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Speaker 1: Welcome to the Bobbycast. This is episode number five hundred

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Speaker 1: and thirty one. Glad you guys are here. We're gonna

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Speaker 1: talk close to a half hour with Laney Wilson, and

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Speaker 1: then I'm gonna go and basically clear out some of

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Speaker 1: my notes. I've been preparing an episode on some of

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Speaker 1: the greatest mysteries or mysteries that I find still I'm

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Speaker 1: super curious about, and so I had them on my

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Speaker 1: notes and I was gonna do it somebody. But I'll

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Speaker 1: talk about that later, but I do have some mysteries

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Speaker 1: coming up, and then I'm going to review everything I

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Speaker 1: have on my pad here that I've been wanting to

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Speaker 1: review for the last three months, all at once. But

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Speaker 1: we're gonna start with this with Laney Wilson. Now, I'll

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Speaker 1: say this about Lanny. I've known her forever and it's

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Speaker 1: been awesome to see her rise and I did a

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Speaker 1: series for Amazon Prime. You could probably still watch it.

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Speaker 1: You can watch It's all up in one episode now.

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Speaker 1: It's called the ac I don't remember, but it's like

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Speaker 1: the ACM Awards pre art. I don't even know the

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Speaker 1: name of the show. But that being said, I've searched

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Speaker 1: for it. Maybe just go to Amazon Prime and search

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Speaker 1: for Bobby Bones. That show will be up there. And

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Speaker 1: I sat with Brooks and Don and I sat with

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Speaker 1: Laney obviously, and I never got to put the audio

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Speaker 1: out of the interview, and I thought it was really good.

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Speaker 1: So you're gonna hear me talk a little bit about

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Speaker 1: the ACM Awards, and that is because that's actually why

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Speaker 1: we were doing it. And you can also watch this video.

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Speaker 1: We took our whole crew out there and shot it.

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Speaker 1: It's super cool. I hope you like it. I thought

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Speaker 1: it was just great of Laney, so I wanted to

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Speaker 1: play it here on this episode. So it's Laney Wilson.

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Speaker 1: This is the full interview. By the way, this full

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Speaker 1: interview did not exist on the ACM Awards show. We

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Speaker 1: used like five minutes of it of this half hour

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Speaker 1: interview because I think at the time, Laney's documentary was

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Speaker 1: coming out, which you can still watch. I believe that

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Speaker 1: is on Hulu. You know, you gotta have a lot

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Speaker 1: of description services. Sure, I think I'm in that one too.

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Speaker 1: I think I'm talking about Laney. I think so. I

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Speaker 1: think they came to my office and interviewed me about

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Speaker 1: Laney and it had a hat on. They had to

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Speaker 1: blur out. They're like, can you take your hat off?

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Speaker 1: And I was like, nah, you really can't because they

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Speaker 1: kind of called me last minute and said can we

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Speaker 1: come set up and talk about Lanny. But anyway you

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Speaker 1: can watch that, you can watch the ACM special. You

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Speaker 1: can listen to this. This has never been heard before.

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Speaker 1: Thank you for listening to the Podycast. So we'll do this,

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Speaker 1: then mysteries, then full reviews, and then that's what's up.

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Speaker 1: Thank you very much. Here we go with Lanny Wilson.

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Speaker 1: I look at your social media, it seems like you're everywhere.

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Speaker 1: What does your calendar look like?

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Speaker 2: Probably like yours. It's crazy. I do feel like I

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Speaker 2: am like always looking ahead of a head of a head,

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Speaker 2: just to make sure I'm prepared for what's around the corner.

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Speaker 2: I don't see a day where I'm not staring at

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Speaker 2: my calendar.

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Speaker 1: Do you getting nervous that maybe you'll miss something?

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Speaker 2: Oh? See, my mama used to make us light for everything,

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Speaker 2: like ball practice, school, It did not matter, And so

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Speaker 2: I'm always trying to make sure that, like I show

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Speaker 2: up where I'm supposed to show up. And I feel

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Speaker 2: like I'm like ready to rock, and I'm always scared

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Speaker 2: I'm gonna miss something. I have nightmares about that. I

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Speaker 2: have nightmares that like, I'm about to walk on stage

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Speaker 2: and I still haven't picked out my outfit or know

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Speaker 2: what I'm about to sing.

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Speaker 1: Do you enjoy things now at all? Can you? Because

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Speaker 1: when you're so busy that can be difficult.

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Speaker 2: I do enjoy things. I mean, I feel like, just

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Speaker 2: like every job in general, there are definitely parts of

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Speaker 2: the job that are not enjoyable and you just got

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Speaker 2: to do it anyway. But I have to be very

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Speaker 2: aware not to just like go through the motions. I

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Speaker 2: have to make sure that when these moments, you know,

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Speaker 2: take place, that I'm I'm aware and my team is aware,

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Speaker 2: making sure that we like they celebrate these moments because

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Speaker 2: they can pass you by and then poof, they're gone.

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Speaker 2: I'm not gonna say that I've always done the best

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Speaker 2: job at that, but I feel like I'm I'm kind

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Speaker 2: of coming out of the thug.

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Speaker 1: Do you have someone that's close to you that reminds

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Speaker 1: you to be human.

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Speaker 2: My fiance, Duck reminds me to be human. He definitely

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Speaker 2: helps me keep my feet on the ground. Also, just

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Speaker 2: kind of reminds me of like what's important. I know,

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Speaker 2: you know, we've talked about this song, but like, I

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Speaker 2: know that I'm not gonna be sitting on the couch

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Speaker 2: with my music career when I'm ninety years old. So

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Speaker 2: I want to make sure that I'm like taking all

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Speaker 2: the opportunities that i can, but I also need to

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Speaker 2: make sure that I'm taking care of my people and

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Speaker 2: my relationships and creating those memories. And he helps me.

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Speaker 2: He reminds me how important that is.

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Speaker 1: I've known you for a long time, yeap, I haven't

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Speaker 1: seen much change, except your clothes are nicer.

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Speaker 2: Yeah.

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Speaker 1: What about back home? How has it changed for your

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Speaker 1: family and your parents.

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Speaker 2: I think it's been a big adjustment for my folks

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Speaker 2: back at home. I think it kind of like snuck

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Speaker 2: up on them. I think, uh, you know, being eight

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Speaker 2: hours away from Nashville and not along like on the

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Speaker 2: ride with me every step of the way, I feel

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Speaker 2: like I'm more kind of in it, so I am

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Speaker 2: aware of like what's happening and the changes that are happening,

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Speaker 2: uh to my life. But I think it's kind of

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Speaker 2: been a few pills to swallow at a time, and

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Speaker 2: they'd be like, oh, oh, okay, so like this is

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Speaker 2: the new reality. For the most part, everybody at home

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Speaker 2: still treats them the same. I mean, there's a few

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Speaker 2: people who have come out of the woodworks and acting

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Speaker 2: like we're cousins and stuff like.

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Speaker 1: When you're we're from everybody's our cousin now yeah, yeah.

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Speaker 2: But it's been an adjustment, but I feel like they're

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Speaker 2: doing a good job.

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Speaker 1: I think one of the things that makes you special,

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Speaker 1: and one of the things that allowed your explosion was

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Speaker 1: your voice, not just your singing voice, but where you

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Speaker 1: come from. How you talk about where you come from.

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Speaker 1: A lot of that comes through your writing. Now, to write,

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Speaker 1: you have to be creative. To be creative, you need time.

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Speaker 1: Are you able to set aside time to allow creativity

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Speaker 1: or how do you do that?

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Speaker 2: It's been a juggling act, but I have had to

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Speaker 2: force that time. We talked about this too, but how

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Speaker 2: important it is, like to just get bored and watch

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Speaker 2: paint dry, and I mean I was I've been in

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Speaker 2: Nashville for fifteen years. In the last five years of

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Speaker 2: being here, it has been like ninety to nothing. I

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Speaker 2: haven't hardly even been in Nashville. But I feel like

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Speaker 2: those like, first ten years I was here, I had

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Speaker 2: all the time in the world to find inspiration and

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Speaker 2: get creative and like go check check out writers Nights

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Speaker 2: and get inspired from other songwriters. And now it's like

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Speaker 2: I'm having a fine inspiration in different places and sometimes

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Speaker 2: that is that's work, you know, It's it's like opening

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Speaker 2: a book, watching in the show, having conversations, like digging

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Speaker 2: a little bit deeper than maybe I had to, the

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Speaker 2: first ten years I was here.

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Speaker 1: When you were living in an a trailer outside of

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Speaker 1: somebody else's house, what would you tell her ten years ago.

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Speaker 2: Who I would say, Honestly, you don't even know what

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Speaker 2: you're getting yourself into. But it's like the most rewarding

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Speaker 2: thing you ever do, also the hardest thing you ever do,

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Speaker 2: all kind of wrapped in one I would say, be

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Speaker 2: sure to look up because just like we talked about,

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Speaker 2: you know, there's definitely moments, you know, it's like you

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Speaker 2: dream about if I could just get my first car,

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Speaker 2: if I could just get my first boyfriend, if I

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Speaker 2: could just do this. The same thing happens in the

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Speaker 2: music business. It's like if I could just get a

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Speaker 2: publishing deal, if I could just get a record deal.

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Speaker 2: If I could just get a song on the radio

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Speaker 2: and have a hit song, and then if I could

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Speaker 2: just sell a ticket to make sure that I'm not

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Speaker 2: missing those moments.

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Speaker 1: I want to flip it ten years ago talking to

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Speaker 1: you now, what would she tell you now?

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Speaker 2: Oh my gosh, I would think she would. I think

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Speaker 2: she would tell me that she is proud of me.

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Speaker 2: I do feel like, for the most part, I am

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Speaker 2: the same person, you know. I look back at it,

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Speaker 2: like a picture of me in my camper trailer days

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Speaker 2: and I can't help but like shake my head a

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Speaker 2: little bit and be like that poor girl, like had

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Speaker 2: no clue. But I feel like at the root of

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Speaker 2: all of it, like who I am and what I

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Speaker 2: say for it, all those things, I still think that,

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Speaker 2: like I'm staying true to that. I think she would.

