WEBVTT - Jay Sean: Master This Skill to Unblock Your Potential & Get to the Next Level in Your Creative Process

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<v Speaker 1>Let's be honest. Life is stressful, its work, its relationships

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<v Speaker 1>love for you to check out my series on reducing

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<v Speaker 1>On Purpose get forty percent off a subscription to Calm

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<v Speaker 1>Premium at Calm dot com. Forward slash j that's c

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<v Speaker 1>Calm your Mind, Change your Life.

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<v Speaker 2>I lost myself even when I was behind the mic

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<v Speaker 2>singing it. There was no smile on my face. It

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<v Speaker 2>was me against everyone else in the music industry. The

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<v Speaker 2>next guest is taking America by storm, Clocking upstairs and

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<v Speaker 2>huge hit Baby.

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<v Speaker 1>Are you down, Down, Down, Down Down, Jay Sean.

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<v Speaker 2>I would get my car and just cry because I

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<v Speaker 2>was so lost and so scared. Who else gets a

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<v Speaker 2>major record deal and then walks away from him?

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<v Speaker 1>Before we jump into this episode, I'd like to invite

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<v Speaker 1>you to join this community to hear more interviews that

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<v Speaker 1>will help you become happier, healthier, and more healed. All

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<v Speaker 1>I want you to do is click on the subscribe button.

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<v Speaker 1>I love your support. It's incredible to see all your comments,

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<v Speaker 1>and we're just getting started. I can't wait to go

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<v Speaker 1>on this journey with you. Thank you so much for subscribing.

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<v Speaker 1>It means the world to me, the best selling author

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<v Speaker 1>on the most the number one health and wellness.

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<v Speaker 2>Podcast and Purpose with Jay Shetty.

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<v Speaker 1>Hey everyone, welcome back to On Purpose, the number one

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<v Speaker 1>health podcast in the world. Thanks to each and every

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<v Speaker 1>one of you that come back every week to listen,

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<v Speaker 1>learn and grow. Now, one of my favorite things about

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<v Speaker 1>this platform is I get to sit down with friends

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<v Speaker 1>who are change makers, incredible influencers doing amazing things in

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<v Speaker 1>the world. But I have this behind the scenes friendship

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<v Speaker 1>with them, and I get to hang with them. I

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<v Speaker 1>get to invite you all into a genuine, truthful conversation,

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<v Speaker 1>a sincere conversation that we probably have had at dinners

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<v Speaker 1>and when we're hanging out, but then we get to

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<v Speaker 1>record it and share it with all of you. And

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<v Speaker 1>today's guest is someone that I was a fan of

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<v Speaker 1>ever since I was in my teens. I remember when

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<v Speaker 1>his first song that I discovered him through dropped and

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<v Speaker 1>it literally felt like it changed culture for me and

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<v Speaker 1>my friends, and we knew what we wanted to play,

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<v Speaker 1>we knew what we wanted to listen to. We were

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<v Speaker 1>sharing it with all our friends. And to watch his

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<v Speaker 1>career from Afar rise in the way that it did

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<v Speaker 1>and the changes that he's made, the moves that he's made,

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<v Speaker 1>was phenomenal for little Jay aged fourteen and beyond there.

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<v Speaker 1>I'm speaking about British Indian singer songwriter Jay Sean, who

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<v Speaker 1>emerged in the American pop music scene a decade ago

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<v Speaker 1>with his Billboard Hot one hundred number one single Down

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<v Speaker 1>the Pop Music Titan changed the game stateside for both

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<v Speaker 1>Asian and UK acts alike, hitting historical strides and breaking

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<v Speaker 1>down multiple doors as a solo artist, Jay was the

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<v Speaker 1>first Asian artist in history to have a Billboard number

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<v Speaker 1>one in America. He was also the first Asian and

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<v Speaker 1>first British artist to have two simultaneous top ten Billboard singles.

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<v Speaker 1>Jay's also the first British and first Asian artist to

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<v Speaker 1>have a Spanish language number one in America. Welcome to

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<v Speaker 1>the show, my good friend and amazing human, Jay Sean.

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<v Speaker 2>Bro. Wow, thank you beautiful introduction.

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<v Speaker 1>I mean it, dude, I love that. It great to

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<v Speaker 1>be here. Brother. It's so good to have you here, man.

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<v Speaker 1>And obviously I got I met you. So for everyone

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<v Speaker 1>who doesn't know, and you probably don't know this, I

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<v Speaker 1>met Jay the first week I moved. When I say Jay, also,

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<v Speaker 1>I'm now talking about Jay Sean, not referring to myself.

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<v Speaker 1>The first time I met you was the first week

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<v Speaker 1>I moved to La Wow, because I met Jeremy, who's

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<v Speaker 1>you've been working with for a long time. I love you, Jeremy. Yeah,

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<v Speaker 1>And Jeremy introduced you to us, and this was in

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<v Speaker 1>twenty eighteen, and I loved how genuine you were, how

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<v Speaker 1>down to earth you were, like it was so easy

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<v Speaker 1>to chat to you.

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<v Speaker 2>Thank you, Bro.

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<v Speaker 1>We hit it off right away and I wish you

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<v Speaker 1>lived in La Still so we can hang out.

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<v Speaker 2>I know, Bro, I know we keep talking about that, right,

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<v Speaker 2>but now it is. It's so lovely to be here

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<v Speaker 2>with you, Bro. So proud of you and what you've done,

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<v Speaker 2>you know what I mean. I know that you have

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<v Speaker 2>guests on and it's about them, but you know what

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<v Speaker 2>you've been doing. I've been watching everything. It's amazing. Makes

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<v Speaker 2>me proud. And you know, obviously we're both from England,

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<v Speaker 2>you know, both from what part of London?

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<v Speaker 1>Were you from the north? Okay?

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<v Speaker 2>So I was West London obviously, Houndslow, Southfield. Of course

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<v Speaker 2>first standard as ciches against for any Indian. But you

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<v Speaker 2>know it's not easy, right having these lofty dreams, you know,

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<v Speaker 2>and then being here in La which is literally the

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<v Speaker 2>land of dreams and broken dreams. Let's be honest about that.

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<v Speaker 2>There's people who have goals, but there's also broken dreams.

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<v Speaker 2>So to be able to, you know, do what you're

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<v Speaker 2>doing and what I'm doing is it's really beautiful. So yeah,

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<v Speaker 2>thank you for having me, man.

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<v Speaker 1>Yeah, man, let's let's let's start there because I think

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<v Speaker 1>I find it really interesting. At one point in my life,

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<v Speaker 1>I think I had big dreams when I was a teenager,

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<v Speaker 1>but I never actually believed the dreams could be real

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<v Speaker 1>because I didn't have role models people I could see

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<v Speaker 1>doing those things. Did you always have big dreams in

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<v Speaker 1>a belief that your life could go down that way?

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<v Speaker 2>You know?

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<v Speaker 1>Bro?

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<v Speaker 2>The one thing about me ever since I was a kid,

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<v Speaker 2>I always wanted to a work my hardest, try my hardest,

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<v Speaker 2>and apply myself. I've been a very driven person ever

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<v Speaker 2>since I was a kid, and I think really and

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<v Speaker 2>so is my brother. I have one brother in the roup,

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<v Speaker 2>and I think both of us have that we share

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<v Speaker 2>that same quality. We're very, very highly driven people. Now

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<v Speaker 2>that comes solely from my parents, it really does. My

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<v Speaker 2>dad is a big, big dreamer, big dreamer, bro. And

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<v Speaker 2>I only found out recently, like when I started going

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<v Speaker 2>into music and my brother went into film, that these

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<v Speaker 2>were also my dad's dreams, but they were hidden my

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<v Speaker 2>dad always you know, my dad used to write poetry

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<v Speaker 2>and nobody ever knew it, but he ended up being

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<v Speaker 2>a businessman and a very successful businessman. But seeing my

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<v Speaker 2>dad's drive and my mom is super hard working as well,

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<v Speaker 2>we were always inspired by that, like wow, like how

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<v Speaker 2>did dad do this? He had three factories they used

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<v Speaker 2>to manufacture denim. They were like, you know, Top top

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<v Speaker 2>Man and River Island, all these places they used to

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<v Speaker 2>make all the jeens and it came from nothing, came

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<v Speaker 2>from just a vision. So that was them. But then

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<v Speaker 2>also they put us into a private school. Now private

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<v Speaker 2>school in England, as you know, it costs a lot

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<v Speaker 2>of money. Now I could have gone to a school

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<v Speaker 2>in the area that I lived in, Hounslow, but it

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<v Speaker 2>wasn't the most affluent area time. It wasn't the best

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<v Speaker 2>school system at the time. So my parents wanted to

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<v Speaker 2>be able to put us into an education system where

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<v Speaker 2>they felt like we could excel, and so they did.

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<v Speaker 2>But that was a sacrifice. They didn't get to go

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<v Speaker 2>on holidays every summer and go to Barbados, and that

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<v Speaker 2>money they invested into me and my brother, and I

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<v Speaker 2>think because I saw that sacrifice, we always wanted to

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<v Speaker 2>work hard, so you know, we knew what they were

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<v Speaker 2>doing was for us. But the school that we went

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<v Speaker 2>to was I think and Latimer Upper School. I'll have

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<v Speaker 2>to shout them out, because an incredible school because not

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<v Speaker 2>only did you have to be smart to get in,

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<v Speaker 2>so you had smart kids, but they weren't like, oh stuffy,

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<v Speaker 2>I go to Latimer and I don't do anything fun. No,

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<v Speaker 2>it was creative. They were fun. We had so much

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<v Speaker 2>of a laugh. And it was an all boys school.

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<v Speaker 2>And the reason I'm telling you that is we weren't

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<v Speaker 2>getting dressed up during the day to impress girls. I

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<v Speaker 2>wasn't doing my hair to impress girls. So how did

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<v Speaker 2>you make friends? How did you become the popular one?

