1 00:00:16,440 --> 00:00:19,000 Speaker 1: Was it. And when y'all got back together and started 2 00:00:19,079 --> 00:00:23,360 Speaker 1: rolling like this, was there any still any remnants of any. 3 00:00:23,440 --> 00:00:25,400 Speaker 2: When you knew it was because when you've seen Sea 4 00:00:25,400 --> 00:00:27,200 Speaker 2: Loo feature and Goodie Mob, you knew. 5 00:00:28,200 --> 00:00:32,000 Speaker 1: How you feel about that. I mean, when who came 6 00:00:32,080 --> 00:00:37,160 Speaker 1: up with Seelow feature and Goodie Mob? The peoples, Nah, y'all, y'all, 7 00:00:37,440 --> 00:00:39,000 Speaker 1: y'all didn't have to go with that though, Oh. 8 00:00:38,960 --> 00:00:46,160 Speaker 2: Yeah we did. Yeah, oh we're on the American Music 9 00:00:46,200 --> 00:00:50,240 Speaker 2: Awards see feature and Goodie moo. Okay, cool, Hey, that's 10 00:00:50,280 --> 00:00:51,800 Speaker 2: the way you want to do it, you know. 11 00:00:52,040 --> 00:00:54,080 Speaker 1: I mean, so you you cooled your on. T BO 12 00:00:54,240 --> 00:00:55,320 Speaker 1: was like, but ship, let's rock. 13 00:00:56,640 --> 00:00:59,840 Speaker 2: At the end of the day, you have to do 14 00:01:00,040 --> 00:01:01,720 Speaker 2: what you don't want to do to get to a 15 00:01:01,760 --> 00:01:05,080 Speaker 2: place where you do what you can. And at that time, 16 00:01:05,800 --> 00:01:10,760 Speaker 2: I knew that Ghippie per Se has made enough things 17 00:01:10,760 --> 00:01:12,840 Speaker 2: happen outside of Good and Mouth that I'm gonna be 18 00:01:12,880 --> 00:01:16,119 Speaker 2: okay regardless set it gonna be okay. But let's make 19 00:01:16,120 --> 00:01:20,440 Speaker 2: sure we take care of our brothers. Yeah, so you know, 20 00:01:20,520 --> 00:01:27,200 Speaker 2: everything was great, TV show going great, then boom, my 21 00:01:27,280 --> 00:01:30,480 Speaker 2: brother gets into it with the whole forced people. You 22 00:01:30,520 --> 00:01:30,959 Speaker 2: know what I mean? 23 00:01:31,400 --> 00:01:32,319 Speaker 1: Yeah, they. 24 00:01:34,840 --> 00:01:36,840 Speaker 2: They getting mad at my brother. He coming up. He 25 00:01:37,000 --> 00:01:39,400 Speaker 2: changing the dynamics of the show. He got there. He's 26 00:01:39,400 --> 00:01:44,759 Speaker 2: bringing birds and parrots and snakes and cats and everything 27 00:01:44,840 --> 00:01:46,920 Speaker 2: on the damn sitting these people like, what the hell 28 00:01:47,000 --> 00:01:53,680 Speaker 2: is he doing? He doing low low, We're doing low. So, 29 00:01:54,120 --> 00:01:56,120 Speaker 2: you know, I think that's what It came to a 30 00:01:56,160 --> 00:01:59,720 Speaker 2: point where he had to part from NBC from Voice, 31 00:02:00,040 --> 00:02:03,760 Speaker 2: and uh we had TBS did very well out there 32 00:02:04,240 --> 00:02:08,600 Speaker 2: and then boom, the whole situation with the girl happened, 33 00:02:08,760 --> 00:02:13,840 Speaker 2: and it just, uh, it just really let me know 34 00:02:14,200 --> 00:02:17,640 Speaker 2: that you are even more of a target when you 35 00:02:17,720 --> 00:02:20,880 Speaker 2: get to that plateau of what people say is success, 36 00:02:21,360 --> 00:02:27,240 Speaker 2: because now you a target for people in different areas 37 00:02:27,280 --> 00:02:29,960 Speaker 2: of life. You know, I play like I'm cool with 38 00:02:30,040 --> 00:02:32,120 Speaker 2: you and then get in your room and crank some 39 00:02:32,160 --> 00:02:35,240 Speaker 2: ship up, you know, just to have an altercation. So 40 00:02:37,639 --> 00:02:40,880 Speaker 2: it's just, uh, the evil comes with the money. The 41 00:02:41,000 --> 00:02:45,480 Speaker 2: fact that the evil and the envious ship comes with 42 00:02:45,919 --> 00:02:47,079 Speaker 2: more and more money. 43 00:02:47,200 --> 00:02:49,480 Speaker 1: There's a lot of extra demonic energy that come with 44 00:02:49,560 --> 00:02:52,160 Speaker 1: that bread. And if you ain't rooted in no type 45 00:02:52,160 --> 00:02:55,440 Speaker 1: of strong spirituality, that demonic, that demon shit gonna come. 46 00:02:55,320 --> 00:02:58,400 Speaker 2: Out and them other people they they kind of push that. 47 00:02:59,240 --> 00:03:01,520 Speaker 2: See what I So, I was able to sit in 48 00:03:01,520 --> 00:03:07,880 Speaker 2: the room with him and watch people tell him that, 49 00:03:09,720 --> 00:03:14,560 Speaker 2: hey man, you have to be a certain way to 50 00:03:14,680 --> 00:03:18,440 Speaker 2: sustain a certain artist or the now you're going to 51 00:03:18,600 --> 00:03:22,000 Speaker 2: take a lot of that black out of you. You know, 52 00:03:22,200 --> 00:03:23,880 Speaker 2: you're gonna have to take a lot of that Southern 53 00:03:24,320 --> 00:03:27,480 Speaker 2: roots out of you. You can't really have that kind 54 00:03:27,520 --> 00:03:30,800 Speaker 2: of heart on this level. We're not looking for that. 55 00:03:31,240 --> 00:03:36,840 Speaker 2: We're looking for a person that's heartless and just to 56 00:03:36,840 --> 00:03:40,920 Speaker 2: sit back and watch as these people they can be 57 00:03:41,000 --> 00:03:43,160 Speaker 2: nowhere around, but then when you meet us, you get 58 00:03:43,160 --> 00:03:44,880 Speaker 2: a certain place. Then these people just all of a 59 00:03:44,920 --> 00:03:48,240 Speaker 2: sudden around you, and you know, they make you feel 60 00:03:48,240 --> 00:03:51,360 Speaker 2: like if you're not listening to them, then it's not 61 00:03:51,400 --> 00:03:53,840 Speaker 2: gonna happen. But at the same time, too, I just 62 00:03:53,880 --> 00:03:58,760 Speaker 2: look at our industry right now and say, when they 63 00:03:58,800 --> 00:04:03,120 Speaker 2: gave the power to black ball people, to certain people 64 00:04:03,160 --> 00:04:04,040 Speaker 2: in the music. 65 00:04:03,880 --> 00:04:06,360 Speaker 1: Industry to cancel, yes, just cancel. 66 00:04:06,600 --> 00:04:09,440 Speaker 2: I really feel like that was the worst thing they 67 00:04:09,600 --> 00:04:13,280 Speaker 2: ever could have did, was to teach us how to 68 00:04:13,400 --> 00:04:14,280 Speaker 2: cancel each other. 69 00:04:15,120 --> 00:04:19,000 Speaker 3: Ship Because that Selo ship was probably early counsel culture, right, 70 00:04:19,640 --> 00:04:19,880 Speaker 3: that was. 71 00:04:19,920 --> 00:04:22,400 Speaker 2: Right, that was at the beginning, you know what I mean. 72 00:04:22,440 --> 00:04:27,680 Speaker 2: And you know, I really felt like people was upset 73 00:04:27,920 --> 00:04:31,359 Speaker 2: and his success because it was almost like he was 74 00:04:31,400 --> 00:04:33,600 Speaker 2: a new artist. He did it, he did it again. 75 00:04:33,640 --> 00:04:35,680 Speaker 2: He was a new artist all over again. You got 76 00:04:35,800 --> 00:04:38,080 Speaker 2: kids dressing like and were walking through the airport, the 77 00:04:38,120 --> 00:04:40,240 Speaker 2: old white ladies walking up kissing him in the mouth. 78 00:04:40,440 --> 00:04:42,800 Speaker 2: It was a whole nother kind of successful. 79 00:04:43,080 --> 00:04:44,560 Speaker 1: You got to look at it. You go back and 80 00:04:44,560 --> 00:04:48,799 Speaker 1: listen to them goodie My albums, y'all talking some real ship, 81 00:04:49,000 --> 00:04:52,919 Speaker 1: some black empowerment type ship, like all that uplifting black folk. 82 00:04:53,000 --> 00:04:56,359 Speaker 1: So he gonna like, how the fuck go from talking 83 00:04:56,400 --> 00:05:00,560 Speaker 1: about this on one Manion Niggas in side. 84 00:05:01,880 --> 00:05:04,000 Speaker 2: But then also if you go back to Age against 85 00:05:04,040 --> 00:05:07,479 Speaker 2: the Machine, you had this song called white Power still 86 00:05:07,720 --> 00:05:10,240 Speaker 2: where he was talking about it. He tried to go 87 00:05:10,279 --> 00:05:18,720 Speaker 2: and get Eminem to be on that record and was like, hell, no, 88 00:05:19,279 --> 00:05:21,360 Speaker 2: I'm not fuking with that load, you know what I mean. 89 00:05:21,400 --> 00:05:23,520 Speaker 2: So I think that. 90 00:05:23,120 --> 00:05:26,080 Speaker 1: That that that target on that targets became bigger. 