WEBVTT - Race Swap Card | EP 7

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<v Speaker 1>Hi, Curse Up listeners, I know you miss me on

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<v Speaker 1>your feed. Don't worry. We're working on an all new

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<v Speaker 1>season of Curse Of coming out later this year. In

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<v Speaker 1>the meantime, if you can't stop thinking about the shocking

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<v Speaker 1>stories you heard about America's Next Top Model, you'll definitely

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<v Speaker 1>want to check out our new docuseries from E Dirty

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<v Speaker 1>Rotten Scandals. In the series, you'll hear from the America's

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<v Speaker 1>Next Top Model participants you heard from on Curse Of,

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<v Speaker 1>and a few you didn't like former A and TM

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<v Speaker 1>judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly

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<v Speaker 1>of the long running TV series through the untold stories

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<v Speaker 1>of former contestants, and shows what happens when a golden

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<v Speaker 1>opportunity for aspiring models unravels into a harrowing saga of exploitation,

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<v Speaker 1>shattered dreams, and resilience. You can find the two part

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<v Speaker 1>docuseries Dirty Rotten Scandals America's Next Top Model on E Network.

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<v Speaker 1>Check your local TV provider schedule. This week, we've learned.

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<v Speaker 2>All about makeup and the power that it has to

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<v Speaker 2>transform people. Today we are doing this shoot for Got Milk.

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<v Speaker 1>There are a lot of moments from America's Next Top

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<v Speaker 1>Model that haven't aged well. We've been revisiting them all season,

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<v Speaker 1>but for a lot of people, there's one that towers

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<v Speaker 1>above the rest. Now there's a twist.

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<v Speaker 2>We are actually going to switch your ethnicities.

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<v Speaker 1>Even diehard antm apologist can't deny the cringiness of this

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<v Speaker 1>photo shoot.

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<v Speaker 2>Christina, you're going to be an East Indian. Tiffany, you're

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<v Speaker 2>gonna be Native American.

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<v Speaker 1>Of course, I'm talking about the race swapping photo shoot.

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<v Speaker 1>Believe it or not. A and TM actually did a

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<v Speaker 1>version of this photo shoot twice. The first time was

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<v Speaker 1>on cycle four. They assigned each of the contestants to

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<v Speaker 1>portray a race that was not their own. Brittany Brower,

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<v Speaker 1>a white girl from Tallahassee, was straight up put in blackface.

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<v Speaker 2>Brittany an African American woman, Kenya Korean, Michelle an Eskimo woman.

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<v Speaker 1>Yikes. Now you're most.

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<v Speaker 2>Gonna be an Icelandic Scandinavian, Tatiana a biracial woman, UV

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<v Speaker 2>Swedish milkmaid. Wow, Becca really dark tanned Italian Sicilian woman.

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<v Speaker 2>And Noel, we're making you into a traditionally African woman

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<v Speaker 2>with a head wrap and everything.

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<v Speaker 3>Wow.

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<v Speaker 1>Everybody else got a country or ethnicity. Noel had to

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<v Speaker 1>represent a whole. Confident they didn't just change their skin color.

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<v Speaker 1>The models got a makeover, complete with costumes and wigs.

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<v Speaker 1>It was as stereotypical as you can imagine. They gave Tiffany,

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<v Speaker 1>a black woman, a long black wig with two braids

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<v Speaker 1>on the side because she was portraying a Native American woman. Christina,

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<v Speaker 1>a white model, got a straight wig with a dupata

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<v Speaker 1>or headscarf because she was supposed to be East Indian. Brittany,

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<v Speaker 1>the one who was in blackface, a huge afro wig

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<v Speaker 1>because she was portraying an African American woman. Here's Brittany

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<v Speaker 1>when she finally saw her completed look in the mirror.

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<v Speaker 1>A black girl with a Nosehall, come on, you're rejection.

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<v Speaker 1>People refer to this as the black face photoshoot. For

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<v Speaker 1>the two models who were supposed to be black, the

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<v Speaker 1>makeup artists actually painted their entire faces with the dark

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<v Speaker 1>brown makeup, but it didn't end there. This is something

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<v Speaker 1>for everyone to be offended by in this photo shoot. Kenya,

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<v Speaker 1>who's black, was supposed to be Korean for the shoot,

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<v Speaker 1>so she was given lighter skin Naima, who's multiracial, was

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<v Speaker 1>portraying an Icelandic woman, so they gave her makeup to

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<v Speaker 1>make her pale as if there are no multiracial people

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<v Speaker 1>in Iceland. This is shocking to us today, But if

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<v Speaker 1>you watched it play out live, I want you to

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<v Speaker 1>think back to how it made you feel in two

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<v Speaker 1>thousand and five, if you were truly offended, or if

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<v Speaker 1>your outrage is revision is history. Several of the models

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<v Speaker 1>who can on that season say at the time they

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<v Speaker 1>didn't see anything wrong with the race. Wopping. Here's Tiffany

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<v Speaker 1>and Kenya talking about it in an interview with Nightline.

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<v Speaker 1>I didn't think too much of it at the time.

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<v Speaker 4>It was fun.

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<v Speaker 5>Do you feel like the people watching it now they

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<v Speaker 5>have a much different reaction than the folks who were

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<v Speaker 5>watching it at the time.

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<v Speaker 1>Do you chalk some of it up to the popularity.

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<v Speaker 5>Of the show, the things that they were able to

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<v Speaker 5>get away with on television, to the fact that we

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<v Speaker 5>were just living in a different time.

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<v Speaker 1>Then yeah, I do. Yeah, just live in a different time.

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<v Speaker 1>Maybe they didn't think too much of it back then,

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<v Speaker 1>but these days they've had to think about it a lot.

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<v Speaker 1>I really wanted to talk to Britney Brower, the white

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<v Speaker 1>girl who was put in black face. Here's what she

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<v Speaker 1>remembers from that photo shoot.

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<v Speaker 5>They wanted to give us all different ethnicities and give

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<v Speaker 5>me blackface and make me an African American woman and

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<v Speaker 5>not clearly did not age very well. But I'll be

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<v Speaker 5>very very honest at the time of thought anything of it.

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<v Speaker 5>I hope that doesn't sound wrong.

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<v Speaker 1>It was just fun. You know.

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<v Speaker 6>You got to think the host of our show is

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<v Speaker 6>Tyra Banks, and mister and missus Jay are right there

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<v Speaker 6>as well. It never crossed my brain at all. If

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<v Speaker 6>Tyers want me to do something that it would ever

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<v Speaker 6>ever end up being, like, you know, anything offensive, then.

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<v Speaker 1>She must not know about Tarra Banks. To this day,

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<v Speaker 1>if you google Britney's name, that image pops up. Did

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<v Speaker 1>it work out for the long run?

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<v Speaker 5>I have felt more than uncomfortable with it, obviously. I

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<v Speaker 5>don't mean offending anybody like twenty years later of something

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<v Speaker 5>I did when I was twenty two years old and

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<v Speaker 5>I'm forty two years old now, you know.

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<v Speaker 1>But there was one contestant I talked to who said,

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<v Speaker 1>at the time the whole thing felt off to her,

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<v Speaker 1>and that was Uvi Gomez.

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<v Speaker 7>I knew it was wrong, Like I absolutely knew it

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<v Speaker 7>was wrong, and I was trying to talk the girls

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<v Speaker 7>into all of us saying we didn't want to do it.

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<v Speaker 1>But like Brittany, most of them thought Tyra KNWBST.

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<v Speaker 8>They didn't want to say not to do it, so

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<v Speaker 8>they're like, well, if Tyra wrote off on it, then

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<v Speaker 8>it's fine. I'm like, oh, you know, I knew the

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<v Speaker 8>fallout was going to happen, you know, and it Ensure died.

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<v Speaker 8>Twenty years later, still people are talking about it.

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<v Speaker 1>People are talking about it now, but when it aired,

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<v Speaker 1>there wasn't a lot of concern. In fact, Brittany told

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<v Speaker 1>me after she was eliminated, she did an interview tour

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<v Speaker 1>and the black face photoshoot never came up.

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<v Speaker 5>I had the interviews all day long with every kind

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<v Speaker 5>of radio show, talk show, television show. The day after

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<v Speaker 5>my elimination. I never got one question about it, not one,

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<v Speaker 5>not one. I mean that's just how it was then.

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<v Speaker 5>Nothing Nothing was ever said about it back then.

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<v Speaker 1>I'm not defending it.

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<v Speaker 5>I'm just telling you nobody ever said anything.

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<v Speaker 1>Blackface is a specific practice that has racist origins. It's

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<v Speaker 1>based on ugly stereotypes. It was created to mock and

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<v Speaker 1>degrade black people. I know, anything even reminiscent of blackface

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<v Speaker 1>feels offensive. And I'm not trying to defend this incredibly

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<v Speaker 1>insensitive photoshoot, but I don't think it was A and

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<v Speaker 1>TM's goal to mock and degrade black people. For me,

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<v Speaker 1>the worst part of this photo shoot wasn't the wigs

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<v Speaker 1>or even the makeup. It was when Jay Manuel said this, the.

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<v Speaker 2>Challenge here really is taking on the persona of that

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<v Speaker 2>other ethnicity while in the photograph and owning it.

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<v Speaker 1>It wasn't just about how they looked. Mister Jay wanted

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<v Speaker 1>them to act their racial parts, whatever that means. And

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<v Speaker 1>I think that desire for contestants to embody a racial

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<v Speaker 1>stereotype didn't just happen in the race wiping challenge. It

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<v Speaker 1>played out on every season of the show. Want to

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<v Speaker 1>Beyond Some, want to Beyond Some. Welcome to the Curse

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<v Speaker 1>of America's next Top Model. I'm Bridget Armshan. No matter

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<v Speaker 1>what A and TM intended, the race swapping photoshoot was

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<v Speaker 1>based on stereotypes and narrow ideas about race. They had

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<v Speaker 1>the nerve to do a version of this again years later,

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<v Speaker 1>but those were just two photoshoots. From season one all

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<v Speaker 1>the way to the end, America's Next Top Model always

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<v Speaker 1>prioritize racial and ethnic diversity. They depicted beauty across racial lines,

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<v Speaker 1>but the way contestants were cast and edited often played

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<v Speaker 1>into racial stereotypes. The early two thousands was a different

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<v Speaker 1>time when it came to race and representation. That's why

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<v Speaker 1>I can give A and TM's race swapping challenge some grace.

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<v Speaker 1>But even for the times, A and TM's use of

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<v Speaker 1>racial tropes stands out, and they continued until the show

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<v Speaker 1>ended in twenty eighteen, which is hard to reconcile with

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<v Speaker 1>the fact that A and TM was created by a

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<v Speaker 1>black woman and an Asian man, Tyra Banks and Ken Mock.

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<v Speaker 1>Plus the head casting director was a black woman and

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<v Speaker 1>the j's were queer men of color. So how did

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<v Speaker 1>A and TM's episodes end up looking so racist? Maybe

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<v Speaker 1>it's because racial stereotypes are low hanging fruit, or maybe

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<v Speaker 1>it's because they're a tried and true moneymaker. So on

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<v Speaker 1>this episode, we're going to talk about identity on A

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<v Speaker 1>and TM. We'll explore the stereotypes and tropes we saw

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<v Speaker 1>across seasons and talk about the models who say they

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<v Speaker 1>were harmed by their edit once they left the house.

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<v Speaker 1>If there's anything about A and TM Tyra Banks is

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<v Speaker 1>most proud of today, it's the show's diversity. She talks

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<v Speaker 1>about it all the time. She even brought it up

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<v Speaker 1>in twenty twenty five when she was accepting an award

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<v Speaker 1>from Essen.

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<v Speaker 9>Over twenty years ago, I created a television show called America's.

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<v Speaker 10>Next Top Model, and I fought, and you guys have

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<v Speaker 10>no idea how hard we fought to bring the diversity

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<v Speaker 10>to that television show at a time where it didn't.

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<v Speaker 9>Exist, to show different beauties at a time when the

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<v Speaker 9>world was like what.

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<v Speaker 1>You cast in that? And what and what is that?

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<v Speaker 11>That might be the narrative she's trying to push, but

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<v Speaker 11>you know they were just trying to create a great show.

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<v Speaker 1>That's Barez Hilton. You heard him on the second episode.

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<v Speaker 1>He was a gossip blogger in the early two thousands

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<v Speaker 1>and a guest judge on A and TM.

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<v Speaker 11>Top Model really was a pioneer in terms of diversity.

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<v Speaker 11>I do give her credit for that diversity in color,

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<v Speaker 11>in socioeconomic background, in trans representation, queer representation. But while

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<v Speaker 11>that was a factor that wasn't an important one.

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<v Speaker 1>Perez doesn't think Tyra was a champion of diversity like

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<v Speaker 1>she said she was, or that A and TM had

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<v Speaker 1>this diverse cast because she wanted to change the world.

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<v Speaker 1>He thinks they prioritize diversity because it makes great TV.

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<v Speaker 1>At first, when Perez said this in our interview, I

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<v Speaker 1>didn't agree with him. I thought he was a white

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<v Speaker 1>guy who just didn't get it. But now, after six

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<v Speaker 1>months of reporting, I gotta admit Perez might be onto something.

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<v Speaker 1>I do believe Tyra when she said she created A

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<v Speaker 1>ANDTM to challenge traditional notions around beauty. I think she

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<v Speaker 1>wanted the audience to see that women of all shapes

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<v Speaker 1>and colors are beautiful. But I also think it was

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<v Speaker 1>more than that. Bringing together strangers from completely different backgrounds

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<v Speaker 1>and walks of life, throwing them into a house and

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<v Speaker 1>seeing what happens is a proven formula. The reality showed

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<v Speaker 1>the real world pretty much invented and perfected it in

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<v Speaker 1>the nineties. A and TM just took that model and

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<v Speaker 1>will applied it to models because it works. Remember the

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<v Speaker 1>drama on Cycle one between Christian Robin and Atheis Elise.

