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Speaker 1: Hey, Christie, Hey Will how are you? Oh man, I'm

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Speaker 1: so good. I got nothing. Okay, I'm so excited about

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Speaker 1: today's episode because it is what Christie, it is our

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Speaker 1: first ever Well, I'm gonna answer my own question so

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Speaker 1: I know the answer is correct. Guys, today is the

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Speaker 1: first ever I Hear Voices live, coming to you from

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Speaker 1: Fan Expo here in Denver, Colorado. Excited our first ever show,

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Speaker 1: We Gotta Billy West come out here. We also are

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Speaker 1: going to let people play and pick their own voices.

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Speaker 1: This has been so much fun. I wish we had

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Speaker 1: three hours. I really did you guys? Yes? Everybody showed up, Yes,

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Speaker 1: and I didn't actually all so well, what's one step ahead?

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Speaker 1: Oh my gosh, thank you you are. I love you

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Speaker 1: all so much. This is amazing. Everybody's here, Christie, I

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Speaker 1: can't believe it. This is like our coming out party

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Speaker 1: that I love that. It's like a gender reveal without

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Speaker 1: the fire. You know, possibility, which is which is nice?

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Speaker 1: Which is nice? Flash photography exactly. Well, how many of

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Speaker 1: you have heard of our podcast I Hear Voices. How

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Speaker 1: many of you think you can be voice over actors?

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Speaker 1: Here we go? Oh my gosh, are we excited to

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Speaker 1: hear the voices that you guys are enthusiastic to show us.

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Speaker 1: It's gonna be awesome. I cannot wait for this. And

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Speaker 1: are mim seventies microphones? I know it is pretty gos

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Speaker 1: like the price is right so exactly, Well, we have

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Speaker 1: a really special guest today. I was so excited will

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Speaker 1: when we got the text that this guest didn't hate

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Speaker 1: us so much that he would actually he would consider

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Speaker 1: come and join us for a little while. I was confused. Actually,

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Speaker 1: I was like, you know, you always think to yourself, well,

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Speaker 1: this is a podcast, so we're so enthusiastic about and

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Speaker 1: here and this was literally the whole reason why we

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Speaker 1: decided to do this podcast was because of you guys,

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Speaker 1: because of the fans at Comic CON's and there everyone

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Speaker 1: well yeah, everybody was walking up kind of saying, how

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Speaker 1: do I become a voice actor? I can do this,

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Speaker 1: let me show you some of these voices, and we

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Speaker 1: were like, we gotta give people a platform to actually

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Speaker 1: try this. Yeah, and so we were stuck in you know,

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Speaker 1: l A doing you know, some studio versions of this,

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Speaker 1: and then we've also done it in our zoom our

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Speaker 1: little zoom rooms Zoom Room, which is how everybody now

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Speaker 1: gets to know each other. It is like, oh I

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Speaker 1: met her on zoom It's like he didn't meet anybody yet.

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Speaker 1: And and this is really this is really untouched man.

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Speaker 1: This is a vision of us and you guys are

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Speaker 1: a part of that. Thank you so much. First ever

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Speaker 1: live one sharing so exciting. Um should we just uh

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Speaker 1: should we just bring out our guests? I think we

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Speaker 1: need to. I mean, let's introduce him like we would

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Speaker 1: if we were in studio too. I think we should so. Um, well,

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Speaker 1: I think you've all heard of of this man because

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Speaker 1: he's a legend. I think he would probably is the

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Speaker 1: best way to put it. I mean an icon and

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Speaker 1: icon absolutely. Um. I mean right now, everybody probably knows

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Speaker 1: him from Futurama UM, where he plays basically everyone. But

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Speaker 1: he was also at one point called the next mel Blank.

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Speaker 1: I mean you name it. He's done it up to

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Speaker 1: and including the Cheerios b He's been everybody. Uh so

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Speaker 1: can we bring him out now? Christie? Would you mind?

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Speaker 1: Would you do the honors? Because I think it's important.

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Speaker 1: I would be so happy to bring out the I

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Speaker 1: hear voices. First live podcast guest Mr Billy West. Yes,

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Speaker 1: hey guys, as they say on YouTube, hey guys, hey

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Speaker 1: guys can subscribe. Wow. I don't even know what to say.

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Speaker 1: Follow see me on? Um, what's the other thing they're

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Speaker 1: always talking talk? Is that the other wide? No? The

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Speaker 1: one with Patreon? Oh that one? Okay, come to Patreon. Good.

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Speaker 1: You find a way to make money without working? That's

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Speaker 1: the idea. Oh, Billy, I don't know where to start

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Speaker 1: with you, sir. Um. So we wanted to do this

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Speaker 1: podcast for a long time and then we said, well,

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Speaker 1: you know what we'll do to make it easier. We'll

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Speaker 1: just print out Billy's I AMDB page. Can anyone read that?

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Speaker 1: How small all that is of words? And it's the

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Speaker 1: smallest print ever. That's a lot of words. This is

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Speaker 1: what I mean. It's just it's the most It's I

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Speaker 1: can't even read half of the stuff that's on here.

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Speaker 1: It's unbelievable. So I guess let's start at the beginning.

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Speaker 1: That's what When did you start? Thank you? Thank you

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Speaker 1: magic guy who came in and left stuff right next

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Speaker 1: to me? Um, thank you magic, Yes, thank you magic.

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Speaker 1: Leave him there guy? Um, when did you get the bug?

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Speaker 1: When did you wake up and say I want to

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Speaker 1: be a voice over reck. I never really did that.

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Speaker 1: I was Um. I grew up in the fifties and

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Speaker 1: my mom let me stay up and watched the show

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Speaker 1: that was on television called Show of Shows and there

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Speaker 1: was only three channels back then, and you bear he

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Speaker 1: got him. I mean you were looking at protons basically,

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Speaker 1: you know, I had you had to have an aerial

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Speaker 1: Oh yeah. And um there was a man named Sid

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Speaker 1: Caesar and he had a show called Your Show of Shows.

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Speaker 1: And if you go on YouTube, you can look those

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Speaker 1: shows up and you can see this dynamo. And I

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Speaker 1: remember that was the first thing that struck me when

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Speaker 1: I was a little kid. He was like the first

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Speaker 1: thing I saw on TV. And I was molecularly disassembled

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Speaker 1: after watching it. And I and I was saying to

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Speaker 1: my mom, you know, you like that guy. She was

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Speaker 1: like you better not, you know, But I but I

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Speaker 1: was a weird kid. I mean I was a freak.

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Speaker 1: And I used to run around to reading out noises

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Speaker 1: and making voices all the time, and it was like,

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Speaker 1: can you not do this? Can you not do that?

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Speaker 1: But what we didn't know, nobody knew, was I was

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Speaker 1: on the autism spectrum. And uh, I couldn't tie my shoes.

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Speaker 1: I couldn't tie a necktie. My dad thought I was

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Speaker 1: stupid and used to beat my head in all the time.

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Speaker 1: So I left the planet. I just went away while

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Speaker 1: he was hitting me, I just went away. And um,

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Speaker 1: this whole world was right there waiting for me, you know.

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Speaker 1: And it was like to survive, I had to not

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Speaker 1: be present. So that's what that was. That's how you escaped,

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Speaker 1: is you would come up with different voices and different characters. Yeah.

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Speaker 1: Because um, I was non verbal in the beginning. I

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Speaker 1: didn't know what to say or how to say it.

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Speaker 1: But if I heard guys on the radio or television

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Speaker 1: show or something like that, I could do it. I

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Speaker 1: could even mimic the mistakes the big dumb announcers used

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Speaker 1: to make this. Conclude this, conclude this, conclude that is all.

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Speaker 1: Do you remember some of the first voices you ever did? Um? God,

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Speaker 1: I don't know. Um. I was sound just like a baby.

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Speaker 1: That's amazing. I was. I was on I was on

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Speaker 1: stage because I played music many years ago. I used

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Speaker 1: to make a living playing guitar and singing, and I

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Speaker 1: was in bands and like the sixties and seventies, and

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Speaker 1: uh if I broke a string on stage or something,

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Speaker 1: we didn't have Rhodes and and and this is where

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Speaker 1: the fried voice comes from. I was twenty five, and

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Speaker 1: I was nasally and whiny and complaining. You know, it's like, oh, man,

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Speaker 1: I broke a string. Now what am I gonna do?

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Speaker 1: Uh I I blew up an ample fire. I'm so embarrassed,

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Speaker 1: you know. And I was in and in and and

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Speaker 1: and so he became the template my twenty five year

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Speaker 1: old self. And I was also a project for a girl.

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Speaker 1: I remember, Um, I was needy. I was I was like,

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Speaker 1: my collar was always messed up and my hair was like,

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Speaker 1: can't you fix yourself up? Let me? We're going on,

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Speaker 1: We're going to the supermarket, We're going to the clothing store.

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Speaker 1: And um, and I thought that would be perfect for

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Speaker 1: for phil J. Fry because she's so strong. Leel is

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Speaker 1: so strong and decisive, and he's like knee at work out.

