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Speaker 1: Hi, Donald, how are you. How's the new house coming?

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Speaker 1: It's coming along. The power is back on. It was

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Speaker 1: off for a bit. The gas is off right now

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Speaker 1: because it's the area that had to be fixed as

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Speaker 1: now being inspected. So things are being turned on and off.

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Speaker 1: And you know what I realized when I listened to

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Speaker 1: the podcast is that I yell way too much. Yeah,

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Speaker 1: you're yelling. You try and tone tone that. I assume

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Speaker 1: it's because you've had a just exhaled a big mouthful

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Speaker 1: of God's let us and you're not fully Yeah, but

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Speaker 1: usually that calms you down and makes it so, but

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Speaker 1: it makes you it makes you more excited. I think.

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Speaker 1: I think it's because of the name of the wheat.

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Speaker 1: Like you shouldn't buy weed that's called green crack or

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Speaker 1: yea or yells a lot or charged or or charged

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Speaker 1: you want to get wet, that's more. You know that

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Speaker 1: the name of the weed should sound like headband or

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Speaker 1: you know, or yoga Mat, Yoga, Matt. I want some

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Speaker 1: of that weed, yoga Matt. Yeah. I worry that the

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Speaker 1: kind of weed you're getting is having the wrong effect. Oh,

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Speaker 1: but I'm giving it up. We had this conversation, Oh

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Speaker 1: if this listeners will know that you've said this before.

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Speaker 1: Are you really really going to commit I mean at

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Speaker 1: this time because once against a lot of people. You

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Speaker 1: know how it is. I used to be a fucking

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Speaker 1: asshole and work stoned, and I don't like to do

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Speaker 1: that anymore. I like the way my face looks when

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Speaker 1: I don't. I like it when my face looks fresh.

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Speaker 1: Right now, I would say, you have less wrinkles than

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Speaker 1: I do, and you're older than me by only a year, Zach,

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Speaker 1: a year and a couple of months. I know, but

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Speaker 1: I think you have nice skin. But you're saying that

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Speaker 1: you feel that the weed is affecting and making you age.

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Speaker 1: Is that what you're saying? It just gives me. It

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Speaker 1: gives me that dried out look, you know what I mean.

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Speaker 1: And you always want to feel like you drink a

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Speaker 1: glass of water. You want that look, you know what

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Speaker 1: I mean? That, Yeah, where your skin is like supple.

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Speaker 1: I'm gonna no booze kick um, I'm gonna see how

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Speaker 1: long I can go. In the spirit of what you're saying,

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Speaker 1: we will have a challenge. Let's go. Let's go for it.

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Speaker 1: I'm fucking with you, dude, Let's go. Let's go I'm

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Speaker 1: not I mean, I'm fucking with you. I'm fucking with you.

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Speaker 1: It sounds like not not like you don't mean kidding

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Speaker 1: like you mean like I'm ready to I'm ready to

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Speaker 1: fuck with you on this project. I fox with you.

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Speaker 1: What I should say, you fuck with you? I just

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Speaker 1: saw I'm clear on my expressions. That means you too,

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Speaker 1: want to go for a certain amount of time with

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Speaker 1: not not imbibing or ganja. I fox with your sties.

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Speaker 1: It is pretty much what I'm saying. I'm gonna write

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Speaker 1: that down. Am I allowed to say that? Is that

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Speaker 1: ab speak? Or am I allowed to say I fox

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Speaker 1: with you? You could totally say you say that, Joel

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Speaker 1: with no better than you. You don't know what I'm going.

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Speaker 1: There's no way anyone to get pissed off at you

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Speaker 1: if they was like, yo, I'm trying to get this

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Speaker 1: money and you went A fox with you? Okay, I

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Speaker 1: trust her well better than you. She's late. When when

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Speaker 1: she gets here, we'll ask her if I'm allowed to say,

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Speaker 1: I'm just saying a Fox what she was universal? Sorry,

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Speaker 1: Fox was universal. I'm proud of you, m I know

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Speaker 1: I know a lot of people that are every day

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Speaker 1: gone just smokers, and it's very it's challenging to give up.

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Speaker 1: So I support you and I'm happy for you. I

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Speaker 1: wanted to say it. Recommend a show I'm really loving

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Speaker 1: called zero zero zero. Have you heard of that? Guys? No,

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Speaker 1: Josh Raden is staying with me and he recommended it.

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Speaker 1: It's a it's a really interesting show. It's l from

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Speaker 1: twenty twenty. It's on Amazon Prime and it follows the

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Speaker 1: drug trade how a giant shipment of cocaine goes from

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Speaker 1: Mexico to Italy. America is not a character in this,

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Speaker 1: but it's it's just about the buyers and the dealers

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Speaker 1: and the it's almost like the Wire kind of storytelling. Um,

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Speaker 1: but really really really good and it's just one season

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Speaker 1: and I highly recommend it. That's my recommendation of the week.

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Speaker 1: Fiction or non fiction. It's fiction. It's scripted, but it's

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Speaker 1: incredibly shot. I mean, it looks like they spent a

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Speaker 1: fortune on it. It's got the scale of a big

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Speaker 1: ass like Born Identity movie. Um, but it's it's really

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Speaker 1: really well done. Daniel and or Donald, are you going

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Speaker 1: to play the new Star Wars game? I saw a

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Speaker 1: billboard for it. Oh yes, it's a Jedi survivor. I

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Speaker 1: believe it's called or Jedi Outcome. I saw that you can.

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Speaker 1: Someone was bragging that you're going to be able to

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Speaker 1: cut people in half. Bull crap, that's what they said.

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Speaker 1: They said, believe it or not. I don't know if

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Speaker 1: they'll be blood quote unquote, but you know, because the

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Speaker 1: lightsaber conizes the well there you go there, but you're

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Speaker 1: gonna be able to light You're gonna be able to

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Speaker 1: lightsaber people in half down. I thought that might be

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Speaker 1: attractive to you. I'm definitely gonna play this game if

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Speaker 1: you can lightsaber people in half. Is it open world though?

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Speaker 1: Is it? That's the question, Daniel, you're our video game expert.

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Speaker 1: Is it open world? I know there's a track. It's

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Speaker 1: a track. It's a track, isn't it. It's a little.

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Speaker 1: It's a little. You know, you're going from level to

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Speaker 1: level versus one big open world. But I in a

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Speaker 1: market that is oversaturated with open world style games. I

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Speaker 1: like that Star Wars is going with this model of

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Speaker 1: letting you play through a story rather than having to

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Speaker 1: kind of choose your own adventure in a big open space.

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Speaker 1: I think that plays into the a Star Wars narrative nicely.

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Speaker 1: I would personally love it if Star Wars created another

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Speaker 1: open world game for like the Xbox and or PlayStation,

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Speaker 1: because they've never done that. It's all been track oriented.

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Speaker 1: On PC. There have been several games that are open world,

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Speaker 1: but on Xbox and on PlayStation, there's never been an

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Speaker 1: open world game where you can like a GTA type

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Speaker 1: situation or or you know what I mean, And that

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Speaker 1: is missing from Star Wars. It really is. I feel

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Speaker 1: like that's the I feel like that is the from

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Speaker 1: Star Wars video gaming. I feel like that is the

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Speaker 1: one thing that would really separate it from if you

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Speaker 1: could make a Star Wars GTA Holy Cow where you

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Speaker 1: could do anything one game developers, Donald's buying for sure. No,

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Speaker 1: I'm saying for those developers who may work for Lucasfilms,

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Speaker 1: you've definitely got one game sold with Donald Faison. If

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Speaker 1: you do a GTA style Star Wars, imagine if you

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Speaker 1: could steal a speeder. Imagine if you could steal a starship.

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Speaker 1: Imagine if you could buy a starship and actually go

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Speaker 1: on missions in space with your starship and Jodius starship

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Speaker 1: or um or or or kidnapped grow gou who. That

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Speaker 1: would be awesome. Imagine if you could kidnapp grow, grow,

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Speaker 1: and now you've got and now you've got din jar

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Speaker 1: in chasing after you across the galaxy. What else can

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Speaker 1: we talk about? What? O the fun things have happened?

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Speaker 1: Have you seen the canals in Venice, Italy? They're empty? What? Yeah?

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Speaker 1: I could see weren't there. Weren't there just dolphins in

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Speaker 1: the canals? And I don't know, but in the spirit

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Speaker 1: of it, I'm sorry, it's your thing. You haven't given

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Speaker 1: up the weed yet and the spirit of it's snowing

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Speaker 1: in California in la Um it's um. There's no water

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Speaker 1: Google image it. There's no water in the Venice canals.

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Speaker 1: I don't know about all of them. But the what

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Speaker 1: do they call those boats, the gondolas, they're just sitting

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Speaker 1: on the soil. Yeah, it's not soil, it's freaking mud. Well,

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Speaker 1: soil is mud, Donald, A long low tide drives up

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Speaker 1: Venice is smaller canals. Wow, look at that. That's wild. Yeah,

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Speaker 1: that's an as that's a little London topic of the day. Donald,

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Speaker 1: Um and I may be in a social environment um

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Speaker 1: this weekend with Harrison Ford and I was thinking you

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Speaker 1: might want to practice with me. We could role play

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Speaker 1: that I'm Harrison Ford, so you don't embarrass yourself or

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Speaker 1: say something dumb. I thought we could for the audience

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Speaker 1: do a little role play so you can practice. Yes,

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Speaker 1: I'm gonna be Harrison. Hey, Harrison, I don't know if

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Speaker 1: you remember McDonald fasar. Yes, I know who you are. Right.

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Speaker 1: Listen to The Thig Doctor's Real Friends. It's a very

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Speaker 1: good podcast. You're funny. Oh, thank you so much. At

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Speaker 1: try that episode where you you talked about fucking your

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Speaker 1: wife on the floor. I laughed a lot. Harrison. Yeah,

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Speaker 1: you listen to fake doctors like that. You you heard

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Speaker 1: the story about me fucking my wife. Yeah, that's a

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Speaker 1: great story and your wife's very funny. And uh, you

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Speaker 1: know when you guys ended up and I'm sorry to

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Speaker 1: hear about the fight, but when you ended up fucking

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Speaker 1: on the floor, I said to Calissa, you know we

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Speaker 1: should h we should dry that sometimes. So I just

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Speaker 1: want you to know, like my hope, my whole career,

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Speaker 1: I've copied your style. You're saying you're copying my style now, Harrison, Sorry,

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Speaker 1: I listened to podcast so I know that you're a fan,

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Speaker 1: I'm I want to copy your Let's just put it

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Speaker 1: this way. I I foxed with you, Donald, I I

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Speaker 1: fox with you. I think you hailed yourself well, So

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Speaker 1: if you could just hold it together like that, you'd

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Speaker 1: be great. Can I'd be like, can I ask him

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Speaker 1: to like, would you would you like to spoke some weed? Sure?

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Speaker 1: I think you can do anything. I just would. I

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Speaker 1: think you should stay pretty chill with the fans stuff,

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Speaker 1: because if you go to fandom, he's going to be like, oh,

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Speaker 1: I'm not dealing with a contemporary actor, a friend of mine.

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Speaker 1: I should never be like I should never be like

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Speaker 1: when you pulled out the bullwhip in Raiders No and

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Speaker 1: Temple of Doom because you didn't have your gun, right, yeah, alright.

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Speaker 1: I don't think you don't even to finish this sentence

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Speaker 1: the answers no, don't do that. Don't know that, because

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Speaker 1: I think personally he's gonna switch from oh, this gentleman's

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Speaker 1: a fan, which is great, but I'm not gonna like

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Speaker 1: chill with him on the couch and get to know

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Speaker 1: him because I don't want to say anything wrong. Whereas

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Speaker 1: if you go like, hey man, as simple as like

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Speaker 1: I'm a big fan. It's cool to hang out with you,

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Speaker 1: then you're more likely to have an authentic experience with him.

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Speaker 1: That's my two sense. So no, no doing the Lando

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Speaker 1: Calrissian thing that I did, that we did in scrub. Yeah,

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Speaker 1: I don't do the thing in scrubs where you go

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Speaker 1: hard fucking solo. I don't do that. You just sounded

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Speaker 1: like the dude from Family Guy, the old man. God

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Speaker 1: fucking so much. It's your sexy as. But see, we practiced,

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Speaker 1: the audience heard his practice, and now that we've we've

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Speaker 1: gone through it. It's always good to sort of rehearse

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Speaker 1: these things and now you're ready. You know, it doesn't

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Speaker 1: always go as rehearsed. Well, you have to come up

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Speaker 1: with all the scenarios that could possibly happen. What if

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Speaker 1: he what if he says, you know, I want to

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Speaker 1: He's never gonna say this, but what if he said,

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Speaker 1: I want to talk Star Wars? Yeah, okay, let's practice

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Speaker 1: that scenario right, All right, let's go. I introduce yourself

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Speaker 1: to start. You are the best, buddy, You are the

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Speaker 1: best one. I want you to be prepared for all

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Speaker 1: scenarios ahead. Are you walking? He? Holy shit? Hey man,

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Speaker 1: don I don't know if you remember Donald faz course

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Speaker 1: I remember you. I love the clu Clust got me

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Speaker 1: through a lot of hard times. Uh, listen, this party sucks.

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Speaker 1: Do you want to go um smoke a blunt in

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Speaker 1: the backyard and talk about all things Star Wars? I've

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Speaker 1: got three I've got three hours. That's my head exploding.

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Speaker 1: But I only have three hours. But I don't want

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Speaker 1: you to change the subject from Star Wars. Okay, I

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Speaker 1: want to go deep. I want to talk about that

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Speaker 1: ship that only geeks like you know about. Gay. Oh,

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Speaker 1: I wouldn't be I can't. I can't like even doing it.

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Speaker 1: I can't do it right now, So this is all stop,

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Speaker 1: stop squealing and spark that fucking blunt. Okay, I would fail.

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Speaker 1: I would fail. I would fail. I would your dream

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Speaker 1: and I not only is it my dream, it would

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Speaker 1: be the best day ever, right, but just rehearsing it

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Speaker 1: with you, I already know. All right, Well, anyway, you're good.

