WEBVTT - 2. My Light | Lost Hills

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<v Speaker 1>Pushkin.

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<v Speaker 2>When Mitrice Richardson disappeared in September 2009, investigators searched her car,

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<v Speaker 2>the one that had been impounded by the sheriff's department

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<v Speaker 2>after she couldn't pay her bill at Joffrey's restaurant. They

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<v Speaker 2>discovered several journals belonging to Mitrice. They were full of

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<v Speaker 2>information about Mitrice's life, and they would ultimately shape the

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<v Speaker 2>investigation into her death. Mitrice's dad, Michael Richardson, shared four

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<v Speaker 2>of the journals with us. He encouraged us to use

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<v Speaker 2>them so his daughter's voice could be heard. My producer

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<v Speaker 2>Haley Fox and I are reporting this season of Lost

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<v Speaker 2>Hills together. We laid the journals out on a table

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<v Speaker 2>in the office and started to scour them for clues

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<v Speaker 2>about who Mitrice was and what became of her. This

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<v Speaker 2>bright young woman, full of promise, whose life went wildly

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<v Speaker 2>off course. The entries have been lightly edited for clarity,

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<v Speaker 2>and they're being read by an actor.

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<v Speaker 3>February 25, 2009. My very first journal. Well, not diary

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<v Speaker 3>or composition book, but my own journal with the intent

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<v Speaker 3>of reflection and bettering myself.

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<v Speaker 2>Mitrice's handwriting is neat and emphatic, full of OMGs and

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<v Speaker 2>smiley faces and exclamation points, which she punctuates with hearts.

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<v Speaker 3>First things first, I want to own my own home.

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<v Speaker 3>I want to do this because it is an awesome

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<v Speaker 3>investment and gives me something to do while I'm preparing

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<v Speaker 3>to go back to school. Because, let's face it, I'm

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<v Speaker 3>the type of girl who enjoys accomplishing everything I set

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<v Speaker 3>out to do.

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<v Speaker 2>Her journal, she writes, is her best friend. She signs

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<v Speaker 2>her entries, Mitrice Richardson.

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<v Speaker 3>I like talking, dancing, telling jokes, debating, eating, analyzing, sunshine, music,

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<v Speaker 3>sports cars, security, people. Don't like when people are wronged, discrimination, divas, racist, laziness,

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<v Speaker 3>cramped space, being monitored, neediness, unmotivated people.

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<v Speaker 2>At 24, Mitrice is brimming with excitement about the world

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<v Speaker 2>and her place in it. She's a recent graduate of

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<v Speaker 2>Cal State Fullerton, where she majored in psychology and discovered

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<v Speaker 2>an important part of her identity. After going out with

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<v Speaker 2>boys in high school, she came out as gay in college,

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<v Speaker 2>dating two women, Desiree Black and Tessa Moon. Like a

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<v Speaker 2>lot of people in their early 20s, she's still figuring

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<v Speaker 2>things out, especially when it comes to her love life.

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<v Speaker 3>Between Des and Tessa, I get one perfect person, but

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<v Speaker 3>I know this will never work. But right now, it's

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<v Speaker 3>too good to let go of.

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<v Speaker 2>She's an executive assistant at a freight company owned by

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<v Speaker 2>Tessa's family. And she's also dabbling in other fields. She's

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<v Speaker 2>trying to get into modeling and substitute teaching. She's taking

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<v Speaker 2>motorcycle lessons and go-go dancing at gay bars.

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<v Speaker 3>Man, have I been busy, busy, busy. Okay, so first

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<v Speaker 3>things first. I don't think I mentioned it, but I

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<v Speaker 3>had an audition for a go-go position, and yay, I

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<v Speaker 3>got it. I even saw a few cuties, which made

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<v Speaker 3>me want to dance.

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<v Speaker 1>Woohoo!

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<v Speaker 3>So I go back again tonight. Okay, new topic. I've

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<v Speaker 3>been taking motorcycle classes. It's actually really hard, LMAO. Yeah,

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<v Speaker 3>so I'm still pretty dangerous. Go-go wardrobe ideas. Small feathers

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<v Speaker 3>outline under boob wiring.

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<v Speaker 2>Use red.

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<v Speaker 3>Strings for sides, many colors. Tie rag around boot. Furry

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<v Speaker 3>red sock slash strappy heels.

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<v Speaker 2>But she's getting ready to realize an ambitious dream.

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<v Speaker 3>Today I'll just be reading and doing research on both

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<v Speaker 3>finding a home plan to start saving for and to

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<v Speaker 3>start preparing for grad school.

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<v Speaker 2>She wants to be a therapist.

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<v Speaker 3>I want to be the gay and lesbian guru.

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<v Speaker 2>2009, she writes, is going to be a transformative year

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<v Speaker 2>for her.

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<v Speaker 3>So here's to me and my progression forward. I refuse

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<v Speaker 3>to let this year go to waste. And the new

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<v Speaker 3>motto is, 09 is mine.

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<v Speaker 2>She's shedding an old identity, one that served her for

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<v Speaker 2>many years. The identity of the beautiful, perfectly composed, perfectly

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<v Speaker 2>presentable young lady. The beauty pageant contestant. The pleaser. That's

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<v Speaker 2>falling away. And in its place, someone new is being born.

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<v Speaker 3>I think the Lord has blessed me with a good

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<v Speaker 3>head on my shoulders and a love for friendly debates.

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<v Speaker 3>I've always loved a challenge. Well, if I'm going to

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<v Speaker 3>start my career as a great gay therapist, I better

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<v Speaker 3>get used to people being disgusted by me. So watch out, people.

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<v Speaker 3>I'm about to make a name for myself. Let's go.

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<v Speaker 2>The real Maitrese is emerging. She's done being a beauty queen.

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<v Speaker 2>She's ready to be a voice. I'm Dana Goodyear, and

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<v Speaker 2>this is Lost Hills.

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<v Speaker 4>Lost Hills.

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<v Speaker 2>Episode 2, My Light. Picture Mitrice. She's vivacious and charismatic,

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<v Speaker 2>with almond-shaped eyes and a dazzling smile. A person you

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<v Speaker 2>can't help but notice. She makes sure of it.

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<v Speaker 5>Well, she was a bit of a show-off. It started

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<v Speaker 5>early on. Like, I remember she was in this private

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<v Speaker 5>daycare when she was three. And, you know, she just

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<v Speaker 5>did her part. And Mitrice is just like, this is me.

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<v Speaker 5>This is the light. Even at three years old.

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<v Speaker 2>This is Mitrice's dad.

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<v Speaker 5>My name is Michael L. Richardson. I'm the proud father

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<v Speaker 5>of Mitrice Richardson. One of my favorite pictures of her

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<v Speaker 5>is a picture of her in her cheerleading uniform. It's

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<v Speaker 5>called a Roman kick that she taught me. And it's

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<v Speaker 5>when you're standing straight up like this, and you just

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<v Speaker 5>jump straight up and kick both legs out, and your

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<v Speaker 5>fingers touch your toes. And, you know, her mom caught

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<v Speaker 5>that picture, and it looked like her legs was just

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<v Speaker 5>straight out like this. My favorite picture.

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<v Speaker 2>Michael is tall and heavyset, with sparkling eyes and a

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<v Speaker 2>boisterous laugh. He works in private security and owns a

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<v Speaker 2>pair of poodles named Delta and Bentley. On sunny days,

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<v Speaker 2>he likes to drive around L.A. in a 66 Chevy.

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<v Speaker 5>It looks like what they refer to as a lowrider.

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<v Speaker 5>It's pearl white. When the sun hits it, it sparkles.

