1 00:00:00,520 --> 00:00:02,760 Speaker 1: Hi, Curse Up listeners, I know you miss me on 2 00:00:02,800 --> 00:00:05,560 Speaker 1: your feed. Don't worry. We're working on an all new 3 00:00:05,600 --> 00:00:08,520 Speaker 1: season of Curse Of coming out later this year. In 4 00:00:08,560 --> 00:00:11,879 Speaker 1: the meantime, if you can't stop thinking about the shocking 5 00:00:11,920 --> 00:00:15,320 Speaker 1: stories you heard about America's Next Top Model, you'll definitely 6 00:00:15,360 --> 00:00:18,320 Speaker 1: want to check out our new docuseries from E Dirty 7 00:00:18,400 --> 00:00:21,840 Speaker 1: Rotten Scandals. In the series, you'll hear from the America's 8 00:00:21,840 --> 00:00:24,279 Speaker 1: Next Top Model participants you heard from on Curse Of, 9 00:00:24,720 --> 00:00:27,240 Speaker 1: and a few you didn't like former A and TM 10 00:00:27,320 --> 00:00:32,080 Speaker 1: judge Janis Dickinson. Dirty Rotten Scandals unveils the dark underbelly 11 00:00:32,080 --> 00:00:35,159 Speaker 1: of the long running TV series through the untold stories 12 00:00:35,200 --> 00:00:38,519 Speaker 1: of former contestants, and shows what happens when a golden 13 00:00:38,560 --> 00:00:43,640 Speaker 1: opportunity for aspiring models unravels into a harrowing saga of exploitation, 14 00:00:44,120 --> 00:00:47,560 Speaker 1: shattered dreams, and resilience. You can find the two part 15 00:00:47,640 --> 00:00:51,919 Speaker 1: docuseries Dirty Rotten Scandals America's Next Top Model on E Network. 16 00:00:52,280 --> 00:00:57,240 Speaker 1: Check your local TV provider schedule. This week, we've learned. 17 00:00:57,000 --> 00:00:59,320 Speaker 2: All about makeup and the power that it has to 18 00:00:59,360 --> 00:01:03,840 Speaker 2: transform people. Today we are doing this shoot for Got Milk. 19 00:01:06,520 --> 00:01:09,319 Speaker 1: There are a lot of moments from America's Next Top 20 00:01:09,319 --> 00:01:12,959 Speaker 1: Model that haven't aged well. We've been revisiting them all season, 21 00:01:13,560 --> 00:01:16,720 Speaker 1: but for a lot of people, there's one that towers 22 00:01:16,760 --> 00:01:18,480 Speaker 1: above the rest. Now there's a twist. 23 00:01:19,120 --> 00:01:21,800 Speaker 2: We are actually going to switch your ethnicities. 24 00:01:23,400 --> 00:01:28,399 Speaker 1: Even diehard antm apologist can't deny the cringiness of this 25 00:01:28,480 --> 00:01:29,120 Speaker 1: photo shoot. 26 00:01:30,560 --> 00:01:33,959 Speaker 2: Christina, you're going to be an East Indian. Tiffany, you're 27 00:01:34,000 --> 00:01:35,440 Speaker 2: gonna be Native American. 28 00:01:35,760 --> 00:01:39,240 Speaker 1: Of course, I'm talking about the race swapping photo shoot. 29 00:01:39,760 --> 00:01:42,560 Speaker 1: Believe it or not. A and TM actually did a 30 00:01:42,680 --> 00:01:46,640 Speaker 1: version of this photo shoot twice. The first time was 31 00:01:46,680 --> 00:01:49,760 Speaker 1: on cycle four. They assigned each of the contestants to 32 00:01:49,800 --> 00:01:53,200 Speaker 1: portray a race that was not their own. Brittany Brower, 33 00:01:53,360 --> 00:01:56,680 Speaker 1: a white girl from Tallahassee, was straight up put in blackface. 34 00:01:57,400 --> 00:02:05,520 Speaker 2: Brittany an African American woman, Kenya Korean, Michelle an Eskimo woman. 35 00:02:05,800 --> 00:02:07,560 Speaker 1: Yikes. Now you're most. 36 00:02:07,360 --> 00:02:13,120 Speaker 2: Gonna be an Icelandic Scandinavian, Tatiana a biracial woman, UV 37 00:02:13,720 --> 00:02:19,919 Speaker 2: Swedish milkmaid. Wow, Becca really dark tanned Italian Sicilian woman. 38 00:02:20,560 --> 00:02:24,120 Speaker 2: And Noel, we're making you into a traditionally African woman 39 00:02:24,160 --> 00:02:25,400 Speaker 2: with a head wrap and everything. 40 00:02:25,639 --> 00:02:25,880 Speaker 3: Wow. 41 00:02:26,720 --> 00:02:29,640 Speaker 1: Everybody else got a country or ethnicity. Noel had to 42 00:02:29,680 --> 00:02:34,760 Speaker 1: represent a whole. Confident they didn't just change their skin color. 43 00:02:35,440 --> 00:02:38,720 Speaker 1: The models got a makeover, complete with costumes and wigs. 44 00:02:39,120 --> 00:02:43,160 Speaker 1: It was as stereotypical as you can imagine. They gave Tiffany, 45 00:02:43,240 --> 00:02:46,120 Speaker 1: a black woman, a long black wig with two braids 46 00:02:46,120 --> 00:02:50,160 Speaker 1: on the side because she was portraying a Native American woman. Christina, 47 00:02:50,320 --> 00:02:53,120 Speaker 1: a white model, got a straight wig with a dupata 48 00:02:53,280 --> 00:02:58,200 Speaker 1: or headscarf because she was supposed to be East Indian. Brittany, 49 00:02:58,280 --> 00:03:01,280 Speaker 1: the one who was in blackface, a huge afro wig 50 00:03:01,480 --> 00:03:05,440 Speaker 1: because she was portraying an African American woman. Here's Brittany 51 00:03:05,480 --> 00:03:08,000 Speaker 1: when she finally saw her completed look in the mirror. 52 00:03:08,280 --> 00:03:11,040 Speaker 1: A black girl with a Nosehall, come on, you're rejection. 53 00:03:13,360 --> 00:03:16,360 Speaker 1: People refer to this as the black face photoshoot. For 54 00:03:16,400 --> 00:03:18,680 Speaker 1: the two models who were supposed to be black, the 55 00:03:18,720 --> 00:03:22,320 Speaker 1: makeup artists actually painted their entire faces with the dark 56 00:03:22,360 --> 00:03:25,600 Speaker 1: brown makeup, but it didn't end there. This is something 57 00:03:25,639 --> 00:03:29,160 Speaker 1: for everyone to be offended by in this photo shoot. Kenya, 58 00:03:29,240 --> 00:03:32,200 Speaker 1: who's black, was supposed to be Korean for the shoot, 59 00:03:32,480 --> 00:03:36,520 Speaker 1: so she was given lighter skin Naima, who's multiracial, was 60 00:03:36,600 --> 00:03:39,920 Speaker 1: portraying an Icelandic woman, so they gave her makeup to 61 00:03:39,960 --> 00:03:42,600 Speaker 1: make her pale as if there are no multiracial people 62 00:03:42,600 --> 00:03:48,000 Speaker 1: in Iceland. This is shocking to us today, But if 63 00:03:48,040 --> 00:03:50,280 Speaker 1: you watched it play out live, I want you to 64 00:03:50,320 --> 00:03:52,360 Speaker 1: think back to how it made you feel in two 65 00:03:52,400 --> 00:03:55,800 Speaker 1: thousand and five, if you were truly offended, or if 66 00:03:55,840 --> 00:03:59,680 Speaker 1: your outrage is revision is history. Several of the models 67 00:03:59,720 --> 00:04:02,480 Speaker 1: who can on that season say at the time they 68 00:04:02,520 --> 00:04:06,200 Speaker 1: didn't see anything wrong with the race. Wopping. Here's Tiffany 69 00:04:06,240 --> 00:04:08,920 Speaker 1: and Kenya talking about it in an interview with Nightline. 70 00:04:09,280 --> 00:04:10,960 Speaker 1: I didn't think too much of it at the time. 71 00:04:11,440 --> 00:04:12,920 Speaker 4: It was fun. 72 00:04:13,680 --> 00:04:16,680 Speaker 5: Do you feel like the people watching it now they 73 00:04:16,720 --> 00:04:19,200 Speaker 5: have a much different reaction than the folks who were 74 00:04:19,240 --> 00:04:20,719 Speaker 5: watching it at the time. 75 00:04:21,680 --> 00:04:25,280 Speaker 1: Do you chalk some of it up to the popularity. 76 00:04:24,600 --> 00:04:26,400 Speaker 5: Of the show, the things that they were able to 77 00:04:26,440 --> 00:04:29,320 Speaker 5: get away with on television, to the fact that we 78 00:04:29,320 --> 00:04:30,880 Speaker 5: were just living in a different time. 79 00:04:31,000 --> 00:04:34,440 Speaker 1: Then yeah, I do. Yeah, just live in a different time. 80 00:04:35,240 --> 00:04:37,400 Speaker 1: Maybe they didn't think too much of it back then, 81 00:04:38,040 --> 00:04:41,440 Speaker 1: but these days they've had to think about it a lot. 82 00:04:42,120 --> 00:04:44,400 Speaker 1: I really wanted to talk to Britney Brower, the white 83 00:04:44,440 --> 00:04:47,000 Speaker 1: girl who was put in black face. Here's what she 84 00:04:47,160 --> 00:04:48,560 Speaker 1: remembers from that photo shoot. 85 00:04:48,839 --> 00:04:51,120 Speaker 5: They wanted to give us all different ethnicities and give 86 00:04:51,160 --> 00:04:53,560 Speaker 5: me blackface and make me an African American woman and 87 00:04:53,560 --> 00:04:58,240 Speaker 5: not clearly did not age very well. But I'll be 88 00:04:58,360 --> 00:05:01,000 Speaker 5: very very honest at the time of thought anything of it. 89 00:05:01,320 --> 00:05:02,839 Speaker 5: I hope that doesn't sound wrong. 90 00:05:03,160 --> 00:05:04,320 Speaker 1: It was just fun. You know. 91 00:05:04,800 --> 00:05:07,279 Speaker 6: You got to think the host of our show is 92 00:05:07,320 --> 00:05:11,200 Speaker 6: Tyra Banks, and mister and missus Jay are right there 93 00:05:11,240 --> 00:05:13,920 Speaker 6: as well. It never crossed my brain at all. If 94 00:05:13,920 --> 00:05:15,480 Speaker 6: Tyers want me to do something that it would ever 95 00:05:15,560 --> 00:05:18,719 Speaker 6: ever end up being, like, you know, anything offensive, then. 96 00:05:18,600 --> 00:05:22,560 Speaker 1: She must not know about Tarra Banks. To this day, 97 00:05:22,720 --> 00:05:26,960 Speaker 1: if you google Britney's name, that image pops up. Did 98 00:05:27,000 --> 00:05:28,400 Speaker 1: it work out for the long run? 99 00:05:28,880 --> 00:05:32,960 Speaker 5: I have felt more than uncomfortable with it, obviously. I 100 00:05:33,000 --> 00:05:37,119 Speaker 5: don't mean offending anybody like twenty years later of something 101 00:05:37,120 --> 00:05:38,640 Speaker 5: I did when I was twenty two years old and 102 00:05:38,640 --> 00:05:40,400 Speaker 5: I'm forty two years old now, you know. 103 00:05:41,120 --> 00:05:44,159 Speaker 1: But there was one contestant I talked to who said, 104 00:05:44,360 --> 00:05:47,080 Speaker 1: at the time the whole thing felt off to her, 105 00:05:47,520 --> 00:05:49,039 Speaker 1: and that was Uvi Gomez. 106 00:05:49,360 --> 00:05:53,919 Speaker 7: I knew it was wrong, Like I absolutely knew it 107 00:05:53,960 --> 00:05:57,799 Speaker 7: was wrong, and I was trying to talk the girls 108 00:05:57,839 --> 00:06:00,200 Speaker 7: into all of us saying we didn't want to do it. 109 00:06:00,000 --> 00:06:03,880 Speaker 1: But like Brittany, most of them thought Tyra KNWBST. 110 00:06:04,279 --> 00:06:06,920 Speaker 8: They didn't want to say not to do it, so 111 00:06:07,000 --> 00:06:09,280 Speaker 8: they're like, well, if Tyra wrote off on it, then 112 00:06:09,320 --> 00:06:15,279 Speaker 8: it's fine. I'm like, oh, you know, I knew the 113 00:06:15,320 --> 00:06:20,440 Speaker 8: fallout was going to happen, you know, and it Ensure died. 114 00:06:20,600 --> 00:06:23,440 Speaker 8: Twenty years later, still people are talking about it. 115 00:06:25,360 --> 00:06:28,240 Speaker 1: People are talking about it now, but when it aired, 116 00:06:28,360 --> 00:06:31,720 Speaker 1: there wasn't a lot of concern. In fact, Brittany told 117 00:06:31,720 --> 00:06:34,640 Speaker 1: me after she was eliminated, she did an interview tour 118 00:06:34,880 --> 00:06:37,160 Speaker 1: and the black face photoshoot never came up. 119 00:06:38,880 --> 00:06:41,919 Speaker 5: I had the interviews all day long with every kind 120 00:06:42,000 --> 00:06:45,760 Speaker 5: of radio show, talk show, television show. The day after 121 00:06:46,000 --> 00:06:50,359 Speaker 5: my elimination. I never got one question about it, not one, 122 00:06:51,279 --> 00:06:53,520 Speaker 5: not one. I mean that's just how it was then. 123 00:06:54,480 --> 00:06:56,560 Speaker 5: Nothing Nothing was ever said about it back then. 124 00:06:57,120 --> 00:06:57,960 Speaker 1: I'm not defending it. 125 00:06:58,000 --> 00:07:00,520 Speaker 5: I'm just telling you nobody ever said anything. 