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Speaker 1: I don't know if it seems shocking to you, but

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Speaker 1: we're here, We're at season five.

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Speaker 2: How's impossible?

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Speaker 3: Five?

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Speaker 2: I don't know.

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Speaker 1: In so many ways, I feel like we started this

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Speaker 1: podcast two months ago, and in other ways, I feel

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Speaker 1: like we started this podcast twenty years ago.

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Speaker 4: Twenty years ago. I feel the same. Well, I do

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Speaker 4: exactly the same thing. I'm like, man, and then I

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Speaker 4: look back. I have so I have a poster on

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Speaker 4: my wall of our first live show, right, and I

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Speaker 4: look at it, and I look at the date, and

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Speaker 4: I'm like, wait, as twenty twenty two, Like wait, it

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Speaker 4: was the end of twenty twenty two, Like we just

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Speaker 4: started this.

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Speaker 2: How is this possible?

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Speaker 3: That's just mind boggling to me. Crazy.

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Speaker 1: So do you guys remember the summer between seasons four

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Speaker 1: and five?

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Speaker 3: What did you do? Tell me about your summer?

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Speaker 2: What year would that have been? So ninety seven?

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Speaker 1: Our next episode that we're talking about is aired October tenth,

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Speaker 1: nineteen ninety seven. So yeah, this is the summer of

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Speaker 1: ninety seven, which means I got my license. Oh and

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Speaker 1: I was driving everywhere?

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Speaker 2: Did you drive to Hawaii? Did you drive to why?

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Speaker 3: This time? I did not drive Dawai not possible. But

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Speaker 3: I drove everywhere.

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Speaker 1: I was doing every single thing I possibly could, going

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Speaker 1: to the grocery store for my mom over and over again.

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Speaker 4: Uh yeah, just an excuse to drive, any excuse to drive.

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Speaker 4: Did you have a car when you did you have

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Speaker 4: your own car?

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Speaker 2: When you first got.

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Speaker 3: Your own car? I got a Toyota four Runner.

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Speaker 2: That I read loved.

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Speaker 3: It was black.

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Speaker 1: I got a Chevy Trailblazer as my second car. You

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Speaker 1: knew that that was the one, You're thinking it was? Okay,

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Speaker 1: got yeah, Yeah, that's it. This would have been the

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Speaker 1: summer of Danielle driving, which was just the greatst thing

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Speaker 1: that had ever happened to me up until that point.

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Speaker 1: My life was completely made The minute I had my

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Speaker 1: driver's license and could drive with I drove with.

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Speaker 3: All my windows down. I had a sunroof.

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Speaker 1: The sunroof was always open, and I just drove, drove,

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Speaker 1: drove everywhere I could.

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Speaker 2: M I, uh, if it's ninety seven, I went this

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Speaker 2: was Trojan War. No, we went to Amsterdam. We did

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Speaker 2: YEP in ninety seven.

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Speaker 4: Well trip, I mean I did him. I either did

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Speaker 4: my date with the President's daughter or Trojan. I did

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Speaker 4: something in.

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Speaker 2: The in the in ninety seven. I don't know. Well, yeah,

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Speaker 2: I think you already talked about doing Trojan more than

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Speaker 2: the year before, right the President's daughter.

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Speaker 5: I don't know.

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Speaker 2: This is when we went to Amsterdam. Was right after

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Speaker 2: the season, and did would have been when we went

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Speaker 2: to Amsterdam, And yeah, you would have been in Amsterdam

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Speaker 2: this whole summer. This would have been the summer that

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Speaker 2: you didn't want to come back.

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Speaker 3: That you didn't come back.

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Speaker 4: But I still okay, yeah, but I still did a movie.

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Speaker 4: I did a movie every year, so I know. And

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Speaker 4: I'm wearing the necklace I saw, which means I'm dating love,

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Speaker 4: which leads me to believe that I did.

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Speaker 2: This was the summer you did Trojan War. Okay, I

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Speaker 2: think so. We So then we finished our our season,

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Speaker 2: you and I went to Amsterdam. I guess you know,

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Speaker 2: Well I stayed for I stayed for Well, we had

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Speaker 2: what five months off in between.

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Speaker 3: You wrap in March, But you couldn't.

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Speaker 2: Have done Trojan War and fell into an Amsterdam hole. Well, no, answered,

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Speaker 2: because Trojan War.

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Speaker 4: We only Trojan War was a twenty eight day shoot,

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Speaker 4: so it would have been one of the months.

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Speaker 2: So then we went to Amsterdam. After that no, probably

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Speaker 2: before and I probably no, I don't know how. That's

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Speaker 2: what I mean. I know that this.

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Speaker 4: I believe this was the season where we shot out

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Speaker 4: of order because when I first met Matt Lawrence, because

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Speaker 4: I was doing a movie, and because of the movie,

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Speaker 4: I had to miss the first week of taping. So

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Speaker 4: I went back and I pre taped or or retaped

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Speaker 4: some stuff with Matt for the season. So I think

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Speaker 4: it was my date with the President's daughter that I

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Speaker 4: shot right at the end of hiatus, bleeding into the

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Speaker 4: first season leading into season five.

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Speaker 2: Right, So this year the season ended we I graduated

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Speaker 2: high school in a kilt? Did that kil?

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Speaker 3: Did you have underpants on?

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Speaker 2: No? No? No, no? Of course authentic? It was me

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Speaker 2: and Ocean graduate graduation. Yeah, all you know. I was

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Speaker 2: valedictorian of all twelve students.

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Speaker 1: Wow, I did not know you were valid. You're a

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Speaker 1: very very tiny high school speech I was.

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Speaker 2: I did a poem. I wrote a whole poem for

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Speaker 2: the school.

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Speaker 3: Please meet it now? What was it?

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Speaker 2: I can find it? Can you read it in your kilt?

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Speaker 2: Put on my kilt? I still have the kilt, of course.

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Speaker 2: Did you wear My mom made it?

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Speaker 4: Jorn, what do they call this the thing that hangs

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Speaker 4: in front of the kilt, the leather bag.

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Speaker 2: Isn't it called thorn? Or yeah? That would have been cool.

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Speaker 2: Yeah yeah, okay it was in People magazine came and

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Speaker 2: covered my graduation. So you can actually find photos of

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Speaker 2: me and Ocean like in a kilts about to go

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Speaker 2: on stage. Yeah yeah on earth. You wait, you at

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Speaker 2: a stage set up when there's twelve people graduating, Well

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Speaker 2: there was. You know, there's only fifty sixty kids in

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Speaker 2: the whole school, and every year every kid got an

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Speaker 2: award of some sort, like everyone got recognized. So it

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Speaker 2: was ceremony. All the kids got something like some notification,

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Speaker 2: some award. That was was so great about the school.

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Speaker 2: It was very individualized, you know, so everybody got recognition

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Speaker 2: for something. But then of course, yeah, the graduating class

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Speaker 2: got to do speeches and whatever. You know who won

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Speaker 2: best Grappling hook that year? Me? You Didian, I'm just

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Speaker 2: making okay. So I graduated and I did the movie

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Speaker 2: My Giant. I went off to Prague to do that. Yeah,

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Speaker 2: so I think what happened? Will? I think we did

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Speaker 2: went to Amsterdam like right as boy ended. So it

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Speaker 2: would have been February of right away. So we took

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Speaker 2: away from school to go do that. I know because

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Speaker 2: I was you know, calling I'd just been broken up

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Speaker 2: with by Rachel and I was calling her from Amsterdam

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Speaker 2: to try and get her back. That was that whole moment.

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Speaker 2: So that was then. Then came home, graduated high school,

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Speaker 2: then went into Prague, shot my Giant which was so

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Speaker 2: much fun, and then yeah, spent the summer in sebastopool.

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Speaker 2: This would have been the year that my friend I

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Speaker 2: lost like one of my best friends because he stole

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Speaker 2: my DM card. Yeah, it was a big summer, it was.

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Speaker 2: And then I came back for season five, starting college.

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Speaker 2: So this would have been the beginning of me going

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Speaker 2: to Occidental College here in La in the mornings, and

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Speaker 2: that meant I had a dorm room. So by the

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Speaker 2: time we started this season, right when we started the season,

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Speaker 2: I was becoming a college student. And you know at

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Speaker 2: Occidental in the dorm right, Yeah, they they required you

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Speaker 2: to have a dorm room, like as freshman. So I

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Speaker 2: had to have a dorm room. Even though I still

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Speaker 2: had a you know, lot apartment down town, La. I

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Speaker 2: was living in three differ because I would still go

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Speaker 2: home every weekend because all my friends were up there.

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Speaker 2: So I would fly home, which one can I hang

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Speaker 2: my kilts Tonight. I would wake up at four in

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Speaker 2: the morning, go to the Oakland Airport, fly down to Occidental,

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Speaker 2: sleep for like a couple of hours in the dorm room,

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Speaker 2: go to classes, and then go do Boy Meets World

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Speaker 2: Monday afternoon, and then you know, do that every so

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Speaker 2: every day I would have morning classes and then go

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Speaker 2: to work at Boy Meets World for rehearsal and then Yes,

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Speaker 2: so it was a lot like when I think back,

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Speaker 2: I'm like, how what was going on? And what's crazy

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Speaker 2: about it is? When I think about this time while

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Speaker 2: I was doing all this you know, mind blowing education

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Speaker 2: and a TV show, I also just had such an

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Speaker 2: active social life. Like I think about all the times

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Speaker 2: I was hanging out with people and meeting you know,

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Speaker 2: friends I still have to this day, and all my

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Speaker 2: college friends. It was just so crazy. I'm sorry. Year seventeen. Yeah, yeah, seventeen.

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Speaker 3: Also, it sounds exactly like your life now.

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Speaker 2: It does.

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Speaker 1: You have so many things going on, a very active

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Speaker 1: social life, and then you have two best friends who

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Speaker 1: live mostly like hermits.

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Speaker 2: Yeah great.

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Speaker 1: I as always went to Mauie came back. You can

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Speaker 1: tell I'm nice and Tan and uh spent the entire

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Speaker 1: summer at the beach. My best friend Vanessa Evigan had

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Speaker 1: a Ford Explorer. It smelled really good, always like a

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Speaker 1: bath and body works.

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Speaker 3: Uh you know, spray.

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Speaker 1: And Vanessa Evigan makes an appearance in the season season

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Speaker 1: five with us and uh, yeah, it's just a it

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Speaker 1: was hot girl summer for two high school girls and

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Speaker 1: it's just the just you know, the.

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Speaker 2: Greatest good times. But you didn't drive to away, which I.

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Speaker 3: Think is just trying hard, lazy, totally lazy.

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Speaker 2: It is what it is.

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Speaker 1: Welcome to Pod Meets World. I'm Daniel Fishel, I'm right

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Speaker 1: or Strong, and I'm Wilfred Dell. So welcome to this

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Speaker 1: episode of Pod Meets World. We are here to recap

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Speaker 1: season five episode one, Brothers the synopsis, Much to Corey's dismay,

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Speaker 1: despite leaving for college, Eric moves back home while Shawn's

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Speaker 1: half brother Jack looks for a way back into the family.

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Speaker 1: It was directed by Alan Myerson the first time, first episode.

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Speaker 2: All right, So Alan Myerson came in as our sort

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Speaker 2: of in house director and did like ninety percent of

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Speaker 2: the episodes Andy. What's so interesting about that is that

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Speaker 2: we had never met him before he came and did

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Speaker 2: this season, which is yeah, I mean.

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Speaker 4: I know, because he did Larry Sanders Show, which I

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Speaker 4: was a huge fan of with Gary Shanling. He'd won

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Speaker 4: Emmy's I mean, I think at the time he was

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Speaker 4: also doing uh News Radio, which you know is a

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Speaker 4: great show. So I mean he loved He was.

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Speaker 2: Very different energy, very different energy, along very but like

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Speaker 2: a dry wit. And yeah, man, he he just introduced

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Speaker 2: me to so much music and poetry, like we just

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Speaker 2: really got got. Some actors did not like working. Some

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Speaker 2: actors did not. Actors had a real problem with Alan Myerson.

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Speaker 2: I was not one of them.

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Speaker 4: He and I spoke the same language and he joyed

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Speaker 4: it had the same vibe.

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Speaker 2: But there are some actors that really did not like Alan. Yeah.

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Speaker 1: Yeah, Well, hopefully we will hear from those actors. Maybe

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Speaker 1: they'll want to talk about it, maybe they won't. Maybe

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Speaker 1: maybe it'll remain remain a mystery, maybe it will not.

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Speaker 2: Uh.

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Speaker 1: The episode was written by Matthew Nelson. It's starring introduction

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Speaker 1: of Matthew Lawrence as Jack Hunter Mattie part of a

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Speaker 1: Hollywood Yes, part of a Hollywood family, a legacy of

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Speaker 1: sorts with his brothers Joey and Andy, all three dominated

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Speaker 1: TV and movies in the nineties. Matt had already appeared

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Speaker 1: on Gimme a Break In, Planes, Trains and Automobiles, Missus Doubtfire,

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Speaker 1: and the family's own sitcom, Brotherly Love, and once Brother

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Speaker 1: Love was canceled, he just walked right onto Our set,

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Speaker 1: where he would appear in almost seventy episodes right up

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Speaker 1: until the show's finale. So guest starring Blake Clark returns

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Speaker 1: chet Hunter, outlasting so many returning guest stars before him.

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Speaker 1: We have Glenn Hirsch as the delivery Man. He was

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Speaker 1: a stand up comedian who came up with Jerry Seinfeld

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Speaker 1: and Paul Reiser at the Improv and toured with singers

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Speaker 1: like Dolly Parton and Kenny Loggins, but he only had

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Speaker 1: four TV credits. And then there's Laurln Peterson as Miss Valentine.

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Speaker 1: This was her first acting gig, A former model who

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Speaker 1: also appeared as a showgirl in The Inspector Gadget Movie,

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Speaker 1: and then Harmony Smith also as Teacher.

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Speaker 3: Another former model, She.

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Speaker 1: Had been Mystery Babe on Parker Lewis Can't lose and

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Speaker 1: fem number one in melrose Place, and would later appear

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Speaker 1: in two episodes of Weird Science and in the Mike

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Speaker 1: Nichols movie What Planet Are You From, starring Gary Shandling

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Speaker 1: and Annette Benning.

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Speaker 3: So do you guys want.

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Speaker 1: To talk at all about your overall thoughts before we

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Speaker 1: jump into our recap?

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Speaker 2: It was a weird episode to jump in on. I mean,

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Speaker 2: just season five. Wow, Okay, let's get used to this.

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Speaker 2: I really did not like I was hating it. I

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Speaker 2: would say the first ten minutes, first half, and then

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Speaker 2: I loved it. I thought the ending was fantastic. I

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Speaker 2: really thought. I really thought it came through in the end.

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Speaker 2: Not a very funny episode. No, And yeah, I mean

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Speaker 2: I can you know, I think that from here on out,

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Speaker 2: it's gonna be me pretty unhappy with my performance throughout

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Speaker 2: the seasons. So I was, you know, like, oh, then

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Speaker 2: now we're into this, this rider, this sean, So I'm

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Speaker 2: not stoked about that. But I won't beliebor the point.

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Speaker 2: But I think I was just busy. I think I

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Speaker 2: was checked out. I think I had other things on

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Speaker 2: my mind. But I can see some bad habits and

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Speaker 2: all that. But yeah, I did. I really didn't like

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Speaker 2: the beginning of this episode at all, But I really

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Speaker 2: really love Blake and I think this is probably his

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Speaker 2: best performance. He's great, and it's obviously not his best

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Speaker 2: comedic performance, but I think he has evolved so much

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Speaker 2: as an actor. In this this episode, he just has

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Speaker 2: some of the best understated drama. And then of course Rusty.

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Speaker 2: I didn't you know, didn't remember the Rusty storyline, and

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Speaker 2: like the two of them coming together at the end

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Speaker 2: really saved this episode for me.

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Speaker 4: Yeah, I kind of agree with a lot of what

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Speaker 4: you said. First of all, funny story, I'm so Sue

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Speaker 4: and I are doing this thing where we're trying to

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Speaker 4: watch movies that were important to one of us back

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Speaker 4: in the day that the other person hasn't seen.

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Speaker 3: Great.

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Speaker 4: So yeah, so this weekend, you know, very important movie

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Speaker 4: for her in the eighties that I hadn't seen.

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Speaker 2: Me watch sant Elmo's Fire for the first time. I've

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Speaker 2: never seen him before. Yeah, it's it's a movie.

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Speaker 4: Yeah, and who pops in young Blake Clark, big, you know,

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Speaker 4: great role, and he owns sant Elmo's Fiery, owns the bar,

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Speaker 4: and I'm like, oh my god, it's Blake. So just

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Speaker 4: to bring it back to that, I hated the opening of.

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Speaker 2: The Fantasy sequence.

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Speaker 4: What I thought was absolutely ridiculous and just so stupid

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Speaker 4: and and it's not even about like looking at it

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Speaker 4: from uh you know, woke eyes or looking at it

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Speaker 4: from the future. Going back like that doesn't age Well

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Speaker 4: that that wasn't good then sorry, it just wasn't.

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Speaker 2: It costs so much money, it took so much energy.

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Speaker 2: Oh my god, like one note joke.

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Speaker 4: And Feenie bringing Feenie in for the first time. I

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Speaker 4: get what they were doing, but I just I didn't

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Speaker 4: like it. And then that sequence ended and I really

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Speaker 4: liked it. I thought the kind of the opposite of

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Speaker 4: what you thought writer about myself, where I feel like

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Speaker 4: my performance, I'm starting to feel very comfortable now in

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Speaker 4: my performance, so I felt good about that. I love

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Speaker 4: working with Russ the I thought Betsy was very good

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Speaker 4: in this episode too. So after getting through that, it

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Speaker 4: was like an oh moment for the opening title, like

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Speaker 4: the first of the opening titles. Awesome, we get the

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Speaker 4: new opening titles.

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Speaker 2: But then going through there's my thoughts on the opening

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Speaker 2: title though, I was like, wait, you looked at the

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Speaker 2: last season a boy Beachworld and thought, let's add a dude,

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Speaker 2: Let's get another guy.

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Speaker 3: And I was like, what, you know what we're missing?

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Speaker 2: Are you another another brother? Floppy hair? And it's also

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Speaker 2: another brother, other guy with floppy hair, and it was

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Speaker 2: another family member for Sean. It's like, how many It's ridiculous,

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Speaker 2: Like you just watch I you know. Of course I

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Speaker 2: only remember the season six or season seven opening credits

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Speaker 2: was the gang, right, like where there are three women

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Speaker 2: and instead I was like, oh, it's just four dudes

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Speaker 2: and Danielle. Look that is the gang hanging out, Like,

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Speaker 2: come on, get another woman in there. It's crazy.

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Speaker 4: But it was nice to not have the the last

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Speaker 4: opening title I was.

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Speaker 2: I was over the last opening title sequence. I want

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Speaker 2: it back, I want back. I should have just digitally

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Speaker 2: inserted Matt Lawrence into it, just on the back of

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Speaker 2: the car, sitting in the back like racing after the

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Speaker 2: car trying to catch up with us would have been

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Speaker 2: perfect it.

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Speaker 1: Overall, there wasn't part of me that's your all you

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Speaker 1: liked it overall. There was a part of me that

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Speaker 1: really missed the old credits. I had gotten used to them.

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Speaker 1: I missed the surfer acid rock whatever, that is there

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Speaker 1: was there's the energy of it I kind of missed,

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Speaker 1: but also there was a very like comforting feeling hearing

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Speaker 1: that song and seeing those credits where I was like, Wow,

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Speaker 1: this is really what feels comforting to me about it.

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Speaker 3: So that was fun.

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Speaker 1: Do you guys remember shooting these and like the water

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Speaker 1: do you remember all of that?

