WEBVTT - Little Red Riding Hood

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<v Speaker 1>School of Humans. My name is Miranda Hawkins. Welcome to

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<v Speaker 1>the Deep dark Woods. Today's story is Atu three point

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<v Speaker 1>thirty three, or Little Red riding Hood.

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<v Speaker 2>Once upon a time there was a sweet little girl.

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<v Speaker 2>Everyone who saw her liked her, but most of all

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<v Speaker 2>her grandmother, who did not know what to give the

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<v Speaker 2>child next. Once she gave her a little cap made

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<v Speaker 2>of red velvet, because it suited her so well, and

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<v Speaker 2>she wanted to wear it all the time. She came

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<v Speaker 2>to be known as a little Red Cap. One day

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<v Speaker 2>her mother said to her, come, little Red Cap, here's

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<v Speaker 2>a piece of cake and a bottle of wine. Take

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<v Speaker 2>them to your grandmother. She's sick and weak, and they

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<v Speaker 2>will do her well. Mind your manners and give her

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<v Speaker 2>my greetings. Behave yourself on the way, and do not

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<v Speaker 2>leave the path, or you might fall down and break

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<v Speaker 2>the glass, and then there will be nothing for your grandmother.

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<v Speaker 2>And when you enter her parlor, don't forget to say

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<v Speaker 2>good morning, and don't peer into all the corners first.

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<v Speaker 2>I'll do everything just right, said Little Red Cap, shaking

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<v Speaker 2>her mother's hand. The grandmother lived out in the woods,

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<v Speaker 2>half an hour from the village. When Little Red Cap

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<v Speaker 2>entered the woods. A wolf came up to her. She

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<v Speaker 2>did not know what a wicked animal he was, and

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<v Speaker 2>was not afraid of him. Good day to you, little

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<v Speaker 2>Red Cap, Thank you wolf. Where are you going so early,

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<v Speaker 2>little Red Cap?

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<v Speaker 1>To grandmother's?

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<v Speaker 2>And what are you carrying under your apron grandmother is

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<v Speaker 2>sick and weak, and I'm taking her some cake and

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<v Speaker 2>wine we baked yesterday, and they should be.

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<v Speaker 1>Good for her and give her strength. Little Red Cap,

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<v Speaker 1>just where does.

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<v Speaker 2>Your grandmother live? Her house is a good quarter hour

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<v Speaker 2>from here, in the woods, under three large oak trees.

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<v Speaker 2>There's a hedge of hazel bushes there. You must know

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<v Speaker 2>the place, said Little Red Cap. The wolf thought to himself,

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<v Speaker 2>Now that sweet young thing is a tasty bite for me.

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<v Speaker 2>She will be even better than the old woman. You

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<v Speaker 2>must be sly and you can catch them both. He

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<v Speaker 2>walked along a little while with Little Red Cap. Then

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<v Speaker 2>he said, little Red Cap, just look at all the

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<v Speaker 2>beautiful flowers that are all around us.

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<v Speaker 1>Why don't you go and take a look.

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<v Speaker 2>And I don't believe you can hear how beautifully the

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<v Speaker 2>birds are singing. You're walking along as though you were

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<v Speaker 2>on your way to school. It's very beautiful in the woods.

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<v Speaker 2>The red Cap opened her eyes, and when she saw

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<v Speaker 2>the sunbeams dancing to and fro through the trees, and

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<v Speaker 2>how the ground was covered with beautiful flowers, she thought,

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<v Speaker 2>if I take a fresh bouquet a grandmother, she will

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<v Speaker 2>be very pleased. Anyway, it's still early and I'll be

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<v Speaker 2>home on time. And she ran off the path into

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<v Speaker 2>the woods, looking for flowers. Each time she picked one,

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<v Speaker 2>she thought she could see an even more beautiful one

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<v Speaker 2>a little way off, and she ran after it, going

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<v Speaker 2>further and further into the woods. But the wolf ran

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<v Speaker 2>straight to the grandmother's house and knocked on the door.

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<v Speaker 2>Who's there, little Red Cap, I'm bringing you some cake

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<v Speaker 2>and wine. Open the door. Just press the latch, called

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<v Speaker 2>out the grandmother.

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<v Speaker 1>I'm too weak to get up.

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<v Speaker 2>The wolf pressed the latch and the door open. He

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<v Speaker 2>stepped inside and went straight to the grandmother's bed and

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<v Speaker 2>ate her up. Then he put on her clothes, put

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<v Speaker 2>her cap on his head, got into her bed, and

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<v Speaker 2>pulled the curtains shut. Little Redcap had run after the flowers.

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<v Speaker 2>After she had gathered so many that she could not

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<v Speaker 2>carry any more. She remembered her grandmother and then continued

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<v Speaker 2>on her way to her house, she found, to her

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<v Speaker 2>surprise that the door was open. She walked into the parlor,

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<v Speaker 2>and everything looked so strange that she thought, oh my god,

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<v Speaker 2>why am.

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<v Speaker 1>I so afraid?

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<v Speaker 2>I usually like it at grandmother's. She called out good morning,

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<v Speaker 2>but received no answer. Then she went to the bed

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<v Speaker 2>and pulled back the curtains. Grandmother was lying there with

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<v Speaker 2>her cap pulled down over her face and looking very strange.

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<v Speaker 2>Oh grandmother, What big ears you have, All the better

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<v Speaker 2>to hear you with, Oh grandmother. What big eyes you have,

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<v Speaker 2>all the better to see you with, Oh grandmother. What

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<v Speaker 2>big hands you have, all the better to grab you with,

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<v Speaker 2>Oh grandmother, What a horribly.

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<v Speaker 1>Big mouth you have, all the better to eat you with.