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<v Speaker 5>It has a mega sound system in it because she

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<v Speaker 5>and I.

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<v Speaker 2>On the trunk, there's a portrait of Mitrice in a

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<v Speaker 2>white gown and tiara with angel wings.

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<v Speaker 5>She was in a pageant once and she had this

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<v Speaker 5>tiara on and We took that and put it on

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<v Speaker 5>the back of the car, and above it, it has

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<v Speaker 5>the words, Still Riding With My Daddy. It's pretty crazy

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<v Speaker 5>because every time I drive it, you will look over

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<v Speaker 5>at me and just see me with tears in my eyes,

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<v Speaker 5>just bawling, you know. But I'm just steady cruising, you know. So, yeah,

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<v Speaker 5>it's very sentimental to me.

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<v Speaker 2>Michael and Mitrice's mother, Latisse Sutton, were high school sweethearts.

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<v Speaker 5>We had Mitrice very young. I think we were 17

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<v Speaker 5>when her mother became pregnant, and we finished high school.

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<v Speaker 5>Mitrice was born in our senior year, and just always

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<v Speaker 5>a good kid.

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<v Speaker 2>At the time, Latice lived with her grandmother, Mildred Harris,

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<v Speaker 2>in Willowbrook, a neighborhood in South L.A.

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<v Speaker 5>Her mother, Latice, was in debutante things in sophistication, and Ms.

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<v Speaker 5>Harris was just very regal, just very regal.

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<v Speaker 2>When Matrice was about four years old, Michael went to

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<v Speaker 2>prison for five years. He and Latice split up, and

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<v Speaker 2>she married a man named Larry Sutton.

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<v Speaker 5>Matrice's stepfather, Larry, came into the life, and he was

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<v Speaker 5>an executive for Southern California Edison.

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<v Speaker 2>Latice and Larry moved Matrice out of the city to

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<v Speaker 2>the more affluent community of West Covina.

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<v Speaker 5>And I remember when I came to visit them, I

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<v Speaker 5>looked like, wow, man, talk about the real-life Jeffersons here.

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<v Speaker 5>You know, they moved on up.

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<v Speaker 2>And it was there, in the comfortable suburbs, that Mitrice

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<v Speaker 2>grew up.

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<v Speaker 4>I remember the very first day of school, there was

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<v Speaker 4>this loud, beautiful Black girl that was like, hey, you're

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<v Speaker 4>the new Black girl in school, let's be friends. And

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<v Speaker 4>that was Mitrice.

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<v Speaker 2>This is Jewel Moore. She was one of Mitrice's closest friends,

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<v Speaker 2>starting in the eighth grade.

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<v Speaker 4>And from that day forward, we kind of bonded and

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<v Speaker 4>clicked and maintained a friendship. She enjoyed dance. I enjoyed dance.

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<v Speaker 4>That was a passion that we shared together. We auditioned

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<v Speaker 4>to be cheerleaders in high school together and then even

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<v Speaker 4>took dance classes together in college.

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<v Speaker 2>Mitrice was popular with good reason.

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<v Speaker 4>In junior high school and high school, Matrice is a firecracker.

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<v Speaker 4>She was always, like, very vivacious. When she walked into

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<v Speaker 4>a room, she lit it up. I mean, she would

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<v Speaker 4>walk in and not knowing everybody and then leave knowing everybody.

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<v Speaker 2>But there were high expectations riding on her, too.

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<v Speaker 4>Her mom was very, very, very, very stickler about, like, education.

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<v Speaker 4>Matrice pushed, like, If you're going to do this, like,

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<v Speaker 4>you got to be the best. So she always wanted

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<v Speaker 4>to be the best in everything that she did. So

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<v Speaker 4>even in the relationship with her mom, it's being the

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<v Speaker 4>best child I can be with also being Mitrice, which was,

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<v Speaker 4>you know, her own person.

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<v Speaker 2>Once in a while, Mitrice would slip up and get

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<v Speaker 2>in trouble.

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<v Speaker 4>So here's, like, a fun Mitrice story. She would get

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<v Speaker 4>in trouble, and so her mom would make her wear

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<v Speaker 4>a uniform to school, although our school wasn't uniformed.

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<v Speaker 1>So she would be like the.

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<v Speaker 4>Only girl at school in a uniform. I mean, this

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<v Speaker 4>is back in like the 2000s, like late 90s, where

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<v Speaker 4>fashion was important. So she's wearing these long plaid skirts

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<v Speaker 4>with like high socks and ugly sweatshirts and like collared

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<v Speaker 4>shirts in a school where, you know, everybody is trying

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<v Speaker 4>to figure.

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<v Speaker 1>Out the next like.

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<v Speaker 4>Track suit or, you know, like, so that was her.

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<v Speaker 4>She did what she wanted to do and suffered the consequences.

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<v Speaker 2>Growing up, Matrice was sheltered.

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<v Speaker 4>She wasn't the street savvy kid. I mean, she was

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<v Speaker 4>afraid of the dark, even as an adult. Latice was like,

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<v Speaker 4>I drive you everywhere. I need to know where you go.

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<v Speaker 4>They were very strict about where she drove when she

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<v Speaker 4>got her license. Like, Matrice did not take public transportation,

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<v Speaker 4>wouldn't know how to if her life depended on it.

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<v Speaker 2>Michael was protective, too, in his own way. At one

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<v Speaker 2>of the many proms Mitrice went to, he did something

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<v Speaker 2>that became legendary among her friends.

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<v Speaker 4>My favorite prom story, which I tell Michael all the time,

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<v Speaker 4>is Michael drove us to our prom. and threatened our

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<v Speaker 4>principal and told us, like, none of us better come

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<v Speaker 4>back pregnant. And our principal was terrified because if you've

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<v Speaker 4>seen Michael, you do not want him coming to you

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<v Speaker 4>threatening him about your daughter. So that's, like, my favorite

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<v Speaker 4>prom story.

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<v Speaker 2>Jewel says, from the time they were kids, Mitrice's favorite

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<v Speaker 2>flower was the sunflower.

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<v Speaker 4>She just really loved them because they're just beautiful and,

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<v Speaker 4>you know, like they're different from all the other flowers

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<v Speaker 4>and where they grow and their representation of, you know,

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<v Speaker 4>growing towards the light and how tall they can grow

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<v Speaker 4>and what they can grow into.

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<v Speaker 2>That was my trees. Beautiful, original, and growing towards the light.

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<v Speaker 2>Until suddenly, she changed. On June 26, 2009, Mitrice wrote

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<v Speaker 2>a heartbroken journal entry about the death of Michael Jackson.

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<v Speaker 3>I'm writing today because yesterday a great man passed away.

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<v Speaker 3>Michael Jackson. I wish it were a lie. Can't believe

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<v Speaker 3>I'm crying. I loved him. I know I did. This

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<v Speaker 3>pain I feel is real. I love you. Your fans

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<v Speaker 3>slash inspired. Matrice Richardson.

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<v Speaker 1>She was devastated.

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<v Speaker 2>She felt like she was one of the few people

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<v Speaker 2>who truly understood him. And it sent her into a

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<v Speaker 2>funk she couldn't shake.

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<v Speaker 3>Okay, it's been a long time, I know. But it's

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<v Speaker 3>because I've been feeling kind of worthless. You know how

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<v Speaker 3>I made all these plans to get a new job

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<v Speaker 3>and yaddy yaddy boo boo? I finally realized I barely

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<v Speaker 3>do my jobs as it is now. And I love

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<v Speaker 3>my jobs.

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<v Speaker 2>It was right around then, in July 2009, that she

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<v Speaker 2>met and fell in love with a woman named Hannah Parks.

