WEBVTT - Yolk with Doak 1: Golf Course Architecture 101 - Part 1

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<v Speaker 1>Tom Doak is back and as usual, he's not holding back.

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<v Speaker 2>But don't toss the yolk and the famously candid Doak

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<v Speaker 2>doesn't pull any punches. How do I make natural looking? Contour?

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<v Speaker 2>Hire the biggest fool in the village and told him to.

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<v Speaker 1>Make it flat burst, overrated, underrated, rough.

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<v Speaker 2>Terribly overrated over the years.

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<v Speaker 3>Ladies and gentlemen, Welcome to the first episode of The

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<v Speaker 3>Yoke with Doak.

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<v Speaker 1>Tom exciting to get this going.

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<v Speaker 2>Thanks Andy, it's nice to be here. And a very

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<v Speaker 2>clever title on your part. There's not many things that

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<v Speaker 2>rhyme with Doke.

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<v Speaker 1>There were, you know, my.

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<v Speaker 3>Wife kept saying it's got to be talking with Tom

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<v Speaker 3>and I was like, that's about the most boring title

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<v Speaker 3>you could come up with.

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<v Speaker 1>But it worked out.

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<v Speaker 3>So today we're going to talk about golf course architecture

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<v Speaker 3>one on one. So we've got a ton of questions

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<v Speaker 3>from listeners and they range from you know, the very beginning,

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<v Speaker 3>you know, what what is golf course architecture? To you know,

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<v Speaker 3>questions about specific features that you know different golf courses.

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<v Speaker 3>So the first question I think where we can start

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<v Speaker 3>off with is from Tommy j and it was it's

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<v Speaker 3>how would you describe golf course architecture to fifth grader?

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<v Speaker 2>Oh, to a fifth grader, that's about the age where

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<v Speaker 2>I took up golf. I think that the idea of

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<v Speaker 2>golf course architecture is to playing out a golf course

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<v Speaker 2>over the ground that'll be interesting for people to play,

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<v Speaker 2>you know. And part of that's finding the right path

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<v Speaker 2>across the ground so you don't have to keep climbing

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<v Speaker 2>up hills and going downhills too much. And then part

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<v Speaker 2>of it's figuring out what sorts of things you have

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<v Speaker 2>to build to add to the fun and the interest

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<v Speaker 2>of the golf course.

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<v Speaker 3>Yeah, I think that's a good way to do it.

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<v Speaker 3>I remember my early golf memories. I played tree golf

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<v Speaker 3>and I would play with whiffle balls in our front

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<v Speaker 3>yards or in our neighborhood with a buddy, and we'd

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<v Speaker 3>played at different trees, but we had the street was

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<v Speaker 3>like a water hazard, so you know, you'd have to

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<v Speaker 3>play over it. It wouldn't have been a good golf

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<v Speaker 3>course design because there were a lot of four scarries.

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<v Speaker 2>Yeah. I started thinking about design more on paper. I

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<v Speaker 2>mean one of the very first courses I saw was

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<v Speaker 2>Harbortown when it was brand new, and the thing that

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<v Speaker 2>got me hooked on golf course architecture was this little

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<v Speaker 2>booklet that Charles I, the golf writer, had done. It

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<v Speaker 2>was like hole by hole diagrams. It's kind of like

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<v Speaker 2>you for a yardage book today, except without yardages because

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<v Speaker 2>it was nineteen seventy and people didn't play by yardage

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<v Speaker 2>so much. But it had like a diagram of the

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<v Speaker 2>whole and three really simple sentences about how to play it, like,

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<v Speaker 2>you know, this is a short par five, and if

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<v Speaker 2>you're going for the green in two, you need to

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<v Speaker 2>drive it left near that bunker, otherwise there's going to

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<v Speaker 2>be a tree in your way for the second shot,

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<v Speaker 2>you know. And it was something a ten year old

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<v Speaker 2>could read and understand, and golf course architecture really isn't

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<v Speaker 2>much more complicated than that.

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<v Speaker 3>I wonder if learning golf course architecture, you see it

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<v Speaker 3>with like languages, Now, kids get taught foreign languages at

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<v Speaker 3>age like four because they've found that it's easier to

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<v Speaker 3>oh wait wait, So I wonder if that would be

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<v Speaker 3>like similar for golf course architecture, Like if learning the

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<v Speaker 3>principles at a really young age would be easier.

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<v Speaker 2>I think it would help, you know, just in terms

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<v Speaker 2>terms of you know, coming to acceptance on a lot

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<v Speaker 2>of it, but also you know, really thinking through the

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<v Speaker 2>things that you challenge that challenge you about it.

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<v Speaker 3>Yeah, it's uh maybe it's it's the beginning of your

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<v Speaker 3>golf life. You should learn it, like right, that should

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<v Speaker 3>be the first thing you learned before you even learn

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<v Speaker 3>how to play. Let's uh so Mark Ell wants to know,

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<v Speaker 3>how do I know I'm standing on a good golf

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<v Speaker 3>hole in terms of the t shot, approach and green

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<v Speaker 3>How do you know it's good?

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<v Speaker 2>I think if it excites you, it's good. I mean,

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<v Speaker 2>you know, most architects would give you a lot of

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<v Speaker 2>different reasons about strategy, and you know, in some ways,

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<v Speaker 2>you know, good golf design is like watching some of

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<v Speaker 2>whose expert play billiards. It's like you have to make

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<v Speaker 2>one shot, but really good player is the about setting

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<v Speaker 2>up the next shot at the same time. And you

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<v Speaker 2>know a good golf hole does that too. You know,

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<v Speaker 2>it's not just about hitting along straight drive. It's about

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<v Speaker 2>you know, what's that going to leave you once you

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<v Speaker 2>do it? And you know, depending on your game, there

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<v Speaker 2>might be places you don't want to leave yourself because

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<v Speaker 2>you're you know, you're just not a good bunker player,

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<v Speaker 2>and there's a bunker fifty yards short of the green

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<v Speaker 2>and that's the last place you want to be, so

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<v Speaker 2>you know, do something different with your t shot instead

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<v Speaker 2>of risking that. But you know, it is simple enough

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<v Speaker 2>that the average person, you know, like my wife doesn't

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<v Speaker 2>play golf, but usually she can pick out a good

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<v Speaker 2>golf hole. It's there's just something about it that fits

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<v Speaker 2>the eye and it looks really engaging. And you don't

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<v Speaker 2>even have to be a golfer to know that the

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<v Speaker 2>proportions are right.

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<v Speaker 3>As I was recently at a golf course and and

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<v Speaker 3>somebody that didn't know a ton about golf was like, oh,

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<v Speaker 3>I love the thirty hole there, and like sure enough

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<v Speaker 3>that hole was like it was like one of the

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<v Speaker 3>coolest holes out of the golf course for sure, Like

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<v Speaker 3>you know, probably it was probably the hole that sticks

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<v Speaker 3>with you the most. But it's like, you know, this

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<v Speaker 3>is a novice that doesn't know anything, but he picked

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<v Speaker 3>out that hole. I remember that hole, So ma, that's

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<v Speaker 3>that's uh, there's a lot of truth to that. So

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<v Speaker 3>Kyle Nathan asks, what are the different styles of golf

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<v Speaker 3>course architecture.

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<v Speaker 2>The you know, the old books that I've read about

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<v Speaker 2>golf course architecture separated into three schools. There was penal design,

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<v Speaker 2>which is, if you hit a bad shot, you wind

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<v Speaker 2>up in a bunker or a hazard or something just

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<v Speaker 2>right off the bat. Strategic design, which is, maybe there

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<v Speaker 2>aren't a lot of hazards, but the hazards are really

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<v Speaker 2>close to where you really want to go, so you

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<v Speaker 2>can decide to flirt with them or play give them

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<v Speaker 2>a lot of room and kind of play half away

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<v Speaker 2>from them. And then Robert tren Jones started talking about

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<v Speaker 2>that he was doing something different called the heroic school,

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<v Speaker 2>where you know, you you give somebody a water hazard

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<v Speaker 2>to hit over it in order to gain an advantage

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<v Speaker 2>for the next shot. So that's kind of strategic, but

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<v Speaker 2>more in your face, you know. And I've always used

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<v Speaker 2>the example that great golf courses really have a usually

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<v Speaker 2>have a mix of all three. I mean, you very

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<v Speaker 2>rarely see I don't think you ever see a course

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<v Speaker 2>with eighteen just purely strategic holes that don't have any

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<v Speaker 2>you know, left and right bunkering on a hole, you know.

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<v Speaker 2>I once used the example of Augusta National. You look

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<v Speaker 2>at eleven, twelve, thirteen in augusta National, they are pretty

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<v Speaker 2>famous holes. Eleven is really strategic. There's only one thing

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<v Speaker 2>you don't want to do. Hit it in the lake

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<v Speaker 2>to the left. You've got all the room in the

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<v Speaker 2>world on the right to avoid the lake to the left.

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<v Speaker 2>You get to number twelve, and that's a penal hole. Yeah,

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<v Speaker 2>I mean there is. You know, you can aim away

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<v Speaker 2>from the right hand pin over to the left hand pin,

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<v Speaker 2>but if you do that, you're hitting over a bunker

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<v Speaker 2>with another nasty bunker behind, so you're avoiding the water.

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<v Speaker 2>You know. It's like you do have choices, but you

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<v Speaker 2>still have to hit a really good shot. There's no

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<v Speaker 2>getting around having to hit a good shot on that hole.

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<v Speaker 2>And then thirteen is more of a heroic hole. You know,

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<v Speaker 2>if you're a great player, you're thinking about going for

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<v Speaker 2>it in two and shaping your shot around the corner

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<v Speaker 2>of the dog legs, so you've got a way to

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<v Speaker 2>get in there, and you shorten the approach where it's possible,

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<v Speaker 2>you know, and the average player can't think that way,

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<v Speaker 2>but it's a good three shot hole for them, so

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<v Speaker 2>you know, there's a really good example. August is considered

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<v Speaker 2>like one of the great strategic courses, but not every

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<v Speaker 2>hole on it is a purely strategic hole.

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<v Speaker 3>Yeah, there's still like some peenus aspects of it. I

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<v Speaker 3>was writing an article on a short part three the

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<v Speaker 3>other day and I was thinking about it. I was like, well, like,

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<v Speaker 3>all short par threes are kind of penal holes for

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<v Speaker 3>the most.

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<v Speaker 2>Part, nearly all. Yeah, I mean, you know, sometimes I

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<v Speaker 2>take flak from people that, you know, I've heard several

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<v Speaker 2>people say they don't like my par threes as much

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<v Speaker 2>as some of my other holes, and it's I think

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<v Speaker 2>it's because I don't really like building penal holes, so

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<v Speaker 2>I don't, you know, I don't like surrounding greens with bunkers.

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<v Speaker 2>I'll usually give you a place to miss. And for

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<v Speaker 2>most people, a good par three is a penal hole

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<v Speaker 2>that it's just guarded everywhere because they figure you've got

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<v Speaker 2>a short iron in your hands and it's on a tee,

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<v Speaker 2>so you ought to be this is the time. I

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<v Speaker 2>ought to be able to make you hit a good shot.

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<v Speaker 3>I feel like those par threes are great, but something

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<v Speaker 3>that gets messed up there is with the like the

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<v Speaker 3>ladies and senior teas because they have to have this

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<v Speaker 3>forced care, and a lot of times they don't. They

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<v Speaker 3>don't move the teas up far enough to give them

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<v Speaker 3>a chance because they're hitting like a I watched my mom.

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<v Speaker 1>She'll hit like have to hit like a five wood.

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<v Speaker 3>Right into like this little green with a with bunkers

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<v Speaker 3>everywhere exactly.

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<v Speaker 2>I mean, you know, you don't building a green that

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<v Speaker 2>requires a carry into it is really hard for people

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<v Speaker 2>who hit the ball in a load trajectory, And a

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<v Speaker 2>lot of architects don't even think about people that hit

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<v Speaker 2>it on a load trajectory until they get in their

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<v Speaker 2>senior years and suddenly wish they had thought about that morey.

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<v Speaker 3>It seems like it's that's the playing the game as

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<v Speaker 3>a as a lady. When I watch like my mother

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<v Speaker 3>or like the rare time that my wife goes out,

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<v Speaker 3>is it's just such a different game. It's so much

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<v Speaker 3>harder for them. But here's here's a good question. Ben

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<v Speaker 3>Vanna wants to know how important are drawing skills and

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<v Speaker 3>becoming a golf course architect.