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<v Speaker 1>How many times did we see A and TM put

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<v Speaker 1>small town sheltered contestants in a house with loose, big

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<v Speaker 1>city girls, or rich contestants with contestants who grew up

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<v Speaker 1>in trailer parks, or girls from the hood clashing with

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<v Speaker 1>girls from the suburbs. I'm convinced A and TM did

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<v Speaker 1>the British Invasion season just to see the cultural clash

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<v Speaker 1>between the UK and American models. Last episode, we talked

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<v Speaker 1>about the way A and TM created characters and why

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<v Speaker 1>it resonates with audiences. Characters in reality TV help us

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<v Speaker 1>put the cast into categories, and that in turn helps

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<v Speaker 1>us understand the story better. It works best when the

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<v Speaker 1>characters aligned with tropes we already know. Most of us

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<v Speaker 1>have an idea of the girl next door, or the

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<v Speaker 1>quiet wallflower or the pageant queen. Those are common tropes

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<v Speaker 1>we see on television. Picking up on a contestant's personality

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<v Speaker 1>and then casting and editing them to align with the

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<v Speaker 1>character trope isn't wrong. The problem is audiences are also

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<v Speaker 1>looking for characters that align with preconceived racial biases and tropes.

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<v Speaker 1>Bethany Butler is a freelance journalist who writes about race

0:13:21.880 --> 0:13:22.760
<v Speaker 1>and reality TV.

0:13:23.600 --> 0:13:26.720
<v Speaker 3>There's an understanding from the very beginning of reality TV

0:13:26.840 --> 0:13:29.640
<v Speaker 3>that like, you need to have these archetypes in these

0:13:29.760 --> 0:13:35.040
<v Speaker 3>characters and oftentimes the stereotypes, the biases we have in

0:13:35.080 --> 0:13:37.960
<v Speaker 3>our country. In many ways, it's such a microcosm of

0:13:38.000 --> 0:13:41.320
<v Speaker 3>how we are in real life.

0:13:40.360 --> 0:13:43.040
<v Speaker 1>And A ANDTM was more than happy to give the

0:13:43.080 --> 0:13:46.719
<v Speaker 1>audience what they were expecting for all of its diversity.

0:13:46.920 --> 0:13:49.400
<v Speaker 1>There were less than twenty five Asian contestants in A

0:13:49.480 --> 0:13:53.079
<v Speaker 1>and TM history, but the few Asian American models who

0:13:53.160 --> 0:13:56.800
<v Speaker 1>were on the show faced microaggressions and storylines and edits

0:13:56.800 --> 0:14:00.600
<v Speaker 1>that were based on racial stereotypes. They were fetishized, like

0:14:00.679 --> 0:14:04.120
<v Speaker 1>Sina Sakai from Cycle eleven. The edit made it seem

0:14:04.160 --> 0:14:06.560
<v Speaker 1>like all she wanted to talk about was sex. She

0:14:06.720 --> 0:14:09.040
<v Speaker 1>was a go go dancer, something the show focused on

0:14:09.160 --> 0:14:11.880
<v Speaker 1>a lot, but she was also a stunt woman and

0:14:11.920 --> 0:14:15.240
<v Speaker 1>we never heard about that on the show. Aside from that,

0:14:15.800 --> 0:14:19.800
<v Speaker 1>Asian models were typecast and edited its model minorities or

0:14:19.840 --> 0:14:25.320
<v Speaker 1>perpetual foreigners. Gina Cho from Cycle six is Korean American.

0:14:25.880 --> 0:14:29.360
<v Speaker 1>On the semi finals audition episode, her ethnicity was the

0:14:29.360 --> 0:14:32.320
<v Speaker 1>main focus of her conversation with the judges, So why

0:14:32.320 --> 0:14:32.480
<v Speaker 1>do you.

0:14:32.440 --> 0:14:33.720
<v Speaker 9>Want to be America's sex top model.

0:14:33.800 --> 0:14:37.160
<v Speaker 12>I think that there's just not enough Asian models out there.

0:14:37.280 --> 0:14:39.760
<v Speaker 12>I feel that I can break down that barrier, and

0:14:39.800 --> 0:14:41.120
<v Speaker 12>I think it's her responsibility.

0:14:41.400 --> 0:14:43.320
<v Speaker 1>You say that you're you're not the girl next door,

0:14:43.320 --> 0:14:43.880
<v Speaker 1>you're wild.

0:14:44.000 --> 0:14:45.480
<v Speaker 12>What do you mean that If you're to ask me

0:14:45.600 --> 0:14:47.600
<v Speaker 12>to get down ship naked, I will do it.

0:14:48.040 --> 0:14:49.960
<v Speaker 1>That's just how I am. Well, the thing is, like,

0:14:50.040 --> 0:14:51.000
<v Speaker 1>my parents kind of.

0:14:50.960 --> 0:14:52.800
<v Speaker 12>Have a thing with that, So I mean, I don't

0:14:52.800 --> 0:14:55.720
<v Speaker 12>know if I would go against my parents or I

0:14:55.760 --> 0:14:58.840
<v Speaker 12>mean I kind of believe more in the American culture

0:14:58.880 --> 0:15:02.800
<v Speaker 12>more than my parents. Oh, I'm not into Asian guys.

0:15:03.440 --> 0:15:05.640
<v Speaker 12>Why the thing is are a lot shorter than I am,

0:15:05.680 --> 0:15:07.440
<v Speaker 12>which is something that I can't tolerate.

0:15:07.560 --> 0:15:10.560
<v Speaker 2>You've come so full circle from your initial statement, But.

0:15:10.520 --> 0:15:12.800
<v Speaker 9>Do you understand how you were a contradiction hers You

0:15:12.840 --> 0:15:15.520
<v Speaker 9>were saying, I'm Asian, I'm strong, I'm Korean, and then

0:15:15.560 --> 0:15:17.600
<v Speaker 9>you're saying it's through Korean boys and.

0:15:17.440 --> 0:15:18.200
<v Speaker 1>I want a white boy.

0:15:18.400 --> 0:15:21.600
<v Speaker 12>I don't know what exactly happened, but I got confused

0:15:21.640 --> 0:15:23.360
<v Speaker 12>and I started contradicting myself.

0:15:23.880 --> 0:15:26.240
<v Speaker 1>Gina's right when she said there aren't a lot of

0:15:26.280 --> 0:15:30.160
<v Speaker 1>Asian models, but her personal feelings about identity and dating

0:15:30.320 --> 0:15:33.560
<v Speaker 1>have nothing to do with that fact. But Gina's comments

0:15:33.600 --> 0:15:36.760
<v Speaker 1>about her race are exactly what captured the judge's attention.

0:15:37.640 --> 0:15:40.600
<v Speaker 1>Gina was ultimately chosen to go into the house, and

0:15:40.840 --> 0:15:44.120
<v Speaker 1>I think that's because they wanted to explore an Asian

0:15:44.160 --> 0:15:48.600
<v Speaker 1>identity crisis storyline. Her questions about her identity and lack

0:15:48.640 --> 0:15:51.480
<v Speaker 1>of confidence were central to her edit. There was a

0:15:51.480 --> 0:15:55.040
<v Speaker 1>press conference challenge later that episode where Janis asked Gina

0:15:55.120 --> 0:15:57.000
<v Speaker 1>about her identity again.

0:15:57.360 --> 0:16:00.440
<v Speaker 2>Gina, how does being an Asian woman fat you're into

0:16:00.480 --> 0:16:02.400
<v Speaker 2>your determination to win this competition?

0:16:02.680 --> 0:16:03.560
<v Speaker 1>I guess I don't know.

0:16:03.600 --> 0:16:06.040
<v Speaker 12>I just I don't know. I don't know I answer that question.

0:16:07.440 --> 0:16:10.920
<v Speaker 2>So, Ginaman, when you met us during casting week, that

0:16:11.080 --> 0:16:12.360
<v Speaker 2>was the first thing you mentioned.

0:16:12.520 --> 0:16:14.160
<v Speaker 1>So why do you want to be America sex top model?

0:16:14.200 --> 0:16:16.640
<v Speaker 12>There's just not enough Asian models out there.

0:16:16.760 --> 0:16:19.040
<v Speaker 2>Why in a room with all these reporters, why would

0:16:19.080 --> 0:16:21.680
<v Speaker 2>you not take this opportunity to put it in the forefront.

0:16:22.200 --> 0:16:24.160
<v Speaker 12>I'm just I'm twenty one years old and I don't

0:16:24.200 --> 0:16:27.240
<v Speaker 12>know who I really am yet. I'm kind of like struggling.

0:16:27.280 --> 0:16:28.640
<v Speaker 12>I'm like having an identity crisis.

0:16:28.640 --> 0:16:33.120
<v Speaker 1>Share Gina's parents immigrated from Korea. A lot of first

0:16:33.160 --> 0:16:35.960
<v Speaker 1>generation Americans have talked about the push and pool between

0:16:36.000 --> 0:16:39.120
<v Speaker 1>their parents' culture and their American upbringing. It's a lot

0:16:39.160 --> 0:16:42.560
<v Speaker 1>to navigate, especially on a reality show that keeps bringing

0:16:42.600 --> 0:16:46.640
<v Speaker 1>it up. My issue is that ANTM casts so few

0:16:46.680 --> 0:16:50.240
<v Speaker 1>Asian American models, and when they finally did, they chose

0:16:50.240 --> 0:16:53.600
<v Speaker 1>a girl who was clearly struggling with her identity. Then

0:16:53.680 --> 0:16:58.120
<v Speaker 1>they made that struggle her storyline, which reinforces stereotypes and

0:16:58.160 --> 0:17:00.680
<v Speaker 1>distracts from the whole purpose of our on the show,

0:17:01.120 --> 0:17:05.120
<v Speaker 1>which was supposed to be modeling, but Gina didn't even

0:17:05.119 --> 0:17:09.600
<v Speaker 1>get it the worst. April Wildner was a contestant on

0:17:09.680 --> 0:17:14.159
<v Speaker 1>cycle two. April is biracial, Japanese and white. One of

0:17:14.200 --> 0:17:16.639
<v Speaker 1>the first photoshoots of the season was a take on

0:17:16.680 --> 0:17:20.040
<v Speaker 1>the Garden of Eden. Each model was supposed to portray

0:17:20.080 --> 0:17:24.439
<v Speaker 1>a different eve. They wore body paint, headdresses, and little elks.

0:17:25.760 --> 0:17:28.560
<v Speaker 1>They painted one model purple and gave her a crown

0:17:28.640 --> 0:17:32.120
<v Speaker 1>and wings like a cherub. Another model they painted all

0:17:32.240 --> 0:17:35.040
<v Speaker 1>silver and gave her a chain mail head covering like

0:17:35.080 --> 0:17:38.880
<v Speaker 1>a sexy medieval eve. It's hard to understand what they

0:17:38.880 --> 0:17:42.560
<v Speaker 1>were going for there. But with April, they were very clear.

0:17:43.440 --> 0:17:47.160
<v Speaker 1>April was supposed to be Asian Eve, and despite being

0:17:47.359 --> 0:17:51.440
<v Speaker 1>half Japanese, they painted a giant Chinese dragon on her

0:17:51.680 --> 0:17:55.080
<v Speaker 1>and adorned her head with little lanterns, another Chinese symbol.

0:17:56.600 --> 0:18:01.800
<v Speaker 13>April Asian Eve was gorgeous, fantastic, I face this fantastic.

0:18:01.960 --> 0:18:05.320
<v Speaker 1>My goodness me, that's exactly what I'm looking for. H

0:18:05.840 --> 0:18:11.080
<v Speaker 1>Sometimes Nigel just gives me the creeps. April did very

0:18:11.080 --> 0:18:14.080
<v Speaker 1>well in the competition. She was constantly praised by the

0:18:14.160 --> 0:18:17.400
<v Speaker 1>judges for hitting the mark during her photoshoots, and April

0:18:17.440 --> 0:18:20.439
<v Speaker 1>took the judges it vice seriously. But she was also

0:18:20.600 --> 0:18:25.840
<v Speaker 1>consistently criticized for lacking personality. They said she was too analytical,

0:18:26.000 --> 0:18:28.000
<v Speaker 1>too mechanical, and too perfect.

0:18:28.320 --> 0:18:31.040
<v Speaker 9>There was absolutely no personality and didn't make me like

0:18:31.080 --> 0:18:32.800
<v Speaker 9>you and say, oh, I want to be like April.

0:18:33.680 --> 0:18:39.000
<v Speaker 9>To April, We're not sure if you want this because

0:18:39.040 --> 0:18:40.920
<v Speaker 9>you want to be a top model and you want

0:18:40.920 --> 0:18:43.479
<v Speaker 9>to be in this fashion industry, or is it that

0:18:43.520 --> 0:18:46.800
<v Speaker 9>you just want to win for the sake of winning. April,

0:18:48.119 --> 0:18:51.120
<v Speaker 9>I still feel like you're very analytical, but I want

0:18:51.119 --> 0:18:53.280
<v Speaker 9>to see the sensitive and beautiful side of you too.

0:18:53.880 --> 0:18:56.520
<v Speaker 1>But The problem for me with April is that you

0:18:56.560 --> 0:18:59.240
<v Speaker 1>know she's clinical. She's like a technician. I want to

0:18:59.280 --> 0:18:59.920
<v Speaker 1>see some more sec.

0:19:00.680 --> 0:19:02.560
<v Speaker 9>I would love to see a more romantic side of her.

0:19:02.760 --> 0:19:03.119
<v Speaker 14>April.

0:19:03.119 --> 0:19:07.160
<v Speaker 9>This is the strongest picture of the bunch. But when

0:19:07.240 --> 0:19:09.320
<v Speaker 9>you talk and how you move in your hands so

0:19:09.840 --> 0:19:12.359
<v Speaker 9>like this, it's not a likable, warm person.

0:19:12.560 --> 0:19:16.439
<v Speaker 1>Again, you believe after all that they kept going April,

0:19:16.560 --> 0:19:17.920
<v Speaker 1>you are so technical.