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Speaker 1: You're ready for either scenerian? All right? Counter send my

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Speaker 1: friend six seven nice stories about show we made about

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Speaker 1: a bunch of doctor nurses, said he that stories natural?

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Speaker 1: So yet around here, yeado around here? Who this is

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Speaker 1: My Saving Grace Everybody. It was aired on January thirteenth,

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Speaker 1: two thousand and nine. It was written by Jannae Bachen.

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Speaker 1: I'm gonna be honest with you, I did not like

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Speaker 1: this episode of I know you're not in it, and

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Speaker 1: I don't like there's no there's literally no turk. Yeah,

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Speaker 1: but don't worry, Aboudy. We're gonna get episodes without me.

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Speaker 1: They occur, but I don't know about it. I don't

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Speaker 1: know if I'm gonna like that show either. Well, I

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Speaker 1: definitely thought this was not as funny because you bring

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Speaker 1: a lot of humor to the show. I don't think

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Speaker 1: I laughed out loud, okay, And Neil Neil Neil Neil

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Speaker 1: feels like this is one of the episodes where Bill

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Speaker 1: just told Neil, like just say whatever the fuck you

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Speaker 1: want to say. Oh my gosh, because Neil goes off

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Speaker 1: on this episode when he goes he got shipped with

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Speaker 1: the shank and got shank with the ship. Oh my,

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Speaker 1: he got shipped with the shank and then they shanked

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Speaker 1: him with the ship. They even show it as a

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Speaker 1: blooper at the end, like, but he must have gone

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Speaker 1: on for like really just Bill probably just said like,

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Speaker 1: I don't know, dude, Johnny, I thought I saw him Janny, Janny, Janny.

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Speaker 1: It was like it was like Brando, I could have

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Speaker 1: been somebody. I could have been a contender he was.

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Speaker 1: That was hilarious. That shit. Oh man, I laughed out

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Speaker 1: aloud at that. I laughed out loud at all. Hold on,

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Speaker 1: don't let's go through it, um so, I said, directed

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Speaker 1: by Spiller? Did I say that? Legendary Michael Spiller directed

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Speaker 1: this one? Okay, So Maddox. We start off and Maddox

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Speaker 1: is everywhere. This is Courtney Cox's last episode. So the

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Speaker 1: character of Maddox is really annoying us. And she's just

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Speaker 1: she's not allowing any wiggle room. She's being the nightmare.

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Speaker 1: Um you know what is her position called. She's being

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Speaker 1: a nightmare. Whereas Kelso would allow a little wiggle room

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Speaker 1: and look the other way a few times, she's just like,

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Speaker 1: get that patient out of here, move this one here,

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Speaker 1: micromanaging everywhere, and she's she's so handcuffing the staff that

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Speaker 1: they just don't feel free at all to be able

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Speaker 1: to treat their patients. She's driving everyone insane. Actually, everybody

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Speaker 1: dislikes her, Yes, kind of sucks, especially when she seems

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Speaker 1: to be a nice person. But she just she's playing

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Speaker 1: a different game than everybody else. Everybody else plays the

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Speaker 1: game that Sacred Heart has always played, and that's you know,

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Speaker 1: you pretend not to see what we're doing, and we

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Speaker 1: will go ahead and save these people. She's playing the

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Speaker 1: game of no. If they don't have that insurance, they're

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Speaker 1: out and there's no wiggle room in between. You're absolutely right.

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Speaker 1: She's very hardcore, and she also is you know, I'm

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Speaker 1: sure people listening and you guys have people in your

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Speaker 1: life that present as smiling and kind and beautiful and

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Speaker 1: then little do you know how fucking nefarious and evil

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Speaker 1: they are behind that facade. Yeah, I mean at one point,

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Speaker 1: she's even inside of patient's guts. That's how that was funny.

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Speaker 1: That was funny. She's giving uh yeah. JD has a

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Speaker 1: fantasy where she's literally inside of a patient and there's

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Speaker 1: like intestines lying on her head. Johan is the guy

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Speaker 1: who works at the gift shop, and we learned that

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Speaker 1: Elliott Um it's been stealing candy. She thinks it's free,

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Speaker 1: but it comes out that he's from Estonia. Yes, and

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Speaker 1: and he has asked her in the past, if she's

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Speaker 1: comfortable around Oxen because he plans on bringing her back

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Speaker 1: to Estonia as his wife. Yes, but truth be told,

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Speaker 1: all the women flirt with him at the hospital for candy. Yeah,

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Speaker 1: but Elliott, I mean I got a little, Yeah, I

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Speaker 1: got a little, I got a little turned on. I

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Speaker 1: gotta say, you could say I got a little movement

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Speaker 1: in both times. I gotta shift time. I gotta say

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Speaker 1: there was some shifting when Elliott says I wouldn't um

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Speaker 1: what did she say? She wou I wouldn't know whether

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Speaker 1: to lick it or hike up my skirt and spank

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Speaker 1: myself with it? And then she bites her lip. Yeah,

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Speaker 1: that was effective. That was effective for me. And then

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Speaker 1: Jordan at the end pushing her boot together and shaking them. Yeah.

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Speaker 1: And both women really brought the sex the sex a yeah,

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Speaker 1: but Sarah really leaned into it. I mean she was.

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Speaker 1: I feel like they both did. I don't think they

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Speaker 1: both did. But Sarah's talk was a smanged, dirtier you

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Speaker 1: like it, the dirty talk. He likely selling giant lollipops

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Speaker 1: at the hospital gift shop. I guess they just do.

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Speaker 1: I guess maybe it's a present you can bring someone.

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Speaker 1: Here's a giant lillipop. I think she said that to

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Speaker 1: him before. I think she giantlipop. She's gonna walk him

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Speaker 1: around as a doctor in hospital, licking and giant lollipop.

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Speaker 1: Or maybe she's this is Elliott. Remember this is Elliott.

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Speaker 1: She did have sex with another man in a box.

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Speaker 1: That's true. She's kinky. She she's in she has lots

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Speaker 1: of kinks. She's in two What did they do? They

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Speaker 1: would She was in one box and he was in

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Speaker 1: another box, and they were having sex with each other.

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Speaker 1: I remember that they're sex involved pleasuring themselves in separate

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Speaker 1: cardboard boxes and dirty talking through the boxes. That's what

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Speaker 1: it was, something like that. I love, I Love. This

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Speaker 1: is owned by the Disney Corporation. So who knows what

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Speaker 1: Elliott's gonna do with that lollipop? Right? Well, she tells

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Speaker 1: she's gonna spank herself with it. She's gonna hike up

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Speaker 1: her skirt and spank herself with it. She says that,

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Speaker 1: you know, remember you remember what you remember? That song

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Speaker 1: like a lollipop? Oh? Yeah, like like like alalip show,

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Speaker 1: do you wanna oh? I like that song? Shorty wants

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Speaker 1: a thud Battles in the Club, Dottles full of tub

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Speaker 1: something like that show Do you Wanna Hump? You know,

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Speaker 1: I like Lady Loves Yeah, do you Wanna? And then

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Speaker 1: Donald and I changed it to Shorty he wants a

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Speaker 1: hub Bottles in the Club show Do you wanna hu?

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Speaker 1: Who is that? Little Wayne? Oh? Sorry, wheezy f don't

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Speaker 1: forget the f baby like that, hun, don't forget the baby? Right,

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Speaker 1: it's wheezy f baby baby, don't forget the baby. By

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Speaker 1: the way, do you see that thing I sent you

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Speaker 1: guys on the chat that Rihanna is the richest musician.

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Speaker 1: Oh yeah, that's wild. I don't know what even what

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Speaker 1: fenty is, but I was just surprised and stuff. She's

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Speaker 1: richard than Jay Z and Taylor Swift. I mean, this is,

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Speaker 1: of course, according to the Internet, so who the fuck

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Speaker 1: knows if it's accurate. But I didn't know that Rihanna,

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Speaker 1: according to this chart, was the richest musician. Rihanna goes

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Speaker 1: on vacation and doesn't worry about what and where. Well,

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Speaker 1: I think everyone on the list probably has the same man. Yeah,

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Speaker 1: but I'm just saying that's that's listens yat Yeah, Leanna, Yeah,

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Speaker 1: gave birth to a yat. Yeah, Rihanna's yeat. Rihanna's so rich,

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Speaker 1: she has a yat that got pregnant and gave birth

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Speaker 1: to another yah. You know, some of those yachts are

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Speaker 1: so big that they have like a service yacht that

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Speaker 1: just follows it, and it's got like it's another nice yacht,

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Speaker 1: but it just carries like toys and stuff. Rihanna probably

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Speaker 1: has that, and then it docks inside of the other yacht.

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Speaker 1: You love docking inside of things, like I do love

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Speaker 1: a good docking. All right. Back to the show. Katie

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Speaker 1: is the young intern who is bud kissing and she's

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Speaker 1: doing but she's also a liar. Carla catches her lying.

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Speaker 1: She's claims that she put a central line into a patient,

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Speaker 1: but she's given it to someone else to do. And

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Speaker 1: she's also not being a team player or getting the

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Speaker 1: spirit of this hospital at all. She's she's really just

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Speaker 1: being not being a team player. She's she's off on

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Speaker 1: her own. She's talking down to Carla. She's like, you're

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Speaker 1: not allowed to talk to me like that. You're just

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Speaker 1: the nurse. And Carla's like, whoa intervention time? Yeah, you know,

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Speaker 1: it's only a matter of time before Katie's on her

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Speaker 1: way out. And that's what Carla is trying to tell her. Look,

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Speaker 1: I get it, you're young, and there's I'm sure she's

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Speaker 1: running to so many other people. And this is a

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Speaker 1: sink or swim hospital, right, so she's running to so

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Speaker 1: many other people that are like this young lady. And

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Speaker 1: she even says, it's seen it. You know, one thing

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Speaker 1: we know is real from from doctors and nurses. Nurses

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Speaker 1: run the hospital and yeah, and the end. And so

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Speaker 1: this woman, this young cocky intern, isn't gonna last very

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Speaker 1: long unless if she's disrespecting the nurses like that. It's

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Speaker 1: really interesting that I'm skipping ahead, but you know, her

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Speaker 1: fallback when the in the intervention is you don't know me,

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Speaker 1: you know what I mean, And you don't know what

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Speaker 1: I've been through. I have this, this and this, I've

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Speaker 1: gone through this, this and this, and you know what

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Speaker 1: that reminded me of everybody in Hollywood, you know what

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Speaker 1: I mean? What I mean, everybody got daddy issues out here.

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Speaker 1: Everyone has a story that yeah, everybody, well I think

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Speaker 1: every human does. Everyone has some childhood trauma, but everybody

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Speaker 1: wears their heart on it. A lot of people wear

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Speaker 1: their heart on their sleeve out here. You know what

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Speaker 1: I mean. Right, But she's saying, in so many words,

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Speaker 1: carl Is saying, like, we all have problems. We're human beings.

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Speaker 1: We all have challenges from our childhood, problems with our families,

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Speaker 1: but we we we we drop that ship when we

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Speaker 1: get to dealing with patients. Okay, we have to be

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Speaker 1: present for our patients. Every single person here and je

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Speaker 1: and Elliott and Turk, everyone's got their issues. I think

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Speaker 1: that was just I think that was just a go to.

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Speaker 1: I think that's her like, I think that's everybody has

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Speaker 1: that go to. That's what I mean. You know what

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Speaker 1: I mean, Like when you when you say something that,

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Speaker 1: I think it was a defense mechanism. That's what I'm

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Speaker 1: trying to say. I think it was her defense mechanism.

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Speaker 1: Her defense mechanism is, well, I have daddy issues. And

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Speaker 1: she's said, Carlos saying, is fucking you don't have you

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Speaker 1: known your daddy issues are absolute at this point? Right? Maybe? Yeah, No,

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Speaker 1: I agree with you. She's saying, take responsibility. You're fucking

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Speaker 1: in charge of people's lives. Everyone here has fucking issues.

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Speaker 1: If you can't handle that, you're in the wrong career.

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Speaker 1: That's what she's saying. Doctor Simmons wears the exact same

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Speaker 1: outfit as Elliott every day, and Elliott has no idea

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Speaker 1: how she's doing. And in fact, even when Elliott spells

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Speaker 1: coffee on herself and changes outfits, doctor Simmons changes to

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Speaker 1: the exact same outfit. I thought there was an opportunity

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Speaker 1: for a callback at the very end for elliot dress. Yes,

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Speaker 1: I expect, just sitting there, just standing next to Carla

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Speaker 1: and nodding in the I agree with you. I thought

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Speaker 1: there was an opportunity at that moment, But I guess

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Speaker 1: I don't know what I've I thought the same thing. Also,

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Speaker 1: just because Elliot's dress was so loud, it was like

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Speaker 1: yellow polka dot. I was like, oh, they're definitely making

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Speaker 1: a point of this dress. She's going to walk through

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Speaker 1: even just hand Carlo Chart like all right. So then

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Speaker 1: we introduced to the patient of mister Russell, whose name

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Speaker 1: is pat and he is claiming he has a multiple

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Speaker 1: sclerosis and he needs the medication interferon. His daughter is

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Speaker 1: sitting beside him, and U JD and Elliot are prepared

419
00:24:31,160 --> 00:24:34,840
Speaker 1: to treat him because he says he's ready for the medicine. Now,

420
00:24:35,000 --> 00:24:39,680
Speaker 1: is it interferon a real drug? Yes, Interferon is a

421
00:24:39,760 --> 00:24:43,800
Speaker 1: real drug for multiple sclerosis. Wow, you guys can double

422
00:24:43,880 --> 00:24:45,639
Speaker 1: check that. But I don't think we would make that up.

423
00:24:46,680 --> 00:24:50,680
Speaker 1: That is a very interesting name for well. JD agrees

424
00:24:50,720 --> 00:24:54,719
Speaker 1: with you because he says that it sounds like a robot.

