WEBVTT - Ed Ruscha

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adami's Studios.

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<v Speaker 2>I'm sitting here in La with Dexter and ed Arusha.

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<v Speaker 2>Edvarusche is the artist and Dexter is the dog, and

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<v Speaker 2>I hope we're going to hear from them both in

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<v Speaker 2>the next half hour. Did you bring the cactus on it?

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<v Speaker 3>Yeah? Yeahay.

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<v Speaker 2>There's a small work of art by my bed that

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<v Speaker 2>I say hello to every morning and say good night

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<v Speaker 2>to every night. I think of the day it arrived

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<v Speaker 2>in the River Cafe from Los Angeles, wrapped in layers

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<v Speaker 2>of bubble wrap. I knew then unwrapping it that this

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<v Speaker 2>was one I would never let out of my sight.

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<v Speaker 2>The artist was ed Rusche, and the word in bright red,

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<v Speaker 2>says Yum. I've known ed Risha's work since the early seventies.

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<v Speaker 2>I followed admired his work through his career, and in

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<v Speaker 2>twenty nineteen, in twenty twenty heat shows at the National

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<v Speaker 2>Gallery and Tape Modern and it was then that we

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<v Speaker 2>got to know each other well. Dinners at the River Cafe,

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<v Speaker 2>breakfast at clarriages, and we became friends. First I fell

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<v Speaker 2>in love with the art, and then I fell in

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<v Speaker 2>love with the artist. Would you like to read a recipe?

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<v Speaker 3>Shall I read your recipe, but I'd.

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<v Speaker 2>Like to hear yours. You'll be the first person to

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<v Speaker 2>read a recipe that is not a river cafe recipe,

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<v Speaker 2>And I think that's good.

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<v Speaker 3>What is that cactus omelet which I make occasionally? Do

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<v Speaker 3>you have to get Nopolito's little cactus pads that they

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<v Speaker 3>slice into little bits? And so? Says utensils omelet pan

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<v Speaker 3>are similar type pan with rounded bottom, mixing bowl, wire,

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<v Speaker 3>whisk or fork. Instructions. Break two eggs in bowls slightly

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<v Speaker 3>under mix with whisk or fork. Heat butter in pan

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<v Speaker 3>and ntil it bubbles and begins to turn brown. Add

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<v Speaker 3>the eggs and let them sit in the pan until

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<v Speaker 3>the bottom begins to harden. As soon as this sets,

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<v Speaker 3>but while the top is still moist, add salt and pepper,

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<v Speaker 3>cottage cheese, sprinkle celery on top, followed by the nopoleitos let.

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<v Speaker 3>The omelet set for about one minute over a low

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<v Speaker 3>fire roll omelet out of pan and onto plate.

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<v Speaker 2>Where does this recipe come from?

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<v Speaker 3>I sort of made it up, yeah, And I always

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<v Speaker 3>like the taste of they're kind of slimy of cactus,

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<v Speaker 3>you know, nopoletos, but they have a flavor all their own,

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<v Speaker 3>and I've always liked them.

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<v Speaker 2>Yeah, because you know, where we live, we don't get

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<v Speaker 2>cactus cacti. So was it when you came out here

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<v Speaker 2>to you at it?

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<v Speaker 3>Yeah?

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<v Speaker 2>You go in the desert?

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<v Speaker 3>Uh, well, Los Angeles.

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<v Speaker 2>I've talked to artists. I've interviewed Damien and Tracy, but

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<v Speaker 2>I haven't had an artist or painted about We talk

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<v Speaker 2>about food and how food in their life and food

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<v Speaker 2>in their art. But you actually painted with food, use

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<v Speaker 2>egg yolk, and you usedn't you. Is that a certain

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<v Speaker 2>period that you started painting with with actually food.

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<v Speaker 3>Yeah, maybe I was frustrated with art materials or it

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<v Speaker 3>felt like I had reached a apex or a stopping

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<v Speaker 3>off point. And then I thought about why you can

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<v Speaker 3>make marks on paper or on canvas with any number

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<v Speaker 3>of things. Why does it have to be pigments? And

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<v Speaker 3>so then I started using these things like axle, grease

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<v Speaker 3>and caviar, and well, it's of course egg, and it's

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<v Speaker 3>pretty stable and and it hardens and it's proven to

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<v Speaker 3>be pretty pretty stable over the years.

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<v Speaker 2>Also, the paintings that you did with caviar. Still yeah,

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<v Speaker 2>still still there.

