1 00:00:01,000 --> 00:00:04,840 Speaker 1: Look man, oh I see you. Why why and look 2 00:00:04,840 --> 00:00:10,920 Speaker 1: over there? How is that nulture? Yes? Goodness, let's ding 3 00:00:11,000 --> 00:00:15,000 Speaker 1: do is calling? Why are you coming into exuberan? I 4 00:00:15,040 --> 00:00:18,000 Speaker 1: want I wanted to test out like, well, it failed, 5 00:00:18,040 --> 00:00:20,799 Speaker 1: pitching up? You know what would you like me to? 6 00:00:21,040 --> 00:00:25,080 Speaker 1: I guess correct myself. Here's here, just my behavior grew. 7 00:00:25,440 --> 00:00:27,120 Speaker 1: Here's what I was trying to do. I was trying 8 00:00:27,160 --> 00:00:30,400 Speaker 1: to go ding don, let's cultures is calling. It was 9 00:00:30,440 --> 00:00:33,400 Speaker 1: shocking for me. I can try it again. Now, well 10 00:00:33,520 --> 00:00:35,440 Speaker 1: let's go No no, no, no, no, no no, we do 11 00:00:35,479 --> 00:00:40,720 Speaker 1: what you do. We can't do this is going I 12 00:00:40,760 --> 00:00:43,199 Speaker 1: feel like everyone will have turned it off, you know, 13 00:00:44,120 --> 00:00:47,120 Speaker 1: scream at them. We're not screaming. We're giving him something 14 00:00:47,120 --> 00:00:50,080 Speaker 1: a little bit different. Here's a difference between Bo and 15 00:00:50,159 --> 00:00:53,680 Speaker 1: between Mo, a name that I never have given to 16 00:00:53,720 --> 00:00:57,520 Speaker 1: myself until just now. Sometimes Bo will come in and 17 00:00:57,520 --> 00:00:59,200 Speaker 1: he'll say, I think we need to change it up 18 00:00:59,240 --> 00:01:02,080 Speaker 1: a little bit, And now I say, we have to 19 00:01:02,160 --> 00:01:06,600 Speaker 1: keep the podcast the exact same. I think we can't 20 00:01:06,600 --> 00:01:11,520 Speaker 1: be so resistant to change. Progress is a coming. I 21 00:01:11,520 --> 00:01:15,200 Speaker 1: believe that was a song in the in late sixties. 22 00:01:15,560 --> 00:01:19,720 Speaker 1: Progresses are coming, A change is gonna come. Oh yes, 23 00:01:20,400 --> 00:01:24,720 Speaker 1: or um. The times they are changing, Oh yeah, um, 24 00:01:24,760 --> 00:01:27,720 Speaker 1: and they are indeed they are indeed at all times, 25 00:01:27,840 --> 00:01:31,039 Speaker 1: at all times. What's amazing about the world is you 26 00:01:31,080 --> 00:01:33,720 Speaker 1: wake up every day and it's a little different than 27 00:01:33,760 --> 00:01:38,080 Speaker 1: it was the day before. And sometimes you get big news. 28 00:01:38,600 --> 00:01:41,839 Speaker 1: And bowen, I think that our guest today has gotten 29 00:01:41,880 --> 00:01:45,480 Speaker 1: the biggest news, and we have through her, we have 30 00:01:45,840 --> 00:01:50,720 Speaker 1: received that news unto ourselves in the biggest way, in 31 00:01:50,760 --> 00:01:54,960 Speaker 1: the greatest, biggest way. She is, she is the greatest showman. 32 00:01:55,120 --> 00:01:59,960 Speaker 1: And I would say she is the biggest treat I say, 33 00:02:00,120 --> 00:02:03,800 Speaker 1: I would say, amongst some large treats out there, she 34 00:02:04,640 --> 00:02:09,480 Speaker 1: is will Will will speak, the biggest treat of them all. 35 00:02:10,160 --> 00:02:12,359 Speaker 1: So let's go through the credits. You go through the credits, 36 00:02:13,080 --> 00:02:15,960 Speaker 1: and I will I will sit here in Baska. She 37 00:02:16,320 --> 00:02:24,639 Speaker 1: is the the Goddess, the Goddess, the Queen. She's the Goddess, 38 00:02:24,680 --> 00:02:29,360 Speaker 1: the Queen, the Empress. You can watch her amazing, amazing 39 00:02:29,400 --> 00:02:33,520 Speaker 1: talk show popping off with Annie don Ley. Um. The 40 00:02:33,600 --> 00:02:37,320 Speaker 1: episodes are the old episodes are on Facebook. There might be, 41 00:02:38,080 --> 00:02:41,080 Speaker 1: you know, in the future, some you know, a nice 42 00:02:41,080 --> 00:02:44,080 Speaker 1: little revival of it, a reboot. Who knows, we'll see 43 00:02:44,200 --> 00:02:46,920 Speaker 1: might be a live thing might be something different for 44 00:02:47,120 --> 00:02:49,440 Speaker 1: you would be something coming up a little bit there. 45 00:02:49,440 --> 00:02:53,000 Speaker 1: Speaking of reboots, she is now performing progress is a comment. 46 00:02:53,040 --> 00:02:55,680 Speaker 1: She's not performing with the new iteration of the famous 47 00:02:56,000 --> 00:02:59,840 Speaker 1: Holy Comedy Hour brought over from Chicago from the annoyance 48 00:02:59,840 --> 00:03:02,400 Speaker 1: the You're there from Chicago to New York, from Chicago 49 00:03:02,480 --> 00:03:04,880 Speaker 1: to New York. Oh, and like so many others, like 50 00:03:04,919 --> 00:03:08,639 Speaker 1: so many others, but just her arrival here in New 51 00:03:08,720 --> 00:03:12,000 Speaker 1: York City was the big, blessing momentous. We haven't seen 52 00:03:12,440 --> 00:03:15,920 Speaker 1: this big of a momentous changed since since Tina fe 53 00:03:15,960 --> 00:03:18,400 Speaker 1: Now our guest is in the new iteration of the 54 00:03:18,440 --> 00:03:22,400 Speaker 1: Holy Comedy Hour now called yard Sale Comedy at Union Hall. 55 00:03:23,040 --> 00:03:27,640 Speaker 1: So you can check her out there, uh from the movie, 56 00:03:27,800 --> 00:03:31,760 Speaker 1: from the movie The Big Sick Um. So this is 57 00:03:31,840 --> 00:03:35,320 Speaker 1: and this is a true, true, true blue culture resta. 58 00:03:35,480 --> 00:03:39,360 Speaker 1: And you may recognize her from last Cultures Live episodes 59 00:03:39,520 --> 00:03:42,120 Speaker 1: in the past. And she actually came, I believe in 60 00:03:42,880 --> 00:03:44,720 Speaker 1: she was a finalist, She was a runner up in 61 00:03:44,800 --> 00:03:48,400 Speaker 1: Culture War. Yes, the battle and she oh God, if 62 00:03:48,440 --> 00:03:50,760 Speaker 1: you will talk about this, but the reaction of her 63 00:03:50,760 --> 00:03:53,920 Speaker 1: walking down the aisle was I will never forget it. 64 00:03:53,920 --> 00:03:57,240 Speaker 1: I've never experienced something like that, So please not amongst 65 00:03:57,240 --> 00:04:01,120 Speaker 1: my warm not amongst them. Please warmly welcome our guest 66 00:04:01,640 --> 00:04:08,240 Speaker 1: and the Queen, the Queen, Queen of Queef. Thank you, Queen. 67 00:04:08,240 --> 00:04:09,960 Speaker 1: It is Queen of Quef. And I have to think 68 00:04:10,000 --> 00:04:15,440 Speaker 1: you're the only one who always truly says what my 69 00:04:16,000 --> 00:04:20,800 Speaker 1: queen title? What is that? Why don't people respect the 70 00:04:20,839 --> 00:04:24,239 Speaker 1: title her Royal Highness? Well, people will call me queen 71 00:04:24,400 --> 00:04:27,520 Speaker 1: and I think they think it's Queen of comedy. I 72 00:04:27,560 --> 00:04:29,640 Speaker 1: think you're right though, I think they think that. Yeah, 73 00:04:29,720 --> 00:04:32,039 Speaker 1: they do. They She's the Queen, She's the Queen. I'm like, 74 00:04:32,200 --> 00:04:33,680 Speaker 1: do you know what you're saying? You don't know what 75 00:04:33,720 --> 00:04:38,080 Speaker 1: you're saying? Right? It is King of Queendom, Queen Queen. 76 00:04:38,440 --> 00:04:42,279 Speaker 1: I think I believe, I believe. To quote the bio, 77 00:04:42,480 --> 00:04:47,520 Speaker 1: it's Annie Donneley, Queen of Kingdom Queef. You can't handle 78 00:04:47,560 --> 00:04:51,360 Speaker 1: the bitch. Yes, I'm post tastic and mega madness. You 79 00:04:51,520 --> 00:04:54,760 Speaker 1: can't handle the bit and post tastic and mega madness? 80 00:04:54,800 --> 00:04:57,600 Speaker 1: Is that from your own made that up? Oh my god? 81 00:04:58,600 --> 00:05:00,839 Speaker 1: I thought it was a nice hook. Is the Twitter 82 00:05:01,160 --> 00:05:04,359 Speaker 1: at Annie? The Queen's only the Twitter is at Annie? 83 00:05:04,360 --> 00:05:11,400 Speaker 1: Ask queets? Yes? So because it's actually rule of culture 84 00:05:11,480 --> 00:05:16,120 Speaker 1: number forty two, as conque too asks his queefs too 85 00:05:16,480 --> 00:05:20,039 Speaker 1: asks his squeeves to go and brush your shoulders off. 86 00:05:20,120 --> 00:05:23,719 Speaker 1: I believe the lyrics absolutely. Now let's talk about the 87 00:05:23,720 --> 00:05:26,479 Speaker 1: Twitter for a second, because they are truly our favorite Twitter, 88 00:05:26,920 --> 00:05:29,960 Speaker 1: our favorite Twitter. We will sometimes like many of the 89 00:05:30,000 --> 00:05:31,680 Speaker 1: tweets and retweet them all at once. I don't know 90 00:05:31,720 --> 00:05:36,000 Speaker 1: if your phone ever blows up. No, I think I 91 00:05:36,000 --> 00:05:38,960 Speaker 1: think Annie has one of the unforgettable tweets that we 92 00:05:39,080 --> 00:05:43,799 Speaker 1: that we that we quote memory so so many times. Yes, 93 00:05:44,360 --> 00:05:50,120 Speaker 1: here we go. Yeah. My favorite episode of the Simpsons 94 00:05:50,920 --> 00:05:57,680 Speaker 1: is when Bart Fox Big Titan Marge and she oh Bart, 95 00:06:00,200 --> 00:06:10,960 Speaker 1: when and she go, oh Bart Bart. I never thought 96 00:06:11,000 --> 00:06:18,159 Speaker 1: about it in her voice until now. That's bad. That's bad. 97 00:06:18,720 --> 00:06:30,360 Speaker 1: But imagine those big swinging titoks. Oh my god, I 98 00:06:30,360 --> 00:06:33,039 Speaker 1: guess I guess you know what. I've just never sexualized 99 00:06:33,240 --> 00:06:36,000 Speaker 1: Marge before, but it may need to go online. A 100 00:06:36,040 --> 00:06:38,120 Speaker 1: lot of people do, do they really? A lot of 101 00:06:38,160 --> 00:06:41,919 Speaker 1: people sexualized Marge and um family guy a lois. No. 102 00:06:42,080 --> 00:06:46,120 Speaker 1: I don't like that she's sucking the dog upstairs downstairs 103 00:06:46,160 --> 00:06:53,400 Speaker 1: and dogt you han't I Hentai is the subculture, the 104 00:06:53,440 --> 00:06:57,600 Speaker 1: sub genre of porn in which famous cartoon characters pop 105 00:06:57,600 --> 00:07:03,080 Speaker 1: culture characters are you know, paled basically just sodomized. And 106 00:07:03,120 --> 00:07:06,640 Speaker 1: do they canonically mix like could yeah, yeah, this crossover 107 00:07:06,920 --> 00:07:11,920 Speaker 1: so we can see like Pikachu fuck you know, yes, yes, Simpson. 108 00:07:12,440 --> 00:07:14,600 Speaker 1: I mean it's very unfortunate that, like it's usually it's 109 00:07:14,600 --> 00:07:17,440 Speaker 1: always the women who are just being that's horrible. Well, 110 00:07:17,440 --> 00:07:19,760 Speaker 1: I have to tell you it's not always cartoons. I 111 00:07:19,880 --> 00:07:24,280 Speaker 1: read a fan fiction of Tim the tool Man Taylor, 112 00:07:24,320 --> 00:07:28,480 Speaker 1: and he was sucking his son Brad and Wilson wanted 113 00:07:28,520 --> 00:07:31,040 Speaker 1: a piece, but you know, he can't come out from 114 00:07:31,040 --> 00:07:35,800 Speaker 1: behind the no. I swear I read it. It was 115 00:07:35,840 --> 00:07:40,800 Speaker 1: this gay fan fiction. It was erotic. Brad was the 116 00:07:40,840 --> 00:07:43,280 Speaker 1: oldest son he was he was not okay, I'm sorry. 117 00:07:43,280 --> 00:07:46,120 Speaker 1: It was j T T. I don't know. I always 118 00:07:46,120 --> 00:07:47,720 Speaker 1: referred to him as j T T. And I think 119 00:07:47,760 --> 00:07:53,080 Speaker 1: so did many. Yeah, yeah, yeah, heartthrop. I want to 120 00:07:53,120 --> 00:07:56,440 Speaker 1: see him now, what does look like? You know, he 121 00:07:56,600 --> 00:08:01,440 Speaker 1: looks like himself, only like in suits. Oh I've recently 122 00:08:01,480 --> 00:08:05,280 Speaker 1: seen and he's not you know what I will say, 123 00:08:05,440 --> 00:08:09,800 Speaker 1: Oh God, he hasn't grown into adulthood the way you 124 00:08:09,920 --> 00:08:15,760 Speaker 1: think he should have. He didn't Leonardo DiCaprio exactly. He Um, 125 00:08:15,880 --> 00:08:18,520 Speaker 1: he didn't even Macaulay Culkin to be able. Did Leonardo 126 00:08:18,640 --> 00:08:23,160 Speaker 1: grow into adulthood? I think Leonardo grew into a handsome man. Although, however, 127 00:08:23,320 --> 00:08:26,840 Speaker 1: I know that's a controversial thing to say, actually, because 128 00:08:26,880 --> 00:08:29,520 Speaker 1: we've had people on this very podcast come out and 129 00:08:29,560 --> 00:08:34,559 Speaker 1: say that his face was a six and his body's 130 00:08:34,559 --> 00:08:37,880 Speaker 1: a two. I think Sydney Washington said that, Yeah, yeah, yeah, 131 00:08:37,920 --> 00:08:40,080 Speaker 1: I would give him more than a six. I would 132 00:08:40,120 --> 00:08:42,640 Speaker 1: give him a solid nine or ten on face. To 133 00:08:42,679 --> 00:08:45,720 Speaker 1: be honest, man is very handsome. The face is there, 134 00:08:45,800 --> 00:08:48,280 Speaker 1: the faces, the face is there, Yeah, it really is. 135 00:08:48,320 --> 00:08:50,600 Speaker 1: He's serving face. But the But I don't know if 136 00:08:50,600 --> 00:08:54,120 Speaker 1: I feel like he's grown into adulthood properly. No, no, no, 137 00:08:54,400 --> 00:08:59,839 Speaker 1: you know what though, Um, I appreciate that he dare 138 00:09:00,120 --> 00:09:02,840 Speaker 1: is to go out there and say, you know what, 139 00:09:03,040 --> 00:09:05,560 Speaker 1: this is my body. Yes, you know what I mean. 140 00:09:05,760 --> 00:09:09,960 Speaker 1: Leonardo DiCaprio is very body positive. Yes, yes, he doesn't care. 141 00:09:10,360 --> 00:09:13,640 Speaker 1: He knows you're judging him on the big screen. That's 142 00:09:13,640 --> 00:09:17,559 Speaker 1: why he dates models that are both thin and and 143 00:09:17,880 --> 00:09:20,360 Speaker 1: not like him even more thin. Yes, you know what 144 00:09:20,360 --> 00:09:22,360 Speaker 1: I mean. That's why he writ he dates many different 145 00:09:22,440 --> 00:09:25,680 Speaker 1: kinds of models, different different kinds of models, different kinds 146 00:09:25,679 --> 00:09:29,240 Speaker 1: of models and and hot actresses. He there's diversity in 147 00:09:29,280 --> 00:09:33,200 Speaker 1: the people that he fucked. Yes, he'll sometimes Blake Lively 148 00:09:33,280 --> 00:09:37,600 Speaker 1: and sometimes is that who? You know? I know he? 149 00:09:37,880 --> 00:09:41,040 Speaker 1: I know he fucked Blake Lively? Oh my god, how 150 00:09:41,040 --> 00:09:45,480 Speaker 1: do you know? I frequently will read a magazine who who? 151 00:09:45,800 --> 00:09:51,280 Speaker 1: Who he fucked? I'm saying, I'm saying that who he fu? Magazine? 