1 00:00:00,600 --> 00:00:03,440 Speaker 1: Hello the Internet, and welcome to Season two fifties six, 2 00:00:03,480 --> 00:00:08,760 Speaker 1: Episode five of The Daily Geist season finale, a production 3 00:00:08,760 --> 00:00:10,639 Speaker 1: of My Heart Radio. This is a podcast where we 4 00:00:10,680 --> 00:00:13,280 Speaker 1: take a deep dive into America's shared consciousness. But you 5 00:00:13,320 --> 00:00:15,920 Speaker 1: already knew that because you're rocking with the second best 6 00:00:15,960 --> 00:00:21,520 Speaker 1: of the Second Rate Podcast. It's Friday, September twenty two, 7 00:00:21,560 --> 00:00:26,000 Speaker 1: and sep is, of course, National chewing Gum Day, National 8 00:00:26,079 --> 00:00:30,040 Speaker 1: Hot mold Cider Day, National Love People Day, National mud 9 00:00:30,080 --> 00:00:34,280 Speaker 1: packed Day, and Orange Shirt Day. Daniel did speak to you. 10 00:00:35,400 --> 00:00:39,400 Speaker 1: I'm curious, is loved People like just a celebration of 11 00:00:39,479 --> 00:00:42,360 Speaker 1: loving people or our love people, specific kind of people 12 00:00:42,360 --> 00:00:44,280 Speaker 1: that I haven't if it asked that The day asked 13 00:00:44,320 --> 00:00:47,280 Speaker 1: us to lift others up through the profound power of 14 00:00:47,400 --> 00:00:51,120 Speaker 1: unconditional love. Right, I can't find any problems with that 15 00:00:51,240 --> 00:00:53,519 Speaker 1: for that, But then you read the fine print and 16 00:00:53,520 --> 00:00:56,680 Speaker 1: they're like, who is deserving of this? Well, obviously followers 17 00:00:56,680 --> 00:00:59,600 Speaker 1: of Christ, and those who are not will obviously have been. 18 00:01:00,520 --> 00:01:04,200 Speaker 1: They are off to the rescue spin that's what they're destiny. 19 00:01:04,600 --> 00:01:06,640 Speaker 1: But yeah, I love people. They also chew your gum 20 00:01:06,680 --> 00:01:08,839 Speaker 1: to love your chewing gum, and I love orange shirt. 21 00:01:08,959 --> 00:01:12,000 Speaker 1: I really do you can see look at that you're 22 00:01:12,040 --> 00:01:13,760 Speaker 1: you're You're later asked me if I don't like a 23 00:01:13,800 --> 00:01:17,399 Speaker 1: orange shirt, I love an orange shirt anyway. What does 24 00:01:17,400 --> 00:01:19,840 Speaker 1: that mean the Dutch national team? Yeah, well you know 25 00:01:20,040 --> 00:01:22,440 Speaker 1: the Dutch jersey. The Dutch jersey comes with a full 26 00:01:22,520 --> 00:01:25,200 Speaker 1: smoke session in l a depending on what part time 27 00:01:25,200 --> 00:01:28,800 Speaker 1: you're in. People remember that World Cup in Arian Robin. 28 00:01:28,920 --> 00:01:32,640 Speaker 1: But anyway, I digress. Who am I PD pop mother Way, No, 29 00:01:32,800 --> 00:01:35,600 Speaker 1: that's a different song. My name is Miles Gray a 30 00:01:35,760 --> 00:01:38,280 Speaker 1: k A hy day oh NoHo, the Lord of lakershim. 31 00:01:38,360 --> 00:01:39,520 Speaker 1: I know that a lot of people have been hitting 32 00:01:39,520 --> 00:01:41,840 Speaker 1: me with a k A. I've been very busy. I 33 00:01:41,880 --> 00:01:44,000 Speaker 1: will get to them. I saw some fantastic ones, so 34 00:01:44,160 --> 00:01:48,880 Speaker 1: apologies for doing using my traditional moniker, but fine. Thrilled 35 00:01:48,920 --> 00:01:51,480 Speaker 1: to be joined by my guest co host who has 36 00:01:51,520 --> 00:01:53,640 Speaker 1: been rocking with me off and on the last couple 37 00:01:53,680 --> 00:01:55,640 Speaker 1: of days, but someone I've been rocking with since I 38 00:01:55,760 --> 00:02:00,240 Speaker 1: met uh. Wonderful producer, wonderful gamer, wonderful twitch street or 39 00:02:00,320 --> 00:02:05,360 Speaker 1: wonderful host. Please welcome my beloved Daniel good Man. What's up? 40 00:02:05,360 --> 00:02:07,440 Speaker 1: What's up? It's d J Daniel a k Mr Steel 41 00:02:07,440 --> 00:02:10,679 Speaker 1: Your ariel happy to be here building living in hot 42 00:02:10,680 --> 00:02:14,440 Speaker 1: Sauce heaven. And yeah it's a wonderful, wonderful Friday morning 43 00:02:14,520 --> 00:02:17,399 Speaker 1: wing wing and uh yeah, happy to be here. Wait, 44 00:02:17,400 --> 00:02:19,560 Speaker 1: why hot sauce haven't I just got a couple of 45 00:02:19,560 --> 00:02:21,480 Speaker 1: new bottles of hot which and I am loving them. 46 00:02:21,480 --> 00:02:23,400 Speaker 1: Don't hold out on me? What'd you get? I certainly 47 00:02:23,400 --> 00:02:25,919 Speaker 1: well not so every new season of Hot Ones pretty 48 00:02:26,000 --> 00:02:28,440 Speaker 1: much aligns with me finishing another bottle of hot Sauce 49 00:02:28,520 --> 00:02:30,760 Speaker 1: that I already have. My friends, let me tell you something, 50 00:02:30,800 --> 00:02:32,880 Speaker 1: I've been the king of buying too many hot sauces 51 00:02:32,880 --> 00:02:34,600 Speaker 1: and not finishing them. So now I have a new 52 00:02:34,639 --> 00:02:37,320 Speaker 1: deal with myself and with my partner Stephanie, that I 53 00:02:37,320 --> 00:02:39,359 Speaker 1: won't buy any more hot Sauce until I finish the 54 00:02:39,639 --> 00:02:41,800 Speaker 1: bloody and blood out like I mean, got to be 55 00:02:41,800 --> 00:02:43,800 Speaker 1: because otherwise they're just sitting there. They get smelly, they 56 00:02:43,840 --> 00:02:47,600 Speaker 1: get anyway, So I just got people. They get smelly, well, 57 00:02:47,639 --> 00:02:52,200 Speaker 1: I mean like it's like it's exactly, they get crusty anyway. 58 00:02:52,280 --> 00:02:54,280 Speaker 1: Oh yeah, well, well you gotta respect the rim. You 59 00:02:54,280 --> 00:02:57,200 Speaker 1: gotta you gotta respect the rim. You gotta big anyway, 60 00:02:57,240 --> 00:03:00,280 Speaker 1: I got the fly by Jing sish one gold, which 61 00:03:00,320 --> 00:03:03,040 Speaker 1: is basically just like you know, the the spicy saush 62 00:03:03,040 --> 00:03:06,440 Speaker 1: one oil that you like crispy, it's so good. And 63 00:03:06,480 --> 00:03:10,880 Speaker 1: the other one is peery peery sauce and Perry Perry. Okay, 64 00:03:11,200 --> 00:03:16,600 Speaker 1: but but I see exactly, Okay, so I could run 65 00:03:16,680 --> 00:03:19,280 Speaker 1: and get the ingredients. But so far they're different flavors, 66 00:03:19,320 --> 00:03:22,640 Speaker 1: but really delicious, very nice, very nice flavors. Sous far 67 00:03:23,240 --> 00:03:26,480 Speaker 1: good heat and three out of ten and a five 68 00:03:26,520 --> 00:03:29,320 Speaker 1: out of ten some so good heat not too crazy. Yeah, okay, 69 00:03:29,400 --> 00:03:32,280 Speaker 1: I respect that. Love love hot sauce, and I'm you know, 70 00:03:32,480 --> 00:03:35,520 Speaker 1: I have it. I have one whole shelf and a 71 00:03:35,520 --> 00:03:38,920 Speaker 1: half on our refrigerator door, all hot sauce. I love it. 72 00:03:39,000 --> 00:03:40,960 Speaker 1: What's your favorite hot sauce? What are you talking about? Well, 73 00:03:40,960 --> 00:03:45,640 Speaker 1: that's there's context to it. Okay, you can't fair, fair fair. 74 00:03:45,800 --> 00:03:50,600 Speaker 1: My favorite traditional American hot sauce is Crystal. That is, Crystal. 75 00:03:51,200 --> 00:03:53,920 Speaker 1: Crystal is the number one regular hot sauce. I love 76 00:03:53,960 --> 00:03:56,960 Speaker 1: Tabasco too, but I like I love Crystal. I was 77 00:03:57,120 --> 00:03:59,720 Speaker 1: my grandparents always use crystal hot sauce. Also had to 78 00:03:59,720 --> 00:04:02,200 Speaker 1: bass go, so I have a nostalgia like brand loyalty 79 00:04:02,240 --> 00:04:05,240 Speaker 1: with crystal. My favorite thing to marinade hot wings in. 80 00:04:05,280 --> 00:04:07,120 Speaker 1: By the way, if you just get a ziploc bag 81 00:04:07,160 --> 00:04:09,440 Speaker 1: and just empty a bottle of crystal with the wings 82 00:04:09,440 --> 00:04:11,480 Speaker 1: put that's it for a couple hours, grilled at. That's 83 00:04:11,480 --> 00:04:13,560 Speaker 1: what I'm telling you. That's the way I was going 84 00:04:13,600 --> 00:04:16,120 Speaker 1: to phrase that question was what's your what's your your 85 00:04:16,160 --> 00:04:18,400 Speaker 1: shooting hot sauce or you're drinking hot sauce, the one 86 00:04:18,400 --> 00:04:19,920 Speaker 1: that after you put something on it, you just take 87 00:04:19,960 --> 00:04:26,039 Speaker 1: a little crystal. But then I left, Look, this isn't 88 00:04:26,040 --> 00:04:28,520 Speaker 1: a hot seat, Daniel. We can start talking about old 89 00:04:28,680 --> 00:04:32,720 Speaker 1: music or hot sauces in our new show called Hot 90 00:04:32,839 --> 00:04:35,960 Speaker 1: Number Ones, where we talk about just hot number one 91 00:04:36,000 --> 00:04:39,479 Speaker 1: singles while eating hot sauce and review that. Anyway, let's 92 00:04:39,480 --> 00:04:42,200 Speaker 1: get to our guests, because we have a fantastic guest today, 93 00:04:42,360 --> 00:04:44,760 Speaker 1: somebody who's come through the ranks of the Next Up program, 94 00:04:44,839 --> 00:04:48,080 Speaker 1: so you know they're bringing the heat. TV and film 95 00:04:48,120 --> 00:04:50,479 Speaker 1: critic Okay, this is what I love to have on 96 00:04:50,600 --> 00:04:53,320 Speaker 1: when people, because I don't have enough time to watch 97 00:04:53,400 --> 00:04:55,800 Speaker 1: good TV or films, I say, hey, what's something good? 98 00:04:55,839 --> 00:04:58,599 Speaker 1: Please tell me, Please save me the time. You can 99 00:04:58,640 --> 00:05:02,440 Speaker 1: also catch her new podcast, It's called on call with 100 00:05:02,600 --> 00:05:07,799 Speaker 1: KP The Science behind the Scenes. Please welcome to the stage, 101 00:05:08,279 --> 00:05:14,560 Speaker 1: kame hello, Hello, thank you for joining me. I was 102 00:05:14,680 --> 00:05:17,760 Speaker 1: trying really hard not to say anything during this hot 103 00:05:17,800 --> 00:05:20,440 Speaker 1: toss conversation. What you got? I saw your face because 104 00:05:20,440 --> 00:05:24,800 Speaker 1: when he's really trying, you know, it's all right, it's 105 00:05:24,839 --> 00:05:27,200 Speaker 1: not bad, but you know it's easy. You need a 106 00:05:27,200 --> 00:05:32,320 Speaker 1: little Frank's right, you know, like sometimes Franks always always 107 00:05:32,400 --> 00:05:35,480 Speaker 1: always need Tabasco. You know, I just think that that 108 00:05:35,600 --> 00:05:39,000 Speaker 1: extra pepper kicked something about it. You you gotta have it. 109 00:05:39,440 --> 00:05:44,040 Speaker 1: You gotta have the four Horsemen, Tabasco, Crystal, Cholula, tapatio. 110 00:05:45,160 --> 00:05:47,720 Speaker 1: Its like in l A. You gotta have you can't. 111 00:05:47,800 --> 00:05:50,800 Speaker 1: You can't just have tapatio or Cholula. I love all 112 00:05:52,320 --> 00:05:57,400 Speaker 1: you know what. I'm a Texan, so that Cholula I 113 00:05:57,440 --> 00:06:01,240 Speaker 1: can leave. I'm not gonna lie. I'm like, what, it's 114 00:06:01,279 --> 00:06:04,000 Speaker 1: not really for me. It's I have noticed though. It's 115 00:06:04,120 --> 00:06:07,760 Speaker 1: very much like a California thing because like people and 116 00:06:07,760 --> 00:06:10,559 Speaker 1: we're like, what is this right? No? I got Betta 117 00:06:10,600 --> 00:06:13,320 Speaker 1: going off saying Valentino for life. Yeah, Valentino. I love 118 00:06:13,400 --> 00:06:20,640 Speaker 1: to use Valentino. Vent it is fire, it is Cholula, adjacent. 119 00:06:20,680 --> 00:06:23,000 Speaker 1: But let me tell you something. Without that. Without that, 120 00:06:23,080 --> 00:06:26,480 Speaker 1: you know wooden cap, that special modified wooden cap. You 121 00:06:26,520 --> 00:06:28,479 Speaker 1: save a little money on the Valentino and you get 122 00:06:28,480 --> 00:06:34,360 Speaker 1: a huge bottle. It's huge, and you just any gloves 123 00:06:35,040 --> 00:06:38,440 Speaker 1: the little opening, watch the funk out because if you're weak, 124 00:06:39,120 --> 00:06:41,760 Speaker 1: you could you could douse your whole ship, like oh no, no, no, no, 125 00:06:41,760 --> 00:06:45,680 Speaker 1: no ship. I love it. Also, hot sauce, just got it. 126 00:06:45,760 --> 00:06:49,280 Speaker 1: Shout out Salsa we told, which is another Mexican hot sauce, 127 00:06:49,320 --> 00:06:51,840 Speaker 1: which is dope. You can find that locally anyway, This 128 00:06:51,920 --> 00:06:55,400 Speaker 1: isn't about hot sauce. KB. I love that. Your podcast, 129 00:06:55,480 --> 00:06:57,760 Speaker 1: you're talking about you. So you have a medical background. 130 00:06:58,560 --> 00:07:01,760 Speaker 1: What's your tod How did you get to how did 131 00:07:01,760 --> 00:07:05,120 Speaker 1: you get to now podcasting and being like, let's talk 132 00:07:05,160 --> 00:07:08,280 Speaker 1: about some of the medical things we've seen on television. Yeah, 133 00:07:08,360 --> 00:07:12,160 Speaker 1: So my background, My degrees are in biology and chemistry, 134 00:07:12,240 --> 00:07:14,600 Speaker 1: and you know, in graduate school I had a focus 135 00:07:14,640 --> 00:07:19,440 Speaker 1: on cancer immunotherapy, and so I have been very, very 136 00:07:19,520 --> 00:07:22,640 Speaker 1: interested in the scientists for a long time and I 137 00:07:22,680 --> 00:07:25,760 Speaker 1: wanted to help people, but I didn't want to treat patients. 138 00:07:25,880 --> 00:07:28,520 Speaker 1: Didn't want that liability. To be quite honest, so I 139 00:07:28,640 --> 00:07:31,200 Speaker 1: was like, how can I also work in healthcare use 140 00:07:31,200 --> 00:07:33,600 Speaker 1: these degrees but not have to do that. So yeah, 141 00:07:33,840 --> 00:07:37,840 Speaker 1: I've had a very long career in healthcare doing process 142 00:07:37,880 --> 00:07:41,280 Speaker 1: improvement work and working with a ton of national health 143 00:07:41,320 --> 00:07:44,840 Speaker 1: care organizations on how to improve them from the inside 144 00:07:44,840 --> 00:07:47,160 Speaker 1: out and make sure that patients are getting the absolute 145 00:07:47,160 --> 00:07:50,320 Speaker 1: best care that they can. You know, in the current 146 00:07:50,600 --> 00:07:53,880 Speaker 1: environment that we have, which is not perfect and not 147 00:07:53,960 --> 00:07:59,280 Speaker 1: always ideal, I will say that, huge disparities all the time. 148 00:07:59,720 --> 00:08:02,040 Speaker 1: So I moved to New York to take a job 149 00:08:02,120 --> 00:08:05,440 Speaker 1: for a hospital that I shall not name, and I 150 00:08:05,560 --> 00:08:08,200 Speaker 1: ended up just getting back into writing. When I was younger, 151 00:08:08,280 --> 00:08:10,320 Speaker 1: I wrote a lot of things, a lot of short stories. 152 00:08:10,360 --> 00:08:12,880 Speaker 1: Had a very creative mind. And I've also just always 153 00:08:12,960 --> 00:08:15,640 Speaker 1: been interested in the arts. I've always watched tons and 154 00:08:15,720 --> 00:08:18,360 Speaker 1: tons of film and tons and tons of TV shows, 155 00:08:18,680 --> 00:08:20,680 Speaker 1: and so um. I when I moved to New York, 156 00:08:20,760 --> 00:08:23,800 Speaker 1: I said, Hey, guess what, Let's do this thing called 157 00:08:23,880 --> 00:08:27,280 Speaker 1: podcasting and writing and get more into TV and filth criticism. 