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<v Speaker 2>The wolf could scarcely finished speaking when he jumped up

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<v Speaker 2>from the bed with a single leap and ate up

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<v Speaker 2>poor little red cat. As soon as the wolf had

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<v Speaker 2>satisfied his desires, he climbed back into bed, fell asleep,

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<v Speaker 2>and began to snore very loudly. A huntsman was just

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<v Speaker 2>passing by. He thought, the old woman is snoring so loudly.

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<v Speaker 2>You had better see if something's wrong with her.

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<v Speaker 1>Stepped into the.

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<v Speaker 2>Parlor and When he approached the bed, he saw the

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<v Speaker 2>wolf lying there. So here I find you, you old sinner,

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<v Speaker 2>he said, I've been hunting you for a long time.

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<v Speaker 2>He was about to aim his rifle when it occurred

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<v Speaker 2>to him that the wolf might have eaten the grandmother

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<v Speaker 2>and that she might still be rescued. So instead of shooting,

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<v Speaker 2>he took a pair of scissors and began to cut

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<v Speaker 2>open the wolf's belly. After a few cuts, he saw

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<v Speaker 2>the Red Cap shining through, and after a few more cuts,

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<v Speaker 2>the girl jumped out, crying, oh.

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<v Speaker 1>I was so frightened. It was so dark inside the

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<v Speaker 1>wolf's body.

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<v Speaker 2>And then the grandmother came out as well, alive but

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<v Speaker 2>hardly able to breathe. Then Little Redcap fetched some large stones.

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<v Speaker 2>She filled the wolf's body with them, and when he

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<v Speaker 2>woke up and tried to run away, the stones were

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<v Speaker 2>so heavy that he immediately fell down dead. The three

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<v Speaker 2>of them were happy. The huntsmen skinned the wolf and

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<v Speaker 2>went home with the pelt. The grandmother ate the cake

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<v Speaker 2>and drank the wine the Little Red Cap had brought.

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<v Speaker 2>And Little Red Cap thought, as long as I live,

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<v Speaker 2>I will never leave the path and run off into

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<v Speaker 2>the woods by myself. If my mother tells me not to.

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<v Speaker 1>Little Red riding Hood is one of my favorite tails

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<v Speaker 1>from The Brother's Groom. It's also the easiest last minute

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<v Speaker 1>costume during Halloween. If you're wearing a red cape and

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<v Speaker 1>a picnic basket, pretty much everyone knows who you're trying

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<v Speaker 1>to be, But the roots of the tail are complicated.

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<v Speaker 1>People have been trying to pinpoint where Little Red riding

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<v Speaker 1>Hood originated for the past two hundred years. That's according

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<v Speaker 1>to doctor Jamie Tarrani's research. Doctor Trani is an anthropology

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<v Speaker 1>professor at Durham University in England. In November of twenty thirteen,

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<v Speaker 1>he released his findings on the origins of Little Red

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<v Speaker 1>riding Hood. He used a process many biologists use called philogenetics.

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<v Speaker 1>Phylogenetics graphically represents the relationships between organisms and a diagram

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<v Speaker 1>known as a tree of life, and the trees can

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<v Speaker 1>look like a variety of things. One variation is bracketing,

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<v Speaker 1>like you would do with a sports event. In doctor

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<v Speaker 1>Trani's case, he built a tree diagram using fifty eight

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<v Speaker 1>variants of the folk tale and then focused on seventy

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<v Speaker 1>two plot variables like who was a protagonist or a villain?

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<v Speaker 1>From there, he compared similarities to show which route the

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<v Speaker 1>story most likely took. For the longest time, scholars thought

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<v Speaker 1>the story originated in China six hundred to eight hundred

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<v Speaker 1>years ago and then traveled to Europe along the Silk Road.

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<v Speaker 1>But doctor Tarani's research showed something else. There is another

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<v Speaker 1>tale worldwide called The Wolf and the Kids. It's about

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<v Speaker 1>a wolf who pretends to be a nantygot to eat

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<v Speaker 1>the kids. Sound familiar, well, Doctor Tarani thinks that the

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<v Speaker 1>Wolf and the Kids and Little Red Riding Hood traveled

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<v Speaker 1>from Europe to China, not the other way around, and

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<v Speaker 1>that China blended these two tales to create its own version.

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<v Speaker 1>He also found elements of the story dating back about

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<v Speaker 1>two thousand years from somewhere between Europe and the Middle East.

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<v Speaker 1>But that's just one theory, because some people think that

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<v Speaker 1>stories like these don't have a single point of origin,

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<v Speaker 1>but rather similar stories pop up all over the world

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<v Speaker 1>because of how universal they are, or because of chance.

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<v Speaker 1>It would seem for now Little Red's true origins or

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<v Speaker 1>lost to history. But there's an even bigger question at

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<v Speaker 1>the center of the debate. What even counts as a

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<v Speaker 1>Little Red writing Hood story? For example, there's a Latin

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<v Speaker 1>manuscript of a poem written in ten twenty two. The

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<v Speaker 1>poem is about a young girl in a red cloak

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<v Speaker 1>who was taken by wolves. They tried to eat her,

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<v Speaker 1>but the cloak protected her from their bite. But even

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<v Speaker 1>with the red cloak and the wolves, some folklorists don't

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<v Speaker 1>think this counts. Like all the stories we've heard about

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<v Speaker 1>so far, pinpointing exactly where Little Red writing Hood was

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<v Speaker 1>born is unanswerable. But with this tale, the brothers Grim

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<v Speaker 1>did something new, something out of the ordinary for them.