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<v Speaker 2>If drawing skills were really important, I would have never

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<v Speaker 2>been able to get a job. I mean, you know,

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<v Speaker 2>I can draw like a play in view of a

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<v Speaker 2>golf hall. Okay, but you know, if you wanted me

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<v Speaker 2>to do a rendering of what it was going to

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<v Speaker 2>look like, I'd be hopeless at that I took. I

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<v Speaker 2>had to take one drawing course in college for my

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<v Speaker 2>landscape architecture degree, and that I'm sure that was the

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<v Speaker 2>lowest grade I gotten in three years of landscape architecture.

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<v Speaker 2>And I used to be very defensive about it. But

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<v Speaker 2>but I've you know, I've learned over the years a

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<v Speaker 2>different you know, everybody has a different way of communicating.

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<v Speaker 2>And but the thing that I've learned the most is,

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<v Speaker 2>you know, to me, golf course, architecture is it's more

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<v Speaker 2>sculpture than drawing. I mean, you're working in three dimensions,

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<v Speaker 2>and the third dimension really matters. You know, whether the

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<v Speaker 2>whether the the green is pitching away from the line

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<v Speaker 2>of play a little bit, or whether there's a crown

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<v Speaker 2>there has a huge effect on things, and you have

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<v Speaker 2>to be able to visualize that. So I don't think,

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<v Speaker 2>you know, I've never thought that the guys that just

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<v Speaker 2>strictly draw plans and then hand that to somebody to

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<v Speaker 2>try to build. You know, Michelangelo wouldn't do a sculpture

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<v Speaker 2>by starting in two D and drawing a plan of

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<v Speaker 2>it and then going to three D. He just went

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<v Speaker 2>straight to three D when it was time to do sculpture.

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<v Speaker 2>And you know, that's kind of how we build golf courses. Plus,

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<v Speaker 2>I can't.

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<v Speaker 3>Draw whenever I see one of those contests, for like, hey, raw,

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<v Speaker 3>draw a golf hole and be to enter the contest.

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<v Speaker 3>I'm a horrendous drawer, Like I can't write. My handwriting's horrible.

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<v Speaker 3>My drawing skills are terrible, and I always I'm always like, well,

0:12:45.120 --> 0:12:47.839
<v Speaker 3>that's just I'm not gonna even take the time because

0:12:47.840 --> 0:12:50.679
<v Speaker 3>I don't want my thoughts to even be what's on paper,

0:12:50.679 --> 0:12:53.280
<v Speaker 3>because it's not representative of what I'm thinking about at all.

0:12:53.360 --> 0:12:55.640
<v Speaker 3>Like I'm not that's how bad I am at drawing,

0:12:56.000 --> 0:12:59.360
<v Speaker 3>but it I imagine a lot of stuff happens in the

0:12:59.400 --> 0:13:02.079
<v Speaker 3>ground too, Like that you have to make some minor tweaks,

0:13:02.080 --> 0:13:05.439
<v Speaker 3>Like you can't just go off of a drawing and

0:13:05.600 --> 0:13:06.480
<v Speaker 3>get the result.

0:13:06.880 --> 0:13:07.960
<v Speaker 1>You know, there's very rare.

0:13:08.720 --> 0:13:11.400
<v Speaker 2>I don't think. Yeah, at the end of the day,

0:13:11.400 --> 0:13:15.960
<v Speaker 2>I don't think anybody is that good at drawing to

0:13:16.080 --> 0:13:19.840
<v Speaker 2>get exactly what they want just from a drawing. I mean,

0:13:20.040 --> 0:13:25.520
<v Speaker 2>every great golf course I've ever seen was built by

0:13:25.600 --> 0:13:29.080
<v Speaker 2>people out in the out in the ground who understood golf.

0:13:29.120 --> 0:13:31.520
<v Speaker 2>And you know, we're really paying attention to all those

0:13:31.520 --> 0:13:36.720
<v Speaker 2>details when they were building it. So I'm not saying

0:13:36.760 --> 0:13:39.240
<v Speaker 2>it can't be done. I just don't know if a

0:13:39.240 --> 0:13:41.600
<v Speaker 2>place where it has been done.

0:13:41.800 --> 0:13:45.200
<v Speaker 3>Yeah, with technology, who knows. Eventually it might get to

0:13:45.280 --> 0:13:46.240
<v Speaker 3>somewhere with that.

0:13:47.480 --> 0:13:50.440
<v Speaker 2>Well, the day, you know, the day that the day

0:13:50.480 --> 0:13:53.760
<v Speaker 2>that everybody is able to like do a golf course

0:13:53.920 --> 0:13:57.280
<v Speaker 2>entirely in three D virtual reality so they can just

0:13:57.400 --> 0:13:59.760
<v Speaker 2>translate it out to the ground, will also be the

0:13:59.840 --> 0:14:01.480
<v Speaker 2>day you don't need to go out on the ground

0:14:01.520 --> 0:14:03.800
<v Speaker 2>anywhere because you could just stay in your house and

0:14:04.000 --> 0:14:07.280
<v Speaker 2>do it on the virtual reality. So I'm hoping that's

0:14:07.280 --> 0:14:08.280
<v Speaker 2>still a long way off.

0:14:08.679 --> 0:14:11.240
<v Speaker 1>Have you have you ever seen those like that? I

0:14:11.280 --> 0:14:11.560
<v Speaker 1>get it.

0:14:11.800 --> 0:14:13.720
<v Speaker 3>I have a bunch of readers that play this like

0:14:13.880 --> 0:14:17.120
<v Speaker 3>video game that's like a golf course design. You can

0:14:17.200 --> 0:14:19.360
<v Speaker 3>design the golf course. It's called like the golf club

0:14:19.440 --> 0:14:21.880
<v Speaker 3>or something. Have you ever tried doing that thing?

0:14:22.560 --> 0:14:25.800
<v Speaker 2>I tried a little with the really early ones, like

0:14:25.840 --> 0:14:29.440
<v Speaker 2>fifteen twenty years ago. No, I haven't. I haven't touched

0:14:29.480 --> 0:14:31.240
<v Speaker 2>any of the latest stuff. Like I said, I'm scared

0:14:31.280 --> 0:14:33.800
<v Speaker 2>of it. I mean, at some point, it's not just

0:14:33.840 --> 0:14:36.760
<v Speaker 2>gonna put golf course architects out of business. If they're

0:14:36.800 --> 0:14:38.960
<v Speaker 2>really good at it, it'll put golf out of business.

0:14:39.120 --> 0:14:41.600
<v Speaker 2>And that would be a sad day for me. Yeah.

0:14:41.720 --> 0:14:46.120
<v Speaker 3>And like with the screen golf popularity in Southeast Asia,

0:14:46.240 --> 0:14:49.840
<v Speaker 3>it I don't know. Screen golf's gonna come to America eventually,

0:14:49.880 --> 0:14:52.920
<v Speaker 3>and it might take some of the popular It might grow.

0:14:52.760 --> 0:14:53.520
<v Speaker 1>The game though, too.

0:14:54.040 --> 0:14:55.040
<v Speaker 2>That's true, it might.

0:14:55.360 --> 0:14:57.080
<v Speaker 1>There's there's a give and take.

0:14:58.080 --> 0:15:02.920
<v Speaker 3>Here's a good question, so, mister asks, golf is full

0:15:03.120 --> 0:15:07.600
<v Speaker 3>of counterintuitions. So you know, hit down to make the

0:15:07.640 --> 0:15:10.920
<v Speaker 3>ball go up, for one, if your ball's going right,

0:15:11.360 --> 0:15:14.160
<v Speaker 3>swing right to make it go left. Is there anything

0:15:14.200 --> 0:15:17.360
<v Speaker 3>in architecture that you found is counterintuitive?

0:15:17.960 --> 0:15:21.600
<v Speaker 2>Oh, that's not a one oh one question. You should

0:15:21.680 --> 0:15:23.800
<v Speaker 2>say that for the three to oh one class.

0:15:24.120 --> 0:15:26.680
<v Speaker 1>I know it. It was such a good question.

0:15:29.280 --> 0:15:30.920
<v Speaker 2>I think there are a bunch of things that are

0:15:30.960 --> 0:15:34.120
<v Speaker 2>counterintuitive about good golf course architecture. And I'm trying to

0:15:34.160 --> 0:15:49.120
<v Speaker 2>think where to start with that. Well, I guess the

0:15:49.200 --> 0:15:55.000
<v Speaker 2>first counterintuitive thing to me is that what people you know,

0:15:55.120 --> 0:15:56.920
<v Speaker 2>one of the words I don't like to use in

0:15:57.000 --> 0:16:02.240
<v Speaker 2>golf course architecture is fair. And the reason is fair

0:16:02.760 --> 0:16:07.440
<v Speaker 2>changes for every single player. You know, you and I

0:16:07.480 --> 0:16:10.680
<v Speaker 2>don't play the same game. You hit it forty yards

0:16:10.720 --> 0:16:15.800
<v Speaker 2>farther than me on a bad day. So you know,

0:16:16.200 --> 0:16:20.520
<v Speaker 2>you might think that a hole is fair because you're

0:16:20.600 --> 0:16:23.600
<v Speaker 2>hitting a seven iron into a green that takes you

0:16:23.680 --> 0:16:26.000
<v Speaker 2>a good shot to get a seven iron and hold it,

0:16:27.120 --> 0:16:30.520
<v Speaker 2>and so you would call that hole fair. And then

0:16:30.560 --> 0:16:33.320
<v Speaker 2>I would be looking at that green with a four

0:16:33.400 --> 0:16:35.800
<v Speaker 2>or five iron in my hands and not quite the

0:16:35.840 --> 0:16:40.280
<v Speaker 2>same ability as you, and I would pronounce it unfair

0:16:40.480 --> 0:16:43.720
<v Speaker 2>because even if I carry the bunker in front, I'm

0:16:43.720 --> 0:16:45.320
<v Speaker 2>going to have a hard time hold in the green.

0:16:46.160 --> 0:16:52.880
<v Speaker 2>So you know, and that that that just keeps sliding

0:16:52.920 --> 0:16:55.880
<v Speaker 2>down the scale for every different golfer. Every different golfer

0:16:55.920 --> 0:16:59.280
<v Speaker 2>has different abilities, so you can't really say that something's

0:16:59.400 --> 0:17:03.600
<v Speaker 2>fair for everyone. And and the but the tricky part is,

0:17:04.600 --> 0:17:07.400
<v Speaker 2>you know a lot of architects, especially the ones who

0:17:07.440 --> 0:17:10.240
<v Speaker 2>are good players, you know, they think of everything in

0:17:10.320 --> 0:17:12.680
<v Speaker 2>terms of fair and trying to make it work out

0:17:12.680 --> 0:17:15.879
<v Speaker 2>well for them, and they don't realize that they're making

0:17:16.000 --> 0:17:19.920
<v Speaker 2>that makes everything work out just wrong for somebody who's

0:17:20.600 --> 0:17:23.679
<v Speaker 2>twenty five yards shorter than them or twenty five yards

0:17:23.680 --> 0:17:25.760
<v Speaker 2>longer than them.

0:17:26.000 --> 0:17:29.200
<v Speaker 3>So I I think one of the toughest things is

0:17:29.720 --> 0:17:33.120
<v Speaker 3>thinking For me thinking backwards. I always try and think

0:17:33.119 --> 0:17:35.880
<v Speaker 3>about like my dad or my mom and how they play.

0:17:35.960 --> 0:17:38.080
<v Speaker 1>And then you know different.

0:17:38.160 --> 0:17:40.400
<v Speaker 3>You have to think about every type of player when

0:17:40.400 --> 0:17:41.439
<v Speaker 3>you're designing a course.