126 00:07:02,839 --> 00:07:06,880 Speaker 1: Blackface is a specific practice that has racist origins. It's 127 00:07:06,880 --> 00:07:10,440 Speaker 1: based on ugly stereotypes. It was created to mock and 128 00:07:10,480 --> 00:07:15,320 Speaker 1: degrade black people. I know, anything even reminiscent of blackface 129 00:07:15,400 --> 00:07:19,200 Speaker 1: feels offensive. And I'm not trying to defend this incredibly 130 00:07:19,200 --> 00:07:22,720 Speaker 1: insensitive photoshoot, but I don't think it was A and 131 00:07:22,760 --> 00:07:26,400 Speaker 1: TM's goal to mock and degrade black people. For me, 132 00:07:26,840 --> 00:07:29,320 Speaker 1: the worst part of this photo shoot wasn't the wigs 133 00:07:29,440 --> 00:07:33,760 Speaker 1: or even the makeup. It was when Jay Manuel said this, the. 134 00:07:33,800 --> 00:07:38,360 Speaker 2: Challenge here really is taking on the persona of that 135 00:07:38,440 --> 00:07:43,440 Speaker 2: other ethnicity while in the photograph and owning it. 136 00:07:43,440 --> 00:07:46,960 Speaker 1: It wasn't just about how they looked. Mister Jay wanted 137 00:07:47,000 --> 00:07:50,760 Speaker 1: them to act their racial parts, whatever that means. And 138 00:07:50,920 --> 00:07:54,360 Speaker 1: I think that desire for contestants to embody a racial 139 00:07:54,400 --> 00:07:58,040 Speaker 1: stereotype didn't just happen in the race wiping challenge. It 140 00:07:58,080 --> 00:08:02,680 Speaker 1: played out on every season of the show. Want to 141 00:08:02,720 --> 00:08:15,640 Speaker 1: Beyond Some, want to Beyond Some. Welcome to the Curse 142 00:08:15,680 --> 00:08:22,120 Speaker 1: of America's next Top Model. I'm Bridget Armshan. No matter 143 00:08:22,160 --> 00:08:25,240 Speaker 1: what A and TM intended, the race swapping photoshoot was 144 00:08:25,280 --> 00:08:28,880 Speaker 1: based on stereotypes and narrow ideas about race. They had 145 00:08:28,880 --> 00:08:31,520 Speaker 1: the nerve to do a version of this again years later, 146 00:08:32,000 --> 00:08:35,880 Speaker 1: but those were just two photoshoots. From season one all 147 00:08:35,920 --> 00:08:38,920 Speaker 1: the way to the end, America's Next Top Model always 148 00:08:38,960 --> 00:08:43,880 Speaker 1: prioritize racial and ethnic diversity. They depicted beauty across racial lines, 149 00:08:44,240 --> 00:08:47,640 Speaker 1: but the way contestants were cast and edited often played 150 00:08:47,640 --> 00:08:52,600 Speaker 1: into racial stereotypes. The early two thousands was a different 151 00:08:52,640 --> 00:08:56,240 Speaker 1: time when it came to race and representation. That's why 152 00:08:56,320 --> 00:08:59,600 Speaker 1: I can give A and TM's race swapping challenge some grace. 153 00:09:00,280 --> 00:09:03,040 Speaker 1: But even for the times, A and TM's use of 154 00:09:03,160 --> 00:09:06,760 Speaker 1: racial tropes stands out, and they continued until the show 155 00:09:06,880 --> 00:09:09,960 Speaker 1: ended in twenty eighteen, which is hard to reconcile with 156 00:09:10,000 --> 00:09:12,240 Speaker 1: the fact that A and TM was created by a 157 00:09:12,240 --> 00:09:15,120 Speaker 1: black woman and an Asian man, Tyra Banks and Ken Mock. 158 00:09:16,000 --> 00:09:18,840 Speaker 1: Plus the head casting director was a black woman and 159 00:09:18,920 --> 00:09:21,880 Speaker 1: the j's were queer men of color. So how did 160 00:09:21,920 --> 00:09:26,840 Speaker 1: A and TM's episodes end up looking so racist? Maybe 161 00:09:26,880 --> 00:09:31,040 Speaker 1: it's because racial stereotypes are low hanging fruit, or maybe 162 00:09:31,040 --> 00:09:34,400 Speaker 1: it's because they're a tried and true moneymaker. So on 163 00:09:34,440 --> 00:09:37,320 Speaker 1: this episode, we're going to talk about identity on A 164 00:09:37,400 --> 00:09:40,719 Speaker 1: and TM. We'll explore the stereotypes and tropes we saw 165 00:09:40,800 --> 00:09:43,679 Speaker 1: across seasons and talk about the models who say they 166 00:09:43,679 --> 00:09:45,880 Speaker 1: were harmed by their edit once they left the house. 167 00:09:47,920 --> 00:09:50,719 Speaker 1: If there's anything about A and TM Tyra Banks is 168 00:09:50,840 --> 00:09:54,400 Speaker 1: most proud of today, it's the show's diversity. She talks 169 00:09:54,400 --> 00:09:57,120 Speaker 1: about it all the time. She even brought it up 170 00:09:57,160 --> 00:09:59,520 Speaker 1: in twenty twenty five when she was accepting an award 171 00:09:59,520 --> 00:09:59,960 Speaker 1: from Essen. 172 00:10:00,720 --> 00:10:04,480 Speaker 9: Over twenty years ago, I created a television show called America's. 173 00:10:04,080 --> 00:10:11,280 Speaker 10: Next Top Model, and I fought, and you guys have 174 00:10:11,480 --> 00:10:16,040 Speaker 10: no idea how hard we fought to bring the diversity 175 00:10:16,600 --> 00:10:19,160 Speaker 10: to that television show at a time where it didn't. 176 00:10:18,880 --> 00:10:23,840 Speaker 9: Exist, to show different beauties at a time when the 177 00:10:23,880 --> 00:10:24,800 Speaker 9: world was like what. 178 00:10:24,920 --> 00:10:27,599 Speaker 1: You cast in that? And what and what is that? 179 00:10:27,600 --> 00:10:30,120 Speaker 11: That might be the narrative she's trying to push, but 180 00:10:30,840 --> 00:10:33,320 Speaker 11: you know they were just trying to create a great show. 181 00:10:34,720 --> 00:10:38,040 Speaker 1: That's Barez Hilton. You heard him on the second episode. 182 00:10:38,200 --> 00:10:40,480 Speaker 1: He was a gossip blogger in the early two thousands 183 00:10:40,520 --> 00:10:42,160 Speaker 1: and a guest judge on A and TM. 184 00:10:42,880 --> 00:10:47,319 Speaker 11: Top Model really was a pioneer in terms of diversity. 185 00:10:47,559 --> 00:10:50,720 Speaker 11: I do give her credit for that diversity in color, 186 00:10:51,040 --> 00:11:01,240 Speaker 11: in socioeconomic background, in trans representation, queer representation. But while 187 00:11:01,240 --> 00:11:04,600 Speaker 11: that was a factor that wasn't an important one. 188 00:11:04,840 --> 00:11:08,280 Speaker 1: Perez doesn't think Tyra was a champion of diversity like 189 00:11:08,320 --> 00:11:11,000 Speaker 1: she said she was, or that A and TM had 190 00:11:11,040 --> 00:11:13,920 Speaker 1: this diverse cast because she wanted to change the world. 191 00:11:14,720 --> 00:11:18,320 Speaker 1: He thinks they prioritize diversity because it makes great TV. 192 00:11:20,840 --> 00:11:23,360 Speaker 1: At first, when Perez said this in our interview, I 193 00:11:23,360 --> 00:11:25,680 Speaker 1: didn't agree with him. I thought he was a white 194 00:11:25,679 --> 00:11:28,640 Speaker 1: guy who just didn't get it. But now, after six 195 00:11:28,679 --> 00:11:32,760 Speaker 1: months of reporting, I gotta admit Perez might be onto something. 196 00:11:35,720 --> 00:11:38,320 Speaker 1: I do believe Tyra when she said she created A 197 00:11:38,440 --> 00:11:42,600 Speaker 1: ANDTM to challenge traditional notions around beauty. I think she 198 00:11:42,760 --> 00:11:45,360 Speaker 1: wanted the audience to see that women of all shapes 199 00:11:45,400 --> 00:11:48,560 Speaker 1: and colors are beautiful. But I also think it was 200 00:11:48,600 --> 00:11:53,000 Speaker 1: more than that. Bringing together strangers from completely different backgrounds 201 00:11:53,040 --> 00:11:55,319 Speaker 1: and walks of life, throwing them into a house and 202 00:11:55,360 --> 00:11:59,559 Speaker 1: seeing what happens is a proven formula. The reality showed 203 00:11:59,600 --> 00:12:02,480 Speaker 1: the real world pretty much invented and perfected it in 204 00:12:02,520 --> 00:12:05,680 Speaker 1: the nineties. A and TM just took that model and 205 00:12:05,720 --> 00:12:10,439 Speaker 1: will applied it to models because it works. Remember the 206 00:12:10,520 --> 00:12:14,000 Speaker 1: drama on Cycle one between Christian Robin and Atheis Elise. 207 00:12:14,679 --> 00:12:17,320 Speaker 1: How many times did we see A and TM put 208 00:12:17,360 --> 00:12:20,760 Speaker 1: small town sheltered contestants in a house with loose, big 209 00:12:20,800 --> 00:12:24,080 Speaker 1: city girls, or rich contestants with contestants who grew up 210 00:12:24,120 --> 00:12:26,960 Speaker 1: in trailer parks, or girls from the hood clashing with 211 00:12:27,040 --> 00:12:30,559 Speaker 1: girls from the suburbs. I'm convinced A and TM did 212 00:12:30,559 --> 00:12:33,560 Speaker 1: the British Invasion season just to see the cultural clash 213 00:12:33,600 --> 00:12:38,960 Speaker 1: between the UK and American models. Last episode, we talked 214 00:12:39,000 --> 00:12:41,960 Speaker 1: about the way A and TM created characters and why 215 00:12:42,040 --> 00:12:46,320 Speaker 1: it resonates with audiences. Characters in reality TV help us 216 00:12:46,320 --> 00:12:49,360 Speaker 1: put the cast into categories, and that in turn helps 217 00:12:49,440 --> 00:12:52,280 Speaker 1: us understand the story better. It works best when the 218 00:12:52,360 --> 00:12:55,880 Speaker 1: characters aligned with tropes we already know. Most of us 219 00:12:55,920 --> 00:12:58,040 Speaker 1: have an idea of the girl next door, or the 220 00:12:58,120 --> 00:13:02,080 Speaker 1: quiet wallflower or the pageant queen. Those are common tropes 221 00:13:02,080 --> 00:13:05,920 Speaker 1: we see on television. Picking up on a contestant's personality 222 00:13:06,120 --> 00:13:08,480 Speaker 1: and then casting and editing them to align with the 223 00:13:08,559 --> 00:13:13,160 Speaker 1: character trope isn't wrong. The problem is audiences are also 224 00:13:13,240 --> 00:13:16,840 Speaker 1: looking for characters that align with preconceived racial biases and tropes. 225 00:13:19,000 --> 00:13:21,840 Speaker 1: Bethany Butler is a freelance journalist who writes about race 226 00:13:21,880 --> 00:13:22,760 Speaker 1: and reality TV. 227 00:13:23,600 --> 00:13:26,720 Speaker 3: There's an understanding from the very beginning of reality TV 228 00:13:26,840 --> 00:13:29,640 Speaker 3: that like, you need to have these archetypes in these 229 00:13:29,760 --> 00:13:35,040 Speaker 3: characters and oftentimes the stereotypes, the biases we have in 230 00:13:35,080 --> 00:13:37,960 Speaker 3: our country. In many ways, it's such a microcosm of 231 00:13:38,000 --> 00:13:41,320 Speaker 3: how we are in real life. 232 00:13:40,360 --> 00:13:43,040 Speaker 1: And A ANDTM was more than happy to give the 233 00:13:43,080 --> 00:13:46,719 Speaker 1: audience what they were expecting for all of its diversity. 234 00:13:46,920 --> 00:13:49,400 Speaker 1: There were less than twenty five Asian contestants in A 235 00:13:49,480 --> 00:13:53,079 Speaker 1: and TM history, but the few Asian American models who 236 00:13:53,160 --> 00:13:56,800 Speaker 1: were on the show faced microaggressions and storylines and edits 237 00:13:56,800 --> 00:14:00,600 Speaker 1: that were based on racial stereotypes. They were fetishized, like 238 00:14:00,679 --> 00:14:04,120 Speaker 1: Sina Sakai from Cycle eleven. The edit made it seem 239 00:14:04,160 --> 00:14:06,560 Speaker 1: like all she wanted to talk about was sex. She 240 00:14:06,720 --> 00:14:09,040 Speaker 1: was a go go dancer, something the show focused on 241 00:14:09,160 --> 00:14:11,880 Speaker 1: a lot, but she was also a stunt woman and 242 00:14:11,920 --> 00:14:15,240 Speaker 1: we never heard about that on the show. Aside from that, 243 00:14:15,800 --> 00:14:19,800 Speaker 1: Asian models were typecast and edited its model minorities or 244 00:14:19,840 --> 00:14:25,320 Speaker 1: perpetual foreigners. Gina Cho from Cycle six is Korean American. 245 00:14:25,880 --> 00:14:29,360 Speaker 1: On the semi finals audition episode, her ethnicity was the 246 00:14:29,360 --> 00:14:32,320 Speaker 1: main focus of her conversation with the judges, So why 247 00:14:32,320 --> 00:14:32,480 Speaker 1: do you. 248 00:14:32,440 --> 00:14:33,720 Speaker 9: Want to be America's sex top model. 249 00:14:33,800 --> 00:14:37,160 Speaker 12: I think that there's just not enough Asian models out there. 250 00:14:37,280 --> 00:14:39,760 Speaker 12: I feel that I can break down that barrier, and 251 00:14:39,800 --> 00:14:41,120 Speaker 12: I think it's her responsibility. 252 00:14:41,400 --> 00:14:43,320 Speaker 1: You say that you're you're not the girl next door, 253 00:14:43,320 --> 00:14:43,880 Speaker 1: you're wild. 254 00:14:44,000 --> 00:14:45,480 Speaker 12: What do you mean that If you're to ask me 255 00:14:45,600 --> 00:14:47,600 Speaker 12: to get down ship naked, I will do it. 256 00:14:48,040 --> 00:14:49,960 Speaker 1: That's just how I am. Well, the thing is, like, 257 00:14:50,040 --> 00:14:51,000 Speaker 1: my parents kind of. 258 00:14:50,960 --> 00:14:52,800 Speaker 12: Have a thing with that, So I mean, I don't 259 00:14:52,800 --> 00:14:55,720 Speaker 12: know if I would go against my parents or I 260 00:14:55,760 --> 00:14:58,840 Speaker 12: mean I kind of believe more in the American culture 261 00:14:58,880 --> 00:15:02,800 Speaker 12: more than my parents. Oh, I'm not into Asian guys. 262 00:15:03,440 --> 00:15:05,640 Speaker 12: Why the thing is are a lot shorter than I am, 263 00:15:05,680 --> 00:15:07,440 Speaker 12: which is something that I can't tolerate. 264 00:15:07,560 --> 00:15:10,560 Speaker 2: You've come so full circle from your initial statement, But. 265 00:15:10,520 --> 00:15:12,800 Speaker 9: Do you understand how you were a contradiction hers You 266 00:15:12,840 --> 00:15:15,520 Speaker 9: were saying, I'm Asian, I'm strong, I'm Korean, and then 267 00:15:15,560 --> 00:15:17,600 Speaker 9: you're saying it's through Korean boys and. 268 00:15:17,440 --> 00:15:18,200 Speaker 1: I want a white boy. 269 00:15:18,400 --> 00:15:21,600 Speaker 12: I don't know what exactly happened, but I got confused 270 00:15:21,640 --> 00:15:23,360 Speaker 12: and I started contradicting myself. 271 00:15:23,880 --> 00:15:26,240 Speaker 1: Gina's right when she said there aren't a lot of 272 00:15:26,280 --> 00:15:30,160 Speaker 1: Asian models, but her personal feelings about identity and dating 273 00:15:30,320 --> 00:15:33,560 Speaker 1: have nothing to do with that fact. But Gina's comments 274 00:15:33,600 --> 00:15:36,760 Speaker 1: about her race are exactly what captured the judge's attention. 