158 00:08:27,320 --> 00:08:29,680 Speaker 1: And that was a long time ago. I mean, honestly, 159 00:08:29,720 --> 00:08:32,280 Speaker 1: I haven't kept track of the years, but eight years, 160 00:08:32,320 --> 00:08:35,520 Speaker 1: ten years, I don't know. Somewhere around there, and uh, 161 00:08:35,800 --> 00:08:39,040 Speaker 1: from there, I had this idea. You know, I loved 162 00:08:39,400 --> 00:08:41,040 Speaker 1: Er growing up. That was actually one of my favorite 163 00:08:41,040 --> 00:08:42,680 Speaker 1: show still is of all time. I think it was 164 00:08:42,760 --> 00:08:45,800 Speaker 1: brilliant and done so well. And I said, man, I 165 00:08:45,800 --> 00:08:48,319 Speaker 1: would really love to kind of merge my two careers 166 00:08:48,440 --> 00:08:53,079 Speaker 1: because working in both fields simultaneously is no small feat. 167 00:08:53,480 --> 00:08:57,319 Speaker 1: It's like a lot of juggling schedual wise for sure. 168 00:08:57,440 --> 00:08:59,280 Speaker 1: And so I was like, hey, how can I emerge this. 169 00:08:59,559 --> 00:09:02,000 Speaker 1: Maybe I'll just do a show because people are always 170 00:09:02,040 --> 00:09:04,160 Speaker 1: asking like, oh, you watch a lot of medical dramas 171 00:09:04,240 --> 00:09:06,680 Speaker 1: like is this true? Is this accurate? You know, where 172 00:09:06,679 --> 00:09:09,319 Speaker 1: do they get from a soccer ball hitting me in 173 00:09:09,360 --> 00:09:13,880 Speaker 1: the chest? You know? It's wild? Yes, And I'd love 174 00:09:13,920 --> 00:09:18,760 Speaker 1: to tell people like the human body is so exceptionally extraordinary, 175 00:09:18,880 --> 00:09:22,240 Speaker 1: but it's also quite re real. So like the smallest 176 00:09:22,240 --> 00:09:24,400 Speaker 1: thing can really take you out, Like you're like, oh no, 177 00:09:24,600 --> 00:09:26,640 Speaker 1: Like you know when you hear people they like choke 178 00:09:26,720 --> 00:09:29,000 Speaker 1: and then they die. You're like, I choke every day, 179 00:09:29,080 --> 00:09:31,080 Speaker 1: Like I can't believe that person died. Like it's like 180 00:09:31,120 --> 00:09:33,840 Speaker 1: the smallest thing and then some of the most robusting, 181 00:09:33,920 --> 00:09:36,840 Speaker 1: crazy things can happen. So I was like let's do it, 182 00:09:36,880 --> 00:09:40,040 Speaker 1: and let's kick season off season one off with Gray's 183 00:09:40,040 --> 00:09:44,480 Speaker 1: Anatomy because it is the longest running medical show currently 184 00:09:44,520 --> 00:09:50,360 Speaker 1: on TV and otionally wild cases. Yes, the nineteen actually 185 00:09:50,480 --> 00:09:53,600 Speaker 1: is about su premiere, so you know, and look, you know, 186 00:09:54,240 --> 00:09:56,280 Speaker 1: I'm glad they named the show after me. I really 187 00:09:56,280 --> 00:09:59,360 Speaker 1: appreciate that, you know, the only way to do Originally 188 00:09:59,400 --> 00:10:02,480 Speaker 1: Meredith supposed to be Miles Gray, but that's okay. You know, 189 00:10:02,559 --> 00:10:04,440 Speaker 1: they get their things, and then they could have got 190 00:10:04,520 --> 00:10:07,319 Speaker 1: rid of all the convoluted like half black siblings stuff 191 00:10:07,360 --> 00:10:08,719 Speaker 1: and they could have just had a black and ease 192 00:10:08,880 --> 00:10:11,839 Speaker 1: lead from the beginning. But you know that's Shonda was 193 00:10:11,920 --> 00:10:13,360 Speaker 1: on her own path and I'm not going to get 194 00:10:13,360 --> 00:10:15,640 Speaker 1: in the way at that obvious shout out to the 195 00:10:15,640 --> 00:10:19,000 Speaker 1: Seattle City of Seattle though. Okay, b we are going 196 00:10:19,040 --> 00:10:20,800 Speaker 1: to get to know you even better. But first, let's 197 00:10:20,800 --> 00:10:23,160 Speaker 1: tell what our listeners and all of us are gonna 198 00:10:23,160 --> 00:10:25,600 Speaker 1: be talking about or hearing about. I just gotta check 199 00:10:25,640 --> 00:10:27,920 Speaker 1: back in with the right wing freakouts. This time it's 200 00:10:27,960 --> 00:10:31,200 Speaker 1: about student loans and John Feerman is a crip. We 201 00:10:31,280 --> 00:10:33,719 Speaker 1: talked a little bit about Newt Gingrich's alluding to that. 202 00:10:33,920 --> 00:10:37,160 Speaker 1: Now I'm understanding what exactly they're even talking about, and 203 00:10:37,200 --> 00:10:41,840 Speaker 1: it's his desperate Then I'm gonna talk about Coolio. We 204 00:10:41,840 --> 00:10:44,520 Speaker 1: don't typically well, usually we'll talk about things on trends, 205 00:10:44,520 --> 00:10:47,000 Speaker 1: But as I was looking at sort of the all 206 00:10:47,000 --> 00:10:50,079 Speaker 1: the tributes that were pouring in with about Coolio, I 207 00:10:50,160 --> 00:10:53,400 Speaker 1: really realized that I massively underrated him. Not to say 208 00:10:53,400 --> 00:10:55,600 Speaker 1: that I never thought his music was good, but where 209 00:10:55,679 --> 00:10:58,880 Speaker 1: he stands, like in the sort of evolution of hip 210 00:10:58,960 --> 00:11:01,959 Speaker 1: hop going into the main stream, I think Coolio is 211 00:11:02,640 --> 00:11:05,480 Speaker 1: like had a massive contribution to that, and I completely 212 00:11:05,480 --> 00:11:08,120 Speaker 1: forgot about it. So we are going to talk about that. Uh. 213 00:11:08,120 --> 00:11:10,600 Speaker 1: And then since we have somebody with a bit of 214 00:11:11,160 --> 00:11:15,000 Speaker 1: TV and film expertise here, I want to talk about 215 00:11:15,120 --> 00:11:18,960 Speaker 1: best second screen shows movies because a lot of people 216 00:11:19,040 --> 00:11:21,199 Speaker 1: don't nearly you know, we used to just watch TV 217 00:11:21,400 --> 00:11:23,800 Speaker 1: like sit Down and your eyeballs were fixed. Now we 218 00:11:23,840 --> 00:11:26,840 Speaker 1: do tons of other things, and it does feel like 219 00:11:26,840 --> 00:11:30,319 Speaker 1: a genre of like kind of content you can consume, 220 00:11:30,400 --> 00:11:32,760 Speaker 1: something you can have on while also getting some other 221 00:11:32,800 --> 00:11:35,800 Speaker 1: ship done. So I'm curious to get some suggestions from 222 00:11:35,840 --> 00:11:38,360 Speaker 1: the both of you and plenty more. But first we 223 00:11:38,440 --> 00:11:40,559 Speaker 1: got to ask our guest KYB, What is something from 224 00:11:40,559 --> 00:11:43,280 Speaker 1: your search history that's revealing a little bit about who 225 00:11:43,280 --> 00:11:46,440 Speaker 1: you are or what you're into right now. Honestly, all 226 00:11:46,480 --> 00:11:49,160 Speaker 1: of my search history revolves around the interviews that I'm doing, 227 00:11:49,200 --> 00:11:52,240 Speaker 1: so I still do TV and some criticism. I still 228 00:11:52,280 --> 00:11:55,520 Speaker 1: interview talent every single week. And so the last thing 229 00:11:55,720 --> 00:11:59,800 Speaker 1: I searched actually with IMDb for a new TV C 230 00:12:00,280 --> 00:12:05,240 Speaker 1: that is coming out on Amazon's FREEB, which I'm not 231 00:12:05,960 --> 00:12:09,320 Speaker 1: free B. Yeah, it's like that. I'm not entirely sure 232 00:12:09,679 --> 00:12:14,440 Speaker 1: why all of the networks now have like these extra verticals. 233 00:12:14,440 --> 00:12:17,800 Speaker 1: But freeb is a vertical of Prime Video. It's kind 234 00:12:17,800 --> 00:12:21,599 Speaker 1: of like how Onyx Collective is a vertical of Hulu, 235 00:12:21,760 --> 00:12:25,160 Speaker 1: but it will stream on Amazon. So it's a It's 236 00:12:25,200 --> 00:12:27,760 Speaker 1: a show called High School, and so that's really, honestly 237 00:12:27,800 --> 00:12:31,079 Speaker 1: the last thing I googled, because honestly, the series is fantastic, 238 00:12:31,080 --> 00:12:34,000 Speaker 1: so I should start there. Wait, what is it? It's 239 00:12:34,000 --> 00:12:37,280 Speaker 1: a dramatic it's a drama. Yeah, it's it's a drama, 240 00:12:37,320 --> 00:12:43,760 Speaker 1: but it's based on a true story about twins Sarah 241 00:12:43,800 --> 00:12:49,080 Speaker 1: and Tegan, and they are actually uh Canadian supergroup. I 242 00:12:49,200 --> 00:12:56,280 Speaker 1: was like, where's this going? No matter, I don't know, Sah, 243 00:12:56,640 --> 00:13:03,079 Speaker 1: I don't mind. Yeah, yes, so it is, I said, 244 00:13:04,000 --> 00:13:08,959 Speaker 1: I remember it. Okay, I was there. Wait, so I'm 245 00:13:09,000 --> 00:13:11,840 Speaker 1: sorry I got completely high tacked you speaking about this 246 00:13:11,880 --> 00:13:15,199 Speaker 1: so fatiguan is Sarah go on? Yeah, So it's actually 247 00:13:15,559 --> 00:13:19,040 Speaker 1: based on their memoir there the book that they released 248 00:13:19,080 --> 00:13:22,120 Speaker 1: called high School. This is the TV show about it, 249 00:13:22,440 --> 00:13:25,520 Speaker 1: and so, um, this is season one. It's premiering I 250 00:13:25,559 --> 00:13:27,800 Speaker 1: think in a few weeks. It's definitely premiering in October. 251 00:13:28,040 --> 00:13:30,679 Speaker 1: But it's actually exceptional and so it's just about them 252 00:13:30,720 --> 00:13:32,679 Speaker 1: their relationship with their parents and then you know, kind 253 00:13:32,679 --> 00:13:36,559 Speaker 1: of getting into music and finding out that they're truly 254 00:13:36,920 --> 00:13:40,560 Speaker 1: musically inclined, and then also their dating relationships. So both 255 00:13:40,559 --> 00:13:42,560 Speaker 1: of them are lesbians, and so you know kind of 256 00:13:42,559 --> 00:13:45,200 Speaker 1: how they start to navigate their sexuality in high school 257 00:13:45,559 --> 00:13:49,240 Speaker 1: and it is so so good. So yeah, that's the 258 00:13:49,720 --> 00:13:52,360 Speaker 1: actually what I searched. I searched more information so I 259 00:13:52,360 --> 00:13:54,640 Speaker 1: could be better prepared for those interviews. But that's actually 260 00:13:54,720 --> 00:13:57,440 Speaker 1: my last search history. I mean, yeah, shout out to 261 00:13:57,480 --> 00:14:01,360 Speaker 1: the odds God goddesses, Teagan and Sarah, because I mean 262 00:14:01,360 --> 00:14:04,520 Speaker 1: I wasn't like a huge fan, but I byles mostes 263 00:14:04,559 --> 00:14:06,720 Speaker 1: I liked enough music to be like, what's this? I 264 00:14:06,800 --> 00:14:11,120 Speaker 1: know this, let's go deeper, but wow, I didn't And 265 00:14:11,240 --> 00:14:13,760 Speaker 1: honestly I did not read the book prior to but 266 00:14:14,080 --> 00:14:16,280 Speaker 1: I am looking forward to picking it up. Like the 267 00:14:16,320 --> 00:14:18,560 Speaker 1: show is so good and it makes me want to 268 00:14:18,559 --> 00:14:20,040 Speaker 1: read the books, so I'm definitely gonna go out and 269 00:14:20,040 --> 00:14:22,480 Speaker 1: buy and read it next. I love. I love when 270 00:14:22,480 --> 00:14:24,360 Speaker 1: the show makes you want to read the book, you know. 271 00:14:24,640 --> 00:14:28,720 Speaker 1: So that's so, I said passionately. Christ really underrated got 272 00:14:28,760 --> 00:14:33,240 Speaker 1: me reading the New Testament again? Thanks very hard to get. 273 00:14:34,520 --> 00:14:41,360 Speaker 1: What's some of you think is overrated? Bananas? Bananas? Overrated? Yes, 274 00:14:42,160 --> 00:14:50,680 Speaker 1: over rated bananas, avocados? I mean like the plane land 275 00:14:50,680 --> 00:14:54,840 Speaker 1: the plane, And I like banana's tastes like pure mush, 276 00:14:55,200 --> 00:14:59,160 Speaker 1: like the toster, the consistency, the flavor like also what 277 00:14:59,400 --> 00:15:06,480 Speaker 1: is that flame? Also because I truly, I truly want 278 00:15:06,520 --> 00:15:08,520 Speaker 1: to have an allergy to both, that actually would be 279 00:15:08,560 --> 00:15:12,280 Speaker 1: my dream. I hate them eat that much, like I'm like, please, 280 00:15:12,880 --> 00:15:14,640 Speaker 1: what is a banana? Like? Why would you do this 281 00:15:14,680 --> 00:15:17,680 Speaker 1: to us? Why? Why? And it takes over every single 282 00:15:17,760 --> 00:15:20,040 Speaker 1: thing you eat it with that is so gross. It 283 00:15:20,080 --> 00:15:22,800 Speaker 1: has the nastiest flavor and it just takes it over, Like, 284 00:15:23,200 --> 00:15:25,920 Speaker 1: I do not want banana in my smoothie. That is gross. 285 00:15:26,400 --> 00:15:32,440 Speaker 1: Lead it out, don't need it now avocado and you know, listen, 286 00:15:32,960 --> 00:15:35,800 Speaker 1: you have to add things to make it taste better, 287 00:15:36,560 --> 00:15:40,040 Speaker 1: which means what it's bland like if you're just eating 288 00:15:40,040 --> 00:15:44,280 Speaker 1: an acas valuable. It's like, I'm not just like I'm 289 00:15:44,440 --> 00:15:48,080 Speaker 1: just a yeah, I'm not eating it with a spoon 290 00:15:48,160 --> 00:15:50,680 Speaker 1: out the the thing. No, I'm definitely it's part of 291 00:15:51,280 --> 00:15:54,480 Speaker 1: I love avocados because to me, it's like butter as 292 00:15:54,160 --> 00:15:57,120 Speaker 1: a if if a mudd and if butter was a vegetable, 293 00:15:57,280 --> 00:16:01,080 Speaker 1: it would be avocado because you can it takes on 294 00:16:01,160 --> 00:16:03,560 Speaker 1: I think the opposite of bananas. It can take on 295 00:16:03,680 --> 00:16:06,120 Speaker 1: whatever it's working with, and it gives you a little 296 00:16:06,120 --> 00:16:09,800 Speaker 1: bit of that creaminess bananas. It's funny they're both. I'm 297 00:16:09,800 --> 00:16:11,960 Speaker 1: sure they must be like high and potassium because they 298 00:16:12,000 --> 00:16:15,400 Speaker 1: both make my throat itch very and I don't banana 299 00:16:15,480 --> 00:16:17,840 Speaker 1: specifically really would always bother me as a kid because 300 00:16:17,840 --> 00:16:19,080 Speaker 1: it would make my throat itch. And then I was 301 00:16:19,120 --> 00:16:20,840 Speaker 1: one of those kids that didn't eat like avocados un 302 00:16:20,840 --> 00:16:22,280 Speaker 1: till they were like sixteen, and I'm like, yo, what 303 00:16:22,280 --> 00:16:27,120 Speaker 1: the fund is this and then I'll had a discovery moment. Yeah, yeah, 304 00:16:27,160 --> 00:16:30,800 Speaker 1: I came around to it. But yeah, but in a flavor, 305 00:16:30,920 --> 00:16:33,040 Speaker 1: I don't mind it. In a smoothie, you gotta say strawberry. 