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Speaker 1: You know. It's a great combination. What's also what most

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Speaker 1: men like to be changed? Um, that's that's what unless

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Speaker 1: you're a one night Yeah, but we do that, Like

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Speaker 1: I'm really looking for a woman to change me. I

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Speaker 1: don't mind, I'll give up power in the bedroom. I

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Speaker 1: don't think creating voices. I can't even I don't even

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Speaker 1: know where to start. Someone asked me, um, I was

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Speaker 1: losing my voice. You can tell um screaming and yelling.

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Speaker 1: And somebody said, you want some tea? And you don't

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Speaker 1: if you say that to a seventy year old guy,

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Speaker 1: I think they're talking about testosterone. I want some tea. No, yeah,

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Speaker 1: how did you know that stuffs actually really good for you?

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Speaker 1: What voices sponsored by testosterone? This podcast is brought to

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Speaker 1: you by Bluetooth. Now answer comes in a new color

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Speaker 1: blue Bluetooth. Okay, so let's go back, right. That's usually

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Speaker 1: what we do is we started at the beginning, and

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Speaker 1: we we just heard some really big important things about

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Speaker 1: his child. Yeah we can't there's some it's only a

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Speaker 1: half hour. We can't have packed too much. Oh my gosh. Okay,

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Speaker 1: all right, well but they had. He had all these

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Speaker 1: voices and eventually ended up on Howard Stern doing celebrity impressions. Well, yeah,

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Speaker 1: but yes, it's again. I'm looking trying to look at

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Speaker 1: the page. I mean, this is hard man. You're too famous,

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Speaker 1: You're just too iconic. I was on the Stern Show

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Speaker 1: from like eighty nine. Hey, Robin, I just fared it

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Speaker 1: and you did celebrity impressions? What and you did celebrity impressions? Then? Yeah?

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Speaker 1: Had you what had you been doing? Right before that? Though? Um?

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Speaker 1: Right before that, I was working in radio in Boston, Okay,

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Speaker 1: and I used to um, you know, it was a

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Speaker 1: playground because it was FM radio, and the program director

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Speaker 1: he had a soft spot for artists. He he was

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Speaker 1: like an art type, you know, he loved music and

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Speaker 1: he he valued artists. And so he let me and

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Speaker 1: this other guy just run wild when we had an idea,

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Speaker 1: we'll just go and do it, you know. And uh,

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Speaker 1: we did this stupid thing once. Um we had we

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Speaker 1: had Peter Falk in a travelogue, you know, and if

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Speaker 1: you remember Colombo, he was like, you know, second, actually,

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Speaker 1: way aboard those shoes. I'm sorry to body against her,

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Speaker 1: but we had him and it says, um, you know,

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Speaker 1: stay tuned for um Peter Falk as he visits the

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Speaker 1: town of ath All, Massachusetts. It's a real town. So

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Speaker 1: he's going, this is beautiful. That's the municipal building over there.

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Speaker 1: That's just beautiful. Over there. Look at that. That's the

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Speaker 1: public library, you know, and it says, so join Peter

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Speaker 1: Falk for Falk and Athol that I said that I

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Speaker 1: can't swear, I can't stand well, I said, I said,

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Speaker 1: I won't do nothing. Thank you. We still love you

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Speaker 1: no matter who you are, we love you. You love filth.

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Speaker 1: So what was your first animate I mean, did you

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Speaker 1: jump then into animation or did you do like commercial

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Speaker 1: voice over? No? When I when I moved to New York, um,

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Speaker 1: I started auditioning in New York terms, meaning that was

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Speaker 1: supposed to be the big time and it wasn't like

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Speaker 1: big time. When I was running around, it was like

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Speaker 1: the level of radio. There was real mediocrity. You know.

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Speaker 1: Howard was like the breakthrough. He was only and then

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Speaker 1: and then, um a little myopic. Program directors began to

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Speaker 1: give permission to their staffs. You know, with Howard's success,

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Speaker 1: they said, okay, do do the Stern Show. So they

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Speaker 1: were Weather Howards and they were chick Howards and they

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Speaker 1: would you know sports Howard. Yeah, yeah, and so he's

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Speaker 1: being nibbled to death by ducks and um, you know

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Speaker 1: it always happens. It's like that's how trends happened. Yeah,

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Speaker 1: everybody wants to be first, to be second to do something.

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Speaker 1: So then what what was your first animation gig? Then

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Speaker 1: first animation gig was in It was called Beanie and

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Speaker 1: Cecil and it was a revival of a sixties cartoon. Um,

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Speaker 1: and it was a big giant sea serpent and his

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Speaker 1: little Palbanie who had a propeller hat. And um, it

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Speaker 1: was the guy animating it was John Chris Lucy. That's

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Speaker 1: how I met him, and we did this show and

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Speaker 1: he was putting all kinds of stuff in the show

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Speaker 1: without okaying it and he went to war with ABC.

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Speaker 1: Next thing, you know, the dumpster and and and then

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Speaker 1: it turned out to be his m O because he

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Speaker 1: hired me to do rend and Stimpy and it's like

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Speaker 1: after six episodes he shot himself in the fort again,

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Speaker 1: you know. So um, but but that was you know,

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Speaker 1: a lot of screaming and yelling. I guess that's I'm

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Speaker 1: relegated to that happy joy goodness we eat. Yeah, wow, guys,

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Speaker 1: come on, what I Stimpy? I remember renning Stimpy kind

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Speaker 1: of changing the ball game a little bit for an

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Speaker 1: of me. Yeah. But that was a good time though,

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Speaker 1: because um, there was a lot of there was the

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Speaker 1: Simpsons and then there was m Rending Stimpy, which was

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Speaker 1: in no way like the Simpsons, and then there was

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Speaker 1: be was in butt Head, which was in no way

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Speaker 1: like the other two. So that was like a renaissance

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Speaker 1: going on. You know, we got out, We finally got

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Speaker 1: away from Little Roseanne bar cartoons and Hammerman and all that.

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Speaker 1: You know. Yeah, yeah, we've talked about how the animation

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Speaker 1: in the sort of the eighties the early eighties was

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Speaker 1: mostly just awesome, Yes, but a lot of it was

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Speaker 1: I Joe talked about that was good said, and now

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Speaker 1: you even said that G I. Joe was mostly animated,

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Speaker 1: and and the voices were to sell toys. Well the

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Speaker 1: whole thing that were I mean during the eighties when

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Speaker 1: it was G I. Joe, Mask, Transformers, ThunderCats, they were

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Speaker 1: half hour commercials. I mean that's all it was as

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Speaker 1: a commercial to sell the toy. But when you're eight,

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Speaker 1: that's all you needed was the commercial to sell the toy.

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Speaker 1: I used to sit in those meetings where executives would go. Now,

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Speaker 1: the idea of power and control is very seductive to

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Speaker 1: little kids. Okay, I know that everybody knows that, but

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Speaker 1: you put it in that, you know, that's very different.

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Speaker 1: You get kids to sit up and bark like Lassie.

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Speaker 1: You control the action, you control the power. Yes, that's

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Speaker 1: what it was though, and that made me want to

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Speaker 1: run out and get a man. I mean, did you

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Speaker 1: have any real power? Well, I mean you try to

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Speaker 1: jump off a roof? Well no, of course. Wow, we

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Speaker 1: have very different childhoods, Billy, you can jump up a roof.

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Speaker 1: The difference between objective and subjective reasoning is um. You

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Speaker 1: don't have to jump off a roof to know that

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Speaker 1: it will hurt, but you do to know how much

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Speaker 1: it will. Yeah. Wow, interesting hashtag of the day. Uh

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Speaker 1: that were you on any of those? Did you do

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Speaker 1: g I Joe? No, I was before I was out there. Yeah,

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Speaker 1: because he knew a guy on that show on Gijo, Yeah,

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Speaker 1: who was from Boston. He was a crazy madman, but

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Speaker 1: he was brilliant. His name was Chris Latta and he

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Speaker 1: was very self destructive and ultimately he they found him

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Speaker 1: in a empty car, you know, a couple of shots

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Speaker 1: to the dome. So wow, it was it was he

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Speaker 1: was drug. You know, you don't want let's just be

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Speaker 1: a lesson. It was disco, it was animation and it's

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Speaker 1: nothing that four shots to the Dome couldn't fix. But

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Speaker 1: I'm so happy you're all here for the last live

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Speaker 1: I hear Voices podcast. But the thing that I bringing

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Speaker 1: it back in and it ends there and it comes

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Speaker 1: back here. Rann Joe, He's got four shots to the

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Speaker 1: dome and the kids are jumping up. First of all,

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Speaker 1: you want to ask about Transformers game, Billy be Billy

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Speaker 1: because that is the only Billy I want, And gosh

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Speaker 1: do I want you? Yes, this is how it is,

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Speaker 1: this is how we want it now, And didn't simpy

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Speaker 1: We'll go back to the really though, because that animation

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Speaker 1: wasn't about selling toys, and it sounds like you were

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Speaker 1: doing something that did change the game. The voices are different.