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<v Speaker 1>They made the story less gruesome than its predecessors. So

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<v Speaker 1>what exactly would be so gruesome that the brother's Grim

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<v Speaker 1>chose to cut it out? The Brother's Grim wrote two

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<v Speaker 1>versions of the tale they call Little Red Cap. The

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<v Speaker 1>first one ended up being the final version you heard

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<v Speaker 1>at the beginning of this episode. The second one goes

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<v Speaker 1>like this. On a separate occasion, Little Red Cap is

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<v Speaker 1>taking bait goods to her grandmother when she happens upon

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<v Speaker 1>a wolf. The wolf tries to convince her to leave

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<v Speaker 1>the path, but Little Red Cap refuses and goes straight

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<v Speaker 1>to her grandmother's house. When she arrives, she tells her

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<v Speaker 1>grandmother about meeting the wolf. The two of them immediately

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<v Speaker 1>lock the door. Not long after, the wolf comes knocking,

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<v Speaker 1>calling out to Red's grandmother, claiming to be the young

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<v Speaker 1>girl bringing sweets. The two remains silent while the wolf

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<v Speaker 1>walks around the house several times before jumping on the roof.

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<v Speaker 1>His plan is to wait until Little Red leaves to

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<v Speaker 1>go home, and then he will devour her. But the

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<v Speaker 1>grandmother knows what the wolf is up to and makes

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<v Speaker 1>a plan herself. The grandmother has a large stone trough

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<v Speaker 1>in the front of her house, and she tells a

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<v Speaker 1>little Red to fill the trough with water. The young

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<v Speaker 1>girl does as she is told until the trough is full,

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<v Speaker 1>but it is no ordinary water. The grandmother had cooked

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<v Speaker 1>sausage in it the day before. When the smell of

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<v Speaker 1>sausage reaches a wolf, he stretches his neck so far

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<v Speaker 1>trying to look into the trough that he slides off

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<v Speaker 1>the roof and falls into the water, where he drowns.

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<v Speaker 1>And so Little Red goes home safe and sound. The

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<v Speaker 1>two variants of Grimm's Little Red come from two sisters,

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<v Speaker 1>Jeannette and Marie Hassenflug. Jeannette told the brothers the final

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<v Speaker 1>version you heard while Marie told the one with the

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<v Speaker 1>wolf drowning. Jeannette, Marie, and their other sister, Amilie were

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<v Speaker 1>French Huguenots whose family fled France and settled and hanowed Germany.

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<v Speaker 1>The story goes that Jeanette and Marie were known to

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<v Speaker 1>share French tales with the brothers grim and the story

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<v Speaker 1>they were telling the Grims came one hundred years prior,

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<v Speaker 1>which would explain why the story had different versions. But

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<v Speaker 1>the main tale is called Le Petit chaperone rouge. Translated,

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<v Speaker 1>it means Little Red riding hood, and it was written

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<v Speaker 1>by the same man who gave us the Little Glass slipper,

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<v Speaker 1>Charles Perrault. In his version, Little Red gives her some

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<v Speaker 1>food to take to her grandmother because her grandmother is sick.

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<v Speaker 1>As she walks through the forest, a wolf spots a

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<v Speaker 1>young girl. He wants to eat her, but he doesn't

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<v Speaker 1>dare do so because there are woodcutters nearby. Instead, he

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<v Speaker 1>approaches Little Red and asks her where she's headed. Because

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<v Speaker 1>the young girl doesn't know talking to a wolf is dangerous,

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<v Speaker 1>she tells him she is going to visit her sick grandmother.

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<v Speaker 1>The wolf challenges her to a raise to see who

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<v Speaker 1>can get there first. The wolf races down the shortest path,

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<v Speaker 1>while Little Red takes a long path, gathering flowers and

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<v Speaker 1>nuts along the way. When the wolf gets to the

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<v Speaker 1>grandmother's house, he tricks the old woman into thinking he

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<v Speaker 1>is a little Red. Then he eats her and hops

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<v Speaker 1>into bed disguised in her clothes. When the young girl arrives,

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<v Speaker 1>the wolf invites her inside, tells her to take off

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<v Speaker 1>all her clothes and hop into bed with him. After

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<v Speaker 1>the back and forth of my grandmother, what big teeth

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<v Speaker 1>you have, the wolf devours her. Pierrot's story is a

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<v Speaker 1>combination of two other tales that were circulating across Europe,

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<v Speaker 1>the Grandmother's Tail from France and Little Red Hat from

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<v Speaker 1>Italy or Austria, and these tails are even more brutal.

0:15:34.685 --> 0:15:38.005
<v Speaker 1>In the Grandmother's Tail, the little girl's mom gives her

0:15:38.005 --> 0:15:40.565
<v Speaker 1>a loaf of bread and milk to take to the grandmother.

0:15:41.765 --> 0:15:45.125
<v Speaker 1>In the woods, the path splits into two. This is

0:15:45.125 --> 0:15:49.525
<v Speaker 1>where the little girl meets the bazoo or werewolf. He

0:15:49.685 --> 0:15:52.605
<v Speaker 1>asks her which path she is taking, the one of

0:15:52.645 --> 0:15:56.605
<v Speaker 1>needles or of pins. She says needles, and he says

0:15:56.725 --> 0:16:00.765
<v Speaker 1>that's good because he's taking the one of pins along

0:16:00.805 --> 0:16:03.925
<v Speaker 1>the way. The little girl entertains herself by gathering needles,

0:16:04.605 --> 0:16:08.125
<v Speaker 1>but the werewolf straight to the grandmother's house, kills her,

0:16:08.725 --> 0:16:11.645
<v Speaker 1>puts some of her flesh in the pantry and a

0:16:11.685 --> 0:16:14.765
<v Speaker 1>bottle of her blood on the shelf. Then he disguises

0:16:14.845 --> 0:16:19.045
<v Speaker 1>himself and climbs into bed. When the little girl arrives,

0:16:19.205 --> 0:16:21.645
<v Speaker 1>the werewolf tells her to put the milk and bread

0:16:21.685 --> 0:16:24.285
<v Speaker 1>in the pantry and help herself to the meat and

0:16:24.365 --> 0:16:29.565
<v Speaker 1>wine that's in there. The little girl begins to eat,

0:16:29.765 --> 0:16:32.925
<v Speaker 1>and she does so, not knowing she's eating her grandmother's

0:16:32.965 --> 0:16:37.685
<v Speaker 1>flesh and drinking her grandmother's blood. There's a cat who

0:16:37.725 --> 0:16:40.885
<v Speaker 1>shames the girl for doing so, though the story doesn't

0:16:40.925 --> 0:16:43.845
<v Speaker 1>say whether or not the little girl heard the cat.