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<v Speaker 2>Matrice was performing at Deborah's, a ladies' night at a

0:14:46.276 --> 0:14:51.706
<v Speaker 2>gay club in Long Beach. In walked Hannah, skinny, blonde,

0:14:51.926 --> 0:14:55.286
<v Speaker 2>covered in tattoos, and wearing sunglasses inside.

0:14:55.306 --> 0:14:59.826
<v Speaker 3>I found God and then I saw you. I saw

0:14:59.886 --> 0:15:02.616
<v Speaker 3>you through the darkness of the club. You saw me

0:15:02.656 --> 0:15:05.016
<v Speaker 3>through the shades of your glasses, and we never really

0:15:05.086 --> 0:15:07.646
<v Speaker 3>saw one another's appearance until the light.

0:15:11.186 --> 0:15:14.726
<v Speaker 2>Hannah Parks is wary of attention. She was questioned by

0:15:14.786 --> 0:15:19.196
<v Speaker 2>police about Mitrice's disappearance, and Mitrice's family was pretty hostile

0:15:19.236 --> 0:15:22.596
<v Speaker 2>toward her. We could tell from the journals that she

0:15:22.636 --> 0:15:25.116
<v Speaker 2>and Mitrice were spending a lot of time together in

0:15:25.136 --> 0:15:28.666
<v Speaker 2>the weeks before Mitrice went missing. and we knew from

0:15:28.746 --> 0:15:32.116
<v Speaker 2>law enforcement documents that Mitrice had told the valet at

0:15:32.156 --> 0:15:36.516
<v Speaker 2>Joffrey's she was there to meet Hannah. Haley and I

0:15:36.576 --> 0:15:40.056
<v Speaker 2>tried calling and emailing, but didn't get anywhere. We ended

0:15:40.116 --> 0:15:42.476
<v Speaker 2>up driving down to Orange County to an address where

0:15:42.516 --> 0:15:44.596
<v Speaker 2>we thought she lived and leaving a note on a

0:15:44.616 --> 0:15:47.656
<v Speaker 2>car we thought belonged to her. A few days later,

0:15:47.736 --> 0:15:50.726
<v Speaker 2>she invited us over. Her wife, Kelsey, answered the door.

0:15:51.686 --> 0:15:55.556
<v Speaker 4>Hannah was and is a serious Christian. But back in

0:15:55.576 --> 0:15:58.216
<v Speaker 4>the summer of 2009, she was taking a little hiatus

0:15:58.236 --> 0:15:59.016
<v Speaker 4>from piety.

0:16:15.536 --> 0:16:18.756
<v Speaker 1>So I, at the time, was going to a private

0:16:18.796 --> 0:16:21.716
<v Speaker 1>Christian university, but it was during the summer. So I

0:16:22.466 --> 0:16:25.726
<v Speaker 1>was kind of wilding out a little bit. And a

0:16:25.766 --> 0:16:29.326
<v Speaker 1>couple friends and I went to a club in Long

0:16:29.366 --> 0:16:35.836
<v Speaker 1>Beach called Deborah's, I believe. And that evening, my trees

0:16:35.896 --> 0:16:40.476
<v Speaker 1>was there like go-go dancing. And I spotted her.

0:16:41.746 --> 0:16:45.166
<v Speaker 2>Matrice was on stage dancing behind a partition while people

0:16:45.206 --> 0:16:46.066
<v Speaker 2>threw money at her.

0:16:46.946 --> 0:16:51.006
<v Speaker 1>She wasn't wearing much. A lot of girls that would

0:16:51.026 --> 0:16:54.756
<v Speaker 1>do like go-go dancing weren't that talented really at dancing,

0:16:54.816 --> 0:16:57.876
<v Speaker 1>but she was a really good dancer. And I don't know,

0:16:57.896 --> 0:17:00.816
<v Speaker 1>she just had this energy about her that made me intrigued.

0:17:02.196 --> 0:17:05.356
<v Speaker 2>Part of what intrigued Hannah was that Matrice was staring

0:17:05.576 --> 0:17:09.206
<v Speaker 2>straight at her while she danced. After the show, they

0:17:09.226 --> 0:17:13.486
<v Speaker 2>started talking. And then they started hanging out. And she

0:17:13.546 --> 0:17:17.726
<v Speaker 2>had a nickname for you, which was PD or private dancer.

0:17:17.786 --> 0:17:18.266
<v Speaker 2>Is that right?

0:17:18.446 --> 0:17:19.486
<v Speaker 4>Oh my gosh.

0:17:21.946 --> 0:17:30.476
<v Speaker 1>That's so funny. I forgot about that. Yeah. So my

0:17:30.556 --> 0:17:35.396
<v Speaker 1>trees would do like private dances for me and asked

0:17:35.436 --> 0:17:38.936
<v Speaker 1>me to dance for her. And so that was something

0:17:38.976 --> 0:17:42.856
<v Speaker 1>we did. I totally forgot about that.

0:17:44.176 --> 0:17:47.296
<v Speaker 2>They had a physical attraction, but there was more to it.

0:17:48.256 --> 0:17:51.296
<v Speaker 1>Once we started talking, I think we just had a

0:17:51.406 --> 0:18:00.686
<v Speaker 1>lot in common. She was very eager to grow, like mentally, emotionally, spiritually,

0:18:00.786 --> 0:18:01.366
<v Speaker 1>for sure.

0:18:02.766 --> 0:18:07.246
<v Speaker 2>Matrice was filling up journal after journal, and Hannah, she

0:18:07.266 --> 0:18:07.956
<v Speaker 2>was a writer too.

0:18:09.746 --> 0:18:16.116
<v Speaker 1>At that time, I was really into writing, poetry, spoken word,

0:18:16.456 --> 0:18:19.756
<v Speaker 1>that sort of thing. So it was definitely, we had

0:18:19.796 --> 0:18:22.376
<v Speaker 1>a strong mental connection as well.

0:18:23.996 --> 0:18:27.816
<v Speaker 2>Maitrese wanted to read every book Hannah mentioned, listen to

0:18:27.956 --> 0:18:30.736
<v Speaker 2>every band, dissect every song.

0:18:31.496 --> 0:18:34.606
<v Speaker 1>And so when I would share certain artists with her,

0:18:34.886 --> 0:18:39.166
<v Speaker 1>or we would literally listen to a song or we

0:18:39.206 --> 0:18:43.226
<v Speaker 1>would listen to a poetic artist or something like that

0:18:43.486 --> 0:18:47.526
<v Speaker 1>and we could sit and talk about it one song

0:18:47.646 --> 0:18:52.456
<v Speaker 1>or one poem for over an hour and just really

0:18:52.536 --> 0:18:54.636
<v Speaker 1>dive into it and what do you think about this.

0:18:55.416 --> 0:18:58.456
<v Speaker 2>With hannah my tree seemed to feel permission to stop

0:18:58.556 --> 0:19:02.776
<v Speaker 2>performing to stop being so perfect she was tuning into

0:19:02.816 --> 0:19:07.696
<v Speaker 2>a more soulful frequency one of hannah's tattoos read look

0:19:07.796 --> 0:19:11.786
<v Speaker 2>deeper My Trace loved that. She wanted to do that.