0:17:43.200 --> 0:17:45.400
<v Speaker 2>You should think about every type of player when you're

0:17:45.400 --> 0:17:48.280
<v Speaker 2>designing a course. It's hard to do. I mean it's

0:17:48.720 --> 0:17:51.160
<v Speaker 2>you know, when you when you've got a real wrinkly

0:17:51.240 --> 0:17:57.040
<v Speaker 2>piece of land. You know, if you're hitting over a valley,

0:17:58.359 --> 0:18:03.240
<v Speaker 2>trying to find tease for every level of player that

0:18:03.240 --> 0:18:07.240
<v Speaker 2>that you know they can get to the top on

0:18:07.280 --> 0:18:10.000
<v Speaker 2>the other side is tough to do. You kind of

0:18:10.080 --> 0:18:14.960
<v Speaker 2>like you know when you're laying out of course. You know,

0:18:14.960 --> 0:18:16.800
<v Speaker 2>if you want, if you want to require a two

0:18:16.840 --> 0:18:19.879
<v Speaker 2>hundred and twenty yard T shot, a pretty good T

0:18:20.040 --> 0:18:23.000
<v Speaker 2>shot to get over that valley, you know, you'll play

0:18:23.040 --> 0:18:25.040
<v Speaker 2>around with the angle of the hole. You know, the

0:18:25.119 --> 0:18:27.760
<v Speaker 2>valley might be one hundred yards across on a straight line,

0:18:28.040 --> 0:18:29.800
<v Speaker 2>but if you turn the hole on a diagonal, you

0:18:29.840 --> 0:18:31.720
<v Speaker 2>can make it so it's two hundred or two twenty

0:18:31.760 --> 0:18:35.679
<v Speaker 2>or whatever you want. The problem is, then when you

0:18:35.760 --> 0:18:37.760
<v Speaker 2>try to make it work for a one hundred and

0:18:37.800 --> 0:18:41.520
<v Speaker 2>fifty yard carry, you know, you can, you can move

0:18:41.560 --> 0:18:43.400
<v Speaker 2>the tee up the one side so you're hitting more

0:18:43.440 --> 0:18:46.480
<v Speaker 2>straight across, but then you wind up getting to the

0:18:46.520 --> 0:18:48.520
<v Speaker 2>point where you're just hitting straight across the fairway and

0:18:48.520 --> 0:18:51.320
<v Speaker 2>out the other side. You know. So the the angle

0:18:51.359 --> 0:18:55.000
<v Speaker 2>that you take for whether you're planning the golf course

0:18:55.040 --> 0:18:57.600
<v Speaker 2>from the back T first or the middle T first,

0:18:58.240 --> 0:19:00.600
<v Speaker 2>you know, kind of makes it harder to to put

0:19:00.600 --> 0:19:05.560
<v Speaker 2>the other t's in the right place. And ninety five

0:19:05.600 --> 0:19:08.320
<v Speaker 2>percent of golf courses they're designed from the back tees first,

0:19:09.040 --> 0:19:11.719
<v Speaker 2>so the forward t's are the ones where the problems

0:19:11.720 --> 0:19:12.080
<v Speaker 2>show up.

0:19:13.000 --> 0:19:18.320
<v Speaker 3>I imagine that T box placement is like, that's something

0:19:18.400 --> 0:19:21.320
<v Speaker 3>I never think about with when it comes to architecture.

0:19:21.359 --> 0:19:23.639
<v Speaker 3>Is that something that like a lot of like a

0:19:23.680 --> 0:19:25.840
<v Speaker 3>lot of thought goes into from your.

0:19:25.720 --> 0:19:29.440
<v Speaker 2>On Actually I think probably not enough thought goes into

0:19:29.640 --> 0:19:34.119
<v Speaker 2>T box placement for the middle and forward tees. You know,

0:19:34.200 --> 0:19:38.280
<v Speaker 2>a lot of people just put it a certain percentage

0:19:38.280 --> 0:19:40.680
<v Speaker 2>of distance, operate a certain number of yards up from

0:19:40.720 --> 0:19:44.439
<v Speaker 2>the from the back tees, and call it good. But

0:19:44.920 --> 0:19:46.680
<v Speaker 2>you know, when you're dealing with a piece of land

0:19:46.680 --> 0:19:49.800
<v Speaker 2>that has undulation to it, there's a lot more to

0:19:49.840 --> 0:19:52.640
<v Speaker 2>it than that. And you know, I think everybody thinks,

0:19:53.080 --> 0:19:57.439
<v Speaker 2>you know, most architects when they get out on site,

0:19:57.480 --> 0:20:01.879
<v Speaker 2>they're thinking more about their own game than about everyone else.

0:20:02.440 --> 0:20:05.720
<v Speaker 2>You know, you try to think about everyone else, but

0:20:05.720 --> 0:20:08.800
<v Speaker 2>but you visualize the shots that you can hit. So

0:20:09.800 --> 0:20:13.000
<v Speaker 2>it's pretty hard to make yourself back off and think.

0:20:13.480 --> 0:20:14.880
<v Speaker 2>You know, I used to think. I used to think

0:20:14.880 --> 0:20:17.400
<v Speaker 2>about my mom a lot and knowing that she could

0:20:17.720 --> 0:20:20.120
<v Speaker 2>you know, I mean, I only saw her play later

0:20:20.200 --> 0:20:22.600
<v Speaker 2>in life, and she barely got the ball airborne a

0:20:22.600 --> 0:20:25.639
<v Speaker 2>lot of the time. But that's sort of easy to visualize,

0:20:25.680 --> 0:20:27.679
<v Speaker 2>you know. I can go back to that pretty easily

0:20:27.720 --> 0:20:30.159
<v Speaker 2>and think, now, there's no way my mom could get

0:20:30.200 --> 0:20:33.399
<v Speaker 2>around this. You know, it's much harder to think about

0:20:33.480 --> 0:20:37.000
<v Speaker 2>the the senior player who is still good but hits

0:20:37.040 --> 0:20:39.320
<v Speaker 2>the ball low and only carries it one hundred and

0:20:39.320 --> 0:20:43.520
<v Speaker 2>thirty or forty yards, and what works for them.

0:20:44.320 --> 0:20:47.280
<v Speaker 3>Car for the course wants to know what is the

0:20:47.320 --> 0:20:52.359
<v Speaker 3>most difficult obstacle when designing a course A poor soil

0:20:53.160 --> 0:20:58.400
<v Speaker 3>b bland topography See overbearing owner or d.

0:20:58.720 --> 0:21:03.920
<v Speaker 2>Other Oh, repeat the question again.

0:21:03.920 --> 0:21:07.240
<v Speaker 3>Because the most difficult obstacle when designing a course.

0:21:08.760 --> 0:21:23.920
<v Speaker 2>Okay, I remember the three options, you know, I wrote

0:21:24.480 --> 0:21:29.320
<v Speaker 2>right in the front of my little red book. An

0:21:29.320 --> 0:21:31.560
<v Speaker 2>old guy that used to work in the construction business

0:21:31.640 --> 0:21:34.040
<v Speaker 2>named David Postalwage, who was one of my first bosses

0:21:34.080 --> 0:21:38.760
<v Speaker 2>when I worked for the Dies, said that, you know,

0:21:39.040 --> 0:21:43.680
<v Speaker 2>everything comes back to the land, the owner, and the money,

0:21:44.359 --> 0:21:46.640
<v Speaker 2>and you really, you know, to do something really good,

0:21:46.680 --> 0:21:48.879
<v Speaker 2>you've got to get all three of them right. So

0:21:49.680 --> 0:21:53.760
<v Speaker 2>the soils are the land and the topography and the

0:21:53.760 --> 0:21:59.280
<v Speaker 2>topography and of the two, you know you can you

0:21:59.320 --> 0:22:04.919
<v Speaker 2>can fix those if you spend enough money. But you know,

0:22:05.000 --> 0:22:07.560
<v Speaker 2>I think the soils are the harder thing to fix.

0:22:07.600 --> 0:22:10.200
<v Speaker 2>I mean, I'm not a big A lot of these

0:22:10.640 --> 0:22:14.399
<v Speaker 2>new courses build out west and overseas. They'll like truck

0:22:14.480 --> 0:22:17.240
<v Speaker 2>in a foot of sand to sand cap all the

0:22:17.240 --> 0:22:22.720
<v Speaker 2>fairways fifty acres of grass. You know, it's hard to

0:22:22.760 --> 0:22:24.640
<v Speaker 2>make the numbers where. You know, it's hard to build

0:22:24.640 --> 0:22:28.000
<v Speaker 2>a course that is profitable when you spend that much,

0:22:28.840 --> 0:22:33.440
<v Speaker 2>you know, trying to create perfect conditions on a harsh site.

0:22:33.920 --> 0:22:37.320
<v Speaker 2>So I think that would be my first choice overbearing owner.

0:22:38.440 --> 0:22:42.240
<v Speaker 2>You know, I try to use my sixth sense so

0:22:42.280 --> 0:22:44.760
<v Speaker 2>I don't wind up working for those guys and just

0:22:44.800 --> 0:22:48.000
<v Speaker 2>declining a job like that. But you know, you do.

0:22:48.119 --> 0:22:49.879
<v Speaker 2>You have to have a you have to have a

0:22:49.880 --> 0:22:53.600
<v Speaker 2>good relationship with the client for it to work. And

0:22:54.119 --> 0:22:56.560
<v Speaker 2>I get so I guess the answer to that problem

0:22:56.640 --> 0:22:59.720
<v Speaker 2>is you just have to know the ones to walk

0:22:59.760 --> 0:23:01.880
<v Speaker 2>away from that you don't think you could work with.

0:23:02.200 --> 0:23:05.080
<v Speaker 2>And I've certainly walked away from a few potential jobs

0:23:05.240 --> 0:23:07.120
<v Speaker 2>because I just didn't think the client and I would

0:23:07.119 --> 0:23:08.040
<v Speaker 2>be on the same page.

0:23:09.000 --> 0:23:14.200
<v Speaker 3>Yeah, it's the uh I did a bunker. I built

0:23:14.200 --> 0:23:18.520
<v Speaker 3>a bunker this summer. And you quickly realize when you

0:23:18.640 --> 0:23:22.399
<v Speaker 3>hit clay and it's really hard to dig in clay.

0:23:23.119 --> 0:23:25.119
<v Speaker 3>It's like I was thinking about it. It's like when it

0:23:25.160 --> 0:23:28.080
<v Speaker 3>was like sandy and nice loose soil, it was easy,

0:23:28.400 --> 0:23:31.160
<v Speaker 3>and you hit clay, it's like, oh, this is really hard.

0:23:30.960 --> 0:23:34.000
<v Speaker 2>To work with no doubt. I mean, and you know, honestly,

0:23:34.000 --> 0:23:35.920
<v Speaker 2>one of the keys to my success in the golf

0:23:35.960 --> 0:23:39.399
<v Speaker 2>business is that I've done so many projects on sand

0:23:40.040 --> 0:23:44.359
<v Speaker 2>because it is so much easier. You know, I've the

0:23:44.359 --> 0:23:46.639
<v Speaker 2>best analogy that I could ever come up with for

0:23:46.760 --> 0:23:49.399
<v Speaker 2>somebody is you know, if you were like in the

0:23:49.440 --> 0:23:54.560
<v Speaker 2>printing business, when desktop publishing came along, it was a

0:23:54.600 --> 0:23:57.359
<v Speaker 2>whole different world because you could actually like see on

0:23:57.400 --> 0:23:59.280
<v Speaker 2>a computer screen exactly what was going to be on

0:23:59.320 --> 0:24:01.600
<v Speaker 2>a page. Before that, you had to make all these

0:24:01.600 --> 0:24:04.680
<v Speaker 2>allowances for you know, how the spacing was going to

0:24:04.760 --> 0:24:07.280
<v Speaker 2>work out, and how much room to leave at the

0:24:07.320 --> 0:24:09.600
<v Speaker 2>top and bottom, and you never really saw the finished

0:24:09.600 --> 0:24:13.000
<v Speaker 2>page until somebody put it in a typeset or put

0:24:13.000 --> 0:24:18.800
<v Speaker 2>it together. You know. In golf course architecture, when you're

0:24:18.800 --> 0:24:22.159
<v Speaker 2>building in clay, you know, once you've kind of shaped

0:24:22.160 --> 0:24:23.840
<v Speaker 2>the green the way you want, there's all these other

0:24:23.920 --> 0:24:25.879
<v Speaker 2>steps that still have to happen. You know, you have

0:24:25.920 --> 0:24:29.920
<v Speaker 2>to put trench in, drainage underneath, and then put a

0:24:29.960 --> 0:24:32.119
<v Speaker 2>gravel layer in, and then put a sand layer in,

0:24:32.560 --> 0:24:37.280
<v Speaker 2>and presumably all those layers are exactly right and flowing together,

0:24:37.400 --> 0:24:39.639
<v Speaker 2>so what you built on the bottom winds up on

0:24:39.720 --> 0:24:43.199
<v Speaker 2>the top. But it's really hard to do. There's a

0:24:43.200 --> 0:24:46.040
<v Speaker 2>lot more steps in places where things can go wrong.

0:24:46.960 --> 0:24:50.720
<v Speaker 2>It's harder to visualize the first step and get it right,

0:24:51.359 --> 0:24:54.119
<v Speaker 2>you know, And if you do something on the ground

0:24:54.119 --> 0:24:55.760
<v Speaker 2>floor of that and then you get up to the

0:24:55.760 --> 0:24:57.879
<v Speaker 2>top and you're like, oh, that doesn't look too good.

0:24:58.880 --> 0:25:01.520
<v Speaker 2>You're kind of stuck. You're not supposed to like change

0:25:01.560 --> 0:25:03.520
<v Speaker 2>the profile of the green in order to make something

0:25:03.560 --> 0:25:09.480
<v Speaker 2>work better. You know, in sand, it's only one layer.