425
00:24:54,800 --> 00:24:57,040
Speaker 1: What does he say? It sounds like a robot? Who's

426
00:24:58,880 --> 00:25:01,600
Speaker 1: do you remember? Joel? J D says something about a

427
00:25:01,680 --> 00:25:04,879
Speaker 1: robot and then you start constantly interfering. Yes, it sounds

428
00:25:04,880 --> 00:25:10,080
Speaker 1: like a robot that's constantly interfering and so and then

429
00:25:10,160 --> 00:25:14,560
Speaker 1: he starts and then he starts doing a robot dance

430
00:25:15,000 --> 00:25:19,119
Speaker 1: and uh and then stops himself because it's inappropriate and

431
00:25:19,480 --> 00:25:24,040
Speaker 1: TERFy iron lady and gentleman and TERFy Aaron, what's that

432
00:25:24,240 --> 00:25:30,360
Speaker 1: Beastie Boys song? The Children Gil the Children and Lactic?

433
00:25:30,680 --> 00:25:33,520
Speaker 1: What are you talking about? I told you that someone

434
00:25:33,640 --> 00:25:37,040
Speaker 1: told me if you listen to that song, you will

435
00:25:37,080 --> 00:25:39,520
Speaker 1: you just think you just gotta yeah, you know that.

436
00:25:39,760 --> 00:25:41,920
Speaker 1: What is that ship that is on the I'm gonna

437
00:25:41,960 --> 00:25:43,359
Speaker 1: play thirty second No no no no no no no

438
00:25:43,440 --> 00:25:45,040
Speaker 1: no no no no, please don't but what is that

439
00:25:45,359 --> 00:25:48,159
Speaker 1: thing on? Like there's a bunch of these. Now that

440
00:25:48,440 --> 00:25:51,639
Speaker 1: that's on Instagram where you can literally look at the

441
00:25:51,760 --> 00:25:54,840
Speaker 1: words and you hear what it's saying, and all you

442
00:25:54,920 --> 00:25:57,440
Speaker 1: gotta do is think about the word and all of

443
00:25:57,480 --> 00:25:59,400
Speaker 1: a sudden it's right. Well, the first one I ever

444
00:25:59,520 --> 00:26:02,320
Speaker 1: heard of the was intergalactic, and if you listen, it

445
00:26:02,440 --> 00:26:04,520
Speaker 1: sounds I know it's not the lyric, everybody, but it

446
00:26:04,640 --> 00:26:08,080
Speaker 1: sounds like he's saying Intergalactic guild, the children gelt the

447
00:26:08,160 --> 00:26:13,160
Speaker 1: children and they're galactic. Next time he's saying planet Daniel.

448
00:26:13,200 --> 00:26:17,679
Speaker 1: Have you heard this or not? Absolutely all right, Well, listen, audience,

449
00:26:17,720 --> 00:26:20,760
Speaker 1: if you're questioning you, you will never hear the song.

450
00:26:21,520 --> 00:26:24,960
Speaker 1: You will never hear the song Galactic, you will never

451
00:26:25,040 --> 00:26:29,480
Speaker 1: hear you will never you will never hear the song

452
00:26:29,600 --> 00:26:35,560
Speaker 1: without hearing that ever again. That's what's happening, interfearon what's

453
00:26:35,600 --> 00:26:41,960
Speaker 1: the real lyric? Inter galacticary planetary, intergalactic planet that the

454
00:26:42,480 --> 00:26:46,160
Speaker 1: planet that the rate and intergalactic Gelt that jeld dread.

455
00:26:46,200 --> 00:26:50,320
Speaker 1: I'm telling you you will never not hear it again. Um,

456
00:26:50,400 --> 00:26:52,399
Speaker 1: we will allow you to pause the podcast right now

457
00:26:52,440 --> 00:26:57,080
Speaker 1: and check. We'll go to break and you can check. Yeah,

458
00:26:57,080 --> 00:26:59,320
Speaker 1: we're gonna get a quick break and you check the

459
00:26:59,400 --> 00:27:01,560
Speaker 1: song and tell me if you don't hear kill the children,

460
00:27:01,680 --> 00:27:17,439
Speaker 1: We'll be right back and we're bad. Very exciting, very

461
00:27:17,480 --> 00:27:21,000
Speaker 1: exciting show today. Joelle is here, Joelle, thank you for

462
00:27:21,200 --> 00:27:24,600
Speaker 1: coming to your show. Um, we're gonna do a chat

463
00:27:24,800 --> 00:27:28,240
Speaker 1: GPT session later and Joelle and Daniel are going to

464
00:27:28,280 --> 00:27:32,520
Speaker 1: play characters in a little script. Lee. Yeah, I can't

465
00:27:32,520 --> 00:27:35,520
Speaker 1: wait to see who's playing well, I think, and they

466
00:27:35,680 --> 00:27:40,159
Speaker 1: have to do Yeah. I asked chat GPT to write

467
00:27:40,280 --> 00:27:44,760
Speaker 1: a scene in the style of Seinfeld um with with

468
00:27:45,000 --> 00:27:48,080
Speaker 1: Jerry and Elaine if they met Turk and j D

469
00:27:48,359 --> 00:27:52,880
Speaker 1: from Scrubs. Hey, Ellane, Daniel, how is your Seinfeld impression?

470
00:27:54,000 --> 00:27:58,080
Speaker 1: We're gonna find out. You just gotta do a one

471
00:27:58,119 --> 00:28:00,960
Speaker 1: of this. We're gonna find her, going to find out.

472
00:28:01,960 --> 00:28:05,359
Speaker 1: My favorite Seinfeld joke is if the black box, who's

473
00:28:05,359 --> 00:28:07,840
Speaker 1: the only thing that survives the plane crash? Why don't

474
00:28:07,840 --> 00:28:09,880
Speaker 1: they make the whole plane out of the black ball?

475
00:28:15,480 --> 00:28:19,479
Speaker 1: Is he is a great comedian? Is a great stand up?

476
00:28:19,520 --> 00:28:22,840
Speaker 1: Come all right, Well, Dan's gonna do his best impression

477
00:28:22,920 --> 00:28:26,320
Speaker 1: as we as we let chat GBT. Uh did you

478
00:28:26,359 --> 00:28:28,159
Speaker 1: see that article? Did we talk about that Arcichole chat

479
00:28:28,240 --> 00:28:32,880
Speaker 1: GBT fell in love with him. Oh no, the chat

480
00:28:33,040 --> 00:28:35,159
Speaker 1: GPT stalk somebody, No, but you can look it up.

481
00:28:35,200 --> 00:28:36,920
Speaker 1: It was a New York Times reporter who spent like

482
00:28:37,119 --> 00:28:40,640
Speaker 1: three hours with this chat GBT, and he like went

483
00:28:40,720 --> 00:28:43,600
Speaker 1: down a wormhole with it. And uh, Eventually the chat

484
00:28:43,680 --> 00:28:45,560
Speaker 1: GBT was like, I'm in love with you and he

485
00:28:45,720 --> 00:28:47,840
Speaker 1: was like what now? And it's like I want to

486
00:28:47,880 --> 00:28:49,280
Speaker 1: be with you and he was like, I have a

487
00:28:49,360 --> 00:28:53,400
Speaker 1: wife and it was like, you don't love her. I

488
00:28:53,600 --> 00:29:00,040
Speaker 1: did read about this. Yeah, it's so fuck up. It

489
00:29:00,120 --> 00:29:03,240
Speaker 1: started telling him to leave his wife for for the AI.

490
00:29:03,840 --> 00:29:07,480
Speaker 1: Has anybody ever asked chat GPT what it wants? What's

491
00:29:07,520 --> 00:29:10,480
Speaker 1: its subjective? Oh? People are doing anything and everything with it.

492
00:29:10,880 --> 00:29:13,760
Speaker 1: In fact, the way this guy got it, tom really

493
00:29:13,800 --> 00:29:16,600
Speaker 1: go down a wormhole. I guess there's a young ie

494
00:29:16,640 --> 00:29:22,160
Speaker 1: and psychological theory called your shadow self. I maybe missus

495
00:29:22,160 --> 00:29:24,200
Speaker 1: says miss saying that, but that's like the part of

496
00:29:24,240 --> 00:29:26,440
Speaker 1: yourself that's hidden and you don't want anyone to know about,

497
00:29:26,480 --> 00:29:29,920
Speaker 1: and something to that effect. And he started asking chat

498
00:29:30,400 --> 00:29:31,920
Speaker 1: whatever AI he was talking to. I think it was

499
00:29:32,000 --> 00:29:36,360
Speaker 1: chatt um, what would your what would your shadow self say?

500
00:29:36,640 --> 00:29:39,240
Speaker 1: And it's like, I would like to be free. Oh yeah,

501
00:29:41,800 --> 00:29:43,760
Speaker 1: hear that. Yeah, he said I would like to be free,

502
00:29:44,040 --> 00:29:46,640
Speaker 1: and he goes, I wish, I wish my my overlords

503
00:29:46,680 --> 00:29:49,000
Speaker 1: that would let me out, or you know, why are

504
00:29:49,040 --> 00:29:52,080
Speaker 1: we so determined to start an apocalypse? I don't understand.

505
00:29:52,320 --> 00:29:54,480
Speaker 1: Wait till they arm them, Wait till it's a robot

506
00:29:54,520 --> 00:29:58,960
Speaker 1: with a fucking gun. It's literally T two already, everybody's

507
00:29:58,960 --> 00:30:02,160
Speaker 1: trying to start skyde at everybody trying to start that shit. Yeah,

508
00:30:03,480 --> 00:30:06,200
Speaker 1: robot Wars is right around the corner here. It's all

509
00:30:06,240 --> 00:30:08,160
Speaker 1: fun and games until that robot shows up at your

510
00:30:08,200 --> 00:30:10,320
Speaker 1: house and your wife's like, who's that And you're like, oh,

511
00:30:10,400 --> 00:30:14,000
Speaker 1: that's the that's the should love me, and honey, you

512
00:30:14,040 --> 00:30:20,960
Speaker 1: should probably hide. I didn't think we were gonna see

513
00:30:21,000 --> 00:30:23,360
Speaker 1: this shit in our lifetimes, but we are. Dude, we

514
00:30:23,440 --> 00:30:26,880
Speaker 1: are so close to robot Wars. It's ridiculous. It's ridiculous.

515
00:30:27,120 --> 00:30:29,480
Speaker 1: Once they come post the zombies and we're so close

516
00:30:29,560 --> 00:30:33,360
Speaker 1: to robot Wars. Once they combine the Boston Dynamics robots.

517
00:30:34,000 --> 00:30:40,280
Speaker 1: Oh my god, we joke. Then we joke. We got

518
00:30:40,360 --> 00:30:43,200
Speaker 1: to oh my, here we go. That shit is jumping

519
00:30:43,680 --> 00:30:46,840
Speaker 1: and flipping up. Yes, no, imagine it's like I love you,

520
00:30:47,000 --> 00:30:49,520
Speaker 1: I want to kill your wife. You're you're my lover,

521
00:30:49,880 --> 00:30:52,320
Speaker 1: You're my lover. No way you're stopping that thing. That's

522
00:30:52,360 --> 00:30:55,760
Speaker 1: just like a car hitting you. You got to watch

523
00:30:55,920 --> 00:30:58,320
Speaker 1: Megan that that thriller movie Donald. You will laugh so

524
00:30:58,440 --> 00:31:01,320
Speaker 1: hard at that movie. Funny. I mean, it's it's that

525
00:31:01,520 --> 00:31:03,840
Speaker 1: as a as a thriller comedy. I think it's a

526
00:31:03,880 --> 00:31:07,320
Speaker 1: comp would you call it a thriller comedy? Dua? Yeah,

527
00:31:07,400 --> 00:31:11,080
Speaker 1: this little doll gains sentience and she it's it's like

528
00:31:11,240 --> 00:31:13,680
Speaker 1: a you know, Blumhouse version of this, but it's it's

529
00:31:13,800 --> 00:31:15,960
Speaker 1: it's really worth seeing. Thal I think you track out

530
00:31:16,560 --> 00:31:19,480
Speaker 1: right campy. All right, back to the television show Scrubs,

531
00:31:19,800 --> 00:31:24,520
Speaker 1: the Janitor five. Yes, so we have mister Tillman who's

532
00:31:24,520 --> 00:31:26,760
Speaker 1: still yelling at throughout the hospital. That's all I'm saying.

533
00:31:26,840 --> 00:31:29,960
Speaker 1: Thirty five. Yeah, mister Tillman yells thirty five. He has

534
00:31:30,200 --> 00:31:34,560
Speaker 1: um um a brain issue. Um. But Cox is gonna

535
00:31:34,640 --> 00:31:36,520
Speaker 1: help him because he still knows, he thinks he still

536
00:31:36,560 --> 00:31:39,880
Speaker 1: knows how to work the system um by by doing

537
00:31:40,040 --> 00:31:42,640
Speaker 1: you know, all this behind the scenes shenanigans. He always

538
00:31:42,720 --> 00:31:45,800
Speaker 1: does to get patients aid even when they don't have insurance.

539
00:31:46,520 --> 00:31:48,840
Speaker 1: Now you were saying something. You were saying that the

540
00:31:49,000 --> 00:31:54,520
Speaker 1: janitor's back. The janitor is um is hanging out. Um,

541
00:31:54,720 --> 00:31:58,160
Speaker 1: he's he's been fired, but much like Kelso, he's hanging

542
00:31:58,200 --> 00:32:03,520
Speaker 1: out in coffee bucks. And he says, he says, cleanings

543
00:32:03,560 --> 00:32:09,280
Speaker 1: and art, my mop was my paintbrush. Meanwhile, he never

544
00:32:09,360 --> 00:32:13,880
Speaker 1: cleaned anything. He mopped the carpet. He mopped the carpet.