0:19:18.200 --> 0:19:21.439
<v Speaker 9>But if you want a model and just relax and exhale,

0:19:21.800 --> 0:19:23.440
<v Speaker 9>how you look like, you know, you need to go

0:19:23.440 --> 0:19:24.280
<v Speaker 9>to the emergency room.

0:19:24.359 --> 0:19:28.080
<v Speaker 1>Needed more soul. It was almost too clinical. America's Next

0:19:28.119 --> 0:19:32.280
<v Speaker 1>Top Model was a competition reality show. Every contestant was

0:19:32.320 --> 0:19:35.679
<v Speaker 1>trying to be perfect. Everyone was analyzing the challenges and

0:19:35.680 --> 0:19:39.040
<v Speaker 1>the feedback from the judges. But with April, they made

0:19:39.160 --> 0:19:42.840
<v Speaker 1>that her storyline. April was so good at the competition,

0:19:43.080 --> 0:19:46.199
<v Speaker 1>the judges said she was too perfect to them. The

0:19:46.240 --> 0:19:49.680
<v Speaker 1>fact that she was good at everything made her unrelatable,

0:19:50.200 --> 0:19:54.399
<v Speaker 1>and that plays into model minority tropes. April made it

0:19:54.440 --> 0:19:57.160
<v Speaker 1>to the top four in her season. When she was eliminated,

0:19:57.320 --> 0:19:58.280
<v Speaker 1>Here's what Tyra.

0:19:58.080 --> 0:20:02.000
<v Speaker 9>Said, April pictures, we feel like you post better than

0:20:02.040 --> 0:20:05.840
<v Speaker 9>all the girls here, but modeling isn't about being mechanical,

0:20:06.080 --> 0:20:08.520
<v Speaker 9>It's about emotionally connecting with the camera.

0:20:08.920 --> 0:20:13.960
<v Speaker 1>Per se these congratulations. When her name wasn't called, April

0:20:13.960 --> 0:20:18.080
<v Speaker 1>broke down crying. I think they eliminated her just to

0:20:18.119 --> 0:20:24.240
<v Speaker 1>get that emotional reaction. Tyra said she wanted A and

0:20:24.280 --> 0:20:27.600
<v Speaker 1>TM to show the audience that women from different ethnic

0:20:27.640 --> 0:20:31.840
<v Speaker 1>backgrounds can be top models, but the editing and typecasting

0:20:31.880 --> 0:20:36.160
<v Speaker 1>of April reinforced the opposite. There's an ugly belief about

0:20:36.200 --> 0:20:38.840
<v Speaker 1>East Asian people that while they may be smart and

0:20:38.960 --> 0:20:44.720
<v Speaker 1>high achieving, they lack creativity and charisma. April's storyline told

0:20:44.760 --> 0:20:47.919
<v Speaker 1>the audience that an Asian model can be beautiful and

0:20:48.000 --> 0:20:51.040
<v Speaker 1>even better than her competitors, but there will always be

0:20:51.160 --> 0:20:57.840
<v Speaker 1>something inherently missing, which just isn't true. Jaslene Gonzalez, who

0:20:57.880 --> 0:21:01.240
<v Speaker 1>you heard from a few episodes ago Puerto Rican, She

0:21:01.280 --> 0:21:04.760
<v Speaker 1>grew up in Chicago. On Cycle eight, Jaslene was framed

0:21:04.800 --> 0:21:07.679
<v Speaker 1>as a cha cha diva, a moniker she still proudly

0:21:07.800 --> 0:21:11.680
<v Speaker 1>uses to this day. Here's Jazleene recalling her antm audition.

0:21:12.200 --> 0:21:15.840
<v Speaker 13>I said, my name, my heights, and where I'm from,

0:21:15.960 --> 0:21:18.200
<v Speaker 13>like the most cha cha diva ever.

0:21:18.680 --> 0:21:21.640
<v Speaker 1>It's one thing to showcase the contestants love for their culture.

0:21:22.119 --> 0:21:26.840
<v Speaker 1>It's another thing to make them a caricature. When Jaslene

0:21:26.880 --> 0:21:30.120
<v Speaker 1>originally auditioned on cycle seven, she came in the room

0:21:30.280 --> 0:21:33.960
<v Speaker 1>already turned up. She had a big personality. She was

0:21:34.040 --> 0:21:38.919
<v Speaker 1>salsa dancing. ANTM played salsa music during her scene, but

0:21:39.040 --> 0:21:41.879
<v Speaker 1>when she came back from cycle eight, her entrance was

0:21:41.920 --> 0:21:46.240
<v Speaker 1>a lot more muted. Jaslene was still proudly Latina, but

0:21:46.320 --> 0:21:50.000
<v Speaker 1>she wasn't embodying the spicy Latina character ANTM wanted her

0:21:50.040 --> 0:21:53.880
<v Speaker 1>to be. There was a photoshoot where jay Manuel basically said.

0:21:53.680 --> 0:21:56.320
<v Speaker 2>That I need you to bring me that Latina fire.

0:21:57.240 --> 0:21:59.760
<v Speaker 1>I don't know if Jazleene felt pressure to fit a

0:21:59.760 --> 0:22:03.280
<v Speaker 1>certain character or if the producers told her to really

0:22:03.359 --> 0:22:06.600
<v Speaker 1>lean into her Puerto Rican heritage, but when I talked

0:22:06.600 --> 0:22:09.640
<v Speaker 1>to her, she certainly didn't seem like a spicy Latina.

0:22:10.080 --> 0:22:13.840
<v Speaker 1>She's actually really soft spoken. That's the thing about tropes.

0:22:14.400 --> 0:22:20.800
<v Speaker 1>Real people don't neatly fit into a stereotype. Jasleene is

0:22:20.840 --> 0:22:24.280
<v Speaker 1>often called the first and only Latina winner of America's

0:22:24.280 --> 0:22:28.240
<v Speaker 1>Next Top Model, but she's not. Yauanna House, the winner

0:22:28.280 --> 0:22:31.640
<v Speaker 1>of cycle two, is half Mexican and I don't think

0:22:31.680 --> 0:22:34.679
<v Speaker 1>it's something she's trying to hide. She mentioned her mother's

0:22:34.720 --> 0:22:38.879
<v Speaker 1>heritage in her interview with me unprompted, but unlike Jaslene,

0:22:39.040 --> 0:22:42.919
<v Speaker 1>Yawana's edit didn't revolve around being Latina. It was barely

0:22:42.960 --> 0:22:46.080
<v Speaker 1>mentioned on the show, and I think it's because Yuana

0:22:46.119 --> 0:22:49.960
<v Speaker 1>doesn't fit the stereotypical image of a Latina woman. She

0:22:50.040 --> 0:22:52.720
<v Speaker 1>has pale skin and green eyes. But that gets into

0:22:52.800 --> 0:22:55.600
<v Speaker 1>the difference between race and ethnicity, which is a nuance

0:22:55.800 --> 0:23:00.640
<v Speaker 1>antm couldn't handle. That dynamic is something we saw play

0:23:00.680 --> 0:23:04.160
<v Speaker 1>out with other contestants whose heritage wasn't mentioned because they

0:23:04.160 --> 0:23:10.280
<v Speaker 1>didn't look the part. UV Gomez, who was Mexican American,

0:23:10.480 --> 0:23:13.639
<v Speaker 1>taught me producers definitely wanted her to fit into a

0:23:13.680 --> 0:23:15.560
<v Speaker 1>racial stereotype.

0:23:15.760 --> 0:23:19.200
<v Speaker 8>They wanted me to be like a crazy Latina girl,

0:23:19.400 --> 0:23:21.000
<v Speaker 8>you know, the ex gang member.

0:23:21.960 --> 0:23:27.719
<v Speaker 1>They wanted drama on cycle for UV's initial storyline revolved

0:23:27.760 --> 0:23:32.080
<v Speaker 1>around her being a reformed gang banger turned model. UV

0:23:32.200 --> 0:23:34.080
<v Speaker 1>told me when she was in middle school, she was

0:23:34.160 --> 0:23:36.880
<v Speaker 1>kind of a latchkey kid. Her mom worked a lot,

0:23:36.960 --> 0:23:40.080
<v Speaker 1>so she didn't have the most supervision. UV said she

0:23:40.200 --> 0:23:42.959
<v Speaker 1>got into trouble, skipped school, and got into fights.

0:23:44.640 --> 0:23:49.760
<v Speaker 8>I did hang out with people that did hood rade things,

0:23:49.920 --> 0:23:53.280
<v Speaker 8>and I was the hood rade doe ofup with my friends.

0:23:54.840 --> 0:23:57.800
<v Speaker 1>But when UV started to get suspended from school, her

0:23:57.800 --> 0:23:59.760
<v Speaker 1>mom pulled her out and put her in a new school,

0:24:00.119 --> 0:24:03.080
<v Speaker 1>and You've made new friends. By the time she got

0:24:03.119 --> 0:24:06.200
<v Speaker 1>to high school, things had turned around for her. UV

0:24:06.320 --> 0:24:08.240
<v Speaker 1>says she shared all of this with the A and

0:24:08.240 --> 0:24:12.280
<v Speaker 1>TM producers, but she also told me she never said

0:24:12.320 --> 0:24:15.680
<v Speaker 1>she was in a gang, despite Tyra asking her about

0:24:15.680 --> 0:24:16.760
<v Speaker 1>it during her audition.

0:24:17.240 --> 0:24:20.760
<v Speaker 15>When I was kid, I went through basically every stage

0:24:20.760 --> 0:24:21.560
<v Speaker 15>that you could think of.

0:24:22.800 --> 0:24:24.480
<v Speaker 1>You'd be on your application, it says she used to

0:24:24.480 --> 0:24:30.040
<v Speaker 1>be in a gang. You've told the casting producers that

0:24:30.160 --> 0:24:32.800
<v Speaker 1>her friends used to be in a gang. So when

0:24:32.840 --> 0:24:35.440
<v Speaker 1>Tyra asked her this in the audition, she throws up.

0:24:35.920 --> 0:24:38.159
<v Speaker 1>The camera cuts away from UV space while you hear

0:24:38.200 --> 0:24:41.560
<v Speaker 1>her reply, which you can tell clearly sounds edited.

0:24:41.800 --> 0:24:45.040
<v Speaker 15>Oh goodness, being in a gang and doing all that stuff.

0:24:45.080 --> 0:24:47.160
<v Speaker 15>I think it's the worst stage of my life.

0:24:47.880 --> 0:24:48.000
<v Speaker 4>Ow.

0:24:48.080 --> 0:24:50.440
<v Speaker 15>She just an angry kid. It's sad, like I hate

0:24:50.480 --> 0:24:53.560
<v Speaker 15>talking about it. It gets me kind of ah loofy. But

0:24:54.200 --> 0:24:56.480
<v Speaker 15>I just had a lot of like resentment against us.

0:24:56.400 --> 0:24:57.000
<v Speaker 5>A lot of people.

0:24:57.440 --> 0:24:58.520
<v Speaker 1>Here's UV today.

0:24:58.840 --> 0:25:01.040
<v Speaker 8>I don't know how they edited because I didn't say

0:25:01.119 --> 0:25:04.920
<v Speaker 8>I was in a gang, but I said I hung

0:25:04.960 --> 0:25:06.560
<v Speaker 8>out with people that were in a gang.

0:25:07.960 --> 0:25:11.919
<v Speaker 1>I did have cousins in gangs and uncles. UV was

0:25:11.960 --> 0:25:14.680
<v Speaker 1>twenty one when she went on the show The Trouble Path.

0:25:14.760 --> 0:25:17.280
<v Speaker 1>The producers tried to make into her storyline would have

0:25:17.320 --> 0:25:20.440
<v Speaker 1>happened when she was twelve or thirteen, and UV said

0:25:20.640 --> 0:25:22.880
<v Speaker 1>that wasn't the only time they tried to make her

0:25:22.920 --> 0:25:24.160
<v Speaker 1>into a stereotype.

0:25:24.600 --> 0:25:27.919
<v Speaker 8>When I filled out my application, they ask you, where's

0:25:27.960 --> 0:25:31.720
<v Speaker 8>the last three places you've lived, last three jobs you've had,

0:25:32.280 --> 0:25:35.600
<v Speaker 8>and your three favorite food. So I had lived in

0:25:35.760 --> 0:25:42.960
<v Speaker 8>San Francisco, Newport and Modesto. They chose Modesto. I worked

0:25:43.400 --> 0:25:47.639
<v Speaker 8>as a model, a janitor and for Abercrombie and Fitch.

0:25:47.960 --> 0:25:49.000
<v Speaker 1>And what did they choose?

0:25:49.320 --> 0:25:53.240
<v Speaker 8>Janitor? And then my favorite food was sushi? Mighta said

0:25:53.280 --> 0:25:54.400
<v Speaker 8>Italian or pizza?

0:25:54.800 --> 0:25:56.880
<v Speaker 1>And then Taco Bell? They picked Taco Bell.

0:25:57.280 --> 0:26:01.560
<v Speaker 8>So I was the ex gang member, her nice girl

0:26:01.880 --> 0:26:05.680
<v Speaker 8>that lived in Modestra was a janitor at a Taco Bell.

0:26:06.520 --> 0:26:08.360
<v Speaker 1>Sounds hellar racist?

0:26:08.680 --> 0:26:13.960
<v Speaker 8>If you asked me, it could have easily said Sushi,

0:26:14.080 --> 0:26:16.240
<v Speaker 8>Newport and Model.

0:26:16.440 --> 0:26:20.600
<v Speaker 1>But that's not what they wanted. What they wanted was

0:26:20.640 --> 0:26:23.399
<v Speaker 1>for UV to be a stereotype and to act like

0:26:23.440 --> 0:26:26.679
<v Speaker 1>a stereotype. But on set she refused to act like

0:26:26.720 --> 0:26:31.159
<v Speaker 1>that gang banging, taco bell eating Mexican janitor, so producers

0:26:31.160 --> 0:26:35.359
<v Speaker 1>decided she had to go. By episode four, they'd given

0:26:35.400 --> 0:26:38.800
<v Speaker 1>you V a new storyline, the girl who can't take

0:26:38.880 --> 0:26:43.600
<v Speaker 1>a decent picture. Tyra humiliated her at a judging panel

0:26:43.640 --> 0:26:45.880
<v Speaker 1>over one photo in particular, and one.