0:16:44.725 --> 0:16:47.805
<v Speaker 1>Then the werewolf tells a little girl to get undressed

0:16:47.805 --> 0:16:51.365
<v Speaker 1>and come to bed. Every time she asks what should

0:16:51.445 --> 0:16:54.565
<v Speaker 1>she do with a piece of her clothing, the werewolf replies,

0:16:54.845 --> 0:17:03.445
<v Speaker 1>throw it into the fire. It's after the little girl

0:17:03.485 --> 0:17:06.725
<v Speaker 1>climbs into bed that they go through the whole. My,

0:17:07.125 --> 0:17:11.245
<v Speaker 1>what big ears you have, grandmother rigamarole. When the little

0:17:11.285 --> 0:17:14.805
<v Speaker 1>girl mentions, what a big mouth you have, the werewolf responds,

0:17:14.965 --> 0:17:17.885
<v Speaker 1>the better to eat you with my child. But before

0:17:17.925 --> 0:17:20.485
<v Speaker 1>the wolf gets a chance to eat her, Little Red

0:17:20.525 --> 0:17:24.285
<v Speaker 1>says she has to use the bathroom. Oh, grandmother, I

0:17:24.365 --> 0:17:27.605
<v Speaker 1>have to do it outside, and the were wolf responds,

0:17:27.885 --> 0:17:31.125
<v Speaker 1>do it in the bed. Child. There's a little back

0:17:31.165 --> 0:17:34.085
<v Speaker 1>and forth before the were wolf concedes, but he still

0:17:34.125 --> 0:17:37.685
<v Speaker 1>ties a woolf thread around the young girl's ankles. As

0:17:37.725 --> 0:17:40.565
<v Speaker 1>soon as the girl is outside, she ties the string

0:17:40.645 --> 0:17:46.205
<v Speaker 1>to a plum tree. After some time, the werewolf calls out, and,

0:17:46.325 --> 0:17:49.965
<v Speaker 1>not hearing a response, runs outside to see what's going on.

0:17:51.925 --> 0:17:55.245
<v Speaker 1>He sees the young girl has escaped and follows her,

0:17:56.285 --> 0:17:59.245
<v Speaker 1>but just as he catches up, she's closing the door

0:17:59.285 --> 0:18:08.045
<v Speaker 1>to her home, safe and sound. The version from Italy

0:18:08.285 --> 0:18:12.325
<v Speaker 1>or Austria is similar, except the grandmother asks Little Red

0:18:12.405 --> 0:18:15.685
<v Speaker 1>to bring her some soup. Along the way, the young

0:18:15.685 --> 0:18:18.885
<v Speaker 1>girl runs into an ogre, who asks if she's taking

0:18:18.885 --> 0:18:22.845
<v Speaker 1>the path of thorns or the path of stones. Little

0:18:22.845 --> 0:18:26.125
<v Speaker 1>Red says stones and Dilly Dally's picking flowers, while the

0:18:26.165 --> 0:18:28.845
<v Speaker 1>ogre takes a rout of thorns and beats Little Red

0:18:28.845 --> 0:18:32.365
<v Speaker 1>to her grandmother's The ogre then tricks the grandmother into

0:18:32.485 --> 0:18:35.205
<v Speaker 1>letting him in and if you thought the French tale

0:18:35.325 --> 0:18:39.445
<v Speaker 1>was violent, I actually got a little nauseous reading this one.

0:18:39.925 --> 0:18:43.285
<v Speaker 1>Once in the house, the ogre eats the grandmother, ties

0:18:43.325 --> 0:18:46.805
<v Speaker 1>her intestines to the door, replacing the latch string, and

0:18:46.925 --> 0:18:50.565
<v Speaker 1>places her blood, teeth and jaws in the kitchen cupboard.

0:18:51.205 --> 0:18:55.845
<v Speaker 1>Then he disguises himself and jumps into bed. When Little

0:18:55.845 --> 0:18:58.965
<v Speaker 1>Red gets there, she first mentions how the latch string

0:18:59.085 --> 0:19:02.645
<v Speaker 1>is soft. The ogre says it is her grandmother's intestine,

0:19:03.005 --> 0:19:06.165
<v Speaker 1>but when Little Red doesn't hear clearly, just tells her

0:19:06.205 --> 0:19:09.365
<v Speaker 1>to come in. And like the grandmother's tail, the yogre

0:19:09.445 --> 0:19:11.205
<v Speaker 1>has a little Red eat and drink the parts of

0:19:11.285 --> 0:19:14.445
<v Speaker 1>her grandmother that he put in the pantry. And then

0:19:14.525 --> 0:19:17.085
<v Speaker 1>afterward the ogre has a young girl getting into bed

0:19:17.165 --> 0:19:25.325
<v Speaker 1>naked with him before he eats her up. Unlike the

0:19:25.325 --> 0:19:30.245
<v Speaker 1>grim's Little Red, these three tails have strong sexual overtones.

