1 00:00:02,600 --> 00:00:06,080 Speaker 1: On the Job is brought to you by Express Employment Professionals. 2 00:00:06,640 --> 00:00:11,039 Speaker 1: Express Employment Professionals as a leading staffing provider that employs 3 00:00:11,119 --> 00:00:15,040 Speaker 1: nearly six hundred thousand people annually across more than eight 4 00:00:15,120 --> 00:00:20,480 Speaker 1: hundred franchise locations in the US, Canada, and South Africa. 5 00:00:20,680 --> 00:00:22,920 Speaker 1: Our long term goal is at the heart of our 6 00:00:22,920 --> 00:00:26,480 Speaker 1: company's mission to help as many people as possible find 7 00:00:26,560 --> 00:00:29,960 Speaker 1: good jobs. By helping as many clients as possible find 8 00:00:30,000 --> 00:00:33,360 Speaker 1: good people. It takes more than just online searches to 9 00:00:33,440 --> 00:00:37,040 Speaker 1: land a job. It takes real people who will identify 10 00:00:37,120 --> 00:00:42,280 Speaker 1: your talents, a person invested in your success. Express Employment 11 00:00:42,320 --> 00:00:45,599 Speaker 1: Professionals understands what it takes to land a new position 12 00:00:45,640 --> 00:00:48,360 Speaker 1: at a top employer or start a new career in 13 00:00:48,400 --> 00:00:52,680 Speaker 1: today's job market. Express Noose Jobs, Get to no Express, 14 00:00:53,120 --> 00:01:04,600 Speaker 1: Go to expresspros dot com. Welcome to on the Job. 15 00:01:05,000 --> 00:01:08,200 Speaker 1: This season, we're bringing you stories about people finding their 16 00:01:08,240 --> 00:01:12,039 Speaker 1: professional stride by virtue of who they know, whether it's 17 00:01:12,120 --> 00:01:15,000 Speaker 1: breathing new life into an age old profession, taking the 18 00:01:15,080 --> 00:01:18,200 Speaker 1: reins in a family business, forging your own path with 19 00:01:18,280 --> 00:01:21,319 Speaker 1: a new idea, or landing the perfect job doing something 20 00:01:21,360 --> 00:01:26,119 Speaker 1: you'd never before even considered. Today reporter Otis Gray brings 21 00:01:26,200 --> 00:01:28,679 Speaker 1: us a story about a craft that is no longer 22 00:01:28,720 --> 00:01:31,920 Speaker 1: as needed as it once was, and a man whose 23 00:01:32,000 --> 00:01:36,280 Speaker 1: job is to make sure it's not forgotten. Jim Ellis 24 00:01:36,360 --> 00:01:39,039 Speaker 1: lives on Cape Cod, and with the help of a 25 00:01:39,160 --> 00:01:43,080 Speaker 1: very unlikely apprentice, he works to pass along an occupation 26 00:01:43,200 --> 00:01:46,000 Speaker 1: that was once woven into the fabric of our society 27 00:01:47,240 --> 00:01:52,320 Speaker 1: over to you, Otis. I don't know, just that I 28 00:01:52,360 --> 00:01:54,080 Speaker 1: think we're in too much of a hearty these days. 29 00:01:54,520 --> 00:01:58,480 Speaker 1: Everything's too simple. They got to remember how the old 30 00:01:58,520 --> 00:02:01,960 Speaker 1: time has got us to this point. It wasn't for them, 31 00:02:02,000 --> 00:02:07,000 Speaker 1: we wouldn't be here. So I drove out to Barnstable, Massachusetts, 32 00:02:07,040 --> 00:02:09,160 Speaker 1: on Cape Cod to meet a guy named Jim Ellis. 