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Speaker 2: I think she would just say, remember why you started

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Speaker 2: doing this?

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Speaker 1: Are you proud of you?

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Speaker 2: I am proud of me, I will say, as proud

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Speaker 2: as I am of myself. I am also my biggest critic.

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Speaker 2: Then people on Facebook cain't got nothing on me, you

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Speaker 2: know what I'm saying. I'm like, Oh, you think you

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Speaker 2: can hurt me, I can hurt myself. But that's I

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Speaker 2: feel like that's part of the reason why I am

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Speaker 2: even here is because I have been hard on myself

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Speaker 2: and I'm like, Okay, this song is okay, but it's

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Speaker 2: not like what I think it can be, or that

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Speaker 2: performance was. It did the job, but like, what can

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Speaker 2: I do to take it a step further? And it's

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Speaker 2: very rare when I walk off the stage and I

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Speaker 2: feel like I did everything how I was supposed to

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Speaker 2: do it. I'm always mentally taking notes about, Okay, that

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Speaker 2: did not work here, Maybe I need to try something

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Speaker 2: a little different the next night.

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Speaker 1: Are you a perfectionist?

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Speaker 2: I guess you would say I am a perfectionist.

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Speaker 1: Do you think that the product needs to be perfect

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Speaker 1: in order to have a perfect night or do you

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Speaker 1: think you need to perfectly attempt in how you have

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Speaker 1: your night? Like where does perfection come from?

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Speaker 2: The thing is like when I think about my music

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Speaker 2: and I think about even like being in the studio,

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Speaker 2: I'm not trying to make that perfect, you know what

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Speaker 2: I'm saying. I'm not trying to. I don't know. I

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Speaker 2: want people to feel like they can come as they

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Speaker 2: are and they can listen as they are. Because I

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Speaker 2: wrote in that from that perspective as who I am,

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Speaker 2: you know, from a place that is not perfect, who's

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Speaker 2: like trying to be better and trying to be my

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Speaker 2: best self. But I definitely think that there's something on stage,

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Speaker 2: and I think you'll probably be able to understand this

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Speaker 2: from like from your perspective. When you do shows, it's

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Speaker 2: like it all depends on the energy that is out there,

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Speaker 2: and you feel like if you're not getting it, there's

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Speaker 2: something missing and it could be a weird night for

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Speaker 2: the crowd, it could be a weird night for you.

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Speaker 2: But it truly is like an energy exchange. And there

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Speaker 2: are some nights where it is just absolutely on fire

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Speaker 2: and you feel like you can communicate without even hardly

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Speaker 2: saying a word. But there are other nights where you

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Speaker 2: feel like you are fighting for it.

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Speaker 1: Have you learned through that experience that a lot of

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Speaker 1: times you're wrong, because I have where I've felt like

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Speaker 1: I'm doing terrible, the night is not going well, nobody's

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Speaker 1: laughing at my jokes. This, I've got eleven things happening

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Speaker 1: in my brain, not going right, and I get off

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Speaker 1: and the feedback from the people that I trust is

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Speaker 1: exactly the opposite. And that's happened enough times where I

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Speaker 1: just commit and go and understand that I don't always

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Speaker 1: understand have have you had that happen yet where you

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Speaker 1: realize maybe you don't have it figured out up there.

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Speaker 2: One hundred percent? And it makes me feel better because

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Speaker 2: I was like there for a while I was walking

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Speaker 2: off the stage. I think it was just because I

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Speaker 2: had done so many shows in a row and I

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Speaker 2: was so tired and beating myself up that I couldn't

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Speaker 2: really see it for everything that it was. And Duck Mandolin,

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Speaker 2: my manager, all of them were like, that was the

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Speaker 2: best show that you've ever played. Like that one right

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Speaker 2: there is like one that you better remember. And in

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Speaker 2: my brain and in my heart, I was like wow,

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Speaker 2: Like I did not. I did not feel that way

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Speaker 2: when I walked off the stage just because I want to.

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Speaker 2: I want to leave it all out there. But I

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Speaker 2: will tell you this. Melissa Etheridge told me something which

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Speaker 2: kind of helped me. And every time that I go

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Speaker 2: on stage and I have this thought in my head,

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Speaker 2: I feel like I leave the stage in a much

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Speaker 2: healthier way. She told me about the eighty percent role.

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Speaker 2: She said, get out there and instead of giving it

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Speaker 2: like one hundred and ninety percent and feeling like you

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Speaker 2: have to get up there on that stage and like

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Speaker 2: bleed out and like, you know, just leave it all

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Speaker 2: up there if you if you do the eighty percent role,

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Speaker 2: it gives you that like twenty percent window and wiggle

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Speaker 2: room to not let yourself down so much.

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Speaker 1: Like having grace for yourself is a really hard thing

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Speaker 1: to learn. I don't think I'm that good at it yet,

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Speaker 1: but I think I understand I'm not good at it,

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Speaker 1: And that's like therapy talking where I think I'm getting

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Speaker 1: better at having grace for myself is exactly what you're

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Speaker 1: talking about hard. It's it's yeah, it's hard when you

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Speaker 1: hold yourself to a standard because those people paid money

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Speaker 1: that they went and worked for, waited for months to

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Speaker 1: watch Landy Wilson right, and there is an expectation within

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Speaker 1: yourself that's right that they don't go home sad, yeah,

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Speaker 1: or disappointed.

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Speaker 2: I know because I think about like me as a fan,

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Speaker 2: which if there's anything that I miss more than anything,

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Speaker 2: it is being a fan out in the crowd. I

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Speaker 2: missed that so much. But when I think about me

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Speaker 2: as a fan, I think about like how hard it

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Speaker 2: was for me to buy that ticket and how hard

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Speaker 2: it was for me to like get to that show

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Speaker 2: and made the arrangements and buy the hotel room, and

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Speaker 2: like the entire year we were planning for that. That

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Speaker 2: was like a bigger deal than Christmas, you know what

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Speaker 2: I'm saying. It was like the highlight of my year,

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Speaker 2: the highlight of my life. And I still think about

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Speaker 2: those like memories. And I think too, it's probably coming

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Speaker 2: from knowing how important those moments were for me that

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Speaker 2: I put a little bit more pressure on myself because

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Speaker 2: I know that these people had come and worked hard

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Speaker 2: to be there, and they came there to feel something,

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Speaker 2: and I got to make sure that they do.

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Speaker 1: My last question before we talk about the ACM specifically,

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Speaker 1: do you have anybody in your life that tells you

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Speaker 1: when things aren't good? Because I have found I can

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Speaker 1: only believe people to tell me when I am good

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Speaker 1: when they've told me that I'm not good. Yes, because

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Speaker 1: everybody wants to be your buddy and be like, that's

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Speaker 1: so great. But the people I trust to tell me

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Speaker 1: I did something good to the people that have had

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Speaker 1: to tell me, hey, that wasn't so good. Oh yeah,

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Speaker 1: Do you have those people in your circle.

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Speaker 2: I do, and I keep those people close. Like the

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Speaker 2: truth is, I always say, like I don't want to

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Speaker 2: take advice from people who aren't where I want to be.

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Speaker 2: I remember, even like growing up and singing, and my

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Speaker 2: mama cannot carry a tune in a bucket, but she

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Speaker 2: would try to tell me how to sing, and it

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Speaker 2: would make me so mad because I was like, you

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Speaker 2: can't sing. But I will say when it comes to

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Speaker 2: like choosing songs and picking songs and the ones that

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Speaker 2: I write, I can't always trust my mama's judgment, and

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Speaker 2: she will tell me. She'll be like, I don't think

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Speaker 2: that one is as good as you think it is.

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Speaker 1: That means you can trust her when she says that

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Speaker 1: one is awesome.

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Speaker 2: Yes, her mandolin, my manager, my sister. They don't tell

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Speaker 2: me the stuff that I always want to hear.

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Speaker 1: You need somebody to tell you suck, because that's really

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Speaker 1: the only people that you can believe to tell you're awesome.

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Speaker 2: That's it.

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Speaker 1: And also, I don't really take criticism from people. I

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Speaker 1: wouldn't take advice from That's it. And that's hard sometimes

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Speaker 1: because the Internet can be brutal. I think we all

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Speaker 1: can be like I don't read the comments, but sometimes

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Speaker 1: we read the comments. Yes, and it hurts. Sometimes it hurts.

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Speaker 1: It does, to be honest, it hurts, it does. But

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Speaker 1: I try not to take criticisms of people I don't

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Speaker 1: take advice from. And I commend your relationship with your

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Speaker 1: fans online because I see how dedicated you are to it.

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Speaker 1: I think they feel like they know you, and I

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Speaker 1: think you do a good job at allowing them to

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Speaker 1: know you and stay the same person.

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Speaker 2: Well, I hope so, I hope they feel like they

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Speaker 2: do know me, because I really feel like I know them.

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Speaker 2: I mean when they're coming through my meet and greet

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Speaker 2: lives and I've never seen these people a day in

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Speaker 2: my life, there is a there's like a true genuine connection.

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Speaker 2: I feel like they're just they're good people, like they

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Speaker 2: work hard, they take care of their families. They're not

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Speaker 2: the mean people on the internet.

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Speaker 1: I will tell you that that's true.

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Speaker 2: My fans are not sure.

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Speaker 1: Let's reflect a bit. When you win Best New Female Artist, yep,

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Speaker 1: Phil is like twenty years ago, but it's not that's

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Speaker 1: your first real big award, Like, what can you remember

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Speaker 1: about that night?

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Speaker 2: Oh my gosh, well, I remember Miranda calling me and

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Speaker 2: telling me on a zoom and that was it was

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Speaker 2: hard for me to wrap my head around because her

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Speaker 2: and I we had like I think hung out a

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Speaker 2: time or two, but we weren't like buddies at that point.

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Speaker 2: But for her to call me and like deliver that news,

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Speaker 2: it was I was like, this is Miranda Lambert calling me?

