1 00:00:03,279 --> 00:00:07,360 Speaker 1: My sex drive took over. Is that so hard for 2 00:00:07,440 --> 00:00:10,240 Speaker 1: you to believe? I mean, I'm good at a lot 3 00:00:10,280 --> 00:00:13,640 Speaker 1: of things, sex being one of them, so I think 4 00:00:13,680 --> 00:00:17,279 Speaker 1: I've certainly succeeded at doing that. And there's very few 5 00:00:17,280 --> 00:00:21,120 Speaker 1: people that have Jenna Jameson. 6 00:00:22,760 --> 00:00:25,959 Speaker 2: To do porn shoot things isn't always nice. You do 7 00:00:26,160 --> 00:00:28,320 Speaker 2: everything in front of a camera, and you can never 8 00:00:28,440 --> 00:00:32,760 Speaker 2: forget about that you're professionally in the first place. In 9 00:00:32,840 --> 00:00:35,879 Speaker 2: my private life, I only do those things which I 10 00:00:35,920 --> 00:00:39,920 Speaker 2: want to do with my partner, Racosa Frede performer. 11 00:00:41,600 --> 00:00:44,760 Speaker 3: Many people think porno people are so bad and that 12 00:00:44,880 --> 00:00:48,760 Speaker 3: professionals are so good, and most professional people that I've 13 00:00:48,800 --> 00:00:53,880 Speaker 3: met are pieces of shit. They're child molesteds, big bullshit people. 14 00:00:54,520 --> 00:00:57,440 Speaker 3: Everyone watches porn and then looks down on it. 15 00:00:58,480 --> 00:01:05,760 Speaker 4: Te t Boy, Welcome to General World. 16 00:01:15,080 --> 00:01:19,120 Speaker 5: Welcome back to Jena World. I'm your host, Molly Lambert. 17 00:01:19,680 --> 00:01:23,880 Speaker 5: This is episode four. The Valley goes Gonzo. 18 00:01:25,560 --> 00:01:29,360 Speaker 1: The moment you become a porn star, you will always 19 00:01:29,480 --> 00:01:34,920 Speaker 1: be a porn star for the rest of your life. 20 00:01:35,240 --> 00:01:38,920 Speaker 5: Jenna Massoli has chosen her new stage name Jenna Jamison 21 00:01:39,240 --> 00:01:41,360 Speaker 5: and met a modeling scout who says she can get 22 00:01:41,400 --> 00:01:46,160 Speaker 5: her into Penthouse magazine. Jenna has done one pro photoshoot before, 23 00:01:46,280 --> 00:01:50,920 Speaker 5: for the Biker Bible, Easy Riders magazine. On the cover 24 00:01:51,000 --> 00:01:54,160 Speaker 5: of Easy Riders, Jenna sports a long red wig with bang, 25 00:01:54,640 --> 00:01:58,520 Speaker 5: a velvet cross choker, a silver chain mail bra, black 26 00:01:58,600 --> 00:02:02,280 Speaker 5: leather short, and black final thigh high boots. She looks 27 00:02:02,320 --> 00:02:06,120 Speaker 5: like red Sonia. She's posing with a blonde model who 28 00:02:06,200 --> 00:02:08,680 Speaker 5: drapes a leg over the headlight while Jenna straddles the 29 00:02:08,680 --> 00:02:11,600 Speaker 5: wheel of a motorcycle that's been painted with flames and 30 00:02:11,720 --> 00:02:16,760 Speaker 5: skeleton kings. Inside are more glam shots and separate press 31 00:02:16,800 --> 00:02:19,320 Speaker 5: pics of Tommy Lee and Nikki six from Motley Crue 32 00:02:19,320 --> 00:02:27,280 Speaker 5: on motorcycles with an interview at a house in Las Vegas, 33 00:02:27,400 --> 00:02:30,919 Speaker 5: Jenna is modeling under her new stage name Jenna Jamison 34 00:02:31,080 --> 00:02:35,160 Speaker 5: at a photoshoot set up by Julia Parton. Julia directs 35 00:02:35,160 --> 00:02:37,800 Speaker 5: her through a range of poses, showing her how to 36 00:02:37,840 --> 00:02:40,280 Speaker 5: position her body so it reads on film how she 37 00:02:40,320 --> 00:02:44,600 Speaker 5: wants it to. Jenna feels herself straining to look sexy 38 00:02:44,720 --> 00:02:47,760 Speaker 5: and is sure it looks bad. Even though she's been 39 00:02:47,840 --> 00:02:51,360 Speaker 5: nearly nude on stage. She feels way more vulnerable and 40 00:02:51,440 --> 00:02:55,560 Speaker 5: exposed on camera. Then she gets a call from a 41 00:02:55,560 --> 00:03:00,480 Speaker 5: photographer named Susie Randall. 42 00:03:00,600 --> 00:03:04,440 Speaker 6: I try not to think about myself. Maybe I'm atrel blazer. 43 00:03:05,320 --> 00:03:07,000 Speaker 6: I was always looking for the best. 44 00:03:07,639 --> 00:03:08,400 Speaker 2: You outwork the. 45 00:03:08,480 --> 00:03:13,639 Speaker 6: Men, you out chom everybody. Susie Randall, photographer. 46 00:03:15,560 --> 00:03:17,280 Speaker 5: Now we must go to swinging London in the late 47 00:03:17,360 --> 00:03:20,840 Speaker 5: nineteen sixties, when sexual liberation came to England and pulled 48 00:03:20,840 --> 00:03:25,840 Speaker 5: its pantaloons down, creating Austin powers. The new sexual freedoms 49 00:03:25,840 --> 00:03:29,919 Speaker 5: make repressed British people very I'll just say it, howny baby. 50 00:03:31,080 --> 00:03:34,200 Speaker 5: Susie Randall is a London lass living hand to mouth 51 00:03:34,280 --> 00:03:37,240 Speaker 5: working as a nurse. She spots an ad looking for 52 00:03:37,320 --> 00:03:40,800 Speaker 5: amateur nude models and ditches nursing for what the British 53 00:03:40,880 --> 00:03:44,520 Speaker 5: called glamour modeling. She gets cast as an o pair 54 00:03:44,560 --> 00:03:47,320 Speaker 5: in the Eric Rohmer film Love in the Afternoon, But 55 00:03:47,480 --> 00:03:50,800 Speaker 5: French new wave movies and nude modeling don't pay well. 56 00:03:50,880 --> 00:03:54,800 Speaker 5: In aren't staple. There's no clear path from sexy modeling 57 00:03:54,880 --> 00:03:59,240 Speaker 5: leading into other work because Love Island hasn't been invented yet. 58 00:04:00,200 --> 00:04:01,600 Speaker 4: I go in through the back door. 59 00:04:02,280 --> 00:04:03,080 Speaker 6: I jump the line. 60 00:04:04,640 --> 00:04:07,720 Speaker 5: So Susie Randall decides to get behind the camera too. 61 00:04:08,360 --> 00:04:11,240 Speaker 5: She uses a remote control camera to take artsy pictures 62 00:04:11,280 --> 00:04:14,760 Speaker 5: of herself spread eagle and sells them to Hustler. She 63 00:04:14,920 --> 00:04:18,040 Speaker 5: becomes a talent scout for new models who takes test 64 00:04:18,040 --> 00:04:22,039 Speaker 5: shots of them. Her big discovery is a Norwegian model 65 00:04:22,120 --> 00:04:25,279 Speaker 5: named Lillian Muhler, who becomes the star music video girl 66 00:04:25,320 --> 00:04:28,359 Speaker 5: for Rod Stewart's disco slam hit Do You Think I'm Sexy? 67 00:04:28,800 --> 00:04:31,200 Speaker 5: And she plays the pe teacher in the Van Halen 68 00:04:31,279 --> 00:04:32,360 Speaker 5: video for hot Ford Teacher. 69 00:04:35,360 --> 00:04:38,320 Speaker 7: When I started Playboy, what I was interested in was 70 00:04:38,360 --> 00:04:41,760 Speaker 7: the romantic connection between the sexes rather than buddies in 71 00:04:41,800 --> 00:04:45,159 Speaker 7: the locker rope. A woman's input is key. If you 72 00:04:45,160 --> 00:04:46,920 Speaker 7: don't have that in mind, then you're going to be 73 00:04:46,960 --> 00:04:50,120 Speaker 7: spending a lot of time in the locker rope alone. 74 00:04:51,400 --> 00:04:56,120 Speaker 7: Hugh Hefner, founder of Playboy magazine. 75 00:04:56,279 --> 00:04:59,200 Speaker 5: In nineteen seventy five, Susie Randall moves to la with 76 00:04:59,240 --> 00:05:02,440 Speaker 5: her South Africa and husband, who writes masculinist New Age 77 00:05:02,440 --> 00:05:05,800 Speaker 5: books like The Dominant Man, The Pecking Order in Human Society, 78 00:05:06,120 --> 00:05:10,920 Speaker 5: and The Nero Prediction about ancient Roman astrology. Susie Randall 79 00:05:10,920 --> 00:05:14,560 Speaker 5: gets staffed as a full time photographer for Playboy, working 80 00:05:14,640 --> 00:05:18,000 Speaker 5: under a female editor named Marilyn mo Grabowski. 81 00:05:19,920 --> 00:05:24,000 Speaker 8: The plus side is I identify with some of these girls. 82 00:05:24,520 --> 00:05:27,600 Speaker 8: This is Miss America to a lot of girls. I 83 00:05:27,640 --> 00:05:30,680 Speaker 8: have a rapport with them. They know I'm in charge, 84 00:05:30,760 --> 00:05:33,159 Speaker 8: and they know I'm the boss, but they know I 85 00:05:33,160 --> 00:05:37,120 Speaker 8: identify with them. Mo Grobowski Playboy. 86 00:05:39,080 --> 00:05:42,360 Speaker 5: Mo Grobowski is a Roman Catholic girl from Santa Monica 87 00:05:42,440 --> 00:05:45,200 Speaker 5: who starts working for Playboy in the sixties and over 88 00:05:45,279 --> 00:05:49,480 Speaker 5: a decade becomes its West Coast photo editor. Geez a 89 00:05:49,560 --> 00:05:53,680 Speaker 5: nineteen seventies LA woman who resembles Joni Mitchell and Diane Keaton. 90 00:05:54,279 --> 00:05:57,760 Speaker 5: Thin and brawlis with long, straight, blonde, middle parted hair, 91 00:05:58,120 --> 00:06:02,520 Speaker 5: blue eyes, and no makeup. It is Moe Grabowski, not 92 00:06:02,760 --> 00:06:06,440 Speaker 5: Hugh Hefner, who scouts Playboy models like Dorothy Stratton and 93 00:06:06,520 --> 00:06:08,680 Speaker 5: Pamela Anderson into doing Playboy. 94 00:06:10,560 --> 00:06:14,960 Speaker 8: I said, Pam, you can be a big celebrity. All 95 00:06:15,000 --> 00:06:16,479 Speaker 8: you have to do is go after it. 96 00:06:17,440 --> 00:06:17,680 Speaker 9: Men. 97 00:06:17,680 --> 00:06:19,960 Speaker 8: It held Pam down for a long time. 98 00:06:22,000 --> 00:06:25,039 Speaker 5: Women like Moe Grabowski and Susie Randall are behind the 99 00:06:25,080 --> 00:06:28,039 Speaker 5: scenes at Playboy, doing a lot of the real work 100 00:06:28,320 --> 00:06:32,280 Speaker 5: and insulating the magazine against charges of boys club misogyny. 101 00:06:33,960 --> 00:06:36,919 Speaker 6: I add the best gimmick in the business, a sexy 102 00:06:36,960 --> 00:06:39,320 Speaker 6: gil taking pictures of sexy gills. 103 00:06:41,320 --> 00:06:45,200 Speaker 5: Susie Randall also works with musicians. She takes a very 104 00:06:45,240 --> 00:06:48,120 Speaker 5: horny photo of British singer Robert Palmer and shoots an 105 00:06:48,160 --> 00:06:51,480 Speaker 5: album cover for the jazz vocalese group The Manhattan Transfer. 106 00:06:52,760 --> 00:06:55,640 Speaker 5: In nineteen seventy six, Susie Randall falls out with Playboy 107 00:06:55,680 --> 00:06:58,080 Speaker 5: over money and starts her own production. 108 00:06:57,760 --> 00:06:59,800 Speaker 10: Studio, which is what she's still doing. 109 00:06:59,640 --> 00:07:03,560 Speaker 5: When Na meets her in the nineteen nineties. After being 110 00:07:03,600 --> 00:07:07,200 Speaker 5: sent the Julia Parton touch shots, Susie Randall rings Jenna 111 00:07:07,360 --> 00:07:21,600 Speaker 5: to book her for a photoshoot in Los Angeles. Though 112 00:07:21,680 --> 00:07:25,000 Speaker 5: in nineteen ninety one, Jenna flies to Los Angeles wearing 113 00:07:25,040 --> 00:07:28,200 Speaker 5: cowboy boots, men's boxer short, a white tank top with 114 00:07:28,240 --> 00:07:29,800 Speaker 5: no bra, and a baseball cap. 115 00:07:30,760 --> 00:07:32,480 Speaker 10: She swooped at Lax. 116 00:07:32,080 --> 00:07:35,400 Speaker 5: By a makeup artist named Emma Nixon, who also models 117 00:07:35,480 --> 00:07:38,440 Speaker 5: under the name Nicole in Easy Writers and The Letters 118 00:07:38,440 --> 00:07:40,000 Speaker 5: to Penthouse video anthology. 119 00:07:41,760 --> 00:07:46,600 Speaker 1: After Emma finished my face, I hardly recognize myself. I 120 00:07:46,680 --> 00:07:50,080 Speaker 1: looked for the first time in my life like a woman, 121 00:07:50,920 --> 00:07:56,440 Speaker 1: and that woman appeared sexy confident and sophisticated. She was 122 00:07:56,640 --> 00:08:00,520 Speaker 1: Jenna Jamison, and I liked her all lot lot more 123 00:08:00,600 --> 00:08:02,160 Speaker 1: than Jenna Masoli. 124 00:08:04,480 --> 00:08:08,920 Speaker 5: Makeup helps to create the image of Jenna Jamison beautiful 125 00:08:08,920 --> 00:08:13,040 Speaker 5: and urbane, but also cool and rock and roll, leather 126 00:08:13,520 --> 00:08:18,920 Speaker 5: and lace. The signature Jenna Jamison look is black eyeliner, 127 00:08:19,120 --> 00:08:24,440 Speaker 5: smoky eyeshadow, and a cinnamon lipliner with nude lipgloss. Emma 128 00:08:24,480 --> 00:08:27,160 Speaker 5: brings Jenna to meet Susie Randall on set at a 129 00:08:27,200 --> 00:08:29,760 Speaker 5: house in the valley, and she's taken to a setup 130 00:08:29,800 --> 00:08:31,360 Speaker 5: of a bed with satin sheets. 131 00:08:32,960 --> 00:08:36,920 Speaker 6: As a photographer, you only as good as your model feels. 132 00:08:39,240 --> 00:08:42,560 Speaker 5: Susie runs Jenna through a litany of poses and outfits 133 00:08:42,600 --> 00:08:46,240 Speaker 5: at a breakneck pace. Jenna finds it hard to both 134 00:08:46,240 --> 00:08:49,480 Speaker 5: hold positions and relax her face to look alluring at 135 00:08:49,480 --> 00:08:55,360 Speaker 5: the same time. Afterwards, Emma drives Jenna to beautiful downtown Burbank, 136 00:08:55,440 --> 00:08:57,600 Speaker 5: where she's put up in a shitty motel by the 137 00:08:57,640 --> 00:08:59,880 Speaker 5: five Freeway. 138 00:09:01,240 --> 00:09:04,360 Speaker 11: I've always loved being on stage since I was a 139 00:09:04,360 --> 00:09:07,480 Speaker 11: little little girl, and I think that's what drew me 140 00:09:07,480 --> 00:09:11,280 Speaker 11: to this industry. I started out just doing magazines. When 141 00:09:11,320 --> 00:09:14,000 Speaker 11: I was in college. I had never even been in 142 00:09:14,040 --> 00:09:18,000 Speaker 11: a strip club. My father's a dentist. I mean, I 143 00:09:18,080 --> 00:09:20,720 Speaker 11: came from this really well off family and this was 144 00:09:20,840 --> 00:09:24,080 Speaker 11: not what we would normally consider a career opportunity. 145 00:09:25,200 --> 00:09:27,400 Speaker 4: Nicki Tyler performer. 146 00:09:29,840 --> 00:09:32,040 Speaker 5: On the second day of the shoot, a model named 147 00:09:32,120 --> 00:09:36,600 Speaker 5: Nicki Tyler strikes up a chat with Jenna. Nicki Tyler 148 00:09:36,800 --> 00:09:39,920 Speaker 5: is a five toot seven Sagittarius with a blonde surfer 149 00:09:39,960 --> 00:09:44,000 Speaker 5: girl look. She's born Nicole Madison, grows up well off 150 00:09:44,040 --> 00:09:48,480 Speaker 5: in Marin County and enrolls at UC Santa Barbara. Then 151 00:09:48,720 --> 00:09:49,760 Speaker 5: her dog gets sick. 152 00:09:52,040 --> 00:09:53,840 Speaker 11: I didn't want to ask my parents for any more 153 00:09:53,840 --> 00:09:56,600 Speaker 11: money because they had paid for my car and I 154 00:09:56,640 --> 00:09:58,600 Speaker 11: had credit cards, and they had paid for me to 155 00:09:58,600 --> 00:10:00,760 Speaker 11: go to school, and I was totally taken care of. 156 00:10:01,559 --> 00:10:03,640 Speaker 11: And I was like, they are gonna die when I 157 00:10:03,679 --> 00:10:06,680 Speaker 11: tell them that I need fifteen hundred bucks like now, 158 00:10:07,280 --> 00:10:09,920 Speaker 11: because she was on IVS and I was just not 159 00:10:09,960 --> 00:10:13,120 Speaker 11: gonna let this little dog go. And I answered this 160 00:10:13,200 --> 00:10:16,720 Speaker 11: ad that said bikini, nude and lagerie modelin and I 161 00:10:16,800 --> 00:10:20,320 Speaker 11: was like, I will never take my top off. This 162 00:10:20,480 --> 00:10:22,800 Speaker 11: is my theory on that I think a lot of 163 00:10:22,800 --> 00:10:25,200 Speaker 11: it is. I just didn't think I was pretty enough. 