152 00:09:51,320 --> 00:09:54,040 Speaker 1: You never you haven't read who read? I haven't read 153 00:09:54,120 --> 00:09:58,080 Speaker 1: any tabloid or People magazine since Michael Jackson died. I 154 00:09:58,120 --> 00:10:00,280 Speaker 1: swore to myself on the day of his death, I 155 00:10:00,320 --> 00:10:06,600 Speaker 1: would never read. I was all about all over in 156 00:10:06,640 --> 00:10:10,360 Speaker 1: that day. I was. I signed off because because you 157 00:10:10,440 --> 00:10:13,520 Speaker 1: thought the media killed him. Yes, I believe, I am. 158 00:10:13,880 --> 00:10:16,440 Speaker 1: I admired. I have such respect for that. I really do, 159 00:10:16,720 --> 00:10:19,120 Speaker 1: because sometimes I will all go onto People dot Com 160 00:10:19,200 --> 00:10:23,960 Speaker 1: and I truly turn away. I stopped um going on 161 00:10:24,000 --> 00:10:26,280 Speaker 1: Press Hilton too. There was like, I forget exactly what 162 00:10:26,280 --> 00:10:28,160 Speaker 1: it was, but there was a certain point where I 163 00:10:28,200 --> 00:10:30,360 Speaker 1: was like, I think it was after he had apology. 164 00:10:30,400 --> 00:10:32,800 Speaker 1: Remember he had that big apology where he came out 165 00:10:32,840 --> 00:10:34,480 Speaker 1: and was like, I am no longer going to be mean. 166 00:10:34,840 --> 00:10:36,800 Speaker 1: This site is no longer bullying. It's going to be 167 00:10:36,840 --> 00:10:41,880 Speaker 1: about news and reporting news. And then he went on 168 00:10:41,960 --> 00:10:44,040 Speaker 1: to say like fucked up ship. But now it wasn't 169 00:10:44,120 --> 00:10:47,280 Speaker 1: like these two cliffs were down at the beach looking 170 00:10:47,360 --> 00:10:53,760 Speaker 1: like us now looking like a dirty poop. Now it 171 00:10:53,880 --> 00:10:57,800 Speaker 1: was like, mm, I don't know is this person talented? 172 00:10:57,880 --> 00:11:01,000 Speaker 1: And it was like, no, this is peddling. Stick to 173 00:11:01,080 --> 00:11:04,480 Speaker 1: who you are, see right through you. As I think 174 00:11:04,520 --> 00:11:07,520 Speaker 1: he like got into like physical fights with celebrities because 175 00:11:07,520 --> 00:11:09,560 Speaker 1: he did, Yeah, somebody, I think, oh you know who 176 00:11:09,559 --> 00:11:13,000 Speaker 1: it was? Will i am punched him in the face. Well, 177 00:11:13,000 --> 00:11:17,839 Speaker 1: because because I believe fer thing. No, but according to Perez, 178 00:11:18,200 --> 00:11:23,079 Speaker 1: and you know, I think the the the instinct should 179 00:11:23,120 --> 00:11:26,079 Speaker 1: be to believe him. But according to Perez, well, I 180 00:11:26,120 --> 00:11:29,319 Speaker 1: AM called him a faggot. And I don't know, what 181 00:11:29,679 --> 00:11:32,360 Speaker 1: do you believe? I'm going to bravely say I do 182 00:11:32,440 --> 00:11:35,400 Speaker 1: not believe by the things I am in Brittany, bitch, 183 00:11:35,559 --> 00:11:39,439 Speaker 1: there's no way because you know what, Okay, here here's yeah, 184 00:11:39,559 --> 00:11:41,600 Speaker 1: I'm gonna say. I'm gonna bravely say I don't believe 185 00:11:41,600 --> 00:11:44,440 Speaker 1: Perez and that because of because of who Perez is 186 00:11:44,760 --> 00:11:48,120 Speaker 1: and he's disgusting and he stoops to that, he stoops 187 00:11:48,160 --> 00:11:51,680 Speaker 1: to that level and he um, you know, he fucking 188 00:11:51,760 --> 00:11:55,560 Speaker 1: bought an apartment in the same building as Lady Gaga 189 00:11:55,720 --> 00:11:57,440 Speaker 1: back when they like they used to be best friends. 190 00:11:57,480 --> 00:11:59,760 Speaker 1: And then like he was being an asshol to her 191 00:11:59,800 --> 00:12:01,560 Speaker 1: so so she cut him off and then he like 192 00:12:01,640 --> 00:12:05,360 Speaker 1: would stock her and like thrown put an offer in 193 00:12:05,360 --> 00:12:07,760 Speaker 1: in her building and that she flipped out and was like, 194 00:12:07,760 --> 00:12:10,800 Speaker 1: what the funk are you doing? Get away from me night. 195 00:12:11,080 --> 00:12:14,280 Speaker 1: He is he's like he's like a truly like a noxious, 196 00:12:14,320 --> 00:12:18,080 Speaker 1: parasitic par He's a nice parish person, and you have 197 00:12:18,160 --> 00:12:20,280 Speaker 1: to imagine that it comes from a place of like 198 00:12:20,440 --> 00:12:24,080 Speaker 1: deep unhappiness, because who else that creates a site that's 199 00:12:24,160 --> 00:12:27,600 Speaker 1: literally just to call Jennifer Aniston managed it, but it 200 00:12:27,640 --> 00:12:30,640 Speaker 1: became so popular and it makes me so upset when 201 00:12:30,880 --> 00:12:34,199 Speaker 1: celebrities there's photos of celebrities embracing him and he's at 202 00:12:34,240 --> 00:12:37,839 Speaker 1: like Hollywood parties and he has a place there. People 203 00:12:37,880 --> 00:12:43,480 Speaker 1: forget very quickly in this town. They really do. Wait, 204 00:12:43,559 --> 00:12:46,800 Speaker 1: let's get back to m because was this such a 205 00:12:46,960 --> 00:12:50,120 Speaker 1: deep love for MJ or is this just a general morning. 206 00:12:50,400 --> 00:12:55,079 Speaker 1: I didn't realize how deeply I loved m J until, uh, 207 00:12:55,160 --> 00:12:58,480 Speaker 1: the years surrounding his death. I lived with a roommate. 208 00:12:58,520 --> 00:13:01,560 Speaker 1: Her name is Julia Cobos and Chicago, and she was 209 00:13:01,600 --> 00:13:05,680 Speaker 1: his biggest fan. And when she would her energy like 210 00:13:05,720 --> 00:13:08,160 Speaker 1: brought it out in me. I listened to Michael Jackson. 211 00:13:08,440 --> 00:13:11,080 Speaker 1: I remember being young and my mom like would play 212 00:13:11,120 --> 00:13:14,160 Speaker 1: his albums, which she's like jazzer sizing or whatever. And 213 00:13:14,840 --> 00:13:18,080 Speaker 1: I didn't appreciate him for the performance artist he was. 214 00:13:18,120 --> 00:13:21,200 Speaker 1: I just loved his music. And then once I lived 215 00:13:21,200 --> 00:13:24,320 Speaker 1: with Julia, she would show me clips of him performing 216 00:13:24,440 --> 00:13:28,040 Speaker 1: and his music videos, and it's there's nobody like Michael 217 00:13:28,040 --> 00:13:32,280 Speaker 1: before Michael. He did Michael first, and everyone who followed, 218 00:13:32,400 --> 00:13:36,000 Speaker 1: you know, Beyonce, all these they're doing Michael Beyonce, and 219 00:13:36,160 --> 00:13:38,800 Speaker 1: Beyonce is basically the only person who's like coming close 220 00:13:38,880 --> 00:13:42,199 Speaker 1: to like that that sort of iconography. Yes, who could 221 00:13:42,240 --> 00:13:46,680 Speaker 1: truly transcend, Yes, yes, but even she is derivative. I 222 00:13:46,679 --> 00:13:49,720 Speaker 1: hear what you're saying. Uh, there's a trace of her 223 00:13:50,240 --> 00:13:53,640 Speaker 1: in old acts. I mean, if you watch old Tina 224 00:13:53,679 --> 00:13:58,679 Speaker 1: Turner is doing it extremely well, but that that is 225 00:13:58,720 --> 00:14:01,880 Speaker 1: what she is doing. What I mean like Proud Mary, 226 00:14:02,280 --> 00:14:04,440 Speaker 1: like I bet with no Proud Mary, and no like 227 00:14:04,480 --> 00:14:08,439 Speaker 1: Tina Turner and like her ladies like we don't exactly 228 00:14:08,440 --> 00:14:10,760 Speaker 1: get Beyonce the way we have her. I think she 229 00:14:10,880 --> 00:14:13,480 Speaker 1: is heavily influenced and I would imagine that Michael Jackson 230 00:14:13,559 --> 00:14:15,760 Speaker 1: is a huge part of that employer. But Tina Turner, 231 00:14:15,840 --> 00:14:18,400 Speaker 1: they had such a specific type of performance of Michael 232 00:14:18,480 --> 00:14:22,040 Speaker 1: Jackson was that first like sensational pop star who had 233 00:14:22,080 --> 00:14:26,360 Speaker 1: the background dancers behind him and just like could stand 234 00:14:26,400 --> 00:14:30,960 Speaker 1: on stage. That's all he had to do exactly. I 235 00:14:31,000 --> 00:14:33,480 Speaker 1: think he stood still for a minute and a half 236 00:14:33,560 --> 00:14:38,480 Speaker 1: it was, and then asking yeah and then being like yeah, 237 00:14:38,640 --> 00:14:40,440 Speaker 1: and then one woman got rolled out on a stretcher. 238 00:14:41,360 --> 00:14:44,280 Speaker 1: Wait really yeah? Did you heard? Josh and Aaron Josh 239 00:14:44,320 --> 00:14:46,320 Speaker 1: Sharpen Aaron Jockson tell the story all the time where 240 00:14:46,320 --> 00:14:48,240 Speaker 1: it's like he's still standing there and just one woman 241 00:14:48,360 --> 00:14:51,000 Speaker 1: faints and gets rolled out in a structure. Imagine loving 242 00:14:51,040 --> 00:14:54,120 Speaker 1: someone that much. But he was he was, and he 243 00:14:54,240 --> 00:14:57,800 Speaker 1: was he was the biggest being that close to him. Yes, 244 00:14:58,800 --> 00:15:01,640 Speaker 1: imagine your parents being and called and they say you 245 00:15:01,680 --> 00:15:06,720 Speaker 1: have to come down to the hospital. Your child literally 246 00:15:06,840 --> 00:15:11,160 Speaker 1: fainted about someone they don't know because they stood for 247 00:15:11,200 --> 00:15:17,800 Speaker 1: a minute. Well, I'd be like, I mean, Michael Jackson 248 00:15:17,840 --> 00:15:20,640 Speaker 1: has to be on the hospital record. I mean that 249 00:15:21,520 --> 00:15:24,400 Speaker 1: on the chart. Have you ever cried about Gaga? Have 250 00:15:24,480 --> 00:15:28,680 Speaker 1: you ever cried? Um, I've never cried about like I 251 00:15:28,720 --> 00:15:30,960 Speaker 1: went when I saw her live. I didn't cry because 252 00:15:31,000 --> 00:15:33,480 Speaker 1: I was I was very ill and I just didn't 253 00:15:33,520 --> 00:15:37,240 Speaker 1: have it in me. You really, yeah, I went ill? 254 00:15:37,960 --> 00:15:41,840 Speaker 1: Um like, probably you shouldn't have gone. Yeah, I remember 255 00:15:43,280 --> 00:15:48,320 Speaker 1: the times I've seen Beyonce. I'm like, I just I 256 00:15:48,320 --> 00:15:52,160 Speaker 1: feel you were swept away with the spirit my parameters. Yes, 257 00:15:52,280 --> 00:15:56,720 Speaker 1: I was like, oh my god, who do you love 258 00:15:57,120 --> 00:16:00,640 Speaker 1: more than anyone else? That you felt your own parameter changed? 259 00:16:00,760 --> 00:16:03,000 Speaker 1: When I was younger, the Backstreet Boy, I was the 260 00:16:03,040 --> 00:16:06,680 Speaker 1: girl that the security guards waved their flashlights in front 261 00:16:06,680 --> 00:16:08,560 Speaker 1: of my eyes to make sure I was okay. I 262 00:16:08,680 --> 00:16:13,080 Speaker 1: was damned on a stretcher because during one of their concerts, 263 00:16:13,200 --> 00:16:15,240 Speaker 1: I had a sign for a J. McClean, who was 264 00:16:15,320 --> 00:16:20,080 Speaker 1: my favorite, that said and I just loved his voice. 265 00:16:20,440 --> 00:16:22,080 Speaker 1: I had a sign that said a J is my 266 00:16:22,160 --> 00:16:24,520 Speaker 1: sex God. And I had to hide it from my 267 00:16:24,560 --> 00:16:30,560 Speaker 1: mother because you know, I wasn't like embarrassing. How do 268 00:16:30,600 --> 00:16:36,000 Speaker 1: I explain that, um My sex sex And there's a 269 00:16:36,040 --> 00:16:39,200 Speaker 1: part in their and their tour and Millennium tour where 270 00:16:39,240 --> 00:16:44,000 Speaker 1: they fly above your head on skateboards, and that they're 271 00:16:44,080 --> 00:16:47,200 Speaker 1: so close to you. If you're you know, certain parts 272 00:16:47,200 --> 00:16:48,880 Speaker 1: of the stage, you can't get that close to him. 273 00:16:48,880 --> 00:16:51,320 Speaker 1: But they come to you, honey. They come to every 274 00:16:51,360 --> 00:16:54,600 Speaker 1: seat in that motherfucking house. And I swear I was 275 00:16:54,640 --> 00:16:58,880 Speaker 1: wearing a little zebra cowboy hat. I'm from Houston and 276 00:16:59,000 --> 00:17:01,200 Speaker 1: he was wearing a cowboy hat for that show. And 277 00:17:01,240 --> 00:17:03,520 Speaker 1: I held up my side and I swear to God 278 00:17:03,880 --> 00:17:05,600 Speaker 1: that he looked at me and I tipped my hat 279 00:17:05,600 --> 00:17:12,280 Speaker 1: and he tipped it back. I still believe it to 280 00:17:12,320 --> 00:17:14,440 Speaker 1: this day. That will give you some material for years, 281 00:17:14,640 --> 00:17:18,480 Speaker 1: you know what I mean? Scrub rub rub, Oh my god, 282 00:17:18,680 --> 00:17:23,240 Speaker 1: bank bank tip a J McClean tipping his little hat. 283 00:17:23,680 --> 00:17:27,600 Speaker 1: Get me wet? Who dah. It was a moment. I'll 284 00:17:27,640 --> 00:17:35,439 Speaker 1: tweet about that. Come on, hashtag fuck me God, hashtag 285 00:17:35,600 --> 00:17:39,320 Speaker 1: fuck me sex God. And of course the me is capitaled. 286 00:17:39,760 --> 00:17:43,800 Speaker 1: What if it's just a tweet, this is fuck me sex. 287 00:17:45,200 --> 00:17:48,440 Speaker 1: I think that's an Annie ask Queeve tweet. Absolutely, there's 288 00:17:48,480 --> 00:17:51,879 Speaker 1: I mean there's just so many The character of Annie 289 00:17:51,880 --> 00:17:56,359 Speaker 1: ask Queeves husband, who is that god is husband doesn't 290 00:17:56,840 --> 00:18:00,919 Speaker 1: Is it necessarily Joey No? I mean he inspires some 291 00:18:01,000 --> 00:18:05,400 Speaker 1: of the ideas, but certainly not the actual and her 292 00:18:05,480 --> 00:18:09,440 Speaker 1: husband in the in the world. Your husband's very dumb. Yes, yes, 293 00:18:09,480 --> 00:18:13,399 Speaker 1: he's very dumb. He doesn't get it. I should not 294 00:18:13,520 --> 00:18:18,080 Speaker 1: have married him. Yeah, we love that. Yeah. I imagine 295 00:18:18,080 --> 00:18:22,720 Speaker 1: Annie like a Betty Rubble type. I feel like she's 296 00:18:22,840 --> 00:18:25,960 Speaker 1: very pure and clean. Okay, I've thought that Betty Rebel 297 00:18:26,040 --> 00:18:28,720 Speaker 1: was pretty pure and clean with her pearls. Yeah, and 298 00:18:28,800 --> 00:18:31,639 Speaker 1: she was always coming over with dinosaur meat and stuff. 