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<v Speaker 3>They've yellowed a little bit. But yeah, that's what do

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<v Speaker 3>we call that entropy or something?

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<v Speaker 2>But you don't do anymore.

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<v Speaker 3>No, I haven't done that for a while. Maybe we should,

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<v Speaker 3>but don't give me any idea.

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<v Speaker 2>I think I'm going to give you an idea. When

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<v Speaker 2>I came to a studio, you have an orchard in

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<v Speaker 2>the back, and I was wondering, you know, what what

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<v Speaker 2>does that mean to you to have fruit growing in

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<v Speaker 2>behind your studio.

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<v Speaker 3>Well, fortunately I got this building that had a large

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<v Speaker 3>backyard I had no real use for, so I sort

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<v Speaker 3>of divided the backyard in half and I thought, well,

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<v Speaker 3>I'll just put an orchard in here. And I've always

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<v Speaker 3>wanted to gross interest and other things too, figs, pomegranates, cherries.

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<v Speaker 3>And then I've got some raised beds there that that

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<v Speaker 3>I grow. I was growing the world's hottest pepper the

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<v Speaker 3>boot you're Lochia. It's like an Indian called ghost pepper.

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<v Speaker 3>It measures out to be the hottest pepper in the world. Well,

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<v Speaker 3>I mean, how do you eat it? That's a nobody

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<v Speaker 3>ever has the answer to that. That's too powerful, I guess,

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<v Speaker 3>so and make it so fine, grind it so fine,

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<v Speaker 3>and I think there are people that are still working

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<v Speaker 3>on it to get the get the Blue Ribbon for

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<v Speaker 3>the hottest pepper that so.

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<v Speaker 2>That it judges that competition. But you cook a lot,

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<v Speaker 2>don't you. That recipe for an omelet is a really

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<v Speaker 2>interesting recipe because it's using an ingredient that is so local.

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<v Speaker 2>You know, you go into great depth to tell how

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<v Speaker 2>you fry the eggs, you season it, the heat of

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<v Speaker 2>the pan. That's a chef's recipe.

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<v Speaker 3>Well it's sort of hit and miss, you know, And

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<v Speaker 3>so that's fine. Since I'm usually cooking for myself, it

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<v Speaker 3>doesn't matter. But only other thing I really cook is chili,

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<v Speaker 3>and I like to make chili. I make it without onions,

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<v Speaker 3>without beans, and without tomatoes. That's fun to make, and

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<v Speaker 3>that takes a few hours to do that, but it's

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<v Speaker 3>worth it.

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<v Speaker 2>When you're painting, how do you eat and paint generally?

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<v Speaker 3>And I don't even eat lunch. I mean I will

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<v Speaker 3>maybe have a banana or a piece of fruit, and

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<v Speaker 3>that's my lunch. I don't eat three meals a day

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<v Speaker 3>like I used to. But I know it's in our

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<v Speaker 3>artistic tradition. It's always been a ceremony with artists to

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<v Speaker 3>stop working at eleven forty five and sit on and

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<v Speaker 3>I don't drink wine. Yeah, so, and then you know,

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<v Speaker 3>it's also a tradition to have wine with lunch.

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<v Speaker 2>But in New York in the kind of sixties seventies,

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<v Speaker 2>wasn't there the whole thing where artists would be in

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<v Speaker 2>their studios all day, very solitary, and then go to

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<v Speaker 2>Max's or to you know, to the culture of kind

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<v Speaker 2>of being alone and then going out every night. And

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<v Speaker 2>were you ever part of that culture or was it lle.

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<v Speaker 3>Well, yeah, it's the pandemonium of crowds of people in

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<v Speaker 3>a place like Max's, Kansas City or any of those

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<v Speaker 3>kind of places, and it was almost ceremonial. You know,

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<v Speaker 3>you'd go and have great fun and drink, and uh,

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<v Speaker 3>that was part of life.

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<v Speaker 2>I guess you live in New York.

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<v Speaker 3>Did You never did live in New York. No. It

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<v Speaker 3>was always too complicated or too expensive for me to

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<v Speaker 3>live there. And uh, just the idea of trying to

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<v Speaker 3>take a two by four across town was such an

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<v Speaker 3>issue that made California impossibly convenient.

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<v Speaker 2>Yeah, we saw Frank Gary yesterday and we talked about

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<v Speaker 2>the camaraderie between for him, many more artists and architects.