164 00:10:25,760 --> 00:10:27,640 Speaker 11: And I think a lot of the jealousy that goes 165 00:10:27,679 --> 00:10:30,240 Speaker 11: on in this industry and women not liking women in 166 00:10:30,240 --> 00:10:33,760 Speaker 11: this industry is that they're jealous that they're not desired 167 00:10:33,800 --> 00:10:37,440 Speaker 11: that way, even though they could be. Our society is 168 00:10:37,480 --> 00:10:40,560 Speaker 11: so screwed up with the whole body image thing. Women 169 00:10:40,600 --> 00:10:41,840 Speaker 11: don't know what looks good. 170 00:10:44,280 --> 00:10:47,880 Speaker 5: She leaves UCSB to transfer into cal State Northridge Clinical 171 00:10:47,920 --> 00:10:51,920 Speaker 5: psychology program, but when she gets to LA she drops 172 00:10:51,920 --> 00:10:56,000 Speaker 5: out of school to try acting instead. She appears in 173 00:10:56,040 --> 00:10:59,640 Speaker 5: These Slobs Versus Snobs comedy Zoo Radio co directed by 174 00:10:59,720 --> 00:11:02,680 Speaker 5: Jay Roach, who will go on to direct Austin Powers. 175 00:11:03,280 --> 00:11:07,800 Speaker 5: Yeah Baby. Nicki Tyler lives in a nice suburban house 176 00:11:07,880 --> 00:11:11,000 Speaker 5: in the Valley neighborhood of Sherman Oaks. She drives to 177 00:11:11,120 --> 00:11:13,920 Speaker 5: Van Nuys Boulevard to pick up copies of the magazines 178 00:11:13,920 --> 00:11:16,960 Speaker 5: that feature her first nude layouts. 179 00:11:18,080 --> 00:11:20,319 Speaker 11: I couldn't get the balls up to go to the newsstand. 180 00:11:20,880 --> 00:11:24,280 Speaker 11: I was like, really uncomfortable with this, and I sat 181 00:11:24,320 --> 00:11:27,040 Speaker 11: in my car, going, NICKI, if you can pose in them, 182 00:11:27,600 --> 00:11:30,120 Speaker 11: you can buy him. And I saw this old man 183 00:11:30,160 --> 00:11:32,520 Speaker 11: working and I thought, Okay, I'll go over there now 184 00:11:33,240 --> 00:11:35,840 Speaker 11: and around the corner comes this cute young guy and 185 00:11:35,920 --> 00:11:38,640 Speaker 11: he goes, what's a cute girl like you doing in 186 00:11:38,679 --> 00:11:39,640 Speaker 11: a men's magazine? 187 00:11:40,640 --> 00:11:41,280 Speaker 10: He worked there. 188 00:11:41,920 --> 00:11:46,120 Speaker 4: We ended up getting married. I was young. I had 189 00:11:46,160 --> 00:11:47,000 Speaker 4: just turned twenty one. 190 00:11:49,400 --> 00:11:52,319 Speaker 5: Nicki is living with her newsy husband when she invites 191 00:11:52,360 --> 00:11:54,440 Speaker 5: Jenna to stay with them at their nice, big house. 192 00:11:55,360 --> 00:11:59,959 Speaker 5: Jenna says yes. Nicki is the first person to make 193 00:12:00,080 --> 00:12:09,599 Speaker 5: Jenna feel welcome in la when Jenna arrives in the 194 00:12:09,679 --> 00:12:13,240 Speaker 5: valley in nineteen ninety three. It's the pulsating epicenter of 195 00:12:13,280 --> 00:12:16,720 Speaker 5: pornography for its proximity to resources used by the other 196 00:12:16,760 --> 00:12:21,160 Speaker 5: film industry, soundstages and a constant pool of aspiring talent, 197 00:12:21,760 --> 00:12:25,000 Speaker 5: as well as office parks and warehouses from the mostly 198 00:12:25,040 --> 00:12:32,559 Speaker 5: departed aerospace industry long before the pornography industry settles there. 199 00:12:32,760 --> 00:12:35,840 Speaker 5: The valley is known for its cycle of financial booms 200 00:12:35,840 --> 00:12:39,600 Speaker 5: and busts, mirrored in its climate by severe droughts and 201 00:12:39,640 --> 00:12:44,880 Speaker 5: extreme flooding. California gains American statehood in eighteen fifty during 202 00:12:44,880 --> 00:12:47,400 Speaker 5: the Gold Rush, and there's a financial boom in the 203 00:12:47,480 --> 00:12:51,520 Speaker 5: valley raising cattle on ranches for prospectors to eat until 204 00:12:51,520 --> 00:12:56,080 Speaker 5: the gold rush ends and beef collapses. Now worthless, ranches 205 00:12:56,240 --> 00:13:00,920 Speaker 5: are resold with promises of verdant trees dripping citrus fruits. 206 00:13:02,160 --> 00:13:06,880 Speaker 5: But there are pesky plagues, a flood, a drought, another drought, 207 00:13:07,120 --> 00:13:12,360 Speaker 5: a smallpox epidemic, and a plague of locusts. Nathaniel West's 208 00:13:12,440 --> 00:13:15,280 Speaker 5: The Day of the Locusts is not about this particular 209 00:13:15,320 --> 00:13:18,960 Speaker 5: locust plague, but he does depict La as besieged with 210 00:13:19,080 --> 00:13:23,280 Speaker 5: constant plagues of fortune seekers lured in by fantasy images. 211 00:13:27,520 --> 00:13:30,680 Speaker 5: As railroads connect the valley to the rest of America, 212 00:13:30,800 --> 00:13:33,880 Speaker 5: there's a boom in wheat that ends when supply starts 213 00:13:33,920 --> 00:13:37,880 Speaker 5: to exceed demand. In nineteen oh five, La taps into 214 00:13:37,920 --> 00:13:41,280 Speaker 5: water to the Owens Valley. To get access to the water, 215 00:13:41,480 --> 00:13:44,240 Speaker 5: the valley must agree to annexation by the city of 216 00:13:44,240 --> 00:13:48,240 Speaker 5: Los Angeles. The next big boom is the aerospace industry, 217 00:13:48,320 --> 00:13:52,120 Speaker 5: and the valley fills with aircraft factories and new housing tracks. 218 00:13:53,080 --> 00:13:56,040 Speaker 5: As the film industry develops, the valley becomes a backlot 219 00:13:56,040 --> 00:13:59,880 Speaker 5: for studios to shoot cheaply. In in Gone with the Wind, 220 00:14:00,080 --> 00:14:03,000 Speaker 5: when Scarlett O'Hara vows that she'll never go hungry again, 221 00:14:03,360 --> 00:14:07,000 Speaker 5: she's not in Georgia, but in the valley Seemi Hills area, 222 00:14:07,480 --> 00:14:11,760 Speaker 5: where Rocket Dyne tested liquid propellant, rocket engines and nuclear reactors. 223 00:14:12,920 --> 00:14:16,160 Speaker 5: In the nineteen seventies, the porn industry and its studio 224 00:14:16,240 --> 00:14:20,920 Speaker 5: system take root in the valley, utilizing its existent network 225 00:14:20,960 --> 00:14:25,760 Speaker 5: of office parks and sound stages. By the time Jenna 226 00:14:25,880 --> 00:14:28,760 Speaker 5: arrives in the valley in nineteen ninety one, it's been 227 00:14:28,840 --> 00:14:31,840 Speaker 5: the geographic center of the porn industry for two decades. 228 00:14:33,120 --> 00:14:36,440 Speaker 5: Jenna sleeps on the couch at Nicky Tyler's Sherman Oaks house. 229 00:14:38,240 --> 00:14:40,680 Speaker 4: She'll always be my number one girl. 230 00:14:43,400 --> 00:14:46,040 Speaker 5: One night, Nicki Tyler sends her boyfriend to their bedroom 231 00:14:46,120 --> 00:14:48,400 Speaker 5: so she can spend quality time with Jenna, and they 232 00:14:48,480 --> 00:14:51,600 Speaker 5: end up fooling around on the couch. Jenna says this 233 00:14:51,720 --> 00:14:54,040 Speaker 5: was the only time they had sex, although Nicki has 234 00:14:54,040 --> 00:14:57,960 Speaker 5: also claimed they were friends with benefits for years. Done 235 00:14:58,120 --> 00:15:00,600 Speaker 5: with her LA work trip and a couple and richer 236 00:15:00,640 --> 00:15:04,760 Speaker 5: for it, Jenna begrudgingly returns to Las Vegas. 237 00:15:09,080 --> 00:15:13,240 Speaker 1: There was something about Vegas that was poison. Every day 238 00:15:13,280 --> 00:15:16,920 Speaker 1: I spent there, I slowly lost my grip on reality. 239 00:15:17,760 --> 00:15:20,520 Speaker 1: It seemed as if the better and more exciting LA 240 00:15:20,640 --> 00:15:24,160 Speaker 1: became the worse. I made Las Vegas for myself. 241 00:15:26,160 --> 00:15:29,000 Speaker 5: When Jenna gets back to Vegas, she's determined to level 242 00:15:29,120 --> 00:15:30,280 Speaker 5: up her living situation. 243 00:15:30,400 --> 00:15:30,640 Speaker 10: There. 244 00:15:31,000 --> 00:15:33,520 Speaker 5: She has a box filled with cash that she's been 245 00:15:33,560 --> 00:15:36,160 Speaker 5: saving from stripping, but when she tries to dip into it, 246 00:15:36,200 --> 00:15:40,200 Speaker 5: she finds it's been depleted. Her boyfriend Jack admits he 247 00:15:40,240 --> 00:15:43,320 Speaker 5: took most of her savings about thirty grand and lost 248 00:15:43,360 --> 00:15:48,000 Speaker 5: it gambling at the Golden Nugget. Jenna feels trapped in 249 00:15:48,040 --> 00:15:51,040 Speaker 5: their shitty apartment, which has become a metaphor for their 250 00:15:51,040 --> 00:15:58,280 Speaker 5: shitty relationship. Things continue to deteriorate into constant fighting, toxic codependency, 251 00:15:58,440 --> 00:16:01,760 Speaker 5: and cheating paranoia that makes her feel insecure and depressed. 252 00:16:02,960 --> 00:16:06,040 Speaker 5: With her money all gone and no way out, Jenna 253 00:16:06,120 --> 00:16:08,360 Speaker 5: does a line of meth for the first time in 254 00:16:08,480 --> 00:16:13,640 Speaker 5: six months. When Jenna can't get hold of anyone and 255 00:16:13,720 --> 00:16:15,920 Speaker 5: her dad's for a few days, she heads over there 256 00:16:16,080 --> 00:16:20,440 Speaker 5: and finds his house abandoned. She spirals, worrying that her 257 00:16:20,480 --> 00:16:23,920 Speaker 5: family has been killed. Maybe her brother pissed off the 258 00:16:23,960 --> 00:16:27,640 Speaker 5: wrong drug dealer. Maybe her dad's enemies and the mob came. 259 00:16:27,520 --> 00:16:28,640 Speaker 10: Back for him. 260 00:16:28,960 --> 00:16:32,040 Speaker 5: Even if they are still alive, She's distressed that they 261 00:16:32,040 --> 00:16:37,720 Speaker 5: didn't even tell her they were leaving town. When her 262 00:16:37,720 --> 00:16:41,000 Speaker 5: phone does ring, it's Susie Randall asking her to come 263 00:16:41,040 --> 00:16:43,120 Speaker 5: back to La and shoot more photos. 264 00:16:43,640 --> 00:16:46,080 Speaker 10: She flies out for a week and goes through the motions. 265 00:16:46,720 --> 00:16:49,160 Speaker 5: When she comes home, there's a message that her dad 266 00:16:49,160 --> 00:16:51,280 Speaker 5: and brother had to suddenly blow down and we'll touch 267 00:16:51,320 --> 00:16:55,160 Speaker 5: base when they can. Her dad finally calls to say 268 00:16:55,200 --> 00:16:58,960 Speaker 5: that the family, meaning him, her brother Tony, Tony's wife Selena, 269 00:16:59,120 --> 00:17:03,120 Speaker 5: and Jenna's grandma are on the lamb. Her dad checks 270 00:17:03,120 --> 00:17:05,520 Speaker 5: in every couple weeks from a payphone in a new state. 271 00:17:06,480 --> 00:17:09,880 Speaker 5: Jenna doesn't know exactly what they're fleeing from, whether it's 272 00:17:09,960 --> 00:17:13,640 Speaker 5: real or a delusion created by her brother's meth field paranoias. 273 00:17:14,320 --> 00:17:18,120 Speaker 5: In a way, it doesn't really matter. Her family, one 274 00:17:18,119 --> 00:17:20,800 Speaker 5: of the final things tethering her to the state of Nevada, 275 00:17:21,320 --> 00:17:25,280 Speaker 5: have flown the coop, and so Jenna starts going to 276 00:17:25,520 --> 00:17:41,240 Speaker 5: La more and more often. Nikki and Jenna go to 277 00:17:41,280 --> 00:17:43,760 Speaker 5: the Van Nuy's newsstands so Jenna can see her photos 278 00:17:43,800 --> 00:17:49,440 Speaker 5: in magazines like Sherry, Hustler and High Society. Jenna notices 279 00:17:49,520 --> 00:17:52,960 Speaker 5: that she's being credited under random names like Daisy Holiday, 280 00:17:53,800 --> 00:17:58,040 Speaker 5: names that are not Jenna Jamison. They also have interviews 281 00:17:58,080 --> 00:18:00,800 Speaker 5: about how horny and wild she is. She never did 282 00:18:01,400 --> 00:18:06,120 Speaker 5: turned out by some ghostwriters. Through modeling and more stripping 283 00:18:06,160 --> 00:18:09,320 Speaker 5: at The Crazy Horse, Too, she makes back the thirty 284 00:18:09,320 --> 00:18:11,120 Speaker 5: grand that Jack lost at the Tables. 285 00:18:19,440 --> 00:18:22,520 Speaker 1: I rented a small, high end two bedroom apartment and 286 00:18:22,560 --> 00:18:26,080 Speaker 1: a skyscraper in Las Vegas called the Crystal Towers. 287 00:18:27,200 --> 00:18:28,080 Speaker 10: It was beautiful. 288 00:18:29,160 --> 00:18:32,480 Speaker 1: The foyer had black and white checkered tile, the bedroom 289 00:18:32,560 --> 00:18:36,320 Speaker 1: was immense, and the balcony overlooked an outdoor pool. 290 00:18:38,880 --> 00:18:42,840 Speaker 5: When Jenna World returns, Jenna makes a name for herself 291 00:18:42,960 --> 00:19:00,320 Speaker 5: in Los Angeles. Oh my God, welcome back to Jenna Worlds. Finally, 292 00:19:00,560 --> 00:19:04,240 Speaker 5: Jenna has a nice, stable place to live, earned with 293 00:19:04,320 --> 00:19:07,840 Speaker 5: her own hard work. She invites Jack to move in 294 00:19:07,880 --> 00:19:08,360 Speaker 5: with her there. 295 00:19:09,200 --> 00:19:10,240 Speaker 4: Whoops. 296 00:19:11,119 --> 00:19:13,600 Speaker 5: He pays his half of the rent and likes having 297 00:19:13,680 --> 00:19:17,840 Speaker 5: a centerfold girlfriend. She wants him to feel dependent on 298 00:19:17,960 --> 00:19:21,359 Speaker 5: her and hopes that having a nicer, less meth Danish 299 00:19:21,480 --> 00:19:23,840 Speaker 5: place will give him reasons to stay home at night. 