0:19:14.086 --> 0:19:18.286
<v Speaker 1>I think what was happening is as she was sort

0:19:18.326 --> 0:19:23.576
<v Speaker 1>of growing into herself, because she was in her, what, mid-twenties,

0:19:24.776 --> 0:19:29.536
<v Speaker 1>I don't think that it was enough substantially for her

0:19:30.476 --> 0:19:34.916
<v Speaker 1>to simply define herself as this beauty pageant, this is

0:19:34.996 --> 0:19:40.056
<v Speaker 1>what matters type of woman. And although she was very beautiful,

0:19:40.796 --> 0:19:44.096
<v Speaker 1>she was beautiful without the pageants. She was beautiful without

0:19:44.176 --> 0:19:49.626
<v Speaker 1>all the makeup and she was beautiful beyond physical. And

0:19:49.706 --> 0:19:53.686
<v Speaker 1>so I think for her, she was sort of looking

0:19:53.786 --> 0:20:00.196
<v Speaker 1>for something she could connect with herself and with others

0:20:00.376 --> 0:20:01.896
<v Speaker 1>beyond that physical.

0:20:03.096 --> 0:20:05.836
<v Speaker 2>Part of that was she wasn't going to stress so

0:20:05.886 --> 0:20:07.336
<v Speaker 2>much over her appearance anymore.

0:20:09.046 --> 0:20:12.406
<v Speaker 1>I think Maitrese wanted to see herself how Maitrese wanted

0:20:12.446 --> 0:20:14.486
<v Speaker 1>to see herself, not how other people wanted to see her.

0:20:14.866 --> 0:20:18.146
<v Speaker 2>She started wearing her hair natural and using less makeup.

0:20:18.656 --> 0:20:22.556
<v Speaker 1>I think she was getting tired of kind of straightening

0:20:22.616 --> 0:20:26.116
<v Speaker 1>and gelling, and I think she'd been doing that for

0:20:26.276 --> 0:20:31.516
<v Speaker 1>so long. So I encouraged her, however you're comfortable, that's

0:20:31.556 --> 0:20:32.436
<v Speaker 1>how you should wear your hair.

0:20:34.276 --> 0:20:37.056
<v Speaker 2>Hannah was going through her own identity stuff at the time,

0:20:37.856 --> 0:20:41.306
<v Speaker 2>figuring out how to reconcile her faith with her sexuality.

0:20:42.746 --> 0:20:46.526
<v Speaker 1>I think in this really cool way, we were both...

0:20:47.436 --> 0:20:51.476
<v Speaker 1>at a similar place, but in different ways.

0:20:52.756 --> 0:20:55.176
<v Speaker 2>From the beginning, though, there was an imbalance.

0:20:56.696 --> 0:21:02.656
<v Speaker 1>Mytreese, I mean, she was intense, right? Mytreese felt intensely

0:21:02.716 --> 0:21:06.056
<v Speaker 1>about me, and I felt intensely about her, but not

0:21:06.116 --> 0:21:06.796
<v Speaker 1>in the same way.

0:21:09.916 --> 0:21:13.616
<v Speaker 2>Mytreese's feelings for Hannah went beyond a crush or even

0:21:13.656 --> 0:21:14.596
<v Speaker 2>an infatuation.

0:21:14.616 --> 0:21:21.406
<v Speaker 1>I think that I just so happened to meet her

0:21:22.826 --> 0:21:28.386
<v Speaker 1>at this time pretty close prior to when there was

0:21:28.466 --> 0:21:32.726
<v Speaker 1>this mental decline that started happening. And I think that

0:21:32.786 --> 0:21:36.716
<v Speaker 1>because I was there and because the feelings were already involved,

0:21:37.526 --> 0:21:41.596
<v Speaker 1>I think that she clung to me and the relationship

0:21:41.656 --> 0:21:46.096
<v Speaker 1>we had much more than maybe she would have otherwise.

0:21:47.376 --> 0:21:51.216
<v Speaker 2>In the summer of 2009, as Mitrice was looking deeper,

0:21:51.876 --> 0:21:56.336
<v Speaker 2>she was also undergoing changes she couldn't control. Changes that

0:21:56.396 --> 0:21:59.416
<v Speaker 2>didn't make her feel like a more authentic version of herself,

0:22:00.336 --> 0:22:04.906
<v Speaker 2>but like a stranger. Reading the journals, it's obvious that

0:22:04.946 --> 0:22:09.146
<v Speaker 2>Mitrice was struggling. We thought, at first, that maybe she

0:22:09.186 --> 0:22:12.006
<v Speaker 2>and Hannah were doing hard drugs together, and that's what

0:22:12.026 --> 0:22:15.706
<v Speaker 2>explained the shift. Hannah says that wasn't it at all.

0:22:16.346 --> 0:22:19.566
<v Speaker 2>She didn't use drugs, and Mitrice, to her knowledge, only

0:22:19.626 --> 0:22:25.656
<v Speaker 2>smoked pot. Mitrice's behavior, she said, changed inexplicably, and she

0:22:25.716 --> 0:22:27.116
<v Speaker 2>remembers the day it happened.

0:22:29.076 --> 0:22:31.476
<v Speaker 1>There used to be this restaurant by the apartment I

0:22:31.516 --> 0:22:34.176
<v Speaker 1>used to live in, and we went there for brunch.

0:22:35.356 --> 0:22:37.046
<v Speaker 1>And we would talk about the Bible a lot, and

0:22:37.066 --> 0:22:40.426
<v Speaker 1>we would talk about my beliefs, and she would share

0:22:40.446 --> 0:22:44.996
<v Speaker 1>her beliefs, and There was this one particular conversation where

0:22:45.036 --> 0:22:50.116
<v Speaker 1>she started saying very odd things about the Bible. They

0:22:50.156 --> 0:22:52.416
<v Speaker 1>made no sense to me. I don't know that they

0:22:52.456 --> 0:22:54.776
<v Speaker 1>made sense to her, but it seemed like they made

0:22:54.816 --> 0:22:57.536
<v Speaker 1>sense to her, which is what scared me. And I

0:22:57.676 --> 0:23:00.776
<v Speaker 1>don't remember the specifics, but she would say something like,

0:23:01.596 --> 0:23:06.456
<v Speaker 1>if you replace the word God with I or me

0:23:07.796 --> 0:23:12.016
<v Speaker 1>or something to that effect, I was genuinely trying to

0:23:12.096 --> 0:23:14.196
<v Speaker 1>understand where she was coming from and could not, and

0:23:14.376 --> 0:23:18.606
<v Speaker 1>she would not let it go. And that was the

0:23:18.646 --> 0:23:21.106
<v Speaker 1>first time I remember sitting in that restaurant looking at

0:23:21.206 --> 0:23:25.746
<v Speaker 1>her like, oh shit, something's going on.

0:23:27.806 --> 0:23:31.596
<v Speaker 2>Something in my trees was changing. Hannah could see it.

0:23:32.176 --> 0:23:35.256
<v Speaker 2>My trees could see it. And both of them knew

0:23:35.776 --> 0:23:55.066
<v Speaker 2>that my trees needed help. My trees had always been

0:23:55.106 --> 0:23:57.686
<v Speaker 2>worried about her mental health. There was a history of

0:23:57.746 --> 0:24:00.786
<v Speaker 2>mental illness on both sides of the family. In a

0:24:00.846 --> 0:24:05.346
<v Speaker 2>self-published memoir, her mother, Latice, writes about suffering from, quote,

0:24:05.826 --> 0:24:13.196
<v Speaker 2>major depression, rapid cycling bipolar, PTSD, and anxiety. Latice didn't

0:24:13.236 --> 0:24:15.796
<v Speaker 2>want to talk to me. Her husband, Larry, said it

0:24:15.876 --> 0:24:19.666
<v Speaker 2>is too traumatic for her to talk about Mitrice. In

0:24:19.706 --> 0:24:23.726
<v Speaker 2>her journals, Mitrice writes a lot about being concerned for Latice.