33 00:02:09,440 --> 00:02:12,239 Speaker 1: He lives in this old, historic looking house. There's a 34 00:02:12,280 --> 00:02:14,760 Speaker 1: plaque outside that says house of Ellis right in the porch, 35 00:02:15,080 --> 00:02:17,000 Speaker 1: which is a family name here dating all the way 36 00:02:17,040 --> 00:02:19,920 Speaker 1: back to the Mayflower. And when I walked into Jim's kitchen, 37 00:02:20,040 --> 00:02:22,360 Speaker 1: he was sitting next to a pair of crutches and 38 00:02:22,720 --> 00:02:24,640 Speaker 1: he was in a lot of pain. It's just shop 39 00:02:24,919 --> 00:02:28,400 Speaker 1: banks tcies have had both rotator cuffs. We paid over 40 00:02:28,440 --> 00:02:31,640 Speaker 1: the years, and I think I tore another one for 41 00:02:31,680 --> 00:02:34,960 Speaker 1: the second time. But if I haven't looked at tomorrow, 42 00:02:35,720 --> 00:02:38,639 Speaker 1: I don't know. We'll see what happens in his line 43 00:02:38,639 --> 00:02:41,880 Speaker 1: of work. A torn rotator cuff makes things difficult and 44 00:02:42,080 --> 00:02:46,440 Speaker 1: really really hard. But you can laugh about it. Hey, 45 00:02:46,440 --> 00:02:49,760 Speaker 1: what else you gonna do? See they laugh or drink beer. 46 00:02:49,880 --> 00:02:58,639 Speaker 1: That's cheaper than laugh. Not an ideal injury. Because Jim 47 00:02:58,639 --> 00:03:02,840 Speaker 1: Ellis is a blacksmith. Is the rotator cuff a result 48 00:03:02,960 --> 00:03:07,880 Speaker 1: of your work blacksmithing? I don't know. I think age 49 00:03:07,919 --> 00:03:09,960 Speaker 1: has a lot to do with it. You just heard 50 00:03:10,000 --> 00:03:12,680 Speaker 1: eighty one that week, and in a world of fast moving, 51 00:03:12,800 --> 00:03:15,720 Speaker 1: high tech jobs, some that didn't even exist thirty years ago. 52 00:03:16,120 --> 00:03:19,440 Speaker 1: Jim is a third generation blacksmith. It picked it up 53 00:03:19,480 --> 00:03:22,760 Speaker 1: from my father, and he got it from my uncle, 54 00:03:22,919 --> 00:03:25,400 Speaker 1: and my uncle got it from mister Kent, who started 55 00:03:25,480 --> 00:03:28,920 Speaker 1: hearing a village in about eighteen eighty eight. I think 56 00:03:28,960 --> 00:03:31,519 Speaker 1: in that area and even at eighty one, Jim still 57 00:03:31,560 --> 00:03:33,880 Speaker 1: swinging a hammer any day that he can still at 58 00:03:33,880 --> 00:03:37,200 Speaker 1: it one hundred and eleven years in the same village, 59 00:03:37,360 --> 00:03:40,600 Speaker 1: doing the same job, in the same family. I just 60 00:03:40,760 --> 00:03:43,560 Speaker 1: I love it. I love the old history. I'd try 61 00:03:43,600 --> 00:03:49,320 Speaker 1: to keep it going so today. With Jim shoulder on 62 00:03:49,400 --> 00:03:51,560 Speaker 1: the mend, we follow his story as he strives to 63 00:03:51,560 --> 00:04:07,240 Speaker 1: pass along a craft from another time. Under a spreading 64 00:04:07,320 --> 00:04:10,880 Speaker 1: chutnut tree, the fellows smithy stands. The smith a mighty 65 00:04:10,920 --> 00:04:14,320 Speaker 1: man as he but large and sinewy heads, and the 66 00:04:14,440 --> 00:04:17,159 Speaker 1: muscles on those brawny arms are as strong as iron bands. 67 00:04:19,240 --> 00:04:22,200 Speaker 1: His hair is crisp and black and long. His face 68 00:04:22,320 --> 00:04:25,960 Speaker 1: is like the tan. His brow is wet with honest sweat. 69 00:04:26,040 --> 00:04:28,560 Speaker 1: He earns whatever he can, and he can look the 70 00:04:28,600 --> 00:04:30,520 Speaker 1: whole world in the face, for he owe. It's not 71 00:04:30,680 --> 00:04:35,200 Speaker 1: any man. That's Jim reciting the Village Blacksmith, a poem 72 00:04:35,200 --> 00:04:38,920 Speaker 1: written by Henry Wadsworth Longfellow in eighteen forty. Jim has 73 00:04:39,000 --> 00:04:41,680 Speaker 1: this poem hanging on the wall in his shop. This 74 00:04:41,800 --> 00:04:44,360 Speaker 1: is where I first met Jim. I was driving around 75 00:04:44,400 --> 00:04:46,279 Speaker 1: the cape when I saw a brick building on the 76 00:04:46,320 --> 00:04:48,560 Speaker 