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Speaker 2: And she told me she felt like she was passing

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Speaker 2: the baton and that meant a lot to me. It did.

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Speaker 2: It felt like I was really finally starting to like

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Speaker 2: enter the game.

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Speaker 1: And you get to go to the ACMs an award winner,

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Speaker 1: Like you're going You're walking the red carpet as the

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Speaker 1: Best Female Artist. That's super special. That's the first time

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Speaker 1: you got to have your first award. Like do you

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Speaker 1: remember that night? Like, do you remember the experience of that?

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Speaker 1: Do you remember that that show? Where was that show?

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Speaker 2: Was that one in Vegas? That was at that like

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Speaker 2: the big the big, big Arena that year? I think

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Speaker 2: that's where they did it.

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Speaker 1: See, I would have held it. I would have had

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Speaker 1: an award with me even if it wasn't the real one.

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Speaker 1: I would have had a fake one.

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Speaker 2: Walk we do you know how that goes. They don't

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Speaker 2: get to months.

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Speaker 1: Yeah, it comes in the mail. It's like, here's your

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Speaker 1: packing it. Let's talk about let's go off a level.

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Speaker 1: Best female Artist you win that ACM. It's like you've

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Speaker 1: just had kindergarten graduation. Now you did sixth grade graduation

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Speaker 1: and you're valedictorian of great graduation, which is pretty sick. Okay,

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Speaker 1: new level. How does that feel?

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Speaker 2: I felt like, Okay, I mean, these these folks thought

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Speaker 2: enough of me and my talent and what I do

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Speaker 2: to to think that I am, so now I got

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Speaker 2: to show them that I am.

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Speaker 1: Were you surprised? Hmmm? I was?

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Speaker 2: Uh. I always like go into these award shows like

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Speaker 2: when my fingers crossed and like hoping for the best.

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Speaker 2: But yes, at the end of the day, you can

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Speaker 2: sit you can sit around and like dream about that

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Speaker 2: day happening all you want, but like when it actually does,

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Speaker 2: you can't help it, but just be like Okay, like

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Speaker 2: I told myself I was gonna be here, but like

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Speaker 2: this really, this is really happening.

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Speaker 1: I want to go another year and it's Best Team

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Speaker 1: of all Artists again. But then it's Entertainer of the Year,

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Speaker 1: which is the graduation, Like that's the big one. Yeah,

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Speaker 1: that's the one that the greats have won. That's the

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Speaker 1: one that some of the the greats haven't won. Yeah,

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Speaker 1: were you surprised?

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Speaker 2: I was very surprised. For me. It was kind of

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Speaker 2: one of those moments where I was like, how did

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Speaker 2: we like wind up here? Like I knew how we

390
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Speaker 2: were like wound up there. But in the grand scheme

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Speaker 2: of things, I know that it looks like from the

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Speaker 2: outside looking in, like I like I just showed up here,

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Speaker 2: you know, and I'm like, no to school. But the

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Speaker 2: truth is, you know, even when I won like New

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Speaker 2: Female Artists of the Year, I think I had been

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Speaker 2: in town at that point in time for twelve years.

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Speaker 2: I've been here for fifteen years now.

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Speaker 1: And so.

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Speaker 2: Entertainer of the Year, that is the biggest title.

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Speaker 1: That's it.

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Speaker 2: That's the well, that's that's it. That's it. So it's

402
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Speaker 2: it's still something that I can't believe like happened as

403
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Speaker 2: early on as it did. But again it went back

404
00:21:04,880 --> 00:21:07,200
Speaker 2: to that same feeling of just like, Okay, well, these

405
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Speaker 2: these people voted for me for this, and now I

406
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Speaker 2: got to show them why they did.

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Speaker 1: Where do you keep that award?

408
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Speaker 2: I built me a trophy case upstairs so I got

409
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Speaker 2: on my on. My trophies used to be participation trophies.

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Speaker 2: I don't feel like that's the case anymore.

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Speaker 1: Let's talk about Riba.

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Speaker 2: Let's do it.

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Speaker 1: When I say Riba, you say.

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Speaker 2: Fancy, fancy fancy, It's good U. Riba is. She is

415
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Speaker 2: country music. Riba is a legend. Riba is an icon.

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Speaker 2: Riba is Riba, I mean literally like it. It just

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Speaker 2: you don't even have to say her last name. It's Reba.

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Speaker 1: The first time I met Riba, and there have been

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Speaker 1: three people that I've had this experience with where you

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Speaker 1: just meet them and you go, oh, this is why

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Speaker 1: they're iconic. Not only do they have the talent, but

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Speaker 1: there's whatever that is whatever Dolly Garth, Riba, whatever that is.

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Speaker 1: You're like, I don't know how to define it, but

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Speaker 1: they have it. Yes, that and that's Riba. It is.

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Speaker 1: She's so warm, and she's so famous, and she's so

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Speaker 1: and she's everything. But she's so approachable. Still when you

427
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Speaker 1: see Riba do it at such a high level for

428
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Speaker 1: so long, like, how does that inspire you?

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Speaker 2: Oh my gosh, the amount of times that I think

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Speaker 2: about Riba and Dolly Parton when it comes to decisions

431
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Speaker 2: that I make in this business. I feel like they

432
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Speaker 2: taught me a lot before I ever even knew them,

433
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Speaker 2: But like now that I can call them friends and

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Speaker 2: I can text Riba and say what do you do

435
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Speaker 2: when this happens? And what do you do when you're

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Speaker 2: feeling this way and whatever? And then she just willingly

437
00:23:04,160 --> 00:23:10,760
Speaker 2: sends me like pages of wisdom that shows you why

438
00:23:10,840 --> 00:23:13,920
Speaker 2: she is where she is, because you can tell that

439
00:23:13,960 --> 00:23:17,600
Speaker 2: there has been people before her who have poured into

440
00:23:17,600 --> 00:23:21,280
Speaker 2: her and she's like willing to do the same now.

441
00:23:21,560 --> 00:23:23,920
Speaker 2: It's she is a good woman.

442
00:23:24,680 --> 00:23:28,719
Speaker 1: The parallel that I see with Reband, with you, you

443
00:23:28,800 --> 00:23:32,440
Speaker 1: just feel like the same person. It doesn't matter what's happened,

444
00:23:33,240 --> 00:23:35,800
Speaker 1: It doesn't matter what's going to happen, good or bad,

445
00:23:36,080 --> 00:23:39,479
Speaker 1: highs or lows, fame or not fame, money or not money.

446
00:23:42,960 --> 00:23:46,359
Speaker 1: You're the same. And I think that's a testament to

447
00:23:47,560 --> 00:23:49,760
Speaker 1: who you are as a person. But also the kind

448
00:23:49,760 --> 00:23:52,480
Speaker 1: of music that you're making and will continue to make.

449
00:23:52,960 --> 00:23:55,679
Speaker 2: That means a lot. That means a whole lot to

450
00:23:55,720 --> 00:24:02,879
Speaker 2: me because just even like watching old interviews, it's the

451
00:24:02,920 --> 00:24:05,840
Speaker 2: same exact person as when me and her went and

452
00:24:05,880 --> 00:24:09,119
Speaker 2: got suffered together in Los Angeles a few months back.

453
00:24:10,080 --> 00:24:13,240
Speaker 2: What you see is what you get, and no amount

454
00:24:13,560 --> 00:24:18,080
Speaker 2: of awards and accolades and money and stardom and all

455
00:24:18,080 --> 00:24:21,520
Speaker 2: of these things will ever like take her away from

456
00:24:21,680 --> 00:24:25,560
Speaker 2: the things that might her her. And that's inspiring. The

457
00:24:25,640 --> 00:24:27,200
Speaker 2: main that sounds like a lot easier.

458
00:24:27,480 --> 00:24:32,439
Speaker 1: Actually, what's funny in the parallel is, and I'll be

459
00:24:32,480 --> 00:24:35,600
Speaker 1: brief about this, is that you're talking about you at

460
00:24:35,600 --> 00:24:39,360
Speaker 1: the same time. Because I can remember dming you going, hey,

461
00:24:39,359 --> 00:24:40,840
Speaker 1: can you come teach me how to do this dance

462
00:24:40,880 --> 00:24:42,719
Speaker 1: at my house? And you're like, yeah, I'll be there

463
00:24:42,720 --> 00:24:44,679
Speaker 1: in a minute, I'll be there tomorrow, whatever the case is.

464
00:24:44,680 --> 00:24:46,439
Speaker 1: And you just show up and you're like, here's how

465
00:24:46,480 --> 00:24:49,879
Speaker 1: to do this. The Goofy video sent you the same person.

466
00:24:51,119 --> 00:24:56,240
Speaker 1: It okay, you're closing, nice sir, selling more tickets. Yep.

467
00:24:56,520 --> 00:24:58,560
Speaker 1: But I swear we talked for twenty minutes before the

468
00:24:58,600 --> 00:25:01,119
Speaker 1: mix came on. It's the same thing that it was

469
00:25:02,560 --> 00:25:03,600
Speaker 1: five six years.

470
00:25:03,680 --> 00:25:06,399
Speaker 2: I am back at you. But the Bobby that I

471
00:25:06,440 --> 00:25:08,520
Speaker 2: met then, I swear to you. I mean, a lot

472
00:25:08,560 --> 00:25:10,639
Speaker 2: has happened in the last few years, even for you.

473
00:25:10,720 --> 00:25:14,040
Speaker 2: It's like it would be it would be really easy

474
00:25:14,119 --> 00:25:15,000
Speaker 2: to you.

475
00:25:14,920 --> 00:25:18,680
Speaker 1: Know, I'm Ai, it's not even me. This is my replacement. AI.

476
00:25:19,359 --> 00:25:20,520
Speaker 2: You need to let me know how to get one

477
00:25:20,560 --> 00:25:21,960
Speaker 2: of them, because I need one of those.

478
00:25:22,760 --> 00:25:25,440
Speaker 1: Give me your favorite Riba memory.