91 00:05:26,120 --> 00:05:28,880 Speaker 2: That target, yeah, because now people going, now, people started 92 00:05:28,920 --> 00:05:32,920 Speaker 2: digging into his history. People started, you know that, they 93 00:05:32,960 --> 00:05:38,280 Speaker 2: started going and just imagine, man, like, uh, everything fine, 94 00:05:39,120 --> 00:05:48,760 Speaker 2: new new deal, Lytic Leonard, Uh, touring Voice, TV show, A, TBS, 95 00:05:49,640 --> 00:05:54,240 Speaker 2: the first Sea right now, everybody, I just want everybody 96 00:05:54,240 --> 00:05:58,800 Speaker 2: to understand Selo was the first young artist to go 97 00:05:58,880 --> 00:06:01,280 Speaker 2: to Vegas. Everything on them in Vegas right now is 98 00:06:01,320 --> 00:06:05,479 Speaker 2: because of Sea with resident residency, from a residency standing 99 00:06:05,520 --> 00:06:09,960 Speaker 2: front and everybody. Yeah, everybody's standing on Sea Loo shoulders. 100 00:06:10,440 --> 00:06:14,360 Speaker 2: Selo did it first, you know. And when he went 101 00:06:14,400 --> 00:06:17,960 Speaker 2: to courting l A and Uh, he went on the 102 00:06:18,080 --> 00:06:21,240 Speaker 2: Instagram and said what he said, I probably lost like 103 00:06:21,360 --> 00:06:24,479 Speaker 2: almost a million dollars a day. Oh we lost the 104 00:06:24,520 --> 00:06:30,200 Speaker 2: TV show, we lost our l we lost our label deal, we. 105 00:06:30,200 --> 00:06:34,640 Speaker 1: Lost so goodie mind was affected from yeah almost Yeah, man, 106 00:06:34,680 --> 00:06:38,799 Speaker 1: I see you get on on social media on Instagram. 107 00:06:38,839 --> 00:06:42,880 Speaker 1: You always you you your your love and you're always 108 00:06:42,880 --> 00:06:46,119 Speaker 1: showing love to pop. And I remember being at club 109 00:06:46,120 --> 00:06:50,400 Speaker 1: and Losers, a lot of pocaly out thead club Losers. Yeah, 110 00:06:50,960 --> 00:06:54,560 Speaker 1: so tell us how was it from a stand How 111 00:06:54,800 --> 00:06:56,520 Speaker 1: did you on pots? Like I said, I didn't mean 112 00:06:56,560 --> 00:06:59,839 Speaker 1: popping to those Sunday nights and the lousions new face 113 00:06:59,839 --> 00:07:02,360 Speaker 1: with you that Okay, he was. 114 00:07:02,839 --> 00:07:07,240 Speaker 2: Mister club touching on them girls too, man. I think 115 00:07:07,360 --> 00:07:12,200 Speaker 2: who introduced part to Atlanta. Was mc breed. Yeah, mc 116 00:07:12,440 --> 00:07:16,360 Speaker 2: breed used to have part here all him and d 117 00:07:16,480 --> 00:07:21,120 Speaker 2: o C used to always be with Breed. And that's 118 00:07:21,120 --> 00:07:24,120 Speaker 2: how I really kind of gained the real relationship with 119 00:07:24,200 --> 00:07:27,400 Speaker 2: d o C, the real relationship with to the doc. 120 00:07:27,880 --> 00:07:34,000 Speaker 2: My god in Dallas, the West Coast better be happy 121 00:07:34,000 --> 00:07:34,960 Speaker 2: they had that boy come. 122 00:07:36,200 --> 00:07:38,520 Speaker 1: That's a whole been on the show. He coming back, 123 00:07:38,800 --> 00:07:39,840 Speaker 1: he said, he coming back. 124 00:07:42,000 --> 00:07:47,280 Speaker 2: So yeah, I just feel like at that time we 125 00:07:47,280 --> 00:07:51,400 Speaker 2: were just pushed to a place of they they they 126 00:07:51,360 --> 00:07:57,560 Speaker 2: attacking him, They're attacking us, and again we had to 127 00:07:57,600 --> 00:08:00,480 Speaker 2: go dormant again, we had to go quiet, you know. 128 00:08:01,760 --> 00:08:05,320 Speaker 1: But it was cool because who you said, who introduced 129 00:08:05,320 --> 00:08:05,720 Speaker 1: you to Park? 130 00:08:05,760 --> 00:08:10,560 Speaker 2: It was Breed. Breed introduced me to Park because you know, 131 00:08:10,640 --> 00:08:13,520 Speaker 2: I tell everybody at one time, ITCHI bum was the 132 00:08:13,560 --> 00:08:14,720 Speaker 2: ship in the like. 133 00:08:14,800 --> 00:08:17,080 Speaker 1: That was only tell me. That was the only la 134 00:08:17,240 --> 00:08:20,160 Speaker 1: we had, you know what I mean. So for us, 135 00:08:20,320 --> 00:08:22,960 Speaker 1: they might have robbed a handful of yeah ship. 136 00:08:22,920 --> 00:08:25,600 Speaker 2: But they robbed a lot of Jermaine because he put 137 00:08:25,600 --> 00:08:27,480 Speaker 2: more wax out over there than anybody. 138 00:08:27,520 --> 00:08:30,280 Speaker 1: Team Jermaine and Smurfs, Sir. 139 00:08:31,640 --> 00:08:35,240 Speaker 2: I just think that at that time it gave us 140 00:08:35,280 --> 00:08:39,800 Speaker 2: an outlook, that man Breed coming here at the same time, 141 00:08:39,960 --> 00:08:44,320 Speaker 2: Park here and DLC here, so them running around. Breed 142 00:08:44,440 --> 00:08:46,719 Speaker 2: used to always play basketball over in the West End 143 00:08:47,520 --> 00:08:50,839 Speaker 2: where the Drids used to play it over there tennis court. 144 00:08:50,920 --> 00:08:52,440 Speaker 2: He used to go over there and play ball all 145 00:08:52,480 --> 00:08:55,160 Speaker 2: the time. So we always knew him. And you know, 146 00:08:55,160 --> 00:08:57,760 Speaker 2: that's when h Rap Brown was running the neighborhood over there. 147 00:08:57,800 --> 00:09:01,480 Speaker 2: It was real, it was real, uh, real, soulful, and 148 00:09:02,480 --> 00:09:09,640 Speaker 2: I just think that Tupac was very special because he 149 00:09:09,880 --> 00:09:13,640 Speaker 2: understood what he was doing. That's what I think a 150 00:09:13,679 --> 00:09:18,040 Speaker 2: lot of artists during that time didn't understand. But Pac 151 00:09:18,160 --> 00:09:22,280 Speaker 2: had another understanding of the business because he did understand 152 00:09:22,320 --> 00:09:25,440 Speaker 2: the TV business. So when I tell people all the time, 153 00:09:26,320 --> 00:09:31,559 Speaker 2: Pack is probably the first to meet natural superstar that 154 00:09:31,720 --> 00:09:35,920 Speaker 2: had every time by acting the girl. 155 00:09:37,240 --> 00:09:37,680 Speaker 1: Everything. 156 00:09:39,480 --> 00:09:44,760 Speaker 2: His his magnetism was just so on another level back then, 157 00:09:45,880 --> 00:09:48,839 Speaker 2: the way he was closed the jewelry, he was just 158 00:09:49,320 --> 00:09:53,160 Speaker 2: always higher than what people was doing in the community. 159 00:09:53,320 --> 00:09:57,120 Speaker 2: So it made him stand out. And I think when 160 00:09:57,120 --> 00:10:00,240 Speaker 2: he got locked up his uh, we really really had 161 00:10:00,240 --> 00:10:05,080 Speaker 2: a good well, we started developing our relationship on Me 162 00:10:05,200 --> 00:10:08,400 Speaker 2: against the World, and I remember when they locked him up, 163 00:10:09,840 --> 00:10:12,480 Speaker 2: we had to go. We had to go to Whitewaters, 164 00:10:12,760 --> 00:10:15,360 Speaker 2: and I remember when I got the White Waters that day, 165 00:10:16,280 --> 00:10:21,000 Speaker 2: everybody in the parking lot was playing his out and 166 00:10:21,080 --> 00:10:22,960 Speaker 2: it was a dude out there that had Me against 167 00:10:22,960 --> 00:10:26,160 Speaker 2: the World tattooed on his back. And that's when I 168 00:10:26,240 --> 00:10:31,040 Speaker 2: knew how powerful Rap was and how powerful he was 169 00:10:31,920 --> 00:10:37,240 Speaker 2: because he was he was. 170 00:10:35,960 --> 00:10:39,320 Speaker 1: Controlling the industry from jail. That's ship. 171 00:10:40,080 --> 00:10:42,320 Speaker 4: It's the first one to go number one behind bars. 172 00:10:42,840 --> 00:10:45,040 Speaker 4: That's the first one to go number one behind bars. 173 00:10:45,760 --> 00:10:52,120 Speaker 2: Like it was amazing to watch him and uh, just 174 00:10:52,200 --> 00:10:55,760 Speaker 2: to know, like Timo and his sister was real close, 175 00:10:55,840 --> 00:10:58,920 Speaker 2: so he always knew what Park was, and Park always 176 00:10:58,960 --> 00:11:00,920 Speaker 2: called him when he got locked that we called the officer. 177 00:11:00,960 --> 00:11:02,680 Speaker 2: One day, he was like, man, when I get out, Man, 178 00:11:03,440 --> 00:11:06,560 Speaker 2: I wanted to join the Goodie Mob. Damn, And we 179 00:11:06,720 --> 00:11:08,239 Speaker 2: was kind of like, damn, okay. 180 00:11:08,000 --> 00:11:11,480 Speaker 1: So we potentially gonna have the Tupac fifth member the 181 00:11:11,480 --> 00:11:11,959 Speaker 1: Goodie Mob. 182 00:11:12,440 --> 00:11:15,080 Speaker 2: That's what we wanted on the last album that he 183 00:11:15,160 --> 00:11:18,280 Speaker 2: was gonna come to Atlanta Nation, That's what that was 184 00:11:18,280 --> 00:11:21,200 Speaker 2: the album that we was gonna start the relationship on 185 00:11:21,320 --> 00:11:24,600 Speaker 2: records because he wanted us to wrap that night when 186 00:11:24,600 --> 00:11:26,240 Speaker 2: we walk in If you listen to some of the 187 00:11:26,320 --> 00:11:31,480 Speaker 2: cuts on one Nation, he actually saying he's shouting us 188 00:11:31,480 --> 00:11:33,960 Speaker 2: out walking into the thing, and he wanted us to 189 00:11:34,000 --> 00:11:36,600 Speaker 2: record that night. But see, my thing was always business. 