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Speaker 1: It was just the stakes were so different. Was that

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Speaker 1: rewarding for you to do what you had been doing

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Speaker 1: on The Stern Show and on radio? But then what

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Speaker 1: was that transition? Like? Um, it was it was crazy

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Speaker 1: because um what I did my audition tape for Rent

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Speaker 1: and Stimp. He sold the show to Nickelodeon. The women

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Speaker 1: at Nickelodeon is like, um, John Chris Feluci came to

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Speaker 1: New York and he said, let's go over. We're going

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Speaker 1: over to Nickelodeon and we were literally in a closet

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Speaker 1: up the hall from Kurt Loder's office. This is like

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Speaker 1: a Manwood story is sitting in there and and I've

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Speaker 1: got this little script and a microphone was on a

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Speaker 1: broom or some shop, you know, and it was like

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Speaker 1: I was reading as both voices. And he said, okay,

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Speaker 1: I'll be back, and he goes into the women at Nickelodeon.

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Speaker 1: He came out and he said, congratulations, what you did

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Speaker 1: sold the show and I said great. And then he

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Speaker 1: decided he wanted to do the Rent character. And I

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Speaker 1: didn't give the fat frogs and who did what? You know,

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Speaker 1: I had a job. I was like so happy. But

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Speaker 1: he get paid to do voices. Oh my god in heaven,

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Speaker 1: you know. Yeah, so um so then he got himself

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Speaker 1: fired from the show. So they went back and they said,

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Speaker 1: wasn't Billy's supposed to do both? And and they said, okay,

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Speaker 1: let's let's say have him do it. But they were

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Speaker 1: they were a little hesitant because you got him on

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Speaker 1: the rope at ropes at the negotiation time, you know, well, yeah,

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Speaker 1: when you are the entire show, yeah, the executive producer,

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Speaker 1: if you asked me. Yeah, yeah, what happened. I was stupid.

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Speaker 1: You you were professional, and I was stupid, but I

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Speaker 1: was beautiful. You were beautiful and stupid. So Rend and

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Speaker 1: what did you know that? That was that? That that

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Speaker 1: was really making waves? And then what was your next?

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Speaker 1: Because that excluded I mean Rend and Stimpy kind of

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Speaker 1: also Nickelodeon, because I was on Nickelodeon back in the

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Speaker 1: day day like I got slimmed Nickelodeon. It was like

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Speaker 1: the animation was non existent. It was still kids essentially

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Speaker 1: running the entire network. And Nickelodeon has these peaks and valleys,

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Speaker 1: and so they were in a valley and then Rend

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Speaker 1: Stimpy comes along. Yes, um, well that show was part

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Speaker 1: of a three cartoon animation block for Sunday mornings. Jerry Leborne,

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Speaker 1: the woman running Nickelodeon, was brilliant and she just said,

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Speaker 1: we want to do what the networks aren't doing. Like,

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Speaker 1: what is it we can do that they don't do? Well,

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Speaker 1: they show all the cartoons on Saturday mornings. Okay, we're

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Speaker 1: gonna do it on Sunday mornings. You know. It's a

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Speaker 1: simple thing that but it was like it separated them

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Speaker 1: from the pack, which was a brilliant move. And then

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Speaker 1: um they had a show, Doug. Yeah, dog man, they're

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Speaker 1: older now, Yeah yeah, they're like seven or something now,

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Speaker 1: and it's like, you know, you never know how they're

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Speaker 1: gonna turn out, dear journal. Today I blew up a

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Speaker 1: courthouse seeing the court judge Roger Klats in the court.

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Speaker 1: Lookal it is in my court room. Funny, you loser.

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Speaker 1: I knew I was going to see you in here

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Speaker 1: one day. Guilty, gilty, You're going to jail. Funny for

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Speaker 1: a hundred, five hundred years guilty. Oh no, was he

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Speaker 1: with Patty Mannie's to Doug end up with Patty Man's

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Speaker 1: to Doug end up with Patty Manning's the only in

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Speaker 1: conjugal visits? Oh no, it's been twenty minutes. As you

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Speaker 1: can see, the man with the yellow signs, the man

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Speaker 1: with the yellow hat. So here we are at Doug.

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Speaker 1: We're only at Doug. Can we skip forward? No we shouldn't,

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Speaker 1: because Billy Billy is amazing to watch. But unfortunately we've

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Speaker 1: only got like another ten minutes with Billy, and we've

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Speaker 1: got to get my voice so I can entertain you

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Speaker 1: with my Stephen Hawkey. Ok. Look I got nothing I

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Speaker 1: got nothing. This is wild. I mean, we are so

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Speaker 1: lucky to have this kind of energy. And now, well,

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Speaker 1: I've got to jump ahead. I'm sorry, I have to

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Speaker 1: jump ahead because you were on a show that was

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Speaker 1: on the air and amazing, then taking off the air,

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Speaker 1: and then was on the air and amazing it was,

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Speaker 1: and now is on the I was going to be

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Speaker 1: on the air again, yes, and that is Futurama. Yeah,

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Speaker 1: and we gotta get the Futurama. Um. That was my

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Speaker 1: favorite show because of the writing. It's brilliant. It's brilliant.

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Speaker 1: The funniest line to me was something I didn't even

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Speaker 1: understand when I read it. It was like, hey, Fry,

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Speaker 1: I heard beer makes you stupid, and he goes, no,

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Speaker 1: one doesn't. And I didn't get it. And I looked

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Speaker 1: at David Cohen, the director, and I said, David, no

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Speaker 1: one doesn't, he goes, Please read it this route. So

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Speaker 1: I said, all right, all right, okay, but I'll be

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Speaker 1: back to the nine dollar fix it fee. And then

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Speaker 1: finally it's on TV and I watched it and I

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Speaker 1: went because it was the best acting I had ever done.

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Speaker 1: I didn't know what he was saying, and I didn't

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Speaker 1: know what I was saying when I read it as fride,

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Speaker 1: So it was so honest and so you love it

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Speaker 1: all right? So as a fan, because I am a

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Speaker 1: huge fan of Futuma, I really am. It's I'm a

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Speaker 1: huge Futurna fan. I think it's a better show than

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Speaker 1: the Simpsons. Right now, Well that's my question. Who Lovesberg?

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Speaker 1: You hurt your eyes? Yes, Slidberg? Yes, during your fle

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Speaker 1: Do you have a favorite Fu drama character that you do? Know?

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Speaker 1: Because they were all so beautiful? Just Matt Graining, I'm

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Speaker 1: in awe. I've always been in awe of him and

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Speaker 1: the fact that he can just create these beautiful characters.

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Speaker 1: And my job is just like you know, he would

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Speaker 1: show you a picture and every genius that works on

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Speaker 1: the show would be working in concert and then they

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Speaker 1: hands you up, sure and go what would you do? Oh, no, pressure, Yeah,

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00:24:04,280 --> 00:24:06,600
Speaker 1: but they you know, they showed me a picture of

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Speaker 1: the Professor and they said he's a hundred and forty

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Speaker 1: seven years old, you know, And I said, he looks

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Speaker 1: like his head looks like airplane food. It's kind of

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Speaker 1: like algae and mushrooms and you know, and uh, and

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Speaker 1: he's a hundred forty seven, I said, I figured that

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Speaker 1: he must fart dust like a mummy, and it's Rickety,

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Speaker 1: you know. So I used to beat Rickety and I

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Speaker 1: would go, um, I don't want to live on this

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Speaker 1: planet anymore. I'm so happy. So so it was like,

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Speaker 1: you know, he was a combination of all these mad

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Speaker 1: scientists and wizards and um you know. Yeah, it was

399
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Speaker 1: like and amalgam and Zoidberg was the same thing. He

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Speaker 1: had a marble mouth because because of all that cool

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00:24:57,600 --> 00:24:59,520
Speaker 1: meat hanging off his face. And I said, well, he's

402
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Speaker 1: gonna be in paired in some way. And so to

403
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Speaker 1: make a choice there, I used to I used to

404
00:25:04,440 --> 00:25:07,960
Speaker 1: love these two guys. Um, they were both marble mouths.

405
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Speaker 1: In showbiz periphery, one was a guy named George Jessel

406
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Speaker 1: who was in vaudeville before television was invented. People used

407
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Speaker 1: to go to the theater and I could sit there

408
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Speaker 1: all the way from the daytime into the night and

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Speaker 1: watch act after act, magic, um, you know, impressionist jugglers, dancers,

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Speaker 1: and it was variety. And this one guy, he used

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Speaker 1: to be a host and he would go good e

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Speaker 1: ming ladies and drums, you know, And for some reason

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Speaker 1: they thought that was funny back then. But he but

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Speaker 1: he would say, you know, the definition of a smartass.

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Speaker 1: I followed the considered an ice cream corner and tell

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Speaker 1: you what flavor it is. And and this guy was funny. He,

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Speaker 1: I mean, he was funny. And and then another guy

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Speaker 1: from Yiddish theater Luja Kobe. He was in the movie

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Speaker 1: Arthur and he Arthur and he goes money he says't

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Speaker 1: suck you know. So so um, I super collided or

421
00:26:05,600 --> 00:26:09,760
Speaker 1: cold fuse, whatever you want to call it. Um clashed them.

422
00:26:09,880 --> 00:26:11,879
Speaker 1: So you got Zoidberg out of it. You know, it

423
00:26:11,960 --> 00:26:14,199
Speaker 1: was the perfect thing for for him to be. He

424
00:26:14,240 --> 00:26:18,800
Speaker 1: was partly so he would have a lower register. I guess. Yeah.