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<v Speaker 2>Everyone was smart, You had to have something. You had

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<v Speaker 2>to either be the funny guy, you had to be

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<v Speaker 2>the athletic dude, or you had to be like the

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<v Speaker 2>captain of the football team. So everybody excelled, but in

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<v Speaker 2>a competitive way, but like in a nice, friendly, competitive manner.

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<v Speaker 2>So that has always been my nature to do well

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<v Speaker 2>and to apply myself to whatever I do. And I

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<v Speaker 2>think I've been like that my whole life. That's why

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<v Speaker 2>I always, you know, I'm always doing different stuff, picking

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<v Speaker 2>up different projects. Because if this is all we got, bro,

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<v Speaker 2>you know, why not make the most of it. Do

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<v Speaker 2>do the things you enjoy and try to try to

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<v Speaker 2>see how far you can get with them.

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<v Speaker 1>Yeah, definitely. What was it like having those conversations with

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<v Speaker 1>your parents in those early days, Because we've talked about

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<v Speaker 1>a million times, and every Indian has that pressure. And

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<v Speaker 1>even you know, the other night I was at an

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<v Speaker 1>event and it was the same thing where like, Indian

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<v Speaker 1>parents are talking about this idea of just like doctor lawyer,

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<v Speaker 1>and you know we've heard it a million times. Of

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<v Speaker 1>course you were on that path. You were on that

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<v Speaker 1>path to make your parents the proudest Indian parents of

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<v Speaker 1>all time. And I think there are a lot of

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<v Speaker 1>people who listen to this, and even if they don't

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<v Speaker 1>have an Indian upbringing, they may have an upbringing where

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<v Speaker 1>their parents' expectations mean something absolutely and their parents' expectations

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<v Speaker 1>are important to them because they love their parents and

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<v Speaker 1>they see their sacrifice. A lot of people who are

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<v Speaker 1>listening maybe thinking, my parents work so hard, I look

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<v Speaker 1>ungrateful if I follow my dreams. What was that like?

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<v Speaker 2>Absolutely listen, that's such a good point, Jay, because I

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<v Speaker 2>of course I get asked that question a lot, right like,

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<v Speaker 2>and some people might not know, You're right, I was

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<v Speaker 2>on my path to being a doctor. It's not just

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<v Speaker 2>necessarily an Asian thing. We can really break this down

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<v Speaker 2>because as a parent now myself, I understand what it's

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<v Speaker 2>like to want the best for your kids. You want

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<v Speaker 2>them not to struggle. You want them to have a profession.

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<v Speaker 2>You don't want them to be like, oh, yeah, you know,

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<v Speaker 2>I have this dream. I want to be an painter

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<v Speaker 2>and this, and you're like that's great, I love that,

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<v Speaker 2>But I also don't want you to struggle for money.

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<v Speaker 2>I don't. So you don't have to be an Asian

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<v Speaker 2>parent to want your kids to do well school, job.

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<v Speaker 2>But the Asian thing, the reason is stereotype, I think

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<v Speaker 2>personally is because we were immigrants, so therefore you can

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<v Speaker 2>come with a dream and you can come on a

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<v Speaker 2>ship from India, come to England to go hmm, I

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<v Speaker 2>want to be a professional gymnast. They were like, what

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<v Speaker 2>shut up, bro, you just left the bend. You've left

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<v Speaker 2>the village. You need to earn money. So that our

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<v Speaker 2>grandparents didn't get to have a lofty dream. They just

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<v Speaker 2>had to work hard. They had to work two jobs,

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<v Speaker 2>sometimes three jobs to put food on the table. So

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<v Speaker 2>then therefore that also gets passed down to their kids.

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<v Speaker 2>But with my particular situation, the medicine wasn't my parents'

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<v Speaker 2>dream for me, it was actually mine. I was a

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<v Speaker 2>super nerd in school, Bro. I loved getting straight eight

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<v Speaker 2>grades I loved working hard and then seeing the fruits

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<v Speaker 2>of my labor. So when I used to get those

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<v Speaker 2>top grades, it made me feel like I'd achieved something.

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<v Speaker 2>And it wasn't like, oh, Mom and Dad would be happy.

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<v Speaker 2>I knew they'd be happy as well, but it was like,

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<v Speaker 2>I'm happy for myself. I worked hard for this, right,

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<v Speaker 2>So I actually got fascinated with science. I still am

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<v Speaker 2>completely and utterly fascinated with the human mind and the

0:11:08.040 --> 0:11:11.319
<v Speaker 2>human body. So before I did medicine, actually bro I

0:11:11.360 --> 0:11:13.120
<v Speaker 2>actually not many people know this. I think you might

0:11:13.160 --> 0:11:15.600
<v Speaker 2>with first person who knows this. I actually did a

0:11:15.640 --> 0:11:18.560
<v Speaker 2>degree in a combined science degree in psychology and biology.

0:11:18.679 --> 0:11:19.200
<v Speaker 1>I didn't know that.

0:11:19.280 --> 0:11:22.840
<v Speaker 2>Yeah, right, So I did a degree in psychology and biology,

0:11:23.520 --> 0:11:27.840
<v Speaker 2>Bachelor of Science. I fully enjoyed it, and then I

0:11:27.920 --> 0:11:30.319
<v Speaker 2>was thinking, I'm going to go on to perhaps become

0:11:31.040 --> 0:11:33.480
<v Speaker 2>a psychologist or a psychiatrist. I wanted to help people.

0:11:33.480 --> 0:11:35.960
<v Speaker 2>I wanted to get in there was always been my thing.

0:11:36.640 --> 0:11:40.720
<v Speaker 2>Ended up quite applying for medicine and did two years

0:11:40.720 --> 0:11:46.000
<v Speaker 2>of medicine. But like anybody, you have hobbies. My hobby

0:11:46.720 --> 0:11:51.800
<v Speaker 2>was music. So I was probably about twelve or thirteen

0:11:51.840 --> 0:11:54.040
<v Speaker 2>years old when I got obsessed with hip hop. I

0:11:54.080 --> 0:11:58.480
<v Speaker 2>couldn't give it up. I was writing raps at the

0:11:58.520 --> 0:12:02.800
<v Speaker 2>age of thirteen because I was watching these rappers from

0:12:02.840 --> 0:12:04.360
<v Speaker 2>do you remember I don't know if you remember this

0:12:04.440 --> 0:12:08.959
<v Speaker 2>probably agent show my age Hereyo. MTV raps okay, used

0:12:08.960 --> 0:12:10.960
<v Speaker 2>to be because in England. Growing up in England, we

0:12:11.000 --> 0:12:13.480
<v Speaker 2>didn't have access to eight. Of course, we didn't have

0:12:13.520 --> 0:12:15.400
<v Speaker 2>the Internet back then. We didn't have access to all

0:12:15.440 --> 0:12:17.320
<v Speaker 2>of these hip hop shows. So we had this cable

0:12:17.360 --> 0:12:19.640
<v Speaker 2>show on MTV and it would come on and it

0:12:19.679 --> 0:12:22.320
<v Speaker 2>was called Loo MTV Raps with Heed Lover and Doctor Dray.

0:12:22.600 --> 0:12:28.480
<v Speaker 1>I had MTV Base Nelson Yeah, yeah, yeah exactly, and Westwood. Yeah,

0:12:29.160 --> 0:12:29.520
<v Speaker 1>all of that.

0:12:30.040 --> 0:12:32.440
<v Speaker 2>Obviously I'm going to completely off topic I wanted to do.

0:12:32.559 --> 0:12:35.400
<v Speaker 2>But but yeah, like point being, you know, the applying

0:12:35.440 --> 0:12:38.480
<v Speaker 2>yourself and the working hard and all that stuff. It

0:12:38.720 --> 0:12:41.319
<v Speaker 2>was anything I took an interest in, I would take

0:12:41.320 --> 0:12:46.120
<v Speaker 2>it to the extreme. So science, work, academia, interested in it,

0:12:46.200 --> 0:12:48.520
<v Speaker 2>want to do well, took it to the extreme. Let's

0:12:48.559 --> 0:12:51.560
<v Speaker 2>go one degree, all right, No, but I want to

0:12:51.600 --> 0:12:54.319
<v Speaker 2>do this too. And in my head there was nothing

0:12:54.400 --> 0:12:57.640
<v Speaker 2>saying you can't do that. There was nothing saying you

0:12:57.640 --> 0:12:59.800
<v Speaker 2>don't need a degree, bro, Chill, now go get a job.

0:13:00.040 --> 0:13:02.000
<v Speaker 2>I was like, no, but I'm also want to do this,

0:13:02.720 --> 0:13:05.120
<v Speaker 2>and I think I've always been like that my whole life.

0:13:05.480 --> 0:13:10.079
<v Speaker 2>So there, I am studying medicine, but I also want us,

0:13:10.120 --> 0:13:13.240
<v Speaker 2>for some weird reason, go on stage and rap.

0:13:13.720 --> 0:13:16.120
<v Speaker 1>And I was a rapper then, Yeah.

0:13:15.679 --> 0:13:19.160
<v Speaker 2>I wasn't a singer anyway. So I've always been juggling, bro,

0:13:19.320 --> 0:13:21.640
<v Speaker 2>I've always been juggling things that I'm passionate about.

0:13:21.960 --> 0:13:24.240
<v Speaker 1>What's been something that you think you've taken to the

0:13:24.320 --> 0:13:27.240
<v Speaker 1>extreme more recently or is that mindset still there or

0:13:27.280 --> 0:13:28.880
<v Speaker 1>has that changed has time's gone on.

0:13:29.520 --> 0:13:32.439
<v Speaker 2>So it's not necessarily taking things to an extreme recently.