0:19:30.885 --> 0:19:34.565
<v Speaker 1>They all include a naked girl climbing into bed with

0:19:34.725 --> 0:19:39.325
<v Speaker 1>the wolf or ogre. Also, there is no woodcutter to

0:19:39.405 --> 0:19:44.845
<v Speaker 1>save little Red. Different from the Grandmother's tail and Little

0:19:44.845 --> 0:19:49.005
<v Speaker 1>Red hat, Pierrot went a step further. He added a

0:19:49.045 --> 0:19:52.365
<v Speaker 1>moral to the end of his tail that said children

0:19:52.965 --> 0:19:58.205
<v Speaker 1>especially attractive well bred young ladies should never talk to strangers,

0:19:58.845 --> 0:20:01.845
<v Speaker 1>for if they should do so, they may well provide

0:20:01.845 --> 0:20:05.565
<v Speaker 1>dinner for a wolf. I say wolf. But there are

0:20:05.485 --> 0:20:09.045
<v Speaker 1>the various kinds of wolves. There are also those who

0:20:09.125 --> 0:20:15.525
<v Speaker 1>are charming, quiet, polite, unassuming, complacent and sweet who pursue

0:20:15.605 --> 0:20:19.365
<v Speaker 1>young women at home and in the streets. And unfortunately,

0:20:19.805 --> 0:20:22.645
<v Speaker 1>it is these gentle wolves who are the most dangerous

0:20:22.645 --> 0:20:30.485
<v Speaker 1>ones of all. I talked to professor and folklorist doctor

0:20:30.565 --> 0:20:34.365
<v Speaker 1>Lynn McNeil about this story, and she told me that

0:20:34.445 --> 0:20:37.405
<v Speaker 1>this was pretty odd that Pero included this moral at

0:20:37.445 --> 0:20:37.805
<v Speaker 1>the end.

0:20:39.685 --> 0:20:42.565
<v Speaker 3>It's very clearly a warning story. Perau even includes at

0:20:42.565 --> 0:20:46.765
<v Speaker 3>the end like a little rhyme that functions as a moral,

0:20:47.085 --> 0:20:50.845
<v Speaker 3>where he says to his readers, I hope you all

0:20:50.885 --> 0:20:54.565
<v Speaker 3>realize that I'm not talking about wolves here. I'm talking

0:20:54.605 --> 0:20:57.605
<v Speaker 3>about the kind of wolves who walk around in men's clothing.

0:20:58.165 --> 0:21:02.205
<v Speaker 3>And it's just sort of like this, like somber, very

0:21:02.285 --> 0:21:07.085
<v Speaker 3>grim ending. That's like high lighting the metaphor that's going

0:21:07.085 --> 0:21:11.685
<v Speaker 3>on here. Vulnerable young women, predatory men. That's the real risk.

0:21:13.125 --> 0:21:17.325
<v Speaker 1>Those themes of predatory men and vulnerable young women are

0:21:17.405 --> 0:21:21.925
<v Speaker 1>also in little Red hat and the grandmother's tail and

0:21:22.005 --> 0:21:25.085
<v Speaker 1>an interesting thing about the werewolf and the grandmother's tail.

0:21:26.125 --> 0:21:29.685
<v Speaker 1>Some historians believe the story comes from the sixteenth or

0:21:29.805 --> 0:21:34.285
<v Speaker 1>seventeenth century. They think the tale was initially a cautionary

0:21:34.325 --> 0:21:38.045
<v Speaker 1>tale about children being careful when playing in the woods

0:21:38.565 --> 0:21:41.645
<v Speaker 1>because at that time men were going to trial for

0:21:41.725 --> 0:21:47.245
<v Speaker 1>being werewolves and molesting, killing, or eating young kids. These

0:21:47.245 --> 0:21:50.725
<v Speaker 1>stories are already terrible as is, with sexual predators and

0:21:50.845 --> 0:21:54.925
<v Speaker 1>children being eaten, but doctor McNeil says these stories take

0:21:55.005 --> 0:21:55.925
<v Speaker 1>it a step further.

0:21:57.125 --> 0:22:00.805
<v Speaker 3>She's also made to engage in cannibalism. She's told to

0:22:00.925 --> 0:22:04.285
<v Speaker 3>eat and drink a bottle of grandma's blood that the

0:22:04.325 --> 0:22:06.485
<v Speaker 3>wolf is put on the shelf. So it's this strange

0:22:06.525 --> 0:22:10.645
<v Speaker 3>sort of complicit act of cannibalism that she's joining in

0:22:10.685 --> 0:22:14.605
<v Speaker 3>with him on. So it's it's a real interesting level

0:22:14.645 --> 0:22:18.405
<v Speaker 3>of degradation that's being depicted that is erased by the

0:22:18.405 --> 0:22:20.045
<v Speaker 3>time we get to the Grim Brothers version.

0:22:21.325 --> 0:22:23.485
<v Speaker 1>We know by now the brothers Grim did a fair

0:22:23.485 --> 0:22:26.965
<v Speaker 1>amount of editing with all their stories, and for Little

0:22:27.005 --> 0:22:31.885
<v Speaker 1>Red specifically, they're removed any references to sex and cannibalism,

0:22:32.445 --> 0:22:36.605
<v Speaker 1>making it less grotesque, and by adding the woodcutter. They

0:22:36.725 --> 0:22:38.605
<v Speaker 1>also change the story's moral.

0:22:39.485 --> 0:22:43.205
<v Speaker 3>We have this wild, animalistic, predatory male character, and then

0:22:43.205 --> 0:22:47.405
<v Speaker 3>we have this, you know, stout hearted, strong, true, brave,

0:22:47.645 --> 0:22:52.365
<v Speaker 3>capable male character as well. And it's an interesting reframing

0:22:52.445 --> 0:22:56.245
<v Speaker 3>because the grimms are sending a very clear, distinct message.