0:25:10.320 --> 0:25:14.280
<v Speaker 2>You shape and you're done. You dig a bunker and

0:25:15.040 --> 0:25:17.080
<v Speaker 2>you stand it in and try to visualize the shot

0:25:17.119 --> 0:25:19.440
<v Speaker 2>that you're going to play. And if you think, now

0:25:19.480 --> 0:25:21.320
<v Speaker 2>I want it a little deeper, you go back and

0:25:21.440 --> 0:25:23.400
<v Speaker 2>dig out a few more scoops and lower it another

0:25:23.520 --> 0:25:27.240
<v Speaker 2>six inches. Whereas in clay, you know, you've got to

0:25:27.280 --> 0:25:29.520
<v Speaker 2>stand in that bunker and visualize, Okay, there's going to

0:25:29.560 --> 0:25:31.160
<v Speaker 2>be a liner in this thing, and then there's gonna

0:25:31.200 --> 0:25:32.879
<v Speaker 2>be sand on top of that, and there's gonna be

0:25:32.920 --> 0:25:35.960
<v Speaker 2>topsail on the face of the bunker, and you really

0:25:36.000 --> 0:25:38.399
<v Speaker 2>don't have as clear a feel for the shot that

0:25:38.400 --> 0:25:39.960
<v Speaker 2>you're going to have to hit out of it when

0:25:40.000 --> 0:25:41.360
<v Speaker 2>it all gets put back together.

0:25:42.200 --> 0:25:46.480
<v Speaker 3>Besides, like the layers, do you think it settles any differently,

0:25:46.880 --> 0:25:49.760
<v Speaker 3>like over time with all like the gravel and everything,

0:25:49.840 --> 0:25:50.640
<v Speaker 3>or is it is you.

0:25:50.560 --> 0:25:54.520
<v Speaker 2>Know, I've I've heard people talk about green settling when

0:25:54.520 --> 0:25:56.720
<v Speaker 2>we when we do consulting work they say, oh, that

0:25:56.880 --> 0:26:00.439
<v Speaker 2>green's settled, and usually I just think, well, no, the

0:26:00.440 --> 0:26:02.800
<v Speaker 2>green's faster, and it's just you know, the ball's getting

0:26:02.800 --> 0:26:05.239
<v Speaker 2>away from you more because the green is faster, and

0:26:05.320 --> 0:26:09.040
<v Speaker 2>you think something else must have happened here. But it's

0:26:09.080 --> 0:26:11.160
<v Speaker 2>possible if you're building out it, if you build out

0:26:11.160 --> 0:26:13.520
<v Speaker 2>of like you know, if you put five or six

0:26:13.520 --> 0:26:18.400
<v Speaker 2>feet of phil to build a green and you don't

0:26:18.800 --> 0:26:21.400
<v Speaker 2>compact it and run over with the equipment a lot

0:26:21.560 --> 0:26:25.639
<v Speaker 2>at the start and it's clay and not sand, Sand

0:26:26.000 --> 0:26:28.480
<v Speaker 2>gets pretty compacted pretty fast as much as it's going

0:26:28.560 --> 0:26:31.760
<v Speaker 2>to It's possible some kinds of soil will settle a

0:26:31.760 --> 0:26:34.520
<v Speaker 2>little bit. You know. I've never seen it much on

0:26:34.520 --> 0:26:36.080
<v Speaker 2>my courses, but we don't build a lot of things

0:26:36.119 --> 0:26:38.160
<v Speaker 2>out of phil, you know, I try not to put

0:26:38.240 --> 0:26:41.200
<v Speaker 2>phil at a green site, so I personally I have almost

0:26:41.240 --> 0:26:43.200
<v Speaker 2>never seen it on my own courses. I can think

0:26:43.240 --> 0:26:46.240
<v Speaker 2>of exactly one hole where I think something's settled a

0:26:46.240 --> 0:26:49.240
<v Speaker 2>little bit. But maybe it's more common than I think.

0:26:50.080 --> 0:26:54.920
<v Speaker 3>Yeah, I might be just an old lives tale can

0:26:55.000 --> 0:26:57.639
<v Speaker 3>hidecki Winn wants to know if you pay attention to

0:26:57.720 --> 0:27:00.040
<v Speaker 3>par when you're designing a golf course.

0:27:01.640 --> 0:27:04.760
<v Speaker 2>I'd like to say no that I don't pay attention

0:27:04.880 --> 0:27:09.480
<v Speaker 2>to par. The it'd be more fair to say I

0:27:09.600 --> 0:27:13.520
<v Speaker 2>try not to let par drive all my decisions. Like

0:27:13.560 --> 0:27:19.800
<v Speaker 2>I know some architects that if they've built more that

0:27:19.960 --> 0:27:22.040
<v Speaker 2>if they've built two par fours in a row, they

0:27:22.040 --> 0:27:25.600
<v Speaker 2>are uncomfortable with doing a third. They think they think

0:27:25.640 --> 0:27:27.439
<v Speaker 2>it must be time for a par three or a

0:27:27.440 --> 0:27:31.320
<v Speaker 2>par five. And I have to, you know, I just

0:27:31.960 --> 0:27:33.719
<v Speaker 2>you know, when I traveled around when I was in

0:27:33.800 --> 0:27:38.399
<v Speaker 2>college and saw these great courses, you know, I've seen

0:27:38.520 --> 0:27:41.200
<v Speaker 2>so many of those kind of rules be broken, and

0:27:41.520 --> 0:27:43.679
<v Speaker 2>you know, still thought the golf course was great that

0:27:43.760 --> 0:27:46.600
<v Speaker 2>I kind of threw a lot of that out, you know.

0:27:46.720 --> 0:27:50.280
<v Speaker 2>So I'm trying to think of a good example. There's

0:27:50.400 --> 0:27:55.560
<v Speaker 2>there's a course in England called Saunton that's a very

0:27:55.560 --> 0:27:57.760
<v Speaker 2>good course out in the west of England, a links course,

0:27:58.080 --> 0:28:02.439
<v Speaker 2>and I think they changed what I think they changed

0:28:02.440 --> 0:28:07.760
<v Speaker 2>the second hole to a par five. But Sauntan, the

0:28:07.800 --> 0:28:11.400
<v Speaker 2>first fourteen holes were like it had four par fours

0:28:11.560 --> 0:28:14.760
<v Speaker 2>and then a par three, and it's seven more par

0:28:14.880 --> 0:28:18.720
<v Speaker 2>fours and then a par three, and it had like

0:28:18.760 --> 0:28:22.280
<v Speaker 2>two par fives at the end to be to wind

0:28:22.359 --> 0:28:24.320
<v Speaker 2>up at par seventy one or something. But it was

0:28:24.400 --> 0:28:26.600
<v Speaker 2>like it was kind of an interesting experience playing it

0:28:26.600 --> 0:28:28.159
<v Speaker 2>for the first time. It's like, wow, is there ever

0:28:28.200 --> 0:28:31.399
<v Speaker 2>going to be a par five or is there It

0:28:31.400 --> 0:28:33.600
<v Speaker 2>seems like we've gone a long way without a par three.

0:28:34.200 --> 0:28:38.520
<v Speaker 2>But I don't have a problem with that if that's

0:28:38.720 --> 0:28:40.600
<v Speaker 2>you know, if that's what you feel like makes for

0:28:40.640 --> 0:28:44.000
<v Speaker 2>the best golf courses. You know, at the end of

0:28:44.080 --> 0:28:46.440
<v Speaker 2>the day, though, you know, when I get a routing

0:28:46.520 --> 0:28:52.120
<v Speaker 2>plan kind of three quarters done, yes, I look and

0:28:52.160 --> 0:28:55.960
<v Speaker 2>if it's par seventy four or it's par sixty nine,

0:28:56.880 --> 0:28:59.400
<v Speaker 2>you know, realistically, I've got to think is the client

0:28:59.480 --> 0:29:01.960
<v Speaker 2>going to be okay with this? Or you know, what

0:29:02.040 --> 0:29:04.760
<v Speaker 2>are my options to make it not that way? But

0:29:04.840 --> 0:29:08.200
<v Speaker 2>I try to follow my eye first and then think, okay,

0:29:08.200 --> 0:29:11.800
<v Speaker 2>this is too weird. And absolutely the best example of

0:29:11.800 --> 0:29:18.120
<v Speaker 2>that when we were outing Pacific Dunes. I'd been struggling

0:29:18.160 --> 0:29:20.400
<v Speaker 2>around trying to put the pieces together, and I had

0:29:20.440 --> 0:29:22.960
<v Speaker 2>most of the holes figured out, but there were a

0:29:23.040 --> 0:29:27.840
<v Speaker 2>couple places. My last version changed a couple of holes,

0:29:28.360 --> 0:29:34.600
<v Speaker 2>but it also changed the sequence pretty completely. You know,

0:29:36.120 --> 0:29:39.240
<v Speaker 2>one version you would have been going you would have

0:29:39.360 --> 0:29:42.760
<v Speaker 2>played not all the coastal holes in order, but pretty

0:29:42.800 --> 0:29:45.880
<v Speaker 2>close to that instead of getting to them and away

0:29:45.880 --> 0:29:51.120
<v Speaker 2>from them. So when we we walked through the routing,

0:29:52.920 --> 0:29:56.600
<v Speaker 2>the final routing one morning, and we were going to

0:29:56.680 --> 0:30:02.080
<v Speaker 2>walk through the previous routing afterwards, everybody loved the routing

0:30:02.120 --> 0:30:04.600
<v Speaker 2>that we had so much that it's like, we're done.

0:30:04.800 --> 0:30:07.720
<v Speaker 2>That's the routing. And we went in and had lunch,

0:30:07.760 --> 0:30:09.760
<v Speaker 2>and it's kind of everybody in a good mood. And

0:30:09.800 --> 0:30:12.760
<v Speaker 2>I was sitting across from Mike Kaiser and I started

0:30:12.760 --> 0:30:15.479
<v Speaker 2>thinking about the scorecard for it, because i'd only, you know,

0:30:15.520 --> 0:30:18.280
<v Speaker 2>figured out this new sequence like the night before, and

0:30:18.320 --> 0:30:20.960
<v Speaker 2>I hadn't done a scorecard or anything. So I just

0:30:21.040 --> 0:30:23.520
<v Speaker 2>started jotting it down on a napkin because I realized

0:30:23.560 --> 0:30:30.040
<v Speaker 2>it was going to be pretty weird. And you know,

0:30:30.200 --> 0:30:39.360
<v Speaker 2>there are seven par fours on the front nine, the

0:30:39.360 --> 0:30:42.040
<v Speaker 2>third holes a part five, fifth holes a par three,

0:30:42.400 --> 0:30:44.640
<v Speaker 2>all the other holes are part fours, and then the

0:30:44.680 --> 0:30:46.920
<v Speaker 2>back nine you start with two part threes in a row,

0:30:47.720 --> 0:30:50.560
<v Speaker 2>then a part five, and then fourteens a part three,

0:30:50.800 --> 0:30:54.400
<v Speaker 2>fifteens apart five, seventeen's apart three, and eighteen's apart five.

0:30:54.920 --> 0:30:57.440
<v Speaker 2>So there's four Part three's in the back nine and

0:30:57.520 --> 0:31:02.760
<v Speaker 2>three part five and only two par fours, and I thought, damn,

0:31:04.120 --> 0:31:06.640
<v Speaker 2>I've never seen a great course that got away with that.

0:31:07.520 --> 0:31:12.280
<v Speaker 2>So I slid that napkin over to mister Kaiser and said,

0:31:12.640 --> 0:31:17.720
<v Speaker 2>are you comfortable with this? And he said, if you'd

0:31:17.720 --> 0:31:20.440
<v Speaker 2>just showed me that before we went out for that walk,

0:31:20.480 --> 0:31:26.320
<v Speaker 2>I just said no. But we all walked it and

0:31:26.400 --> 0:31:30.320
<v Speaker 2>we all thought it was great, So I'm comfortable with it.

0:31:31.560 --> 0:31:33.840
<v Speaker 2>And that's you know, a lot of people make up

0:31:33.840 --> 0:31:35.920
<v Speaker 2>their minds. You've heard the saying don't judge a book

0:31:35.920 --> 0:31:38.400
<v Speaker 2>by the cover. A lot of people make a lot

0:31:38.440 --> 0:31:41.400
<v Speaker 2>of decisions about golf courses by looking at the scorecard,

0:31:41.440 --> 0:31:43.960
<v Speaker 2>and I just think that's the dumbest thing you can do.