0:26:45.720 --> 0:26:49.840
<v Speaker 9>Of you has only taken one good photo tonight about

0:26:49.840 --> 0:26:54.360
<v Speaker 9>your piss picture. I even said that it's the worst

0:26:54.359 --> 0:26:58.040
<v Speaker 9>photo in the history of America's Next Top Model.

0:27:00.080 --> 0:27:03.280
<v Speaker 1>Can you imagine Tyra Banks herself telling you that you

0:27:03.359 --> 0:27:05.679
<v Speaker 1>have the worst photo in A and TM history.

0:27:06.160 --> 0:27:11.440
<v Speaker 8>Here's UV so dramatic, too, worst fixture in America's Next

0:27:11.440 --> 0:27:15.200
<v Speaker 8>timauto history. It was like there had only been four seasons.

0:27:15.280 --> 0:27:16.200
<v Speaker 8>Let's calm down.

0:27:16.240 --> 0:27:22.199
<v Speaker 1>Now, here's the thing about that photo you've told me?

0:27:22.440 --> 0:27:25.480
<v Speaker 1>She felt set up. The photoshoot was supposed to be

0:27:25.520 --> 0:27:30.280
<v Speaker 1>an interpretation of the zodiac signs. UV represented Pisces, so

0:27:30.320 --> 0:27:34.200
<v Speaker 1>they made her a fish. They literally glued huge shiny

0:27:34.240 --> 0:27:37.160
<v Speaker 1>sequence to her face and suspended her in a harness,

0:27:37.560 --> 0:27:41.399
<v Speaker 1>but how can you surface if it's completely covered? In sequence,

0:27:42.400 --> 0:27:45.040
<v Speaker 1>UV was in the bottom after that photoshoot, but she

0:27:45.160 --> 0:27:49.560
<v Speaker 1>didn't get sent home. That came later. At the photoshoot

0:27:49.600 --> 0:27:52.520
<v Speaker 1>that got her eliminated, the models had to pose while

0:27:52.560 --> 0:27:55.119
<v Speaker 1>being blown with wind and pelted with water that was

0:27:55.119 --> 0:27:58.520
<v Speaker 1>supposed to look like rain. Despite having to work against

0:27:58.520 --> 0:28:01.800
<v Speaker 1>the elements. Someone behind the scenes told u V they'd

0:28:01.840 --> 0:28:04.560
<v Speaker 1>seen some great photos of her, so you V was

0:28:04.600 --> 0:28:07.040
<v Speaker 1>surprised to see an awful photo of her at the

0:28:07.080 --> 0:28:11.399
<v Speaker 1>judging panel. Here's what one of the judges, Nole Marin

0:28:11.520 --> 0:28:14.000
<v Speaker 1>said about her photo, you can't as like a wetch

0:28:14.080 --> 0:28:19.120
<v Speaker 1>while on I'm Express over she got sent home. UV

0:28:19.320 --> 0:28:22.240
<v Speaker 1>thinks top Model started the narrative that she couldn't take

0:28:22.240 --> 0:28:25.080
<v Speaker 1>a photo because once they realized she wasn't going to

0:28:25.080 --> 0:28:27.520
<v Speaker 1>be a Mexican gang banger, they didn't know what to

0:28:27.560 --> 0:28:31.840
<v Speaker 1>do with her. Ironically, that gang banger stereotype they pushed

0:28:31.880 --> 0:28:35.159
<v Speaker 1>so hard didn't follow her after the show, but the

0:28:35.200 --> 0:28:37.359
<v Speaker 1>model with the worst picture title did.

0:28:37.840 --> 0:28:41.560
<v Speaker 8>They signed with a celebrity agent after the show, and

0:28:41.880 --> 0:28:44.520
<v Speaker 8>he laughed because he's like, man, they painted you like

0:28:44.640 --> 0:28:46.640
<v Speaker 8>you didn't know how to take a picture. I'm looking

0:28:46.680 --> 0:28:50.200
<v Speaker 8>at your portfolio. He's like, but people are gonna remember

0:28:51.240 --> 0:28:54.480
<v Speaker 8>that from the show, so you're gonna have to work

0:28:54.520 --> 0:28:57.200
<v Speaker 8>a little bit harder to show them you know how

0:28:57.240 --> 0:28:59.520
<v Speaker 8>to take a good picture or you know how to pose.

0:29:01.560 --> 0:29:04.040
<v Speaker 1>Uve told me when she saw her edit after the show,

0:29:04.400 --> 0:29:08.040
<v Speaker 1>she knew A andtm's commitment to diversity wasn't what it seemed.

0:29:09.040 --> 0:29:11.280
<v Speaker 8>They were like, no, look at us, We're so diverse,

0:29:11.320 --> 0:29:14.960
<v Speaker 8>we have plus models, we have all different ethnicities. But

0:29:15.560 --> 0:29:19.880
<v Speaker 8>then we're gonna paint you as your stereotype.

0:29:21.120 --> 0:29:23.400
<v Speaker 1>After the break, we're going to talk about one of

0:29:23.440 --> 0:29:27.680
<v Speaker 1>the most pervasive racial stereotypes on A ANDTM. I'm talking

0:29:27.680 --> 0:29:32.040
<v Speaker 1>about the angry black woman. And what better place to

0:29:32.080 --> 0:29:34.840
<v Speaker 1>start than right here. I was rooting for you.

0:29:34.920 --> 0:29:37.000
<v Speaker 9>We were all rooting for you out damn you.

0:29:47.560 --> 0:29:51.440
<v Speaker 1>A andtm's relationship with its black contestants was complicated in

0:29:51.520 --> 0:29:54.600
<v Speaker 1>part because Tyra is a black woman, and it's no

0:29:54.720 --> 0:29:57.400
<v Speaker 1>place you can see that dynamic play out more than

0:29:57.440 --> 0:29:59.960
<v Speaker 1>in her We were rooting for you. Confrontation on Side

0:30:00.240 --> 0:30:07.640
<v Speaker 1>four with Tiffany Richardson, Tiffany had just been eliminated from

0:30:07.640 --> 0:30:11.080
<v Speaker 1>the competition. It was a double elimination. Oh girl, you're

0:30:11.080 --> 0:30:14.920
<v Speaker 1>gonna stop. Unlike the other contestant who'd just been sent home,

0:30:15.240 --> 0:30:18.600
<v Speaker 1>Tiffany didn't seem all that emotional. When she went over

0:30:18.680 --> 0:30:20.959
<v Speaker 1>to say goodbye to the other girls, who were clearly

0:30:21.040 --> 0:30:24.160
<v Speaker 1>upset about her leaving, Tiffany tried to cheer them up.

0:30:24.600 --> 0:30:27.840
<v Speaker 1>She told them to stop crying. She even chuckled. It

0:30:27.920 --> 0:30:30.880
<v Speaker 1>was that attitude Tyra took issue with such.

0:30:30.960 --> 0:30:34.680
<v Speaker 9>Now, I'm extremely disappointed in you. This is a joke

0:30:34.720 --> 0:30:37.400
<v Speaker 9>to you. You've been through anger management, You've been through

0:30:37.440 --> 0:30:39.360
<v Speaker 9>your grandmother getting her lights turned off to buy you

0:30:39.360 --> 0:30:41.680
<v Speaker 9>a swimsuit for this competition, and you go over there

0:30:41.720 --> 0:30:44.240
<v Speaker 9>and you joke and you laugh. This is serious to

0:30:44.320 --> 0:30:46.480
<v Speaker 9>this girls, and this should be serious to you.

0:30:46.560 --> 0:30:50.280
<v Speaker 16>Looks can be deceived, and I'm hurt. I am, but

0:30:51.560 --> 0:30:52.480
<v Speaker 16>I can't change it.

0:30:52.760 --> 0:30:56.040
<v Speaker 1>Tiffany tried to explain to Tyra that she was disappointed

0:30:56.080 --> 0:30:59.800
<v Speaker 1>about going home. Then she seemed to allude to feeling defeated,

0:31:00.240 --> 0:31:02.640
<v Speaker 1>but Tyra wasn't having it. She cut her off. You

0:31:02.720 --> 0:31:03.360
<v Speaker 1>can't change what.

0:31:03.680 --> 0:31:06.560
<v Speaker 16>I'm sick of crown about stuff that I cannot change.

0:31:06.680 --> 0:31:09.000
<v Speaker 16>I'm sick of being disappointed. I'm sick of all of it.

0:31:09.160 --> 0:31:09.440
<v Speaker 16>I'm not.

0:31:09.880 --> 0:31:11.080
<v Speaker 1>Ain't sick of being disappointed?

0:31:12.200 --> 0:31:12.640
<v Speaker 15>No, you're not.

0:31:12.720 --> 0:31:15.160
<v Speaker 9>If you were sick of being disappointed, you would stand

0:31:15.240 --> 0:31:17.480
<v Speaker 9>up and you would take control of your destiny. Do

0:31:17.520 --> 0:31:19.840
<v Speaker 9>you know that you had a possibility to win? Do

0:31:19.880 --> 0:31:22.040
<v Speaker 9>you know that all of America is rooting for you?

0:31:22.600 --> 0:31:25.440
<v Speaker 1>In this moment, it seemed like Tiffany had given up.

0:31:25.920 --> 0:31:29.400
<v Speaker 1>It seemed like everyone, including Tyra, wanted her to win

0:31:29.480 --> 0:31:33.360
<v Speaker 1>America's Next Top Model more than she did. On the show,

0:31:33.480 --> 0:31:37.240
<v Speaker 1>we saw Tiffany's enthusiasm for the competition Wayne and it

0:31:37.280 --> 0:31:40.200
<v Speaker 1>was framed as indifference. But according to some of the

0:31:40.240 --> 0:31:42.840
<v Speaker 1>models who were on that season with her, there was

0:31:42.920 --> 0:31:46.840
<v Speaker 1>a lot going on beneath the surface. Here's Britney Brower.

0:31:47.240 --> 0:31:49.200
<v Speaker 1>Tiffany and I were actually really close. Most of you

0:31:49.200 --> 0:31:50.720
<v Speaker 1>all don't know because they don't show us together a

0:31:50.760 --> 0:31:51.320
<v Speaker 1>lot on the show.

0:31:51.800 --> 0:31:56.640
<v Speaker 5>I loved Tiffany, and Tiffany was struggling, like not even

0:31:56.680 --> 0:31:57.719
<v Speaker 5>with the modeling stuff.

0:31:57.720 --> 0:31:59.160
<v Speaker 1>She missed her child, her son.

0:31:59.440 --> 0:32:03.000
<v Speaker 5>You can't call it, make phone calls, and it's just

0:32:03.040 --> 0:32:03.960
<v Speaker 5>sort of getting to her.

0:32:04.400 --> 0:32:09.400
<v Speaker 1>Tiffany got criticized for being ghetto, even by the other contestants, everybody.

0:32:09.000 --> 0:32:11.080
<v Speaker 3>Always talking about the ghetto like that's something man likely.

0:32:11.080 --> 0:32:13.760
<v Speaker 16>There are intelligent people in the ghetto. My mom's intelligent,

0:32:13.840 --> 0:32:15.200
<v Speaker 16>my grandma's very intelligent.

0:32:15.880 --> 0:32:18.760
<v Speaker 1>Trying to be someone she wasn't was getting to her.

0:32:19.120 --> 0:32:20.840
<v Speaker 16>I just felt so upset at myself that I've been

0:32:20.840 --> 0:32:24.040
<v Speaker 16>trying to change all these different things about me and

0:32:24.720 --> 0:32:27.200
<v Speaker 16>I'm unhappy. Maybe if I can't be this person, that

0:32:27.560 --> 0:32:30.120
<v Speaker 16>this model girl, and maybe that's not who I am.

0:32:32.640 --> 0:32:36.160
<v Speaker 1>I think Top Model was putting Tiffany in situations that

0:32:36.200 --> 0:32:42.160
<v Speaker 1>would make her uncomfortable. When Tiffany signed up for the show,

0:32:42.440 --> 0:32:45.360
<v Speaker 1>she knew it would be hard, but she didn't expect

0:32:45.400 --> 0:32:50.560
<v Speaker 1>to feel so manipulated. Here's Tiffany years after the competition ended,

0:32:50.840 --> 0:32:54.479
<v Speaker 1>talking about it with Oliver TwixT. Everything just seem so stage.

0:32:54.600 --> 0:32:56.120
<v Speaker 1>I never knew what was going on.

0:32:57.360 --> 0:33:00.560
<v Speaker 16>It was so much pressure, and when this guy was

0:33:00.560 --> 0:33:03.240
<v Speaker 16>so excited, then it just became like just a bunch

0:33:03.240 --> 0:33:03.880
<v Speaker 16>of pressure.

0:33:05.400 --> 0:33:07.040
<v Speaker 1>It was at least thirty people.

0:33:06.760 --> 0:33:09.680
<v Speaker 16>On the side waiting for you to jump off or

0:33:09.720 --> 0:33:12.000
<v Speaker 16>do anything and lay on your neck box tire.

0:33:13.400 --> 0:33:16.280
<v Speaker 1>We saw Tiffany put on a brave face, but behind

0:33:16.320 --> 0:33:20.920
<v Speaker 1>the scenes she was crumbling. I cried every freaking episode.

0:33:22.240 --> 0:33:25.680
<v Speaker 1>It wasn't that Tiffany didn't care. In fact, she told

0:33:25.720 --> 0:33:29.040
<v Speaker 1>Oliver she didn't want to get sent home. She really

0:33:29.040 --> 0:33:31.560
<v Speaker 1>wanted to go on the international trip, and she thought

0:33:31.640 --> 0:33:34.880
<v Speaker 1>winning the competition could change her life. But by the

0:33:34.960 --> 0:33:38.520
<v Speaker 1>time we get to the we were rooting for you elimination, Like.