299 00:18:32,359 --> 00:18:35,520 Speaker 1: She like a good neighbor, she loves Oh did I 300 00:18:35,520 --> 00:18:42,840 Speaker 1: say Betty Rebel? I meant Wilma Wilma Betty. Really she's 301 00:18:42,880 --> 00:18:47,280 Speaker 1: cheated on Barney. Yeah. If Rosey O'donnald plays you come on. 302 00:18:47,400 --> 00:18:50,600 Speaker 1: But Betty would also bring over some good dishes. Yes, 303 00:18:51,440 --> 00:18:53,960 Speaker 1: and and Wilma. I can see she's closer to Wilma 304 00:18:54,040 --> 00:18:57,320 Speaker 1: than Betty. Yeah. Yeah, I think that's who I meant 305 00:18:57,359 --> 00:19:00,600 Speaker 1: to say. Wilma is has had it with I mean 306 00:19:00,680 --> 00:19:04,159 Speaker 1: she kicks him outside in the theme song, she locks 307 00:19:04,400 --> 00:19:07,040 Speaker 1: the door I totally forgot about that. Yeah, yeah, yeah, 308 00:19:07,119 --> 00:19:10,920 Speaker 1: that is that is some had some like marriage. I 309 00:19:10,960 --> 00:19:13,840 Speaker 1: mean maybe all families sitcoms on someone will have this, 310 00:19:13,960 --> 00:19:17,200 Speaker 1: but some real for children, for a show that could 311 00:19:17,240 --> 00:19:21,600 Speaker 1: be consumed by children, some real marriage dysfunction. He would 312 00:19:21,680 --> 00:19:26,240 Speaker 1: yell at her a lot. Well, that's unacceptable. This is 313 00:19:26,280 --> 00:19:30,680 Speaker 1: all coming from like the Honeymooners, like we always threatening 314 00:19:30,720 --> 00:19:34,000 Speaker 1: to straight to the moon one of these, I will 315 00:19:34,480 --> 00:19:40,600 Speaker 1: kill you one of these sane excuse me. Also, Archie Bunker, 316 00:19:41,080 --> 00:19:45,119 Speaker 1: everyone like fully racist? Yes, oh yeah, that was written 317 00:19:45,160 --> 00:19:47,280 Speaker 1: into is. Yeah, well I know that was like the 318 00:19:47,320 --> 00:19:49,399 Speaker 1: whole character and that was like a comedic thing. But 319 00:19:49,520 --> 00:19:52,080 Speaker 1: this is something you could do now, or maybe you 320 00:19:52,160 --> 00:19:55,359 Speaker 1: could if it was. I don't. I think we're ready 321 00:19:55,960 --> 00:20:04,080 Speaker 1: another I think we're ready for another iconic racist cartoon. 322 00:20:04,200 --> 00:20:08,200 Speaker 1: Or otherwise I'm ready for another iconic race. Was he 323 00:20:08,400 --> 00:20:14,040 Speaker 1: racist to everyone? Yeah? Oh maybe like every ethnicity he was, 324 00:20:14,520 --> 00:20:18,359 Speaker 1: but probably was the equal opportunity. But his thing was 325 00:20:18,480 --> 00:20:22,040 Speaker 1: especially to black people, he was racist. Yeah. Well wasn't 326 00:20:22,080 --> 00:20:25,680 Speaker 1: there a Yeah? So that that really there you go? 327 00:20:25,960 --> 00:20:29,679 Speaker 1: Were the Jeffersons their neighbors. There was a crossover episode, right, 328 00:20:29,720 --> 00:20:32,280 Speaker 1: There was a crossover episode where they where they do, 329 00:20:32,400 --> 00:20:34,959 Speaker 1: where they learn? Where are two learns? We need more 330 00:20:35,000 --> 00:20:37,560 Speaker 1: crossover episode, which, yeah, I know they still do them 331 00:20:37,560 --> 00:20:40,240 Speaker 1: on network TV, like Chicago Fire. We'll go into Chicago PD. 332 00:20:40,359 --> 00:20:44,240 Speaker 1: But I don't want and I don't think Scandal and 333 00:20:44,280 --> 00:20:47,760 Speaker 1: I don't think So Honey. Of course we are next. 334 00:20:47,800 --> 00:20:49,000 Speaker 1: I don't think So Honey is going to be a 335 00:20:49,040 --> 00:20:51,959 Speaker 1: crosstop over with Scandal. Olivia Pope's gonna run in uh 336 00:20:52,920 --> 00:20:55,879 Speaker 1: and she's gonna you know, I say, what's what? Did not? 337 00:20:56,280 --> 00:20:58,880 Speaker 1: I know nothing about scandal? You know what? There's there's 338 00:20:58,920 --> 00:21:00,959 Speaker 1: not much there's literally and to know. The other day 339 00:21:01,000 --> 00:21:04,480 Speaker 1: I was watching uh in The Bachelor and a preview 340 00:21:04,600 --> 00:21:07,000 Speaker 1: for this Scandal came on, and you would think it 341 00:21:07,160 --> 00:21:10,280 Speaker 1: was like a psychological horror film. I was like, what 342 00:21:10,480 --> 00:21:14,040 Speaker 1: the funk? Where's the show gone? It's like screaming and 343 00:21:14,240 --> 00:21:18,760 Speaker 1: like whipping shots, like it's just crazy Shonda rhymes just nuts. Oh, 344 00:21:19,359 --> 00:21:21,840 Speaker 1: I'm sorry, she's wacko? Is it supposed to be a 345 00:21:21,880 --> 00:21:27,000 Speaker 1: political show? And yeah, um, I want to do something, 346 00:21:27,680 --> 00:21:29,399 Speaker 1: you know what whacko in the best way, We love 347 00:21:29,440 --> 00:21:33,240 Speaker 1: you shot you. We don't usually do this on on 348 00:21:33,400 --> 00:21:37,239 Speaker 1: Lost Culture, but I just I think this there there 349 00:21:37,359 --> 00:21:39,800 Speaker 1: is there is a section on Annie Donnley's website which 350 00:21:39,840 --> 00:21:43,879 Speaker 1: everyone should visit Annie donley dot com. There's a section 351 00:21:43,920 --> 00:21:47,800 Speaker 1: on any Donley's website that is just so so special 352 00:21:47,960 --> 00:21:50,680 Speaker 1: and so unique that I think, I think, I think, 353 00:21:50,760 --> 00:21:53,840 Speaker 1: I think it warns us reading it out loud. It's 354 00:21:54,160 --> 00:21:56,640 Speaker 1: She has a tab on her website called Ideas and Joke, 355 00:21:59,040 --> 00:22:01,639 Speaker 1: and it's just a list of original ideas and jokes. 356 00:22:02,280 --> 00:22:06,920 Speaker 1: Check back for updates. Um so here, let's just read 357 00:22:07,000 --> 00:22:09,920 Speaker 1: some of these jokes. What goes up must come down 358 00:22:10,400 --> 00:22:14,280 Speaker 1: unless you take Viagara at least, are not going to 359 00:22:14,400 --> 00:22:17,240 Speaker 1: hold up on the air. I think I think they 360 00:22:17,320 --> 00:22:20,560 Speaker 1: will feed a man of fish, feed him for a day, 361 00:22:21,200 --> 00:22:24,360 Speaker 1: teach a man to fish. Well, that's a straight up miracle. 362 00:22:27,880 --> 00:22:32,359 Speaker 1: That is some well mush husband to wife, get a 363 00:22:32,400 --> 00:22:37,240 Speaker 1: boob job, wife to husband, get a break camp child, 364 00:22:37,600 --> 00:22:42,680 Speaker 1: Merry Christmas. This is awful. Hell, if men are from Mars, 365 00:22:42,800 --> 00:22:47,560 Speaker 1: then beat me down, sock t not Scottie. So hold on, 366 00:22:47,680 --> 00:22:52,960 Speaker 1: hold on, there's one. There's one. There's one. Fine, Okay, 367 00:22:53,200 --> 00:22:55,560 Speaker 1: maybe this doesn't quite translate, but there's there's one that 368 00:22:55,640 --> 00:22:58,080 Speaker 1: I happened to get the aesthetic of the website. Yeah 369 00:22:58,119 --> 00:23:02,200 Speaker 1: you don't understand, okay, little graphics of points of beer, 370 00:23:02,359 --> 00:23:05,760 Speaker 1: cheers in each other in between every it's GF cities. 371 00:23:05,800 --> 00:23:08,640 Speaker 1: It's digital brutalism, as we call it in the design world. 372 00:23:08,680 --> 00:23:12,879 Speaker 1: Digital of this app. And here we go. So um, 373 00:23:13,200 --> 00:23:15,520 Speaker 1: there's one that's just called that. There's the header a 374 00:23:15,600 --> 00:23:19,560 Speaker 1: funny video dot dot two dots, and it just says 375 00:23:19,720 --> 00:23:22,359 Speaker 1: instead of a video, it just says, wife is giving 376 00:23:22,680 --> 00:23:27,600 Speaker 1: husband a hand job and and she keeps rubbing harder, 377 00:23:28,200 --> 00:23:33,480 Speaker 1: harder and faster, and the Genie pops out of his 378 00:23:33,640 --> 00:23:38,200 Speaker 1: brig Genie Grant's wife one wish dot dot dot. She 379 00:23:38,400 --> 00:23:41,800 Speaker 1: asks to make her husband to be more in Dutch 380 00:23:42,240 --> 00:23:48,399 Speaker 1: with his feminine These are my struggles, These are my ideas, 381 00:23:48,760 --> 00:23:54,040 Speaker 1: and these are struggles as a married straight woman. And 382 00:23:54,640 --> 00:23:58,960 Speaker 1: that's a struggle. This is as beautiful. I would like 383 00:23:59,119 --> 00:24:04,439 Speaker 1: to actually do a little test. Now. You famously posted 384 00:24:04,600 --> 00:24:06,879 Speaker 1: up on your Facebook one day, and I don't know 385 00:24:07,280 --> 00:24:10,399 Speaker 1: if you were I wondered if you regretted doing this 386 00:24:10,480 --> 00:24:13,120 Speaker 1: after because of the demand that it created, you said, 387 00:24:13,560 --> 00:24:16,080 Speaker 1: comment on this status and I'll read you like a 388 00:24:16,240 --> 00:24:21,560 Speaker 1: motherfucking drag queen bitch bitch, And what what did you 389 00:24:21,600 --> 00:24:26,359 Speaker 1: say for Bowen Yang? For me, she said, oh um, 390 00:24:28,400 --> 00:24:32,720 Speaker 1: it didn't have anything to do. That was yes, yes, yes, 391 00:24:33,359 --> 00:24:36,040 Speaker 1: oh this is perfect. Do you want to just do 392 00:24:36,080 --> 00:24:41,920 Speaker 1: you understay yourself? Did you tell your parents your big secret? No? No, no, 393 00:24:42,080 --> 00:24:45,480 Speaker 1: no no, not that you're gay. That's you're honestly trying 394 00:24:45,520 --> 00:24:54,200 Speaker 1: to break into the podcast circuit. Bat crunchy And of 395 00:24:54,320 --> 00:24:56,560 Speaker 1: course for me, do you remember what you said about me? Um? 396 00:24:57,119 --> 00:25:00,600 Speaker 1: Matt Rogers. Everything I need to know about pop culture 397 00:25:00,640 --> 00:25:03,919 Speaker 1: I can gather from your Facebook page. Everything I need 398 00:25:03,960 --> 00:25:07,359 Speaker 1: to know about you, I can gather within five seconds 399 00:25:07,400 --> 00:25:10,159 Speaker 1: of talking to you. Shut the funk up, bitch. Nobody 400 00:25:10,200 --> 00:25:13,919 Speaker 1: asked me your opinion something like he said, shut up 401 00:25:14,000 --> 00:25:20,639 Speaker 1: you loud asked yes, that's important. Yes, I mean that's beautiful. 402 00:25:20,800 --> 00:25:23,359 Speaker 1: I feel very red. I feel like it's cathartic. So 403 00:25:23,480 --> 00:25:25,280 Speaker 1: what I'd like to do is I'd like to give 404 00:25:25,320 --> 00:25:29,080 Speaker 1: you some names, and you should be you should be 405 00:25:29,160 --> 00:25:31,200 Speaker 1: there on the spot, and I will give you three 406 00:25:31,359 --> 00:25:36,600 Speaker 1: This is hard, This is hard. Omar Rossa. Who is 407 00:25:36,680 --> 00:25:40,680 Speaker 1: omar Rossa? Omarossa was she? She was the contestant on 408 00:25:40,840 --> 00:25:42,760 Speaker 1: the Apprentice and then she worked in the Donald Trump 409 00:25:42,800 --> 00:25:48,320 Speaker 1: White House a little bit that that woman President Obama. 410 00:25:49,600 --> 00:25:54,560 Speaker 1: President Obama, bitch, last time I checked, going to Martha's 411 00:25:54,640 --> 00:26:00,879 Speaker 1: vineyard nine times a year is not okay for president? Okay, 412 00:26:01,240 --> 00:26:03,960 Speaker 1: what the funk am I paying for? Exactly? My tax 413 00:26:04,040 --> 00:26:07,080 Speaker 1: dollars are going for you? And Miss Michelle and her 414 00:26:07,160 --> 00:26:13,399 Speaker 1: pilates classes and send in those trashy assue kids to 415 00:26:13,600 --> 00:26:21,000 Speaker 1: their Ivy League schools. You will not be missed. What then, 416 00:26:21,080 --> 00:26:26,320 Speaker 1: are we paying for? What are we paying for? Up for? We? President? Okay, 417 00:26:26,400 --> 00:26:32,280 Speaker 1: here's another one. Ronald McDonald. Okay, Ronald McDonald, you think 418 00:26:32,320 --> 00:26:38,439 Speaker 1: you can dress like that because you're tall, You are 419 00:26:38,520 --> 00:26:42,280 Speaker 1: more pale than my white ass. You need to go 420 00:26:42,560 --> 00:26:45,880 Speaker 1: to the tanning beds and get yourself a little tanning 421 00:26:45,960 --> 00:26:50,000 Speaker 1: mask and quit, honestly, quit catering to kids and quit 422 00:26:50,400 --> 00:26:53,880 Speaker 1: pandering two kids. Right, you're right, he needs to, as 423 00:26:53,920 --> 00:27:00,879 Speaker 1: we say, level his pussy up. Ronald McDonald, Do you 424 00:27:01,000 --> 00:27:04,960 Speaker 1: have one more? You know what? Um? Uh yes, I do, 425 00:27:05,200 --> 00:27:07,560 Speaker 1: I do. Um no, you don't have to if you don't. 426 00:27:08,200 --> 00:27:17,000 Speaker 1: Mr Rogers, Mr Rogers, quite great, Um, thank you so 427 00:27:17,960 --> 00:27:20,680 Speaker 1: much what you've done for TV and what you've done 428 00:27:20,840 --> 00:27:26,480 Speaker 1: for kids. But um, thank you so little for all 429 00:27:26,520 --> 00:27:29,119 Speaker 1: those fucking shoes that you put on and off. You 430 00:27:29,240 --> 00:27:36,400 Speaker 1: know how many people would dream for a pair of shoes? Yes, yes, yes, 431 00:27:36,600 --> 00:27:40,240 Speaker 1: yes you Mr Rogers, Mr Rogers. And what do you 432 00:27:40,280 --> 00:27:42,960 Speaker 1: think of Tom Hanks playing Mr Rogers in a feature film? 433 00:27:43,480 --> 00:27:47,200 Speaker 1: Is that true? Yes, that's news today. That's news today, 434 00:27:47,240 --> 00:27:50,879 Speaker 1: which pot producer Joe told us explicitly not to discuss 435 00:27:50,880 --> 00:27:52,879 Speaker 1: since this episode will be released two weeks later. But 436 00:27:53,280 --> 00:27:55,680 Speaker 1: but he doesn't control us. Is the thing that he 437 00:27:55,760 --> 00:27:58,040 Speaker 1: doesn't know? Oh my god? Okay, this is not a read. 438 00:27:58,160 --> 00:28:00,720 Speaker 1: But but Tom Hanks is one of the good guys, 439 00:28:00,800 --> 00:28:03,560 Speaker 1: and I'm holding out that he will stay a good guy. Think, 440 00:28:03,960 --> 00:28:06,160 Speaker 1: I hope? So I think if something comes out I'm 441 00:28:06,280 --> 00:28:08,840 Speaker 1: going to the Moon. You're going to the moon? Would 442 00:28:08,880 --> 00:28:11,680 Speaker 1: you have the means to do that? I don't think 443 00:28:11,760 --> 00:28:15,240 Speaker 1: you did. Okay, we'll see, we'll see if I don't 444 00:28:15,240 --> 00:28:16,760 Speaker 1: think they would allow you to go to the moon, 445 00:28:16,840 --> 00:28:19,720 Speaker 1: and think it'd be a real fucking chaotic if something 446 00:28:19,760 --> 00:28:22,480 Speaker 1: comes out about Tom Hanks, you better start reading People 447 00:28:22,560 --> 00:28:25,240 Speaker 1: magazine again. Honey. Oh my god, you're right, and I 448 00:28:25,320 --> 00:28:27,560 Speaker 1: need to just reverse everything. And I ask you a question. 