1: side of the road with a sign outside that said 77 00:04:48,680 --> 00:04:51,880 Speaker 1: Blacksmith right in the driveway. I pulled over and I 78 00:04:51,960 --> 00:04:55,240 Speaker 1: walked in to find Jim amongst the sea of iron 79 00:04:55,360 --> 00:04:59,760 Speaker 1: tools and hooks and chandeliers, iron everything hanging from the 80 00:04:59,800 --> 00:05:03,359 Speaker 1: wa walls, ceiling, poking out of shelves and buckets, and 81 00:05:03,440 --> 00:05:06,720 Speaker 1: talked against the back wall was Jim sitting at a forge, 82 00:05:07,160 --> 00:05:10,520 Speaker 1: a glowing furnace powered by a hand crank where he 83 00:05:10,520 --> 00:05:12,800 Speaker 1: heats his iron up until it glows red so he 84 00:05:12,800 --> 00:05:15,400 Speaker 1: can bend it and hammer it into whatever shape he wants. 85 00:05:15,720 --> 00:05:18,280 Speaker 1: Like walking through kind of a day. What your tasks are, 86 00:05:18,360 --> 00:05:21,720 Speaker 1: what you do in the shop, everything, Well, that's kind 87 00:05:21,720 --> 00:05:23,880 Speaker 1: of a what I like about it. You never know 88 00:05:23,920 --> 00:05:27,599 Speaker 1: what's gonna do. I mean, people bring things into bbpaid 89 00:05:27,800 --> 00:05:31,480 Speaker 1: from weather veins to any kind of antique stands, and 90 00:05:32,160 --> 00:05:35,080 Speaker 1: I've even got an antique picture frames and slays. Some 91 00:05:35,160 --> 00:05:38,719 Speaker 1: stuff very intricate, like little wall hooks and plant hangers, 92 00:05:38,760 --> 00:05:40,680 Speaker 1: And the other day I had to make a U 93 00:05:40,760 --> 00:05:42,440 Speaker 1: shaped piece of iron to hold a sign of a 94 00:05:42,440 --> 00:05:45,919 Speaker 1: guy wanted and others Just a bang bang, bend it 95 00:05:45,960 --> 00:05:47,600 Speaker 1: and put a hook on it, and you're all done. 96 00:05:48,960 --> 00:05:51,680 Speaker 1: Just bending, heating up metal and bending it, shaping it. 97 00:05:52,480 --> 00:05:54,960 Speaker 1: What a lot of us think about blacksmithing, We picture 98 00:05:55,160 --> 00:05:58,120 Speaker 1: a burly guy at an anvil pounding away on a 99 00:05:58,160 --> 00:06:00,440 Speaker 1: hot piece of metal. You might be pick suring a 100 00:06:00,480 --> 00:06:04,480 Speaker 1: sword or medieval times, and that's part of it. Shaping 101 00:06:04,520 --> 00:06:07,640 Speaker 1: a square piece of iron into something usable, like a 102 00:06:07,680 --> 00:06:10,640 Speaker 1: blade or a hook to hang things. But what a 103 00:06:10,640 --> 00:06:13,000 Speaker 1: lot of people don't realize is this is how things 104 00:06:13,000 --> 00:06:16,680 Speaker 1: were originally welded, right up until the nineteen hundreds. Welding 105 00:06:16,880 --> 00:06:19,400 Speaker 1: as in taking two pieces of metal, getting them hot 106 00:06:19,520 --> 00:06:22,560 Speaker 1: enough so that they melt, and joining them together. The 107 00:06:22,560 --> 00:06:25,080 Speaker 1: hotter it is easier it is to move. A good 108 00:06:25,080 --> 00:06:28,000 Speaker 1: welding heat is twenty eight hundred degrees fahrenheit. When the 109 00:06:28,000 --> 00:06:30,760 Speaker 1: iron goes past that cherry red color to a bright 110 00:06:30,960 --> 00:06:34,440 Speaker 1: light yellow, the iron melts and literally begins to move. 111 00:06:34,880 --> 00:06:37,480 Speaker 1: With electric and gas welders we have today, that kind 112 00:06:37,480 --> 00:06:39,760 Speaker 1: of heat comes pretty easy. How years ago they used 113 00:06:39,760 --> 00:06:41,880 Speaker 1: to have to bring it up to that heat. That's 114 00:06:41,880 --> 00:06:43,960 