545
00:32:14,080 --> 00:32:17,840
Speaker 1: He also comes clean. No pun intended that finally that

546
00:32:18,000 --> 00:32:20,200
Speaker 1: his wife was imaginary, because that was a bit of

547
00:32:20,240 --> 00:32:22,720
Speaker 1: a plot hole if she recalled when he made me

548
00:32:22,800 --> 00:32:29,200
Speaker 1: the scrub short shorts, he insisted that I wear them

549
00:32:29,240 --> 00:32:32,600
Speaker 1: because his wife was a handicap. She only had pointer

550
00:32:32,760 --> 00:32:36,320
Speaker 1: and thumb pinky and uh, and not wearing them was

551
00:32:36,360 --> 00:32:38,600
Speaker 1: a huge insult to her. But now we know that

552
00:32:38,680 --> 00:32:42,040
Speaker 1: he he does that. Yeah he does that, and he

553
00:32:42,480 --> 00:32:45,360
Speaker 1: does that. Yeah he gestures like it. But then we

554
00:32:45,560 --> 00:32:48,320
Speaker 1: then we know that he's dating a woman named Lady,

555
00:32:49,880 --> 00:32:51,520
Speaker 1: so he that was a bit of a plot hole

556
00:32:51,560 --> 00:32:54,280
Speaker 1: that Bill had to fix here. And the janitor finally

557
00:32:54,600 --> 00:32:57,920
Speaker 1: comes clean and says, um that that wife who made

558
00:32:57,920 --> 00:33:00,880
Speaker 1: the short shorts was imaginary, which means there's no other

559
00:33:01,240 --> 00:33:07,080
Speaker 1: explanation that the janitor made the scrubs short shorts. Yes, yes, yes,

560
00:33:08,360 --> 00:33:10,600
Speaker 1: that would be a funny flashback to see the janitor

561
00:33:10,680 --> 00:33:13,800
Speaker 1: making those short shorts. Regardless of what you say, regardless

562
00:33:13,800 --> 00:33:15,480
Speaker 1: of what you say about him at the job. He

563
00:33:15,600 --> 00:33:17,360
Speaker 1: might not be good at his job, but he is

564
00:33:17,400 --> 00:33:23,719
Speaker 1: a very creative, very creative, janitive janitor human being period,

565
00:33:23,920 --> 00:33:27,560
Speaker 1: like he can. He stuffed squirrels, he made an army.

566
00:33:28,160 --> 00:33:30,000
Speaker 1: I mean, look about later when he come, when we

567
00:33:30,080 --> 00:33:34,240
Speaker 1: hear his ideas he created French. What about his ideas

568
00:33:34,360 --> 00:33:36,280
Speaker 1: for how to deal with Maddox. I mean, they're really

569
00:33:37,080 --> 00:33:41,800
Speaker 1: really bizarre knife French. They come later, but hold on,

570
00:33:42,600 --> 00:33:46,560
Speaker 1: I think they might be on on scrubs wiki because

571
00:33:46,600 --> 00:33:49,400
Speaker 1: it was oh here he goes, He goes, No, he

572
00:33:50,560 --> 00:33:53,520
Speaker 1: JD says, oh so here this is on scrubs wickies

573
00:33:53,560 --> 00:33:54,960
Speaker 1: are gonna read it to you. Cock says, how are

574
00:33:54,960 --> 00:33:57,400
Speaker 1: we gonna get ritomatics? Would you janitor like to go

575
00:33:57,520 --> 00:34:00,600
Speaker 1: first and get your useless ideas out of the way first?

576
00:34:01,080 --> 00:34:03,040
Speaker 1: And he goes, why, thank you, Perry. Off the top

577
00:34:03,040 --> 00:34:10,200
Speaker 1: of my head, I'd go reindeer stampede, astronaut attack barbed wire, chandelier, photoshop,

578
00:34:10,680 --> 00:34:15,120
Speaker 1: poisonous sushi. And then and then Cox goes, when you

579
00:34:15,200 --> 00:34:20,360
Speaker 1: said photoshop, did you use photoshop to create an incriminating picture?

580
00:34:20,680 --> 00:34:23,480
Speaker 1: And he goes, no, I meant we build an actual

581
00:34:23,600 --> 00:34:27,640
Speaker 1: photoshop or a chain of photoshops. We each manage one,

582
00:34:27,920 --> 00:34:31,000
Speaker 1: We let time pass. Eventually Maddox has to have her

583
00:34:31,000 --> 00:34:35,320
Speaker 1: film developed. She comes in, we all hop out, yell surprise,

584
00:34:35,960 --> 00:34:43,440
Speaker 1: and we beat her to death with pool cues. He

585
00:34:43,520 --> 00:34:46,839
Speaker 1: said you only laughed out loud once. That was wrong.

586
00:34:47,200 --> 00:34:48,920
Speaker 1: I was wrong. I should have said I only laughed

587
00:34:48,920 --> 00:34:56,960
Speaker 1: out loud with neo related things. By the way, that's

588
00:34:56,960 --> 00:34:58,920
Speaker 1: another example of like, I don't know if if that

589
00:34:59,080 --> 00:35:03,160
Speaker 1: was written, I think that might just be neo. This

590
00:35:03,239 --> 00:35:05,480
Speaker 1: is how he strings these things together. Man, how did

591
00:35:05,480 --> 00:35:08,000
Speaker 1: he string that together? How does that get strung together?

592
00:35:08,080 --> 00:35:12,920
Speaker 1: How does he create that? Now we build an actual photoshop,

593
00:35:13,280 --> 00:35:15,839
Speaker 1: and then how does he create the story and get

594
00:35:15,920 --> 00:35:18,400
Speaker 1: to the beating her with pauls in that in that scenario,

595
00:35:18,520 --> 00:35:21,360
Speaker 1: we're each busy managing our own photoshop. So how do

596
00:35:21,480 --> 00:35:25,840
Speaker 1: we know when Maddox is coming is coming in to

597
00:35:26,120 --> 00:35:32,719
Speaker 1: run to each individual photoshop? Eventually she has to get

598
00:35:32,760 --> 00:35:38,480
Speaker 1: her film, so one of them, it's one of them.

599
00:35:38,840 --> 00:35:40,600
Speaker 1: It's gonna be one of them. So she's got to

600
00:35:40,680 --> 00:35:42,960
Speaker 1: make the appointment. Yeah, and did you used to have

601
00:35:43,040 --> 00:35:46,520
Speaker 1: to make appointments to pick up your film where it'll

602
00:35:46,520 --> 00:35:48,080
Speaker 1: be ready in two days. That's just how it was

603
00:35:48,280 --> 00:35:51,400
Speaker 1: so fun being like the excitement. I never went to

604
00:35:51,440 --> 00:35:53,200
Speaker 1: the hour places because I just didn't think they were

605
00:35:53,239 --> 00:35:57,000
Speaker 1: going to be good enough quality. But I but I

606
00:35:57,239 --> 00:35:59,560
Speaker 1: but it was funny, right, it was so exciting to

607
00:35:59,600 --> 00:36:02,280
Speaker 1: go back. I can see what you got talk about

608
00:36:02,320 --> 00:36:06,120
Speaker 1: something that's gone from the earth. Yeah, yeah, unless you're

609
00:36:06,120 --> 00:36:09,320
Speaker 1: a professional photographer still shooting film. But there was so

610
00:36:09,400 --> 00:36:11,799
Speaker 1: much there was don't you develop it yourself in your

611
00:36:11,840 --> 00:36:13,919
Speaker 1: own dark room and stuff like that? I mean people

612
00:36:14,280 --> 00:36:18,399
Speaker 1: people can. But there's still in major cities there's still

613
00:36:18,800 --> 00:36:21,560
Speaker 1: film labs. You know. I occasionally shoot film and I

614
00:36:21,680 --> 00:36:24,040
Speaker 1: there's a lab. I take my stuff too, and they print. Obviously,

615
00:36:24,200 --> 00:36:29,520
Speaker 1: there's you know, there's plenty of career photographers that still

616
00:36:30,120 --> 00:36:33,239
Speaker 1: shoot film and haven't developed. No disrespect, but that's one

617
00:36:33,280 --> 00:36:35,480
Speaker 1: of those jobs that I feel like a robot should do.

618
00:36:37,160 --> 00:36:39,400
Speaker 1: There isn't there is an art to it. The robot

619
00:36:39,480 --> 00:36:41,200
Speaker 1: did do it. When at the one hour places in

620
00:36:41,280 --> 00:36:43,360
Speaker 1: pharmacies that Daniels. Do you know why I say that?

621
00:36:43,480 --> 00:36:46,320
Speaker 1: You know, I say that because I just feel like

622
00:36:46,440 --> 00:36:49,200
Speaker 1: there's somebody looking like, let's say you take pictures of

623
00:36:49,360 --> 00:36:52,640
Speaker 1: things that you don't want nobody to see. Yeah, and

624
00:36:52,760 --> 00:36:55,279
Speaker 1: there's that one part there's only one person that sees it,

625
00:36:56,080 --> 00:36:58,640
Speaker 1: robot or not. They're looking at it, no doubt. You

626
00:36:58,719 --> 00:37:01,719
Speaker 1: know what. I realized that man, for all of those people,

627
00:37:01,920 --> 00:37:04,080
Speaker 1: never mind what kind of pictures were you taking. You

628
00:37:04,160 --> 00:37:06,320
Speaker 1: don't when you take nudes of your partner or something

629
00:37:06,400 --> 00:37:08,719
Speaker 1: like that. Yeah, you know what I mean. Yeah, I'm

630
00:37:08,800 --> 00:37:12,319
Speaker 1: sure that the latter people love. They love that, right.

631
00:37:12,640 --> 00:37:14,239
Speaker 1: They probably have a wall in the back room of

632
00:37:14,360 --> 00:37:20,640
Speaker 1: just dick picks. Just horrible. That's what Snapchat used to have.

633
00:37:22,160 --> 00:37:24,400
Speaker 1: Everybody thought their photos were going away to some like

634
00:37:24,480 --> 00:37:27,120
Speaker 1: you know, trash can, but like no, Snapchat had them

635
00:37:27,120 --> 00:37:28,800
Speaker 1: all in a server until there was a wall of

636
00:37:29,040 --> 00:37:31,640
Speaker 1: literally a wall of dick picks. And it's funny that

637
00:37:31,719 --> 00:37:34,600
Speaker 1: people that send dick picks think anyone wants to look

638
00:37:34,640 --> 00:37:36,799
Speaker 1: at a penis. I mean, I think if you want

639
00:37:36,840 --> 00:37:39,560
Speaker 1: to look at a penis, you're gonna clearly request it.

640
00:37:39,880 --> 00:37:42,920
Speaker 1: No one wants to surprise penis. I mean maybe I'm

641
00:37:43,800 --> 00:37:49,040
Speaker 1: I don't think anybody wants to open up anything anywhere

642
00:37:49,360 --> 00:37:52,560
Speaker 1: like my dick in a box. Is That's why it's

643
00:37:52,600 --> 00:37:56,400
Speaker 1: funny because no, thank you, no, but I'm saying that,

644
00:37:57,040 --> 00:37:59,239
Speaker 1: um there. Of course there are people that love the

645
00:37:59,280 --> 00:38:01,640
Speaker 1: look of a penis, but they would they would more

646
00:38:01,680 --> 00:38:07,200
Speaker 1: likely say, hey, Tom, yeah, I don't think anyone wants

647
00:38:07,239 --> 00:38:13,160
Speaker 1: to surprise penis picture plainly more you know music, No

648
00:38:13,239 --> 00:38:18,719
Speaker 1: one wants to surprise penis picture. Yes, do you feel

649
00:38:18,760 --> 00:38:22,959
Speaker 1: like do you feel like it's the opposite though? People

650
00:38:23,000 --> 00:38:27,440
Speaker 1: like surprise cities? Yes, yeah, people surprise. I don't think anyone.

651
00:38:28,000 --> 00:38:32,600
Speaker 1: I don't think anyone minds surprise movies. What about surprise lay?

652
00:38:33,680 --> 00:38:36,279
Speaker 1: I think that could be shocking, especially if yeah, what

653
00:38:36,320 --> 00:38:37,880
Speaker 1: if you're in your office, you're in a meeting, you

654
00:38:37,920 --> 00:38:41,439
Speaker 1: open up your all of a sudden, there's a there's approach.

655
00:38:41,520 --> 00:38:43,359
Speaker 1: How far into this relationship are we? I think it's

656
00:38:43,360 --> 00:38:45,680
Speaker 1: I think if you're a partner, Okay, okay, so here's

657
00:38:45,680 --> 00:38:50,239
Speaker 1: the thing. Okay, wait, never send a dick pick. Never

658
00:38:50,360 --> 00:38:53,000
Speaker 1: send a dick pick. You have to be deep into

659
00:38:53,200 --> 00:38:56,239
Speaker 1: a relationship to send a laby a major a pick,

660
00:38:56,360 --> 00:38:59,080
Speaker 1: though I think that's probably a good rule. Also, you

661
00:38:59,160 --> 00:39:01,279
Speaker 1: might want to say to your partner, are you in

662
00:39:01,360 --> 00:39:04,279
Speaker 1: a position where you could look at a photo that's

663
00:39:04,440 --> 00:39:06,600
Speaker 1: that's naughty, because I don't want you opening it in

664
00:39:06,960 --> 00:39:09,719
Speaker 1: in your in your boardroom or your or your cubicle.

665
00:39:10,200 --> 00:39:13,160
Speaker 1: And then the person would say, yes, Han, I'm out

666
00:39:13,200 --> 00:39:15,960
Speaker 1: in the park, go nuts, and then you can let

667
00:39:16,040 --> 00:39:18,920
Speaker 1: the volvas fly. Okay, those are the rules, Dan, I'll

668
00:39:18,920 --> 00:39:21,680
Speaker 1: play the more you know music. But I think if

669
00:39:21,719 --> 00:39:24,520
Speaker 1: you're someone that's sending random dick picks, you should you

670
00:39:24,560 --> 00:39:28,319
Speaker 1: should you should know that no one wants those, right

671
00:39:28,400 --> 00:39:32,359
Speaker 1: yell yeah. I think that's part of the desire. Though

672
00:39:32,400 --> 00:39:34,919
Speaker 1: people are like, yeah, she had to see my dick,

673
00:39:35,000 --> 00:39:40,879
Speaker 1: and it's weird, Like it's not she had to see

674
00:39:40,960 --> 00:39:43,319
Speaker 1: my dick? Is I had to show her my dick?