306 00:16:33,080 --> 00:16:35,440 Speaker 1: Now listen, that's that's a nailed on combo for me. 307 00:16:35,520 --> 00:16:38,880 Speaker 1: I cannot cannot do banana in a smoothie, like would 308 00:16:39,080 --> 00:16:46,600 Speaker 1: rather not survive, but the so quickly like I cannot, 309 00:16:46,640 --> 00:16:49,000 Speaker 1: but the avocado absolutely, like if you put it in 310 00:16:49,040 --> 00:16:51,280 Speaker 1: a smoothie. Because I'm having a smoothie with like a 311 00:16:51,400 --> 00:16:54,720 Speaker 1: multitude of other things. I'm using the avocado for creaminess, 312 00:16:55,280 --> 00:16:57,960 Speaker 1: but realistically, the fact that I just have to add 313 00:16:58,080 --> 00:17:00,440 Speaker 1: so many things to it to make it be good. 314 00:17:00,640 --> 00:17:04,560 Speaker 1: It's like, y'all, y'all cannot be charging this high price 315 00:17:04,680 --> 00:17:06,720 Speaker 1: for this thing that I still have to pay to 316 00:17:06,800 --> 00:17:09,480 Speaker 1: add more stuff to it to make it taste good. Okay, 317 00:17:09,520 --> 00:17:12,120 Speaker 1: just got I got a question, but I don't know no, 318 00:17:12,119 --> 00:17:14,919 Speaker 1: go on, Dania, all right, My my question revolves around 319 00:17:14,960 --> 00:17:17,800 Speaker 1: the usage of banana. Are you answering? So it sounds 320 00:17:17,840 --> 00:17:21,000 Speaker 1: like banana. It's the banana itself, the flavor of the band, 321 00:17:22,080 --> 00:17:25,480 Speaker 1: everything of consistency of the banana. I get that are 322 00:17:25,560 --> 00:17:32,560 Speaker 1: you anti banana bread, Yes, of course, Daniel, because the flavor. 323 00:17:32,880 --> 00:17:35,320 Speaker 1: But but but there's there's a there's a cakiness that 324 00:17:35,359 --> 00:17:38,000 Speaker 1: comes into a stop and then stop caping for banana 325 00:17:38,000 --> 00:17:41,280 Speaker 1: bread to somebody who does you know they she will 326 00:17:41,320 --> 00:17:43,399 Speaker 1: not see the light. She doesn't want to. And you 327 00:17:43,480 --> 00:17:45,600 Speaker 1: got to recognize that. I tell you about that in 328 00:17:45,640 --> 00:17:47,720 Speaker 1: our ministry all the time, you know, when we're trying 329 00:17:47,760 --> 00:17:52,480 Speaker 1: to save people, youand which come on, no never, I 330 00:17:52,480 --> 00:17:54,639 Speaker 1: mean I'll pass on it. I'm not asking for it, Okay, 331 00:17:54,640 --> 00:17:56,360 Speaker 1: just just so I get an idea of where you're at. 332 00:17:56,440 --> 00:17:58,919 Speaker 1: What to you is the best fruit god that you 333 00:17:58,960 --> 00:18:05,000 Speaker 1: could eat? Oh? My favorite fruit is definitely pineapple. M 334 00:18:05,600 --> 00:18:09,000 Speaker 1: I like that. It's you know, sweetness, it's good. I 335 00:18:09,080 --> 00:18:13,399 Speaker 1: like blueberries. I like strawberries. I am allergic to melon, 336 00:18:13,720 --> 00:18:17,560 Speaker 1: so I can't have it. Yeah. Have you had a 337 00:18:17,600 --> 00:18:24,199 Speaker 1: honey melon? Am I? It looks like like yo, go 338 00:18:24,359 --> 00:18:27,439 Speaker 1: get that at the store. It has it's like a 339 00:18:27,560 --> 00:18:30,800 Speaker 1: it's like a melon, but it has like water melanie 340 00:18:30,840 --> 00:18:33,680 Speaker 1: texture where it's like a little crunchy and like very 341 00:18:33,880 --> 00:18:37,399 Speaker 1: like grip. I was ignorant in somebody gave it to 342 00:18:37,440 --> 00:18:38,639 Speaker 1: me for the first time last week, and I was like, 343 00:18:38,680 --> 00:18:41,280 Speaker 1: what the funk is? This looks like candle out. Yeah, 344 00:18:41,320 --> 00:18:44,359 Speaker 1: but it's the texture. It's the texture. Okay, good to 345 00:18:44,400 --> 00:18:46,239 Speaker 1: know because I love pineapple. And then just to really 346 00:18:46,320 --> 00:18:48,639 Speaker 1: round out your food, take, does pineapple belong on a pizza? 347 00:18:50,119 --> 00:18:54,000 Speaker 1: So you guys are not gonna like this. But I'm 348 00:18:54,040 --> 00:18:56,840 Speaker 1: not a huge fan of pizza so general, that's fine 349 00:18:56,880 --> 00:19:02,359 Speaker 1: in general, all right, But I when I used to 350 00:19:02,400 --> 00:19:04,639 Speaker 1: eat it more regularly before, I was like, yeah, I 351 00:19:04,640 --> 00:19:08,560 Speaker 1: can do without pizza for real. I would mind pineapple 352 00:19:08,640 --> 00:19:12,280 Speaker 1: if it was with something savory, like okay, if it 353 00:19:12,320 --> 00:19:15,080 Speaker 1: were like pineapple and pepperoni, So that would be like 354 00:19:15,119 --> 00:19:19,080 Speaker 1: a little balance the sweet and savory, you know. Okay, 355 00:19:19,280 --> 00:19:21,080 Speaker 1: I disagree. I just had a thing has no place 356 00:19:21,119 --> 00:19:23,280 Speaker 1: on pizza, But that's fine, and I like that you 357 00:19:23,280 --> 00:19:26,000 Speaker 1: don't eat pizza, so we will keep it moving. I'm sorry, Daniel. 358 00:19:26,080 --> 00:19:27,919 Speaker 1: I think I'm gonna add is that I feel like 359 00:19:27,920 --> 00:19:30,639 Speaker 1: the nice middle ground of the sweet savory conversation that 360 00:19:30,720 --> 00:19:35,240 Speaker 1: pineapple evokes is the pastor taco. Are you a taco fan? Yes, 361 00:19:35,640 --> 00:19:40,159 Speaker 1: love tacos. I think tacos, the pastor taco with a 362 00:19:40,200 --> 00:19:42,520 Speaker 1: little piece of pineapple is that middle ground that I 363 00:19:42,520 --> 00:19:45,400 Speaker 1: think everybody who's on either side of the pineapple conversation 364 00:19:45,440 --> 00:19:47,600 Speaker 1: can come to an agree upon. But Miles is shaking 365 00:19:47,640 --> 00:19:49,720 Speaker 1: his head no, and now I'm really I will put 366 00:19:49,720 --> 00:19:52,119 Speaker 1: that ship on the side. I would eat the pineapple first, 367 00:19:52,160 --> 00:19:55,919 Speaker 1: like in a moves or as like a cap to 368 00:19:56,040 --> 00:20:00,359 Speaker 1: the end, and not not with the pork, not about it. 369 00:20:00,400 --> 00:20:03,680 Speaker 1: I'm not dude. I hate sometimes the sweetest saved like 370 00:20:03,680 --> 00:20:06,240 Speaker 1: like app like when apples are in a salad. I'm like, 371 00:20:06,320 --> 00:20:09,800 Speaker 1: get the funk out of my slid. The funk are 372 00:20:09,880 --> 00:20:13,680 Speaker 1: y'all doing in here? This is a fucking joke. Yeah, Look, 373 00:20:13,720 --> 00:20:16,840 Speaker 1: we all have our own specificities. You know. I choked 374 00:20:16,880 --> 00:20:19,360 Speaker 1: out somebody who said they walked out of Anger Management 375 00:20:19,400 --> 00:20:21,120 Speaker 1: even though I hadn't even seen the film. So we're 376 00:20:21,119 --> 00:20:24,280 Speaker 1: all very well, We're all operating on different scales of 377 00:20:24,640 --> 00:20:28,240 Speaker 1: what is real, what is reasonable, and what is not. Lastly, 378 00:20:28,680 --> 00:20:31,200 Speaker 1: maybe what is something you think is underrated? The skirt 379 00:20:31,280 --> 00:20:35,920 Speaker 1: right past that somebody out anyway, We don't know people. Listen, 380 00:20:36,000 --> 00:20:38,000 Speaker 1: we spent we spent too much time on this show. 381 00:20:38,160 --> 00:20:40,040 Speaker 1: But me talking about this kid I went high school 382 00:20:40,040 --> 00:20:42,240 Speaker 1: and who acted real cool like that was a cool, 383 00:20:42,359 --> 00:20:44,440 Speaker 1: like that made him cooler than everybody that he walked 384 00:20:44,440 --> 00:20:47,840 Speaker 1: out of anger management. Okay, go back to episode probably 385 00:20:47,880 --> 00:20:50,760 Speaker 1: like seven thousand or whatever when I think about it, 386 00:20:50,840 --> 00:20:53,520 Speaker 1: But kybe we digress. What is something you think is underrated? 387 00:20:53,760 --> 00:20:57,879 Speaker 1: People who are raised well? Hmm okay, now what that means? 388 00:20:59,040 --> 00:21:01,480 Speaker 1: You know, there are some human beings that you are 389 00:21:01,600 --> 00:21:04,000 Speaker 1: just like h It is so refreshing to know that 390 00:21:04,040 --> 00:21:07,919 Speaker 1: you were raised well, Like you're kind, you have emotional intelligence, 391 00:21:08,440 --> 00:21:12,719 Speaker 1: you know, like you mind your business where where you should. 392 00:21:12,960 --> 00:21:16,959 Speaker 1: You know, like you're inclusive, you're still fun. But you 393 00:21:17,000 --> 00:21:19,480 Speaker 1: know that your parents raised you well, their parents raised 394 00:21:19,520 --> 00:21:22,880 Speaker 1: them well. Rather, that's so underrated. Like I find that, 395 00:21:22,960 --> 00:21:25,879 Speaker 1: you know, human beings in this world oftentimes we just 396 00:21:25,920 --> 00:21:28,520 Speaker 1: don't give enough props to the people who were truly 397 00:21:28,600 --> 00:21:32,000 Speaker 1: raised well and they're moving through life and you're like, 398 00:21:32,200 --> 00:21:35,320 Speaker 1: you're a kind human being. I love to see it. Yeah, 399 00:21:35,640 --> 00:21:40,399 Speaker 1: like h yes, yes, I mean you know, parenting is 400 00:21:40,720 --> 00:21:44,200 Speaker 1: literally like guessing game. I I feel like it's do 401 00:21:44,480 --> 00:21:46,080 Speaker 1: you know, trying to figure it out with the soul 402 00:21:46,160 --> 00:21:49,600 Speaker 1: that we have, and uh, you know, I'm like, good job, 403 00:21:49,680 --> 00:21:52,040 Speaker 1: shout out to your parents. What's the thing what's the 404 00:21:52,160 --> 00:21:55,240 Speaker 1: what's the quality that you appreciate most when you when 405 00:21:55,240 --> 00:21:57,919 Speaker 1: you throw somebody in the column of raise well, Like, 406 00:21:58,000 --> 00:22:01,080 Speaker 1: what's that? What's the most pope quality for you? Like? 407 00:22:01,160 --> 00:22:06,640 Speaker 1: Oh man, I love love that. I love politeness and 408 00:22:06,720 --> 00:22:09,320 Speaker 1: human kindness. Like there's sometimes I will meet a child 409 00:22:10,040 --> 00:22:12,159 Speaker 1: like I don't know, like through their parents or whatever, 410 00:22:12,320 --> 00:22:14,840 Speaker 1: but like a child that is kind I'm like, you're 411 00:22:14,840 --> 00:22:17,000 Speaker 1: gonna turn out to be raised well, Like you're gonna 412 00:22:17,040 --> 00:22:19,880 Speaker 1: grow up to be a good one. Why you are 413 00:22:19,960 --> 00:22:25,640 Speaker 1: a sociopath and you're figuring it out? Oh no, look 414 00:22:25,680 --> 00:22:27,960 Speaker 1: see that's I'm always on edge. I'm like, what's why? 415 00:22:28,000 --> 00:22:30,240 Speaker 1: Is his kids smart? Are they the next fucking who 416 00:22:30,280 --> 00:22:34,400 Speaker 1: knows what? But that's just my own trust issues, I think, yeah, okay, okay, yeah, 417 00:22:34,440 --> 00:22:37,120 Speaker 1: because I'm like, no, you know the little ones thing 418 00:22:37,119 --> 00:22:40,440 Speaker 1: they're like okay, I would say, and you know, I 419 00:22:41,119 --> 00:22:44,280 Speaker 1: have this conversation at least a human being that is 420 00:22:44,520 --> 00:22:46,520 Speaker 1: raised well, that you just know is raised well. And 421 00:22:46,640 --> 00:22:48,840 Speaker 1: I have not met him, but I know he's raised well. 422 00:22:49,080 --> 00:22:51,480 Speaker 1: Keanu reeves like he's probably one of those people that 423 00:22:51,520 --> 00:22:53,560 Speaker 1: you're like, I know he's raised well, Like you could 424 00:22:53,560 --> 00:22:56,840 Speaker 1: just tell Yeah, I think there's two ways right to 425 00:22:56,920 --> 00:22:59,080 Speaker 1: arrive there. You can be raised well or you can 426 00:22:59,080 --> 00:23:01,199 Speaker 1: see enough bullshit that you end up figuring it out 427 00:23:01,280 --> 00:23:03,800 Speaker 1: and you're like, I actually ended up like this because 428 00:23:04,200 --> 00:23:07,520 Speaker 1: I saw so much ship. I figured it out pretty 429 00:23:07,600 --> 00:23:10,639 Speaker 1: quickly that this was probably the way to actually exist 430 00:23:10,720 --> 00:23:13,280 Speaker 1: rather than in the chaos that witness. So I definitely 431 00:23:13,760 --> 00:23:15,760 Speaker 1: the wisdom is either way. It's either coming from the 432 00:23:15,800 --> 00:23:17,879 Speaker 1: parents or it's coming from your life. But I do. 433 00:23:18,000 --> 00:23:19,880 Speaker 1: I do like when you are when you meet people 434 00:23:19,920 --> 00:23:21,399 Speaker 1: that arrived there, I know what you mean, Like you 435 00:23:21,440 --> 00:23:23,520 Speaker 1: can feel it like, Okay, you got a good you 436 00:23:23,600 --> 00:23:26,400 Speaker 1: got something good going on. I think. I think wisdom 437 00:23:26,880 --> 00:23:29,840 Speaker 1: like that is deeply, deeply under it, being able to 438 00:23:29,880 --> 00:23:32,679 Speaker 1: see something and learn from it. It's not simply my 439 00:23:32,760 --> 00:23:35,720 Speaker 1: experience is my experience. It's I see something, You're like, actually, 440 00:23:35,720 --> 00:23:37,400 Speaker 1: you know what. I think that's something that I could 441 00:23:37,400 --> 00:23:39,159 Speaker 1: take on and that's that that's a trait that I 442 00:23:39,200 --> 00:23:41,240 Speaker 1: need to practice more in my own daily life. And 443 00:23:41,280 --> 00:23:45,160 Speaker 1: that kind of wisdom very very underrated. So I see, right, 444 00:23:45,520 --> 00:23:48,000 Speaker 1: I think, yeah, just be somebody who pursues wisdom, right, 445 00:23:48,040 --> 00:23:49,960 Speaker 1: because so much of our lives we go through a 446 00:23:50,000 --> 00:23:51,679 Speaker 1: lot of ship. It's easy to be like I'm not 447 00:23:51,720 --> 00:23:53,560 Speaker 1: thinking with that, I'm not thinking about that, I don't 448 00:23:53,560 --> 00:23:55,880 Speaker 1: want to deal with that right now, and we push 449 00:23:55,880 --> 00:23:58,560 Speaker 1: it away and try and like go on like automation 450 00:23:58,600 --> 00:24:01,320 Speaker 1: mode and like let ship just simmer in the back. 451 00:24:02,040 --> 00:24:04,960 Speaker 1: But really you want to be able to confront those moments, 452 00:24:05,080 --> 00:24:08,119 Speaker 1: feel the totality of what you're experiencing as a person, 453 00:24:08,440 --> 00:24:10,280 Speaker 1: because the more you sit with the thought like that, 454 00:24:10,320 --> 00:24:11,920 Speaker 1: I was just you know, I've I've had to grieve 455 00:24:11,920 --> 00:24:13,639 Speaker 1: a lot of people over the last couple of years. 456 00:24:14,359 --> 00:24:16,960 Speaker 1: Is you know, like even when you you think about 457 00:24:17,040 --> 00:24:18,679 Speaker 1: like loss right and you're like, I don't want to 458 00:24:18,880 --> 00:24:20,720 Speaker 1: deal with it's just too heavy or whatever, But a 459 00:24:20,760 --> 00:24:22,679 Speaker 1: lot of the pain you feel is because it's the 460 00:24:22,760 --> 00:24:24,760 Speaker 1: love that you feel for that person and the love 461 00:24:24,800 --> 00:24:27,080 Speaker 1: you know this person has had for you. And I 462 00:24:27,119 --> 00:24:29,760 Speaker 1: think part of that you know it's being rather than 463 00:24:29,800 --> 00:24:31,880 Speaker 1: running away from that is should try and sit and 464 00:24:31,920 --> 00:24:35,200 Speaker 1: feel the grief and tell yourself it's gonna be okay, 465 00:24:35,359 --> 00:24:38,000 Speaker 1: but also remind yourself that this is the love that's 466 00:24:38,040 --> 00:24:40,200 Speaker 1: there that you're really feeling, that's what you're running away 467 00:24:40,240 --> 00:24:43,040 Speaker 1: from from, and try and evolve your thinking around it. 468 00:24:43,080 --> 00:24:44,520 Speaker 1: So rather than the topic you I don't want to 469 00:24:44,520 --> 00:24:46,119 Speaker 1: think about it's too sad. You can think about it 470 00:24:46,119 --> 00:24:48,240 Speaker 1: be like damn, I love that person and they loved me, 471 00:24:48,840 --> 00:24:50,560 Speaker 1: and that's what I get when I think about it. 472 00:24:50,680 --> 00:24:52,760 Speaker 1: I think it's also to just the fear that you 473 00:24:52,800 --> 00:24:55,479 Speaker 1: won't have that again, right, Like, there's a little bit 474 00:24:55,480 --> 00:24:57,800 Speaker 1: of that in the grieving process, just kind of being like, 475 00:24:57,840 --> 00:25:00,639 Speaker 1: oh no, well I ever you know, be able to 476 00:25:00,760 --> 00:25:04,600 Speaker 1: love like this again in this capacity, So sitting I 477 00:25:04,640 --> 00:25:06,480 Speaker 1: do think you're right, we just have to kind of 478 00:25:06,480 --> 00:25:09,280 Speaker 1: sit in it and also just remember the good times 479 00:25:09,320 --> 00:25:13,680 Speaker 1: you did have like feelings, you know, because that's where 480 00:25:13,680 --> 00:25:17,320 Speaker 1: the wisdom's at. The wisdom. People run away from opportunities 481 00:25:17,359 --> 00:25:20,119 Speaker 1: to to accept the wisdom. But that's part of it. 482 00:25:20,200 --> 00:25:22,439 Speaker 1: But yes, I love that point. And if you're somebody 483 00:25:22,440 --> 00:25:24,959 Speaker 1: who's walking around like a decent human being, shout the 484 00:25:25,040 --> 00:25:31,440 Speaker 1: funk out too. Less generational wealth, more generational mental health. 