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Speaker 4: Yeah, wasn't this Jody wasn't Jody Binstock going around with

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Speaker 4: the camera, So we didn't know. So Jeff told us that,

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Speaker 4: you know, McCracken shot this, Yeah, and Jody Binstock was

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Speaker 4: it was she. He told us, Oh, she's shadowing me,

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Speaker 4: and she's like, you know, a director, and she's gonna

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Speaker 4: have a camera just to kind of so she so

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Speaker 4: we didn't know that a lot of this.

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Speaker 2: They were going to use, and it was a sixteen

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Speaker 2: millimeter camera, so that's why it has that cool film

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Speaker 2: grain too, and it looks very different than the show.

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Speaker 2: And she was filming secretly and that ended up being

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Speaker 2: all the footage for the opening credits, which we thought

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Speaker 2: we were setting up shots and doing all the sort

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Speaker 2: of but she was, you know, so it's kind of

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Speaker 2: just us hanging out exactly.

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Speaker 1: Do you remember Jody fantastic. Yeah, I'm absolutely fantastic. Yeah,

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Speaker 1: I am not going to belabor it. I did not

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Speaker 1: like anything about this episode. I truly maybe my maybe

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Speaker 1: my least episode of all the time. I'm not sure

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Speaker 1: I even have one good thing to say about it.

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Speaker 2: That's why I feed all the way up until the end.

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Speaker 2: I really really did not like this episode.

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Speaker 1: Really, just like, okay, So jumping into our recap, we

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Speaker 1: start in John Adam's high, being that all three of

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Speaker 1: us hate this opening.

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Speaker 3: It's going to be fun to talk about. Maybe we

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Speaker 3: can just race through it.

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Speaker 2: Corey, do you remember this at all?

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Speaker 3: Danielle, not even a little bit, Not even a little.

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Speaker 2: Bit for me either. I was like, this is the

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Speaker 2: most most I've ever been. I should remember Bill Daniels

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Speaker 2: as a butler and a chef. And I'm like, I

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Speaker 2: don't remember any of this, and I think it's because

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Speaker 2: I hated it. It's terrible. Now, it's so terrible.

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Speaker 4: And then they finally see you finally see Tapanga and

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Speaker 4: she's being brought in by the four.

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Speaker 2: It's like, what what the hell is happening right now?

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Speaker 2: It is so weird.

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Speaker 1: So Cory and Sean sprint up to doors that read

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Speaker 1: Senior Hall. Sean is thrilled. We've waited three years to

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Speaker 1: go through this door, Corey continues. They say, the senior

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Speaker 1: floor is like no other are my Shawn, So let

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Speaker 1: us take a moment and savor.

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Speaker 3: They take a big.

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Speaker 1: Breath, then they exhale in unison. Oh baby, this is

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Speaker 1: going to be the best year of their lives. They

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Speaker 1: pushed through the double doors and red curtains appear, with

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Speaker 1: a glowy light now fogging up the camera.

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Speaker 3: A woman, I know, it's a weird thrill.

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Speaker 2: There's a vasoline on the lens.

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Speaker 3: Yeah, that's exactly right. Yes.

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Speaker 1: A woman on the PA system welcomes them to the

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Speaker 1: senior floor and we see women in bikinis and miniskirt

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Speaker 1: cover ups standing in every corner. Two women wearing floral

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Speaker 1: bikinis walk up to the boys and Kory asks, your seniors.

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Speaker 1: They giggle.

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Speaker 3: No, they're teachers.

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Speaker 1: Sean swoons, I have so much to learn. The teachers

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Speaker 1: grab the boys and lead them to a couch. Cory

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Speaker 1: asks if they can expect it to be a pretty

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Speaker 1: difficult ear and one of the women responds Swedish massage,

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Speaker 1: shiachu or.

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Speaker 3: Should I roll few? Right? Here, which roll I had

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Speaker 3: to look it up.

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Speaker 2: It's a different kind of massage, isn't.

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Speaker 1: Yes, it is a it is a type of massage,

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Speaker 1: but I had never heard it before. And also I

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Speaker 1: was absolutely disgusted by its similarity to the word ralph

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Speaker 1: for one thing, so like it sounds like do you

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00:19:49,320 --> 00:19:53,199
Speaker 1: just want to projectile vomit right here? But also it

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00:19:53,320 --> 00:19:56,040
Speaker 1: sounds extremely sexual.

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Speaker 2: Which is how it's supposed to be. They're supposed to.

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Speaker 1: Yeah, between the disgusting nature of that mixed with the

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Speaker 1: projectile vomity feeling of it was basically how I felt

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Speaker 1: about the.

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Speaker 2: Second and to Sean making out with a teacher, you guys,

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Speaker 2: you guys. I mean, it was an awful opening if

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Speaker 2: the genders were reversed, if like it was an underage

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Speaker 2: girl making out with an older man on a couch,

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Speaker 2: the teacher. Who's the teacher?

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Speaker 3: The teacher, the history teacher.

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Speaker 2: Oh my god. Yeah.

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Speaker 1: So then Phoene walks out wearing a butler suit and

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Speaker 1: carrying a tray with two frozen frappuccinos for the boys.

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Speaker 1: He also has all the answers to every test. If

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Speaker 1: there was any doubt there was a this was a

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Speaker 1: fantasy before this moment. Phoene being involved in it makes

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Speaker 1: it very clear.

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Speaker 3: Obviously it's higher.

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Speaker 2: Time I was watching this, I just kept going, poor Bill.

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Speaker 1: I know I was thinking the same thing. How much

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Speaker 1: do you think? Bill was like, really, this is what

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Speaker 1: we're doing at times, and poor Bill.

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Speaker 2: That's all I was thinking, was poor Bill.

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Speaker 1: So Corey offers Shawn a beverage and he's snuggled up

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Speaker 1: awfully coat close to his teacher. He laughs, he was

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00:21:03,840 --> 00:21:07,480
Speaker 1: just making out with her. We need to what's the

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Speaker 1: term we're using to describe the drop shock of season five?

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Speaker 1: I'm this is the rolfiest open.

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Speaker 2: Yeah. Covered in roll.

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00:21:25,720 --> 00:21:29,560
Speaker 1: Ben ceremonial music plays as men dressed in gladiator costumes

436
00:21:29,600 --> 00:21:33,320
Speaker 1: walk into the hall carrying topanga on a platform. Hi,

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00:21:33,480 --> 00:21:35,359
Speaker 1: I'd love to stay in chat, but I can't. I

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Speaker 1: have an exam in Roman history. She snaps, and the

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00:21:38,520 --> 00:21:42,200
Speaker 1: boys take her away. Corey wonders how the cafeteria food

440
00:21:42,200 --> 00:21:44,840
Speaker 1: will be this year, and right on cue, Phoene walks out,

441
00:21:45,160 --> 00:21:47,840
Speaker 1: now wearing a chef's uniform and wheeling a tray of

442
00:21:47,880 --> 00:21:50,280
Speaker 1: prime rib. Corey would like a middle cut and an

443
00:21:50,359 --> 00:21:53,240
Speaker 1: end cut and be quick about it. Meet boy, phoene

444
00:21:53,240 --> 00:21:55,520
Speaker 1: Lock's eyes with Corey, wait till you see what happens

445
00:21:55,560 --> 00:21:58,280
Speaker 1: to you in my fantasy, which I did this fun

446
00:21:58,480 --> 00:21:59,160
Speaker 1: That was a funny line.

447
00:21:59,280 --> 00:22:00,840
Speaker 2: But the pri looked good.

448
00:22:01,400 --> 00:22:03,639
Speaker 4: Yeah, That's what I noticed about the scene mostly is

449
00:22:03,640 --> 00:22:05,240
Speaker 4: the prime rib looked really, really good.

450
00:22:05,320 --> 00:22:07,120
Speaker 3: The real highlight of the scene was that prime ary.

451
00:22:07,359 --> 00:22:07,919
Speaker 2: It really was.

452
00:22:08,000 --> 00:22:11,359
Speaker 4: I'd also like to point out that in his own fantasy,

453
00:22:11,600 --> 00:22:14,240
Speaker 4: like what the Brammys world guys are saying.

454
00:22:14,119 --> 00:22:16,160
Speaker 2: In his own fantasy, Cory's with another woman.

455
00:22:17,119 --> 00:22:20,919
Speaker 1: Yes, And to Panga, his girlfriend is in a long

456
00:22:20,960 --> 00:22:23,560
Speaker 1: sleeve button up to her neck, a pair of jeans

457
00:22:23,600 --> 00:22:26,080
Speaker 1: being carried away by four other men.

458
00:22:26,080 --> 00:22:28,320
Speaker 2: Four other men. It's a weird fantasy.

459
00:22:28,400 --> 00:22:32,280
Speaker 1: It's a weird it's a weird situation here. Then the

460
00:22:32,280 --> 00:22:34,840
Speaker 1: PA voice returns. Boys, you've put in a lot of

461
00:22:34,840 --> 00:22:37,960
Speaker 1: hard work today. Now it's time to graduate. The bikini

462
00:22:38,000 --> 00:22:40,760
Speaker 1: teachers place graduation gowns on the boys, and Phoeni walks

463
00:22:40,760 --> 00:22:43,440
Speaker 1: out with a diploma. But then the bell rings were

464
00:22:43,480 --> 00:22:46,000
Speaker 1: brought back to reality. Is Corey and Sean now stand

465
00:22:46,040 --> 00:22:49,560
Speaker 1: in a very generic albeit slightly different John Adams Hallway.

466
00:22:49,840 --> 00:22:50,600
Speaker 3: Yeah, it's the point.

467
00:22:50,600 --> 00:22:53,600
Speaker 2: It's interesting. We've changed. It's almost like we've changed where

468
00:22:53,640 --> 00:22:55,600
Speaker 2: the fourth wall is. It's like we've picked up the

469
00:22:55,640 --> 00:23:00,480
Speaker 2: set and rotated it. Yep, yeah, which is I was like, oh, yeah,

470
00:23:00,520 --> 00:23:04,479
Speaker 2: that's right. I remember the previous set more. I remember

471
00:23:04,480 --> 00:23:06,800
Speaker 2: me too, previous set a lot more than I remember

472
00:23:06,840 --> 00:23:10,199
Speaker 2: being in this set and a number of scenes or

473
00:23:10,560 --> 00:23:13,040
Speaker 2: my brain stayed. But I saw this set, I was like,

474
00:23:13,119 --> 00:23:16,080
Speaker 2: that's right, we did rotate it. It was a new set.

475
00:23:16,119 --> 00:23:17,400
Speaker 2: I barely remember it.

476
00:23:17,520 --> 00:23:19,960
Speaker 1: And it makes sense because this is the hallway we

477
00:23:20,000 --> 00:23:22,520
Speaker 1: see in all those famous and then there were.

478
00:23:22,400 --> 00:23:25,600
Speaker 3: Sean exactly, Oh I was in that, okay, and so

479
00:23:25,640 --> 00:23:26,400
Speaker 3: you were in that set.

480
00:23:26,440 --> 00:23:28,800
Speaker 1: But it is funny because it's never struck me what

481
00:23:28,880 --> 00:23:30,800
Speaker 1: hallway is that? But you're one hundred percent right rid

482
00:23:30,960 --> 00:23:34,439
Speaker 1: for me too. I barely remember this hallway version, but

483
00:23:34,480 --> 00:23:36,440
Speaker 1: I really remember the previous one.

484
00:23:36,560 --> 00:23:38,600
Speaker 4: So writer, you wouldn't do this because you didn't go

485
00:23:38,640 --> 00:23:39,600
Speaker 4: to a regular high school.

486
00:23:39,600 --> 00:23:42,879
Speaker 2: But Danielle, did you have a senior hallway?

487
00:23:43,240 --> 00:23:43,400
Speaker 3: No?

488
00:23:43,520 --> 00:23:45,480
Speaker 2: Of course no, we didn't either, Like did they just

489
00:23:45,600 --> 00:23:47,640
Speaker 2: make this up for the show? Is this a thing?

490
00:23:48,200 --> 00:23:50,160
Speaker 1: What I what I thought was really funny is that

491
00:23:50,880 --> 00:23:53,320
Speaker 1: it fits perfectly with the jokes We've been making all

492
00:23:53,359 --> 00:23:58,439
Speaker 1: four seasons about how many floors are there. There's a

493
00:23:58,480 --> 00:23:59,840
Speaker 1: whole senior floor.

494
00:24:00,240 --> 00:24:03,679
Speaker 3: Now we're entering, it's like it's a tower growing.

495
00:24:03,920 --> 00:24:05,960
Speaker 4: Well, well, we'll know, but that when when the people

496
00:24:06,000 --> 00:24:08,040
Speaker 4: write in if this is a real thing, if the seniors.

497
00:24:07,960 --> 00:24:09,000
Speaker 3: Lesson, it's up to you.

498
00:24:09,480 --> 00:24:10,200
Speaker 2: Yeah, weird.

499
00:24:10,560 --> 00:24:12,280
Speaker 3: Yeah, I guess it does exist.

500
00:24:12,440 --> 00:24:14,879
Speaker 2: But we shouldn't still be Melissa. Should we should we

501
00:24:14,920 --> 00:24:16,800
Speaker 2: pick a new fan for season five?

502
00:24:16,920 --> 00:24:18,600
Speaker 3: All right, Steve, and it's you.

503
00:24:19,040 --> 00:24:22,760
Speaker 1: Okay, So the boys, disappointedly look around as Corey gives

504
00:24:22,840 --> 00:24:26,280
Speaker 1: us a huh and lies, Yeah, this is pretty much

505
00:24:26,280 --> 00:24:28,960
Speaker 1: how I imagined it. Sean agrees, and they hurry off

506
00:24:28,960 --> 00:24:32,600
Speaker 1: to class. All right, season five, Here we go, Here

507
00:24:32,600 --> 00:24:35,920
Speaker 1: we go, Well we're off, We're where off?

508
00:24:36,240 --> 00:24:39,159
Speaker 2: There you go? I mean it is is fitting with

509
00:24:39,359 --> 00:24:43,000
Speaker 2: the you know, it's reminiscent of season two where we

510
00:24:43,040 --> 00:24:45,280
Speaker 2: were like, no, it's going to be a whole new world,

511
00:24:45,359 --> 00:24:47,800
Speaker 2: and you know, then the hits keep coming right right,

512
00:24:47,800 --> 00:24:50,440
Speaker 2: But this could have just been a one minute Yeah,

513
00:24:50,440 --> 00:24:52,199
Speaker 2: it could have been funny, but then also just a

514
00:24:52,280 --> 00:24:55,119
Speaker 2: one minute glimpse, you know, like you open the door

515
00:24:55,240 --> 00:24:58,600
Speaker 2: and it's all awesome, and then reality but instead they

516
00:24:58,600 --> 00:25:00,399
Speaker 2: really went for it. But again this it can't be

517
00:25:00,440 --> 00:25:04,280
Speaker 2: a time issue. Making out with your teacher.

518
00:25:04,640 --> 00:25:06,919
Speaker 3: Even in the nineties is wrong.

519
00:25:07,600 --> 00:25:10,000
Speaker 4: So it's like it's you can't even look back at

520
00:25:10,040 --> 00:25:11,760
Speaker 4: it and be like, well it was for the times.

521
00:25:11,840 --> 00:25:14,720
Speaker 3: No, no, it was always wrong, But.

522
00:25:16,880 --> 00:25:20,480
Speaker 1: It doesn't mean it wasn't a fantasy of a lot

523
00:25:20,480 --> 00:25:24,280
Speaker 1: of grown men. And that's what we're seeing is that

524
00:25:24,680 --> 00:25:28,960
Speaker 1: grown men had an opportunity to put what they had

525
00:25:29,040 --> 00:25:34,080
Speaker 1: imagined and would have wanted when they were teens into

526
00:25:34,400 --> 00:25:38,320
Speaker 1: a show. And you know, I think I think a

527
00:25:38,359 --> 00:25:41,480
Speaker 1: good thing to talk about is how sometimes the things

528
00:25:41,560 --> 00:25:45,200
Speaker 1: you think would have been your fantasy, had they really happened,

529
00:25:45,720 --> 00:25:48,439
Speaker 1: maybe wouldn't have been as cool as you thought it

530
00:25:48,440 --> 00:25:53,719
Speaker 1: would have been. And so unfortunately it was just somebody's

531
00:25:53,760 --> 00:25:55,760
Speaker 1: opportunity to be like, man, I would have loved that

532
00:25:56,080 --> 00:25:57,520
Speaker 1: and put it in there.

533
00:25:57,600 --> 00:26:00,439
Speaker 2: So I'm curious, though, like I'd love to hear from

534
00:26:00,600 --> 00:26:05,240
Speaker 2: Steve or our listeners who maybe loved this opening when

535
00:26:05,240 --> 00:26:07,600
Speaker 2: they were teenagers, Like I don't know, right, yeah, I

536
00:26:07,640 --> 00:26:09,960
Speaker 2: didn't love doing it. I obviously I don't remember it,

537
00:26:10,000 --> 00:26:13,159
Speaker 2: and I but I maybe there's somebody out there who

538
00:26:13,240 --> 00:26:16,639
Speaker 2: was like some teenage boy was like, yeah, right on, Corey, Goesean,

539
00:26:17,160 --> 00:26:20,160
Speaker 2: that's the dream. I don't know. Maybe maybe it worked,

540
00:26:20,240 --> 00:26:20,760
Speaker 2: is what I'm saying.

541
00:26:21,000 --> 00:26:24,080
Speaker 4: I find there's something very interesting When none of us

542
00:26:24,119 --> 00:26:25,160
Speaker 4: remember a part of the show.

543
00:26:25,440 --> 00:26:27,000
Speaker 2: I know there's something there.

544
00:26:27,080 --> 00:26:29,159
Speaker 4: When none of I'm literally none of them, was like,

545
00:26:29,200 --> 00:26:30,920
Speaker 4: I've never seen this before in my life. I don't

546
00:26:30,960 --> 00:26:33,320
Speaker 4: remember shooting it, don't remember you guys doing it, don't

547
00:26:33,320 --> 00:26:34,800
Speaker 4: remember hursing nothing.

548
00:26:35,960 --> 00:26:36,200
Speaker 6: Yeah.

549
00:26:36,200 --> 00:26:39,000
Speaker 3: Well we are in Corey's bedroom now with a totally

550
00:26:39,000 --> 00:26:40,600
Speaker 3: different feel and no bed.

551
00:26:40,840 --> 00:26:42,400
Speaker 2: There's was it always a blue carpet?

552
00:26:42,520 --> 00:26:45,600
Speaker 1: I don't think so, and I don't remember this wallpaper even,

553
00:26:46,080 --> 00:26:49,800
Speaker 1: but there's some new set dressing here is Corey bursts

554
00:26:49,840 --> 00:26:52,480
Speaker 1: through the door with enthusiasm, telling Sean, this is what

555
00:26:52,520 --> 00:26:54,800
Speaker 1: I've been waiting for my whole life. Eric has left

556
00:26:54,840 --> 00:26:57,520
Speaker 1: for college. At the room is finally his last time

557
00:26:57,560 --> 00:27:01,600
Speaker 1: we saw everyone. Eric had just been accepted to Penbrook.

558
00:27:02,440 --> 00:27:05,040
Speaker 1: Did we not establish that? Okay, so I guess the

559
00:27:05,080 --> 00:27:06,560
Speaker 1: point is when we end up finding out in the

560
00:27:06,560 --> 00:27:09,240
Speaker 1: next scene he's going to be living on campus, but.

561
00:27:09,400 --> 00:27:10,119
Speaker 2: It was supposed to be.

562
00:27:10,200 --> 00:27:12,600
Speaker 3: Yeah, where is he supposedly been?