0:13:32.480 --> 0:13:37.079
<v Speaker 2>But I have really been interested in being the entrepreneur

0:13:37.520 --> 0:13:40.480
<v Speaker 2>side of the entertainment industry. And it's for a number

0:13:40.520 --> 0:13:44.680
<v Speaker 2>of reasons. Okay, first of all, being an artist. This

0:13:44.760 --> 0:13:46.240
<v Speaker 2>is going to like next year is going to be

0:13:46.280 --> 0:13:49.800
<v Speaker 2>twenty years of me being an artist. That's amazing and

0:13:49.880 --> 0:13:52.960
<v Speaker 2>it's cool, but it doesn't have to be everything I

0:13:53.040 --> 0:13:55.960
<v Speaker 2>do for the rest of my life. I've been so

0:13:56.120 --> 0:13:59.520
<v Speaker 2>blessed to be able to do music. Literally, if you

0:13:59.520 --> 0:14:02.959
<v Speaker 2>think about my job, I write songs, then I sing songs,

0:14:03.480 --> 0:14:05.560
<v Speaker 2>and I go around the world and I travel and

0:14:05.600 --> 0:14:08.640
<v Speaker 2>I try to make people happy when I'm performing my music.

0:14:09.040 --> 0:14:11.600
<v Speaker 2>But that doesn't mean I don't have other interests. It

0:14:11.600 --> 0:14:14.800
<v Speaker 2>doesn't mean that I'm like, for example, I love restaurants

0:14:14.840 --> 0:14:18.160
<v Speaker 2>and bars. I love them. Anytime I go to a

0:14:18.200 --> 0:14:20.880
<v Speaker 2>different city, first thing I do, either before or after

0:14:20.920 --> 0:14:23.400
<v Speaker 2>my show. Where can we go? Where do the locals

0:14:23.440 --> 0:14:25.920
<v Speaker 2>go and eat? What's the local cuisine? Here's where where

0:14:25.960 --> 0:14:28.360
<v Speaker 2>should I go and sample this city so that I

0:14:28.400 --> 0:14:30.800
<v Speaker 2>can get to say I went to Milan, and I

0:14:30.880 --> 0:14:33.720
<v Speaker 2>knew what that felt like, So then I was like

0:14:33.720 --> 0:14:35.560
<v Speaker 2>my dream was always like, I want my own restaurant,

0:14:35.840 --> 0:14:37.720
<v Speaker 2>I want my own bar. So then I did that.

0:14:37.880 --> 0:14:40.480
<v Speaker 2>You know, we set up an Indian restaurant called Namah

0:14:40.880 --> 0:14:44.520
<v Speaker 2>and a bar called Switch and that was fun because

0:14:44.520 --> 0:14:46.320
<v Speaker 2>it allowed me to use a different side of my

0:14:46.760 --> 0:14:50.840
<v Speaker 2>brain space and all of a sudden now making entrepreneurial decisions,

0:14:51.480 --> 0:14:53.800
<v Speaker 2>which I never really got to do through music because

0:14:53.840 --> 0:14:56.520
<v Speaker 2>it's a different field. So I like, so, you know,

0:14:56.600 --> 0:14:58.320
<v Speaker 2>and we have the yoga studio that you know, my

0:14:58.360 --> 0:15:01.760
<v Speaker 2>wife Tara owns and runs. So all of these things

0:15:01.840 --> 0:15:05.160
<v Speaker 2>keep life interesting for me and I think that's the thing.

0:15:05.600 --> 0:15:08.480
<v Speaker 2>I want to do as much as I can and

0:15:08.680 --> 0:15:12.360
<v Speaker 2>enjoy it and see where I can take it. But

0:15:12.440 --> 0:15:14.720
<v Speaker 2>it doesn't mean you try to do everything because you

0:15:14.720 --> 0:15:16.360
<v Speaker 2>don't want to be a jack of you know, jack

0:15:16.360 --> 0:15:19.360
<v Speaker 2>of all trade's master at none. It's just what feels me.

0:15:19.840 --> 0:15:21.880
<v Speaker 2>And so that, you know, I think that the recently

0:15:21.920 --> 0:15:24.320
<v Speaker 2>that it's been the entrepreneurial stuff.

0:15:24.160 --> 0:15:28.080
<v Speaker 1>Yeah, that's awesome. What has been like you spoke about earlier,

0:15:28.120 --> 0:15:30.680
<v Speaker 1>like breaking that stereotype of it's not only you know,

0:15:30.720 --> 0:15:32.880
<v Speaker 1>Asian families want their kids to like, you know, be

0:15:32.960 --> 0:15:35.920
<v Speaker 1>taken care of and do well in the music industry.

0:15:36.240 --> 0:15:38.880
<v Speaker 1>Walk me through what that was like, because I think

0:15:39.120 --> 0:15:42.560
<v Speaker 1>even as a British Indian and an Asian South Asian person,

0:15:42.560 --> 0:15:45.680
<v Speaker 1>I don't think we necessarily know what it was like

0:15:45.920 --> 0:15:49.280
<v Speaker 1>because I think when you grow up in England, especially

0:15:49.520 --> 0:15:51.600
<v Speaker 1>in London and around I mean to be honest, all

0:15:51.640 --> 0:15:55.960
<v Speaker 1>across England, Indian culture is very accessible. Of course, it's normalized.

0:15:56.000 --> 0:15:58.280
<v Speaker 1>It's everywhere. Yeah, and then coming to the US, I

0:15:58.280 --> 0:16:00.280
<v Speaker 1>don't believe when you did that it was like that

0:16:00.520 --> 0:16:02.920
<v Speaker 1>as far as I know. And what did you feel

0:16:03.040 --> 0:16:05.520
<v Speaker 1>you were working with? What were you excited about what

0:16:05.560 --> 0:16:07.240
<v Speaker 1>did you come up against that you were trying to

0:16:07.240 --> 0:16:09.720
<v Speaker 1>make sense of? Because I think there's a lot of

0:16:09.720 --> 0:16:12.640
<v Speaker 1>people even right now. I think everyone in different cultures,

0:16:12.640 --> 0:16:17.920
<v Speaker 1>different traditions, different trajectories, has to face some form of resistance,

0:16:18.000 --> 0:16:21.560
<v Speaker 1>some form of stereotypes, some form of opposition. And I've

0:16:21.560 --> 0:16:25.400
<v Speaker 1>always appreciated your way of navigating these things because I

0:16:25.400 --> 0:16:26.840
<v Speaker 1>don't think you look at it it's like, oh my god,

0:16:26.880 --> 0:16:28.720
<v Speaker 1>everyone's against me. I don't think you lived life that

0:16:28.760 --> 0:16:31.360
<v Speaker 1>way to walk us through. What's what goes through your mind?

0:16:31.440 --> 0:16:33.680
<v Speaker 2>Yeah, of course, man, So I guess we should really

0:16:33.720 --> 0:16:35.600
<v Speaker 2>just take it right back to the beginning, right, So

0:16:36.320 --> 0:16:38.840
<v Speaker 2>to answer that question, you know, I'm there, I'm a student,

0:16:38.960 --> 0:16:42.280
<v Speaker 2>I'm a medical student. I'm obsessed with hip hop still,

0:16:42.760 --> 0:16:44.800
<v Speaker 2>I'm obsessed with music. My love for hip hop, but also,

0:16:44.880 --> 0:16:47.080
<v Speaker 2>like then, gone into R and B as well, because

0:16:47.080 --> 0:16:48.360
<v Speaker 2>they were sort of hand in hand by then.

0:16:49.400 --> 0:16:53.440
<v Speaker 1>Good times. Yeah, I just saw Usher alive in Vegas.

0:16:53.600 --> 0:16:55.120
<v Speaker 1>Oh did you again? Yeah?

0:16:55.160 --> 0:16:58.480
<v Speaker 2>Man, it's you know, it's again. Oh my god, brother,

0:16:58.520 --> 0:17:00.840
<v Speaker 2>there's so much that we can talk about these things.

0:17:00.880 --> 0:17:03.120
<v Speaker 2>Because you say that, and he took you back to

0:17:03.200 --> 0:17:06.119
<v Speaker 2>a He literally transported you back to a period of

0:17:06.160 --> 0:17:10.200
<v Speaker 2>your life, which I did sixteen, and what the stress

0:17:10.200 --> 0:17:13.320
<v Speaker 2>is when we were sixteen, nothing passing our exams, doing

0:17:13.320 --> 0:17:16.639
<v Speaker 2>well in our GCSEs. Everything else was childhood. It was

0:17:17.119 --> 0:17:21.080
<v Speaker 2>it was big dreams. It was you're fearless, you can

0:17:21.119 --> 0:17:23.960
<v Speaker 2>take on the world, you want to do anything and everything,

0:17:24.160 --> 0:17:27.160
<v Speaker 2>and life is just good. You had music was great then,

0:17:27.480 --> 0:17:30.400
<v Speaker 2>just you know, vibes were there, right and and that's

0:17:30.400 --> 0:17:33.280
<v Speaker 2>what I was experiencing. I was I was listening to

0:17:33.600 --> 0:17:35.480
<v Speaker 2>you know, all of that same kind of stuff Usher

0:17:35.560 --> 0:17:38.840
<v Speaker 2>and and you know and Jagged Edge and Black Street

0:17:38.880 --> 0:17:41.639
<v Speaker 2>and all that stuff. And I used to think to

0:17:41.680 --> 0:17:44.960
<v Speaker 2>myself every time we went out and we'd go out

0:17:45.040 --> 0:17:47.639
<v Speaker 2>clubing with my friends and stuff, it would always be

0:17:47.760 --> 0:17:50.360
<v Speaker 2>especially in London, as you know, this quite a heavy

0:17:51.320 --> 0:17:53.800
<v Speaker 2>Indian demographic. Well I should say just like a you know,

0:17:53.960 --> 0:17:57.360
<v Speaker 2>an Asian demographic what we call Asian in England they

0:17:57.400 --> 0:17:59.960
<v Speaker 2>call South Asian here, Yeah, tons of us in all

0:18:00.080 --> 0:18:03.000
<v Speaker 2>these clubs. We'd go to concerts, I'd go and see

0:18:03.000 --> 0:18:05.040
<v Speaker 2>Fujis in concert, or I'd go and see you know,

0:18:05.200 --> 0:18:07.800
<v Speaker 2>DA's effects, I'd go and see Lords of the Underground.

0:18:08.040 --> 0:18:11.680
<v Speaker 2>All of these people still a bunch of of Asians there.