425
00:26:18,920 --> 00:26:23,000
Speaker 1: And um and Zach Brannigan. I knew Phil Hartman, Phil

426
00:26:23,000 --> 00:26:27,320
Speaker 1: Harman when I still worked in New York. Yeah, brilliant

427
00:26:27,840 --> 00:26:32,240
Speaker 1: genius man. Yeah he um um, when I still lived

428
00:26:32,280 --> 00:26:34,760
Speaker 1: in New York. My wife, when I was married, called

429
00:26:34,800 --> 00:26:36,879
Speaker 1: me and said, you know, we'll just called here looking

430
00:26:36,920 --> 00:26:40,040
Speaker 1: for you. I said, oh, she said Phil Hartman. I said,

431
00:26:40,320 --> 00:26:42,200
Speaker 1: you know how many guys I know that could pull

432
00:26:42,240 --> 00:26:46,320
Speaker 1: him elaborate like that on you? It might have been me,

433
00:26:46,440 --> 00:26:49,840
Speaker 1: how do you know? And she goes, no, it was him,

434
00:26:49,840 --> 00:26:51,359
Speaker 1: and he left his phone number and he wants you

435
00:26:51,400 --> 00:26:53,800
Speaker 1: to call him. So I go home and it was him,

436
00:26:53,920 --> 00:26:56,480
Speaker 1: and he said, I just wanted to call you to

437
00:26:56,560 --> 00:26:59,800
Speaker 1: tell you that I'm a big fan. And I was like,

438
00:27:00,080 --> 00:27:03,120
Speaker 1: I was melted because he was so generous of spirit,

439
00:27:03,720 --> 00:27:06,240
Speaker 1: you know. And and a guy that's like if you

440
00:27:06,240 --> 00:27:12,720
Speaker 1: could neutralize testosterone and narcissism in one shot, that's Phil Hartman,

441
00:27:14,040 --> 00:27:16,480
Speaker 1: you know. He was he was altruistic and he and

442
00:27:16,520 --> 00:27:19,720
Speaker 1: he cared about the craft. He was an artist, artist

443
00:27:19,720 --> 00:27:22,760
Speaker 1: all the way totally. And uh, and he was so

444
00:27:23,760 --> 00:27:25,639
Speaker 1: nice to me. He said, listen, you want to you

445
00:27:25,680 --> 00:27:27,520
Speaker 1: want to move to California. You know, you get to

446
00:27:27,520 --> 00:27:30,600
Speaker 1: get out of New York. And I said really, He said, yeah,

447
00:27:30,680 --> 00:27:33,080
Speaker 1: everything you want to do is out here. And and

448
00:27:33,119 --> 00:27:35,400
Speaker 1: he said, and I'll help you get acclimated. I mean,

449
00:27:35,440 --> 00:27:41,280
Speaker 1: I couldn't believe that nobody is like that. No, I mean,

450
00:27:41,320 --> 00:27:45,080
Speaker 1: I've meant, you know, my contemporaries, your contemporaries, people in

451
00:27:45,119 --> 00:27:48,239
Speaker 1: the business, they're they're like God's good people, you know,

452
00:27:48,880 --> 00:27:53,879
Speaker 1: because they're not Yeah to California after you want to

453
00:27:53,880 --> 00:27:59,080
Speaker 1: get your So we're talking about right. No, I moved

454
00:27:59,560 --> 00:28:04,680
Speaker 1: in nine before and Phil help you set up up there? Well, yeah,

455
00:28:04,760 --> 00:28:06,879
Speaker 1: and we actually did a commercial because I was the

456
00:28:06,960 --> 00:28:11,680
Speaker 1: voice of the red Eminem. Yes. I was like, I've

457
00:28:11,680 --> 00:28:16,840
Speaker 1: been doing that for three decades. Part of the American landscape.

458
00:28:17,680 --> 00:28:22,919
Speaker 1: EMINEMM commercial. I see every Christmas y does exist. That

459
00:28:23,000 --> 00:28:26,920
Speaker 1: was thirty years ago. What about the next thirty? How

460
00:28:26,960 --> 00:28:29,480
Speaker 1: fast is that gonna go? I have a question. I

461
00:28:29,600 --> 00:28:34,320
Speaker 1: got another story about Eminem's is um um. I came

462
00:28:34,359 --> 00:28:37,119
Speaker 1: home from the road and this was when I was married,

463
00:28:37,119 --> 00:28:40,040
Speaker 1: and my wife was watching this HBO show called Oz

464
00:28:41,200 --> 00:28:43,200
Speaker 1: said have you ever seen this show? And I go, no,

465
00:28:44,160 --> 00:28:46,880
Speaker 1: sit down, and she had already seen it and it

466
00:28:46,920 --> 00:28:50,000
Speaker 1: was running again that night, and she said, look at

467
00:28:50,040 --> 00:28:55,200
Speaker 1: this guy. Look just look at this guy. He he

468
00:28:55,240 --> 00:28:57,760
Speaker 1: ain't no actor. This guy is the real deal. He

469
00:28:57,840 --> 00:28:59,440
Speaker 1: was like the worst guy in the prison. He was

470
00:28:59,480 --> 00:29:02,040
Speaker 1: a white super almost says he was a psychotic exactly

471
00:29:02,040 --> 00:29:07,560
Speaker 1: what you're talking about. He was uh, he was a murderous, conniving,

472
00:29:08,120 --> 00:29:12,040
Speaker 1: crazy person. And she said, look at him, he's he's

473
00:29:12,040 --> 00:29:15,920
Speaker 1: the real deal. And I went and she said, what

474
00:29:16,640 --> 00:29:21,440
Speaker 1: I said, I know him? She said you do. I said, yeah,

475
00:29:21,480 --> 00:29:31,520
Speaker 1: he's the yellow Eminem for real. J K. Simmons j

476
00:29:34,520 --> 00:29:37,960
Speaker 1: And he's a journeyman. The guy wins an oscar. Two

477
00:29:38,040 --> 00:29:41,920
Speaker 1: days later he's working with me, you know, doing Eminem's Yeah.

478
00:29:42,400 --> 00:29:43,920
Speaker 1: By the way, for the record, if you're ever thinking

479
00:29:43,960 --> 00:29:50,440
Speaker 1: of committing a crime, watch Oz Yikes Layers could show

480
00:29:50,520 --> 00:29:53,080
Speaker 1: clips of that show. You know. Yeah, are you tired

481
00:29:53,160 --> 00:29:57,200
Speaker 1: of taking responsibility for your own actions? Then call the

482
00:29:57,320 --> 00:30:01,480
Speaker 1: law offices of Salmon and Schnerman. Have you been in

483
00:30:01,480 --> 00:30:08,320
Speaker 1: an accident? Are you thinking of being in the n excident? Yeah?

484
00:30:08,360 --> 00:30:12,400
Speaker 1: Oh and in Spanish is especial Easta's day slip evall.

485
00:30:14,920 --> 00:30:18,040
Speaker 1: I have a voiceover question for you. So, of all

486
00:30:18,120 --> 00:30:20,480
Speaker 1: of the characters that you do, how many of them

487
00:30:20,520 --> 00:30:22,920
Speaker 1: do you think are taken from the life of people

488
00:30:22,960 --> 00:30:25,640
Speaker 1: you've met, of people that you know where Because we're

489
00:30:25,720 --> 00:30:27,560
Speaker 1: learning as we're we're going on this journey with all

490
00:30:27,560 --> 00:30:29,560
Speaker 1: different voice over actors, at the vast majority of them

491
00:30:29,560 --> 00:30:32,160
Speaker 1: are taking them from people that they hear, like, oh,

492
00:30:32,240 --> 00:30:35,320
Speaker 1: that's my bank teller meets, my bus driver meets. So

493
00:30:35,440 --> 00:30:37,280
Speaker 1: how many of your voices are taken from people that

494
00:30:37,320 --> 00:30:39,480
Speaker 1: you know or new? And well, there's so many different

495
00:30:39,520 --> 00:30:44,560
Speaker 1: kinds of people, but there are types that everybody has

496
00:30:44,800 --> 00:30:49,000
Speaker 1: cross passed with um, you know, like and and Matt

497
00:30:49,080 --> 00:30:52,560
Speaker 1: Graening said The Simpsons is a cartoon. He said, fut

498
00:30:52,600 --> 00:30:55,640
Speaker 1: drama is real. And I knew what he meant, because

499
00:30:55,680 --> 00:30:58,760
Speaker 1: I tried to make every character sound like somebody you

500
00:30:58,840 --> 00:31:03,320
Speaker 1: could actually know in real life, you know, whether it

501
00:31:03,400 --> 00:31:08,640
Speaker 1: was Fry or whether it was Nixon, you know, because

502
00:31:08,680 --> 00:31:12,640
Speaker 1: there was a real life Nixon. He never I did

503
00:31:12,640 --> 00:31:15,120
Speaker 1: the worst Nixon impression. And I didn't give what he

504
00:31:15,200 --> 00:31:18,320
Speaker 1: sounded like. I didn't. They just said, what do you

505
00:31:18,400 --> 00:31:21,719
Speaker 1: want to do? And I know when I was um,

506
00:31:22,240 --> 00:31:24,920
Speaker 1: When I was very small, John F. Kennedy and Richard M.