485 00:25:31,640 --> 00:25:36,679 Speaker 1: Oh wow, look at truth roof. Okay, let's take a 486 00:25:36,760 --> 00:25:40,760 Speaker 1: quick break and be right back to talk some weird 487 00:25:40,840 --> 00:25:55,000 Speaker 1: ship and we're back. Let's check back in with some 488 00:25:55,200 --> 00:25:59,560 Speaker 1: right wing freakouts again, because you know, the GOP may 489 00:25:59,600 --> 00:26:03,399 Speaker 1: have finally looked again. They're they're struggling to find a 490 00:26:03,480 --> 00:26:06,800 Speaker 1: way to get people to be outraged right now, especially 491 00:26:06,800 --> 00:26:09,800 Speaker 1: when their whole platform is like, we're into forced birth 492 00:26:10,200 --> 00:26:13,880 Speaker 1: and no safety for human on earth. You guys want 493 00:26:13,880 --> 00:26:15,560 Speaker 1: to vote for us, and they're like, what the funk? 494 00:26:15,600 --> 00:26:18,080 Speaker 1: So people are now, you know, the media, the right 495 00:26:18,080 --> 00:26:20,000 Speaker 1: wing media is definitely trying to find new things to 496 00:26:20,040 --> 00:26:22,239 Speaker 1: sort of focus on to try and make it look like, 497 00:26:22,280 --> 00:26:25,520 Speaker 1: oh my gosh, Joe Biden just get them out. And 498 00:26:25,560 --> 00:26:27,920 Speaker 1: there's plenty of reasons to want better for this country, 499 00:26:27,920 --> 00:26:30,320 Speaker 1: but the reasons that Republicans are going after are just 500 00:26:30,359 --> 00:26:35,159 Speaker 1: so fucking weak sauce as we say, my generation. But 501 00:26:35,359 --> 00:26:38,720 Speaker 1: first up, they may have finally found someone that can 502 00:26:38,760 --> 00:26:43,000 Speaker 1: try to challenge Biden's student loan debt forgiveness program, because 503 00:26:43,040 --> 00:26:46,280 Speaker 1: the second Biden announced it, the clock basically started taking 504 00:26:46,359 --> 00:26:48,560 Speaker 1: for someone to like emerge that had some kind of 505 00:26:48,600 --> 00:26:51,520 Speaker 1: like legal standing to say that like, I will be 506 00:26:51,720 --> 00:26:56,639 Speaker 1: damaged by this plan that would help alleviate student that 507 00:26:57,240 --> 00:27:00,440 Speaker 1: I me, I am going to be hurt. That's why 508 00:27:00,560 --> 00:27:03,480 Speaker 1: this can't go on. It's so unfair And aside from 509 00:27:03,520 --> 00:27:05,520 Speaker 1: just saying the thing of like, well, poor people don't 510 00:27:05,560 --> 00:27:09,080 Speaker 1: deserve shit. They needed to find a like legal argument, 511 00:27:09,160 --> 00:27:12,200 Speaker 1: and they may have found someone. Enter this guy who's 512 00:27:12,240 --> 00:27:15,320 Speaker 1: a lawyer who is now suing. His name is Frank Garrison. 513 00:27:15,760 --> 00:27:18,520 Speaker 1: This is from this right up in the New Republic 514 00:27:18,560 --> 00:27:21,000 Speaker 1: says quote according this is this is what his this 515 00:27:21,040 --> 00:27:24,160 Speaker 1: is what his legal argument is to say, stop giving 516 00:27:24,160 --> 00:27:29,159 Speaker 1: people student According to the complaint, Garrison took out a 517 00:27:29,200 --> 00:27:31,159 Speaker 1: series of student loans and pelgrants to pay for his 518 00:27:31,200 --> 00:27:34,080 Speaker 1: college education. After completing law school, he began working at 519 00:27:34,080 --> 00:27:37,080 Speaker 1: a public interest law firm like the one that he 520 00:27:37,080 --> 00:27:40,159 Speaker 1: works at called the Pacific Legal Foundation, that qualified him 521 00:27:40,200 --> 00:27:43,240 Speaker 1: for the Federal Public Service Loan Forgiveness Program. In exchange 522 00:27:43,280 --> 00:27:45,800 Speaker 1: for working in a quote public interest field for ten years, 523 00:27:45,960 --> 00:27:48,920 Speaker 1: qualified participants are able to get their monthly loan payments 524 00:27:48,960 --> 00:27:51,760 Speaker 1: capped based on their income. The remaining portion of their 525 00:27:51,800 --> 00:27:53,879 Speaker 1: loans is then forgiven at the end of the ten 526 00:27:53,960 --> 00:27:57,240 Speaker 1: year period. Great program, fantastic, Great, you're doing something for 527 00:27:57,320 --> 00:28:00,600 Speaker 1: the public interests. Will hook it up. But here's the thing. Ah, 528 00:28:00,600 --> 00:28:04,240 Speaker 1: there's a catch. Biden's order, according to Garrison, will wipe 529 00:28:04,280 --> 00:28:07,040 Speaker 1: away twenty dollars worth of his student loan debt. He 530 00:28:07,160 --> 00:28:09,159 Speaker 1: was on track to have all of it forgiven in 531 00:28:09,280 --> 00:28:12,280 Speaker 1: just over four years from now. Garrison claimed that under 532 00:28:12,320 --> 00:28:15,880 Speaker 1: Indian attacks law, the twenty dollar reduction will be taxed 533 00:28:15,920 --> 00:28:18,400 Speaker 1: as income and he will have to pay roughly one 534 00:28:18,520 --> 00:28:21,639 Speaker 1: thousand dollars for it. He described it as a net 535 00:28:21,720 --> 00:28:24,479 Speaker 1: loss for himself and for the potential plaintiffs in at 536 00:28:24,520 --> 00:28:26,639 Speaker 1: least six other states, where he said the tax codes 537 00:28:26,680 --> 00:28:31,720 Speaker 1: are similarly structured. A thousand dollars. You're a lawyer, and 538 00:28:31,880 --> 00:28:33,840 Speaker 1: the journalists who are working on this piece, they looked 539 00:28:33,840 --> 00:28:37,080 Speaker 1: out probably what you're making. It's solidly in the six figures, 540 00:28:37,119 --> 00:28:40,400 Speaker 1: probably like around two hundred. So is are you really 541 00:28:40,440 --> 00:28:43,640 Speaker 1: a person who is experiencing a net loss from this? 542 00:28:43,800 --> 00:28:47,280 Speaker 1: And this all sounds very convoluted, but this is apparently 543 00:28:47,320 --> 00:28:49,640 Speaker 1: the closest they are going to come to be able 544 00:28:49,680 --> 00:28:53,080 Speaker 1: to legally challenge this for now. Most people say that 545 00:28:53,120 --> 00:28:56,440 Speaker 1: like it's possible that he could prevail, but really unlikely 546 00:28:56,480 --> 00:28:58,120 Speaker 1: because of like the lengths he would have to go 547 00:28:58,200 --> 00:29:01,240 Speaker 1: to really prove these damages. But the thing is, a 548 00:29:01,280 --> 00:29:04,200 Speaker 1: federal judge could just like block the program for people 549 00:29:04,240 --> 00:29:07,960 Speaker 1: that are specifically in his situation without like destroying the 550 00:29:08,000 --> 00:29:11,680 Speaker 1: whole thing for everybody else. And also the Biden administration, 551 00:29:11,880 --> 00:29:14,840 Speaker 1: they didn't finalize the program when he filed his lawsuit, 552 00:29:15,280 --> 00:29:18,080 Speaker 1: so based on like the version that he's suing off of, 553 00:29:18,080 --> 00:29:20,680 Speaker 1: the White House House now amended it and said, we're 554 00:29:20,680 --> 00:29:23,560 Speaker 1: actually having an opt out option for people if you 555 00:29:23,560 --> 00:29:26,280 Speaker 1: want to opt out of the relief, basically for people 556 00:29:26,280 --> 00:29:30,800 Speaker 1: in this kind of situation. So now it's his lawsuit 557 00:29:30,880 --> 00:29:34,520 Speaker 1: is pretty meaning, but they're like, God, he almost came 558 00:29:34,560 --> 00:29:39,480 Speaker 1: close to stopping massive amounts of help for people. So wait, 559 00:29:39,560 --> 00:29:43,080 Speaker 1: let me just get this right. So I just want 560 00:29:43,120 --> 00:29:48,840 Speaker 1: to make sure I'm actually clear. So he's upset because 561 00:29:49,440 --> 00:29:55,240 Speaker 1: essentially by getting twenty k of his let's just say 562 00:29:55,360 --> 00:29:58,160 Speaker 1: three thousand dollars, so I'm I'm making that up, but 563 00:29:58,640 --> 00:30:00,840 Speaker 1: was very expensive. So let's just assumed that, you know, 564 00:30:01,000 --> 00:30:05,000 Speaker 1: he has three debt. So he's upset because if twenty 565 00:30:05,080 --> 00:30:09,640 Speaker 1: k of it is forgiven, he will then oh, a 566 00:30:09,760 --> 00:30:13,280 Speaker 1: thousand dollars or a thousand dollars rather would be added 567 00:30:13,320 --> 00:30:17,880 Speaker 1: to his taxable income. And this is why he's upset. Yeah, 568 00:30:17,960 --> 00:30:19,720 Speaker 1: because that's a net loss for him because I was 569 00:30:19,760 --> 00:30:22,000 Speaker 1: gonna have I could have on the way it was going, 570 00:30:22,240 --> 00:30:24,240 Speaker 1: I could have had the debt relief, but since Joe 571 00:30:24,320 --> 00:30:26,760 Speaker 1: Byron wanted to give me money, and the Indian at 572 00:30:26,840 --> 00:30:29,479 Speaker 1: tax laws are set up to basically punish people who 573 00:30:29,520 --> 00:30:32,640 Speaker 1: are receiving student loan forgiveness, let's keep that in mind. 574 00:30:32,720 --> 00:30:36,040 Speaker 1: That's the whole point of those similarly structured tax laws. 575 00:30:36,600 --> 00:30:40,160 Speaker 1: That is why he's like, I am damaged, I am 576 00:30:40,200 --> 00:30:43,960 Speaker 1: Glenn Close, and this is damages. Please, I haven't I 577 00:30:44,000 --> 00:30:46,360 Speaker 1: have another question here to Claire to clarify some things here. 578 00:30:46,440 --> 00:30:49,600 Speaker 1: I'm just just just clarifying everything. So the idea is 579 00:30:49,680 --> 00:30:52,640 Speaker 1: that after ten years of working in this service, all 580 00:30:52,640 --> 00:30:56,520 Speaker 1: of your student let student loan debt is cleared. Yeah, 581 00:30:56,680 --> 00:31:00,080 Speaker 1: and in that interim tenure period it is capped, so 582 00:31:00,120 --> 00:31:02,760 Speaker 1: you're still making loan payments, correct, It's just capped at 583 00:31:02,760 --> 00:31:06,320 Speaker 1: a certain amount. Yes, okay, based on your So in 584 00:31:06,480 --> 00:31:09,480 Speaker 1: four years, his student loan debt is going to be 585 00:31:09,480 --> 00:31:11,720 Speaker 1: wiped out. He still had four years left of capped 586 00:31:11,720 --> 00:31:15,440 Speaker 1: payments to make, so okay, So four years left of 587 00:31:15,520 --> 00:31:18,880 Speaker 1: student loan payments to make. So I have to imagine 588 00:31:19,040 --> 00:31:22,560 Speaker 1: four years if you're paying a yearly payment that a 589 00:31:22,600 --> 00:31:25,440 Speaker 1: thousand dollars. He's talking about having lost that means each 590 00:31:25,480 --> 00:31:30,200 Speaker 1: over the next four years, he would only be paying Daniel, 591 00:31:30,280 --> 00:31:33,240 Speaker 1: you're trying to make it logical two hundred and forty 592 00:31:33,360 --> 00:31:36,360 Speaker 1: nine dollars or something over each year for four years 593 00:31:36,520 --> 00:31:39,080 Speaker 1: for that one thousand dollars to be a net loss. 594 00:31:39,120 --> 00:31:43,600 Speaker 1: Am I am? And now you're you're just like Jack 595 00:31:43,640 --> 00:31:46,240 Speaker 1: now with your logic. Here. The whole point isn't to 596 00:31:46,280 --> 00:31:49,080 Speaker 1: make a sound argument. It's to just try and drum 597 00:31:49,160 --> 00:31:52,080 Speaker 1: up enough outrage this is happening. That's why for most people, 598 00:31:52,120 --> 00:31:54,600 Speaker 1: like because the White House is like you can opt out, 599 00:31:54,800 --> 00:31:57,240 Speaker 1: we get it. Like, that's a great program and it's 600 00:31:57,280 --> 00:32:00,280 Speaker 1: never intended to conflict with it. That's why a judge 601 00:32:00,280 --> 00:32:02,800 Speaker 1: would probably, like they're saying, would be like, oh, well, 602 00:32:02,840 --> 00:32:04,840 Speaker 1: then it just makes sense to have like to block 603 00:32:04,960 --> 00:32:08,000 Speaker 1: the law for this specific group of people because it's 604 00:32:08,000 --> 00:32:12,200 Speaker 1: it's the tax laws conflicting with this existing program. But 605 00:32:12,200 --> 00:32:15,160 Speaker 1: but here's the thing. They're also not saying that you 606 00:32:15,600 --> 00:32:21,320 Speaker 1: can't have both. Right, you can qualify for the dollar 607 00:32:21,440 --> 00:32:25,480 Speaker 1: forgiveness and also still qualify in your you know, public 608 00:32:25,480 --> 00:32:28,240 Speaker 1: service forgiveness program. So at the end of the day, 609 00:32:28,360 --> 00:32:31,080 Speaker 1: like if he had three hundred thousand and he went 610 00:32:31,240 --> 00:32:34,680 Speaker 1: through with this twenty thousand Biden. Well, one, you still 611 00:32:34,680 --> 00:32:37,400 Speaker 1: owe money, so maybe maybe be upset about that. I mean, 612 00:32:37,560 --> 00:32:43,000 Speaker 1: it's still it's like the one thing. It's like, well 613 00:32:43,000 --> 00:32:46,560 Speaker 1: it's twenty tho reduction, but at one tax on top 614 00:32:46,600 --> 00:32:49,400 Speaker 1: of that, I'm at a net loss. It's like, oh, 615 00:32:49,440 --> 00:32:53,360 Speaker 1: but you still owe two. So this is the lengths 616 00:32:53,400 --> 00:32:55,800 Speaker 1: they're going because if you like, what's wild is when 617 00:32:55,800 --> 00:32:58,800 Speaker 1: this lawsuit was announced, like places like the Wall Street 618 00:32:58,880 --> 00:33:03,120 Speaker 1: Journal were like elaborate it. They were like, yes, finally 619 00:33:03,280 --> 00:33:06,560 Speaker 1: they found somebody who's gonna stop this ridiculous hand out. 620 00:33:07,320 --> 00:33:09,360 Speaker 1: It's like, this isn't a fucking hand out. Like all 621 00:33:09,400 --> 00:33:12,800 Speaker 1: you guys are reporting on this ship like without genuinely 622 00:33:12,880 --> 00:33:16,520 Speaker 1: or sincerely talking about how much how predatory the whole 623 00:33:16,560 --> 00:33:18,800 Speaker 1: student loan scheme is right now that we run in 624 00:33:18,840 --> 00:33:21,120 Speaker 1: this country, Like that's the issue here, not that like, 625 00:33:21,440 --> 00:33:24,520 Speaker 1: oh wow, they're trying to help them out. But again, 626 00:33:24,560 --> 00:33:30,120 Speaker 1: we shouldn't be surprised to continue to freak out John Federal. 