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<v Speaker 2>He just loved the feeling of the la kind of

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<v Speaker 2>artists being together here. Was that part of your world

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<v Speaker 2>as well?

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<v Speaker 3>Oh yeah, yeah. Did he tell you that his favorite

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<v Speaker 3>restaurant was the Pacific Dining? Yes, he did, and they

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<v Speaker 3>closed it.

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<v Speaker 2>I think, yeah, he loved that place. Did you ever

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<v Speaker 2>go there?

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<v Speaker 3>Oh yeah, I went there with him too, and.

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<v Speaker 2>Mister Chow Tina Chow, and yeah, oh yeah, he's a

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<v Speaker 2>great man.

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<v Speaker 3>I went here one time and I with a friend

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<v Speaker 3>and he said can I bring a friend along? And

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<v Speaker 3>I said, yeah, who is it? And he said Graucho

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<v Speaker 3>Marx No. And so we met at Chow's here and

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<v Speaker 3>Graucho comes in and we all sit down and have

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<v Speaker 3>a good time. But then the food comes, and Graucho

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<v Speaker 3>has his food sent in from Nate and Al's delicatessen.

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<v Speaker 3>He didn't even have the He said, I've heard about

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<v Speaker 3>this place. I've heard about this place, And so he

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<v Speaker 3>dined at Chow's restaurant without having its foods.

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<v Speaker 2>I've heard of people, you know. Of course, people bring

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<v Speaker 2>their own wine at the River Caffine. People like to

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<v Speaker 2>bring their own wine and once somebody bought their own truffle.

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<v Speaker 2>They've been to Italy and they brought a white truffle

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<v Speaker 2>and asked us if we would grade it for them

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<v Speaker 2>over their pasta. But I never actually have heard of

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<v Speaker 2>anybody actually ordering their own food. But I suppose if

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<v Speaker 2>you're Grouch and Marx. Yeah, but did you go to

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<v Speaker 2>chows a lot? Who would go there with you? Oh?

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<v Speaker 3>Lots of different people. I mean used to go there

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<v Speaker 3>with Tim Leary and his wife and they were regulars

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<v Speaker 3>there for a good while. And it's so good and

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<v Speaker 3>so traditional. I mean they opened I nineteen seventy five

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<v Speaker 3>or something like that, and they established a menu that

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<v Speaker 3>they really didn't vary from in London.

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<v Speaker 2>They used to have the kind of cart that you

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<v Speaker 2>could actually make the noodles.

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<v Speaker 3>Yeah, yeah, they do that here too.

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<v Speaker 2>Yeah we should all. Okay, are you going out much?

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<v Speaker 2>Are you trying to stay quiet?

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<v Speaker 3>I'm happy to you know. I love loud Hollywood parties,

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<v Speaker 3>but I don't miss them one iota.

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<v Speaker 2>I I just been there and done that. Why did

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<v Speaker 2>you go to the desert?

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<v Speaker 3>Yeah, I go to the desert.

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<v Speaker 2>What do you eat there? You hunt?

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<v Speaker 3>I used to do that, but I don't do that anymore.

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<v Speaker 3>And I have a lot of quail out there and

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<v Speaker 3>there there, oh it's out north of it's east of

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<v Speaker 3>Big Bear Lake. It's not the kind of desert that

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<v Speaker 3>is like palm Springs with palm trees. No palm trees

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<v Speaker 3>up there. They have Joshua trees. If you know what

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<v Speaker 3>those crazy things look like. Beautiful. They're very spiky, spik spiky,

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<v Speaker 3>and they look They got called Joshua trees because the

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<v Speaker 3>pioneers thought they looked like silhouettes of biblical figures. So

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<v Speaker 3>they call them Joshua trees. And that grows out there.

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<v Speaker 3>They're almost endangered because of the global warming. But then

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<v Speaker 3>I got pinion pines there and I harvest some of

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<v Speaker 3>the nuts. If you've got time to do that, well,

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<v Speaker 3>just get the pine cones off the trees and very

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<v Speaker 3>carefully take all the little seeds out of it, but

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<v Speaker 3>usually the squirrels get them before you do. In order

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<v Speaker 3>to get a little handful of pine nuts, it takes

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<v Speaker 3>you about an hour, and then you have to get

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<v Speaker 3>the sap off your hands, wash your hands in gasoline.

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<v Speaker 3>I don't know, but they're extremely delicious. Yeah, they're far

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<v Speaker 3>more delicious than the ones you actually buy in the market.