449 00:28:27,760 --> 00:28:31,960 Speaker 1: You like bat Boys, but you don't like in Sync? Correct? Okay? 450 00:28:32,040 --> 00:28:35,160 Speaker 1: So did you not? And am I not right? Who 451 00:28:35,280 --> 00:28:38,040 Speaker 1: likes InSync? Who likes justin Timberlake? Now? Okay? I mean 452 00:28:38,120 --> 00:28:40,920 Speaker 1: not not now? Is in like in the last year 453 00:28:41,080 --> 00:28:44,680 Speaker 1: because as we know, he's a problem. But wait, did 454 00:28:44,760 --> 00:28:46,920 Speaker 1: you dislike in Sync because they were a threat to 455 00:28:47,040 --> 00:28:52,200 Speaker 1: Backstreet Boys? Yes? Okay, but I must say now that 456 00:28:52,400 --> 00:28:55,000 Speaker 1: the Backsty Boys have held up throughout the years. They 457 00:28:55,120 --> 00:28:57,240 Speaker 1: kind of they kind of went into a more like 458 00:28:58,120 --> 00:29:02,080 Speaker 1: do woppy thing after day and I think it's holding 459 00:29:02,200 --> 00:29:04,480 Speaker 1: up for their age. And they're still touring and they're 460 00:29:04,520 --> 00:29:07,400 Speaker 1: doing all their cruise ships honey and in Sync? What 461 00:29:08,440 --> 00:29:11,160 Speaker 1: it aged Flash in the Pan and it aged you 462 00:29:11,200 --> 00:29:14,280 Speaker 1: know what? You know? What album I enjoyed was um, 463 00:29:15,160 --> 00:29:18,239 Speaker 1: I want to say like two thousand five, and then 464 00:29:18,240 --> 00:29:21,760 Speaker 1: they had that song that I was um, it was Incompanie. 465 00:29:22,600 --> 00:29:25,000 Speaker 1: It was that one. No, it was the remember that 466 00:29:25,120 --> 00:29:32,400 Speaker 1: song that was like, Hey, yes, that's it's called real World. 467 00:29:32,760 --> 00:29:36,000 Speaker 1: Oh my god, it's a weird It's a weird world. 468 00:29:36,080 --> 00:29:39,360 Speaker 1: Don't you know what? Weird world? Weird world, that's what 469 00:29:39,440 --> 00:29:44,160 Speaker 1: it is. Yeah. Their harmonies so good? What is this 470 00:29:44,280 --> 00:29:47,200 Speaker 1: face before I don't know that ship. Okay, but that's 471 00:29:47,240 --> 00:29:49,120 Speaker 1: not good. Now I'll tell you what Mat didn't say. 472 00:29:49,720 --> 00:29:58,800 Speaker 1: I'm sorry, I don't stay hell for me it again? 473 00:29:59,080 --> 00:30:08,520 Speaker 1: You're drop my battery is hellouda? Now? Hello? Hello? Hello? Oh? 474 00:30:09,000 --> 00:30:13,560 Speaker 1: And that was the crucial part, the hello hello, the 475 00:30:13,680 --> 00:30:18,400 Speaker 1: call I love a good storytelling song, thank you. How 476 00:30:18,480 --> 00:30:21,960 Speaker 1: can we don't get them anymore? They start out with 477 00:30:22,080 --> 00:30:25,160 Speaker 1: that song and paint this picture of this playboy, and 478 00:30:25,240 --> 00:30:27,720 Speaker 1: then the next song they ask you to forgive them 479 00:30:28,280 --> 00:30:32,400 Speaker 1: with UM, I want it that way. It's ridiculous. The 480 00:30:32,560 --> 00:30:36,000 Speaker 1: line of Black and Blue? Wait, was was the call 481 00:30:36,160 --> 00:30:40,760 Speaker 1: on that? That way was famously on the lenning I 482 00:30:40,880 --> 00:30:44,520 Speaker 1: can't believe I have to get up in here? No 483 00:30:45,240 --> 00:30:48,360 Speaker 1: I I was the one who spotted who blew the 484 00:30:48,360 --> 00:30:51,120 Speaker 1: whistle on? Not honey? Yeah, yeah, I made the mistake. 485 00:30:51,520 --> 00:30:55,160 Speaker 1: Don't don't you even here? Even you didn't even listen 486 00:30:55,200 --> 00:30:57,280 Speaker 1: to a Weird World. I don't need to listen to 487 00:30:57,280 --> 00:30:59,600 Speaker 1: a Weird World because it's a weird song. No, I 488 00:30:59,720 --> 00:31:02,280 Speaker 1: listen black and Blue and not when they hang up 489 00:31:02,320 --> 00:31:04,920 Speaker 1: their hat the first time, I believe them. Oh my god, 490 00:31:05,000 --> 00:31:08,200 Speaker 1: did you ever listen to that song? Siberia? Then my 491 00:31:08,520 --> 00:31:14,200 Speaker 1: Huck gave time and Sibby and then I think it's 492 00:31:14,280 --> 00:31:21,280 Speaker 1: a j oh it is could really sing huh yes, 493 00:31:21,680 --> 00:31:24,000 Speaker 1: and he can be my sex guy and he's he 494 00:31:24,080 --> 00:31:30,040 Speaker 1: has that jawline. Bitch. Isn't Brian Littrelle a Trump? I 495 00:31:30,200 --> 00:31:35,800 Speaker 1: believe he's a Trump. I would not be surprised. Well, yeah, 496 00:31:36,160 --> 00:31:39,880 Speaker 1: and his cousin Kevin. You know they're Kentucky boys. They're trash. 497 00:31:40,240 --> 00:31:44,840 Speaker 1: I have a beef with Backtry Boys. Actually that's not 498 00:31:44,960 --> 00:31:47,880 Speaker 1: even related to Trump. What I don't think so honey 499 00:31:47,920 --> 00:31:50,560 Speaker 1: Backtry Boys. Because after Since You've Been Gone came out, 500 00:31:50,600 --> 00:31:54,080 Speaker 1: which famously went sometuban Gone. They came out with a 501 00:31:54,120 --> 00:31:58,720 Speaker 1: song that said, I just want you to know. Okay, lady, 502 00:31:58,800 --> 00:32:01,680 Speaker 1: I gotta do the same thing from a donna didn't 503 00:32:01,880 --> 00:32:10,320 Speaker 1: I'm excuse me. Okay, you know that she saved Bowen's life. 504 00:32:11,080 --> 00:32:15,400 Speaker 1: He says that I saved my life. You say, lady, 505 00:32:15,400 --> 00:32:17,440 Speaker 1: you say your life, and don't try to retreat just 506 00:32:17,520 --> 00:32:20,080 Speaker 1: because she showed up at the Grammy's looking pulled. Don't 507 00:32:20,120 --> 00:32:23,480 Speaker 1: you try to retreat? God, enough of that. Beyonce changed 508 00:32:23,520 --> 00:32:28,120 Speaker 1: your parameters and Daga saved your life. Honey, Honey. Two 509 00:32:28,200 --> 00:32:30,240 Speaker 1: can intersect Beyonce. I did not save your life. You 510 00:32:30,280 --> 00:32:33,120 Speaker 1: don't say that. I say Beyonce saved my life. Beyonce 511 00:32:33,320 --> 00:32:38,040 Speaker 1: changed my life. When I have a story that I 512 00:32:38,320 --> 00:32:40,560 Speaker 1: was coming out of college, did not know what the 513 00:32:40,600 --> 00:32:42,560 Speaker 1: funk I was. I pulled out my mad school applications, 514 00:32:42,600 --> 00:32:43,880 Speaker 1: didn't know what the funk I was gonna do with 515 00:32:43,960 --> 00:32:45,240 Speaker 1: my life, didn't know if I was gonna stay in 516 00:32:45,280 --> 00:32:46,800 Speaker 1: the city, I was going to move back in with 517 00:32:46,880 --> 00:32:49,520 Speaker 1: my parents. Depressed as hell until I was walking down 518 00:32:49,560 --> 00:32:52,920 Speaker 1: Broadway and school in life came on by Beyonce and 519 00:32:53,040 --> 00:32:56,400 Speaker 1: then her lyric stop living in a regret, Baby, It's 520 00:32:56,440 --> 00:33:00,240 Speaker 1: not over yet came on and something clipped a which 521 00:33:00,480 --> 00:33:02,520 Speaker 1: flipped and I was I was like, you know what 522 00:33:02,640 --> 00:33:04,680 Speaker 1: I'm gonna I'm gonna make this work, And honey, I 523 00:33:04,800 --> 00:33:06,880 Speaker 1: did make it work. Bitch, don't you dare try to 524 00:33:06,960 --> 00:33:10,680 Speaker 1: rewrite my narrative. I'm proud of you. I I was 525 00:33:10,760 --> 00:33:13,720 Speaker 1: prompting you to say that. I don't think that that 526 00:33:13,880 --> 00:33:17,160 Speaker 1: was not Beyonce's intention with that lyrics change your life. 527 00:33:17,240 --> 00:33:20,200 Speaker 1: I have to say it is a throwaway lyric, and 528 00:33:20,320 --> 00:33:23,120 Speaker 1: you read too deeply into it. You should do we 529 00:33:23,120 --> 00:33:27,520 Speaker 1: should rechange your life. You're right, rechange You need to 530 00:33:27,560 --> 00:33:32,360 Speaker 1: go to school, honey, Yes, that's honey. Rechange your life. 531 00:33:32,720 --> 00:33:36,240 Speaker 1: Imagine my new song that I'm gonna put out, rechange, 532 00:33:36,280 --> 00:33:39,560 Speaker 1: rechange your life. If you change your life, rechange a bit. 533 00:33:39,720 --> 00:33:44,520 Speaker 1: It didn't work, rechange your life. So, speaking of life, 534 00:33:45,360 --> 00:33:47,040 Speaker 1: we're gonna have to ask you the question that we 535 00:33:47,360 --> 00:33:52,640 Speaker 1: ask our guests. Actually, no guests has not been asked 536 00:33:52,680 --> 00:33:55,680 Speaker 1: this question. That's true. Okay, that's not going to change today. Okay, 537 00:33:55,720 --> 00:33:58,560 Speaker 1: we're gonna ask it and take it away. Annie. What 538 00:33:58,760 --> 00:34:01,400 Speaker 1: was the culture that made you say A cultures? For me, 539 00:34:02,040 --> 00:34:05,840 Speaker 1: it's the culture that you found swept under the rug 540 00:34:06,080 --> 00:34:10,239 Speaker 1: by you know, a stern governess, but you found that 541 00:34:10,320 --> 00:34:12,640 Speaker 1: culture under the rug and you said, I'm not telling 542 00:34:12,680 --> 00:34:15,440 Speaker 1: the governess about this. I'll take it to my room 543 00:34:15,920 --> 00:34:19,640 Speaker 1: and I'll put it to my ear. Yes, every day 544 00:34:19,680 --> 00:34:22,400 Speaker 1: it will grow bigger. And so it's a tree that 545 00:34:22,480 --> 00:34:25,160 Speaker 1: I could climb to the skies of culture like Jack 546 00:34:25,400 --> 00:34:32,080 Speaker 1: and bean stalk. So I have a question. You know 547 00:34:32,200 --> 00:34:35,880 Speaker 1: you describe this so well. Is this like a moment 548 00:34:36,400 --> 00:34:41,120 Speaker 1: that I knew or in retrospect? It can be both. 549 00:34:41,280 --> 00:34:43,640 Speaker 1: It can be anything. It can be You know, a 550 00:34:43,800 --> 00:34:45,759 Speaker 1: song that you heard, a movie that you saw, a 551 00:34:45,880 --> 00:34:48,440 Speaker 1: TV show at play, the neighborhood you grew up in 552 00:34:48,640 --> 00:34:50,800 Speaker 1: a moment of life. Just something that made you you. 553 00:34:51,320 --> 00:34:56,960 Speaker 1: Culturally your mother's cooking, Yes, something that made me me um. 554 00:34:57,440 --> 00:35:00,040 Speaker 1: One thing that comes to mind is going to to 555 00:35:00,520 --> 00:35:05,080 Speaker 1: this gay dance club in Houston. It's called South Beach. 556 00:35:05,400 --> 00:35:09,200 Speaker 1: And I'll tell you why. It was so at such 557 00:35:09,239 --> 00:35:11,759 Speaker 1: a turning point for me because I had never been 558 00:35:11,960 --> 00:35:14,120 Speaker 1: to a gay club. I had only been to Street 559 00:35:14,480 --> 00:35:17,719 Speaker 1: and there's such a different energy in the room and 560 00:35:17,920 --> 00:35:22,160 Speaker 1: I felt like that this this was my scene. That 561 00:35:22,280 --> 00:35:24,239 Speaker 1: it was all about the dance, it was all about 562 00:35:24,280 --> 00:35:27,400 Speaker 1: the fun. It was all about everyone feeling good and 563 00:35:28,239 --> 00:35:33,400 Speaker 1: not feeling like I'm being hunted. And I was slapped 564 00:35:33,560 --> 00:35:37,080 Speaker 1: by I was slapped by a man in the women's 565 00:35:37,120 --> 00:35:41,160 Speaker 1: restroom and I deserved it, and I will never forget it. 566 00:35:41,200 --> 00:35:50,000 Speaker 1: I'm sorry, slapped in the women's Houston gay bar, my 567 00:35:50,360 --> 00:35:53,719 Speaker 1: little sheltered life. I had never seen a man bravely, 568 00:35:54,160 --> 00:35:59,520 Speaker 1: without any regret, walk into the women's restroom and start paying. Okay, 569 00:35:59,600 --> 00:36:01,920 Speaker 1: And so I go in the stall next to him 570 00:36:01,920 --> 00:36:04,800 Speaker 1: and I can see him. Uh, you know, his his 571 00:36:05,000 --> 00:36:09,160 Speaker 1: legs underneath, and I had had some flirtinis or whatever, 572 00:36:09,239 --> 00:36:12,040 Speaker 1: and I said out loud with a bathroom is full, 573 00:36:12,360 --> 00:36:17,560 Speaker 1: Excuse me, don't you think you need to sit down 574 00:36:17,760 --> 00:36:21,239 Speaker 1: to pee in here? And oh my god, what the 575 00:36:21,360 --> 00:36:24,440 Speaker 1: fund did you just say? And he finished and I finished, 576 00:36:24,480 --> 00:36:27,439 Speaker 1: and we met outside the stall. Oh god, I said, 577 00:36:28,000 --> 00:36:34,279 Speaker 1: what don't you understand English? He goes, bitch, and he 578 00:36:34,440 --> 00:36:38,000 Speaker 1: slapped me across the He said I speak three languages 579 00:36:38,320 --> 00:36:41,359 Speaker 1: and marched out without washing his hands. I don't care 580 00:36:41,440 --> 00:36:44,239 Speaker 1: how many languages he speaks. He should not have his 581 00:36:45,719 --> 00:36:51,880 Speaker 1: with his hands had I know, honey, I think I 582 00:36:51,960 --> 00:36:54,640 Speaker 1: think about that all the time. I can't believe this. 583 00:36:56,280 --> 00:37:00,239 Speaker 1: I was in shock. I was in shock and I 584 00:37:01,080 --> 00:37:03,040 Speaker 1: loved it. Not at the time I didn't love it. 585 00:37:03,200 --> 00:37:05,719 Speaker 1: I was like, oh my god, I have done something wrong. 