0:31:44.560 --> 0:31:46.120
<v Speaker 2>You know, you just got to go out and look

0:31:46.160 --> 0:31:50.080
<v Speaker 2>at what's out there on the ground and how the

0:31:50.120 --> 0:31:52.440
<v Speaker 2>golf course takes you around the ground, and that's the

0:31:52.440 --> 0:31:55.920
<v Speaker 2>most important thing. If it doesn't fit precisely into the

0:31:55.960 --> 0:32:00.560
<v Speaker 2>box of Part thirty six on each side, who cares?

0:32:00.560 --> 0:32:01.800
<v Speaker 2>As long as it's good.

0:32:02.680 --> 0:32:05.560
<v Speaker 3>I feel like if you once there is a great

0:32:05.600 --> 0:32:07.840
<v Speaker 3>course that has a setup like that, it's more likely

0:32:07.920 --> 0:32:12.240
<v Speaker 3>to have more obscure you know, formations of scorecards. Also,

0:32:12.840 --> 0:32:16.040
<v Speaker 3>you know, it usually takes one thought leader to you know,

0:32:16.240 --> 0:32:19.760
<v Speaker 3>one you know example, to lead the way to more.

0:32:19.720 --> 0:32:22.320
<v Speaker 2>No doubt, no doubt. I mean, golf is a game

0:32:22.360 --> 0:32:24.840
<v Speaker 2>of follow the leader, like in you know, in Asia.

0:32:25.400 --> 0:32:28.080
<v Speaker 2>I did a course in China. Sadly it never opened

0:32:28.120 --> 0:32:31.000
<v Speaker 2>because they changed their minds on allowing golf in China.

0:32:31.520 --> 0:32:39.880
<v Speaker 2>But you know, in Japan, in China, in Korea, par

0:32:40.040 --> 0:32:43.320
<v Speaker 2>seventy two is almost like a religion. It's like they

0:32:43.320 --> 0:32:46.239
<v Speaker 2>are so uncomfortable with the idea that you could do

0:32:46.280 --> 0:32:51.560
<v Speaker 2>anything else that you know, it's maybe one of the

0:32:51.560 --> 0:32:53.840
<v Speaker 2>reasons they don't call me more about going over there,

0:32:53.880 --> 0:32:56.600
<v Speaker 2>because I you know, that's so far from my mind

0:32:56.600 --> 0:33:00.520
<v Speaker 2>when I'm trying to design something. But you can just

0:33:00.600 --> 0:33:04.880
<v Speaker 2>see the level of discomfort with a client like, oh,

0:33:05.000 --> 0:33:07.320
<v Speaker 2>I don't know, you know, that's going to be really

0:33:07.360 --> 0:33:10.600
<v Speaker 2>hard to sell. And you know, it's strange to me

0:33:10.640 --> 0:33:15.560
<v Speaker 2>because they don't you know, I guess they feel that

0:33:15.600 --> 0:33:18.000
<v Speaker 2>way because they don't know that much else about golf,

0:33:18.520 --> 0:33:21.400
<v Speaker 2>so they do know this one thing that it's supposed

0:33:21.440 --> 0:33:26.400
<v Speaker 2>to be par seventy two. That's what quality is. You know,

0:33:26.960 --> 0:33:29.320
<v Speaker 2>the more you know, the less important that gets to be.

0:33:30.240 --> 0:33:34.080
<v Speaker 3>It also seems like there's like, if you know just enough,

0:33:34.160 --> 0:33:36.120
<v Speaker 3>you're almost the most dangerous person.

0:33:37.040 --> 0:33:43.240
<v Speaker 2>Like sure, sure, there's some superintendents that think that about me,

0:33:43.400 --> 0:33:45.640
<v Speaker 2>that I know just enough about turf to be a

0:33:46.360 --> 0:33:49.200
<v Speaker 2>be a real problem.

0:33:49.720 --> 0:33:52.160
<v Speaker 3>So it kind of leads right into we got a

0:33:52.200 --> 0:33:55.440
<v Speaker 3>lot of questions about routing and talking about this, and

0:33:55.640 --> 0:34:00.840
<v Speaker 3>it is a natural transition. Blair Bromley asked, when you

0:34:00.880 --> 0:34:04.239
<v Speaker 3>first visit a site for a potential project, what's the

0:34:04.240 --> 0:34:08.840
<v Speaker 3>first thing that comes into your mind.

0:34:10.760 --> 0:34:14.319
<v Speaker 2>I just did that twice in the last five days.

0:34:14.480 --> 0:34:17.080
<v Speaker 2>I was in Spain looking at a couple potential projects,

0:34:17.880 --> 0:34:22.080
<v Speaker 2>and I hadn't Usually I try to have a map beforehand,

0:34:22.360 --> 0:34:23.920
<v Speaker 2>because when you go out on a site for the

0:34:23.960 --> 0:34:27.520
<v Speaker 2>first time, if I take somebody with me that's not

0:34:27.640 --> 0:34:31.120
<v Speaker 2>used to doing it, you know, without golf holes on

0:34:31.200 --> 0:34:35.239
<v Speaker 2>the land, it seems so much more vast, and it

0:34:35.280 --> 0:34:37.880
<v Speaker 2>really is. You know, a golf course takes up at

0:34:37.920 --> 0:34:40.520
<v Speaker 2>a minimum one hundred and fifty acres and sometimes we're

0:34:40.520 --> 0:34:42.959
<v Speaker 2>looking at hundreds of acres of ground trying to figure

0:34:42.960 --> 0:34:47.000
<v Speaker 2>out where the holes go, and you know, the sense

0:34:47.040 --> 0:34:49.560
<v Speaker 2>of scale, you know, even a simple part four hole

0:34:49.640 --> 0:34:51.640
<v Speaker 2>is a quarter mile long, and when you get out

0:34:51.640 --> 0:34:55.040
<v Speaker 2>there and there's no fair way and no scale, it

0:34:55.080 --> 0:34:57.320
<v Speaker 2>looks a quarter mile long. It looks like a long

0:34:57.360 --> 0:35:02.520
<v Speaker 2>way out there, and your eye tricks you. It's you know,

0:35:02.560 --> 0:35:06.320
<v Speaker 2>I've the number one question I'm asked when I'm walking

0:35:06.360 --> 0:35:08.880
<v Speaker 2>a golf course with somebody in the dirt, is is

0:35:08.920 --> 0:35:11.560
<v Speaker 2>this a par five? Because they all look like par five's.

0:35:11.880 --> 0:35:13.520
<v Speaker 2>You know, a three hundred and fifty yard old looks

0:35:13.560 --> 0:35:17.600
<v Speaker 2>like a par five to the average person until you

0:35:17.680 --> 0:35:20.480
<v Speaker 2>get a flag out there or something for scale that

0:35:20.520 --> 0:35:22.399
<v Speaker 2>they can see how the scale of a golf hole

0:35:22.440 --> 0:35:27.560
<v Speaker 2>fits it. You know, I'm different when I go out

0:35:27.560 --> 0:35:29.160
<v Speaker 2>on a piece of land for the first time. I'm

0:35:29.200 --> 0:35:34.160
<v Speaker 2>like looking for the problems, like where's the corner that

0:35:34.200 --> 0:35:36.399
<v Speaker 2>if I get into that corner, I can't get out,

0:35:37.160 --> 0:35:42.760
<v Speaker 2>you know, because ultimately the client, you know, the client

0:35:42.920 --> 0:35:46.360
<v Speaker 2>wants to know if this is potentially a great course,

0:35:47.320 --> 0:35:51.440
<v Speaker 2>and I want to know is this a job I

0:35:51.480 --> 0:35:55.280
<v Speaker 2>want to take? And so it's kind of like, Okay,

0:35:55.320 --> 0:35:57.600
<v Speaker 2>is there something here that's going to prevent this from

0:35:57.680 --> 0:36:03.040
<v Speaker 2>getting to where everybody wants it to be. The other

0:36:03.080 --> 0:36:06.239
<v Speaker 2>thing that you look for because you know, I rely

0:36:06.320 --> 0:36:09.040
<v Speaker 2>on topo maps quite a bit to work with the routing.

0:36:09.200 --> 0:36:10.800
<v Speaker 2>But there are things that don't show up while on

0:36:10.840 --> 0:36:14.520
<v Speaker 2>the map, you know, like trees and vegetation, Like if

0:36:14.560 --> 0:36:17.720
<v Speaker 2>there's this, you know, trees will be marked on the map.

0:36:18.360 --> 0:36:21.560
<v Speaker 2>But they you know, they all look alike on the map.

0:36:21.600 --> 0:36:25.080
<v Speaker 2>And obviously some are huge, beautiful oak trees and some

0:36:25.160 --> 0:36:29.000
<v Speaker 2>are little scrubby things. So you know, picking out the

0:36:29.000 --> 0:36:32.600
<v Speaker 2>ones that are great looking things that you wouldn't want

0:36:32.600 --> 0:36:35.480
<v Speaker 2>to cut down, and trying to make those features instead

0:36:35.480 --> 0:36:38.000
<v Speaker 2>of getting right in the way of something is really important,

0:36:38.360 --> 0:36:40.480
<v Speaker 2>So you start trying to note where those things are.

0:36:41.080 --> 0:36:42.520
<v Speaker 2>And then the other thing that doesn't show up on

0:36:42.560 --> 0:36:45.680
<v Speaker 2>a map is the views. Like you know, if you've

0:36:46.160 --> 0:36:48.240
<v Speaker 2>if you've got a course that's next to the water,

0:36:49.239 --> 0:36:51.680
<v Speaker 2>that's not hard to visualize on the map. You know,

0:36:51.760 --> 0:36:55.239
<v Speaker 2>you're you're just looking out to the water. But if

0:36:55.239 --> 0:37:00.000
<v Speaker 2>you've got like both pluses and minuses, if you've got

0:37:00.080 --> 0:37:02.560
<v Speaker 2>a beautiful church steeple, and you'd like to have a

0:37:02.560 --> 0:37:06.399
<v Speaker 2>whole play toward that that maybe not beyond the map,

0:37:06.440 --> 0:37:08.839
<v Speaker 2>and you have to have a sense of where it is.

0:37:09.640 --> 0:37:11.560
<v Speaker 2>By the same token, if you've got a power line

0:37:11.600 --> 0:37:14.200
<v Speaker 2>going past. You know, you don't want to be playing

0:37:14.280 --> 0:37:16.640
<v Speaker 2>right at one of those towers. I mean it's you

0:37:16.680 --> 0:37:19.440
<v Speaker 2>know a lot of properties have power lines somewhere around

0:37:19.480 --> 0:37:23.480
<v Speaker 2>them and it doesn't really bother the golfers experience very much.

0:37:23.560 --> 0:37:26.080
<v Speaker 2>As long as you're not playing right at one of

0:37:26.120 --> 0:37:30.560
<v Speaker 2>those towers, then they can't help but notice it, or

0:37:30.600 --> 0:37:33.040
<v Speaker 2>playing from under one, or playing from under one.

0:37:34.320 --> 0:37:38.080
<v Speaker 3>So you you mentioned you know owners and you know,

0:37:38.120 --> 0:37:40.759
<v Speaker 3>whether it be an owner or developer, always wants to

0:37:40.760 --> 0:37:43.960
<v Speaker 3>know if it's a truly a great course. Do you

0:37:44.000 --> 0:37:46.680
<v Speaker 3>do you have a sense, like with some of your courses,

0:37:46.719 --> 0:37:49.880
<v Speaker 3>have you known from like the second you got out there.

0:37:49.680 --> 0:37:51.200
<v Speaker 1>It was going to be a great golf course.

0:37:51.960 --> 0:37:57.440
<v Speaker 2>Yes, I've been lucky. I've worked with I've worked with

0:37:59.600 --> 0:38:04.200
<v Speaker 2>a bunch to sites that could and should be great

0:38:04.280 --> 0:38:07.520
<v Speaker 2>courses from the day I first laid eyes on him.

0:38:07.880 --> 0:38:11.240
<v Speaker 2>Pacific Dunes obviously, even though some of it was covered

0:38:11.239 --> 0:38:14.000
<v Speaker 2>by gorse. I mean, Pacific Dunes, you knew right away

0:38:14.320 --> 0:38:15.960
<v Speaker 2>there were going to be a bunch of great holes.