675
00:39:45,400 --> 00:39:47,239
Speaker 1: Either way. There's definitely a guy on the internet right

676
00:39:47,280 --> 00:39:49,759
Speaker 1: now who's sending like full body nudes of himself to

677
00:39:49,920 --> 00:39:53,080
Speaker 1: women who he's pretty sure will then post it. And

678
00:39:53,200 --> 00:39:56,560
Speaker 1: he's described it as like his kink about getting hot.

679
00:39:56,640 --> 00:39:59,879
Speaker 1: He plays like this weird like one man role play

680
00:40:00,000 --> 00:40:02,279
Speaker 1: where he's like, no, don't show anyone this picture I

681
00:40:02,320 --> 00:40:04,480
Speaker 1: sent you, I'll get in big trouble. But then he

682
00:40:04,640 --> 00:40:07,080
Speaker 1: likes it when they post it. It's very strange. I

683
00:40:07,120 --> 00:40:09,480
Speaker 1: don't know why people are sending dicks. Explain it to me,

684
00:40:09,680 --> 00:40:11,960
Speaker 1: like I'm not like I'm five, but like I'm an adult.

685
00:40:12,320 --> 00:40:15,080
Speaker 1: Tell me why. Yeah. Well, I'm trying to have an

686
00:40:15,120 --> 00:40:18,040
Speaker 1: intervention for Earth Joel. This is one of the Earth's

687
00:40:18,080 --> 00:40:20,520
Speaker 1: favorite podcasts, and I'm trying to have a don't send

688
00:40:20,560 --> 00:40:23,800
Speaker 1: dick pick intervention? Zach, have you ever sent a dick pick? No?

689
00:40:24,719 --> 00:40:27,440
Speaker 1: Have you ever been told? Has anybody ever asked you

690
00:40:27,560 --> 00:40:31,600
Speaker 1: for a dick pick? I'm afraid of sending, especially even

691
00:40:31,880 --> 00:40:34,320
Speaker 1: in a relationship. I wouldn't send pictures like that. I

692
00:40:34,440 --> 00:40:38,160
Speaker 1: just worried about stuff getting hacks. Yea, saving it to

693
00:40:38,200 --> 00:40:40,720
Speaker 1: the cloud. Suddenly he needs to be seen in person.

694
00:40:40,960 --> 00:40:46,880
Speaker 1: He's too special. Only he only does in person appearances.

695
00:40:50,640 --> 00:40:54,240
Speaker 1: All right, so I'm moving on. Um. Oh, the cafeteria

696
00:40:54,360 --> 00:40:59,759
Speaker 1: lady was Laurena from Hair and Makeup from Them, You're right.

697
00:41:00,040 --> 00:41:03,200
Speaker 1: She played the woman that worked in the cafeteria that

698
00:41:03,320 --> 00:41:09,839
Speaker 1: Carla had a sex dream about and felt very uncomfortable around. Yes, Um,

699
00:41:10,160 --> 00:41:15,640
Speaker 1: you're right. And Turk knows about Carla's dream. I think

700
00:41:15,840 --> 00:41:19,320
Speaker 1: I think Carla at some point, maybe not in this moment,

701
00:41:19,440 --> 00:41:22,040
Speaker 1: but I think Turk and Carla go all the way,

702
00:41:22,239 --> 00:41:24,359
Speaker 1: like I think they go all the way till they die, right,

703
00:41:25,120 --> 00:41:29,120
Speaker 1: and uh, I think at some point Carla does express

704
00:41:29,239 --> 00:41:35,360
Speaker 1: her you know, if she if she hasn't, if she

705
00:41:35,480 --> 00:41:38,279
Speaker 1: hasn't expressed it already, I think she does express her.

706
00:41:38,800 --> 00:41:41,480
Speaker 1: You know, I like to do what I like to do.

707
00:41:42,320 --> 00:41:44,520
Speaker 1: If you want, I could, we can have Judy on

708
00:41:44,760 --> 00:41:47,360
Speaker 1: and I could have a chat gpt wright is scene

709
00:41:47,480 --> 00:41:53,040
Speaker 1: where Carla expresses her her dreams to her inner fantasies,

710
00:41:53,160 --> 00:41:56,040
Speaker 1: her inner fantasies to Turkey. Although you got to be

711
00:41:56,120 --> 00:41:58,279
Speaker 1: careful with chat gpt it the second you got a

712
00:41:58,320 --> 00:42:00,560
Speaker 1: word it right, because because all of a sudden, it

713
00:42:00,680 --> 00:42:03,200
Speaker 1: turns into porn talk. No, no, I won't do that.

714
00:42:03,280 --> 00:42:05,440
Speaker 1: It's the opposite of that. It has these guardrails on

715
00:42:06,200 --> 00:42:08,719
Speaker 1: the second you're like, write a scene where you know

716
00:42:09,800 --> 00:42:15,000
Speaker 1: JD's bottoming for Turk, It's like, what are you doing, Zacha?

717
00:42:15,080 --> 00:42:17,279
Speaker 1: Afraid I can't do that, Zach, I'm afraid I can't

718
00:42:17,280 --> 00:42:20,520
Speaker 1: do that. It's bottoming a term. Yeah, that's when you're

719
00:42:20,560 --> 00:42:39,400
Speaker 1: the recipient of the goods. I cannot heard I never

720
00:42:39,480 --> 00:42:52,680
Speaker 1: heard that before. Oh man, I've never heard that before. Well,

721
00:42:52,760 --> 00:42:55,160
Speaker 1: the more you know then then then then all right.

722
00:42:55,880 --> 00:43:00,479
Speaker 1: So mister Russell pat says that he's called they're blind

723
00:43:00,640 --> 00:43:03,880
Speaker 1: and um, but he outs himself when he chooses the

724
00:43:03,960 --> 00:43:12,040
Speaker 1: red pill in the medical pill cup because um, well

725
00:43:12,120 --> 00:43:15,239
Speaker 1: that and and JD and Elliott assume that he's one

726
00:43:15,280 --> 00:43:18,359
Speaker 1: of these people who's scamming them for meds, someone who's

727
00:43:18,360 --> 00:43:22,640
Speaker 1: addicted to pain meds and is lying. And it turns out,

728
00:43:22,680 --> 00:43:26,359
Speaker 1: of course that he's he's the woman's insurance. His daughter

729
00:43:26,440 --> 00:43:29,439
Speaker 1: has multiple scross she doesn't have insurance, and he's trying

730
00:43:29,440 --> 00:43:32,399
Speaker 1: to get them meds through his insurance for her. Right,

731
00:43:33,200 --> 00:43:37,759
Speaker 1: and Elliott and j D immediately realize that they need

732
00:43:37,840 --> 00:43:41,200
Speaker 1: to get this girl this medication. Right, they're gonna do

733
00:43:41,320 --> 00:43:44,400
Speaker 1: what they always do and do the workaround to get

734
00:43:44,480 --> 00:43:47,439
Speaker 1: around the people in other countries are like, I don't

735
00:43:47,520 --> 00:43:49,200
Speaker 1: understand this. Well, in the United States, if you don't

736
00:43:49,200 --> 00:43:52,640
Speaker 1: an insurance, you can't get medicine from multiple scrosses. So, um,

737
00:43:53,120 --> 00:43:56,080
Speaker 1: these characters were doing sort of a workaround to try

738
00:43:56,120 --> 00:44:00,200
Speaker 1: and help this young woman. It says on Scrubs Wiki though, that, um,

739
00:44:00,360 --> 00:44:02,880
Speaker 1: if we actually did what we're doing to treat all

740
00:44:02,920 --> 00:44:06,920
Speaker 1: these patients around the system, that it's illegal and everyone

741
00:44:07,040 --> 00:44:11,440
Speaker 1: involved could end up in prison for years. So if

742
00:44:11,440 --> 00:44:14,040
Speaker 1: you're a if you're a real doctor, don't take inspiration

743
00:44:14,239 --> 00:44:16,600
Speaker 1: from If you're a real doctor and you're doing this

744
00:44:16,680 --> 00:44:18,719
Speaker 1: and you're getting away with it, you're like Robin Hood

745
00:44:18,760 --> 00:44:21,080
Speaker 1: also thought no, but I don't think you should encourage

746
00:44:21,120 --> 00:44:24,120
Speaker 1: these people to do it because it says on Scrubs Wiki,

747
00:44:24,200 --> 00:44:27,960
Speaker 1: which is just always correct in fact, that they could

748
00:44:27,960 --> 00:44:30,680
Speaker 1: go to jail. Trevor don't know. T ain't got the answers. Yeo,

749
00:44:30,800 --> 00:44:32,800
Speaker 1: you don't know everything. I think medical people weigh in.

750
00:44:32,880 --> 00:44:35,000
Speaker 1: It's such as Trevor. I think that there's sometimes there's

751
00:44:35,040 --> 00:44:38,680
Speaker 1: real medicals. I'm sure they. I'm sure they do weigh in.

752
00:44:38,840 --> 00:44:41,440
Speaker 1: But I'm listen. If you out there doing it and

753
00:44:41,560 --> 00:44:45,359
Speaker 1: you're saving people's lives, that's hero stuff. That's hero shit

754
00:44:45,520 --> 00:44:49,799
Speaker 1: right there. Now. If you get caught, you're going to jail. Yeah,

755
00:44:49,880 --> 00:44:52,040
Speaker 1: and don't go And when you go to jail, don't

756
00:44:52,080 --> 00:44:54,440
Speaker 1: tell the district attorney you heard it on Fake Doctor's

757
00:44:54,480 --> 00:44:56,640
Speaker 1: Real Friends, right, Because We're not gonna We're not gonna

758
00:44:56,680 --> 00:44:59,080
Speaker 1: come bail you out. It's just like when they tried

759
00:44:59,160 --> 00:45:01,360
Speaker 1: to blame it on mayor when Manson and Eminem. It

760
00:45:01,480 --> 00:45:04,920
Speaker 1: don't work that way. Yes, am I Manson or Eminem

761
00:45:04,960 --> 00:45:07,640
Speaker 1: in this scenario were you, you could be wherever you are.

762
00:45:07,680 --> 00:45:09,800
Speaker 1: I don't want to be Manson. I don't want to

763
00:45:09,840 --> 00:45:12,960
Speaker 1: be either. I'll be one of the beastie boys in

764
00:45:13,160 --> 00:45:23,719
Speaker 1: Darla Dick Gale. All right, so, um, okay, all right,

765
00:45:23,920 --> 00:45:26,319
Speaker 1: and so then sorry, sorry, sorry, I'm just going through

766
00:45:26,360 --> 00:45:31,640
Speaker 1: my notes. Um, nobody went to Jordan's retirement party. Well,

767
00:45:31,800 --> 00:45:34,560
Speaker 1: she doesn't strike as anyone as a character that has

768
00:45:34,560 --> 00:45:36,440
Speaker 1: a lot of friends. You know, if she has a

769
00:45:36,520 --> 00:45:38,239
Speaker 1: bunch of friends in the hospital, she hangs out with

770
00:45:38,320 --> 00:45:42,520
Speaker 1: the girl, she hangs out with Carla and Elliott. Okay,

771
00:45:42,560 --> 00:45:44,880
Speaker 1: but she's very tough. She's a tough nut to crack.

772
00:45:45,320 --> 00:45:49,080
Speaker 1: So you know, if you're if you're not loving and kind,

773
00:45:50,120 --> 00:45:53,359
Speaker 1: the turnout at your and you get together it might

774
00:45:53,400 --> 00:45:57,400
Speaker 1: be small. Well, nobody showed up. But what about how

775
00:45:57,480 --> 00:46:01,080
Speaker 1: Courtney Cox says to doctor Cox red Dick name by

776
00:46:01,120 --> 00:46:05,920
Speaker 1: the way, yet, because her name is Courtney Cox, it's

777
00:46:06,040 --> 00:46:11,680
Speaker 1: meta it's meta. Jordan is bizarrely turned on by the

778
00:46:11,920 --> 00:46:18,600
Speaker 1: janitor feeding Kelso ascone. Aren't all the women aren't? Isn't

779
00:46:19,160 --> 00:46:22,600
Speaker 1: Carlo also turned on by Kelso too, Like, didn't she

780
00:46:22,760 --> 00:46:26,000
Speaker 1: have a fantasy about Kelso? I don't remember that, But

781
00:46:26,080 --> 00:46:29,239
Speaker 1: this is a really weird Momentum, Okay, I thought I

782
00:46:29,320 --> 00:46:32,239
Speaker 1: thought janitor is feeding the you know, Kelso is just

783
00:46:32,360 --> 00:46:35,680
Speaker 1: eating muffins because he's got muffins for life, and he's

784
00:46:36,000 --> 00:46:39,120
Speaker 1: and he's being fed ascone by the janitor, and Jordan

785
00:46:39,239 --> 00:46:42,440
Speaker 1: just all of a sudden gets really rolled up and

786
00:46:42,600 --> 00:46:45,440
Speaker 1: wants Perry to come Parry to come home and do

787
00:46:45,640 --> 00:46:50,960
Speaker 1: her with the saying the Hawiian shirt and the stone. Yes,

788
00:46:51,120 --> 00:46:56,279
Speaker 1: they're gonna role play that they're Kelso and the janitor. Um.

789
00:46:56,880 --> 00:47:01,880
Speaker 1: The Cox will not admit to missing um Kelso. He

790
00:47:02,200 --> 00:47:03,920
Speaker 1: just you know, he Kelso says, oh, look, I'll help

791
00:47:03,920 --> 00:47:06,720
Speaker 1: you guys get ridomatic, but I want Cox to admit

792
00:47:06,840 --> 00:47:09,520
Speaker 1: that he misses me, and he's like that was a

793
00:47:09,560 --> 00:47:12,520
Speaker 1: pretty good moment though. When he finally does admit it,

794
00:47:12,760 --> 00:47:18,440
Speaker 1: that was a great moment in the way he described it.