0:18:12.160 --> 0:18:15.159
<v Speaker 2>And at that time I had started writing, and you know,

0:18:15.240 --> 0:18:17.239
<v Speaker 2>I had a friend of mine who's a DJ, and

0:18:17.320 --> 0:18:19.280
<v Speaker 2>we used to make these mixtapes, me and my cousin,

0:18:19.320 --> 0:18:22.320
<v Speaker 2>and we used to make mixtapes just for our own fun.

0:18:22.640 --> 0:18:24.480
<v Speaker 2>And then our friends would be like, actually, that's pretty sick,

0:18:24.560 --> 0:18:26.840
<v Speaker 2>like can you make me a copy? Fin mgame a

0:18:26.920 --> 0:18:29.159
<v Speaker 2>copy making. All of a sudden, it was kind of

0:18:29.160 --> 0:18:33.960
<v Speaker 2>spreading around school, and then that chubby, nerdy Indian kid

0:18:34.760 --> 0:18:37.840
<v Speaker 2>you know, became cool. It's all of a sudden in school,

0:18:38.200 --> 0:18:42.280
<v Speaker 2>and that felt nice. But that was just in school.

0:18:42.640 --> 0:18:46.320
<v Speaker 2>It wasn't happening on a major level anywhere. There was

0:18:46.359 --> 0:18:51.800
<v Speaker 2>no Asian mainstream artist on stage that we could go

0:18:51.840 --> 0:18:55.639
<v Speaker 2>and watch who would sing or wrap the music that

0:18:55.680 --> 0:18:58.159
<v Speaker 2>we love. So we would go there, and I'm like,

0:18:58.200 --> 0:19:00.200
<v Speaker 2>I'd be at an Usher concert. I'm watching him, and

0:19:00.240 --> 0:19:04.000
<v Speaker 2>I'm watching tons of Asian scream for Usha, and I'm there,

0:19:04.119 --> 0:19:07.919
<v Speaker 2>I'm in the mosh pit, but I'm going why isn't

0:19:08.200 --> 0:19:11.040
<v Speaker 2>one of us up there? We clearly love this music.

0:19:11.640 --> 0:19:13.760
<v Speaker 2>If we can listen to this music and we can

0:19:13.800 --> 0:19:17.120
<v Speaker 2>buy this music, why can't we make this music? Why

0:19:17.160 --> 0:19:19.840
<v Speaker 2>can't we be the one up there on stage. And

0:19:19.880 --> 0:19:24.400
<v Speaker 2>I think when that click switched for me, that changed everything,

0:19:24.920 --> 0:19:29.120
<v Speaker 2>because again talking about how I just thought nothing was impossible,

0:19:30.160 --> 0:19:34.080
<v Speaker 2>I said, well, I'm going to do that. Why can't I? Okay,

0:19:34.080 --> 0:19:36.720
<v Speaker 2>how do I do that? All right, I'll enter talent competitions.

0:19:37.119 --> 0:19:42.280
<v Speaker 2>So I did, and I'm simultaneously studying. But then I'll

0:19:42.320 --> 0:19:43.320
<v Speaker 2>be listening to Choice of M.

0:19:43.320 --> 0:19:49.160
<v Speaker 1>At the time, it was choice Yeah, something like that, right,

0:19:49.240 --> 0:19:51.600
<v Speaker 1>A nine six point nine I think it was. It

0:19:51.680 --> 0:19:54.600
<v Speaker 1>was both, was one of those ones, yeah, right, yeah, yeah, exactly.

0:19:54.960 --> 0:19:58.280
<v Speaker 2>So anyway, I'll be listening to Choice of M. And

0:19:59.200 --> 0:20:02.359
<v Speaker 2>there was this competition and it was called Commander B's

0:20:02.440 --> 0:20:05.720
<v Speaker 2>Night Flight. Okay, it's around about midnight, and all you

0:20:05.760 --> 0:20:07.880
<v Speaker 2>have to do you have to pick up the phone,

0:20:08.160 --> 0:20:11.040
<v Speaker 2>spit your best verse or sing. At the time, I

0:20:11.080 --> 0:20:13.200
<v Speaker 2>was just a rapper, right, I was obsessed with hip hop.

0:20:14.080 --> 0:20:15.639
<v Speaker 2>So I said, all right, well I got to lose,

0:20:16.080 --> 0:20:19.840
<v Speaker 2>picked up the phone, dropped a little rhyme. You either

0:20:19.840 --> 0:20:22.159
<v Speaker 2>get flushed, you got the toilet flush sound, or you

0:20:22.200 --> 0:20:24.280
<v Speaker 2>get passed on to the next round. I got through.

0:20:25.480 --> 0:20:30.960
<v Speaker 2>Eventually they chose the top one hundred in the country

0:20:31.040 --> 0:20:33.560
<v Speaker 2>and then that one hundred was put down to was

0:20:33.560 --> 0:20:36.520
<v Speaker 2>cut down to the final twenty. Then the final twenty

0:20:36.560 --> 0:20:41.199
<v Speaker 2>had to perform live in Brixton Academy. Okay, that was

0:20:41.240 --> 0:20:45.479
<v Speaker 2>my first time on stage ever. And when I looked around, Jay,

0:20:45.520 --> 0:20:48.120
<v Speaker 2>I'm not lying to you, I was the only only

0:20:48.880 --> 0:20:53.080
<v Speaker 2>non black, non white person in that room. And I

0:20:53.240 --> 0:20:56.359
<v Speaker 2>didn't think about it at the time, because you're not going,

0:20:56.440 --> 0:20:58.440
<v Speaker 2>You're not looking at that. You just got the mic

0:20:58.480 --> 0:21:00.400
<v Speaker 2>in your hand and you've got an opportunity. You're going,

0:21:00.400 --> 0:21:02.760
<v Speaker 2>this is amazing. How did I even get here? This

0:21:02.840 --> 0:21:06.160
<v Speaker 2>is so fun? It was fun. But now looking back,

0:21:06.200 --> 0:21:08.520
<v Speaker 2>I was like, I was the only Asian kid and

0:21:08.560 --> 0:21:12.359
<v Speaker 2>it didn't scare me. And so therefore, you know, I

0:21:12.480 --> 0:21:14.919
<v Speaker 2>just did what I loved and I did it without fear,

0:21:15.520 --> 0:21:17.760
<v Speaker 2>and I ended up coming third in the whole competition.

0:21:18.600 --> 0:21:21.119
<v Speaker 2>And that's what gave me the confidence to know that

0:21:21.200 --> 0:21:23.359
<v Speaker 2>I can't I think I can take this somewhere.

0:21:23.720 --> 0:21:25.720
<v Speaker 1>How did you have that courage and guts at that age?

0:21:25.760 --> 0:21:28.640
<v Speaker 1>And I guess it's part of that extreme focus mentality.

0:21:28.720 --> 0:21:31.120
<v Speaker 1>But like I feel like today, I have so many

0:21:31.160 --> 0:21:32.960
<v Speaker 1>people in my life that I know that are scared

0:21:32.960 --> 0:21:36.240
<v Speaker 1>of posting on TikTok or posting on Instagram or putting

0:21:36.280 --> 0:21:38.280
<v Speaker 1>out like for you to like drop that verse on

0:21:38.320 --> 0:21:41.160
<v Speaker 1>a phone call, you know other people are gonna hear it.

0:21:41.680 --> 0:21:43.239
<v Speaker 1>Other people are going to find out about it. When

0:21:43.280 --> 0:21:45.400
<v Speaker 1>you're on stage, of course, you're laid bare in front

0:21:45.440 --> 0:21:47.640
<v Speaker 1>of all the audience. I think so many people today

0:21:47.680 --> 0:21:49.520
<v Speaker 1>get in their heads and they're like, well, I can't

0:21:49.520 --> 0:21:51.359
<v Speaker 1>post that I look stupid, or I can't do that.

0:21:51.359 --> 0:21:54.280
<v Speaker 1>I'm not good enough. And even people who are really

0:21:54.359 --> 0:21:59.000
<v Speaker 1>talented stop themselves from putting things out there because they're

0:21:59.040 --> 0:22:01.000
<v Speaker 1>scared of what their friends say. I remember when I

0:22:01.040 --> 0:22:04.359
<v Speaker 1>posted my first video, it was the people closest to

0:22:04.440 --> 0:22:07.280
<v Speaker 1>me that criticized it or riady killed it. It wasn't

0:22:07.880 --> 0:22:10.439
<v Speaker 1>It wasn't the audience. The audience actually responded fairly well

0:22:10.720 --> 0:22:13.119
<v Speaker 1>for day one, but it was the people around me

0:22:13.160 --> 0:22:15.240
<v Speaker 1>that said, Jay, you talked too fast. Jay, that point

0:22:15.280 --> 0:22:17.120
<v Speaker 1>didn't make sense. Jay, your editing is not as good

0:22:17.119 --> 0:22:19.320
<v Speaker 1>as it should be. Like that was coming from people

0:22:19.320 --> 0:22:21.359
<v Speaker 1>I knew, whereas the comments were like, oh, I love this.

0:22:21.440 --> 0:22:23.240
<v Speaker 1>I just shared this with a friend, and so I

0:22:23.240 --> 0:22:26.000
<v Speaker 1>feel so many people have that block. What was it

0:22:26.040 --> 0:22:28.240
<v Speaker 1>for you that gave you that courage to say, this

0:22:28.400 --> 0:22:30.240
<v Speaker 1>is fun. I love that idea of this is fun.

0:22:30.280 --> 0:22:32.520
<v Speaker 1>I'm doing what I love and I actually don't care.

0:22:33.240 --> 0:22:34.960
<v Speaker 1>How did you have that then? I didn't care?

0:22:35.920 --> 0:22:37.440
<v Speaker 2>And you're right. You know the reason why I didn't

0:22:37.480 --> 0:22:40.520
<v Speaker 2>care back then because in order to find out somebody's opinion,

0:22:40.880 --> 0:22:42.480
<v Speaker 2>they had to actually be in front of you and

0:22:42.520 --> 0:22:46.080
<v Speaker 2>talk to you about it in person. Right now, we

0:22:46.160 --> 0:22:48.280
<v Speaker 2>live in a day and age where we've got connection

0:22:48.480 --> 0:22:51.119
<v Speaker 2>with every single human being on the planet. We're not

0:22:51.200 --> 0:22:53.639
<v Speaker 2>built like that, bro, where our brains are not built

0:22:53.640 --> 0:22:56.520
<v Speaker 2>to have that many connections with that many people were

0:22:56.560 --> 0:22:58.600
<v Speaker 2>just not built like that. That's why we get anxiety.