0:24:25.206 --> 0:24:28.266
<v Speaker 3>I would sell my right arm to know more about

0:24:28.426 --> 0:24:32.046
<v Speaker 3>how and why the hell her mind flipped. Ever since

0:24:32.126 --> 0:24:35.256
<v Speaker 3>I was little, my thoughts and lack of understanding about

0:24:35.336 --> 0:24:38.816
<v Speaker 3>her has ran circles in my mind. I guess I'll

0:24:38.856 --> 0:24:41.336
<v Speaker 3>never know, but I wonder if she knows that we

0:24:41.376 --> 0:24:41.956
<v Speaker 3>all love her.

0:24:43.536 --> 0:24:46.836
<v Speaker 2>This family history, it's the reason Mitrice wanted to go

0:24:46.886 --> 0:24:50.346
<v Speaker 2>to grad school for clinical psychology, the reason she wanted

0:24:50.386 --> 0:24:54.706
<v Speaker 2>to become a therapist. She wanted to understand mental illness.

0:24:55.346 --> 0:24:58.226
<v Speaker 2>She wanted to help people manage it. And she wanted

0:24:58.266 --> 0:25:02.696
<v Speaker 2>to spot it if it ever came for her. In

0:25:02.716 --> 0:25:07.536
<v Speaker 2>the weeks before her disappearance, Mitrice's journals changed dramatically. She

0:25:07.576 --> 0:25:11.056
<v Speaker 2>begins to write about losing her mind, finding her mind,

0:25:11.656 --> 0:25:15.806
<v Speaker 2>hoping she gets her mind back. These entries are painful

0:25:15.866 --> 0:25:19.626
<v Speaker 2>to read. She sounds desperate for someone to understand her,

0:25:20.226 --> 0:25:24.586
<v Speaker 2>desperate for reassurance that she's making sense. But she knows

0:25:25.046 --> 0:25:25.556
<v Speaker 2>she isn't.

0:25:26.956 --> 0:25:30.356
<v Speaker 3>I is a representative of me. That is important because

0:25:30.476 --> 0:25:32.876
<v Speaker 3>if you look with two eyes, you will always see

0:25:33.116 --> 0:25:35.956
<v Speaker 3>one eye standing alone, or shall I say one eye.

0:25:36.376 --> 0:25:38.516
<v Speaker 3>But if your two eyes have been opened, you will

0:25:38.556 --> 0:25:41.826
<v Speaker 3>see that one eye is still two. Myself plus I.

0:25:42.376 --> 0:25:44.776
<v Speaker 3>Which I is unknown until I know me.

0:25:47.076 --> 0:25:52.426
<v Speaker 2>Her handwriting also changes. No more exclamation points with hearts. Now,

0:25:52.906 --> 0:25:58.526
<v Speaker 2>she's digging her pen into the page. Underlining, crossing out, revising, correcting.

0:25:59.146 --> 0:26:04.266
<v Speaker 2>As if she's at war with herself. You can still

0:26:04.406 --> 0:26:09.476
<v Speaker 2>glimpse the ambitious young woman, but only in flashes. Everything

0:26:09.526 --> 0:26:13.646
<v Speaker 2>else is... Arcane references to the king of pop in

0:26:13.666 --> 0:26:16.346
<v Speaker 2>the midst of a kaleidoscopic blur.

0:26:17.086 --> 0:26:20.466
<v Speaker 3>Michael J. helped me find me because although he never

0:26:20.546 --> 0:26:24.366
<v Speaker 3>met my trees, I always knew him because before I

0:26:24.466 --> 0:26:27.786
<v Speaker 3>saw him, he touched my soul. I am my trees,

0:26:27.926 --> 0:26:31.866
<v Speaker 3>Al Richardson, and I am a big deal. I am

0:26:31.886 --> 0:26:34.926
<v Speaker 3>my trees, Al Richardson, and I am a big deal.

0:26:34.966 --> 0:26:35.386
<v Speaker 1>P.S.

0:26:35.766 --> 0:26:39.096
<v Speaker 3>I love weed. In one, there is three. I, me,

0:26:39.236 --> 0:26:42.226
<v Speaker 3>and you. I will never know me, plus you are

0:26:42.236 --> 0:26:45.226
<v Speaker 3>the world. Me, my voice is often silenced because, oh

0:26:45.626 --> 0:26:46.966
<v Speaker 3>my trees, you're so pretty.

0:26:46.986 --> 0:26:47.386
<v Speaker 4>Yes, I know, but.

0:26:47.406 --> 0:26:51.706
<v Speaker 3>Oh my trees, oh my trees, your eyes. Yes, I know, but...

0:26:51.906 --> 0:26:54.566
<v Speaker 3>Oh my trees, oh my trees, shut the fuck up

0:26:54.716 --> 0:26:57.356
<v Speaker 3>and let me speak. But my trees, you're so pretty,

0:26:57.436 --> 0:27:00.656
<v Speaker 3>you don't have anything important to say. Thanks, but what

0:27:00.696 --> 0:27:02.476
<v Speaker 3>if I do? Your mouth is going to be the

0:27:02.536 --> 0:27:04.936
<v Speaker 3>death of you. I isn't big when it's small like me.

0:27:05.906 --> 0:27:10.346
<v Speaker 3>I never inspired to be Miss Fullerton. I inspired to

0:27:10.366 --> 0:27:14.826
<v Speaker 3>be Miss America. Because I knew me, but you couldn't.

0:27:15.186 --> 0:27:19.876
<v Speaker 3>Mommy knew I could. I love her happy faces. They

0:27:20.006 --> 0:27:25.936
<v Speaker 3>make me smile. Oh, what is this entry about, LOL?

0:27:26.476 --> 0:27:29.216
<v Speaker 3>I must have been high. Mike, Jack, me and I

0:27:29.256 --> 0:27:32.916
<v Speaker 3>are split personalities, not me plus you. My mouth is

0:27:32.956 --> 0:27:37.626
<v Speaker 3>going to be the death of me? Nope, more like I.

0:27:38.716 --> 0:27:42.816
<v Speaker 3>What the fuck is going on? Where's my mind? It's

0:27:42.926 --> 0:27:46.706
<v Speaker 3>lost as soon as I found it. I disappeared just

0:27:46.786 --> 0:27:50.006
<v Speaker 3>as fast. I feel like on the inside I'm screaming

0:27:50.066 --> 0:27:52.726
<v Speaker 3>and kicking, trying to get out of these fucking restraints

0:27:52.826 --> 0:27:55.766
<v Speaker 3>holding me down. I'm afraid to say so.

0:28:02.416 --> 0:28:03.686
<v Speaker 2>Here's Hannah Parks again.

0:28:05.076 --> 0:28:08.406
<v Speaker 1>I think she was scared about what was going on

0:28:08.446 --> 0:28:11.166
<v Speaker 1>with her. And I don't know that she knew what

0:28:11.206 --> 0:28:12.986
<v Speaker 1>to do, and I think she was looking to me

0:28:14.146 --> 0:28:17.786
<v Speaker 1>for some answer that I didn't have.

0:28:19.226 --> 0:28:22.846
<v Speaker 2>Her interactions with Mitrice were growing increasingly strange.

0:28:23.996 --> 0:28:29.736
<v Speaker 1>We went from having what I would call, like, this really... intellectual,

0:28:30.656 --> 0:28:35.356
<v Speaker 1>stimulating conversation to kind of like, what the fuck are

0:28:35.406 --> 0:28:39.006
<v Speaker 1>you talking about? I don't know what you're talking about.

0:28:39.706 --> 0:28:43.406
<v Speaker 1>And that's not normal for you. Like, I'm not understanding.