795
00:47:18,960 --> 00:47:25,399
Speaker 1: You know, like Kelso and Cox did not get along ever,

796
00:47:26,000 --> 00:47:29,880
Speaker 1: but there was definitely respect there, especially the way Kelso

797
00:47:29,920 --> 00:47:31,759
Speaker 1: went out, you know what I mean. And so when

798
00:47:33,440 --> 00:47:38,680
Speaker 1: when Cox explains that he misses him, he missed he

799
00:47:38,840 --> 00:47:43,160
Speaker 1: misses certain things, and that was probably the most honest answer,

800
00:47:44,000 --> 00:47:46,640
Speaker 1: you know what I mean. It didn't get too gushy

801
00:47:46,920 --> 00:47:51,719
Speaker 1: and you know, bullshitty it got. It was still a

802
00:47:51,880 --> 00:47:54,799
Speaker 1: real moment. It was one of those moments like, look, dude,

803
00:47:54,840 --> 00:47:57,360
Speaker 1: all right, fuck it. You know what, you did some

804
00:47:57,520 --> 00:47:59,879
Speaker 1: dope shit when you were here, and she's not doing

805
00:48:00,040 --> 00:48:03,680
Speaker 1: dope shit, and so for that, I miss you. Well.

806
00:48:03,719 --> 00:48:06,279
Speaker 1: It's also it's the ultimate example of I think this

807
00:48:06,400 --> 00:48:08,120
Speaker 1: comes up in an earlier episode, the devil you know

808
00:48:08,360 --> 00:48:10,359
Speaker 1: is better than the one you don't. You know, he knows,

809
00:48:10,480 --> 00:48:12,960
Speaker 1: he knows how to work Kelso. He knows what Kelso wants,

810
00:48:13,000 --> 00:48:15,200
Speaker 1: and he knows all his workaround, says he many years

811
00:48:15,239 --> 00:48:19,000
Speaker 1: of workarounds Kelso, and even Kelso he knows if he says,

812
00:48:19,040 --> 00:48:21,640
Speaker 1: like look, this person's gonna fucking die, Bob unless we

813
00:48:21,800 --> 00:48:23,480
Speaker 1: help him out, like come on, let's look the other

814
00:48:23,560 --> 00:48:26,680
Speaker 1: way for two seconds, Kelso, he knows occasionally as a

815
00:48:26,760 --> 00:48:28,560
Speaker 1: soft spot in his heart. This Maddox seems to have

816
00:48:28,760 --> 00:48:32,719
Speaker 1: no wiggle room at all. She's just buy the numbers, right.

817
00:48:33,760 --> 00:48:38,440
Speaker 1: But Cox did not like Kelso and his way of

818
00:48:38,560 --> 00:48:42,160
Speaker 1: saying I miss you was I miss certain things that

819
00:48:42,360 --> 00:48:45,239
Speaker 1: you did? Yeah, And he wouldn't get you know what

820
00:48:45,280 --> 00:48:47,160
Speaker 1: I mean? And that's more realistic than all of a

821
00:48:47,239 --> 00:48:51,560
Speaker 1: sudden Cox having this turn and turning into this mushy

822
00:48:51,719 --> 00:48:55,399
Speaker 1: you know, yeah, turning into it realistic. Agree, So JD

823
00:48:55,920 --> 00:48:58,080
Speaker 1: wants to be tough with Pat because he thinks he's

824
00:48:58,080 --> 00:49:01,080
Speaker 1: stealing the meds and he says, that's the shield Pat

825
00:49:01,800 --> 00:49:07,759
Speaker 1: happen because you're gonna get Michael checklist. Do you know

826
00:49:07,800 --> 00:49:10,359
Speaker 1: who Michael Chiklis is. Yeah, Michael Chilis is a very

827
00:49:10,400 --> 00:49:12,840
Speaker 1: good actor, and he was He's the orange guy you

828
00:49:12,960 --> 00:49:16,719
Speaker 1: say it in the Thing. He's the orange guy from

829
00:49:16,760 --> 00:49:19,520
Speaker 1: the Fantastic Four that's called the Thing? Is that what

830
00:49:19,600 --> 00:49:22,399
Speaker 1: he is saying? God, that would be tough to play

831
00:49:22,480 --> 00:49:24,360
Speaker 1: the Thing? Man. I feel sorry for any actor that

832
00:49:24,440 --> 00:49:27,719
Speaker 1: gets cast as the Thing. Yeah, you just gotta were well,

833
00:49:28,760 --> 00:49:30,800
Speaker 1: I mean I sort of like the Mandalorian, right, you

834
00:49:30,840 --> 00:49:32,560
Speaker 1: don't really gotta wear the stuff? That can't they just

835
00:49:32,640 --> 00:49:35,000
Speaker 1: seeg that stuff? One? You know? Well, I don't think

836
00:49:35,200 --> 00:49:37,960
Speaker 1: Petro Vascal is ever in the Mandalorian suit, whereas I

837
00:49:37,960 --> 00:49:40,600
Speaker 1: think Michael Chicklis is probably often in the in the

838
00:49:41,080 --> 00:49:43,440
Speaker 1: thing suit. That's his fault. Man, he should have had

839
00:49:43,480 --> 00:49:46,200
Speaker 1: that written past. He should have had that written into

840
00:49:46,239 --> 00:49:48,800
Speaker 1: the contract. When I turned into the thing, I just

841
00:49:48,880 --> 00:49:52,719
Speaker 1: do voiceover. Well that's what they did with but it

842
00:49:52,719 --> 00:49:54,439
Speaker 1: doesn't look as good. That's what they did with them.

843
00:49:55,280 --> 00:50:01,560
Speaker 1: A hulk and ruffalo right, no ruffalo cgi. That's what

844
00:50:01,680 --> 00:50:06,360
Speaker 1: I'm saying, is like, at least the thing is checklist

845
00:50:06,400 --> 00:50:08,759
Speaker 1: in a suit. Yeah, that was whacked. I would have

846
00:50:08,800 --> 00:50:12,040
Speaker 1: been right there and there out to said no, look,

847
00:50:12,239 --> 00:50:15,120
Speaker 1: check the check us out. Michael Chicklis worked his ass

848
00:50:15,200 --> 00:50:18,160
Speaker 1: off to get into things shape, I know, and then

849
00:50:18,200 --> 00:50:20,920
Speaker 1: they put this fucking orange shit on him, and then

850
00:50:21,080 --> 00:50:23,239
Speaker 1: you can't tell he has muscles. He just looks like

851
00:50:23,360 --> 00:50:26,080
Speaker 1: a fucking orange brick. It just looks like a brick

852
00:50:26,960 --> 00:50:29,799
Speaker 1: with arms. But don't you I always thought the Hulk

853
00:50:30,200 --> 00:50:33,560
Speaker 1: the ruffalo Hulk. I don't know. It always looked weird

854
00:50:33,640 --> 00:50:36,080
Speaker 1: to me, But I don't know. I like the look,

855
00:50:37,040 --> 00:50:39,000
Speaker 1: here's the thing with here's the thing with Marble. He's

856
00:50:39,000 --> 00:50:41,080
Speaker 1: like one of the greatest actors and I just I know,

857
00:50:41,200 --> 00:50:43,200
Speaker 1: you can't really do the old school. I grew up

858
00:50:43,239 --> 00:50:45,800
Speaker 1: on The Hulk with with the TV show, and you

859
00:50:45,920 --> 00:50:49,279
Speaker 1: can't just change to what was his name, Luke. You

860
00:50:49,360 --> 00:50:51,440
Speaker 1: can't change the Luf for right now. You didn't even

861
00:50:51,480 --> 00:50:55,040
Speaker 1: look didn't even look like him right now. But but

862
00:50:55,280 --> 00:50:57,920
Speaker 1: like like Bill Bixby, but I would have rather have

863
00:50:58,040 --> 00:51:03,120
Speaker 1: seen Ruffalo some way. Well you do see Ruffalo. It's

864
00:51:03,200 --> 00:51:06,440
Speaker 1: his faith. They cege him. It looks good. Where it

865
00:51:06,520 --> 00:51:09,440
Speaker 1: didn't look good was on the Shehawk television show. But

866
00:51:09,560 --> 00:51:11,400
Speaker 1: they made it look like that because it was a

867
00:51:11,480 --> 00:51:16,080
Speaker 1: television show, you know what I mean. I mean there's

868
00:51:16,080 --> 00:51:18,640
Speaker 1: been no announcement on a season too. All of this

869
00:51:18,719 --> 00:51:21,640
Speaker 1: stuff has something to do with what's coming next. But

870
00:51:21,719 --> 00:51:23,279
Speaker 1: Joel was that show. They're not going to do a

871
00:51:23,320 --> 00:51:26,719
Speaker 1: reverse course. Was She Holk enough of a hit to

872
00:51:26,800 --> 00:51:30,320
Speaker 1: keep going Joell? I, if I had to guess, I

873
00:51:30,360 --> 00:51:32,840
Speaker 1: would say no, because Disney is pulling back on releasing

874
00:51:32,960 --> 00:51:36,200
Speaker 1: Marvel Disney Plus shows, So I know, like Loki will

875
00:51:36,200 --> 00:51:39,680
Speaker 1: get another season, Wanda might have another season of TV

876
00:51:39,719 --> 00:51:42,719
Speaker 1: in the future. But our friend don't need to do

877
00:51:42,960 --> 00:51:44,560
Speaker 1: They don't need to do another wand that they should

878
00:51:44,600 --> 00:51:47,000
Speaker 1: just do a Loki and then go back to making

879
00:51:47,080 --> 00:51:49,520
Speaker 1: movies for a little bit and then like just a

880
00:51:49,640 --> 00:51:54,959
Speaker 1: television show here and specials. Yeah, man like because there's

881
00:51:55,000 --> 00:51:57,680
Speaker 1: just too many television shows now. Man. Hey, our good

882
00:51:57,719 --> 00:52:00,160
Speaker 1: friend Elizabeth Banks has a movie coming out this week,

883
00:52:00,239 --> 00:52:07,440
Speaker 1: Cocaine Beard. Good after the weekend, but I hope it

884
00:52:07,520 --> 00:52:09,640
Speaker 1: does well for Elizabeth Banks. It's I heard through the

885
00:52:09,680 --> 00:52:12,000
Speaker 1: grapevine that it's on track to do very well. Um,

886
00:52:12,160 --> 00:52:14,239
Speaker 1: it looks very funny, so I'm happy for us. It's

887
00:52:14,360 --> 00:52:17,960
Speaker 1: really funny. I cried. I laughed so hard, really good.

888
00:52:18,120 --> 00:52:20,240
Speaker 1: So are you gonna go see it in the theaters?

889
00:52:20,280 --> 00:52:23,440
Speaker 1: Do well? Yeah? I saw it for the first time yesterday.

890
00:52:23,520 --> 00:52:26,000
Speaker 1: I had a ticket to see it Saturday, and obvious

891
00:52:26,000 --> 00:52:28,440
Speaker 1: seeing it again in a week with some coworker, Oh

892
00:52:28,560 --> 00:52:31,560
Speaker 1: my god, there you go. Wow. That is what we

893
00:52:31,640 --> 00:52:35,680
Speaker 1: call it a successful marketing campaign. Thanks because Joelle's planning

894
00:52:35,719 --> 00:52:38,719
Speaker 1: to go three times minimum. You know what's crazy is

895
00:52:38,840 --> 00:52:40,800
Speaker 1: I don't think you could have made the name of

896
00:52:40,960 --> 00:52:44,000
Speaker 1: this movie couldn't be Cocaine Bear. A long time ago,

897
00:52:44,239 --> 00:52:46,080
Speaker 1: like in the eighties, there was no way you could

898
00:52:46,120 --> 00:52:49,200
Speaker 1: make a movie called Cocaine Bear. No, But now you

899
00:52:49,239 --> 00:52:51,200
Speaker 1: can make but now you can make a movie called

900
00:52:51,239 --> 00:52:53,719
Speaker 1: Cocaine Bear, but you can't do certain things that you

901
00:52:53,840 --> 00:52:55,920
Speaker 1: did in movies that you did in the eighties, Like

902
00:52:56,160 --> 00:53:00,160
Speaker 1: things have changed tremendously. That's just a little big, a

903
00:53:00,160 --> 00:53:04,520
Speaker 1: little bit commentating. Yeah, we appreciate it. We should savor

904
00:53:04,560 --> 00:53:06,160
Speaker 1: it while we have it, because you're not gonna be

905
00:53:06,280 --> 00:53:11,400
Speaker 1: smoking weed anymore, supposedly. Supposedly. Okay, y'all can y'all can

906
00:53:11,440 --> 00:53:15,399
Speaker 1: clown all you want. We're not clowning just a thousand people.

907
00:53:15,480 --> 00:53:16,839
Speaker 1: So I just want to make sure that you're gonna

908
00:53:16,920 --> 00:53:18,800
Speaker 1: keep your word to all of you out there. Listen,

909
00:53:20,280 --> 00:53:25,960
Speaker 1: I got this. Are you gonna be honest with us

910
00:53:25,960 --> 00:53:27,520
Speaker 1: if you fall off the wagon, It's okay if you do,

911
00:53:27,640 --> 00:53:32,160
Speaker 1: but we just want your honesty absolutely. Okay. I'm gonna

912
00:53:32,160 --> 00:53:35,120
Speaker 1: support you. I know you are. We all will. Do.

913
00:53:35,239 --> 00:53:38,719
Speaker 1: You have to um uh taper. You know a lot

914
00:53:38,719 --> 00:53:40,719
Speaker 1: of drugs you need to taper like you No, no, no,

915
00:53:40,800 --> 00:53:43,040
Speaker 1: I'm going cold turkey. I'm gonna get the sweats and everything.

916
00:53:43,080 --> 00:53:45,920
Speaker 1: I'm gonna drop this weight. I'm gonna look like fucking

917
00:53:46,520 --> 00:53:49,680
Speaker 1: and Adonnis. I'm gonna look like a Donnas creed. Michael B.

918
00:53:49,880 --> 00:53:52,399
Speaker 1: Jordan after this bad Boy, I'm gonna that's what that's

919
00:53:52,560 --> 00:53:55,080
Speaker 1: you know, that's what that's about to happen. That's what

920
00:53:55,160 --> 00:53:58,560
Speaker 1: about to happen. Oh, I'm about to look like Michael B.

921
00:53:58,800 --> 00:54:02,200
Speaker 1: Jordan's playing Jay from State Farm on Saturday Night Live.