563
00:27:13,560 --> 00:27:16,200
Speaker 1: How does the logic of this workout, where is where

564
00:27:16,280 --> 00:27:17,040
Speaker 1: is his stuff?

565
00:27:17,920 --> 00:27:19,040
Speaker 3: If he didn't have a.

566
00:27:19,040 --> 00:27:23,640
Speaker 1: Room, where has he been and where is his stuff?

567
00:27:23,880 --> 00:27:25,919
Speaker 2: Well, stuff is in the garage, which we now know

568
00:27:26,080 --> 00:27:29,959
Speaker 2: is right off of the fourth wall four wall, So

569
00:27:30,040 --> 00:27:32,600
Speaker 2: stuff is in the garage I'm assuming, you know, war

570
00:27:32,680 --> 00:27:35,000
Speaker 2: and storage or in the bags that he took to

571
00:27:35,040 --> 00:27:36,280
Speaker 2: Pembrooke to get his room.

572
00:27:36,800 --> 00:27:38,840
Speaker 1: So he took all of his stuff out put it

573
00:27:38,840 --> 00:27:44,600
Speaker 1: in the garage furniture ahead of the actual move day.

574
00:27:44,760 --> 00:27:47,520
Speaker 2: It makes sense for Eric, I guess I think, No,

575
00:27:47,640 --> 00:27:49,800
Speaker 2: I don't, it's no. I just the whole time was

576
00:27:49,840 --> 00:27:53,359
Speaker 2: going like was the carpet always blue? That's all I

577
00:27:53,400 --> 00:27:55,399
Speaker 2: just kept saying. It's like, I don't remember this being blue?

578
00:27:56,440 --> 00:27:58,040
Speaker 2: Is it blue? And so he was like, it's a

579
00:27:58,040 --> 00:28:00,879
Speaker 2: blue carpet, like I know, but it was always blow.

580
00:28:01,520 --> 00:28:03,840
Speaker 1: So Sean wants to know what's up with all the candles,

581
00:28:03,840 --> 00:28:06,359
Speaker 1: and Corey says they're to set the mood for Tipanga.

582
00:28:06,359 --> 00:28:08,560
Speaker 1: Sean says it looks like a church, and Corey bites back,

583
00:28:08,720 --> 00:28:11,920
Speaker 1: you're ruining the mood. And then two delivery men walk

584
00:28:11,920 --> 00:28:14,639
Speaker 1: in carrying a new queen size bed for Corey. On

585
00:28:14,680 --> 00:28:16,840
Speaker 1: their way out, the delivery man tells Corey about the

586
00:28:16,840 --> 00:28:20,159
Speaker 1: twenty year standard warranty, and he reminds him no means no,

587
00:28:20,880 --> 00:28:24,320
Speaker 1: and then the audience laughs like that's a killer joke,

588
00:28:24,400 --> 00:28:27,159
Speaker 1: and I'll be honest, I haven't laughed once in the

589
00:28:27,200 --> 00:28:28,040
Speaker 1: show thus far.

590
00:28:28,320 --> 00:28:28,840
Speaker 2: So no.

591
00:28:29,119 --> 00:28:30,840
Speaker 4: Yeah, by the way, you don't want to keep a

592
00:28:30,840 --> 00:28:33,600
Speaker 4: mattress over eight years, just for our listener, you don't

593
00:28:33,600 --> 00:28:36,000
Speaker 4: want a twenty You don't want a twenty year mattress.

594
00:28:36,040 --> 00:28:36,439
Speaker 2: Flip it.

595
00:28:37,119 --> 00:28:39,880
Speaker 4: No, oh no, eight years? Four years on one side,

596
00:28:39,880 --> 00:28:41,520
Speaker 4: four years and another. Get rid of your mattress.

597
00:28:42,160 --> 00:28:42,440
Speaker 2: Come on.

598
00:28:43,760 --> 00:28:46,480
Speaker 1: So Corey ecstatically tells Sean this is going to be

599
00:28:46,480 --> 00:28:48,840
Speaker 1: the best year of their lives. But then Eric kicks

600
00:28:48,880 --> 00:28:53,040
Speaker 1: open the door and announces Daddy's home. Corey looks disgusted, Eric,

601
00:28:53,080 --> 00:28:55,720
Speaker 1: what are you doing here? He throws his stuffel bag

602
00:28:55,760 --> 00:28:57,360
Speaker 1: on the floor and says he didn't get rid of

603
00:28:57,400 --> 00:28:57,760
Speaker 1: my bed.

604
00:28:57,800 --> 00:29:00,920
Speaker 2: Did you remember? I remember?

605
00:29:00,920 --> 00:29:05,200
Speaker 4: Because I was gone, so we had done I think

606
00:29:05,480 --> 00:29:10,640
Speaker 4: the next episode with matt episode two of season five.

607
00:29:10,960 --> 00:29:14,160
Speaker 4: I think we shot that first and I missed that

608
00:29:14,240 --> 00:29:18,720
Speaker 4: and I reshot episodes because I distinctly remember first run through.

609
00:29:18,840 --> 00:29:21,680
Speaker 4: I'd been gone for the first episode. So when I

610
00:29:21,760 --> 00:29:24,080
Speaker 4: kicked open the door and went Daddy's home, all the

611
00:29:24,080 --> 00:29:25,560
Speaker 4: producers and everybody started.

612
00:29:25,280 --> 00:29:27,800
Speaker 3: Clapping, right because you were because I was back.

613
00:29:27,680 --> 00:29:30,240
Speaker 4: For So that's that I remember. That's like the only

614
00:29:30,280 --> 00:29:32,080
Speaker 4: memory I have of this entire week was kicking the

615
00:29:32,120 --> 00:29:36,240
Speaker 4: door open and everybody clapping. Oh yeah, so it's very sweet.

616
00:29:36,640 --> 00:29:39,440
Speaker 1: And then we're in the Matthew's kitchen. The giant cake

617
00:29:39,520 --> 00:29:42,040
Speaker 1: plate is back. Did you loutics it will the corner?

618
00:29:42,120 --> 00:29:45,080
Speaker 3: I thought, I thought the joke's coming with a we

619
00:29:45,160 --> 00:29:45,920
Speaker 3: got a kick from the.

620
00:29:47,560 --> 00:29:47,760
Speaker 2: Joke.

621
00:29:50,560 --> 00:29:53,920
Speaker 1: Eric, in a twenty three shirt, softly referencing Michael Jordan,

622
00:29:54,040 --> 00:29:56,959
Speaker 1: is explaining his situation to his parents like he's Jim Carrey.

623
00:29:57,040 --> 00:30:01,160
Speaker 1: I thought it was such a straight Jim Carrey impression.

624
00:30:01,320 --> 00:30:01,640
Speaker 2: It was.

625
00:30:01,960 --> 00:30:03,760
Speaker 1: Yet, so when he arrived at his dorm, they told

626
00:30:03,840 --> 00:30:05,880
Speaker 1: him he wasn't on the list. Amy reminds him he

627
00:30:05,920 --> 00:30:09,040
Speaker 1: got the forms for housing three months ago. Alan tells

628
00:30:09,040 --> 00:30:10,800
Speaker 1: Amy to go easy on em. He's just home for

629
00:30:10,840 --> 00:30:13,600
Speaker 1: a visit. Alan offers his son a slice of cake,

630
00:30:13,920 --> 00:30:16,160
Speaker 1: and Eric asks him to cut it for him. Amy

631
00:30:16,200 --> 00:30:19,320
Speaker 1: suggests that Eric is home for more than just a visit.

632
00:30:19,840 --> 00:30:22,120
Speaker 1: Eric winds to his dad. Why is it mommy happy

633
00:30:22,160 --> 00:30:25,280
Speaker 1: to see me? Amy? Siys, she is, but he scares

634
00:30:25,320 --> 00:30:27,680
Speaker 1: her sometimes. How can you do well in college if

635
00:30:27,680 --> 00:30:29,320
Speaker 1: she can't. If he can't even fill out a housing

636
00:30:29,360 --> 00:30:32,280
Speaker 1: form with a mouthful of cake, Eric admits, it gets worse.

637
00:30:32,440 --> 00:30:34,520
Speaker 1: I check the wrong box on another form. Now they

638
00:30:34,520 --> 00:30:38,560
Speaker 1: think I'm an eskimo. We should just notice that is

639
00:30:38,600 --> 00:30:41,240
Speaker 1: a term that now is offensive for anybody.

640
00:30:41,120 --> 00:30:45,360
Speaker 2: And one we constantly use on Boy Meetroll. Repeated joke.

641
00:30:46,200 --> 00:30:48,680
Speaker 3: Yeah, so we're not judging Boy Meets World.

642
00:30:48,880 --> 00:30:50,920
Speaker 1: We needn't know the things that we know now, but

643
00:30:51,040 --> 00:30:53,320
Speaker 1: just to point out not something you should say.

644
00:30:53,360 --> 00:30:54,320
Speaker 3: And times have changed.

645
00:30:56,160 --> 00:30:58,640
Speaker 1: So Alan laughs at this, encouraging Eric to tell Amy

646
00:30:58,640 --> 00:31:01,360
Speaker 1: his plans. Eric figures he's just going to stay at

647
00:31:01,360 --> 00:31:04,560
Speaker 1: his parents' house until the college housing snaffoo works itself out.

648
00:31:04,840 --> 00:31:06,800
Speaker 1: He pops up and asks Alan if they can pay

649
00:31:06,880 --> 00:31:10,240
Speaker 1: play basketball together tomorrow, and they gleefully high five as

650
00:31:10,360 --> 00:31:13,840
Speaker 1: Eric exits.

651
00:31:13,960 --> 00:31:16,640
Speaker 2: I love that. He's like whatever, I'm just so glad

652
00:31:16,640 --> 00:31:18,719
Speaker 2: to have him. My buddy's back. My buddy's back. It's

653
00:31:19,160 --> 00:31:21,360
Speaker 2: it's too bad that Amy is like no stick in

654
00:31:21,400 --> 00:31:23,120
Speaker 2: the mud now right now?

655
00:31:23,400 --> 00:31:25,880
Speaker 1: Will do you finally feel like a member of this family.

656
00:31:25,960 --> 00:31:27,680
Speaker 1: Now by season five, I do.

657
00:31:27,760 --> 00:31:29,960
Speaker 2: I feel like I've like Corey's gone at this point.

658
00:31:29,960 --> 00:31:33,360
Speaker 2: It's just me. No, I'm kidding, no, I yes.

659
00:31:33,440 --> 00:31:37,480
Speaker 4: And it's also I just feel as an actor, I'm

660
00:31:37,560 --> 00:31:38,400
Speaker 4: now like the.

661
00:31:38,400 --> 00:31:39,320
Speaker 2: Restraints are off.

662
00:31:39,680 --> 00:31:42,680
Speaker 4: That makes sense for Eric, and I'm taking more choices

663
00:31:42,800 --> 00:31:45,680
Speaker 4: with the kind of line reads, and I'm starting to

664
00:31:45,680 --> 00:31:48,280
Speaker 4: do different takes and I can feel that here, which

665
00:31:48,280 --> 00:31:49,800
Speaker 4: is one of the reasons I think personally. One of

666
00:31:49,840 --> 00:31:51,440
Speaker 4: the reasons why I like the episode is because I

667
00:31:51,480 --> 00:31:54,960
Speaker 4: felt like, like, again, all the shackles are off, yeah,

668
00:31:55,000 --> 00:31:56,680
Speaker 4: and I was just kind of letting go, which I

669
00:31:56,880 --> 00:31:57,800
Speaker 4: was very happy with.

670
00:31:57,920 --> 00:31:59,680
Speaker 3: Yeah, you're right, you do seem very free.

671
00:32:00,160 --> 00:32:02,720
Speaker 4: Yeah, and it's the start of then it gets crazy,

672
00:32:02,760 --> 00:32:05,680
Speaker 4: crazy crazy, But yeah, I felt it in this episode.

673
00:32:05,760 --> 00:32:09,200
Speaker 2: Was like, oh, okay, see that's interesting to me. They

674
00:32:09,200 --> 00:32:13,800
Speaker 2: didn't give you enough, so you're just like, there's this

675
00:32:13,920 --> 00:32:15,640
Speaker 2: line reads that I'm like, why is he saying it

676
00:32:15,680 --> 00:32:18,959
Speaker 2: like that? It's it's funny. It's very like Will being funny.

677
00:32:18,960 --> 00:32:20,960
Speaker 2: But I felt like they kind of were leaving you

678
00:32:21,040 --> 00:32:24,120
Speaker 2: hang and just letting you do the work for them,

679
00:32:24,200 --> 00:32:28,440
Speaker 2: which I was like, oh, you know, whereas in previous season,

680
00:32:28,720 --> 00:32:32,760
Speaker 2: like Eric, the situation was funny, you know, the way

681
00:32:32,800 --> 00:32:34,960
Speaker 2: you were coming into the scene was funny, And now

682
00:32:34,960 --> 00:32:38,880
Speaker 2: it's like just you're funny, which is different, like you

683
00:32:38,920 --> 00:32:40,640
Speaker 2: as an actor are funny. But yeah, I guess like

684
00:32:41,680 --> 00:32:44,520
Speaker 2: the specific Lime read college is hard. Yeah, when I'm

685
00:32:44,560 --> 00:32:47,880
Speaker 2: like a college is hard, Like all right, he starts, Yes,

686
00:32:47,960 --> 00:32:50,480
Speaker 2: you were just lamming it up and like whacking up

687
00:32:50,560 --> 00:32:52,600
Speaker 2: what otherwise wouldn't have been that funny of a line.

688
00:32:52,640 --> 00:32:55,160
Speaker 2: And they loved it, of course, but in a weird way.

689
00:32:55,160 --> 00:32:58,680
Speaker 2: It's like they're going to start being lazier because they

690
00:32:58,680 --> 00:33:00,920
Speaker 2: can rely on you to just make something funny. It

691
00:33:01,000 --> 00:33:01,600
Speaker 2: was fun though.

692
00:33:01,720 --> 00:33:13,160
Speaker 6: Yeah.

693
00:33:13,240 --> 00:33:15,320
Speaker 1: So now we're back in Corey's room to Panga is

694
00:33:15,360 --> 00:33:17,760
Speaker 1: lying on the new bed while Corey is deep in thought.

695
00:33:18,120 --> 00:33:20,320
Speaker 1: She asks why he isn't kissing her, and Corey assures

696
00:33:20,360 --> 00:33:22,920
Speaker 1: her that the minute their lips touch, Eric will walk

697
00:33:22,960 --> 00:33:25,440
Speaker 1: in to Pega tries to cheer him up. This is

698
00:33:25,440 --> 00:33:27,960
Speaker 1: his room, and Eric knows it. He won't just walk

699
00:33:28,000 --> 00:33:31,000
Speaker 1: in and take over. I have no idea why Topanga

700
00:33:31,080 --> 00:33:35,280
Speaker 1: thinks this, considering where is Eric supposedly staying? Where is

701
00:33:35,400 --> 00:33:37,680
Speaker 1: Eric supposedly sleeping, but.

702
00:33:37,760 --> 00:33:42,240
Speaker 2: He doesn't care. Yeah to Panga.

703
00:33:42,840 --> 00:33:45,320
Speaker 3: She lays back and demands kiss.

704
00:33:45,920 --> 00:33:48,720
Speaker 1: Corey obliges, leaning in for a kiss, and then, just

705
00:33:48,800 --> 00:33:52,360
Speaker 1: as Corey predicted, Eric walks in. Corey asks, aren't you

706
00:33:52,360 --> 00:33:55,680
Speaker 1: supposed to knock before entering my room? Eric mocks him

707
00:33:55,720 --> 00:33:57,880
Speaker 1: in three different pitches, your room?

708
00:33:58,120 --> 00:34:00,080
Speaker 2: Will you do it? Well? This is what I like?

709
00:34:00,160 --> 00:34:05,360
Speaker 2: Your your rude? Yeah, that's three like that is like

710
00:34:05,520 --> 00:34:07,760
Speaker 2: what You probably didn't write anything other than your room

711
00:34:07,760 --> 00:34:10,520
Speaker 2: three times and you probably get it every take differently different.

712
00:34:10,640 --> 00:34:14,000
Speaker 2: But it's a little senselessly funny, doesn't make any It

713
00:34:14,080 --> 00:34:17,040
Speaker 2: was just totally interesting. But I'm not sure what how

714
00:34:17,160 --> 00:34:19,480
Speaker 2: is Eric saying? Like what is the what is the

715
00:34:19,840 --> 00:34:22,880
Speaker 2: he's judging? Or like he's just being funny. It just

716
00:34:22,920 --> 00:34:25,800
Speaker 2: funny sounds, Yeah, exactly funny sounds.

717
00:34:26,320 --> 00:34:28,440
Speaker 1: So he laughs it off and asks to Panga to

718
00:34:28,520 --> 00:34:30,759
Speaker 1: be a deer and scooch over so he can sit

719
00:34:30,800 --> 00:34:33,799
Speaker 1: on the bed too. He starts some bicep curls with

720
00:34:33,840 --> 00:34:35,120
Speaker 1: a very small weight.

721
00:34:35,120 --> 00:34:39,000
Speaker 2: With eight with eight pound weights, like, what the hell?

722
00:34:39,040 --> 00:34:44,440
Speaker 2: Who am I impressing? You're impressing to Panka, which is

723
00:34:44,680 --> 00:34:50,680
Speaker 2: buff ass? Arms of yours? Any arms lifting an eight

724
00:34:50,760 --> 00:34:51,399
Speaker 2: pound weight.

725
00:34:51,600 --> 00:34:54,399
Speaker 1: Next, you can tell by the way your muscle is

726
00:34:54,440 --> 00:34:58,920
Speaker 1: not even remotely it's just so soft.

727
00:34:59,120 --> 00:35:01,520
Speaker 3: You're made of chop. Clinton that seeing I.

728
00:35:01,440 --> 00:35:03,280
Speaker 2: Am like, what the hell are they doing?

729
00:35:03,440 --> 00:35:07,720
Speaker 1: My gosh, And he says, big Daddy rocks, Big Daddy rocks,

730
00:35:07,760 --> 00:35:10,879
Speaker 1: Big Daddy rocks. To Panga watches him and bites her

731
00:35:11,040 --> 00:35:13,680
Speaker 1: lip like she is very much.

732
00:35:13,560 --> 00:35:15,840
Speaker 2: Enjoying this, and just away.

733
00:35:15,880 --> 00:35:18,839
Speaker 3: It's so strange.

734
00:35:19,200 --> 00:35:25,000
Speaker 2: She's just dts whoever's around. Eric, what you're filling up

735
00:35:25,080 --> 00:35:27,480
Speaker 2: to is Corey and Topang are gonna have an open marriage.

736
00:35:27,920 --> 00:35:31,280
Speaker 1: Also the fact that Topanga very in season one had

737
00:35:31,360 --> 00:35:34,960
Speaker 1: a crush on Eric and getting.

738
00:35:34,760 --> 00:35:38,120
Speaker 2: So horn I gotta I can't get out of here.

739
00:35:38,400 --> 00:35:42,440
Speaker 4: And again again, I am lifting eights And how do you.

740
00:35:42,400 --> 00:35:45,879
Speaker 2: Say no, no, how you turn around that kind of well,

741
00:35:46,080 --> 00:35:47,800
Speaker 2: just walk Away'm not going to strength.

742
00:35:48,080 --> 00:35:51,080
Speaker 1: So Corey notices and Topanga decides it's time for her

743
00:35:51,080 --> 00:35:53,759
Speaker 1: to leave. Eric cheerfully says goodbye, and then asks, she

744
00:35:53,800 --> 00:35:56,200
Speaker 1: didn't leave because of me, did she? Corey yells, she

745
00:35:56,360 --> 00:35:59,080
Speaker 1: left because big Daddy rocks. Why are you doing this

746
00:35:59,120 --> 00:36:02,520
Speaker 1: to me? Why are you here? Eric answers, I don't know,

747
00:36:02,960 --> 00:36:06,680
Speaker 1: and that you're again line reading is funny, Yeah.

