WEBVTT - Suffer the Little Children

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Minky.

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<v Speaker 2>Listener discretion is advised.

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<v Speaker 3>Without further ado, really bring the house down, make some

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<v Speaker 3>noise for the Haunted Road podcast host Amy Brunie.

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<v Speaker 1>Holy moly, thank you, guys. I appreciate. I'm just making

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<v Speaker 1>sure everything's working. So, as I stated before, I don't

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<v Speaker 1>know that all of you are in here when I

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<v Speaker 1>said this, but there is definitely a content warning today.

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<v Speaker 1>This is a really heavy episode of Haunted Road. I

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<v Speaker 1>have Kleenex in my pocket. It will be a miracle

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<v Speaker 1>if I make it through this without crying, So just

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<v Speaker 1>be ready. Okay, So, if you haven't heard Haunted Road before,

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<v Speaker 1>the first half, we delve deep into the history of

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<v Speaker 1>a haunted location, and then the second half I interview

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<v Speaker 1>someone who has knowledge of the hauntings there and so

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<v Speaker 1>we talk about the paranormal experiences. So, without further ADO,

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<v Speaker 1>let's get started, Okay. In some ways, Penhurst Asylum was

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<v Speaker 1>a paragon of progressive thinking about how to treat people

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<v Speaker 1>with cognitive disabilities, giving them social support and a safe

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<v Speaker 1>place to live where they could be protected from the

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<v Speaker 1>dangers of a judgmental society presented to their health and safety.

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<v Speaker 1>To many who had nowhere else to go, it promised

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<v Speaker 1>to be a dream scenario, but the dream was well

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<v Speaker 1>a dream. Penhurst may have opened with the best of intentions,

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<v Speaker 1>but it didn't end up that way. And it's seventy

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<v Speaker 1>nine years of operation, the asylum was characterized by the

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<v Speaker 1>harshest of patient mistreatment. It's more than ten thousand residents

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<v Speaker 1>were subjected to what the Philadelphia Inquirer described as medical experimentation, punishments,

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<v Speaker 1>and constant threats to physical and psychological well being. Residents

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<v Speaker 1>were trapped, forced into labor against their will, unable to leave,

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<v Speaker 1>out of control of the most basic elements of their

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<v Speaker 1>own lives, and that was the adults. Children under five

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<v Speaker 1>years old were kept in cages, lying in their own

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<v Speaker 1>filth for days on end. As one newspaper put it

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<v Speaker 1>in nineteen seventy two, Penhurst Asylum was the shame of Pennsylvania.

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<v Speaker 1>Many inmates stayed there as long as thirty five years,

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<v Speaker 1>and some never left. I'm Amy Bruney, and this is

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<v Speaker 1>haunted road. Penhurst Asylum originally opened in nineteen oh eight

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<v Speaker 1>as the Eastern Pennsylvania Institution for the feeble minded and epileptic.

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<v Speaker 1>According to the Penhurst Memorial and Preservation Alliance, it was

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<v Speaker 1>once seen as a model institution. At the time the

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<v Speaker 1>asylum opened, people with mental illness and cognitive disabilities were

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<v Speaker 1>called defectives and were dealt with in horrific ways like

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<v Speaker 1>forced segregation from society and even sterilization. As the Alliance

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<v Speaker 1>described in the eighteen hundreds, defectives and other dependent deviant

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<v Speaker 1>groups such as aged paupers and the sick poor were

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<v Speaker 1>grouped together and sold to the lowest bidder. Built in

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<v Speaker 1>Spring City, Pennsylvania, Penhurst promised to be the antidote to

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<v Speaker 1>that kind of treatment. Before the asylum opened, the state

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<v Speaker 1>legislature organized a commission in nineteen o three to get

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<v Speaker 1>a sense of the needs of that underserved population. They

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<v Speaker 1>found nearly four thousand residents who were either incarcerated or

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<v Speaker 1>were in poorhouses or hospitals for the insane, who were

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<v Speaker 1>all in desperate need of actual care for their conditions.

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<v Speaker 1>Penhurst was designed to hold five hundred people, with room

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<v Speaker 1>for expansion, but the need far outweighed the space. The

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<v Speaker 1>asylum was overcrowded almost from the day it opened. Within

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<v Speaker 1>five years of admitting its first patients. Penhurst was under

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<v Speaker 1>pressure from the legislature to admit immigrants, orphans, and criminals

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<v Speaker 1>the state did not know how to handle. Pennsylvania created

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<v Speaker 1>a Commission for the Care of the Feeble Minded, who

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<v Speaker 1>pushed those with cognitive impairments into Penhurst to prevent them

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<v Speaker 1>from cro creating and passing down their genes, calling them

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<v Speaker 1>a menace to the peace. Immigrants designated as feeble minded

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<v Speaker 1>immigrants were deemed unfit for American citizenship, and the state

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<v Speaker 1>demanded they be to admit it into custody. In report

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<v Speaker 1>to the state, Penhurst's chief physician quoted Henry H. Goddard,

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<v Speaker 1>a leading eugenicist, by saying, every feeble minded person is

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<v Speaker 1>a potential criminal. The general public, although more convinced today

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<v Speaker 1>than ever before that it is a good thing to

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<v Speaker 1>segregate the idiot or the distinct imbecile, they have not

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<v Speaker 1>as yet been convinced as to proper treatment of the

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<v Speaker 1>defective delinquent, which is the brighter and more dangerous individual.

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<v Speaker 1>As the Philadelphia Inquirer reported, by nineteen fifty seven, the

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<v Speaker 1>institution had more than thirty five hundred residents with just

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<v Speaker 1>six hundred staff from grounds keepers to aids. That number

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<v Speaker 1>rose to forty one hundred patients by the early nineteen sixties.

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<v Speaker 1>The newspaper further reported that by the nineteen sixties, the

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<v Speaker 1>Commonwealth of Pennsylvania was appropriating more than two million dollars

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<v Speaker 1>a year for Penhurst operations, and the facility's residents were

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<v Speaker 1>impressed into a forced labor system the Supreme Court would

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<v Speaker 1>rebuke as peonage or involuntary servile labor. Residents had lost

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<v Speaker 1>their fundamental freedoms, including the right to leave or to

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<v Speaker 1>exercise the most basic of life choices. A local news

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<v Speaker 1>station aired a documentary in nineteen sixty eight called Suffer

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<v Speaker 1>the Little Children that laid bare the horrible mistreatment at Penhurst.

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<v Speaker 1>Among the many horrifying revelations in the documentary was reporter

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<v Speaker 1>Bill Baldini's discovery that large American zoos were spending more

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<v Speaker 1>per day to feed their animals than the States spent

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<v Speaker 1>on the people in the asylum. As the Philadelphia Inquirer

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<v Speaker 1>described it, the documentary shattered Philadelphians and other Americans' easy

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<v Speaker 1>complacency and blind indifference to what had been occurring for

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<v Speaker 1>decades behind institutional walls. Far removed from public scrutiny. Baldini

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<v Speaker 1>later said that he had trouble keeping his camera crew

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<v Speaker 1>on the documentary shoot because they were literally getting sick

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<v Speaker 1>from what they saw. Matt Lake, Rusty Tagliarini, and Mark

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<v Speaker 1>Moran wrote about Penhurst for Weird New Jerseys, saying on

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<v Speaker 1>the flickering monochrome televisions of the time came images of

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<v Speaker 1>full grown hands and feet bound by straps to adult

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<v Speaker 1>sized crib beds. Inmates of the institution were shown rocking, pacing,

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<v Speaker 1>and twitching. Many were severely disabled, either mentally or physically,

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<v Speaker 1>but others were quite lucid and coherent, but withdrawn into

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<v Speaker 1>themselves because of overstimulation of the senses in the loud

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<v Speaker 1>and sometimes frightening place. When one patient was asked by

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<v Speaker 1>the interviewer what he would like most in the world

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<v Speaker 1>if he could have anything he wanted, the sad and

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<v Speaker 1>withdrawn reply was simply to get out of Penhurst. The

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<v Speaker 1>documentary caused public outcry and spurred widespread calls for changes

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<v Speaker 1>to the treatment of and constitutional rights for the mentally disabled.