190 00:11:36,640 --> 00:11:38,080 Speaker 2: I get out there in the West Coast, like, man, 191 00:11:38,080 --> 00:11:40,800 Speaker 2: I'm not fucking with you, doctor Dre all god damn shoes. 192 00:11:41,280 --> 00:11:44,199 Speaker 2: Not nothing bad, But I just I wasn't about to 193 00:11:44,200 --> 00:11:49,880 Speaker 2: get it. I've been in the studio with me and 194 00:11:50,000 --> 00:11:54,320 Speaker 2: Doctor Dre and dre Be like rap nah like that 195 00:11:54,360 --> 00:11:56,360 Speaker 2: ship I ain't doing. I ain't fucking with this shit 196 00:11:56,400 --> 00:11:59,680 Speaker 2: out here. So it's like for me to just watch 197 00:12:00,440 --> 00:12:04,720 Speaker 2: what he did as far as music in just a 198 00:12:04,880 --> 00:12:10,080 Speaker 2: nine months band, like, uh, it's just incredible, and it's 199 00:12:10,120 --> 00:12:12,200 Speaker 2: almost like he knew he was gonna die. 200 00:12:13,600 --> 00:12:17,480 Speaker 4: He knew it with the people that infamous. This is 201 00:12:17,480 --> 00:12:19,760 Speaker 4: a photo I don't know if you wherever Jay where 202 00:12:19,800 --> 00:12:24,199 Speaker 4: it's it's Tupac the whole Goodie Mob Sugar Night Too. 203 00:12:24,440 --> 00:12:26,240 Speaker 1: I just saw it. I just saw it recently. 204 00:12:26,280 --> 00:12:29,240 Speaker 3: And Tupac is looking this way because who was on. 205 00:12:29,240 --> 00:12:32,360 Speaker 2: This side, Biggie Bigger. He was looking right at Bigger 206 00:12:33,360 --> 00:12:37,360 Speaker 2: and it was amazing because Park was all in camouflage. 207 00:12:37,400 --> 00:12:39,200 Speaker 1: He got his head back. He look, he look over east. 208 00:12:39,400 --> 00:12:42,480 Speaker 2: Big. He was like, they go there, fat mother, and 209 00:12:42,559 --> 00:12:42,840 Speaker 2: he just. 210 00:12:42,880 --> 00:12:44,640 Speaker 1: Went where was the picture taking at? 211 00:12:45,080 --> 00:12:49,800 Speaker 2: Backstage? And so as soon as they stopped taking pictures, 212 00:12:49,880 --> 00:12:53,280 Speaker 2: Pok started moving toward Big. And then that's when you 213 00:12:53,320 --> 00:12:57,319 Speaker 2: saw Don Conee come out of nowhere and run right 214 00:12:57,360 --> 00:13:01,120 Speaker 2: into Sugar and was like, it was like, if you 215 00:13:01,200 --> 00:13:02,280 Speaker 2: do this on my wife. 216 00:13:02,320 --> 00:13:11,480 Speaker 1: Oh boy, you had that juice, you might see. 217 00:13:11,320 --> 00:13:12,920 Speaker 2: He might one eye, he can see you with that 218 00:13:12,960 --> 00:13:13,880 Speaker 2: one eye, but. 219 00:13:15,559 --> 00:13:18,080 Speaker 1: Don't don't play with money. 220 00:13:18,400 --> 00:13:18,559 Speaker 2: Check. 221 00:13:18,840 --> 00:13:21,240 Speaker 4: So Don checked Shug. Oh yeah, he had the juice 222 00:13:21,240 --> 00:13:24,840 Speaker 4: like that. Oh yeah, mister soul trying chick check. 223 00:13:24,920 --> 00:13:27,480 Speaker 2: Sure he checked Sugar and everybody with Sugar, and I 224 00:13:27,480 --> 00:13:30,199 Speaker 2: don't care who with Sure. He was like, man, mess 225 00:13:30,280 --> 00:13:32,560 Speaker 2: up my ship and we're gonna have a problem. And 226 00:13:32,679 --> 00:13:35,680 Speaker 2: I mean, sure, boy, that little hat baggy, let's go, 227 00:13:35,840 --> 00:13:41,000 Speaker 2: let's go, let's go. So that's when I really understood, 228 00:13:41,120 --> 00:13:46,120 Speaker 2: like with l A, it's respect. But you know, during 229 00:13:46,160 --> 00:13:48,920 Speaker 2: this time too, a lot of people don't know Man 230 00:13:49,360 --> 00:13:51,840 Speaker 2: stop rapping for at least two or three years and 231 00:13:51,960 --> 00:13:55,040 Speaker 2: just went to learn to be an executive under Bear Hankerson. 232 00:13:55,880 --> 00:14:02,400 Speaker 2: So I was with Barry Hankerson. Oh man, when the 233 00:14:02,440 --> 00:14:09,320 Speaker 2: little producer got killed. Muh oh, oh man. He did 234 00:14:09,400 --> 00:14:12,959 Speaker 2: Lollipop for Wayne Static Major. You're talking about black ground 235 00:14:13,040 --> 00:14:18,080 Speaker 2: record working. I'm with them. I'm with them doing those times. 236 00:14:18,440 --> 00:14:22,520 Speaker 2: And that's when I started learning about you know, Joe 237 00:14:22,520 --> 00:14:28,000 Speaker 2: Moo and and uh and you know, being started teaching 238 00:14:28,040 --> 00:14:30,520 Speaker 2: me and the two. 239 00:14:31,160 --> 00:14:34,720 Speaker 1: Not to cut you off yet, but very uh before 240 00:14:34,840 --> 00:14:40,280 Speaker 1: Sugar Knight, that was Barry. Barry Hankerson instilled a lot 241 00:14:40,280 --> 00:14:43,360 Speaker 1: of fear and a lot of people in the well. 242 00:14:43,400 --> 00:14:46,520 Speaker 2: You know, his two proteges was me and and Jimmy hisman. 243 00:14:47,240 --> 00:14:52,200 Speaker 2: Oh that's who we kept around him, Me and Jimmy. 244 00:14:52,280 --> 00:14:57,320 Speaker 1: That that says it all right there. Yet we're gonna 245 00:14:57,320 --> 00:15:00,400 Speaker 1: move on. We're gonna look so look back back to 246 00:15:00,480 --> 00:15:05,520 Speaker 1: Pocket Goodye Mob. If there was one song, whether it's 247 00:15:05,720 --> 00:15:08,440 Speaker 1: still standing, those Soul Food that you would want to 248 00:15:08,440 --> 00:15:11,640 Speaker 1: put POC on. What record would that be still standing 249 00:15:12,400 --> 00:15:16,840 Speaker 1: or Soul Food album Soul Food either one? What one 250 00:15:16,880 --> 00:15:22,960 Speaker 1: song would you want to put POC on? Man, Sesame Street, 251 00:15:23,840 --> 00:15:25,800 Speaker 1: damn for real, Sesame Street. 252 00:15:26,040 --> 00:15:31,240 Speaker 2: I mean like because his storytelling no abilities of his 253 00:15:31,320 --> 00:15:35,840 Speaker 2: storytelling abilities always great, uh from his his his the 254 00:15:35,920 --> 00:15:36,640 Speaker 2: way he saw it. 255 00:15:40,360 --> 00:15:45,640 Speaker 1: You know, so Therapy I was, man, that's. 256 00:15:47,320 --> 00:15:51,080 Speaker 2: Totally because when you think about the first time I 257 00:15:51,160 --> 00:15:54,320 Speaker 2: saw pocket was the video they Got Me Trapped. 258 00:15:55,160 --> 00:16:00,280 Speaker 1: That was the first video, so Therapy fitst park to 259 00:16:00,560 --> 00:16:04,720 Speaker 1: test it the like SA on that we what about 260 00:16:04,760 --> 00:16:05,200 Speaker 1: that though. 261 00:16:06,960 --> 00:16:09,440 Speaker 2: On that goodie bag he would God, he would good. 262 00:16:09,760 --> 00:16:12,080 Speaker 2: He would have he would have killed that too, because 263 00:16:12,120 --> 00:16:14,000 Speaker 2: he know he's diversified. 264 00:16:14,600 --> 00:16:15,200 Speaker 1: He could get up. 265 00:16:15,320 --> 00:16:18,760 Speaker 2: He could talk about saying on that week. So it 266 00:16:18,920 --> 00:16:21,880 Speaker 2: was just a time like even when you think about 267 00:16:22,000 --> 00:16:26,320 Speaker 2: big people, when I think about Biggie and you know, 268 00:16:27,400 --> 00:16:29,520 Speaker 2: you know, you know my biggest thing with the fifty 269 00:16:29,640 --> 00:16:31,360 Speaker 2: years of hip hop, if you're gonna tell it, tell 270 00:16:31,400 --> 00:16:32,360 Speaker 2: it right. Yeah. 271 00:16:33,080 --> 00:16:35,080 Speaker 1: But when y'all were y'all too long on that list, 272 00:16:35,360 --> 00:16:37,160 Speaker 1: the Billboard list, I. 273 00:16:37,240 --> 00:16:39,840 Speaker 2: Really didn't care. I can't got no more one. Yeah, 274 00:16:40,080 --> 00:16:43,040 Speaker 2: see that. That's that's been since you disrespected us in 275 00:16:43,120 --> 00:16:43,840 Speaker 2: that room together. 276 00:16:44,280 --> 00:16:46,680 Speaker 1: It was about them being you say, you said Dungeon 277 00:16:46,720 --> 00:16:49,320 Speaker 1: found we We we number one no matter what. 278 00:16:49,600 --> 00:16:51,280 Speaker 2: Yeah, because at the end of the day, I'm on 279 00:16:51,440 --> 00:16:55,440 Speaker 2: every album. So I just be like, at the end 280 00:16:55,480 --> 00:16:59,440 Speaker 2: of the day, when you say, what did we do? 281 00:17:00,280 --> 00:17:03,840 Speaker 2: We made that point, we we beat everything that was 282 00:17:03,920 --> 00:17:07,880 Speaker 2: in that room with us. You know, in the long run, 283 00:17:08,000 --> 00:17:09,320 Speaker 2: we beat everything in that room. 284 00:17:10,240 --> 00:17:12,680 Speaker 1: Nobody watched this New Face watching What number was y'all 285 00:17:12,720 --> 00:17:13,280 Speaker 1: on that leak? 286 00:17:14,240 --> 00:17:16,359 Speaker 2: You think I think it was like thirty two thirty? 