0:33:38.520 --> 0:33:39.320
<v Speaker 16>I cried so much.

0:33:39.360 --> 0:33:40.680
<v Speaker 12>I was just like, I'm not crying them all.

0:33:41.360 --> 0:33:42.000
<v Speaker 14>I'm gone.

0:33:42.680 --> 0:33:45.680
<v Speaker 1>Brittany Brower said she didn't see Tiffany's reaction to being

0:33:45.720 --> 0:33:49.800
<v Speaker 1>eliminated as a sign of indifference. She thought Tiffany was

0:33:49.960 --> 0:33:53.040
<v Speaker 1>just trying to hold it together after shedding so many tears.

0:33:53.640 --> 0:33:56.040
<v Speaker 1>She also told me that Tiffany was a really funny

0:33:56.040 --> 0:33:59.000
<v Speaker 1>person who was always trying to encourage the other girls

0:33:59.000 --> 0:34:02.040
<v Speaker 1>and make them laugh. So when Tiffany tried to cheer

0:34:02.240 --> 0:34:07.680
<v Speaker 1>them up at her elimination, it was on brand. I

0:34:07.680 --> 0:34:10.400
<v Speaker 1>don't know Tiffany. We reached out to her and she

0:34:10.480 --> 0:34:13.759
<v Speaker 1>declined to talk. In twenty twenty three, her son was

0:34:13.760 --> 0:34:16.640
<v Speaker 1>shot and killed, the same son we hear her talking

0:34:16.640 --> 0:34:20.080
<v Speaker 1>about on the season, and since his death, she's been

0:34:20.080 --> 0:34:23.279
<v Speaker 1>out of the public eye. But based on what we

0:34:23.320 --> 0:34:27.040
<v Speaker 1>saw on A and TM and on previous interviews, she's done.

0:34:27.320 --> 0:34:30.560
<v Speaker 1>Tiffany didn't have an easy life before getting cast on

0:34:30.600 --> 0:34:34.600
<v Speaker 1>the show. She described herself as being from the hood.

0:34:35.160 --> 0:34:37.640
<v Speaker 1>She said she'd grown up poor and she still was.

0:34:38.040 --> 0:34:40.920
<v Speaker 1>She was a single mom. She slept on a mattress

0:34:40.960 --> 0:34:44.719
<v Speaker 1>on the floor at her grandma's house. Apparently Tyra brought

0:34:44.800 --> 0:34:47.280
<v Speaker 1>up that mattress detail when she was yelling at Tiffany.

0:34:48.560 --> 0:34:52.359
<v Speaker 1>Here's how mixer Jose Torres Jose saw the whole thing

0:34:52.440 --> 0:34:55.440
<v Speaker 1>go down. Tyra took some mean shots.

0:34:55.640 --> 0:34:58.480
<v Speaker 17>She said some things to her about you know, what

0:34:58.520 --> 0:35:01.600
<v Speaker 17>are you going to do when you go back home

0:35:01.760 --> 0:35:04.200
<v Speaker 17>and you're sleeping on that mattress again, when it's just

0:35:04.280 --> 0:35:06.160
<v Speaker 17>you and your baby.

0:35:06.239 --> 0:35:09.040
<v Speaker 1>That line ended up getting cut, but it was a

0:35:09.080 --> 0:35:12.560
<v Speaker 1>low blow, especially coming from a woman making millions off

0:35:12.560 --> 0:35:17.640
<v Speaker 1>these very contestants and paying them nothing. I do think

0:35:17.680 --> 0:35:20.680
<v Speaker 1>Tyra was genuine and saying she was rooting for Tiffany.

0:35:21.200 --> 0:35:25.000
<v Speaker 1>Tiffany was and still is, drop dead gorgeous. She looks

0:35:25.040 --> 0:35:28.440
<v Speaker 1>like a model. We know A and TM loves the

0:35:28.480 --> 0:35:33.080
<v Speaker 1>Cinderella story and Tiffany was the perfect candidate. Tiffany was

0:35:33.120 --> 0:35:36.640
<v Speaker 1>there to answer the age old question, if you take

0:35:36.680 --> 0:35:39.840
<v Speaker 1>the girl out the hood, can you indeed take the

0:35:39.880 --> 0:35:43.440
<v Speaker 1>hood out the girl. Here's what Tyra said about the

0:35:43.440 --> 0:35:47.240
<v Speaker 1>perception of girls from the hood. People in the fashion

0:35:47.280 --> 0:35:48.600
<v Speaker 1>industry were telling me, are.

0:35:48.440 --> 0:35:50.480
<v Speaker 9>You putting them girls in the hood on your show?

0:35:51.560 --> 0:35:53.640
<v Speaker 9>I was like, why can't the girl from the trailer

0:35:53.680 --> 0:35:57.360
<v Speaker 9>park become a supermodel, but the girl that's showing in

0:35:57.400 --> 0:35:58.760
<v Speaker 9>the park in the hood can't.

0:35:59.680 --> 0:36:03.240
<v Speaker 1>Tani was supposed to be Tyra's ghetto glow up story.

0:36:03.800 --> 0:36:06.239
<v Speaker 1>I think that's why Tyra got so mad when she

0:36:06.239 --> 0:36:11.400
<v Speaker 1>saw Tiffany giving up. I'm gonna be real honest with y'all.

0:36:12.120 --> 0:36:14.960
<v Speaker 1>After reporting on A and TM for months, I do

0:36:15.000 --> 0:36:18.280
<v Speaker 1>believe certain girls are set up to win. They're usually

0:36:18.320 --> 0:36:21.960
<v Speaker 1>the good models who also have a compelling storyline. And

0:36:22.040 --> 0:36:25.920
<v Speaker 1>I think Tyra wanted Tiffany to win. But Tyra was

0:36:26.000 --> 0:36:32.960
<v Speaker 1>rooting for Tiffany the character, not Tiffany the person. Brittany

0:36:33.000 --> 0:36:35.880
<v Speaker 1>Brower has always wondered why Tyra didn't do more to

0:36:35.920 --> 0:36:38.600
<v Speaker 1>show Tiffany she cared before that we were rooting for you.

0:36:38.680 --> 0:36:40.919
<v Speaker 5>Moment she's like, we're rooting for you, We're all roady

0:36:40.960 --> 0:36:42.480
<v Speaker 5>for you. I guess it, you're rooting for me. She

0:36:42.560 --> 0:36:45.600
<v Speaker 5>did not give up, like have some compassion for her.

0:36:46.680 --> 0:36:48.719
<v Speaker 5>And if you were so rooting for her and saw

0:36:48.760 --> 0:36:52.319
<v Speaker 5>her drowning, what did you help her? What do you

0:36:52.360 --> 0:36:56.440
<v Speaker 5>pull her aside? Have production pull her aside, give her

0:36:56.440 --> 0:36:59.000
<v Speaker 5>a little pep talk, like, hey, what's going on with you?

0:36:59.080 --> 0:37:02.000
<v Speaker 5>I mean, if you see someone really struggling, let's have

0:37:02.080 --> 0:37:02.839
<v Speaker 5>some compassion.

0:37:03.800 --> 0:37:04.799
<v Speaker 1>Do you want to call your son?

0:37:05.280 --> 0:37:07.759
<v Speaker 5>Why don't you go make a phone call, Go call

0:37:07.800 --> 0:37:08.920
<v Speaker 5>your grandma.

0:37:10.160 --> 0:37:13.680
<v Speaker 1>Brittany was Tiffany's competitor. She could have easily said that

0:37:13.719 --> 0:37:17.680
<v Speaker 1>would have been an unfair advantage. Instead, she says it

0:37:17.719 --> 0:37:22.840
<v Speaker 1>would have been the compassionate thing to do. Whether you

0:37:22.960 --> 0:37:25.439
<v Speaker 1>agree with this or think, Tiffany should have been sent

0:37:25.480 --> 0:37:28.080
<v Speaker 1>home because she couldn't handle the pressure in the moment

0:37:28.160 --> 0:37:31.319
<v Speaker 1>when she was eliminated, She wasn't given the grace to

0:37:31.440 --> 0:37:35.440
<v Speaker 1>process the situation the way she needed to. Instead, Tyra

0:37:35.640 --> 0:37:40.920
<v Speaker 1>chose that moment to bereak Tiffany. When I watched the

0:37:41.040 --> 0:37:43.279
<v Speaker 1>we were rooting for You seene the first time, I

0:37:43.360 --> 0:37:46.040
<v Speaker 1>was shocked because it was so out of character for Tyra.

0:37:46.680 --> 0:37:49.120
<v Speaker 1>It was one of those scandalous moments. I couldn't wait

0:37:49.160 --> 0:37:52.200
<v Speaker 1>to talk about it at school the next day. Now,

0:37:52.280 --> 0:37:55.160
<v Speaker 1>after rewatching it. I wanted to have a grown up

0:37:55.239 --> 0:37:59.200
<v Speaker 1>version of that conversation with my understanding of the complicated

0:37:59.280 --> 0:38:03.279
<v Speaker 1>layers of that. So I called up someone who, like me,

0:38:03.640 --> 0:38:06.760
<v Speaker 1>watched it live in two thousand and five, someone who's

0:38:06.800 --> 0:38:10.000
<v Speaker 1>thought about it a lot over the years. We'rekal Gates

0:38:10.080 --> 0:38:13.360
<v Speaker 1>is an associate professor of film at Columbia University. She

0:38:13.440 --> 0:38:16.279
<v Speaker 1>wrote a book all about race and pop culture, and

0:38:16.360 --> 0:38:18.600
<v Speaker 1>back in the day, she loved A and TM two.

0:38:19.280 --> 0:38:21.840
<v Speaker 1>So I asked her to helped me break down that we.

0:38:21.680 --> 0:38:25.000
<v Speaker 18>Were rooting for you moment when Tyra Yell's at her

0:38:25.280 --> 0:38:29.279
<v Speaker 18>I find that moment so disturbing, not just because it's

0:38:29.320 --> 0:38:31.280
<v Speaker 18>one black woman yelling at another black woman.

0:38:31.080 --> 0:38:32.880
<v Speaker 1>But because of the way that I think.

0:38:33.200 --> 0:38:36.960
<v Speaker 18>Tiffany gets completely misread in that moment. It just feels

0:38:36.960 --> 0:38:39.719
<v Speaker 18>really obvious to me that she wanted it so much,

0:38:39.760 --> 0:38:42.200
<v Speaker 18>she's so disappointed, but she doesn't feel she can be

0:38:42.280 --> 0:38:45.319
<v Speaker 18>vulnerable in that moment, and that resonates completely with me

0:38:45.360 --> 0:38:48.280
<v Speaker 18>as a black woman, like You're in this environment trying

0:38:48.280 --> 0:38:51.399
<v Speaker 18>to sort of hold it together, and so to see

0:38:51.440 --> 0:38:54.640
<v Speaker 18>that be read as defiance or lack of care, I

0:38:54.680 --> 0:38:56.000
<v Speaker 18>find that really offensive.

0:39:00.120 --> 0:39:02.799
<v Speaker 1>I watched this scene air live. I didn't give much

0:39:02.840 --> 0:39:05.680
<v Speaker 1>thought to how Tiffany must have been feeling, But now

0:39:05.719 --> 0:39:08.400
<v Speaker 1>when I watch it back after having some life experience,

0:39:08.840 --> 0:39:11.680
<v Speaker 1>I actually get a little emotional. I know what it's

0:39:11.760 --> 0:39:13.680
<v Speaker 1>like to be in a situation and feel like you

0:39:13.719 --> 0:39:16.279
<v Speaker 1>don't belong. I know what it's like to try to

0:39:16.320 --> 0:39:18.600
<v Speaker 1>hold it together when all you want to do is cry.

0:39:19.760 --> 0:39:22.040
<v Speaker 1>I know what it's like to have my hurt feelings

0:39:22.040 --> 0:39:26.319
<v Speaker 1>the misconstrued is indifference, and I bet Tyra does too,

0:39:27.000 --> 0:39:29.879
<v Speaker 1>which is what makes this scene so painful to.

0:39:29.880 --> 0:39:33.319
<v Speaker 18>Watch, because I want to believe that maybe in a

0:39:33.320 --> 0:39:36.200
<v Speaker 18>different context, maybe if Tira could take a beat and

0:39:36.239 --> 0:39:39.000
<v Speaker 18>wasn't filming a show, that she would get it. And

0:39:39.520 --> 0:39:44.080
<v Speaker 18>for me, it's a missed opportunity for a black woman

0:39:44.200 --> 0:39:47.439
<v Speaker 18>to recognize the very sort of unique situation that another

0:39:47.480 --> 0:39:48.279
<v Speaker 18>black woman is in.

0:39:48.840 --> 0:39:51.239
<v Speaker 1>When Tiffany tried to put on a brave face after

0:39:51.280 --> 0:39:55.959
<v Speaker 1>her elimination, Tyra chose to humiliate her and then said

0:39:56.000 --> 0:39:58.600
<v Speaker 1>she should go back to sleeping on a mattress with

0:39:58.680 --> 0:40:02.640
<v Speaker 1>her baby. Tiffany finally broke I.

0:40:02.600 --> 0:40:05.360
<v Speaker 16>Don't have a bad attitude. Maybe I am angry inside.

0:40:05.440 --> 0:40:08.480
<v Speaker 16>I've been through stuff so I'm angry.