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<v Speaker 2>Where you've kind of been through hell in this country

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<v Speaker 2>with our previous president and the wars and everything. And

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<v Speaker 2>I have a beautiful poster that you sent me, which

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<v Speaker 2>is a treasure. That was enough. Oh h can you

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<v Speaker 2>tell me the story of enough.

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<v Speaker 3>I don't know where that came from. It's just well,

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<v Speaker 3>Norman Lear asked me if I would do something, and

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<v Speaker 3>so that was just some incentive to make some statement

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<v Speaker 3>about the condition of America, and you know where people

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<v Speaker 3>sit on the subject, and so expressing myself in that

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<v Speaker 3>way in a poster was fun to do. You know.

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<v Speaker 3>It was like, enough of this kind of politics. We've

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<v Speaker 3>got to move on from this to something better, and

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<v Speaker 3>luckily it moved that way.

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<v Speaker 2>Yeah, maybe it'd be nice to talk about from the beginning.

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<v Speaker 2>Tell me about where you grew up.

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<v Speaker 3>I was born in Omaha, Nebraska, very center of the

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<v Speaker 3>United States, and then we moved to Oklahoma when I

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<v Speaker 3>was like five years old. So then I grew up

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<v Speaker 3>from there, and it was kind of a cultural wasteland

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<v Speaker 3>in a lot of ways. Food especially, I mean, there

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<v Speaker 3>was no such thing as an artichoke or an avocado,

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<v Speaker 3>barely no such thing as sushi there is there now,

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<v Speaker 3>of course, because it's multi dimensional. But I remember growing

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<v Speaker 3>up there and having these kind of foods, like about

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<v Speaker 3>their early nineteen fifties is when pizza came to fashion.

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<v Speaker 3>And we didn't call it just pizza. We call it

0:13:58.880 --> 0:14:05.679
<v Speaker 3>pizza pie, pizza pie, pizza pie, pizza. Yeah, because you

0:14:05.760 --> 0:14:07.439
<v Speaker 3>originally came from Chicago.

0:14:07.120 --> 0:14:09.440
<v Speaker 2>Or what state, New York state New and we had

0:14:09.679 --> 0:14:11.560
<v Speaker 2>real Southern Italian foods.

0:14:11.679 --> 0:14:11.839
<v Speaker 3>Yeah.

0:14:11.880 --> 0:14:15.000
<v Speaker 2>I thought Italian food was meat boles and spaghetti and

0:14:15.520 --> 0:14:19.520
<v Speaker 2>eggplant parmesana and pizza pie until I went to Italy

0:14:19.720 --> 0:14:22.840
<v Speaker 2>thirty years later. Yeah, But go back to the pizza pie.

0:14:22.960 --> 0:14:24.080
<v Speaker 2>When did that come?

0:14:24.400 --> 0:14:27.400
<v Speaker 3>Well, that started coming when around the time I was

0:14:27.480 --> 0:14:30.480
<v Speaker 3>in high school, and it became a popular go to

0:14:30.800 --> 0:14:34.120
<v Speaker 3>type of food, kind of novel and unique. And there

0:14:34.160 --> 0:14:38.840
<v Speaker 3>were half a dozen places in Oklahoma City that actually

0:14:39.040 --> 0:14:44.280
<v Speaker 3>served pizza pie, and one place was called Sussy's. That

0:14:44.520 --> 0:14:46.560
<v Speaker 3>was the place you'd always go to.

0:14:48.200 --> 0:14:50.160
<v Speaker 2>Who would cook in your house? Was it your mother?

0:14:50.680 --> 0:14:54.520
<v Speaker 3>Yeah? Did your father mom cooked? No, father didn't really

0:14:54.640 --> 0:14:59.040
<v Speaker 3>cook so much, but Mom tossed everything together and you know,

0:14:59.320 --> 0:15:02.720
<v Speaker 3>it was a really it was all meat and potatoes.

0:15:02.880 --> 0:15:06.600
<v Speaker 3>I like her pies particularly, and she made a cherry

0:15:06.680 --> 0:15:10.280
<v Speaker 3>pie that I always liked. Also she made rhubarb pie,

0:15:10.560 --> 0:15:14.200
<v Speaker 3>which was another thing, And so that was big.

0:15:15.400 --> 0:15:17.120
<v Speaker 2>Do you think the cherries were fresh or did she

0:15:17.200 --> 0:15:18.360
<v Speaker 2>get them from the cans?