275 00:15:37,640 --> 00:15:40,600 Speaker 1: Gina was ultimately chosen to go into the house, and 276 00:15:40,840 --> 00:15:44,120 Speaker 1: I think that's because they wanted to explore an Asian 277 00:15:44,160 --> 00:15:48,600 Speaker 1: identity crisis storyline. Her questions about her identity and lack 278 00:15:48,640 --> 00:15:51,480 Speaker 1: of confidence were central to her edit. There was a 279 00:15:51,480 --> 00:15:55,040 Speaker 1: press conference challenge later that episode where Janis asked Gina 280 00:15:55,120 --> 00:15:57,000 Speaker 1: about her identity again. 281 00:15:57,360 --> 00:16:00,440 Speaker 2: Gina, how does being an Asian woman fat you're into 282 00:16:00,480 --> 00:16:02,400 Speaker 2: your determination to win this competition? 283 00:16:02,680 --> 00:16:03,560 Speaker 1: I guess I don't know. 284 00:16:03,600 --> 00:16:06,040 Speaker 12: I just I don't know. I don't know I answer that question. 285 00:16:07,440 --> 00:16:10,920 Speaker 2: So, Ginaman, when you met us during casting week, that 286 00:16:11,080 --> 00:16:12,360 Speaker 2: was the first thing you mentioned. 287 00:16:12,520 --> 00:16:14,160 Speaker 1: So why do you want to be America sex top model? 288 00:16:14,200 --> 00:16:16,640 Speaker 12: There's just not enough Asian models out there. 289 00:16:16,760 --> 00:16:19,040 Speaker 2: Why in a room with all these reporters, why would 290 00:16:19,080 --> 00:16:21,680 Speaker 2: you not take this opportunity to put it in the forefront. 291 00:16:22,200 --> 00:16:24,160 Speaker 12: I'm just I'm twenty one years old and I don't 292 00:16:24,200 --> 00:16:27,240 Speaker 12: know who I really am yet. I'm kind of like struggling. 293 00:16:27,280 --> 00:16:28,640 Speaker 12: I'm like having an identity crisis. 294 00:16:28,640 --> 00:16:33,120 Speaker 1: Share Gina's parents immigrated from Korea. A lot of first 295 00:16:33,160 --> 00:16:35,960 Speaker 1: generation Americans have talked about the push and pool between 296 00:16:36,000 --> 00:16:39,120 Speaker 1: their parents' culture and their American upbringing. It's a lot 297 00:16:39,160 --> 00:16:42,560 Speaker 1: to navigate, especially on a reality show that keeps bringing 298 00:16:42,600 --> 00:16:46,640 Speaker 1: it up. My issue is that ANTM casts so few 299 00:16:46,680 --> 00:16:50,240 Speaker 1: Asian American models, and when they finally did, they chose 300 00:16:50,240 --> 00:16:53,600 Speaker 1: a girl who was clearly struggling with her identity. Then 301 00:16:53,680 --> 00:16:58,120 Speaker 1: they made that struggle her storyline, which reinforces stereotypes and 302 00:16:58,160 --> 00:17:00,680 Speaker 1: distracts from the whole purpose of our on the show, 303 00:17:01,120 --> 00:17:05,120 Speaker 1: which was supposed to be modeling, but Gina didn't even 304 00:17:05,119 --> 00:17:09,600 Speaker 1: get it the worst. April Wildner was a contestant on 305 00:17:09,680 --> 00:17:14,159 Speaker 1: cycle two. April is biracial, Japanese and white. One of 306 00:17:14,200 --> 00:17:16,639 Speaker 1: the first photoshoots of the season was a take on 307 00:17:16,680 --> 00:17:20,040 Speaker 1: the Garden of Eden. Each model was supposed to portray 308 00:17:20,080 --> 00:17:24,439 Speaker 1: a different eve. They wore body paint, headdresses, and little elks. 309 00:17:25,760 --> 00:17:28,560 Speaker 1: They painted one model purple and gave her a crown 310 00:17:28,640 --> 00:17:32,120 Speaker 1: and wings like a cherub. Another model they painted all 311 00:17:32,240 --> 00:17:35,040 Speaker 1: silver and gave her a chain mail head covering like 312 00:17:35,080 --> 00:17:38,880 Speaker 1: a sexy medieval eve. It's hard to understand what they 313 00:17:38,880 --> 00:17:42,560 Speaker 1: were going for there. But with April, they were very clear. 314 00:17:43,440 --> 00:17:47,160 Speaker 1: April was supposed to be Asian Eve, and despite being 315 00:17:47,359 --> 00:17:51,440 Speaker 1: half Japanese, they painted a giant Chinese dragon on her 316 00:17:51,680 --> 00:17:55,080 Speaker 1: and adorned her head with little lanterns, another Chinese symbol. 317 00:17:56,600 --> 00:18:01,800 Speaker 13: April Asian Eve was gorgeous, fantastic, I face this fantastic. 318 00:18:01,960 --> 00:18:05,320 Speaker 1: My goodness me, that's exactly what I'm looking for. H 319 00:18:05,840 --> 00:18:11,080 Speaker 1: Sometimes Nigel just gives me the creeps. April did very 320 00:18:11,080 --> 00:18:14,080 Speaker 1: well in the competition. She was constantly praised by the 321 00:18:14,160 --> 00:18:17,400 Speaker 1: judges for hitting the mark during her photoshoots, and April 322 00:18:17,440 --> 00:18:20,439 Speaker 1: took the judges it vice seriously. But she was also 323 00:18:20,600 --> 00:18:25,840 Speaker 1: consistently criticized for lacking personality. They said she was too analytical, 324 00:18:26,000 --> 00:18:28,000 Speaker 1: too mechanical, and too perfect. 325 00:18:28,320 --> 00:18:31,040 Speaker 9: There was absolutely no personality and didn't make me like 326 00:18:31,080 --> 00:18:32,800 Speaker 9: you and say, oh, I want to be like April. 327 00:18:33,680 --> 00:18:39,000 Speaker 9: To April, We're not sure if you want this because 328 00:18:39,040 --> 00:18:40,920 Speaker 9: you want to be a top model and you want 329 00:18:40,920 --> 00:18:43,479 Speaker 9: to be in this fashion industry, or is it that 330 00:18:43,520 --> 00:18:46,800 Speaker 9: you just want to win for the sake of winning. April, 331 00:18:48,119 --> 00:18:51,120 Speaker 9: I still feel like you're very analytical, but I want 332 00:18:51,119 --> 00:18:53,280 Speaker 9: to see the sensitive and beautiful side of you too. 333 00:18:53,880 --> 00:18:56,520 Speaker 1: But The problem for me with April is that you 334 00:18:56,560 --> 00:18:59,240 Speaker 1: know she's clinical. She's like a technician. I want to 335 00:18:59,280 --> 00:18:59,920 Speaker 1: see some more sec. 336 00:19:00,680 --> 00:19:02,560 Speaker 9: I would love to see a more romantic side of her. 337 00:19:02,760 --> 00:19:03,119 Speaker 14: April. 338 00:19:03,119 --> 00:19:07,160 Speaker 9: This is the strongest picture of the bunch. But when 339 00:19:07,240 --> 00:19:09,320 Speaker 9: you talk and how you move in your hands so 340 00:19:09,840 --> 00:19:12,359 Speaker 9: like this, it's not a likable, warm person. 341 00:19:12,560 --> 00:19:16,439 Speaker 1: Again, you believe after all that they kept going April, 342 00:19:16,560 --> 00:19:17,920 Speaker 1: you are so technical. 343 00:19:18,200 --> 00:19:21,439 Speaker 9: But if you want a model and just relax and exhale, 344 00:19:21,800 --> 00:19:23,440 Speaker 9: how you look like, you know, you need to go 345 00:19:23,440 --> 00:19:24,280 Speaker 9: to the emergency room. 346 00:19:24,359 --> 00:19:28,080 Speaker 1: Needed more soul. It was almost too clinical. America's Next 347 00:19:28,119 --> 00:19:32,280 Speaker 1: Top Model was a competition reality show. Every contestant was 348 00:19:32,320 --> 00:19:35,679 Speaker 1: trying to be perfect. Everyone was analyzing the challenges and 349 00:19:35,680 --> 00:19:39,040 Speaker 1: the feedback from the judges. But with April, they made 350 00:19:39,160 --> 00:19:42,840 Speaker 1: that her storyline. April was so good at the competition, 351 00:19:43,080 --> 00:19:46,199 Speaker 1: the judges said she was too perfect to them. The 352 00:19:46,240 --> 00:19:49,680 Speaker 1: fact that she was good at everything made her unrelatable, 353 00:19:50,200 --> 00:19:54,399 Speaker 1: and that plays into model minority tropes. April made it 354 00:19:54,440 --> 00:19:57,160 Speaker 1: to the top four in her season. When she was eliminated, 355 00:19:57,320 --> 00:19:58,280 Speaker 1: Here's what Tyra. 356 00:19:58,080 --> 00:20:02,000 Speaker 9: Said, April pictures, we feel like you post better than 357 00:20:02,040 --> 00:20:05,840 Speaker 9: all the girls here, but modeling isn't about being mechanical, 358 00:20:06,080 --> 00:20:08,520 Speaker 9: It's about emotionally connecting with the camera. 359 00:20:08,920 --> 00:20:13,960 Speaker 1: Per se these congratulations. When her name wasn't called, April 360 00:20:13,960 --> 00:20:18,080 Speaker 1: broke down crying. I think they eliminated her just to 361 00:20:18,119 --> 00:20:24,240 Speaker 1: get that emotional reaction. Tyra said she wanted A and 362 00:20:24,280 --> 00:20:27,600 Speaker 1: TM to show the audience that women from different ethnic 363 00:20:27,640 --> 00:20:31,840 Speaker 1: backgrounds can be top models, but the editing and typecasting 364 00:20:31,880 --> 00:20:36,160 Speaker 1: of April reinforced the opposite. There's an ugly belief about 365 00:20:36,200 --> 00:20:38,840 Speaker 1: East Asian people that while they may be smart and 366 00:20:38,960 --> 00:20:44,720 Speaker 1: high achieving, they lack creativity and charisma. April's storyline told 367 00:20:44,760 --> 00:20:47,919 Speaker 1: the audience that an Asian model can be beautiful and 368 00:20:48,000 --> 00:20:51,040 Speaker 1: even better than her competitors, but there will always be 369 00:20:51,160 --> 00:20:57,840 Speaker 1: something inherently missing, which just isn't true. Jaslene Gonzalez, who 370 00:20:57,880 --> 00:21:01,240 Speaker 1: you heard from a few episodes ago Puerto Rican, She 371 00:21:01,280 --> 00:21:04,760 Speaker 1: grew up in Chicago. On Cycle eight, Jaslene was framed 372 00:21:04,800 --> 00:21:07,679 Speaker 1: as a cha cha diva, a moniker she still proudly 373 00:21:07,800 --> 00:21:11,680 Speaker 1: uses to this day. Here's Jazleene recalling her antm audition. 374 00:21:12,200 --> 00:21:15,840 Speaker 13: I said, my name, my heights, and where I'm from, 375 00:21:15,960 --> 00:21:18,200 Speaker 13: like the most cha cha diva ever. 376 00:21:18,680 --> 00:21:21,640 Speaker 1: It's one thing to showcase the contestants love for their culture. 377 00:21:22,119 --> 00:21:26,840 Speaker 1: It's another thing to make them a caricature. When Jaslene 378 00:21:26,880 --> 00:21:30,120 Speaker 1: originally auditioned on cycle seven, she came in the room 379 00:21:30,280 --> 00:21:33,960 Speaker 1: already turned up. She had a big personality. She was 380 00:21:34,040 --> 00:21:38,919 Speaker 1: salsa dancing. ANTM played salsa music during her scene, but 381 00:21:39,040 --> 00:21:41,879 Speaker 1: when she came back from cycle eight, her entrance was 382 00:21:41,920 --> 00:21:46,240 Speaker 1: a lot more muted. Jaslene was still proudly Latina, but 383 00:21:46,320 --> 00:21:50,000 Speaker 1: she wasn't embodying the spicy Latina character ANTM wanted her 384 00:21:50,040 --> 00:21:53,880 Speaker 1: to be. There was a photoshoot where jay Manuel basically said. 385 00:21:53,680 --> 00:21:56,320 Speaker 2: That I need you to bring me that Latina fire. 386 00:21:57,240 --> 00:21:59,760 Speaker 1: I don't know if Jazleene felt pressure to fit a 387 00:21:59,760 --> 00:22:03,280 Speaker 1: certain character or if the producers told her to really 388 00:22:03,359 --> 00:22:06,600 Speaker 1: lean into her Puerto Rican heritage, but when I talked 389 00:22:06,600 --> 00:22:09,640 Speaker 1: to her, she certainly didn't seem like a spicy Latina. 390 00:22:10,080 --> 00:22:13,840 Speaker 1: She's actually really soft spoken. That's the thing about tropes. 391 00:22:14,400 --> 00:22:20,800 Speaker 1: Real people don't neatly fit into a stereotype. Jasleene is 392 00:22:20,840 --> 00:22:24,280 Speaker 1: often called the first and only Latina winner of America's 393 00:22:24,280 --> 00:22:28,240 Speaker 1: Next Top Model, but she's not. Yauanna House, the winner 394 00:22:28,280 --> 00:22:31,640 Speaker 1: of cycle two, is half Mexican and I don't think 395 00:22:31,680 --> 00:22:34,679 Speaker 1: it's something she's trying to hide. She mentioned her mother's 396 00:22:34,720 --> 00:22:38,879 Speaker 1: heritage in her interview with me unprompted, but unlike Jaslene, 397 00:22:39,040 --> 00:22:42,919 Speaker 1: Yawana's edit didn't revolve around being Latina. It was barely 398 00:22:42,960 --> 00:22:46,080 Speaker 1: mentioned on the show, and I think it's because Yuana 399 00:22:46,119 --> 00:22:49,960 Speaker 1: doesn't fit the stereotypical image of a Latina woman. She 400 00:22:50,040 --> 00:22:52,720 Speaker 1: has pale skin and green eyes. But that gets into 401 00:22:52,800 --> 00:22:55,600 Speaker 1: the difference between race and ethnicity, which is a nuance 402 00:22:55,800 --> 00:23:00,640 Speaker 1: antm couldn't handle. That dynamic is something we saw play 403 00:23:00,680 --> 00:23:04,160 Speaker 1: out with other contestants whose heritage wasn't mentioned because they 404 00:23:04,160 --> 00:23:10,280 Speaker 1: didn't look the part. UV Gomez, who was Mexican American, 405 00:23:10,480 --> 00:23:13,639 Speaker 1: taught me producers definitely wanted her to fit into a 406 00:23:13,680 --> 00:23:15,560 Speaker 1: racial stereotype. 