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<v Speaker 1>Baldini later told NPR about the horrors he saw in

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<v Speaker 1>the asylum. Think of a ward of infants and children

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<v Speaker 1>from the ages of six months to five years old.

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<v Speaker 1>He said, there are eighty of them in metal cages.

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<v Speaker 1>These people were literally lying in their own feces for days.

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<v Speaker 1>According to Weird New Jersey, probably the most chilling scene

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<v Speaker 1>showed one of the hospital's physicians describing how he dealt

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<v Speaker 1>with a particularly vicious bully who had brutalized one of

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<v Speaker 1>his other inmates. He described how he had asked one

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<v Speaker 1>of his colleagues which injection he could use to cause

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<v Speaker 1>the most discomfort to a patient without permanently injuring him.

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<v Speaker 1>Then he proceeded to administer that injection to the bully.

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<v Speaker 1>That was a common punishment in Penhurst. Doctors would use

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<v Speaker 1>what they called harmless but painful injections as recourse for

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<v Speaker 1>bad behavior, even on children. In nineteen seventy, medical sociologist

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<v Speaker 1>Jim Conroy arrived at Penhurst to research the developmental disabilities.

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<v Speaker 1>As he told NPR, I saw a place with thirty

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<v Speaker 1>seven hundred people in it that was built for far

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<v Speaker 1>far fewer, and I saw things that I will never forget.

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<v Speaker 1>In nineteen seventy two, local newspaper The Mercury called Penhurst

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<v Speaker 1>the shame of Pennsylvania, describing seventeen hundred human beings stored

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<v Speaker 1>away in crumbling warehouses. The urine's stench of decades soaked

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<v Speaker 1>so deeply into the walls and floors that it can

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<v Speaker 1>never be washed out. About half of the more than

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<v Speaker 1>ten thousand inmates housed in Penhurst died there, largely due

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<v Speaker 1>to patient mistreatment and neglect. In nineteen seventy four, patient

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<v Speaker 1>Terry Lee Halderman filed a complaint with the state on

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<v Speaker 1>behalf of all other Penhurst residents about their treatment. The

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<v Speaker 1>complaint alleged that the residents live in inhumane and dangerous conditions,

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<v Speaker 1>are subjected to unnecessary physical restraints, are given unnecessary and

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<v Speaker 1>dangerous medication, are consigned to lives of idleness and because

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<v Speaker 1>of lack of habilitative programs, and are subject to numerous

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<v Speaker 1>physical injuries resulted from a lack of adequate supervision. The

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<v Speaker 1>complaint further alleged that this treatment caused Halderman and her

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<v Speaker 1>class to deteriorate and regret emotionally, intellectually, and physically, and

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<v Speaker 1>that they were being denied due process and equal protection

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<v Speaker 1>of the law and inflicted on them cruel and unusual

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<v Speaker 1>punishment unimaginably bad treatment came to light as a result

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<v Speaker 1>of this case. Patients who were in crisis could go

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<v Speaker 1>days without seeing a psychologist for treatment. When they were

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<v Speaker 1>in a crisis situation, they would most likely be restrained

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<v Speaker 1>through either physical or chemical measures. People could be bound

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<v Speaker 1>to a bed or a chair, or sedated with unusually

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<v Speaker 1>high doses of psychoactive drugs. According to the Penhurst Memorial

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<v Speaker 1>and Preservation Alliance, psychotropic drugs at Penhurst are often used

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<v Speaker 1>for control and not for treatment, and the rate of

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<v Speaker 1>drug use on some of the units is extraordinarily high.

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<v Speaker 1>In nineteen seventy eight, the court ordered that Penhurst be

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<v Speaker 1>closed and that its remaining twelve hundred residents be provided

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<v Speaker 1>living arrangements and support services. To accomplish this, special Master

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<v Speaker 1>was appointed to supervise the arrangements. The asylum was to

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<v Speaker 1>stay open until that work was finished. In nineteen eighty one,

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<v Speaker 1>Time described the place as having a history of being understaffed, dirty,

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<v Speaker 1>and violent. The hospital was on its way to closing,

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<v Speaker 1>but for the patients it must have seemed like the

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<v Speaker 1>hell was never coming to an end. By nineteen eighty three,

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<v Speaker 1>Penhurst had six hundred forty patients, who had been there

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<v Speaker 1>an average of thirty five years at that time. The

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<v Speaker 1>Department of Justice indicted nine present and former aids for

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<v Speaker 1>assaulting and abusing patients, including beating patients, some of whom

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<v Speaker 1>were confined to wheelchairs, and forcing patients to assault each other.

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<v Speaker 1>A study following patients released from Penhurst was ordered by

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<v Speaker 1>the court as part of the hospital's closure. Its results

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<v Speaker 1>were released in nineteen eighty five. According to the Philadelphia Inquirer,

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<v Speaker 1>the researchers followed one thy one hundred and fifty four

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<v Speaker 1>people who lived at Penhurst and found that none became

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<v Speaker 1>became homeless or incarcerated. They tended to live at least

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<v Speaker 1>six years longer, and fourteen percent became more independent. Almost

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<v Speaker 1>all said that they were better off outside of Penhurst.

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<v Speaker 1>Despite a reported nineteen percent increase in services, the cost

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<v Speaker 1>of taxpayers went down by fifteen percent compared to funding Penhurst.

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<v Speaker 1>In nineteen eighty seven, the last patient left Penhurst, and

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<v Speaker 1>the asylum was finally closed in the nineteen nineties. Part

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<v Speaker 1>of the building briefly served as a veteran's home, but

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<v Speaker 1>was sold to a private developer in the early two thousands.

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<v Speaker 1>Under the Penhurst Memorial and Preservation Alliance. It was added

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<v Speaker 1>to the international Coalition of Sites of Conscience, a worldwide

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<v Speaker 1>network of historic sites specifically dedicated to remembering struggles for justice.

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<v Speaker 1>In twenty ten, part of the campus was reopened as

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<v Speaker 1>a seasonal Haunted attraction, which immediately started pulling in as

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<v Speaker 1>much just two million dollars annually from people eager to

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<v Speaker 1>experience the place. But given the Asylum's dark history, many

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<v Speaker 1>locals in those previously affiliated with Penhurst objected to that use,

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<v Speaker 1>especially since the attraction misrepresented much of what happened there

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<v Speaker 1>in the past. Reporter Bill Baldini, whose documentary brought the

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<v Speaker 1>asylum's atrocities to light, and Jim Conroy, the medical sociologist

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<v Speaker 1>who spoke publicly about his experiences there, said they believed

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<v Speaker 1>the site shouldn't be trivialized as a haunted house, but

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<v Speaker 1>rather be a memorial to the past. As Diana M.

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<v Speaker 1>Kadovich wrote for the National Council on Public History, the

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<v Speaker 1>first version of the Haunted Asylum was as bad as anticipated.