748
00:36:06,640 --> 00:36:09,479
Speaker 2: But I don't know. I don't like that's like, where

749
00:36:09,520 --> 00:36:10,440
Speaker 2: did they come from?

750
00:36:10,480 --> 00:36:13,000
Speaker 3: What is the reality of what you're thinking?

751
00:36:14,040 --> 00:36:16,360
Speaker 2: At this point? I wasn't think I am and funny

752
00:36:16,400 --> 00:36:17,759
Speaker 2: noises in my mad That's what I mean that it

753
00:36:17,840 --> 00:36:20,080
Speaker 2: felt weird to me. I was like, it's not Will's fault,

754
00:36:20,120 --> 00:36:22,640
Speaker 2: but I mean, if anything, it's that he's too good.

755
00:36:22,840 --> 00:36:26,040
Speaker 2: But like, really, there's no perspective on it. It's just no,

756
00:36:26,200 --> 00:36:28,880
Speaker 2: just a big weird carcame. Yeah, exactly.

757
00:36:29,000 --> 00:36:32,319
Speaker 1: Jim Carrey jumps headfirst onto the bed. Corey threatens, I'm

758
00:36:32,320 --> 00:36:34,680
Speaker 1: not letting you do this to me this time, Eric, Tomorrow,

759
00:36:34,719 --> 00:36:37,520
Speaker 1: I am dedicating my entire day to finding you a place.

760
00:36:38,080 --> 00:36:41,000
Speaker 1: Eric kindly replies, good Night's sweet Corey. As he turns

761
00:36:41,000 --> 00:36:43,120
Speaker 1: off the light. We get a nice wide shot of

762
00:36:43,160 --> 00:36:46,200
Speaker 1: the bedroom and we see a large disco ball illuminating

763
00:36:46,239 --> 00:36:47,080
Speaker 1: the entire room.

764
00:36:47,440 --> 00:36:49,359
Speaker 3: Eric says, you know that's coming down, right.

765
00:36:49,760 --> 00:36:54,040
Speaker 1: Corey lies their arms crossed in a huffs.

766
00:36:54,400 --> 00:36:57,120
Speaker 2: Well, god, I wasn't lifting a twenty you would have

767
00:36:57,120 --> 00:36:57,680
Speaker 2: been pregnant.

768
00:36:57,840 --> 00:37:03,480
Speaker 1: I mean, seriously, uncle, daddy, daddy or.

769
00:37:06,440 --> 00:37:06,800
Speaker 2: Weird.

770
00:37:09,920 --> 00:37:14,319
Speaker 1: All right, So we're in Chubby's fairy is complaining to

771
00:37:14,360 --> 00:37:16,920
Speaker 1: a curly haired Topanga about how tough it is to

772
00:37:16,920 --> 00:37:18,359
Speaker 1: find Eric a place to live.

773
00:37:18,600 --> 00:37:20,879
Speaker 3: That is my naturally curly wavy hair.

774
00:37:20,920 --> 00:37:23,480
Speaker 1: By the way, that's just what my hair looks like,

775
00:37:24,160 --> 00:37:26,600
Speaker 1: especially at that time, if you did absolutely nothing to it,

776
00:37:26,680 --> 00:37:28,560
Speaker 1: just braid it with some water and made it look

777
00:37:28,600 --> 00:37:32,200
Speaker 1: like that. It's also visibly shorter. I got a haircut

778
00:37:32,280 --> 00:37:35,240
Speaker 1: over the summer along with my tan. So for example,

779
00:37:35,400 --> 00:37:38,240
Speaker 1: Eric prefers an avocado fridge and an ocean view, which

780
00:37:38,280 --> 00:37:40,839
Speaker 1: sounds nice to Tapanga as well, until Corey reminds her

781
00:37:41,040 --> 00:37:44,880
Speaker 1: we live in Philadelphia. Tapanga tells him not to snap

782
00:37:44,920 --> 00:37:48,800
Speaker 1: at her because she's the girlfriend he wants another say kiss,

783
00:37:48,840 --> 00:37:49,239
Speaker 1: and so.

784
00:37:49,280 --> 00:37:49,880
Speaker 3: She says it.

785
00:37:50,160 --> 00:37:52,560
Speaker 1: They give each other a quick peck, and Corey apologizes,

786
00:37:52,960 --> 00:37:57,839
Speaker 1: and I guess they're just trying to develop this new

787
00:37:58,760 --> 00:38:01,440
Speaker 1: thing Victorian to do, which.

788
00:38:01,160 --> 00:38:05,560
Speaker 2: Is without giving you anything, really anything. It's just unmotivated banter.

789
00:38:05,800 --> 00:38:10,720
Speaker 1: It's just unmotivated banter that also has a Cuteese element

790
00:38:10,800 --> 00:38:13,880
Speaker 1: to it that when Tapanga says kiss, everything stops and

791
00:38:13,960 --> 00:38:14,880
Speaker 1: they kiss and.

792
00:38:16,000 --> 00:38:23,520
Speaker 2: Yeah, I'm just gonna yes, just as so Corey just.

793
00:38:23,440 --> 00:38:26,239
Speaker 1: Doesn't understand Eric, it doesn't make sense that he choose

794
00:38:26,320 --> 00:38:28,879
Speaker 1: to live at home when he doesn't have to. Tapega says,

795
00:38:28,880 --> 00:38:31,320
Speaker 1: Corey just needs some college guy to walk down chubby

796
00:38:31,400 --> 00:38:36,000
Speaker 1: stairs and announce he's new. Intact, he needs roommates up up.

797
00:38:36,680 --> 00:38:39,120
Speaker 1: Corey tells Topanga that if she loved him, she would

798
00:38:39,200 --> 00:38:42,440
Speaker 1: make that happen. And then right on cue and only

799
00:38:42,480 --> 00:38:45,520
Speaker 1: a way Boy Meets World can pull off a cute guy.

800
00:38:45,760 --> 00:38:49,960
Speaker 1: Mister Matthew Lawrence himself comes walking down the stairs in

801
00:38:50,000 --> 00:38:52,320
Speaker 1: a hugetten up shirt.

802
00:38:52,560 --> 00:38:56,000
Speaker 2: Matt Lawrence, who is the most fit human being ever,

803
00:38:56,080 --> 00:39:00,839
Speaker 2: whose body is just perfect. Let's be honest and sure,

804
00:39:01,040 --> 00:39:03,560
Speaker 2: what is happening. I think they were afraid that he

805
00:39:03,600 --> 00:39:05,400
Speaker 2: was gonna be too hot compared to the rest of

806
00:39:05,480 --> 00:39:08,080
Speaker 2: us guys. It was gonna be like, we gotta make

807
00:39:08,120 --> 00:39:09,879
Speaker 2: him fit in with the boys of boy Beats Whirl.

808
00:39:10,200 --> 00:39:11,279
Speaker 3: I mean, I'm not gonna lie.

809
00:39:11,320 --> 00:39:13,239
Speaker 1: I remember when he showed up on set feeling like,

810
00:39:13,600 --> 00:39:15,120
Speaker 1: what the hell is he doing here with the rest

811
00:39:15,160 --> 00:39:16,760
Speaker 1: of these guys.

812
00:39:17,160 --> 00:39:21,480
Speaker 3: Sure that really was the way it felt that he blew.

813
00:39:21,360 --> 00:39:25,719
Speaker 2: All of you out of the water. I love you

814
00:39:26,000 --> 00:39:31,239
Speaker 2: so much. He could lift twelves.

815
00:39:34,160 --> 00:39:37,000
Speaker 1: So he comes trotting down the stairs. Excuse me, new

816
00:39:37,040 --> 00:39:39,279
Speaker 1: guy in town going to Penbrook. Just got a three

817
00:39:39,280 --> 00:39:42,319
Speaker 1: bedroom apartment and I'm looking for roommates. Corey stares at

818
00:39:42,320 --> 00:39:45,480
Speaker 1: the stranger in awe. Topega admits she heard him talking outside.

819
00:39:45,840 --> 00:39:48,480
Speaker 1: She says kiss to Corey, prompting another smooch, but he's

820
00:39:48,520 --> 00:39:51,560
Speaker 1: got no time. Corey drills the mystery man and finds

821
00:39:51,600 --> 00:39:53,640
Speaker 1: out his apartment has a view of the river. He

822
00:39:53,680 --> 00:39:56,200
Speaker 1: asks Tapanga to inquire about the fridge, because if this

823
00:39:56,239 --> 00:39:58,800
Speaker 1: guy sees how happy he is, he might think he's insane.

824
00:39:59,280 --> 00:40:03,480
Speaker 1: To penga simple, he asks, fridge, seems like you're saying,

825
00:40:03,920 --> 00:40:07,239
Speaker 1: is there a fridge? But sure, no, whatever, and the

826
00:40:07,280 --> 00:40:10,200
Speaker 1: boy responds, big green one. I think they call it avocado.

827
00:40:10,560 --> 00:40:13,640
Speaker 1: Corey can't contain himself. Boy, do I have the perfect

828
00:40:13,719 --> 00:40:16,680
Speaker 1: roommate for you, baby? He grabs the guy's shoulder. He

829
00:40:16,760 --> 00:40:19,200
Speaker 1: removes Corey's hand and asks it's not you, is it.

830
00:40:19,600 --> 00:40:21,640
Speaker 1: Corey says no and pulls out his wallet to show

831
00:40:21,719 --> 00:40:24,560
Speaker 1: him a picture of Eric. Tapega thinks that's cute, but also,

832
00:40:24,760 --> 00:40:27,960
Speaker 1: I'm in there too, right. Corey glares at her nervously.

833
00:40:28,239 --> 00:40:31,480
Speaker 1: You will be a handsome college student looks at the picture.

834
00:40:31,640 --> 00:40:34,080
Speaker 1: Nice looking guy, easy on the eyes. Could be some

835
00:40:34,120 --> 00:40:37,600
Speaker 1: competition for the ladies, roommate. No, he's acting like it

836
00:40:37,640 --> 00:40:38,520
Speaker 1: could be a problem.

837
00:40:39,440 --> 00:40:43,200
Speaker 2: Why is Cory. Why is the photo of Eric important

838
00:40:43,280 --> 00:40:43,480
Speaker 2: to me?

839
00:40:43,600 --> 00:40:45,080
Speaker 3: You know, why would you ever be like, let me

840
00:40:45,080 --> 00:40:46,040
Speaker 3: show you a photo of him?

841
00:40:46,360 --> 00:40:48,560
Speaker 2: Yeah? Yeah, what?

842
00:40:49,920 --> 00:40:50,160
Speaker 4: Yeah?

843
00:40:50,360 --> 00:40:51,880
Speaker 3: No, doesn't make any sense.

844
00:40:52,239 --> 00:40:55,840
Speaker 1: Uh, could be some competition for the ladies, He ponders,

845
00:40:55,840 --> 00:40:56,560
Speaker 1: and then decides.

846
00:40:56,719 --> 00:40:57,200
Speaker 2: Nah.

847
00:40:57,280 --> 00:40:59,680
Speaker 1: He tells Corey he'll meet this brother of his. Corey

848
00:40:59,719 --> 00:41:02,920
Speaker 1: is static something good is finally happening to him. The

849
00:41:02,960 --> 00:41:04,080
Speaker 1: world is my friend.

850
00:41:04,480 --> 00:41:07,000
Speaker 2: I think, you know, we should just take a moment

851
00:41:07,080 --> 00:41:14,000
Speaker 2: to how uh exciting and interesting? Uh and interesting Jack

852
00:41:14,160 --> 00:41:18,160
Speaker 2: is as a character, Like, what is happening here? What

853
00:41:18,320 --> 00:41:22,160
Speaker 2: a missed opportunity? Like there's no sense of anything with

854
00:41:22,239 --> 00:41:24,799
Speaker 2: this guy. For the whole episode, I was like, what,

855
00:41:25,280 --> 00:41:27,520
Speaker 2: I know, you have Matt Lawrence coming in. It's a

856
00:41:27,520 --> 00:41:29,880
Speaker 2: big introduction a new character in the show. And he

857
00:41:30,080 --> 00:41:35,000
Speaker 2: is a guy, a guy, the guy. It's the worst

858
00:41:35,080 --> 00:41:36,560
Speaker 2: entrance we've ever had of a new character.

859
00:41:36,600 --> 00:41:38,000
Speaker 3: Though I know you're thinking of Alex.

860
00:41:38,440 --> 00:41:40,839
Speaker 2: Thinking of Alex, I mean, he's it's a better entrance

861
00:41:40,880 --> 00:41:44,799
Speaker 2: than Alex's. Maybe right, I just couldn't believe it was like,

862
00:41:45,000 --> 00:41:48,360
Speaker 2: because I mean really, like, what wouldn't the point be

863
00:41:48,440 --> 00:41:53,719
Speaker 2: that Jack is a slick and wealthy for instance, to

864
00:41:53,760 --> 00:41:56,239
Speaker 2: be a counterpoint to Sean, to be a to be

865
00:41:56,280 --> 00:41:59,319
Speaker 2: different than anybody else, But instead he just is a

866
00:41:59,640 --> 00:42:00,520
Speaker 2: dude ood.

867
00:42:00,760 --> 00:42:03,760
Speaker 1: Yeah, okay, have the money to have an apartment. He's

868
00:42:03,840 --> 00:42:06,920
Speaker 1: basically there as a prop to set up this scenario

869
00:42:07,000 --> 00:42:09,399
Speaker 1: they really want, which is to get some guys living together, right,

870
00:42:09,440 --> 00:42:09,799
Speaker 1: And he.

871
00:42:09,760 --> 00:42:14,640
Speaker 2: Has no agenda, no interesting perspective, no new anything, no

872
00:42:14,719 --> 00:42:17,239
Speaker 2: new anything, even in the scenes with Chet, like there's

873
00:42:17,280 --> 00:42:18,360
Speaker 2: nothing in the trailer.

874
00:42:18,440 --> 00:42:22,520
Speaker 4: Later there's there's something to this could have been Sean

875
00:42:22,760 --> 00:42:24,200
Speaker 4: had Chet not raised him.

876
00:42:24,840 --> 00:42:27,480
Speaker 2: Great, then let's see what that means as a character.

877
00:42:27,840 --> 00:42:30,319
Speaker 2: What does that mean? It doesn't mean anything. He's just

878
00:42:30,360 --> 00:42:34,640
Speaker 2: a good, normal, average guy, cool, cool guy, seems pretty together,

879
00:42:34,760 --> 00:42:36,640
Speaker 2: seems cool with chat. Cool.

880
00:42:36,760 --> 00:42:38,600
Speaker 4: But at the end of the day, Sean is a good,

881
00:42:38,640 --> 00:42:40,920
Speaker 4: average normal guy with a chip on his shoulder. So

882
00:42:40,960 --> 00:42:43,680
Speaker 4: it's you've got You've got Jack, who's the same minus

883
00:42:43,680 --> 00:42:43,960
Speaker 4: the chip.

884
00:42:44,400 --> 00:42:50,280
Speaker 2: Seant a normal average guy Sean, he's the goofy, sneaky

885
00:42:51,040 --> 00:42:54,680
Speaker 2: uh street Wise. You know, Sewan has character, he's from

886
00:42:54,680 --> 00:42:57,399
Speaker 2: the get go. He also known for this long. I mean,

887
00:42:57,760 --> 00:43:00,520
Speaker 2: there's just a complete lack of character to Jack, and

888
00:43:00,560 --> 00:43:03,520
Speaker 2: I think that's a problem for the rest of the series.

889
00:43:03,800 --> 00:43:06,400
Speaker 2: Oh see, I think that. Yeah, I mean again, I

890
00:43:06,400 --> 00:43:06,840
Speaker 2: want to see it.

891
00:43:06,840 --> 00:43:08,640
Speaker 4: Obviously haven't seen it in a while, but I remember

892
00:43:08,680 --> 00:43:11,160
Speaker 4: because I worked with Matt more than anybody, and so

893
00:43:11,320 --> 00:43:15,040
Speaker 4: he became the straight man to Eric, right, and so

894
00:43:15,320 --> 00:43:17,640
Speaker 4: as that I want to see what that combination looks

895
00:43:17,680 --> 00:43:19,560
Speaker 4: like if they give Jack more there.

896
00:43:19,640 --> 00:43:23,000
Speaker 1: Yeah, because I know, to me, I wasn't too bothered

897
00:43:23,000 --> 00:43:24,239
Speaker 1: by the fact that there isn't too.

898
00:43:24,239 --> 00:43:27,160
Speaker 3: Much to me so much going on in this episode.

899
00:43:27,280 --> 00:43:28,960
Speaker 1: I was like, Okay, we're going to get to know

900
00:43:29,000 --> 00:43:30,680
Speaker 1: this new guy and I just get him there that

901
00:43:30,840 --> 00:43:34,400
Speaker 1: you do not remember a single element of the Jack

902
00:43:34,520 --> 00:43:36,160
Speaker 1: character from this point moving forward.

903
00:43:36,440 --> 00:43:38,479
Speaker 2: So for all I know, there is.

904
00:43:38,680 --> 00:43:39,480
Speaker 3: And maybe there isn't.

905
00:43:39,760 --> 00:43:42,880
Speaker 1: So for all I know, right now, episode two we

906
00:43:43,040 --> 00:43:45,320
Speaker 1: really learn who Jack Rachel.

907
00:43:45,400 --> 00:43:48,280
Speaker 2: That's the whole Rachel Jack thing that's big that comes

908
00:43:48,320 --> 00:43:51,600
Speaker 2: up at all situational. He doesn't come in with any perspective.

909
00:43:52,080 --> 00:43:54,120
Speaker 2: What about when what about when Chet dies? Is there

910
00:43:54,160 --> 00:43:56,640
Speaker 2: do you learn anything more about, like is there something there,

911
00:43:57,120 --> 00:44:00,040
Speaker 2: there's something between him and Seawan, you know, like we

912
00:44:00,120 --> 00:44:02,800
Speaker 2: have it out about like I'm basically saying you didn't

913
00:44:02,840 --> 00:44:05,200
Speaker 2: know him. You weren't there when I was cleaning up

914
00:44:05,200 --> 00:44:06,879
Speaker 2: after him and taking care of it. You know, it's

915
00:44:06,920 --> 00:44:12,319
Speaker 2: all sewn Sean. Sean Jack himself is so neutral, He's

916
00:44:12,360 --> 00:44:15,760
Speaker 2: so vanilla and like it's just this is an opportunity

917
00:44:15,800 --> 00:44:19,120
Speaker 2: to have somebody walk in, like just even just his clothing, right,

918
00:44:19,160 --> 00:44:21,800
Speaker 2: Like even if he was just wearing a suit, that's extreme.