407 00:23:15,760 --> 00:23:19,200 Speaker 8: They wanted me to be like a crazy Latina girl, 408 00:23:19,400 --> 00:23:21,000 Speaker 8: you know, the ex gang member. 409 00:23:21,960 --> 00:23:27,719 Speaker 1: They wanted drama on cycle for UV's initial storyline revolved 410 00:23:27,760 --> 00:23:32,080 Speaker 1: around her being a reformed gang banger turned model. UV 411 00:23:32,200 --> 00:23:34,080 Speaker 1: told me when she was in middle school, she was 412 00:23:34,160 --> 00:23:36,880 Speaker 1: kind of a latchkey kid. Her mom worked a lot, 413 00:23:36,960 --> 00:23:40,080 Speaker 1: so she didn't have the most supervision. UV said she 414 00:23:40,200 --> 00:23:42,959 Speaker 1: got into trouble, skipped school, and got into fights. 415 00:23:44,640 --> 00:23:49,760 Speaker 8: I did hang out with people that did hood rade things, 416 00:23:49,920 --> 00:23:53,280 Speaker 8: and I was the hood rade doe ofup with my friends. 417 00:23:54,840 --> 00:23:57,800 Speaker 1: But when UV started to get suspended from school, her 418 00:23:57,800 --> 00:23:59,760 Speaker 1: mom pulled her out and put her in a new school, 419 00:24:00,119 --> 00:24:03,080 Speaker 1: and You've made new friends. By the time she got 420 00:24:03,119 --> 00:24:06,200 Speaker 1: to high school, things had turned around for her. UV 421 00:24:06,320 --> 00:24:08,240 Speaker 1: says she shared all of this with the A and 422 00:24:08,240 --> 00:24:12,280 Speaker 1: TM producers, but she also told me she never said 423 00:24:12,320 --> 00:24:15,680 Speaker 1: she was in a gang, despite Tyra asking her about 424 00:24:15,680 --> 00:24:16,760 Speaker 1: it during her audition. 425 00:24:17,240 --> 00:24:20,760 Speaker 15: When I was kid, I went through basically every stage 426 00:24:20,760 --> 00:24:21,560 Speaker 15: that you could think of. 427 00:24:22,800 --> 00:24:24,480 Speaker 1: You'd be on your application, it says she used to 428 00:24:24,480 --> 00:24:30,040 Speaker 1: be in a gang. You've told the casting producers that 429 00:24:30,160 --> 00:24:32,800 Speaker 1: her friends used to be in a gang. So when 430 00:24:32,840 --> 00:24:35,440 Speaker 1: Tyra asked her this in the audition, she throws up. 431 00:24:35,920 --> 00:24:38,159 Speaker 1: The camera cuts away from UV space while you hear 432 00:24:38,200 --> 00:24:41,560 Speaker 1: her reply, which you can tell clearly sounds edited. 433 00:24:41,800 --> 00:24:45,040 Speaker 15: Oh goodness, being in a gang and doing all that stuff. 434 00:24:45,080 --> 00:24:47,160 Speaker 15: I think it's the worst stage of my life. 435 00:24:47,880 --> 00:24:48,000 Speaker 4: Ow. 436 00:24:48,080 --> 00:24:50,440 Speaker 15: She just an angry kid. It's sad, like I hate 437 00:24:50,480 --> 00:24:53,560 Speaker 15: talking about it. It gets me kind of ah loofy. But 438 00:24:54,200 --> 00:24:56,480 Speaker 15: I just had a lot of like resentment against us. 439 00:24:56,400 --> 00:24:57,000 Speaker 5: A lot of people. 440 00:24:57,440 --> 00:24:58,520 Speaker 1: Here's UV today. 441 00:24:58,840 --> 00:25:01,040 Speaker 8: I don't know how they edited because I didn't say 442 00:25:01,119 --> 00:25:04,920 Speaker 8: I was in a gang, but I said I hung 443 00:25:04,960 --> 00:25:06,560 Speaker 8: out with people that were in a gang. 444 00:25:07,960 --> 00:25:11,919 Speaker 1: I did have cousins in gangs and uncles. UV was 445 00:25:11,960 --> 00:25:14,680 Speaker 1: twenty one when she went on the show The Trouble Path. 446 00:25:14,760 --> 00:25:17,280 Speaker 1: The producers tried to make into her storyline would have 447 00:25:17,320 --> 00:25:20,440 Speaker 1: happened when she was twelve or thirteen, and UV said 448 00:25:20,640 --> 00:25:22,880 Speaker 1: that wasn't the only time they tried to make her 449 00:25:22,920 --> 00:25:24,160 Speaker 1: into a stereotype. 450 00:25:24,600 --> 00:25:27,919 Speaker 8: When I filled out my application, they ask you, where's 451 00:25:27,960 --> 00:25:31,720 Speaker 8: the last three places you've lived, last three jobs you've had, 452 00:25:32,280 --> 00:25:35,600 Speaker 8: and your three favorite food. So I had lived in 453 00:25:35,760 --> 00:25:42,960 Speaker 8: San Francisco, Newport and Modesto. They chose Modesto. I worked 454 00:25:43,400 --> 00:25:47,639 Speaker 8: as a model, a janitor and for Abercrombie and Fitch. 455 00:25:47,960 --> 00:25:49,000 Speaker 1: And what did they choose? 456 00:25:49,320 --> 00:25:53,240 Speaker 8: Janitor? And then my favorite food was sushi? Mighta said 457 00:25:53,280 --> 00:25:54,400 Speaker 8: Italian or pizza? 458 00:25:54,800 --> 00:25:56,880 Speaker 1: And then Taco Bell? They picked Taco Bell. 459 00:25:57,280 --> 00:26:01,560 Speaker 8: So I was the ex gang member, her nice girl 460 00:26:01,880 --> 00:26:05,680 Speaker 8: that lived in Modestra was a janitor at a Taco Bell. 461 00:26:06,520 --> 00:26:08,360 Speaker 1: Sounds hellar racist? 462 00:26:08,680 --> 00:26:13,960 Speaker 8: If you asked me, it could have easily said Sushi, 463 00:26:14,080 --> 00:26:16,240 Speaker 8: Newport and Model. 464 00:26:16,440 --> 00:26:20,600 Speaker 1: But that's not what they wanted. What they wanted was 465 00:26:20,640 --> 00:26:23,399 Speaker 1: for UV to be a stereotype and to act like 466 00:26:23,440 --> 00:26:26,679 Speaker 1: a stereotype. But on set she refused to act like 467 00:26:26,720 --> 00:26:31,159 Speaker 1: that gang banging, taco bell eating Mexican janitor, so producers 468 00:26:31,160 --> 00:26:35,359 Speaker 1: decided she had to go. By episode four, they'd given 469 00:26:35,400 --> 00:26:38,800 Speaker 1: you V a new storyline, the girl who can't take 470 00:26:38,880 --> 00:26:43,600 Speaker 1: a decent picture. Tyra humiliated her at a judging panel 471 00:26:43,640 --> 00:26:45,880 Speaker 1: over one photo in particular, and one. 472 00:26:45,720 --> 00:26:49,840 Speaker 9: Of you has only taken one good photo tonight about 473 00:26:49,840 --> 00:26:54,360 Speaker 9: your piss picture. I even said that it's the worst 474 00:26:54,359 --> 00:26:58,040 Speaker 9: photo in the history of America's Next Top Model. 475 00:27:00,080 --> 00:27:03,280 Speaker 1: Can you imagine Tyra Banks herself telling you that you 476 00:27:03,359 --> 00:27:05,679 Speaker 1: have the worst photo in A and TM history. 477 00:27:06,160 --> 00:27:11,440 Speaker 8: Here's UV so dramatic, too, worst fixture in America's Next 478 00:27:11,440 --> 00:27:15,200 Speaker 8: timauto history. It was like there had only been four seasons. 479 00:27:15,280 --> 00:27:16,200 Speaker 8: Let's calm down. 480 00:27:16,240 --> 00:27:22,199 Speaker 1: Now, here's the thing about that photo you've told me? 481 00:27:22,440 --> 00:27:25,480 Speaker 1: She felt set up. The photoshoot was supposed to be 482 00:27:25,520 --> 00:27:30,280 Speaker 1: an interpretation of the zodiac signs. UV represented Pisces, so 483 00:27:30,320 --> 00:27:34,200 Speaker 1: they made her a fish. They literally glued huge shiny 484 00:27:34,240 --> 00:27:37,160 Speaker 1: sequence to her face and suspended her in a harness, 485 00:27:37,560 --> 00:27:41,399 Speaker 1: but how can you surface if it's completely covered? In sequence, 486 00:27:42,400 --> 00:27:45,040 Speaker 1: UV was in the bottom after that photoshoot, but she 487 00:27:45,160 --> 00:27:49,560 Speaker 1: didn't get sent home. That came later. At the photoshoot 488 00:27:49,600 --> 00:27:52,520 Speaker 1: that got her eliminated, the models had to pose while 489 00:27:52,560 --> 00:27:55,119 Speaker 1: being blown with wind and pelted with water that was 490 00:27:55,119 --> 00:27:58,520 Speaker 1: supposed to look like rain. Despite having to work against 491 00:27:58,520 --> 00:28:01,800 Speaker 1: the elements. Someone behind the scenes told u V they'd 492 00:28:01,840 --> 00:28:04,560 Speaker 1: seen some great photos of her, so you V was 493 00:28:04,600 --> 00:28:07,040 Speaker 1: surprised to see an awful photo of her at the 494 00:28:07,080 --> 00:28:11,399 Speaker 1: judging panel. Here's what one of the judges, Nole Marin 495 00:28:11,520 --> 00:28:14,000 Speaker 1: said about her photo, you can't as like a wetch 496 00:28:14,080 --> 00:28:19,120 Speaker 1: while on I'm Express over she got sent home. UV 497 00:28:19,320 --> 00:28:22,240 Speaker 1: thinks top Model started the narrative that she couldn't take 498 00:28:22,240 --> 00:28:25,080 Speaker 1: a photo because once they realized she wasn't going to 499 00:28:25,080 --> 00:28:27,520 Speaker 1: be a Mexican gang banger, they didn't know what to 500 00:28:27,560 --> 00:28:31,840 Speaker 1: do with her. Ironically, that gang banger stereotype they pushed 501 00:28:31,880 --> 00:28:35,159 Speaker 1: so hard didn't follow her after the show, but the 502 00:28:35,200 --> 00:28:37,359 Speaker 1: model with the worst picture title did. 503 00:28:37,840 --> 00:28:41,560 Speaker 8: They signed with a celebrity agent after the show, and 504 00:28:41,880 --> 00:28:44,520 Speaker 8: he laughed because he's like, man, they painted you like 505 00:28:44,640 --> 00:28:46,640 Speaker 8: you didn't know how to take a picture. I'm looking 506 00:28:46,680 --> 00:28:50,200 Speaker 8: at your portfolio. He's like, but people are gonna remember 507 00:28:51,240 --> 00:28:54,480 Speaker 8: that from the show, so you're gonna have to work 508 00:28:54,520 --> 00:28:57,200 Speaker 8: a little bit harder to show them you know how 509 00:28:57,240 --> 00:28:59,520 Speaker 8: to take a good picture or you know how to pose. 510 00:29:01,560 --> 00:29:04,040 Speaker 1: Uve told me when she saw her edit after the show, 511 00:29:04,400 --> 00:29:08,040 Speaker 1: she knew A andtm's commitment to diversity wasn't what it seemed. 512 00:29:09,040 --> 00:29:11,280 Speaker 8: They were like, no, look at us, We're so diverse, 513 00:29:11,320 --> 00:29:14,960 Speaker 8: we have plus models, we have all different ethnicities. But 514 00:29:15,560 --> 00:29:19,880 Speaker 8: then we're gonna paint you as your stereotype. 515 00:29:21,120 --> 00:29:23,400 Speaker 1: After the break, we're going to talk about one of 516 00:29:23,440 --> 00:29:27,680 Speaker 1: the most pervasive racial stereotypes on A ANDTM. I'm talking 517 00:29:27,680 --> 00:29:32,040 Speaker 1: about the angry black woman. And what better place to 518 00:29:32,080 --> 00:29:34,840 Speaker 1: start than right here. I was rooting for you. 519 00:29:34,920 --> 00:29:37,000 Speaker 9: We were all rooting for you out damn you. 520 00:29:47,560 --> 00:29:51,440 Speaker 1: A andtm's relationship with its black contestants was complicated in 521 00:29:51,520 --> 00:29:54,600 Speaker 1: part because Tyra is a black woman, and it's no 522 00:29:54,720 --> 00:29:57,400 Speaker 1: place you can see that dynamic play out more than 523 00:29:57,440 --> 00:29:59,960 Speaker 1: in her We were rooting for you. Confrontation on Side 524 00:30:00,240 --> 00:30:07,640 Speaker 1: four with Tiffany Richardson, Tiffany had just been eliminated from 525 00:30:07,640 --> 00:30:11,080 Speaker 1: the competition. It was a double elimination. Oh girl, you're 526 00:30:11,080 --> 00:30:14,920 Speaker 1: gonna stop. Unlike the other contestant who'd just been sent home, 527 00:30:15,240 --> 00:30:18,600 Speaker 1: Tiffany didn't seem all that emotional. When she went over 528 00:30:18,680 --> 00:30:20,959 Speaker 1: to say goodbye to the other girls, who were clearly 529 00:30:21,040 --> 00:30:24,160 Speaker 1: upset about her leaving, Tiffany tried to cheer them up. 530 00:30:24,600 --> 00:30:27,840 Speaker 1: She told them to stop crying. She even chuckled. It 531 00:30:27,920 --> 00:30:30,880 Speaker 1: was that attitude Tyra took issue with such. 532 00:30:30,960 --> 00:30:34,680 Speaker 9: Now, I'm extremely disappointed in you. This is a joke 533 00:30:34,720 --> 00:30:37,400 Speaker 9: to you. You've been through anger management, You've been through 534 00:30:37,440 --> 00:30:39,360 Speaker 9: your grandmother getting her lights turned off to buy you 535 00:30:39,360 --> 00:30:41,680 Speaker 9: a swimsuit for this competition, and you go over there 536 00:30:41,720 --> 00:30:44,240 Speaker 9: and you joke and you laugh. This is serious to 537 00:30:44,320 --> 00:30:46,480 Speaker 9: this girls, and this should be serious to you. 538 00:30:46,560 --> 00:30:50,280 Speaker 16: Looks can be deceived, and I'm hurt. I am, but 539 00:30:51,560 --> 00:30:52,480 Speaker 16: I can't change it. 540 00:30:52,760 --> 00:30:56,040 Speaker 1: Tiffany tried to explain to Tyra that she was disappointed 541 00:30:56,080 --> 00:30:59,800 Speaker 1: about going home. Then she seemed to allude to feeling defeated, 542 00:31:00,240 --> 00:31:02,640 Speaker 1: but Tyra wasn't having it. She cut her off. You 543 00:31:02,720 --> 00:31:03,360 Speaker 1: can't change what. 544 00:31:03,680 --> 00:31:06,560 Speaker 16: I'm sick of crown about stuff that I cannot change. 545 00:31:06,680 --> 00:31:09,000 Speaker 16: I'm sick of being disappointed. I'm sick of all of it. 546 00:31:09,160 --> 00:31:09,440 Speaker 16: I'm not. 547 00:31:09,880 --> 00:31:11,080 Speaker 1: Ain't sick of being disappointed? 