0:15:18.560 --> 0:15:20.880
<v Speaker 3>She'd get them from a can or sometimes when they

0:15:20.920 --> 0:15:23.960
<v Speaker 3>were there, she would get them fresh. Yeah, And the

0:15:24.080 --> 0:15:28.560
<v Speaker 3>effort was not so much into absolutely fresh food back then. No,

0:15:29.080 --> 0:15:32.640
<v Speaker 3>canned food was very big and exciting. Yeah, And then

0:15:32.760 --> 0:15:37.320
<v Speaker 3>came frozen food after that, and there's you know, there's

0:15:37.320 --> 0:15:41.440
<v Speaker 3>a big debate over those nutritional value of those foods.

0:15:41.640 --> 0:15:43.880
<v Speaker 2>Did your mom work? So she would work all day

0:15:43.880 --> 0:15:44.600
<v Speaker 2>and then come home.

0:15:44.720 --> 0:15:49.560
<v Speaker 3>She was a housekeeper and prepared food for us, And no,

0:15:49.720 --> 0:15:53.080
<v Speaker 3>she didn't have a job. And so I grew up

0:15:53.080 --> 0:15:55.960
<v Speaker 3>in the Bible Belt there and we were Catholics, so

0:15:56.520 --> 0:16:03.080
<v Speaker 3>we were called mackerel snappers is what people would call us,

0:16:04.080 --> 0:16:06.760
<v Speaker 3>meaning you don't eat meat on Friday, you eat fish

0:16:06.840 --> 0:16:10.800
<v Speaker 3>on Friday. So mackerel snappers. But the kind of food

0:16:10.880 --> 0:16:14.440
<v Speaker 3>that they served there, the only international food was called

0:16:14.600 --> 0:16:20.720
<v Speaker 3>Chinese food, and every Chinese restaurant would always say on

0:16:20.840 --> 0:16:24.600
<v Speaker 3>the outside of the building Chinese and American food.

0:16:24.560 --> 0:16:28.160
<v Speaker 2>To alleviate the fear of working Chinese restaurants, and.

0:16:28.360 --> 0:16:31.440
<v Speaker 3>So you could get Chinese. Yes, you could get chop

0:16:31.640 --> 0:16:34.760
<v Speaker 3>suey things like that, and then you could also get

0:16:34.800 --> 0:16:38.600
<v Speaker 3>a hamburger. So they were gonna offer you Chinese food,

0:16:38.640 --> 0:16:42.600
<v Speaker 3>but also just in case, please come anyway because we

0:16:42.680 --> 0:16:44.000
<v Speaker 3>can make a hamburger for you.

0:16:44.160 --> 0:16:47.240
<v Speaker 2>Familiar. Yeah, but did you go to restaurants, I mean,

0:16:47.280 --> 0:16:49.200
<v Speaker 2>would your parents take you out for a meal and

0:16:49.240 --> 0:16:49.520
<v Speaker 2>a time.

0:16:49.520 --> 0:16:53.080
<v Speaker 3>Occasionally we'd go to barbecue and that was popular. Then

0:16:53.880 --> 0:16:57.560
<v Speaker 3>the one food that was really hit it big was

0:16:57.680 --> 0:17:03.080
<v Speaker 3>okra Friday okra and they grow, yeah, they grow it

0:17:03.120 --> 0:17:05.119
<v Speaker 3>in a big way there, and so there's lots of

0:17:05.280 --> 0:17:11.480
<v Speaker 3>corn that you're giving almost every day. Yeah. Also during

0:17:11.520 --> 0:17:14.840
<v Speaker 3>the war we had a victory garden. It was sort

0:17:14.880 --> 0:17:19.239
<v Speaker 3>of pick yourself up by your booststraps by growing your

0:17:19.280 --> 0:17:24.200
<v Speaker 3>own food and participating in the war effort World War two.