586 00:37:07,880 --> 00:37:11,200 Speaker 1: My existence is troubling, And now I just love it. 587 00:37:11,360 --> 00:37:14,200 Speaker 1: I fucking deserved it. Oh I don't Well, I'm glad 588 00:37:14,239 --> 00:37:15,880 Speaker 1: that you love it, but I don't. I don't know 589 00:37:16,000 --> 00:37:18,400 Speaker 1: that he should have slapped I don't think any man 590 00:37:18,680 --> 00:37:20,440 Speaker 1: I ever hit a woman. But I'm happy that you 591 00:37:20,840 --> 00:37:25,319 Speaker 1: feel that it was such a like motherly like. Don't 592 00:37:25,400 --> 00:37:28,000 Speaker 1: take that way okay. Yeah, I don't know if that 593 00:37:28,080 --> 00:37:30,279 Speaker 1: makes it any better, but I understand. I guess so. 594 00:37:30,440 --> 00:37:34,920 Speaker 1: I'm also not promoting women, but I would say that. Well, 595 00:37:34,920 --> 00:37:36,719 Speaker 1: I'll ask you this question. Do you think you'd be 596 00:37:36,760 --> 00:37:38,920 Speaker 1: sitting here in this chat today had he not slapped 597 00:37:38,920 --> 00:37:41,680 Speaker 1: you with his penis? Yes, I do. It did not 598 00:37:41,960 --> 00:37:50,000 Speaker 1: need to happen to anyone what I was expecting. But 599 00:37:50,200 --> 00:37:53,319 Speaker 1: being at that club is yeah, okay, Because I will 600 00:37:53,360 --> 00:37:58,040 Speaker 1: say Annie has a deep appreciation for nineties house music, 601 00:37:58,160 --> 00:38:05,080 Speaker 1: big big for you, just for just for historic holistic 602 00:38:05,280 --> 00:38:09,480 Speaker 1: queer culture. Annie, Annie knows, Annie is one who knows Annie. 603 00:38:10,320 --> 00:38:15,239 Speaker 1: I will remind the children during Culture War marched down 604 00:38:15,280 --> 00:38:20,960 Speaker 1: the aisle in full drag regalia. There was a fierce 605 00:38:21,040 --> 00:38:25,160 Speaker 1: wig had a shirtless male was my first lace front wig. 606 00:38:25,920 --> 00:38:29,040 Speaker 1: I was very proud, beat beat for the gods. That 607 00:38:29,160 --> 00:38:32,040 Speaker 1: hair was coming out of your head, yes, yes, and 608 00:38:33,239 --> 00:38:35,680 Speaker 1: the body and the body suit honey, and the and 609 00:38:35,760 --> 00:38:39,880 Speaker 1: the Yeah. It was unforgettable, unforgettable. And of course you 610 00:38:39,960 --> 00:38:42,279 Speaker 1: came back for the second round and the third. Yes, 611 00:38:42,640 --> 00:38:45,600 Speaker 1: I did not. I felt like the outfit was everything. 612 00:38:45,680 --> 00:38:48,879 Speaker 1: I didn't deserve those final rounds, my I don't think 613 00:38:48,920 --> 00:38:51,680 Speaker 1: so honey was okay, but I knew it was all 614 00:38:51,719 --> 00:38:54,960 Speaker 1: about the what I was giving you. Look, but it 615 00:38:55,040 --> 00:38:58,040 Speaker 1: doesn't matter. It's you gotta get, you gotta get, you 616 00:38:58,080 --> 00:39:00,920 Speaker 1: gotta get a gimmicks Stevenson on one side, if you 617 00:39:01,000 --> 00:39:08,239 Speaker 1: want to get ahead, yes and gets it. I want 618 00:39:08,320 --> 00:39:10,520 Speaker 1: you to as much as you can speak on this. 619 00:39:11,280 --> 00:39:13,680 Speaker 1: What was what was? What? What was your sort of 620 00:39:14,560 --> 00:39:18,080 Speaker 1: mindset going into culture War? When did the idea come 621 00:39:18,160 --> 00:39:21,560 Speaker 1: that you had to have this entrance, this look, you know, 622 00:39:21,800 --> 00:39:24,000 Speaker 1: like I because no one else did it, no one 623 00:39:24,040 --> 00:39:26,359 Speaker 1: else thought to do it. There was there was Tim 624 00:39:26,480 --> 00:39:30,359 Speaker 1: Murray who did a revers that was very good. Yes, 625 00:39:30,560 --> 00:39:32,680 Speaker 1: this was the next level. I mean, we didn't know 626 00:39:32,920 --> 00:39:35,840 Speaker 1: where you were until we call him your name, and 627 00:39:35,880 --> 00:39:39,680 Speaker 1: then you appeared. You appeared out of the the spotlight. 628 00:39:39,719 --> 00:39:42,160 Speaker 1: Couldn't find me for a moment. Yea. But yes, that's 629 00:39:42,400 --> 00:39:47,160 Speaker 1: that's fine. Yes, But to answer your question, honestly, the 630 00:39:47,400 --> 00:39:50,360 Speaker 1: moment you emailed me and asked me to be on this, 631 00:39:50,920 --> 00:39:52,759 Speaker 1: and I think this was pretty far in advance of 632 00:39:52,840 --> 00:39:57,520 Speaker 1: the show game, I was like, if he is Team Blue, 633 00:39:58,080 --> 00:40:00,320 Speaker 1: I am going for Ice Queen and I'm point And 634 00:40:00,400 --> 00:40:03,239 Speaker 1: I immediately got an Amazon and started googling Ice Cuen 635 00:40:03,320 --> 00:40:06,920 Speaker 1: and that's all these stupid like frozen costumes. Very stupid, 636 00:40:07,200 --> 00:40:09,400 Speaker 1: very stupid. Took me a couple of days to stumble 637 00:40:09,520 --> 00:40:12,320 Speaker 1: upon the upon the Haunting Cape, as I call it. 638 00:40:12,440 --> 00:40:14,440 Speaker 1: But I do want to just point out that you 639 00:40:14,600 --> 00:40:18,000 Speaker 1: were resurrected by me, and you did finish as a 640 00:40:18,040 --> 00:40:22,560 Speaker 1: finalist on my team. I did so. I was I 641 00:40:22,719 --> 00:40:24,920 Speaker 1: was read at the end of the night. Yeah, you 642 00:40:25,000 --> 00:40:26,480 Speaker 1: were read at the end of the night, and it 643 00:40:26,719 --> 00:40:28,640 Speaker 1: was my team that was victorious. I always do love 644 00:40:28,719 --> 00:40:32,440 Speaker 1: to remind the listeners. Sure, um now, Annie, thank you. 645 00:40:32,640 --> 00:40:35,799 Speaker 1: All three finalists were mine. Oh how do you feel 646 00:40:35,840 --> 00:40:40,080 Speaker 1: about that? You know, the judges, the judges sort of 647 00:40:40,480 --> 00:40:45,160 Speaker 1: you know, misstepped. I agree. I did perform sexual favors 648 00:40:45,200 --> 00:40:48,200 Speaker 1: on each one of them. So there you go. Well Annie, 649 00:40:48,480 --> 00:40:53,960 Speaker 1: Um as a as as an active rectification of that night, 650 00:40:54,120 --> 00:40:57,239 Speaker 1: we would like to present you. There's a there's um 651 00:40:58,120 --> 00:41:02,120 Speaker 1: no question in our minds that this is the moment 652 00:41:03,080 --> 00:41:08,360 Speaker 1: that Annie Donneley, we would like to present you for 653 00:41:08,600 --> 00:41:16,839 Speaker 1: your excellence in culture with the fourth Lost Culture does 654 00:41:17,160 --> 00:41:21,279 Speaker 1: Icon Award certificate printed for you. And this is the 655 00:41:21,360 --> 00:41:24,440 Speaker 1: hat I'm giving her the hat, please please read the 656 00:41:24,480 --> 00:41:30,080 Speaker 1: certificate out loud, Lost Culture Restas Icon Award awarded to 657 00:41:30,280 --> 00:41:34,480 Speaker 1: Annie Dunley spelled correctly. Bless you for your contributions and 658 00:41:34,719 --> 00:41:39,000 Speaker 1: gagging and challenging Lost Culture Restas and all of its listeners, 659 00:41:39,120 --> 00:41:46,279 Speaker 1: and your elevation of pop culture in your own light. Yes, 660 00:41:46,520 --> 00:41:50,840 Speaker 1: own your own right. Yes, this is beyond. Please have 661 00:41:51,040 --> 00:41:53,560 Speaker 1: the hat. You'll have to take that that feather on yourself. 662 00:41:53,600 --> 00:41:55,520 Speaker 1: I won't do it for you and it won't fit 663 00:41:55,560 --> 00:41:57,279 Speaker 1: on you now, but the hat is yours. This is 664 00:41:57,400 --> 00:41:59,760 Speaker 1: everything to me. Thank you. So you are the second 665 00:42:00,000 --> 00:42:03,920 Speaker 1: recipient of the You will join Pat Regan in the 666 00:42:04,239 --> 00:42:10,759 Speaker 1: in the Hall of Fame, in the last Culture of Fame. Absolutely, 667 00:42:11,320 --> 00:42:14,200 Speaker 1: thank you so much, Annie. And on that note, we're 668 00:42:14,200 --> 00:42:15,759 Speaker 1: going to take a break, take a short break, and 669 00:42:15,800 --> 00:42:21,680 Speaker 1: we'll be right back with Annie. Yes, we're back with 670 00:42:21,760 --> 00:42:23,799 Speaker 1: Annie don Yes, we're back with Annie don Lee, who 671 00:42:24,239 --> 00:42:27,479 Speaker 1: has just been bestowed the last Culture Icon Award winner. 672 00:42:29,239 --> 00:42:33,200 Speaker 1: What will you do uh during your reign and we 673 00:42:33,280 --> 00:42:35,319 Speaker 1: don't know how long it will be, but how will 674 00:42:35,400 --> 00:42:37,480 Speaker 1: you touch the world as the last Culture Kind of 675 00:42:37,480 --> 00:42:42,239 Speaker 1: Award winner? Well, I solemnly swear to um to you 676 00:42:42,320 --> 00:42:46,320 Speaker 1: know follow through through social media. M I, you know, 677 00:42:46,480 --> 00:42:49,800 Speaker 1: just keep giving the people what they want. Every performance, 678 00:42:49,880 --> 00:42:53,319 Speaker 1: every public appearance. You know, I'm going to be representing 679 00:42:53,640 --> 00:42:57,400 Speaker 1: you the Lost Cultures does and um, you know I 680 00:42:57,480 --> 00:42:58,960 Speaker 1: have to step it up, you know. I can't just 681 00:42:59,080 --> 00:43:06,920 Speaker 1: be wearing some Cole's sweater very shady, which is actually 682 00:43:07,160 --> 00:43:10,680 Speaker 1: um real number fifteen of culture. You can't just be 683 00:43:11,680 --> 00:43:19,640 Speaker 1: shady cold sweater. Yeah, yeah, so cold sweater. Now, Annie, 684 00:43:20,440 --> 00:43:27,319 Speaker 1: I think, oh my god, my mom loves Cole. It's 685 00:43:27,360 --> 00:43:28,960 Speaker 1: such a thing. Do you know what it is is 686 00:43:29,040 --> 00:43:32,440 Speaker 1: the coupons and all that. Every rack is the sales rack, 687 00:43:32,920 --> 00:43:35,120 Speaker 1: so you feel like you're shopping smart. Yes, you know. 688 00:43:35,360 --> 00:43:43,080 Speaker 1: And actually number sixteen of culture my mom loves absolutely 689 00:43:43,080 --> 00:43:49,120 Speaker 1: immediately follows number fifteen. Yes, now I think that this 690 00:43:49,440 --> 00:43:52,200 Speaker 1: is you know what not no one will really come 691 00:43:52,280 --> 00:43:54,960 Speaker 1: close to you know, I'll mentioned path, but no one 692 00:43:55,040 --> 00:43:57,880 Speaker 1: will really come close to you. Um, in terms of 693 00:43:57,960 --> 00:44:00,799 Speaker 1: this award, no one. Here's the thing. We don't give 694 00:44:00,840 --> 00:44:05,040 Speaker 1: this out lightly. It's we give it a very heavily. Yes, yes, 695 00:44:05,120 --> 00:44:08,120 Speaker 1: I understand. There's only two people now, and only two 696 00:44:08,560 --> 00:44:10,839 Speaker 1: stowed with us. It's like you both are the Chad 697 00:44:10,920 --> 00:44:14,440 Speaker 1: Michael's and Alaska thunder of last culture. Are you watching? 698 00:44:14,480 --> 00:44:17,879 Speaker 1: Are you watching? I'm not. I just just telling mad 699 00:44:17,960 --> 00:44:20,359 Speaker 1: I have to pirate the new I don't have hy 700 00:44:21,160 --> 00:44:23,759 Speaker 1: sure actually yeah, we have to figure out, like, is 701 00:44:23,840 --> 00:44:25,960 Speaker 1: that still the same this year where it's difficult to 702 00:44:26,040 --> 00:44:28,560 Speaker 1: watch the episode afterwards? They've been they've been posting the 703 00:44:28,600 --> 00:44:32,200 Speaker 1: full episode online, have they? Yes? Okay, oh just on 704 00:44:32,520 --> 00:44:35,920 Speaker 1: h com. Okay, it's not They might change it soon 705 00:44:35,960 --> 00:44:39,160 Speaker 1: where there is some sort of wall. So I will 706 00:44:39,200 --> 00:44:41,200 Speaker 1: be doing that tonight. You know, I don't go club 707 00:44:41,280 --> 00:44:46,320 Speaker 1: and anymore not so give us a glimpse into finding 708 00:44:46,360 --> 00:44:49,239 Speaker 1: out that you were preg So this is this is 709 00:44:49,480 --> 00:44:52,080 Speaker 1: a real This is a big moment in one's life. Yes, 710 00:44:52,200 --> 00:44:54,839 Speaker 1: it's a big moment. Yes, as much as you can 711 00:44:54,880 --> 00:44:57,600 Speaker 1: want to share, of course. Yeah, I will say this. 712 00:44:58,200 --> 00:45:02,479 Speaker 1: Even if you plan and you and you make a vision, 713 00:45:03,400 --> 00:45:09,480 Speaker 1: you you vision boarded up and you raw dogg it okay, okay, Um, 714 00:45:10,080 --> 00:45:13,040 Speaker 1: the moment you pee on that stick, for me, I 715 00:45:13,160 --> 00:45:14,560 Speaker 1: was like, I know, I know, I don't even have 716 00:45:14,640 --> 00:45:17,920 Speaker 1: to feel because you felt your body was telling you 717 00:45:18,040 --> 00:45:20,640 Speaker 1: that you are prag Yes, you just feel like the 718 00:45:20,800 --> 00:45:23,800 Speaker 1: surge of something. And I really do think it's like 719 00:45:23,880 --> 00:45:28,160 Speaker 1: all the hormones getting ready to create something create, and 720 00:45:28,680 --> 00:45:31,480 Speaker 1: and for me it was like surprise and immediate happiness 721 00:45:31,920 --> 00:45:37,720 Speaker 1: and and then it's like, oh this changes, this changes everything. 722 00:45:38,160 --> 00:45:40,960 Speaker 1: I would be thinking, oh my god, I'm so happy. 723 00:45:41,360 --> 00:45:47,319 Speaker 1: Oh no, labor. See I haven't really thought about labor yet. 724 00:45:47,400 --> 00:45:50,880 Speaker 1: And and some snarky mother friends what about and you had? This? 725 00:45:51,040 --> 00:45:53,320 Speaker 1: Is this paying your feeling right now? This is nothing 726 00:45:53,440 --> 00:45:58,040 Speaker 1: compared to no, no, no, I know, I know, but 727 00:45:58,800 --> 00:46:02,000 Speaker 1: but I have truly thought about labor. I'm just like, oh, 728 00:46:02,080 --> 00:46:07,800 Speaker 1: this is going to be fine. I feel good some 729 00:46:07,880 --> 00:46:12,920 Speaker 1: women a day, I know, I really can't just howling 730 00:46:13,000 --> 00:46:21,360 Speaker 1: like a wounded animal. All. That's a really good impression. 731 00:46:21,400 --> 00:46:25,160 Speaker 1: It's really good. Just like I don't know about it. 732 00:46:25,280 --> 00:46:27,799 Speaker 1: I don't think so, honey, labor. Oh did you see 733 00:46:27,840 --> 00:46:30,080 Speaker 1: there was like something it was I think it was 734 00:46:30,200 --> 00:46:32,759 Speaker 1: like some website. I think it was BuzzFeed actually like 735 00:46:33,200 --> 00:46:35,480 Speaker 1: took the men on their staff and they were put 736 00:46:35,600 --> 00:46:38,239 Speaker 1: through like a simulation of what labor feels like, like 737 00:46:39,120 --> 00:46:46,040 Speaker 1: were stuck with like tornadoes like they were like I 738 00:46:46,080 --> 00:46:48,080 Speaker 1: don't know, they put these like I guess, like what 739 00:46:48,200 --> 00:46:51,200 Speaker 1: did you call them? Electrodes all over their body like 740 00:46:51,280 --> 00:46:55,000 Speaker 1: on their stomach or whatever, and they would out of nowhere. 