548 00:31:12,200 --> 00:31:12,640 Speaker 15: No, you're not. 549 00:31:12,720 --> 00:31:15,160 Speaker 9: If you were sick of being disappointed, you would stand 550 00:31:15,240 --> 00:31:17,480 Speaker 9: up and you would take control of your destiny. Do 551 00:31:17,520 --> 00:31:19,840 Speaker 9: you know that you had a possibility to win? Do 552 00:31:19,880 --> 00:31:22,040 Speaker 9: you know that all of America is rooting for you? 553 00:31:22,600 --> 00:31:25,440 Speaker 1: In this moment, it seemed like Tiffany had given up. 554 00:31:25,920 --> 00:31:29,400 Speaker 1: It seemed like everyone, including Tyra, wanted her to win 555 00:31:29,480 --> 00:31:33,360 Speaker 1: America's Next Top Model more than she did. On the show, 556 00:31:33,480 --> 00:31:37,240 Speaker 1: we saw Tiffany's enthusiasm for the competition Wayne and it 557 00:31:37,280 --> 00:31:40,200 Speaker 1: was framed as indifference. But according to some of the 558 00:31:40,240 --> 00:31:42,840 Speaker 1: models who were on that season with her, there was 559 00:31:42,920 --> 00:31:46,840 Speaker 1: a lot going on beneath the surface. Here's Britney Brower. 560 00:31:47,240 --> 00:31:49,200 Speaker 1: Tiffany and I were actually really close. Most of you 561 00:31:49,200 --> 00:31:50,720 Speaker 1: all don't know because they don't show us together a 562 00:31:50,760 --> 00:31:51,320 Speaker 1: lot on the show. 563 00:31:51,800 --> 00:31:56,640 Speaker 5: I loved Tiffany, and Tiffany was struggling, like not even 564 00:31:56,680 --> 00:31:57,719 Speaker 5: with the modeling stuff. 565 00:31:57,720 --> 00:31:59,160 Speaker 1: She missed her child, her son. 566 00:31:59,440 --> 00:32:03,000 Speaker 5: You can't call it, make phone calls, and it's just 567 00:32:03,040 --> 00:32:03,960 Speaker 5: sort of getting to her. 568 00:32:04,400 --> 00:32:09,400 Speaker 1: Tiffany got criticized for being ghetto, even by the other contestants, everybody. 569 00:32:09,000 --> 00:32:11,080 Speaker 3: Always talking about the ghetto like that's something man likely. 570 00:32:11,080 --> 00:32:13,760 Speaker 16: There are intelligent people in the ghetto. My mom's intelligent, 571 00:32:13,840 --> 00:32:15,200 Speaker 16: my grandma's very intelligent. 572 00:32:15,880 --> 00:32:18,760 Speaker 1: Trying to be someone she wasn't was getting to her. 573 00:32:19,120 --> 00:32:20,840 Speaker 16: I just felt so upset at myself that I've been 574 00:32:20,840 --> 00:32:24,040 Speaker 16: trying to change all these different things about me and 575 00:32:24,720 --> 00:32:27,200 Speaker 16: I'm unhappy. Maybe if I can't be this person, that 576 00:32:27,560 --> 00:32:30,120 Speaker 16: this model girl, and maybe that's not who I am. 577 00:32:32,640 --> 00:32:36,160 Speaker 1: I think Top Model was putting Tiffany in situations that 578 00:32:36,200 --> 00:32:42,160 Speaker 1: would make her uncomfortable. When Tiffany signed up for the show, 579 00:32:42,440 --> 00:32:45,360 Speaker 1: she knew it would be hard, but she didn't expect 580 00:32:45,400 --> 00:32:50,560 Speaker 1: to feel so manipulated. Here's Tiffany years after the competition ended, 581 00:32:50,840 --> 00:32:54,479 Speaker 1: talking about it with Oliver TwixT. Everything just seem so stage. 582 00:32:54,600 --> 00:32:56,120 Speaker 1: I never knew what was going on. 583 00:32:57,360 --> 00:33:00,560 Speaker 16: It was so much pressure, and when this guy was 584 00:33:00,560 --> 00:33:03,240 Speaker 16: so excited, then it just became like just a bunch 585 00:33:03,240 --> 00:33:03,880 Speaker 16: of pressure. 586 00:33:05,400 --> 00:33:07,040 Speaker 1: It was at least thirty people. 587 00:33:06,760 --> 00:33:09,680 Speaker 16: On the side waiting for you to jump off or 588 00:33:09,720 --> 00:33:12,000 Speaker 16: do anything and lay on your neck box tire. 589 00:33:13,400 --> 00:33:16,280 Speaker 1: We saw Tiffany put on a brave face, but behind 590 00:33:16,320 --> 00:33:20,920 Speaker 1: the scenes she was crumbling. I cried every freaking episode. 591 00:33:22,240 --> 00:33:25,680 Speaker 1: It wasn't that Tiffany didn't care. In fact, she told 592 00:33:25,720 --> 00:33:29,040 Speaker 1: Oliver she didn't want to get sent home. She really 593 00:33:29,040 --> 00:33:31,560 Speaker 1: wanted to go on the international trip, and she thought 594 00:33:31,640 --> 00:33:34,880 Speaker 1: winning the competition could change her life. But by the 595 00:33:34,960 --> 00:33:38,520 Speaker 1: time we get to the we were rooting for you elimination, Like. 596 00:33:38,520 --> 00:33:39,320 Speaker 16: I cried so much. 597 00:33:39,360 --> 00:33:40,680 Speaker 12: I was just like, I'm not crying them all. 598 00:33:41,360 --> 00:33:42,000 Speaker 14: I'm gone. 599 00:33:42,680 --> 00:33:45,680 Speaker 1: Brittany Brower said she didn't see Tiffany's reaction to being 600 00:33:45,720 --> 00:33:49,800 Speaker 1: eliminated as a sign of indifference. She thought Tiffany was 601 00:33:49,960 --> 00:33:53,040 Speaker 1: just trying to hold it together after shedding so many tears. 602 00:33:53,640 --> 00:33:56,040 Speaker 1: She also told me that Tiffany was a really funny 603 00:33:56,040 --> 00:33:59,000 Speaker 1: person who was always trying to encourage the other girls 604 00:33:59,000 --> 00:34:02,040 Speaker 1: and make them laugh. So when Tiffany tried to cheer 605 00:34:02,240 --> 00:34:07,680 Speaker 1: them up at her elimination, it was on brand. I 606 00:34:07,680 --> 00:34:10,400 Speaker 1: don't know Tiffany. We reached out to her and she 607 00:34:10,480 --> 00:34:13,759 Speaker 1: declined to talk. In twenty twenty three, her son was 608 00:34:13,760 --> 00:34:16,640 Speaker 1: shot and killed, the same son we hear her talking 609 00:34:16,640 --> 00:34:20,080 Speaker 1: about on the season, and since his death, she's been 610 00:34:20,080 --> 00:34:23,279 Speaker 1: out of the public eye. But based on what we 611 00:34:23,320 --> 00:34:27,040 Speaker 1: saw on A and TM and on previous interviews, she's done. 612 00:34:27,320 --> 00:34:30,560 Speaker 1: Tiffany didn't have an easy life before getting cast on 613 00:34:30,600 --> 00:34:34,600 Speaker 1: the show. She described herself as being from the hood. 614 00:34:35,160 --> 00:34:37,640 Speaker 1: She said she'd grown up poor and she still was. 615 00:34:38,040 --> 00:34:40,920 Speaker 1: She was a single mom. She slept on a mattress 616 00:34:40,960 --> 00:34:44,719 Speaker 1: on the floor at her grandma's house. Apparently Tyra brought 617 00:34:44,800 --> 00:34:47,280 Speaker 1: up that mattress detail when she was yelling at Tiffany. 618 00:34:48,560 --> 00:34:52,359 Speaker 1: Here's how mixer Jose Torres Jose saw the whole thing 619 00:34:52,440 --> 00:34:55,440 Speaker 1: go down. Tyra took some mean shots. 620 00:34:55,640 --> 00:34:58,480 Speaker 17: She said some things to her about you know, what 621 00:34:58,520 --> 00:35:01,600 Speaker 17: are you going to do when you go back home 622 00:35:01,760 --> 00:35:04,200 Speaker 17: and you're sleeping on that mattress again, when it's just 623 00:35:04,280 --> 00:35:06,160 Speaker 17: you and your baby. 624 00:35:06,239 --> 00:35:09,040 Speaker 1: That line ended up getting cut, but it was a 625 00:35:09,080 --> 00:35:12,560 Speaker 1: low blow, especially coming from a woman making millions off 626 00:35:12,560 --> 00:35:17,640 Speaker 1: these very contestants and paying them nothing. I do think 627 00:35:17,680 --> 00:35:20,680 Speaker 1: Tyra was genuine and saying she was rooting for Tiffany. 628 00:35:21,200 --> 00:35:25,000 Speaker 1: Tiffany was and still is, drop dead gorgeous. She looks 629 00:35:25,040 --> 00:35:28,440 Speaker 1: like a model. We know A and TM loves the 630 00:35:28,480 --> 00:35:33,080 Speaker 1: Cinderella story and Tiffany was the perfect candidate. Tiffany was 631 00:35:33,120 --> 00:35:36,640 Speaker 1: there to answer the age old question, if you take 632 00:35:36,680 --> 00:35:39,840 Speaker 1: the girl out the hood, can you indeed take the 633 00:35:39,880 --> 00:35:43,440 Speaker 1: hood out the girl. Here's what Tyra said about the 634 00:35:43,440 --> 00:35:47,240 Speaker 1: perception of girls from the hood. People in the fashion 635 00:35:47,280 --> 00:35:48,600 Speaker 1: industry were telling me, are. 636 00:35:48,440 --> 00:35:50,480 Speaker 9: You putting them girls in the hood on your show? 637 00:35:51,560 --> 00:35:53,640 Speaker 9: I was like, why can't the girl from the trailer 638 00:35:53,680 --> 00:35:57,360 Speaker 9: park become a supermodel, but the girl that's showing in 639 00:35:57,400 --> 00:35:58,760 Speaker 9: the park in the hood can't. 640 00:35:59,680 --> 00:36:03,240 Speaker 1: Tani was supposed to be Tyra's ghetto glow up story. 641 00:36:03,800 --> 00:36:06,239 Speaker 1: I think that's why Tyra got so mad when she 642 00:36:06,239 --> 00:36:11,400 Speaker 1: saw Tiffany giving up. I'm gonna be real honest with y'all. 643 00:36:12,120 --> 00:36:14,960 Speaker 1: After reporting on A and TM for months, I do 644 00:36:15,000 --> 00:36:18,280 Speaker 1: believe certain girls are set up to win. They're usually 645 00:36:18,320 --> 00:36:21,960 Speaker 1: the good models who also have a compelling storyline. And 646 00:36:22,040 --> 00:36:25,920 Speaker 1: I think Tyra wanted Tiffany to win. But Tyra was 647 00:36:26,000 --> 00:36:32,960 Speaker 1: rooting for Tiffany the character, not Tiffany the person. Brittany 648 00:36:33,000 --> 00:36:35,880 Speaker 1: Brower has always wondered why Tyra didn't do more to 649 00:36:35,920 --> 00:36:38,600 Speaker 1: show Tiffany she cared before that we were rooting for you. 650 00:36:38,680 --> 00:36:40,919 Speaker 5: Moment she's like, we're rooting for you, We're all roady 651 00:36:40,960 --> 00:36:42,480 Speaker 5: for you. I guess it, you're rooting for me. She 652 00:36:42,560 --> 00:36:45,600 Speaker 5: did not give up, like have some compassion for her. 653 00:36:46,680 --> 00:36:48,719 Speaker 5: And if you were so rooting for her and saw 654 00:36:48,760 --> 00:36:52,319 Speaker 5: her drowning, what did you help her? What do you 655 00:36:52,360 --> 00:36:56,440 Speaker 5: pull her aside? Have production pull her aside, give her 656 00:36:56,440 --> 00:36:59,000 Speaker 5: a little pep talk, like, hey, what's going on with you? 657 00:36:59,080 --> 00:37:02,000 Speaker 5: I mean, if you see someone really struggling, let's have 658 00:37:02,080 --> 00:37:02,839 Speaker 5: some compassion. 659 00:37:03,800 --> 00:37:04,799 Speaker 1: Do you want to call your son? 660 00:37:05,280 --> 00:37:07,759 Speaker 5: Why don't you go make a phone call, Go call 661 00:37:07,800 --> 00:37:08,920 Speaker 5: your grandma. 662 00:37:10,160 --> 00:37:13,680 Speaker 1: Brittany was Tiffany's competitor. She could have easily said that 663 00:37:13,719 --> 00:37:17,680 Speaker 1: would have been an unfair advantage. Instead, she says it 664 00:37:17,719 --> 00:37:22,840 Speaker 1: would have been the compassionate thing to do. Whether you 665 00:37:22,960 --> 00:37:25,439 Speaker 1: agree with this or think, Tiffany should have been sent 666 00:37:25,480 --> 00:37:28,080 Speaker 1: home because she couldn't handle the pressure in the moment 667 00:37:28,160 --> 00:37:31,319 Speaker 1: when she was eliminated, She wasn't given the grace to 668 00:37:31,440 --> 00:37:35,440 Speaker 1: process the situation the way she needed to. Instead, Tyra 669 00:37:35,640 --> 00:37:40,920 Speaker 1: chose that moment to bereak Tiffany. When I watched the 670 00:37:41,040 --> 00:37:43,279 Speaker 1: we were rooting for You seene the first time, I 671 00:37:43,360 --> 00:37:46,040 Speaker 1: was shocked because it was so out of character for Tyra. 672 00:37:46,680 --> 00:37:49,120 Speaker 1: It was one of those scandalous moments. I couldn't wait 673 00:37:49,160 --> 00:37:52,200 Speaker 1: to talk about it at school the next day. Now, 674 00:37:52,280 --> 00:37:55,160 Speaker 1: after rewatching it. I wanted to have a grown up 675 00:37:55,239 --> 00:37:59,200 Speaker 1: version of that conversation with my understanding of the complicated 676 00:37:59,280 --> 00:38:03,279 Speaker 1: layers of that. So I called up someone who, like me, 677 00:38:03,640 --> 00:38:06,760 Speaker 1: watched it live in two thousand and five, someone who's 678 00:38:06,800 --> 00:38:10,000 Speaker 1: thought about it a lot over the years. We'rekal Gates 679 00:38:10,080 --> 00:38:13,360 Speaker 1: is an associate professor of film at Columbia University. She 680 00:38:13,440 --> 00:38:16,279 Speaker 1: wrote a book all about race and pop culture, and 681 00:38:16,360 --> 00:38:18,600 Speaker 1: back in the day, she loved A and TM two. 682 00:38:19,280 --> 00:38:21,840 Speaker 1: So I asked her to helped me break down that we. 683 00:38:21,680 --> 00:38:25,000 Speaker 18: Were rooting for you moment when Tyra Yell's at her 684 00:38:25,280 --> 00:38:29,279 Speaker 18: I find that moment so disturbing, not just because it's 685 00:38:29,320 --> 00:38:31,280 Speaker 18: one black woman yelling at another black woman. 686 00:38:31,080 --> 00:38:32,880 Speaker 1: But because of the way that I think. 