919
00:44:21,840 --> 00:44:24,080
Speaker 2: But imagine if he was wearing like a really nice

920
00:44:24,120 --> 00:44:25,920
Speaker 2: suit and you watch this guy and he was like

921
00:44:26,360 --> 00:44:29,879
Speaker 2: business oriented, want to be entrepreneur, college student only cares

922
00:44:29,880 --> 00:44:34,120
Speaker 2: about money. Boom perspective, a new character alert, We're going

923
00:44:34,200 --> 00:44:37,279
Speaker 2: to get into it, and it would be like fireworks immediately,

924
00:44:37,480 --> 00:44:39,360
Speaker 2: and instead it's just like he kind of kind of

925
00:44:39,400 --> 00:44:41,359
Speaker 2: looks like it fits in, kind of kind of looks

926
00:44:41,400 --> 00:44:45,400
Speaker 2: like Sean and he and and Sean's and as a result,

927
00:44:45,800 --> 00:44:48,600
Speaker 2: Sean's chip on his shoulder throughout the rest throughout the

928
00:44:48,640 --> 00:44:52,000
Speaker 2: rest of this episode feels unearned, Like you're just kind

929
00:44:52,040 --> 00:44:54,680
Speaker 2: of like, Sean, dude, chill out, bro I imagine if

930
00:44:54,760 --> 00:44:57,360
Speaker 2: Jack said one or two things in this first scene

931
00:44:57,360 --> 00:44:59,000
Speaker 2: that you'd be like, Oh, I don't know how I

932
00:44:59,000 --> 00:45:02,160
Speaker 2: feel about this guy, be on Sean's side, and then

933
00:45:02,200 --> 00:45:03,759
Speaker 2: when he comes back around and says, I'm going to

934
00:45:03,800 --> 00:45:06,759
Speaker 2: accept this guy, there's an art, there's an arc there,

935
00:45:06,800 --> 00:45:11,640
Speaker 2: there's a journey. Instead, it's like guy, okay, guy.

936
00:45:11,040 --> 00:45:15,040
Speaker 4: Guy guy comes yeah, and again still not our worst entrance.

937
00:45:16,160 --> 00:45:18,359
Speaker 3: But then Sean walks in and sees the new guy.

938
00:45:18,560 --> 00:45:19,560
Speaker 3: What are you doing here?

939
00:45:19,840 --> 00:45:22,359
Speaker 1: He begs Sean not to ruin this for him, let

940
00:45:22,400 --> 00:45:24,399
Speaker 1: go of whatever has him upset with this guy, because

941
00:45:24,440 --> 00:45:26,759
Speaker 1: the world knows this is going to be Eric's new

942
00:45:26,800 --> 00:45:29,839
Speaker 1: roommate and the world is his friend. Tapega asks how

943
00:45:29,840 --> 00:45:32,600
Speaker 1: they know each other, and Sean gruffly answers, he's my brother.

944
00:45:33,000 --> 00:45:35,200
Speaker 3: Cory throws his hands in the air. Of course he is.

945
00:45:35,360 --> 00:45:38,560
Speaker 3: He is not your brother, which I thought, what that line?

946
00:45:38,640 --> 00:45:42,280
Speaker 1: Of course, No, he's not your brother, Sean bluntly states,

947
00:45:42,320 --> 00:45:44,759
Speaker 1: the same dad, different moms. His mom bailed on my

948
00:45:44,840 --> 00:45:46,760
Speaker 1: dad years ago, found a guy with a few bucks,

949
00:45:46,760 --> 00:45:48,799
Speaker 1: and I guess they've kept Jack pretty busy because we

950
00:45:48,920 --> 00:45:51,799
Speaker 1: haven't heard from him. Jack says, that's not exactly the

951
00:45:51,800 --> 00:45:54,160
Speaker 1: way it happened, but Seawan doesn't want to hear his excuses.

952
00:45:54,400 --> 00:45:56,440
Speaker 1: You turned your back on your father and on me.

953
00:45:56,960 --> 00:46:00,440
Speaker 1: There we talked, Sean walks away without another word, leaving

954
00:46:00,480 --> 00:46:01,880
Speaker 1: everyone behind stunned.

955
00:46:02,320 --> 00:46:05,200
Speaker 2: I'm sorry, can we can mean right now? So it's

956
00:46:05,880 --> 00:46:12,600
Speaker 2: Sean m h stay, Eddie Stacy, Eddie Stacy. Is it

957
00:46:12,760 --> 00:46:14,719
Speaker 2: just is just the four of you? Then this is

958
00:46:14,760 --> 00:46:18,040
Speaker 2: this is the Hunter family? Now we do okay, I'm

959
00:46:18,080 --> 00:46:19,880
Speaker 2: just making sure it's just the four of you. And

960
00:46:19,920 --> 00:46:23,040
Speaker 2: it turns out that I'm not Verna's son, right, So

961
00:46:23,400 --> 00:46:26,960
Speaker 2: I guess Chet is the the father to us?

962
00:46:27,000 --> 00:46:31,439
Speaker 1: All yes, And then we're outside the Matthews house near

963
00:46:31,560 --> 00:46:35,520
Speaker 1: the garage, which we've discovered now is just past the

964
00:46:35,560 --> 00:46:36,160
Speaker 1: fourth wall.

965
00:46:36,600 --> 00:46:39,719
Speaker 2: In the eye line the establishes where it is, which

966
00:46:39,760 --> 00:46:41,560
Speaker 2: rearranges the entire map.

967
00:46:41,760 --> 00:46:45,960
Speaker 1: It also makes absolutely no sense because every time people

968
00:46:46,160 --> 00:46:49,520
Speaker 1: arrive having been in the garage, they come from the back,

969
00:46:49,800 --> 00:46:51,839
Speaker 1: they come from upstage.

970
00:46:51,400 --> 00:46:53,919
Speaker 2: Not every time, not every time. Rue McClanahan ran off

971
00:46:54,400 --> 00:46:56,799
Speaker 2: to get her fan that way. So I think there

972
00:46:56,880 --> 00:47:00,319
Speaker 2: is a road off the garage too obvious. That has

973
00:47:00,320 --> 00:47:02,279
Speaker 2: to be right. The car has to be able to

974
00:47:02,280 --> 00:47:05,840
Speaker 2: get to the garage. So we've played rhades that direction

975
00:47:06,160 --> 00:47:08,800
Speaker 2: before too, so there's both sides.

976
00:47:09,160 --> 00:47:11,120
Speaker 3: Yeah, okay.

977
00:47:11,160 --> 00:47:14,120
Speaker 1: So Eric and Alan are playing basketball, nice shot form

978
00:47:14,200 --> 00:47:18,200
Speaker 1: by Will while Amy watches with concern. Feoene walks out

979
00:47:18,200 --> 00:47:21,280
Speaker 1: and admires the father's son bonding time. He realizes Amy

980
00:47:21,360 --> 00:47:24,080
Speaker 1: isn't sharing the feeling and asks if she's angry. Amy

981
00:47:24,120 --> 00:47:26,319
Speaker 1: snaps at him for years now, I have watched you

982
00:47:26,320 --> 00:47:27,840
Speaker 1: give advice to everybody, but never me.

983
00:47:28,080 --> 00:47:28,640
Speaker 3: Why is that?

984
00:47:29,000 --> 00:47:32,640
Speaker 1: Phoene's taken aback you don't ask. Amy explains the situation

985
00:47:32,719 --> 00:47:35,080
Speaker 1: she's in, with Eric being home and Alan being perfectly

986
00:47:35,120 --> 00:47:37,160
Speaker 1: fine with it. It was hard enough for Amy to

987
00:47:37,160 --> 00:47:39,279
Speaker 1: say goodbye to Eric the first time. She doesn't want

988
00:47:39,280 --> 00:47:41,840
Speaker 1: to do it again. Phoene begins to give her advice,

989
00:47:41,880 --> 00:47:43,759
Speaker 1: but Amy cuts him off and tells him he's wrong.

990
00:47:43,880 --> 00:47:46,640
Speaker 1: She knows the real answer. Alan is Eric's father and

991
00:47:46,719 --> 00:47:48,600
Speaker 1: his best friend. They're best friend, so he can't bring

992
00:47:48,640 --> 00:47:51,280
Speaker 1: himself to kick him out of the nest. She swiftly

993
00:47:51,360 --> 00:47:54,760
Speaker 1: thanks Feoene, adding well said as she walks off. After

994
00:47:54,760 --> 00:47:57,719
Speaker 1: she's gone, Feeney yells out, I have problems too, you know,

995
00:47:58,600 --> 00:48:01,440
Speaker 1: and I didn't really I love that line from him.

996
00:48:01,480 --> 00:48:05,680
Speaker 1: I don't really understand the Amy. What's happening with Amy?

997
00:48:05,680 --> 00:48:11,480
Speaker 1: Here is she is she saying thanks for the advice earnestly,

998
00:48:11,719 --> 00:48:15,040
Speaker 1: even though she just answered her own advice joke.

999
00:48:15,160 --> 00:48:16,120
Speaker 2: But it's just not okay.

1000
00:48:16,760 --> 00:48:18,759
Speaker 4: Broke the rule that Michael always talks about. And this

1001
00:48:18,800 --> 00:48:23,160
Speaker 4: is a perfect example walking walking on playing angry. And

1002
00:48:23,200 --> 00:48:25,640
Speaker 4: when she played it angry like that, then the joke

1003
00:48:25,719 --> 00:48:27,520
Speaker 4: doesn't land. If that, like, if she just worked it

1004
00:48:27,520 --> 00:48:30,960
Speaker 4: out herself and then it was not to critique Betty

1005
00:48:31,120 --> 00:48:34,240
Speaker 4: critique forgot.

1006
00:48:35,000 --> 00:48:37,799
Speaker 2: Yeah, if that was when you play she has been like,

1007
00:48:37,960 --> 00:48:39,799
Speaker 2: thank you so much for the advice. It's like a

1008
00:48:39,840 --> 00:48:56,040
Speaker 2: super positive yeah.

1009
00:48:56,080 --> 00:48:58,640
Speaker 3: And we're back at the Hunter's trailer.

1010
00:48:59,280 --> 00:49:00,680
Speaker 1: I didn't know if if we were ever going to

1011
00:49:00,719 --> 00:49:02,719
Speaker 1: see it again, I didn't remember it.

1012
00:49:02,800 --> 00:49:03,520
Speaker 3: So here we are.

1013
00:49:03,920 --> 00:49:05,879
Speaker 1: Chet and Sean are sitting at the dining table as

1014
00:49:05,880 --> 00:49:07,400
Speaker 1: Seawan is doing homework.

1015
00:49:08,040 --> 00:49:10,440
Speaker 2: It's nice to see Chet. It's just nice to see

1016
00:49:10,440 --> 00:49:11,719
Speaker 2: Blake again. It really is.

1017
00:49:12,160 --> 00:49:15,440
Speaker 4: He thinks in this episode it's such a great character,

1018
00:49:15,480 --> 00:49:17,920
Speaker 4: and you know it's not I mean, oh, it's comforting

1019
00:49:18,000 --> 00:49:18,560
Speaker 4: nice to see him.

1020
00:49:18,560 --> 00:49:20,160
Speaker 2: It is. It's comforting, and.

1021
00:49:20,000 --> 00:49:22,879
Speaker 1: He's fixing a toaster. Chet asks about his son's day

1022
00:49:22,880 --> 00:49:25,600
Speaker 1: and Sean says it was just another day. Chet asks

1023
00:49:25,600 --> 00:49:28,759
Speaker 1: if anything special happened, and Sean repeats, just another day.

1024
00:49:29,239 --> 00:49:32,000
Speaker 1: Chett admits I like this talking. We're doing it's good.

1025
00:49:32,280 --> 00:49:33,520
Speaker 1: Then there's a knock at the door.

1026
00:49:33,760 --> 00:49:34,320
Speaker 3: It's Jack.

1027
00:49:34,680 --> 00:49:37,319
Speaker 1: Sean gives him a death stare and Chet thinks he's

1028
00:49:37,360 --> 00:49:39,560
Speaker 1: a stranger at first, but then when he takes a

1029
00:49:39,560 --> 00:49:43,600
Speaker 1: closer look, he realizes it's his estranged son. Chedd admits

1030
00:49:43,640 --> 00:49:46,560
Speaker 1: this is a surprise, but he looks happy. Jack explains

1031
00:49:46,600 --> 00:49:49,920
Speaker 1: that he ran into Sean today, which makes Chet whip

1032
00:49:49,960 --> 00:49:52,400
Speaker 1: his head back at Sean. You told me nothing special

1033
00:49:52,400 --> 00:49:55,560
Speaker 1: happened today. Sean stands his ground. Yep, I did.

1034
00:49:56,040 --> 00:49:59,880
Speaker 2: Oh yeah. Draw boom, my friend.

1035
00:50:00,200 --> 00:50:04,600
Speaker 1: Chet asks Sean. Chet asks Sean not to be this way.

1036
00:50:04,680 --> 00:50:07,560
Speaker 1: They have a little family reunion cooking here. Jack reveals

1037
00:50:07,560 --> 00:50:10,040
Speaker 1: that he graduated high school and he's now going to Penbrook.

1038
00:50:10,280 --> 00:50:13,160
Speaker 1: Chet is ecstatic he has a boy in college. I

1039
00:50:13,200 --> 00:50:16,080
Speaker 1: guess your new daddy raised you up good. Sean adds, yeah,

1040
00:50:16,239 --> 00:50:18,640
Speaker 1: so good that he hasn't visited us this whole time.

1041
00:50:19,040 --> 00:50:21,880
Speaker 1: Sean asks his brother what he's doing here. Chet offers

1042
00:50:21,960 --> 00:50:24,400
Speaker 1: Jack a spot in the trailer, but Jack has an apartment.

1043
00:50:24,520 --> 00:50:27,160
Speaker 1: He just needs some roommates. Sean isn't buying this whole

1044
00:50:27,160 --> 00:50:29,839
Speaker 1: buddy buddy talk. He asks his brother again, what are

1045
00:50:29,840 --> 00:50:32,040
Speaker 1: you doing here? Did you finally get up enough guilt

1046
00:50:32,040 --> 00:50:35,120
Speaker 1: about Dad to pay him a pity call? Jack gets defensive,

1047
00:50:35,239 --> 00:50:37,839
Speaker 1: That's not it. He wanted to come here. He came

1048
00:50:37,880 --> 00:50:40,640
Speaker 1: here to see Sean too. Sean doesn't believe a word

1049
00:50:40,680 --> 00:50:43,239
Speaker 1: he says. Chet awkwardly joins the conversation.

1050
00:50:43,680 --> 00:50:46,879
Speaker 3: Seeing you two brothers together like that, an idea comes

1051
00:50:46,880 --> 00:50:49,520
Speaker 3: over me. They've been given the opportunity to get.

1052
00:50:49,400 --> 00:50:52,719
Speaker 2: To know John. That is the most ridiculous line I

1053
00:50:52,800 --> 00:50:54,120
Speaker 2: never ever heard Chet say you.

1054
00:50:54,520 --> 00:50:56,640
Speaker 3: I don't get a whole lot of ideas.

1055
00:50:57,239 --> 00:51:01,799
Speaker 2: He's the idea man. That's of his characters, that he's NonStop.

1056
00:51:01,840 --> 00:51:04,839
Speaker 2: I could not believe the way that Chet's character under

1057
00:51:04,880 --> 00:51:06,040
Speaker 2: the bus and that one line.

1058
00:51:06,040 --> 00:51:09,160
Speaker 1: I was like, wait what It also isn't for anything,

1059
00:51:09,280 --> 00:51:10,360
Speaker 1: It's not even a joke.

1060
00:51:10,920 --> 00:51:15,680
Speaker 2: It's to set up the next line. I've got an idea.

1061
00:51:16,000 --> 00:51:19,400
Speaker 2: But it's like he should you can literally say the opposite.

1062
00:51:19,520 --> 00:51:22,960
Speaker 2: I'm an idea man, and I got I got to

1063
00:51:23,000 --> 00:51:26,920
Speaker 2: do whatever, Like I could not believe we let that

1064
00:51:27,120 --> 00:51:29,799
Speaker 2: line stand. It's the most It's like, oh right, we

1065
00:51:29,960 --> 00:51:32,279
Speaker 2: just week to week, whoever you need to be for

1066
00:51:32,320 --> 00:51:35,279
Speaker 2: the scene, let's just throw it in there. Oh yeah,

1067
00:51:35,440 --> 00:51:35,719
Speaker 2: you know what?

1068
00:51:35,840 --> 00:51:37,640
Speaker 4: You know what a great acting moment was at the scene,

1069
00:51:37,640 --> 00:51:39,239
Speaker 4: And there were a lot because you're right, Blake was

1070
00:51:39,239 --> 00:51:42,080
Speaker 4: amazing in this. But when Matt first walks into the

1071
00:51:42,120 --> 00:51:44,880
Speaker 4: trailer and he walks over and he's like, can I

1072
00:51:44,880 --> 00:51:45,239
Speaker 4: help you?

1073
00:51:45,320 --> 00:51:48,080
Speaker 2: And there's that moment of recognition, it is a great

1074
00:51:48,360 --> 00:51:51,319
Speaker 2: beat by Blake. It is like he just oh my god,

1075
00:51:51,320 --> 00:51:53,840
Speaker 2: it's my kid. It was like a super understated and

1076
00:51:54,360 --> 00:51:56,680
Speaker 2: real in this episode, and it's so good. It's really

1077
00:51:56,680 --> 00:51:58,440
Speaker 2: cool to see you. No, I agree.

1078
00:51:59,000 --> 00:52:01,640
Speaker 3: Did it bump any of you that he didn't go

1079
00:52:01,719 --> 00:52:02,520
Speaker 3: to hug him?

1080
00:52:02,760 --> 00:52:05,520
Speaker 4: Yes, that they don't like that, you know what they say, like,

1081
00:52:05,640 --> 00:52:09,040
Speaker 4: hi did you because they don't know each other?

1082
00:52:09,160 --> 00:52:11,839
Speaker 2: And I would have I would I would have made

1083
00:52:11,880 --> 00:52:13,640
Speaker 2: a meal out of that. Then try you go for

1084
00:52:13,719 --> 00:52:14,440
Speaker 2: hug and I'm.

1085
00:52:14,320 --> 00:52:18,040
Speaker 1: Shakings and not hug him back or something. You can

1086
00:52:18,120 --> 00:52:20,880
Speaker 1: get the get the sense that there's awkwardness there. But

1087
00:52:21,280 --> 00:52:25,200
Speaker 1: as a parent, if you no matter what's gone on.

1088
00:52:25,320 --> 00:52:27,400
Speaker 1: If you haven't seen your kid in a while, and

1089
00:52:27,440 --> 00:52:30,239
Speaker 1: you realize it's him, how to and and Chet being

1090
00:52:30,280 --> 00:52:34,400
Speaker 1: an emotional guy for him to not grab him immediately

1091
00:52:34,440 --> 00:52:36,319
Speaker 1: and maybe then realize, oh, maybe this is too much

1092
00:52:36,360 --> 00:52:37,480
Speaker 1: and to have let him go or something.

1093
00:52:37,560 --> 00:52:39,239
Speaker 2: I want to go for a handshake and then do

1094
00:52:39,360 --> 00:52:41,480
Speaker 2: like the double handshake and then not know what to do,

1095
00:52:41,520 --> 00:52:43,040
Speaker 2: and the two of them have like just a beat.

1096
00:52:43,120 --> 00:52:45,520
Speaker 2: Would have been great, make a meal out of that.

1097
00:52:45,719 --> 00:52:46,040
Speaker 2: I did.

1098
00:52:46,040 --> 00:52:47,839
Speaker 4: I think you're one hundred percent right. I didn't miss it,

1099
00:52:47,920 --> 00:52:49,640
Speaker 4: but now that you're saying it, it would have been great.

1100
00:52:49,960 --> 00:52:51,719
Speaker 1: I think it's one of those things that is, you

1101
00:52:51,760 --> 00:52:54,359
Speaker 1: know when you're when you've got twenty two minutes and

1102
00:52:54,400 --> 00:52:58,720
Speaker 1: you and you're hugs or they take long. And I agree,

1103
00:52:58,760 --> 00:53:01,000
Speaker 1: we writer it. If you're going to do it, make

1104
00:53:01,040 --> 00:53:02,680
Speaker 1: a meal of it. And they may not have just

1105
00:53:02,719 --> 00:53:05,640
Speaker 1: had the time to with everything else going on, introducing

1106
00:53:05,680 --> 00:53:07,799
Speaker 1: a new character, all the stuff with Eric and all that,

1107
00:53:08,000 --> 00:53:09,640
Speaker 1: but I feel like it should have. I feel like

1108
00:53:09,680 --> 00:53:12,040
Speaker 1: it should have took us solid forty seconds of the

1109
00:53:12,040 --> 00:53:16,720
Speaker 1: show and would have gone a long way. So Chet

1110
00:53:16,760 --> 00:53:19,360
Speaker 1: tells Sean he wants a roommate well, I want you

1111
00:53:19,400 --> 00:53:21,279
Speaker 1: to live with him. And then we go to a

1112
00:53:21,320 --> 00:53:23,800
Speaker 1: tense commercial break and we're back in the hunter's trailer.