0:22:58.600 --> 0:23:01.600
<v Speaker 2>That's why we get because we know that I post this,

0:23:01.640 --> 0:23:04.200
<v Speaker 2>it's going to go out to the world, and then

0:23:05.080 --> 0:23:06.960
<v Speaker 2>ninety nine point nine percent of the people who react

0:23:07.000 --> 0:23:09.120
<v Speaker 2>are people I don't know, and I have to take

0:23:09.119 --> 0:23:11.119
<v Speaker 2>their criticism on board. But we weren't bill to be

0:23:11.119 --> 0:23:14.359
<v Speaker 2>able to deal with that. We just not designed to

0:23:14.440 --> 0:23:18.240
<v Speaker 2>be able to deal with that much. So therefore, of

0:23:18.280 --> 0:23:20.800
<v Speaker 2>course it overwhelms us. Of course it gives us anxiety.

0:23:21.119 --> 0:23:24.480
<v Speaker 2>Of course we get depressed because users Z one five

0:23:24.720 --> 0:23:27.280
<v Speaker 2>ninety nine said this about me, but we don't know

0:23:27.320 --> 0:23:30.320
<v Speaker 2>that person. So when I was a kid, I just

0:23:30.400 --> 0:23:33.280
<v Speaker 2>did what I did because I didn't have the opinions

0:23:33.320 --> 0:23:36.000
<v Speaker 2>of too many people around me. And even if I did,

0:23:36.040 --> 0:23:39.200
<v Speaker 2>like you said, and that's another great point, often the

0:23:39.200 --> 0:23:43.440
<v Speaker 2>people who are around you might not have the courage

0:23:44.200 --> 0:23:45.840
<v Speaker 2>to take a step out of the comfort zone like

0:23:45.920 --> 0:23:48.240
<v Speaker 2>you did or I did. So therefore they're just like,

0:23:48.240 --> 0:23:50.600
<v Speaker 2>oh no, bro, or maybe it's love. Maybe they're just like,

0:23:50.640 --> 0:23:53.040
<v Speaker 2>I don't want you to be sad if someone says

0:23:53.040 --> 0:23:54.840
<v Speaker 2>something about you. I don't want you to be hurt

0:23:55.119 --> 0:24:00.159
<v Speaker 2>if it doesn't work out. I just loved it. That's

0:24:00.200 --> 0:24:02.920
<v Speaker 2>the only that's the only truth of it all is

0:24:03.040 --> 0:24:07.000
<v Speaker 2>when I tell you that it was an obsession, jay

0:24:08.400 --> 0:24:13.679
<v Speaker 2>I was obsessed with hip hop and R and B,

0:24:13.760 --> 0:24:17.760
<v Speaker 2>but like not just the culture, the technique. Okay, So

0:24:17.760 --> 0:24:19.800
<v Speaker 2>if I was to really break it down, obsessed with

0:24:20.200 --> 0:24:22.760
<v Speaker 2>the fast rappers of that time, that's what it was.

0:24:23.160 --> 0:24:25.080
<v Speaker 2>I was obsessed with big l I was obsessed with

0:24:25.160 --> 0:24:27.440
<v Speaker 2>chip food from food food stickens. I was obsessed with

0:24:27.560 --> 0:24:30.040
<v Speaker 2>jay Z with original flavor and the way that they

0:24:30.080 --> 0:24:33.600
<v Speaker 2>would rhyme. It was very very fast, and that to

0:24:33.640 --> 0:24:37.160
<v Speaker 2>me was just so cool at the age of fourteen,

0:24:37.520 --> 0:24:40.040
<v Speaker 2>How are you rapping that fast? So I would emulate

0:24:40.080 --> 0:24:41.880
<v Speaker 2>it and I would try to do what they were doing.

0:24:41.920 --> 0:24:43.359
<v Speaker 2>I was like, damn, how did they do that? So

0:24:43.400 --> 0:24:45.879
<v Speaker 2>it became like this nerdy obsession. And then when it

0:24:45.920 --> 0:24:48.359
<v Speaker 2>came to singers, it was vocalist, how are you singing

0:24:48.440 --> 0:24:49.800
<v Speaker 2>like that? How are you doing those runs? How are

0:24:49.800 --> 0:24:51.560
<v Speaker 2>you doing those rifts? So I would study them. I

0:24:51.560 --> 0:24:53.159
<v Speaker 2>would study boys to men. I would study all these

0:24:53.160 --> 0:24:55.960
<v Speaker 2>guys and copy their rifts and copy. And that's how

0:24:56.000 --> 0:24:58.040
<v Speaker 2>I sort of learned how to rap and how to

0:24:58.119 --> 0:25:00.919
<v Speaker 2>sing by literally just said, my these people who had

0:25:00.920 --> 0:25:02.000
<v Speaker 2>such a great skill set.

0:25:02.200 --> 0:25:03.200
<v Speaker 1>Yeah, yeah.

0:25:03.240 --> 0:25:04.840
<v Speaker 2>And so therefore, when I learned how to do it

0:25:04.840 --> 0:25:07.520
<v Speaker 2>for myself, of course I wanted to just go and

0:25:07.520 --> 0:25:10.119
<v Speaker 2>have a go at it. So why not go up

0:25:10.160 --> 0:25:12.639
<v Speaker 2>there and have a go. And it wasn't because the

0:25:12.760 --> 0:25:14.480
<v Speaker 2>end goal was going to be a record deal. I

0:25:14.480 --> 0:25:16.640
<v Speaker 2>didn't know. I wasn't thinking that far ahead. The end

0:25:16.640 --> 0:25:19.480
<v Speaker 2>goal was I love doing this. If you love football,

0:25:19.520 --> 0:25:20.959
<v Speaker 2>you want to kick a football around, You don't want

0:25:20.960 --> 0:25:22.439
<v Speaker 2>to just do it in your back garden. If you

0:25:22.480 --> 0:25:24.080
<v Speaker 2>get a chance to play on a big pitch, are

0:25:24.080 --> 0:25:25.920
<v Speaker 2>you're not going to go yeah, right.

0:25:26.000 --> 0:25:28.840
<v Speaker 1>I love that there's simplicity of their answers beautiful, because

0:25:29.160 --> 0:25:31.360
<v Speaker 1>I do think that it is love that carries you through,

0:25:31.359 --> 0:25:34.680
<v Speaker 1>and I think today it's almost the opposite. It's the inverse, right.

0:25:34.720 --> 0:25:37.240
<v Speaker 1>So at that time, we didn't have a lot of

0:25:37.280 --> 0:25:40.199
<v Speaker 1>role models or people that look like you, or people

0:25:40.400 --> 0:25:42.119
<v Speaker 1>like you that had made it. And I don't just

0:25:42.160 --> 0:25:44.840
<v Speaker 1>mean that by race and gender and back, I just

0:25:44.880 --> 0:25:49.960
<v Speaker 1>mean in general in life, fame and success and careers

0:25:50.080 --> 0:25:52.680
<v Speaker 1>like that were reserved for a few. There were only

0:25:52.720 --> 0:25:55.159
<v Speaker 1>a finite number of TV channels, find that number of

0:25:55.240 --> 0:25:58.680
<v Speaker 1>music artists, find that number of actors, all very mysterious

0:25:58.720 --> 0:26:02.040
<v Speaker 1>and unreachable. Ever knew how they got there. Today we

0:26:02.119 --> 0:26:04.399
<v Speaker 1>live in the opposite where it's like all your friends

0:26:04.400 --> 0:26:10.040
<v Speaker 1>are influencers. Everyone has yeah, everyone's doing everyone's doing something interesting.

0:26:10.080 --> 0:26:12.160
<v Speaker 1>You know someone in your family or a network who's

0:26:12.160 --> 0:26:15.520
<v Speaker 1>figured something out, Like people are running businesses, there's entrepreneurs here,

0:26:15.520 --> 0:26:18.000
<v Speaker 1>there's this, and that, someone has a podcast whatever. So

0:26:18.160 --> 0:26:20.439
<v Speaker 1>now it's almost the inverse where it's like, now you

0:26:20.480 --> 0:26:24.359
<v Speaker 1>see it happening so much that now you think it

0:26:24.480 --> 0:26:27.000
<v Speaker 1>has to work out that way. So that time you

0:26:27.080 --> 0:26:29.240
<v Speaker 1>just said, I never believe I never even thought about

0:26:29.240 --> 0:26:31.639
<v Speaker 1>a record deal. Now, when you start making music, all

0:26:31.680 --> 0:26:33.880
<v Speaker 1>you think about is a record deal because it does

0:26:33.920 --> 0:26:36.480
<v Speaker 1>feel within reach or it does feel like someone else

0:26:36.560 --> 0:26:38.560
<v Speaker 1>did it. And I fully agree with you. When I

0:26:38.680 --> 0:26:42.240
<v Speaker 1>put out my first video, all I thought was I

0:26:42.440 --> 0:26:46.199
<v Speaker 1>love sharing this wisdom. I'm tired of just sharing it

0:26:46.240 --> 0:26:50.240
<v Speaker 1>in small rooms of five people. I think the wisdom

0:26:50.240 --> 0:26:53.120
<v Speaker 1>should reach more people, and I'm just trying to see

0:26:53.160 --> 0:26:55.960
<v Speaker 1>if it works. But there wasn't. There wasn't a goal

0:26:56.080 --> 0:26:58.840
<v Speaker 1>or a strategy or a whole approach. One day it's

0:26:58.840 --> 0:27:00.320
<v Speaker 1>gonna be this and we're gonna have this. We're gonna

0:27:00.320 --> 0:27:02.399
<v Speaker 1>build a media empire like it wasn't like that. It

0:27:02.440 --> 0:27:04.040
<v Speaker 1>was just I love this, and I actually don't know

0:27:04.040 --> 0:27:06.600
<v Speaker 1>what else to do with this apart from try and

0:27:06.640 --> 0:27:07.120
<v Speaker 1>share it.