0:22:56.365 --> 0:22:59.885
<v Speaker 3>It's no longer framed as a warning story. It's more

0:23:00.045 --> 0:23:03.805
<v Speaker 3>framed as a here's how the world works story. We

0:23:03.925 --> 0:23:06.125
<v Speaker 3>still get that message of don't stray from the path,

0:23:06.205 --> 0:23:09.605
<v Speaker 3>don't get led astray, but we're also told you're gonna

0:23:09.605 --> 0:23:12.845
<v Speaker 3>get saved if that does happen. There are mechanisms of

0:23:12.885 --> 0:23:14.525
<v Speaker 3>society by which you might be rescued.

0:23:15.925 --> 0:23:20.645
<v Speaker 1>Although these variations present different morals, doctor McNeil says the

0:23:20.765 --> 0:23:24.885
<v Speaker 1>overall symbolism of the character of Little Red stays the same.

0:23:26.125 --> 0:23:29.085
<v Speaker 3>Scholars have suggested that the red hat or the cloak

0:23:29.165 --> 0:23:33.005
<v Speaker 3>is a symbol of puberty of maturity, that it represents

0:23:33.405 --> 0:23:37.765
<v Speaker 3>maturation or even specifically menstruation, the beginning the onset of

0:23:37.805 --> 0:23:42.405
<v Speaker 3>a young girl menstruating, becoming sexually viable as an adult biologically,

0:23:42.805 --> 0:23:45.605
<v Speaker 3>and that, of course when she sets out in the

0:23:45.605 --> 0:23:49.485
<v Speaker 3>world with this new adult status, that's when the wolves come.

0:23:50.365 --> 0:23:53.605
<v Speaker 3>There's other schools of thought, though, and an old line

0:23:53.645 --> 0:23:57.165
<v Speaker 3>of academic thinking, the school of solar mythology, had that

0:23:57.285 --> 0:24:01.205
<v Speaker 3>all stories in the end boiled down to some element

0:24:01.325 --> 0:24:04.645
<v Speaker 3>of the sun struggling against the devouring night, in which

0:24:04.645 --> 0:24:07.845
<v Speaker 3>case Red riding Hood cloak becomes a solar symbol, and

0:24:07.885 --> 0:24:11.165
<v Speaker 3>she's representing the warmth and the safety of daylight, and

0:24:11.205 --> 0:24:14.125
<v Speaker 3>the wolf is the dark, devouring night coming after her.

0:24:16.245 --> 0:24:20.045
<v Speaker 1>As if Little Red Riding Hood wasn't complicated enough, Throughout

0:24:20.045 --> 0:24:23.565
<v Speaker 1>the years, each retelling changes why the young girl strays

0:24:23.565 --> 0:24:26.485
<v Speaker 1>from the path, and the tales we heard about it's

0:24:26.525 --> 0:24:30.405
<v Speaker 1>because she's picking flowers or gathering pine needles. But then

0:24:30.565 --> 0:24:34.205
<v Speaker 1>during the nineteenth century Victorian era, Little Red veers off

0:24:34.245 --> 0:24:38.285
<v Speaker 1>the trail because she wants to disobey her mom. But

0:24:38.325 --> 0:24:54.965
<v Speaker 1>what makes her stray from the path these days? In

0:24:55.005 --> 0:24:58.365
<v Speaker 1>almost all the Little Red riding Hood stories, a little

0:24:58.365 --> 0:25:02.205
<v Speaker 1>girl takes a detour in the woods, and today's versions

0:25:02.805 --> 0:25:07.165
<v Speaker 1>Red is still taking a detour, but it's not as literal.

0:25:08.165 --> 0:25:10.085
<v Speaker 1>Doctor McNeil explains.

0:25:10.765 --> 0:25:14.645
<v Speaker 3>The initial setup that we get really was pigeonholing these characters.

0:25:14.725 --> 0:25:17.325
<v Speaker 3>You know, a young girl is going to be vulnerable

0:25:17.365 --> 0:25:20.685
<v Speaker 3>and in danger, and a scary wolf is going to

0:25:20.725 --> 0:25:26.445
<v Speaker 3>be a predator and evil, and those binaries are really

0:25:26.525 --> 0:25:30.365
<v Speaker 3>inherent in fairy tales, but the door is open now

0:25:30.365 --> 0:25:32.325
<v Speaker 3>for us to comment on them. And this is something

0:25:32.365 --> 0:25:35.205
<v Speaker 3>that as we as a society move forward, we want

0:25:35.205 --> 0:25:38.565
<v Speaker 3>to nuance. We want to understand these things. We don't

0:25:38.605 --> 0:25:41.685
<v Speaker 3>want to see evil as an absolute. We try and

0:25:41.765 --> 0:25:45.525
<v Speaker 3>put things like crime and punishment in a human context. Now,

0:25:45.605 --> 0:25:48.845
<v Speaker 3>what causes this, what leads people to make choices? That

0:25:49.525 --> 0:25:52.165
<v Speaker 3>the choices might be bad, but that doesn't mean people

0:25:52.805 --> 0:25:58.165
<v Speaker 3>are inherently bad, And that nuanced understanding of humanity is

0:25:58.165 --> 0:26:01.925
<v Speaker 3>something we see reflected in how we handle fairy tales now,

0:26:01.965 --> 0:26:04.285
<v Speaker 3>the fact that we want to say, well, what does

0:26:04.325 --> 0:26:07.245
<v Speaker 3>this look like from the wolf perspective? The wolf has

0:26:07.285 --> 0:26:10.725
<v Speaker 3>a past, the wolf has a context, The wolf has

0:26:11.045 --> 0:26:12.365
<v Speaker 3>instinctive drives.

0:26:13.605 --> 0:26:17.605
<v Speaker 1>Like with Rumpelstilskin today, we want to know the motivations

0:26:17.605 --> 0:26:22.165
<v Speaker 1>of all the characters, even the villains. And doctor McNeil says,

0:26:22.485 --> 0:26:24.565
<v Speaker 1>the wolf is a perfect anti hero.