0:17:24.680 --> 0:17:27.200
<v Speaker 3>So it was an extension of that that sort of

0:17:27.280 --> 0:17:31.840
<v Speaker 3>went to your dinner table and other people would save

0:17:32.960 --> 0:17:36.359
<v Speaker 3>metal and that sort of thing to recycle into the

0:17:36.480 --> 0:17:42.000
<v Speaker 3>war effort. And so victory garden was it was a

0:17:42.119 --> 0:17:47.600
<v Speaker 3>very popular thing then. Just we'd grow tomatoes and corn

0:17:47.960 --> 0:17:53.720
<v Speaker 3>and celery and various vegetables, and that was kind of

0:17:53.760 --> 0:17:58.600
<v Speaker 3>a unified attitude at the time, to have victory gardens

0:17:58.640 --> 0:18:02.320
<v Speaker 3>in your backyard. I had a paper route in Oklahoma,

0:18:02.359 --> 0:18:04.680
<v Speaker 3>and I deliver my papers at like four in the

0:18:04.760 --> 0:18:08.280
<v Speaker 3>morning and then come back and drink almost a half

0:18:08.320 --> 0:18:14.560
<v Speaker 3>a gallon of milk and then eight oh about twelve fourteen,

0:18:14.720 --> 0:18:15.320
<v Speaker 3>something like that.

0:18:15.880 --> 0:18:17.480
<v Speaker 2>Yeah, you said that, You said once said that you

0:18:17.560 --> 0:18:19.760
<v Speaker 2>thought that Oklahoma was like a black and white movie.

0:18:19.840 --> 0:18:21.840
<v Speaker 2>Do you think that? Do you think back on those days?

0:18:21.920 --> 0:18:25.000
<v Speaker 3>I still do when I think back on it, But

0:18:25.280 --> 0:18:28.040
<v Speaker 3>as I go back there occasionally I see that it's

0:18:28.359 --> 0:18:32.480
<v Speaker 3>more progressive than I allow my mind to make it be. Yeah,

0:18:33.240 --> 0:18:35.879
<v Speaker 3>so you know, it's caught up with the rest of

0:18:35.920 --> 0:18:36.320
<v Speaker 3>the world.

0:18:36.600 --> 0:18:38.720
<v Speaker 2>What's happened to your house there? Do you still have?

0:18:38.840 --> 0:18:40.520
<v Speaker 3>It still stands? Yeah?

0:18:40.760 --> 0:18:42.480
<v Speaker 2>When was the first time you went to Europe?

0:18:43.720 --> 0:18:47.600
<v Speaker 3>About nineteen sixty one? And I went there with my

0:18:47.760 --> 0:18:54.480
<v Speaker 3>mother and brother and we bought a little Citron two

0:18:54.600 --> 0:19:00.040
<v Speaker 3>CV automobile in Paris and drove it around Europe and

0:19:00.200 --> 0:19:04.040
<v Speaker 3>then came. Yeah, it was her first time too. So

0:19:05.080 --> 0:19:05.800
<v Speaker 3>what was that like?

0:19:06.160 --> 0:19:07.440
<v Speaker 2>What was it like? Food wise?

0:19:07.760 --> 0:19:10.119
<v Speaker 3>Well, food wise, well, we we were kind of on

0:19:10.240 --> 0:19:19.960
<v Speaker 3>a budget, So there wasn't nothing particularly fancy, but just

0:19:20.040 --> 0:19:24.800
<v Speaker 3>the idea of having you know, stumbling onto wild strawberry

0:19:25.359 --> 0:19:29.399
<v Speaker 3>which I'd never had before, those tiny little wild strawberries

0:19:29.560 --> 0:19:33.080
<v Speaker 3>was great. That was in France. We drove all over

0:19:33.200 --> 0:19:37.560
<v Speaker 3>Europe and for about four or five months, four or

0:19:37.600 --> 0:19:42.040
<v Speaker 3>five months, yeah, yeah, we went as far south. We

0:19:42.119 --> 0:19:49.920
<v Speaker 3>went to Yugoslavia, went to Spain, Portugal, Italy, Germany, France,

0:19:50.720 --> 0:19:56.879
<v Speaker 3>British Isles, went to Ireland try to find my mother's heritage,

0:19:56.960 --> 0:20:00.040
<v Speaker 3>and never we struck out there, we couldn't find you.

0:20:00.840 --> 0:20:02.080
<v Speaker 2>Did you paint or draw?

0:20:03.080 --> 0:20:07.159
<v Speaker 3>Yeah? I took a little homemade kit a package that

0:20:07.320 --> 0:20:10.080
<v Speaker 3>I would carry around and you know, allow me to

0:20:10.160 --> 0:20:15.880
<v Speaker 3>do something on about eight x ten format, and brought

0:20:15.960 --> 0:20:20.159
<v Speaker 3>paints along with me and worked like that. And my

0:20:20.320 --> 0:20:23.520
<v Speaker 3>mother came back to the States after about two months,

0:20:23.600 --> 0:20:26.480
<v Speaker 3>and then I stayed over there by myself for a while.

