19:05,720 --> 01:19:06,719
Speaker 1: slightly horny.

1540
01:19:06,960 --> 01:19:10,160
Speaker 2: I think it's Okay, it's not a terrible movie.

1541
01:19:10,960 --> 01:19:14,840
Speaker 3: They're ins of horny, but it's squ's horny in Doesky horny.

1542
01:19:14,920 --> 01:19:16,360
Speaker 2: And there's also like it takes them.

1543
01:19:16,439 --> 01:19:18,479
Speaker 3: I think like the first forty minutes of the movie

1544
01:19:18,640 --> 01:19:21,360
Speaker 3: is just them building up to getting into the plane.

1545
01:19:21,479 --> 01:19:24,040
Speaker 3: So that's kind of a also to me, what makes

1546
01:19:24,080 --> 01:19:26,000
Speaker 3: it like a better movie is that there's some real

1547
01:19:26,120 --> 01:19:29,400
Speaker 3: narrative building and some world building. It's not just all

1548
01:19:29,479 --> 01:19:31,679
Speaker 3: like we're just gonna shoot some shit, so it's kind

1549
01:19:31,680 --> 01:19:33,400
Speaker 3: of I thought it was a lovely film.

1550
01:19:33,600 --> 01:19:37,120
Speaker 1: Yeah, it was great and horny, and it has to

1551
01:19:37,160 --> 01:19:39,320
Speaker 1: be horny while being great.

1552
01:19:39,479 --> 01:19:40,040
Speaker 2: It's horny.

1553
01:19:40,080 --> 01:19:42,599
Speaker 3: Look, this was either our best or worst episode yet

1554
01:19:43,120 --> 01:19:46,880
Speaker 3: I'm going best. I'm going best, and we're basing a

1555
01:19:46,920 --> 01:19:49,800
Speaker 3: whole goddamn month on it. So get in there and

1556
01:19:49,840 --> 01:19:53,000
Speaker 3: that social media speeds and have some fun with us

1557
01:19:53,040 --> 01:19:55,080
Speaker 3: because this is hilarious.

1558
01:19:55,640 --> 01:19:58,200
Speaker 1: Well, I have to say, this was such a fun

1559
01:19:58,240 --> 01:20:02,439
Speaker 1: episode to do. I'm so that we decided to change

1560
01:20:02,520 --> 01:20:06,559
Speaker 1: the schedule and do this. So in general, we would

1561
01:20:06,640 --> 01:20:09,920
Speaker 1: just love you guys to like and subscribe and do

1562
01:20:10,040 --> 01:20:13,080
Speaker 1: all the things on our socials, which Instagram and Twitter

1563
01:20:13,160 --> 01:20:13,559
Speaker 1: is both.

1564
01:20:13,720 --> 01:20:15,799
Speaker 2: I saw pod and then what's our email address?

1565
01:20:15,920 --> 01:20:18,040
Speaker 3: Our email address is I Saw what you did pod

1566
01:20:18,160 --> 01:20:18,839
Speaker 3: at Gmail.

1567
01:20:19,479 --> 01:20:23,519
Speaker 1: And don't forget we got the bracket. It starts today.

1568
01:20:24,200 --> 01:20:28,000
Speaker 1: Go to our Instagram stories. That's where all the voting

1569
01:20:28,080 --> 01:20:30,040
Speaker 1: and that's where all the nominating is going to happen.

1570
01:20:30,680 --> 01:20:32,880
Speaker 1: And just follow us there for the next month and

1571
01:20:33,439 --> 01:20:34,720
Speaker 1: cast your votes.

1572
01:20:34,520 --> 01:20:35,200
Speaker 2: For the bracket.

1573
01:20:35,320 --> 01:20:36,880
Speaker 3: Tell your friends bring them in.

1574
01:20:37,240 --> 01:20:40,600
Speaker 1: And as always I have to ask you, Danielle, what

1575
01:20:40,800 --> 01:20:43,000
Speaker 1: are the films for next week?

1576
01:20:43,320 --> 01:20:47,400
Speaker 3: Yes, now, you can for sure guess the theme on

1577
01:20:47,479 --> 01:20:50,880
Speaker 3: any of our platforms, but our movies are when a

1578
01:20:50,920 --> 01:20:56,320
Speaker 3: Stranger Calls from nineteen seventy nine and our namesake, I

1579
01:20:56,360 --> 01:20:58,599
Speaker 3: Saw what you did from nineteen sixty five.

1580
01:20:59,160 --> 01:21:02,720
Speaker 2: What is the theme? What is the theme? Billy's did

1581
01:21:02,720 --> 01:21:03,720
Speaker 2: a little robot dance there.

1582
01:21:03,720 --> 01:21:06,639
Speaker 1: It's great and the theme is not gleaming the cube

1583
01:21:06,960 --> 01:21:08,200
Speaker 1: or is it ha ha.

1584
01:21:09,080 --> 01:21:11,559
Speaker 2: You'll just have to tune in to find out. This

1585
01:21:11,800 --> 01:21:15,600
Speaker 2: was so much fun. Thanks Mailly, Thank you, daniel Thanks everybody.

1586
01:21:15,640 --> 01:21:16,759
Speaker 2: We'll see you next week.

1587
01:21:17,240 --> 01:21:23,920
Speaker 1: Bye.

1588
01:21:24,600 --> 01:21:28,120
Speaker 3: This has been an exactly right production. Our producers Alexis Amorssi,

1589
01:21:28,280 --> 01:21:31,920
Speaker 3: our engineers Annalise Nelson. Our social media manager is Taren Maza.

1590
01:21:32,120 --> 01:21:35,559
Speaker 3: Our theme songs by Tom bry Fogel, artwork by Garrett Ross.

1591
01:21:35,800 --> 01:21:38,799
Speaker 3: Our executive producers are Georgia Hart Stark, Kring Till, Gareth

1592
01:21:38,800 --> 01:21:41,920
Speaker 3: and Danielle Kramer. Follow us on Instagram and Twitter at

1593
01:21:41,960 --> 01:21:44,479
Speaker 3: I saw pod email us at I Saw what you

1594
01:21:44,479 --> 01:21:47,760
Speaker 3: did pod at Gmail, and please don't forget to listen, subscribe,

1595
01:21:47,880 --> 01:21:50,920
Speaker 3: leave us a review on Apple Podcast, Stitcher, or wherever

1596
01:21:51,000 --> 01:21:51,519
Speaker 3: you listen