0:27:07.200 --> 0:27:09.960
<v Speaker 2>I've always believed one thing, right, if I operate from

0:27:09.960 --> 0:27:15.720
<v Speaker 2>a place of panic, desperation, just looking around competition, it

0:27:15.720 --> 0:27:19.879
<v Speaker 2>won't work. It doesn't work for me because it's not true.

0:27:20.359 --> 0:27:23.480
<v Speaker 2>It's not organic, it's not real. There is no actual

0:27:23.560 --> 0:27:27.520
<v Speaker 2>substance in that product. It's hollow, it's fake, and people

0:27:27.520 --> 0:27:30.320
<v Speaker 2>can see it. And I really believe in that it

0:27:30.760 --> 0:27:33.000
<v Speaker 2>sounds airy fairy, but I believe in it. I know

0:27:33.119 --> 0:27:36.679
<v Speaker 2>for a fact I have made songs just chasing hits,

0:27:37.200 --> 0:27:40.080
<v Speaker 2>just like ah, that song work. I went so far

0:27:40.200 --> 0:27:44.399
<v Speaker 2>down that rod bro of trying to chase big pop hits.

0:27:44.960 --> 0:27:48.120
<v Speaker 2>I lost myself. I lost. I didn't even even when

0:27:48.119 --> 0:27:50.040
<v Speaker 2>I was behind the mic singing it. There was no

0:27:50.080 --> 0:27:52.800
<v Speaker 2>smile on my face because I knew you were writing

0:27:52.840 --> 0:27:55.320
<v Speaker 2>songs for this climate, and you got this guy talking

0:27:55.359 --> 0:27:57.040
<v Speaker 2>in your ear. Hm, you need to do a song

0:27:57.080 --> 0:27:59.000
<v Speaker 2>like this because so and so I had another big Oh,

0:27:59.119 --> 0:28:01.399
<v Speaker 2>we'll get the producer who did that. Oh, we're right

0:28:01.480 --> 0:28:03.320
<v Speaker 2>this right with the songwriter who did that. I'm like,

0:28:03.359 --> 0:28:06.000
<v Speaker 2>but I don't even like that music. Yeah, but that's

0:28:06.000 --> 0:28:07.800
<v Speaker 2>all that's working right now. So you got to do it.

0:28:09.240 --> 0:28:11.359
<v Speaker 2>And there was no love in it. And guess what

0:28:12.400 --> 0:28:16.360
<v Speaker 2>my fans could tell. They can tell they're not stupid.

0:28:16.800 --> 0:28:20.200
<v Speaker 2>They know the Saint Jay shaw Man seeing I see

0:28:20.200 --> 0:28:21.760
<v Speaker 2>what he's doing. It's cool. I love him, so I

0:28:21.880 --> 0:28:23.760
<v Speaker 2>let him do it. But the Saint Jay, Saint the

0:28:23.800 --> 0:28:25.920
<v Speaker 2>Jay that we loved, Saint the Jay that we fell

0:28:25.920 --> 0:28:27.480
<v Speaker 2>in love with. I see what he's doing. There's a

0:28:27.520 --> 0:28:29.399
<v Speaker 2>pressure for him to do it. That's cool. We'll stand

0:28:29.400 --> 0:28:31.320
<v Speaker 2>by him, but we'll wait for him to come back.

0:28:32.240 --> 0:28:35.600
<v Speaker 2>He'll find his way back, as I always do. But

0:28:35.720 --> 0:28:37.400
<v Speaker 2>when it's not from a place of love, and it's

0:28:37.440 --> 0:28:39.320
<v Speaker 2>not from a place of passion, and it's not real,

0:28:39.880 --> 0:28:43.240
<v Speaker 2>I feel like there's a metadata in that that people

0:28:43.280 --> 0:28:46.600
<v Speaker 2>can feel. And that's always been the story of my life.

0:28:47.360 --> 0:28:50.400
<v Speaker 1>And that's beautiful. Yeah, No, And and it's great to

0:28:50.440 --> 0:28:53.160
<v Speaker 1>have that connection to your audience. But when you start obviously,

0:28:53.200 --> 0:28:55.800
<v Speaker 1>like you said, I mean, I still remember when Dance

0:28:55.840 --> 0:28:57.840
<v Speaker 1>with You came out and we used to wait for

0:28:57.920 --> 0:29:02.080
<v Speaker 1>it to be played on Channel You, and I'm trying

0:29:02.080 --> 0:29:04.400
<v Speaker 1>to think of where else but Channel You was. Yeah,

0:29:05.280 --> 0:29:07.600
<v Speaker 1>And at the back in the day, this is again

0:29:07.680 --> 0:29:11.240
<v Speaker 1>agent made. You'd have to wait for the songs you

0:29:11.360 --> 0:29:14.560
<v Speaker 1>love to come on to record them on VHS, so

0:29:14.600 --> 0:29:17.080
<v Speaker 1>you'd record it and then you'd make your own VHS

0:29:17.320 --> 0:29:22.040
<v Speaker 1>music video so that I'd have Usher you, pddy eminem

0:29:22.200 --> 0:29:24.200
<v Speaker 1>like whatever else it is. And you're collecting all these

0:29:24.200 --> 0:29:26.000
<v Speaker 1>people and then now whenever your mates come over, you

0:29:26.000 --> 0:29:27.840
<v Speaker 1>put this video in and then you play that, or

0:29:27.840 --> 0:29:30.680
<v Speaker 1>you're playing Channel You in the background anyway, But it's

0:29:30.720 --> 0:29:32.480
<v Speaker 1>like I remember when Dance with You came out, and

0:29:32.480 --> 0:29:34.520
<v Speaker 1>for anyone who doesn't know it, if you if you

0:29:34.560 --> 0:29:38.080
<v Speaker 1>didn't know Ja before the US world, like go back

0:29:38.120 --> 0:29:40.760
<v Speaker 1>and see check that video out, because I still think

0:29:40.760 --> 0:29:43.520
<v Speaker 1>it's a brit like it lands even today. That's how

0:29:43.520 --> 0:29:46.520
<v Speaker 1>good that song is you and it's and I can

0:29:46.560 --> 0:29:48.640
<v Speaker 1>still bump in the car and it's it's awesome. But

0:29:49.320 --> 0:29:52.040
<v Speaker 1>to me, it was such a moment for the culture

0:29:52.080 --> 0:29:54.240
<v Speaker 1>because it was actually good music and it was actually

0:29:54.280 --> 0:29:56.720
<v Speaker 1>cool too. And I think that that's hard to do

0:29:56.800 --> 0:29:58.680
<v Speaker 1>as well. I think it's really hard when you're like

0:29:58.960 --> 0:30:01.800
<v Speaker 1>trying to do something fresh. You're new and you're trying

0:30:01.840 --> 0:30:04.000
<v Speaker 1>to own a sound or create a sound, but to

0:30:04.080 --> 0:30:07.120
<v Speaker 1>actually do that is really challenging. So when you're at

0:30:07.160 --> 0:30:10.640
<v Speaker 1>your best, most creative self, as you were just describing, now,

0:30:11.400 --> 0:30:14.040
<v Speaker 1>walk us through the more texture of that recipe of life,

0:30:14.040 --> 0:30:16.920
<v Speaker 1>when you're really landing in that passion, that love, the excitement,

0:30:17.240 --> 0:30:19.239
<v Speaker 1>as you said, like, walk us through when you're at

0:30:19.280 --> 0:30:23.200
<v Speaker 1>your peak creativity and it's truly authentic. What does that

0:30:23.240 --> 0:30:24.280
<v Speaker 1>creative process look like?

0:30:24.600 --> 0:30:27.440
<v Speaker 2>There's no thought And that's what I always tell people.

0:30:27.560 --> 0:30:32.160
<v Speaker 2>Making music is not a science. There will be people

0:30:32.200 --> 0:30:35.520
<v Speaker 2>who tell you and listen. Fine. Some people have had

0:30:35.520 --> 0:30:39.160
<v Speaker 2>a very very long, successful career by methodically thinking, hmm,

0:30:39.280 --> 0:30:42.600
<v Speaker 2>verse must be x amount of syllables, and this melody

0:30:42.640 --> 0:30:45.760
<v Speaker 2>works because this chord structure works for the last ten years,

0:30:46.120 --> 0:30:49.360
<v Speaker 2>top ten hits. This is the chord progression and cool.

0:30:50.080 --> 0:30:53.920
<v Speaker 2>I'm not built that way. That's not how I make music. Amazing,

0:30:53.920 --> 0:30:55.720
<v Speaker 2>hats off to the people who can write hits like that.