Speaker 1: how they did the welding. They didn't have electricity, they 115 00:06:43,960 --> 00:06:47,440 Speaker 1: didn't have welding gases. They welded in the fire, so 116 00:06:47,520 --> 00:06:50,040 Speaker 1: you got to get the irond right to that melting 117 00:06:50,080 --> 00:06:53,720 Speaker 1: point and then hammer it together. By its nature, all 118 00:06:53,760 --> 00:06:56,920 Speaker 1: of Jim's work looks old fashioned. The way things used 119 00:06:56,920 --> 00:06:59,680 Speaker 1: to be made is not perfect and smooth like most 120 00:06:59,680 --> 00:07:02,400 Speaker 1: metal objects we see today. Most of the things around 121 00:07:02,400 --> 00:07:05,200 Speaker 1: his shop have a rougher quality to it, and that's 122 00:07:05,240 --> 00:07:07,200 Speaker 1: the way he likes it. A lot of people don't 123 00:07:07,560 --> 00:07:11,320 Speaker 1: like to leave hamma mix. I love hammams. Matter of fact, 124 00:07:11,400 --> 00:07:15,480 Speaker 1: sometimes I used this special hammer to make different mix 125 00:07:15,520 --> 00:07:17,840 Speaker 1: in it. Why do you love the hammer mark, I 126 00:07:17,880 --> 00:07:20,960 Speaker 1: don't know. It just shows that it's a handhammered, not 127 00:07:21,120 --> 00:07:33,280 Speaker 1: gunning a machine. Character. Blacksmithing is a job that's part 128 00:07:33,280 --> 00:07:36,840 Speaker 1: of our cultural lexicon. Everyone knows what the job is, 129 00:07:37,160 --> 00:07:40,600 Speaker 1: even though most people today don't know a blacksmith. Even 130 00:07:40,680 --> 00:07:43,760 Speaker 1: in the nineteen fifties, long after blacksmithing had faded from 131 00:07:43,760 --> 00:07:46,440 Speaker 1: its aday, it's still topped the charts in the song 132 00:07:46,520 --> 00:07:50,640 Speaker 1: blacksmith Blues by lam Morse in nineteen fifty two. That's 133 00:07:50,680 --> 00:07:54,120 Speaker 1: because blacksmiths are a huge part of our human story. 134 00:07:54,280 --> 00:07:58,000 Speaker 1: The blacksmith was pivotal in every village, town, and city 135 00:07:58,120 --> 00:08:01,080 Speaker 1: dating back almost a thousand years ago when humans began 136 00:08:01,160 --> 00:08:05,480 Speaker 1: successfully making iron tools, They fixed armor and made weapons, 137 00:08:05,720 --> 00:08:09,560 Speaker 1: making them vital to conquest. They made farming equipment, axles 138 00:08:09,560 --> 00:08:13,280 Speaker 1: for wagons. They were quite literally what held society together. 139 00:08:15,800 --> 00:08:19,200 Speaker 1: Blacksmithing remained a completely necessary job right up until the 140 00:08:19,200 --> 00:08:23,320 Speaker 1: Industrial Revolution, but with the invention of bigger machines, affordable 141 00:08:23,360 --> 00:08:26,920 Speaker 1: tractors for farmers and Fords modelty car to replace the 142 00:08:26,960 --> 00:08:31,080 Speaker 1: horse and buggy. Blacksmiths quickly found their profession obsolete at 143 00:08:31,080 --> 00:08:35,439 Speaker 1: the turn of the twentieth century. Afterwards, blacksmiths specialized in 144 00:08:35,520 --> 00:08:38,720 Speaker 1: craft goods, but much of the profession died away during 145 00:08:38,720 --> 00:08:42,719 Speaker 1: the depression and the years following. The craft itself made 146 00:08:42,720 --> 00:08:46,160 Speaker 1: a huge resurgence during the nineteen seventies as folks became 147 00:08:46,200 --> 00:08:50,200 Speaker 1: interested in its history and its application to modern sculpture 148 00:08:50,320 --> 00:08:52,800 Speaker 1: and crafts, but not many people do it as a 149 00:08:52,840 --> 00:08:55,880 Speaker 1: full time job like the old