0:28:43.466 --> 0:28:46.446
<v Speaker 1>I was much more gentle because I knew that something

0:28:46.506 --> 0:28:49.006
<v Speaker 1>was going on. But now I can say to you,

0:28:49.066 --> 0:28:50.606
<v Speaker 1>what the fuck was going on?

0:28:52.166 --> 0:28:55.486
<v Speaker 2>Whatever it was, Hannah felt unequipped to deal with it.

0:28:57.016 --> 0:28:59.176
<v Speaker 1>But we would sit and talk and I'd be like, dude,

0:28:59.336 --> 0:29:02.196
<v Speaker 1>tell me like, like I would be crying because I

0:29:02.256 --> 0:29:07.826
<v Speaker 1>could see it happening. Like, tell me what is going on.

0:29:08.846 --> 0:29:14.986
<v Speaker 1>We need to get you help. I'm over here writing

0:29:15.066 --> 0:29:19.296
<v Speaker 1>poetry and studying theology. I don't know how to help.

0:29:20.676 --> 0:29:26.016
<v Speaker 1>So we would pray. We would talk. I encouraged her

0:29:26.056 --> 0:29:30.886
<v Speaker 1>to go get help. She was skeptical of people judging her.

0:29:30.986 --> 0:29:38.746
<v Speaker 1>She was skeptical of, I think, admitting. I think she

0:29:38.786 --> 0:29:42.766
<v Speaker 1>was scared to say she was scared. And she was

0:29:42.826 --> 0:29:45.146
<v Speaker 1>just struggling so bad internally.

0:29:46.706 --> 0:29:49.746
<v Speaker 2>According to Hannah, Mitrice resisted the idea. of going to

0:29:49.786 --> 0:29:54.156
<v Speaker 2>a clinic, getting a diagnosis, and going on medication. Instead,

0:29:54.506 --> 0:29:57.796
<v Speaker 2>she started self-medicating, smoking more and more pot.

0:29:59.456 --> 0:30:02.976
<v Speaker 1>My personal opinion, there's no factual evidence behind this, but

0:30:02.996 --> 0:30:06.396
<v Speaker 1>my personal opinion is that she was trying to cope

0:30:07.096 --> 0:30:11.216
<v Speaker 1>with what was going on with her internally. And she

0:30:11.256 --> 0:30:17.116
<v Speaker 1>didn't know how. And I think her opinion was, well,

0:30:17.196 --> 0:30:20.456
<v Speaker 1>I feel better when I smoke weed. But she didn't.

0:30:21.736 --> 0:30:23.376
<v Speaker 1>But I think that's what she was hoping.

0:30:25.146 --> 0:30:29.026
<v Speaker 2>Maitrese stopped sleeping and eating regularly. She was supposed to

0:30:29.066 --> 0:30:32.466
<v Speaker 2>be living with her great-grandmother, Mildred Harris, in South L.A.,

0:30:32.886 --> 0:30:35.786
<v Speaker 2>but she started staying in her car. She'd arrive at

0:30:35.826 --> 0:30:38.326
<v Speaker 2>Hannah's place— unshowered and unkempt.

0:30:39.676 --> 0:30:42.916
<v Speaker 1>She'd come over another day and be like, Oh, I've

0:30:42.956 --> 0:30:45.176
<v Speaker 1>been journaling in my car. But she would tell me

0:30:45.236 --> 0:30:49.896
<v Speaker 1>like for days. And I'm like, my trees, you need

0:30:49.956 --> 0:30:52.776
<v Speaker 1>to sleep. Like, have you eaten? No, she wasn't eating

0:30:52.836 --> 0:30:56.316
<v Speaker 1>a lot. She definitely wasn't sleeping. And I would tell

0:30:56.336 --> 0:30:59.536
<v Speaker 1>her like, dude, you cannot just sleep in your car.

0:30:59.596 --> 0:31:04.016
<v Speaker 1>It's not safe. You're a single woman by yourself. You

0:31:04.056 --> 0:31:06.486
<v Speaker 1>can't just sleep in your car. come to my house.

0:31:06.546 --> 0:31:08.386
<v Speaker 1>If you're gonna, if you don't want to go home,

0:31:08.466 --> 0:31:11.106
<v Speaker 1>come to my house. Stop sleeping in your car. But

0:31:11.146 --> 0:31:13.666
<v Speaker 1>she kept doing it. Do you know where she would park?

0:31:13.806 --> 0:31:16.946
<v Speaker 1>I have no idea. I think sometimes she parked outside

0:31:16.986 --> 0:31:20.106
<v Speaker 1>of my apartment, like on the, in the street parking.

0:31:21.706 --> 0:31:25.386
<v Speaker 2>Matrice had met Hannah sometime in July. Within weeks, it

0:31:25.426 --> 0:31:28.006
<v Speaker 2>seemed to Hannah, Matrice was hanging on to her for

0:31:28.066 --> 0:31:30.236
<v Speaker 2>dear life, and they were both drowning.

0:31:31.546 --> 0:31:36.506
<v Speaker 1>It's like she would say one thing, and then Oh, actually, no,

0:31:36.666 --> 0:31:40.866
<v Speaker 1>then say something completely opposite. And then, well, doesn't that

0:31:40.906 --> 0:31:44.126
<v Speaker 1>make sense? I'm like, what makes sense to you? I

0:31:44.166 --> 0:31:46.326
<v Speaker 1>want to know what makes sense to you. Forget what

0:31:46.346 --> 0:31:48.686
<v Speaker 1>makes sense to me because at this point, nothing is

0:31:48.726 --> 0:31:53.266
<v Speaker 1>really making sense to me. I genuinely started getting scared.

0:31:54.586 --> 0:31:59.756
<v Speaker 1>The fear for me was like, oh, it's so weird

0:31:59.776 --> 0:32:01.656
<v Speaker 1>to even say this right now, but like that she

0:32:01.676 --> 0:32:05.916
<v Speaker 1>would like disappear. that she would just like disappear and

0:32:06.076 --> 0:32:10.936
<v Speaker 1>get lost, which is so crazy.

0:32:12.056 --> 0:32:14.336
<v Speaker 2>At the end of August, Hannah made plans to go

0:32:14.356 --> 0:32:15.866
<v Speaker 2>to Las Vegas with some friends.

0:32:17.666 --> 0:32:21.046
<v Speaker 1>That was the last week in a summer. And I

0:32:21.086 --> 0:32:24.046
<v Speaker 1>know that because I was like, well, shit, I'm going

0:32:24.066 --> 0:32:27.166
<v Speaker 1>to go out with a bang because I'm not drinking

0:32:27.806 --> 0:32:31.786
<v Speaker 1>when I go back to school. So me and three friends,

0:32:32.516 --> 0:32:35.146
<v Speaker 1>went to Vegas. It was like for a friend's birthday

0:32:35.186 --> 0:32:38.506
<v Speaker 1>and also kind of like end of summer, let's go

0:32:38.906 --> 0:32:42.366
<v Speaker 1>party in Vegas and then get back to reality. We

0:32:42.386 --> 0:32:45.306
<v Speaker 1>went out there and my trees had asked me like, well,

0:32:45.326 --> 0:32:48.066
<v Speaker 1>I told her I was going and she was kind

0:32:48.106 --> 0:32:51.156
<v Speaker 1>of like, oh, can I come? And for me, it

0:32:51.176 --> 0:32:54.776
<v Speaker 1>was one of those like, like drama free weekends. I'm

0:32:54.836 --> 0:32:58.076
<v Speaker 1>just going to hang out with my friends. And my

0:32:58.116 --> 0:33:00.706
<v Speaker 1>trees at that point was already kind of like, not

0:33:00.756 --> 0:33:03.586
<v Speaker 1>kind of, I mean, that's when she was like, scaring

0:33:03.646 --> 0:33:06.626
<v Speaker 1>me like she was in and out of this mental

0:33:07.266 --> 0:33:10.716
<v Speaker 1>state and to be honest I didn't want to be

0:33:10.776 --> 0:33:13.256
<v Speaker 1>around it I was like I just want to go

0:33:13.296 --> 0:33:16.816
<v Speaker 1>have fun and hang out with my friends so we

0:33:16.896 --> 0:33:18.976
<v Speaker 1>drove out to Vegas and she was texting me like

0:33:20.076 --> 0:33:22.396
<v Speaker 1>where are you staying stuff like that and I didn't

0:33:22.416 --> 0:33:24.656
<v Speaker 1>tell her and I was just like I don't know

0:33:24.716 --> 0:33:25.736
<v Speaker 1>I'm just hanging out.