507
00:31:25,000 --> 00:31:28,360
Speaker 1: Nixon were having a debate, the first live televised debate

508
00:31:29,080 --> 00:31:32,600
Speaker 1: in history. And John F. Kennedy looked like a game

509
00:31:32,640 --> 00:31:34,880
Speaker 1: show host, you know, he had buttered toast hair and

510
00:31:34,920 --> 00:31:37,960
Speaker 1: an ulter bright smile and gleaming his eye. And they

511
00:31:37,960 --> 00:31:40,960
Speaker 1: shot him and saw focus and Kennedy's people told the

512
00:31:41,040 --> 00:31:46,040
Speaker 1: cameraman do extreme close ups on Nixon. And Nixon was sweaty,

513
00:31:46,720 --> 00:31:50,160
Speaker 1: and he was usually his hair was matted, and you

514
00:31:50,200 --> 00:31:53,440
Speaker 1: could see his five o'clock shadow growing in. At one am,

515
00:31:53,560 --> 00:31:56,840
Speaker 1: I was like, you know, and and I and I

516
00:31:56,840 --> 00:31:58,600
Speaker 1: was looking at him. He's so uncomfortable. I want to

517
00:31:58,600 --> 00:32:07,320
Speaker 1: be uh around the r And I said, Mom, he

518
00:32:07,400 --> 00:32:12,800
Speaker 1: looks like he's gonna turn into a werewolf. And I

519
00:32:12,840 --> 00:32:19,160
Speaker 1: started going, I wanted to be president because you know

520
00:32:19,760 --> 00:32:24,400
Speaker 1: it's and so the writers said, why do you why

521
00:32:24,400 --> 00:32:26,720
Speaker 1: do you say? Why do you put that in there?

522
00:32:26,760 --> 00:32:29,440
Speaker 1: You know, I said, you don't like it? And they go, no, no,

523
00:32:29,520 --> 00:32:31,320
Speaker 1: we love it. We just don't know why you do it.

524
00:32:32,520 --> 00:32:35,080
Speaker 1: So I had to tell him the story and so

525
00:32:35,160 --> 00:32:38,360
Speaker 1: it stayed. But it made Nixon, you know, I mean,

526
00:32:38,520 --> 00:32:42,920
Speaker 1: Nixon was despicable. And so this ridiculous head in the

527
00:32:43,080 --> 00:32:47,440
Speaker 1: jar that howls like a werewolf is it might as

528
00:32:47,440 --> 00:32:51,640
Speaker 1: well be a brand new creation. So that's fun. There's

529
00:32:51,640 --> 00:32:55,480
Speaker 1: a lot of collaboration between your your big ideas and

530
00:32:55,520 --> 00:32:59,800
Speaker 1: what actually makes it to the animation. Yes, that's amazing.

531
00:33:00,000 --> 00:33:03,160
Speaker 1: One of the jokes that people come up and try to,

532
00:33:03,800 --> 00:33:07,080
Speaker 1: you know, ras me with, was can you just signed

533
00:33:07,200 --> 00:33:11,320
Speaker 1: Billy West? What a stupid phony, made up name? And um,

534
00:33:11,480 --> 00:33:14,840
Speaker 1: the writers I wrote that. Um, we were doing a

535
00:33:14,920 --> 00:33:17,480
Speaker 1: table read on a round table and we all had

536
00:33:17,480 --> 00:33:19,800
Speaker 1: our little name tags, you know, wherever we were sitting

537
00:33:20,280 --> 00:33:23,240
Speaker 1: in our scripts, and I see mine, and I'm screw

538
00:33:23,320 --> 00:33:25,640
Speaker 1: I'm always screwing around. I go, Billy West, what kind

539
00:33:25,640 --> 00:33:28,480
Speaker 1: of a fake phony, made up name is that? And

540
00:33:28,520 --> 00:33:34,360
Speaker 1: the writers were sitting right here and there, and then

541
00:33:34,440 --> 00:33:36,520
Speaker 1: boom a year later it was in a script and

542
00:33:36,680 --> 00:33:40,520
Speaker 1: I saw it coming and I went, oh, I don't

543
00:33:40,560 --> 00:33:44,200
Speaker 1: believe this but that, But that's just this beauty of

544
00:33:44,400 --> 00:33:48,800
Speaker 1: this world that they have. They're so brilliant. God, So

545
00:33:48,920 --> 00:33:51,400
Speaker 1: when do we get the world back? As the questions

546
00:33:52,000 --> 00:33:53,920
Speaker 1: the world back? Yeah, when do we get the show back?

547
00:33:53,920 --> 00:33:56,720
Speaker 1: When is it coming out? When we call your congressman,

548
00:33:58,440 --> 00:34:02,320
Speaker 1: write your congressman and vote no. One question to know

549
00:34:02,600 --> 00:34:06,320
Speaker 1: it's gonna be on Hulu. Yeah, yeah, there's twenty new episodes. Yes,

550
00:34:09,840 --> 00:34:13,600
Speaker 1: and my original cast to right all over cast. Everybody's said,

551
00:34:13,640 --> 00:34:16,640
Speaker 1: what about what's going on with Johnny Magrill. He's gonna

552
00:34:16,640 --> 00:34:18,640
Speaker 1: sign him and he's just looking for the right pen

553
00:34:19,040 --> 00:34:21,440
Speaker 1: worri about it. Well, you know, we know that he

554
00:34:21,440 --> 00:34:24,520
Speaker 1: would become dragging again if we ever did a impossible reboot,

555
00:34:24,600 --> 00:34:28,960
Speaker 1: but oh yeah, we want so. Johnny DiMaggio. We did

556
00:34:28,960 --> 00:34:31,040
Speaker 1: a show with Johnny for years where he was dr dracking,

557
00:34:31,160 --> 00:34:33,880
Speaker 1: and so we would love to have him this was

558
00:34:34,960 --> 00:34:39,520
Speaker 1: future pre future. Um, it's okay, he's a guest. Um,

559
00:34:39,640 --> 00:34:43,200
Speaker 1: it was a short possible was I think we started

560
00:34:43,239 --> 00:34:47,719
Speaker 1: in and um no, we were two thousand three. I

561
00:34:47,719 --> 00:34:50,879
Speaker 1: believe we started and Johnny was our villain like that.

562
00:34:51,040 --> 00:34:54,719
Speaker 1: So yeah, so he that's that's how we met John DiMaggio. Uh.

563
00:34:54,760 --> 00:34:57,439
Speaker 1: And so he was dragging and Bender at the same time,

564
00:34:57,880 --> 00:35:00,319
Speaker 1: which was so we just started doing Bender and you

565
00:35:00,360 --> 00:35:02,560
Speaker 1: auditioned for Bender as well. I did. But I made

566
00:35:02,640 --> 00:35:06,120
Speaker 1: him sound like a like a construction worker. John's take

567
00:35:06,200 --> 00:35:09,719
Speaker 1: on it, he disavows this, but I said, to me,

568
00:35:09,800 --> 00:35:12,520
Speaker 1: it sounds like a punch drunk fighter, like a guy

569
00:35:12,560 --> 00:35:14,200
Speaker 1: who took too many hits to the head. You know.

570
00:35:14,239 --> 00:35:16,200
Speaker 1: It's like I want I want to fight the champ.

571
00:35:17,239 --> 00:35:25,040
Speaker 1: Chap you are the champ. Oh well, I'm sorry you

572
00:35:25,080 --> 00:35:32,799
Speaker 1: didn't get one of the roles. We gotta leave it there.

573
00:35:34,160 --> 00:35:36,960
Speaker 1: Are you that busy? Okay? How to keep you? But

574
00:35:37,040 --> 00:35:38,680
Speaker 1: we want you to rest. We want you to rest

575
00:35:38,719 --> 00:35:40,960
Speaker 1: your voice, but we'd like to play with the audience. Now,

576
00:35:40,960 --> 00:35:45,359
Speaker 1: will you stay while we play with the audience? Yeah, yeah,

577
00:35:45,400 --> 00:35:47,839
Speaker 1: I can stay for a little while. Yeah, you know,

578
00:35:47,960 --> 00:35:51,480
Speaker 1: I hate to just take off out of order. So

579
00:35:51,480 --> 00:35:53,480
Speaker 1: there's two. We got two mike set up if you

580
00:35:53,520 --> 00:35:57,600
Speaker 1: want to try to become a voiceover actor. Yeah, and

581
00:35:57,600 --> 00:36:05,479
Speaker 1: we're saving a seat for all of you. It takes

582
00:36:05,520 --> 00:36:11,200
Speaker 1: a certain degree of gemerity, Yes, here we go, take

583
00:36:11,239 --> 00:36:16,080
Speaker 1: a certain degree of self pride. Wow, these are some

584
00:36:16,160 --> 00:36:21,799
Speaker 1: amazing drawings. Were drawings here submitted and they all unfortunately

585
00:36:21,800 --> 00:36:25,520
Speaker 1: need personalities. So we're going to be putting them into

586
00:36:25,560 --> 00:36:28,840
Speaker 1: this slide here like we are. And I'm sorry, but

587
00:36:29,040 --> 00:36:31,439
Speaker 1: as the nerd that I am, I decide all things

588
00:36:31,560 --> 00:36:33,480
Speaker 1: one way and one way only, and that's with a

589
00:36:33,560 --> 00:36:40,799
Speaker 1: D twenty, So I don't think we should do it

590
00:36:40,800 --> 00:36:46,960
Speaker 1: any other way. Hi or low Hi natural twenty baby.