0:20:37.840 --> 0:20:39.600
<v Speaker 2>One of the things that I think is very moving

0:20:39.680 --> 0:20:43.919
<v Speaker 2>about your studio, part from the garden and the trees

0:20:44.080 --> 0:20:46.960
<v Speaker 2>and of the fruit, is there seems to be a

0:20:47.119 --> 0:20:49.520
<v Speaker 2>very strong community there and that when you come to

0:20:49.640 --> 0:20:53.240
<v Speaker 2>London for your shows. When we went out to dinner afterwards,

0:20:54.040 --> 0:20:56.159
<v Speaker 2>I think It probably was the Tait and then there

0:20:56.240 --> 0:20:58.439
<v Speaker 2>was a dinner at the National Gallery. Because you had

0:20:58.480 --> 0:21:01.600
<v Speaker 2>two shows, you were the first artists, contemporary artists to

0:21:01.640 --> 0:21:04.879
<v Speaker 2>show singularly in the National Gallery.

0:21:05.240 --> 0:21:07.919
<v Speaker 3>I was told that. I found it hard to believe,

0:21:08.000 --> 0:21:12.159
<v Speaker 3>but it's true. Yeah, and then I think virget Riley

0:21:12.280 --> 0:21:16.480
<v Speaker 3>maybe had something yeah recently there. Yeah. Do you bring

0:21:16.600 --> 0:21:19.080
<v Speaker 3>everybody with you pretty much?

0:21:19.320 --> 0:21:20.000
<v Speaker 2>That's so nice.

0:21:20.160 --> 0:21:22.840
<v Speaker 3>People that work with me, Yeah, travel with me. Yeah,

0:21:22.960 --> 0:21:23.400
<v Speaker 3>it's good.

0:21:23.880 --> 0:21:27.320
<v Speaker 2>You're animals, they're dogs. How many do you have any

0:21:27.359 --> 0:21:28.480
<v Speaker 2>idea of how many dogs?

0:21:28.840 --> 0:21:35.680
<v Speaker 3>Uh? Dana has five other dogs besides Dexter, so you

0:21:35.760 --> 0:21:39.040
<v Speaker 3>know she's got her handful. I mean she's got she

0:21:39.200 --> 0:21:40.560
<v Speaker 3>needs a kennel license.

0:21:40.960 --> 0:21:42.640
<v Speaker 2>Do you when you travel do you take a dog?

0:21:43.920 --> 0:21:44.960
<v Speaker 3>He goes with me every.

0:21:46.600 --> 0:21:48.560
<v Speaker 2>So you have a painting called Dexter.

0:21:49.000 --> 0:21:50.600
<v Speaker 3>Again, don't give me any ideas.

0:21:52.720 --> 0:21:57.000
<v Speaker 2>Can I just tell the story about I've had such

0:21:57.080 --> 0:22:01.160
<v Speaker 2>a kind of passion for the Ruby painting. No Ruby

0:22:01.240 --> 0:22:04.320
<v Speaker 2>meant to me. It filled me with kind of imagination,

0:22:04.840 --> 0:22:08.639
<v Speaker 2>and I kept thinking, who is Ruby? So I just

0:22:08.800 --> 0:22:10.960
<v Speaker 2>dreamt about who Ruby could be. I thought she might

0:22:11.040 --> 0:22:13.280
<v Speaker 2>be a woman that you were in love with when

0:22:13.320 --> 0:22:15.560
<v Speaker 2>you were a teenager in Alcoholma. I thought she'd might

0:22:15.680 --> 0:22:18.760
<v Speaker 2>be your mother's name. I thought she could be a disappointment,

0:22:18.840 --> 0:22:21.040
<v Speaker 2>somebody who left you, and I thought she could be

0:22:21.080 --> 0:22:24.160
<v Speaker 2>a tragedy of someone who died. And I just kept

0:22:24.240 --> 0:22:26.879
<v Speaker 2>thinking about because the way you wrote the ruby on

0:22:27.600 --> 0:22:30.200
<v Speaker 2>the painting just means so much to me. And I've

0:22:30.240 --> 0:22:32.920
<v Speaker 2>been trying to find a ruby painting. But when we

0:22:32.960 --> 0:22:36.960
<v Speaker 2>spent that time together in London, over days and nights,