627 00:33:30,400 --> 00:33:34,160 Speaker 1: There's more. There's more. There's always, always truly always more. 628 00:33:34,240 --> 00:33:36,840 Speaker 1: There's a daily show and there's still always more. There's there, 629 00:33:36,840 --> 00:33:39,080 Speaker 1: and there's so much coming up to the pipeline to 630 00:33:39,200 --> 00:33:41,360 Speaker 1: the f d A has changed, like guidelines on what 631 00:33:41,440 --> 00:33:43,360 Speaker 1: they could call healthy food. So I'm sure there's gonna 632 00:33:43,360 --> 00:33:46,160 Speaker 1: be something for that too. Oh my god, Wait, what on, 633 00:33:46,760 --> 00:33:48,880 Speaker 1: John feder tomato sauce back on the menu? Are we 634 00:33:48,920 --> 00:33:53,720 Speaker 1: a vegetable again, John? Yeah, exactly, catchup is a health food? 635 00:33:53,760 --> 00:33:56,680 Speaker 1: Oh we call that tomato smoothie. But we got to 636 00:33:56,680 --> 00:34:00,600 Speaker 1: talk about the crips. Okay, obviously because John Fedderman, who's 637 00:34:00,600 --> 00:34:03,600 Speaker 1: a Senate candidate in Pennsylvania, we gotta talk about the car. 638 00:34:03,680 --> 00:34:05,360 Speaker 1: I don't know why he got all that flu on, 639 00:34:05,800 --> 00:34:10,200 Speaker 1: but apparently we have seen this like uptick in all 640 00:34:10,200 --> 00:34:14,680 Speaker 1: of this like outrage manufactured outrage about him being affiliated 641 00:34:14,719 --> 00:34:17,359 Speaker 1: with crips. We talked about this earlier in the week. 642 00:34:17,360 --> 00:34:19,200 Speaker 1: We talked about New Gang Rich, who was like and 643 00:34:19,280 --> 00:34:23,440 Speaker 1: his what about his affiliation with the crips gang? And 644 00:34:23,560 --> 00:34:27,120 Speaker 1: We're like, what this old white like this fucking older, 645 00:34:27,239 --> 00:34:29,759 Speaker 1: like middle a white guy who looks nothing like a 646 00:34:29,840 --> 00:34:33,239 Speaker 1: real gang member. Huh. And I was like, where the 647 00:34:33,239 --> 00:34:35,120 Speaker 1: fund is this all coming from? We saw most more 648 00:34:35,200 --> 00:34:37,400 Speaker 1: takes it wasn't from New Gang Rich. Another one was 649 00:34:37,440 --> 00:34:40,760 Speaker 1: like Democrat John Fetterman has a dangerous record on public 650 00:34:40,800 --> 00:34:44,279 Speaker 1: safety and crime voters, No, he can't be trusted to 651 00:34:44,400 --> 00:34:47,799 Speaker 1: keep Pennsylvania safe. Another one, This is like another. Then 652 00:34:48,400 --> 00:34:51,279 Speaker 1: dr Oz retweeted this article with the text being p 653 00:34:51,440 --> 00:34:55,080 Speaker 1: A Democrat John Fetterman embraced spelling of Braddick that showed 654 00:34:55,120 --> 00:34:59,040 Speaker 1: fidelity to notorious crip gang. What does that? Sorry? What 655 00:34:59,080 --> 00:35:03,239 Speaker 1: does that mean? I know? I'm like it was one 656 00:35:03,280 --> 00:35:06,200 Speaker 1: thing if you saw him like, you know, throwing up 657 00:35:06,239 --> 00:35:08,680 Speaker 1: sets like in a fucking picture and like you know, 658 00:35:08,760 --> 00:35:11,239 Speaker 1: he's flying colors and stuff, You're like, oh wow, like 659 00:35:11,360 --> 00:35:14,680 Speaker 1: look at him like he's sea walking and he's okay, 660 00:35:14,719 --> 00:35:17,840 Speaker 1: he's about about it. But no, what is this all about. 661 00:35:18,000 --> 00:35:21,200 Speaker 1: It's because of he used an alternate spelling of the 662 00:35:21,239 --> 00:35:23,880 Speaker 1: town Braddock, which was the town he was mayor of 663 00:35:24,000 --> 00:35:27,880 Speaker 1: in campaign materials. Rather than spelling it d O c K, 664 00:35:28,160 --> 00:35:31,080 Speaker 1: it was d O C C And that was like 665 00:35:31,120 --> 00:35:32,880 Speaker 1: and they're saying like that was coming from the gangs 666 00:35:32,880 --> 00:35:35,080 Speaker 1: that were spelling it like that. And this is He's 667 00:35:35,160 --> 00:35:38,120 Speaker 1: explained this before. This is nothing new. But again because 668 00:35:38,120 --> 00:35:40,960 Speaker 1: this is manufactured outrage. This is this is an interview 669 00:35:41,040 --> 00:35:43,400 Speaker 1: game gave like a while back when he was explaining 670 00:35:43,440 --> 00:35:46,040 Speaker 1: how he's had two different spellings of Braddic quote. This 671 00:35:46,080 --> 00:35:49,319 Speaker 1: is from John Fetterman. During my campaign, I used vote 672 00:35:49,400 --> 00:35:52,520 Speaker 1: John Mayor of Braddock with the two seas and vote 673 00:35:52,600 --> 00:35:55,600 Speaker 1: John Mayer of Braddick o c K the way it's 674 00:35:55,640 --> 00:35:58,600 Speaker 1: traditionally traditionally spelled. And the reason why I did that 675 00:35:58,680 --> 00:36:01,000 Speaker 1: is because there are two brad and you have to 676 00:36:01,040 --> 00:36:04,960 Speaker 1: acknowledge that, Federman said in interview. We have to acknowledge 677 00:36:04,960 --> 00:36:07,600 Speaker 1: that there's the bradict that only young people know, the 678 00:36:07,600 --> 00:36:10,160 Speaker 1: Bradic of despair and decline. And they grew up in 679 00:36:10,160 --> 00:36:13,239 Speaker 1: an area when they never knew there were fourteen furniture 680 00:36:13,239 --> 00:36:16,440 Speaker 1: stores and three movie theaters. So it's basically saying like 681 00:36:16,600 --> 00:36:19,480 Speaker 1: I get like this is it's colloquial. And then they 682 00:36:19,480 --> 00:36:21,560 Speaker 1: said like he's got this sign in his house that 683 00:36:21,640 --> 00:36:23,520 Speaker 1: has crips on It's like it was like a town 684 00:36:23,600 --> 00:36:27,080 Speaker 1: thing that somebody tagged. It's not to say like, oh yeah, man, 685 00:36:27,080 --> 00:36:32,000 Speaker 1: when I started the fucking crips, like what this is 686 00:36:32,000 --> 00:36:35,160 Speaker 1: is like this is this this this rings of somebody 687 00:36:35,200 --> 00:36:38,640 Speaker 1: being I don't I'm trying to okay, to be honest 688 00:36:38,640 --> 00:36:40,120 Speaker 1: with you, I'm trying to think of a of an 689 00:36:40,160 --> 00:36:43,240 Speaker 1: analog here, but I'm I'm reaching to colloquial with stuff. 690 00:36:43,239 --> 00:36:44,600 Speaker 1: I would be like, this would be like somebody saying 691 00:36:44,640 --> 00:36:46,920 Speaker 1: that they're like a fan of the Lawyers instead of 692 00:36:46,920 --> 00:36:49,360 Speaker 1: the Dodgers and being like, so da don't embrace the 693 00:36:49,360 --> 00:36:52,000 Speaker 1: original name of the Dodgers, or something like being like, oh, 694 00:36:52,120 --> 00:36:55,279 Speaker 1: he's an MS thirteen because he wore a Doyers. Just 695 00:36:55,520 --> 00:36:59,080 Speaker 1: like what literally, any any sort of racist outreach that 696 00:36:59,080 --> 00:37:01,920 Speaker 1: they could possibly go for, it's just like so desperate 697 00:37:01,960 --> 00:37:04,480 Speaker 1: and stupid when it's just like as if reaching out 698 00:37:04,520 --> 00:37:08,480 Speaker 1: to a younger generation using colloquials, It's like I would 699 00:37:08,480 --> 00:37:10,640 Speaker 1: almost be like, okay, it's almost like a little cringe 700 00:37:10,680 --> 00:37:12,560 Speaker 1: just to try and use some young kid talk to 701 00:37:12,640 --> 00:37:15,760 Speaker 1: describe something for a political campaign. But really they're saying 702 00:37:15,800 --> 00:37:19,440 Speaker 1: like it's gang related. Is very it's such a very 703 00:37:19,520 --> 00:37:23,279 Speaker 1: ninety shoe, it's very ninety two. I was gonna say 704 00:37:23,280 --> 00:37:27,520 Speaker 1: both are true, Like, well, the fact that I even 705 00:37:27,560 --> 00:37:29,719 Speaker 1: said grew up in an air where they where they 706 00:37:29,760 --> 00:37:33,280 Speaker 1: never knew there were fourteen frontiture stores in three movie theaters, 707 00:37:33,360 --> 00:37:40,160 Speaker 1: Like sir, what that into your speech? Belease, Like it's 708 00:37:40,200 --> 00:37:43,480 Speaker 1: just the entire thing is cringe. And also aren't they tired? Like, 709 00:37:43,520 --> 00:37:47,560 Speaker 1: aren't human beings tired of being this way? No? Unfortunately, 710 00:37:47,960 --> 00:37:49,879 Speaker 1: I mean that's the suck up thing is that they're 711 00:37:49,920 --> 00:37:53,280 Speaker 1: not tired of being this way. I mean they're tired 712 00:37:53,280 --> 00:37:56,840 Speaker 1: of being tired for sure, like with these tired asks 713 00:37:56,880 --> 00:37:59,640 Speaker 1: like attacks that don't make sense to anyone, especially in 714 00:37:59,640 --> 00:38:02,120 Speaker 1: pencil and you. Like one of these journalists was pointing out, 715 00:38:02,160 --> 00:38:04,840 Speaker 1: like in Philly, like this is a state wide this 716 00:38:04,960 --> 00:38:07,520 Speaker 1: first Senate, it's not just for this region. Like the 717 00:38:07,560 --> 00:38:11,160 Speaker 1: idea of a crips or Bloods gang doesn't necessarily resonate 718 00:38:11,200 --> 00:38:13,799 Speaker 1: in Philly because the gang culture is different. They don't 719 00:38:13,800 --> 00:38:16,400 Speaker 1: have like crips and Bloods in the same numbers like 720 00:38:16,400 --> 00:38:19,200 Speaker 1: somewhere like l A might where like you're like, oh right, 721 00:38:19,400 --> 00:38:22,400 Speaker 1: crips or Bloods or whatever. So it's also just kind 722 00:38:22,440 --> 00:38:24,799 Speaker 1: of like this weird thing again where it's very like 723 00:38:25,200 --> 00:38:27,960 Speaker 1: ninety two type ship where people like you know, I 724 00:38:27,960 --> 00:38:31,560 Speaker 1: think most like white American conservatives, if you ask them 725 00:38:31,600 --> 00:38:33,520 Speaker 1: to name a gang, they were there, like I remember, 726 00:38:33,600 --> 00:38:37,439 Speaker 1: crips versus Bloods, and so everything has to like fit 727 00:38:37,520 --> 00:38:41,799 Speaker 1: into this like very rigid, overt dog whistling thing, which 728 00:38:41,840 --> 00:38:44,520 Speaker 1: isn't just to say John Fetterman is dangerous? Is that 729 00:38:44,719 --> 00:38:48,960 Speaker 1: John Fetterman? Also you know he's out here consorting with 730 00:38:49,080 --> 00:38:51,799 Speaker 1: the likes of black gang members or some ship like that, 731 00:38:51,840 --> 00:38:55,399 Speaker 1: which is just again put me to sleep with how 732 00:38:55,480 --> 00:39:00,240 Speaker 1: fucking tired? This attack is very old. That's so old. 733 00:39:00,360 --> 00:39:02,080 Speaker 1: Nineties is a really good way to put it, because 734 00:39:02,080 --> 00:39:04,960 Speaker 1: it feel I feel like, is that I don't know, 735 00:39:05,120 --> 00:39:07,680 Speaker 1: is that even really worried about? He doesn't even look 736 00:39:07,719 --> 00:39:10,080 Speaker 1: like the kinds of white dudes that are in gangs, 737 00:39:10,239 --> 00:39:12,440 Speaker 1: you know what I mean? Like, you see the odd 738 00:39:12,480 --> 00:39:15,520 Speaker 1: white dude who's like down with the set, You're like, whoa, whoa, 739 00:39:15,880 --> 00:39:18,279 Speaker 1: it's not John. I was about to say, honestly too 740 00:39:18,360 --> 00:39:20,960 Speaker 1: though to your point, Miles, like the white people who 741 00:39:21,040 --> 00:39:23,600 Speaker 1: know anything, well, I'm not gonna say now, the white 742 00:39:23,640 --> 00:39:27,160 Speaker 1: people who are mentioning the bloods versus cripts likely don't 743 00:39:27,200 --> 00:39:30,000 Speaker 1: even know what that means. Like they're just saying it like, oh, 744 00:39:30,239 --> 00:39:33,880 Speaker 1: let's versus crips. Yeah yeah, right yeah, And they're like, 745 00:39:35,120 --> 00:39:38,840 Speaker 1: so tell me what does that mean? Ahead? Oh, They're like, oh, 746 00:39:38,880 --> 00:39:42,600 Speaker 1: I know who Stanley Tuki Williams is he started the crips. 747 00:39:42,840 --> 00:39:45,120 Speaker 1: You're like Okay, well you saw that effects film, you 748 00:39:45,160 --> 00:39:48,120 Speaker 1: saw that one movie with Jamie Foxx. Okay, we get it, 749 00:39:48,160 --> 00:39:50,200 Speaker 1: we get it. No, I do know it is it's 750 00:39:50,280 --> 00:39:55,040 Speaker 1: ravaging the community. What community? When you're invested in dismantling 751 00:39:55,040 --> 00:39:57,400 Speaker 1: It's like you can't have it both ways, Like so 752 00:39:57,440 --> 00:39:59,880 Speaker 1: our gangs bad because of the chaos that it ca 753 00:40:00,080 --> 00:40:01,920 Speaker 1: is for people who live in those communities. Are you 754 00:40:01,960 --> 00:40:04,080 Speaker 1: willing to help? No, it's just a talking point to 755 00:40:04,120 --> 00:40:06,680 Speaker 1: try and you know, make Dr oz and not look 756 00:40:06,719 --> 00:40:10,799 Speaker 1: like a total fucking mannequin of a candidate. Let's be real. 757 00:40:11,120 --> 00:40:13,399 Speaker 1: I mean, honestly, I'm curious what the next thing they're 758 00:40:13,400 --> 00:40:16,480 Speaker 1: gonna grasp that because first they're like, he's they tried 759 00:40:16,520 --> 00:40:18,640 Speaker 1: to say he was you know, Doctor Oz was trying 760 00:40:18,680 --> 00:40:20,840 Speaker 1: to say Fetterman's out of touch. It's like, bro, you 761 00:40:20,880 --> 00:40:25,160 Speaker 1: don't even live in Pennsylvania. And then he's a he's 762 00:40:25,160 --> 00:40:28,320 Speaker 1: a crip, he's a king member because he has tattoos. Really, 763 00:40:29,480 --> 00:40:31,680 Speaker 1: they're gonna say he looks too much like a bad 764 00:40:31,719 --> 00:40:35,080 Speaker 1: guy from a Pixar movie, so you know he's bad, 765 00:40:35,160 --> 00:40:37,840 Speaker 1: And it's like, what does that even mean? Vote for 766 00:40:37,920 --> 00:40:42,720 Speaker 1: Dr Oz? No? Thank you, please never do that. No, No, 767 00:40:42,880 --> 00:40:47,160 Speaker 1: I won't. I won't. I want I won't either. All right, 768 00:40:47,200 --> 00:40:49,120 Speaker 1: let's take a quick break and we'll be right back 769 00:40:49,239 --> 00:41:03,360 Speaker 1: to talk about something that was that's actually cool, and 770 00:41:03,480 --> 00:41:08,600 Speaker 1: we're back. Coolio passed away on Wednesday, uh in Los Angeles, 771 00:41:08,800 --> 00:41:12,160 Speaker 1: age of fifty nine. I believe I was like when 772 00:41:12,160 --> 00:41:14,359 Speaker 1: I heard it, I was like, oh, ship Coolio, man, 773 00:41:14,480 --> 00:41:18,600 Speaker 1: Like I remember Coolio, Like yeah, great memories, great memories. 