479
00:25:25,760 --> 00:25:32,280
Speaker 2: My favorite Riva memory would have to be getting to

480
00:25:32,280 --> 00:25:35,920
Speaker 2: sit down and have supper with her in LA with

481
00:25:36,040 --> 00:25:40,360
Speaker 2: her and her boyfriend, and I called my boyfriend Duck

482
00:25:40,400 --> 00:25:42,639
Speaker 2: and they were facetiming. They were talking about duck hunting,

483
00:25:42,680 --> 00:25:44,520
Speaker 2: and her and I were just sitting there and I

484
00:25:44,560 --> 00:25:49,000
Speaker 2: would just like dreaming up questions and asking her about

485
00:25:49,040 --> 00:25:52,040
Speaker 2: what things were like. And it is really crazy to

486
00:25:53,119 --> 00:25:56,080
Speaker 2: even though we're like in a completely different time, that

487
00:25:56,240 --> 00:25:59,160
Speaker 2: a lot of her struggles then are the same struggles

488
00:25:59,160 --> 00:26:01,840
Speaker 2: that I have now, and a lot of the things

489
00:26:01,880 --> 00:26:05,439
Speaker 2: that uh that you're just kind of scared to like

490
00:26:05,520 --> 00:26:09,119
Speaker 2: ask people, it's uh, it didn't seem like a silly

491
00:26:09,200 --> 00:26:15,400
Speaker 2: question to her. She she is a beautiful person inside

492
00:26:15,400 --> 00:26:20,080
Speaker 2: and out. So getting to know her has been, Uh,

493
00:26:20,280 --> 00:26:23,080
Speaker 2: it's been more than I could have ever imagined.

494
00:26:23,440 --> 00:26:24,960
Speaker 1: And I'll say the same thing about you. Getting to

495
00:26:24,960 --> 00:26:29,040
Speaker 1: know you has been one of my favorite parts about

496
00:26:29,040 --> 00:26:34,240
Speaker 1: being in this city because to watch somebody like be

497
00:26:34,320 --> 00:26:36,879
Speaker 1: wildly famous now and then you can just be like,

498
00:26:37,000 --> 00:26:40,639
Speaker 1: what up, dude, Like that's you. You're an inspiration to

499
00:26:40,640 --> 00:26:45,760
Speaker 1: a lot of artists. Continue killing it. Congratulations on your success,

500
00:26:45,880 --> 00:26:48,200
Speaker 1: And that's not what I'm even happiest for you about.

501
00:26:48,240 --> 00:26:49,840
Speaker 1: It's just like the real life stuff you're getting to

502
00:26:49,880 --> 00:26:52,920
Speaker 1: do now, that's what I'm the happiest for So congratulations.

503
00:26:53,440 --> 00:26:56,000
Speaker 1: And I don't know, I feel like we'll be doing

504
00:26:56,000 --> 00:26:57,560
Speaker 1: this for a lot more years, So we will. Yeah,

505
00:26:57,560 --> 00:26:59,680
Speaker 1: there's no there's unless I might I make a fire.

506
00:27:01,480 --> 00:27:04,159
Speaker 1: You know. I'm very proud of you and proud for you.

507
00:27:04,200 --> 00:27:05,240
Speaker 1: Thank lady, Thank you brother.

508
00:27:06,160 --> 00:27:08,800
Speaker 3: Let's take a quick pause for a message from our sponsor,

509
00:27:17,640 --> 00:27:20,280
Speaker 3: and we're back on the Bobby Cast.

510
00:27:21,200 --> 00:27:24,280
Speaker 1: I've kept a list all summer long of pretty much

511
00:27:24,320 --> 00:27:26,639
Speaker 1: everything I've watched and some of the stuff I've been

512
00:27:26,680 --> 00:27:27,960
Speaker 1: able to review on the show, and some of the

513
00:27:28,000 --> 00:27:29,639
Speaker 1: stuff I haven't been able to review on the show

514
00:27:31,520 --> 00:27:33,800
Speaker 1: because we ran out of time or we just forgot

515
00:27:33,800 --> 00:27:36,359
Speaker 1: to do Tuesday reviews day. But I'm gonna get to

516
00:27:36,400 --> 00:27:38,800
Speaker 1: that in a second. And this is my final I

517
00:27:38,800 --> 00:27:42,159
Speaker 1: guess summer is not even here yet, really, but with

518
00:27:42,320 --> 00:27:46,919
Speaker 1: Labor Day coming up, and I guess it's not balls

519
00:27:46,920 --> 00:27:49,760
Speaker 1: hot right now it feels like we're on the downturn

520
00:27:49,760 --> 00:27:51,159
Speaker 1: of summer. So I'm gonna give that review coming up

521
00:27:51,200 --> 00:27:54,679
Speaker 1: in a minute. But I keep a list of notes

522
00:27:54,720 --> 00:27:58,160
Speaker 1: in my phone, and the notes are everything from things

523
00:27:58,200 --> 00:27:59,560
Speaker 1: I want to talk about on the Bobby Bone Show,

524
00:27:59,560 --> 00:28:01,040
Speaker 1: things I want to talk about on the Sports show,

525
00:28:01,240 --> 00:28:03,840
Speaker 1: things I want to talk about on this show. And

526
00:28:03,880 --> 00:28:11,240
Speaker 1: so underneath all the reviews I had these one, two, three,

527
00:28:12,040 --> 00:28:15,719
Speaker 1: four five different things I wanted to mention, and I

528
00:28:15,720 --> 00:28:18,399
Speaker 1: think I had thought about doing it with a guest.

529
00:28:18,680 --> 00:28:21,400
Speaker 1: I just never got to it. So before I get

530
00:28:21,400 --> 00:28:26,040
Speaker 1: to the reviews, these are like five different really crazy

531
00:28:26,040 --> 00:28:28,960
Speaker 1: things I've been reading about. Number one, the Mary Celeste

532
00:28:29,359 --> 00:28:34,000
Speaker 1: eighteen seventy two, December fourth, eighteen seventy two. The Mary Celeste,

533
00:28:34,119 --> 00:28:37,080
Speaker 1: which was a boat, a big ship, was spotted drifting

534
00:28:37,200 --> 00:28:41,320
Speaker 1: in the Atlantic Ocean about four hundred miles east of

535
00:28:41,400 --> 00:28:45,000
Speaker 1: the Azores. I don't know where that is, but they

536
00:28:45,080 --> 00:28:48,800
Speaker 1: sent a big boat over to intercept it, and the

537
00:28:48,920 --> 00:28:53,960
Speaker 1: crew of the Dagracia boarded the Mary Celeste, which was

538
00:28:54,000 --> 00:28:57,080
Speaker 1: this big ship, and they got on the ship and

539
00:28:57,120 --> 00:29:03,360
Speaker 1: they were confused because the ship was seaworthy. Some people

540
00:29:03,400 --> 00:29:06,600
Speaker 1: had prepared the ship not only to go on a

541
00:29:06,600 --> 00:29:10,360
Speaker 1: long voyage, but had been on the ship. It was

542
00:29:10,400 --> 00:29:14,200
Speaker 1: stocked with six months of food and water. The Mary

543
00:29:14,240 --> 00:29:19,800
Speaker 1: Celeste had seventeen hundred barrels of industrial alcohol. All the alcohol,

544
00:29:20,000 --> 00:29:23,720
Speaker 1: all the food, and water, completely untouched. The captain's log

545
00:29:24,360 --> 00:29:30,080
Speaker 1: stopped suddenly, meaning the captain's log was It didn't have

546
00:29:30,080 --> 00:29:31,840
Speaker 1: to be the captain, but it was a book that

547
00:29:31,920 --> 00:29:35,720
Speaker 1: kept all the notes where we're going, what we'd run into,

548
00:29:35,840 --> 00:29:39,800
Speaker 1: what our goals are, etc. The only thing missing from

549
00:29:39,840 --> 00:29:43,920
Speaker 1: this massive ship was the ship's lifeboat. There was no

550
00:29:43,960 --> 00:29:47,920
Speaker 1: sign of struggle, no damage to the vessel. The valuables

551
00:29:47,960 --> 00:29:51,080
Speaker 1: were still in place and in the places that they

552
00:29:51,080 --> 00:29:55,760
Speaker 1: were left. But there was nobody on the boat. And

553
00:29:55,840 --> 00:30:00,040
Speaker 1: so I started reading into this. I started reading the

554
00:30:00,080 --> 00:30:03,520
Speaker 1: top theories as to why there was nobody on this boat.

555
00:30:04,240 --> 00:30:09,120
Speaker 1: Number one, alcohol vapor panic. There may have been leaking

556
00:30:09,240 --> 00:30:13,920
Speaker 1: fumes that caused the captain to fear an explosion was imminent,

557
00:30:14,080 --> 00:30:17,080
Speaker 1: and he made everybody evacuate the boat. The problem is

558
00:30:18,080 --> 00:30:21,200
Speaker 1: the lifeboat they took. There is no way it could

559
00:30:21,240 --> 00:30:23,880
Speaker 1: have taken all the people that were on the big boat.

560
00:30:24,160 --> 00:30:28,200
Speaker 1: So a little problem with that theory Number two, there

561
00:30:28,240 --> 00:30:32,560
Speaker 1: was a sudden water spout or a seaquake which scared

562
00:30:32,600 --> 00:30:36,880
Speaker 1: the crew, and then they abandoned the ship, which again

563
00:30:37,440 --> 00:30:40,920
Speaker 1: makes sense, except for everybody on the boat couldn't get

564
00:30:40,960 --> 00:30:47,560
Speaker 1: in to the little lifeboat. Next up pirates, except nothing

565
00:30:47,600 --> 00:30:52,040
Speaker 1: was stolen, there were no holes kicked in things. The

566
00:30:52,080 --> 00:30:55,720
Speaker 1: fate of the captain, Benjamin Briggs, his family, the crew

567
00:30:56,160 --> 00:31:00,280
Speaker 1: remains unknown. The Mary Celeste simply became the most famous

568
00:31:00,360 --> 00:31:05,040
Speaker 1: ghost ship in history. Nobody ever turned up from the ship.