300 00:19:24,840 --> 00:19:28,399 Speaker 5: She's also out growing The Crazy Horse too. She is 301 00:19:28,520 --> 00:19:31,280 Speaker 5: tired of playing the sweet, innocent cheerleader for a bunch 302 00:19:31,280 --> 00:19:34,520 Speaker 5: of drunk assholes every night. She doesn't like when the 303 00:19:34,560 --> 00:19:37,240 Speaker 5: patron's mouth off and call her a bitch, even though 304 00:19:37,280 --> 00:19:40,959 Speaker 5: she's getting paid for it, so she hangs up her 305 00:19:41,000 --> 00:19:54,359 Speaker 5: pleasers and decides to focus on modeling. On her trips 306 00:19:54,400 --> 00:19:58,560 Speaker 5: to La, Jenna detoxes, she finds that crystal meth doesn't 307 00:19:58,600 --> 00:19:59,600 Speaker 5: mix well with work. 308 00:20:00,440 --> 00:20:01,600 Speaker 10: She wants to be on her. 309 00:20:01,520 --> 00:20:07,000 Speaker 5: Best, most lucid behavior at photoshoots, but it's practical vanity too. 310 00:20:07,600 --> 00:20:10,399 Speaker 5: Meth makes her unconsciously grind her teeth and strain her 311 00:20:10,480 --> 00:20:14,040 Speaker 5: facial muscles. She doesn't want to look all fucking tweaked 312 00:20:14,040 --> 00:20:25,399 Speaker 5: out in her pictures because she needs them to sell. 313 00:20:25,440 --> 00:20:28,879 Speaker 5: But whenever Jenna goes back to the Crystal Towers and Jack, 314 00:20:29,359 --> 00:20:33,359 Speaker 5: she also goes back to crystal meth. As she becomes 315 00:20:33,359 --> 00:20:36,840 Speaker 5: by Western, going back and forth between Vegas and La, 316 00:20:37,359 --> 00:20:42,439 Speaker 5: the contrast becomes stark. She's either in nightmarish withdrawals or 317 00:20:42,520 --> 00:20:46,840 Speaker 5: manic relapse, and she still doesn't trust Jack. She gets 318 00:20:46,840 --> 00:20:49,679 Speaker 5: a bad gut feeling about a hot, stacked blonde at 319 00:20:49,720 --> 00:20:53,879 Speaker 5: his local bar. Jenna approaches her one night lies and 320 00:20:53,920 --> 00:20:56,760 Speaker 5: says she and Jack have an open relationship, and bates 321 00:20:56,760 --> 00:20:59,400 Speaker 5: the other woman into admitting that she's fucked on Jack 322 00:20:59,440 --> 00:20:59,920 Speaker 5: a little bit. 323 00:21:01,119 --> 00:21:02,000 Speaker 10: Then, in an. 324 00:21:01,880 --> 00:21:06,200 Speaker 5: Act of psychosexual self sabotage, Jenna invites the woman who 325 00:21:06,240 --> 00:21:10,159 Speaker 5: coucked her over for a threesome. Jack pretends not to 326 00:21:10,240 --> 00:21:13,080 Speaker 5: know her at first, and the moment that Jenna sees 327 00:21:13,119 --> 00:21:16,320 Speaker 5: the other girl touching Jack's dick, she flips out and 328 00:21:16,359 --> 00:21:17,479 Speaker 5: starts beating her up. 329 00:21:19,880 --> 00:21:22,840 Speaker 1: As I lay in bed each night, I imagine having 330 00:21:22,840 --> 00:21:26,720 Speaker 1: this other life that he knew nothing about and couldn't control, 331 00:21:27,359 --> 00:21:30,600 Speaker 1: a secret identity that would crush him if he discovered it. 332 00:21:33,080 --> 00:21:37,680 Speaker 5: Jenna decides to get back at Jack for his crimes lying, cheating, 333 00:21:38,040 --> 00:21:41,280 Speaker 5: stealing her money, and gambling it away. She's going to 334 00:21:41,359 --> 00:21:44,840 Speaker 5: start fucking other men, and she's going to do it 335 00:21:44,920 --> 00:21:50,520 Speaker 5: where everyone else can see on camera. Jenna has several 336 00:21:50,560 --> 00:21:53,800 Speaker 5: good motivations for getting into adult films. She wants to 337 00:21:53,840 --> 00:21:57,440 Speaker 5: make more money, she wants to hurt her cheating boyfriend's feelings, 338 00:21:57,920 --> 00:22:01,919 Speaker 5: and she genuinely believes she'll be grated it. So Jenna 339 00:22:02,000 --> 00:22:08,920 Speaker 5: approaches a new frontier adult films. Jenna wants to start 340 00:22:08,920 --> 00:22:13,040 Speaker 5: her career at the tradway with softcore lesbian scenes. She's 341 00:22:13,080 --> 00:22:15,520 Speaker 5: a fan of a director named Andrew Blake, who's known 342 00:22:15,520 --> 00:22:18,880 Speaker 5: for his gauzy, sophisticated eroticism and worked with her hero 343 00:22:19,000 --> 00:22:23,199 Speaker 5: Savannah Andrew. Blake books Jenna with her friend Nicki Tyler 344 00:22:23,280 --> 00:22:27,119 Speaker 5: for a feature called Fantasy Women. He films Jenna and 345 00:22:27,240 --> 00:22:29,800 Speaker 5: Nikki kissing and touching each other for a scene called 346 00:22:29,920 --> 00:22:34,640 Speaker 5: Afternoon Seduction. Jenna also has a solo masturbation scene called 347 00:22:34,720 --> 00:22:39,360 Speaker 5: Gallery Exhibition. Shooting goes well enough to boost her confidence, 348 00:22:39,560 --> 00:22:43,439 Speaker 5: but it drops when Blake doesn't ask her. Back in 349 00:22:43,480 --> 00:22:46,800 Speaker 5: the nineties, there was an established path for female performers, 350 00:22:47,440 --> 00:22:50,800 Speaker 5: starting with nude pinups and progressing to solo videos and 351 00:22:50,880 --> 00:22:54,359 Speaker 5: girl girl scenes. Some girls never do scenes with male 352 00:22:54,359 --> 00:22:56,639 Speaker 5: performers at all and make a lot of money just 353 00:22:56,680 --> 00:23:00,920 Speaker 5: doing solo and girl girl hardcore sex facts in male 354 00:23:01,000 --> 00:23:05,879 Speaker 5: female scenes start with blowjobs, then vaginal sex, then anal sex, 355 00:23:06,240 --> 00:23:10,320 Speaker 5: then multiple partners, and finally various combinations of all of 356 00:23:10,359 --> 00:23:15,359 Speaker 5: the above, like gangbang scenes. The ideal scenario is a 357 00:23:15,440 --> 00:23:19,280 Speaker 5: slow build, where a screen debut creates audience appetite for 358 00:23:19,400 --> 00:23:22,159 Speaker 5: more content, which they roll out with a few movies 359 00:23:22,200 --> 00:23:26,120 Speaker 5: a year, but most performers can't afford to turn down 360 00:23:26,160 --> 00:23:28,399 Speaker 5: work in the window they're being offered it and end 361 00:23:28,480 --> 00:23:30,880 Speaker 5: up shooting as much as they can, which can lead 362 00:23:30,920 --> 00:23:33,800 Speaker 5: to burnout. Many are in and out of porn within 363 00:23:33,840 --> 00:23:37,840 Speaker 5: a year or two after running the gauntlet. Jenna doesn't 364 00:23:37,840 --> 00:23:40,320 Speaker 5: want to blitz through the steps too quickly, but she's 365 00:23:40,400 --> 00:23:43,439 Speaker 5: ready for a swing at the big leagues. She books 366 00:23:43,480 --> 00:23:46,119 Speaker 5: her first hardcore shoot for a series called Up and 367 00:23:46,119 --> 00:23:49,240 Speaker 5: Comers you can guess how that's spelled with a guy 368 00:23:49,320 --> 00:23:56,560 Speaker 5: named Randy West, as part of an industry trend called Gonzo. 369 00:23:56,880 --> 00:23:59,560 Speaker 5: When porn moves to video in the eighties, there's also 370 00:23:59,680 --> 00:24:03,320 Speaker 5: a ship in content. In nineteen eighty three, Sony puts 371 00:24:03,320 --> 00:24:08,720 Speaker 5: out the Betamax camcorder. Before the camcorder, video cameras connected 372 00:24:08,720 --> 00:24:12,200 Speaker 5: with a cord to a recording base, but the camcorder 373 00:24:12,280 --> 00:24:15,879 Speaker 5: eliminates the cord and the bass, making the camera operator 374 00:24:15,920 --> 00:24:20,080 Speaker 5: free to move anywhere in space. Camcorders hit the home 375 00:24:20,160 --> 00:24:21,200 Speaker 5: market that year. 376 00:24:23,280 --> 00:24:26,120 Speaker 12: To me, it was freedom. It was about going out 377 00:24:26,119 --> 00:24:28,600 Speaker 12: with a camera in public and seeing what would happen. 378 00:24:29,320 --> 00:24:35,199 Speaker 12: I enjoyed it, and it was also hot. Jamie gillis performer. 379 00:24:37,280 --> 00:24:41,359 Speaker 5: Camquorders allow for a new kind of visual immediacy, a 380 00:24:41,440 --> 00:24:45,960 Speaker 5: proof of alleged realness handheld video leads to cinema veritay. 381 00:24:47,160 --> 00:24:50,760 Speaker 5: In nineteen eighty nine, a porn actor named Jamie Gillis 382 00:24:50,800 --> 00:24:53,879 Speaker 5: innovates a new kind of adult movie where Gillis and 383 00:24:53,920 --> 00:24:57,720 Speaker 5: a cameraman named Duck Dumont cruise around San Francisco's North 384 00:24:57,760 --> 00:25:01,080 Speaker 5: Beach area in a rented limo, picking up random men 385 00:25:01,160 --> 00:25:05,200 Speaker 5: to have sex on camera with actress Renee Morgan. It's 386 00:25:05,240 --> 00:25:08,640 Speaker 5: called On the Prowl, and it's the basis for the 387 00:25:08,760 --> 00:25:11,800 Speaker 5: On the Lookout part of Boogie Knights, where roller girl 388 00:25:11,960 --> 00:25:13,959 Speaker 5: kicks the shit out of a guy who recognizes her 389 00:25:14,000 --> 00:25:18,840 Speaker 5: from high school. On the Lookout is the depressing third 390 00:25:18,880 --> 00:25:21,920 Speaker 5: act low point of Boogie Knights before the surprise, happy ending, 391 00:25:22,800 --> 00:25:26,520 Speaker 5: but Gillis claims On the Prowl was an exciting development 392 00:25:26,560 --> 00:25:29,880 Speaker 5: in porn, which is always seeking better ways to show 393 00:25:30,000 --> 00:25:35,320 Speaker 5: sexual spontaneity. Gillis helped pioneer a successful series called Dirty 394 00:25:35,320 --> 00:25:39,320 Speaker 5: Debutantes that's specialized in breaking new girls into the industry. 395 00:25:40,960 --> 00:25:43,240 Speaker 12: I had been in the business already for many years, 396 00:25:43,520 --> 00:25:46,240 Speaker 12: and I just said, oh my god, they're so boring 397 00:25:46,800 --> 00:25:49,960 Speaker 12: these stupid movies with the stupid scripts. So I said, 398 00:25:50,040 --> 00:25:51,679 Speaker 12: let's just take a girl and bring her out and 399 00:25:51,760 --> 00:25:53,720 Speaker 12: find somebody who wants to fuck her and. 400 00:25:53,800 --> 00:25:57,040 Speaker 4: Is excited about it. I literally brought girls out to. 401 00:25:57,040 --> 00:25:58,760 Speaker 12: The public and whoever came along. 402 00:25:58,840 --> 00:25:59,639 Speaker 4: That's what we shot. 403 00:26:00,560 --> 00:26:03,000 Speaker 12: Now. That to me was fun because it meant that 404 00:26:03,040 --> 00:26:05,119 Speaker 12: we didn't know exactly what was going to happen. 405 00:26:05,880 --> 00:26:07,240 Speaker 4: I always liked reality. 406 00:26:07,840 --> 00:26:08,440 Speaker 13: I hated the. 407 00:26:08,359 --> 00:26:10,760 Speaker 12: Old moans and groans type of porn. 408 00:26:13,000 --> 00:26:16,640 Speaker 5: Jamie Gillis can't necessarily be trusted, but he's a fascinating guy. 409 00:26:17,520 --> 00:26:20,399 Speaker 5: Born Jamie Ira German in New York on four to 410 00:26:20,480 --> 00:26:24,760 Speaker 5: twenty an aries Taurus cusp. He graduated from Columbia University 411 00:26:24,800 --> 00:26:27,719 Speaker 5: magna cum laude in nineteen seventy and was driving a 412 00:26:27,760 --> 00:26:31,040 Speaker 5: cab until he answered a village voice ad for nude models. 413 00:26:31,960 --> 00:26:36,639 Speaker 5: Openly bisexual, he worked in both gay and straight porn. 414 00:26:37,000 --> 00:26:39,639 Speaker 5: For the first on the Prowl, they drive around and 415 00:26:39,680 --> 00:26:42,000 Speaker 5: pick up a couple of sailors who agreed to film 416 00:26:42,040 --> 00:26:45,080 Speaker 5: with them. Renee Morgan has sex with one of the 417 00:26:45,119 --> 00:26:48,280 Speaker 5: sailors while Gillis and the other sailor watch, and Duck 418 00:26:48,359 --> 00:26:53,400 Speaker 5: Dumont captures it with the camquorder. Hi on adrenaline and 419 00:26:53,440 --> 00:26:56,560 Speaker 5: who knows what else Jamie Gillis's first call is to 420 00:26:56,680 --> 00:26:59,879 Speaker 5: his lawyer to see if selling something on the pre 421 00:27:00,440 --> 00:27:04,639 Speaker 5: is covered legally. The lawyer says Gillis is crazy and 422 00:27:04,640 --> 00:27:07,719 Speaker 5: should not release the tape, advising him that the wild 423 00:27:07,760 --> 00:27:11,120 Speaker 5: card aspect is too volatile. If they were to pick 424 00:27:11,200 --> 00:27:13,760 Speaker 5: up someone like a senator's son, it could bring down 425 00:27:13,800 --> 00:27:18,679 Speaker 5: the entire recently legalized porn industry. Gillis says, one of 426 00:27:18,720 --> 00:27:21,600 Speaker 5: the sailors does get in trouble with the Navy, even 427 00:27:21,640 --> 00:27:24,480 Speaker 5: though he wasn't a direct participant in the sex, and 428 00:27:24,600 --> 00:27:27,600 Speaker 5: Gillis calls the Navy to say he will humiliate them 429 00:27:27,600 --> 00:27:29,600 Speaker 5: in the press if they don't drop the charges. 430 00:27:31,359 --> 00:27:33,199 Speaker 12: So that's the only time in my life I had 431 00:27:33,240 --> 00:27:34,719 Speaker 12: a sense of what power was. 432 00:27:35,560 --> 00:27:38,680 Speaker 2: It was like, wow, the power. 433 00:27:38,440 --> 00:27:39,119 Speaker 7: Of the media. 434 00:27:40,080 --> 00:27:42,400 Speaker 12: It was a wonderful feeling to have saved that kid. 435 00:27:44,440 --> 00:27:48,760 Speaker 5: I cannot verify any of Jamie Gillis's stories, particularly the 436 00:27:48,760 --> 00:27:50,840 Speaker 5: ones that make him sound like a cool, great guy, 437 00:27:51,600 --> 00:27:55,160 Speaker 5: But Gillis ignores his lawyer and releases on the prowl. 438 00:27:55,760 --> 00:27:59,600 Speaker 5: The air of controversy over its legality only boosts its 439 00:27:59,600 --> 00:28:03,640 Speaker 5: pop up larity. It's not just a new tape, it's 440 00:28:03,640 --> 00:28:04,640 Speaker 5: a new genre. 441 00:28:06,600 --> 00:28:08,960 Speaker 12: I remember I was selling it for twenty dollars, which 442 00:28:09,000 --> 00:28:11,400 Speaker 12: was unheard of. I think most tapes at the time 443 00:28:11,440 --> 00:28:13,760 Speaker 12: were selling for ten. So I was selling it for 444 00:28:13,840 --> 00:28:16,200 Speaker 12: twice as much as anyone was asking. And I thought, 445 00:28:16,640 --> 00:28:20,800 Speaker 12: this is revolutionary, this is exciting, And as it turned out, 446 00:28:20,840 --> 00:28:24,800 Speaker 12: I was right. It spawned the gonzo business. Not that 447 00:28:24,880 --> 00:28:27,360 Speaker 12: I had everything to do with it, but I had 448 00:28:27,400 --> 00:28:31,879 Speaker 12: something to do with it. Jamie Gillis, director. 449 00:28:33,600 --> 00:28:36,520 Speaker 5: On the Prowl is a huge hit that kicks off 450 00:28:36,520 --> 00:28:40,960 Speaker 5: a new format known as gonzo porn. Gonzo had become 451 00:28:41,000 --> 00:28:45,320 Speaker 5: shorthand for first person experiential writing, also called new journalism, 452 00:28:45,680 --> 00:28:48,000 Speaker 5: where a writer breaks the fourth wall to acknowledge that 453 00:28:48,040 --> 00:28:51,960 Speaker 5: they're also a character in the story. Calling it gonzo 454 00:28:52,160 --> 00:28:58,640 Speaker 5: implies a certain down and dirty experimentalism. So gonzo porn likewise, 455 00:28:58,720 --> 00:29:02,120 Speaker 5: makes the camera man a character who acknowledges that a 456 00:29:02,120 --> 00:29:05,400 Speaker 5: sexual encounter is being filmed for an audience to watch. 457 00:29:06,520 --> 00:29:11,320 Speaker 5: Camcorders are making amateurs into directors and performers at home too, 458 00:29:12,280 --> 00:29:16,360 Speaker 5: and as civilians start shooting amateur sex tapes, professional porn 459 00:29:16,440 --> 00:29:21,320 Speaker 5: starts to emulate the amateur look. In gonzo porn, there's 460 00:29:21,360 --> 00:29:24,120 Speaker 5: a new layer of eroticism in getting people to do 461 00:29:24,240 --> 00:29:27,560 Speaker 5: things they otherwise wouldn't do through the allure of being 462 00:29:27,640 --> 00:29:31,959 Speaker 5: on camera. It's a fictionalized take on the casting couch, 463 00:29:32,160 --> 00:29:35,160 Speaker 5: which is when men in the mainstream film business promise 464 00:29:35,200 --> 00:29:39,320 Speaker 5: acting work to aspiring starlits in exchange for sex. But 465 00:29:39,400 --> 00:29:42,160 Speaker 5: in Gonzo porn, the performers are aware that they're going 466 00:29:42,200 --> 00:29:44,800 Speaker 5: on camera to have sex and have already signed a 467 00:29:44,840 --> 00:29:50,120 Speaker 5: release form. Gonzo porn often has the camera operator, who's 468 00:29:50,160 --> 00:29:53,240 Speaker 5: sometimes also the male performer, talking directly with the star 469 00:29:53,360 --> 00:29:55,640 Speaker 5: about what she's going to do before she does it. 470 00:29:55,880 --> 00:30:00,120 Speaker 5: As a form of foreplay, Gonzo reveals the existence of 471 00:30:00,120 --> 00:30:03,120 Speaker 5: its own production and film crew to double down on 472 00:30:03,120 --> 00:30:06,520 Speaker 5: the porn illusion that you are voyeuristically watching raw intimate 473 00:30:06,560 --> 00:30:10,880 Speaker 5: acts recorded live, and like you might imagine from the name, 474 00:30:11,160 --> 00:30:17,320 Speaker 5: Gonzo porn tends towards extreme and fetishistic sex. Jamie Gillis 475 00:30:17,360 --> 00:30:20,800 Speaker 5: licenses his On the Prowl franchise to Vivid Video, saying 476 00:30:20,880 --> 00:30:24,040 Speaker 5: he prefers the creative side of the biz. On the 477 00:30:24,120 --> 00:30:27,720 Speaker 5: Prowl's success ripples through the industry. In nineteen eighty nine, 478 00:30:27,840 --> 00:30:32,040 Speaker 5: John Stagliano's The Adventures of Butt Man featuring Jamie Gillis continues, 479 00:30:32,160 --> 00:30:37,960 Speaker 5: establishing Gonzo as porn's next wave. Camcorders also influence independent 480 00:30:38,000 --> 00:30:41,960 Speaker 5: filmmakers like Steven Soderberg, whose low budget breakthrough Sex Lies 481 00:30:41,960 --> 00:30:44,680 Speaker 5: and Videotape is about the dangers of keeping a loaded 482 00:30:44,720 --> 00:30:49,080 Speaker 5: camcorder in the home. Gonzo porn feels like a direct 483 00:30:49,160 --> 00:30:53,160 Speaker 5: backlash to the rise of the contract girls. In the 484 00:30:53,240 --> 00:30:56,440 Speaker 5: contract girl model, the girls are the stars and the 485 00:30:56,480 --> 00:30:59,719 Speaker 5: men are the accessories to their sexual journey of self discovery. 