741 00:46:55,040 --> 00:46:56,920 Speaker 1: They'd be laying on there and they were just shocked 742 00:46:57,000 --> 00:46:58,920 Speaker 1: in with like what we're meant to be labor pains 743 00:46:59,320 --> 00:47:04,640 Speaker 1: and they would be scream unbelievable. I was going to say, 744 00:47:04,680 --> 00:47:06,319 Speaker 1: stick one of those little things on your dick hole 745 00:47:06,400 --> 00:47:09,000 Speaker 1: and have it expand, and maybe that would be more. 746 00:47:09,200 --> 00:47:12,399 Speaker 1: It may equivalent is for men to push your lemon 747 00:47:12,440 --> 00:47:16,719 Speaker 1: out of their penis for kidney stones stones worse than that, 748 00:47:16,920 --> 00:47:19,080 Speaker 1: Well it is, but that's the best you can Yeah, 749 00:47:19,239 --> 00:47:21,080 Speaker 1: right right? How do you get kidney stones? So I 750 00:47:21,160 --> 00:47:23,800 Speaker 1: can never have them? It's it's a build up of 751 00:47:24,200 --> 00:47:27,480 Speaker 1: uric acid and crystallized. I believe it isn't a mineral 752 00:47:27,600 --> 00:47:30,040 Speaker 1: Like if you drink a lot of mineral water. Yeah, yeah, 753 00:47:30,120 --> 00:47:34,640 Speaker 1: it's like um what just yeah, it's mineral water. It's stuff. 754 00:47:34,719 --> 00:47:39,360 Speaker 1: It's stuff that would you know crystallized? Wait, how do 755 00:47:42,360 --> 00:47:47,640 Speaker 1: you I'm drinking pomegranate tea right now, and I so wait, 756 00:47:47,719 --> 00:47:49,919 Speaker 1: if I drink a lot of water, it's gonna feel 757 00:47:49,920 --> 00:47:53,920 Speaker 1: like a lemon coming out of No Matt, You're bouncing around, 758 00:47:54,840 --> 00:47:57,600 Speaker 1: Look lemon, it's fine, nothing better come out of there. 759 00:47:57,640 --> 00:48:03,480 Speaker 1: But p and come, um my god, you should or 760 00:48:04,400 --> 00:48:07,960 Speaker 1: no thanks. You ever heard about those men who go 761 00:48:08,120 --> 00:48:13,319 Speaker 1: pee in the Amazon and the fish swims up there? 762 00:48:13,440 --> 00:48:16,160 Speaker 1: You need to stop into their penis? Yeah, yeah, yeah, 763 00:48:16,160 --> 00:48:19,640 Speaker 1: there's an Amazon penis fish that's fucked up. It was 764 00:48:19,680 --> 00:48:25,359 Speaker 1: on grays Anatomy Amazon penis fish. That's my drag name, 765 00:48:26,320 --> 00:48:33,439 Speaker 1: Amazon penis fish. The stage Amazon Wait, the ment pee 766 00:48:33,640 --> 00:48:36,120 Speaker 1: in the water and the fish feel the warm then 767 00:48:36,160 --> 00:48:38,879 Speaker 1: swim up stream. Yes, yes, I don't think so, honey, 768 00:48:40,760 --> 00:48:45,399 Speaker 1: in it It just it stays in there. Um and yeah, 769 00:48:45,480 --> 00:48:48,480 Speaker 1: it's I don't know if it's really like draining your 770 00:48:48,760 --> 00:48:51,920 Speaker 1: you know, your your bodily resources, but you know you 771 00:48:52,040 --> 00:48:54,319 Speaker 1: have to get it out as soon as possible. Amazonian 772 00:48:54,400 --> 00:48:58,920 Speaker 1: penis fish is culture is culture, honey. You can't say 773 00:48:58,960 --> 00:49:02,440 Speaker 1: it's not culture. Can't. That's why anyone that says come 774 00:49:02,480 --> 00:49:06,759 Speaker 1: to Brazil, I'll say, I don't think so, Hony. If 775 00:49:06,760 --> 00:49:08,600 Speaker 1: I ever become a pop star and people comment on 776 00:49:08,680 --> 00:49:11,160 Speaker 1: my Instagram, come to Brazil, I'll say, not with those 777 00:49:11,200 --> 00:49:13,719 Speaker 1: Amazon penis fish. Figure that out, then I'll book a 778 00:49:13,840 --> 00:49:18,600 Speaker 1: date Polo. But Brazil, No, yeah, sorry, are Brazilian fans. 779 00:49:18,640 --> 00:49:20,399 Speaker 1: We're not doing any I don't think so, honey lives 780 00:49:21,560 --> 00:49:28,000 Speaker 1: which Paolo? Which Brazil? Bitch? The only part of Brazil 781 00:49:28,080 --> 00:49:30,600 Speaker 1: will go to. Yeah, I'm not going where there's the 782 00:49:30,600 --> 00:49:35,960 Speaker 1: penis fish, that's no doubt. Now I think that childbirth 783 00:49:36,440 --> 00:49:40,279 Speaker 1: is um, you know truly and you would know. I 784 00:49:40,320 --> 00:49:44,880 Speaker 1: would know. Um childbirth is is a beautiful thing. But 785 00:49:45,120 --> 00:49:46,800 Speaker 1: I mean, but yeah, let's get back to this. Do 786 00:49:46,960 --> 00:49:50,800 Speaker 1: you how how are you feeling about just labor in general? 787 00:49:51,600 --> 00:49:54,839 Speaker 1: I haven't. She hasn't thought about it, bit I don't. 788 00:49:55,040 --> 00:49:57,200 Speaker 1: You haven't. I'm making it bringing it up again. Now 789 00:49:57,239 --> 00:49:59,920 Speaker 1: she's gonna think about it more. I am. I am. 790 00:50:00,000 --> 00:50:04,600 Speaker 1: I'm um so consumed with um, the day to day 791 00:50:05,680 --> 00:50:08,040 Speaker 1: things that are happening in my body. And I have 792 00:50:08,160 --> 00:50:12,920 Speaker 1: a little book, What you Expect when You're Expecting. It 793 00:50:13,040 --> 00:50:15,880 Speaker 1: was bestowed upon me and it is helpful, but it 794 00:50:16,680 --> 00:50:20,440 Speaker 1: is very um terrifying. It gives you warnings. But that's okay. 795 00:50:20,520 --> 00:50:23,839 Speaker 1: It's okay to feel scared as long as it's preparing you. Right, 796 00:50:23,960 --> 00:50:27,640 Speaker 1: when is the do day for the baby? J What 797 00:50:27,840 --> 00:50:30,920 Speaker 1: is that? What sign does that make it? It's um? No, 798 00:50:31,320 --> 00:50:34,120 Speaker 1: it's that's one of the bitchy ones that like only 799 00:50:34,200 --> 00:50:39,320 Speaker 1: likes designer clothes. You are in something else calls this 800 00:50:39,520 --> 00:50:47,200 Speaker 1: mom lovesals. You are going to be shopping down and 801 00:50:47,360 --> 00:50:50,439 Speaker 1: might be a title of that might be I don't 802 00:50:50,480 --> 00:50:55,640 Speaker 1: know before digital brutalism is ahead for me, digital brutal 803 00:50:56,640 --> 00:50:59,680 Speaker 1: because I feel like that represents Annie. You know what, fine, fine, 804 00:50:59,719 --> 00:51:05,200 Speaker 1: fine and fine, but this baby better learn. Oh this baby, 805 00:51:05,600 --> 00:51:08,719 Speaker 1: I would say this, this baby better to learn how 806 00:51:08,800 --> 00:51:12,600 Speaker 1: to how to you know, take a joke, tell me 807 00:51:12,719 --> 00:51:15,759 Speaker 1: about it, because because with these parents, I don't know, 808 00:51:16,280 --> 00:51:19,839 Speaker 1: you enjoy, you are going to be fucking making jokes 809 00:51:19,880 --> 00:51:21,440 Speaker 1: to that. I feel like we have to be careful 810 00:51:21,520 --> 00:51:25,120 Speaker 1: because I could really turn on us, Like how will 811 00:51:25,200 --> 00:51:27,200 Speaker 1: we feel like when we're making jokes at this baby 812 00:51:27,239 --> 00:51:29,080 Speaker 1: and this baby's like, I hate comedy. I don't like 813 00:51:29,160 --> 00:51:32,640 Speaker 1: to laugh. I'm antisocial because of all the jokes you make. 814 00:51:32,920 --> 00:51:36,680 Speaker 1: And I do not want a little wallflower child outgoing. 815 00:51:37,120 --> 00:51:38,919 Speaker 1: You don't want your baby to be that person that's 816 00:51:38,960 --> 00:51:42,080 Speaker 1: like around comedians and they go, can we ever not 817 00:51:42,239 --> 00:51:47,640 Speaker 1: do a bit? Oh my god, there's nothing worse? Always 818 00:51:47,680 --> 00:51:49,440 Speaker 1: a bit like why can't we ever be just like 819 00:51:50,280 --> 00:51:55,719 Speaker 1: real real go hang out at the corner. Yeah you know, 820 00:51:56,000 --> 00:51:58,960 Speaker 1: you know, I've been. That's all your real friends. Yeah, 821 00:51:59,560 --> 00:52:01,520 Speaker 1: I've been that person, and I've I've been to a 822 00:52:01,560 --> 00:52:08,160 Speaker 1: bodega when my friends Okay, well and stay there. Just lucky, 823 00:52:08,239 --> 00:52:12,400 Speaker 1: you cute standing on the corner in front of the 824 00:52:12,440 --> 00:52:17,440 Speaker 1: bodega waiting for what John? For what? John to pick 825 00:52:17,520 --> 00:52:20,440 Speaker 1: you up and take you home? You have heard of 826 00:52:20,480 --> 00:52:25,080 Speaker 1: a penis vision. I got an Amazonian penis fish in 827 00:52:25,160 --> 00:52:31,440 Speaker 1: my pants. That's really sick, you know, I try. That's 828 00:52:31,480 --> 00:52:37,360 Speaker 1: a real cank. I bet some penis serious funny release 829 00:52:37,440 --> 00:52:41,399 Speaker 1: the fish. Sure, it's the only way I can come 830 00:52:41,960 --> 00:52:44,799 Speaker 1: is with these fish swimming in my your reader, whatever 831 00:52:44,840 --> 00:52:49,920 Speaker 1: you guys have you Yeah, I think that we all 832 00:52:49,960 --> 00:52:52,200 Speaker 1: have your wreath. Actually, I think across the board women 833 00:52:52,280 --> 00:52:55,920 Speaker 1: have theirs. To you is stuff you need to know. 834 00:52:57,320 --> 00:53:05,960 Speaker 1: Are you gonna be a mother? Wait? Hold on? Did 835 00:53:06,360 --> 00:53:09,120 Speaker 1: because Bowen's sister just recently had a baby, which means 836 00:53:09,200 --> 00:53:11,719 Speaker 1: she went to a childbirth. She does she have a 837 00:53:11,840 --> 00:53:15,200 Speaker 1: natural birth? She was it all about the drugs. She wash, 838 00:53:16,239 --> 00:53:18,759 Speaker 1: you don't have a masked but she she went into 839 00:53:18,840 --> 00:53:21,000 Speaker 1: labor at three am and then the baby was more 840 00:53:21,080 --> 00:53:26,800 Speaker 1: until eleven. That's you know, labor, which you know that 841 00:53:26,880 --> 00:53:30,480 Speaker 1: seems pretty normal to me. I don't know. Can you 842 00:53:30,640 --> 00:53:34,919 Speaker 1: stop it? Honestly, I don't. I have not even wait 843 00:53:35,440 --> 00:53:37,680 Speaker 1: said I didn't bring up the labor again, you did. 844 00:53:37,960 --> 00:53:41,680 Speaker 1: I was just I did not normalize the labor time. 845 00:53:41,680 --> 00:53:45,080 Speaker 1: I have to tell you, shaking his mother like he 846 00:53:45,160 --> 00:53:49,360 Speaker 1: has any dog in this fight. Get out? You know. 847 00:53:49,800 --> 00:53:51,640 Speaker 1: I skipped to the end of the book where it's 848 00:53:51,640 --> 00:53:53,919 Speaker 1: all about how to you know a sister partner in labor. 849 00:53:53,960 --> 00:53:56,520 Speaker 1: It's for the guys. There's there's such as for the husband, 850 00:53:57,080 --> 00:53:59,279 Speaker 1: and it was describing what I will be going through, 851 00:53:59,560 --> 00:54:02,440 Speaker 1: and honey, I flipped it right back to week fifteen. 852 00:54:03,719 --> 00:54:06,480 Speaker 1: I'm not ready. Okay, yes it was. It was bad. 853 00:54:06,719 --> 00:54:11,600 Speaker 1: So you're you're this is impossible. Childbirth is impossible. Every woman, 854 00:54:12,000 --> 00:54:17,040 Speaker 1: almost every woman, almost every woman, almost every woman. Every 855 00:54:17,520 --> 00:54:20,280 Speaker 1: this is tough. I don't know. Here's the thing. Almost 856 00:54:20,320 --> 00:54:25,399 Speaker 1: every woman. Look, I'll say, almost every woman should God. 857 00:54:26,080 --> 00:54:29,600 Speaker 1: We have been tasked by God. It is your duty. 858 00:54:30,640 --> 00:54:34,239 Speaker 1: I don't know. All I know is this um. You 859 00:54:34,360 --> 00:54:38,120 Speaker 1: know who said she's had two babies and whenever she's 860 00:54:38,120 --> 00:54:41,480 Speaker 1: asked about her pregnancy, she's very upset. Kelly Clarkson she 861 00:54:41,560 --> 00:54:47,520 Speaker 1: had bad pregnancies. Clarkson's pregnancies that they weren't they weren't enjoyable. Well, 862 00:54:48,040 --> 00:54:51,239 Speaker 1: but did the Kim Kardashian have a horrible second? She 863 00:54:51,320 --> 00:54:53,239 Speaker 1: had a bad one. But then there's some women like 864 00:54:53,400 --> 00:54:55,520 Speaker 1: That's say the pregnancy is the most beautiful time in 865 00:54:55,560 --> 00:54:57,759 Speaker 1: their lives. They were more comfortable every day than they ever. 866 00:54:58,000 --> 00:54:59,719 Speaker 1: How are you feeling right now? You feel pretty good, 867 00:54:59,760 --> 00:55:03,279 Speaker 1: feel comfortable. I feel great and frequent, frequent peing. But 868 00:55:03,680 --> 00:55:05,560 Speaker 1: I'm already kind of getting into that mode of like 869 00:55:07,480 --> 00:55:10,040 Speaker 1: you have to deal with my presence. I am pregnant, 870 00:55:10,920 --> 00:55:13,600 Speaker 1: I am doing my own thing. I do not care. Yeah, 871 00:55:14,040 --> 00:55:17,560 Speaker 1: that's good, that's good. Like before we hit we hit 872 00:55:17,680 --> 00:55:20,359 Speaker 1: the airwaves, she said I may have to leave at 873 00:55:20,360 --> 00:55:24,000 Speaker 1: a moment's nose to go pee, and we said, yes, 874 00:55:24,360 --> 00:55:26,840 Speaker 1: we couldn't push back on them. We can be like no, 875 00:55:27,280 --> 00:55:29,759 Speaker 1: we actually were contacted beforehand by her wraps and said 876 00:55:29,840 --> 00:55:33,080 Speaker 1: you cannot push back on We didn't even push back. 877 00:55:33,239 --> 00:55:35,439 Speaker 1: I have been slapped in the face by a gate 878 00:55:35,520 --> 00:55:40,400 Speaker 1: I refused to be pushed and he was a representative 879 00:55:40,440 --> 00:55:44,160 Speaker 1: of the gay community, yes as a whole with his 880 00:55:44,280 --> 00:55:47,080 Speaker 1: penis hands. And you've been slapped by another penis hands. 