0:40:08.560 --> 0:40:10.720
<v Speaker 1>It was the same Tiffany we met in the Cycle

0:40:10.760 --> 0:40:14.280
<v Speaker 1>three auditions when she got into a bar fight. Once again,

0:40:14.440 --> 0:40:17.040
<v Speaker 1>the show got Tiffany to perform one of their favorite

0:40:17.120 --> 0:40:24.319
<v Speaker 1>character tropes, the ABW or angry black woman. Let me

0:40:24.400 --> 0:40:26.920
<v Speaker 1>just give you a little definition here. You can think

0:40:26.960 --> 0:40:29.880
<v Speaker 1>of the angry black woman label as an umbrella. You

0:40:30.000 --> 0:40:33.399
<v Speaker 1>have the ghetto girl, the diva, the mean girl. There

0:40:33.400 --> 0:40:36.719
<v Speaker 1>are a few variations, but in the end, it all

0:40:36.760 --> 0:40:39.640
<v Speaker 1>comes down to black women being perceived as having a

0:40:39.680 --> 0:40:45.120
<v Speaker 1>bad attitude. During the Cycle three audition episode, Tyra acknowledged

0:40:45.160 --> 0:40:47.880
<v Speaker 1>the angry black woman trope in a conversation with Cycle

0:40:47.920 --> 0:40:53.680
<v Speaker 1>three winner My Girl Eva Pickford. Eva seemed like a

0:40:53.719 --> 0:40:57.040
<v Speaker 1>mean girl and a diva, but rather than just letting

0:40:57.040 --> 0:40:59.800
<v Speaker 1>her be the villain, A and TM gave Eva a

0:41:00.080 --> 0:41:03.400
<v Speaker 1>cants at a redemption arc during the auditions. It was

0:41:03.440 --> 0:41:06.359
<v Speaker 1>the very first episode of the season, but Eva had

0:41:06.400 --> 0:41:09.560
<v Speaker 1>already rubbed a few girls the wrong way. There was

0:41:09.600 --> 0:41:13.399
<v Speaker 1>a girl in particular named Amy. Amy was very very thin.

0:41:14.040 --> 0:41:16.279
<v Speaker 1>When it was Eva's turn in front of Tyra and

0:41:16.320 --> 0:41:18.839
<v Speaker 1>the judges, she had the nerve to say something mean

0:41:18.880 --> 0:41:21.560
<v Speaker 1>about Amy, and Tyra wasn't feeling it.

0:41:22.400 --> 0:41:24.080
<v Speaker 19>How are you gonna want to become a model and

0:41:24.120 --> 0:41:24.800
<v Speaker 19>take criticism?

0:41:24.880 --> 0:41:26.440
<v Speaker 1>But do you feel there's a need to be nasty?

0:41:26.480 --> 0:41:27.920
<v Speaker 9>Do you feel there's a need to be negative.

0:41:28.120 --> 0:41:30.839
<v Speaker 19>I'm not nasty and I'm not negative. Well, I fucally said,

0:41:30.840 --> 0:41:35.000
<v Speaker 19>Amy looks nasty. That was very mean, but Amy looks nasty.

0:41:35.320 --> 0:41:37.560
<v Speaker 9>The first two seasons of America's Next Top Model, we

0:41:37.600 --> 0:41:39.960
<v Speaker 9>had girls that were bitches. They didn't walk in as bitches,

0:41:39.960 --> 0:41:41.880
<v Speaker 9>but they get to the house and they're considered a bitch.

0:41:42.160 --> 0:41:43.760
<v Speaker 9>I don't want to cast another black bitch.

0:41:49.880 --> 0:41:52.240
<v Speaker 1>This is a rare moment where we see Tyra talking

0:41:52.280 --> 0:41:54.839
<v Speaker 1>to a contestant in a way I imagine she must

0:41:54.880 --> 0:41:57.759
<v Speaker 1>have talked to her producers. I think it's proof that

0:41:57.880 --> 0:42:00.759
<v Speaker 1>Tyra was aware that the show used the angry black

0:42:00.800 --> 0:42:05.960
<v Speaker 1>woman's stereotype, or, as she said, the black bitch. So

0:42:06.239 --> 0:42:08.640
<v Speaker 1>she gave Eva a chance to prove that she was

0:42:08.719 --> 0:42:13.400
<v Speaker 1>not another black bitch, that she could be vulnerable, and

0:42:13.440 --> 0:42:17.760
<v Speaker 1>that gave Eva a path to the wind. In Eva's audition,

0:42:18.000 --> 0:42:21.240
<v Speaker 1>Tyra asked her about her difficult childhood and her strange

0:42:21.280 --> 0:42:25.080
<v Speaker 1>relationship with her family. Eva revealed that her parents and

0:42:25.120 --> 0:42:28.280
<v Speaker 1>siblings had said some really mean things to her, Tyra

0:42:28.360 --> 0:42:33.279
<v Speaker 1>brought her to tears when she left the judging room.

0:42:33.400 --> 0:42:35.400
<v Speaker 1>Before they made the final cut for who would be

0:42:35.400 --> 0:42:38.440
<v Speaker 1>in the house, Eva gathered up all the girls and

0:42:38.480 --> 0:42:39.640
<v Speaker 1>made a public apology.

0:42:40.560 --> 0:42:42.560
<v Speaker 19>I guess the whole reason I'm standing here and I want

0:42:42.600 --> 0:42:45.359
<v Speaker 19>to say something is because i know I have been

0:42:45.400 --> 0:42:48.080
<v Speaker 19>rude to a lot of people. I've said hurtful things,

0:42:48.120 --> 0:42:51.719
<v Speaker 19>and so I'm apologizing. I'm sorry for anything that I've

0:42:51.719 --> 0:42:52.359
<v Speaker 19>said to.

0:42:52.360 --> 0:42:53.439
<v Speaker 8>Hurt your feelings.

0:42:53.239 --> 0:42:54.920
<v Speaker 19>Because I don't want you to leave here with a

0:42:54.920 --> 0:42:57.520
<v Speaker 19>negative oppression of me. I do want to apologize to

0:42:57.560 --> 0:42:59.400
<v Speaker 19>each and every one of you, because.

0:42:59.160 --> 0:42:59.800
<v Speaker 12>You are are.

0:43:01.920 --> 0:43:02.000
<v Speaker 5>Not.

0:43:02.120 --> 0:43:05.760
<v Speaker 1>Everyone bought it, especially Amy. The girl Eva said looked nasty,

0:43:06.440 --> 0:43:10.239
<v Speaker 1>but it did help with Eva's storyline. She was still

0:43:10.280 --> 0:43:12.920
<v Speaker 1>a little mean in the house and definitely a diva,

0:43:13.160 --> 0:43:16.279
<v Speaker 1>hence the Eva the Diva nickname, but she got a

0:43:16.400 --> 0:43:20.120
<v Speaker 1>chance to redeem herself, unlike the other so called black

0:43:20.160 --> 0:43:24.000
<v Speaker 1>bitches on the seasons before her. After the break, we'll

0:43:24.000 --> 0:43:27.000
<v Speaker 1>talk more about that trope and the contestants who didn't

0:43:27.040 --> 0:43:39.360
<v Speaker 1>get a redemption arc. The angry black woman trope is

0:43:39.360 --> 0:43:42.160
<v Speaker 1>offensive because it's used in a way that implies that

0:43:42.200 --> 0:43:45.759
<v Speaker 1>black women are just inherently angry for no reason, or

0:43:45.840 --> 0:43:49.320
<v Speaker 1>it's applied whenever black women are assertive, raise their voice,

0:43:49.560 --> 0:43:53.200
<v Speaker 1>or when we show any emotion other than agreeableness. And

0:43:53.400 --> 0:43:57.160
<v Speaker 1>A and TM used this trope every season from beginning

0:43:57.239 --> 0:44:01.400
<v Speaker 1>to end. Back on episode two of this podcast, you

0:44:01.480 --> 0:44:04.400
<v Speaker 1>met Ebonie and Robin, two of the black contestants on

0:44:04.440 --> 0:44:08.560
<v Speaker 1>cycle one. Robin was the diva, but Ebone got the

0:44:08.600 --> 0:44:11.440
<v Speaker 1>classic angry black woman at it when she got into

0:44:11.560 --> 0:44:14.240
<v Speaker 1>arguments with the rest of the cast. It was Ebony

0:44:14.280 --> 0:44:18.560
<v Speaker 1>who was too loud, just like, bark over your voice

0:44:18.560 --> 0:44:21.960
<v Speaker 1>and it's so freaking annoying. In an acting challenge where

0:44:22.000 --> 0:44:24.359
<v Speaker 1>all the girls had to do a breakup scene, it

0:44:24.400 --> 0:44:26.560
<v Speaker 1>was Ebony's that went too far. It's gonna be hard

0:44:26.600 --> 0:44:27.120
<v Speaker 1>with Ebany.

0:44:27.200 --> 0:44:32.520
<v Speaker 3>She's very gressive and she's very frustrated, which can make

0:44:32.560 --> 0:44:33.640
<v Speaker 3>her very angry.

0:44:33.840 --> 0:44:37.640
<v Speaker 1>And one judge Kimora Lee Simmons even insisted on saying Ebony,

0:44:37.840 --> 0:44:41.160
<v Speaker 1>a dark skinned black woman, was hard looking, which is

0:44:41.200 --> 0:44:42.320
<v Speaker 1>the biggest stretch in all of this.

0:44:42.560 --> 0:44:48.600
<v Speaker 2>Ebany is much too harsh for me. I just don't

0:44:48.960 --> 0:44:49.440
<v Speaker 2>get it to.

0:44:51.480 --> 0:44:55.600
<v Speaker 1>Ebony was very focused and driven, but it was a competition,

0:44:55.880 --> 0:44:59.239
<v Speaker 1>and Ebane was there to win. And sure she got

0:44:59.239 --> 0:45:02.440
<v Speaker 1>into a few arguments on her season, but she was

0:45:02.560 --> 0:45:05.200
<v Speaker 1>far from the only one. They were all at each

0:45:05.200 --> 0:45:08.520
<v Speaker 1>other's throats. That's what they were cast to do, and

0:45:08.560 --> 0:45:12.279
<v Speaker 1>when Ebane did get angry, it always seemed justified to me.

0:45:12.880 --> 0:45:15.560
<v Speaker 1>In fact, the one time she would have been really

0:45:15.680 --> 0:45:18.160
<v Speaker 1>justified in flipping out because when she asked the other

0:45:18.239 --> 0:45:20.280
<v Speaker 1>models if her girlfriend could come over.

0:45:20.480 --> 0:45:22.480
<v Speaker 13>I wanted to know if it's okay my girlfriend come

0:45:22.480 --> 0:45:23.920
<v Speaker 13>over for about an hour or two today?

0:45:24.520 --> 0:45:27.200
<v Speaker 1>Where were you guys to be at bedrooms? My voice

0:45:27.239 --> 0:45:27.680
<v Speaker 1>on six?

0:45:28.000 --> 0:45:28.399
<v Speaker 3>I think that.

0:45:28.560 --> 0:45:30.360
<v Speaker 1>Definitely it is wrong. It says in the Bible of

0:45:30.400 --> 0:45:32.479
<v Speaker 1>that it's an abomination to the Lord.

0:45:32.560 --> 0:45:35.719
<v Speaker 13>I don't personally agree with you your why, I mean,

0:45:35.760 --> 0:45:37.279
<v Speaker 13>just because you know I don't agree with you. Know

0:45:37.920 --> 0:45:42.040
<v Speaker 13>you know Lisbandon gave relationships. But I mean I can't judge.

0:45:41.719 --> 0:45:42.320
<v Speaker 17>You the fine.

0:45:42.520 --> 0:45:45.160
<v Speaker 13>I just you know, like I just don't want and

0:45:45.239 --> 0:45:47.920
<v Speaker 13>ours living foss fabulous.

0:45:47.920 --> 0:45:48.880
<v Speaker 17>I understand we work in this.

0:45:49.200 --> 0:45:50.040
<v Speaker 14>I'm trying to work it.

0:45:52.000 --> 0:45:55.279
<v Speaker 1>After all those negative comments, Ebanie didn't get angry. She

0:45:55.480 --> 0:45:59.080
<v Speaker 1>was downright polite. But Tyra and the judges didn't see

0:45:59.080 --> 0:46:02.399
<v Speaker 1>that side of her. According to Tyra, Ebanie was sent

0:46:02.480 --> 0:46:04.600
<v Speaker 1>home because of her attitude.

0:46:04.920 --> 0:46:09.960
<v Speaker 4>You are beautiful and your smile is breathtaking, but you

0:46:10.040 --> 0:46:12.200
<v Speaker 4>have when you come into the room, we sense a

0:46:12.320 --> 0:46:15.279
<v Speaker 4>chip on your shoulder, a type of anger that makes

0:46:15.320 --> 0:46:17.920
<v Speaker 4>you push yourself too hard, to the point where you

0:46:17.960 --> 0:46:20.239
<v Speaker 4>lose focus and you become difficult to work with.

0:46:20.640 --> 0:46:22.640
<v Speaker 1>It was as if Tyra was trying to teach her

0:46:22.640 --> 0:46:25.880
<v Speaker 1>a lesson. You could hear it in her tone. Tyra

0:46:26.160 --> 0:46:29.279
<v Speaker 1>was a good black woman who was accepted in predominantly

0:46:29.320 --> 0:46:32.839
<v Speaker 1>white spaces while black women like Ebanie couldn't cut it.

0:46:33.680 --> 0:46:36.920
<v Speaker 1>This scene on the first season positioned Tyra as a

0:46:36.960 --> 0:46:41.160
<v Speaker 1>respectability role model for how a black model should act.

0:46:43.840 --> 0:46:46.840
<v Speaker 1>I didn't get to interview Ebanie for this podcast, but

0:46:46.960 --> 0:46:49.440
<v Speaker 1>judging by what she said in other interviews and on

0:46:49.480 --> 0:46:53.600
<v Speaker 1>social media, Ebanie seems to be the first ANTM contestant

0:46:53.880 --> 0:46:56.360
<v Speaker 1>to fall victim to the angry Black woman at it.

0:46:57.040 --> 0:47:01.480
<v Speaker 1>Last year on Instagram, Ebanie said Tyra's comment affected her career.

0:47:02.120 --> 0:47:04.760
<v Speaker 1>She said she had a really hard time getting signed

0:47:04.760 --> 0:47:07.719
<v Speaker 1>with an agency, and she thinks it had a lot

0:47:07.800 --> 0:47:10.200
<v Speaker 1>to do with the way she was portrayed on the show,

0:47:11.320 --> 0:47:14.600
<v Speaker 1>but Ebany was the first of many. The angry Black

0:47:14.680 --> 0:47:18.520
<v Speaker 1>Diva trope continued into the last season of A and TM.