687 00:38:33,200 --> 00:38:36,960 Speaker 18: Tiffany gets completely misread in that moment. It just feels 688 00:38:36,960 --> 00:38:39,719 Speaker 18: really obvious to me that she wanted it so much, 689 00:38:39,760 --> 00:38:42,200 Speaker 18: she's so disappointed, but she doesn't feel she can be 690 00:38:42,280 --> 00:38:45,319 Speaker 18: vulnerable in that moment, and that resonates completely with me 691 00:38:45,360 --> 00:38:48,280 Speaker 18: as a black woman, like You're in this environment trying 692 00:38:48,280 --> 00:38:51,399 Speaker 18: to sort of hold it together, and so to see 693 00:38:51,440 --> 00:38:54,640 Speaker 18: that be read as defiance or lack of care, I 694 00:38:54,680 --> 00:38:56,000 Speaker 18: find that really offensive. 695 00:39:00,120 --> 00:39:02,799 Speaker 1: I watched this scene air live. I didn't give much 696 00:39:02,840 --> 00:39:05,680 Speaker 1: thought to how Tiffany must have been feeling, But now 697 00:39:05,719 --> 00:39:08,400 Speaker 1: when I watch it back after having some life experience, 698 00:39:08,840 --> 00:39:11,680 Speaker 1: I actually get a little emotional. I know what it's 699 00:39:11,760 --> 00:39:13,680 Speaker 1: like to be in a situation and feel like you 700 00:39:13,719 --> 00:39:16,279 Speaker 1: don't belong. I know what it's like to try to 701 00:39:16,320 --> 00:39:18,600 Speaker 1: hold it together when all you want to do is cry. 702 00:39:19,760 --> 00:39:22,040 Speaker 1: I know what it's like to have my hurt feelings 703 00:39:22,040 --> 00:39:26,319 Speaker 1: the misconstrued is indifference, and I bet Tyra does too, 704 00:39:27,000 --> 00:39:29,879 Speaker 1: which is what makes this scene so painful to. 705 00:39:29,880 --> 00:39:33,319 Speaker 18: Watch, because I want to believe that maybe in a 706 00:39:33,320 --> 00:39:36,200 Speaker 18: different context, maybe if Tira could take a beat and 707 00:39:36,239 --> 00:39:39,000 Speaker 18: wasn't filming a show, that she would get it. And 708 00:39:39,520 --> 00:39:44,080 Speaker 18: for me, it's a missed opportunity for a black woman 709 00:39:44,200 --> 00:39:47,439 Speaker 18: to recognize the very sort of unique situation that another 710 00:39:47,480 --> 00:39:48,279 Speaker 18: black woman is in. 711 00:39:48,840 --> 00:39:51,239 Speaker 1: When Tiffany tried to put on a brave face after 712 00:39:51,280 --> 00:39:55,959 Speaker 1: her elimination, Tyra chose to humiliate her and then said 713 00:39:56,000 --> 00:39:58,600 Speaker 1: she should go back to sleeping on a mattress with 714 00:39:58,680 --> 00:40:02,640 Speaker 1: her baby. Tiffany finally broke I. 715 00:40:02,600 --> 00:40:05,360 Speaker 16: Don't have a bad attitude. Maybe I am angry inside. 716 00:40:05,440 --> 00:40:08,480 Speaker 16: I've been through stuff so I'm angry. 717 00:40:08,560 --> 00:40:10,720 Speaker 1: It was the same Tiffany we met in the Cycle 718 00:40:10,760 --> 00:40:14,280 Speaker 1: three auditions when she got into a bar fight. Once again, 719 00:40:14,440 --> 00:40:17,040 Speaker 1: the show got Tiffany to perform one of their favorite 720 00:40:17,120 --> 00:40:24,319 Speaker 1: character tropes, the ABW or angry black woman. Let me 721 00:40:24,400 --> 00:40:26,920 Speaker 1: just give you a little definition here. You can think 722 00:40:26,960 --> 00:40:29,880 Speaker 1: of the angry black woman label as an umbrella. You 723 00:40:30,000 --> 00:40:33,399 Speaker 1: have the ghetto girl, the diva, the mean girl. There 724 00:40:33,400 --> 00:40:36,719 Speaker 1: are a few variations, but in the end, it all 725 00:40:36,760 --> 00:40:39,640 Speaker 1: comes down to black women being perceived as having a 726 00:40:39,680 --> 00:40:45,120 Speaker 1: bad attitude. During the Cycle three audition episode, Tyra acknowledged 727 00:40:45,160 --> 00:40:47,880 Speaker 1: the angry black woman trope in a conversation with Cycle 728 00:40:47,920 --> 00:40:53,680 Speaker 1: three winner My Girl Eva Pickford. Eva seemed like a 729 00:40:53,719 --> 00:40:57,040 Speaker 1: mean girl and a diva, but rather than just letting 730 00:40:57,040 --> 00:40:59,800 Speaker 1: her be the villain, A and TM gave Eva a 731 00:41:00,080 --> 00:41:03,400 Speaker 1: cants at a redemption arc during the auditions. It was 732 00:41:03,440 --> 00:41:06,359 Speaker 1: the very first episode of the season, but Eva had 733 00:41:06,400 --> 00:41:09,560 Speaker 1: already rubbed a few girls the wrong way. There was 734 00:41:09,600 --> 00:41:13,399 Speaker 1: a girl in particular named Amy. Amy was very very thin. 735 00:41:14,040 --> 00:41:16,279 Speaker 1: When it was Eva's turn in front of Tyra and 736 00:41:16,320 --> 00:41:18,839 Speaker 1: the judges, she had the nerve to say something mean 737 00:41:18,880 --> 00:41:21,560 Speaker 1: about Amy, and Tyra wasn't feeling it. 738 00:41:22,400 --> 00:41:24,080 Speaker 19: How are you gonna want to become a model and 739 00:41:24,120 --> 00:41:24,800 Speaker 19: take criticism? 740 00:41:24,880 --> 00:41:26,440 Speaker 1: But do you feel there's a need to be nasty? 741 00:41:26,480 --> 00:41:27,920 Speaker 9: Do you feel there's a need to be negative. 742 00:41:28,120 --> 00:41:30,839 Speaker 19: I'm not nasty and I'm not negative. Well, I fucally said, 743 00:41:30,840 --> 00:41:35,000 Speaker 19: Amy looks nasty. That was very mean, but Amy looks nasty. 744 00:41:35,320 --> 00:41:37,560 Speaker 9: The first two seasons of America's Next Top Model, we 745 00:41:37,600 --> 00:41:39,960 Speaker 9: had girls that were bitches. They didn't walk in as bitches, 746 00:41:39,960 --> 00:41:41,880 Speaker 9: but they get to the house and they're considered a bitch. 747 00:41:42,160 --> 00:41:43,760 Speaker 9: I don't want to cast another black bitch. 748 00:41:49,880 --> 00:41:52,240 Speaker 1: This is a rare moment where we see Tyra talking 749 00:41:52,280 --> 00:41:54,839 Speaker 1: to a contestant in a way I imagine she must 750 00:41:54,880 --> 00:41:57,759 Speaker 1: have talked to her producers. I think it's proof that 751 00:41:57,880 --> 00:42:00,759 Speaker 1: Tyra was aware that the show used the angry black 752 00:42:00,800 --> 00:42:05,960 Speaker 1: woman's stereotype, or, as she said, the black bitch. So 753 00:42:06,239 --> 00:42:08,640 Speaker 1: she gave Eva a chance to prove that she was 754 00:42:08,719 --> 00:42:13,400 Speaker 1: not another black bitch, that she could be vulnerable, and 755 00:42:13,440 --> 00:42:17,760 Speaker 1: that gave Eva a path to the wind. In Eva's audition, 756 00:42:18,000 --> 00:42:21,240 Speaker 1: Tyra asked her about her difficult childhood and her strange 757 00:42:21,280 --> 00:42:25,080 Speaker 1: relationship with her family. Eva revealed that her parents and 758 00:42:25,120 --> 00:42:28,280 Speaker 1: siblings had said some really mean things to her, Tyra 759 00:42:28,360 --> 00:42:33,279 Speaker 1: brought her to tears when she left the judging room. 760 00:42:33,400 --> 00:42:35,400 Speaker 1: Before they made the final cut for who would be 761 00:42:35,400 --> 00:42:38,440 Speaker 1: in the house, Eva gathered up all the girls and 762 00:42:38,480 --> 00:42:39,640 Speaker 1: made a public apology. 763 00:42:40,560 --> 00:42:42,560 Speaker 19: I guess the whole reason I'm standing here and I want 764 00:42:42,600 --> 00:42:45,359 Speaker 19: to say something is because i know I have been 765 00:42:45,400 --> 00:42:48,080 Speaker 19: rude to a lot of people. I've said hurtful things, 766 00:42:48,120 --> 00:42:51,719 Speaker 19: and so I'm apologizing. I'm sorry for anything that I've 767 00:42:51,719 --> 00:42:52,359 Speaker 19: said to. 768 00:42:52,360 --> 00:42:53,439 Speaker 8: Hurt your feelings. 769 00:42:53,239 --> 00:42:54,920 Speaker 19: Because I don't want you to leave here with a 770 00:42:54,920 --> 00:42:57,520 Speaker 19: negative oppression of me. I do want to apologize to 771 00:42:57,560 --> 00:42:59,400 Speaker 19: each and every one of you, because. 772 00:42:59,160 --> 00:42:59,800 Speaker 12: You are are. 773 00:43:01,920 --> 00:43:02,000 Speaker 5: Not. 774 00:43:02,120 --> 00:43:05,760 Speaker 1: Everyone bought it, especially Amy. The girl Eva said looked nasty, 775 00:43:06,440 --> 00:43:10,239 Speaker 1: but it did help with Eva's storyline. She was still 776 00:43:10,280 --> 00:43:12,920 Speaker 1: a little mean in the house and definitely a diva, 777 00:43:13,160 --> 00:43:16,279 Speaker 1: hence the Eva the Diva nickname, but she got a 778 00:43:16,400 --> 00:43:20,120 Speaker 1: chance to redeem herself, unlike the other so called black 779 00:43:20,160 --> 00:43:24,000 Speaker 1: bitches on the seasons before her. After the break, we'll 780 00:43:24,000 --> 00:43:27,000 Speaker 1: talk more about that trope and the contestants who didn't 781 00:43:27,040 --> 00:43:39,360 Speaker 1: get a redemption arc. The angry black woman trope is 782 00:43:39,360 --> 00:43:42,160 Speaker 1: offensive because it's used in a way that implies that 783 00:43:42,200 --> 00:43:45,759 Speaker 1: black women are just inherently angry for no reason, or 784 00:43:45,840 --> 00:43:49,320 Speaker 1: it's applied whenever black women are assertive, raise their voice, 785 00:43:49,560 --> 00:43:53,200 Speaker 1: or when we show any emotion other than agreeableness. And 786 00:43:53,400 --> 00:43:57,160 Speaker 1: A and TM used this trope every season from beginning 787 00:43:57,239 --> 00:44:01,400 Speaker 1: to end. Back on episode two of this podcast, you 788 00:44:01,480 --> 00:44:04,400 Speaker 1: met Ebonie and Robin, two of the black contestants on 789 00:44:04,440 --> 00:44:08,560 Speaker 1: cycle one. Robin was the diva, but Ebone got the 790 00:44:08,600 --> 00:44:11,440 Speaker 1: classic angry black woman at it when she got into 791 00:44:11,560 --> 00:44:14,240 Speaker 1: arguments with the rest of the cast. It was Ebony 792 00:44:14,280 --> 00:44:18,560 Speaker 1: who was too loud, just like, bark over your voice 793 00:44:18,560 --> 00:44:21,960 Speaker 1: and it's so freaking annoying. In an acting challenge where 794 00:44:22,000 --> 00:44:24,359 Speaker 1: all the girls had to do a breakup scene, it 795 00:44:24,400 --> 00:44:26,560 Speaker 1: was Ebony's that went too far. It's gonna be hard 796 00:44:26,600 --> 00:44:27,120 Speaker 1: with Ebany. 797 00:44:27,200 --> 00:44:32,520 Speaker 3: She's very gressive and she's very frustrated, which can make 798 00:44:32,560 --> 00:44:33,640 Speaker 3: her very angry. 799 00:44:33,840 --> 00:44:37,640 Speaker 1: And one judge Kimora Lee Simmons even insisted on saying Ebony, 800 00:44:37,840 --> 00:44:41,160 Speaker 1: a dark skinned black woman, was hard looking, which is 801 00:44:41,200 --> 00:44:42,320 Speaker 1: the biggest stretch in all of this. 802 00:44:42,560 --> 00:44:48,600 Speaker 2: Ebany is much too harsh for me. I just don't 803 00:44:48,960 --> 00:44:49,440 Speaker 2: get it to. 804 00:44:51,480 --> 00:44:55,600 Speaker 1: Ebony was very focused and driven, but it was a competition, 805 00:44:55,880 --> 00:44:59,239 Speaker 1: and Ebane was there to win. And sure she got 806 00:44:59,239 --> 00:45:02,440 Speaker 1: into a few arguments on her season, but she was 807 00:45:02,560 --> 00:45:05,200 Speaker 1: far from the only one. They were all at each 808 00:45:05,200 --> 00:45:08,520 Speaker 1: other's throats. That's what they were cast to do, and 809 00:45:08,560 --> 00:45:12,279 Speaker 1: when Ebane did get angry, it always seemed justified to me. 810 00:45:12,880 --> 00:45:15,560 Speaker 1: In fact, the one time she would have been really 811 00:45:15,680 --> 00:45:18,160 Speaker 1: justified in flipping out because when she asked the other 812 00:45:18,239 --> 00:45:20,280 Speaker 1: models if her girlfriend could come over. 813 00:45:20,480 --> 00:45:22,480 Speaker 13: I wanted to know if it's okay my girlfriend come 814 00:45:22,480 --> 00:45:23,920 Speaker 13: over for about an hour or two today? 815 00:45:24,520 --> 00:45:27,200 Speaker 1: Where were you guys to be at bedrooms? My voice 816 00:45:27,239 --> 00:45:27,680 Speaker 1: on six? 817 00:45:28,000 --> 00:45:28,399 Speaker 3: I think that. 818 00:45:28,560 --> 00:45:30,360 Speaker 1: Definitely it is wrong. It says in the Bible of 819 00:45:30,400 --> 00:45:32,479 Speaker 1: that it's an abomination to the Lord. 820 00:45:32,560 --> 00:45:35,719 Speaker 13: I don't personally agree with you your why, I mean, 821 00:45:35,760 --> 00:45:37,279 Speaker 13: just because you know I don't agree with you. Know 822 00:45:37,920 --> 00:45:42,040 Speaker 13: you know Lisbandon gave relationships. But I mean I can't judge. 823 00:45:41,719 --> 00:45:42,320 Speaker 17: You the fine. 824 00:45:42,520 --> 00:45:45,160 Speaker 13: I just you know, like I just don't want and 825 00:45:45,239 --> 00:45:47,920 Speaker 13: ours living foss fabulous. 