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<v Speaker 1>A fictional doctor and his minions were shown experimenting on

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<v Speaker 1>asylum inmates in a minor nod to the history of

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<v Speaker 1>Penhurst's patrons. Were able to view artifacts retrieved from the property,

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<v Speaker 1>notably a dentist's chair an electroshock therapy machine. Yet historical

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<v Speaker 1>fact and shock fiction were poorly separated, and visitors were

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<v Speaker 1>left to wonder which was which. The council quoted disability

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<v Speaker 1>studies historian Sarah Hanley Cousins is saying, I like a

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<v Speaker 1>ghost story as much as anyone, but the patients who

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<v Speaker 1>lived at Penhurst weren't spooky spirits. They were human beings

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<v Speaker 1>with complex lives. In twenty seventeen, ownership changed and the

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<v Speaker 1>new owner and general manager created an environment intended to

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<v Speaker 1>be more respectful to the disabled community, As Diana Kadovich wrote,

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<v Speaker 1>aware of the unintended consequences of a conflated story, they

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<v Speaker 1>changed features of the attraction and empowered a group of

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<v Speaker 1>disabled performers with creative control. More than half of the performers,

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<v Speaker 1>called the Haunters, identify as disabled, a few even half

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<v Speaker 1>personal histories of institutionalization. This new Haunted Asylum turns the

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<v Speaker 1>original plot on its head. The Haunters each assume a

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<v Speaker 1>fictional identity, and the inmates conspire to take over the

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<v Speaker 1>asylum from the professionals. The fictional doctors nurses and the

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<v Speaker 1>visitors become the new inmates. Today, Penhurst offers daytime history

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<v Speaker 1>tours and overnight paranormal investigations. While many buildings on the

0:15:18.960 --> 0:15:22.280
<v Speaker 1>campus were deemed unsafe and have been torn down, others

0:15:22.360 --> 0:15:27.400
<v Speaker 1>are maintained through proceeds of those tours. Jim Ansbach, founder

0:15:27.440 --> 0:15:31.360
<v Speaker 1>of the Shore Paranormal Research Society, which regularly investigates Penhurst,

0:15:31.840 --> 0:15:35.640
<v Speaker 1>says the asylum is rife with paranormal activity. Weird New

0:15:35.720 --> 0:15:39.000
<v Speaker 1>Jersey wrote that the group has conducted several large scale

0:15:39.080 --> 0:15:43.040
<v Speaker 1>investigations of the old asylums many buildings, and documented a

0:15:43.120 --> 0:15:48.119
<v Speaker 1>variety of evidence of paranormal activity, including photos, videos, recordings

0:15:48.120 --> 0:15:52.640
<v Speaker 1>of voice phenomena, and personal encounters with spirits. Among the

0:15:52.720 --> 0:15:56.680
<v Speaker 1>recordings are the sounds of disembodied voices uttering things like

0:15:57.200 --> 0:16:02.320
<v Speaker 1>go away, I'll kill you, were upset, and why did

0:16:02.360 --> 0:16:07.360
<v Speaker 1>you come here? An unknown male states I'm scared, while

0:16:07.400 --> 0:16:11.880
<v Speaker 1>an invisible female asks why won't you leave? In the

0:16:11.920 --> 0:16:16.360
<v Speaker 1>Administration building, investigators have said they've picked up disembodied voices

0:16:16.400 --> 0:16:19.120
<v Speaker 1>and the sounds of toilets flushing though there's no running

0:16:19.120 --> 0:16:22.000
<v Speaker 1>water or the building. And other buildings, people claim to

0:16:22.040 --> 0:16:27.760
<v Speaker 1>hear children's voices and EVPs of distressed adults. According to Shore,

0:16:28.000 --> 0:16:31.640
<v Speaker 1>a firefighter police officer Anna Marine All saw a woman

0:16:31.680 --> 0:16:34.720
<v Speaker 1>in an old style nurse's uniform in the Limerick Building.

0:16:35.720 --> 0:16:39.080
<v Speaker 1>Investigators claim to have been touched in the Mayflower Building

0:16:39.200 --> 0:16:42.480
<v Speaker 1>and the Tinycum Building, and to have seen shadow figures

0:16:42.520 --> 0:16:46.600
<v Speaker 1>manifest and dissipate in the Quaker Building. These shadows include

0:16:46.640 --> 0:16:48.680
<v Speaker 1>what appeared to be a girl with long black hair,

0:16:49.160 --> 0:16:52.880
<v Speaker 1>a hunched over presence with long dangling arms, and figures

0:16:52.920 --> 0:16:56.880
<v Speaker 1>poking out from behind obstacles. Doors and a rocking chair

0:16:56.920 --> 0:16:59.880
<v Speaker 1>have moves on their own, and objects like pride bars

0:17:00.040 --> 0:17:04.520
<v Speaker 1>and brass pixtures have been observed being thrown by unseen forces.

0:17:05.480 --> 0:17:09.840
<v Speaker 1>And investigators have also been physically harmed. According to Shore,

0:17:10.240 --> 0:17:13.119
<v Speaker 1>one was shoved from behind hard enough on a stairway

0:17:13.480 --> 0:17:16.280
<v Speaker 1>to leave a deep red mark, and another was scratched

0:17:16.320 --> 0:17:30.879
<v Speaker 1>on the arm. Now I have investigated Penhurst a number

0:17:30.880 --> 0:17:35.000
<v Speaker 1>of times, including once on live television where I proceeded

0:17:35.000 --> 0:17:37.679
<v Speaker 1>to drop an F bomb while millions of people were watching.

0:17:38.680 --> 0:17:41.960
<v Speaker 1>So here to talk more about that experience, as well

0:17:42.000 --> 0:17:44.840
<v Speaker 1>as many others, are two of my dear friends who

0:17:44.880 --> 0:17:48.320
<v Speaker 1>have also both spent quite some time investigating the asylum.

0:17:48.560 --> 0:17:57.800
<v Speaker 1>Mister Aaron Sagers and mister Adam Berry. Welcome my friends.

0:18:01.480 --> 0:18:03.639
<v Speaker 1>Oh no, I didn't turn your microphones on it and

0:18:03.760 --> 0:18:04.760
<v Speaker 1>want them to actually hear you.

0:18:06.200 --> 0:18:11.880
<v Speaker 2>Thanks for having us. This is Haunted Row. I'm Amy Brune.

0:18:14.040 --> 0:18:15.480
<v Speaker 2>May the fourth be with you?

0:18:17.720 --> 0:18:21.359
<v Speaker 1>Okay, So real talk. We have investigated Penhurst quite a

0:18:21.359 --> 0:18:25.320
<v Speaker 1>few times. Strangely, we're actually going back there next weekend

0:18:25.640 --> 0:18:29.479
<v Speaker 1>or ericon. I'm just gonna be cool. It is one

0:18:29.520 --> 0:18:31.879
<v Speaker 1>of those places I feel like you have to be

0:18:32.000 --> 0:18:36.120
<v Speaker 1>very cognizant of the history, and I think that we've

0:18:36.160 --> 0:18:39.040
<v Speaker 1>gotten so much better at that in recent years. I'm

0:18:39.119 --> 0:18:42.240
<v Speaker 1>sure the first time I investigated there, I was completely

0:18:42.280 --> 0:18:45.840
<v Speaker 1>guilty of just kind of being like, oh, terrible things

0:18:45.880 --> 0:18:48.520
<v Speaker 1>happen here. It's super haunted. How cool. And then I

0:18:48.560 --> 0:18:51.639
<v Speaker 1>actually took the time to watch that documentary it's on

0:18:51.680 --> 0:18:55.919
<v Speaker 1>YouTube and you see what happened there and it is appalling.

0:18:56.359 --> 0:19:00.640
<v Speaker 1>So but so, just talk a little bit more, like Arin,

0:19:00.760 --> 0:19:03.639
<v Speaker 1>you've investigated there many times over the years. What first

0:19:03.680 --> 0:19:06.280
<v Speaker 1>brought you to Penhurst?

0:19:06.960 --> 0:19:10.720
<v Speaker 3>I think it was actually for an event the very

0:19:10.760 --> 0:19:14.520
<v Speaker 3>first time I went there, but actually many years ago,

0:19:14.640 --> 0:19:18.360
<v Speaker 3>I was working as a reporter at some newspapers in

0:19:18.400 --> 0:19:21.240
<v Speaker 3>the Philadelphia area. So maybe I went there first for

0:19:21.400 --> 0:19:25.880
<v Speaker 3>one of their Haunted House attractions, and even then, honestly,

0:19:25.880 --> 0:19:28.640
<v Speaker 3>it didn't sit right with me because this is one

0:19:28.680 --> 0:19:34.080
<v Speaker 3>of those locations that, look, it just has it's a

0:19:34.080 --> 0:19:36.240
<v Speaker 3>city of shame. It really is a city, and it

0:19:36.280 --> 0:19:40.800
<v Speaker 3>has such a dark legacy that it makes you angry

0:19:41.280 --> 0:19:43.640
<v Speaker 3>when you go there and you're aware of what took

0:19:43.640 --> 0:19:46.159
<v Speaker 3>place there, and the fact that it also was taking

0:19:46.200 --> 0:19:50.280
<v Speaker 3>place in my lifetime. I was ten years old when

0:19:50.280 --> 0:19:55.679
<v Speaker 3>it closed, so it's this recent history and it's disgusting.