1113
00:53:24,120 --> 00:53:26,640
Speaker 1: Jack loves the idea of Sean as his roommate, but

1114
00:53:26,680 --> 00:53:29,319
Speaker 1: Sean isn't having it. Jack assures him, if you're worried

1115
00:53:29,320 --> 00:53:31,960
Speaker 1: about the rent, I can make up the difference. Sean

1116
00:53:32,000 --> 00:53:34,560
Speaker 1: perks up there it is Jack is here to try

1117
00:53:34,600 --> 00:53:36,359
Speaker 1: and rescue me from trailer life.

1118
00:53:37,239 --> 00:53:40,359
Speaker 2: Jack is where I'm like, give him a character, give

1119
00:53:40,440 --> 00:53:43,080
Speaker 2: him that sense of privilege, or just find a way

1120
00:53:43,120 --> 00:53:45,080
Speaker 2: to make you know. But I feel like they were

1121
00:53:45,120 --> 00:53:47,680
Speaker 2: too worried about Jack being unlikable. Yes, but I think

1122
00:53:47,760 --> 00:53:50,560
Speaker 2: he needed to be somewhat unlikeable or just have a

1123
00:53:50,600 --> 00:53:54,000
Speaker 2: perspective so that these because right now I hate Sean,

1124
00:53:54,400 --> 00:53:57,480
Speaker 2: I'm like, I now, get over yourself, Like, now, you know,

1125
00:53:57,880 --> 00:54:01,439
Speaker 2: just chill out, man, like stand it. But it would

1126
00:54:01,440 --> 00:54:06,000
Speaker 2: be so much more sympathetic if Jack had some difference.

1127
00:54:06,040 --> 00:54:09,799
Speaker 1: Right, No, you're right, You're right, because Sean is unlikable

1128
00:54:10,040 --> 00:54:12,920
Speaker 1: in this And I do think the reason is that

1129
00:54:12,960 --> 00:54:16,080
Speaker 1: there is a lot of protection of Jack. And the reason,

1130
00:54:16,200 --> 00:54:18,320
Speaker 1: truthfully there's a lot of protection of Jack is because

1131
00:54:18,320 --> 00:54:22,000
Speaker 1: they're protecting Matthew Lawrence as an actor from being an

1132
00:54:22,080 --> 00:54:25,359
Speaker 1: unlikable character. And whether or not that's that was our

1133
00:54:25,680 --> 00:54:28,600
Speaker 1: executives making that decision, whether that was ABC wanting to

1134
00:54:28,600 --> 00:54:33,120
Speaker 1: give that protection, whether himself and me and his reputation,

1135
00:54:33,160 --> 00:54:36,680
Speaker 1: his agents and managers, whoever it was, there was a

1136
00:54:36,719 --> 00:54:40,960
Speaker 1: protection of Jack Matt exactly.

1137
00:54:41,040 --> 00:54:43,440
Speaker 3: I'm coming into a new show. I'm not going to be.

1138
00:54:43,360 --> 00:54:45,920
Speaker 2: An a But that is such backwards, Like that's the

1139
00:54:45,960 --> 00:54:47,600
Speaker 2: worst you know, the worst note you can give a

1140
00:54:47,640 --> 00:54:50,520
Speaker 2: writer is to make a character likable, because it just

1141
00:54:50,680 --> 00:54:55,320
Speaker 2: ends up being bland and generic. And you know, the

1142
00:54:56,560 --> 00:54:59,360
Speaker 2: point of writing, the point of story is to draw

1143
00:54:59,400 --> 00:55:01,800
Speaker 2: you into care is that you might not know at first.

1144
00:55:01,800 --> 00:55:05,640
Speaker 2: And I just feel like it's such a missed opportunity. Yeah,

1145
00:55:06,360 --> 00:55:09,040
Speaker 2: and it hurts. It hurts Matt ultimately because you know,

1146
00:55:09,080 --> 00:55:11,839
Speaker 2: it gives him less to do, It gives him less

1147
00:55:11,880 --> 00:55:14,120
Speaker 2: perspective to play, and it's.

1148
00:55:14,000 --> 00:55:15,680
Speaker 3: Also less room to see him change.

1149
00:55:15,800 --> 00:55:18,640
Speaker 1: It's nice, it's nice to see Sean have an influence

1150
00:55:18,719 --> 00:55:21,880
Speaker 1: on Jack and him for him to we have.

1151
00:55:21,920 --> 00:55:23,799
Speaker 2: No relationship for the rest of the series, like there's

1152
00:55:23,840 --> 00:55:25,480
Speaker 2: no well, no, they give him they there is no

1153
00:55:25,840 --> 00:55:28,879
Speaker 2: there memory serves and it doesn't very well for what's

1154
00:55:28,920 --> 00:55:29,480
Speaker 2: moving forward.

1155
00:55:29,520 --> 00:55:31,960
Speaker 4: But there was no reason whatsoever for the two of

1156
00:55:32,000 --> 00:55:34,080
Speaker 4: you to be brothers, right, She could have just been

1157
00:55:34,120 --> 00:55:37,440
Speaker 4: another guy like it was. There was no It didn't

1158
00:55:37,640 --> 00:55:39,879
Speaker 4: go anywhere because then they paired him up with Eric,

1159
00:55:40,320 --> 00:55:41,359
Speaker 4: so it was Eric Jack.

1160
00:55:41,400 --> 00:55:42,440
Speaker 2: It had nothing to do.

1161
00:55:42,440 --> 00:55:44,040
Speaker 3: It have just been Eric's new roommate.

1162
00:55:44,239 --> 00:55:47,160
Speaker 2: Yeah. The way to Yeah, the way to pair. Whenever

1163
00:55:47,200 --> 00:55:49,920
Speaker 2: you pair characters, you have to have tension and conflict,

1164
00:55:50,000 --> 00:55:53,360
Speaker 2: and I think by removing any character from Jack in

1165
00:55:53,440 --> 00:55:56,080
Speaker 2: order to make him likable, they also remove any potential

1166
00:55:56,120 --> 00:55:59,280
Speaker 2: for us to have chemistry as characters.

1167
00:55:58,680 --> 00:56:00,040
Speaker 4: Whereas the other way to go with it is a

1168
00:56:00,200 --> 00:56:02,080
Speaker 4: comedy duo, which is what they decided to do, or

1169
00:56:02,200 --> 00:56:04,359
Speaker 4: him and I and that you can do that.

1170
00:56:04,920 --> 00:56:07,160
Speaker 2: But again, they should have just done that from the beginning.

1171
00:56:07,200 --> 00:56:10,879
Speaker 4: And the reason that he's Sean's brother is just another hunter.

1172
00:56:11,080 --> 00:56:12,520
Speaker 2: It's like what. Yeah.

1173
00:56:12,600 --> 00:56:15,799
Speaker 1: So Jack is frustrated and assures him that's not why

1174
00:56:15,840 --> 00:56:17,960
Speaker 1: he's here. He says goodbye to Chet, it's good to

1175
00:56:17,960 --> 00:56:20,560
Speaker 1: see him. He promises to call Jack, tells Sean he

1176
00:56:20,560 --> 00:56:22,279
Speaker 1: thought this would be good for both of them, and

1177
00:56:22,320 --> 00:56:25,040
Speaker 1: then he walks away without looking back. Chet stops him

1178
00:56:25,040 --> 00:56:27,160
Speaker 1: and grabs a jacket. It's going to be cold tonight.

1179
00:56:27,520 --> 00:56:30,120
Speaker 1: Jack thanks him and leaves, and Blake Clark is such

1180
00:56:30,120 --> 00:56:32,239
Speaker 1: a killer. I love that moment where you can see

1181
00:56:32,239 --> 00:56:33,600
Speaker 1: he doesn't know why he stopped him, he doesn't know

1182
00:56:33,640 --> 00:56:34,759
Speaker 1: what to say, and he comes up with a.

1183
00:56:34,840 --> 00:56:37,680
Speaker 2: JACKU something wonderful, performance great, It's amazing.

1184
00:56:37,880 --> 00:56:40,239
Speaker 1: Now alone, Sean asks his dad what he's trying to do.

1185
00:56:40,440 --> 00:56:42,920
Speaker 1: Chet explains, ever since you were born, I always wanted

1186
00:56:42,920 --> 00:56:45,400
Speaker 1: to give you something I never could until now, a

1187
00:56:45,480 --> 00:56:48,560
Speaker 1: chance at a better life. Sewn insists he means nothing

1188
00:56:48,560 --> 00:56:50,800
Speaker 1: to me. Chet reminds him that Jack is his brother.

1189
00:56:50,960 --> 00:56:52,840
Speaker 1: He's a good boy. He may not be much of

1190
00:56:52,880 --> 00:56:54,279
Speaker 1: a father, but he'd like the two of them to

1191
00:56:54,320 --> 00:56:56,719
Speaker 1: live together. Maybe that Penbrooks stuff WI rub off on

1192
00:56:56,800 --> 00:56:59,040
Speaker 1: him and then he'd have two boys in college. Shawn

1193
00:56:59,040 --> 00:57:01,000
Speaker 1: and Chet kind of argue back and forth, and Chet

1194
00:57:01,000 --> 00:57:02,640
Speaker 1: tells him to get out of the trailer and go

1195
00:57:02,680 --> 00:57:05,240
Speaker 1: live with his brother. Sean says he's not going anywhere,

1196
00:57:05,280 --> 00:57:07,399
Speaker 1: but he is right about one thing. He isn't much

1197
00:57:07,400 --> 00:57:08,640
Speaker 1: of a father and.

1198
00:57:09,640 --> 00:57:14,160
Speaker 2: Owikes, yikes. Well, Chet also just to give away his

1199
00:57:14,280 --> 00:57:17,920
Speaker 2: jacket that was Seawan's you talk about what if he

1200
00:57:18,000 --> 00:57:20,520
Speaker 2: just handed off Sewan's leather jacket. That's what I thought.

1201
00:57:20,520 --> 00:57:22,000
Speaker 2: That was good. I thought they were gonna end with

1202
00:57:22,000 --> 00:57:22,760
Speaker 2: a joke. It was.

1203
00:57:23,000 --> 00:57:25,280
Speaker 4: And by the way, you just gave him my jacket,

1204
00:57:25,760 --> 00:57:28,000
Speaker 4: you know, like that something like that.

1205
00:57:28,000 --> 00:57:28,520
Speaker 2: That's great.

1206
00:57:29,320 --> 00:57:31,480
Speaker 3: So then we are in Jack's apartment.

1207
00:57:31,640 --> 00:57:34,080
Speaker 2: News first we see we see the outside.

1208
00:57:34,160 --> 00:57:36,120
Speaker 4: We get to see the exterior of the new apartment

1209
00:57:36,120 --> 00:57:39,840
Speaker 4: for the first time ever. Very very friends esque that

1210
00:57:39,960 --> 00:57:43,280
Speaker 4: apartment building, like they're definitely going for that vibe.

1211
00:57:43,360 --> 00:57:44,760
Speaker 2: And there you go, boom apartment.

1212
00:57:45,120 --> 00:57:47,360
Speaker 1: Cory and Eric walk out of an elevator and into

1213
00:57:47,400 --> 00:57:51,040
Speaker 1: a very luxurious hallway. It's fancy in like a nineties

1214
00:57:51,120 --> 00:57:53,360
Speaker 1: kind of way, and the same way Taco Bells had

1215
00:57:53,360 --> 00:57:56,360
Speaker 1: the decor to encourage people to come inside the restaurant.

1216
00:57:59,040 --> 00:58:01,400
Speaker 1: Corey coaches Eric on how to act around his soon

1217
00:58:01,480 --> 00:58:04,960
Speaker 1: to be roommate. Don't flash that phony cheesy grin he has.

1218
00:58:05,280 --> 00:58:08,360
Speaker 1: Eric responds by flashing the cheesy grin he has. And

1219
00:58:08,400 --> 00:58:13,520
Speaker 1: then we see a girl exit the upstage apartment of

1220
00:58:13,520 --> 00:58:16,320
Speaker 1: the hallway and she walks to the elevator and then

1221
00:58:16,360 --> 00:58:19,880
Speaker 1: as Cory and Eric enter Jack's apartment, Eric glances over

1222
00:58:19,920 --> 00:58:23,200
Speaker 1: his shoulder at her, and not only is she not there,

1223
00:58:23,800 --> 00:58:25,960
Speaker 1: like we don't see her at the elevator the way

1224
00:58:25,960 --> 00:58:26,440
Speaker 1: we should.

1225
00:58:27,120 --> 00:58:29,320
Speaker 3: It never comes back into play.

1226
00:58:29,560 --> 00:58:32,040
Speaker 2: I thought the same thing. Why I did Eric exactly

1227
00:58:32,080 --> 00:58:34,480
Speaker 2: what they were thinking. They were thinking, we need to

1228
00:58:34,640 --> 00:58:39,640
Speaker 2: establish a three's company swinging guys vibe about this hotel,

1229
00:58:39,840 --> 00:58:43,000
Speaker 2: I mean the hotel hotelartment building. Yeah, and we're going

1230
00:58:43,040 --> 00:58:45,880
Speaker 2: to this is a girl neighbors. Yeah, hot girl neighbor.

1231
00:58:46,120 --> 00:58:48,480
Speaker 2: We need to establish that this is going to be

1232
00:58:49,080 --> 00:58:51,840
Speaker 2: the new world of this side of boy meets World,

1233
00:58:51,880 --> 00:58:55,760
Speaker 2: which is going to have like girls next door neighbors people.

1234
00:58:56,040 --> 00:58:59,560
Speaker 2: And it's just a sort of like sad attempt to

1235
00:58:59,760 --> 00:59:03,360
Speaker 2: estate ablish that. But yeah, they that's the same.

1236
00:59:03,160 --> 00:59:06,280
Speaker 4: Apartment that that Rachel comes from. So when Rachel moves

1237
00:59:06,280 --> 00:59:08,720
Speaker 4: out of her, the guys they.

1238
00:59:08,560 --> 00:59:11,080
Speaker 2: Were already thinking ahead, well, we need this is going

1239
00:59:11,120 --> 00:59:12,840
Speaker 2: to be the whole season is going to take place

1240
00:59:13,000 --> 00:59:15,560
Speaker 2: in this world. We have to establish that world. They

1241
00:59:15,560 --> 00:59:18,160
Speaker 2: should have had probably two girls laughing and he a

1242
00:59:18,240 --> 00:59:20,880
Speaker 2: lie about it, like, oh maybe there's something to this building.

1243
00:59:21,360 --> 00:59:25,000
Speaker 2: Exactly they walked down and say hi, Hi, Hey. If

1244
00:59:25,000 --> 00:59:27,120
Speaker 2: they did that, then it would have then it would

1245
00:59:27,120 --> 00:59:29,880
Speaker 2: have preempted the next scene, which are this scene that

1246
00:59:29,880 --> 00:59:31,720
Speaker 2: we're entering, which is that Eric is going to say

1247
00:59:31,760 --> 00:59:34,720
Speaker 2: he doesn't want to So it was like they wanted

1248
00:59:34,760 --> 00:59:36,160
Speaker 2: to have their cake and eat it too, and it

1249
00:59:36,280 --> 00:59:38,680
Speaker 2: just ends up kind of falling flat. Actually, he never

1250
00:59:38,760 --> 00:59:40,640
Speaker 2: says he doesn't want to live there. He just says

1251
00:59:40,720 --> 00:59:41,640
Speaker 2: I don't like him.

1252
00:59:41,560 --> 00:59:42,160
Speaker 3: I don't like it.

1253
00:59:42,400 --> 00:59:44,960
Speaker 2: Yeah, so when you walk out, right, you leave at

1254
00:59:45,000 --> 00:59:46,800
Speaker 2: the end of the scene without establishing that you're going

1255
00:59:46,880 --> 00:59:47,320
Speaker 2: to stay there.

1256
00:59:47,520 --> 00:59:51,120
Speaker 1: So yeah, So Corey opens the door to reveal Jack,

1257
00:59:51,160 --> 00:59:53,840
Speaker 1: who's cleaning the apartment. Cory is over the topic sited,

1258
00:59:53,840 --> 00:59:56,480
Speaker 1: pointing out that there's no avocado fridge, but it's still

1259
00:59:56,480 --> 00:59:59,680
Speaker 1: a nice place. Why isn't there an avocado fridge?

1260
00:59:59,760 --> 01:00:02,880
Speaker 2: That's all I thought about for the rest episode. How

1261
01:00:02,920 --> 01:00:06,400
Speaker 2: Why would what a strange thing to mistake a white

1262
01:00:06,400 --> 01:00:08,360
Speaker 2: fridge for a green fridge. So you've obviously been in

1263
01:00:08,360 --> 01:00:12,200
Speaker 2: the apartment and somebody asked you be one of the

1264
01:00:12,240 --> 01:00:15,920
Speaker 2: funniest things in the episode because he's just ramped sounded

1265
01:00:15,920 --> 01:00:18,120
Speaker 2: off cattle fridge. But that's okay. I thought it was

1266
01:00:18,320 --> 01:00:20,520
Speaker 2: so good, like I don't care, I don't care. It

1267
01:00:20,560 --> 01:00:22,400
Speaker 2: was worth it just to have Ben deliver it the

1268
01:00:22,440 --> 01:00:24,800
Speaker 2: way he did. I thought it was genius. Such a

1269
01:00:24,840 --> 01:00:26,840
Speaker 2: weird thing to get a mistake, I know, but it's

1270
01:00:26,880 --> 01:00:29,080
Speaker 2: so unfunny, so funny. I don't care. I don't care,

1271
01:00:29,120 --> 01:00:34,320
Speaker 2: I don't care so funny. I just love like motormouth.

1272
01:00:34,400 --> 01:00:37,320
Speaker 2: Corey is so funny. And real estate. He's always talking

1273
01:00:37,320 --> 01:00:38,480
Speaker 2: about curtains and real estate.

1274
01:00:38,480 --> 01:00:41,120
Speaker 4: And oh the fact that he we signed them, actually

1275
01:00:41,160 --> 01:00:42,480
Speaker 4: signed the paperwork with him.

1276
01:00:42,720 --> 01:00:45,120
Speaker 2: He should never have stopped talking about the apartment for

1277
01:00:45,200 --> 01:00:47,400
Speaker 2: this entire scene. I just think if he's just NonStop

1278
01:00:47,440 --> 01:00:49,560
Speaker 2: and the two of them are looking at each other, funny,

1279
01:00:50,000 --> 01:00:50,960
Speaker 2: so funny.

1280
01:00:51,960 --> 01:00:54,520
Speaker 1: So Jack and Eric introduce themselves and they check on

1281
01:00:54,560 --> 01:00:57,479
Speaker 1: each other's smoking habits and thoughts on pets. Jack gets

1282
01:00:57,480 --> 01:01:00,520
Speaker 1: serious favorite color on three, they count in unison blue.

1283
01:01:00,720 --> 01:01:03,400
Speaker 1: Corey sighs and relief, but as Jack heads upstairs, Eric

1284
01:01:03,440 --> 01:01:05,280
Speaker 1: immediately tells Corey I don't like him.

1285
01:01:05,440 --> 01:01:07,800
Speaker 2: Wow, best read got so so funny.