591
00:36:49,280 --> 00:36:53,480
Speaker 1: They are starting on this side over here, the first picture.

592
00:36:53,520 --> 00:36:56,759
Speaker 1: I think we start now, I think I know you

593
00:36:56,760 --> 00:36:58,279
Speaker 1: want to start with a different one. No, start with

594
00:36:58,320 --> 00:37:00,400
Speaker 1: that one? Did you want? You really want to do

595
00:37:00,400 --> 00:37:04,360
Speaker 1: one of the voices. It's your choice. It's up to you,

596
00:37:04,400 --> 00:37:06,880
Speaker 1: billy with your voice. Can we give you one character

597
00:37:06,960 --> 00:37:09,480
Speaker 1: that you can do? You pick? You pick? We got

598
00:37:09,800 --> 00:37:13,160
Speaker 1: over here. Well wait, we gotta we gotta, we gotta

599
00:37:13,160 --> 00:37:16,760
Speaker 1: see it here. We're gonna show it here. Okay, alright,

600
00:37:16,800 --> 00:37:18,719
Speaker 1: so here is our first one this is gonna be

601
00:37:18,800 --> 00:37:22,080
Speaker 1: from Mr Billy West. God, I have to, I have to.

602
00:37:22,320 --> 00:37:25,880
Speaker 1: You know, there's a listens from Aaron Reynolds. There's so

603
00:37:25,920 --> 00:37:31,759
Speaker 1: many there's so many places in a human throat. It's frightening. Well,

604
00:37:31,800 --> 00:37:33,440
Speaker 1: don't ruin any of don't because I really want to

605
00:37:33,440 --> 00:37:37,160
Speaker 1: see a futurama. No even even if you are blown out.

606
00:37:37,840 --> 00:37:42,600
Speaker 1: There's these auxiliary ghost voices that show up and and

607
00:37:42,640 --> 00:37:44,320
Speaker 1: one of them just popped out of me. I was

608
00:37:44,400 --> 00:37:48,759
Speaker 1: going to tie my shoe and I went right, hey,

609
00:37:48,840 --> 00:37:52,239
Speaker 1: you know this airy strange and it sounded like pig

610
00:37:52,280 --> 00:37:54,600
Speaker 1: with the guy that did Piglet, and he was on

611
00:37:54,680 --> 00:37:57,520
Speaker 1: start trick, and he goes, I want you to die. Die.

612
00:37:58,160 --> 00:38:06,400
Speaker 1: Everybody die him. That's him. Okay, there we go, die die.

613
00:38:06,640 --> 00:38:12,560
Speaker 1: Thank everyone, Thank you so much to let's Billy. Let's

614
00:38:12,560 --> 00:38:18,760
Speaker 1: get him some rest you Billy West, ladies and gentlemen.

615
00:38:19,120 --> 00:38:43,160
Speaker 1: The man, the myth, the legend. No boy, hell, yes,

616
00:38:45,239 --> 00:38:50,640
Speaker 1: oh god, I wish we were recording. Oh all right,

617
00:38:50,719 --> 00:38:54,560
Speaker 1: so everybody ready to play. All we got a lot

618
00:38:54,600 --> 00:38:56,160
Speaker 1: of people in line, so we want to bust through

619
00:38:56,160 --> 00:38:59,000
Speaker 1: these real quick. You get one shot. I got my way.

620
00:38:59,160 --> 00:39:02,120
Speaker 1: Here we go. I get to follow Billy West. I'm

621
00:39:02,160 --> 00:39:04,960
Speaker 1: really exactly no pressure. You get to follow Billy West.

622
00:39:05,520 --> 00:39:12,879
Speaker 1: Here's our first one. Ready, here we go, Yeah, until

623
00:39:12,920 --> 00:39:17,080
Speaker 1: you hear his backstory, he's crazy. I'm kidding. Do whatever

624
00:39:17,120 --> 00:39:19,560
Speaker 1: you want go, But what am I supposed to do

625
00:39:19,600 --> 00:39:28,640
Speaker 1: without any cuff links? Pretty impressful, It's pretty going. Now

626
00:39:28,760 --> 00:39:32,080
Speaker 1: what we'll do is oh yeah, yeah, everybody tell us

627
00:39:32,120 --> 00:39:37,799
Speaker 1: who your name is? Too? Like yell it out. I'm voice.

628
00:39:38,160 --> 00:39:40,400
Speaker 1: I also have a microphone. I love. That's how you

629
00:39:40,400 --> 00:39:42,160
Speaker 1: know my sess is ready because I went yelled out

630
00:39:42,160 --> 00:39:44,000
Speaker 1: and you at shunk and pulled the microphone from his

631
00:39:44,040 --> 00:39:47,760
Speaker 1: back pocket. Have Mike will travel. Now, here's my question,

632
00:39:47,800 --> 00:39:49,799
Speaker 1: since it's the first time we've ever done this, do

633
00:39:49,920 --> 00:39:51,719
Speaker 1: we want to do a new character or should we

634
00:39:51,719 --> 00:39:56,000
Speaker 1: do left against right to see who wins in the character? Off? Right?

635
00:39:57,719 --> 00:40:00,319
Speaker 1: You gotta follow that. We got cuff links? Guy? We yeah,

636
00:40:00,320 --> 00:40:02,640
Speaker 1: all right? What do you go? Okay, as you guys

637
00:40:02,640 --> 00:40:06,000
Speaker 1: know me, I'm Brandon. Hey Brandon. Let me think, Wow,

638
00:40:06,160 --> 00:40:09,960
Speaker 1: this is a good day. I will be a great day.

639
00:40:10,080 --> 00:40:15,200
Speaker 1: Cord probably not all those I actually liked. Brandon's pretty good.

640
00:40:15,400 --> 00:40:21,240
Speaker 1: I like Brandon Brandon. We got Brandon. He was distinguished.

641
00:40:22,320 --> 00:40:27,799
Speaker 1: I like Brandons. Okay, yes, but by the way, you

642
00:40:27,840 --> 00:40:31,480
Speaker 1: get to win nothing. Unfortunately, we literally have nothing to

643
00:40:31,480 --> 00:40:33,600
Speaker 1: give away yet in the podcast. Exactly here we go

644
00:40:34,239 --> 00:40:36,080
Speaker 1: this one. Do you want to do that? Okay, guys,

645
00:40:36,160 --> 00:40:39,760
Speaker 1: this is another Aaron Reynolds, author of Eff and Birds,

646
00:40:39,800 --> 00:40:44,720
Speaker 1: and this is Octopus Man and his sidekick, a literal Robin.

647
00:40:50,560 --> 00:40:52,799
Speaker 1: I'm guessing you're gonna know that's actually Bruce Wayne when

648
00:40:52,840 --> 00:41:00,600
Speaker 1: he takes the mask off, and I'm Stephen. Hey, Steven rubbing.

649
00:41:01,080 --> 00:41:02,960
Speaker 1: I know you got hit on the head repeatedly as

650
00:41:03,000 --> 00:41:05,719
Speaker 1: a child. It's probably not gonna work out for you

651
00:41:05,760 --> 00:41:09,480
Speaker 1: as good as it did for Billy West. Okay, that's

652
00:41:09,480 --> 00:41:11,799
Speaker 1: pretty impresive. That's a pretty good Batman. Should she try

653
00:41:11,960 --> 00:41:13,759
Speaker 1: robbin you? Almost right? Yes? Do you want to do?

654
00:41:13,800 --> 00:41:18,320
Speaker 1: You want to do Batman? Or Robin? And what's your name? Anya?

655
00:41:18,480 --> 00:41:21,279
Speaker 1: Take it away? Well? That me and that's kind of

656
00:41:21,320 --> 00:41:24,360
Speaker 1: hard to do. I'm not sure about that. I'm just

657
00:41:24,400 --> 00:41:30,840
Speaker 1: gonna go crawl at a corner. Yeah, that one's tough.

658
00:41:31,040 --> 00:41:33,600
Speaker 1: That is a great I don't think they're a team.

659
00:41:33,840 --> 00:41:36,000
Speaker 1: They're a team. No one can win that because they're

660
00:41:35,880 --> 00:41:37,960
Speaker 1: they should be the pull the audience for who want

661
00:41:38,000 --> 00:41:41,399
Speaker 1: instead of make us the bad guys? I think they

662
00:41:41,480 --> 00:41:42,879
Speaker 1: just yeah, no, they don't want to be the bad

663
00:41:42,880 --> 00:41:48,440
Speaker 1: guys either. Billy West says, it's a tie. My turn.