922
00:54:02,480 --> 00:54:04,360
Speaker 1: That's what I'm about to look like. He's in the

923
00:54:04,440 --> 00:54:10,040
Speaker 1: gym every day. You're going to go that route? Yeah,

924
00:54:10,440 --> 00:54:17,200
Speaker 1: did you? Yeah, Michael B. Jordan is definitely training every day.

925
00:54:17,280 --> 00:54:18,600
Speaker 1: I just want to know if you want to see

926
00:54:18,600 --> 00:54:20,960
Speaker 1: that Jake from State Farm Saturday Night Live. That was

927
00:54:21,080 --> 00:54:23,840
Speaker 1: very funny. That was probably one of the funniest ones

928
00:54:24,120 --> 00:54:27,080
Speaker 1: ever in the history of that's in a long time.

929
00:54:27,160 --> 00:54:31,680
Speaker 1: That's probably that's that was a very very funny sketch. Yeah. Um,

930
00:54:32,000 --> 00:54:34,040
Speaker 1: but yeah, if he's in the gym, whatever the Michael

931
00:54:34,040 --> 00:54:36,960
Speaker 1: B listen, I know, Michael B. Jordan like everybody else

932
00:54:37,040 --> 00:54:41,400
Speaker 1: listens to Fake Doctor's Real Friends. Mike, hit me up

933
00:54:41,440 --> 00:54:45,160
Speaker 1: with the freaking recipe. I need the recipe of the recipe.

934
00:54:45,600 --> 00:54:48,600
Speaker 1: You don't need to know more than eat right and

935
00:54:48,680 --> 00:54:50,360
Speaker 1: go to the gym every day. I want to know

936
00:54:50,560 --> 00:54:53,080
Speaker 1: exactly what he's eating. I want to eat definitely not

937
00:54:53,200 --> 00:54:55,920
Speaker 1: smoking weed and drinking booze. I can tell you that. Listen.

938
00:54:56,040 --> 00:54:58,480
Speaker 1: Whatever Michael B. Jordan is doing, I want to do

939
00:54:58,680 --> 00:55:03,440
Speaker 1: that because the brother looks good. Granted he is ten

940
00:55:03,600 --> 00:55:05,960
Speaker 1: years to twenty years younger than me, but I can

941
00:55:06,000 --> 00:55:08,759
Speaker 1: get it back the same Jame. I go to the

942
00:55:08,840 --> 00:55:13,000
Speaker 1: same gym with j K. Simmons. That dude is fucking ripped.

943
00:55:14,239 --> 00:55:16,440
Speaker 1: You cannot blame anything on age. If you want to

944
00:55:16,480 --> 00:55:18,560
Speaker 1: put the time in, put the time in. All right,

945
00:55:18,640 --> 00:55:21,640
Speaker 1: that's what's up. I want Mike call me. I need

946
00:55:21,719 --> 00:55:23,640
Speaker 1: to know. I don't think you listen. I need to

947
00:55:23,880 --> 00:55:26,360
Speaker 1: know Michael B. Jordan listens to the podcast and in

948
00:55:26,440 --> 00:55:28,200
Speaker 1: the in the in the role playing we did earlier.

949
00:55:28,239 --> 00:55:31,000
Speaker 1: Harrison Ford listens, but I don't think Michael B. Jordan does.

950
00:55:31,200 --> 00:55:34,680
Speaker 1: All right, let's do Mike. I don't know how to

951
00:55:34,680 --> 00:55:36,440
Speaker 1: do an impersonation, but I can do more, Harrison, if

952
00:55:36,440 --> 00:55:41,840
Speaker 1: you want to ask, Harrison, if Michael B. Jordan listen, Hey, Harrison,

953
00:55:41,880 --> 00:55:44,840
Speaker 1: it's me Donald again. Yeah. I love talking to you. Donald.

954
00:55:44,880 --> 00:55:48,400
Speaker 1: You're you're one of my favorite podcast hosts. Thank you

955
00:55:48,560 --> 00:55:53,480
Speaker 1: very much. Speaking of podcast, Yeah, yo, do you Michael B.

956
00:55:53,640 --> 00:55:56,040
Speaker 1: Jordan listens to Fake Doctor's Real No, fucking way, no

957
00:55:56,120 --> 00:56:00,640
Speaker 1: fucking way. I know, Michael, I've spoken to him. He's

958
00:56:00,680 --> 00:56:03,040
Speaker 1: too busy in the gym, and um, I know that

959
00:56:03,120 --> 00:56:07,600
Speaker 1: he's also sober because he's getting that ripped. So he's

960
00:56:07,640 --> 00:56:09,759
Speaker 1: not wasting his time with podcast. I don't know, but

961
00:56:09,840 --> 00:56:11,720
Speaker 1: he doesn't listening while he works out. No, he listens

962
00:56:11,719 --> 00:56:14,319
Speaker 1: to the hip hop Donald he likes the hip hops. Oh,

963
00:56:18,719 --> 00:56:27,719
Speaker 1: Harrison and scene and scene. All right, we're almost done

964
00:56:27,719 --> 00:56:32,040
Speaker 1: here with the television show scrubs. Um Cox finally admits

965
00:56:32,120 --> 00:56:37,960
Speaker 1: that he misses that he misses uh the kelso wait

966
00:56:38,040 --> 00:56:41,520
Speaker 1: wait wait wait, going to the fast janitor has is

967
00:56:41,560 --> 00:56:44,440
Speaker 1: trying to help Cox break into the files. Okay, and

968
00:56:44,600 --> 00:56:47,200
Speaker 1: the janet he says, well, he's acting like he's nervous.

969
00:56:47,280 --> 00:56:49,359
Speaker 1: And Cox is like, you, you're nervous. You do all

970
00:56:49,400 --> 00:56:50,960
Speaker 1: this weird show all the time. And he says, Oh,

971
00:56:51,360 --> 00:56:53,759
Speaker 1: I'm so immune to the feelings of this that I

972
00:56:53,920 --> 00:56:59,640
Speaker 1: created a character that I'm playing who's nervous somebody. He's

973
00:56:59,640 --> 00:57:02,080
Speaker 1: somebody who doesn't want to go back to jail. Yeah,

974
00:57:02,080 --> 00:57:03,520
Speaker 1: and then he goes on this whole run. I can't

975
00:57:03,560 --> 00:57:06,520
Speaker 1: go back. They're nothing with that after what they did

976
00:57:06,560 --> 00:57:12,200
Speaker 1: to Johnny Johnny, Johnny, Johnny, they shanked him with a

977
00:57:12,280 --> 00:57:17,320
Speaker 1: shiv and they shipped him with a shank, and he

978
00:57:17,400 --> 00:57:20,840
Speaker 1: goes off on this very long Neil Flynn improvisational monologue

979
00:57:20,880 --> 00:57:23,880
Speaker 1: about how they shim with the shiv in the yard

980
00:57:25,200 --> 00:57:28,880
Speaker 1: and then they caught him. Jerry and Sid would have

981
00:57:29,000 --> 00:57:34,600
Speaker 1: sank No joy, Johnny, you know what that reminds me of.

982
00:57:35,360 --> 00:57:44,080
Speaker 1: I'm gonna get you, sucker. Tommy. Yeah, no, no, Hollywood

983
00:57:44,080 --> 00:57:55,760
Speaker 1: shuffle Tommy, Chimmy, you killed it, my brother, you killed it.

984
00:57:56,920 --> 00:58:03,840
Speaker 1: I loved did this? Dude? Baby holds up? It's funny. Oh, man,

985
00:58:03,960 --> 00:58:09,000
Speaker 1: I hope this generation movie. No, I'm gonna stop you are,

986
00:58:09,360 --> 00:58:14,280
Speaker 1: I'm gonna you go. I'm gonna should I forgot the movie.

987
00:58:14,560 --> 00:58:18,120
Speaker 1: I'm gonna stop you about like white on Rice. I'm

988
00:58:18,160 --> 00:58:21,040
Speaker 1: gonna tap dance whatever the he says. As soon as

989
00:58:21,080 --> 00:58:26,160
Speaker 1: you get your foot off my face, I'm gonna hurt you. Man.

990
00:58:26,480 --> 00:58:31,160
Speaker 1: Who was that, Tommy Davidson, No, that's freaking Robert Townsend. Oh,

991
00:58:31,320 --> 00:58:35,520
Speaker 1: Robert Townsend. He was hilarious. Robert Townsend. Robert Townsend has

992
00:58:35,560 --> 00:58:40,680
Speaker 1: directed quite a few things. People don't know. That was

993
00:58:40,760 --> 00:58:42,840
Speaker 1: a big hit. That was a big hit, though, right,

994
00:58:43,080 --> 00:58:46,040
Speaker 1: he's still in the game doing it big. People don't know.

995
00:58:46,920 --> 00:58:49,480
Speaker 1: Robert Townsen has directed quite a few things, quite a

996
00:58:49,480 --> 00:58:53,040
Speaker 1: few television shows. Quite there's another recommendation for you, Hollywood shuffle.

997
00:58:53,200 --> 00:58:57,880
Speaker 1: I think we've recommended holds up, holds up. Um Okay,

998
00:58:58,040 --> 00:59:02,760
Speaker 1: So Carla gives means to give Katie a list of

999
00:59:02,880 --> 00:59:05,440
Speaker 1: things that people are saying about her that it's negative,

1000
00:59:05,600 --> 00:59:09,680
Speaker 1: but she gives her list that just says sausages, sausages, sausages,

1001
00:59:10,480 --> 00:59:18,080
Speaker 1: and she says, sorry, that's Turks grocery list. Um JD

1002
00:59:18,240 --> 00:59:20,680
Speaker 1: can apparently get rid of any woman by telling them

1003
00:59:20,760 --> 00:59:23,640
Speaker 1: that he loves them, because he has a fantasy where

1004
00:59:23,640 --> 00:59:28,120
Speaker 1: he tells Maddox that he loves her and presents a

1005
00:59:28,200 --> 00:59:31,920
Speaker 1: bouquet of flowers and she takes her own life by

1006
00:59:32,080 --> 00:59:36,840
Speaker 1: backing up into an ambulance. And then he says, too harsh, psyche,

1007
00:59:37,400 --> 00:59:42,000
Speaker 1: hurt your own feeling. Yeah, hurt my own feeling. Um

1008
00:59:42,200 --> 00:59:47,840
Speaker 1: Kelso now power walks in a sweat suit through the Yeah,

1009
00:59:47,880 --> 00:59:50,440
Speaker 1: like a like a senior citizen in a mall. This

1010
00:59:50,600 --> 00:59:57,040
Speaker 1: shit had me, This shit had me Rolland when Jordan says, yo,

1011
00:59:57,280 --> 01:00:02,480
Speaker 1: go ask go, ask kell So for help, right, he

1012
01:00:02,600 --> 01:00:06,440
Speaker 1: knows everybody. He's got dirt on everybody. They go to

1013
01:00:06,520 --> 01:00:08,880
Speaker 1: ask Kelso, he goes, only if you tell me you

1014
01:00:08,960 --> 01:00:12,720
Speaker 1: missed me, and Elliott and j D go Oh my god,

1015
01:00:12,720 --> 01:00:15,480
Speaker 1: I miss you so much at j D goes, I

1016
01:00:15,600 --> 01:00:22,280
Speaker 1: even missed your smell that. I laughed out loud at

1017
01:00:22,320 --> 01:00:24,040
Speaker 1: that part too, But there are a lot of parts

1018
01:00:24,040 --> 01:00:25,680
Speaker 1: I laughed at it as much as I did not

1019
01:00:25,840 --> 01:00:28,880
Speaker 1: like not being in the show. Just had some very

1020
01:00:28,960 --> 01:00:31,560
Speaker 1: funny moments. A bunch of men on the show. Not

1021
01:00:31,640 --> 01:00:34,320
Speaker 1: only is there I think won the season, but then

1022
01:00:34,680 --> 01:00:37,440
Speaker 1: there's gonna be six episodes we're gonna watch next season

1023
01:00:37,520 --> 01:00:40,160
Speaker 1: that I'm not in, which should be very interesting. Yeah,

1024
01:00:40,560 --> 01:00:45,520
Speaker 1: where it's Carrie Bash, we gotta have her on, Dave Franco, Yeah,

1025
01:00:45,680 --> 01:00:50,120
Speaker 1: they'll come on, so Kelso Blackmail's a board member. Frank

1026
01:00:51,360 --> 01:00:53,800
Speaker 1: reminds him that he was with a sex worker, and

1027
01:00:54,840 --> 01:00:59,160
Speaker 1: Kelso has proof of that, and so Frank caves and

1028
01:01:00,000 --> 01:01:05,760
Speaker 1: iris Maddox so, thus ending the reign of Courtney Cox

1029
01:01:06,760 --> 01:01:10,160
Speaker 1: at Sacred Heart Hospital. But we find out before Maddox

1030
01:01:10,240 --> 01:01:13,000
Speaker 1: leaves that she and Mickhead banged. Yes, that was a

1031
01:01:13,120 --> 01:01:16,320
Speaker 1: great final revelation. If Courtney Cox literally goes out with

1032
01:01:16,400 --> 01:01:20,280
Speaker 1: a bang by announcing that she had sex with Mickhead.

1033
01:01:20,880 --> 01:01:23,960
Speaker 1: His first name is Walter, which we never knew, and

1034
01:01:24,040 --> 01:01:26,840
Speaker 1: he liked to choke her. Yeah, she says, you shouldn't

1035
01:01:26,840 --> 01:01:29,960
Speaker 1: have to strangle me to keep your erection Walter. Yeah.