287 00:17:16,680 --> 00:17:18,920 Speaker 1: Come on, man? And I was just like, fuck it. 288 00:17:19,080 --> 00:17:21,280 Speaker 2: I said, half them people you got in front of 289 00:17:21,320 --> 00:17:23,840 Speaker 2: us never dropped the third album. Come on mine, you 290 00:17:23,920 --> 00:17:26,480 Speaker 2: know what I mean? How many ams we how many 291 00:17:26,520 --> 00:17:29,200 Speaker 2: are we done as a crew? Like, man, come on, 292 00:17:29,359 --> 00:17:32,119 Speaker 2: stop playing with us. But I understand you got to 293 00:17:32,160 --> 00:17:35,400 Speaker 2: make New York feel good somewhere because they ain't been 294 00:17:35,520 --> 00:17:37,040 Speaker 2: beating nobody nowhere nowhere. 295 00:17:37,560 --> 00:17:41,560 Speaker 1: So New Face always say on this show that fifty 296 00:17:41,640 --> 00:17:44,919 Speaker 1: years of hip hop the South, they carried them. Then 297 00:17:45,840 --> 00:17:48,200 Speaker 1: the narrative that controlled the narrative, y'all. 298 00:17:48,160 --> 00:17:51,920 Speaker 2: Oh twenty years and we got third, we got we 299 00:17:52,080 --> 00:17:54,080 Speaker 2: got thirty. It's like like and it's like when you 300 00:17:54,280 --> 00:17:57,440 Speaker 2: think about it, you be like, as much as you 301 00:17:57,560 --> 00:18:00,520 Speaker 2: want to keep trying to say this person in that person, man, 302 00:18:00,600 --> 00:18:04,200 Speaker 2: they just don't match up. Dude, Like I just be like, man, 303 00:18:04,280 --> 00:18:07,760 Speaker 2: you know, I be like, Okay, the dope bus shit good. 304 00:18:07,880 --> 00:18:10,480 Speaker 2: It's cool for those that live that lifestyle. Everybody live 305 00:18:10,560 --> 00:18:12,960 Speaker 2: that lifestyle, but for that to be the pinnacle, it's like, 306 00:18:13,280 --> 00:18:15,760 Speaker 2: and you got rock Hell and Carris One and all 307 00:18:15,840 --> 00:18:17,960 Speaker 2: this come out of your city. Then that lets me 308 00:18:18,080 --> 00:18:20,840 Speaker 2: know that's that's what the people want. Yeah, you know 309 00:18:20,880 --> 00:18:24,399 Speaker 2: what I mean. So at least I can say in 310 00:18:24,520 --> 00:18:28,040 Speaker 2: the South they love us for being what we are. 311 00:18:28,560 --> 00:18:31,280 Speaker 2: And another thing I love about the South is that 312 00:18:32,880 --> 00:18:38,280 Speaker 2: nobody but people that look like me has got anything 313 00:18:38,359 --> 00:18:41,000 Speaker 2: to do with my career. And I know that that's 314 00:18:41,119 --> 00:18:42,640 Speaker 2: a difference with New York. 315 00:18:42,920 --> 00:18:45,520 Speaker 1: Boy, that's a big fucking difference. You think about the 316 00:18:45,600 --> 00:18:48,400 Speaker 1: star of the Goodie Mob and the Dungeon Family, y'all 317 00:18:48,480 --> 00:18:53,440 Speaker 1: go from LA and facing pebbles people that look like us. Yes, 318 00:18:54,800 --> 00:18:58,400 Speaker 1: right here in your city, right here in the eighth 319 00:18:58,880 --> 00:19:01,080 Speaker 1: the red clay that you grew up on. 320 00:19:01,280 --> 00:19:02,960 Speaker 2: And these are the bosses. This is this. 321 00:19:03,359 --> 00:19:03,560 Speaker 1: Yeah. 322 00:19:04,520 --> 00:19:06,119 Speaker 2: So that's what I used to trip when people are 323 00:19:06,160 --> 00:19:07,480 Speaker 2: get in the room like yo, leo. 324 00:19:09,160 --> 00:19:10,320 Speaker 1: I came up on the l a read. 325 00:19:11,280 --> 00:19:13,520 Speaker 2: But then also when I get to New York, every 326 00:19:13,600 --> 00:19:16,840 Speaker 2: label I ever went to, every executive I ever went to, 327 00:19:17,080 --> 00:19:21,399 Speaker 2: was like fuck them, Alan, And I'm like, what, let 328 00:19:21,480 --> 00:19:23,920 Speaker 2: they say? I sold all y'all don't even have a T. 329 00:19:24,119 --> 00:19:24,320 Speaker 2: L C. 330 00:19:25,160 --> 00:19:29,119 Speaker 1: Y'all don't even have hold on. Hold on, let me 331 00:19:29,280 --> 00:19:32,800 Speaker 1: let me say this. Let me say this. This, This 332 00:19:32,840 --> 00:19:35,600 Speaker 1: is how much respect you got to put on l. A. 333 00:19:35,760 --> 00:19:39,399 Speaker 1: Read as an executive. And you think about all these 334 00:19:39,480 --> 00:19:44,920 Speaker 1: executives that have developed, signed, develop He LA signed and 335 00:19:45,000 --> 00:19:48,639 Speaker 1: developed artists. How many artists if he signed they had 336 00:19:48,680 --> 00:19:54,400 Speaker 1: to go I'm sorry, I'm looking up Diamond album, Tony Braxton, 337 00:19:55,280 --> 00:20:00,000 Speaker 1: T L c Her and Okay, how many fucking excs 338 00:20:00,160 --> 00:20:02,879 Speaker 1: just say that? Man? Shout out to l A. 339 00:20:03,000 --> 00:20:03,399 Speaker 2: Red Man. 340 00:20:04,600 --> 00:20:07,400 Speaker 1: I saw him backstage at the Usher show last year 341 00:20:07,800 --> 00:20:09,280 Speaker 1: and I told him we was It was me and 342 00:20:09,400 --> 00:20:11,440 Speaker 1: him and t I and we were standing there and 343 00:20:11,560 --> 00:20:13,680 Speaker 1: I said, LA Man. I said, I'm saying this with 344 00:20:13,720 --> 00:20:17,639 Speaker 1: the most respect ever, bro. Outside of what main and 345 00:20:17,800 --> 00:20:22,119 Speaker 1: Jackson and and you know, after Doctor King, outside of 346 00:20:22,160 --> 00:20:25,760 Speaker 1: where MAINA. Jackson started with the political I said you 347 00:20:26,000 --> 00:20:28,840 Speaker 1: right there with the being the importance of our culture. 348 00:20:28,560 --> 00:20:29,640 Speaker 2: In the city. He was a man. 349 00:20:29,760 --> 00:20:32,200 Speaker 1: Thank you, man, I said, oh man, because what La 350 00:20:32,359 --> 00:20:35,960 Speaker 1: did we're bringing with having the face here in Atlanta. 351 00:20:38,200 --> 00:20:40,639 Speaker 2: He brought l A man like man. 352 00:20:40,680 --> 00:20:42,920 Speaker 1: You got to put some major different type respect on 353 00:20:43,080 --> 00:20:44,120 Speaker 1: l man, whether. 354 00:20:43,960 --> 00:20:46,320 Speaker 2: You like him or not. Yeah, and he and I 355 00:20:46,440 --> 00:20:50,800 Speaker 2: look at it like you know, no black man has 356 00:20:50,920 --> 00:20:54,280 Speaker 2: made sure his artists from the artists and the producers 357 00:20:54,920 --> 00:20:58,800 Speaker 2: nobody and made more millionaires. Th la oh boy, because 358 00:20:58,840 --> 00:21:00,440 Speaker 2: Shakespeare got away with and then. 359 00:21:04,040 --> 00:21:11,040 Speaker 1: We go, hey, story time. So that's the perfect storytime legend. 360 00:21:12,119 --> 00:21:17,000 Speaker 1: I'm Jared Clark, new face here with big gip. Let's 361 00:21:17,080 --> 00:21:22,399 Speaker 1: talk about let's let's transition into the business man. We 362 00:21:22,440 --> 00:21:26,359 Speaker 1: got to sit right here and the entreprene negro man. 363 00:21:26,520 --> 00:21:29,920 Speaker 1: Let me tell you something I've had. He just brought 364 00:21:29,960 --> 00:21:33,240 Speaker 1: these to the show man, the gift goodies he has. 365 00:21:35,320 --> 00:21:37,880 Speaker 1: He gave me some drinks. Was that last year? Yeah, 366 00:21:38,280 --> 00:21:40,879 Speaker 1: so tell us how you got into the whole c 367 00:21:41,080 --> 00:21:44,280 Speaker 1: b D in the cannabis world. Okay, And I'm sure 368 00:21:44,320 --> 00:21:46,040 Speaker 1: it was a lot of politics with that. You want 369 00:21:46,080 --> 00:21:49,400 Speaker 1: to talk about politics because that music ship, you face, 370 00:21:49,440 --> 00:21:50,199 Speaker 1: he had to sit up on that. 371 00:21:53,680 --> 00:21:59,840 Speaker 2: Up. I think I moved to California, moved to calor 372 00:22:00,119 --> 00:22:03,720 Speaker 2: on you. I'm out there with corrupt, corrupt shows me 373 00:22:04,080 --> 00:22:07,440 Speaker 2: corrupt moon Rocks. Yeah, I'm on the first mixtape that 374 00:22:07,520 --> 00:22:10,280 Speaker 2: he does for the moon Rock. I'm interested in it. 375 00:22:10,880 --> 00:22:13,240 Speaker 2: He said, come on out to La. Why am I 376 00:22:13,280 --> 00:22:16,359 Speaker 2: in La. I'm putting together to give goodies line of 377 00:22:16,680 --> 00:22:21,320 Speaker 2: cannabis products. At that time, as soon as I get 378 00:22:21,359 --> 00:22:25,280 Speaker 2: ready to drop, the pandemic hit. When the pandemic hit, 379 00:22:25,400 --> 00:22:28,040 Speaker 2: I get a call from my father. It's twenty eighteen, 380 00:22:28,200 --> 00:22:35,960 Speaker 2: he say, He says, son, twenty twenty eighteen. 