1286
01:01:08,080 --> 01:01:10,200
Speaker 4: I also just remember the whole time doing the smoke

1287
01:01:10,320 --> 01:01:13,040
Speaker 4: you smoke, No, do you smoke, and in my head.

1288
01:01:12,880 --> 01:01:14,760
Speaker 2: Being like, yeah, heavily for many many.

1289
01:01:14,640 --> 01:01:19,280
Speaker 4: Years, constantly I'm smoking right now.

1290
01:01:19,360 --> 01:01:19,600
Speaker 2: Yes.

1291
01:01:20,160 --> 01:01:22,280
Speaker 1: So they had a deal not to mention this is

1292
01:01:22,320 --> 01:01:25,280
Speaker 1: the perfect roommate for him. They're so similar they should

1293
01:01:25,320 --> 01:01:28,920
Speaker 1: be married. Eric earnestly says, I'm not ready, which is

1294
01:01:29,160 --> 01:01:30,640
Speaker 1: my favorite light of the episode.

1295
01:01:30,760 --> 01:01:33,360
Speaker 2: No, this is the This is the first scene of

1296
01:01:33,360 --> 01:01:34,080
Speaker 2: the episode.

1297
01:01:34,200 --> 01:01:36,280
Speaker 5: This is This is the first scene where I was like,

1298
01:01:36,400 --> 01:01:39,080
Speaker 5: this is a sick this is great. There are characters

1299
01:01:39,120 --> 01:01:42,280
Speaker 5: in conflict, there's a situation that should be happening. That's

1300
01:01:42,320 --> 01:01:45,240
Speaker 5: there's tension, it's and Will is so funny. Ben's funny.

1301
01:01:45,360 --> 01:01:46,000
Speaker 2: It's great.

1302
01:01:46,160 --> 01:01:48,400
Speaker 1: Why isn't this the thing he had signed up for

1303
01:01:48,480 --> 01:01:49,880
Speaker 1: his dark This is the start of the show.

1304
01:01:49,960 --> 01:01:52,680
Speaker 3: Here we are, this my new roommate, meeting my new roommate.

1305
01:01:52,760 --> 01:01:54,720
Speaker 2: Yes, there is where I finally was like, oh, maybe

1306
01:01:54,720 --> 01:01:57,440
Speaker 2: this isn't just a god awful episode. Yeah, and then

1307
01:01:57,440 --> 01:01:59,400
Speaker 2: I thought it was great from here on out. I'm

1308
01:01:59,400 --> 01:02:00,880
Speaker 2: on board, totally on board.

1309
01:02:00,920 --> 01:02:01,280
Speaker 3: You're right.

1310
01:02:01,320 --> 01:02:02,919
Speaker 1: This was the first This should have been the first scene.

1311
01:02:02,920 --> 01:02:06,080
Speaker 1: This was so Corey will not let Eric ruin his

1312
01:02:06,240 --> 01:02:09,080
Speaker 1: entire year. His brother no longer exists in his eyes,

1313
01:02:09,280 --> 01:02:11,320
Speaker 1: and then he tries tries to storm off, but he

1314
01:02:11,360 --> 01:02:13,360
Speaker 1: has to ask his invisible brother to move.

1315
01:02:14,520 --> 01:02:22,320
Speaker 2: Funny just the invisible to me me so good, so good,

1316
01:02:24,480 --> 01:02:26,440
Speaker 2: great performances. Oh killed me.

1317
01:02:26,760 --> 01:02:28,520
Speaker 3: Then we're back in the Matthew's kitchen.

1318
01:02:28,680 --> 01:02:31,080
Speaker 1: Eric runs down the stairs throwing a basketball at Alan,

1319
01:02:31,200 --> 01:02:33,720
Speaker 1: asking if he's down for some one on one. Alan's

1320
01:02:33,720 --> 01:02:36,160
Speaker 1: excited to play another game and follows Eric out the door,

1321
01:02:36,280 --> 01:02:39,240
Speaker 1: but Amy yells toward her husband and tells him to stay.

1322
01:02:39,880 --> 01:02:42,320
Speaker 1: Alan says that's a dog command. She doesn't give him

1323
01:02:42,360 --> 01:02:46,280
Speaker 1: a dog command, and Amy responds with sit. Alan obliges,

1324
01:02:46,320 --> 01:02:48,160
Speaker 1: but tells Amy she has to give him a treat.

1325
01:02:48,320 --> 01:02:52,600
Speaker 2: Wink wink, and here is But I think this is

1326
01:02:53,360 --> 01:02:57,280
Speaker 2: where Rusty's genius as an actor comes through, because there's

1327
01:02:57,320 --> 01:03:01,200
Speaker 2: a version. Just if you take the dialogue, it's there's

1328
01:03:02,240 --> 01:03:05,480
Speaker 2: just you know, it's playing on the like wife telling

1329
01:03:05,520 --> 01:03:09,800
Speaker 2: you what to do? You know, uh, sitcom trope. That

1330
01:03:09,840 --> 01:03:12,840
Speaker 2: would be so bad, but Rusty delivers it with the

1331
01:03:12,880 --> 01:03:16,640
Speaker 2: sense of irony and understanding that where he's laughing while

1332
01:03:16,680 --> 01:03:18,600
Speaker 2: he's doing it. He's able to do the like the

1333
01:03:18,600 --> 01:03:21,520
Speaker 2: wink thing. But it's all it's just dripping with just

1334
01:03:21,720 --> 01:03:29,920
Speaker 2: enough like spin on it, dripping with enough spin good, great, Yeah,

1335
01:03:30,000 --> 01:03:32,560
Speaker 2: there's just enough spin on it. As an actor that

1336
01:03:32,640 --> 01:03:36,320
Speaker 2: he does the dialogue. He does the thing but allows

1337
01:03:36,400 --> 01:03:39,200
Speaker 2: us in and it's like okay, Like he like the

1338
01:03:39,320 --> 01:03:42,120
Speaker 2: character of Alan is A is self aware, and I

1339
01:03:42,200 --> 01:03:44,080
Speaker 2: just think that's so good. It's the only way to

1340
01:03:44,080 --> 01:03:45,960
Speaker 2: make this kind of dialogue work, and I love it.

1341
01:03:46,080 --> 01:03:48,280
Speaker 1: I don't want to take away anything from Rusty because

1342
01:03:48,280 --> 01:03:51,200
Speaker 1: I think it is I agree, his performance is always

1343
01:03:51,240 --> 01:03:51,680
Speaker 1: spot on.

1344
01:03:51,920 --> 01:03:54,520
Speaker 3: It's still really gross to me. I don't like.

1345
01:03:54,600 --> 01:03:57,320
Speaker 2: I didn't like any bit of it all.

1346
01:03:57,480 --> 01:03:58,880
Speaker 3: I didn't like her saying it.

1347
01:03:58,960 --> 01:04:01,920
Speaker 1: I didn't like him being like no, no, no, lady

1348
01:04:02,200 --> 01:04:05,720
Speaker 1: dog command puh and and then the but you owe

1349
01:04:05,800 --> 01:04:07,880
Speaker 1: me a treat later with a wink and it being

1350
01:04:07,920 --> 01:04:08,840
Speaker 1: a sexual thing.

1351
01:04:09,000 --> 01:04:10,520
Speaker 3: Like I just.

1352
01:04:13,040 --> 01:04:14,880
Speaker 2: I was just looking at it from the like if

1353
01:04:14,920 --> 01:04:18,520
Speaker 2: you have to say this, cras, that's what again? That's

1354
01:04:18,720 --> 01:04:21,880
Speaker 2: because yeah, because I think a lesser actor would have

1355
01:04:22,000 --> 01:04:25,080
Speaker 2: just gone for the joke completely, like oh right, but

1356
01:04:25,240 --> 01:04:28,240
Speaker 2: Joey treat later, you know, like that's the like sitcom

1357
01:04:28,400 --> 01:04:31,000
Speaker 2: dad that you see on every other show at this time,

1358
01:04:31,160 --> 01:04:32,480
Speaker 2: and he's not doing that.

1359
01:04:32,520 --> 01:04:36,320
Speaker 1: For a Matthew Nelson's script. This doesn't feel like a

1360
01:04:36,360 --> 01:04:37,360
Speaker 1: Matthew Nelson script.

1361
01:04:37,560 --> 01:04:37,960
Speaker 2: I agree.

1362
01:04:38,280 --> 01:04:42,200
Speaker 4: Yeah, first script of the season introducing a new character.

1363
01:04:42,640 --> 01:04:45,560
Speaker 2: My guess is this is was shredded.

1364
01:04:45,280 --> 01:04:47,960
Speaker 3: From one heavily heavily rewritten.

1365
01:04:48,280 --> 01:04:49,800
Speaker 2: Yeah, absolutely absolutely.

1366
01:04:49,960 --> 01:04:52,640
Speaker 1: Amy gets serious. If we let him stay here, he

1367
01:04:52,720 --> 01:04:55,320
Speaker 1: will never grow up. Alan knows this, but he doesn't

1368
01:04:55,320 --> 01:04:57,120
Speaker 1: know what he's supposed to do about it. And then

1369
01:04:57,240 --> 01:05:00,200
Speaker 1: Corey and Sean walk downstairs, and Sean's complaining about his

1370
01:05:00,240 --> 01:05:02,320
Speaker 1: father trying to throw him out of the house. Sean

1371
01:05:02,360 --> 01:05:04,560
Speaker 1: looks at Alan, why can't I have a dad like him?

1372
01:05:04,880 --> 01:05:07,240
Speaker 1: Eric's never gonna leave and he's fine with it.

1373
01:05:07,440 --> 01:05:09,800
Speaker 3: Brilliant. Yeah, that that's brilliant.

1374
01:05:09,840 --> 01:05:13,400
Speaker 2: This is where the storyline start converging in really smart ways.

1375
01:05:13,520 --> 01:05:15,520
Speaker 3: And right after I say it doesn't feel like a

1376
01:05:15,560 --> 01:05:16,560
Speaker 3: Matthew Nelson.

1377
01:05:16,320 --> 01:05:19,600
Speaker 1: Script, it feels like a Mathew that was from the

1378
01:05:19,640 --> 01:05:24,120
Speaker 1: original draft. The way these two storylines connect and land

1379
01:05:24,120 --> 01:05:25,600
Speaker 1: in this moment and everybody and.

1380
01:05:25,600 --> 01:05:27,760
Speaker 2: The rest of this episode, it falls together for me,

1381
01:05:27,800 --> 01:05:29,640
Speaker 2: and I was like, oh, this is clicking. Yes, is

1382
01:05:29,680 --> 01:05:30,760
Speaker 2: feeling like the good boy.

1383
01:05:31,120 --> 01:05:44,560
Speaker 1: You're right, I think you're starting to convince me. So

1384
01:05:44,880 --> 01:05:46,760
Speaker 1: then we're back out in front of the Matthew's garage.

1385
01:05:46,920 --> 01:05:49,280
Speaker 1: Eric is playing basketball when Corey and Sean walk up.

1386
01:05:49,600 --> 01:05:51,439
Speaker 1: Eric asks if they'd like to play a little two

1387
01:05:51,480 --> 01:05:53,720
Speaker 1: on two with him and Dad and Corey Fire's back.

1388
01:05:53,800 --> 01:05:55,919
Speaker 1: I want to play a little two on your not here.

1389
01:05:57,400 --> 01:06:01,840
Speaker 1: Eric doesn't get it. You're head is a sandwich head.

1390
01:06:02,320 --> 01:06:03,200
Speaker 3: Whatever it was.

1391
01:06:03,120 --> 01:06:08,960
Speaker 2: That Sean said that speaking of head off your head

1392
01:06:09,160 --> 01:06:16,440
Speaker 2: was a sandwich head. You're the sandwich head. Figure outwich head.

1393
01:06:19,720 --> 01:06:23,280
Speaker 1: Alan, Alan walks out and greets greets the boys. Okay,

1394
01:06:23,520 --> 01:06:26,040
Speaker 1: Eric is ready to play how about the little guys

1395
01:06:26,120 --> 01:06:28,920
Speaker 1: versus him and Dad? But instead Alan asks, as much

1396
01:06:28,920 --> 01:06:30,640
Speaker 1: as I love it when it's you and me, how

1397
01:06:30,640 --> 01:06:33,040
Speaker 1: long is this going to go on? Eric doesn't understand.

1398
01:06:33,160 --> 01:06:35,520
Speaker 1: He thinks Alan is talking about the game. Sean thinks

1399
01:06:35,520 --> 01:06:37,360
Speaker 1: maybe he should go and leave them alone to talk

1400
01:06:37,400 --> 01:06:39,520
Speaker 1: this out, but Alan says he should stay.

1401
01:06:39,680 --> 01:06:40,320
Speaker 3: He's family.

1402
01:06:40,560 --> 01:06:45,000
Speaker 2: I like that part yep completely made me tear up.

1403
01:06:46,120 --> 01:06:49,400
Speaker 2: The emotional the most emotional I have ever gotten watching

1404
01:06:50,240 --> 01:06:50,600
Speaker 2: it was.

1405
01:06:50,640 --> 01:06:53,600
Speaker 1: Because because of him saying your family, or because of

1406
01:06:53,600 --> 01:06:54,560
Speaker 1: everything that follows us.

1407
01:06:54,640 --> 01:06:58,160
Speaker 2: He says it's your family. Because it was so confident

1408
01:06:58,360 --> 01:07:02,720
Speaker 2: and not melodermat It was just and it was like

1409
01:07:02,760 --> 01:07:05,840
Speaker 2: a it was just like an arrow to my heart.

1410
01:07:06,200 --> 01:07:12,600
Speaker 2: Now to see how Sean has been welcomed by the

1411
01:07:12,600 --> 01:07:16,200
Speaker 2: Matthews and like, it's not a story point, it's just

1412
01:07:16,720 --> 01:07:19,880
Speaker 2: it's just the given, and and and it was it's

1413
01:07:19,960 --> 01:07:23,280
Speaker 2: not underlined, it's not and I was like, I felt it.

1414
01:07:23,400 --> 01:07:26,560
Speaker 2: I guess maybe it's just like a residual Sean in

1415
01:07:26,680 --> 01:07:29,040
Speaker 2: me where I was like, I probably didn't even notice

1416
01:07:29,040 --> 01:07:31,360
Speaker 2: it as an actor then, but now I'm watching it, going,

1417
01:07:31,680 --> 01:07:34,280
Speaker 2: that's the arc of this character. And there it is.

1418
01:07:34,600 --> 01:07:36,760
Speaker 2: And it's not a story point. It's not anything you

1419
01:07:36,800 --> 01:07:38,680
Speaker 2: need to make a big deal out of. It's just

1420
01:07:38,760 --> 01:07:41,960
Speaker 2: that Rusty as an actor, knows that Sean's family and

1421
01:07:42,000 --> 01:07:45,760
Speaker 2: Sean is family. And it just destroyed me. It destroyed

1422
01:07:45,760 --> 01:07:48,560
Speaker 2: me last night watching I was like, what what just happened?

1423
01:07:48,600 --> 01:07:52,720
Speaker 2: It was so beautiful and like, oh my god, Like, yeah,

1424
01:07:52,760 --> 01:07:54,880
Speaker 2: I wish I would more of this, you know, this

1425
01:07:55,000 --> 01:07:57,360
Speaker 2: sort of like emotion where it's like, oh, that's just

1426
01:07:57,480 --> 01:07:59,600
Speaker 2: a given, it's we don't have to hit it. It's

1427
01:07:59,680 --> 01:08:00,800
Speaker 2: just oh yeah.

1428
01:08:01,120 --> 01:08:04,479
Speaker 1: I also love that in the scene right before, you're

1429
01:08:04,640 --> 01:08:09,200
Speaker 1: the person who shows him, yeah, I'm not doing the

1430
01:08:09,280 --> 01:08:13,200
Speaker 1: right thing, and that it obviously landed for him that

1431
01:08:13,280 --> 01:08:14,680
Speaker 1: what people say about.

1432
01:08:14,480 --> 01:08:17,200
Speaker 3: Him is why can't I have a dad like him.

1433
01:08:17,560 --> 01:08:20,200
Speaker 1: And him saying that your family is a little nod

1434
01:08:20,280 --> 01:08:22,320
Speaker 1: to you do have a dad like me?

1435
01:08:22,600 --> 01:08:25,200
Speaker 2: Yeah right. Unfortunately though none of that is accurate.

1436
01:08:25,240 --> 01:08:27,479
Speaker 4: What what the line actually means is you find out

1437
01:08:27,479 --> 01:08:32,479
Speaker 4: that Alan is also So that's really what it means

1438
01:08:32,520 --> 01:08:34,520
Speaker 4: by your family everybody.

1439
01:08:35,840 --> 01:08:37,800
Speaker 2: To be friends all this time, because that has to

1440
01:08:37,800 --> 01:08:41,080
Speaker 2: make up for the fact that he cheated on They're

1441
01:08:41,240 --> 01:08:44,240
Speaker 2: just Sean's related to everybody in town? Is actually what

1442
01:08:44,280 --> 01:08:53,559
Speaker 2: this means. It kind of changes the moment, doesn't it. Damn.

1443
01:08:55,439 --> 01:08:58,200
Speaker 1: Alan tells Eric he has one week to find himself

1444
01:08:58,240 --> 01:09:00,920
Speaker 1: a new place. Eric doesn't understand. He thought they were friends.

1445
01:09:01,160 --> 01:09:04,240
Speaker 1: Alan agrees they are friends, but he's also Eric's father.

1446
01:09:04,720 --> 01:09:06,599
Speaker 1: There comes a time in every kid's life where they

1447
01:09:06,600 --> 01:09:08,920
Speaker 1: have to move on. He hates that that time has come,

1448
01:09:08,960 --> 01:09:10,679
Speaker 1: but he wouldn't be a good father if he didn't

1449
01:09:10,720 --> 01:09:13,920
Speaker 1: recognize it. Eric's size, and Alan tries to cheer him up.

1450
01:09:14,160 --> 01:09:15,960
Speaker 1: If I didn't think you could make it, I wouldn't

1451
01:09:15,960 --> 01:09:19,799
Speaker 1: be kicking you out. Sean hears this and obviously connects

1452
01:09:19,840 --> 01:09:21,320
Speaker 1: it to his own situation.

1453
01:09:21,560 --> 01:09:24,879
Speaker 2: This is good writing, really good, But in two scenes,

1454
01:09:25,040 --> 01:09:28,960
Speaker 2: I my storyline affected him. He recognized that made a change,

1455
01:09:29,040 --> 01:09:33,400
Speaker 2: acknowledging it's like, boom boom boom characters. Oh so good,

1456
01:09:33,479 --> 01:09:34,960
Speaker 2: that's Matt Nelson.

1457
01:09:34,600 --> 01:09:37,240
Speaker 1: Matt Nelson, Matt Yeah, you feel the Matt Nelson here,

1458
01:09:37,600 --> 01:09:38,120
Speaker 1: back to back.

1459
01:09:38,360 --> 01:09:41,400
Speaker 2: Yes. So it's also there's about this episode and then

1460
01:09:41,439 --> 01:09:44,160
Speaker 2: at the end, Chet and Now and get their moment.

1461
01:09:44,160 --> 01:09:46,000
Speaker 2: I was like, oh my god, it's so good.

1462
01:09:46,439 --> 01:09:48,360
Speaker 4: So that's also one of the things that even works

1463
01:09:48,400 --> 01:09:50,360
Speaker 4: on a deeper, deeper level because it's one of those

1464
01:09:50,360 --> 01:09:54,960
Speaker 4: things where Sean can't recognize his father being a good

1465
01:09:55,040 --> 01:09:57,640
Speaker 4: father because I'm so not used to it. Until he

1466
01:09:57,800 --> 01:10:00,800
Speaker 4: knows a good father, he he's Alan as a good

1467
01:10:00,800 --> 01:10:03,240
Speaker 4: father and has him say the same things.