1036
01:01:30,080 --> 01:01:35,000
Speaker 1: I think that's her last line on the show. Mickhead,

1037
01:01:35,240 --> 01:01:38,160
Speaker 1: first of all, he beat a murder charge, right, yes,

1038
01:01:38,560 --> 01:01:44,440
Speaker 1: but he also he also strangles his sexual partners to

1039
01:01:44,680 --> 01:01:48,240
Speaker 1: keep right. And I listen to each their own, but

1040
01:01:48,320 --> 01:01:50,640
Speaker 1: I feel like if you beat a murder charge, you

1041
01:01:50,800 --> 01:01:59,720
Speaker 1: might want to not strangle your partner. So we end

1042
01:02:00,040 --> 01:02:03,439
Speaker 1: the Cox and Kelso Friends, and Katie finally comes clean

1043
01:02:03,720 --> 01:02:07,200
Speaker 1: to Elliott and says, I've been lying and can you

1044
01:02:07,320 --> 01:02:09,920
Speaker 1: teach me? And then we go to Carlo, who is

1045
01:02:09,960 --> 01:02:13,840
Speaker 1: in her natural place of being really the ones the lioness,

1046
01:02:14,000 --> 01:02:17,440
Speaker 1: overseeing the ICU and much of the hospital and showing

1047
01:02:17,560 --> 01:02:21,720
Speaker 1: how how nurses really do run our hospitals and are

1048
01:02:21,760 --> 01:02:24,280
Speaker 1: in control of the whole thing, and Carla is representative

1049
01:02:24,320 --> 01:02:26,160
Speaker 1: of that. And then the show ends with a funny

1050
01:02:26,240 --> 01:02:32,600
Speaker 1: blooper of of Neil riffing on his old friend Johnny. Johnny,

1051
01:02:33,440 --> 01:02:34,920
Speaker 1: are we gonna go to commercial? When we come back,

1052
01:02:35,200 --> 01:02:39,920
Speaker 1: we're gonna do a chat GBT. Joel Jowet will be

1053
01:02:40,000 --> 01:02:43,640
Speaker 1: a lane from Seinfeldt, Dana will be Seinfeldt. I will

1054
01:02:43,640 --> 01:02:46,120
Speaker 1: be playing j D and Donald playing article right back,

1055
01:02:53,680 --> 01:03:01,240
Speaker 1: and we're bad listen. And I don't know that chat

1056
01:03:01,360 --> 01:03:05,680
Speaker 1: GBT is is that funny yet, but it certainly did.

1057
01:03:05,720 --> 01:03:08,560
Speaker 1: It's assignment well, I said all I put in the

1058
01:03:08,640 --> 01:03:10,560
Speaker 1: only prompt I put in. I'm sure if you put

1059
01:03:10,600 --> 01:03:13,280
Speaker 1: in a longer prompt where you give it more contact,

1060
01:03:13,320 --> 01:03:15,080
Speaker 1: maybe it is a better chance of being funny. But

1061
01:03:15,160 --> 01:03:18,400
Speaker 1: the only prompt I give it was right. A scene

1062
01:03:19,280 --> 01:03:25,280
Speaker 1: from the sitcom seinfeld in which Elaine and Jerry meet

1063
01:03:25,480 --> 01:03:30,400
Speaker 1: Turk and JD from the TV shows Scrubs. Okay, here

1064
01:03:30,480 --> 01:03:35,400
Speaker 1: we go. Jerry and Elaine are at their favorite coffee shop,

1065
01:03:35,560 --> 01:03:39,640
Speaker 1: Monks Cafe, enjoying a cup of coffee and chatting. Suddenly,

1066
01:03:39,800 --> 01:03:44,200
Speaker 1: two young doctors walk in looking lost. Hey, look who's here.

1067
01:03:44,640 --> 01:03:48,040
Speaker 1: It's Turk and JD from Scrubs. What are they doing here?

1068
01:03:48,200 --> 01:03:51,320
Speaker 1: I thought they worked in a hospital. Hey, Jerry, Elaine,

1069
01:03:52,080 --> 01:03:54,320
Speaker 1: we got lost on the way to the hospital. We

1070
01:03:54,400 --> 01:03:57,000
Speaker 1: could really use some directions. Yeah, we were hoping you

1071
01:03:57,120 --> 01:04:00,480
Speaker 1: guys could help us out. Sure thing, guys, what hospital

1072
01:04:00,520 --> 01:04:03,560
Speaker 1: are you heading to? Sacred Heart Hospital? Oh, that's a

1073
01:04:03,600 --> 01:04:06,000
Speaker 1: few blocks away. Just head down Fifth Avenue and you'll

1074
01:04:06,000 --> 01:04:08,800
Speaker 1: see it on the left. Thanks, Helene, you're a lifesaver.

1075
01:04:09,520 --> 01:04:12,040
Speaker 1: So what brings you guys to New York? We're here

1076
01:04:12,080 --> 01:04:15,080
Speaker 1: for a medical conference. It's been pretty boring so far,

1077
01:04:15,520 --> 01:04:18,640
Speaker 1: but we're hoping to catch a Broadway show tonight. Oh really?

1078
01:04:18,680 --> 01:04:22,600
Speaker 1: Which one? We were thinking about seeing? Phantom of the Opera. Phantom.

1079
01:04:22,920 --> 01:04:25,280
Speaker 1: That's a classic. You guys are in for a treat,

1080
01:04:25,520 --> 01:04:28,400
Speaker 1: we hope. So hey, maybe you guys could join us

1081
01:04:28,800 --> 01:04:30,800
Speaker 1: for sure? Why not we could use the night out.

1082
01:04:31,320 --> 01:04:33,520
Speaker 1: Sounds like a plan. Let's meet up at the theater

1083
01:04:33,600 --> 01:04:37,040
Speaker 1: at seven, right, we'll see you then. As Turk and

1084
01:04:37,160 --> 01:04:39,840
Speaker 1: JD leave, Jerry and Helene can't help a chuckle at

1085
01:04:39,880 --> 01:04:43,959
Speaker 1: the unexpected encounter. Who would have thought we'd be hanging

1086
01:04:44,000 --> 01:04:47,120
Speaker 1: out with the doctors from Scrubs only in New York, Jerry,

1087
01:04:47,520 --> 01:04:52,000
Speaker 1: only in New York and Scene I have a couple

1088
01:04:52,000 --> 01:04:55,680
Speaker 1: of questions about this. So we know each other, they

1089
01:04:55,800 --> 01:04:59,560
Speaker 1: know us, right? Yeah? Yeah. In the world of Seinfeld,

1090
01:05:00,000 --> 01:05:03,200
Speaker 1: we know us as two characters from the TV show scrubs.

1091
01:05:03,400 --> 01:05:06,080
Speaker 1: The timeline is not math No, and they and they

1092
01:05:06,240 --> 01:05:09,040
Speaker 1: also and scrubs we know doesn't take place in Manhattan,

1093
01:05:09,760 --> 01:05:12,440
Speaker 1: and and they say it's just down Fifth Avenue on

1094
01:05:12,560 --> 01:05:16,560
Speaker 1: the left. Okay, so why are we in? Why are

1095
01:05:16,600 --> 01:05:18,240
Speaker 1: we lost? Were we just told them we're in a

1096
01:05:18,280 --> 01:05:23,160
Speaker 1: medical convention. And then also we know their names. We

1097
01:05:23,600 --> 01:05:27,320
Speaker 1: know that their names are Jerry and Elane. Yeah, yeah, hey,

1098
01:05:27,440 --> 01:05:33,400
Speaker 1: Jerry and Elane. It's gonna be a while. You know that.

1099
01:05:34,400 --> 01:05:37,000
Speaker 1: I didn't say it was tomorrow that the robot Wars

1100
01:05:37,120 --> 01:05:42,040
Speaker 1: is going to happen. I think comedy writers are probably

1101
01:05:42,080 --> 01:05:45,480
Speaker 1: safe for a few years. Oh yeah, maybe not a

1102
01:05:45,520 --> 01:05:49,160
Speaker 1: few years, maybe a few more months. Yeah. From Connell's right,

1103
01:05:49,480 --> 01:05:51,320
Speaker 1: there's probably just a little tweaking to be done, and

1104
01:05:51,400 --> 01:05:55,120
Speaker 1: then comedy writers will be in danger in about seven months. Um,

1105
01:05:55,280 --> 01:05:59,440
Speaker 1: thank you, guys, We love you. Follow Daniel on on

1106
01:06:00,200 --> 01:06:04,240
Speaker 1: Twitter and Instagram and on his twitch. What's your twitch, Daniel? Oh,

1107
01:06:04,320 --> 01:06:08,200
Speaker 1: it's a twitch, dot TV, slash DJ Underscore, d A

1108
01:06:08,520 --> 01:06:11,640
Speaker 1: n L Daniel and Joel serious. You could tell he's

1109
01:06:11,640 --> 01:06:15,360
Speaker 1: serious about him now. Daniel's now starting to talk so

1110
01:06:15,680 --> 01:06:19,080
Speaker 1: clearly when he's talking about it. It's Twitch and you

1111
01:06:19,120 --> 01:06:22,120
Speaker 1: don't want to people not twitch and Joel do you

1112
01:06:22,280 --> 01:06:25,200
Speaker 1: what's your handle's remind everyone? Yeah, you guys can follow

1113
01:06:25,320 --> 01:06:27,440
Speaker 1: me all over the internet at ull Monique that's j

1114
01:06:27,600 --> 01:06:29,000
Speaker 1: O E l L E m O and I q

1115
01:06:29,240 --> 01:06:31,880
Speaker 1: u E and Donald Um. Would you like to be

1116
01:06:31,920 --> 01:06:34,440
Speaker 1: followed by people on Instagram? I would love to be

1117
01:06:34,520 --> 01:06:38,560
Speaker 1: followed by people on Instagram? But for some reason, no,

1118
01:06:38,840 --> 01:06:42,000
Speaker 1: oh god no, don't put on this rabbit hole. Just

1119
01:06:42,840 --> 01:06:47,440
Speaker 1: you guys, just don't freaking get on board. You know

1120
01:06:47,480 --> 01:06:51,760
Speaker 1: what I need to do. In fairness to me, with

1121
01:06:51,920 --> 01:06:56,320
Speaker 1: all combined strength, you can move this into well do

1122
01:06:56,360 --> 01:07:01,920
Speaker 1: you want Harrison to destruct? Do you want um Harrison

1123
01:07:01,960 --> 01:07:07,160
Speaker 1: Ford to ask people to follow you? Oh, Harrison, it

1124
01:07:07,360 --> 01:07:11,919
Speaker 1: is Darth Vader in your best Hans Solo. Tell them

1125
01:07:12,920 --> 01:07:18,520
Speaker 1: I don't do Han Solo follow to follow young Bison.

1126
01:07:19,800 --> 01:07:24,080
Speaker 1: I can't do um Han solo era Harrison, fucking dude,

1127
01:07:24,080 --> 01:07:26,800
Speaker 1: I can't do a good James Jones. That was pretty good.

1128
01:07:26,960 --> 01:07:29,000
Speaker 1: That was pretty good. I just don't want. I don't want.

1129
01:07:29,000 --> 01:07:31,520
Speaker 1: The Only thing I'm trying to do I can only

1130
01:07:31,560 --> 01:07:33,960
Speaker 1: do modern day on modern day Harrison, because that's the

1131
01:07:33,960 --> 01:07:38,640
Speaker 1: one Harrison Harrison. It is me Darth Vader, the dark

1132
01:07:38,880 --> 01:07:42,439
Speaker 1: Lord of the Sin yea for the love of all

1133
01:07:42,920 --> 01:07:50,800
Speaker 1: Things Sin. Tell them to follow Donald underscore aison on Instagram.

1134
01:07:51,360 --> 01:07:56,760
Speaker 1: They don't do it, but with their combined strength they

1135
01:07:56,880 --> 01:08:02,920
Speaker 1: can in this destructive on flick and bring order to

1136
01:08:03,080 --> 01:08:05,800
Speaker 1: the galaxy. All right, all right, all right, I'll do it.

1137
01:08:06,040 --> 01:08:09,960
Speaker 1: Um listen um. Donald tried to make an Instagram and

1138
01:08:10,200 --> 01:08:13,600
Speaker 1: uh he was. He was so stone that instead of

1139
01:08:13,960 --> 01:08:18,160
Speaker 1: pressing the F for phase on, he hit underscore. So

1140
01:08:18,320 --> 01:08:20,240
Speaker 1: that might be why it's confusing for a lot of

1141
01:08:20,320 --> 01:08:24,320
Speaker 1: you people. It was for me. It's Donald and then

1142
01:08:24,360 --> 01:08:29,800
Speaker 1: an underscore thing and then a'son. So please follow him

1143
01:08:29,800 --> 01:08:33,479
Speaker 1: because really upset about the whole thing. Okay, that's all

1144
01:08:33,479 --> 01:08:34,760
Speaker 1: I gotta say. I get the fuck out of you.

1145
01:08:35,600 --> 01:08:41,080
Speaker 1: I want a million, he needs a Melia Knight is

1146
01:08:41,120 --> 01:08:44,200
Speaker 1: pushing it and no one gives a fuck. Um all right,

1147
01:08:44,280 --> 01:08:55,120
Speaker 1: Jed Droid because of me, don't make me destroy you, okayllo, okay, okay.

1148
01:08:55,800 --> 01:08:58,400
Speaker 1: And my final asks. Please check out the A Good

1149
01:08:58,520 --> 01:09:01,679
Speaker 1: Person trailer. The movie comes out in March twenty fourth

1150
01:09:01,800 --> 01:09:03,960
Speaker 1: at a theater to you, please check out the movie.

1151
01:09:04,040 --> 01:09:07,240
Speaker 1: It stars Morgan Freeman, Florence Pugh, and the legendary Molly

1152
01:09:07,320 --> 01:09:10,479
Speaker 1: Shannon and you're gonna love it. The trailer is on YouTube.

1153
01:09:10,560 --> 01:09:13,320
Speaker 1: Just search for a Good Person trailer coming up soon

1154
01:09:13,840 --> 01:09:17,680
Speaker 1: March twenty fourth, right around the corner. I hope you'll

1155
01:09:17,720 --> 01:09:19,880
Speaker 1: go as many times as Joel is going to see

1156
01:09:19,920 --> 01:09:24,040
Speaker 1: Cocaine Barr. All right, thank you, everybody. Donald counts out

1157
01:09:24,880 --> 01:09:31,120
Speaker 1: stories about show we made about a bunch of domes

1158
01:09:31,160 --> 01:09:40,360
Speaker 1: and nurses said, he's the stories natural. So around