0:30:55.720 --> 0:30:59.640
<v Speaker 2>That's not how I make music. I feel. I feel,

0:31:00.160 --> 0:31:02.560
<v Speaker 2>and I smile and I jump up and down in

0:31:02.560 --> 0:31:04.880
<v Speaker 2>the studio when that song is done. And if I'm

0:31:04.880 --> 0:31:07.560
<v Speaker 2>feeling like that. The one thing the rule I have

0:31:07.760 --> 0:31:10.920
<v Speaker 2>is after I've written a song, if I am not

0:31:11.200 --> 0:31:14.080
<v Speaker 2>so excited, regardless of what time it is, it could

0:31:14.120 --> 0:31:15.440
<v Speaker 2>be four in the morning, I could have had a

0:31:15.440 --> 0:31:18.479
<v Speaker 2>twenty hour day. If I'm not excited enough to go

0:31:18.560 --> 0:31:21.720
<v Speaker 2>behind that mic bro and sing that song right there,

0:31:22.320 --> 0:31:27.440
<v Speaker 2>that second, it ain't it. If I can say, ah,

0:31:27.480 --> 0:31:31.200
<v Speaker 2>I'll wait till tomorrow, then that means my fans can go, ah,

0:31:31.280 --> 0:31:34.000
<v Speaker 2>I'll wait till tomorrow to hear it. You understand, they

0:31:34.040 --> 0:31:36.600
<v Speaker 2>have options. And the thing is I go off of

0:31:36.640 --> 0:31:40.440
<v Speaker 2>that excitement. So when dance with you happened. I had

0:31:40.480 --> 0:31:46.440
<v Speaker 2>met Richie rich who really you know, responsible for just

0:31:46.600 --> 0:31:49.160
<v Speaker 2>everything from the beginning of the genesis of my career,

0:31:49.480 --> 0:31:52.720
<v Speaker 2>our work together. He heard something in me. He knew

0:31:52.720 --> 0:31:56.480
<v Speaker 2>I wrapped, He knew us I sang. And what I

0:31:56.560 --> 0:32:00.440
<v Speaker 2>had developed was a style of blending the two. So

0:32:01.960 --> 0:32:04.280
<v Speaker 2>I would fast rap and sing, but sing it with

0:32:04.320 --> 0:32:06.880
<v Speaker 2>a melody. So, because the rapper in me was so alive,

0:32:07.760 --> 0:32:11.400
<v Speaker 2>I didn't approach the beat the way that I would

0:32:11.480 --> 0:32:13.160
<v Speaker 2>say perhaps if I was just a singer. So I

0:32:13.240 --> 0:32:16.120
<v Speaker 2>actually wrote it as a rap. So, girl, whatever told you,

0:32:16.120 --> 0:32:17.840
<v Speaker 2>but thin get of all the possibilycical ways they're going

0:32:17.880 --> 0:32:19.920
<v Speaker 2>to broach you. And so then i'd write those lyrics down.

0:32:19.960 --> 0:32:21.640
<v Speaker 2>But then I put a melody. Girl, whatever told you,

0:32:21.680 --> 0:32:23.000
<v Speaker 2>but they get all of the puzzle of lilyriical ways

0:32:23.000 --> 0:32:25.400
<v Speaker 2>they're going to broach you. And it was something that

0:32:25.440 --> 0:32:27.800
<v Speaker 2>I don't think many people had heard before, but it

0:32:27.880 --> 0:32:30.840
<v Speaker 2>was my style. And had there been like a suit

0:32:30.960 --> 0:32:32.320
<v Speaker 2>in the room, like an A and R, he would

0:32:32.320 --> 0:32:34.600
<v Speaker 2>have gone, hmhmm, you're way too fast. I don't know

0:32:34.640 --> 0:32:37.600
<v Speaker 2>what you're saying. Slow it down too many words, This

0:32:37.680 --> 0:32:40.440
<v Speaker 2>doesn't work. Who does this have you seen give me

0:32:40.440 --> 0:32:42.760
<v Speaker 2>an example of someone who's had success with a song

0:32:42.840 --> 0:32:45.720
<v Speaker 2>like this, with a verse like that. That's exactly why

0:32:45.760 --> 0:32:49.080
<v Speaker 2>you should do it. That's exactly why I did it.

0:32:49.080 --> 0:32:51.560
<v Speaker 2>It's because it is new, because it was fresh, and

0:32:51.600 --> 0:32:54.920
<v Speaker 2>because it was it was me, bro It's me, you know.

0:32:55.640 --> 0:32:59.800
<v Speaker 2>So when that landed on that song, I think a

0:32:59.800 --> 0:33:03.360
<v Speaker 2>lot the Asian kids in England growing up. If you're

0:33:03.360 --> 0:33:07.400
<v Speaker 2>growing up in England, you're listening to you know, probably

0:33:07.600 --> 0:33:09.200
<v Speaker 2>R and B and hip hop, which is very common

0:33:09.200 --> 0:33:11.440
<v Speaker 2>for us at the time. That was a culture, right,

0:33:11.480 --> 0:33:13.280
<v Speaker 2>that was kind of what we were into. And then

0:33:13.320 --> 0:33:17.080
<v Speaker 2>your mum's watching some Indian drama or some Indian shark movie,

0:33:17.240 --> 0:33:20.280
<v Speaker 2>so you got Bollywood, so you got like beautiful Hindi

0:33:20.320 --> 0:33:22.480
<v Speaker 2>melodies going on in the background. And if you're Punjabi

0:33:22.520 --> 0:33:24.720
<v Speaker 2>like me, you're going to weddgs and they're playing punga

0:33:25.000 --> 0:33:28.360
<v Speaker 2>Punjabi music and it's upbeat. Those were all of my

0:33:28.520 --> 0:33:32.400
<v Speaker 2>musical influences. So when I was in that room, it

0:33:32.480 --> 0:33:37.320
<v Speaker 2>was not foreign or weird or even contrived for Rishie

0:33:37.400 --> 0:33:40.120
<v Speaker 2>and I to have. First of all, when Rishie put

0:33:40.160 --> 0:33:43.760
<v Speaker 2>that Indian flu to me, I wasn't like, oh, that's Indian.

0:33:43.840 --> 0:33:46.040
<v Speaker 2>I was like, damn, that's sick. That's a sick. Example

0:33:46.120 --> 0:33:50.040
<v Speaker 2>that sounds amazing over a hip hop, beat, pop, R

0:33:50.040 --> 0:33:53.960
<v Speaker 2>and B chords. It was something brand new, but it

0:33:54.040 --> 0:33:56.360
<v Speaker 2>was something. It was all the music that we listened

0:33:56.360 --> 0:34:00.760
<v Speaker 2>to in one party. It wasn't like control, it wasn't

0:34:00.800 --> 0:34:03.280
<v Speaker 2>like we're trying to create a new genre. We created

0:34:03.280 --> 0:34:06.200
<v Speaker 2>a new genre by accident because it was just the

0:34:06.240 --> 0:34:08.960
<v Speaker 2>stuff that we were into. So then when we did that,

0:34:10.120 --> 0:34:12.719
<v Speaker 2>had written that song originally kind of left it there.

0:34:13.520 --> 0:34:16.640
<v Speaker 2>Rishie was working with Juggide, obviously a Punjabbi artist.

0:34:17.320 --> 0:34:17.920
<v Speaker 1>He heard it.

0:34:18.000 --> 0:34:21.480
<v Speaker 2>He was like, this is sick. Jump on it, brav h.

0:34:21.800 --> 0:34:23.640
<v Speaker 2>He did his thing. Before you knew it. We had

0:34:23.640 --> 0:34:26.360
<v Speaker 2>a song that no one had ever heard. And guess what,

0:34:27.480 --> 0:34:30.319
<v Speaker 2>the people that Asian culture at that time had all

0:34:30.360 --> 0:34:34.400
<v Speaker 2>of their favorite music on one song. You had punjubbi,

0:34:34.840 --> 0:34:36.640
<v Speaker 2>you had hip hop, and you had R and B,

0:34:37.200 --> 0:34:41.880
<v Speaker 2>and you had this whole thing in three minutes of

0:34:42.000 --> 0:34:45.480
<v Speaker 2>one song. And for the first time ever, I think

0:34:45.800 --> 0:34:49.279
<v Speaker 2>by three at that time, young dudes, because if you

0:34:49.320 --> 0:34:51.000
<v Speaker 2>were like listening to pun jubby music, they were like

0:34:51.080 --> 0:34:51.760
<v Speaker 2>uncle ages.

0:34:52.640 --> 0:34:54.000
<v Speaker 1>Do you know what I mean?

0:34:54.680 --> 0:34:57.400
<v Speaker 2>Exactly and like a good sing but he's like fifty.

0:34:57.880 --> 0:34:59.320
<v Speaker 2>All of a sudden, you got these young girls and

0:34:59.320 --> 0:35:03.200
<v Speaker 2>guys who were listen to people who look like them, yeah,

0:35:03.239 --> 0:35:05.440
<v Speaker 2>doing this stuff, and that kind of I think was

0:35:05.480 --> 0:35:08.400
<v Speaker 2>something that was brand new and it it just changed

0:35:08.440 --> 0:35:09.000
<v Speaker 2>the game. Man.

0:35:09.160 --> 0:35:11.359
<v Speaker 1>Yeah, no, I agree with that, even when you see

0:35:11.360 --> 0:35:14.320
<v Speaker 1>that in new artists, Like I remember, yeah, the first

0:35:14.360 --> 0:35:16.920
<v Speaker 1>time I ever heard a Drake song right right, like

0:35:17.280 --> 0:35:20.719
<v Speaker 1>early mixtapes, Like you're like, who's this guy who can

0:35:20.760 --> 0:35:23.400
<v Speaker 1>sing and run rap and do his own thing? Now

0:35:23.440 --> 0:35:25.640
<v Speaker 1>I know that today, Like you know, Drake's gone on

0:35:25.680 --> 0:35:27.759
<v Speaker 1>to just do after Hitt and all the rest of it,

0:35:27.800 --> 0:35:30.000
<v Speaker 1>And I think sometimes he gets a hard time where

0:35:30.040 --> 0:35:31.719
<v Speaker 1>people are like, oh, yeah, he just makes it, and

0:35:31.800 --> 0:35:34.000
<v Speaker 1>I'm like, well, if you think about it, when he started,

0:35:34.280 --> 0:35:37.879
<v Speaker 1>he was probably only like real rapper that also did that,

0:35:37.920 --> 0:35:41.680
<v Speaker 1>like was able to mix the two. And I've always

0:35:41.719 --> 0:35:43.440
<v Speaker 1>I've always loved his music, but to me as well,

0:35:43.440 --> 0:35:44.759
<v Speaker 1>it was that same thing where it's like he was

0:35:44.760 --> 0:35:47.920
<v Speaker 1>putting together two things that felt natural to him in

0:35:47.960 --> 0:35:49.920
<v Speaker 1>his own way, Like he could sing really high notes

0:35:50.360 --> 0:35:55.280
<v Speaker 1>and then put in like a rap verse. Yeah, yeah, exactly.

0:35:55.320 --> 0:35:57.440
<v Speaker 1>He could do both, Yeah, and it was just exciting.