486 00:31:00,560 --> 00:31:03,760 Speaker 5: In gonzo porn, the star is a dirtbag man who 487 00:31:03,840 --> 00:31:06,320 Speaker 5: acts as a stand in for a straight male audience, 488 00:31:06,680 --> 00:31:09,720 Speaker 5: fulfilling a fantasy of getting young women to degrade themselves 489 00:31:09,720 --> 00:31:13,479 Speaker 5: on screen. The premise is usually that the girls are 490 00:31:13,520 --> 00:31:16,400 Speaker 5: stupid to think this is smart and will get humiliated 491 00:31:16,440 --> 00:31:20,920 Speaker 5: for it, first verbally and then physically. If the contract 492 00:31:20,960 --> 00:31:24,040 Speaker 5: girl system was about elevating the sexualized woman into a 493 00:31:24,080 --> 00:31:27,920 Speaker 5: temporary star, gonzo porn is about putting women who like 494 00:31:27,960 --> 00:31:30,880 Speaker 5: to fuck back in their place under the boot of 495 00:31:30,920 --> 00:31:34,920 Speaker 5: creepy losers paying to watch them get disposed of. In 496 00:31:35,000 --> 00:31:39,880 Speaker 5: gonzo porn, the girls are an endless replaceable commodity that 497 00:31:39,920 --> 00:31:42,640 Speaker 5: they are constantly trashed for new girls as part of 498 00:31:42,680 --> 00:31:47,680 Speaker 5: the appeal, which mimics capitalism if vivid girls invested in 499 00:31:47,760 --> 00:31:52,760 Speaker 5: parasocial cults of personality, Gonzo is a rejoinder asserting that 500 00:31:52,800 --> 00:31:55,760 Speaker 5: the girls are still just interchangeable. 501 00:31:55,040 --> 00:31:56,240 Speaker 10: Pieces of meat. 502 00:31:57,360 --> 00:32:00,920 Speaker 5: After on the Prowl, Jamie Gillis's follow up Gonzo movies 503 00:32:00,960 --> 00:32:06,200 Speaker 5: become increasingly violent, blatantly abusive towards the starlits, racist, and 504 00:32:06,360 --> 00:32:11,760 Speaker 5: generally very bad vibes. Then, a man from Racine, Wisconsin 505 00:32:12,040 --> 00:32:15,800 Speaker 5: named Paul F. Little a Leo becomes the new most 506 00:32:15,800 --> 00:32:19,040 Speaker 5: hated man in pornography in nineteen ninety two for his 507 00:32:19,160 --> 00:32:27,080 Speaker 5: crimes against taste. After he renames himself Max Hardcore. 508 00:32:26,280 --> 00:32:27,760 Speaker 13: A message from Max. 509 00:32:28,800 --> 00:32:34,040 Speaker 7: Never use violence to get what you want, especially from women. 510 00:32:35,360 --> 00:32:38,960 Speaker 2: Max Hardcore pornographer. 511 00:32:40,680 --> 00:32:43,480 Speaker 5: Pushing the limits of extreme sex is the game within 512 00:32:43,520 --> 00:32:46,720 Speaker 5: the Gonzo arms race, and in Max Hardcore films, the 513 00:32:46,760 --> 00:32:50,640 Speaker 5: focus is on violent sex ax delivered by Max purposely 514 00:32:50,680 --> 00:32:54,960 Speaker 5: devoid of any interest in female pleasure. Max Hardcore pedals 515 00:32:54,960 --> 00:32:58,240 Speaker 5: a fantasy, all right, but it's not about sex. It's 516 00:32:58,280 --> 00:33:02,840 Speaker 5: about taking revenge on women, and in his signature cowboy hat, 517 00:33:03,000 --> 00:33:07,120 Speaker 5: he picks up barely legal girls dressed as Lolita's. Max 518 00:33:07,160 --> 00:33:11,200 Speaker 5: Hardcore's content is so extreme that even Ron Jeremy thinks 519 00:33:11,240 --> 00:33:13,000 Speaker 5: it's in bad taste. 520 00:33:13,920 --> 00:33:16,520 Speaker 10: I don't like it at all. It's too extreme. 521 00:33:17,360 --> 00:33:19,520 Speaker 7: These days, it's all about how many dicks can you 522 00:33:19,560 --> 00:33:20,480 Speaker 7: stuff in one ax. 523 00:33:21,360 --> 00:33:25,160 Speaker 5: If a girl's not smiling, if she's not enjoying it, 524 00:33:25,280 --> 00:33:27,320 Speaker 5: then I don't like it. 525 00:33:27,560 --> 00:33:29,360 Speaker 10: Ron Jeremy performer. 526 00:33:31,720 --> 00:33:35,640 Speaker 5: But Max Hardcore's nineteen ninety two independent release, Anal Adventures 527 00:33:35,640 --> 00:33:38,720 Speaker 5: of Max Hardcore becomes a smash hit without any of 528 00:33:38,720 --> 00:33:43,200 Speaker 5: the major porn studio's involvement. The established studio players think 529 00:33:43,320 --> 00:33:46,960 Speaker 5: Max Hardcore's work is bad for the industry's reputation. It 530 00:33:47,080 --> 00:33:50,480 Speaker 5: makes them look like pedophiles and sexual sadists trying to 531 00:33:50,560 --> 00:33:55,360 Speaker 5: exploit girls into making a big mistake. Steve Hirsh's utopian 532 00:33:55,440 --> 00:33:59,320 Speaker 5: eighties vivid video vision of couples watching porn together at home, 533 00:33:59,880 --> 00:34:02,720 Speaker 5: is he not in line with Max Hardcore's which brings 534 00:34:02,720 --> 00:34:07,960 Speaker 5: porn back under a dirty raincoat. Hardcore might single handedly 535 00:34:08,120 --> 00:34:11,920 Speaker 5: undo years of other people's work, legitimizing porn in mainstream 536 00:34:12,000 --> 00:34:17,200 Speaker 5: culture as not just for male sexual deviance. Most performers 537 00:34:17,200 --> 00:34:20,360 Speaker 5: from the Valley Studio system refuse to work with Max Hardcore, 538 00:34:21,080 --> 00:34:24,040 Speaker 5: but armed with his camcorder and a cowboy hat, he 539 00:34:24,120 --> 00:34:27,200 Speaker 5: makes his name on what gets called pro amateur content, 540 00:34:27,719 --> 00:34:31,080 Speaker 5: scouting local talent in Florida and branding himself as an 541 00:34:31,080 --> 00:34:36,880 Speaker 5: industry outsider. Max Hardcore's extreme sexual content is not about 542 00:34:36,920 --> 00:34:40,560 Speaker 5: what feels good for the female performers. It's about what 543 00:34:40,680 --> 00:34:45,160 Speaker 5: looks the most shocking, painful, or ostensibly humiliating for the 544 00:34:45,200 --> 00:34:48,880 Speaker 5: actress on screen. He innovates the on camera use of 545 00:34:48,920 --> 00:34:54,760 Speaker 5: gynecological speculums as sex toys. People behind the scenes claim 546 00:34:54,800 --> 00:34:58,000 Speaker 5: that Max Hardcore is just a character Paul lef Little 547 00:34:58,080 --> 00:35:01,240 Speaker 5: is playing, and that before shoots Dying, he thoroughly walks 548 00:35:01,239 --> 00:35:03,680 Speaker 5: the girls through what the scene will entail and tells 549 00:35:03,719 --> 00:35:05,879 Speaker 5: them to speak up if it becomes painful and they'll 550 00:35:05,880 --> 00:35:11,040 Speaker 5: stop rolling. One performer named Anastasia Blue says Max Hardcore 551 00:35:11,160 --> 00:35:14,040 Speaker 5: called her after they shot to wish her a happy Easter. 552 00:35:15,880 --> 00:35:19,400 Speaker 5: The writer David Foster Wallace touches on the industry controversy 553 00:35:19,440 --> 00:35:23,560 Speaker 5: over Max Hardcore in Neither Adult nor Entertainment, His account 554 00:35:23,600 --> 00:35:27,319 Speaker 5: of the nineteen ninety eight Avian Awards, first published under 555 00:35:27,360 --> 00:35:31,319 Speaker 5: a pseudonym in Premier magazine, Wallace brings up a new 556 00:35:31,400 --> 00:35:35,160 Speaker 5: issue raised by pornography in the nineteen nineties, whether it 557 00:35:35,239 --> 00:35:39,480 Speaker 5: might be addictive. The new cultural fear is that fantasy 558 00:35:39,600 --> 00:35:43,640 Speaker 5: visual images of extreme sex have become so widely available 559 00:35:44,000 --> 00:35:46,400 Speaker 5: they are going to supplant physical intercourse. 560 00:35:49,000 --> 00:35:53,600 Speaker 14: Max's videos promotional posters have him carrying a girl in 561 00:35:53,719 --> 00:35:59,040 Speaker 14: mini shorts over his shoulder against a backdrop of various 562 00:35:59,560 --> 00:36:05,279 Speaker 14: city The skylines. The pitches at the bottom say see 563 00:36:05,320 --> 00:36:11,600 Speaker 14: pretty girls sodomized in manners most foul. See come splattered 564 00:36:11,600 --> 00:36:17,360 Speaker 14: girls too stupid to know better that David Foster, Wallace writer. 565 00:36:19,560 --> 00:36:22,840 Speaker 5: By the early nineties, gonzo is the most popular genre 566 00:36:22,880 --> 00:36:26,760 Speaker 5: in porn, and narrative storytelling in porn is on life support. 567 00:36:27,960 --> 00:36:32,000 Speaker 5: But not all gonzo porn is like Max Hardcore's. There's 568 00:36:32,040 --> 00:36:35,600 Speaker 5: another side to gonzo, where the extreme intensity of the 569 00:36:35,640 --> 00:36:41,960 Speaker 5: sex acts correlates with emotional intensity. It is naturally European. 570 00:36:43,360 --> 00:36:47,080 Speaker 5: Gonzo's descent into escalating acts of depravity is not an 571 00:36:47,080 --> 00:36:50,400 Speaker 5: American invention. It's an attempt to keep up with the 572 00:36:50,440 --> 00:36:54,799 Speaker 5: globalization of porn and European porn, where censorship rules are 573 00:36:54,840 --> 00:36:59,360 Speaker 5: less strict and culture is less sexually repressed. Like German 574 00:36:59,440 --> 00:37:02,879 Speaker 5: expression led to film noir, and French New Wave led 575 00:37:02,920 --> 00:37:07,240 Speaker 5: to New Hollywood. European porn leads to American Gonzo. 576 00:37:09,920 --> 00:37:15,120 Speaker 2: I want to see emotion, fear, excitement, the eyes going 577 00:37:15,200 --> 00:37:16,360 Speaker 2: up from being surprised. 578 00:37:18,560 --> 00:37:23,560 Speaker 5: The true innovator of Gonzo is naturally Italian. His name 579 00:37:23,680 --> 00:37:29,640 Speaker 5: is Rocco Sefreddi aka the Italian Stallion. Born Rocco Antonio 580 00:37:29,760 --> 00:37:33,600 Speaker 5: Tano in Abruzzo, Italy in nineteen sixty four. A Taurus, 581 00:37:34,239 --> 00:37:37,160 Speaker 5: he grows up in the seaport town or Tona Amar. 582 00:37:38,239 --> 00:37:41,600 Speaker 5: After considering the priesthood, he moves to Paris, where he 583 00:37:41,640 --> 00:37:44,600 Speaker 5: meets some French people at Le Sex Club who scout 584 00:37:44,680 --> 00:37:49,760 Speaker 5: him into Libiz. After seeing his lieutenan Inchcock. He takes 585 00:37:49,760 --> 00:37:53,280 Speaker 5: his stage name Rocco Safreddi, most likely from Alan Delon's 586 00:37:53,320 --> 00:37:57,320 Speaker 5: character in nineteen seventies. Borslino and his parents may also 587 00:37:57,360 --> 00:38:01,720 Speaker 5: have named him after Allan Delon's character Rocco and his brothers. 588 00:38:03,440 --> 00:38:06,759 Speaker 2: I tell him it's my vocation, it's the dream of 589 00:38:06,800 --> 00:38:09,680 Speaker 2: my life. He was with two girls and he told me, 590 00:38:10,040 --> 00:38:12,919 Speaker 2: let me see what you know. I remember having sex 591 00:38:12,960 --> 00:38:15,680 Speaker 2: in front of two hundred people there, and in the 592 00:38:15,680 --> 00:38:17,960 Speaker 2: morning I was in the studio working. 593 00:38:20,280 --> 00:38:23,759 Speaker 5: Rocco grew up Roman Catholic, where sex is suffused with 594 00:38:23,800 --> 00:38:27,080 Speaker 5: guilt and shame. He shoots an anal sex scene for 595 00:38:27,160 --> 00:38:29,640 Speaker 5: his very first film, Attention Fiat. 596 00:38:32,000 --> 00:38:34,400 Speaker 2: As an actor, I put to my strong passion and 597 00:38:34,480 --> 00:38:37,359 Speaker 2: anything I do, it can be porno or it can 598 00:38:37,440 --> 00:38:41,320 Speaker 2: be straight movies. The main difference generally is emotions and 599 00:38:41,440 --> 00:38:46,040 Speaker 2: physical Unfortunately, we look more for the double penetrations for 600 00:38:46,200 --> 00:38:50,160 Speaker 2: triple penetrations than how all the penetrations canna start. 601 00:38:52,760 --> 00:38:56,600 Speaker 5: Rocco Safreddi becomes porn's biggest male breakout stars since John C. 602 00:38:56,800 --> 00:38:57,240 Speaker 10: Holmes. 603 00:38:57,760 --> 00:39:00,359 Speaker 5: He becomes known for group sex with a pan pleat 604 00:39:00,400 --> 00:39:01,680 Speaker 5: of women in his movies. 605 00:39:03,400 --> 00:39:08,360 Speaker 2: In my real life, I never do that. It's too exhausting. 606 00:39:09,920 --> 00:39:13,200 Speaker 5: So by the time Jenna arrives in Porn Valley, Gonzo 607 00:39:13,440 --> 00:39:17,360 Speaker 5: is still dominating the industry. The brains and body between 608 00:39:17,400 --> 00:39:20,480 Speaker 5: the Up and Comers series is a legendary stick man 609 00:39:20,640 --> 00:39:21,800 Speaker 5: named Randy West. 610 00:39:24,800 --> 00:39:27,160 Speaker 15: Jenna contacted me and said she wanted to get into 611 00:39:27,239 --> 00:39:29,600 Speaker 15: the triple x business, but her agent didn't want her 612 00:39:29,600 --> 00:39:32,120 Speaker 15: to do porn. A month later, I'm on a shoot 613 00:39:32,120 --> 00:39:36,239 Speaker 15: in Woodland Hills and there's Jenna. I knew Jenna was 614 00:39:36,280 --> 00:39:39,400 Speaker 15: special right off the bat. I figured she'd be the 615 00:39:39,400 --> 00:39:42,719 Speaker 15: next Ginger Lynn, but nobody had any idea she was 616 00:39:42,760 --> 00:39:44,400 Speaker 15: going to be as big as she turned out to be. 617 00:39:45,560 --> 00:39:47,960 Speaker 15: Jenna told me when we first met that she was 618 00:39:48,000 --> 00:39:52,520 Speaker 15: going to be a star. Randy West performer. 619 00:39:54,560 --> 00:39:56,879 Speaker 5: Randy West is born in New York in nineteen forty 620 00:39:56,920 --> 00:40:00,600 Speaker 5: seven as Andrew j Abrams, a libra. He gets a 621 00:40:00,640 --> 00:40:03,600 Speaker 5: baseball scholarship to EU Miami, where he plays in local 622 00:40:03,680 --> 00:40:06,320 Speaker 5: rock bands and makes some money doing nude figure modeling. 623 00:40:07,000 --> 00:40:09,920 Speaker 5: He moves to California in nineteen seventy nine, where he 624 00:40:10,040 --> 00:40:13,680 Speaker 5: joins male stripper troop the Chippendales and changes his name 625 00:40:13,760 --> 00:40:17,560 Speaker 5: to Randy West. A lot of guys who end up 626 00:40:17,600 --> 00:40:21,440 Speaker 5: porn stars are trying for success as athletes, actors, or 627 00:40:21,520 --> 00:40:25,640 Speaker 5: musicians first and then land in porn. Randy West is 628 00:40:25,760 --> 00:40:29,719 Speaker 5: one such character. He starts his acting career in a 629 00:40:29,760 --> 00:40:32,719 Speaker 5: non sex role in the French softcore film series Emmanuel, 630 00:40:33,080 --> 00:40:36,360 Speaker 5: and gets into hardcore porn with films like Fratthouse Frolics. 