774 00:41:19,040 --> 00:41:21,120 Speaker 1: But like I was saying at the top of the show, 775 00:41:21,640 --> 00:41:24,560 Speaker 1: when you saw tributes coming in from from all over 776 00:41:24,840 --> 00:41:28,279 Speaker 1: entertainment for Coolio, I was like, wait, I fuck. I 777 00:41:28,520 --> 00:41:30,319 Speaker 1: You know what, as much as like as good as 778 00:41:30,320 --> 00:41:33,720 Speaker 1: his music was, I really failed to a like properly 779 00:41:33,840 --> 00:41:37,520 Speaker 1: articulate in my own mind, like how much how important 780 00:41:37,560 --> 00:41:39,680 Speaker 1: he was in terms of like the connective tissue that 781 00:41:39,719 --> 00:41:43,240 Speaker 1: helped bridge the gap between rap and the mainstream because 782 00:41:43,760 --> 00:41:47,719 Speaker 1: just in a vacuum right when his when his album 783 00:41:47,719 --> 00:41:49,440 Speaker 1: It Takes a Thief comes out, is this is the 784 00:41:49,520 --> 00:41:53,480 Speaker 1: same year as like hip hop, like Capital Age, hip Hop, 785 00:41:53,560 --> 00:41:56,640 Speaker 1: Ill Mattic came out ninety four, Ready to Die, Southern 786 00:41:56,640 --> 00:42:00,160 Speaker 1: Playlistic Cadillac music from Outcasts like these are albums that, 787 00:42:00,239 --> 00:42:02,879 Speaker 1: like hip hop heads, like you know, we're like, oh yeah, 788 00:42:02,920 --> 00:42:06,640 Speaker 1: I know these albums, but it Takes a Thief was 789 00:42:06,719 --> 00:42:10,200 Speaker 1: really something special because even amongst all that, right, it 790 00:42:10,320 --> 00:42:13,760 Speaker 1: had Fantastic Voyage on it, which was like the first 791 00:42:13,800 --> 00:42:24,360 Speaker 1: our first introduction to Coolio come along Run the classic example. Yeah, okay, 792 00:42:24,400 --> 00:42:26,520 Speaker 1: if we all know that we were all there doing 793 00:42:26,600 --> 00:42:28,719 Speaker 1: our things, actually know that's one to three four. But 794 00:42:28,800 --> 00:42:32,680 Speaker 1: Fantastic Voyage was like a huge, huge track. I didn't 795 00:42:32,719 --> 00:42:36,440 Speaker 1: realize in Australia. It was top of the charts for 796 00:42:36,640 --> 00:42:42,120 Speaker 1: thirty seven weeks in Canada, seventeen weeks in Germany, nine 797 00:42:42,480 --> 00:42:48,160 Speaker 1: one weeks Yo okay. In the Netherlands, the top forty 798 00:42:48,480 --> 00:42:52,560 Speaker 1: thirty one weeks New Zealand, eight weeks, Sweden, twenty nine 799 00:42:52,600 --> 00:42:57,040 Speaker 1: weeks UK Dance Music Charts thirteen weeks. Like that, that 800 00:42:57,120 --> 00:42:59,200 Speaker 1: song was huge, It really was. And I think a 801 00:42:59,200 --> 00:43:01,400 Speaker 1: lot of that, like was the beginnings of like a 802 00:43:01,480 --> 00:43:05,000 Speaker 1: really pervasive, like hip hop hit that was kind of 803 00:43:05,080 --> 00:43:07,319 Speaker 1: accessible to many people. And I think it had a 804 00:43:07,360 --> 00:43:11,880 Speaker 1: playfulness that made it danceable and easy to access. And 805 00:43:11,920 --> 00:43:17,640 Speaker 1: then we get Gangsters Paradise okay, and that fucking cemented it. 806 00:43:17,760 --> 00:43:20,560 Speaker 1: Like this, My mom even like was like, I like 807 00:43:20,719 --> 00:43:23,080 Speaker 1: that song. That's like like she didn't know the words, 808 00:43:23,120 --> 00:43:27,600 Speaker 1: but she could do lvs pertect. I'm like, yeah, that's 809 00:43:27,680 --> 00:43:30,400 Speaker 1: lv we already And I think that was like another 810 00:43:30,440 --> 00:43:33,560 Speaker 1: moment too where he We're seeing like something new, like 811 00:43:33,600 --> 00:43:36,560 Speaker 1: who else was doing a music video with Michelle Peiffer? 812 00:43:37,440 --> 00:43:39,719 Speaker 1: Good question, you know who was doing that? And like 813 00:43:39,760 --> 00:43:42,319 Speaker 1: no one? And I believe and correct me if I'm wrong. 814 00:43:42,360 --> 00:43:44,480 Speaker 1: There in the Root, they're also talking about this that 815 00:43:45,000 --> 00:43:48,200 Speaker 1: this is maybe one of the first major Hollywood film 816 00:43:48,360 --> 00:43:51,799 Speaker 1: soundtracks that had a rap song like leading it, like 817 00:43:51,880 --> 00:43:54,320 Speaker 1: you know, like that was the lead single off the soundtrack? 818 00:43:54,520 --> 00:43:56,839 Speaker 1: Was that one? Now we work here? And I'd say 819 00:43:57,360 --> 00:44:04,439 Speaker 1: I'd say probably also, just that wasn't like categorized as 820 00:44:04,440 --> 00:44:08,399 Speaker 1: a black film, yeah, you know, because Gangster's Paradise wasn't 821 00:44:08,480 --> 00:44:10,839 Speaker 1: I mean, obviously to have a shellfie for the original 822 00:44:10,960 --> 00:44:14,000 Speaker 1: coop writer o G. But you know, it wasn't. It 823 00:44:14,080 --> 00:44:15,960 Speaker 1: wasn't a black melm. You know, so I think I 824 00:44:16,000 --> 00:44:19,120 Speaker 1: think that actually is probably true. Yeah, And the single 825 00:44:19,320 --> 00:44:22,479 Speaker 1: was wild, right, like I know Bobby Brown had someone 826 00:44:22,560 --> 00:44:25,440 Speaker 1: Ghostbusters and things like that, but it didn't necessarily get 827 00:44:25,480 --> 00:44:27,960 Speaker 1: to the point where We're like, that ship is a 828 00:44:27,960 --> 00:44:32,239 Speaker 1: fucking phenomenon. And again the fucking charts like speak for 829 00:44:32,280 --> 00:44:36,239 Speaker 1: themselves with Gangster's Paradise or yeah, it's like, first of all, 830 00:44:36,280 --> 00:44:39,719 Speaker 1: I didn't even realize that Anton Antonine Fuqua directed that 831 00:44:39,840 --> 00:44:43,839 Speaker 1: video the director of Training Day. Yeah, Gary f Gary Gray, 832 00:44:43,880 --> 00:44:46,680 Speaker 1: the director of Friday and also Faded the Furious and 833 00:44:46,719 --> 00:44:50,080 Speaker 1: many other things straight out of content. He directed Fantastic Voyage. 834 00:44:50,920 --> 00:44:54,040 Speaker 1: But yeah, like the Gangster's Paradise thing, the charts were 835 00:44:54,120 --> 00:44:57,440 Speaker 1: also absurd the amount of time this this thing was 836 00:44:57,480 --> 00:44:59,359 Speaker 1: at the top of the charts, like even bigger than 837 00:45:00,040 --> 00:45:04,000 Speaker 1: fucking Fantastic Voyage could have been. And the story, right, 838 00:45:04,040 --> 00:45:06,560 Speaker 1: there's like a really interesting story about the sample rights 839 00:45:06,680 --> 00:45:09,680 Speaker 1: Stevie Wonder track where he was trying to get that 840 00:45:09,760 --> 00:45:13,759 Speaker 1: sample cleared and that was already like a big struggle 841 00:45:13,840 --> 00:45:16,120 Speaker 1: to even get that sample cleared. And this is, uh, 842 00:45:16,480 --> 00:45:19,760 Speaker 1: this is a little anecdote from Coolio about it quote. 843 00:45:19,760 --> 00:45:21,760 Speaker 1: But the thing was, we still had to get Stevie 844 00:45:21,800 --> 00:45:24,040 Speaker 1: to sign off on it. When Stevie heard it, he 845 00:45:24,120 --> 00:45:26,160 Speaker 1: was like, no, no way, I'm not letting my song 846 00:45:26,280 --> 00:45:28,520 Speaker 1: be used in some gangster song. So that was a 847 00:45:28,560 --> 00:45:31,160 Speaker 1: problem and it just so happened that my wife, she 848 00:45:31,280 --> 00:45:33,719 Speaker 1: knew Stevie's brother. I guess he had been trying to 849 00:45:33,760 --> 00:45:36,520 Speaker 1: tap that for years and he's laughing. She made a 850 00:45:36,520 --> 00:45:39,520 Speaker 1: call to him, got a meeting with Stevie and talked 851 00:45:39,560 --> 00:45:41,600 Speaker 1: him into it. His only stipulation was that I had 852 00:45:41,640 --> 00:45:43,600 Speaker 1: to take the curse words out. I had two places 853 00:45:43,600 --> 00:45:45,200 Speaker 1: where I had the N word in it and two 854 00:45:45,239 --> 00:45:47,640 Speaker 1: places where it was like fucked in the ass or 855 00:45:47,680 --> 00:45:50,120 Speaker 1: something like that, and Stevie said that if I take 856 00:45:50,200 --> 00:45:53,200 Speaker 1: that out, he would sign off on it. Unbeknownst to me, 857 00:45:53,360 --> 00:45:56,719 Speaker 1: the other condition was that he wanted the publishing. Had 858 00:45:56,719 --> 00:45:58,600 Speaker 1: I known that, I'm not sure I would have went 859 00:45:58,600 --> 00:46:01,759 Speaker 1: ahead with that. I don't know. Maybe I would have. 860 00:46:01,880 --> 00:46:07,759 Speaker 1: So that's how we ended up clearing it. Like yo, 861 00:46:08,640 --> 00:46:10,839 Speaker 1: I get it, you know, like he's like, come on, man, 862 00:46:10,840 --> 00:46:14,160 Speaker 1: that's all me like you the melody, come on. I 863 00:46:14,200 --> 00:46:17,440 Speaker 1: get lv's doing this thing. But that is pretty wild anyway, 864 00:46:17,480 --> 00:46:20,400 Speaker 1: so I think of it too. Like for most millennials, 865 00:46:20,480 --> 00:46:24,120 Speaker 1: Coulio's songs are like like nailed on to be played 866 00:46:24,120 --> 00:46:26,719 Speaker 1: at a school dance, like it was like it was 867 00:46:26,760 --> 00:46:29,319 Speaker 1: like the hip hop song the teachers were comfortable with 868 00:46:29,640 --> 00:46:31,120 Speaker 1: you know what I mean, They're like, oh, Coolio, the 869 00:46:31,160 --> 00:46:35,080 Speaker 1: one who's like got the wacky hair. We like him, sure, sure, sure, 870 00:46:35,480 --> 00:46:37,040 Speaker 1: So it's just like interesting. I feel like he has 871 00:46:37,080 --> 00:46:40,799 Speaker 1: this very specific place that I think we don't really 872 00:46:41,040 --> 00:46:43,120 Speaker 1: speak about, like how really where where? That isn't kind 873 00:46:43,120 --> 00:46:45,120 Speaker 1: of the evolution of the mainstream of hip hop. Obviously 874 00:46:45,120 --> 00:46:48,040 Speaker 1: there's people like Will Smith and many others, But like 875 00:46:48,080 --> 00:46:50,799 Speaker 1: Gangster's Paradise, I was. I was just with like some 876 00:46:51,200 --> 00:46:53,120 Speaker 1: like people I went to elementary school with a while back, 877 00:46:53,160 --> 00:46:55,480 Speaker 1: and every every single person, no matter you know what 878 00:46:55,560 --> 00:46:58,080 Speaker 1: their background, could spit the whole fucking song with their 879 00:46:58,120 --> 00:47:01,640 Speaker 1: eyes closed. I mean. Also speaking to your point about 880 00:47:01,640 --> 00:47:04,080 Speaker 1: the mainstream, Coulio, you know, one of the little additions 881 00:47:04,080 --> 00:47:07,480 Speaker 1: that I added here specifically from my childhood and a 882 00:47:07,480 --> 00:47:09,960 Speaker 1: lot of people's childhood. He was the voice of the 883 00:47:10,040 --> 00:47:12,960 Speaker 1: keenan Kell theme song. And it's like such an important 884 00:47:12,960 --> 00:47:16,520 Speaker 1: show to our childhood, just like and you know, you 885 00:47:16,600 --> 00:47:19,400 Speaker 1: go back and listen to it and it's like I 886 00:47:19,440 --> 00:47:23,239 Speaker 1: sung this every single day every Saturday night that I 887 00:47:23,320 --> 00:47:25,680 Speaker 1: was that I was watching my Keen and Kell getting 888 00:47:25,719 --> 00:47:29,080 Speaker 1: my snic on. That was the best and and having 889 00:47:29,120 --> 00:47:32,400 Speaker 1: that kind of place in like the in the mind 890 00:47:32,600 --> 00:47:38,120 Speaker 1: of someone's childhood is just so everlasting and permanent, and 891 00:47:38,280 --> 00:47:40,480 Speaker 1: it's like I would say, like a kind of underrated 892 00:47:40,520 --> 00:47:43,680 Speaker 1: part of Julio's career as well, and that like, you know, 893 00:47:44,160 --> 00:47:47,560 Speaker 1: it's not answers Paradise, but it is something that got 894 00:47:47,800 --> 00:47:53,440 Speaker 1: spin after spin after spin, through through syndication, through VHS tapes, 895 00:47:53,719 --> 00:47:56,560 Speaker 1: through people just running back Keenan and Kell all the time. 896 00:47:56,640 --> 00:47:59,280 Speaker 1: Like what an iconic show and and a truly truly 897 00:47:59,440 --> 00:48:02,360 Speaker 1: iconic thing. Yeah, I think the three of them, I 898 00:48:02,400 --> 00:48:04,359 Speaker 1: mean to be honest when I think about kind of 899 00:48:04,719 --> 00:48:07,960 Speaker 1: black artists that are cemented to your point, Miles, like 900 00:48:08,040 --> 00:48:12,799 Speaker 1: in the in our minds as millennials, it definitely is. 901 00:48:12,880 --> 00:48:15,759 Speaker 1: Kulio can go anywhere without listening to it. It was 902 00:48:15,840 --> 00:48:19,200 Speaker 1: one of the few rap artists that my mom would 903 00:48:19,239 --> 00:48:21,320 Speaker 1: let me listen to, you know, because it was always 904 00:48:21,360 --> 00:48:22,520 Speaker 1: kind of one of those things where it's like, I 905 00:48:22,560 --> 00:48:24,279 Speaker 1: don't know how much cursing is in this and what 906 00:48:24,280 --> 00:48:27,520 Speaker 1: are they talking about? But Coulio was acceptable because to 907 00:48:27,560 --> 00:48:29,600 Speaker 1: your point, like if the teachers were playing it, then 908 00:48:29,600 --> 00:48:31,400 Speaker 1: you know, she was like, well like okay, I guess 909 00:48:31,920 --> 00:48:35,359 Speaker 1: and to your boy Daniel Kenan and kel Like, I mean, 910 00:48:35,600 --> 00:48:38,279 Speaker 1: the black version of Nickelodeon was the only one I 911 00:48:38,320 --> 00:48:41,400 Speaker 1: truly remember. You know, we could do anything off the network, 912 00:48:41,760 --> 00:48:43,839 Speaker 1: and they had all the stars and all of the things, 913 00:48:43,920 --> 00:48:46,960 Speaker 1: and tons of actually tons of other artists too that 914 00:48:47,000 --> 00:48:49,680 Speaker 1: came on. I was like, who ran Nickelodeon during that time, 915 00:48:49,680 --> 00:48:53,040 Speaker 1: because honestly, we should bring that back, someone very cool, 916 00:48:54,200 --> 00:48:57,560 Speaker 1: someone very cool. I like that you have in your 917 00:48:57,640 --> 00:49:00,319 Speaker 1: danial that you added this thing about were it out, 918 00:49:00,400 --> 00:49:06,799 Speaker 1: like so the beef, the paradise. I just love this 919 00:49:06,880 --> 00:49:08,680 Speaker 1: because you know, so this is from this is a 920 00:49:08,760 --> 00:49:13,560 Speaker 1: quote from Vice article, and I think, you know, feels 921 00:49:13,600 --> 00:49:16,839 Speaker 1: like I think in lexicon, feels like not that long ago, 922 00:49:17,160 --> 00:49:21,360 Speaker 1: but even eight years ago, admitting you were wrong was 923 00:49:21,440 --> 00:49:23,839 Speaker 1: still a tough thing to do. And I think it's 924 00:49:23,880 --> 00:49:26,839 Speaker 1: still a sign of intense maturity and wisdom. But even 925 00:49:26,880 --> 00:49:29,440 Speaker 1: eight years ago, people still wanted to act tough a 926 00:49:29,440 --> 00:49:32,040 Speaker 1: lot of the time. But Coolio's response to this question 927 00:49:32,040 --> 00:49:34,520 Speaker 1: about the weird al beef, I think is just so 928 00:49:35,080 --> 00:49:39,680 Speaker 1: mature and wise and speaks to a mindset that I 929 00:49:39,719 --> 00:49:42,040 Speaker 1: think we're still chasing to this day that I think 930 00:49:42,080 --> 00:49:45,439 Speaker 1: everybody should be able to sit down and do. It's 931 00:49:45,440 --> 00:49:48,360 Speaker 1: not and I think when people do, it's lauded, but 932 00:49:48,400 --> 00:49:50,200 Speaker 1: so often people will avoid it. I'm just gonna read 933 00:49:50,200 --> 00:49:52,080 Speaker 1: this quote kind of quickly, if you don't mind. Yeah. 934 00:49:52,719 --> 00:49:54,600 Speaker 1: When I ask people what I should ask Coolio the 935 00:49:54,600 --> 00:49:56,719 Speaker 1: most common question, I got the thing most people want 936 00:49:56,719 --> 00:49:58,440 Speaker 1: to know. Do you still have beef with weird Al? 937 00:49:58,680 --> 00:50:01,920 Speaker 1: And Coolio responds, Fuck no, man, I let that go 938 00:50:02,200 --> 00:50:05,600 Speaker 1: so long ago. Let me say this. I apologized to 939 00:50:05,600 --> 00:50:08,360 Speaker 1: weird Out a long time ago, and I was wrong. 