826 00:45:47,920 --> 00:45:48,880 Speaker 17: I understand we work in this. 827 00:45:49,200 --> 00:45:50,040 Speaker 14: I'm trying to work it. 828 00:45:52,000 --> 00:45:55,279 Speaker 1: After all those negative comments, Ebanie didn't get angry. She 829 00:45:55,480 --> 00:45:59,080 Speaker 1: was downright polite. But Tyra and the judges didn't see 830 00:45:59,080 --> 00:46:02,399 Speaker 1: that side of her. According to Tyra, Ebanie was sent 831 00:46:02,480 --> 00:46:04,600 Speaker 1: home because of her attitude. 832 00:46:04,920 --> 00:46:09,960 Speaker 4: You are beautiful and your smile is breathtaking, but you 833 00:46:10,040 --> 00:46:12,200 Speaker 4: have when you come into the room, we sense a 834 00:46:12,320 --> 00:46:15,279 Speaker 4: chip on your shoulder, a type of anger that makes 835 00:46:15,320 --> 00:46:17,920 Speaker 4: you push yourself too hard, to the point where you 836 00:46:17,960 --> 00:46:20,239 Speaker 4: lose focus and you become difficult to work with. 837 00:46:20,640 --> 00:46:22,640 Speaker 1: It was as if Tyra was trying to teach her 838 00:46:22,640 --> 00:46:25,880 Speaker 1: a lesson. You could hear it in her tone. Tyra 839 00:46:26,160 --> 00:46:29,279 Speaker 1: was a good black woman who was accepted in predominantly 840 00:46:29,320 --> 00:46:32,839 Speaker 1: white spaces while black women like Ebanie couldn't cut it. 841 00:46:33,680 --> 00:46:36,920 Speaker 1: This scene on the first season positioned Tyra as a 842 00:46:36,960 --> 00:46:41,160 Speaker 1: respectability role model for how a black model should act. 843 00:46:43,840 --> 00:46:46,840 Speaker 1: I didn't get to interview Ebanie for this podcast, but 844 00:46:46,960 --> 00:46:49,440 Speaker 1: judging by what she said in other interviews and on 845 00:46:49,480 --> 00:46:53,600 Speaker 1: social media, Ebanie seems to be the first ANTM contestant 846 00:46:53,880 --> 00:46:56,360 Speaker 1: to fall victim to the angry Black woman at it. 847 00:46:57,040 --> 00:47:01,480 Speaker 1: Last year on Instagram, Ebanie said Tyra's comment affected her career. 848 00:47:02,120 --> 00:47:04,760 Speaker 1: She said she had a really hard time getting signed 849 00:47:04,760 --> 00:47:07,719 Speaker 1: with an agency, and she thinks it had a lot 850 00:47:07,800 --> 00:47:10,200 Speaker 1: to do with the way she was portrayed on the show, 851 00:47:11,320 --> 00:47:14,600 Speaker 1: but Ebany was the first of many. The angry Black 852 00:47:14,680 --> 00:47:18,520 Speaker 1: Diva trope continued into the last season of A and TM. 853 00:47:18,600 --> 00:47:20,799 Speaker 1: I actually wanted to give y'all a whole play by 854 00:47:20,840 --> 00:47:23,480 Speaker 1: play with breakdowns of who said what, but we'd been 855 00:47:23,520 --> 00:47:26,120 Speaker 1: here for another two hours, So at the risk of 856 00:47:26,200 --> 00:47:30,600 Speaker 1: flattening these women again, here's A and TM's Angry Black 857 00:47:30,640 --> 00:47:36,400 Speaker 1: Women greatest hits, starting with Camille from cycle two, Tyra's 858 00:47:36,440 --> 00:47:39,400 Speaker 1: other so called black bitch. People can say what they 859 00:47:39,440 --> 00:47:43,360 Speaker 1: wanna say, they could feel the way they wanna feel, honestly, 860 00:47:43,560 --> 00:47:48,520 Speaker 1: like I couldn't really care less. My objective is to win, and. 861 00:47:48,560 --> 00:47:50,640 Speaker 14: We didn't get kicked off for hitting somebody. Don't ask 862 00:47:50,760 --> 00:47:51,759 Speaker 14: me told up right now, if. 863 00:47:52,520 --> 00:47:54,680 Speaker 1: You can tell the truth to save your life, are 864 00:47:54,719 --> 00:47:55,200 Speaker 1: you kidding? 865 00:47:55,719 --> 00:47:56,160 Speaker 9: Shut up? 866 00:47:56,440 --> 00:47:58,040 Speaker 1: Did she not come up to me to say that 867 00:47:58,120 --> 00:48:01,600 Speaker 1: your anger you in trace? This is a competition. 868 00:48:01,760 --> 00:48:04,800 Speaker 9: This is not America's next top best friend. 869 00:48:05,680 --> 00:48:07,920 Speaker 16: All these girls in here bitches, And that's all I 870 00:48:07,920 --> 00:48:08,480 Speaker 16: gotta say. 871 00:48:08,800 --> 00:48:11,640 Speaker 1: Honestly, how manas in my competition? I don't manage your 872 00:48:13,080 --> 00:48:14,400 Speaker 1: your body. It's not better than me. 873 00:48:14,440 --> 00:48:17,160 Speaker 12: You're on plus saying. 874 00:48:17,000 --> 00:48:21,279 Speaker 9: No matter what, any girl a calm saying anybody. 875 00:48:24,600 --> 00:48:26,680 Speaker 1: This is making me anxious. I don't know how I 876 00:48:26,719 --> 00:48:28,200 Speaker 1: watched this season after season. 877 00:48:29,520 --> 00:48:31,840 Speaker 17: If you're talking, so you're able to shut up or 878 00:48:31,920 --> 00:48:32,479 Speaker 17: go to the living. 879 00:48:33,480 --> 00:48:35,280 Speaker 16: But I know if I see one of my items 880 00:48:35,280 --> 00:48:36,440 Speaker 16: on someone, I'm gonna be. 881 00:48:36,360 --> 00:48:38,759 Speaker 1: Like, take my you stole that from me, Take it off, 882 00:48:38,800 --> 00:48:40,480 Speaker 1: Thank you, bitch. 883 00:48:40,760 --> 00:48:43,840 Speaker 9: I'm uneducated. I went to a red boss top and 884 00:48:43,840 --> 00:48:44,440 Speaker 9: fifty school. 885 00:48:44,760 --> 00:48:45,279 Speaker 8: Look it up. 886 00:48:46,200 --> 00:48:49,399 Speaker 1: Can you believe we're only at cycle fourteen? We're gonna 887 00:48:49,400 --> 00:48:52,800 Speaker 1: have to speak this thing up? Everyone here doesn't like me? 888 00:48:52,880 --> 00:48:56,640 Speaker 1: Is that what it is? People put the question of 889 00:48:56,680 --> 00:49:00,320 Speaker 1: my back because I'm about to go off and closing 890 00:49:00,360 --> 00:49:03,200 Speaker 1: out the hit list. It's real Summers from cycle twenty 891 00:49:03,200 --> 00:49:04,799 Speaker 1: four You don't have to do anything. 892 00:49:04,840 --> 00:49:06,200 Speaker 16: You just like stand there and I was like, oh 893 00:49:06,200 --> 00:49:06,920 Speaker 16: my god a clause. 894 00:49:07,280 --> 00:49:09,680 Speaker 1: Yes, you're amazing. I had to work spier to work 895 00:49:09,719 --> 00:49:17,440 Speaker 1: my ass off. I can change everything. There's nothing wrong 896 00:49:17,520 --> 00:49:21,319 Speaker 1: with getting angry. Everyone feels anger. There's nothing wrong with 897 00:49:21,480 --> 00:49:25,919 Speaker 1: being loud, and in a modeling competition, I'd argue there's 898 00:49:25,960 --> 00:49:28,920 Speaker 1: nothing wrong with being a diva. As I pointed out 899 00:49:28,960 --> 00:49:32,640 Speaker 1: in an earlier episode, the show loved to air contestants 900 00:49:32,719 --> 00:49:36,680 Speaker 1: angry tirades. That was the show's bread and butter. But 901 00:49:36,800 --> 00:49:40,200 Speaker 1: the danger of the ABW trope is that it flattens 902 00:49:40,200 --> 00:49:44,680 Speaker 1: people into one dimensional characters. Most of the women you 903 00:49:44,800 --> 00:49:48,040 Speaker 1: just heard were villains on their season. And remember A 904 00:49:48,200 --> 00:49:51,600 Speaker 1: and TM is about a Cinderella, not lupus wicked ass. 905 00:49:53,160 --> 00:49:55,399 Speaker 1: Very few of the black women were set up to win. 906 00:49:56,280 --> 00:49:59,600 Speaker 1: Abw's were cast and created on set for a reason 907 00:50:00,120 --> 00:50:03,640 Speaker 1: because they're fun to watch and fun to hate. Here 908 00:50:03,760 --> 00:50:06,040 Speaker 1: sound engineer Jose Torres. 909 00:50:05,840 --> 00:50:10,359 Speaker 17: When casting Top Model, it became obvious to us after 910 00:50:10,600 --> 00:50:14,840 Speaker 17: certain number of seasons. Some people were cast on the 911 00:50:14,880 --> 00:50:18,520 Speaker 17: show to be on the show, and some people were 912 00:50:18,560 --> 00:50:22,359 Speaker 17: cast on the show to do well or to win. 913 00:50:23,320 --> 00:50:25,359 Speaker 17: But some girls got cast on the show because they're 914 00:50:25,400 --> 00:50:26,920 Speaker 17: just they're gonna give you good TV. 915 00:50:27,480 --> 00:50:27,719 Speaker 16: You know. 916 00:50:27,760 --> 00:50:30,200 Speaker 17: It's like they're gonna get a couple of good photoshoots 917 00:50:30,239 --> 00:50:32,640 Speaker 17: out of them, but we'll get good TV out of 918 00:50:32,640 --> 00:50:34,960 Speaker 17: them and people will remember them for a while. 919 00:50:35,320 --> 00:50:35,520 Speaker 3: You know. 920 00:50:36,200 --> 00:50:40,520 Speaker 17: I don't think they cast Jade from cycle six. 921 00:50:41,960 --> 00:50:47,840 Speaker 1: To win. And yet Jade is one of the most 922 00:50:47,840 --> 00:50:51,480 Speaker 1: memorable contestants of the whole franchise. She's the one you 923 00:50:51,600 --> 00:50:54,440 Speaker 1: just heard in the Angry Black woman montage saying. 924 00:50:54,400 --> 00:50:57,400 Speaker 9: This is not America's next top best friend. 925 00:50:57,719 --> 00:51:00,640 Speaker 1: And this is years before Lashawn Beyond and uttered those 926 00:51:00,680 --> 00:51:04,600 Speaker 1: famous words on RuPaul's Drag Race. After the show, Jade 927 00:51:04,680 --> 00:51:07,960 Speaker 1: quit modeling in part because of how bad A ANDTM 928 00:51:08,120 --> 00:51:12,120 Speaker 1: made her look. That's the harsh reality of the ABW 929 00:51:12,200 --> 00:51:15,359 Speaker 1: trope in action. A and TM made a lot of 930 00:51:15,400 --> 00:51:18,719 Speaker 1: money on how volatile and funny women like Jade could be, 931 00:51:19,280 --> 00:51:23,120 Speaker 1: but it was at the contestants expense. The show reinforced 932 00:51:23,120 --> 00:51:25,600 Speaker 1: the message that working with the black woman was a 933 00:51:25,719 --> 00:51:29,520 Speaker 1: risk because that angry, loud, hard to work with diva 934 00:51:29,719 --> 00:51:35,080 Speaker 1: could always jump out. Of course, there are black women 935 00:51:35,120 --> 00:51:37,960 Speaker 1: who avoided the angry black women edit on A ANDTM, 936 00:51:38,520 --> 00:51:41,800 Speaker 1: black women who never got angry even when the situation 937 00:51:42,080 --> 00:51:46,560 Speaker 1: warranted a crash out. But that didn't mean they avoided 938 00:51:46,600 --> 00:51:50,880 Speaker 1: being humiliated for the cameras. Jada Young was a contestant 939 00:51:50,880 --> 00:51:54,000 Speaker 1: on Psycho seven. Jada was in the competition long enough 940 00:51:54,000 --> 00:51:56,560 Speaker 1: to go on the trip to Spain. While there, the 941 00:51:56,600 --> 00:51:58,840 Speaker 1: models had to shoot a commercial where they were paired 942 00:51:58,880 --> 00:52:01,840 Speaker 1: with male models. The day before the shoe the A 943 00:52:01,960 --> 00:52:04,320 Speaker 1: and TM girls went out to dinner with their partners 944 00:52:04,600 --> 00:52:07,640 Speaker 1: to practice their lines and hopefully build some chemistry before 945 00:52:07,680 --> 00:52:11,680 Speaker 1: the commercial's big makeout scene. The white model Jada was 946 00:52:11,719 --> 00:52:14,720 Speaker 1: partnered with seeing stand offish compared to the other guys. 947 00:52:15,160 --> 00:52:17,440 Speaker 1: He didn't want to talk to her or go over lines. 948 00:52:17,960 --> 00:52:22,040 Speaker 1: Then he told her why he didn't like black girls. 949 00:52:22,600 --> 00:52:23,960 Speaker 11: You didn't I. 950 00:52:28,480 --> 00:52:30,359 Speaker 7: Feel like this good? 951 00:52:31,440 --> 00:52:34,240 Speaker 12: Jada's partner, Natcho tells Jada that he doesn't. 952 00:52:34,040 --> 00:52:37,799 Speaker 1: Even liked black girls. She's like, are you serious? No 953 00:52:37,840 --> 00:52:39,880 Speaker 1: one should be treated like that. He doesn't want to 954 00:52:39,880 --> 00:52:42,920 Speaker 1: help me. You like it, rabbits, He doesn't want to 955 00:52:42,920 --> 00:52:43,200 Speaker 1: help me. 956 00:52:43,280 --> 00:52:45,359 Speaker 14: I'm worried about tomorrow shoe because I have to make 957 00:52:45,400 --> 00:52:47,479 Speaker 14: out with this guy who's an idiot and a jerk, 958 00:52:47,719 --> 00:52:49,120 Speaker 14: and he says he doesn't like black girls. 959 00:52:50,160 --> 00:52:52,960 Speaker 1: Jada was shaken the next day when she showed up 960 00:52:53,000 --> 00:52:56,840 Speaker 1: on set. The guy was there. Producers hadn't recast him, 961 00:52:57,120 --> 00:52:59,479 Speaker 1: and that meant she had to kiss this guy who 962 00:52:59,520 --> 00:53:02,640 Speaker 1: the day before told her he didn't like black girls. 963 00:53:03,200 --> 00:53:06,280 Speaker 1: Jada was clearly still upset at the shoot, and Tyra 964 00:53:06,440 --> 00:53:10,040 Speaker 1: was there. When Jada told Tyra what the guy had said. 965 00:53:10,360 --> 00:53:13,520 Speaker 1: This was Tyra's response, Well, you're gonna have to give. 966 00:53:13,480 --> 00:53:15,719 Speaker 9: Him a kiss to make him love some black girls, 967 00:53:15,760 --> 00:53:18,560 Speaker 9: because what do they say once they go black? 968 00:53:18,920 --> 00:53:22,360 Speaker 1: They don't go black? Tyra Banks Ladies and Gentlemen, a 969 00:53:22,520 --> 00:53:27,440 Speaker 1: champion of diversity at the shoot, Jada struggled to remember 970 00:53:27,440 --> 00:53:30,880 Speaker 1: her lines, which were in a different language. She was 971 00:53:30,960 --> 00:53:33,919 Speaker 1: at a disadvantage. The guy refused to rehearse with her, 972 00:53:34,160 --> 00:53:36,720 Speaker 1: and when the time came for the kiss, she cried. 