0:47:18.600 --> 0:47:20.799
<v Speaker 1>I actually wanted to give y'all a whole play by

0:47:20.840 --> 0:47:23.480
<v Speaker 1>play with breakdowns of who said what, but we'd been

0:47:23.520 --> 0:47:26.120
<v Speaker 1>here for another two hours, So at the risk of

0:47:26.200 --> 0:47:30.600
<v Speaker 1>flattening these women again, here's A and TM's Angry Black

0:47:30.640 --> 0:47:36.400
<v Speaker 1>Women greatest hits, starting with Camille from cycle two, Tyra's

0:47:36.440 --> 0:47:39.400
<v Speaker 1>other so called black bitch. People can say what they

0:47:39.440 --> 0:47:43.360
<v Speaker 1>wanna say, they could feel the way they wanna feel, honestly,

0:47:43.560 --> 0:47:48.520
<v Speaker 1>like I couldn't really care less. My objective is to win, and.

0:47:48.560 --> 0:47:50.640
<v Speaker 14>We didn't get kicked off for hitting somebody. Don't ask

0:47:50.760 --> 0:47:51.759
<v Speaker 14>me told up right now, if.

0:47:52.520 --> 0:47:54.680
<v Speaker 1>You can tell the truth to save your life, are

0:47:54.719 --> 0:47:55.200
<v Speaker 1>you kidding?

0:47:55.719 --> 0:47:56.160
<v Speaker 9>Shut up?

0:47:56.440 --> 0:47:58.040
<v Speaker 1>Did she not come up to me to say that

0:47:58.120 --> 0:48:01.600
<v Speaker 1>your anger you in trace? This is a competition.

0:48:01.760 --> 0:48:04.800
<v Speaker 9>This is not America's next top best friend.

0:48:05.680 --> 0:48:07.920
<v Speaker 16>All these girls in here bitches, And that's all I

0:48:07.920 --> 0:48:08.480
<v Speaker 16>gotta say.

0:48:08.800 --> 0:48:11.640
<v Speaker 1>Honestly, how manas in my competition? I don't manage your

0:48:13.080 --> 0:48:14.400
<v Speaker 1>your body. It's not better than me.

0:48:14.440 --> 0:48:17.160
<v Speaker 12>You're on plus saying.

0:48:17.000 --> 0:48:21.279
<v Speaker 9>No matter what, any girl a calm saying anybody.

0:48:24.600 --> 0:48:26.680
<v Speaker 1>This is making me anxious. I don't know how I

0:48:26.719 --> 0:48:28.200
<v Speaker 1>watched this season after season.

0:48:29.520 --> 0:48:31.840
<v Speaker 17>If you're talking, so you're able to shut up or

0:48:31.920 --> 0:48:32.479
<v Speaker 17>go to the living.

0:48:33.480 --> 0:48:35.280
<v Speaker 16>But I know if I see one of my items

0:48:35.280 --> 0:48:36.440
<v Speaker 16>on someone, I'm gonna be.

0:48:36.360 --> 0:48:38.759
<v Speaker 1>Like, take my you stole that from me, Take it off,

0:48:38.800 --> 0:48:40.480
<v Speaker 1>Thank you, bitch.

0:48:40.760 --> 0:48:43.840
<v Speaker 9>I'm uneducated. I went to a red boss top and

0:48:43.840 --> 0:48:44.440
<v Speaker 9>fifty school.

0:48:44.760 --> 0:48:45.279
<v Speaker 8>Look it up.

0:48:46.200 --> 0:48:49.399
<v Speaker 1>Can you believe we're only at cycle fourteen? We're gonna

0:48:49.400 --> 0:48:52.800
<v Speaker 1>have to speak this thing up? Everyone here doesn't like me?

0:48:52.880 --> 0:48:56.640
<v Speaker 1>Is that what it is? People put the question of

0:48:56.680 --> 0:49:00.320
<v Speaker 1>my back because I'm about to go off and closing

0:49:00.360 --> 0:49:03.200
<v Speaker 1>out the hit list. It's real Summers from cycle twenty

0:49:03.200 --> 0:49:04.799
<v Speaker 1>four You don't have to do anything.

0:49:04.840 --> 0:49:06.200
<v Speaker 16>You just like stand there and I was like, oh

0:49:06.200 --> 0:49:06.920
<v Speaker 16>my god a clause.

0:49:07.280 --> 0:49:09.680
<v Speaker 1>Yes, you're amazing. I had to work spier to work

0:49:09.719 --> 0:49:17.440
<v Speaker 1>my ass off. I can change everything. There's nothing wrong

0:49:17.520 --> 0:49:21.319
<v Speaker 1>with getting angry. Everyone feels anger. There's nothing wrong with

0:49:21.480 --> 0:49:25.919
<v Speaker 1>being loud, and in a modeling competition, I'd argue there's

0:49:25.960 --> 0:49:28.920
<v Speaker 1>nothing wrong with being a diva. As I pointed out

0:49:28.960 --> 0:49:32.640
<v Speaker 1>in an earlier episode, the show loved to air contestants

0:49:32.719 --> 0:49:36.680
<v Speaker 1>angry tirades. That was the show's bread and butter. But

0:49:36.800 --> 0:49:40.200
<v Speaker 1>the danger of the ABW trope is that it flattens

0:49:40.200 --> 0:49:44.680
<v Speaker 1>people into one dimensional characters. Most of the women you

0:49:44.800 --> 0:49:48.040
<v Speaker 1>just heard were villains on their season. And remember A

0:49:48.200 --> 0:49:51.600
<v Speaker 1>and TM is about a Cinderella, not lupus wicked ass.

0:49:53.160 --> 0:49:55.399
<v Speaker 1>Very few of the black women were set up to win.

0:49:56.280 --> 0:49:59.600
<v Speaker 1>Abw's were cast and created on set for a reason

0:50:00.120 --> 0:50:03.640
<v Speaker 1>because they're fun to watch and fun to hate. Here

0:50:03.760 --> 0:50:06.040
<v Speaker 1>sound engineer Jose Torres.

0:50:05.840 --> 0:50:10.359
<v Speaker 17>When casting Top Model, it became obvious to us after

0:50:10.600 --> 0:50:14.840
<v Speaker 17>certain number of seasons. Some people were cast on the

0:50:14.880 --> 0:50:18.520
<v Speaker 17>show to be on the show, and some people were

0:50:18.560 --> 0:50:22.359
<v Speaker 17>cast on the show to do well or to win.

0:50:23.320 --> 0:50:25.359
<v Speaker 17>But some girls got cast on the show because they're

0:50:25.400 --> 0:50:26.920
<v Speaker 17>just they're gonna give you good TV.

0:50:27.480 --> 0:50:27.719
<v Speaker 16>You know.

0:50:27.760 --> 0:50:30.200
<v Speaker 17>It's like they're gonna get a couple of good photoshoots

0:50:30.239 --> 0:50:32.640
<v Speaker 17>out of them, but we'll get good TV out of

0:50:32.640 --> 0:50:34.960
<v Speaker 17>them and people will remember them for a while.

0:50:35.320 --> 0:50:35.520
<v Speaker 3>You know.

0:50:36.200 --> 0:50:40.520
<v Speaker 17>I don't think they cast Jade from cycle six.

0:50:41.960 --> 0:50:47.840
<v Speaker 1>To win. And yet Jade is one of the most

0:50:47.840 --> 0:50:51.480
<v Speaker 1>memorable contestants of the whole franchise. She's the one you

0:50:51.600 --> 0:50:54.440
<v Speaker 1>just heard in the Angry Black woman montage saying.

0:50:54.400 --> 0:50:57.400
<v Speaker 9>This is not America's next top best friend.

0:50:57.719 --> 0:51:00.640
<v Speaker 1>And this is years before Lashawn Beyond and uttered those

0:51:00.680 --> 0:51:04.600
<v Speaker 1>famous words on RuPaul's Drag Race. After the show, Jade

0:51:04.680 --> 0:51:07.960
<v Speaker 1>quit modeling in part because of how bad A ANDTM

0:51:08.120 --> 0:51:12.120
<v Speaker 1>made her look. That's the harsh reality of the ABW

0:51:12.200 --> 0:51:15.359
<v Speaker 1>trope in action. A and TM made a lot of

0:51:15.400 --> 0:51:18.719
<v Speaker 1>money on how volatile and funny women like Jade could be,

0:51:19.280 --> 0:51:23.120
<v Speaker 1>but it was at the contestants expense. The show reinforced

0:51:23.120 --> 0:51:25.600
<v Speaker 1>the message that working with the black woman was a

0:51:25.719 --> 0:51:29.520
<v Speaker 1>risk because that angry, loud, hard to work with diva

0:51:29.719 --> 0:51:35.080
<v Speaker 1>could always jump out. Of course, there are black women

0:51:35.120 --> 0:51:37.960
<v Speaker 1>who avoided the angry black women edit on A ANDTM,

0:51:38.520 --> 0:51:41.800
<v Speaker 1>black women who never got angry even when the situation

0:51:42.080 --> 0:51:46.560
<v Speaker 1>warranted a crash out. But that didn't mean they avoided

0:51:46.600 --> 0:51:50.880
<v Speaker 1>being humiliated for the cameras. Jada Young was a contestant

0:51:50.880 --> 0:51:54.000
<v Speaker 1>on Psycho seven. Jada was in the competition long enough

0:51:54.000 --> 0:51:56.560
<v Speaker 1>to go on the trip to Spain. While there, the

0:51:56.600 --> 0:51:58.840
<v Speaker 1>models had to shoot a commercial where they were paired

0:51:58.880 --> 0:52:01.840
<v Speaker 1>with male models. The day before the shoe the A

0:52:01.960 --> 0:52:04.320
<v Speaker 1>and TM girls went out to dinner with their partners

0:52:04.600 --> 0:52:07.640
<v Speaker 1>to practice their lines and hopefully build some chemistry before

0:52:07.680 --> 0:52:11.680
<v Speaker 1>the commercial's big makeout scene. The white model Jada was

0:52:11.719 --> 0:52:14.720
<v Speaker 1>partnered with seeing stand offish compared to the other guys.

0:52:15.160 --> 0:52:17.440
<v Speaker 1>He didn't want to talk to her or go over lines.

0:52:17.960 --> 0:52:22.040
<v Speaker 1>Then he told her why he didn't like black girls.

0:52:22.600 --> 0:52:23.960
<v Speaker 11>You didn't I.

0:52:28.480 --> 0:52:30.359
<v Speaker 7>Feel like this good?

0:52:31.440 --> 0:52:34.240
<v Speaker 12>Jada's partner, Natcho tells Jada that he doesn't.

0:52:34.040 --> 0:52:37.799
<v Speaker 1>Even liked black girls. She's like, are you serious? No

0:52:37.840 --> 0:52:39.880
<v Speaker 1>one should be treated like that. He doesn't want to

0:52:39.880 --> 0:52:42.920
<v Speaker 1>help me. You like it, rabbits, He doesn't want to

0:52:42.920 --> 0:52:43.200
<v Speaker 1>help me.

0:52:43.280 --> 0:52:45.359
<v Speaker 14>I'm worried about tomorrow shoe because I have to make

0:52:45.400 --> 0:52:47.479
<v Speaker 14>out with this guy who's an idiot and a jerk,

0:52:47.719 --> 0:52:49.120
<v Speaker 14>and he says he doesn't like black girls.

0:52:50.160 --> 0:52:52.960
<v Speaker 1>Jada was shaken the next day when she showed up

0:52:53.000 --> 0:52:56.840
<v Speaker 1>on set. The guy was there. Producers hadn't recast him,

0:52:57.120 --> 0:52:59.479
<v Speaker 1>and that meant she had to kiss this guy who

0:52:59.520 --> 0:53:02.640
<v Speaker 1>the day before told her he didn't like black girls.

0:53:03.200 --> 0:53:06.280
<v Speaker 1>Jada was clearly still upset at the shoot, and Tyra

0:53:06.440 --> 0:53:10.040
<v Speaker 1>was there. When Jada told Tyra what the guy had said.

0:53:10.360 --> 0:53:13.520
<v Speaker 1>This was Tyra's response, Well, you're gonna have to give.

0:53:13.480 --> 0:53:15.719
<v Speaker 9>Him a kiss to make him love some black girls,

0:53:15.760 --> 0:53:18.560
<v Speaker 9>because what do they say once they go black?

0:53:18.920 --> 0:53:22.360
<v Speaker 1>They don't go black? Tyra Banks Ladies and Gentlemen, a

0:53:22.520 --> 0:53:27.440
<v Speaker 1>champion of diversity at the shoot, Jada struggled to remember

0:53:27.440 --> 0:53:30.880
<v Speaker 1>her lines, which were in a different language. She was

0:53:30.960 --> 0:53:33.919
<v Speaker 1>at a disadvantage. The guy refused to rehearse with her,

0:53:34.160 --> 0:53:36.720
<v Speaker 1>and when the time came for the kiss, she cried.

0:53:37.640 --> 0:53:40.480
<v Speaker 1>When her commercial was shown at the judging panel, it

0:53:40.520 --> 0:53:44.360
<v Speaker 1>wasn't great. She may have expected empathy from Tyra and

0:53:44.400 --> 0:53:47.719
<v Speaker 1>the judges, but she was met with the opposite. I

0:53:47.840 --> 0:53:50.520
<v Speaker 1>was nervous and I was thinking about then, Okay, this

0:53:50.560 --> 0:53:51.400
<v Speaker 1>guy doesn't like me.

0:53:51.640 --> 0:53:53.080
<v Speaker 9>When I spoke to you guys, you told me that

0:53:53.120 --> 0:53:54.920
<v Speaker 9>this is the guy that said that he didn't want

0:53:54.920 --> 0:53:55.680
<v Speaker 9>to kiss a black girl.