940 00:50:08,800 --> 00:50:11,520 Speaker 1: Y'all remember that, everybody out there who reads this ship, 941 00:50:11,800 --> 00:50:14,280 Speaker 1: real men and real people should be able to admit 942 00:50:14,360 --> 00:50:17,480 Speaker 1: when they're wrong. And I was wrong. Bro, Come on, 943 00:50:17,600 --> 00:50:19,840 Speaker 1: who the fuck am I? Bro? He did parodies of 944 00:50:19,880 --> 00:50:21,960 Speaker 1: Michael Jackson, He did parodies of all kinds of people. 945 00:50:22,120 --> 00:50:24,040 Speaker 1: And I took events to it because I was being 946 00:50:24,080 --> 00:50:26,799 Speaker 1: cocky and ship and being stupid and I was wrong 947 00:50:26,840 --> 00:50:29,160 Speaker 1: and I should have embraced that ship and went with it. 948 00:50:29,160 --> 00:50:32,879 Speaker 1: It's like, yeah, just it's just it's it's just so 949 00:50:33,120 --> 00:50:35,640 Speaker 1: mature and being like man, that was really dumb. I 950 00:50:35,719 --> 00:50:39,919 Speaker 1: was wrong and I apologized and like squashed immediately. It's 951 00:50:39,960 --> 00:50:43,400 Speaker 1: just that I'm glad he got there. I'm glad he 952 00:50:43,480 --> 00:50:46,080 Speaker 1: got there because, honestly, I remember this beef although it 953 00:50:46,200 --> 00:50:49,120 Speaker 1: was obviously way before you know, the Internet took over 954 00:50:49,160 --> 00:50:52,439 Speaker 1: our lives, but I remember thinking during the entire time, 955 00:50:52,480 --> 00:50:55,160 Speaker 1: I'm like, well, a weird alb makes fun of everyone, 956 00:50:55,280 --> 00:50:58,359 Speaker 1: literally everyone. So it was not like it wasn't like 957 00:50:58,400 --> 00:51:00,960 Speaker 1: he was singling him out. I was like, weird out 958 00:51:01,320 --> 00:51:04,319 Speaker 1: just makes fun of every single human being. Who is 959 00:51:04,640 --> 00:51:06,959 Speaker 1: uh an artist that made it. I kind of looked 960 00:51:06,960 --> 00:51:09,000 Speaker 1: at it as like, dang, like coolie, oh you made it? 961 00:51:09,239 --> 00:51:14,440 Speaker 1: Because right. So I'm glad he eventually got there, But 962 00:51:14,480 --> 00:51:16,399 Speaker 1: it would have been I wonder how different it would 963 00:51:16,400 --> 00:51:17,880 Speaker 1: have been if he would have embraced it kind of 964 00:51:17,960 --> 00:51:20,560 Speaker 1: during that time and just been like to his point, 965 00:51:20,560 --> 00:51:23,320 Speaker 1: because he goes on later to say in this interview 966 00:51:23,719 --> 00:51:26,319 Speaker 1: that he was kind of upset with his management for 967 00:51:26,400 --> 00:51:28,200 Speaker 1: not you know, like kind of stepping in at the 968 00:51:28,239 --> 00:51:30,160 Speaker 1: time and pulling him to the side and being like, 969 00:51:31,239 --> 00:51:33,239 Speaker 1: why are you so upset by this? It's just just 970 00:51:33,320 --> 00:51:36,480 Speaker 1: a parity um and like, you know, pumping the brakes 971 00:51:36,520 --> 00:51:39,600 Speaker 1: on it. But I don't know, I feel him like 972 00:51:39,800 --> 00:51:41,160 Speaker 1: you all should have you should have just been like, 973 00:51:41,200 --> 00:51:43,360 Speaker 1: you know what I'm gonna embrace this because maybe it'll 974 00:51:43,400 --> 00:51:48,239 Speaker 1: get my actual song more rotation, right, And yeah, I 975 00:51:48,280 --> 00:51:51,800 Speaker 1: mean it just shows again like ego is the fucking 976 00:51:51,800 --> 00:51:55,040 Speaker 1: worst thing to have for your longevity because you can 977 00:51:55,040 --> 00:51:57,719 Speaker 1: never be objective enough about your own work. You can 978 00:51:57,719 --> 00:52:00,560 Speaker 1: never be objective about much if you're cons only ruled 979 00:52:00,560 --> 00:52:02,560 Speaker 1: by like like am I popping And that's the only 980 00:52:02,560 --> 00:52:04,719 Speaker 1: thing that matters is like what what like rather than 981 00:52:04,840 --> 00:52:07,440 Speaker 1: you know, focusing on your craft or just again like 982 00:52:08,200 --> 00:52:11,040 Speaker 1: noticing that here is another wave you could catch with 983 00:52:11,160 --> 00:52:13,239 Speaker 1: the popularity of a song you made, and rather than 984 00:52:13,280 --> 00:52:15,400 Speaker 1: being like that, be like fuck you and it's all 985 00:52:15,560 --> 00:52:18,560 Speaker 1: it's also a weird look, like nobody needs beef with 986 00:52:18,640 --> 00:52:21,400 Speaker 1: weird al He's like the nicest fucking guy. It's like 987 00:52:21,440 --> 00:52:24,320 Speaker 1: he's fifty cents or something like it, Like I'm coming 988 00:52:24,320 --> 00:52:28,040 Speaker 1: for a weird alt and that's gonna yea motherfucker's no weird. 989 00:52:28,040 --> 00:52:30,760 Speaker 1: I'll just mind his business and makes his parity like truly, 990 00:52:31,040 --> 00:52:34,919 Speaker 1: that is it exactly exactly? But yeah, I think it's 991 00:52:34,960 --> 00:52:36,759 Speaker 1: it's important. And again I feel like, you know, it's 992 00:52:36,800 --> 00:52:39,160 Speaker 1: like it's like people like Julio help give us, like 993 00:52:39,440 --> 00:52:42,200 Speaker 1: you know, ludicrous and ship like ludicrous. I felt was 994 00:52:42,239 --> 00:52:45,359 Speaker 1: another artist to who had that thing of like I'm 995 00:52:45,400 --> 00:52:47,960 Speaker 1: having fun with like the music I'm making, Like, yeah, 996 00:52:48,320 --> 00:52:50,040 Speaker 1: some of my lyrics are you know, like they might 997 00:52:50,160 --> 00:52:52,799 Speaker 1: they might veer into some street ship, but for the 998 00:52:52,840 --> 00:52:54,480 Speaker 1: most part, and I'm trying to have fun and I 999 00:52:54,520 --> 00:52:59,040 Speaker 1: think that that's sort of that helps a lot. But anyway, 1000 00:52:59,600 --> 00:53:02,560 Speaker 1: reston he's too cool. The last day, I just wanted 1001 00:53:02,600 --> 00:53:04,839 Speaker 1: to ask, y'all, I just saw this list goal I'm 1002 00:53:04,840 --> 00:53:08,520 Speaker 1: thinking like digital trends where this guy Joe Allen was 1003 00:53:08,520 --> 00:53:10,720 Speaker 1: just sort of like writing about the best best movies 1004 00:53:10,760 --> 00:53:14,040 Speaker 1: to second screen, and you know, we're talking about second screen. 1005 00:53:14,120 --> 00:53:16,879 Speaker 1: We're talking about you know, most of the time back 1006 00:53:16,880 --> 00:53:18,879 Speaker 1: in the day when he sat down, there was one 1007 00:53:18,920 --> 00:53:21,240 Speaker 1: fucking screen and that was the TV or the film 1008 00:53:21,280 --> 00:53:23,799 Speaker 1: screen you were looking at to enjoy a television show 1009 00:53:23,880 --> 00:53:28,480 Speaker 1: or movie. And now with you know, little iPads, laptops 1010 00:53:28,480 --> 00:53:31,279 Speaker 1: and things like that, were increasingly like begin to multitask 1011 00:53:31,320 --> 00:53:34,839 Speaker 1: while watching movies and talk about a second screen experience. 1012 00:53:35,360 --> 00:53:39,200 Speaker 1: I find myself doing this a lot more than actually 1013 00:53:39,600 --> 00:53:42,799 Speaker 1: primate like just one screening it. And first off, I'm 1014 00:53:42,840 --> 00:53:46,440 Speaker 1: curious for the two of you, how often are you 1015 00:53:46,480 --> 00:53:49,680 Speaker 1: doing second screen watching or are you old school and 1016 00:53:49,680 --> 00:53:52,239 Speaker 1: give everything your attention KB. I wonder if because you're 1017 00:53:52,280 --> 00:53:55,279 Speaker 1: having to actually critique things, that probably benefits you to 1018 00:53:55,480 --> 00:53:59,759 Speaker 1: have all your attention on something. Yeah, I cannot. If 1019 00:53:59,760 --> 00:54:04,360 Speaker 1: I'm watching something specifically for um, like a review or 1020 00:54:04,400 --> 00:54:07,480 Speaker 1: an interview, I absolutely cannot second screen. Like I I 1021 00:54:07,560 --> 00:54:09,759 Speaker 1: do not have the focus or the capacity, like I 1022 00:54:09,800 --> 00:54:11,719 Speaker 1: have to sit there. I have to pay attention. I 1023 00:54:11,719 --> 00:54:15,080 Speaker 1: can't be doing anything else otherwise I'm going to fail miserably. 1024 00:54:15,440 --> 00:54:18,840 Speaker 1: But if I'm going to second screen anything, what I found, 1025 00:54:18,920 --> 00:54:22,120 Speaker 1: and especially like during COVID during the lockdown, it was 1026 00:54:22,520 --> 00:54:27,640 Speaker 1: always something that I found comforting. Whatever that was, whatever 1027 00:54:27,680 --> 00:54:29,920 Speaker 1: I was watching, it was comforting, and I, you know, 1028 00:54:29,960 --> 00:54:33,400 Speaker 1: would be able to, you know, do laundry while while 1029 00:54:33,480 --> 00:54:35,560 Speaker 1: having it go around your full laundry, or you know, 1030 00:54:35,880 --> 00:54:38,759 Speaker 1: clean up or do something. But it was always like 1031 00:54:38,800 --> 00:54:42,960 Speaker 1: a title that was comforting, Like I can second screen that. 1032 00:54:42,960 --> 00:54:45,440 Speaker 1: This sounds terrible, but I can second screen Selena, right, 1033 00:54:45,480 --> 00:54:47,440 Speaker 1: So I know that would be like the back of 1034 00:54:47,480 --> 00:54:50,359 Speaker 1: my hands. So I could, you know, happily kind of 1035 00:54:50,360 --> 00:54:52,920 Speaker 1: do those things. But I would say yeah, for the 1036 00:54:53,000 --> 00:54:55,200 Speaker 1: first screening, if I if I have to do it 1037 00:54:55,239 --> 00:54:59,240 Speaker 1: for work, I absolutely cannot. I can't. I tried everyone 1038 00:54:59,320 --> 00:55:01,920 Speaker 1: everyone I know. Honestly, a lot of critics I know 1039 00:55:02,040 --> 00:55:03,719 Speaker 1: they do it. You know, they're like, oh no, I'm 1040 00:55:03,719 --> 00:55:06,160 Speaker 1: always doing something elsewise it's on, and I just don't. 1041 00:55:06,200 --> 00:55:09,040 Speaker 1: I don't have the mental capacity. I don't sure what 1042 00:55:09,080 --> 00:55:11,840 Speaker 1: about you, Dan, I have a I have a definitely 1043 00:55:11,960 --> 00:55:15,000 Speaker 1: a different kind of second screen relationship. I am, you know, 1044 00:55:15,200 --> 00:55:19,319 Speaker 1: a big surprise here, big gamer, big player of video games. 1045 00:55:19,360 --> 00:55:21,879 Speaker 1: So I have a monitor right here that I'm looking 1046 00:55:21,880 --> 00:55:24,279 Speaker 1: at the monitor right here, and I will often have 1047 00:55:24,440 --> 00:55:27,480 Speaker 1: Twitch on right now, and I would ask you to 1048 00:55:27,560 --> 00:55:31,800 Speaker 1: turn that off because recording. I don't know when we're recording. 1049 00:55:31,840 --> 00:55:33,399 Speaker 1: I don't know what you're I don't know what you're 1050 00:55:33,400 --> 00:55:37,520 Speaker 1: talking about anyway. Um, So yeah, Twitch from Liquid Twitches. 1051 00:55:37,600 --> 00:55:39,839 Speaker 1: A twitch is a big one just because it's kind 1052 00:55:39,880 --> 00:55:44,520 Speaker 1: of like the engagement times are really short, you know 1053 00:55:44,600 --> 00:55:46,439 Speaker 1: what I mean. It's like you're watching someone play a game, 1054 00:55:46,520 --> 00:55:48,479 Speaker 1: like maybe they pop off and get a cool play 1055 00:55:48,560 --> 00:55:51,239 Speaker 1: every like I don't know, five ten minutes or something 1056 00:55:51,280 --> 00:55:52,400 Speaker 1: like that. But the rest of it is kind of 1057 00:55:52,400 --> 00:55:54,719 Speaker 1: just general interaction with chat or whatever. It doesn't really, 1058 00:55:54,760 --> 00:55:57,440 Speaker 1: it's not really that important. It's like, you know, you 1059 00:55:57,480 --> 00:56:00,480 Speaker 1: ever heard with Cereal, they'll call like like with Charms, 1060 00:56:00,560 --> 00:56:02,040 Speaker 1: you got the marshmallows and the rest of it's called 1061 00:56:02,200 --> 00:56:05,080 Speaker 1: the wood. It's like when it comes to twitch, it's 1062 00:56:05,080 --> 00:56:07,239 Speaker 1: a lot of wood, and then you get some marshmallows 1063 00:56:07,239 --> 00:56:08,640 Speaker 1: in there every once in a while, so it allows 1064 00:56:08,680 --> 00:56:10,719 Speaker 1: you to kind of like eat it little piece by 1065 00:56:10,760 --> 00:56:13,560 Speaker 1: piece every just just in kind of like short spurts. 1066 00:56:13,680 --> 00:56:16,160 Speaker 1: So that that's my main kind of second screen television. 1067 00:56:16,239 --> 00:56:18,880 Speaker 1: But if it's not that, it's a comfort show, similar 1068 00:56:18,920 --> 00:56:21,640 Speaker 1: to how Kay is saying with something like Great British 1069 00:56:21,680 --> 00:56:26,000 Speaker 1: bake offfaus, like I love the bake Off, but I 1070 00:56:26,080 --> 00:56:28,640 Speaker 1: also know that you know, once you know what the 1071 00:56:28,640 --> 00:56:31,000 Speaker 1: baking challenge is going to be, there's about twenty minutes 1072 00:56:31,040 --> 00:56:34,040 Speaker 1: of someone accidentally cracking an egg wrong or being like 1073 00:56:34,080 --> 00:56:37,759 Speaker 1: a cramp, pat isn't setting properly, or something or another 1074 00:56:37,760 --> 00:56:38,960 Speaker 1: where it's like I don't need to hear you say 1075 00:56:38,960 --> 00:56:40,480 Speaker 1: the same thing over and over again. Let's get to 1076 00:56:40,520 --> 00:56:42,520 Speaker 1: the reviews so I can hear Paul Hollywood say this 1077 00:56:42,600 --> 00:56:45,840 Speaker 1: is stodgy. That's what I'm here for. Well, Daniel, I 1078 00:56:45,880 --> 00:56:49,279 Speaker 1: have a question like when you are on titch and 1079 00:56:49,360 --> 00:56:52,480 Speaker 1: you're doing second screen, can you tell me what's happening 1080 00:56:52,960 --> 00:56:55,160 Speaker 1: on both? Like if someone were to come up to 1081 00:56:55,200 --> 00:56:57,840 Speaker 1: you and ask you, well, what's going on in the 1082 00:56:57,840 --> 00:56:59,640 Speaker 1: show that you're watching or what's going on on Twitch 1083 00:56:59,719 --> 00:57:02,040 Speaker 1: right now? Could you tell me? Yeah? I think so 1084 00:57:02,160 --> 00:57:04,160 Speaker 1: well because most of the time with Twitch. So for example, 1085 00:57:04,160 --> 00:57:06,800 Speaker 1: I'm gonna give you a second screen example for today. 1086 00:57:07,120 --> 00:57:09,000 Speaker 1: I'm gonna be editing a lot of podcasts today and 1087 00:57:09,000 --> 00:57:11,880 Speaker 1: we're probably gonna talk about this on translator. But the 1088 00:57:11,880 --> 00:57:14,160 Speaker 1: World Championships of League of Legends are about to start. 