0:26:25.645 --> 0:26:28.845
<v Speaker 3>We love that. The idea of the anti hero now

0:26:29.285 --> 0:26:31.085
<v Speaker 3>is something that we want to run with and we've

0:26:31.085 --> 0:26:33.925
<v Speaker 3>got this perfect character with which to do it, The

0:26:34.005 --> 0:26:37.725
<v Speaker 3>big bad Wolf, right, and so we get to play

0:26:37.765 --> 0:26:42.005
<v Speaker 3>with these ideas because they're still relevant to us, but

0:26:42.045 --> 0:26:45.645
<v Speaker 3>in these totally different, totally nuanced ways, and we get

0:26:46.005 --> 0:26:49.605
<v Speaker 3>things like Hoodwinked, things like Into the Woods that turn

0:26:49.685 --> 0:26:54.045
<v Speaker 3>these ideas on their heads on purpose that wouldn't work

0:26:54.085 --> 0:26:57.965
<v Speaker 3>if we didn't all know the original story.

0:27:01.285 --> 0:27:04.805
<v Speaker 1>Hoodwinked is a two thousand and five feature length cartoon

0:27:04.885 --> 0:27:08.605
<v Speaker 1>movie and crime procedural that tells a story through the

0:27:08.645 --> 0:27:13.805
<v Speaker 1>perspective of four different characters, Little Red, Granny, the Wolf,

0:27:14.165 --> 0:27:18.165
<v Speaker 1>and the Huntsman, and revolves around trying to discover who

0:27:18.485 --> 0:27:22.405
<v Speaker 1>the goodie bandit is. The twist it isn't the Wolf,

0:27:22.725 --> 0:27:26.045
<v Speaker 1>but a cute little bunny named Bongo who's a mastermind criminal.

0:27:26.725 --> 0:27:29.725
<v Speaker 1>The moral is simple, don't judge a book by its cover.

0:27:30.805 --> 0:27:34.405
<v Speaker 1>But these retellings aren't just about the wolf. They also

0:27:34.445 --> 0:27:38.165
<v Speaker 1>turn the tables on Little Red herself. Like with Into

0:27:38.205 --> 0:27:42.205
<v Speaker 1>the Woods, which doctor McNeil talked about above. It's a

0:27:42.285 --> 0:27:45.205
<v Speaker 1>musical that was turned into a film in twenty fourteen.

0:27:46.165 --> 0:27:49.885
<v Speaker 1>The story follows several characters set in a fairytale world

0:27:50.165 --> 0:27:53.245
<v Speaker 1>where things don't go quite right and Little Red isn't

0:27:53.245 --> 0:27:56.765
<v Speaker 1>as sweet. She steals pies, from the Baker. But Into

0:27:56.845 --> 0:27:59.725
<v Speaker 1>the Woods isn't the only time that Little Red is

0:27:59.765 --> 0:28:02.645
<v Speaker 1>portrayed as more than an innocent young girl.

0:28:03.685 --> 0:28:07.685
<v Speaker 3>Angela Carter's poem in the Company of Wolves plays into this,

0:28:07.805 --> 0:28:11.805
<v Speaker 3>where it's not a directory telling of Little Red riding Hood,

0:28:12.005 --> 0:28:16.845
<v Speaker 3>but it's the themes of womanhood and sexuality and predatoriness

0:28:16.885 --> 0:28:20.245
<v Speaker 3>where the woman in the end chooses to welcome in

0:28:20.325 --> 0:28:24.165
<v Speaker 3>that predatory male. And we see it in even more

0:28:24.205 --> 0:28:29.005
<v Speaker 3>contemporary instances, like the film Hard Candy, a young girl

0:28:29.685 --> 0:28:34.245
<v Speaker 3>is groomed online by an older man. We encounter it

0:28:34.725 --> 0:28:37.525
<v Speaker 3>through their online discussions and when they meet up in person,

0:28:38.165 --> 0:28:41.845
<v Speaker 3>and it's very ominous, very chilling, And through the entire

0:28:41.965 --> 0:28:45.085
<v Speaker 3>opening half of the film, the young woman is wearing

0:28:45.085 --> 0:28:48.205
<v Speaker 3>a red hoodie and that's it. That's the entire reference

0:28:48.325 --> 0:28:51.485
<v Speaker 3>to Little Red riding Hood. But just in that one act,

0:28:51.605 --> 0:28:54.885
<v Speaker 3>even maybe unconsciously, for a lot of viewers, we have

0:28:54.965 --> 0:28:59.445
<v Speaker 3>those themes predatory masculinity and vulnerable femininity, and youth and

0:28:59.525 --> 0:29:04.285
<v Speaker 3>age and all of those binary oppositions that fairy tales

0:29:04.325 --> 0:29:07.965
<v Speaker 3>include in ways that make them a shorthand for those

0:29:08.005 --> 0:29:08.765
<v Speaker 3>ideas today.