days. Jim is not 150 00:08:56,000 --> 00:08:58,199 Speaker 1: an exception. Well, I try to make enough to keep 151 00:08:58,240 --> 00:09:01,800 Speaker 1: the shop going, but now it's pretty hard to make 152 00:09:01,800 --> 00:09:04,400 Speaker 1: a living at it the way I'm doing it, But 153 00:09:04,559 --> 00:09:06,920 Speaker 1: being retired, I don't I don't have to plan on 154 00:09:06,960 --> 00:09:10,600 Speaker 1: it for my income, but I do have to break 155 00:09:10,600 --> 00:09:15,079 Speaker 1: even at least In another life, Jim worked on nuclear 156 00:09:15,120 --> 00:09:17,640 Speaker 1: weapons in the military, and it was a mechanic until 157 00:09:17,640 --> 00:09:20,280 Speaker 1: he broke his back in a truck accident in the seventies. 158 00:09:20,720 --> 00:09:23,520 Speaker 1: Now that he's technically retired, he runs a shop more 159 00:09:23,520 --> 00:09:26,079 Speaker 1: like a museum than anything. Although I always had the 160 00:09:26,120 --> 00:09:28,160 Speaker 1: fire going, I always had a piece of iron in 161 00:09:28,240 --> 00:09:31,160 Speaker 1: the fire. People like to see thee you know, the 162 00:09:31,200 --> 00:09:33,720 Speaker 1: metal being forged, and especially kids like to see it 163 00:09:34,120 --> 00:09:37,839 Speaker 1: put in the water and sizzle and all that. But yeah, 164 00:09:37,880 --> 00:09:40,520 Speaker 1: we're just just trying to keep the interested in blacksmithing. 165 00:09:41,440 --> 00:09:43,240 Speaker 1: How many more years do you think you're having you 166 00:09:43,320 --> 00:09:46,800 Speaker 1: for blacksmithing? Ah, well, I'll keep that as long as 167 00:09:46,800 --> 00:09:50,360 Speaker 1: I can. So now we're back where we started with 168 00:09:50,520 --> 00:09:53,160 Speaker 1: Jim Shoulders. He can sometimes do two hours a day 169 00:09:53,200 --> 00:09:56,120 Speaker 1: before he's cashed out. But if you ask Jim if 170 00:09:56,120 --> 00:09:59,440 Speaker 1: he's worried that all his knowledge of tools and blacksmithings 171 00:09:59,440 --> 00:10:04,040 Speaker 1: stop with him, he'll tell you not at all. Why 172 00:10:04,200 --> 00:10:07,800 Speaker 1: because he's got a pretty unlikely protege to carry on 173 00:10:07,840 --> 00:10:12,520 Speaker 1: the tradition. I guess. So. Yeah. Yeah. My name is 174 00:10:12,559 --> 00:10:15,920 Speaker 1: Norah Bourbon and I full time I'm a metal engraver 175 00:10:16,640 --> 00:10:22,440 Speaker 1: and part time blacksmith. I say unlikely because Nora is 176 00:10:22,679 --> 00:10:26,760 Speaker 1: five two skinny and prefers to forge an address. Not 177 00:10:26,800 --> 00:10:28,680 Speaker 1: the classic image you have in your head when you 178 00:10:28,679 --> 00:10:32,800 Speaker 1: think of a blacksmith. Nope, nope, I'm very petite, little 179 00:10:33,280 --> 00:10:37,320 Speaker 1: little lady. Usually it's the big, burly dude. Do you 180 00:10:37,320 --> 00:10:40,840 Speaker 1: think other people find it weird that you do something 181 00:10:40,880 --> 00:10:45,400 Speaker 1: like blacksmithing. I think it surprises a lot of people, 182 00:10:45,520 --> 00:10:49,360 Speaker 1: considering more of my height and just how scrawny I look. 183 00:10:50,720 --> 00:10:54,960 Speaker 1: But I think people really respect it and they think 184 00:10:55,040 --> 00:10:59,560 Speaker 1: it's very interesting what I do. Norah has been learning 185 00:10:59,600 --> 00:11:02,520 Speaker 1: from Jim for about three years now, and she enjoys 186 00:11:02,559 --> 00:11:06,040 Speaker 1: not fitting into the stereotypical image of a blacksmith, being 187 00:11:06,040 --> 00:11:09,200 Speaker 1: able to prove maybe to young kids, like it is 188 00:11:09,240 --> 00:11:12,200 Speaker 1: really nice to show that as an inspiration to younger 189 00:11:12,240 --> 00:11:17,120 Speaker 1: people or smaller people, that anyone can do this trade. 