881 00:55:48,760 --> 00:55:52,759 Speaker 1: I'm sorry, we have to find him and kill him. 882 00:55:54,080 --> 00:55:59,000 Speaker 1: He's useless, he's just useless, deserves he's it's punishable by death, 883 00:55:59,719 --> 00:56:04,360 Speaker 1: and he way. I mean, I I don't just to 884 00:56:04,440 --> 00:56:06,759 Speaker 1: go back to that. I don't accept I don't accept that. No, 885 00:56:06,920 --> 00:56:08,680 Speaker 1: that was horrible. You shouldn't have gone through that. You 886 00:56:08,680 --> 00:56:11,120 Speaker 1: shouldn't have gone through that. Maybe, but we were both 887 00:56:11,239 --> 00:56:13,400 Speaker 1: so like, you know, it's one of those stories that 888 00:56:13,520 --> 00:56:16,560 Speaker 1: we're both drunk. Maybe maybe I shouldn't have said it. 889 00:56:17,200 --> 00:56:19,719 Speaker 1: Maybe he shouldn't been in the girl's bathroom. Maybe he 890 00:56:19,719 --> 00:56:22,799 Speaker 1: shouldn't have he should have washed his hands. I mean, 891 00:56:23,400 --> 00:56:26,239 Speaker 1: there's a lot of exactly you know what, if you 892 00:56:26,280 --> 00:56:30,160 Speaker 1: met him now, you might be close friends, close friends. 893 00:56:30,280 --> 00:56:33,279 Speaker 1: He could teach me all those languages. He knows three 894 00:56:33,360 --> 00:56:38,000 Speaker 1: of them. I would like to know what these languages are, Honey, 895 00:56:38,760 --> 00:56:41,120 Speaker 1: American sign languages does not count. I was just going 896 00:56:41,160 --> 00:56:44,399 Speaker 1: to say, American Sign language does not count. I took 897 00:56:44,440 --> 00:56:46,920 Speaker 1: it in college. As they call it, the I P 898 00:56:47,080 --> 00:56:59,040 Speaker 1: A I P is a beer knows of culture whenever. 899 00:57:00,480 --> 00:57:02,839 Speaker 1: Sometimes when you go on the dating apps, it'll say 900 00:57:02,920 --> 00:57:06,879 Speaker 1: I P A I don't know. They just talking about 901 00:57:06,920 --> 00:57:09,279 Speaker 1: the beer. I don't know what I P A is. 902 00:57:09,360 --> 00:57:12,400 Speaker 1: I thought it was international phonetic alphabet or something, and 903 00:57:12,480 --> 00:57:16,120 Speaker 1: I just didn't understand under languages. They say, are you 904 00:57:16,240 --> 00:57:19,560 Speaker 1: looking this up? Look there's that? Please look up. If 905 00:57:19,600 --> 00:57:22,600 Speaker 1: there's H p J. Look up. If there's two different 906 00:57:22,840 --> 00:57:25,200 Speaker 1: kinds of I p A. And I'm not talking about 907 00:57:25,280 --> 00:57:27,840 Speaker 1: like very bitter I p A, that's what it's going 908 00:57:27,880 --> 00:57:31,920 Speaker 1: to pull up. Well, if it pulls that up, you're both. 909 00:57:32,040 --> 00:57:37,840 Speaker 1: We're both right as well as international. Thank you gods, 910 00:57:38,320 --> 00:57:43,680 Speaker 1: dear gods, Thank you God. What is the Greek gods? 911 00:57:43,800 --> 00:57:49,040 Speaker 1: The Roman gods? Which gods are you beckoning? Pantheon? I'm Greek. 912 00:57:49,160 --> 00:57:52,200 Speaker 1: I'm Greek, which means I believe in several several gods, 913 00:57:52,520 --> 00:58:00,840 Speaker 1: the pantheon. Yes, of course, Zeus afroditey Honey, Hercules, Hermes, 914 00:58:01,120 --> 00:58:05,600 Speaker 1: you know all my girls? Yeah, I have a lot 915 00:58:05,720 --> 00:58:11,200 Speaker 1: of girls. Yeah, yeah, mighty Hara Hara of course, Harrah 916 00:58:11,280 --> 00:58:15,560 Speaker 1: my my number one girl. Um did I say, who's 917 00:58:17,080 --> 00:58:20,520 Speaker 1: the number one girl? Yes, I'll see him again because 918 00:58:20,560 --> 00:58:23,320 Speaker 1: we're very close. I can't forget Zeus. Zeus is the queen? 919 00:58:23,440 --> 00:58:25,440 Speaker 1: What is Somebody accepted an oscar and thanked all the 920 00:58:25,560 --> 00:58:31,640 Speaker 1: Greek gods, I would I would like I have to 921 00:58:31,680 --> 00:58:34,640 Speaker 1: thank Zeus, I have to thank ting to like hermis 922 00:58:35,680 --> 00:58:41,280 Speaker 1: my glos I, oh my god, all the way under 923 00:58:41,360 --> 00:58:49,120 Speaker 1: the sea tonight, aries you can ground hercules go to bed, sweetie, 924 00:58:50,280 --> 00:58:52,440 Speaker 1: there you go. Oh my god. I can I tell 925 00:58:52,480 --> 00:58:54,919 Speaker 1: you what? I don't think? So, honey, whenever anyone wins 926 00:58:54,960 --> 00:58:57,000 Speaker 1: an OSCAR and they tell their kids to go to bed, 927 00:58:57,960 --> 00:59:01,439 Speaker 1: shut up, come on, and that's so overuse, over done. 928 00:59:01,520 --> 00:59:04,160 Speaker 1: We've heard, we've seen, we've seen it. You know. Um 929 00:59:04,640 --> 00:59:06,600 Speaker 1: Will Ferrell just did it on S and L. I 930 00:59:06,640 --> 00:59:08,960 Speaker 1: think he said my son's birthday was. Can I tell 931 00:59:08,960 --> 00:59:12,920 Speaker 1: you something? You're not fooling me, because guess what if 932 00:59:13,360 --> 00:59:16,440 Speaker 1: the oscars, I know they take three hours before, so 933 00:59:16,600 --> 00:59:19,640 Speaker 1: you know those oscars are at five PM. So therefore 934 00:59:20,080 --> 00:59:23,240 Speaker 1: that means around five five these best supporting actress winners 935 00:59:23,360 --> 00:59:25,880 Speaker 1: telling their kids to go to bed. Guess what, honey, 936 00:59:26,320 --> 00:59:29,480 Speaker 1: unless your kid is a motherfucking infant, it's not going 937 00:59:29,560 --> 00:59:32,760 Speaker 1: to bed at PM. So think about that. That's me 938 00:59:33,280 --> 00:59:37,920 Speaker 1: pulling back the curtain. Non culture. Wow. So they're just 939 00:59:38,040 --> 00:59:41,920 Speaker 1: doing it for the they're doing it for the moment, 940 00:59:42,040 --> 00:59:44,680 Speaker 1: the moment. I didn't know that that was that it was. 941 00:59:44,880 --> 00:59:48,400 Speaker 1: It was a pre taped absolutely, I would imagine that 942 00:59:48,440 --> 00:59:52,600 Speaker 1: they showed the Oscars live in l A. There's yeah, Well, 943 00:59:52,840 --> 00:59:54,880 Speaker 1: live in l A means like five PM in l A. 944 00:59:55,000 --> 00:59:57,880 Speaker 1: That's what I'm saying. So when those actresses get up 945 00:59:57,920 --> 01:00:02,920 Speaker 1: there at five and they say, go to bed, sweetie, 946 01:00:03,040 --> 01:00:05,920 Speaker 1: I love you, it's like six o'clock. But maybe their 947 01:00:05,960 --> 01:00:13,720 Speaker 1: kids are on these coasts. I don't think I know 948 01:00:13,840 --> 01:00:17,080 Speaker 1: what even if even if they are, it's only which 949 01:00:17,160 --> 01:00:20,160 Speaker 1: is which might be late the kids kids saying any 950 01:00:20,280 --> 01:00:22,840 Speaker 1: any time past nine, kids are gagged and they say 951 01:00:22,840 --> 01:00:26,360 Speaker 1: I stayed at past nine. That's ridiculous. God, But six pm, 952 01:00:26,480 --> 01:00:29,680 Speaker 1: I mean, really, that's way to know you two are wrong. 953 01:00:29,800 --> 01:00:31,720 Speaker 1: I don't if you if let me tell you something, 954 01:00:31,760 --> 01:00:34,680 Speaker 1: I will meet your kid, I would assume, okay, And 955 01:00:34,760 --> 01:00:38,600 Speaker 1: it's staying up all night, and I don't know. I 956 01:00:38,680 --> 01:00:40,720 Speaker 1: mean it will for the first couple of years. It 957 01:00:40,720 --> 01:00:44,040 Speaker 1: will stay up all night, okay, and then when I'm 958 01:00:44,040 --> 01:00:46,760 Speaker 1: doing my late night comedy shows, I will keep that 959 01:00:46,840 --> 01:00:49,880 Speaker 1: kid awake for when I arrive and we'll all go 960 01:00:50,040 --> 01:00:52,440 Speaker 1: to bed together at two am, and we'll all get 961 01:00:52,520 --> 01:00:56,160 Speaker 1: up at ten am and we'll be a happy family. 962 01:00:56,320 --> 01:00:59,080 Speaker 1: I have a question for you. Put him on blast. 963 01:00:59,360 --> 01:01:01,400 Speaker 1: Which com e venues are you going to bring your 964 01:01:01,480 --> 01:01:03,240 Speaker 1: kid to? And which ones are you not going to 965 01:01:03,360 --> 01:01:07,360 Speaker 1: bring your kids? In New York? Um, I will never 966 01:01:08,120 --> 01:01:12,800 Speaker 1: bring my kid to uc B East. Just what is 967 01:01:12,880 --> 01:01:14,800 Speaker 1: that a movie theater? The kid will want to be? 968 01:01:15,080 --> 01:01:21,000 Speaker 1: Where's the popcorn? Where? Yeah? Um, I will bring my 969 01:01:21,280 --> 01:01:26,280 Speaker 1: child to. Um, what's a good one? Um? You know what? 970 01:01:26,760 --> 01:01:29,640 Speaker 1: I know where you would have brought your kid July departed. 971 01:01:30,080 --> 01:01:34,560 Speaker 1: Your kid would have been crawled on the floor. Did 972 01:01:34,640 --> 01:01:37,160 Speaker 1: you know? I was teaching a class and a rat 973 01:01:37,720 --> 01:01:41,680 Speaker 1: scurried across the floor and this girl who never spoke 974 01:01:41,760 --> 01:01:44,240 Speaker 1: in class, she was I was trying so hard to 975 01:01:44,320 --> 01:01:48,280 Speaker 1: get her to speak and open up. She stood up, 976 01:01:48,640 --> 01:01:52,040 Speaker 1: grabbed a trash can lid as a shield like Xena 977 01:01:52,200 --> 01:01:55,800 Speaker 1: the Warrior Princess, and beat the rat with the broom 978 01:01:56,000 --> 01:01:59,640 Speaker 1: didn't kill it. The rat runs into the back room. 979 01:02:00,560 --> 01:02:06,840 Speaker 1: I said, class is over, honey, you cannot go on 980 01:02:07,040 --> 01:02:09,880 Speaker 1: from that moment. And a boy finished the job in 981 01:02:09,960 --> 01:02:12,760 Speaker 1: the back killed it, and together the class killed the rat. 982 01:02:13,240 --> 01:02:15,520 Speaker 1: Killed the rat, and I said, we will form a 983 01:02:15,600 --> 01:02:18,360 Speaker 1: circle and we will have a funeral for this rat. 984 01:02:18,560 --> 01:02:21,360 Speaker 1: I mean we left it there for the poor soul 985 01:02:21,400 --> 01:02:23,960 Speaker 1: who had to clean it up. But we that class 986 01:02:24,080 --> 01:02:27,640 Speaker 1: is bound forever until the end of time by that rat. Yes, 987 01:02:28,040 --> 01:02:30,280 Speaker 1: and Andy Barback had a rat fall from the ceiling 988 01:02:30,280 --> 01:02:33,720 Speaker 1: in that day. Oh my god, that's so Can you 989 01:02:33,840 --> 01:02:38,400 Speaker 1: imagine that in that theater, enjoying a show and a 990 01:02:38,640 --> 01:02:43,920 Speaker 1: rat falls upon you your head, rat fols on a 991 01:02:44,040 --> 01:02:51,960 Speaker 1: student's head. You know what? It's over? Can we get it? 992 01:02:52,000 --> 01:02:55,760 Speaker 1: Can we get real on this? How do you do 993 01:02:55,840 --> 01:02:59,600 Speaker 1: you miss the space or do you miss the theater um? 994 01:03:00,400 --> 01:03:02,800 Speaker 1: Or do you do you miss neither? I missed the 995 01:03:03,200 --> 01:03:06,160 Speaker 1: theater Sometimes I think, oh, that space was so cool. 996 01:03:06,200 --> 01:03:08,680 Speaker 1: But I house managed there and I was I had 997 01:03:08,720 --> 01:03:12,600 Speaker 1: to work there and it would get so crowded. And 998 01:03:12,640 --> 01:03:15,200 Speaker 1: there was one bathroom. I hated that. There was one bathroom. 999 01:03:15,520 --> 01:03:17,560 Speaker 1: One bathroom that was right there by the stage. So 1000 01:03:17,680 --> 01:03:20,760 Speaker 1: any time somebody, you know, dropped the kids off, it 1001 01:03:20,840 --> 01:03:24,400 Speaker 1: would just stuck up the whole I dropped the kids 1002 01:03:24,440 --> 01:03:26,360 Speaker 1: off a lot in that bathroom just I took a 1003 01:03:26,360 --> 01:03:29,720 Speaker 1: ship there. Yeah, it beckoned. It was a nice bathroom. 1004 01:03:31,400 --> 01:03:34,040 Speaker 1: It wasn't a nice bathroom. Wasn't the four season It 1005 01:03:34,160 --> 01:03:40,760 Speaker 1: was a spacious bathroom season the four season, I will 1006 01:03:40,800 --> 01:03:43,080 Speaker 1: say that's that's space. There was something about this, I 1007 01:03:43,120 --> 01:03:47,760 Speaker 1: mean Annoyance Theater departed beautiful. There was something special about 1008 01:03:47,760 --> 01:03:50,760 Speaker 1: that space and beautiful. But just the fact that fucking 1009 01:03:50,880 --> 01:03:54,200 Speaker 1: rats fell from the ceiling is unacceptable. I was totally unaccepted. 1010 01:03:54,240 --> 01:03:59,640 Speaker 1: You know what, what were more like shitty with rats? 1011 01:04:00,640 --> 01:04:04,720 Speaker 1: That's a read, that's a read, that's a red looks 1012 01:04:05,360 --> 01:04:08,400 Speaker 1: with rats. But you're a comedy show. I don't mean, 1013 01:04:08,640 --> 01:04:11,000 Speaker 1: I don't mean to I don't mean since you know, 1014 01:04:11,480 --> 01:04:16,360 Speaker 1: comment on just just acquiring that space. But you know what, 1015 01:04:16,520 --> 01:04:18,840 Speaker 1: because what were you to do? What were we to 1016 01:04:18,920 --> 01:04:22,360 Speaker 1: do to plug up all the holes with um rat cement? 1017 01:04:22,520 --> 01:04:25,800 Speaker 1: I mean, like what you do have fun memories there? 1018 01:04:26,560 --> 01:04:29,800 Speaker 1: Probably because rat never fell on our head. But but 1019 01:04:29,960 --> 01:04:32,600 Speaker 1: I'm able to say that I have fond memories. There's 1020 01:04:32,680 --> 01:04:36,640 Speaker 1: just two shows every day. You had Good Morning Hell 1021 01:04:36,760 --> 01:04:39,720 Speaker 1: with Anadrezin. That was a good one, that was really fun, 1022 01:04:39,840 --> 01:04:44,760 Speaker 1: and then Hi, Yes, And I believe the Annoyance Back 1023 01:04:45,160 --> 01:04:49,960 Speaker 1: Theater is where the infamous line treat to me. That's 1024 01:04:49,960 --> 01:04:52,600 Speaker 1: when we first looked at and at any and we said, 1025 01:04:52,680 --> 01:04:56,960 Speaker 1: you are a treat to me a treat to me. Actually, 1026 01:04:57,000 --> 01:05:01,000 Speaker 1: maybe that should be a treat to me. You walked 1027 01:05:01,040 --> 01:05:04,120 Speaker 1: into that that back room with your entourage of all 1028 01:05:04,200 --> 01:05:06,520 Speaker 1: the lake Homo hi, and you saw me sitting there 1029 01:05:06,640 --> 01:05:09,360 Speaker 1: and you go, you are a treat to me. And 1030 01:05:09,560 --> 01:05:17,320 Speaker 1: Bowen lost his bladder. I was never never gets old. 1031 01:05:17,440 --> 01:05:21,360 Speaker 1: It's it never will know a treat to me because 1032 01:05:21,480 --> 01:05:24,280 Speaker 1: Annie is a treat. And with that, I think that 1033 01:05:24,400 --> 01:05:28,160 Speaker 1: we should treat each other with some I don't think so, honey. 