381 00:22:36,480 --> 00:22:38,480 Speaker 1: No, with the pandemic in twenty twenty. 382 00:22:38,600 --> 00:22:41,639 Speaker 2: Yeah, But what happened was that a lot of the 383 00:22:41,760 --> 00:22:45,040 Speaker 2: things that was going on before that, you know, I 384 00:22:45,240 --> 00:22:47,960 Speaker 2: was in La. So that's when he called me and 385 00:22:48,040 --> 00:22:51,000 Speaker 2: told me. He was like, Yo, I got cancer and 386 00:22:51,160 --> 00:22:54,680 Speaker 2: I'm not gonna be here after eight months. I want 387 00:22:54,720 --> 00:22:57,800 Speaker 2: you to come home. And I came home and I 388 00:22:57,880 --> 00:23:00,639 Speaker 2: started trying to treat him with the tea. Yeah, with 389 00:23:00,760 --> 00:23:03,920 Speaker 2: the THAC stuff. He never liked that. He was like, 390 00:23:04,160 --> 00:23:06,359 Speaker 2: but I could he could take the CBD. It was 391 00:23:06,400 --> 00:23:11,159 Speaker 2: a lot better. And so once I started treating him 392 00:23:11,160 --> 00:23:14,040 Speaker 2: and the pandemic hit, you know, I'm not gonna go 393 00:23:14,160 --> 00:23:17,040 Speaker 2: back to CALLI. I just said, I got all these ideas, 394 00:23:17,080 --> 00:23:19,480 Speaker 2: I might as well just go around to the CBD 395 00:23:19,560 --> 00:23:21,240 Speaker 2: shops and see if I could just get my stuff 396 00:23:21,280 --> 00:23:24,520 Speaker 2: in stores. And the whole time during the pandemic. It 397 00:23:24,760 --> 00:23:28,080 Speaker 2: was just going to CBD shops and all that pushing 398 00:23:28,119 --> 00:23:31,840 Speaker 2: the product. And I started with A with A started 399 00:23:31,880 --> 00:23:36,720 Speaker 2: with cigars first, and the pre rolls, pre rolls, and 400 00:23:36,800 --> 00:23:42,760 Speaker 2: then I got pain, pain, pain jail. I got gummies. 401 00:23:43,160 --> 00:23:45,840 Speaker 2: You know those are sleep gummies. That's made us CBN 402 00:23:46,400 --> 00:23:50,840 Speaker 2: so sleep. I got sleep products, pain products, and I 403 00:23:50,960 --> 00:23:53,080 Speaker 2: also have a non alcoholic line. 404 00:23:53,640 --> 00:23:57,680 Speaker 1: This so good the ones you gave me, right, yes, good? 405 00:23:57,800 --> 00:24:01,639 Speaker 1: So y'all make sure man, I'm a y'all gotta support 406 00:24:01,680 --> 00:24:03,320 Speaker 1: give goodies, man, Yeah you got to. 407 00:24:03,600 --> 00:24:05,240 Speaker 3: And we're still doing the bar. Earn these in the 408 00:24:05,320 --> 00:24:05,679 Speaker 3: cut with. 409 00:24:07,240 --> 00:24:10,600 Speaker 2: Because the drinks theyselves like. You know what I'm learning 410 00:24:10,800 --> 00:24:13,879 Speaker 2: is I never was a big drinker. I was always 411 00:24:13,920 --> 00:24:19,040 Speaker 2: a smoker. So you know my thing was a lot 412 00:24:19,080 --> 00:24:21,359 Speaker 2: of my friends, a lot of people started having kidney 413 00:24:21,440 --> 00:24:24,000 Speaker 2: problems and all that kind of stuff. So I'm thinking, like, okay, 414 00:24:24,119 --> 00:24:27,960 Speaker 2: let's do a line of alcohol everything a drinker gonna like, 415 00:24:28,520 --> 00:24:31,320 Speaker 2: but take the alcohol out and put cannabis in it. 416 00:24:31,680 --> 00:24:33,760 Speaker 2: That mean I can drink two or three of these things. 417 00:24:33,800 --> 00:24:36,840 Speaker 2: I ain't gonna do nothing, go to sleep, that's it. 418 00:24:37,200 --> 00:24:42,360 Speaker 2: I don't have a good none. You know what I mean, 419 00:24:42,440 --> 00:24:45,800 Speaker 2: so my thing is safety. My thing is I'm getting 420 00:24:45,840 --> 00:24:46,720 Speaker 2: to a certain agent. 421 00:24:47,000 --> 00:24:47,159 Speaker 1: You know. 422 00:24:47,240 --> 00:24:50,520 Speaker 2: Alcohol just started making me feel bad. It's like you 423 00:24:50,640 --> 00:24:52,680 Speaker 2: get a bad you can get somebody mix it wrong. 424 00:24:52,760 --> 00:24:56,160 Speaker 2: He's like, I don't like this. I don't feel good. 425 00:24:56,359 --> 00:24:59,159 Speaker 2: So with that, I kind of was like, this is 426 00:24:59,200 --> 00:25:02,120 Speaker 2: a way for me to socially drink. And I'm still 427 00:25:02,240 --> 00:25:04,280 Speaker 2: doing my thing. And I'm doing my thing and I 428 00:25:04,320 --> 00:25:07,359 Speaker 2: ain't coming off my thing. So for those that I 429 00:25:07,440 --> 00:25:10,119 Speaker 2: look at, you know, us just getting older, this is 430 00:25:10,240 --> 00:25:13,080 Speaker 2: just a way for other people with health and looking 431 00:25:13,160 --> 00:25:15,240 Speaker 2: for their health and looking into their health. This is 432 00:25:15,280 --> 00:25:18,000 Speaker 2: another way for you to transition out of what's bad 433 00:25:18,080 --> 00:25:21,080 Speaker 2: for you to a place or some that might be good. 434 00:25:21,200 --> 00:25:24,280 Speaker 1: Let everybody know man storytelling. Let how they can get this. 435 00:25:24,600 --> 00:25:28,920 Speaker 2: Order this. I gotta get good at app. I'm gonna 436 00:25:28,920 --> 00:25:31,040 Speaker 2: be putting up on my Instagram. You can go and 437 00:25:31,119 --> 00:25:33,240 Speaker 2: look at this, or you can go to our shop. 438 00:25:33,760 --> 00:25:37,879 Speaker 2: Uh new beginning, he salon one thirty eight. We've been 439 00:25:37,960 --> 00:25:39,400 Speaker 2: in business over sixteen years. 440 00:25:39,480 --> 00:25:40,399 Speaker 1: Social media handles. 441 00:25:41,760 --> 00:25:46,040 Speaker 2: Let's get goodes, okay, but the I P P Goodies 442 00:25:46,200 --> 00:25:49,080 Speaker 2: give goodies. That's the that's the handler. You can find everything. 443 00:25:49,200 --> 00:25:51,680 Speaker 2: But to find it in the city. You can go 444 00:25:51,800 --> 00:25:55,560 Speaker 2: through a few places vape Airport Vapes, but you can 445 00:25:55,600 --> 00:25:57,840 Speaker 2: go to our salon on one thirty eight. We got 446 00:25:57,960 --> 00:25:59,000 Speaker 2: all the drinks, all the. 447 00:25:59,040 --> 00:26:00,720 Speaker 1: Putting around the world on over one thirdy. 448 00:26:03,560 --> 00:26:08,680 Speaker 5: He just I'm like, fucking California, Like, what's one thirdy? 449 00:26:09,040 --> 00:26:13,600 Speaker 5: That's why I said you've the social media real south 450 00:26:13,680 --> 00:26:16,000 Speaker 5: side south Side riverdal. 451 00:26:17,200 --> 00:26:20,800 Speaker 1: Like this. Just hey, man, y'all make sure y'all go 452 00:26:20,880 --> 00:26:23,199 Speaker 1: out man support my brother before before we get out 453 00:26:23,240 --> 00:26:25,760 Speaker 1: of here. Man, I gotta ask this question. I gotta 454 00:26:25,800 --> 00:26:29,160 Speaker 1: ask you this. People be saying you're a conspiracy there 455 00:26:29,880 --> 00:26:30,679 Speaker 1: on conspiracy. 456 00:26:30,760 --> 00:26:32,680 Speaker 2: This is everything I instead and came true. 457 00:26:33,080 --> 00:26:36,960 Speaker 1: Hey, like that one example one because because I know 458 00:26:37,040 --> 00:26:41,400 Speaker 1: on your social media, I'll be like, I'm shut down. 459 00:26:43,440 --> 00:26:47,600 Speaker 2: We're paying for food with the poem now whole food, 460 00:26:47,680 --> 00:26:50,240 Speaker 2: going to throw your palm out there, pay for your food. 461 00:26:50,640 --> 00:26:52,720 Speaker 2: Said that twenty five years ago in the video. 462 00:26:52,640 --> 00:26:55,760 Speaker 1: You didn't understand what in uh in our self therapy. 463 00:26:56,000 --> 00:26:59,520 Speaker 2: So if you think about it, everything that we said, 464 00:27:00,600 --> 00:27:03,960 Speaker 2: people didn't understand what cell therapy was. That was the 465 00:27:04,080 --> 00:27:08,480 Speaker 2: pandemic we lived it. That was now the world understood 466 00:27:08,720 --> 00:27:15,240 Speaker 2: cell therapy became the biggest song search during the pandemic. Damn, 467 00:27:16,320 --> 00:27:20,120 Speaker 2: that record became bigger than it was during the pand 468 00:27:20,320 --> 00:27:22,680 Speaker 2: was out than when it came out because it was 469 00:27:22,760 --> 00:27:26,000 Speaker 2: the only record that people could go to and musically 470 00:27:26,160 --> 00:27:29,440 Speaker 2: get some kind of idea of what we was in. 471 00:27:30,119 --> 00:27:32,639 Speaker 2: Seal Therapy was the only record recording in that place. 