0:19:55.760 --> 0:19:57.720
<v Speaker 3>But yeah, the very first time I think I went

0:19:57.720 --> 0:19:59.560
<v Speaker 3>there was for the Haunted House, and the first time

0:19:59.560 --> 0:20:01.040
<v Speaker 3>I invested get it was part of an event.

0:20:01.359 --> 0:20:05.920
<v Speaker 1>Okay, mister Barry, I went with someone named Amy Bruney.

0:20:06.560 --> 0:20:08.399
<v Speaker 1>I wasn't sure if it was one of your Ghost

0:20:08.520 --> 0:20:10.159
<v Speaker 1>Hunters Academy locations.

0:20:10.200 --> 0:20:13.200
<v Speaker 2>I never know, No, Waverley, Actually we're going to Oh yeah,

0:20:13.240 --> 0:20:15.840
<v Speaker 2>it was the very first place I ever investigated on television.

0:20:16.200 --> 0:20:19.240
<v Speaker 2>I mean, you and I investigated that on Ghost Hunters,

0:20:19.440 --> 0:20:23.520
<v Speaker 2>and and I remember, you're right, we were in a

0:20:23.520 --> 0:20:26.359
<v Speaker 2>different mindset in a way. We were excited to get

0:20:26.400 --> 0:20:31.600
<v Speaker 2>to this incredibly historic haunted location. We were It was

0:20:31.760 --> 0:20:34.000
<v Speaker 2>multiple nights, which is a big deal for when we

0:20:34.200 --> 0:20:37.680
<v Speaker 2>investigated something like that. But I think for us, we

0:20:37.680 --> 0:20:41.119
<v Speaker 2>were we didn't know what to expect, right, and you

0:20:41.200 --> 0:20:43.840
<v Speaker 2>and I we had we were in Philadelphia, so we

0:20:43.880 --> 0:20:47.000
<v Speaker 2>had just started investigation. This is probably a month into

0:20:47.160 --> 0:20:49.480
<v Speaker 2>us working together, that's true, So we were still sort

0:20:49.480 --> 0:20:51.240
<v Speaker 2>of getting our feet wet on you know, how we

0:20:51.240 --> 0:20:53.600
<v Speaker 2>interact with each other and what experiences we will have.

0:20:54.000 --> 0:20:56.800
<v Speaker 2>But I know that the activity that we had there

0:20:58.000 --> 0:21:01.400
<v Speaker 2>flipped our brains in side out because it was it

0:21:01.440 --> 0:21:06.280
<v Speaker 2>was really incredible activity. But at that point, I think

0:21:07.119 --> 0:21:08.640
<v Speaker 2>we didn't know what to do with that information.

0:21:08.800 --> 0:21:12.520
<v Speaker 1>I guess, right, I mean I think that I actually

0:21:12.520 --> 0:21:14.679
<v Speaker 1>I think I wrote about one of the experiences we

0:21:14.800 --> 0:21:19.080
<v Speaker 1>had there in the book, which was and this happened

0:21:19.080 --> 0:21:20.840
<v Speaker 1>not on the lot. Was this on the live show?

0:21:21.000 --> 0:21:22.480
<v Speaker 1>When we heard that thing in the closet?

0:21:22.480 --> 0:21:24.520
<v Speaker 2>I don't know that was it? Yeah? That was, yeah,

0:21:24.560 --> 0:21:25.160
<v Speaker 2>on the live show.

0:21:25.359 --> 0:21:26.840
<v Speaker 1>So we'll talk about that experience.

0:21:26.960 --> 0:21:30.320
<v Speaker 2>Yes, So Amy and I were in the I guess

0:21:30.359 --> 0:21:33.960
<v Speaker 2>it would be the children's section wherever they said the

0:21:33.960 --> 0:21:36.760
<v Speaker 2>heart of hearing would be. And I think when we

0:21:36.800 --> 0:21:39.920
<v Speaker 2>started hearing those kind of thoughts where oh the kids were,

0:21:40.280 --> 0:21:42.560
<v Speaker 2>you know, just they had a physical disability where they

0:21:42.560 --> 0:21:44.840
<v Speaker 2>couldn't hear or they couldn't see, they were put in

0:21:44.920 --> 0:21:47.840
<v Speaker 2>here to us. I mean that was already like what

0:21:47.920 --> 0:21:50.280
<v Speaker 2>are you talking about? Like there are schools for the

0:21:50.320 --> 0:21:53.080
<v Speaker 2>blind and death, Like what are you doing? But we

0:21:53.080 --> 0:21:55.880
<v Speaker 2>were in that section, and I remember being on the

0:21:55.920 --> 0:21:59.600
<v Speaker 2>third or fourth floor and she and I you know,

0:21:59.720 --> 0:22:03.439
<v Speaker 2>were slowly walking through to get our bearings, and we

0:22:03.480 --> 0:22:06.800
<v Speaker 2>started asking questions and then to the left of us,

0:22:07.480 --> 0:22:12.000
<v Speaker 2>down the hallway, you could hear what sounded like a

0:22:12.280 --> 0:22:17.600
<v Speaker 2>footstep and a drag, so it was like step step,

0:22:18.840 --> 0:22:21.920
<v Speaker 2>like step dry and she and I looked at each

0:22:21.920 --> 0:22:24.720
<v Speaker 2>other like what the actual is that? And we were

0:22:24.760 --> 0:22:28.880
<v Speaker 2>looking down this hallway nothing was there. And then almost

0:22:29.080 --> 0:22:33.040
<v Speaker 2>instantaneously after that, we heard what sounded like clawing, like

0:22:33.160 --> 0:22:38.439
<v Speaker 2>scratching and clawing on wood. And at this point, I

0:22:38.480 --> 0:22:40.560
<v Speaker 2>think they it's on television, but you can go back

0:22:40.560 --> 0:22:42.680
<v Speaker 2>and watch. But she and I are like on top

0:22:42.720 --> 0:22:45.280
<v Speaker 2>of each other, were and like back to back, and

0:22:45.280 --> 0:22:47.080
<v Speaker 2>we're sort of trying to like figure out where the

0:22:47.080 --> 0:22:50.840
<v Speaker 2>sound's coming from, what's happening, And we knew that the scratching.

0:22:50.920 --> 0:22:54.040
<v Speaker 2>It was like a scratch, clawing, scratching, like trying something,

0:22:54.080 --> 0:22:55.119
<v Speaker 2>trying to get out of something.

0:22:55.240 --> 0:22:59.240
<v Speaker 1>It was so incredibly loud, terrifying. It was so loud.

0:22:59.280 --> 0:23:01.199
<v Speaker 1>I can't over state howbut it was.

0:23:01.560 --> 0:23:03.720
<v Speaker 2>And also your mind starts playing tricks on you because

0:23:03.760 --> 0:23:07.119
<v Speaker 2>you hear this step dragon. I picture horror movie. I

0:23:07.200 --> 0:23:11.520
<v Speaker 2>picture like the you know, some person walking down the

0:23:11.520 --> 0:23:13.920
<v Speaker 2>thing trying to get us. So we had to make

0:23:13.960 --> 0:23:16.720
<v Speaker 2>our way toward the sound, like any good horror movie,

0:23:17.040 --> 0:23:21.120
<v Speaker 2>and we pinpointed to this room. We walk into the room.

0:23:21.440 --> 0:23:25.239
<v Speaker 2>The scratching is still going on. It's louder. We know

0:23:25.320 --> 0:23:28.480
<v Speaker 2>it's coming from in front of us, where a closet

0:23:28.560 --> 0:23:30.239
<v Speaker 2>door is closed.

0:23:30.560 --> 0:23:35.919
<v Speaker 1>And we we thought animal. We were like, there's an

0:23:35.960 --> 0:23:39.160
<v Speaker 1>animal there. We were about to have our faces torn

0:23:39.160 --> 0:23:40.600
<v Speaker 1>off by whatever this is.