631 00:40:37,480 --> 00:40:39,880 Speaker 5: In nineteen eighty, Randy West becomes the first male model 632 00:40:39,920 --> 00:40:43,600 Speaker 5: to appear with an erection as a Playgirl Centerfold in 633 00:40:43,640 --> 00:40:46,360 Speaker 5: the nineteen eighties, his porn career dips and he starts 634 00:40:46,360 --> 00:40:50,480 Speaker 5: selling pot on the side. Randy West's story is like 635 00:40:50,520 --> 00:40:53,240 Speaker 5: a nice version of the John Holmes story where nothing 636 00:40:53,280 --> 00:40:56,719 Speaker 5: bad happens. A guy with a huge hog just moves 637 00:40:56,760 --> 00:40:59,600 Speaker 5: to La, sells a little bit of good weed, and 638 00:40:59,680 --> 00:41:04,360 Speaker 5: makes thirteen hundred pornographic films in the nineteen nineties. Randy 639 00:41:04,400 --> 00:41:08,080 Speaker 5: West is also Robert Redford's body double and Indecent Proposal 640 00:41:08,480 --> 00:41:11,360 Speaker 5: and Michael Douglas's body double in Basic Instinct. 641 00:41:13,239 --> 00:41:15,640 Speaker 15: Eyeshot her when she still had her real tits, and 642 00:41:15,719 --> 00:41:17,480 Speaker 15: her tits were awesome. 643 00:41:21,000 --> 00:41:26,000 Speaker 5: When Jenna World returns, Jenna makes her porn Valley debut. 644 00:41:33,080 --> 00:41:35,480 Speaker 10: Oh my God, Welcome. 645 00:41:35,160 --> 00:41:42,320 Speaker 5: Back to Jenna World. Jenna makes a request to Randy 646 00:41:42,360 --> 00:41:46,200 Speaker 5: West to shoot with an actress named Kylie Ireland. Up 647 00:41:46,200 --> 00:41:49,759 Speaker 5: and Comers is like Dirty Debutants, based around shooting girls 648 00:41:49,800 --> 00:41:52,640 Speaker 5: who are new into the industry. The house in the 649 00:41:52,680 --> 00:41:55,120 Speaker 5: Hills where forty six year old Randy West lives and 650 00:41:55,160 --> 00:41:59,160 Speaker 5: puts girls up is also the set he films gonzo 651 00:41:59,239 --> 00:42:03,720 Speaker 5: style stop without real takes or setups, trying to capture 652 00:42:03,760 --> 00:42:07,879 Speaker 5: spontaneous action as it occurs, Randy West sets up Jenna 653 00:42:07,960 --> 00:42:10,600 Speaker 5: and Kylie on a blue and white Mexican falseublanket on 654 00:42:10,640 --> 00:42:13,040 Speaker 5: the grass in the backyard to go at it for 655 00:42:13,080 --> 00:42:16,839 Speaker 5: an hour and a half. Randy West tries to talk 656 00:42:16,920 --> 00:42:19,640 Speaker 5: Jenna into doing her first boy girl scene that day, 657 00:42:20,080 --> 00:42:23,720 Speaker 5: but she says no. One thing that helps Jenna survive 658 00:42:23,840 --> 00:42:25,759 Speaker 5: in the industry is that she's really. 659 00:42:25,560 --> 00:42:27,040 Speaker 10: Good at saying no to people. 660 00:42:27,760 --> 00:42:29,839 Speaker 5: She doesn't have the fear of being a bitch that 661 00:42:29,880 --> 00:42:33,640 Speaker 5: makes some women be default polite to strange men. But 662 00:42:33,760 --> 00:42:37,000 Speaker 5: during a threesome with Kylie Ireland, Jenna decides of her 663 00:42:37,000 --> 00:42:39,960 Speaker 5: own volition that maybe now she wants to give Randy 664 00:42:40,000 --> 00:42:42,919 Speaker 5: West a little bit of head like he suggested. 665 00:42:44,440 --> 00:42:46,840 Speaker 1: I needed something to do to keep from looking stupid 666 00:42:46,840 --> 00:42:49,439 Speaker 1: on camera, so I just held it in my mouth 667 00:42:49,440 --> 00:42:49,840 Speaker 1: a little. 668 00:42:52,680 --> 00:42:54,960 Speaker 15: In the middle of the scene, Jenna said it was 669 00:42:55,000 --> 00:42:57,600 Speaker 15: okay to eat her pussy, and at the end of 670 00:42:57,640 --> 00:42:59,799 Speaker 15: the scene she and Kylie gave me a blood job. 671 00:43:01,920 --> 00:43:04,359 Speaker 5: He offers her two grand to do a penetrative sex 672 00:43:04,400 --> 00:43:07,480 Speaker 5: scene with him at her next shoot. She plans to 673 00:43:07,520 --> 00:43:11,680 Speaker 5: do boygirl sex eventually, and Randy West seems experienced and professional, 674 00:43:12,120 --> 00:43:15,920 Speaker 5: so she accepts For the follow up shoot, Jenna arrives 675 00:43:15,960 --> 00:43:19,319 Speaker 5: wearing a preppy white tennis dress. Randy directs her to 676 00:43:19,320 --> 00:43:21,800 Speaker 5: show off her body to the camera and also shows 677 00:43:21,800 --> 00:43:22,800 Speaker 5: her petting his cat. 678 00:43:24,480 --> 00:43:26,279 Speaker 1: I wasn't sure if I could go through with it 679 00:43:26,680 --> 00:43:30,480 Speaker 1: because he seemed a little bit lecherous, but the moment 680 00:43:30,520 --> 00:43:33,960 Speaker 1: he shut up and stripped down, something snapped inside me, 681 00:43:34,320 --> 00:43:36,560 Speaker 1: and a primal part I had never been in touch 682 00:43:36,600 --> 00:43:42,719 Speaker 1: with leaped out with a guy. There was strength, energy, intensity, 683 00:43:43,239 --> 00:43:46,360 Speaker 1: and passion. It was a dance in which we wrestled 684 00:43:46,400 --> 00:43:49,000 Speaker 1: for control, and as soon as I let go and 685 00:43:49,080 --> 00:43:51,759 Speaker 1: abandon myself to the moment, I won. 686 00:43:53,920 --> 00:43:57,720 Speaker 13: When the sex started, she just fucking rocked. 687 00:44:00,080 --> 00:44:03,640 Speaker 5: As part of abandoning herself to the moment, Jenna agrees 688 00:44:03,719 --> 00:44:07,520 Speaker 5: to let Randy ejaculate inside her. She finds this to 689 00:44:07,560 --> 00:44:12,160 Speaker 5: be his most shocking request because it's not photogenic. Usually 690 00:44:12,160 --> 00:44:14,200 Speaker 5: there's a pop shot onto the girl so that the 691 00:44:14,280 --> 00:44:17,680 Speaker 5: viewer can see it, but then he asks her if 692 00:44:17,680 --> 00:44:21,960 Speaker 5: she would squeeze it out on camera, and Jenna, discovering 693 00:44:21,960 --> 00:44:28,520 Speaker 5: the expanding limits of her own exhibitionism, says, okay. 694 00:44:28,640 --> 00:44:32,399 Speaker 1: I flexed my PC muscles and the cum just burst out. 695 00:44:32,400 --> 00:44:36,520 Speaker 1: Of me accompanied by a loud squirting sound. It would 696 00:44:36,520 --> 00:44:40,720 Speaker 1: be an unnglamorous but pivotal moment for the adult film business, 697 00:44:41,239 --> 00:44:43,480 Speaker 1: one of the first internal pop shots. 698 00:44:45,160 --> 00:44:47,960 Speaker 13: It was one of my greatest accomplishments in porn. The 699 00:44:48,000 --> 00:44:50,839 Speaker 13: fact that I didn't come in forty minutes. I don't 700 00:44:50,840 --> 00:44:51,680 Speaker 13: know how I lasted. 701 00:44:52,480 --> 00:44:53,759 Speaker 15: And then I asked her if I could come in 702 00:44:53,800 --> 00:44:56,040 Speaker 15: her pussy and she said okay, so we did a 703 00:44:56,040 --> 00:44:57,400 Speaker 15: cream pie. 704 00:44:57,680 --> 00:44:59,840 Speaker 13: Jenna told me later that she was relieved that she 705 00:45:00,000 --> 00:45:01,640 Speaker 13: he didn't have to take a load on her face. 706 00:45:04,080 --> 00:45:08,560 Speaker 5: Jenna is exhilarated, and just as she hoped, Jack is 707 00:45:08,680 --> 00:45:11,720 Speaker 5: livid when he finds out, they have a huge fight 708 00:45:11,800 --> 00:45:15,640 Speaker 5: and he splits for a week. But instead of dumping her, 709 00:45:15,920 --> 00:45:20,440 Speaker 5: Jack actually starts putting effort into their relationship. He also 710 00:45:20,600 --> 00:45:31,320 Speaker 5: gets her back into crystal math, and so the cycle continues. 711 00:45:37,320 --> 00:45:39,960 Speaker 1: Just like at the Crazy Horse, the girls with the 712 00:45:40,120 --> 00:45:44,160 Speaker 1: monster silicone got all the attention, and I had to 713 00:45:44,160 --> 00:45:46,880 Speaker 1: compete with the one organ I had that was bigger 714 00:45:48,080 --> 00:45:48,760 Speaker 1: my brain. 715 00:45:51,320 --> 00:45:53,759 Speaker 5: There's no word for when a woman feels emasculated by 716 00:45:53,800 --> 00:45:56,640 Speaker 5: another woman who's more womanly than she is, But that's 717 00:45:56,680 --> 00:46:01,239 Speaker 5: how taller, blonder women with bigger tits make Jenna her 718 00:46:01,280 --> 00:46:04,880 Speaker 5: new brass ring is a solo VHS cover, the metric 719 00:46:04,960 --> 00:46:08,600 Speaker 5: by which nineties porn stardom is measured. The bigger the star, 720 00:46:08,840 --> 00:46:12,280 Speaker 5: the more space they get on the box cover. Jenna 721 00:46:12,320 --> 00:46:15,760 Speaker 5: meets a producer who promises her a box cover. Unlike 722 00:46:15,800 --> 00:46:19,760 Speaker 5: her professional dare I say pleasant experiences with Andrew Blake 723 00:46:19,800 --> 00:46:22,920 Speaker 5: and Randy West, this shoot feels scuzzy to her from 724 00:46:22,960 --> 00:46:26,080 Speaker 5: the get go. When she gets to the studio City set, 725 00:46:26,360 --> 00:46:28,960 Speaker 5: she is immediately grossed out by the dirty condition of 726 00:46:29,000 --> 00:46:32,520 Speaker 5: the porn house. The movie is called Baby Doll, and 727 00:46:32,560 --> 00:46:34,640 Speaker 5: the credits misspell her stage name. 728 00:46:37,280 --> 00:46:44,000 Speaker 16: Sugar Spice and everything nice, very very nice. As a 729 00:46:44,040 --> 00:46:48,160 Speaker 16: matter of fact, it is smoking since City presents the 730 00:46:48,200 --> 00:46:52,320 Speaker 16: perfect excuse for self abuse. Jenna Jamison as the girl 731 00:46:52,400 --> 00:46:57,319 Speaker 16: next door who's naughty fantasies and vivid imagination lead her 732 00:46:57,320 --> 00:47:00,560 Speaker 16: on a sexual roller coaster ride through hollywood It's hottest 733 00:47:00,560 --> 00:47:06,719 Speaker 16: modeling agencies, casting couches, oral auditions, all night Mazzola parties, 734 00:47:06,760 --> 00:47:11,200 Speaker 16: and back alley jam sessions. It is a hard climb 735 00:47:11,200 --> 00:47:14,200 Speaker 16: to the head of the class, but Jenna's got it wired. 736 00:47:14,760 --> 00:47:18,440 Speaker 16: This girl's left more guys panting than a staremaster in Overdrive. 737 00:47:19,080 --> 00:47:25,840 Speaker 16: Look Out, Hollywood, Baby Doll has arrived. Baby Doll VHS copy. 738 00:47:27,840 --> 00:47:30,879 Speaker 5: Baby Doll is made by a husband and wife directing team. 739 00:47:31,080 --> 00:47:34,080 Speaker 5: Jenna plays a girl fresh off the bus from Iowa, 740 00:47:34,200 --> 00:47:35,759 Speaker 5: trying to make it in Hollywood. 741 00:47:39,920 --> 00:47:43,160 Speaker 1: It's not that I don't like sex, you know that's 742 00:47:43,200 --> 00:47:46,480 Speaker 1: not true. I want to make it because I'm good, 743 00:47:47,120 --> 00:47:50,879 Speaker 1: not just because I fucked the right people like I did. 744 00:47:51,920 --> 00:47:55,439 Speaker 1: Oh sorry, I didn't mean to hurt your feelings. 745 00:47:56,080 --> 00:47:59,440 Speaker 8: That's okay, honey. I do that because I wanted to 746 00:47:59,480 --> 00:48:01,360 Speaker 8: do that. I have no regret. 747 00:48:02,320 --> 00:48:07,719 Speaker 1: Then fuck me, bitch now. 748 00:48:07,719 --> 00:48:10,359 Speaker 5: I know it sounds crazy to call Randy West, who 749 00:48:10,400 --> 00:48:14,120 Speaker 5: shot Jenna squirting com out of her pussy, respectful, but 750 00:48:14,400 --> 00:48:16,640 Speaker 5: by her own account, he made her feel safe. On 751 00:48:16,680 --> 00:48:20,680 Speaker 5: set on Baby Doll, Jenna is physically repulsed by her 752 00:48:20,680 --> 00:48:24,400 Speaker 5: male co star. It's her first real test as an actress. 753 00:48:25,320 --> 00:48:28,319 Speaker 5: While filming, she feels the disconnect of blowing a guy 754 00:48:28,360 --> 00:48:30,960 Speaker 5: that she's not attracted to, and also gets mad that 755 00:48:31,000 --> 00:48:34,360 Speaker 5: he can't stay hard. She gets through filming as quickly 756 00:48:34,360 --> 00:48:37,600 Speaker 5: as possible and leaves feeling ready to quit porn. That 757 00:48:37,719 --> 00:48:52,719 Speaker 5: day Jenna returns to Las Vegas depressed and directionless. Retreating 758 00:48:52,760 --> 00:48:56,319 Speaker 5: back to Jack and Crystal Meth again, she decides that 759 00:48:56,400 --> 00:48:59,960 Speaker 5: her big brain isn't enough. Her natural breasts are nice, 760 00:49:00,200 --> 00:49:04,040 Speaker 5: but they're not what sells. As she turns twenty years old, 761 00:49:04,200 --> 00:49:07,280 Speaker 5: she decides she needs really big, fake boobs. 762 00:49:09,320 --> 00:49:12,520 Speaker 1: I needed to do something to get more jobs, otherwise 763 00:49:12,560 --> 00:49:15,040 Speaker 1: I'd lose the only source of income left to me. 764 00:49:15,760 --> 00:49:19,160 Speaker 1: At least that's what I told myself. The real reason, 765 00:49:19,360 --> 00:49:22,960 Speaker 1: in retrospect was that I wanted more attention from Jack. 766 00:49:23,840 --> 00:49:26,359 Speaker 1: I thought that if I look sexier, he would want 767 00:49:26,400 --> 00:49:26,759 Speaker 1: me more. 768 00:49:27,840 --> 00:49:34,200 Speaker 5: How pathetic, Her friend Rockabilly Jennifer refers her to a surgeon. 769 00:49:34,960 --> 00:49:37,200 Speaker 5: Jenna wants to go up one cup size from B 770 00:49:37,320 --> 00:49:40,400 Speaker 5: to C. The doctor gives her d cups, and her 771 00:49:40,440 --> 00:49:44,319 Speaker 5: new boobs look super fake because Jenna is so petite. 772 00:49:44,480 --> 00:49:48,760 Speaker 5: When she first sees the results, she starts crying still. 773 00:49:49,120 --> 00:49:52,000 Speaker 5: Jennifer and Jenna celebrate at an Italian place and then 774 00:49:52,040 --> 00:49:55,520 Speaker 5: celebrate each other's bodies in a bathroom, but Jennifer says 775 00:49:55,560 --> 00:49:58,160 Speaker 5: it will be the last time she's pregnant with a 776 00:49:58,239 --> 00:50:01,200 Speaker 5: Rockabilly baby that will come out with a tiny greased 777 00:50:01,200 --> 00:50:03,880 Speaker 5: pompadoran leather jacket if it's a boy, or in a 778 00:50:03,960 --> 00:50:06,640 Speaker 5: cherry print dressed with swallow chest tattoos if it's a girl. 779 00:50:08,200 --> 00:50:11,080 Speaker 5: Once Jenna sees how much Jack likes her new boobs, 780 00:50:11,160 --> 00:50:15,040 Speaker 5: she feels less regret, but she still feels like life 781 00:50:15,120 --> 00:50:18,760 Speaker 5: is passing her by. Her family has resettled in Redding, 782 00:50:18,800 --> 00:50:22,520 Speaker 5: California without her, and Jack is still cheating on her constantly. 783 00:50:23,480 --> 00:50:26,320 Speaker 5: The one thing that she has for herself is her career, 784 00:50:26,600 --> 00:50:30,279 Speaker 5: which is stalling out. Although working with Susie Randall is 785 00:50:30,320 --> 00:50:35,279 Speaker 5: supposedly an honor, it's also grueling and underpaid. Whenever she 786 00:50:35,320 --> 00:50:37,600 Speaker 5: shoots with Susie, she has to sign away all the 787 00:50:37,680 --> 00:50:41,200 Speaker 5: rights to her pictures. Susie Randall talks a big game, 788 00:50:41,560 --> 00:50:43,759 Speaker 5: but Jenna has been working for a year and she's 789 00:50:43,840 --> 00:50:46,960 Speaker 5: no closer to being a penthouse pet or playboy playmate 790 00:50:47,239 --> 00:50:49,400 Speaker 5: than she was before she met Susie Randall. 