472 00:27:33,040 --> 00:27:36,000 Speaker 2: So for that and then for Travis Scott to use 473 00:27:36,040 --> 00:27:38,159 Speaker 2: it on his album and sell four five million record 474 00:27:38,920 --> 00:27:42,240 Speaker 2: you know, I'm just going to tell artists, man, we 475 00:27:42,480 --> 00:27:45,840 Speaker 2: own all. Our publisher never did a publishing deal. I 476 00:27:45,920 --> 00:27:47,720 Speaker 2: hadn't seen a lot of the guys out here go 477 00:27:47,880 --> 00:27:50,760 Speaker 2: by big cars for a long time. Yeah. But see 478 00:27:51,640 --> 00:27:54,840 Speaker 2: in twenty fifty year, like I mean, now you really 479 00:27:54,880 --> 00:27:56,960 Speaker 2: wondering why did you sell your publishing when you were 480 00:27:57,080 --> 00:28:01,280 Speaker 2: twenty You didn't have no value, so you really sold 481 00:28:01,359 --> 00:28:04,560 Speaker 2: for nothing. The trick of the industry, see the trick 482 00:28:04,600 --> 00:28:07,120 Speaker 2: of the injury will tell you a black man. Hey man, 483 00:28:07,480 --> 00:28:09,359 Speaker 2: if you got your publish it ain't worth nothing if 484 00:28:09,400 --> 00:28:12,960 Speaker 2: you own it. Mm hmm. Curtis Mayfield told me, don't 485 00:28:12,960 --> 00:28:13,520 Speaker 2: sell the list. 486 00:28:13,560 --> 00:28:18,080 Speaker 1: I'm ready to retire, and Curtis Mayfield boys ship up 487 00:28:18,160 --> 00:28:20,239 Speaker 1: until he passed. I mean his family, I know they 488 00:28:20,280 --> 00:28:20,800 Speaker 1: still got it. 489 00:28:21,920 --> 00:28:24,440 Speaker 2: No man, there was. He was the greatest man to 490 00:28:24,560 --> 00:28:27,359 Speaker 2: be able to record that first album in his house 491 00:28:28,119 --> 00:28:33,040 Speaker 2: and to be able to hold the actual tapes, so superfly. 492 00:28:33,920 --> 00:28:37,280 Speaker 2: It's just let me know that, Uh it was great 493 00:28:37,320 --> 00:28:38,120 Speaker 2: things because. 494 00:28:37,880 --> 00:28:41,120 Speaker 1: That's what the organized on his office was. Coming over 495 00:28:41,160 --> 00:28:41,880 Speaker 1: there for the first time. 496 00:28:41,920 --> 00:28:43,720 Speaker 2: I mist shakiir mm hmm. 497 00:28:44,160 --> 00:28:47,960 Speaker 1: That would damn assistant. Oh wow, shout out your kids 498 00:28:48,000 --> 00:28:48,200 Speaker 1: through it. 499 00:28:48,240 --> 00:28:50,400 Speaker 2: I'm one. 500 00:28:50,920 --> 00:28:51,720 Speaker 1: That was my dog. 501 00:28:52,360 --> 00:28:55,840 Speaker 4: Speaking of Curtis Mayfield, man, isn't that the inspiration for 502 00:28:55,960 --> 00:28:56,520 Speaker 4: your style? 503 00:28:56,960 --> 00:29:00,480 Speaker 2: You know fashion? Curtis Curtis made, He's one of them. 504 00:29:00,720 --> 00:29:04,280 Speaker 2: The godfather. We give it the George Clinton Clinton because 505 00:29:04,320 --> 00:29:06,840 Speaker 2: George Clinton was the one that said, break our rules 506 00:29:06,920 --> 00:29:09,800 Speaker 2: or you ain't doing it, you know what I mean? 507 00:29:11,520 --> 00:29:13,960 Speaker 2: The man. You know, to this day you look on 508 00:29:14,080 --> 00:29:18,160 Speaker 2: George Clint play his page and he's in a very 509 00:29:18,360 --> 00:29:22,000 Speaker 2: very peaceful play. Yes you could tell bro he and 510 00:29:22,160 --> 00:29:23,600 Speaker 2: leave through the madness and got to. 511 00:29:23,640 --> 00:29:26,560 Speaker 1: The can you imagine he's seen. 512 00:29:27,840 --> 00:29:31,600 Speaker 2: And it survived at all? Like so when you look 513 00:29:31,680 --> 00:29:33,960 Speaker 2: at him, you know LLL. We was on tour with 514 00:29:34,120 --> 00:29:37,000 Speaker 2: LLL what two three weeks ago and LLL went on 515 00:29:37,080 --> 00:29:39,520 Speaker 2: stage and he was like, I just want to talk 516 00:29:39,560 --> 00:29:42,560 Speaker 2: to all the artists in the industry. He say, if 517 00:29:42,600 --> 00:29:45,080 Speaker 2: I can get up here and do my music that 518 00:29:45,200 --> 00:29:49,600 Speaker 2: I did when I was seventeen years old, it ain't 519 00:29:49,640 --> 00:29:52,040 Speaker 2: no excuse for no other artists not to be up here. 520 00:29:52,120 --> 00:29:54,840 Speaker 2: If rock came up on stage, Avery night, I don't 521 00:29:54,840 --> 00:29:56,840 Speaker 2: want to hear nobody younger than me talking about they 522 00:29:56,960 --> 00:30:00,240 Speaker 2: too old around and just to hear O g say that. 523 00:30:00,920 --> 00:30:02,840 Speaker 2: You just let me know that, man. It ain't over 524 00:30:02,960 --> 00:30:05,160 Speaker 2: to you saying you damn right man. 525 00:30:05,800 --> 00:30:09,320 Speaker 1: That's hey, man, boy, big gift. We appreciate. I've been 526 00:30:09,360 --> 00:30:10,440 Speaker 1: waiting on this interview for. 527 00:30:13,080 --> 00:30:16,400 Speaker 4: I got Jerry in there, man, Jerry Clark, ice Cube, 528 00:30:16,440 --> 00:30:18,360 Speaker 4: but Biggie who got the best stories? 529 00:30:20,160 --> 00:30:20,760 Speaker 2: Ice Cube? 530 00:30:21,280 --> 00:30:25,960 Speaker 4: No, you said who Biggie Small ice Cube and Jerry 531 00:30:26,040 --> 00:30:29,400 Speaker 4: Clark because we're talking about storyteller. Remember on drink chats 532 00:30:29,400 --> 00:30:31,880 Speaker 4: they talking about yeah yo talking about Biggie and. 533 00:30:32,080 --> 00:30:33,440 Speaker 2: Oh yeah yeah. 534 00:30:33,520 --> 00:30:38,600 Speaker 1: But see, I gotta hey, man, you just can't man, 535 00:30:38,760 --> 00:30:43,080 Speaker 1: you just can't rap you got. I got some stories, man. 536 00:30:43,080 --> 00:30:45,240 Speaker 2: But I'm gonna tell you, like the new part of 537 00:30:45,280 --> 00:30:49,520 Speaker 2: this year, what's so funny? I got a new record 538 00:30:49,560 --> 00:30:51,360 Speaker 2: out dropped at the top of the year with this 539 00:30:51,480 --> 00:30:55,600 Speaker 2: artist named James Words, a five piece ep we indeed 540 00:30:55,680 --> 00:30:58,720 Speaker 2: over twenty million downloads. They still we ain't supposed to 541 00:30:58,720 --> 00:31:01,640 Speaker 2: be rapping. I guess not. And then you know, we 542 00:31:01,800 --> 00:31:05,480 Speaker 2: got Sniper and Hits. Just sign they deal with Epic. 543 00:31:06,240 --> 00:31:09,120 Speaker 2: That's great. That's about to hit the radio. Just talk 544 00:31:09,200 --> 00:31:12,560 Speaker 2: to old Riggio over there. Then uh, we got a 545 00:31:12,600 --> 00:31:15,560 Speaker 2: new TV show, get you on there. The character's name 546 00:31:15,680 --> 00:31:20,400 Speaker 2: Goodie from Young Thug neighborhood. It's called a TV show 547 00:31:20,480 --> 00:31:23,400 Speaker 2: called on Tin. It's the Atlanta's version of Power. 548 00:31:25,680 --> 00:31:28,360 Speaker 1: Also, so young Gippy, Young Young Gippi got a lot 549 00:31:28,440 --> 00:31:28,720 Speaker 1: of ship. 550 00:31:29,680 --> 00:31:32,320 Speaker 2: Yeah, I'm just you know what, I'm so. 551 00:31:34,240 --> 00:31:35,480 Speaker 1: Sign over the Epic record. 552 00:31:35,760 --> 00:31:38,480 Speaker 2: Yeah, man, I'm just so glad I didn't hold myself 553 00:31:38,560 --> 00:31:41,240 Speaker 2: out as a young man. It gives me other places 554 00:31:41,320 --> 00:31:43,560 Speaker 2: to go and explore now that I'm at the level 555 00:31:43,560 --> 00:31:46,160 Speaker 2: I'm at now, you know. So I just I'm just 556 00:31:46,280 --> 00:31:49,400 Speaker 2: glad that I that the tables of open back up, 557 00:31:49,640 --> 00:31:53,160 Speaker 2: you know. And I'm excited. Goodie Marble on tour the 558 00:31:53,240 --> 00:31:55,640 Speaker 2: next year. I ain't got no time. We're doing two 559 00:31:55,720 --> 00:32:02,760 Speaker 2: and three shows. Man, I'm twenty whatever, but they running 560 00:32:02,800 --> 00:32:04,080 Speaker 2: me like I'm twenty five. Man. 561 00:32:04,200 --> 00:32:07,880 Speaker 1: I was like, Man, Jesus, hey, that's that bank account. 562 00:32:08,040 --> 00:32:08,200 Speaker 4: Mother. 563 00:32:09,360 --> 00:32:12,880 Speaker 2: Look yeah, I got a daughter right now. Keep I 564 00:32:12,960 --> 00:32:14,840 Speaker 2: don't let y'all know my baby out here on the 565 00:32:14,920 --> 00:32:19,560 Speaker 2: block with her record on radio. To man, Man, she's 566 00:32:19,640 --> 00:32:20,000 Speaker 2: killing it. 567 00:32:20,160 --> 00:32:20,280 Speaker 4: Man. 568 00:32:20,400 --> 00:32:23,240 Speaker 2: The girl just started singing eight months ago. Grew up 569 00:32:23,280 --> 00:32:26,480 Speaker 2: in a tour bus, always like I hate it, I 570 00:32:26,600 --> 00:32:29,600 Speaker 2: hate everything about the music business. And then just one 571 00:32:29,680 --> 00:32:33,040 Speaker 2: day brought me music. Was like, godg yeah, she just 572 00:32:33,120 --> 00:32:35,240 Speaker 2: picked it up and it's great. 