0:23:40.760 --> 0:23:42.600
<v Speaker 2>But and she was like, you open it.

0:23:42.640 --> 0:23:43.640
<v Speaker 1>That's true. You were new.

0:23:44.440 --> 0:23:44.960
<v Speaker 2>I was new.

0:23:45.280 --> 0:23:45.840
<v Speaker 1>You were new.

0:23:46.400 --> 0:23:50.080
<v Speaker 2>And so she is standing maybe five feet away from

0:23:50.119 --> 0:23:52.560
<v Speaker 2>the door, and I'm like creeping up on the handle

0:23:52.680 --> 0:23:55.959
<v Speaker 2>like it's gonna pop out, And I take the handle

0:23:56.119 --> 0:23:58.560
<v Speaker 2>and I went and I opened it really quick and

0:23:58.640 --> 0:24:01.560
<v Speaker 2>jump back because I was a know something rabbit is

0:24:01.600 --> 0:24:05.960
<v Speaker 2>coming out of there, and that did not happen. There

0:24:06.119 --> 0:24:10.720
<v Speaker 2>was nothing in the closet. There was no signs of rodents,

0:24:10.880 --> 0:24:14.160
<v Speaker 2>there was no animal droppings. There did not smell of urine.

0:24:14.320 --> 0:24:17.280
<v Speaker 2>It was just a normal closet. There were no holes

0:24:17.320 --> 0:24:19.399
<v Speaker 2>in the ceiling. And I think we even used the

0:24:19.400 --> 0:24:20.000
<v Speaker 2>thermal imaging.

0:24:20.160 --> 0:24:22.160
<v Speaker 1>I was just gonna say we double checked. We brought

0:24:22.160 --> 0:24:24.359
<v Speaker 1>the thermal. The one time I enjoyed the thermal, I

0:24:24.400 --> 0:24:26.200
<v Speaker 1>was like, oh, we can see there's an animal in here.

0:24:26.320 --> 0:24:28.960
<v Speaker 2>There was no animal, no traces of animal, no signs

0:24:28.960 --> 0:24:31.560
<v Speaker 2>and animals trying to claw out in any section. And

0:24:31.600 --> 0:24:35.320
<v Speaker 2>we never heard it again ever and anywhere else in

0:24:35.320 --> 0:24:37.560
<v Speaker 2>that building. I mean, yes, of course it was stabited.

0:24:37.600 --> 0:24:40.000
<v Speaker 2>It could have been an animal, but we we checked

0:24:40.040 --> 0:24:41.879
<v Speaker 2>our boxes for that and it was wild.

0:24:42.119 --> 0:24:45.000
<v Speaker 1>Yeah, No, that was That was terrifying. And what's so

0:24:45.040 --> 0:24:46.760
<v Speaker 1>funny is that we were like, oh, a few, it's

0:24:46.760 --> 0:24:47.159
<v Speaker 1>a ghost.

0:24:47.760 --> 0:24:51.720
<v Speaker 2>Yeah, We're like, oh right, oh great. I mean, you know,

0:24:51.800 --> 0:24:55.800
<v Speaker 2>thinking about that experience now, I sort of wonder what

0:24:55.960 --> 0:24:58.280
<v Speaker 2>that was though. Like you talk about, you know, the

0:24:58.320 --> 0:25:01.520
<v Speaker 2>young children in cages and people being trapped and tied up.

0:25:01.560 --> 0:25:05.240
<v Speaker 2>It's like, now, when I think about that a sound.

0:25:05.359 --> 0:25:07.240
<v Speaker 2>It's no longer spooky, it's sad.

0:25:07.400 --> 0:25:14.119
<v Speaker 3>It's heartbreaking. Yeah, someone was confined and that was their reality,

0:25:14.760 --> 0:25:15.600
<v Speaker 3>So what would they do?

0:25:15.760 --> 0:25:18.359
<v Speaker 1>It would well, that's just it. It's like if that

0:25:18.720 --> 0:25:22.240
<v Speaker 1>I imagine at some point someone was probably locked in

0:25:22.280 --> 0:25:26.120
<v Speaker 1>that closet, like I almost think it had to have happened,

0:25:26.200 --> 0:25:30.399
<v Speaker 1>and so is I pray that that is not like

0:25:30.480 --> 0:25:35.720
<v Speaker 1>their actual consciousness still there trying to leave and instead

0:25:35.840 --> 0:25:39.439
<v Speaker 1>is just kind of like that imprint there, you know

0:25:39.480 --> 0:25:41.600
<v Speaker 1>what I mean. I would prefer it's just the actual

0:25:43.440 --> 0:25:46.000
<v Speaker 1>turmoil or emotion left behind, because I would hate to

0:25:46.000 --> 0:25:49.280
<v Speaker 1>think there's someone just perpetually stuck in this closet. You know.

0:25:49.760 --> 0:25:53.240
<v Speaker 3>I don't like to think as I don't like to

0:25:53.280 --> 0:25:56.960
<v Speaker 3>think in terms of children or people being stuck in places.

0:25:57.480 --> 0:26:00.400
<v Speaker 3>And yet I do wonder in facilities like that where

0:26:00.400 --> 0:26:05.520
<v Speaker 3>people were so physically and emotionally broken, like where they

0:26:05.520 --> 0:26:08.840
<v Speaker 3>were broken by other people, if there's something about that

0:26:08.880 --> 0:26:13.920
<v Speaker 3>where they are just lingering there in some form or fashion.

0:26:14.560 --> 0:26:17.320
<v Speaker 1>Well, the sad thing to think about is that, you know,

0:26:17.520 --> 0:26:21.560
<v Speaker 1>they were probably told their entire lives that they weren't

0:26:21.600 --> 0:26:25.640
<v Speaker 1>meant for anywhere else, you know, and so there, it's

0:26:25.680 --> 0:26:29.040
<v Speaker 1>so ingrained in them that they were not meant to

0:26:29.119 --> 0:26:31.760
<v Speaker 1>be in society. This is where you are because of

0:26:31.800 --> 0:26:35.919
<v Speaker 1>how you are. And so when given the choice and death, like,

0:26:35.960 --> 0:26:38.800
<v Speaker 1>does that mean they carry that like I'm not meant

0:26:38.800 --> 0:26:40.720
<v Speaker 1>to go anywhere but here. It's kind of like sometimes

0:26:40.760 --> 0:26:44.960
<v Speaker 1>when we investigate jails, I feel like sometimes the inmates

0:26:45.000 --> 0:26:48.200
<v Speaker 1>are like, it's this kind of you know, self imposed sentence,

0:26:48.240 --> 0:26:50.320
<v Speaker 1>like I'm supposed to be here and I can't leave,

0:26:50.880 --> 0:26:54.040
<v Speaker 1>And I would not be surprised if that's what's happening there.

0:26:54.080 --> 0:26:56.760
<v Speaker 3>And it's some extent it was official policy too, like

0:26:56.880 --> 0:27:00.840
<v Speaker 3>as early when it opened in nineteen oh was it

0:27:01.600 --> 0:27:05.520
<v Speaker 3>by nineteen thirteen? There was already official policy about eugenics

0:27:05.920 --> 0:27:09.200
<v Speaker 3>on the books in Pinnhurst, and that not only are

0:27:09.240 --> 0:27:13.840
<v Speaker 3>you not worth anything, you're not even worth like getting

0:27:13.880 --> 0:27:16.040
<v Speaker 3>out and having a family. You need to be separated.

0:27:16.520 --> 0:27:21.439
<v Speaker 3>You are dehumanized, oh completely, And when it reaches that

0:27:21.560 --> 0:27:24.600
<v Speaker 3>point where you're no longer considered human, it makes it

0:27:24.720 --> 0:27:29.320
<v Speaker 3>all the easier to abuse and hurt and break these people.