0:33:27.076 --> 0:33:30.506
<v Speaker 2>My trees wasn't getting the message though In her journal,

0:33:30.726 --> 0:33:33.896
<v Speaker 2>she writes that she woke up certain that Hannah actually

0:33:34.236 --> 0:33:35.256
<v Speaker 2>did want her to come.

0:33:36.636 --> 0:33:39.236
<v Speaker 3>So somewhere around 7 or 8 this morning, I decided

0:33:39.496 --> 0:33:42.856
<v Speaker 3>I'm going to Vegas. I love her so much. Now

0:33:42.886 --> 0:33:45.486
<v Speaker 3>I want to show her. So 3 a.m., we're going

0:33:45.506 --> 0:33:48.126
<v Speaker 3>to ease on down the road to a party.

0:33:48.606 --> 0:33:51.746
<v Speaker 2>She was going to drive to Vegas after finishing her

0:33:51.806 --> 0:33:53.436
<v Speaker 2>shift go-go dancing at Debra's.

0:33:54.676 --> 0:33:57.696
<v Speaker 3>God keep my mind, LOL. I don't know what I'm

0:33:57.716 --> 0:34:00.816
<v Speaker 3>going to see down there, but can't wait. Debra's tonight,

0:34:00.976 --> 0:34:01.976
<v Speaker 3>Vegas after.

0:34:03.156 --> 0:34:03.816
<v Speaker 2>Here's Hannah.

0:34:05.016 --> 0:34:07.656
<v Speaker 1>And all of a sudden, I don't even know if

0:34:07.696 --> 0:34:09.256
<v Speaker 1>it was day or night, because you know when you're

0:34:09.276 --> 0:34:13.126
<v Speaker 1>in a casino, it's like, I don't know. But I

0:34:13.146 --> 0:34:15.506
<v Speaker 1>was like sitting at a slot machine or something, and

0:34:17.246 --> 0:34:21.746
<v Speaker 1>my trees just like comes walking into the casino. You

0:34:21.766 --> 0:34:25.486
<v Speaker 1>have to understand, I was freaked out because how can

0:34:25.526 --> 0:34:30.086
<v Speaker 1>you find a singular person in Las Vegas in summertime?

0:34:30.426 --> 0:34:33.996
<v Speaker 1>Like it's crowded. There's a ton of casinos. There's so

0:34:34.016 --> 0:34:37.096
<v Speaker 1>many places we could be. And in walks my trees.

0:34:37.556 --> 0:34:40.456
<v Speaker 1>To this day, I have no idea how she found me.

0:34:41.656 --> 0:34:44.356
<v Speaker 1>So she walks in and I'm like, whoa, like what

0:34:44.396 --> 0:34:48.096
<v Speaker 1>the hell are you doing here? Like what is going on?

0:34:49.116 --> 0:34:51.136
<v Speaker 1>And she's like, I wanted to come hang out with you.

0:34:51.236 --> 0:34:55.626
<v Speaker 1>And I got all this alcohol and I'm like, I

0:34:55.626 --> 0:34:58.406
<v Speaker 1>don't need alcohol. Like we have, we're in Vegas. Like,

0:34:58.666 --> 0:35:00.506
<v Speaker 1>so I walked with her outside and my friends were

0:35:00.526 --> 0:35:04.756
<v Speaker 1>looking at me like, dude, what? So I walk out

0:35:04.796 --> 0:35:07.056
<v Speaker 1>with my trace and she opens her trunk and it

0:35:07.096 --> 0:35:13.376
<v Speaker 1>was like so much vodka, bottles and bottles and bottles

0:35:13.556 --> 0:35:16.796
<v Speaker 1>of vodka. Nobody in their right mind could drink that

0:35:16.856 --> 0:35:20.956
<v Speaker 1>much like ever in a lifetime. It was so much.

0:35:21.896 --> 0:35:24.556
<v Speaker 1>And I was like, dude, what are you doing driving

0:35:24.596 --> 0:35:27.236
<v Speaker 1>with all that? that's crazy and she's like well I

0:35:27.276 --> 0:35:32.496
<v Speaker 1>know you like vodka and I'm like yeah but that's

0:35:32.536 --> 0:35:36.196
<v Speaker 1>a lot so I didn't hang out with her I

0:35:36.236 --> 0:35:39.436
<v Speaker 1>was like I gotta go like I don't know why

0:35:39.476 --> 0:35:43.386
<v Speaker 1>you came here and there was a part of me

0:35:43.406 --> 0:35:45.286
<v Speaker 1>that felt bad but there was another part of me

0:35:45.326 --> 0:35:49.986
<v Speaker 1>that was like that was scared I was scared I

0:35:49.986 --> 0:35:51.266
<v Speaker 1>don't know how she found me I don't know why

0:35:51.326 --> 0:35:54.096
<v Speaker 1>she's here and I already told her I was going

0:35:54.116 --> 0:35:56.676
<v Speaker 1>to go with my friends. And then she brought all

0:35:56.716 --> 0:36:00.816
<v Speaker 1>this vodka. And the whole time acting like everything she

0:36:01.066 --> 0:36:02.606
<v Speaker 1>was doing was completely normal.

0:36:04.126 --> 0:36:06.666
<v Speaker 2>Vegas, Hannah says, was a turning point.

0:36:07.766 --> 0:36:11.806
<v Speaker 1>She just didn't really ever go back to the normal Mitrice.

0:36:12.986 --> 0:36:17.006
<v Speaker 1>And I think for me it was really difficult because

0:36:17.026 --> 0:36:21.836
<v Speaker 1>I didn't know her that long. And so all I

0:36:21.896 --> 0:36:25.146
<v Speaker 1>had to base it off of was... these few months.

0:36:25.726 --> 0:36:28.076
<v Speaker 1>But even to me, it was so obvious that something

0:36:28.176 --> 0:36:33.356
<v Speaker 1>changed and something was going on that even she knew,

0:36:33.456 --> 0:36:36.816
<v Speaker 1>like even she knew that it was going on and

0:36:36.836 --> 0:36:39.976
<v Speaker 1>we would talk about it. I think until it like

0:36:40.106 --> 0:36:44.666
<v Speaker 1>really didn't go back, we didn't even talk about it anymore.

0:36:44.706 --> 0:36:46.546
<v Speaker 1>It's just like that was the new normal.

0:36:47.086 --> 0:36:48.666
<v Speaker 2>Hannah started to pull away.

0:36:49.146 --> 0:36:53.836
<v Speaker 1>And it was really, really hard because how can you

0:36:54.826 --> 0:36:57.746
<v Speaker 1>be so worried about a person and at the same

0:36:57.846 --> 0:37:03.286
<v Speaker 1>time scared yourself to even be around them. I was

0:37:03.326 --> 0:37:07.836
<v Speaker 1>in this place of truly not knowing what to do.