1034 01:05:28,320 --> 01:05:30,640 Speaker 1: I think it's time. I think he arrived at the 1035 01:05:30,720 --> 01:05:33,480 Speaker 1: moment of I don't think so honey, which is of course, 1036 01:05:34,160 --> 01:05:37,160 Speaker 1: um that moment when we take one minute each to 1037 01:05:37,320 --> 01:05:40,480 Speaker 1: rail against something in culture and we have something in 1038 01:05:40,600 --> 01:05:43,800 Speaker 1: common here because Annie Donneley has you know, I don't 1039 01:05:43,840 --> 01:05:48,200 Speaker 1: think so, honey lost culture before. Yes, yes, and and 1040 01:05:48,600 --> 01:05:52,960 Speaker 1: that's specifically us. And it was very disrespectful. And that 1041 01:05:53,160 --> 01:06:05,600 Speaker 1: was and you never did get contacts, bitch clocked news 1042 01:06:05,800 --> 01:06:08,160 Speaker 1: in fat I didn't not new ones, but I am 1043 01:06:08,200 --> 01:06:10,200 Speaker 1: about to get new classes, was my read on that one. 1044 01:06:10,240 --> 01:06:13,120 Speaker 1: Oh can we hang out because all your friends get 1045 01:06:13,160 --> 01:06:16,760 Speaker 1: famous except you, bitch. That's right, And what have you done? 1046 01:06:17,360 --> 01:06:21,840 Speaker 1: I've been trying really hard, but you're hanging out now, 1047 01:06:23,520 --> 01:06:26,320 Speaker 1: that's true. Okay, So I actually would like to go first, Okay, yeah, 1048 01:06:26,320 --> 01:06:29,840 Speaker 1: because I'm, you know what, classically unprepared. So this is 1049 01:06:29,880 --> 01:06:31,880 Speaker 1: Matt Rodgers as I don't think so, honey, and his 1050 01:06:32,040 --> 01:06:36,120 Speaker 1: time starts now. I don't think so, honey. Any motherfucking 1051 01:06:36,240 --> 01:06:39,440 Speaker 1: do we have an overpopulation problem? Bitch? We don't need 1052 01:06:39,480 --> 01:06:43,240 Speaker 1: your fucking stupid ass kid. How this gets, bitch, get 1053 01:06:43,320 --> 01:06:47,000 Speaker 1: part of Sheila sixty years old? This motherfucker Annoyance Theater 1054 01:06:47,800 --> 01:06:50,520 Speaker 1: is closed. How the funk she gonna keep a kid alive? 1055 01:06:50,600 --> 01:06:53,240 Speaker 1: She can't even keep her motherfucking own theater alive, bitch, 1056 01:06:53,280 --> 01:06:56,000 Speaker 1: annoying theater. Yeah, I'll tell you what's annoying this bitch 1057 01:06:56,200 --> 01:06:59,520 Speaker 1: coming up and doing every comedy show, doing her anti comedy. Oh, 1058 01:07:00,160 --> 01:07:02,880 Speaker 1: dearly departed Annoyance theater. There's no place for all the 1059 01:07:02,920 --> 01:07:05,760 Speaker 1: anti comedians to go. Guess what, bitch, check any bill 1060 01:07:05,800 --> 01:07:08,400 Speaker 1: that any motherfucking Donley is on. She's coming out here 1061 01:07:08,480 --> 01:07:11,439 Speaker 1: doing character performance and goes no, but she annoyed my ass. 1062 01:07:11,480 --> 01:07:14,120 Speaker 1: I don't think so, honey. Annoyance datter. Okay, Annie Donley, 1063 01:07:14,560 --> 01:07:19,880 Speaker 1: let me tell you something, bitch, Let me tell you something. 1064 01:07:21,240 --> 01:07:25,680 Speaker 1: There is a problem in the world. It's overpopulation, polluting, 1065 01:07:26,200 --> 01:07:29,560 Speaker 1: polluting the world. You should have checked the population of 1066 01:07:29,600 --> 01:07:33,560 Speaker 1: the world before you got pregnant. Okay, I rude the day, 1067 01:07:35,360 --> 01:07:40,920 Speaker 1: That's what I am. Mortified. I rude the day, and 1068 01:07:41,000 --> 01:07:46,400 Speaker 1: it even make sense. I should have checked the population. 1069 01:07:48,240 --> 01:07:50,800 Speaker 1: We don't need your kid. Bitch didn't even come up 1070 01:07:50,840 --> 01:07:54,440 Speaker 1: for air on that one. Oh my god, I was 1071 01:07:54,480 --> 01:07:56,360 Speaker 1: feeling some kind of way and I've been waiting to 1072 01:07:56,440 --> 01:07:59,959 Speaker 1: take you down since you came for me several times 1073 01:08:00,000 --> 01:08:03,600 Speaker 1: times and you tried to blacken my name and and 1074 01:08:03,760 --> 01:08:06,560 Speaker 1: I smeared it good you did. You tried to come 1075 01:08:06,640 --> 01:08:12,120 Speaker 1: for me, and I come for you this So I 1076 01:08:12,240 --> 01:08:19,080 Speaker 1: mean none of what I said that that was a read. Wow, 1077 01:08:19,360 --> 01:08:21,840 Speaker 1: I don't I don't know if I can follow that well. 1078 01:08:21,920 --> 01:08:23,519 Speaker 1: I think that you. I think that you can. I 1079 01:08:23,560 --> 01:08:26,360 Speaker 1: think you know what to do. You have to I'm deflated, Okay, 1080 01:08:26,479 --> 01:08:28,600 Speaker 1: all right, I think you know what to do. And 1081 01:08:29,360 --> 01:08:31,160 Speaker 1: I don't think so, honey. His time starts now. I 1082 01:08:31,200 --> 01:08:35,040 Speaker 1: don't think so, honey. Any motherfucking dony bitch, you think 1083 01:08:35,080 --> 01:08:36,760 Speaker 1: you can just come on the show and we're gonna 1084 01:08:36,800 --> 01:08:39,640 Speaker 1: award you the Lost Culture rests icon of word and 1085 01:08:39,720 --> 01:08:42,880 Speaker 1: the hat just really fucking nearly. No, there's a price 1086 01:08:42,960 --> 01:08:45,960 Speaker 1: to pay, motherfucker, you are going to take a verbal 1087 01:08:46,280 --> 01:08:49,880 Speaker 1: assault from us. And don't you dare hashtag me to 1088 01:08:50,080 --> 01:08:54,639 Speaker 1: this one, bitch, because because you cannot, you cannot say 1089 01:08:54,720 --> 01:08:58,080 Speaker 1: that that this was that you did, that this was unwarranted, honey, 1090 01:08:58,439 --> 01:09:02,560 Speaker 1: a bitch deserved I have. I have not recovered you. 1091 01:09:02,800 --> 01:09:06,360 Speaker 1: You contented on my sexual life, on my on me 1092 01:09:06,479 --> 01:09:09,160 Speaker 1: not getting laid, bitch, because honey, it is a chore 1093 01:09:09,360 --> 01:09:12,600 Speaker 1: for me to fucking bag a man, to bring a 1094 01:09:12,680 --> 01:09:16,280 Speaker 1: man home into my bed. Impossible with these glasses that 1095 01:09:16,320 --> 01:09:20,080 Speaker 1: I will never get glasses, bitch, I never get contacts, bitch, 1096 01:09:20,120 --> 01:09:22,000 Speaker 1: is what I meant to say, so, honey, Honey, I 1097 01:09:22,040 --> 01:09:24,719 Speaker 1: don't think so, honey, any Donny and bitch this baby 1098 01:09:25,160 --> 01:09:28,880 Speaker 1: you better you this baby will resent and Joey and 1099 01:09:29,040 --> 01:09:32,719 Speaker 1: say I can't laugh because my mother she ruined laughter 1100 01:09:32,840 --> 01:09:39,479 Speaker 1: for me. Oh my god, you better if you and 1101 01:09:39,560 --> 01:09:42,000 Speaker 1: I guess what if you don't make us the baby's godfathers, 1102 01:09:42,280 --> 01:09:44,800 Speaker 1: we will never stop. I don't think so, honey. Yes, 1103 01:09:44,920 --> 01:09:51,240 Speaker 1: we're going to We're cat we're super cats, like religious Okay, 1104 01:09:51,640 --> 01:09:55,120 Speaker 1: I thought we're gonna say we're super casting the Godparents. 1105 01:09:55,960 --> 01:09:58,120 Speaker 1: I say, I am religious, and then I religiously forget 1106 01:09:58,200 --> 01:10:01,479 Speaker 1: to pay off all my credit cards. Okay, you go 1107 01:10:02,040 --> 01:10:05,200 Speaker 1: coming for a newborn? Is at all? Is a new 1108 01:10:05,280 --> 01:10:08,640 Speaker 1: low both of you. Shame on you accepted, happy to 1109 01:10:08,880 --> 01:10:11,200 Speaker 1: lower the bar. Happy to lower the bar, because when 1110 01:10:11,280 --> 01:10:13,439 Speaker 1: you step on that stage and you come for us, 1111 01:10:13,760 --> 01:10:17,200 Speaker 1: it only made us stronger. Do you want retaliation right now? 1112 01:10:17,320 --> 01:10:22,240 Speaker 1: Is that you go ahead? Whatever you want, whatever you want? Oh, bit, 1113 01:10:23,520 --> 01:10:29,519 Speaker 1: this is this is I don't think so g starts now. 1114 01:10:29,880 --> 01:10:32,000 Speaker 1: I don't think so, honey. I came on this podcast 1115 01:10:32,080 --> 01:10:33,800 Speaker 1: to talk and do it. I don't think so honey. 1116 01:10:33,880 --> 01:10:35,760 Speaker 1: On the Sims three and how it is so cool 1117 01:10:35,800 --> 01:10:38,720 Speaker 1: to be a vampire Sims But after that ferocious read, 1118 01:10:38,800 --> 01:10:41,200 Speaker 1: I don't think so honey. I will be coming for 1119 01:10:41,280 --> 01:10:46,479 Speaker 1: your host Matt Rogers. And how how yare you post 1120 01:10:46,600 --> 01:10:49,759 Speaker 1: on social media? Yesterday you had your most favorite guests 1121 01:10:49,960 --> 01:10:53,479 Speaker 1: all time and then asked me the next day to 1122 01:10:53,640 --> 01:10:56,040 Speaker 1: come in after that, and all your friends are like, 1123 01:10:56,520 --> 01:10:58,720 Speaker 1: who was it? Who was the guest? Please tell us? 1124 01:11:00,640 --> 01:11:04,479 Speaker 1: Chained to your podcast? And then you drag my ass 1125 01:11:06,160 --> 01:11:10,439 Speaker 1: what we work with all the slugs of humanity sitting 1126 01:11:10,479 --> 01:11:13,120 Speaker 1: on bean bags and I have to pour water from 1127 01:11:13,160 --> 01:11:16,679 Speaker 1: the well just to get a sipop here. You tell 1128 01:11:16,760 --> 01:11:19,600 Speaker 1: me I cannot take a bathroom break. I am pregnant. 1129 01:11:20,040 --> 01:11:24,800 Speaker 1: Never read me after you doubt you tell you you've 1130 01:11:24,880 --> 01:11:29,719 Speaker 1: already had your favorite guest. Why have anymore? Podcasting should 1131 01:11:29,720 --> 01:11:35,360 Speaker 1: be shut down forever dog never, don you're a rude, 1132 01:11:35,520 --> 01:11:44,080 Speaker 1: rude rude I don't think so, dog never you are 1133 01:11:48,360 --> 01:11:53,680 Speaker 1: forever dog. You have the wire in your mouth. Job 1134 01:11:56,120 --> 01:11:59,920 Speaker 1: so nervous. He was eating, he was eating the equipped 1135 01:12:00,040 --> 01:12:05,040 Speaker 1: it It's okay, Oh my god, you know what, do 1136 01:12:05,160 --> 01:12:07,680 Speaker 1: we feel better? Even? I feel like that was very 1137 01:12:08,439 --> 01:12:13,519 Speaker 1: act God. That's You're only going to get that from Annie. No. 1138 01:12:13,720 --> 01:12:16,320 Speaker 1: I mean, come on, you think, because after those vicious 1139 01:12:16,360 --> 01:12:19,639 Speaker 1: reads we gave people would usually you know, they would 1140 01:12:19,640 --> 01:12:21,920 Speaker 1: they would go back into their proverbial shell. But not you, 1141 01:12:23,640 --> 01:12:28,120 Speaker 1: no turtle, and that was that your queen. She was 1142 01:12:28,200 --> 01:12:31,559 Speaker 1: not going to recede or conde. I have to say, 1143 01:12:31,600 --> 01:12:33,400 Speaker 1: it's very surprised by the icon of where it was, 1144 01:12:33,560 --> 01:12:38,080 Speaker 1: very surprised by these reads. We're shocking and shocking podcast 1145 01:12:38,360 --> 01:12:47,160 Speaker 1: I don't know, but we are last pro god bilingual bilingual. Honey, 1146 01:12:47,200 --> 01:12:51,479 Speaker 1: I speak two languages. This is um. You know this 1147 01:12:51,680 --> 01:12:55,040 Speaker 1: is a huge episode and you know we don't even 1148 01:12:55,120 --> 01:13:00,080 Speaker 1: try it and had your huge goods stop this this 1149 01:13:00,280 --> 01:13:03,800 Speaker 1: this was this was magic. Look, Annie is Queen of 1150 01:13:03,920 --> 01:13:10,879 Speaker 1: king pussy Tastic? What is it? Post tastic mega madness? 1151 01:13:11,040 --> 01:13:14,679 Speaker 1: You can't can't handle the bit? I think we didn't 1152 01:13:14,680 --> 01:13:20,040 Speaker 1: say it one more time together? Any queen Kingdom Queen 1153 01:13:20,600 --> 01:13:28,320 Speaker 1: post potastic mega madness. You can't handle the bit. I'm gagged. 1154 01:13:28,360 --> 01:13:31,040 Speaker 1: I'm gagged for Phil And with that, I think we 1155 01:13:31,160 --> 01:13:32,880 Speaker 1: have to wrap it up on this episode of Last 1156 01:13:32,920 --> 01:13:35,960 Speaker 1: Culture Estas. Thank you Annie Donley, who you can follow 1157 01:13:36,080 --> 01:13:39,200 Speaker 1: at Annie Asked Queef on Twitter and twitter at Annie 1158 01:13:39,240 --> 01:13:41,320 Speaker 1: the Queen Donnley on Instagram or is it the other 1159 01:13:41,360 --> 01:13:44,040 Speaker 1: way around? Now that's correct. I know, I know my handles, 1160 01:13:44,360 --> 01:13:47,360 Speaker 1: you know your history, your history. Let's say, is there 1161 01:13:47,400 --> 01:13:51,120 Speaker 1: anything you want to say to all the listeners? Um, 1162 01:13:51,720 --> 01:13:55,479 Speaker 1: there are other podcasts out there. Just remember that you 1163 01:13:55,720 --> 01:14:00,719 Speaker 1: have options as an American and utilize that freedom soldiers 1164 01:14:00,760 --> 01:14:04,639 Speaker 1: are dying for. Yes, absolutely absolutely, I think we're gonna 1165 01:14:04,680 --> 01:14:12,960 Speaker 1: sing our song. The soldiers are dying for podcasts. Let 1166 01:14:13,040 --> 01:14:15,559 Speaker 1: me tell your story about the car that Jane Man 1167 01:14:15,680 --> 01:14:20,040 Speaker 1: does me and my Bosman now does do end up 1168 01:14:20,040 --> 01:14:23,720 Speaker 1: a misery during the more then and Invert and Then 1169 01:14:23,840 --> 01:14:33,000 Speaker 1: What I Said him Dying podcastwhere soldiers are dying for 1170 01:14:33,280 --> 01:14:40,880 Speaker 1: podcast everywhere I said I don't more Well, let don't 1171 01:14:41,000 --> 01:14:50,720 Speaker 1: stay up here any wait for me. Bye. This has 1172 01:14:50,800 --> 01:14:54,479 Speaker 1: been a Forever Dog production executive produced by Brett Boham, 1173 01:14:54,840 --> 01:14:59,599 Speaker 1: Joe Cilio, and Alex Ramsay. For more original podcasts, please 1174 01:14:59,720 --> 01:15:03,439 Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our 1175 01:15:03,479 --> 01:15:08,040 Speaker 1: shows on Apple Podcasts, Spotify, or wherever you get your podcasts. 1176 01:15:08,360 --> 01:15:11,160 Speaker 1: Keep up with the latest Forever Dog news by following 1177 01:15:11,280 --> 01:15:15,439 Speaker 1: us on Twitter and Instagram at Forever Dog Team, and 1178 01:15:15,600 --> 01:15:17,520 Speaker 1: liking our page on Facebook