0:27:29.080 --> 0:27:31.960
<v Speaker 1>Down when you watch that documentary, and so this is

0:27:31.960 --> 0:27:34.720
<v Speaker 1>what I think of when I investigate there. I see

0:27:34.760 --> 0:27:37.160
<v Speaker 1>these spaces and I mean, I haven't watched it in years,

0:27:37.160 --> 0:27:40.240
<v Speaker 1>but is permanently ingrained in my brain. I see the

0:27:40.280 --> 0:27:42.760
<v Speaker 1>faces of these people and I think of them as

0:27:42.800 --> 0:27:47.280
<v Speaker 1>I investigate there. You know, are these the people? Are

0:27:47.320 --> 0:27:51.359
<v Speaker 1>people like this who are talking to me? But it's

0:27:51.720 --> 0:27:55.679
<v Speaker 1>they were so coherent. They were not they were like

0:27:55.800 --> 0:27:58.520
<v Speaker 1>talking to anyone in here. They weren't like it wasn't

0:27:58.600 --> 0:28:01.880
<v Speaker 1>like they couldn't speak. It wasn't like they were emotionless,

0:28:01.920 --> 0:28:05.160
<v Speaker 1>like they were completely able to have a conversation. They

0:28:05.160 --> 0:28:07.960
<v Speaker 1>were calm. It's the weirdest thing. And you're like, why

0:28:08.000 --> 0:28:10.120
<v Speaker 1>are you there? Like it just didn't make a lot

0:28:10.119 --> 0:28:10.560
<v Speaker 1>of sense.

0:28:10.720 --> 0:28:12.119
<v Speaker 2>No, And I think the first time I saw the

0:28:12.160 --> 0:28:16.200
<v Speaker 2>documentary was when we went back, maybe even the following

0:28:16.440 --> 0:28:18.240
<v Speaker 2>It was the following year for the live show, and

0:28:18.280 --> 0:28:21.000
<v Speaker 2>we knew we were going back there, and you know,

0:28:21.000 --> 0:28:23.240
<v Speaker 2>we had talked about the documentary and I watched it,

0:28:23.560 --> 0:28:27.359
<v Speaker 2>and I think that changed the way we investigated that

0:28:27.480 --> 0:28:30.959
<v Speaker 2>space on live television. Yeah, for sure, because we were

0:28:31.000 --> 0:28:33.600
<v Speaker 2>thinking about it. And if you notice we went back

0:28:33.640 --> 0:28:36.560
<v Speaker 2>to that same spot if you watched that live show,

0:28:36.920 --> 0:28:39.920
<v Speaker 2>and we were using the flashlights for communication, and we

0:28:39.960 --> 0:28:44.000
<v Speaker 2>had set three flashlights on the mantle, which was in

0:28:44.080 --> 0:28:46.600
<v Speaker 2>the room just past where we heard the scratching down

0:28:46.640 --> 0:28:49.160
<v Speaker 2>the hall from where we heard the foot dragging, and

0:28:49.200 --> 0:28:51.960
<v Speaker 2>we would set them up right like straight up, and

0:28:52.520 --> 0:28:55.960
<v Speaker 2>you know, live television, anything can happen, and we like

0:28:56.400 --> 0:29:01.160
<v Speaker 2>to do the hardest techniques on live televis because we're like,

0:29:01.240 --> 0:29:03.120
<v Speaker 2>you know, we don't We're going to use it. We

0:29:03.160 --> 0:29:04.600
<v Speaker 2>believe in it. We're going to see what happens and

0:29:04.600 --> 0:29:08.560
<v Speaker 2>if it works great on live television. We started having

0:29:08.640 --> 0:29:13.000
<v Speaker 2>a conversation with someone in the space who knew we

0:29:13.000 --> 0:29:16.680
<v Speaker 2>were there, who was answering our questions yes, no, I

0:29:16.720 --> 0:29:20.840
<v Speaker 2>don't know, on command, on live television in front of

0:29:20.880 --> 0:29:23.280
<v Speaker 2>millions of people watching. And it was because we had

0:29:23.400 --> 0:29:27.160
<v Speaker 2>humanized what was there and we genuinely wanted to have

0:29:27.200 --> 0:29:31.040
<v Speaker 2>a conversation. I actually forgot the cameras in that moment.

0:29:31.120 --> 0:29:33.840
<v Speaker 2>I forgot that we were on live television because we

0:29:33.840 --> 0:29:36.160
<v Speaker 2>were making such a connection, right.

0:29:36.240 --> 0:29:40.640
<v Speaker 1>And it's bizarre investigating on live television because first of all,

0:29:40.680 --> 0:29:43.080
<v Speaker 1>you're investigating the entire time, so you're just kind of

0:29:43.080 --> 0:29:46.160
<v Speaker 1>going about your business and then suddenly the camera operators

0:29:46.240 --> 0:29:49.040
<v Speaker 1>like they're coming to you, and there's this twinge where

0:29:49.040 --> 0:29:53.880
<v Speaker 1>you're like, oh, okay, now that'd be great, yeah, but

0:29:54.000 --> 0:29:57.120
<v Speaker 1>in that moment like I don't know. So the for

0:29:57.240 --> 0:30:01.360
<v Speaker 1>people who are not familiar, we to quite often use

0:30:01.480 --> 0:30:04.080
<v Speaker 1>this technique with flashlights, where we would line up three

0:30:04.120 --> 0:30:07.520
<v Speaker 1>flashlights in a row. The only reason we've stopped using

0:30:07.560 --> 0:30:13.400
<v Speaker 1>this technique is since Maglight introduced their new like led lights,

0:30:13.440 --> 0:30:16.640
<v Speaker 1>it just doesn't work the same anymore, and slowly but surely,

0:30:16.720 --> 0:30:19.960
<v Speaker 1>every single one of our old maglights has burned out.

0:30:20.560 --> 0:30:22.520
<v Speaker 1>If you want to help us with that maglight if

0:30:22.520 --> 0:30:23.520
<v Speaker 1>you're listening.

0:30:24.280 --> 0:30:27.040
<v Speaker 2>But this episode is sponsored by Backlight bag Light.

0:30:29.240 --> 0:30:31.440
<v Speaker 1>But so what we did is we used this flashlight

0:30:31.520 --> 0:30:34.320
<v Speaker 1>technique where we would set the flashlights to where they were.

0:30:34.520 --> 0:30:36.560
<v Speaker 1>It was very easy to turn them on and off

0:30:36.560 --> 0:30:39.840
<v Speaker 1>because you twist it so uh and people would use

0:30:40.080 --> 0:30:42.680
<v Speaker 1>one flashlight a lot, but we didn't really feel like

0:30:42.720 --> 0:30:45.160
<v Speaker 1>that was a very controlled situation. So we would use

0:30:45.240 --> 0:30:48.960
<v Speaker 1>three flashlights and we would first establish they actually wanted

0:30:49.000 --> 0:30:51.960
<v Speaker 1>to interact using the flashlights, and then when we were

0:30:52.120 --> 0:30:53.960
<v Speaker 1>it was clear that they could answer us, we would

0:30:54.000 --> 0:30:56.520
<v Speaker 1>have them pick which flashlight wanted to be yes, which

0:30:56.560 --> 0:30:58.560
<v Speaker 1>wanted to be no, which was like I don't know,

0:30:59.480 --> 0:31:03.000
<v Speaker 1>and this is happening on live television, and it was

0:31:03.080 --> 0:31:06.480
<v Speaker 1>like clockwork, like we were having this entire conversation through

0:31:06.520 --> 0:31:10.400
<v Speaker 1>these lights. I think we were on screen for like

0:31:10.440 --> 0:31:13.880
<v Speaker 1>a solid twenty to thirty minutes doing this, which is

0:31:13.920 --> 0:31:16.200
<v Speaker 1>like unheard of in these live shows. But it just

0:31:16.240 --> 0:31:21.040
<v Speaker 1>wouldn't stop. And whoever was there was able to talk

0:31:21.200 --> 0:31:23.520
<v Speaker 1>through the lights, recognize the lights. Who like, that's a

0:31:23.640 --> 0:31:27.560
<v Speaker 1>universal signal, right, everybody can speak through lights, and they

0:31:27.640 --> 0:31:29.720
<v Speaker 1>wanted to talk. They were eager to talk.