791 00:50:51,480 --> 00:50:55,680 Speaker 1: Though she is a great person and a talented photographer, Susie, 792 00:50:55,800 --> 00:50:59,640 Speaker 1: I soon realized, is also a shark. Her specialty is 793 00:50:59,760 --> 00:51:03,360 Speaker 1: nice young girls, much like myself, who are so happy 794 00:51:03,440 --> 00:51:06,520 Speaker 1: to have a modeling opportunity they'll do anything. 795 00:51:09,400 --> 00:51:12,560 Speaker 5: Modeling takes advantage of the continual stream of new people 796 00:51:12,600 --> 00:51:14,959 Speaker 5: who want to get into the industry so badly they'll 797 00:51:14,960 --> 00:51:18,759 Speaker 5: take any kind of work. Eventually, if they stay long 798 00:51:18,880 --> 00:51:21,880 Speaker 5: enough and get fucked over a few times, they'll realize 799 00:51:21,920 --> 00:51:24,239 Speaker 5: they deserve to be paid a stable living wage to 800 00:51:24,320 --> 00:51:27,640 Speaker 5: do a job professionally, even if it's something they genuinely 801 00:51:27,680 --> 00:51:32,840 Speaker 5: love doing, like having sex or podcasting. Jenna starts smoking 802 00:51:32,880 --> 00:51:37,040 Speaker 5: meth too, which makes her paranoid. She stops booking shoots 803 00:51:37,040 --> 00:51:39,360 Speaker 5: with Susie Randall because she feels like it's a scam, 804 00:51:39,840 --> 00:51:42,360 Speaker 5: but she also wants to stay home in Vegas with 805 00:51:42,520 --> 00:51:45,400 Speaker 5: Jack to keep an eye on him. She gives up 806 00:51:45,400 --> 00:51:49,520 Speaker 5: on her ambitions, cancels work commitments, and dedicates herself to 807 00:51:49,560 --> 00:51:54,400 Speaker 5: getting high. Smoking is a harder and briefer high, so 808 00:51:54,520 --> 00:51:57,880 Speaker 5: she constantly needs more meth, and for that she needs Jack. 809 00:51:58,640 --> 00:52:02,160 Speaker 5: She's become completely dependent on him for drugs and validation, 810 00:52:02,760 --> 00:52:05,200 Speaker 5: the latter of which only makes him pull away from 811 00:52:05,200 --> 00:52:05,720 Speaker 5: her more. 812 00:52:07,880 --> 00:52:11,360 Speaker 1: At the time, I truly believed that in order for 813 00:52:11,440 --> 00:52:14,480 Speaker 1: him to abuse me the way he did, he really 814 00:52:14,560 --> 00:52:17,880 Speaker 1: had to love me. If he didn't, he just wouldn't 815 00:52:17,920 --> 00:52:21,000 Speaker 1: respond her care, which would have been even more painful 816 00:52:21,040 --> 00:52:24,759 Speaker 1: to bear. The problem was that he didn't know how 817 00:52:24,800 --> 00:52:29,080 Speaker 1: to love. His father had abandoned him, his mother and 818 00:52:29,120 --> 00:52:34,200 Speaker 1: cousin were dead, the uncle who raised him was a monster. 819 00:52:36,000 --> 00:52:39,279 Speaker 5: They fuck and fight and use drugs like a true 820 00:52:39,360 --> 00:52:42,759 Speaker 5: child wife. Jenna does speed and cleans their place compulsively. 821 00:52:43,680 --> 00:52:46,040 Speaker 5: She forgets to eat because she's high all the time, 822 00:52:46,120 --> 00:52:50,080 Speaker 5: and starts to look skeletal. When she does do photoshoots 823 00:52:50,120 --> 00:52:53,920 Speaker 5: in Vegas, she's erratic, grinding her jaw and constantly disappearing 824 00:52:53,920 --> 00:52:57,680 Speaker 5: to smoke more math. People start asking if she's okay 825 00:52:57,880 --> 00:53:02,520 Speaker 5: because she's so clearly not. Jenna gets really into crafting 826 00:53:02,520 --> 00:53:05,720 Speaker 5: and collaging with a hot glue gun, making elaborate paper 827 00:53:05,760 --> 00:53:09,200 Speaker 5: mache dragons. If you ever feel bad about how much 828 00:53:09,200 --> 00:53:12,720 Speaker 5: stuff got accomplished in the twentieth century, just remind yourself 829 00:53:12,719 --> 00:53:16,000 Speaker 5: that all those people were on medical grade speed, including 830 00:53:16,040 --> 00:53:20,360 Speaker 5: the President. One night, Jenna pulls a little pearl handled 831 00:53:20,400 --> 00:53:22,960 Speaker 5: pistol that she has on Jack and confronts him about 832 00:53:23,040 --> 00:53:25,960 Speaker 5: cheating again. He hits the gun out of her hand, 833 00:53:26,360 --> 00:53:28,840 Speaker 5: then throws her across the room so hard she chips 834 00:53:28,840 --> 00:53:32,440 Speaker 5: a bone and blacks out. She's too physically weak to 835 00:53:32,560 --> 00:53:38,440 Speaker 5: stand up. Jenna is hitting rock bottom. She's scarily gaunt 836 00:53:38,520 --> 00:53:42,360 Speaker 5: and has stopped working. She finally acknowledges that she is not, 837 00:53:42,560 --> 00:53:45,600 Speaker 5: as she has been telling herself, just a social drug user. 838 00:53:46,560 --> 00:53:48,879 Speaker 5: She calls Nikki Tyler in La, who offers to take 839 00:53:48,920 --> 00:53:52,480 Speaker 5: her in, but Jenna is addicted both to meth and 840 00:53:52,560 --> 00:53:56,799 Speaker 5: her cheating, lying, now physically abusive boyfriend who is also 841 00:53:56,920 --> 00:53:59,640 Speaker 5: her drug connect. She's all the way down in a 842 00:53:59,680 --> 00:54:02,360 Speaker 5: deep hole that she has dug, but the prospect of 843 00:54:02,400 --> 00:54:06,479 Speaker 5: climbing back out of it feels too daunting. Jack makes 844 00:54:06,480 --> 00:54:08,400 Speaker 5: the decision for both of them. 845 00:54:08,880 --> 00:54:10,000 Speaker 10: He says he's. 846 00:54:09,840 --> 00:54:12,960 Speaker 5: Leaving her, and she realizes in this moment that he 847 00:54:13,040 --> 00:54:15,360 Speaker 5: is moving in with his side piece, who is actually 848 00:54:15,360 --> 00:54:20,560 Speaker 5: also his drug dealer. Now Jenna is truly alone, and 849 00:54:20,680 --> 00:54:25,000 Speaker 5: all she yearns for is death. She tries to overdose 850 00:54:25,040 --> 00:54:28,879 Speaker 5: by taking four darvasset. She answers the phone, hoping it's 851 00:54:29,000 --> 00:54:33,000 Speaker 5: Jack returning, but it's another guy from Jack's tattoo shop 852 00:54:33,280 --> 00:54:36,080 Speaker 5: who recognizes that Jenna is in bad trouble and comes 853 00:54:36,080 --> 00:54:39,399 Speaker 5: to her rescue. He makes her call her dad, which 854 00:54:39,440 --> 00:54:42,160 Speaker 5: she really doesn't want to do, and tell him what's 855 00:54:42,160 --> 00:54:45,520 Speaker 5: been going on. He gets Jenna into a wheelchair and 856 00:54:45,600 --> 00:54:48,000 Speaker 5: puts her on a plane, sending her to her family 857 00:54:48,040 --> 00:54:48,560 Speaker 5: and Redding. 858 00:54:54,280 --> 00:54:57,439 Speaker 1: It was impossible to separate where the depression from meth 859 00:54:57,480 --> 00:55:00,680 Speaker 1: withdraw and where the depression from Jack with d raw began. 860 00:55:01,400 --> 00:55:04,840 Speaker 1: My entire adult life up to this moment had revolved 861 00:55:04,880 --> 00:55:07,920 Speaker 1: around him. 862 00:55:08,080 --> 00:55:11,200 Speaker 5: Jenna's family accepts her and nurses her back to health. 863 00:55:11,920 --> 00:55:15,640 Speaker 5: Her brother is clean now. Their dad says he regrets 864 00:55:15,680 --> 00:55:18,960 Speaker 5: laying down the law everywhere but at home. After a 865 00:55:19,000 --> 00:55:22,200 Speaker 5: month of convalescing and reading, she finally hears from Jack. 866 00:55:22,719 --> 00:55:25,640 Speaker 5: But Jenna has grown a backbone and knows that going 867 00:55:25,680 --> 00:55:28,759 Speaker 5: back would be a fatal mistake. She's ready to go 868 00:55:28,800 --> 00:55:31,759 Speaker 5: out on her own again, back to La and the 869 00:55:31,800 --> 00:55:35,239 Speaker 5: porn business. 870 00:55:38,200 --> 00:55:42,040 Speaker 1: The problem with sobriety was having to deal with reality. 871 00:55:44,360 --> 00:55:46,640 Speaker 5: Jenna goes straight to Nicki Tyler's house, where she's been 872 00:55:46,680 --> 00:55:49,600 Speaker 5: promised the couch again. She is getting back up to 873 00:55:49,680 --> 00:55:52,760 Speaker 5: a healthy weight after dropping down to under one hundred pounds. 874 00:55:53,719 --> 00:55:56,960 Speaker 5: Nicki is horrified by Jenna's gaunt appearance and her sparse 875 00:55:56,960 --> 00:56:01,440 Speaker 5: wardrobe of boxers and tank tops. Oh Nikki takes Jenna 876 00:56:01,560 --> 00:56:05,960 Speaker 5: shopping for new clothes, fulfilling one of Jenna's longest held dreams. 877 00:56:07,320 --> 00:56:10,400 Speaker 5: Jenna takes a short gig dancing at Crazy Girls in Vegas, 878 00:56:11,280 --> 00:56:15,120 Speaker 5: back around her old temptations. She stays strong when she's 879 00:56:15,160 --> 00:56:18,480 Speaker 5: around someone smoking math, she now feels repulsed, and the 880 00:56:18,520 --> 00:56:21,880 Speaker 5: same goes for Jack. He shows up to Crazy Girls 881 00:56:22,200 --> 00:56:25,560 Speaker 5: physically ravaged by his drug use. They have lunch and 882 00:56:25,600 --> 00:56:28,640 Speaker 5: he begs her to take him back, but she feels nothing. 883 00:56:29,480 --> 00:56:32,040 Speaker 5: They are a long way from hot buttered hand jobs. 884 00:56:32,080 --> 00:56:37,840 Speaker 5: At the Venetian, Jenna is offered a role in a 885 00:56:37,880 --> 00:56:41,840 Speaker 5: movie with Tiffany Million, a former wrestler her heat Wave Studio, 886 00:56:42,480 --> 00:56:45,240 Speaker 5: maker of films like Pull My Hair and Call Me Stupid. 887 00:56:47,040 --> 00:56:49,640 Speaker 1: I had to make a life for myself. I was 888 00:56:49,719 --> 00:56:53,160 Speaker 1: good at this whole sex on camera thing. I enjoyed it. 889 00:56:54,360 --> 00:56:57,759 Speaker 1: If I only chose high quality projects from reputable directors, 890 00:56:58,239 --> 00:57:00,680 Speaker 1: I could avoid the less savory. 891 00:57:00,120 --> 00:57:01,440 Speaker 17: Side of the business. 892 00:57:01,920 --> 00:57:04,200 Speaker 1: Everyone I talked to told me not to go into 893 00:57:04,200 --> 00:57:07,839 Speaker 1: adult films. They all had their reasons, and they all 894 00:57:07,840 --> 00:57:11,240 Speaker 1: made sense, but the notion wouldn't leave my head. 895 00:57:13,640 --> 00:57:15,960 Speaker 5: Jenna makes a friend on set named Ben Banks, who 896 00:57:16,000 --> 00:57:19,200 Speaker 5: goes by the stage name Stephen Saint Croix up Ices. 897 00:57:20,120 --> 00:57:23,440 Speaker 5: He's raised as a Jehovah's witness and a religious Connecticut household, 898 00:57:23,440 --> 00:57:26,320 Speaker 5: and goes to trade school to become a bricklayer, but 899 00:57:26,400 --> 00:57:28,920 Speaker 5: God doesn't want him to be a layer of bricks. 900 00:57:30,920 --> 00:57:34,800 Speaker 18: There are only about eight guys who work consistently. They're 901 00:57:34,800 --> 00:57:38,480 Speaker 18: not as appealing as the models walking down Hugo Boss's 902 00:57:38,560 --> 00:57:42,760 Speaker 18: runway who women would love to see naked. I'm trying 903 00:57:42,760 --> 00:57:48,920 Speaker 18: to make male actors more recognizable. Stephen Saint Croix performer. 904 00:57:51,400 --> 00:57:54,000 Speaker 5: He works as a PA on nineteen ninety two Deep 905 00:57:54,040 --> 00:57:58,000 Speaker 5: Throat six, directed by Ron Jeremy. When the male performer 906 00:57:58,080 --> 00:58:00,400 Speaker 5: hired for Deep Throat six fails to show up because 907 00:58:00,400 --> 00:58:03,560 Speaker 5: there's a warrant out for his arrest, Saint Croix steps 908 00:58:03,560 --> 00:58:06,960 Speaker 5: in front of the camera and becomes a star. In 909 00:58:07,040 --> 00:58:11,360 Speaker 5: nineteen ninety five, he becomes the first ever Vivid contract boy. 910 00:58:11,480 --> 00:58:15,080 Speaker 5: He tries to get into comedy and Hollywood, taking classes 911 00:58:15,120 --> 00:58:19,160 Speaker 5: with the la Improp Troop the Groundlings, but mainstream films 912 00:58:19,160 --> 00:58:21,520 Speaker 5: don't want him, and so he goes back to porn, 913 00:58:22,080 --> 00:58:25,480 Speaker 5: performing as Stephen Saint Croix and sometimes using the name 914 00:58:25,600 --> 00:58:28,440 Speaker 5: Jean Luc Goedard after the French New Wave director. 915 00:58:30,400 --> 00:58:32,919 Speaker 18: I like working with people. 916 00:58:34,840 --> 00:58:38,240 Speaker 5: When Jenna meets Stephen Saint Croix, he's driving a landscaping 917 00:58:38,280 --> 00:58:40,600 Speaker 5: truck for his side business and gives her a ride 918 00:58:40,640 --> 00:58:44,040 Speaker 5: in it. Back to Nicky's, Jenna is itching to get 919 00:58:44,040 --> 00:58:47,360 Speaker 5: off Nicki's couch, both because she wants her own place 920 00:58:47,560 --> 00:58:51,880 Speaker 5: and because Nicki's newsy husband is a drag. Jenna also 921 00:58:51,920 --> 00:58:56,040 Speaker 5: spots signs that Nicki is abusing speed. She's staying up 922 00:58:56,120 --> 00:59:01,240 Speaker 5: all night cleaning and doing crafts. The north Ridge earthquake 923 00:59:01,320 --> 00:59:04,600 Speaker 5: hits in nineteen ninety four, shattering all the windows in 924 00:59:04,720 --> 00:59:17,000 Speaker 5: Nicky Tyler's house. After the quake, Nicki and her husband 925 00:59:17,080 --> 00:59:20,040 Speaker 5: move into a bigger house. Jenna gets her own room 926 00:59:20,080 --> 00:59:22,600 Speaker 5: this time, but she can't handle living with tweakers while 927 00:59:22,600 --> 00:59:27,320 Speaker 5: she's clean, Nicki is paranoid and erratic, and her husband. 928 00:59:26,960 --> 00:59:27,520 Speaker 10: Is a bully. 929 00:59:28,360 --> 00:59:31,040 Speaker 5: Whenever Jenna tries to bring up issues, Nicki gets defensive 930 00:59:31,040 --> 00:59:34,960 Speaker 5: and says Jenna is disrespecting her. Jenna finally finds a 931 00:59:35,000 --> 00:59:39,640 Speaker 5: sympathetic ear in Nicky's brother, Michael, who's also worried about Nicki. 932 00:59:40,680 --> 00:59:44,560 Speaker 5: She finds sympathetic other parts in Michael too, who resembles 933 00:59:44,560 --> 00:59:48,360 Speaker 5: her friend Nicki, but as a tall straight man Michael 934 00:59:48,400 --> 00:59:52,360 Speaker 5: is chasing his own dream, starting a designer handbag line. 935 00:59:54,120 --> 00:59:56,720 Speaker 5: Michael takes Jenna to a piercing shop in Studio City, 936 00:59:56,720 --> 00:59:59,240 Speaker 5: where she commemorates moving to La full time with a 937 00:59:59,240 --> 01:00:01,960 Speaker 5: belly button pere, which was the style at the time. 938 01:00:02,760 --> 01:00:05,160 Speaker 5: They go through the classifieds and find Jenna her own 939 01:00:05,160 --> 01:00:06,120 Speaker 5: little studio. 940 01:00:05,800 --> 01:00:06,920 Speaker 10: Apartment in Van Nuys. 941 01:00:07,800 --> 01:00:10,520 Speaker 5: She puts a mattress down on the floor and Michael 942 01:00:10,560 --> 01:00:13,680 Speaker 5: takes her on a shopping spree to buy furniture, but 943 01:00:13,760 --> 01:00:16,760 Speaker 5: he always leaves her place immediately after they have sex, 944 01:00:17,200 --> 01:00:21,960 Speaker 5: and Jenna wants more from a relationship, so to provide 945 01:00:21,960 --> 01:00:25,760 Speaker 5: the intimacy she craves, Jenna buys a tiny television and 946 01:00:25,800 --> 01:00:29,520 Speaker 5: falls asleep watching it every night. She tells Michael she 947 01:00:29,560 --> 01:00:32,320 Speaker 5: wants him to stay over and do more boyfriend stuff, 948 01:00:32,600 --> 01:00:36,600 Speaker 5: but instead of stepping up to the plate, he further withdraws. 