0:38:16.000 --> 0:38:18.160
<v Speaker 2>But there were pieces of it you couldn't really visualize

0:38:18.160 --> 0:38:23.520
<v Speaker 2>because the gorse was so thick, you know, But you know,

0:38:23.560 --> 0:38:26.760
<v Speaker 2>you get to the level like Terry Edy in New Zealand,

0:38:27.560 --> 0:38:31.040
<v Speaker 2>which turned out great. You know, from day one or

0:38:31.120 --> 0:38:34.839
<v Speaker 2>day two, our client was asking us, do you think

0:38:34.880 --> 0:38:37.000
<v Speaker 2>this could be one of the top fifty courses in

0:38:37.040 --> 0:38:40.440
<v Speaker 2>the world. And we're standing in the middle of a

0:38:40.520 --> 0:38:43.120
<v Speaker 2>pine forest that somebody planted over the top of these

0:38:43.200 --> 0:38:46.000
<v Speaker 2>dunes and you can't see a hundred yards. So I've

0:38:46.000 --> 0:38:48.400
<v Speaker 2>got is a map and I know there's a great

0:38:48.400 --> 0:38:51.759
<v Speaker 2>ocean view out there, and I'm like just biting my

0:38:51.840 --> 0:38:55.880
<v Speaker 2>lip because you know, I don't think he wanted to

0:38:55.920 --> 0:38:58.120
<v Speaker 2>try to do the golf course unless I thought it

0:38:58.160 --> 0:39:00.759
<v Speaker 2>could be that good, and that it's a huge leap

0:39:00.800 --> 0:39:03.560
<v Speaker 2>of faith, especially on a site where you're not you know,

0:39:03.640 --> 0:39:06.480
<v Speaker 2>I said, vegetation is an important feature of the golf course,

0:39:06.880 --> 0:39:08.600
<v Speaker 2>and we didn't have any to work with. I mean,

0:39:08.880 --> 0:39:10.600
<v Speaker 2>none of those pine trees were going to stay in

0:39:10.600 --> 0:39:13.640
<v Speaker 2>the finished product. You know, they're all planted in rows.

0:39:13.680 --> 0:39:15.640
<v Speaker 2>So even the places you didn't want a golf hole,

0:39:16.080 --> 0:39:18.840
<v Speaker 2>they looked really artificial and awkward. So we're going to

0:39:18.880 --> 0:39:24.319
<v Speaker 2>replace everything with natural vegetation. So staying at the beginning, yeah,

0:39:24.400 --> 0:39:26.400
<v Speaker 2>I think that could be the top fifty in the

0:39:26.400 --> 0:39:30.239
<v Speaker 2>world is kind of a crazy goal. But you know

0:39:30.360 --> 0:39:33.840
<v Speaker 2>what I said to him was, you know, all I

0:39:33.880 --> 0:39:36.960
<v Speaker 2>know is every time I get an ocean front site,

0:39:37.160 --> 0:39:40.239
<v Speaker 2>everybody loves it. And you got that big ocean front

0:39:40.280 --> 0:39:42.200
<v Speaker 2>right there, so I think you got a shot.

0:39:42.760 --> 0:39:47.560
<v Speaker 3>Yeah, it's it's that from everything I've heard, that one

0:39:47.680 --> 0:39:53.440
<v Speaker 3>is a special place. Putting together a golf course is

0:39:53.520 --> 0:39:56.440
<v Speaker 3>kind of like a puzzle. And from what I gather

0:39:56.840 --> 0:39:57.320
<v Speaker 3>very much.

0:39:58.840 --> 0:40:01.120
<v Speaker 1>So where do you you draw the line?

0:40:01.120 --> 0:40:03.000
<v Speaker 3>And this is from Philip Johnson, where do you draw

0:40:03.000 --> 0:40:05.560
<v Speaker 3>the line between having the best hole on the property

0:40:05.760 --> 0:40:07.800
<v Speaker 3>and having the better overall routing.

0:40:13.760 --> 0:40:15.879
<v Speaker 2>You know, you've got to get You've got to get

0:40:15.880 --> 0:40:18.360
<v Speaker 2>a little feel for the client about what they're after.

0:40:19.800 --> 0:40:22.920
<v Speaker 2>You know, there there may be some kinds of clients,

0:40:23.920 --> 0:40:28.560
<v Speaker 2>not the typical ones that I go to, that you know,

0:40:28.680 --> 0:40:30.920
<v Speaker 2>all they want is the one great hole that's a

0:40:30.920 --> 0:40:33.640
<v Speaker 2>hook for the place. They're not really thinking they're going

0:40:33.680 --> 0:40:35.600
<v Speaker 2>to build a great golf course. But you know, like

0:40:35.640 --> 0:40:37.440
<v Speaker 2>there's a lot of courses in Hawaii that have the

0:40:37.520 --> 0:40:40.000
<v Speaker 2>one great part of three over the ocean, and then

0:40:40.040 --> 0:40:42.160
<v Speaker 2>everything else is inland away from the ocean. They put

0:40:42.239 --> 0:40:46.640
<v Speaker 2>houses along the ocean, but if your goal is to

0:40:47.000 --> 0:40:48.840
<v Speaker 2>you know, if the client's goal is to build a

0:40:48.840 --> 0:40:52.560
<v Speaker 2>great golf course, you have to be willing to throw

0:40:52.640 --> 0:40:55.719
<v Speaker 2>out a really good hole that just doesn't fit. Or

0:40:57.160 --> 0:40:59.759
<v Speaker 2>you know, I can build this great hole, but I

0:40:59.800 --> 0:41:01.480
<v Speaker 2>know if I do the hole after, it's going to

0:41:01.560 --> 0:41:07.080
<v Speaker 2>stink because you're not you know, you can get away

0:41:07.080 --> 0:41:11.600
<v Speaker 2>with the whole after it being kind of blah because

0:41:12.000 --> 0:41:14.799
<v Speaker 2>everybody's still coasting off the high of just having played

0:41:14.840 --> 0:41:17.680
<v Speaker 2>a really great hole. But if the next whole stinks,

0:41:18.719 --> 0:41:20.520
<v Speaker 2>that kind of root, you know, that kind of just

0:41:20.600 --> 0:41:23.120
<v Speaker 2>drives a stake through the last hole being so good.

0:41:23.920 --> 0:41:27.640
<v Speaker 2>So there's a there's a balance there, and you know,

0:41:28.280 --> 0:41:31.520
<v Speaker 2>I usually find a couple holes pretty quickly in the

0:41:31.600 --> 0:41:35.440
<v Speaker 2>process that are really hard to give up on. But

0:41:35.560 --> 0:41:39.000
<v Speaker 2>sometimes taking that one piece outs is what you have

0:41:39.080 --> 0:41:41.480
<v Speaker 2>to do, and it's hard, it's hard to make yourself

0:41:41.560 --> 0:41:44.279
<v Speaker 2>do it, but you know, at the end of the day,

0:41:44.280 --> 0:41:48.680
<v Speaker 2>you're trying to find the best eighteen piece puzzle, not

0:41:49.000 --> 0:41:50.520
<v Speaker 2>just the one cool looking piece.

0:41:51.160 --> 0:41:53.520
<v Speaker 3>Yeah, because then you end up in a chase to

0:41:53.600 --> 0:41:55.560
<v Speaker 3>try and figure out how to get in and out

0:41:55.640 --> 0:41:59.319
<v Speaker 3>of that one spot. Well, if you have one that

0:41:59.400 --> 0:42:01.319
<v Speaker 3>you just feel like you can't get rid of it

0:42:01.360 --> 0:42:02.880
<v Speaker 3>probably is going to be, at the end of it

0:42:02.960 --> 0:42:04.480
<v Speaker 3>a pain to get.

0:42:04.280 --> 0:42:07.400
<v Speaker 2>To, right. I mean, one of the you know, I mean,

0:42:07.400 --> 0:42:11.919
<v Speaker 2>there's so many things about routing that you know, even

0:42:11.960 --> 0:42:14.400
<v Speaker 2>if they like give you a place for the clubhouse

0:42:14.440 --> 0:42:18.680
<v Speaker 2>to be at the beginning, and you you know, now

0:42:18.680 --> 0:42:21.800
<v Speaker 2>you're I mean, if you do that, you're telling me, Okay,

0:42:21.840 --> 0:42:24.359
<v Speaker 2>you got to build four holes around this point right here.

0:42:25.960 --> 0:42:28.040
<v Speaker 2>So you know, I want to start trying to find

0:42:28.040 --> 0:42:30.960
<v Speaker 2>holes first and then see where there's a bunch of

0:42:31.000 --> 0:42:34.160
<v Speaker 2>holes that come together and see if we can make

0:42:34.200 --> 0:42:37.440
<v Speaker 2>the clubhouse work there. But you know, sometimes it's a

0:42:37.440 --> 0:42:40.600
<v Speaker 2>building that you're going to renovate. Sometimes it's just you know,

0:42:40.719 --> 0:42:43.759
<v Speaker 2>on a on a lot of projects, it's like, you know,

0:42:43.840 --> 0:42:46.400
<v Speaker 2>there's one place you're going to drive into the property,

0:42:46.480 --> 0:42:48.320
<v Speaker 2>and they don't want to build two extra miles a

0:42:48.400 --> 0:42:49.839
<v Speaker 2>road to get over to the other side to put

0:42:49.880 --> 0:42:53.200
<v Speaker 2>a clubhouse over there. So you know, the first good

0:42:53.239 --> 0:42:55.880
<v Speaker 2>spot to build a clubhouse is going to be the spot,

0:42:55.920 --> 0:43:00.960
<v Speaker 2>and you accept that. But the fewer us that you

0:43:01.680 --> 0:43:05.680
<v Speaker 2>start with, the better, you know, the more options you

0:43:05.800 --> 0:43:09.680
<v Speaker 2>have for the routing. Same with it has to return

0:43:09.719 --> 0:43:12.440
<v Speaker 2>at the ninth hole. You know, that crosses out a

0:43:12.480 --> 0:43:18.040
<v Speaker 2>ton of options just you know, that means you can't

0:43:18.040 --> 0:43:20.120
<v Speaker 2>ever get more than five holes away from more of

0:43:20.160 --> 0:43:20.879
<v Speaker 2>the clubhouses.

0:43:21.880 --> 0:43:24.560
<v Speaker 3>That that's something that boggles my mind, is like why

0:43:24.560 --> 0:43:26.320
<v Speaker 3>can't it stop after six holes?

0:43:26.560 --> 0:43:28.600
<v Speaker 1>Like why can't it if.

0:43:29.160 --> 0:43:32.080
<v Speaker 2>In some court lots of good courses, do you know

0:43:32.160 --> 0:43:35.200
<v Speaker 2>there's certain places where yeah, we want a nine hole option,

0:43:35.640 --> 0:43:37.279
<v Speaker 2>and we think we're going to do a lot of

0:43:37.320 --> 0:43:42.160
<v Speaker 2>business that way. But you know, one of the clients

0:43:42.160 --> 0:43:44.160
<v Speaker 2>that said that to me, that really wanted the ninth

0:43:44.160 --> 0:43:46.040
<v Speaker 2>hole to come back to the clubhouse was Julian Robertson

0:43:46.080 --> 0:43:50.560
<v Speaker 2>and Kepe Kidnappers. And I thought, nobody's coming all this

0:43:50.640 --> 0:43:59.959
<v Speaker 2>way and they're gonna stop at nine or or would

0:44:00.120 --> 0:44:04.359
<v Speaker 2>be angry if they had to play an extra hole

0:44:04.480 --> 0:44:07.279
<v Speaker 2>before they got back to the clubhouse to leave after ten.

0:44:08.560 --> 0:44:10.759
<v Speaker 2>And yet it was a really important thing to him,

0:44:10.800 --> 0:44:13.960
<v Speaker 2>partly because he's a member of Shinnecok Kills, one of

0:44:14.000 --> 0:44:16.759
<v Speaker 2>the great courses of the world, which conveniently comes back

0:44:16.760 --> 0:44:19.120
<v Speaker 2>at the ninth hole. So we had to modify that

0:44:19.239 --> 0:44:22.160
<v Speaker 2>routing a little bit to get Julian uncomfortable with it

0:44:22.200 --> 0:44:24.799
<v Speaker 2>and get the club at you know, get the clubhouse,

0:44:25.080 --> 0:44:27.240
<v Speaker 2>moved the clubhouse slightly to get it, so it worked

0:44:27.239 --> 0:44:30.120
<v Speaker 2>with two loops A nine.

0:44:31.800 --> 0:44:36.160
<v Speaker 3>Trevor Dormer asks, how have you honed your approach to

0:44:36.280 --> 0:44:44.400
<v Speaker 3>routing over the years. Trevor's not a beginner.