664
00:41:48,640 --> 00:41:52,120
Speaker 1: Uh this is from Drake Gathers, and we talked about

665
00:41:52,120 --> 00:41:57,640
Speaker 1: the D twenty. We got a dragon born here in

666
00:41:57,760 --> 00:42:03,120
Speaker 1: apparently a full length London fog coat. What's your name?

667
00:42:03,320 --> 00:42:09,160
Speaker 1: My name is Michayley, Michayley, Yes, take it away. Well,

668
00:42:09,239 --> 00:42:14,000
Speaker 1: hello there, dear, it's pleasure to meet you. My name

669
00:42:14,640 --> 00:42:21,760
Speaker 1: is Sir, Professor Red scale Man, and is a pleasure.

670
00:42:21,880 --> 00:42:26,160
Speaker 1: What are you doing this fine evening? Yes? This is wow.

671
00:42:26,200 --> 00:42:28,480
Speaker 1: I love how I love how he is both a

672
00:42:28,640 --> 00:42:33,719
Speaker 1: sir and a professor. He can be both, he can.

673
00:42:34,360 --> 00:42:36,080
Speaker 1: That was great. What do you we got over here?

674
00:42:36,480 --> 00:42:40,880
Speaker 1: I am a J a j take it away? Okay,

675
00:42:40,920 --> 00:42:43,200
Speaker 1: So here's what we'll do. We'll go down to Fifth

676
00:42:43,200 --> 00:42:47,239
Speaker 1: Street and will she wear a Baker Street games. That's

677
00:42:47,280 --> 00:42:51,640
Speaker 1: pretty much all she had. More backstory she did. She

678
00:42:51,719 --> 00:42:54,680
Speaker 1: had more backstory age had he had the sound We've

679
00:42:54,680 --> 00:42:58,120
Speaker 1: got to I'm not an improviser. I'm not an improviser.

680
00:42:58,360 --> 00:43:01,520
Speaker 1: The voices are great, though, how you see guys that improvisation.

681
00:43:01,760 --> 00:43:04,640
Speaker 1: Does you can free yourself for them? Like Billy West?

682
00:43:05,600 --> 00:43:09,120
Speaker 1: This one is sure? This is a family show. I

683
00:43:09,160 --> 00:43:11,120
Speaker 1: think this is a good one. Is this a family show?

684
00:43:11,160 --> 00:43:16,800
Speaker 1: After getting we've had suicide, We've had let's it's a

685
00:43:16,880 --> 00:43:25,239
Speaker 1: nine minute podcast. Oh wow, but I kind of think

686
00:43:25,280 --> 00:43:28,640
Speaker 1: you could go against type with it. Oh, don't direct now, Christie.

687
00:43:29,280 --> 00:43:32,799
Speaker 1: I'm sorry. What's your name? My name's Tim, Tim. This

688
00:43:32,840 --> 00:43:36,520
Speaker 1: is Casey Parsons, by the way. Okay, is that now?

689
00:43:36,600 --> 00:43:39,319
Speaker 1: Sometimes the artists are in the audience, the artists here

690
00:43:39,320 --> 00:43:45,320
Speaker 1: at all, So let's let's have the thank you Caseyn.

691
00:43:45,320 --> 00:43:49,200
Speaker 1: Where's Aaron? Aaron? Are you here too? Yes? There we go. Okay,

692
00:43:49,280 --> 00:43:53,200
Speaker 1: awesome work, guys, we love you. Thank you so much

693
00:43:53,239 --> 00:43:58,720
Speaker 1: for this. So there's some brilliant artists here. Uh, good luck. Yeah,

694
00:43:59,040 --> 00:44:03,080
Speaker 1: we'll do our best. There's two faces on this guy there.

695
00:44:03,160 --> 00:44:05,840
Speaker 1: I was sitting in night at the kitty store, and

696
00:44:06,239 --> 00:44:08,000
Speaker 1: next day, you know, they tell me what we're out

697
00:44:08,040 --> 00:44:13,920
Speaker 1: of her she's I'm like, that's my favorite Katy okay,

698
00:44:13,960 --> 00:44:17,000
Speaker 1: and then maybe he does the second. That's pretty strong though,

699
00:44:17,080 --> 00:44:20,040
Speaker 1: that's pretty strong. What's your name? Mat? Oh, Matt, you're

700
00:44:20,040 --> 00:44:22,120
Speaker 1: wearing a red star trek shirt. That doesn't bode well

701
00:44:22,160 --> 00:44:27,640
Speaker 1: for that. Which mouth and mind, whichever you'd like, How

702
00:44:27,680 --> 00:44:30,839
Speaker 1: would you like to do it? Take it away? Okay?

703
00:44:31,160 --> 00:44:33,560
Speaker 1: I never really thought that we would be hearing at

704
00:44:33,560 --> 00:44:36,520
Speaker 1: you twitch right now. I wanted to go to the

705
00:44:36,520 --> 00:44:41,000
Speaker 1: grocery store. He gets skittles. Oh my god, I love it.

706
00:44:42,239 --> 00:44:45,560
Speaker 1: Both one and I would cast it. By the way,

707
00:44:45,719 --> 00:44:48,200
Speaker 1: we should have said anything really great like that. We

708
00:44:48,280 --> 00:44:53,280
Speaker 1: own automatically. And when we pitched the show, it's ours again.

709
00:44:53,320 --> 00:44:55,640
Speaker 1: How do you can't nobody won that? They were both

710
00:44:55,640 --> 00:45:00,040
Speaker 1: graz You guys are talented. It's too much fun in

711
00:45:00,120 --> 00:45:02,319
Speaker 1: a time check? What are we because you've got chicken

712
00:45:02,360 --> 00:45:05,920
Speaker 1: silent Bob after us another five minutes. All right, we're

713
00:45:05,920 --> 00:45:09,400
Speaker 1: going see lightning round. Here's your name. To say your

714
00:45:09,480 --> 00:45:10,960
Speaker 1: name real quick, and then we're gonna bust back and

715
00:45:10,960 --> 00:45:15,279
Speaker 1: forth and everyone gets a shot. Ready, go armstrong. My

716
00:45:15,400 --> 00:45:18,759
Speaker 1: name is Elizabeth. Oh Man, Guys, I gotta lift all

717
00:45:18,840 --> 00:45:28,319
Speaker 1: this stuff. Yes, okay, Hi, I'm a Stelia. All right,

718
00:45:28,440 --> 00:45:32,640
Speaker 1: let's do this. Sure, I don't really know, but I

719
00:45:32,760 --> 00:45:34,800
Speaker 1: think I might going to the gym today. I promise

720
00:45:34,840 --> 00:45:37,399
Speaker 1: you it's not the steroids. How am I giving this big.

721
00:45:37,400 --> 00:45:43,320
Speaker 1: It's points and yes, okay we can't. We can't have

722
00:45:43,640 --> 00:45:52,680
Speaker 1: ter one. Okay, this sounds fun. Another casey, Casey Parsons, Wow,

723
00:45:53,840 --> 00:46:01,400
Speaker 1: Shell Silverstein. Okay, what name and bust sit out? What

724
00:46:01,440 --> 00:46:08,719
Speaker 1: do you got? Jason Genty in front of me. I

725
00:46:08,880 --> 00:46:14,239
Speaker 1: like that. That works. That's accurate. Hi, and Zach, what

726
00:46:14,400 --> 00:46:17,120
Speaker 1: do you got? Zach say? This is what happens so

727
00:46:17,280 --> 00:46:24,799
Speaker 1: you don't take regular showers. Oh man, those are both

728
00:46:24,800 --> 00:46:27,600
Speaker 1: pretty great. I want to do this one right now

729
00:46:27,600 --> 00:46:29,000
Speaker 1: because I think there's a lot of fun that could

730
00:46:29,000 --> 00:46:31,400
Speaker 1: be had here, because I think there's something very strong

731
00:46:31,400 --> 00:46:36,920
Speaker 1: and awesome. Ab we ready here we go straight up

732
00:46:37,000 --> 00:46:43,000
Speaker 1: awesome superhero like the KP kind of So go ahead,

733
00:46:43,120 --> 00:46:47,800
Speaker 1: name and bust it out. My name is Kelly. I mean, ladies,

734
00:46:47,840 --> 00:46:49,960
Speaker 1: are we gonna let all the men look at everything

735
00:46:50,000 --> 00:46:52,640
Speaker 1: we can do? There is no limit to what we

736
00:46:52,760 --> 00:46:57,799
Speaker 1: can accomplish if we set our minds to it. That's

737
00:46:57,800 --> 00:47:03,040
Speaker 1: a good voice. What do you got? Hi? I'm Aaron.

738
00:47:05,360 --> 00:47:07,520
Speaker 1: Come on, ladies, you can control that way and I

739
00:47:07,719 --> 00:47:09,719
Speaker 1: can and I can patrol this way, and we'll call

740
00:47:09,760 --> 00:47:14,920
Speaker 1: it even hot shot. I'd like the cool too. Digging

741
00:47:15,040 --> 00:47:19,040
Speaker 1: that alright? Already got two more though, alright, go ahead,

742
00:47:20,920 --> 00:47:25,640
Speaker 1: just from at hand. This is from Sam no war

743
00:47:26,160 --> 00:47:30,080
Speaker 1: and uh Sam has taken no license with any character

744
00:47:30,120 --> 00:47:33,279
Speaker 1: that we know him. It doesn't at all look like

745
00:47:33,880 --> 00:47:41,759
Speaker 1: or gro goo at all. Go ahead. What's your name is? Uh?