190 00:11:17,400 --> 00:11:22,080 Speaker 1: Even though you can swing an eight pound sledgehammer. You 191 00:11:22,080 --> 00:11:24,760 Speaker 1: don't have to be a big person that goes to 192 00:11:24,880 --> 00:11:28,320 Speaker 1: Jim all the time or something like that. This in 193 00:11:28,360 --> 00:11:32,920 Speaker 1: particular shows that you really anyone can do anything that 194 00:11:32,960 --> 00:11:37,040 Speaker 1: they put their mind to. Yeah, she's doing wonderful. Yeah 195 00:11:37,080 --> 00:11:38,800 Speaker 1: she loves it. I was going to smile on her face. 196 00:11:40,240 --> 00:11:43,240 Speaker 1: I've learned so much from Jim over the last just 197 00:11:43,280 --> 00:11:45,800 Speaker 1: a couple of years, and I've slowly done a little 198 00:11:45,840 --> 00:11:48,720 Speaker 1: bit on my own here and there throughout this time, 199 00:11:48,880 --> 00:11:51,520 Speaker 1: this whole time. But I like the old process. I 200 00:11:51,640 --> 00:11:55,760 Speaker 1: like the simple ways, and I even make soap from 201 00:11:55,800 --> 00:11:59,000 Speaker 1: scratch and I grow vegetables and I grow things in 202 00:11:59,040 --> 00:12:07,280 Speaker 1: the garden. Your pretty old fashioned. Yeah, yeah, very we'll 203 00:12:07,320 --> 00:12:10,120 Speaker 1: get back to the story in a second. First, a 204 00:12:10,240 --> 00:12:16,840 Speaker 1: word from Express Employment Professionals. A strong work ethic, takes 205 00:12:16,920 --> 00:12:21,120 Speaker 1: pride in a job well done, sweats over the details. 206 00:12:22,240 --> 00:12:25,640 Speaker 1: This is you. But to get an honest day's work, 207 00:12:26,000 --> 00:12:29,680 Speaker 1: you need a response. You need a callback, You need 208 00:12:29,880 --> 00:12:35,040 Speaker 1: a job. Express Employment Professionals can help because we understand 209 00:12:35,120 --> 00:12:37,640 Speaker 1: what it takes to get a job. It takes more 210 00:12:37,679 --> 00:12:40,760 Speaker 1: than just online searches to land a job. It takes 211 00:12:40,760 --> 00:12:44,560 Speaker 1: someone who will identify your talents, a person invested in 212 00:12:44,640 --> 00:12:48,559 Speaker 1: your success. At Express, we can even complete your application 213 00:12:48,679 --> 00:12:51,640 Speaker 1: with you over the phone, will prepare you for interviews, 214 00:12:51,720 --> 00:12:54,600 Speaker 1: and will connect you to the right company. Plus, we'll 215 00:12:54,640 --> 00:12:57,640 Speaker 1: never charge a fee to find you a job. At Express. 216 00:12:57,920 --> 00:12:59,920 Speaker 1: We can put you to work with companies of all 217 00:13:00,120 --> 00:13:03,840 Speaker 1: sizes and industries, from the production floor to the front office. 218 00:13:04,200 --> 00:13:07,880 Speaker 1: Express Nose Jobs you get to no Express. Find your 219 00:13:07,920 --> 00:13:11,360 Speaker 1: location at Express pros dot com or on the Express 220 00:13:11,480 --> 00:13:21,559 Speaker 1: Jobs app. And now back to our story. I love 221 00:13:21,600 --> 00:13:25,120 Speaker 1: her renaissance spirit. Let's just let's do things the old way. 222 00:13:26,000 --> 00:13:29,600 Speaker 1: That's it. Uh, I don't know It's just that I 223 00:13:29,640 --> 00:13:31,360 Speaker 1: think we're in too much of a hurry these days. 224 00:13:33,480 --> 00:13:36,600 Speaker 1: Everything's too simple. He