569
00:31:06,920 --> 00:31:09,880
Speaker 1: Nobody knows what happened to the ship. It was just

570
00:31:09,920 --> 00:31:12,720
Speaker 1: out there. Wild story. That's number one. I got a

571
00:31:12,720 --> 00:31:18,320
Speaker 1: few of these. Number two the Tunguska event in nineteen

572
00:31:18,320 --> 00:31:20,600
Speaker 1: oh eight. Just after seven am on June thirtieth, nineteen

573
00:31:20,600 --> 00:31:26,520
Speaker 1: oh eight, a blinding flash lit up the skies over

574
00:31:27,040 --> 00:31:33,160
Speaker 1: this region of Siberia called Tunguska. Moments later, a shock

575
00:31:33,240 --> 00:31:38,040
Speaker 1: wave equivalent to one thousand Hiroshima bombs flattened over eighty

576
00:31:38,040 --> 00:31:41,760
Speaker 1: million trees across eight hundred square miles. I think about

577
00:31:41,800 --> 00:31:45,720
Speaker 1: that for a second. So whenever the United States World

578
00:31:45,760 --> 00:31:51,040
Speaker 1: War two dropped the bombs, the atom bombs, it was

579
00:31:51,080 --> 00:31:58,800
Speaker 1: over Hiroshima and Nagasaki, and it did me a major damage,

580
00:31:58,880 --> 00:32:03,280
Speaker 1: killed a lot of people. This was one thousand of those.

581
00:32:03,880 --> 00:32:06,680
Speaker 1: And again i'll read you the numbers. Eighty million trees,

582
00:32:06,840 --> 00:32:12,840
Speaker 1: eight hundred square miles, eight hundred square miles. That's wild.

583
00:32:13,360 --> 00:32:19,360
Speaker 1: So there were witnesses sort of. Now, this was such

584
00:32:20,520 --> 00:32:23,280
Speaker 1: a part of Siberia where there wasn't a lot of

585
00:32:23,360 --> 00:32:27,720
Speaker 1: life there, but anybody that was close that were knocked

586
00:32:27,760 --> 00:32:35,200
Speaker 1: off their feet. And not only that, the night that

587
00:32:35,280 --> 00:32:39,400
Speaker 1: it happened, the light was so bright you could read

588
00:32:39,880 --> 00:32:44,360
Speaker 1: outdoors like it was daylight. The thing is, they never

589
00:32:44,400 --> 00:32:48,080
Speaker 1: found an impact crater. Scientists believe that a one hundred

590
00:32:48,080 --> 00:32:52,640
Speaker 1: and sixty foot meteor or comet exploded midair about three

591
00:32:52,720 --> 00:32:57,320
Speaker 1: to six miles above the ground, creating a blast, but

592
00:32:57,400 --> 00:33:01,080
Speaker 1: without impact. The thing is, if that is what happened,

593
00:33:02,320 --> 00:33:07,920
Speaker 1: no fragments were ever recovered. So if it is a

594
00:33:08,280 --> 00:33:11,719
Speaker 1: this meteor or comet that exploded midair, which was kind

595
00:33:11,720 --> 00:33:14,840
Speaker 1: of the leading theory, there would have been fragments below

596
00:33:14,880 --> 00:33:17,520
Speaker 1: on the ground because if something explodes, well there are

597
00:33:17,640 --> 00:33:22,239
Speaker 1: pieces of that explosion. But nothing they found nothing, No

598
00:33:22,320 --> 00:33:26,240
Speaker 1: definitive proof was ever found, so it opens it up

599
00:33:26,280 --> 00:33:33,360
Speaker 1: to other theories. Volcanic gas eruptions, alien spacecraft explosions. That's

600
00:33:33,360 --> 00:33:35,840
Speaker 1: where I like to go, although it's probably not realistic,

601
00:33:37,200 --> 00:33:40,040
Speaker 1: but this is one of the most mysterious natural disasters

602
00:33:40,080 --> 00:33:43,240
Speaker 1: ever recorded because we have no idea what happened, nor

603
00:33:43,320 --> 00:33:45,200
Speaker 1: have we seen anything like it since, and we all

604
00:33:45,200 --> 00:33:52,720
Speaker 1: wasn't alive then, obviously. Next up, nineteen forty five Flight nineteen.

605
00:33:54,920 --> 00:33:58,240
Speaker 1: On December fifth, nineteen forty five, five US Navy TBM

606
00:33:58,400 --> 00:34:02,280
Speaker 1: Avenger torpedo bombers left Fort Lauderdale on a routine training

607
00:34:02,360 --> 00:34:06,840
Speaker 1: flight over the Atlantic. The weather was clear, but about

608
00:34:06,920 --> 00:34:12,560
Speaker 1: ninety minutes in, radio transmissions revealed the pilots were basically lost.

609
00:34:12,600 --> 00:34:16,520
Speaker 1: Hopelessly lost, that's what they were saying. Lieutenant Charles Taylor,

610
00:34:16,560 --> 00:34:20,480
Speaker 1: the flight leader, reported faulty compasses and believed they were

611
00:34:20,520 --> 00:34:24,399
Speaker 1: over the Florida Keys, but navigators later concluded they had

612
00:34:24,480 --> 00:34:28,920
Speaker 1: likely been heading east into open ocean. Puil ranlow. Taylor

613
00:34:28,960 --> 00:34:32,560
Speaker 1: instructed the squadron to ditch their planes altogether. They sent

614
00:34:32,600 --> 00:34:37,080
Speaker 1: out a rescue seaplane. The rescue seaplane vanished as well,

615
00:34:38,120 --> 00:34:41,440
Speaker 1: with thirteen men aboard. No wreckage from any of the

616
00:34:41,480 --> 00:34:46,720
Speaker 1: six planes was ever recorded. The incident became the Bermuda triangle.

617
00:34:47,000 --> 00:34:51,240
Speaker 1: Maybe've heard of the Bermuda triangle, the Navy officially reported

618
00:34:51,280 --> 00:34:56,160
Speaker 1: as navigational error and disorientation. But this is where well,

619
00:34:57,520 --> 00:34:59,680
Speaker 1: a big part of the United States is lore with

620
00:34:59,719 --> 00:35:06,480
Speaker 1: the I muted triangle happened, but everybody disappeared. All the

621
00:35:06,520 --> 00:35:12,279
Speaker 1: compasses started blue flipping around. I got two more of these,

622
00:35:13,880 --> 00:35:20,040
Speaker 1: the Voynick Manuscript, housed at Yale University's Benicky Rare Book

623
00:35:20,040 --> 00:35:23,840
Speaker 1: and Manuscript Library. This manuscript, again called the Voyne Manuscript,

624
00:35:23,840 --> 00:35:26,080
Speaker 1: is a two hundred and forty page book dating back

625
00:35:26,120 --> 00:35:28,440
Speaker 1: to the early fourteen hundreds. It is written in an

626
00:35:28,520 --> 00:35:33,640
Speaker 1: unknown alphabet. It features drawings of plants that don't match

627
00:35:33,680 --> 00:35:36,200
Speaker 1: any known species. Now again we're going back to the

628
00:35:36,239 --> 00:35:43,960
Speaker 1: fourteen hundreds, so they're not trolling diagrams of astronomical and

629
00:35:44,080 --> 00:35:48,840
Speaker 1: zodiac like symptoms, illustrations of nude women bathing in pools

630
00:35:48,920 --> 00:35:52,799
Speaker 1: connected by elaborate plumbing, which again I'll say it, it's

631
00:35:52,920 --> 00:35:57,680
Speaker 1: fourteen hundreds. They put the best decoders onto this, every

632
00:35:57,680 --> 00:36:01,359
Speaker 1: attempt to decode the text from the code breakers at

633
00:36:01,400 --> 00:36:04,239
Speaker 1: World War Two, which you may have seen movies about two.

634
00:36:04,440 --> 00:36:08,120
Speaker 1: They've even recently they've stuck the pages of these into

635
00:36:08,160 --> 00:36:12,160
Speaker 1: AI and that's failed. Some scholars believe it's an encrypted

636
00:36:12,200 --> 00:36:16,040
Speaker 1: medical or botanical treaties. I don't even know what that means.

637
00:36:16,920 --> 00:36:21,960
Speaker 1: Others think it's a medieval hoax. Its author language and

638
00:36:22,040 --> 00:36:27,239
Speaker 1: purpose still remains one of the greatest unsolved mysteries in

639
00:36:27,600 --> 00:36:32,480
Speaker 1: literary history. And then finally, I give you one more

640
00:36:32,480 --> 00:36:35,080
Speaker 1: that had on my list to talk about. And I

641
00:36:35,160 --> 00:36:38,960
Speaker 1: think my plan was I was going to invite whomever

642
00:36:39,000 --> 00:36:42,760
Speaker 1: it was, Eddie, a different guest, to bring some unsolved

643
00:36:42,760 --> 00:36:46,879
Speaker 1: mysteries that type thing to the podcast, and we would

644
00:36:46,920 --> 00:36:48,680
Speaker 1: go back and forth. And I think I was going

645
00:36:48,719 --> 00:36:50,319
Speaker 1: to research these out a little more. I think I

646
00:36:50,320 --> 00:36:53,440
Speaker 1: did mid level research, because these are ones that I've

647
00:36:53,440 --> 00:36:54,920
Speaker 1: heard of just in passing, so I looked them up

648
00:36:54,920 --> 00:36:56,759
Speaker 1: a little more. But obviously I didn't go into it

649
00:36:56,760 --> 00:36:57,919
Speaker 1: because there are a couple of these things I didn't

650
00:36:57,920 --> 00:37:01,160
Speaker 1: don't even know. But and then we go back and

651
00:37:01,160 --> 00:37:03,399
Speaker 1: forth talking about them that didn't happen, and I don't

652
00:37:03,400 --> 00:37:04,959
Speaker 1: want to lose them. So that's where we are. Final

653
00:37:05,000 --> 00:37:10,840
Speaker 1: one the Taos hum in a small town and it

654
00:37:10,880 --> 00:37:16,520
Speaker 1: could be toasts Taos of Taos, New Mexico. And this

655
00:37:16,560 --> 00:37:21,960
Speaker 1: is so bizarre, A strange, low frequency humming sound has

656
00:37:22,000 --> 00:37:26,760
Speaker 1: been reported since the early nineteen nineties. About two percent

657
00:37:26,800 --> 00:37:30,040
Speaker 1: of residents claim to hear it, describing it as a

658
00:37:30,160 --> 00:37:36,080
Speaker 1: distant diesel engine that is idling, it's constant, it's inescapable,

659
00:37:36,640 --> 00:37:40,000
Speaker 1: and it's way more noticeable at night. Now, this is

660
00:37:40,040 --> 00:37:43,120
Speaker 1: about two percent of the population, and they don't live together.