973 00:53:37,640 --> 00:53:40,480 Speaker 1: When her commercial was shown at the judging panel, it 974 00:53:40,520 --> 00:53:44,360 Speaker 1: wasn't great. She may have expected empathy from Tyra and 975 00:53:44,400 --> 00:53:47,719 Speaker 1: the judges, but she was met with the opposite. I 976 00:53:47,840 --> 00:53:50,520 Speaker 1: was nervous and I was thinking about then, Okay, this 977 00:53:50,560 --> 00:53:51,400 Speaker 1: guy doesn't like me. 978 00:53:51,640 --> 00:53:53,080 Speaker 9: When I spoke to you guys, you told me that 979 00:53:53,120 --> 00:53:54,920 Speaker 9: this is the guy that said that he didn't want 980 00:53:54,920 --> 00:53:55,680 Speaker 9: to kiss a black girl. 981 00:53:56,239 --> 00:53:59,759 Speaker 1: He doesn't like black girls. Ooh, now guy said that 982 00:54:00,200 --> 00:54:02,440 Speaker 1: he told me that to me the night before, and 983 00:54:02,520 --> 00:54:05,680 Speaker 1: I feel like he's crawling and it's skinning. Just exkiss me. 984 00:54:05,800 --> 00:54:07,160 Speaker 4: On mine and you're going to take control. 985 00:54:07,440 --> 00:54:08,399 Speaker 2: He those on him. 986 00:54:08,520 --> 00:54:11,359 Speaker 11: He's just an extra that should not have stopped her 987 00:54:11,480 --> 00:54:14,080 Speaker 11: from doing the job that she was sent there to do. 988 00:54:15,880 --> 00:54:19,200 Speaker 1: After this, Jada was sent home and that racist extra 989 00:54:19,400 --> 00:54:23,520 Speaker 1: got his paycheck. I will say Jada wasn't consistent in 990 00:54:23,560 --> 00:54:27,360 Speaker 1: the competition. She had been saved from elimination before, but 991 00:54:27,440 --> 00:54:30,520 Speaker 1: if there was any time to save her, this should 992 00:54:30,560 --> 00:54:34,319 Speaker 1: have been it. Unfortunately, things like this happened in the 993 00:54:34,320 --> 00:54:37,359 Speaker 1: real world, but this was a production. If they were 994 00:54:37,440 --> 00:54:40,560 Speaker 1: champions of diversity, they could have used this moment to 995 00:54:40,560 --> 00:54:43,600 Speaker 1: take a no tolerant stance on racism. They should have 996 00:54:43,640 --> 00:54:47,360 Speaker 1: replaced that male model he was an extra, but instead 997 00:54:47,440 --> 00:54:50,680 Speaker 1: they put Jada, a black model, in an uncomfortable and 998 00:54:50,680 --> 00:54:57,040 Speaker 1: dehumanizing situation, and that sent the message to the audience 999 00:54:57,360 --> 00:55:00,360 Speaker 1: that the onus is on black people to rise above 1000 00:55:00,400 --> 00:55:03,360 Speaker 1: the racism, not on the racist themselves to you know, 1001 00:55:03,840 --> 00:55:09,400 Speaker 1: not be racist at work. I want to tell you 1002 00:55:09,480 --> 00:55:12,359 Speaker 1: about one more time. A and TM put a black 1003 00:55:12,360 --> 00:55:15,319 Speaker 1: woman in an uncomfortable situation and then punished her for 1004 00:55:15,360 --> 00:55:18,560 Speaker 1: her reaction. For a lot of black women who watched 1005 00:55:18,560 --> 00:55:22,360 Speaker 1: the show, this moment is seared into our memory and 1006 00:55:22,400 --> 00:55:24,319 Speaker 1: I think it says a lot about the way the 1007 00:55:24,360 --> 00:55:28,440 Speaker 1: show thought about race, particularly when it came to black contestants. 1008 00:55:29,160 --> 00:55:31,880 Speaker 1: Ya Ya DaCosta was the runner up on cycle three. 1009 00:55:32,239 --> 00:55:36,359 Speaker 1: She's African American with some Afro Brazilian heritage. Ya y'all 1010 00:55:36,400 --> 00:55:40,319 Speaker 1: was afrocentric, meaning she embraced her connection to Africa. You 1011 00:55:40,360 --> 00:55:42,360 Speaker 1: could see it in how she styled her hair, the 1012 00:55:42,440 --> 00:55:45,880 Speaker 1: clothes she wore, and how she carried herself in the competition. 1013 00:55:46,320 --> 00:55:49,600 Speaker 1: Ya y'all's afrocentricity was a big point of contention with 1014 00:55:49,680 --> 00:55:52,520 Speaker 1: the judges. There was a judging panel where the girls 1015 00:55:52,520 --> 00:55:54,840 Speaker 1: had to pick from a selection of hats and build 1016 00:55:54,880 --> 00:55:57,719 Speaker 1: an outfit around it. There was a leather hat, a 1017 00:55:57,719 --> 00:56:00,560 Speaker 1: black fascinator hat, a cowboy hat, and a can take 1018 00:56:00,600 --> 00:56:03,960 Speaker 1: cloth hat. Kentte is a really well known fabric that 1019 00:56:04,080 --> 00:56:08,239 Speaker 1: originated in Ghana, West Africa. Much to the judge of surprised, 1020 00:56:08,680 --> 00:56:11,959 Speaker 1: yah Ya chose the cowboy hat, not the Kentte hat. 1021 00:56:12,840 --> 00:56:14,239 Speaker 1: Why did you choose the cowboy hat? 1022 00:56:14,400 --> 00:56:16,879 Speaker 14: It's more on the simple side compared to the other hat, 1023 00:56:16,920 --> 00:56:19,240 Speaker 14: so that I can go crazy with accessories and express 1024 00:56:19,360 --> 00:56:20,880 Speaker 14: myself without being cliche. 1025 00:56:21,200 --> 00:56:22,680 Speaker 2: Yeah, yeah, I think you look beautiful. 1026 00:56:22,719 --> 00:56:24,799 Speaker 3: I think everyone probably pegged you if going for the 1027 00:56:25,200 --> 00:56:26,319 Speaker 3: typical African hat. 1028 00:56:26,600 --> 00:56:30,480 Speaker 2: Yah Ya, your I feel half African, half cowgirl. 1029 00:56:30,480 --> 00:56:32,640 Speaker 1: Looks like you're about to write a giraffe. 1030 00:56:33,040 --> 00:56:35,080 Speaker 9: I think I'm not feeling. 1031 00:56:34,760 --> 00:56:37,960 Speaker 5: That you have this intensity to prove your sort of africanness, 1032 00:56:37,960 --> 00:56:40,080 Speaker 5: and I think that sometimes it's overbearing. 1033 00:56:40,280 --> 00:56:42,919 Speaker 1: It's just too much. The judge who just said yah 1034 00:56:43,000 --> 00:56:47,120 Speaker 1: Ya was overbearing, that was a guest judge. She was white, 1035 00:56:47,640 --> 00:56:49,719 Speaker 1: and that comment from her would have sent me over 1036 00:56:49,760 --> 00:56:52,800 Speaker 1: the edge. But I think yah Yah handled it well. 1037 00:56:52,800 --> 00:56:56,480 Speaker 14: In response to trying to prove myself as an African. 1038 00:56:56,480 --> 00:56:58,560 Speaker 14: That's just where I come from. It's very natural to me. 1039 00:56:59,360 --> 00:57:02,120 Speaker 14: And I did not choose that hat for the very 1040 00:57:02,160 --> 00:57:05,560 Speaker 14: specific reason. That is very cliche. Doesn't that wreck that 1041 00:57:05,640 --> 00:57:10,120 Speaker 14: it's made from, It's very artificial, very Cheapkante. I didn't 1042 00:57:10,120 --> 00:57:11,560 Speaker 14: have the time. I know, I'm running on. 1043 00:57:11,640 --> 00:57:13,880 Speaker 9: There's a different way of explaining yourself and being defensive, 1044 00:57:14,280 --> 00:57:17,640 Speaker 9: and you're being very defensive and it's not attractive. 1045 00:57:17,320 --> 00:57:19,360 Speaker 14: Just because we had to talk about you know, I 1046 00:57:19,400 --> 00:57:23,040 Speaker 14: feel centricity before and it's kind of misunderstood. 1047 00:57:23,040 --> 00:57:24,160 Speaker 9: I'm all about like. 1048 00:57:24,200 --> 00:57:27,800 Speaker 1: You can hear the strain in Yaya's voice. She's trying 1049 00:57:27,840 --> 00:57:30,480 Speaker 1: not to get loud or seem angry, even though the 1050 00:57:30,560 --> 00:57:34,360 Speaker 1: judges just completely attacked her identity. A and TM set 1051 00:57:34,400 --> 00:57:36,880 Speaker 1: her up to take the Kinte cloth. I think it's 1052 00:57:36,920 --> 00:57:40,160 Speaker 1: because they wanted to reprimand her for wearing her culture 1053 00:57:40,240 --> 00:57:44,560 Speaker 1: on her sleeve. A and TM wanted to get an 1054 00:57:44,640 --> 00:57:47,080 Speaker 1: angry moment out of yah Ya, and when they couldn't 1055 00:57:47,120 --> 00:57:50,680 Speaker 1: get that, they wanted to humble her. In their eyes, 1056 00:57:50,840 --> 00:57:54,880 Speaker 1: she was wrong for not taking the hat. Then they 1057 00:57:54,920 --> 00:57:58,080 Speaker 1: criticized her for explaining why she didn't take the hat. 1058 00:57:59,800 --> 00:58:03,160 Speaker 1: And even though she never lost her cool, Tyra called 1059 00:58:03,200 --> 00:58:07,800 Speaker 1: her defensive. Yah Ya couldn't win. Tyra said it was 1060 00:58:07,840 --> 00:58:11,440 Speaker 1: her mission on ANTM to portray diverse beauty, but it 1061 00:58:11,480 --> 00:58:15,080 Speaker 1: seemed like another mission got in the way, her desire 1062 00:58:15,160 --> 00:58:19,480 Speaker 1: to make a hit TV show. ANTM trafficked in negative 1063 00:58:19,560 --> 00:58:23,840 Speaker 1: racial stereotypes, ones that fed into the audience's most base nature. 1064 00:58:24,640 --> 00:58:29,480 Speaker 1: The show could have challenged those stereotypes. Instead, it appealed 1065 00:58:29,480 --> 00:58:33,120 Speaker 1: to the lowest common denominator. But a funny thing happens 1066 00:58:33,120 --> 00:58:36,720 Speaker 1: when you appeal to that lowest common denominator, you can't 1067 00:58:36,840 --> 00:58:40,200 Speaker 1: choose to be above it. There's only one time on 1068 00:58:40,240 --> 00:58:47,920 Speaker 1: the show where we saw Tyra get really angry. I've 1069 00:58:47,960 --> 00:58:50,560 Speaker 1: never in my life Yoda the girl like this, And 1070 00:58:50,680 --> 00:58:54,680 Speaker 1: isn't it ironic that even Tyra couldn't escape the angry 1071 00:58:54,720 --> 00:58:58,880 Speaker 1: black woman trope? Because after all these years, that is 1072 00:58:58,960 --> 00:59:02,600 Speaker 1: still her most memorable moment. I was rooting for you. 1073 00:59:02,680 --> 00:59:03,920 Speaker 9: We're all rooting for you. 1074 00:59:04,000 --> 00:59:04,760 Speaker 19: Out damn you. 1075 00:59:08,120 --> 00:59:12,160 Speaker 1: On the next episode, our conversation about A and TM 1076 00:59:12,200 --> 00:59:16,960 Speaker 1: and identity continues. America's Next Top Model featured an openly 1077 00:59:17,040 --> 00:59:20,200 Speaker 1: trans contestant in two thousand and eight, something that was 1078 00:59:20,360 --> 00:59:23,360 Speaker 1: shocking at the time, but they made her time on 1079 00:59:23,400 --> 00:59:24,720 Speaker 1: the show a spectacle. 1080 00:59:26,320 --> 00:59:29,840 Speaker 13: I was there as a trans woman, so like, that's 1081 00:59:30,120 --> 00:59:31,200 Speaker 13: enough of an empire. 1082 00:59:31,360 --> 00:59:33,240 Speaker 1: I don't need to do a homo shot on camera. 1083 00:59:36,240 --> 00:59:39,040 Speaker 1: Thanks for listening to the Curse of America's Next Top Model. 1084 00:59:39,240 --> 00:59:41,800 Speaker 1: We're grateful for your support. We'd love for you to 1085 00:59:42,000 --> 00:59:44,640 Speaker 1: really show your support by subscribing to our show on 1086 00:59:44,680 --> 00:59:48,040 Speaker 1: Apple podcast. Don't forget to give us a five star review. 1087 00:59:48,520 --> 00:59:51,320 Speaker 1: If you love the show, tell your group, chat, your friends, 1088 00:59:51,440 --> 00:59:53,840 Speaker 1: your mama to check us out. And if you don't, 1089 00:59:54,120 --> 00:59:59,520 Speaker 1: maybe keep that one to yourself. The Curse of America's 1090 00:59:59,560 --> 01:00:02,640 Speaker 1: Next Top Mo is a production of Glass Podcasts, a 1091 01:00:02,680 --> 01:00:06,480 Speaker 1: division of Glass Entertainment Group, in partnership with iHeart Podcast. 1092 01:00:07,120 --> 01:00:10,440 Speaker 1: The show is executive produced by Nancy Glass, hosted and 1093 01:00:10,480 --> 01:00:13,880 Speaker 1: senior produced by me Bridget Armstrong. Our story editor is 1094 01:00:13,920 --> 01:00:17,680 Speaker 1: Monique Leboard, also produced by Ben Fetterman and Andrea Gunning. 1095 01:00:18,040 --> 01:00:22,120 Speaker 1: Associate producers are Alisha Key, Kristin Melciriy, and Curry Richmond. 1096 01:00:22,920 --> 01:00:26,400 Speaker 1: Consulting producers on this podcast are Oliver TwixT and Kate Taylor. 1097 01:00:26,800 --> 01:00:30,560 Speaker 1: Our iHeart team is Ali Perry and Jessica Crincheck. Audio 1098 01:00:30,680 --> 01:00:34,080 Speaker 1: editing on this episode by Matt del Vechio, Andrew Callaway 1099 01:00:34,160 --> 01:00:37,479 Speaker 1: and Tanner Robbins. The Curse of America's Next Top Model 1100 01:00:37,520 --> 01:00:41,320 Speaker 1: theme was composed by Oliver Bains. Music library provided by 1101 01:00:41,360 --> 01:00:45,400 Speaker 1: my Music Special Thanks to everyone we interviewed, especially the 1102 01:00:45,440 --> 01:00:49,240 Speaker 1: former contestant, and for more podcasts from iHeart, visit the 1103 01:00:49,240 --> 01:00:53,040 Speaker 1: iHeartRadio app, Apple podcast, or wherever you get your podcast. 1104 01:00:53,600 --> 01:00:56,520 Speaker 1: Also check out the et Glass podcast Instagram for Curse 1105 01:00:56,560 --> 01:00:59,080 Speaker 1: of America's Next Top Model behind the scenes content.