0:37:08.096 --> 0:37:11.596
<v Speaker 1>And so, not that it was the right decision, but

0:37:12.216 --> 0:37:16.036
<v Speaker 1>I just started really distancing myself because I didn't know

0:37:16.076 --> 0:37:16.456
<v Speaker 1>what to do.

0:37:18.556 --> 0:37:22.226
<v Speaker 2>On September 12th, four days before she was arrested in Malibu,

0:37:22.626 --> 0:37:23.946
<v Speaker 2>Mitrice wrote in her journal.

0:37:25.716 --> 0:37:28.996
<v Speaker 3>Have you ever woke up in the morning and cried

0:37:29.096 --> 0:37:34.886
<v Speaker 3>because you knew too much? Cried because everything finally came

0:37:34.946 --> 0:37:38.166
<v Speaker 3>to light? And now you see all the lost people

0:37:38.226 --> 0:37:38.846
<v Speaker 3>in the dark?

0:37:39.966 --> 0:37:40.686
<v Speaker 1>It hurts.

0:37:41.506 --> 0:37:45.986
<v Speaker 3>The true oxymoron of bittersweet. And the suckiest part of

0:37:46.326 --> 0:37:50.456
<v Speaker 3>all is being a normal 24-year-old who likes to go

0:37:50.506 --> 0:37:55.526
<v Speaker 3>to bed and dream and is now always awake. living

0:37:55.606 --> 0:37:58.256
<v Speaker 3>visions that were once only in dreams.

0:38:04.156 --> 0:38:07.596
<v Speaker 2>This entry is one of the most crushing. Mitrice had

0:38:07.646 --> 0:38:10.986
<v Speaker 2>been a person with big dreams. Now she felt like

0:38:11.006 --> 0:38:14.146
<v Speaker 2>she was trapped inside a living vision, and all she

0:38:14.186 --> 0:38:18.556
<v Speaker 2>wanted was to wake up. The day after writing it,

0:38:18.746 --> 0:38:20.936
<v Speaker 2>she went to see Hannah one last time.

0:38:21.936 --> 0:38:26.176
<v Speaker 1>I was at my apartment, and... it was the middle

0:38:26.216 --> 0:38:32.396
<v Speaker 1>of the day and my trees came over and she

0:38:32.436 --> 0:38:37.316
<v Speaker 1>was like pounding on my door. And she's like, Hannah, Hannah,

0:38:37.576 --> 0:38:40.026
<v Speaker 1>open the door. Hannah, I need to talk to you, Hannah.

0:38:40.626 --> 0:38:42.426
<v Speaker 1>Cause of course she was texting and calling and I

0:38:42.486 --> 0:38:47.766
<v Speaker 1>wasn't responding. And so she's knocking on my door and

0:38:49.606 --> 0:38:52.826
<v Speaker 1>I didn't answer. I didn't answer. I don't know what

0:38:52.866 --> 0:38:57.666
<v Speaker 1>she wanted. I don't know What was going on? I

0:38:57.746 --> 0:39:02.006
<v Speaker 1>know that she really probably needed me in that moment,

0:39:02.066 --> 0:39:05.406
<v Speaker 1>and it breaks my heart that I didn't answer the door.

0:39:06.686 --> 0:39:08.706
<v Speaker 1>But I didn't, and that was the last time I

0:39:08.776 --> 0:39:15.096
<v Speaker 1>saw her. I saw her through the blinds. She didn't

0:39:15.136 --> 0:39:16.336
<v Speaker 1>see me, but I saw her.

0:39:20.076 --> 0:39:20.856
<v Speaker 3>What did she look like?

0:39:22.416 --> 0:39:30.106
<v Speaker 1>Disheveled. It's almost like, see, when you asked before about her,

0:39:31.046 --> 0:39:37.306
<v Speaker 1>was her physical appearance deteriorating? And I mean, I guess

0:39:38.646 --> 0:39:43.136
<v Speaker 1>during that. time maybe a little bit yeah but for

0:39:43.216 --> 0:39:46.316
<v Speaker 1>me it was really after Vegas that it all kind

0:39:46.356 --> 0:39:48.336
<v Speaker 1>of started going downhill.

0:39:51.016 --> 0:39:54.316
<v Speaker 2>Soon the question of Mitrice's mental health would be at

0:39:54.336 --> 0:39:58.146
<v Speaker 2>the center of an investigation into her disappearance and death

0:39:59.346 --> 0:40:02.106
<v Speaker 2>It would be the variable that determined so much of

0:40:02.166 --> 0:40:03.706
<v Speaker 2>what law enforcement.

0:40:03.286 --> 0:40:07.326
<v Speaker 1>Did and what they failed to do. But to Hannah,

0:40:07.946 --> 0:40:14.616
<v Speaker 1>there is no question. My trees changed in whole, like

0:40:14.716 --> 0:40:20.396
<v Speaker 1>wholly changed. And there was never any question in my

0:40:20.436 --> 0:40:23.776
<v Speaker 1>mind that it was something mentally going on. She was

0:40:23.936 --> 0:40:29.966
<v Speaker 1>very aware that she was struggling with mental illness. I

0:40:30.046 --> 0:40:35.476
<v Speaker 1>saw it. It was obvious. She just wasn't acting like

0:40:36.396 --> 0:40:41.556
<v Speaker 1>her normal self. It changed. She changed. Something changed. And

0:40:41.596 --> 0:40:42.516
<v Speaker 1>it wasn't from drugs.

0:40:44.416 --> 0:40:48.586
<v Speaker 2>On September 16, 2009, Mitrice went to Malibu in the

0:40:48.666 --> 0:40:52.986
<v Speaker 2>midst of a severe mental health crisis. And she never

0:40:53.106 --> 0:41:08.346
<v Speaker 2>came back. next time on Lost Hills.

0:41:09.606 --> 0:41:11.246
<v Speaker 5>I think the only way I will come and get

0:41:11.286 --> 0:41:13.226
<v Speaker 5>her tonight is if you guys are going to release

0:41:13.286 --> 0:41:16.286
<v Speaker 5>her tonight. She definitely has no place, you know, I mean,

0:41:16.306 --> 0:41:18.776
<v Speaker 5>she's not from that area, and I would hate to

0:41:19.416 --> 0:41:22.796
<v Speaker 5>wake up to a morning report, so lost somewhere with

0:41:22.856 --> 0:41:24.856
<v Speaker 5>her head chopped off, so I guess I would have

0:41:24.876 --> 0:41:26.156
<v Speaker 5>to come and get her, oh my God.

0:41:27.376 --> 0:41:34.126
<v Speaker 2>That's next in Episode 3, Call for Help. Lost Hills

0:41:34.206 --> 0:41:37.516
<v Speaker 2>is written and hosted by me, Dana Goodyear. It was

0:41:37.596 --> 0:41:41.556
<v Speaker 2>reported by me and Haley Fox, our senior producer. The

0:41:41.596 --> 0:41:45.416
<v Speaker 2>show was created by me and Ben Adair. Lost Hills

0:41:45.476 --> 0:41:53.446
<v Speaker 2>is a production of Western Sound and Pushkin Industries. Subscribe

0:41:53.466 --> 0:41:56.206
<v Speaker 2>to Pushkin Plus and you can binge the whole season

0:41:56.306 --> 0:42:00.356
<v Speaker 2>right now ad-free. Find Pushkin Plus on the Lost Hills

0:42:00.396 --> 0:42:05.546
<v Speaker 2>Show page in Apple Podcasts or at pushkin.fm slash plus.