0:44:44.760 --> 0:44:53.919
<v Speaker 2>No, Trevor's not a beginner. I know his name. I'm

0:44:53.960 --> 0:44:57.319
<v Speaker 2>not sure my approach is any different. It's just that

0:44:57.360 --> 0:45:00.040
<v Speaker 2>you get better at it the more you practice. And

0:45:00.120 --> 0:45:02.319
<v Speaker 2>you talked about routing being a puzzle, and it's just

0:45:02.400 --> 0:45:05.880
<v Speaker 2>like it's just like doing the Sunday New York Times

0:45:05.880 --> 0:45:08.680
<v Speaker 2>crossword puzzle. I mean, the first time that you try

0:45:08.719 --> 0:45:12.200
<v Speaker 2>to do that, it just looks like a hopeless exercise

0:45:12.800 --> 0:45:14.520
<v Speaker 2>that you're going to make that that you're going to

0:45:14.600 --> 0:45:18.120
<v Speaker 2>get all those words and fit together and finish the

0:45:18.160 --> 0:45:22.400
<v Speaker 2>whole thing. This just seems impossible. If you do it

0:45:22.440 --> 0:45:30.359
<v Speaker 2>every week, you start seeing some conventions and you start seeing, oh, yeah,

0:45:30.400 --> 0:45:32.480
<v Speaker 2>they have to use there's a few kind of key

0:45:32.520 --> 0:45:36.520
<v Speaker 2>words that sometimes they need to use in order to

0:45:36.920 --> 0:45:39.360
<v Speaker 2>you know, when you've got an odd combination of letters,

0:45:39.360 --> 0:45:41.080
<v Speaker 2>there's only a certain number of words that are going

0:45:41.120 --> 0:45:44.799
<v Speaker 2>to fit that. So there's there's little tricks that you

0:45:44.920 --> 0:45:47.319
<v Speaker 2>learn as you go, and I'm not sure I can

0:45:47.400 --> 0:45:51.839
<v Speaker 2>describe exactly what all those tricks are. But you know,

0:45:51.880 --> 0:45:54.640
<v Speaker 2>when I let my associates work on a routing with me,

0:45:55.719 --> 0:45:59.040
<v Speaker 2>sometimes they'll be like, they'll find a really good hole

0:45:59.120 --> 0:46:01.720
<v Speaker 2>over here, and I'm just like shutting them down right away,

0:46:01.840 --> 0:46:04.319
<v Speaker 2>like you're never getting back from that one. You know,

0:46:05.120 --> 0:46:07.040
<v Speaker 2>It's kind of like you're going down a dead end

0:46:07.320 --> 0:46:10.080
<v Speaker 2>and you're either going to have a bad hole coming

0:46:10.160 --> 0:46:17.040
<v Speaker 2>back or or just you get yourself into a corner

0:46:17.120 --> 0:46:19.480
<v Speaker 2>you can't you physically can't get out of. There's no

0:46:19.680 --> 0:46:23.839
<v Speaker 2>room for another fair way to come back. You know,

0:46:24.560 --> 0:46:28.960
<v Speaker 2>if a property is certain width, there's room for four

0:46:28.960 --> 0:46:33.760
<v Speaker 2>holes play in parallel, and those holes can get tighter

0:46:33.760 --> 0:46:35.920
<v Speaker 2>and tighter together, but at some point it gets a

0:46:35.920 --> 0:46:39.680
<v Speaker 2>little too tight for four holes, and the next the

0:46:39.719 --> 0:46:44.320
<v Speaker 2>next option is only two because you can't play out

0:46:44.400 --> 0:46:46.759
<v Speaker 2>and play back and play out and never get back

0:46:46.800 --> 0:46:52.360
<v Speaker 2>to the clubhouse. So, you know, you just learn to

0:46:52.480 --> 0:46:55.200
<v Speaker 2>see those kinds of things on the map more quickly.

0:46:55.640 --> 0:46:59.319
<v Speaker 2>As you've done it more, you're still looking for the

0:46:59.320 --> 0:47:01.759
<v Speaker 2>same things. You're looking for the features that make the

0:47:01.840 --> 0:47:04.839
<v Speaker 2>land special, And how can I use that as part

0:47:04.880 --> 0:47:08.759
<v Speaker 2>of a golf hole. You know, the hardest part is

0:47:08.760 --> 0:47:11.440
<v Speaker 2>when there's something besides golf going on. You know, I

0:47:11.440 --> 0:47:14.040
<v Speaker 2>went to landscape architecture school because you couldn't go to

0:47:14.080 --> 0:47:17.759
<v Speaker 2>golf course architecture school, and I did, you know, when

0:47:17.760 --> 0:47:20.360
<v Speaker 2>we started, I didn't think I was going to plan

0:47:20.520 --> 0:47:25.359
<v Speaker 2>resorts or you know, national parks or all the other

0:47:25.400 --> 0:47:29.840
<v Speaker 2>things that landscape architects do. But it's helped me a

0:47:29.880 --> 0:47:33.160
<v Speaker 2>lot in dealing with landscape architects who do the land

0:47:33.200 --> 0:47:37.120
<v Speaker 2>plans for the bigger project around my golf course. And

0:47:37.239 --> 0:47:42.359
<v Speaker 2>the hardest part is they're looking for all those same

0:47:42.400 --> 0:47:45.520
<v Speaker 2>features that I like. They like too. They want to

0:47:45.520 --> 0:47:48.319
<v Speaker 2>make the entrance road go by this point so you

0:47:48.400 --> 0:47:51.560
<v Speaker 2>can see that tree with the ocean in the background,

0:47:52.880 --> 0:47:56.040
<v Speaker 2>and it's a little bit of a wrestling match over

0:47:56.400 --> 0:48:02.319
<v Speaker 2>who gets to use which cool things. And so the

0:48:02.400 --> 0:48:05.880
<v Speaker 2>client's priorities really matter. You know, if the client is

0:48:05.920 --> 0:48:10.440
<v Speaker 2>more interested in the housing or the hotel than the golf,

0:48:11.239 --> 0:48:13.879
<v Speaker 2>I don't win those arguments as much. And it's harder

0:48:13.880 --> 0:48:14.920
<v Speaker 2>to build a great golf course.

0:48:17.760 --> 0:48:20.680
<v Speaker 3>So as like, for a beginner, if they were on

0:48:20.800 --> 0:48:23.600
<v Speaker 3>to start to really what should they pay attention to

0:48:24.840 --> 0:48:28.279
<v Speaker 3>about routing, Like what are maybe say a couple things

0:48:28.320 --> 0:48:30.839
<v Speaker 3>that they should pay attention to when they.

0:48:30.760 --> 0:48:32.160
<v Speaker 1>Play golf at a golf course.

0:48:37.280 --> 0:48:42.120
<v Speaker 2>That's a hard question because I don't think. I think

0:48:42.160 --> 0:48:47.160
<v Speaker 2>it's very difficult when you're out playing golf to visualize

0:48:47.200 --> 0:48:51.120
<v Speaker 2>the land without a golf course. I mean, you know,

0:48:51.920 --> 0:48:54.520
<v Speaker 2>it's like, you know, when you see the answer to

0:48:54.560 --> 0:48:58.840
<v Speaker 2>the crossword the next day, it's hard to feel stuck.

0:49:00.120 --> 0:49:02.280
<v Speaker 2>You know, you can always go look at the answer,

0:49:03.840 --> 0:49:07.359
<v Speaker 2>so you don't see the options that were passing up.

0:49:08.360 --> 0:49:09.840
<v Speaker 2>You know, it's really hard. I mean a lot of

0:49:09.880 --> 0:49:16.440
<v Speaker 2>times people will people will make a suggestion to me

0:49:16.560 --> 0:49:18.600
<v Speaker 2>of I could have changed the fifth hole and move

0:49:18.680 --> 0:49:21.840
<v Speaker 2>the green over to the right, and they don't understand

0:49:21.840 --> 0:49:25.360
<v Speaker 2>that anytime you make a move like that, there's a

0:49:25.680 --> 0:49:28.400
<v Speaker 2>there's another move that has you know, that means the

0:49:28.440 --> 0:49:31.120
<v Speaker 2>sixt has to be in a different place too, and

0:49:31.160 --> 0:49:33.399
<v Speaker 2>that's the part that probably isn't going to work. So well,

0:49:33.480 --> 0:49:35.840
<v Speaker 2>that's why I didn't do it the way they suggested.

0:49:37.400 --> 0:49:41.640
<v Speaker 2>But to see that stuff when you've never tried to

0:49:41.719 --> 0:49:44.839
<v Speaker 2>visualize the property as a whole, it is really hard

0:49:44.840 --> 0:49:48.600
<v Speaker 2>to do. So, so I guess for me, you know,

0:49:48.640 --> 0:49:52.480
<v Speaker 2>if if you're if you're really interested in routing, the

0:49:52.520 --> 0:49:58.919
<v Speaker 2>first things to focus on are just when you play

0:49:58.920 --> 0:50:03.879
<v Speaker 2>a golf course that you love, like, see see how

0:50:03.920 --> 0:50:07.040
<v Speaker 2>many of the standard rules of how you should do

0:50:07.120 --> 0:50:10.640
<v Speaker 2>things that it breaks? You know, try to notice those

0:50:10.680 --> 0:50:14.480
<v Speaker 2>things because the more you look around, the more you

0:50:14.520 --> 0:50:19.840
<v Speaker 2>find that, oh, these great courses break those rules pretty often.

0:50:20.400 --> 0:50:25.399
<v Speaker 2>And you know, the fewer preconceptions you have about how

0:50:25.520 --> 0:50:28.040
<v Speaker 2>you know going into how you should do it, the

0:50:28.120 --> 0:50:31.719
<v Speaker 2>better you know. The more open minded you can be about, well,

0:50:31.760 --> 0:50:38.840
<v Speaker 2>I could go any direction here, the more interesting you

0:50:38.920 --> 0:50:40.520
<v Speaker 2>can leave it for yourself.

0:50:42.360 --> 0:50:45.759
<v Speaker 3>Peter Coffee wants to know what's the toughest type of

0:50:45.840 --> 0:50:48.239
<v Speaker 3>hole for you to design? Is it a par three,

0:50:48.760 --> 0:50:52.680
<v Speaker 3>A short, part four, long, part four, part five, et cetera.

0:50:54.320 --> 0:50:56.759
<v Speaker 2>I got the par fours down. I think those are

0:50:56.800 --> 0:50:59.960
<v Speaker 2>nearly always the holes on my courses that people like

0:51:00.120 --> 0:51:05.080
<v Speaker 2>the most. I mentioned earlier Part three's some people say, oh,

0:51:05.680 --> 0:51:10.319
<v Speaker 2>he doesn't design great par threes. He's too He's trying

0:51:10.360 --> 0:51:12.759
<v Speaker 2>to be too strategic, and we, you know, we want

0:51:12.760 --> 0:51:15.680
<v Speaker 2>the part three to be just a beautiful picture post

0:51:15.680 --> 0:51:20.080
<v Speaker 2>card hole surrounded by trouble. I've done that occasionally, but

0:51:20.080 --> 0:51:24.279
<v Speaker 2>but I don't like to like. I mean, one of

0:51:24.320 --> 0:51:26.760
<v Speaker 2>the hardest part three's in the world in my opinion,

0:51:27.600 --> 0:51:30.439
<v Speaker 2>certainly the hardest one I've ever built, is this little

0:51:30.520 --> 0:51:32.760
<v Speaker 2>tiny hole at barn Google Dunes. It's like one hundred

0:51:32.760 --> 0:51:36.080
<v Speaker 2>and twenty yards max. It can't play into a fierce

0:51:36.120 --> 0:51:38.879
<v Speaker 2>wind does a lot of the time, so it's name.

0:51:39.040 --> 0:51:40.719
<v Speaker 2>Don't visualize that you're always going to be hitting a

0:51:40.760 --> 0:51:47.920
<v Speaker 2>wedge to it. It's just got a tiny green and

0:51:47.960 --> 0:51:53.120
<v Speaker 2>it's slightly crowned, and there there's death bunkers to the

0:51:53.200 --> 0:51:56.880
<v Speaker 2>left of it, in front of it, just like you know,

0:51:57.480 --> 0:51:59.440
<v Speaker 2>I think we built them eight feet deep, but with

0:51:59.480 --> 0:52:01.560
<v Speaker 2>the wind on the sand out of the bunkers, they've

0:52:01.560 --> 0:52:05.080
<v Speaker 2>gotten even deeper. And over the back of the tiny green,

0:52:05.080 --> 0:52:07.680
<v Speaker 2>it just goes down a hill in the back into rough.

0:52:09.440 --> 0:52:12.719
<v Speaker 2>But there is a bailout short and right of the green.

