1 00:00:00,120 --> 00:00:01,800 Speaker 1: Let's get into this report that Tanya has. So, this 2 00:00:01,880 --> 00:00:03,840 Speaker 1: is a young actress to her name is Amy Leewood. 3 00:00:03,880 --> 00:00:05,800 Speaker 1: Now I'm watching The White Lotus. This is the show 4 00:00:05,800 --> 00:00:09,200 Speaker 1: that's very popular on HBO Max. Right. No spoilers, Yeah, 5 00:00:09,200 --> 00:00:11,680 Speaker 1: no spoilers, but they were dropping them every Sunday, I 6 00:00:11,720 --> 00:00:13,200 Speaker 1: think every once a week. There's only had two out 7 00:00:13,240 --> 00:00:17,599 Speaker 1: right now, right? Two? Yes? Amy is she? So? 8 00:00:17,720 --> 00:00:22,840 Speaker 2: She is her character well British? Yes. So people may 9 00:00:22,840 --> 00:00:25,239 Speaker 2: know her from the Netflix series Sex Education, that's like 10 00:00:25,280 --> 00:00:28,400 Speaker 2: where she's most known from, but right now she plays 11 00:00:28,440 --> 00:00:31,080 Speaker 2: Chelsea on The White Lotus. So she's the person. She 12 00:00:31,120 --> 00:00:33,920 Speaker 2: went to the resort with her considerably older boyfriend Rick, 13 00:00:33,960 --> 00:00:38,240 Speaker 2: who is played by Walton Goggins, and she is opening 14 00:00:38,280 --> 00:00:41,600 Speaker 2: up about her intimate scene in episode two. So Amy 15 00:00:41,640 --> 00:00:44,840 Speaker 2: told Elle that for the first time in her career, 16 00:00:45,560 --> 00:00:48,960 Speaker 2: she was allowed to view and approve her love scenes 17 00:00:49,080 --> 00:00:52,680 Speaker 2: after filming them. So, she said, the intimacy coordinator told her, 18 00:00:52,680 --> 00:00:54,280 Speaker 2: I just want you to watch it, and I want 19 00:00:54,320 --> 00:00:56,080 Speaker 2: you to know that if you are not happy, we 20 00:00:56,120 --> 00:00:58,960 Speaker 2: can change it. She even added that the show creator 21 00:00:59,040 --> 00:01:02,080 Speaker 2: Mike White offered to cut parts of the scene if 22 00:01:02,080 --> 00:01:06,679 Speaker 2: she was in any way uncomfortable and thinking back on 23 00:01:06,760 --> 00:01:10,480 Speaker 2: how many intimate scenes I've seen on TV and in films, 24 00:01:10,959 --> 00:01:12,720 Speaker 2: and knowing that all of this is kind of just 25 00:01:12,760 --> 00:01:15,120 Speaker 2: starting now in twenty twenty five. It really blew my 26 00:01:15,240 --> 00:01:17,560 Speaker 2: mind that, like, this is the first time in her 27 00:01:17,600 --> 00:01:19,680 Speaker 2: career that she's been able to watch the You know, 28 00:01:19,720 --> 00:01:22,280 Speaker 2: when you're filming these intimate scenes, a lot of the 29 00:01:22,319 --> 00:01:26,480 Speaker 2: time you're nude, that's your body, and you have no, like, 30 00:01:26,800 --> 00:01:28,440 Speaker 2: absolutely zero say over it. 31 00:01:28,520 --> 00:01:30,200 Speaker 1: You know, I don't feel comfortable with that at all. 32 00:01:30,280 --> 00:01:33,160 Speaker 1: Like I definitely wouldn't do that scene without being able 33 00:01:33,200 --> 00:01:35,640 Speaker 1: to see that scene if I were in that scene. 34 00:01:35,440 --> 00:01:38,560 Speaker 2: Right, But I didn't let people before. No, is this 35 00:01:38,640 --> 00:01:42,040 Speaker 2: trickling down from the Blake Lively justin No, I think 36 00:01:42,120 --> 00:01:45,040 Speaker 2: they've had intimacy coordinators for a few I know, for 37 00:01:45,080 --> 00:01:46,000 Speaker 2: a few years now. 38 00:01:46,400 --> 00:01:48,640 Speaker 1: Yeah I know that, but I mean for them, they're 39 00:01:48,680 --> 00:01:50,480 Speaker 1: just like, we don't want some sort of lossuit situation, 40 00:01:50,560 --> 00:01:52,880 Speaker 1: so you can you can view your scene and approve it. 41 00:01:52,920 --> 00:01:54,800 Speaker 1: I think he's the right thing to do. Yeah, but 42 00:01:54,880 --> 00:01:56,640 Speaker 1: let's just talk about these scenes for a seconds. Okay, 43 00:01:56,920 --> 00:01:59,760 Speaker 1: they make me uncomfortable, no matter, I can't watch them 44 00:02:00,280 --> 00:02:03,200 Speaker 1: because I saw it doesn't matter unless I'm by myself 45 00:02:03,200 --> 00:02:08,160 Speaker 1: with Georgia. I'm uncomfortable with hot scenes around anyone, even 46 00:02:08,200 --> 00:02:10,440 Speaker 1: if I'm in a relationship. It makes me uncomfortable. 47 00:02:11,040 --> 00:02:12,040 Speaker 2: That's so interesting. 48 00:02:13,000 --> 00:02:18,520 Speaker 1: Do you compare yourself? Is that? I get that comfortable, like, like, 49 00:02:18,560 --> 00:02:23,959 Speaker 1: what do we do that? I'm like, oh gosh, they're 50 00:02:25,520 --> 00:02:29,679 Speaker 1: way way more fun than us. Yeah, so I get 51 00:02:29,960 --> 00:02:32,760 Speaker 1: That's where I go with although it doesn't matter what scene, where, whatever, 52 00:02:33,000 --> 00:02:35,440 Speaker 1: I know what you mean draw the comparison and the 53 00:02:35,560 --> 00:02:39,680 Speaker 1: inadequacy of real life versus. Yeah, I'm just like, oh 54 00:02:39,720 --> 00:02:42,400 Speaker 1: my gosh, I'm so boring compared to that's what's. 55 00:02:42,200 --> 00:02:44,760 Speaker 2: Supposed to do. It's supposed to like be a fantasy. 56 00:02:44,960 --> 00:02:47,000 Speaker 1: No, it does. It makes us feel uncomfortable.