1089 00:57:14,160 --> 00:57:15,879 Speaker 1: It's about to enter the play ins where there's gonna 1090 00:57:15,880 --> 00:57:18,320 Speaker 1: be games all day long. And while I may not 1091 00:57:18,360 --> 00:57:20,760 Speaker 1: be able to tell you moment to moment exactly what 1092 00:57:20,800 --> 00:57:23,160 Speaker 1: play is happening, I'll be able to say, oh, yeah, 1093 00:57:23,240 --> 00:57:25,240 Speaker 1: this is the play in stage of Worlds, and Fanatic 1094 00:57:25,360 --> 00:57:28,440 Speaker 1: is playing Detonation focused me in the first round of 1095 00:57:28,440 --> 00:57:31,440 Speaker 1: the plans and um not just an important one. And 1096 00:57:31,480 --> 00:57:33,120 Speaker 1: so it's like, well, I might not be able to 1097 00:57:33,120 --> 00:57:35,680 Speaker 1: tell you exactly moment to moment, the context of what's 1098 00:57:35,680 --> 00:57:37,320 Speaker 1: going on is really what I'm trying to gather, and 1099 00:57:37,320 --> 00:57:38,640 Speaker 1: I'll check over and be like, oh, that was a 1100 00:57:38,680 --> 00:57:41,080 Speaker 1: cool play. All right, at it right? What's going on there? 1101 00:57:41,320 --> 00:57:43,680 Speaker 1: That's what's happening. Oh they won the game? Sick Hell yeah, okay, 1102 00:57:43,760 --> 00:57:46,480 Speaker 1: next game. The wood to marshmallow ratio, I think is 1103 00:57:46,520 --> 00:57:48,760 Speaker 1: a good idea of that's actually what a what a 1104 00:57:48,880 --> 00:57:52,440 Speaker 1: prime second screen show gives you where you can like 1105 00:57:52,480 --> 00:57:54,720 Speaker 1: when the wood parts are happening, you know it's wooden, 1106 00:57:55,360 --> 00:57:57,080 Speaker 1: and then when the marshmallows come up, you know it's 1107 00:57:57,080 --> 00:57:59,040 Speaker 1: a marshmallow, and it's time to shift focus. That's why 1108 00:57:59,120 --> 00:58:02,280 Speaker 1: I'll watch trash reality like My Real Housewives and Ship 1109 00:58:02,520 --> 00:58:04,439 Speaker 1: there's a lot of wood in between, and then start 1110 00:58:04,880 --> 00:58:10,760 Speaker 1: off and you're like, here's my marshmallows. Now, Miles, do 1111 00:58:10,960 --> 00:58:14,840 Speaker 1: you watch Salt Lake City? I'm about to start season two. 1112 00:58:15,880 --> 00:58:18,240 Speaker 1: I watched season one. I'm behind on My Real Housewives 1113 00:58:18,240 --> 00:58:21,120 Speaker 1: and I know, look Anna super Induction and is always like, 1114 00:58:21,160 --> 00:58:23,840 Speaker 1: did you watch Jen run from the Feds yet? I'm like, no, 1115 00:58:23,960 --> 00:58:26,080 Speaker 1: I haven't gotten there yet, but I would love to 1116 00:58:26,120 --> 00:58:28,760 Speaker 1: see it. I love to see it. But yes it's 1117 00:58:28,760 --> 00:58:34,760 Speaker 1: on its okay, okay, okay, well it's Marshmallows City or 1118 00:58:34,800 --> 00:58:39,080 Speaker 1: what Real Real Housewives? Well, Real Housewives is actually kind 1119 00:58:39,080 --> 00:58:42,120 Speaker 1: of perfect second screening. Now that you mentioned I'm like, yeah, 1120 00:58:42,240 --> 00:58:46,880 Speaker 1: always like that's what. Yeah, I accidentally watched Beverly Hills 1121 00:58:47,080 --> 00:58:50,320 Speaker 1: and I was like, wait, what's happening? Yeah, exactly, definitely 1122 00:58:50,360 --> 00:58:53,120 Speaker 1: watched it. I love that you do the below deck. 1123 00:58:53,200 --> 00:58:56,320 Speaker 1: All that stuff is easy. It's easy. It's easy. But yeah, 1124 00:58:56,360 --> 00:58:59,400 Speaker 1: like some of the articles that this writer Digital Trends 1125 00:58:59,440 --> 00:59:02,880 Speaker 1: was saying, it's just stuff like Terminator to Ferris Bueller's 1126 00:59:02,960 --> 00:59:05,440 Speaker 1: Day Off an, I'm like, sure like those, but I 1127 00:59:05,440 --> 00:59:08,480 Speaker 1: think what is all being said is like, should you know, 1128 00:59:09,080 --> 00:59:12,280 Speaker 1: just downpat so it doesn't matter like you just like, 1129 00:59:12,280 --> 00:59:14,440 Speaker 1: oh yeah, here's the part where the raptors are in 1130 00:59:14,480 --> 00:59:18,200 Speaker 1: the kitchen hunting my kids and ship in Jurassic Park. Well, 1131 00:59:18,480 --> 00:59:21,040 Speaker 1: k B, thank you so much for joining us today. 1132 00:59:21,480 --> 00:59:24,400 Speaker 1: Where can people find you and follow you? And more 1133 00:59:24,440 --> 00:59:27,880 Speaker 1: importantly here you They are so interested and I'm telling 1134 00:59:27,920 --> 00:59:31,200 Speaker 1: you you should be. Thanks so much for having me. 1135 00:59:31,520 --> 00:59:34,040 Speaker 1: This was such a blast. But listen, you can find 1136 00:59:34,040 --> 00:59:37,200 Speaker 1: me on social media Instagram and Twitter only though like 1137 00:59:37,280 --> 00:59:40,760 Speaker 1: I am not on Facebook. Uh the Lady k B 1138 00:59:41,240 --> 00:59:43,800 Speaker 1: T H E l A d y k A y B. 1139 00:59:44,520 --> 00:59:47,880 Speaker 1: And you can listen to On Call with KB starting 1140 00:59:47,960 --> 00:59:51,720 Speaker 1: October six, so every Thursday it will be dropping weekly. 1141 00:59:51,840 --> 00:59:54,880 Speaker 1: Season one is about Gray's Anatomy, as I mentioned before, 1142 00:59:55,240 --> 00:59:58,360 Speaker 1: to join us for you know, some Grace talk, and 1143 00:59:58,440 --> 01:00:01,440 Speaker 1: you can listen to it anywhere that you get your podcasts, 1144 01:00:01,480 --> 01:00:06,360 Speaker 1: so you know, Pandora, Spotify, the I Heart app Apple 1145 01:00:06,680 --> 01:00:11,959 Speaker 1: podcast wherever. So yeah, man, yeah, Graves as wild, I don't. 1146 01:00:12,320 --> 01:00:14,920 Speaker 1: I only I only watched it in drips and drabs 1147 01:00:14,960 --> 01:00:17,320 Speaker 1: because my partner, Her Majesty is watching it currently and 1148 01:00:17,320 --> 01:00:19,040 Speaker 1: I was like, wait, why did the hospital? Why is 1149 01:00:19,040 --> 01:00:22,920 Speaker 1: it called Gray Sloan? Now? What happened? So many? So 1150 01:00:22,960 --> 01:00:25,920 Speaker 1: many deaths. I didn't know they were they were I 1151 01:00:25,920 --> 01:00:28,640 Speaker 1: didn't know they were military doctors that somewhere military. I 1152 01:00:28,640 --> 01:00:30,919 Speaker 1: didn't even know that about the show. I didn't know that. 1153 01:00:31,520 --> 01:00:33,760 Speaker 1: Uh man, there's just so much going on, you know, 1154 01:00:33,960 --> 01:00:36,320 Speaker 1: a lot. I didn't know Debbie Allen was Jesse's mom 1155 01:00:36,360 --> 01:00:39,200 Speaker 1: in it. It's like, what is going on? It's so 1156 01:00:39,280 --> 01:00:41,840 Speaker 1: much just happening in Miles. You know, maybe you should 1157 01:00:41,880 --> 01:00:45,040 Speaker 1: be glad that they switched the character from from Miles 1158 01:00:45,080 --> 01:00:49,040 Speaker 1: to Meredith, because Meredith is quite literally the character that's 1159 01:00:49,040 --> 01:00:52,320 Speaker 1: had the most tragedy on any TV show, and I've 1160 01:00:52,360 --> 01:00:55,480 Speaker 1: noticed that. I think that she has had the hardest life. 1161 01:00:55,760 --> 01:00:58,000 Speaker 1: And from the season, how come the season for now 1162 01:00:58,080 --> 01:00:59,960 Speaker 1: is you like, you know it's gonna be fucked up? 1163 01:01:00,280 --> 01:01:02,600 Speaker 1: You just know, I mean, because I have created it 1164 01:01:02,640 --> 01:01:04,960 Speaker 1: that way. I think that she, you know, she was like, 1165 01:01:05,040 --> 01:01:07,160 Speaker 1: let me give you all drama. Y'all said, y'all one drama. 1166 01:01:07,200 --> 01:01:09,680 Speaker 1: So I'm right and I'm so ignorant. I'm like, I 1167 01:01:09,760 --> 01:01:12,800 Speaker 1: was doing the Leonardo DiCaprio in Once upon a Time 1168 01:01:12,800 --> 01:01:14,880 Speaker 1: in Hollywood meme where he's like pointing at the fucking 1169 01:01:14,920 --> 01:01:18,360 Speaker 1: TV from his couch. I'm like, that's Jade. And then 1170 01:01:18,480 --> 01:01:20,439 Speaker 1: she's like, yeah, that's what she's like that she blew 1171 01:01:20,520 --> 01:01:22,640 Speaker 1: up on this show. I'm like, I don't know, ship, Okay, 1172 01:01:22,760 --> 01:01:26,600 Speaker 1: I didn't know anyway, check that out. And what is 1173 01:01:26,640 --> 01:01:29,080 Speaker 1: a tweet or some other sort of social media posts 1174 01:01:29,120 --> 01:01:32,480 Speaker 1: that you've been like in lately, KP. Yeah, you know 1175 01:01:33,200 --> 01:01:35,840 Speaker 1: a tweet that I just recently liked is the one 1176 01:01:36,080 --> 01:01:39,320 Speaker 1: that said, you know, me sending my friends encouraging messages 1177 01:01:39,640 --> 01:01:42,240 Speaker 1: even though my life is a hot mess too. That 1178 01:01:42,320 --> 01:01:45,600 Speaker 1: pretty much summed it up. You know, life is a 1179 01:01:45,640 --> 01:01:50,960 Speaker 1: life is a lifing currently and I'm still sending my friends, 1180 01:01:51,120 --> 01:01:54,160 Speaker 1: you know, like all the encouraging messages like yes, girl, 1181 01:01:54,200 --> 01:01:58,280 Speaker 1: you got this. You keep climbing, you know. Meanwhile, I'm 1182 01:01:58,360 --> 01:02:00,720 Speaker 1: in bed, but to find the ways, try and find 1183 01:02:00,720 --> 01:02:03,480 Speaker 1: the wisdom in it. There's wisdom and everything, but look 1184 01:02:03,560 --> 01:02:06,160 Speaker 1: for it, don't run away from it. That's yes, yes, 1185 01:02:06,240 --> 01:02:08,320 Speaker 1: you have to find it so you know. Meanwhile, I'm like, 1186 01:02:08,680 --> 01:02:11,000 Speaker 1: my life is lifing, but you know what, there will 1187 01:02:11,080 --> 01:02:13,880 Speaker 1: always be something positive on the other side. Just have 1188 01:02:13,960 --> 01:02:17,760 Speaker 1: to be exactly. Daniel, thank you so much for kicking 1189 01:02:17,760 --> 01:02:19,040 Speaker 1: in with me the last couple of days. Where can 1190 01:02:19,040 --> 01:02:20,960 Speaker 1: people find you? Don't follow? You know? What's a social 1191 01:02:21,000 --> 01:02:23,720 Speaker 1: post you've been liking? Geez? You can find me all 1192 01:02:23,760 --> 01:02:27,000 Speaker 1: over the internet at DJ Underscore d a n L. 1193 01:02:27,120 --> 01:02:29,440 Speaker 1: Since today is Friday, you can find me on twitch 1194 01:02:29,480 --> 01:02:32,440 Speaker 1: at twitch dot tv slash DJ Underscore d A n L. 1195 01:02:32,480 --> 01:02:34,400 Speaker 1: I'll be there playing Goes to Tushima as part of 1196 01:02:34,480 --> 01:02:36,919 Speaker 1: Daniel's backlog, where I go through all of the single 1197 01:02:36,920 --> 01:02:39,920 Speaker 1: player games that I haven't finished and finished. You are 1198 01:02:39,920 --> 01:02:48,640 Speaker 1: you're not gonna ask me to wow wow on that wow? 1199 01:02:52,320 --> 01:02:53,680 Speaker 1: You know, I don't. I don't. I don't put the 1200 01:02:53,720 --> 01:02:56,680 Speaker 1: dub on. You know I got that straight Japanese no subtitles, 1201 01:02:56,720 --> 01:02:59,480 Speaker 1: baby and corsoo mode. Damn, you were going to be 1202 01:02:59,640 --> 01:03:04,800 Speaker 1: upset and how I'm playing it the dubbed don't don't Anyway, 1203 01:03:04,800 --> 01:03:07,400 Speaker 1: We're moving on. So my my tweet that I like 1204 01:03:08,040 --> 01:03:12,760 Speaker 1: is from L was a mistake at unintentioned L date. 1205 01:03:13,000 --> 01:03:15,840 Speaker 1: So you like cooking me? Yeah? I make a mean 1206 01:03:15,880 --> 01:03:22,600 Speaker 1: bruschetta brushetta. What up, little bitch boy? I make a 1207 01:03:22,680 --> 01:03:26,360 Speaker 1: mean one. Oh, let's see some tweets I like from 1208 01:03:26,720 --> 01:03:30,080 Speaker 1: New York Times pitchpot at Doug Jay Balloon. Uh, they 1209 01:03:30,080 --> 01:03:32,760 Speaker 1: always do fake New York Times headline. This one is opinion. 1210 01:03:33,080 --> 01:03:35,880 Speaker 1: I was a lifelong liberal Democrat, then I saw a 1211 01:03:35,880 --> 01:03:38,560 Speaker 1: baby give money to a drag queen, and now I'm 1212 01:03:38,600 --> 01:03:43,880 Speaker 1: a Nazi, which feels about right. Another one Travis View 1213 01:03:43,880 --> 01:03:46,960 Speaker 1: at Travis Underscore View. Treated My top issues this election 1214 01:03:47,000 --> 01:03:51,160 Speaker 1: are simple women's collegiate swimming, the race of fantasy characters, 1215 01:03:51,400 --> 01:03:54,560 Speaker 1: and historical flutes. Because it seems like a lot of 1216 01:03:54,560 --> 01:03:57,960 Speaker 1: people have all their opinions wrapped up in that nonsense. 1217 01:03:58,480 --> 01:04:02,480 Speaker 1: You can find me at miles of on Twitter and Instagram. Uh. 1218 01:04:02,520 --> 01:04:04,920 Speaker 1: You can also find me and Jack on Miles and 1219 01:04:05,000 --> 01:04:08,160 Speaker 1: Jack Got Mad. Boosties are weekly basketball podcast. You can 1220 01:04:08,200 --> 01:04:11,560 Speaker 1: find me on four twenty Day Fiance with Sophia Alexandra 1221 01:04:11,680 --> 01:04:14,479 Speaker 1: where guess what we're smoking that loud and talking ninety 1222 01:04:14,520 --> 01:04:17,480 Speaker 1: day fiance the only way you can talk about that. However, 1223 01:04:17,640 --> 01:04:19,440 Speaker 1: you can also find us at Daily se Guys on 1224 01:04:19,480 --> 01:04:21,400 Speaker 1: Twitter at the Daily si Guess on Instagram. We got 1225 01:04:21,400 --> 01:04:23,320 Speaker 1: a Facebook fan base and a website dailies like guys 1226 01:04:23,360 --> 01:04:28,480 Speaker 1: dot com where we post our episodes and our footnotes. Daniel, Wow, 1227 01:04:29,240 --> 01:04:34,840 Speaker 1: caught you lacking bro Real Friday, Real Friday kind of 1228 01:04:34,920 --> 01:04:38,400 Speaker 1: vibes from This Friday daf one where we link off 1229 01:04:38,400 --> 01:04:40,720 Speaker 1: to all the articles we talked to talk about as 1230 01:04:40,760 --> 01:04:42,600 Speaker 1: well as the song we're gonna write out on. And 1231 01:04:42,600 --> 01:04:45,560 Speaker 1: we are going to write out on. This group Los Kenya, 1232 01:04:45,920 --> 01:04:49,200 Speaker 1: which has a TV called Record and Tv and they 1233 01:04:49,480 --> 01:04:53,680 Speaker 1: are basically from what I'm understanding, like it's from an 1234 01:04:53,720 --> 01:04:58,760 Speaker 1: album that I believe is called Latino and this is 1235 01:04:58,800 --> 01:05:03,440 Speaker 1: a Venezuelan kind of sixties salsa fusion group. It's dope. 1236 01:05:03,600 --> 01:05:06,640 Speaker 1: It's dope. Okay, you're gonna like this. This is like 1237 01:05:06,720 --> 01:05:09,240 Speaker 1: just this about like this is a group this guy formed, 1238 01:05:09,520 --> 01:05:12,240 Speaker 1: and I really should have to say less. This is 1239 01:05:12,280 --> 01:05:15,200 Speaker 1: just good weekend vibes for you to take into the weekend. Alright, 1240 01:05:15,240 --> 01:05:18,040 Speaker 1: so until Monday. We'll be back to tell you what's 1241 01:05:18,080 --> 01:05:20,160 Speaker 1: trending later today, but then we'll see you Monday. Have 1242 01:05:20,280 --> 01:05:23,880 Speaker 1: a great weekend, see some blessings. Uh and yeah, check 1243 01:05:23,880 --> 01:05:26,280 Speaker 1: out the dailies that guys, forever get your podcasts for free. 1244 01:05:26,320 --> 01:05:27,720 Speaker 1: That could be the I Heart Radio app or wherever. 1245 01:05:27,760 --> 01:05:29,840 Speaker 1: That is. All right, talk to you later, Bye bye,