949 01:00:36,600 --> 01:00:40,040 Speaker 5: Having expressed her needs and been rebuked, Jenna has now 950 01:00:40,160 --> 01:00:43,800 Speaker 5: learned to just walk away, but being on her own 951 01:00:43,840 --> 01:00:47,240 Speaker 5: in La isn't easy. As much as she wants to 952 01:00:47,280 --> 01:00:50,800 Speaker 5: be independent, she also wishes she had someone to rely on. 953 01:00:51,560 --> 01:00:53,920 Speaker 5: She doesn't have a car and is making just enough 954 01:00:53,960 --> 01:00:57,280 Speaker 5: money to cover food and rent. She resents having to 955 01:00:57,320 --> 01:01:01,040 Speaker 5: do everything for and buy herself, which turns into a 956 01:01:01,080 --> 01:01:05,280 Speaker 5: depression that involves lying in her dark apartment, watching TV, 957 01:01:05,840 --> 01:01:11,479 Speaker 5: ordering takeout, and never going outside. Her career is stagnating too. 958 01:01:12,240 --> 01:01:16,080 Speaker 5: She's booking just enough work to survive, but she's oversaturated 959 01:01:16,080 --> 01:01:20,000 Speaker 5: in magazines and not moving up in porn. So Jenna 960 01:01:20,040 --> 01:01:25,040 Speaker 5: starts doing research acquainting herself with the major adult studios. 961 01:01:26,080 --> 01:01:28,400 Speaker 1: I came to the conclusion after I had done a 962 01:01:28,440 --> 01:01:31,560 Speaker 1: few films that the best way to become a huge 963 01:01:31,600 --> 01:01:35,960 Speaker 1: star is to be a contract girl. The first person 964 01:01:36,040 --> 01:01:38,840 Speaker 1: I wanted to go to was Steve Hirsch at Vivid. 965 01:01:41,240 --> 01:01:53,760 Speaker 5: When Jenna World returns, Jenna becomes a contract girl. Oh 966 01:01:53,800 --> 01:02:03,360 Speaker 5: my god, welcome back to jenal World. She's heard Vivid's 967 01:02:03,400 --> 01:02:06,640 Speaker 5: contracts for performers aren't what they were in Gingerlyn's era, 968 01:02:07,040 --> 01:02:09,320 Speaker 5: but she still approaches Vivid first because they're the number 969 01:02:09,320 --> 01:02:13,120 Speaker 5: one studio in porn. Steve Hirsh likes Jenna, but won't 970 01:02:13,160 --> 01:02:16,160 Speaker 5: promise her the special treatment and top star billing that 971 01:02:16,200 --> 01:02:19,120 Speaker 5: she wants. She needs to find a studio that's still 972 01:02:19,160 --> 01:02:23,360 Speaker 5: growing their brand. A husband and wife photographer team refer 973 01:02:23,400 --> 01:02:26,040 Speaker 5: her to an up and coming studio called Wicked Pictures, 974 01:02:26,400 --> 01:02:28,560 Speaker 5: run by a guy named Steve Ornstein. 975 01:02:30,680 --> 01:02:33,240 Speaker 1: I wanted to pit a couple companies against each other 976 01:02:33,480 --> 01:02:36,760 Speaker 1: to see how much money I could make, so I 977 01:02:36,840 --> 01:02:37,680 Speaker 1: went into Wicked. 978 01:02:38,000 --> 01:02:38,320 Speaker 10: Wicked. 979 01:02:39,640 --> 01:02:41,960 Speaker 19: You have to try really hard to lose money in 980 01:02:42,000 --> 01:02:45,360 Speaker 19: this business, Steve Orenstein, Wicked Pictures. 981 01:02:48,040 --> 01:02:51,360 Speaker 5: The Wicked Picture's office looks exactly like a business office 982 01:02:51,360 --> 01:02:54,400 Speaker 5: in a porn There's a black leather couch and a 983 01:02:54,480 --> 01:03:00,240 Speaker 5: dark lacquered wood desk with disorganized paperwork a trash Tablena 984 01:03:00,400 --> 01:03:04,440 Speaker 5: is nervous if the decorps stresses her out. Steve Ornstein 985 01:03:04,520 --> 01:03:08,360 Speaker 5: himself sets her at ease. He's a jewish redhead from 986 01:03:08,360 --> 01:03:11,080 Speaker 5: the valley whose mom is an accountant, just like me. 987 01:03:12,240 --> 01:03:16,600 Speaker 5: Steve blinks nervously, making her feel less nervous. He's not 988 01:03:16,840 --> 01:03:20,920 Speaker 5: a slimy huckster. He's a businessman, and he understands that 989 01:03:21,000 --> 01:03:24,400 Speaker 5: Jenna is a business woman. He asks her what her 990 01:03:24,440 --> 01:03:27,520 Speaker 5: career goals are and really listens when she tells him 991 01:03:27,520 --> 01:03:29,280 Speaker 5: she wants to get to the very top of the 992 01:03:29,320 --> 01:03:33,720 Speaker 5: porn industry with Wicked. She bluffs confidence and overdoes it 993 01:03:33,760 --> 01:03:34,120 Speaker 5: a little. 994 01:03:36,240 --> 01:03:40,760 Speaker 1: I've done a billion magazines with no one's help. I 995 01:03:40,920 --> 01:03:44,440 Speaker 1: made myself the most photographed girl in the business. The 996 01:03:44,480 --> 01:03:48,160 Speaker 1: movie scenes I've done have been pivotal. A lot of 997 01:03:48,160 --> 01:03:50,880 Speaker 1: people know who I am, I know what I'm worth, 998 01:03:51,240 --> 01:03:54,640 Speaker 1: and I'm ready for the next step. The most important 999 01:03:54,640 --> 01:03:56,920 Speaker 1: thing to me is to become the biggest star the 1000 01:03:56,960 --> 01:03:58,520 Speaker 1: industry has ever seen. 1001 01:04:01,080 --> 01:04:03,560 Speaker 5: He dictates a contract for his assistant to draw up. 1002 01:04:04,120 --> 01:04:06,240 Speaker 5: She asks for a clause that she gets to approve 1003 01:04:06,360 --> 01:04:10,240 Speaker 5: other contract girls, which he agrees to. Jenna reads it over. 1004 01:04:10,960 --> 01:04:13,880 Speaker 5: She decides to take Steve Ornstein at his word and 1005 01:04:14,040 --> 01:04:17,200 Speaker 5: sign right there, which could have been a huge mistake, 1006 01:04:17,920 --> 01:04:21,600 Speaker 5: but Jenna's instincts are right. Steve Ornstein is a good 1007 01:04:21,600 --> 01:04:25,400 Speaker 5: guy to work for. To make eight movies in one year, 1008 01:04:25,720 --> 01:04:28,920 Speaker 5: Wicked Pictures will pay her forty eight thousand dollars and 1009 01:04:29,000 --> 01:04:31,680 Speaker 5: as a signing bonus, throw in a new fridge for 1010 01:04:31,760 --> 01:04:36,760 Speaker 5: her place. Steve Hirsch from Vivid Video and Steve Ornstein 1011 01:04:36,800 --> 01:04:40,680 Speaker 5: from Wicked Pictures, the two Steves of Porn have similar 1012 01:04:40,720 --> 01:04:44,400 Speaker 5: life stories. They are both Jewish guys named Stephen who 1013 01:04:44,440 --> 01:04:47,520 Speaker 5: grew up in the valley in the seventies. Both Steve's 1014 01:04:47,560 --> 01:04:50,840 Speaker 5: are second generation in the adult film business and both 1015 01:04:50,880 --> 01:04:54,000 Speaker 5: worked their way up in sales first before starting studios. 1016 01:04:54,880 --> 01:04:57,440 Speaker 5: Stephen Ornstein's father moves the family to La for the 1017 01:04:57,440 --> 01:05:00,360 Speaker 5: climate after arthritis limits his ability to work as an 1018 01:05:00,360 --> 01:05:04,360 Speaker 5: auto mechanic. In La, Steve's mother answers an ad for 1019 01:05:04,400 --> 01:05:07,720 Speaker 5: a bookkeeping job at Lynden Distributors, which turns out to 1020 01:05:07,800 --> 01:05:11,360 Speaker 5: distribute adult magazines and helps Steve get a summer job there. 1021 01:05:12,280 --> 01:05:14,400 Speaker 5: He moves over to a company that ships X toys 1022 01:05:14,400 --> 01:05:17,600 Speaker 5: and stag films, dropping out of college to apprentice there. 1023 01:05:18,880 --> 01:05:21,800 Speaker 5: At twenty years old, Steve Ornstein becomes shipping manager for 1024 01:05:21,840 --> 01:05:25,000 Speaker 5: an adult video company. In nineteen ninety he starts his 1025 01:05:25,040 --> 01:05:31,200 Speaker 5: first production house, Excitement Productions. Excitement makes twenty four films 1026 01:05:31,200 --> 01:05:34,560 Speaker 5: before Steve falls out with his co producer. He decides 1027 01:05:34,600 --> 01:05:37,560 Speaker 5: to start up his own studio, and in nineteen ninety 1028 01:05:37,560 --> 01:05:41,800 Speaker 5: three he founds Wicked Pictures in Canoga Park. He hires 1029 01:05:41,840 --> 01:05:44,040 Speaker 5: his mother to be Wicked's accountant. 1030 01:05:45,360 --> 01:05:47,800 Speaker 19: My plan was to make films for the couple's market 1031 01:05:47,880 --> 01:05:50,880 Speaker 19: that had a relatively high production value. I wanted to 1032 01:05:50,880 --> 01:05:53,160 Speaker 19: put out a small amount of movies and be proud 1033 01:05:53,160 --> 01:05:53,720 Speaker 19: of each one. 1034 01:05:55,840 --> 01:05:58,800 Speaker 5: At first, Steve Ornstein doesn't plan to have contract Girls. 1035 01:05:59,280 --> 01:06:02,360 Speaker 5: He thinks high quality pornographic film should be enough to 1036 01:06:02,400 --> 01:06:06,360 Speaker 5: make his company a success, but Wicked Pictures releases thus 1037 01:06:06,400 --> 01:06:10,680 Speaker 5: far are flopping. An agent sells Ornstein on a starlet 1038 01:06:10,760 --> 01:06:13,640 Speaker 5: named Chasey Lane, and they make her the first Wicked 1039 01:06:13,640 --> 01:06:18,160 Speaker 5: contract Girl her first release. Nineteen ninety three's The Original 1040 01:06:18,240 --> 01:06:22,560 Speaker 5: Wicked Woman is Wicked Pictures first hit and sells Steve 1041 01:06:22,640 --> 01:06:27,240 Speaker 5: Ornstein on the contract girl concept. The Original Wicked Woman 1042 01:06:27,280 --> 01:06:29,960 Speaker 5: is about a time traveling alien named Nova who has 1043 01:06:30,000 --> 01:06:33,280 Speaker 5: sex with historical figures like Julius Caesar played by Stephen 1044 01:06:33,280 --> 01:06:37,000 Speaker 5: Saint Croix and Cleopatra played by an Egyptian German porn 1045 01:06:37,000 --> 01:06:41,000 Speaker 5: star from Van Nys named Isis Nile. The Original Wicked 1046 01:06:41,000 --> 01:06:44,200 Speaker 5: Woman is also seen clearly in Jeff Green's porn collection. 1047 01:06:44,520 --> 01:06:52,040 Speaker 5: In the Curb Your Enthusiasm episode porn O gill. 1048 01:06:49,640 --> 01:06:54,520 Speaker 1: I was making six thousand dollars, a movie that sounded 1049 01:06:54,560 --> 01:06:56,400 Speaker 1: like huge money to me at the time. 1050 01:06:58,560 --> 01:07:01,400 Speaker 5: Jenna re enters the adult own business in nineteen ninety 1051 01:07:01,400 --> 01:07:05,160 Speaker 5: three in mercenary mode. She is not here to make friends, 1052 01:07:05,520 --> 01:07:09,480 Speaker 5: only money. At this point, Jenna feels like men only 1053 01:07:09,520 --> 01:07:13,439 Speaker 5: exist to fund her and drain her energy. She puts 1054 01:07:13,520 --> 01:07:17,320 Speaker 5: up a big wall emotionally, but her unavailability makes guys 1055 01:07:17,360 --> 01:07:20,880 Speaker 5: more interested. But no matter how hard they pursue her, 1056 01:07:21,120 --> 01:07:24,680 Speaker 5: she declines, if she never lets anyone in, she can't 1057 01:07:24,680 --> 01:07:28,960 Speaker 5: get hurt again. That'll show them. So she cuts off 1058 01:07:29,000 --> 01:07:32,760 Speaker 5: the one friend she made, Stephen Saint Croix, and isolates 1059 01:07:32,760 --> 01:07:35,640 Speaker 5: in her vanny's apartment with her TV and fridge, only, 1060 01:07:35,720 --> 01:07:39,960 Speaker 5: leaving it to work. Her single minded dedication to promoting 1061 01:07:40,000 --> 01:07:44,560 Speaker 5: her career and Wicked Pictures starts paying off. Jenna gets 1062 01:07:44,600 --> 01:07:47,760 Speaker 5: two pages of coverage in Adult Video News, the porn 1063 01:07:47,760 --> 01:07:52,640 Speaker 5: industry's main publication. She gets happy news from her family 1064 01:07:52,680 --> 01:07:54,600 Speaker 5: that her brother and his wife are having a child, 1065 01:07:55,040 --> 01:07:58,920 Speaker 5: and sad news that her grandmother has breast cancer. Jenna 1066 01:07:58,920 --> 01:08:01,720 Speaker 5: gets sick and has an allergic reaction to medication that 1067 01:08:01,760 --> 01:08:04,440 Speaker 5: takes her out of working for a month. She holds 1068 01:08:04,520 --> 01:08:08,280 Speaker 5: up eating instant ramen to save money while she can't earn. 1069 01:08:08,640 --> 01:08:09,560 Speaker 10: Alone with her. 1070 01:08:09,400 --> 01:08:13,520 Speaker 5: Thoughts in her crappy apartment, she has thoughts of self harm. 1071 01:08:14,040 --> 01:08:17,320 Speaker 5: Despite having done the enormous lift of getting clean, leaving 1072 01:08:17,360 --> 01:08:20,439 Speaker 5: Las Vegas and Jack and getting her porn career back 1073 01:08:20,479 --> 01:08:23,000 Speaker 5: out of the mud, she doesn't feel the sense of 1074 01:08:23,040 --> 01:08:27,400 Speaker 5: accomplishment that she should. She knows that deep down she 1075 01:08:27,520 --> 01:08:31,439 Speaker 5: still desires a romantic partner, and that to accomplish this 1076 01:08:31,920 --> 01:08:36,080 Speaker 5: she'll have to leave her apartment and lower her guard. 1077 01:08:36,880 --> 01:08:39,519 Speaker 1: I needed to know that there was a warm, sentient 1078 01:08:39,760 --> 01:08:43,599 Speaker 1: human presence somewhere who would walk through my door at 1079 01:08:43,880 --> 01:08:47,320 Speaker 1: whatever hour, like my father arriving home from work when 1080 01:08:47,320 --> 01:08:50,400 Speaker 1: I was a child, and reassure me that someone on 1081 01:08:50,400 --> 01:08:52,760 Speaker 1: this earth actually cared about me. 1082 01:08:54,920 --> 01:08:58,200 Speaker 5: She recovers from being sick and shoots Priceless for wicked. 1083 01:08:59,360 --> 01:09:02,599 Speaker 5: Erotic thrillers are a hot trend in nineties Hollywood, and 1084 01:09:02,640 --> 01:09:07,560 Speaker 5: so porn is also doing already neo noir thrillers. Priceless 1085 01:09:07,600 --> 01:09:10,440 Speaker 5: has a black and white flashback and a plot inspired 1086 01:09:10,479 --> 01:09:13,280 Speaker 5: by Debt, again with shades of basic instinct. 1087 01:09:15,200 --> 01:09:19,080 Speaker 16: Jenna's facing murder one, but has the gnawing feeling that 1088 01:09:19,160 --> 01:09:23,680 Speaker 16: this has all happened before. Can she refute the charges 1089 01:09:24,120 --> 01:09:29,960 Speaker 16: and still lead an intriguing sex life Priceless tagline. 1090 01:09:31,560 --> 01:09:34,719 Speaker 5: Jenna gets to pick her Priceless co star and chooses 1091 01:09:34,760 --> 01:09:39,720 Speaker 5: Peter North. A Taurus. North is a Canadian woodman known 1092 01:09:39,760 --> 01:09:43,320 Speaker 5: for his large sized penis and ability to ejaculate on command. 1093 01:09:45,439 --> 01:09:48,519 Speaker 9: Your penis is also referred to as your Peter and 1094 01:09:48,560 --> 01:09:52,280 Speaker 9: when you are erect it faces North plus I am 1095 01:09:52,400 --> 01:09:56,519 Speaker 9: from the North. Peter North performer. 1096 01:09:58,320 --> 01:10:02,400 Speaker 5: Porn Alden Joseph Brown in Nova Scotia. North was discovered 1097 01:10:02,400 --> 01:10:04,559 Speaker 5: at a private party in la where he was modeling 1098 01:10:04,600 --> 01:10:08,920 Speaker 5: sportswear and drafted into gay porn. He worked gay for pay, 1099 01:10:09,320 --> 01:10:12,599 Speaker 5: bottoming in films under the name Matt Ramsey before doing 1100 01:10:12,680 --> 01:10:14,439 Speaker 5: straight porn as Peter North. 