got to sought out, do it right, 225 00:13:36,760 --> 00:13:41,120 Speaker 1: do it once, it'll last. I gotta remember how the 226 00:13:41,160 --> 00:13:44,280 Speaker 1: old time has got us to this point. It wasn't 227 00:13:44,320 --> 00:13:58,760 Speaker 1: for them, we wouldn't be here toiling, rejoicing, sorrowing away 228 00:13:58,800 --> 00:14:03,760 Speaker 1: through life. He goes each morning some work began, Each 229 00:14:03,800 --> 00:14:11,720 Speaker 1: evening sees it clothes, something attempted, something done, has earned 230 00:14:11,800 --> 00:14:16,600 Speaker 1: him a night's repose. Thanks thanks to thee, my worthy friend, 231 00:14:16,679 --> 00:14:19,560 Speaker 1: for the lessons thou hast taught. Thou set the flaming 232 00:14:19,560 --> 00:14:23,080 Speaker 1: forge of life. Our fortunes must be wrought thus on 233 00:14:23,160 --> 00:14:31,880 Speaker 1: a sounding ample shaped each burning deep in thought. Being 234 00:14:31,880 --> 00:14:34,880 Speaker 1: in gym shop, I couldn't help thinking about something I 235 00:14:34,920 --> 00:14:36,960 Speaker 1: picked up as a job when I was in college, 236 00:14:37,600 --> 00:14:41,960 Speaker 1: sign painting. I learned typography and painted signs by hand 237 00:14:42,000 --> 00:14:45,040 Speaker 1: for businesses around Providence, Rhode Island, where I went to school. 238 00:14:45,760 --> 00:14:49,040 Speaker 1: It was a really tough thing to be even okay at. 239 00:14:49,480 --> 00:14:53,200 Speaker 1: Like blacksmithing, sign painting used to be a very necessary 240 00:14:53,320 --> 00:14:57,480 Speaker 1: job in society before computers and vinyl printing. Sign painters 241 00:14:57,520 --> 00:15:01,560 Speaker 1: would design storefronts, scale the sides of buildings and paint mammoth, 242 00:15:01,600 --> 00:15:06,480 Speaker 1: advertisements and logos. It was messy, tedious, hard work, and 243 00:15:06,560 --> 00:15:09,880 Speaker 1: today it might seem like a creative passion, but years 244 00:15:09,880 --> 00:15:13,240 Speaker 1: back it was a real, vital job that would feed families. 245 00:15:14,440 --> 00:15:17,160 Speaker 1: It taught me patience, something I was born lacking a 246 00:15:17,160 --> 00:15:20,200 Speaker 1: little bit. And as I felt the brush slowly glide 247 00:15:20,280 --> 00:15:23,160 Speaker 1: over glass or wood, knowing all the practice I had 248 00:15:23,200 --> 00:15:25,760 Speaker 1: done before led up to this one mark I had 249 00:15:25,800 --> 00:15:28,320 Speaker 1: to do in one stroke, there was a sense of 250 00:15:28,520 --> 00:15:32,560 Speaker 1: satisfaction and confidence that I didn't know before. It's that 251 00:15:32,680 --> 00:15:35,160 Speaker 1: feeling you get when you've done something right and you 252 00:15:35,240 --> 00:15:38,680 Speaker 1: know you didn't take any shortcuts. Today you can drive 253 00:15:38,720 --> 00:15:41,800 Speaker 1: around and see the remnants of old sign work, faded 254 00:15:41,880 --> 00:15:45,200 Speaker 1: letters wearing away on the side of brick buildings like ghosts, 255 00:15:45,760 --> 00:15:49,320 Speaker 1: evidence of something from long ago. And the more I painted, 256 00:15:49,360 --> 00:15:54,360 Speaker 1: the more I appreciated those disappearing letters, something undeniably human, 257 00:15:54,840 --> 00:15:57,760 Speaker 1: like a fingerprint, a record of how far we've come 258 00:15:58,680 --> 00:16:02,560 Speaker 1: hammer marks. If learning an old job like that did 259 00:16:02,600 --> 00:16:06,000 Speaker 1: anything for me, it was that it helped me appreciate time. 260 00:16:06,520 --> 00:16:09,480 Speaker 1: For