573 00:32:35,360 --> 00:32:37,480 Speaker 1: And look at who her parents got. 574 00:32:37,800 --> 00:32:41,280 Speaker 2: What you expect. She's gonna be at uh at Sunny 575 00:32:41,320 --> 00:32:46,200 Speaker 2: Show tomorrow. She's performing with Son so that and we'll 576 00:32:46,240 --> 00:32:47,560 Speaker 2: see y'all at Winterfitt. Man. 577 00:32:47,800 --> 00:32:56,480 Speaker 1: Hey, Jerry Clark aka my brother new Face, Big get Man, 578 00:32:57,080 --> 00:33:01,600 Speaker 1: give goodies. Hey Man, we appreciate y'all. Uh my I 579 00:33:01,760 --> 00:33:04,719 Speaker 1: g Big Jerry Clark. Give them your social media hammers. 580 00:33:05,800 --> 00:33:08,400 Speaker 2: Uh give goodies. They give good as you're already slow 581 00:33:08,440 --> 00:33:08,680 Speaker 2: with it. 582 00:33:08,760 --> 00:33:12,880 Speaker 4: That zaga I am at new Face new Face was there? 583 00:33:12,960 --> 00:33:15,840 Speaker 4: Hashtag new face was there? Man, letting Darry Jerry. 584 00:33:15,960 --> 00:33:19,160 Speaker 1: Let's go, man, Man, we signing off man until next week. 585 00:33:19,400 --> 00:33:22,000 Speaker 1: We'll see y'all. Thank you big gift for coming through. Boy, 586 00:33:22,040 --> 00:33:23,960 Speaker 1: We're gonna have to get another session with your mind. 587 00:33:24,680 --> 00:33:44,600 Speaker 1: Story time with legend Jerry. We out of here, zaga Hey, 588 00:33:44,680 --> 00:33:47,120 Speaker 1: story time with legendary Jed. As you know, each week 589 00:33:47,720 --> 00:33:51,880 Speaker 1: we got a feature my God, new face. If new 590 00:33:51,920 --> 00:33:54,920 Speaker 1: Face ain't there, and then it really ain't happening. So 591 00:33:55,040 --> 00:33:58,520 Speaker 1: we sit here with with Big Gift, one fourth of 592 00:33:58,600 --> 00:34:02,840 Speaker 1: the almighty Goodie up and my brother new Face. He 593 00:34:03,520 --> 00:34:04,920 Speaker 1: stayed pulling out, she stayed. 594 00:34:06,240 --> 00:34:09,120 Speaker 4: But I'm honored to know, man, we probably that probably 595 00:34:09,239 --> 00:34:11,720 Speaker 4: was the earliest new face was the moment. And Jerry 596 00:34:11,760 --> 00:34:14,560 Speaker 4: Clark was there at the at that show you talking 597 00:34:14,560 --> 00:34:16,000 Speaker 4: about with just hopped off the. 598 00:34:16,000 --> 00:34:18,680 Speaker 1: Stage because you was there, Jerry, Oh yeah, I was definitely. 599 00:34:19,200 --> 00:34:20,160 Speaker 1: I was there. 600 00:34:20,480 --> 00:34:22,839 Speaker 4: I was there, man, and you know it made the book. 601 00:34:22,960 --> 00:34:26,360 Speaker 4: Selow wrote an autobiography right and out of those stories. 602 00:34:26,400 --> 00:34:28,000 Speaker 4: When I read the book, as soon as I seen 603 00:34:28,120 --> 00:34:29,920 Speaker 4: c Au, I was like, oh, I know yeah, and 604 00:34:30,040 --> 00:34:30,680 Speaker 4: he wrote about it. 605 00:34:30,719 --> 00:34:33,759 Speaker 1: I was right there. Whoever, Buddy wasn't through that water 606 00:34:33,800 --> 00:34:35,440 Speaker 1: bottle though here he at right now. 607 00:34:35,480 --> 00:34:36,480 Speaker 2: I don't know. 608 00:34:38,680 --> 00:34:42,080 Speaker 1: What God trying to commit suicide like. 609 00:34:42,160 --> 00:34:44,360 Speaker 2: You were, you were, you were going for gold. But 610 00:34:45,360 --> 00:34:49,840 Speaker 2: you ran into numbers, some hard the hard flow. He 611 00:34:50,000 --> 00:34:52,040 Speaker 2: was so mad and then that's that. That was such 612 00:34:52,080 --> 00:34:56,400 Speaker 2: a man, that was crazy crazy, Like I got this 613 00:34:57,080 --> 00:35:01,080 Speaker 2: man creative loafing, we got physical other creative loafing. And 614 00:35:01,120 --> 00:35:03,719 Speaker 2: the reason why I love this particular let me see 615 00:35:03,840 --> 00:35:08,320 Speaker 2: this particular damn creative loafing is because we did what 616 00:35:08,560 --> 00:35:12,960 Speaker 2: year was that last interview in Trails in West and 617 00:35:13,280 --> 00:35:14,240 Speaker 2: Miss Shan Trails. 618 00:35:14,440 --> 00:35:18,000 Speaker 1: God boy, that chicken with with the rice, what was 619 00:35:18,040 --> 00:35:23,080 Speaker 1: my man name with slim? 620 00:35:23,200 --> 00:35:25,200 Speaker 2: Do you know that was? That was? Oh, you're talking 621 00:35:25,200 --> 00:35:26,399 Speaker 2: about the duties to come around. 622 00:35:30,960 --> 00:35:32,640 Speaker 1: It's gonna come back, It's gonna come to me. 623 00:35:32,719 --> 00:35:36,200 Speaker 2: What we You know? That was Ree from parental Advisory. 624 00:35:36,280 --> 00:35:39,040 Speaker 2: You know that was his uncle, Spot, the old man. 625 00:35:39,080 --> 00:35:40,680 Speaker 2: It was the actual cook the ship. 626 00:35:41,480 --> 00:35:43,400 Speaker 1: That was and I used to get that chicken with 627 00:35:43,520 --> 00:35:45,000 Speaker 1: the right man. Okay, go ahead. 628 00:35:45,239 --> 00:35:46,480 Speaker 3: So that leads me to my question. 629 00:35:46,600 --> 00:35:49,800 Speaker 4: So most recently, Keith Lee is a food critic online, 630 00:35:50,000 --> 00:35:53,319 Speaker 4: been going around causing uh, you know, havoc with all 631 00:35:53,400 --> 00:35:56,759 Speaker 4: the food restaurants and giving his reviews. You had the 632 00:35:56,840 --> 00:35:59,200 Speaker 4: legendary song by the name of Soul Food, and I 633 00:35:59,360 --> 00:36:03,440 Speaker 4: just want to know hips top five restaurants in Atlanta 634 00:36:03,560 --> 00:36:07,040 Speaker 4: that you love the frequents over these years since you 635 00:36:07,160 --> 00:36:08,080 Speaker 4: made soul food. 636 00:36:08,239 --> 00:36:12,200 Speaker 2: If you were to give you your your top five restaurants, okay, 637 00:36:14,320 --> 00:36:27,040 Speaker 2: itlies East Point, the original of course, San Trails the 638 00:36:27,160 --> 00:36:29,160 Speaker 2: top two, number number three. 639 00:36:32,520 --> 00:36:32,560 Speaker 1: You. 640 00:36:33,200 --> 00:36:35,160 Speaker 2: Hey, man, I go to Long Horns a lot. I 641 00:36:35,360 --> 00:36:41,680 Speaker 2: really like long like like that bread and that look 642 00:36:41,800 --> 00:36:49,080 Speaker 2: that sweet potato. Put some on in there, ga and okay, 643 00:36:49,320 --> 00:36:57,759 Speaker 2: f J. I did so much, so much time, and 644 00:36:57,880 --> 00:37:02,000 Speaker 2: JJ say one day I went up my man, and 645 00:37:02,040 --> 00:37:03,680 Speaker 2: I'm gonna tell you how I wrote that verse, because 646 00:37:03,719 --> 00:37:05,400 Speaker 2: I went up there and I said, hey, man, go home, 647 00:37:05,480 --> 00:37:09,600 Speaker 2: give me some real. I want some beef real. They said, okay, Man, 648 00:37:09,600 --> 00:37:12,719 Speaker 2: I ate the whole goddamn. I said, Man, them was good. 649 00:37:12,760 --> 00:37:14,839 Speaker 2: He said, Man, that wasn't no beat that report. Give 650 00:37:14,960 --> 00:37:19,279 Speaker 2: us a lord. But it was so good. I said, damn, 651 00:37:19,480 --> 00:37:24,920 Speaker 2: man up. But he got me. He got me. It 652 00:37:25,040 --> 00:37:27,560 Speaker 2: was so good that day. I said, Man, that's good 653 00:37:27,640 --> 00:37:30,439 Speaker 2: when you can, when you could trick me, it makes 654 00:37:30,440 --> 00:37:31,160 Speaker 2: me feel. 655 00:37:31,000 --> 00:37:33,759 Speaker 1: Like with some food to season right, and got that 656 00:37:34,040 --> 00:37:34,480 Speaker 1: sauce on. 657 00:37:34,520 --> 00:37:39,759 Speaker 2: It there it is for me, And I got to 658 00:37:39,800 --> 00:37:43,000 Speaker 2: give it for the new guys on the block. Man, man, 659 00:37:43,440 --> 00:37:46,560 Speaker 2: because Dallas Mama helped them start their whole rest run 660 00:37:46,680 --> 00:37:50,160 Speaker 2: their whole thing, and that's this is it. Yeah, Dallas 661 00:37:50,200 --> 00:37:52,560 Speaker 2: Mama used to be the original one on Washington Road 662 00:37:54,360 --> 00:38:00,319 Speaker 2: rich or some of the recipe they say come from Colomba. Man, 663 00:38:00,680 --> 00:38:03,440 Speaker 2: I was, and so they I wanted to ask you. 664 00:38:03,440 --> 00:38:05,640 Speaker 2: As far as music, the last song that you probably 665 00:38:05,719 --> 00:38:09,040 Speaker 2: pressed rewind on that you you listened to and you said, Okay, 666 00:38:09,120 --> 00:38:12,560 Speaker 2: this brother, this sister saying something you know back in 667 00:38:12,560 --> 00:38:15,120 Speaker 2: the day, we really don't have that. But another song 668 00:38:15,239 --> 00:38:18,040 Speaker 2: that played recently that she was like, I like that 669 00:38:18,160 --> 00:38:20,480 Speaker 2: one man, what do you say again? And you press rewinding? 