0:52:13.360 --> 0:52:16.520
<v Speaker 2>You know, there's bunkers on the surrounding the bailout area,

0:52:16.560 --> 0:52:18.759
<v Speaker 2>but there's a place that if you if you're not

0:52:18.800 --> 0:52:21.759
<v Speaker 2>sure you can hit the green, there's a there's a

0:52:21.800 --> 0:52:25.200
<v Speaker 2>slightly bigger area you know you actually aim just for

0:52:25.280 --> 0:52:27.080
<v Speaker 2>the right edge of the green, or just off the

0:52:27.160 --> 0:52:30.279
<v Speaker 2>right of the green. And if you wind up short,

0:52:30.640 --> 0:52:32.479
<v Speaker 2>it's not easy to get up and down for three,

0:52:32.560 --> 0:52:34.640
<v Speaker 2>but at least you'll finish the hole. I mean, if

0:52:34.640 --> 0:52:37.279
<v Speaker 2>you pull it in the left bunker, you might pick up.

0:52:41.120 --> 0:52:43.600
<v Speaker 2>You know. That's my idea of a great hole where okay,

0:52:43.600 --> 0:52:45.440
<v Speaker 2>there is a little bailout and if I was playing

0:52:45.440 --> 0:52:46.840
<v Speaker 2>a match with you and you hit it in the

0:52:46.880 --> 0:52:49.760
<v Speaker 2>left bunker, I don't have to hit it on the green.

0:52:50.360 --> 0:52:53.520
<v Speaker 2>I can bail, and then you know, I might still

0:52:53.560 --> 0:52:55.120
<v Speaker 2>mess up. I bail and then you hit a good

0:52:55.120 --> 0:52:58.239
<v Speaker 2>bunker shot and oops, I wasn't so smart after all.

0:52:58.400 --> 0:53:00.760
<v Speaker 1>But you can have the advantage by bailing.

0:53:00.960 --> 0:53:02.960
<v Speaker 3>That's right, because I'm in a bad spot and now

0:53:03.000 --> 0:53:05.200
<v Speaker 3>all of a sudden you've got like a half shot advantage.

0:53:05.520 --> 0:53:08.840
<v Speaker 2>And that hole is I mean, that hole is so

0:53:09.320 --> 0:53:14.080
<v Speaker 2>severe around the green that I see great players bailing

0:53:14.239 --> 0:53:16.600
<v Speaker 2>one hundred and twenty yard Part three with with really

0:53:16.600 --> 0:53:19.799
<v Speaker 2>good players laying up deliberately because they don't want to

0:53:19.800 --> 0:53:22.240
<v Speaker 2>take the chance of making a six going in the bunker.

0:53:22.880 --> 0:53:25.800
<v Speaker 3>So something I've noticed playing a lot of your designs

0:53:25.840 --> 0:53:28.480
<v Speaker 3>and is that I when I have a wedge in

0:53:28.520 --> 0:53:33.040
<v Speaker 3>my hand, which the game of golf has divulged into

0:53:33.080 --> 0:53:34.520
<v Speaker 3>a driver wedge.

0:53:34.160 --> 0:53:36.520
<v Speaker 1>For like the very good players.

0:53:36.800 --> 0:53:38.520
<v Speaker 3>When I have a wedge in my hand, I am

0:53:38.719 --> 0:53:42.719
<v Speaker 3>absolutely terrified. And I don't know if if you're if

0:53:42.760 --> 0:53:45.680
<v Speaker 3>it's just in my head, but like the way that

0:53:45.760 --> 0:53:51.640
<v Speaker 3>you've built you know, greens and bunkers like like my head,

0:53:51.920 --> 0:53:54.120
<v Speaker 3>and like I'm all of a sudden thinking about the

0:53:54.160 --> 0:53:56.680
<v Speaker 3>exact numbers I have to hit shots and how they're

0:53:56.680 --> 0:53:59.000
<v Speaker 3>going to land and react in it. And it's different

0:53:59.040 --> 0:54:02.760
<v Speaker 3>than almost you know, any other architect. Is that on purpose?

0:54:03.280 --> 0:54:04.080
<v Speaker 3>That's on purpose?

0:54:04.280 --> 0:54:07.200
<v Speaker 2>I'm smiling to hear it, because because we really do

0:54:07.320 --> 0:54:11.839
<v Speaker 2>think about that a lot. You know, I talked about,

0:54:12.000 --> 0:54:13.919
<v Speaker 2>you know, going back to when we were talking about

0:54:14.040 --> 0:54:18.080
<v Speaker 2>low trajectory players earlier. There's things that you can do

0:54:18.200 --> 0:54:20.920
<v Speaker 2>that don't bother those guys so much, that really bother

0:54:21.000 --> 0:54:24.320
<v Speaker 2>a good player because when you're you know, if there's

0:54:24.400 --> 0:54:27.440
<v Speaker 2>a if there's a crown or a bump in a

0:54:27.520 --> 0:54:32.319
<v Speaker 2>green like stream Song has a lot of them, and

0:54:32.360 --> 0:54:35.239
<v Speaker 2>you're hitting a forewood into the hole and landed thirty

0:54:35.280 --> 0:54:37.600
<v Speaker 2>yards short of the green and it running up that

0:54:37.719 --> 0:54:40.080
<v Speaker 2>bump doesn't make any difference for a player like that,

0:54:40.560 --> 0:54:42.719
<v Speaker 2>the ball will just roll over the bump if it

0:54:42.760 --> 0:54:46.640
<v Speaker 2>has enough momentum to roll over the bump, and it'll

0:54:46.719 --> 0:54:49.640
<v Speaker 2>roll over softly and go to the other side. You know,

0:54:50.000 --> 0:54:52.080
<v Speaker 2>a good player with a wedge in his hand, he's

0:54:52.360 --> 0:54:54.759
<v Speaker 2>deathly afraid of hitting the backside of the bump and

0:54:54.800 --> 0:54:58.280
<v Speaker 2>have the ball go skidding over the green. And honestly,

0:54:59.400 --> 0:55:02.200
<v Speaker 2>you know, that's one of the few weapons you have

0:55:02.360 --> 0:55:05.719
<v Speaker 2>to really frighten a really good player anymore. You know,

0:55:05.719 --> 0:55:09.480
<v Speaker 2>when I worked for mister Dye, he said, all the

0:55:09.520 --> 0:55:14.399
<v Speaker 2>part fours or driver eight iron driver wedge for good players. Now.

0:55:15.280 --> 0:55:19.120
<v Speaker 2>And you know, the great players, if you look at

0:55:19.120 --> 0:55:22.120
<v Speaker 2>the chor stats, on average, they hit the ball within

0:55:22.600 --> 0:55:25.280
<v Speaker 2>fifteen feet of the hole when they've got a short

0:55:25.280 --> 0:55:28.160
<v Speaker 2>iron in their hands. And you know, back then, the

0:55:28.160 --> 0:55:30.760
<v Speaker 2>guidance for put in the hole was that you wouldn't

0:55:30.760 --> 0:55:32.879
<v Speaker 2>cut the cup less than five paces from the edge

0:55:32.880 --> 0:55:36.480
<v Speaker 2>of the green. So that basically means you can't do

0:55:36.600 --> 0:55:38.759
<v Speaker 2>anything within the circle that the good player is going

0:55:38.760 --> 0:55:40.880
<v Speaker 2>to hit the ball. The only thing you can do

0:55:40.920 --> 0:55:44.080
<v Speaker 2>in that circle is have some contra and some contra

0:55:44.239 --> 0:55:46.080
<v Speaker 2>that makes them think twice about where do I want

0:55:46.120 --> 0:55:51.000
<v Speaker 2>where do I really want this ball to land? You know,

0:55:52.600 --> 0:55:54.520
<v Speaker 2>we play with that a lot to try to make

0:55:54.560 --> 0:55:58.200
<v Speaker 2>it challenging and a little frightening because the other thing,

0:55:58.360 --> 0:56:00.840
<v Speaker 2>the other thing mister Dye was absolutely adamant about, is

0:56:01.480 --> 0:56:03.480
<v Speaker 2>you know, with a great player, you have to try

0:56:03.520 --> 0:56:08.040
<v Speaker 2>to get inside their heads. They're too good to make

0:56:08.440 --> 0:56:11.160
<v Speaker 2>normal mistakes on a golf course that other people make,

0:56:11.760 --> 0:56:14.200
<v Speaker 2>so you have to do things that make them uncomfortable

0:56:14.239 --> 0:56:17.600
<v Speaker 2>at some level. You know, he did a lot with water.

0:56:18.400 --> 0:56:21.040
<v Speaker 2>He did it sometimes with really really deep bunkers, but

0:56:21.600 --> 0:56:23.000
<v Speaker 2>you know he also did it with a lot of

0:56:23.080 --> 0:56:26.200
<v Speaker 2>visual things, like having the green sit up and you

0:56:26.239 --> 0:56:29.840
<v Speaker 2>know it's where there's trouble falling off the back of

0:56:29.880 --> 0:56:32.120
<v Speaker 2>the green and you can't really feel where the back

0:56:32.160 --> 0:56:35.160
<v Speaker 2>of the green is. I've used that a lot in

0:56:35.200 --> 0:56:38.600
<v Speaker 2>my own work, you know. And then the other thing

0:56:38.680 --> 0:56:41.920
<v Speaker 2>that I've used and kind of for different reasons than

0:56:42.000 --> 0:56:46.680
<v Speaker 2>mister Dye, you know, going back to talking about barnbug

0:56:46.800 --> 0:56:50.799
<v Speaker 2>or that bailout that I'm leaving, leaving a player. You know,

0:56:51.120 --> 0:56:54.919
<v Speaker 2>a lot of very good players will play very conservative

0:56:54.960 --> 0:57:00.279
<v Speaker 2>golf when they see something difficult up ahead, and you know,

0:57:00.920 --> 0:57:04.400
<v Speaker 2>you don't use that against them necessarily, but you know,

0:57:04.440 --> 0:57:06.440
<v Speaker 2>if I build a golf course where you can just

0:57:06.520 --> 0:57:10.239
<v Speaker 2>hit it straight at the flag eighteen times. Somebody having

0:57:10.280 --> 0:57:11.759
<v Speaker 2>a good day is going to hit it close to

0:57:11.800 --> 0:57:15.120
<v Speaker 2>the flag an awful lot, and more power to them.

0:57:15.160 --> 0:57:17.000
<v Speaker 2>But if I can get them a little scared to

0:57:17.080 --> 0:57:21.080
<v Speaker 2>hit it right at the flag because the green has

0:57:21.120 --> 0:57:22.560
<v Speaker 2>tilt in it and they don't want to be past

0:57:22.600 --> 0:57:26.200
<v Speaker 2>the hole, or because there's some contra that they don't

0:57:26.200 --> 0:57:29.840
<v Speaker 2>want to hit, or because there's a bailout and it

0:57:29.840 --> 0:57:33.360
<v Speaker 2>would be easier to just take the bailout. You know,

0:57:33.440 --> 0:57:35.560
<v Speaker 2>those are the only things that keep people from shooting

0:57:35.720 --> 0:57:39.680
<v Speaker 2>sixty four all the time, the great players, if somebody does,

0:57:39.720 --> 0:57:41.680
<v Speaker 2>I don't have a problem with it, but I don't

0:57:41.680 --> 0:57:42.000
<v Speaker 2>want it to.

0:57:42.000 --> 0:57:45.480
<v Speaker 1>Be easy for Yeah, i'd agree with that.

0:57:45.680 --> 0:57:49.040
<v Speaker 3>It's when you see these guys on tour get it going,

0:57:49.160 --> 0:57:50.560
<v Speaker 3>it's I mean.

0:57:50.600 --> 0:57:54.280
<v Speaker 2>Oh yeah, somebody told me. You know, Gary Woodland went

0:57:54.320 --> 0:57:58.120
<v Speaker 2>to Dismal River like the week before the Open at

0:57:58.160 --> 0:58:01.280
<v Speaker 2>Chambers Bay because you wanted to play on fescue. And

0:58:03.640 --> 0:58:05.240
<v Speaker 2>one of the three days he was there, he show

0:58:05.320 --> 0:58:10.560
<v Speaker 2>fifty nine on my course, and I'm like, okay, he's

0:58:10.560 --> 0:58:14.080
<v Speaker 2>a great player, all right, you know, eleven under par

0:58:14.680 --> 0:58:15.400
<v Speaker 2>more power to.

0:58:15.400 --> 0:58:18.120
<v Speaker 1>Him that will do it.

0:58:18.120 --> 0:58:21.040
<v Speaker 3>For Part one of Golf Course Architecture one on one,

0:58:21.680 --> 0:58:24.760
<v Speaker 3>Part two will be posted next week. If you're new

0:58:24.800 --> 0:58:27.920
<v Speaker 3>to the podcast, be sure to subscribe on iTunes or

0:58:27.960 --> 0:58:54.880
<v Speaker 3>your podcast provider of your choice,