0:31:29.920 --> 0:31:34.160
<v Speaker 2>Yeah. I remember when it was done. I think the

0:31:34.200 --> 0:31:38.400
<v Speaker 2>camera operator was not only was his shoulder killing him

0:31:38.520 --> 0:31:42.040
<v Speaker 2>at that point, but he also did not understand what

0:31:42.080 --> 0:31:44.720
<v Speaker 2>was happening. He was like, what was that? Because I

0:31:44.760 --> 0:31:47.960
<v Speaker 2>think the crew for the live show wasn't our normal crew.

0:31:48.120 --> 0:31:49.920
<v Speaker 2>It was because they were all Union.

0:31:50.400 --> 0:31:53.080
<v Speaker 1>Yeah, they were all like they were used to shooting

0:31:53.120 --> 0:31:56.000
<v Speaker 1>like football games I have TV, and they did not

0:31:56.080 --> 0:31:57.200
<v Speaker 1>know what they had signed up for.

0:31:57.960 --> 0:32:00.800
<v Speaker 2>This guy's the eyes were big than in his head

0:32:01.080 --> 0:32:03.560
<v Speaker 2>and he was just like, what was that? How did

0:32:03.600 --> 0:32:05.600
<v Speaker 2>you guys do that? And we were like, we didn't

0:32:05.640 --> 0:32:09.760
<v Speaker 2>do anything. All we did was ask questions. Yeah, girl,

0:32:09.800 --> 0:32:12.440
<v Speaker 2>we did some crazy stuff on that day, Yeah, we did.

0:32:12.560 --> 0:32:14.800
<v Speaker 1>Like I said earlier, that was my first F bomb

0:32:14.800 --> 0:32:17.360
<v Speaker 1>on live television. Can you say an F bomb on

0:32:17.400 --> 0:32:20.560
<v Speaker 1>live TV? You hear the IFBs of every camera operator,

0:32:21.200 --> 0:32:24.000
<v Speaker 1>So we screaming in the control booths and yeah, yeah.

0:32:24.040 --> 0:32:26.360
<v Speaker 2>There was another time. I can't remember if we were

0:32:26.480 --> 0:32:28.880
<v Speaker 2>investigating in a different section, but we had walked through

0:32:28.920 --> 0:32:32.960
<v Speaker 2>and they kept saying that the windows had giant like

0:32:33.080 --> 0:32:36.640
<v Speaker 2>screens on them, heavy screens, and so sometimes they would

0:32:37.720 --> 0:32:40.000
<v Speaker 2>you'd hear them like knock or bang, and we were

0:32:40.040 --> 0:32:43.800
<v Speaker 2>just walking through, investigating and calling out just to see

0:32:43.800 --> 0:32:46.360
<v Speaker 2>if it was there, and it was like show, like

0:32:46.520 --> 0:32:49.760
<v Speaker 2>the loudest sound I had ever heard, and we tried

0:32:49.800 --> 0:32:51.640
<v Speaker 2>to figure out what it was, couldn't figure it out.

0:32:51.840 --> 0:32:53.880
<v Speaker 2>Not an animal. It was like somebody had taken it

0:32:53.920 --> 0:32:56.000
<v Speaker 2>and slammed it, and we knew we weren't welcome in

0:32:56.000 --> 0:32:57.400
<v Speaker 2>that moment. We were like, we're not welcome.

0:32:57.440 --> 0:33:00.160
<v Speaker 3>It's a location that I think every time I've been there,

0:33:01.320 --> 0:33:05.280
<v Speaker 3>it's again a sad and terrible location, but it from

0:33:05.320 --> 0:33:08.560
<v Speaker 3>a paranormal activity perspective, it seems like it always delivers

0:33:08.680 --> 0:33:12.080
<v Speaker 3>in different ways. There was one time actually I was

0:33:12.080 --> 0:33:15.880
<v Speaker 3>there with a paranormal event, and it was a group

0:33:15.920 --> 0:33:17.840
<v Speaker 3>of people in one area. I forget all of the

0:33:17.840 --> 0:33:20.360
<v Speaker 3>building names. I think they call it dietary. It's like

0:33:20.400 --> 0:33:24.880
<v Speaker 3>in the back of the grounds and the session was

0:33:24.920 --> 0:33:28.440
<v Speaker 3>coming to a close and people are doing an investigation

0:33:28.760 --> 0:33:31.640
<v Speaker 3>and somebody walked by me, and then standing next to

0:33:31.680 --> 0:33:35.720
<v Speaker 3>me was two of the volunteers that assist with the investigation.

0:33:36.080 --> 0:33:38.440
<v Speaker 3>Someone walks by me and they walk into another room,

0:33:38.960 --> 0:33:41.320
<v Speaker 3>and this is sort of the free time of the investigation.

0:33:42.040 --> 0:33:44.600
<v Speaker 3>Time winds down, It's like, okay, time to wrap it up,

0:33:44.720 --> 0:33:47.680
<v Speaker 3>move everybody to the next location. And I'm like, oh,

0:33:47.760 --> 0:33:49.560
<v Speaker 3>let me go grab the person that moved into that

0:33:49.760 --> 0:33:52.240
<v Speaker 3>next room over there, and the volunteers like, yes, someone

0:33:52.320 --> 0:33:56.680
<v Speaker 3>walked in there. Walk into this room, no one's in there,

0:33:57.480 --> 0:34:00.400
<v Speaker 3>walk into this adjacent room and there is no other exit,

0:34:01.040 --> 0:34:04.400
<v Speaker 3>and myself and the volunteer, like I know, we both

0:34:04.760 --> 0:34:08.480
<v Speaker 3>physically saw someone walk in here. And instead against this

0:34:08.680 --> 0:34:13.200
<v Speaker 3>pack wall was a very like distinct shadow, kind of

0:34:13.280 --> 0:34:17.000
<v Speaker 3>like hunched against the wall, and it reminded me in

0:34:17.040 --> 0:34:20.160
<v Speaker 3>that moment of the final scene of the Blair Witch Projects,

0:34:20.920 --> 0:34:25.240
<v Speaker 3>which I want to tell you all that I'm mister

0:34:25.960 --> 0:34:28.879
<v Speaker 3>Brave at every moment but that was a moment where

0:34:28.920 --> 0:34:30.879
<v Speaker 3>I was Nope, the f out of there.

0:34:31.000 --> 0:34:33.720
<v Speaker 2>I was like, no, yep, nope, nope, nope, nope, nope.

0:34:34.040 --> 0:34:36.960
<v Speaker 2>Isn't that? Isn't that where when we were doing somebody

0:34:37.040 --> 0:34:40.080
<v Speaker 2>was doing the walkthrough before wherever we got there for

0:34:40.120 --> 0:34:42.600
<v Speaker 2>the live show, and they saw a gentleman that looked

0:34:42.640 --> 0:34:43.440
<v Speaker 2>like a worker.

0:34:43.800 --> 0:34:46.239
<v Speaker 1>Oh that's right, was it Chris Williams? Did she see it?

0:34:46.239 --> 0:34:47.440
<v Speaker 1>It might be because she.

0:34:47.440 --> 0:34:49.719
<v Speaker 2>Was like, I saw there's a man standing there, like

0:34:49.719 --> 0:34:51.680
<v Speaker 2>getting ready. It was like a worker. And they were like,

0:34:51.719 --> 0:34:54.600
<v Speaker 2>nobody else is back there, And she came over talking

0:34:54.640 --> 0:34:56.239
<v Speaker 2>about like, oh, yeah, there's a guy back there or

0:34:56.239 --> 0:34:57.719
<v Speaker 2>something and there, and the guy was like, no, there's

0:34:57.760 --> 0:34:58.359
<v Speaker 2>nobody back there.

0:34:58.440 --> 0:34:59.920
<v Speaker 1>Yeah, no, it does not surprise me.

0:35:01.320 --> 0:35:03.799
<v Speaker 3>There was another time I was actually filming. It was

0:35:03.880 --> 0:35:07.359
<v Speaker 3>right before all the COVID lockdown and I was filming this.