1468
01:10:05,120 --> 01:10:10,519
Speaker 1: It's it's also the idea that and I love it.

1469
01:10:10,760 --> 01:10:12,080
Speaker 3: I've completely changed my mind.

1470
01:10:12,120 --> 01:10:17,240
Speaker 2: I really am blocking of story that I've ever seen.

1471
01:10:17,280 --> 01:10:21,120
Speaker 2: It's great and it's so economical. It's just perfect.

1472
01:10:21,320 --> 01:10:25,519
Speaker 1: I also love that that Sean's po V is so

1473
01:10:25,720 --> 01:10:30,439
Speaker 1: tainted by always feeling excluded from his family, his family

1474
01:10:30,479 --> 01:10:31,320
Speaker 1: pushing him away.

1475
01:10:32,439 --> 01:10:36,040
Speaker 3: It's not until he sees the Matthews.

1476
01:10:35,479 --> 01:10:39,280
Speaker 1: That he knows pushed well, yeah, that he goes, oh,

1477
01:10:39,560 --> 01:10:42,639
Speaker 1: there are there's a different way to retell a pushing

1478
01:10:42,680 --> 01:10:45,640
Speaker 1: away and in this situation in my life, it is

1479
01:10:45,680 --> 01:10:46,560
Speaker 1: not abandonment.

1480
01:10:46,880 --> 01:10:49,040
Speaker 3: It is time to spread your wings.

1481
01:10:49,600 --> 01:10:54,160
Speaker 1: This, yeah, and is the acknowledgment that what Shawn's been

1482
01:10:54,160 --> 01:10:55,040
Speaker 1: telling us all along.

1483
01:10:55,240 --> 01:10:56,120
Speaker 3: I can be on my own.

1484
01:10:56,240 --> 01:10:58,360
Speaker 1: I'm a big guy. I can handle myself. Why does

1485
01:10:58,400 --> 01:10:59,920
Speaker 1: everybody want to keep it? I don't need you, want

1486
01:11:00,000 --> 01:11:04,040
Speaker 1: don't need you somebody actually saying, yeah, you're right, you

1487
01:11:04,120 --> 01:11:05,519
Speaker 1: are You've reached there now.

1488
01:11:05,600 --> 01:11:07,439
Speaker 3: You may not have been there until now, but now

1489
01:11:07,560 --> 01:11:08,080
Speaker 3: is the time.

1490
01:11:08,479 --> 01:11:12,559
Speaker 1: So yeah, it's great, it's great, It's beautiful, brilliant.

1491
01:11:12,840 --> 01:11:14,720
Speaker 2: Yeah. You know, if Sean at the end of the

1492
01:11:14,760 --> 01:11:18,760
Speaker 2: episode of Sean going to say goodbye to Turn, I know,

1493
01:11:18,840 --> 01:11:20,479
Speaker 2: but he's still in a koma. He hasn't moved yet.

1494
01:11:20,479 --> 01:11:21,439
Speaker 2: He's still in the hospital.

1495
01:11:22,360 --> 01:11:26,280
Speaker 1: The world is Cory's friend, not Sean's friend. So Eric

1496
01:11:26,360 --> 01:11:30,040
Speaker 1: throws the basketball to Corey. Enjoy your room. Eric walks away,

1497
01:11:30,080 --> 01:11:32,880
Speaker 1: and Corey smiles before following him. It's just Sean and

1498
01:11:32,920 --> 01:11:35,960
Speaker 1: Allan now, and Shawn assures him you are a good father.

1499
01:11:36,439 --> 01:11:39,960
Speaker 1: Alan's worried. He hopes Eric will understand. Sean tells him

1500
01:11:39,960 --> 01:11:42,880
Speaker 1: he will. Alan pat Sean on the tummy and gives

1501
01:11:42,920 --> 01:11:43,839
Speaker 1: him a little embrace.

1502
01:11:45,439 --> 01:11:46,880
Speaker 2: Great beautiful.

1503
01:11:47,400 --> 01:11:51,200
Speaker 1: Yet then we're back in Jack's apartment. Sean and Chet

1504
01:11:51,200 --> 01:11:54,400
Speaker 1: walk out of the elevator, both carrying boxes. Chet admits,

1505
01:11:54,560 --> 01:11:57,240
Speaker 1: I still can't believe you give Alan Matthews half the credit,

1506
01:11:57,600 --> 01:11:59,920
Speaker 1: except for all the flowery words I said the same.

1507
01:12:00,600 --> 01:12:04,200
Speaker 1: Sean explains that Alan just helped him understand his dad's perspective.

1508
01:12:04,600 --> 01:12:07,000
Speaker 1: Now he knows how hard this is for Chet. He

1509
01:12:07,040 --> 01:12:10,000
Speaker 1: tells Chet that he's a good father. Chet chuckles, I

1510
01:12:10,000 --> 01:12:13,160
Speaker 1: guess I give the man his due. Then inside the apartment, Alan,

1511
01:12:13,400 --> 01:12:15,719
Speaker 1: Eric and Jack are all unloading stuff into the kitchen.

1512
01:12:16,040 --> 01:12:18,920
Speaker 1: Eric asks Jack his favorite movie on three one two

1513
01:12:19,040 --> 01:12:23,519
Speaker 1: three Godfather. Then a second passes part two two so cute.

1514
01:12:23,960 --> 01:12:26,160
Speaker 1: Eric turns to his dad. I don't get him a.

1515
01:12:27,760 --> 01:12:29,759
Speaker 2: Great runner, such a great runner.

1516
01:12:30,760 --> 01:12:33,719
Speaker 1: Cory walks out of a bedroom carrying a clipboard standard

1517
01:12:33,760 --> 01:12:35,320
Speaker 1: rental agreement for one year.

1518
01:12:36,120 --> 01:12:39,439
Speaker 2: Love's a great clipboard. He's the real estate agent. It's

1519
01:12:39,640 --> 01:12:41,400
Speaker 2: just now in this.

1520
01:12:41,280 --> 01:12:45,360
Speaker 3: Episode, right, You're absolutely right.

1521
01:12:45,760 --> 01:12:48,000
Speaker 1: He shows Eric ware to sign the Hunter's enter, and

1522
01:12:48,120 --> 01:12:51,240
Speaker 1: Jack welcomes Sean into their new home, comes with hardwood floors,

1523
01:12:51,360 --> 01:12:54,920
Speaker 1: high ceilings, and a brother, Chet got them a gift.

1524
01:12:55,200 --> 01:12:58,479
Speaker 1: It's not much, but it works. He hands Jack the

1525
01:12:58,560 --> 01:13:01,520
Speaker 1: toaster he's been working on for most of the episode.

1526
01:13:02,840 --> 01:13:07,320
Speaker 1: Jack is ecstatic they really need one. Alan tells Eric

1527
01:13:07,360 --> 01:13:10,840
Speaker 1: he's not going to say. Eric finishes his sentence goodbye.

1528
01:13:11,000 --> 01:13:13,360
Speaker 1: Alan nods it's very hard for him to say, so

1529
01:13:13,520 --> 01:13:15,600
Speaker 1: he's not going to do it. He pulls Eric in

1530
01:13:15,680 --> 01:13:18,679
Speaker 1: for a big hug and walks out. Chet follows shortly behind.

1531
01:13:18,960 --> 01:13:20,720
Speaker 1: The two dads are now in the hallway waiting for

1532
01:13:20,760 --> 01:13:23,400
Speaker 1: the elevator. Alan asks Chet how he's holding up, and

1533
01:13:23,479 --> 01:13:26,280
Speaker 1: Chet says he did his crying in the truck. Alan

1534
01:13:26,320 --> 01:13:29,240
Speaker 1: admits his father thing It's just not an easy job,

1535
01:13:29,320 --> 01:13:33,960
Speaker 1: is it. Chet admits no, but I'm learning. Inside the apartment,

1536
01:13:34,120 --> 01:13:37,639
Speaker 1: Eric admires the area and tells Corey, well, I did it.

1537
01:13:37,680 --> 01:13:41,000
Speaker 3: I got my own place. Corey smiles and says me too.

1538
01:13:41,600 --> 01:13:44,519
Speaker 1: Eric apologizes to Corey it just seemed easier to stay

1539
01:13:44,520 --> 01:13:47,240
Speaker 1: with their parents. Corey explains, I wasn't trying to kick

1540
01:13:47,280 --> 01:13:48,920
Speaker 1: you out of my life. I was just trying to

1541
01:13:49,000 --> 01:13:51,559
Speaker 1: kick you out of my room. Eric sarcastically thanks him

1542
01:13:51,600 --> 01:13:53,680
Speaker 1: before sending him on his way. As Corey makes his

1543
01:13:53,680 --> 01:13:56,040
Speaker 1: way to the front door. Eric adds the landlord made

1544
01:13:56,080 --> 01:13:58,599
Speaker 1: a mistake. He gave me two sets of keys. Eric

1545
01:13:58,640 --> 01:14:00,720
Speaker 1: throws the keys to Corey and tells him, don't be

1546
01:14:00,760 --> 01:14:05,760
Speaker 1: a stranger, and we freeze frame and writer, you're exactly right.

1547
01:14:05,880 --> 01:14:08,719
Speaker 1: They really wanted it to They really wanted the audience

1548
01:14:08,760 --> 01:14:12,840
Speaker 1: to know. This is our new this is the new world.

1549
01:14:12,920 --> 01:14:16,280
Speaker 1: We're gonna spend time here. Corey's got keys, Sean lives here,

1550
01:14:16,479 --> 01:14:19,160
Speaker 1: Eric lives here. This new hot guy, Matt Lawrence lives here.

1551
01:14:19,600 --> 01:14:21,679
Speaker 1: This is the spot to come to Panga.

1552
01:14:22,560 --> 01:14:24,040
Speaker 3: We don't need to know anything about her.

1553
01:14:24,160 --> 01:14:27,800
Speaker 2: Well, fine, we got you were carried away by for

1554
01:14:28,000 --> 01:14:28,439
Speaker 2: Greek job.

1555
01:14:28,520 --> 01:14:29,040
Speaker 3: I was busy.

1556
01:14:29,240 --> 01:14:31,920
Speaker 2: I was busy the Romans. So we know what's history tests.

1557
01:14:32,000 --> 01:14:35,479
Speaker 1: Yeah, we're good, Yeah right, or you're right. Those are

1558
01:14:35,720 --> 01:14:37,400
Speaker 1: back to back scenes that are really good. And I

1559
01:14:37,400 --> 01:14:40,000
Speaker 1: do think what also in my mind, aside from the

1560
01:14:40,000 --> 01:14:42,759
Speaker 1: fact that I so hated the first maybe ten minutes

1561
01:14:42,800 --> 01:14:46,800
Speaker 1: of the episode, it also you're right, and it wasn't

1562
01:14:46,920 --> 01:14:50,640
Speaker 1: a super funny episode. So when I was done watching it,

1563
01:14:50,720 --> 01:14:52,960
Speaker 1: I had a hard time shaking the disgust of the beginning,

1564
01:14:53,080 --> 01:14:55,519
Speaker 1: and I wasn't left with any sort of real, like

1565
01:14:56,280 --> 01:14:59,600
Speaker 1: super laugh out loud moments. So my overall feeling was, well,

1566
01:14:59,600 --> 01:15:01,920
Speaker 1: I didn't like that episode, but now that we've talked

1567
01:15:01,920 --> 01:15:05,000
Speaker 1: about it, I love the second half of it so much.

1568
01:15:05,120 --> 01:15:06,120
Speaker 3: For the heart of it all.

1569
01:15:06,600 --> 01:15:10,400
Speaker 4: The cold open puts such a negative taste in my mouth.

1570
01:15:10,479 --> 01:15:12,360
Speaker 4: You're right that it took a scene or two to

1571
01:15:12,400 --> 01:15:14,320
Speaker 4: shake off that ridiculous opening.

1572
01:15:14,520 --> 01:15:17,439
Speaker 2: That was the problem for me. Yeah, on the cold

1573
01:15:17,479 --> 01:15:19,880
Speaker 2: open left a bad taste in your mouth. It was

1574
01:15:19,960 --> 01:15:25,559
Speaker 2: dripping with the shape, so it didn't quite yeah, yeah,

1575
01:15:25,720 --> 01:15:32,160
Speaker 2: it was actually dripping you exactly.

1576
01:15:33,040 --> 01:15:35,280
Speaker 1: And then we're into the tag where in Phoenie's classroom,

1577
01:15:35,320 --> 01:15:37,360
Speaker 1: everyone is at their desks when Ta Panga walks in.

1578
01:15:37,600 --> 01:15:39,880
Speaker 3: Phoenie's out sick, so they have a substitute. Oh yeah,

1579
01:15:39,880 --> 01:15:40,719
Speaker 3: and then we get a button.

1580
01:15:42,200 --> 01:15:43,800
Speaker 2: It brought us right back to crap Land.

1581
01:15:43,920 --> 01:15:46,080
Speaker 3: Yes, exactly, they have a substitute.

1582
01:15:46,160 --> 01:15:49,120
Speaker 1: Corey's unfazed, but Sean reminds him that Phoene hand picks

1583
01:15:49,160 --> 01:15:53,120
Speaker 1: his substitutes. They're always old, they're mean, and they make

1584
01:15:53,160 --> 01:15:56,800
Speaker 1: a Miss Phoenie. Then a familiar beautiful woman walks in

1585
01:15:56,840 --> 01:16:00,160
Speaker 1: and greets the class. She's Miss Valentine. Sean's jaw is

1586
01:16:00,200 --> 01:16:02,759
Speaker 1: on the floor. She walks past. He whispers to Corey

1587
01:16:02,800 --> 01:16:06,400
Speaker 1: it's her. Corey remembers she was in our fantasy. Panga

1588
01:16:06,439 --> 01:16:09,640
Speaker 1: turns around and asks what fantasy.

1589
01:16:09,600 --> 01:16:14,800
Speaker 2: Shared the fantasys fantasy the end of the fantasy we

1590
01:16:14,880 --> 01:16:17,920
Speaker 2: both like separate and act like he didn't.

1591
01:16:17,840 --> 01:16:22,200
Speaker 1: Had different fantasies that were normal. Huh so, Kurt, Corey

1592
01:16:22,240 --> 01:16:25,439
Speaker 1: nervously smiles and says, no fantasy. Miss Valentine begins to

1593
01:16:25,479 --> 01:16:27,840
Speaker 1: hand out the graded tests from last Friday, and she

1594
01:16:28,040 --> 01:16:31,040
Speaker 1: just happens to know exactly who Sean and Corey are.

1595
01:16:31,120 --> 01:16:33,799
Speaker 1: She walks right up to them with their tests. Corey

1596
01:16:33,840 --> 01:16:36,040
Speaker 1: got a B, good work. Sean looks at his grade

1597
01:16:36,040 --> 01:16:38,439
Speaker 1: in size a D. All right, let me take care

1598
01:16:38,479 --> 01:16:41,120
Speaker 1: of this. After all, we do have some history.

1599
01:16:41,760 --> 01:16:45,160
Speaker 2: Corey smirks, we've made out oral fantasy.

1600
01:16:45,400 --> 01:16:50,120
Speaker 1: Oh snap, Corey smirks, she was in our fantasy. Topanga

1601
01:16:50,200 --> 01:16:52,440
Speaker 1: turns around and gives him a look, and he responds,

1602
01:16:52,720 --> 01:16:56,479
Speaker 1: say kiss. She obliges, saying kiss, and the two give

1603
01:16:56,520 --> 01:16:59,240
Speaker 1: each other a peck. Sean walks out of you completely

1604
01:16:59,240 --> 01:17:01,000
Speaker 1: off camera, and then we hear a slap.

1605
01:17:01,640 --> 01:17:02,360
Speaker 3: He walks back.

1606
01:17:02,600 --> 01:17:06,000
Speaker 2: Not good sound design, No I was like, what just happened?

1607
01:17:06,200 --> 01:17:08,560
Speaker 2: You need it should have been a yep, like a

1608
01:17:08,760 --> 01:17:13,200
Speaker 2: really and then hearing you the top, I mean yeah sorry, yeah,

1609
01:17:13,560 --> 01:17:16,559
Speaker 2: just said I'm sorry sorry yeah yeah. But it's also like,

1610
01:17:16,680 --> 01:17:19,120
Speaker 2: what did Sean try to? Did you try it? Does

1611
01:17:19,160 --> 01:17:21,040
Speaker 2: Sean try to kiss her? That's what it is.

1612
01:17:21,280 --> 01:17:22,960
Speaker 3: He walks up and tries to make out with her.

1613
01:17:23,040 --> 01:17:26,880
Speaker 2: The new teacher who's just there for thirty Yeah.

1614
01:17:26,920 --> 01:17:29,320
Speaker 1: He walks back to his desk, immediately holding his face

1615
01:17:29,320 --> 01:17:31,960
Speaker 1: in pain. He tells Corey apparently it wasn't her.

1616
01:17:32,160 --> 01:17:36,280
Speaker 4: Great line read by the way, Yeah, crap everything great

1617
01:17:36,320 --> 01:17:37,760
Speaker 4: line read really funny.

1618
01:17:38,840 --> 01:17:43,080
Speaker 1: So that's our drop shock of season season five.

1619
01:17:43,320 --> 01:17:47,920
Speaker 3: Here, let's see how it goes, all right.

1620
01:17:48,439 --> 01:17:51,400
Speaker 1: Our next episode recap will be season five episode two,

1621
01:17:51,560 --> 01:17:52,839
Speaker 1: Boy meets Real World.

1622
01:17:53,000 --> 01:17:56,280
Speaker 3: It is Trina's first episode.

1623
01:17:56,439 --> 01:17:58,880
Speaker 2: Awesome already in season five.

1624
01:17:59,320 --> 01:18:03,400
Speaker 4: Great, okay, good blood on the show.

1625
01:18:03,400 --> 01:18:08,599
Speaker 3: I like it, I know the show. Yes, black woman

1626
01:18:08,680 --> 01:18:09,160
Speaker 3: on the show.

1627
01:18:11,120 --> 01:18:14,400
Speaker 1: So thanks, thank you all for listening to this episode

1628
01:18:14,400 --> 01:18:16,160
Speaker 1: of Pod Meets World. As always, you can follow us

1629
01:18:16,200 --> 01:18:18,800
Speaker 1: on Instagram pod meets World Show. You can send us

1630
01:18:18,800 --> 01:18:22,320
Speaker 1: your emails pod Meets World Show, and we've got merch.

1631
01:18:22,720 --> 01:18:25,240
Speaker 2: It's season five merch Baby, We're Ralph.

1632
01:18:26,400 --> 01:18:35,960
Speaker 5: Pod Meets World Show dot Weird, Weird live reads that.

1633
01:18:37,240 --> 01:18:41,600
Speaker 3: Pod Meets Worldshow dot com. We love you all, pod dismissed.

1634
01:18:43,200 --> 01:18:46,040
Speaker 1: Pod Meets World is an iHeart podcast produced and hosted

1635
01:18:46,040 --> 01:18:50,000
Speaker 1: by Danielle Fischel, Wilfridell and writer Strong Executive producers Jensen

1636
01:18:50,040 --> 01:18:53,599
Speaker 1: Carp and Amy Sugarman Executive in charge of production, Danielle Romo,

1637
01:18:53,880 --> 01:18:58,160
Speaker 1: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

1638
01:18:58,240 --> 01:19:01,240
Speaker 1: Boy Meets World super fan East and Alan. Our theme

1639
01:19:01,280 --> 01:19:03,880
Speaker 1: song is by Kyle Morton of Typhoon. Follow us on

1640
01:19:03,920 --> 01:19:07,600
Speaker 1: Instagram at Podmets World Show or email us at Podmetsworldshow

1641
01:19:07,640 --> 01:19:08,759
Speaker 1: at gmail dot com