661
00:37:43,440 --> 00:37:46,520
Speaker 1: They don't even know each other. Some of them do now,

662
00:37:46,760 --> 00:37:48,640
Speaker 1: But it's not like they got together and said, we're

663
00:37:48,640 --> 00:37:50,480
Speaker 1: all going to act like we hear this. This was

664
00:37:50,520 --> 00:37:54,920
Speaker 1: all independently reported and it's been happening since the nineties.

665
00:37:55,840 --> 00:38:00,640
Speaker 1: They have been studying this. Scientists from Los Alamo National

666
00:38:00,760 --> 00:38:04,600
Speaker 1: Laboratory and other institutions did a bunch of studying. They

667
00:38:04,600 --> 00:38:07,719
Speaker 1: found no clear origin as to what this sound was

668
00:38:07,920 --> 00:38:10,160
Speaker 1: that these people were hearing. They weren't living in the

669
00:38:10,239 --> 00:38:13,040
Speaker 1: exact same part of the city either, not the same age,

670
00:38:13,239 --> 00:38:17,000
Speaker 1: not the same part of the city, not. They have

671
00:38:17,080 --> 00:38:19,560
Speaker 1: no history of knowing each other, A lot of them didn't.

672
00:38:20,560 --> 00:38:24,680
Speaker 1: So here we go. We have industrial equipment, though no

673
00:38:24,840 --> 00:38:27,879
Speaker 1: consistent source has been identified, because you would think if

674
00:38:27,920 --> 00:38:30,000
Speaker 1: it was and they said, yes, this is obviously it's

675
00:38:30,000 --> 00:38:32,239
Speaker 1: this machine over here, this factory there would be a

676
00:38:32,280 --> 00:38:35,800
Speaker 1: machine they could tie it to next up high pressure

677
00:38:35,880 --> 00:38:45,040
Speaker 1: gas lines, or electromagnetic interference or psychoacoustic phenomenon, the idea

678
00:38:45,120 --> 00:38:48,320
Speaker 1: that it's generated by the brain rather than an actual

679
00:38:48,440 --> 00:38:50,880
Speaker 1: sound wave. For those who hear it, the hum can

680
00:38:50,920 --> 00:38:56,000
Speaker 1: be maddening, linked to headaches, sleep problems, and anxiety. For

681
00:38:56,040 --> 00:38:59,880
Speaker 1: everybody else, it's pure silence. What is it? Probably it's probably.

682
00:39:00,360 --> 00:39:03,319
Speaker 1: If I were guessing on this one, and I'll use

683
00:39:03,360 --> 00:39:12,680
Speaker 1: the word receptor, I think everybody's receptors are not equal.

684
00:39:14,040 --> 00:39:16,320
Speaker 1: Some of them are more sensitive. You can say the

685
00:39:16,360 --> 00:39:19,960
Speaker 1: same thing with like vision, with hearing, smelling, with senses.

686
00:39:20,520 --> 00:39:24,920
Speaker 1: I would say everybody's sensors aren't the same. And I

687
00:39:24,960 --> 00:39:29,799
Speaker 1: think there's probably something happening there. You know what, I

688
00:39:29,840 --> 00:39:31,400
Speaker 1: bet you some people know what it is, but they

689
00:39:31,400 --> 00:39:34,520
Speaker 1: can't say what it is because again, if we look

690
00:39:34,520 --> 00:39:36,879
Speaker 1: at where it is, New Mexico, that's where a lot

691
00:39:36,880 --> 00:39:38,600
Speaker 1: of the alien stuff is happening. Not to get back

692
00:39:38,640 --> 00:39:42,800
Speaker 1: on the alien track, but my guess is there's something

693
00:39:42,840 --> 00:39:45,799
Speaker 1: happening in this area in the desert that they don't

694
00:39:45,840 --> 00:39:49,080
Speaker 1: want us to know about. And there are people whose

695
00:39:49,120 --> 00:39:51,759
Speaker 1: sensors are sharpened a bit more or they're on the

696
00:39:51,760 --> 00:39:54,440
Speaker 1: same frequency to be able to hear this. Also, I'm

697
00:39:54,480 --> 00:39:56,440
Speaker 1: moving the crap out of that town if this is

698
00:39:56,440 --> 00:40:00,239
Speaker 1: affecting me, even if and I understand, YE have to

699
00:40:00,239 --> 00:40:02,880
Speaker 1: stay some more because you got a job, even if

700
00:40:04,120 --> 00:40:07,719
Speaker 1: I have to stay and work there, I'm moving two

701
00:40:07,719 --> 00:40:10,719
Speaker 1: towns away and I'm driving into work. If I got

702
00:40:10,719 --> 00:40:12,359
Speaker 1: to drive in forty five minutes to keep that home

703
00:40:12,400 --> 00:40:14,760
Speaker 1: from giving me a headache or causing me to go crazy,

704
00:40:15,280 --> 00:40:19,680
Speaker 1: you got it. I'm in there. You go. There's some

705
00:40:19,760 --> 00:40:22,120
Speaker 1: mysteries that I was going to bring. I may do

706
00:40:22,239 --> 00:40:26,319
Speaker 1: this type of show with somebody else, but I didn't

707
00:40:26,360 --> 00:40:28,239
Speaker 1: want to lose all that. Because I'm going through my

708
00:40:28,320 --> 00:40:32,959
Speaker 1: notes now. I'm actually recording this part of it on

709
00:40:33,320 --> 00:40:35,680
Speaker 1: the Sunday before we go back to work, which is

710
00:40:35,680 --> 00:40:37,920
Speaker 1: why I'm kind of looking through my notes. We go

711
00:40:38,040 --> 00:40:41,200
Speaker 1: back to work on the show tomorrow after we had

712
00:40:41,640 --> 00:40:47,239
Speaker 1: a week's vacation, and so as I was going through

713
00:40:47,320 --> 00:40:49,360
Speaker 1: all which I'm about to give you all my reviews

714
00:40:50,200 --> 00:40:54,120
Speaker 1: and I'm not going to do any spoilers. I saw this, okay,

715
00:40:55,200 --> 00:41:02,320
Speaker 1: So next up, we're going to do my complete list

716
00:41:04,120 --> 00:41:07,440
Speaker 1: of and it's mostly television shows that I have watched,

717
00:41:07,480 --> 00:41:10,000
Speaker 1: and I'll be quick for the most part.

718
00:41:10,360 --> 00:41:14,440
Speaker 4: Here we go, The Bobby Cast will be right back.

719
00:41:24,080 --> 00:41:27,160
Speaker 4: This is the Bobby Cast F one.

720
00:41:28,640 --> 00:41:30,239
Speaker 1: I thought it was really good. If you haven't seen

721
00:41:30,280 --> 00:41:33,480
Speaker 1: it yet, probably about to come out on streaming. I

722
00:41:33,480 --> 00:41:35,440
Speaker 1: thought it was really good. I don't know anything about

723
00:41:36,320 --> 00:41:40,319
Speaker 1: F one racing. I barely know anything about NASCAR, and

724
00:41:40,360 --> 00:41:43,560
Speaker 1: being from Arkansas, I should know more. I don't know

725
00:41:43,520 --> 00:41:46,480
Speaker 1: anything about NASCAR. I have sometimes have drivers on the

726
00:41:46,520 --> 00:41:49,880
Speaker 1: show and some people freak out, but it'd be like

727
00:41:49,960 --> 00:41:52,799
Speaker 1: having a soccer player on. Once I got a card

728
00:41:53,200 --> 00:41:54,560
Speaker 1: I don't even know who it was, but a card

729
00:41:54,600 --> 00:41:56,160
Speaker 1: like a sports card, and it was signed and it

730
00:41:56,160 --> 00:41:57,399
Speaker 1: was a soccer player, and I was like, I don't

731
00:41:57,400 --> 00:41:58,520
Speaker 1: know even know what this is. One of my friends

732
00:41:58,520 --> 00:42:00,080
Speaker 1: freaked out and it's worth like seven hundred bucks, no

733
00:42:00,120 --> 00:42:01,600
Speaker 1: idea who the player was. It's kind of like that.

734
00:42:02,040 --> 00:42:05,120
Speaker 1: But F one was really good, and I don't remember

735
00:42:05,120 --> 00:42:07,120
Speaker 1: the review I gave it on the show. But I

736
00:42:07,120 --> 00:42:09,080
Speaker 1: don't think you need to know anything about F one.

737
00:42:09,120 --> 00:42:11,959
Speaker 1: They kind of walk you through it, but I didn't

738
00:42:12,000 --> 00:42:16,400
Speaker 1: feel like they were like cradling the baby goo goo gooooo.

739
00:42:16,400 --> 00:42:19,480
Speaker 1: But I don't know, but I thought Brad Pitt's awesome.

740
00:42:19,960 --> 00:42:22,279
Speaker 1: Crazy He's over sixty years old and still looks that good.

741
00:42:22,880 --> 00:42:25,040
Speaker 1: But f one four and a half out of five

742
00:42:25,120 --> 00:42:27,759
Speaker 1: race cars. I watched the New Jurassic Park. It's for

743
00:42:27,840 --> 00:42:36,399
Speaker 1: kids or dinosaur lovers or people just trying to find

744
00:42:36,480 --> 00:42:41,239
Speaker 1: some American conditioning. Kind of stupid. Scarlet Johanson's in it.