0:35:07.680 --> 0:35:10.480
<v Speaker 3>It was a about haunted houses, but it wasn't a

0:35:10.480 --> 0:35:15.480
<v Speaker 3>paranormal show. It was about haunted house attractions. And after

0:35:15.520 --> 0:35:20.320
<v Speaker 3>a very long night of filming, everybody is very tired,

0:35:20.400 --> 0:35:24.200
<v Speaker 3>winding down, waiting to get cut for the night. Because

0:35:24.239 --> 0:35:27.680
<v Speaker 3>it's removed from any nearby hotels, it's definitely.

0:35:27.320 --> 0:35:28.040
<v Speaker 2>Like a cab ride.

0:35:28.600 --> 0:35:32.640
<v Speaker 3>And I'm standing outside facing the admin building. No one

0:35:32.719 --> 0:35:35.360
<v Speaker 3>is in this building, and I'm standing next to the

0:35:35.480 --> 0:35:38.120
<v Speaker 3>like a sound guy or whatever, and we're just chatting like, yeah,

0:35:38.160 --> 0:35:39.839
<v Speaker 3>long night, like where you're gonna go. You're gonna grab

0:35:39.920 --> 0:35:43.279
<v Speaker 3>some dinner at the local pub or whatever afterwards. And

0:35:43.320 --> 0:35:50.600
<v Speaker 3>we're facing the admin building and you see this lone

0:35:50.880 --> 0:35:59.160
<v Speaker 3>wheelchair just cross past the threshold. Nope, And I'm like,

0:35:59.160 --> 0:36:02.439
<v Speaker 3>like you you you saw this, right, Yep, yep, yep.

0:36:02.600 --> 0:36:03.160
<v Speaker 2>Should we go in?

0:36:03.400 --> 0:36:03.480
<v Speaker 1>No?

0:36:04.120 --> 0:36:08.319
<v Speaker 2>Yeah, And for that reason, I'm out. So that is

0:36:08.400 --> 0:36:11.160
<v Speaker 2>a wild, well, something that a lot of people just

0:36:11.160 --> 0:36:14.920
<v Speaker 2>don't know. So you and I got to explore Penhurst

0:36:15.000 --> 0:36:15.920
<v Speaker 2>during the day.

0:36:16.160 --> 0:36:18.840
<v Speaker 1>That's right. Oh, that's right. We did a photo shoot there.

0:36:19.040 --> 0:36:23.040
<v Speaker 1>We dressed in really fancy clothes and took pictures in Penhurst. Yeah,

0:36:23.160 --> 0:36:26.520
<v Speaker 1>so as one does. Yes, you know, were a magazine.

0:36:26.640 --> 0:36:29.800
<v Speaker 2>Yeah, yeah, Actually it's on the back of one of

0:36:29.840 --> 0:36:32.879
<v Speaker 2>our magazines. It's the double duo image where it looks

0:36:32.920 --> 0:36:35.680
<v Speaker 2>like we're kind of floating. That's Penhurst. And I remember

0:36:35.800 --> 0:36:39.440
<v Speaker 2>being there during the day and of course things in

0:36:39.440 --> 0:36:41.960
<v Speaker 2>the daytime when light, when sunlight hits it, you know,

0:36:42.120 --> 0:36:44.560
<v Speaker 2>you see it in a different way. And I remember

0:36:44.600 --> 0:36:47.720
<v Speaker 2>we got to actually take the time and really stand

0:36:47.760 --> 0:36:50.799
<v Speaker 2>in a spot without cameras and like look, and at

0:36:50.840 --> 0:36:53.759
<v Speaker 2>times it felt really creepy and intense, and then at

0:36:53.800 --> 0:36:59.839
<v Speaker 2>times there was this weird, like destroyed, destructed beauty about it.

0:37:00.200 --> 0:37:02.839
<v Speaker 2>But then you could see what kind of life it had,

0:37:02.920 --> 0:37:05.880
<v Speaker 2>Like the beds were there, all lined up still, like

0:37:05.920 --> 0:37:08.560
<v Speaker 2>people had been in these little sections and cobby holes,

0:37:08.640 --> 0:37:12.560
<v Speaker 2>and you just knew what kind of like you know,

0:37:12.880 --> 0:37:16.400
<v Speaker 2>little town or life this place had exactly.

0:37:16.480 --> 0:37:18.839
<v Speaker 1>And I think that's important, and that's kind of I

0:37:18.840 --> 0:37:23.080
<v Speaker 1>think one of the greatest byproducts of what we do

0:37:23.160 --> 0:37:26.200
<v Speaker 1>and what you all do, is that we are kind

0:37:26.200 --> 0:37:30.000
<v Speaker 1>of realizing that history. You know, we're not pushing it aside,

0:37:30.040 --> 0:37:33.319
<v Speaker 1>we're not forgetting it existed. I love the new kind

0:37:33.360 --> 0:37:36.840
<v Speaker 1>of outlook as we investigate these places that were uber

0:37:36.920 --> 0:37:40.680
<v Speaker 1>respectful of what happened there. You know, we're not going in,

0:37:41.080 --> 0:37:46.200
<v Speaker 1>you know, antagonizing. We go in with deep respect and sympathy.

0:37:46.239 --> 0:37:49.080
<v Speaker 1>And I think that really not only helps us as

0:37:49.120 --> 0:37:52.759
<v Speaker 1>far as kind of gaining interaction, but I think it

0:37:52.880 --> 0:37:55.279
<v Speaker 1>helps them. They You know, you walk in as a

0:37:55.320 --> 0:37:57.799
<v Speaker 1>living person and you're showing them respect they might not

0:37:57.840 --> 0:38:00.840
<v Speaker 1>have ever had in life to begin with. So I

0:38:00.880 --> 0:38:03.719
<v Speaker 1>think it's important that these places are explored. I think

0:38:03.760 --> 0:38:06.560
<v Speaker 1>it's important that we learned the history that happened there

0:38:07.160 --> 0:38:11.000
<v Speaker 1>before we ever got there. And I think that you know,

0:38:11.280 --> 0:38:15.920
<v Speaker 1>regardless of how anyone feels about the paranormal field, there

0:38:15.960 --> 0:38:20.720
<v Speaker 1>are places like this that are being remembered because of us,

0:38:21.200 --> 0:38:24.640
<v Speaker 1>and so we have great responsibility. And that includes where

0:38:24.640 --> 0:38:27.240
<v Speaker 1>we're going tonight as well, since we're going to Waverly Hills.

0:38:27.280 --> 0:38:30.000
<v Speaker 1>So I want to thank my friends here for joining

0:38:30.000 --> 0:38:31.759
<v Speaker 1>me today, and I want to thank all of you

0:38:31.880 --> 0:38:34.959
<v Speaker 1>for this, and I hope you enjoyed it very much.

0:38:35.560 --> 0:38:53.319
<v Speaker 1>I'm Amy Bruney and this was Haunted Road. Haunted Road

0:38:53.560 --> 0:38:56.920
<v Speaker 1>is hosted and written by me Amy brune with additional

0:38:57.000 --> 0:39:01.280
<v Speaker 1>research by Taylor Hagerdorn and Cassandra day All. This show

0:39:01.440 --> 0:39:05.080
<v Speaker 1>is edited and produced by Rima El Kali, with supervising

0:39:05.120 --> 0:39:09.719
<v Speaker 1>producer Josh Thain and executive producers Aaron Menke, Alex Williams,

0:39:09.760 --> 0:39:13.720
<v Speaker 1>and Matt Frederick. Haunted Road is a production of iHeartRadio

0:39:13.960 --> 0:39:17.080
<v Speaker 1>and Grim and Mild from Aaronmanke. Learn more about this

0:39:17.200 --> 0:39:21.480
<v Speaker 1>show over at grimanmild dot com, and for more podcasts

0:39:21.480 --> 0:39:26.200
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

0:39:26.280 --> 0:39:27.880
<v Speaker 1>you listen to your favorite shows.