670 00:38:20,560 --> 00:38:22,239 Speaker 2: You had to hear that one more time. That's a 671 00:38:22,280 --> 00:38:25,800 Speaker 2: little baby black and white. Mm hm damn. Okay. He 672 00:38:26,000 --> 00:38:29,920 Speaker 2: really really showed that he had another side of himself 673 00:38:30,719 --> 00:38:33,839 Speaker 2: at the pinnacle of him coming up that made him 674 00:38:35,040 --> 00:38:38,880 Speaker 2: identified and made him Atlanta's own because he came with 675 00:38:39,040 --> 00:38:44,400 Speaker 2: something that was pivotal for that time. And uh, he 676 00:38:44,560 --> 00:38:46,600 Speaker 2: was the only one to say something and the youngest 677 00:38:46,640 --> 00:38:48,640 Speaker 2: at that time as far as like yeah, man, so 678 00:38:49,000 --> 00:38:51,640 Speaker 2: it gave me insight. Oh like, oh shot it ain't 679 00:38:51,840 --> 00:38:54,120 Speaker 2: shot it shot it playing the game. Yeah, shot this 680 00:38:54,239 --> 00:38:55,160 Speaker 2: morning that he let know. 681 00:38:55,600 --> 00:38:58,080 Speaker 3: And opened the Grammys with it when Rob Killer Mike 682 00:38:58,239 --> 00:38:59,600 Speaker 3: was cly by side, and. 683 00:38:59,640 --> 00:39:01,319 Speaker 2: I got to give a shout out to Killer Mike Man, 684 00:39:01,480 --> 00:39:03,000 Speaker 2: like the new album is. 685 00:39:03,760 --> 00:39:07,640 Speaker 1: That's the album of the year. That's the album of 686 00:39:07,719 --> 00:39:08,000 Speaker 1: the year. 687 00:39:08,120 --> 00:39:11,560 Speaker 2: Bro, you know he did. Boy, you've been working on it, Bull, 688 00:39:11,680 --> 00:39:14,440 Speaker 2: you finally got it. You got it, Bull, you know 689 00:39:14,440 --> 00:39:16,880 Speaker 2: what I mean. So just to watch his success and 690 00:39:18,120 --> 00:39:23,680 Speaker 2: continued success, and you know, elevating at every opportunity, not 691 00:39:24,080 --> 00:39:28,239 Speaker 2: just being about music. The boys uh politically correct and 692 00:39:29,360 --> 00:39:32,000 Speaker 2: sold I love. 693 00:39:32,680 --> 00:39:35,720 Speaker 3: And if you could bring back any hip hop artist, 694 00:39:36,360 --> 00:39:36,960 Speaker 3: who would it be? 695 00:39:37,080 --> 00:39:39,160 Speaker 2: And why good to it? Pimp? 696 00:39:41,520 --> 00:39:42,839 Speaker 1: We get that a lot on this show. 697 00:39:43,320 --> 00:39:48,239 Speaker 2: Boy, we lost the sound that was so important to 698 00:39:48,320 --> 00:39:54,320 Speaker 2: the South because Dungeon Family, we was emerged in soul. 699 00:39:54,760 --> 00:39:59,160 Speaker 2: Pimp was emerged in the church. So he played them chords. 700 00:39:59,800 --> 00:40:01,640 Speaker 2: You couldn't get that from nobody. 701 00:40:03,080 --> 00:40:09,840 Speaker 4: So yeah, boy, And a lyrical verse that lives in 702 00:40:09,920 --> 00:40:12,000 Speaker 4: your head that you can recite at any moment. 703 00:40:12,600 --> 00:40:16,080 Speaker 2: If we ship, that's only gonna be some I wrote 704 00:40:18,280 --> 00:40:21,719 Speaker 2: a cell therapy where it all started. So what's that say? 705 00:40:22,000 --> 00:40:25,560 Speaker 2: I would say, sell therapy and get up, get out, 706 00:40:25,600 --> 00:40:26,319 Speaker 2: and get some more. 707 00:40:26,600 --> 00:40:28,840 Speaker 1: I was going, that's like, that's what I was just 708 00:40:28,960 --> 00:40:29,839 Speaker 1: about to sit up. 709 00:40:29,800 --> 00:40:32,000 Speaker 2: Get out and get something like that. That verse just 710 00:40:32,600 --> 00:40:36,480 Speaker 2: it uh introduced me to the world. It just in 711 00:40:36,600 --> 00:40:40,719 Speaker 2: that one verse, I gave you enough of me to understand. 712 00:40:40,800 --> 00:40:44,520 Speaker 2: It didn't stop one place. So I feel like, get up, 713 00:40:44,600 --> 00:40:45,439 Speaker 2: get out and get something. 714 00:40:45,800 --> 00:40:48,000 Speaker 1: Boy, you came so hard on. Get up and get out, 715 00:40:48,239 --> 00:40:50,320 Speaker 1: Get up, get out and get something. And you you 716 00:40:50,400 --> 00:40:55,440 Speaker 1: came as some politicians too, now I did. She came 717 00:40:55,480 --> 00:40:56,880 Speaker 1: in the chief of police everybody. 718 00:40:57,239 --> 00:40:59,400 Speaker 2: You know, what's so funn about me? Just like I 719 00:40:59,520 --> 00:41:04,480 Speaker 2: don't care about what other people. What I've learned that 720 00:41:04,840 --> 00:41:07,760 Speaker 2: to learn now I've been able to watch the industry 721 00:41:08,239 --> 00:41:13,840 Speaker 2: from afar. Yeah, and what I've learned is that you 722 00:41:14,040 --> 00:41:20,240 Speaker 2: better off staying away from the industry their artists because 723 00:41:20,920 --> 00:41:23,080 Speaker 2: everybody not built to be the being the man that 724 00:41:23,200 --> 00:41:26,600 Speaker 2: they won't out here, you know what I mean. Everybody 725 00:41:26,719 --> 00:41:29,600 Speaker 2: not built for that. And I just feel like if 726 00:41:29,680 --> 00:41:32,400 Speaker 2: more artists were just concentrating on being great artists, we 727 00:41:32,440 --> 00:41:35,400 Speaker 2: would have better music right now. But everybody trying to 728 00:41:35,480 --> 00:41:38,560 Speaker 2: be what they think everybody wants them to be. And 729 00:41:38,680 --> 00:41:41,320 Speaker 2: I think that's the reason why the music is suffering. 730 00:41:41,360 --> 00:41:43,719 Speaker 2: I mean he talking about that song back then. 731 00:41:43,800 --> 00:41:45,799 Speaker 4: Every time I go on one sixty six, I'm looking 732 00:41:45,840 --> 00:41:47,239 Speaker 4: at the licensee if they still work. 733 00:41:47,400 --> 00:41:49,279 Speaker 3: And every time I want one sixty six, I hear 734 00:41:49,360 --> 00:41:49,920 Speaker 3: his brother. 735 00:41:49,800 --> 00:41:54,920 Speaker 2: Giving my voice aka link for Parks, and I'm just 736 00:41:55,000 --> 00:41:59,400 Speaker 2: so I'm just so proud of what the city became, 737 00:42:00,000 --> 00:42:02,919 Speaker 2: because nobody can say they did what we did. 738 00:42:03,080 --> 00:42:04,040 Speaker 1: You know, nobody. 739 00:42:04,040 --> 00:42:07,279 Speaker 2: I love New York, but New York culture has been 740 00:42:07,360 --> 00:42:10,520 Speaker 2: tributed that Like you know, West Coast, I love you, 741 00:42:10,640 --> 00:42:12,919 Speaker 2: but it stood on violence or end. 742 00:42:13,719 --> 00:42:16,080 Speaker 1: And I feel like it ain't nothing like Atlanta. 743 00:42:16,200 --> 00:42:17,360 Speaker 2: This ain't nothing like Atlanta. 744 00:42:17,440 --> 00:42:19,560 Speaker 1: Man the South as a motherfucker, I love it. 745 00:42:19,880 --> 00:42:22,600 Speaker 2: And I really learned that if we if you came 746 00:42:22,719 --> 00:42:24,719 Speaker 2: up in this city in the last twenty years, man, 747 00:42:24,800 --> 00:42:27,040 Speaker 2: you had about the best life you can live as. 748 00:42:26,960 --> 00:42:30,440 Speaker 1: A black as a amen. And that's how we go 749 00:42:30,600 --> 00:42:33,560 Speaker 1: get on out of here with that right there. Story Time, 750 00:42:33,600 --> 00:42:38,120 Speaker 1: the legendary Jerry Newface was there. He's here, big gip 751 00:42:38,800 --> 00:42:43,239 Speaker 1: Jerry Clark, Give Goodies, Give Goodies, were out of here. 752 00:42:43,840 --> 00:42:52,560 Speaker 1: Church story Time with the Legendary Jerry's hosted by me, 753 00:42:53,360 --> 00:42:58,240 Speaker 1: the one and only Jerry Clark Music has been provided 754 00:42:58,320 --> 00:43:04,319 Speaker 1: by July. If you haven't already, please please make sure 755 00:43:04,360 --> 00:43:08,160 Speaker 1: you subscribe to Storytime with the Legendary Jerry on YouTube 756 00:43:08,560 --> 00:43:11,279 Speaker 1: and wherever you listen to podcasts, and make sure you 757 00:43:11,440 --> 00:43:15,520 Speaker 1: follow us on all social media platforms at the Legendary 758 00:43:15,600 --> 00:43:18,960 Speaker 1: Jerry podcast. For more podcasts from iHeart Media, visit the 759 00:43:19,000 --> 00:43:21,759 Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your 760 00:43:21,800 --> 00:43:22,520 Speaker 1: favorite shows.