1101 01:10:16,320 --> 01:10:19,479 Speaker 9: It wasn't a part of my sexuality at all. I 1102 01:10:19,560 --> 01:10:21,479 Speaker 9: was only able to do it because of my strong 1103 01:10:21,560 --> 01:10:25,040 Speaker 9: mind and my physical ability to have control over my 1104 01:10:25,360 --> 01:10:27,200 Speaker 9: own body. 1105 01:10:27,840 --> 01:10:30,120 Speaker 1: Peter North Ross. 1106 01:10:31,439 --> 01:10:34,120 Speaker 5: In Priceless, Peter North plays a private dick on the 1107 01:10:34,120 --> 01:10:37,040 Speaker 5: trail of a femme fatale played by Jenna, a young 1108 01:10:37,120 --> 01:10:39,800 Speaker 5: widow who wears all white and is being accused of 1109 01:10:39,880 --> 01:10:41,960 Speaker 5: murdering her powerful male boss. 1110 01:10:43,560 --> 01:10:46,080 Speaker 9: You know, everyone thinks it would be so easy to 1111 01:10:46,080 --> 01:10:50,000 Speaker 9: stay hard on set, and it's not easy at all. 1112 01:10:51,479 --> 01:10:54,200 Speaker 1: Our scene was on the hood of a vintage automobile 1113 01:10:54,680 --> 01:10:58,840 Speaker 1: and it was phenomenal. When he began to fuck me, 1114 01:10:59,040 --> 01:11:03,360 Speaker 1: I was literally in shock. He tore me wide open 1115 01:11:03,640 --> 01:11:05,640 Speaker 1: so that it was impossible to do anything but be 1116 01:11:05,680 --> 01:11:07,439 Speaker 1: in the moment, and when. 1117 01:11:07,360 --> 01:11:11,720 Speaker 10: He came, he covered the car and me. 1118 01:11:15,320 --> 01:11:18,920 Speaker 5: Priceless is a huge hit for Wicked, and Jenna gets 1119 01:11:18,920 --> 01:11:21,840 Speaker 5: her wish to be a box cover star. There's a 1120 01:11:21,880 --> 01:11:25,080 Speaker 5: big glamour shot of her face and color, smaller black 1121 01:11:25,120 --> 01:11:28,200 Speaker 5: and white pinup shots, and a clipped fake newspaper headline 1122 01:11:28,240 --> 01:11:31,760 Speaker 5: that says police seek new leads into bedroom killer suspect. 1123 01:11:33,720 --> 01:11:38,240 Speaker 7: Priceless launched the career of its star, blonde goddess Jenna Jamison, 1124 01:11:38,840 --> 01:11:43,000 Speaker 7: and in this you can see why her performance is remarkable, 1125 01:11:43,520 --> 01:11:48,080 Speaker 7: intense yet quiet, erotic yet innocent. Her matchup with Peter 1126 01:11:48,200 --> 01:11:51,040 Speaker 7: north Ranks is one of the best scenes in the industry. 1127 01:11:51,680 --> 01:11:54,080 Speaker 7: If you're interested in a video that tells a complex 1128 01:11:54,120 --> 01:11:59,360 Speaker 7: story with erotic overtones, then this is your movie. Priceless 1129 01:11:59,439 --> 01:12:04,120 Speaker 7: is indeed worth the price. Lenny Nero IMDb Reviews. 1130 01:12:05,800 --> 01:12:09,719 Speaker 5: Stephen Saint Croix is also in Priceless. He invites Jenna 1131 01:12:09,760 --> 01:12:12,200 Speaker 5: to be his date to a charity event and she accepts. 1132 01:12:13,000 --> 01:12:15,680 Speaker 5: She's still shy at heart and hasn't interacted with other 1133 01:12:15,720 --> 01:12:18,880 Speaker 5: people for the last seven months outside of work. She 1134 01:12:19,040 --> 01:12:21,960 Speaker 5: clams up and clings to Stephen, who loves all the 1135 01:12:22,000 --> 01:12:25,120 Speaker 5: attention they get with Jenna on his arm. He drops 1136 01:12:25,160 --> 01:12:26,960 Speaker 5: her off at home and doesn't try to put a 1137 01:12:27,000 --> 01:12:30,360 Speaker 5: move on her that night, which piques her interest. They 1138 01:12:30,400 --> 01:12:36,439 Speaker 5: start dating after that. To celebrate the successive priceless Steve Ornstein, 1139 01:12:36,600 --> 01:12:40,160 Speaker 5: who Jenna has affectionately nicknamed Blinky because he's always squinting, 1140 01:12:40,680 --> 01:12:44,880 Speaker 5: buys Jenna her dream car, a black Corvette convertible. 1141 01:12:47,160 --> 01:12:50,760 Speaker 1: Slowly, I realize that they needed me as much as 1142 01:12:50,760 --> 01:12:53,879 Speaker 1: I needed them. I could have some sort. 1143 01:12:53,680 --> 01:12:55,040 Speaker 10: Of control. 1144 01:12:56,960 --> 01:12:59,679 Speaker 5: To help control the arc and pace of her career. 1145 01:13:00,040 --> 01:13:03,880 Speaker 5: Janna gets the publicist named Joy King. Joy is surprised 1146 01:13:03,920 --> 01:13:06,240 Speaker 5: by how petit Jenna is in real life, since she 1147 01:13:06,360 --> 01:13:10,559 Speaker 5: seems larger than life on screen. They hit it off instantly, 1148 01:13:10,880 --> 01:13:14,599 Speaker 5: and Jenna finally has a best friend again, who, like Jenna, 1149 01:13:14,880 --> 01:13:19,360 Speaker 5: is a cool, bisexual nineties babe. Joy and Jenna start 1150 01:13:19,439 --> 01:13:23,920 Speaker 5: scheming how to advance Jenna's career and stardom. 1151 01:13:24,400 --> 01:13:26,719 Speaker 1: It was clear to both Steve and me that making 1152 01:13:26,760 --> 01:13:30,320 Speaker 1: movies was only one part of the job. The rest 1153 01:13:30,439 --> 01:13:34,120 Speaker 1: was to promote myself to work the entire world as 1154 01:13:34,120 --> 01:13:37,400 Speaker 1: if it were just one big, crazy horse club. So 1155 01:13:37,600 --> 01:13:41,360 Speaker 1: Joy's number one objective was simple, to get my face 1156 01:13:41,840 --> 01:13:43,880 Speaker 1: in the media. 1157 01:13:45,280 --> 01:13:48,680 Speaker 5: Joy King, like Steve Ornstein's mom, also works as an 1158 01:13:48,680 --> 01:13:52,479 Speaker 5: accountant for porn. She started out bookkeeping for kids movies 1159 01:13:52,520 --> 01:13:56,200 Speaker 5: and ended up doing accounting for Caballero Home Video aka 1160 01:13:56,439 --> 01:13:59,959 Speaker 5: the General Motors of Porn. She then becomes the publicist 1161 01:14:00,120 --> 01:14:04,559 Speaker 5: for Wicked Pictures. Stave Bornstein wants to keep raising the 1162 01:14:04,600 --> 01:14:07,800 Speaker 5: bar at Wicked, he green lights one hundred and twenty 1163 01:14:07,840 --> 01:14:10,200 Speaker 5: thousand dollars budget for a movie to be shot on 1164 01:14:10,320 --> 01:14:14,559 Speaker 5: real film rather than video cameras. It is titled Blue Movie, 1165 01:14:15,080 --> 01:14:18,200 Speaker 5: no relation to the Andy Warhol art film, and it's 1166 01:14:18,240 --> 01:14:21,920 Speaker 5: the passion project of Michael Zen, a director who makes 1167 01:14:21,960 --> 01:14:25,400 Speaker 5: both gay and straight movies. Like Interview with a Vibrator, 1168 01:14:27,000 --> 01:14:30,800 Speaker 5: Blue Movie is about a transvestite director based on ed Wood. 1169 01:14:31,520 --> 01:14:34,320 Speaker 5: Drag queen Jackie Beet has a non sex speaking role. 1170 01:14:35,360 --> 01:14:37,840 Speaker 5: While Blue Movie has a huge budget for a porn 1171 01:14:38,120 --> 01:14:41,800 Speaker 5: it's still low budget. Jenna plays a journalist and tries 1172 01:14:41,840 --> 01:14:46,360 Speaker 5: her hardest to give a good performance. Now that VCRs 1173 01:14:46,479 --> 01:14:49,880 Speaker 5: enable viewers to skip past non sex scene parts, they 1174 01:14:49,920 --> 01:14:54,120 Speaker 5: mostly do, but there are still porn creatives who want 1175 01:14:54,200 --> 01:14:56,800 Speaker 5: to make narrative films where the sex is an extension 1176 01:14:56,840 --> 01:15:00,360 Speaker 5: of the plot and characters. They know that all almost 1177 01:15:00,360 --> 01:15:04,240 Speaker 5: no viewers finished watching after they finished themselves, but a 1178 01:15:04,280 --> 01:15:09,680 Speaker 5: truly compelling pornographic film remains the dream. The first day 1179 01:15:09,720 --> 01:15:12,040 Speaker 5: on the set of Blue Movie, Jenna be friends a 1180 01:15:12,080 --> 01:15:17,280 Speaker 5: makeup artist named Lee Garland. Born James Santiago, a Capricorn, 1181 01:15:18,240 --> 01:15:22,240 Speaker 5: he became Lee Garland, a hammy and beloved gay man, 1182 01:15:22,560 --> 01:15:26,600 Speaker 5: recognizable by his jet black dyed hair and beard connected 1183 01:15:26,600 --> 01:15:30,240 Speaker 5: into thin sideburns. He does makeup and wigs on what's 1184 01:15:30,280 --> 01:15:34,320 Speaker 5: called both sides of the hill, Hollywood and Porn Valley. 1185 01:15:36,520 --> 01:15:42,000 Speaker 4: I'm a makeup artist, not a magician. Lee Garland makeup artist. 1186 01:15:43,720 --> 01:15:46,080 Speaker 17: He was, in fact a magician. He had a makeup 1187 01:15:46,080 --> 01:15:48,439 Speaker 17: brush for a wand, and his little designer bags full 1188 01:15:48,479 --> 01:15:53,000 Speaker 17: of potions and lotions and everything else. He was indeed 1189 01:15:53,000 --> 01:15:56,240 Speaker 17: a master. You could always tell when Lee was finished 1190 01:15:56,280 --> 01:15:59,439 Speaker 17: with his final girl. He disappeared just long enough so 1191 01:15:59,479 --> 01:16:01,760 Speaker 17: that you'd notice he was gone, and he'd come back 1192 01:16:01,760 --> 01:16:04,760 Speaker 17: with his squinty glazed eyes in his grin, and we 1193 01:16:04,880 --> 01:16:09,120 Speaker 17: knew he just smoked his off duty joint Brad Armstrong. 1194 01:16:09,720 --> 01:16:15,720 Speaker 5: Director Jenna is starstrek on set by Gina Fine, who 1195 01:16:15,760 --> 01:16:20,280 Speaker 5: worked with and dated her hero Savannah Michael Zen runs 1196 01:16:20,280 --> 01:16:25,040 Speaker 5: a tight professional set. Jenna feels finally like she's back 1197 01:16:25,080 --> 01:16:26,000 Speaker 5: on the right track. 1198 01:16:28,720 --> 01:16:31,880 Speaker 20: I perform in maybe fifteen sex scenes a month on film, 1199 01:16:31,880 --> 01:16:34,320 Speaker 20: and if I don't get my dosage of pussy daily, 1200 01:16:34,560 --> 01:16:39,360 Speaker 20: I did crazy and the chemicals start boiling inside. 1201 01:16:39,000 --> 01:16:43,920 Speaker 5: Night, Jenna meets her Blue Movie co star TT Boy 1202 01:16:44,400 --> 01:16:47,759 Speaker 5: born Philip Troy Rivera in Puerto Rico on April thirtieth, 1203 01:16:47,840 --> 01:16:51,640 Speaker 5: nineteen sixty eight. A five foot seven Taurus te T 1204 01:16:51,800 --> 01:16:54,320 Speaker 5: Boy is known for a few things. He has a 1205 01:16:54,400 --> 01:16:58,519 Speaker 5: huge cock, he doesn't kiss, he hates getting blowjobs, and 1206 01:16:58,600 --> 01:16:59,759 Speaker 5: he fucks like a madman. 1207 01:17:01,479 --> 01:17:04,479 Speaker 3: I've lost plenty of work because women are afraid to 1208 01:17:04,520 --> 01:17:07,839 Speaker 3: work with me. I'd be better off with a little 1209 01:17:08,320 --> 01:17:09,559 Speaker 3: eight inch prong. 1210 01:17:11,640 --> 01:17:15,040 Speaker 5: He also studied acting at the Lee Strasburg Institute. When 1211 01:17:15,080 --> 01:17:17,240 Speaker 5: Jenna sees him for the first time, he is wolfing 1212 01:17:17,280 --> 01:17:20,760 Speaker 5: down a can of tuna fish. Whatever plans Jenna might 1213 01:17:20,800 --> 01:17:23,360 Speaker 5: have had for the scene go sideways. When TT Boy 1214 01:17:23,439 --> 01:17:27,479 Speaker 5: arrives after a couple of minutes of foreplay, he just 1215 01:17:27,520 --> 01:17:28,439 Speaker 5: starts slamming her. 1216 01:17:29,200 --> 01:17:30,680 Speaker 10: They shoot take after. 1217 01:17:30,520 --> 01:17:34,280 Speaker 5: Take in every position, and he comes four times back 1218 01:17:34,320 --> 01:17:38,240 Speaker 5: to back Jenna and TT Boy become good friends after 1219 01:17:38,280 --> 01:17:42,240 Speaker 5: the scene. She says, despite his ravenousness on set, he's 1220 01:17:42,280 --> 01:17:45,599 Speaker 5: chivalrous in real life, offering to beat up her enemies 1221 01:17:45,640 --> 01:17:49,400 Speaker 5: for her. Jenna loves working with someone who can keep 1222 01:17:49,400 --> 01:17:51,559 Speaker 5: her on her toes during a scene and make sure 1223 01:17:51,600 --> 01:17:55,240 Speaker 5: that she isn't just fucking on autopilot. A lot of 1224 01:17:55,280 --> 01:17:59,600 Speaker 5: the woodmen in porn are old, slimeballs or unprofessional, or 1225 01:17:59,640 --> 01:18:02,559 Speaker 5: thinks'll fall in love with them when they fuck, or 1226 01:18:02,680 --> 01:18:06,000 Speaker 5: can't keep it up on camera. Jenna respects te T 1227 01:18:06,200 --> 01:18:10,680 Speaker 5: Boy because he is, like her, a true professional with 1228 01:18:10,720 --> 01:18:13,439 Speaker 5: a deep respect for the art form. 1229 01:18:14,640 --> 01:18:18,439 Speaker 1: There was such great camaraderie on set. It changed my 1230 01:18:18,640 --> 01:18:21,400 Speaker 1: entire view of the adult industry and showed me what 1231 01:18:21,600 --> 01:18:26,600 Speaker 1: was possible if every piece was functioning properly. 1232 01:18:26,680 --> 01:18:29,400 Speaker 5: Gina Fine is cool at first, but on set for 1233 01:18:29,479 --> 01:18:33,240 Speaker 5: their sex scenes, she becomes robotic. Gina yells at the 1234 01:18:33,280 --> 01:18:35,840 Speaker 5: crew for making her work with someone as young as Jenna, 1235 01:18:36,360 --> 01:18:41,640 Speaker 5: which she feels emphasizes her age in comparison. Jenna celebrates 1236 01:18:41,640 --> 01:18:43,439 Speaker 5: her twenty first birthday on set. 1237 01:18:45,160 --> 01:18:48,599 Speaker 1: When I first began doing movies, it was so new 1238 01:18:48,680 --> 01:18:52,120 Speaker 1: and so fun, and I was horny and I just 1239 01:18:52,240 --> 01:18:53,680 Speaker 1: wanted to have sex. 1240 01:19:04,240 --> 01:19:04,760 Speaker 10: Next time. 1241 01:19:04,920 --> 01:19:09,559 Speaker 5: On Jenna World, Episode five, Savannah the story of Jenna's 1242 01:19:09,600 --> 01:19:14,720 Speaker 5: porn hero Shannon Savannah Wilsey, whose tragic story enabled the 1243 01:19:14,760 --> 01:19:20,559 Speaker 5: media to turn on the porn industry again. Jenna World 1244 01:19:20,720 --> 01:19:25,240 Speaker 5: is an iHeartRadio production executive produced by Anna Hosnier and 1245 01:19:25,320 --> 01:19:30,639 Speaker 5: Becco Ramos, supervising, produced by Bei Wang, produced by Victor Wright, 1246 01:19:31,120 --> 01:19:35,840 Speaker 5: script editing by Jonathan Mills, engineered by Graham Gibson, and 1247 01:19:36,000 --> 01:19:41,679 Speaker 5: edited by Rory Gagan. Today's episode of General World featured 1248 01:19:41,760 --> 01:19:46,560 Speaker 5: Lauren ser Video as Jenna Jamison, Max Silvestri as Roco Sifreddi, 1249 01:19:47,040 --> 01:19:51,400 Speaker 5: Cameron Farmer as te t Boy, Natalie Robamed as Susie Randall, 1250 01:19:52,000 --> 01:19:56,320 Speaker 5: Andrew t as Hugh Hefner, and Lenny Neirojen Romalini as 1251 01:19:56,400 --> 01:20:01,840 Speaker 5: Moe Grabowski, Harry O'Neil as Nicky Tyler, Emerson Rosenthal as 1252 01:20:01,920 --> 01:20:07,080 Speaker 5: Jamie Gillis, Dave McNamee as Max Hardcore, Victor Wright as Ron, 1253 01:20:07,200 --> 01:20:12,280 Speaker 5: Jeremy Blake Anderson as David Foster Wallace, Mookie Blakeclock as 1254 01:20:12,360 --> 01:20:17,240 Speaker 5: Randy West, Corina Longworth as Baby Doll, and Priceless VHS 1255 01:20:17,280 --> 01:20:22,479 Speaker 5: copy cat Toledo as Vicky, John Daly as Stephen Saint Croix, 1256 01:20:22,960 --> 01:20:27,320 Speaker 5: Alex Gouter as Steve Ornstein, Connor Malbuff as Peter North, 1257 01:20:27,880 --> 01:20:33,280 Speaker 5: Sam Taggart as Lee Garland, and Stavros Halkias as Brad Armstrong. 1258 01:20:34,880 --> 01:20:35,519 Speaker 19: Oh my god, ho