745
00:42:41,480 --> 00:42:44,120
Speaker 1: She's good in it. There's a couple other people in it. Obviously.

746
00:42:45,520 --> 00:42:48,160
Speaker 1: I give it two and a half out of five.

747
00:42:48,920 --> 00:42:51,520
Speaker 1: Islands with dinosaurs on it, I recommend you can skip

748
00:42:51,520 --> 00:42:55,759
Speaker 1: that one. I have Squid Game season three, So there

749
00:42:55,800 --> 00:42:59,520
Speaker 1: are a few movies some TV shows. Three and a

750
00:42:59,560 --> 00:43:05,960
Speaker 1: half out of five violent deaths. Squid Game season one

751
00:43:06,000 --> 00:43:08,080
Speaker 1: is one of the best seasons of television shows I've

752
00:43:08,080 --> 00:43:12,920
Speaker 1: ever seen, and not really a guy that loves shows

753
00:43:13,000 --> 00:43:16,960
Speaker 1: in another language. That being said, man, you know who's

754
00:43:16,960 --> 00:43:19,560
Speaker 1: making the best TV right now places in arm America,

755
00:43:19,600 --> 00:43:21,600
Speaker 1: because we've watched like seven in a row. So as

756
00:43:21,680 --> 00:43:23,000
Speaker 1: much as I say I don't like it, we turn

757
00:43:23,040 --> 00:43:26,000
Speaker 1: the English subtitles on and we make them speak English

758
00:43:26,040 --> 00:43:29,160
Speaker 1: in case we look at our phone. Squid Game season

759
00:43:29,239 --> 00:43:33,480
Speaker 1: one excellent, Season two, good, season three, But you gotta

760
00:43:33,520 --> 00:43:36,399
Speaker 1: watch it, because that's the end. I'll say no more.

761
00:43:37,800 --> 00:43:40,879
Speaker 1: There's a show called Criminal Record. It's a British show.

762
00:43:41,480 --> 00:43:44,239
Speaker 1: It's about an investigator. I'm gonna be quick. It's two

763
00:43:44,320 --> 00:43:48,279
Speaker 1: out of five. Don't watch it. The some of this

764
00:43:48,320 --> 00:43:52,560
Speaker 1: I don't even remember the shows. There's a show called Nobody.

765
00:43:54,040 --> 00:43:56,359
Speaker 1: Now what I'm gonna do here though, because it sets

766
00:43:56,360 --> 00:43:57,880
Speaker 1: four and a half out of five. Oh I know

767
00:43:57,920 --> 00:44:00,959
Speaker 1: what it is? Yeah, Okay, So here's what I'm gonna say.

768
00:44:01,160 --> 00:44:05,719
Speaker 1: Bob Odenkirk is the guy and Nobody he's better call Saul,

769
00:44:06,960 --> 00:44:10,359
Speaker 1: better call Yeah, and from Breaking Bad than his own

770
00:44:10,400 --> 00:44:14,400
Speaker 1: series obviously. Uh. If you're just looking for a movie

771
00:44:14,440 --> 00:44:19,120
Speaker 1: that is pow Pal Punch, Punch, Kickkick, It's awesome. It's

772
00:44:19,160 --> 00:44:22,000
Speaker 1: not that long. And I think I watched it one

773
00:44:22,160 --> 00:44:24,839
Speaker 1: night after my wife had gone to sleep because I

774
00:44:24,920 --> 00:44:27,319
Speaker 1: saw that Nobody Too was coming out and I think

775
00:44:27,360 --> 00:44:29,920
Speaker 1: I saw that on the preview of F one and

776
00:44:29,960 --> 00:44:31,839
Speaker 1: I was like, Nobody Too. I'd never heard of Nobody one.

777
00:44:32,400 --> 00:44:34,719
Speaker 1: So I went back and I watched Nobody one four

778
00:44:34,760 --> 00:44:37,520
Speaker 1: and a half out of five. I'm not gonna say

779
00:44:37,560 --> 00:44:40,120
Speaker 1: it's John Wick because John Wick is in a class

780
00:44:40,160 --> 00:44:42,200
Speaker 1: of its own. When it comes to action movies, that's

781
00:44:42,239 --> 00:44:44,719
Speaker 1: simple and it's like it's just action, Like there's a

782
00:44:44,760 --> 00:44:47,920
Speaker 1: plot for her, but nothing in depth. You can go

783
00:44:47,920 --> 00:44:49,480
Speaker 1: to the bathroom and come back. He didn't miss anything

784
00:44:49,560 --> 00:44:53,239
Speaker 1: except maybe a few kicks to the throat. But if

785
00:44:53,280 --> 00:44:56,359
Speaker 1: you like that kind of movie, nobody is awesome. Four

786
00:44:56,440 --> 00:44:58,799
Speaker 1: out of five, No, four point five out of five

787
00:44:58,840 --> 00:45:03,359
Speaker 1: explosions boom. If you're over on Amazon, there's a movie

788
00:45:03,360 --> 00:45:06,640
Speaker 1: called Head of State. Idris elba and John Cena are

789
00:45:06,680 --> 00:45:11,719
Speaker 1: in it. It's pretty good. It's worth the time if

790
00:45:11,760 --> 00:45:16,280
Speaker 1: there's nothing else to watch. It's action, it's kind of funny.

791
00:45:16,800 --> 00:45:18,600
Speaker 1: If Idris elba in is in it, you know it's

792
00:45:18,600 --> 00:45:24,040
Speaker 1: gonna be at least invested in by the company that

793
00:45:24,120 --> 00:45:28,040
Speaker 1: made it. So it's a little kookie. It's a little funny.

794
00:45:28,040 --> 00:45:29,879
Speaker 1: There's some action, but I'm gonna give you that three

795
00:45:29,960 --> 00:45:35,319
Speaker 1: and a half out of five presidents. Head of State Boom.

796
00:45:35,520 --> 00:45:38,359
Speaker 1: There's a show called Treason Now. This is a British show.

797
00:45:38,719 --> 00:45:41,640
Speaker 1: The guy that's in Daredevil, he actually plays Daredevil. He's

798
00:45:41,719 --> 00:45:46,480
Speaker 1: the blind superhero. Treeson's pretty good. I believe it's on Netflix.

799
00:45:46,960 --> 00:45:49,760
Speaker 1: I give that three and a half out of five

800
00:45:50,640 --> 00:45:53,480
Speaker 1: m I five's or six. I want to what the

801
00:45:53,480 --> 00:45:55,160
Speaker 1: difference is in m I five and m I six,

802
00:45:55,760 --> 00:46:00,439
Speaker 1: because I think it's like CIA FBI, you don't really

803
00:46:00,440 --> 00:46:07,319
Speaker 1: know the difference. I can ask what's the difference in

804
00:46:07,760 --> 00:46:08,960
Speaker 1: five and six?

805
00:46:11,400 --> 00:46:15,600
Speaker 5: Absolutely? So five and six are basically two different branches

806
00:46:15,640 --> 00:46:18,440
Speaker 5: of the United Kingdom's intelligence services, and they have different

807
00:46:18,440 --> 00:46:22,360
Speaker 5: areas of focus. M five is essentially the UK's domestic

808
00:46:22,360 --> 00:46:25,440
Speaker 5: intelligence agency. They're kind of like the British equivalent of

809
00:46:25,480 --> 00:46:28,239
Speaker 5: the FBI in the US. Their main job is to

810
00:46:28,280 --> 00:46:31,719
Speaker 5: protect national security within the UK, so they focus on

811
00:46:31,760 --> 00:46:36,720
Speaker 5: things like counter terrorism, counter espionage, and domestic threats. Six,

812
00:46:36,760 --> 00:46:40,000
Speaker 5: on the other hand, is the UK's foreign intelligence service.

813
00:46:40,160 --> 00:46:43,160
Speaker 5: They're more like the British equivalent of the CIA. They

814
00:46:43,200 --> 00:46:46,759
Speaker 5: operate outside of the UK and gather intelligence internationally to

815
00:46:46,760 --> 00:46:50,719
Speaker 5: support the UK's foreign policy and national security interests. And yes,

816
00:46:51,040 --> 00:46:51,400
Speaker 5: six is.

817
00:46:51,360 --> 00:46:53,200
Speaker 1: The one that you see in all those James Bond movies.

818
00:46:53,719 --> 00:46:56,320
Speaker 5: So in a nutshell, m I five is domestic security

819
00:46:56,560 --> 00:46:58,600
Speaker 5: and six is international intelligence.

820
00:47:00,560 --> 00:47:03,319
Speaker 1: So in my six, I believe it's what they are.

821
00:47:03,840 --> 00:47:06,040
Speaker 1: Pretty good. Yeah, three and a half out of five

822
00:47:08,520 --> 00:47:13,040
Speaker 1: close range gun battles I watched Alison Borderland. Alison Borderland

823
00:47:13,400 --> 00:47:17,319
Speaker 1: is a show that is very similar to Squid Games. Now,

824
00:47:17,360 --> 00:47:21,640
Speaker 1: Squid Games is South Korea, Alison Borderland is Japan, And

825
00:47:21,800 --> 00:47:24,520
Speaker 1: if I didn't know any better when I watched Alison Borderland,

826
00:47:24,520 --> 00:47:27,560
Speaker 1: I would have thought they stole Squid Games. Turns out

827
00:47:27,640 --> 00:47:30,640
Speaker 1: Alison Borderland came out a few months before Squid Games,

828
00:47:31,280 --> 00:47:36,359
Speaker 1: same ish idea. If you can remove the Hey, I'm

829
00:47:36,400 --> 00:47:38,400
Speaker 1: kind of irritated because this is very much like squid

830
00:47:38,400 --> 00:47:43,200
Speaker 1: Games because it's not exactly like squid Games. Basically, Smith's

831
00:47:43,200 --> 00:47:48,719
Speaker 1: calling the gate hold one second, Okay, Amazon let him in.