0:29:10.245 --> 0:29:13.525
<v Speaker 1>The part doctor McNeil doesn't mention about hard Candy is

0:29:13.565 --> 0:29:16.045
<v Speaker 1>that in the end, the twist is at the girl

0:29:16.125 --> 0:29:19.405
<v Speaker 1>as a true predator. The guy had photographed her friend

0:29:19.445 --> 0:29:23.605
<v Speaker 1>being murdered. She forces him to confess before blackmailing him

0:29:23.685 --> 0:29:30.645
<v Speaker 1>into killing himself. Another take comes from an essay by

0:29:30.725 --> 0:29:34.605
<v Speaker 1>Neha Patel. In it, she points out that many book

0:29:34.605 --> 0:29:38.605
<v Speaker 1>adaptations have one basis in common. A woman is put

0:29:38.685 --> 0:29:42.485
<v Speaker 1>into a perilous situation and must face something bad, whether

0:29:42.525 --> 0:29:46.005
<v Speaker 1>it be a demon, a monster, or a wolf. The

0:29:46.045 --> 0:29:49.325
<v Speaker 1>books she lists to back her point are Scarlett by

0:29:49.365 --> 0:29:53.925
<v Speaker 1>Marissa Meyer, Crimson Bound by Rosamund Hodge, for the Wolf

0:29:54.125 --> 0:29:58.605
<v Speaker 1>by Hannah Whitten, and Sister Read by Jackson Pierce. Her

0:29:58.725 --> 0:30:02.125
<v Speaker 1>essay connects back to the original moral of Pirot, and

0:30:02.205 --> 0:30:05.445
<v Speaker 1>she says that although the modern world might seem see

0:30:05.645 --> 0:30:10.445
<v Speaker 1>for women, it isn't. She uses crime statistics to illustrate

0:30:10.485 --> 0:30:14.045
<v Speaker 1>her take, but she says that unlike the Grimms version,

0:30:14.325 --> 0:30:18.645
<v Speaker 1>there are no societal mechanisms that might rescue you. But

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<v Speaker 1>then again, you have modern variations like the twenty eleven

0:30:22.765 --> 0:30:26.045
<v Speaker 1>Little Red Riding Hood movie with Amanda Seifred, where she

0:30:26.165 --> 0:30:30.405
<v Speaker 1>saves herself. In the film, a town is descended upon

0:30:30.605 --> 0:30:34.285
<v Speaker 1>by a werewolf. Valerie, who is a little Red, gets

0:30:34.325 --> 0:30:37.085
<v Speaker 1>caught up trying to figure out who the wolf is.

0:30:38.125 --> 0:30:40.965
<v Speaker 1>The werewolf turns out to be her father, and she

0:30:41.125 --> 0:30:44.925
<v Speaker 1>ends up killing him, but her love gets scratched. Since

0:30:44.965 --> 0:30:48.245
<v Speaker 1>Valerie can communicate with werewolves since she was born into it.

0:30:48.485 --> 0:30:50.805
<v Speaker 1>Although in the movie you still have to be turned,

0:30:51.325 --> 0:30:53.445
<v Speaker 1>she is able to stay in touch with her love

0:30:53.565 --> 0:30:57.845
<v Speaker 1>while he ventures off to learn to control his impulses. Here,

0:30:58.245 --> 0:31:01.285
<v Speaker 1>unlike the variations of the past, Red is more than

0:31:01.325 --> 0:31:05.245
<v Speaker 1>capable of defending herself. Yes, she does have help from

0:31:05.285 --> 0:31:08.805
<v Speaker 1>her love, but it is ultimately Little Red who kills

0:31:08.805 --> 0:31:13.125
<v Speaker 1>her father. You could say these stories present a shift

0:31:13.165 --> 0:31:17.165
<v Speaker 1>in power dynamics, or possibly women taking their power back.

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<v Speaker 3>I think that the vulnerability of young women has been

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<v Speaker 3>and kind of always will be a hot topic in society,

0:31:25.485 --> 0:31:28.525
<v Speaker 3>but in wildly different ways. For a long time, the

0:31:28.605 --> 0:31:31.965
<v Speaker 3>instinct was shelter and protect, and now the instinct is

0:31:32.125 --> 0:31:35.125
<v Speaker 3>educate and empower. Let's do something different with that. So

0:31:35.365 --> 0:31:38.365
<v Speaker 3>we're going to keep our vulnerable young woman character, but

0:31:38.445 --> 0:31:41.245
<v Speaker 3>she's gonna start kicking ass, you know, like she's gonna

0:31:41.285 --> 0:31:45.805
<v Speaker 3>take on this incredibly different mode of being. Will still

0:31:45.925 --> 0:31:48.485
<v Speaker 3>need a way to talk about that, but we're going

0:31:48.565 --> 0:31:50.845
<v Speaker 3>to talk about it in wholly different ways.

0:31:53.365 --> 0:31:56.205
<v Speaker 1>Little Red riding Hood has been around for centuries with

0:31:56.485 --> 0:31:59.045
<v Speaker 1>endless different ways to tell it, and it looks as

0:31:59.125 --> 0:32:02.165
<v Speaker 1>if it will stay with us for centuries more, just

0:32:02.285 --> 0:32:10.085
<v Speaker 1>maybe without Little Red eating her grandmother's teeth. Next time,

0:32:10.405 --> 0:32:18.005
<v Speaker 1>a beautiful Princess sleeps for one hundred years. The Deep

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<v Speaker 1>Dark Woods is a production of School of Humans and

0:32:20.725 --> 0:32:25.045
<v Speaker 1>iHeart Podcasts. It was created, written, and hosted by me

0:32:25.365 --> 0:32:29.365
<v Speaker 1>Miranda Hawkins. This episode was produced by Mike hal June

0:32:29.605 --> 0:32:34.405
<v Speaker 1>with senior producer Gabby Watts. Executive producers are Virginia Prescott,

0:32:34.685 --> 0:32:39.325
<v Speaker 1>Brandon Barr, Elsie Crowley, and Maya Howard. Stories were voiced

0:32:39.405 --> 0:32:43.645
<v Speaker 1>by Julia Christgau. Theme song was composed by Jesse Niswanger.

0:32:44.245 --> 0:32:47.365
<v Speaker 1>This episode was sound designed and mixed by Chris Childs.

0:32:48.085 --> 0:32:51.605
<v Speaker 1>If you enjoyed the show, please leave a review and

0:32:51.645 --> 0:32:54.165
<v Speaker 1>you can follow along with the show on Instagram at

0:32:54.165 --> 0:33:02.525
<v Speaker 1>School of Humans