746
00:47:42,280 --> 00:47:49,600
Speaker 1: Miss your cab chafe? Yes? I love how for some

747
00:47:49,640 --> 00:47:52,720
Speaker 1: reason he's involved in the Cold War. I think it's brilliant.

748
00:47:52,760 --> 00:47:55,520
Speaker 1: I've never seen you smile. So then I'm so happy,

749
00:47:55,760 --> 00:47:59,200
Speaker 1: so happy, so happy. What do you got? My name

750
00:47:59,239 --> 00:48:02,759
Speaker 1: is Jason sat on a all dumpty dumpty did sat

751
00:48:03,080 --> 00:48:08,200
Speaker 1: fall down? And he did hard? Fumpty dumpty did? Okay?

752
00:48:08,600 --> 00:48:11,160
Speaker 1: I got one now, okay, but how many more do

753
00:48:11,239 --> 00:48:13,920
Speaker 1: we have before we have to riot and not let

754
00:48:14,000 --> 00:48:17,160
Speaker 1: Jay and silent Bob. Guess that's a fight. We're going

755
00:48:17,239 --> 00:48:24,200
Speaker 1: to lose. Christie. Not bad for our first podcast. This

756
00:48:24,239 --> 00:48:31,200
Speaker 1: one's pretty cool. Oh wow? Is that? Wow? That's all

757
00:48:31,239 --> 00:48:34,439
Speaker 1: I gotta say to that. Which artist is that? Who?

758
00:48:34,560 --> 00:48:36,560
Speaker 1: I don't unfortunately don't know? Is this artist is the

759
00:48:36,600 --> 00:48:38,800
Speaker 1: artist in the house? Sometimes the artist is in the house. Alight,

760
00:48:39,680 --> 00:48:41,000
Speaker 1: we got oh, we got this one. I think we

761
00:48:41,080 --> 00:48:44,760
Speaker 1: got this one. To your social media? Um so here

762
00:48:45,800 --> 00:48:52,000
Speaker 1: here you go. Hi, Hi, Hello one chainsaw man. I'm

763
00:48:52,040 --> 00:48:54,120
Speaker 1: gonna gold him, gonna cut down your trees. I'm gonna

764
00:48:54,120 --> 00:49:03,600
Speaker 1: cut down your fences. I'm chainsaw man. Oh wow, I

765
00:49:03,880 --> 00:49:06,040
Speaker 1: love they and I hear that when I go to

766
00:49:06,080 --> 00:49:11,040
Speaker 1: sleep tonight. Change I'm gonna cut down. Will you treating

767
00:49:11,120 --> 00:49:16,960
Speaker 1: some change? Soul man? What's your damn? What do you

768
00:49:17,000 --> 00:49:24,279
Speaker 1: got for us? I'm will I just blink it. We

769
00:49:24,320 --> 00:49:32,719
Speaker 1: need to just chop down something. These are great. I

770
00:49:32,719 --> 00:49:35,600
Speaker 1: guess this guy. This guy is cool. This guy am

771
00:49:35,719 --> 00:49:42,719
Speaker 1: kind of reminds me of um, what's that show? Bow too?

772
00:49:42,800 --> 00:49:46,040
Speaker 1: I have just tired. It's been a long day. Alright

773
00:49:46,080 --> 00:49:53,640
Speaker 1: ready and we have two minutes do the podcast sign off,

774
00:49:53,960 --> 00:49:57,319
Speaker 1: then we take the picture. The picture. We're gonna take

775
00:49:57,320 --> 00:49:59,640
Speaker 1: a picture. I just wish somebody had given me the warning.

776
00:49:59,800 --> 00:50:01,759
Speaker 1: And also we didn't think there would be that many

777
00:50:01,760 --> 00:50:04,040
Speaker 1: people in this room. So like we are, so we're

778
00:50:04,040 --> 00:50:06,160
Speaker 1: gonna do We're gonna do one more each and then

779
00:50:06,200 --> 00:50:08,040
Speaker 1: we do have to sign so sorry. We love you

780
00:50:08,040 --> 00:50:10,879
Speaker 1: guys so much, so sorry, but this is so much fun.

781
00:50:10,920 --> 00:50:15,359
Speaker 1: We should just I love Billy West three hours. And also, yeah,

782
00:50:15,360 --> 00:50:17,560
Speaker 1: we are going to be in Chicago. This is a thing.

783
00:50:17,719 --> 00:50:19,399
Speaker 1: So tell your friends if you guys had a good time.

784
00:50:19,440 --> 00:50:21,200
Speaker 1: I'm gonna let you wait. I'm gonna let them vote

785
00:50:21,320 --> 00:50:23,200
Speaker 1: real quick. That the last one we do? Do you

786
00:50:23,200 --> 00:50:25,399
Speaker 1: want to do? Bow Jack? Here is the last one? Yeah?

787
00:50:25,600 --> 00:50:27,759
Speaker 1: Here is it? One on each side? Do you want

788
00:50:27,760 --> 00:50:31,480
Speaker 1: to that one? I think that answers the question right there.

789
00:50:32,400 --> 00:50:37,960
Speaker 1: It's the artist here? No, okay, so here you go.

790
00:50:38,160 --> 00:50:39,400
Speaker 1: Do you want did you want to try that one? Too?

791
00:50:39,440 --> 00:50:41,000
Speaker 1: I think this is a great way to end it

792
00:50:41,080 --> 00:50:42,799
Speaker 1: right here. Okay, let's do it all right? Here we go.

793
00:50:42,880 --> 00:50:44,640
Speaker 1: What's your name? And what do you got? My name

794
00:50:44,680 --> 00:50:49,719
Speaker 1: is Zachy, so silly. I just really want to do

795
00:50:50,000 --> 00:50:52,480
Speaker 1: prom with me? And I know when no one's really

796
00:50:52,560 --> 00:50:55,840
Speaker 1: isked you yet, but I really really wound school with you.

797
00:50:56,760 --> 00:51:02,839
Speaker 1: That's so sweet? And no take us away. What's your name?

798
00:51:03,040 --> 00:51:07,640
Speaker 1: I'm Gregory? Go ahead Gregory. Hi, guys, I'm alone, Nasily

799
00:51:07,719 --> 00:51:10,160
Speaker 1: hand just hey, what do you what? Do you got

800
00:51:10,160 --> 00:51:15,399
Speaker 1: a game with me? You see? This was so much fun.

801
00:51:15,480 --> 00:51:17,920
Speaker 1: I'm so I wish we had two hours to do this.

802
00:51:18,360 --> 00:51:20,120
Speaker 1: Thank you all so much for being here. You have

803
00:51:20,120 --> 00:51:24,640
Speaker 1: no idea tag us follow us. How honored we are.

804
00:51:25,560 --> 00:51:28,560
Speaker 1: Thank you guys. Make sure you should keeping voice over

805
00:51:28,600 --> 00:51:31,440
Speaker 1: actors because we need good ones. You're all incredible and

806
00:51:31,480 --> 00:51:33,760
Speaker 1: we will see you next time at Fan Expo Chicago

807
00:51:33,800 --> 00:51:41,080
Speaker 1: when we're gonna do this again. Thanks everybody. I Hear

808
00:51:41,160 --> 00:51:43,520
Speaker 1: Voices assisted by Wilfrid L and Christie Garls and Romano,

809
00:51:43,760 --> 00:51:46,400
Speaker 1: produced by Elizabe Joy Windham and executive produced by Brendan

810
00:51:46,480 --> 00:51:49,279
Speaker 1: Rooney and Wilfred L. Our sound engineer and editor is

811
00:51:49,280 --> 00:51:52,160
Speaker 1: Elizabeth Joy Windham and our video editor is at Guardo Gumba,

812
00:51:52,480 --> 00:51:55,920
Speaker 1: and that was my announcer voice. Some side effects of

813
00:51:55,960 --> 00:51:59,000
Speaker 1: listening to Our Hear Voices are sore abs from larity

814
00:51:59,239 --> 00:52:01,759
Speaker 1: falling down the camel and rabbit hole sneezing due to

815
00:52:01,800 --> 00:52:04,839
Speaker 1: mass nostalgia, and hugs. Follow I Hear Voices where ever

816
00:52:04,880 --> 00:52:06,759
Speaker 1: you listen to podcasts, you don't miss any of the

817
00:52:06,800 --> 00:52:09,759
Speaker 1: amazing voices. Be sure to follow us on Instagram and

818
00:52:09,840 --> 00:52:13,040
Speaker 1: TikTok at I Hear Voices podcast. To see the video stream,

819
00:52:13,120 --> 00:52:15,279
Speaker 1: subscribe to my YouTube channel. You can also check us

820
00:52:15,280 --> 00:52:18,400
Speaker 1: out on my Space, omegal Vine, Lime Wire, a m

821
00:52:18,400 --> 00:52:21,000
Speaker 1: The Napster. Okay, well let's teach you about the Internet.

822
00:52:21,320 --> 00:52:21,520
Speaker 1: What