thirty five year old Nora and blacksmith thing, it's 261 00:16:09,480 --> 00:16:15,040 Speaker 1: the same I feel that I need to hold on 262 00:16:15,080 --> 00:16:17,440 Speaker 1: to as much knowledge as I can so that it 263 00:16:17,520 --> 00:16:22,640 Speaker 1: can't it can stay stick around and doesn't escape. I know, 264 00:16:23,040 --> 00:16:27,000 Speaker 1: I realize how hard the old type has worked. I mean, 265 00:16:27,120 --> 00:16:29,000 Speaker 1: you know, I'm listening to my mother how she grew 266 00:16:29,080 --> 00:16:31,280 Speaker 1: up on a farm and the things they had to 267 00:16:31,320 --> 00:16:34,200 Speaker 1: do before she went to school, walked to school and 268 00:16:34,760 --> 00:16:39,800 Speaker 1: riding horses, and they worked really, really hard. How hard 269 00:16:39,840 --> 00:16:41,360 Speaker 1: it was to put an eye and tire on a 270 00:16:41,440 --> 00:16:44,920 Speaker 1: wagon wheel, hard it was to make a wagon wheel, 271 00:16:45,800 --> 00:16:49,400 Speaker 1: all these things. It's just I don't know. You know, 272 00:16:49,480 --> 00:16:52,120 Speaker 1: if you know that, I think it helps you get 273 00:16:52,120 --> 00:16:55,640 Speaker 1: along in today's world, knowing what other people went through 274 00:16:55,720 --> 00:16:58,760 Speaker 1: so you can be where you are. They helped you 275 00:16:58,880 --> 00:17:07,000 Speaker 1: get there. Jim Ellis's skills and knowledge are part of 276 00:17:07,040 --> 00:17:09,680 Speaker 1: our collective DNA as humans, and he plays a vital 277 00:17:09,760 --> 00:17:12,879 Speaker 1: role in making sure that we don't forget. Jim is 278 00:17:12,920 --> 00:17:15,840 Speaker 1: a craftsman. That's the job he's passing on to Nora. 279 00:17:16,920 --> 00:17:19,440 Speaker 1: But more than that, to me, I think they're both 280 00:17:19,480 --> 00:17:23,840 Speaker 1: in the business of gratitude, of passing along and appreciation. 281 00:17:24,600 --> 00:17:27,840 Speaker 1: What do you think the future of blacksmith thing looks like. 282 00:17:28,440 --> 00:17:30,760 Speaker 1: I think it's it's comp your alfa a long time. 283 00:17:30,840 --> 00:17:33,880 Speaker 1: Yet there's a lot of young people really into it, 284 00:17:34,440 --> 00:17:36,720 Speaker 1: and so yeah, I think it's comp your alf for 285 00:17:36,760 --> 00:17:42,160 Speaker 1: a while. I can't see a cornaway surely. Yeah, we'll 286 00:17:42,280 --> 00:17:52,200 Speaker 1: keep keep it alive for on the Job. I'm Otus Gray. 287 00:17:52,200 --> 00:18:22,480 Speaker 1: Thanks for listening, and see you next time. Thanks for 288 00:18:22,560 --> 00:18:25,240 Speaker 1: listening to On the Job. Brought to you by Express 289 00:18:25,280 --> 00:18:29,639 Speaker 1: Employment Professionals. Find out more at expresspros dot com. This 290 00:18:29,800 --> 00:18:32,359 Speaker 1: season of On the Job is produced by Audiation and 291 00:18:32,520 --> 00:18:37,160 Speaker 1: dread Seat Ventures. Our executive producer is Sandy Smallens. Our 292 00:18:37,280 --> 00:18:40,359 Speaker 1: producer is Otis Gray. The show is mixed by Matt 293 00:18:40,480 --> 00:18:43,919 Speaker 1: Noble at The Loft in Bronxville, New York. Find us 294 00:18:43,960 --> 00:18:47,880 Speaker 1: on iHeartRadio and Apple Podcasts. If you liked what you heard, 295 00:18:48,240 --> 00:18:51,560 Speaker 1: please consider rating or reviewing the show on Apple Podcasts 296 00:18:51,720 --> 00:18:54,760 Speaker 1: or wherever you listen. We'll see you next time. For 297 00:18:54,920 --> 00:19:13,040 Speaker 1: more inspiring stories about discovering your life's work, Audiation