0:53:56.239 --> 0:53:59.759
<v Speaker 1>He doesn't like black girls. Ooh, now guy said that

0:54:00.200 --> 0:54:02.440
<v Speaker 1>he told me that to me the night before, and

0:54:02.520 --> 0:54:05.680
<v Speaker 1>I feel like he's crawling and it's skinning. Just exkiss me.

0:54:05.800 --> 0:54:07.160
<v Speaker 4>On mine and you're going to take control.

0:54:07.440 --> 0:54:08.399
<v Speaker 2>He those on him.

0:54:08.520 --> 0:54:11.359
<v Speaker 11>He's just an extra that should not have stopped her

0:54:11.480 --> 0:54:14.080
<v Speaker 11>from doing the job that she was sent there to do.

0:54:15.880 --> 0:54:19.200
<v Speaker 1>After this, Jada was sent home and that racist extra

0:54:19.400 --> 0:54:23.520
<v Speaker 1>got his paycheck. I will say Jada wasn't consistent in

0:54:23.560 --> 0:54:27.360
<v Speaker 1>the competition. She had been saved from elimination before, but

0:54:27.440 --> 0:54:30.520
<v Speaker 1>if there was any time to save her, this should

0:54:30.560 --> 0:54:34.319
<v Speaker 1>have been it. Unfortunately, things like this happened in the

0:54:34.320 --> 0:54:37.359
<v Speaker 1>real world, but this was a production. If they were

0:54:37.440 --> 0:54:40.560
<v Speaker 1>champions of diversity, they could have used this moment to

0:54:40.560 --> 0:54:43.600
<v Speaker 1>take a no tolerant stance on racism. They should have

0:54:43.640 --> 0:54:47.360
<v Speaker 1>replaced that male model he was an extra, but instead

0:54:47.440 --> 0:54:50.680
<v Speaker 1>they put Jada, a black model, in an uncomfortable and

0:54:50.680 --> 0:54:57.040
<v Speaker 1>dehumanizing situation, and that sent the message to the audience

0:54:57.360 --> 0:55:00.360
<v Speaker 1>that the onus is on black people to rise above

0:55:00.400 --> 0:55:03.360
<v Speaker 1>the racism, not on the racist themselves to you know,

0:55:03.840 --> 0:55:09.400
<v Speaker 1>not be racist at work. I want to tell you

0:55:09.480 --> 0:55:12.359
<v Speaker 1>about one more time. A and TM put a black

0:55:12.360 --> 0:55:15.319
<v Speaker 1>woman in an uncomfortable situation and then punished her for

0:55:15.360 --> 0:55:18.560
<v Speaker 1>her reaction. For a lot of black women who watched

0:55:18.560 --> 0:55:22.360
<v Speaker 1>the show, this moment is seared into our memory and

0:55:22.400 --> 0:55:24.319
<v Speaker 1>I think it says a lot about the way the

0:55:24.360 --> 0:55:28.440
<v Speaker 1>show thought about race, particularly when it came to black contestants.

0:55:29.160 --> 0:55:31.880
<v Speaker 1>Ya Ya DaCosta was the runner up on cycle three.

0:55:32.239 --> 0:55:36.359
<v Speaker 1>She's African American with some Afro Brazilian heritage. Ya y'all

0:55:36.400 --> 0:55:40.319
<v Speaker 1>was afrocentric, meaning she embraced her connection to Africa. You

0:55:40.360 --> 0:55:42.360
<v Speaker 1>could see it in how she styled her hair, the

0:55:42.440 --> 0:55:45.880
<v Speaker 1>clothes she wore, and how she carried herself in the competition.

0:55:46.320 --> 0:55:49.600
<v Speaker 1>Ya y'all's afrocentricity was a big point of contention with

0:55:49.680 --> 0:55:52.520
<v Speaker 1>the judges. There was a judging panel where the girls

0:55:52.520 --> 0:55:54.840
<v Speaker 1>had to pick from a selection of hats and build

0:55:54.880 --> 0:55:57.719
<v Speaker 1>an outfit around it. There was a leather hat, a

0:55:57.719 --> 0:56:00.560
<v Speaker 1>black fascinator hat, a cowboy hat, and a can take

0:56:00.600 --> 0:56:03.960
<v Speaker 1>cloth hat. Kentte is a really well known fabric that

0:56:04.080 --> 0:56:08.239
<v Speaker 1>originated in Ghana, West Africa. Much to the judge of surprised,

0:56:08.680 --> 0:56:11.959
<v Speaker 1>yah Ya chose the cowboy hat, not the Kentte hat.

0:56:12.840 --> 0:56:14.239
<v Speaker 1>Why did you choose the cowboy hat?

0:56:14.400 --> 0:56:16.879
<v Speaker 14>It's more on the simple side compared to the other hat,

0:56:16.920 --> 0:56:19.240
<v Speaker 14>so that I can go crazy with accessories and express

0:56:19.360 --> 0:56:20.880
<v Speaker 14>myself without being cliche.

0:56:21.200 --> 0:56:22.680
<v Speaker 2>Yeah, yeah, I think you look beautiful.

0:56:22.719 --> 0:56:24.799
<v Speaker 3>I think everyone probably pegged you if going for the

0:56:25.200 --> 0:56:26.319
<v Speaker 3>typical African hat.

0:56:26.600 --> 0:56:30.480
<v Speaker 2>Yah Ya, your I feel half African, half cowgirl.

0:56:30.480 --> 0:56:32.640
<v Speaker 1>Looks like you're about to write a giraffe.

0:56:33.040 --> 0:56:35.080
<v Speaker 9>I think I'm not feeling.

0:56:34.760 --> 0:56:37.960
<v Speaker 5>That you have this intensity to prove your sort of africanness,

0:56:37.960 --> 0:56:40.080
<v Speaker 5>and I think that sometimes it's overbearing.

0:56:40.280 --> 0:56:42.919
<v Speaker 1>It's just too much. The judge who just said yah

0:56:43.000 --> 0:56:47.120
<v Speaker 1>Ya was overbearing, that was a guest judge. She was white,

0:56:47.640 --> 0:56:49.719
<v Speaker 1>and that comment from her would have sent me over

0:56:49.760 --> 0:56:52.800
<v Speaker 1>the edge. But I think yah Yah handled it well.

0:56:52.800 --> 0:56:56.480
<v Speaker 14>In response to trying to prove myself as an African.

0:56:56.480 --> 0:56:58.560
<v Speaker 14>That's just where I come from. It's very natural to me.

0:56:59.360 --> 0:57:02.120
<v Speaker 14>And I did not choose that hat for the very

0:57:02.160 --> 0:57:05.560
<v Speaker 14>specific reason. That is very cliche. Doesn't that wreck that

0:57:05.640 --> 0:57:10.120
<v Speaker 14>it's made from, It's very artificial, very Cheapkante. I didn't

0:57:10.120 --> 0:57:11.560
<v Speaker 14>have the time. I know, I'm running on.

0:57:11.640 --> 0:57:13.880
<v Speaker 9>There's a different way of explaining yourself and being defensive,

0:57:14.280 --> 0:57:17.640
<v Speaker 9>and you're being very defensive and it's not attractive.

0:57:17.320 --> 0:57:19.360
<v Speaker 14>Just because we had to talk about you know, I

0:57:19.400 --> 0:57:23.040
<v Speaker 14>feel centricity before and it's kind of misunderstood.

0:57:23.040 --> 0:57:24.160
<v Speaker 9>I'm all about like.

0:57:24.200 --> 0:57:27.800
<v Speaker 1>You can hear the strain in Yaya's voice. She's trying

0:57:27.840 --> 0:57:30.480
<v Speaker 1>not to get loud or seem angry, even though the

0:57:30.560 --> 0:57:34.360
<v Speaker 1>judges just completely attacked her identity. A and TM set

0:57:34.400 --> 0:57:36.880
<v Speaker 1>her up to take the Kinte cloth. I think it's

0:57:36.920 --> 0:57:40.160
<v Speaker 1>because they wanted to reprimand her for wearing her culture

0:57:40.240 --> 0:57:44.560
<v Speaker 1>on her sleeve. A and TM wanted to get an

0:57:44.640 --> 0:57:47.080
<v Speaker 1>angry moment out of yah Ya, and when they couldn't

0:57:47.120 --> 0:57:50.680
<v Speaker 1>get that, they wanted to humble her. In their eyes,

0:57:50.840 --> 0:57:54.880
<v Speaker 1>she was wrong for not taking the hat. Then they

0:57:54.920 --> 0:57:58.080
<v Speaker 1>criticized her for explaining why she didn't take the hat.

0:57:59.800 --> 0:58:03.160
<v Speaker 1>And even though she never lost her cool, Tyra called

0:58:03.200 --> 0:58:07.800
<v Speaker 1>her defensive. Yah Ya couldn't win. Tyra said it was

0:58:07.840 --> 0:58:11.440
<v Speaker 1>her mission on ANTM to portray diverse beauty, but it

0:58:11.480 --> 0:58:15.080
<v Speaker 1>seemed like another mission got in the way, her desire

0:58:15.160 --> 0:58:19.480
<v Speaker 1>to make a hit TV show. ANTM trafficked in negative

0:58:19.560 --> 0:58:23.840
<v Speaker 1>racial stereotypes, ones that fed into the audience's most base nature.

0:58:24.640 --> 0:58:29.480
<v Speaker 1>The show could have challenged those stereotypes. Instead, it appealed

0:58:29.480 --> 0:58:33.120
<v Speaker 1>to the lowest common denominator. But a funny thing happens

0:58:33.120 --> 0:58:36.720
<v Speaker 1>when you appeal to that lowest common denominator, you can't

0:58:36.840 --> 0:58:40.200
<v Speaker 1>choose to be above it. There's only one time on

0:58:40.240 --> 0:58:47.920
<v Speaker 1>the show where we saw Tyra get really angry. I've

0:58:47.960 --> 0:58:50.560
<v Speaker 1>never in my life Yoda the girl like this, And

0:58:50.680 --> 0:58:54.680
<v Speaker 1>isn't it ironic that even Tyra couldn't escape the angry

0:58:54.720 --> 0:58:58.880
<v Speaker 1>black woman trope? Because after all these years, that is

0:58:58.960 --> 0:59:02.600
<v Speaker 1>still her most memorable moment. I was rooting for you.

0:59:02.680 --> 0:59:03.920
<v Speaker 9>We're all rooting for you.

0:59:04.000 --> 0:59:04.760
<v Speaker 19>Out damn you.

0:59:08.120 --> 0:59:12.160
<v Speaker 1>On the next episode, our conversation about A and TM

0:59:12.200 --> 0:59:16.960
<v Speaker 1>and identity continues. America's Next Top Model featured an openly

0:59:17.040 --> 0:59:20.200
<v Speaker 1>trans contestant in two thousand and eight, something that was

0:59:20.360 --> 0:59:23.360
<v Speaker 1>shocking at the time, but they made her time on

0:59:23.400 --> 0:59:24.720
<v Speaker 1>the show a spectacle.

0:59:26.320 --> 0:59:29.840
<v Speaker 13>I was there as a trans woman, so like, that's

0:59:30.120 --> 0:59:31.200
<v Speaker 13>enough of an empire.

0:59:31.360 --> 0:59:33.240
<v Speaker 1>I don't need to do a homo shot on camera.

0:59:36.240 --> 0:59:39.040
<v Speaker 1>Thanks for listening to the Curse of America's Next Top Model.

0:59:39.240 --> 0:59:41.800
<v Speaker 1>We're grateful for your support. We'd love for you to

0:59:42.000 --> 0:59:44.640
<v Speaker 1>really show your support by subscribing to our show on

0:59:44.680 --> 0:59:48.040
<v Speaker 1>Apple podcast. Don't forget to give us a five star review.

0:59:48.520 --> 0:59:51.320
<v Speaker 1>If you love the show, tell your group, chat, your friends,

0:59:51.440 --> 0:59:53.840
<v Speaker 1>your mama to check us out. And if you don't,

0:59:54.120 --> 0:59:59.520
<v Speaker 1>maybe keep that one to yourself. The Curse of America's

0:59:59.560 --> 1:00:02.640
<v Speaker 1>Next Top Mo is a production of Glass Podcasts, a

1:00:02.680 --> 1:00:06.480
<v Speaker 1>division of Glass Entertainment Group, in partnership with iHeart Podcast.

1:00:07.120 --> 1:00:10.440
<v Speaker 1>The show is executive produced by Nancy Glass, hosted and

1:00:10.480 --> 1:00:13.880
<v Speaker 1>senior produced by me Bridget Armstrong. Our story editor is

1:00:13.920 --> 1:00:17.680
<v Speaker 1>Monique Leboard, also produced by Ben Fetterman and Andrea Gunning.

1:00:18.040 --> 1:00:22.120
<v Speaker 1>Associate producers are Alisha Key, Kristin Melciriy, and Curry Richmond.

1:00:22.920 --> 1:00:26.400
<v Speaker 1>Consulting producers on this podcast are Oliver TwixT and Kate Taylor.

1:00:26.800 --> 1:00:30.560
<v Speaker 1>Our iHeart team is Ali Perry and Jessica Crincheck. Audio

1:00:30.680 --> 1:00:34.080
<v Speaker 1>editing on this episode by Matt del Vechio, Andrew Callaway

1:00:34.160 --> 1:00:37.479
<v Speaker 1>and Tanner Robbins. The Curse of America's Next Top Model

1:00:37.520 --> 1:00:41.320
<v Speaker 1>theme was composed by Oliver Bains. Music library provided by

1:00:41.360 --> 1:00:45.400
<v Speaker 1>my Music Special Thanks to everyone we interviewed, especially the

1:00:45.440 --> 1:00:49.240
<v Speaker 1>former contestant, and for more podcasts from iHeart, visit the

1:00:49.240 --> 1:00:53.040
<v Speaker 1>iHeartRadio app, Apple podcast, or wherever you get your podcast.

1:00:53.600 --> 1:00:56.520
<v Speaker 1>Also check out the et Glass podcast Instagram for Curse

1:00:56.560 --> 1:00:59.080
<v Speaker 1>of America's Next Top Model behind the scenes content.