0:22:37.040 --> 0:22:40.200
<v Speaker 2>I tried to I wanted to find a moment that

0:22:40.359 --> 0:22:42.560
<v Speaker 2>was quiet where I could ask you who she was

0:22:43.040 --> 0:22:46.119
<v Speaker 2>and what she meant to you, and I Dana was there,

0:22:46.160 --> 0:22:48.199
<v Speaker 2>and I thought maybe I should wait, and we were

0:22:48.240 --> 0:22:50.040
<v Speaker 2>to party, I should wait. But as I was saying

0:22:50.119 --> 0:22:52.760
<v Speaker 2>goodbye to you that night, I said to you, Ed,

0:22:52.840 --> 0:22:55.639
<v Speaker 2>can I just ask you one question? Who was she?

0:22:55.880 --> 0:22:59.200
<v Speaker 2>Who was this ruby? Who was the inspiration for these beautiful,

0:22:59.320 --> 0:23:04.320
<v Speaker 2>beautiful paintings? And you said ruby was a dog.

0:23:06.840 --> 0:23:10.720
<v Speaker 3>That's right, that's right, But it was not the inspiration

0:23:10.880 --> 0:23:14.439
<v Speaker 3>for that painting or that work. It wasn't. The ruby

0:23:14.520 --> 0:23:18.760
<v Speaker 3>I did came long before the dog. Actually, yeah, And

0:23:18.880 --> 0:23:21.840
<v Speaker 3>so I don't I'm not really sure where that a

0:23:22.000 --> 0:23:24.760
<v Speaker 3>name came from. It didn't come from a person in

0:23:24.880 --> 0:23:28.720
<v Speaker 3>my life. I didn't know, but I liked ruby as

0:23:28.800 --> 0:23:32.840
<v Speaker 3>a feminine name, and it's just got a really good

0:23:32.920 --> 0:23:35.200
<v Speaker 3>sound to it. And also it has a double meaning

0:23:35.280 --> 0:23:41.200
<v Speaker 3>too with the gem ruby, and so it just meant

0:23:41.280 --> 0:23:44.119
<v Speaker 3>that to me and kind of was an excuse to

0:23:44.200 --> 0:23:44.880
<v Speaker 3>make a work.

0:23:45.200 --> 0:23:49.280
<v Speaker 2>It's a beautiful work. It's a beautiful, beautiful work. Thank you.

0:23:49.720 --> 0:23:53.240
<v Speaker 2>I have one last question. So you've described food as

0:23:53.680 --> 0:23:57.960
<v Speaker 2>a journey across Oklahoma to California. You've described it as

0:23:58.000 --> 0:24:02.320
<v Speaker 2>an explosion of Rold's strawberries in France. You've used it

0:24:02.440 --> 0:24:06.840
<v Speaker 2>in your work, used to actually paint made out of food.

0:24:06.920 --> 0:24:10.760
<v Speaker 2>But if you were feeling that you needed food is comfort?

0:24:11.520 --> 0:24:14.160
<v Speaker 2>Would you say there's a food you turned to in comfort?

0:24:15.280 --> 0:24:18.680
<v Speaker 3>I would say that some kind of soup might be

0:24:18.840 --> 0:24:25.359
<v Speaker 3>the answer. It's kind of traditionally of healing kind of food,

0:24:26.240 --> 0:24:28.480
<v Speaker 3>so soup of almost any kind.

0:24:29.760 --> 0:24:32.080
<v Speaker 2>Maybe you're chili, would your chili could.

0:24:32.000 --> 0:24:35.440
<v Speaker 3>Be although chili might make you hop up and down, yeah,

0:24:37.560 --> 0:24:41.280
<v Speaker 3>they may not be so RESTful, but comfort food might

0:24:41.480 --> 0:24:44.399
<v Speaker 3>be in the form of some kind of vegetable soup.

0:24:45.000 --> 0:24:49.280
<v Speaker 2>Yeah, I got that good. So are you staying here

0:24:49.320 --> 0:24:50.120
<v Speaker 2>for a bit, you're going.

0:24:51.960 --> 0:24:55.840
<v Speaker 3>Actually, I am going to the desert. Yeah today. Yeah.

0:24:56.160 --> 0:24:57.200
<v Speaker 2>I hope I'll see you soon.

0:24:57.480 --> 0:24:57.720
<v Speaker 3>Yeah.

0:25:03.040 --> 0:25:06.280
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