832
00:47:50,239 --> 00:47:54,560
Speaker 1: Basically they're somewhere, they don't really know how they got there,

833
00:47:54,640 --> 00:47:56,799
Speaker 1: and now they got to stay alive. So there's that

834
00:47:56,920 --> 00:47:58,600
Speaker 1: component to it where they have to play games to

835
00:47:58,640 --> 00:48:00,839
Speaker 1: stay alive, which squid Game. Ajames is kind of liked

836
00:48:00,840 --> 00:48:05,479
Speaker 1: that too, But I really liked season one. I would

837
00:48:05,480 --> 00:48:14,560
Speaker 1: give season one four out of five asospades. Now season

838
00:48:14,640 --> 00:48:19,560
Speaker 1: two it was pretty good. I would give that three

839
00:48:19,880 --> 00:48:23,040
Speaker 1: out of five. King of Clubs and there is a

840
00:48:23,040 --> 00:48:27,759
Speaker 1: season three coming out, I believe. September October, I did

841
00:48:27,800 --> 00:48:32,480
Speaker 1: go watch Superman. I thought Superman was good. It was

842
00:48:32,800 --> 00:48:34,920
Speaker 1: a lot more colorful and a lot more kid like

843
00:48:35,000 --> 00:48:37,800
Speaker 1: than I would have expected. I liked the dark, gritty

844
00:48:37,840 --> 00:48:39,799
Speaker 1: iron Man, Dark Knight, that type stuff, but I thought

845
00:48:39,800 --> 00:48:41,800
Speaker 1: it was good. I give it three and a half

846
00:48:42,040 --> 00:48:45,080
Speaker 1: out of five Men of Steel. I watched Fantastic four.

847
00:48:45,160 --> 00:48:47,560
Speaker 1: I thought Fantastic four was better than Superman. I think

848
00:48:47,640 --> 00:48:50,480
Speaker 1: that is an opinion I don't share with many people,

849
00:48:50,560 --> 00:48:52,279
Speaker 1: but I didn't think it was good, and so I

850
00:48:52,280 --> 00:48:56,160
Speaker 1: would give that a four out of five. Stretchy Superheroes.

851
00:48:57,280 --> 00:49:00,960
Speaker 1: I just watched that show Amy Bradley is Missing. I

852
00:49:01,000 --> 00:49:05,640
Speaker 1: think that's what it's called. And it's only three episodes

853
00:49:06,200 --> 00:49:08,760
Speaker 1: and they're like forty five minutes each, and it's about

854
00:49:08,960 --> 00:49:11,520
Speaker 1: a woman going on a cruise ship basically in the

855
00:49:11,600 --> 00:49:19,160
Speaker 1: late nineties, and she goes missing. It's hard to say

856
00:49:19,200 --> 00:49:21,440
Speaker 1: you enjoy something like that. So if I'm separating myself

857
00:49:21,440 --> 00:49:24,840
Speaker 1: from what the actual reality of the show is, I

858
00:49:24,880 --> 00:49:26,960
Speaker 1: thought it was a pretty good show. And I do

859
00:49:27,000 --> 00:49:30,359
Speaker 1: have a lot of questions, and I think that i'd

860
00:49:30,400 --> 00:49:35,239
Speaker 1: probably theorize hear what had happened, but I don't want

861
00:49:35,280 --> 00:49:39,600
Speaker 1: to spoil it. How about this, I'm going to talk

862
00:49:39,640 --> 00:49:41,239
Speaker 1: about it now. I'm going to say, only the things

863
00:49:41,239 --> 00:49:43,520
Speaker 1: that I knew before I started watching the show. So

864
00:49:43,600 --> 00:49:46,759
Speaker 1: this could be a half spoiler, but it's not going

865
00:49:46,800 --> 00:49:49,400
Speaker 1: to be. It's not going to be. But if you

866
00:49:49,440 --> 00:49:52,040
Speaker 1: want to not hear this, you can turn the podcast

867
00:49:52,040 --> 00:49:58,520
Speaker 1: off now if you haven't already. Okay, we're back. Amy

868
00:49:58,560 --> 00:50:01,040
Speaker 1: Bradley is still missing. I knew that before I started

869
00:50:01,040 --> 00:50:07,320
Speaker 1: watching the show. My theory, it's not my theory. The theory

870
00:50:07,280 --> 00:50:12,480
Speaker 1: that I think happened. I think probably she fell off

871
00:50:12,520 --> 00:50:14,880
Speaker 1: the boat. I mean that is the least sexy of

872
00:50:14,880 --> 00:50:19,120
Speaker 1: all the theories. But the family, they are dedicated to

873
00:50:19,160 --> 00:50:22,160
Speaker 1: finding her, and there are a lot of eyewitnesses that

874
00:50:22,520 --> 00:50:28,400
Speaker 1: saw her alive after she left the boat. So I

875
00:50:28,440 --> 00:50:30,279
Speaker 1: wouldn't bet a whole lot on it. But if I

876
00:50:30,320 --> 00:50:33,320
Speaker 1: were to guess, what is it Aukham's Raiser? You familiar

877
00:50:33,320 --> 00:50:36,879
Speaker 1: with Aukham's Raiser? I could explain it where the most

878
00:50:36,920 --> 00:50:39,279
Speaker 1: simple thing usually is the thing, but I'll have my

879
00:50:39,280 --> 00:50:44,840
Speaker 1: assistant to do it. Would you explain Aukham's Raiser?

880
00:50:48,400 --> 00:50:53,040
Speaker 5: Absolutely so. Aukham's Raiser is this handy little philosophical principle

881
00:50:53,120 --> 00:50:56,640
Speaker 5: that basically says, when you've got a few different explanations,

882
00:50:56,640 --> 00:50:59,759
Speaker 5: for something, the simplest one is usually the best place

883
00:50:59,760 --> 00:51:02,319
Speaker 5: to start are In other words, you don't want to

884
00:51:02,440 --> 00:51:05,799
Speaker 5: multiply assumptions or make things more complicated than they need

885
00:51:05,840 --> 00:51:08,600
Speaker 5: to be. It's not a hard and fast rule that

886
00:51:08,680 --> 00:51:11,799
Speaker 5: the simplest explanation is always correct, but it's a really

887
00:51:11,840 --> 00:51:15,520
Speaker 5: good guiding principle. It just nudges you to avoid adding

888
00:51:15,680 --> 00:51:19,359
Speaker 5: unnecessary complications when a simpler explanation will do the trick.

889
00:51:20,880 --> 00:51:24,879
Speaker 1: So Aukham's raiser is kind of what I've inserted into

890
00:51:24,920 --> 00:51:26,480
Speaker 1: this because there are a lot of theories it's good,

891
00:51:26,480 --> 00:51:30,279
Speaker 1: though again weird to say it's good because it's a

892
00:51:30,320 --> 00:51:35,000
Speaker 1: tragic story. And if it were my sister, my mom

893
00:51:35,520 --> 00:51:39,200
Speaker 1: my kid, whatever that is, I think I would be

894
00:51:39,520 --> 00:51:44,560
Speaker 1: going crazy too if you never had any sort of finality.

895
00:51:45,160 --> 00:51:49,759
Speaker 1: I mean, it's a word, but check it out. I

896
00:51:49,840 --> 00:51:54,520
Speaker 1: give it four out of five cruise ships. So I

897
00:51:54,520 --> 00:51:57,160
Speaker 1: did watch the SEC show very much. Sports. I like

898
00:51:57,200 --> 00:51:59,000
Speaker 1: that a lot better than I thought I would. I

899
00:51:59,000 --> 00:52:01,320
Speaker 1: didn't really want to watch it and then find myself

900
00:52:02,239 --> 00:52:06,080
Speaker 1: rooting for other SEC teams the people I already liked.

901
00:52:06,719 --> 00:52:08,880
Speaker 1: I still like the people I didn't like that much. Well,

902
00:52:08,920 --> 00:52:11,120
Speaker 1: I didn't really know to begin with. But I thought

903
00:52:11,160 --> 00:52:14,120
Speaker 1: South Carolina came off awesome. Shane Beemer like I've spent

904
00:52:14,160 --> 00:52:16,920
Speaker 1: time with him, but he yeah, like we did some

905
00:52:16,920 --> 00:52:19,040
Speaker 1: sports stuff with him. I've had a low communication with

906
00:52:19,120 --> 00:52:24,720
Speaker 1: them afterward, Like privately, he came off awesome, good dude.

907
00:52:25,040 --> 00:52:27,520
Speaker 1: Who else did I like on the show? I thought

908
00:52:27,600 --> 00:52:29,919
Speaker 1: Clark Lee from Vanderbilt, Like, that's a dude I didn't

909
00:52:29,920 --> 00:52:31,560
Speaker 1: want to play for. Well, I wish I could play

910
00:52:31,560 --> 00:52:32,920
Speaker 1: a period, but that's the du I want to play for.

911
00:52:32,960 --> 00:52:35,000
Speaker 1: I thought that was awesome. I Brian Kelly from ULSU

912
00:52:35,160 --> 00:52:38,279
Speaker 1: came off exactly like I thought he would, like, not

913
00:52:38,360 --> 00:52:42,960
Speaker 1: very likable, good football coach, not a likable dude. All right,

914
00:52:44,640 --> 00:52:50,759
Speaker 1: Well that's all I got. I can now clear all

915
00:52:50,840 --> 00:52:55,319
Speaker 1: this off my notes. Thanks to Laney for being with us,

916
00:52:55,880 --> 00:52:58,799
Speaker 1: and we got some other good episodes coming up real soon.

917
00:52:58,840 --> 00:53:02,560
Speaker 1: Derk Spentley were sitting with him, and that's it. Appreciate

918
00:53:02,600 --> 00:53:04,480
Speaker 1: you guys, and we'll see you soon.

919
00:53:04,560 --> 00:53:08,320
Speaker 3: By thanks for listening to a Bobby Cast production.