0:35:57.600 --> 0:36:00.000
<v Speaker 1>It was to me, it's always been exciting when people

0:36:00.200 --> 0:36:05.440
<v Speaker 1>are not kind of imprisoned and limited by a box.

0:36:06.000 --> 0:36:08.000
<v Speaker 1>And it's what you're saying about even the entrepreneur and

0:36:08.000 --> 0:36:10.520
<v Speaker 1>the musician in you and allowing yourself, Like I think,

0:36:11.239 --> 0:36:13.600
<v Speaker 1>I think today we've become so much better at recognizing

0:36:13.600 --> 0:36:15.840
<v Speaker 1>that people are multi hyphen its like you know that

0:36:15.920 --> 0:36:19.400
<v Speaker 1>Rihanna can have a music career and be a fashion

0:36:19.440 --> 0:36:22.560
<v Speaker 1>I got exactly right. You know that an actress can

0:36:22.600 --> 0:36:26.520
<v Speaker 1>also have an amazing company. You know that exactly. Ryan

0:36:26.520 --> 0:36:29.680
<v Speaker 1>Reynolds can also sell an alcohol or whatever it may be.

0:36:29.920 --> 0:36:32.560
<v Speaker 1>You know, there's there's so many different ways of doing that.

0:36:32.600 --> 0:36:35.719
<v Speaker 1>He can own a football team exactly the exactly. But

0:36:35.800 --> 0:36:37.240
<v Speaker 1>in the beginning, it was like, no, you're an actor,

0:36:37.400 --> 0:36:38.920
<v Speaker 1>Just just be an actor, honored.

0:36:38.680 --> 0:36:43.040
<v Speaker 2>That, do that, and sometimes oh, actually you do this role.

0:36:43.280 --> 0:36:47.080
<v Speaker 2>You're only doing comedies. And then an actor could be like, dude, yeah,

0:36:47.160 --> 0:36:49.200
<v Speaker 2>I know I'm good at comedy, but like, give me

0:36:49.200 --> 0:36:51.480
<v Speaker 2>a drama man, just give me a shot. Yeah, show me,

0:36:51.680 --> 0:36:54.600
<v Speaker 2>let me show those skills, right. Yeah, So for me,

0:36:54.640 --> 0:36:56.319
<v Speaker 2>it was always like Okay, I do music, but like,

0:36:57.680 --> 0:37:00.720
<v Speaker 2>don't tell me, I can only do the these records,

0:37:00.719 --> 0:37:03.000
<v Speaker 2>I can only sing these kind of songs. I can

0:37:03.080 --> 0:37:07.960
<v Speaker 2>only you know, sing, I can't bust into a rap randomly.

0:37:08.680 --> 0:37:10.880
<v Speaker 2>So I was so that always confused me because I

0:37:10.920 --> 0:37:15.279
<v Speaker 2>was like, hold on a second, this is my artistic expression,

0:37:15.640 --> 0:37:19.160
<v Speaker 2>So surely it should just be why why aren't I

0:37:19.320 --> 0:37:22.160
<v Speaker 2>just allowed to do who I am? Because otherwise then

0:37:22.200 --> 0:37:25.480
<v Speaker 2>it's not Jay Sean, it's Jay Sewan with other people

0:37:25.520 --> 0:37:28.520
<v Speaker 2>in his ear. Then it's not just Drake, it's Drake

0:37:28.560 --> 0:37:30.200
<v Speaker 2>with other people in his ear. So I think the

0:37:30.239 --> 0:37:33.719
<v Speaker 2>reason why people fall in love with an artist is

0:37:33.760 --> 0:37:38.520
<v Speaker 2>because that person has something unique to share with the world, right,

0:37:38.680 --> 0:37:40.399
<v Speaker 2>you know, like if you're in a certain mood, you're

0:37:40.400 --> 0:37:43.160
<v Speaker 2>gonna be like, man, I know, man, I feel like

0:37:43.200 --> 0:37:46.440
<v Speaker 2>I it's put on some Adele right now or something.

0:37:46.600 --> 0:37:46.839
<v Speaker 1>Why?

0:37:47.000 --> 0:37:50.160
<v Speaker 2>Because you know what Adele offers, you know what her music,

0:37:50.520 --> 0:37:51.800
<v Speaker 2>how it makes you feel?

0:37:52.120 --> 0:37:52.319
<v Speaker 1>Yeah?

0:37:52.920 --> 0:37:55.600
<v Speaker 2>Yeah, as opposed to just a random singer who's got

0:37:55.760 --> 0:37:56.560
<v Speaker 2>a beautiful voice.

0:37:56.719 --> 0:37:59.120
<v Speaker 1>Yeah right, truly? Yeah, I know you reminded me of

0:38:00.000 --> 0:38:02.440
<v Speaker 1>Matthew McConaughey came on the podcast. He talked about how

0:38:03.160 --> 0:38:06.600
<v Speaker 1>he was known as the rom com guy, so he

0:38:06.680 --> 0:38:08.600
<v Speaker 1>was doing How to Lose a Guy in Ten Days.

0:38:08.800 --> 0:38:10.600
<v Speaker 1>He was doing all those types of movies and he

0:38:10.680 --> 0:38:13.360
<v Speaker 1>was amazing at it. It was like ghosts of Girlfriends past,

0:38:13.480 --> 0:38:15.920
<v Speaker 1>and like he was that guy. He was like the

0:38:16.040 --> 0:38:19.319
<v Speaker 1>hot heart throb you know that holds those movies. And

0:38:19.360 --> 0:38:21.840
<v Speaker 1>he said he had to take a two year break

0:38:22.200 --> 0:38:25.719
<v Speaker 1>from making movies to shift his brand to be able

0:38:25.760 --> 0:38:28.160
<v Speaker 1>to do movies like The Lincoln Lawyer later on Dallas

0:38:28.160 --> 0:38:31.080
<v Speaker 1>Bias Club, which he won the award for. And it's

0:38:31.120 --> 0:38:33.040
<v Speaker 1>like he literally didn't make movies for two years and

0:38:33.080 --> 0:38:35.719
<v Speaker 1>he was getting paid like fifteen million to do a

0:38:35.800 --> 0:38:37.680
<v Speaker 1>rom com, right, And he said, for two years he

0:38:37.680 --> 0:38:40.319
<v Speaker 1>didn't do anything because that was his brand and he

0:38:40.400 --> 0:38:42.560
<v Speaker 1>wanted to do more serious roles. He wanted to do

0:38:42.680 --> 0:38:45.440
<v Speaker 1>roles that he cared about. And it took him saying

0:38:45.480 --> 0:38:48.120
<v Speaker 1>no for two years. And that's a lot of like,

0:38:48.239 --> 0:38:51.760
<v Speaker 1>you know it, it's amazing to think that people who've

0:38:51.800 --> 0:38:55.080
<v Speaker 1>made pivots in their career have had to kind of

0:38:55.120 --> 0:38:59.279
<v Speaker 1>have these very like interesting transition periods. Yeah, what was

0:38:59.320 --> 0:39:01.080
<v Speaker 1>it like for what's the biggest difference between the UK

0:39:01.120 --> 0:39:03.160
<v Speaker 1>and the US music scene? Because I think you have that,

0:39:03.680 --> 0:39:05.360
<v Speaker 1>you know, you have that as unique experence. There's a

0:39:05.400 --> 0:39:07.359
<v Speaker 1>few of you, right, there's you, and then like more

0:39:07.400 --> 0:39:10.000
<v Speaker 1>recently obviously that people like Ed Sheeran Adele like, there's

0:39:10.000 --> 0:39:13.000
<v Speaker 1>there's few people who've been able to be successful in both.

0:39:13.080 --> 0:39:15.719
<v Speaker 2>I'll tell you a funny thing. Right, So obviously at

0:39:15.719 --> 0:39:18.640
<v Speaker 2>the time, pre two thousand and nine, I was lucky

0:39:18.719 --> 0:39:23.359
<v Speaker 2>enough to have guarded myself a worldwide fan base excluding

0:39:24.040 --> 0:39:27.319
<v Speaker 2>I thought, excluding America. I just thought, there's no way

0:39:27.360 --> 0:39:30.759
<v Speaker 2>America knows my music. And that's because America has, Let's

0:39:30.760 --> 0:39:32.600
<v Speaker 2>be honest, they have the kreme de la creme of everything.

0:39:32.600 --> 0:39:34.319
<v Speaker 2>If you think of any of the biggest stars, they're

0:39:34.360 --> 0:39:37.560
<v Speaker 2>usually American, whether they're Hollywood stars, you know, or Canadian

0:39:37.800 --> 0:39:43.840
<v Speaker 2>right or from specifically Toronto. So right. But at the time,

0:39:44.040 --> 0:39:46.280
<v Speaker 2>so when we're in that's why when we were in London,

0:39:46.920 --> 0:39:49.759
<v Speaker 2>London is a small island, and so what happens is

0:39:50.000 --> 0:39:52.520
<v Speaker 2>sometimes you can get I refer to it a small

0:39:52.560 --> 0:39:56.480
<v Speaker 2>island syndrome. You can walk around your little place and

0:39:56.520 --> 0:39:57.799
<v Speaker 2>feel like the big shot.

0:39:58.080 --> 0:39:58.279
<v Speaker 1>You know.

0:39:58.400 --> 0:40:00.880
<v Speaker 2>Yeah, man, I'm a daggon them. People know me and

0:40:01.000 --> 0:40:03.600
<v Speaker 2>hear me. Yeah, I'm lester Brough. People know me here

0:40:04.000 --> 0:40:08.880
<v Speaker 2>boy a Scotland man. People know me in Scotland Brough. Okay, cool,

0:40:09.040 --> 0:40:12.320
<v Speaker 2>that's amazing and great and if you can have a

0:40:12.360 --> 0:40:14.560
<v Speaker 2>career then you're happy with that, that's great. I always,

0:40:14.640 --> 0:40:17.800
<v Speaker 2>again going back to me being a person who's highly driven,

0:40:18.560 --> 0:40:21.920
<v Speaker 2>I would always say, take me somewhere when no one

0:40:21.960 --> 0:40:25.800
<v Speaker 2>knows me. I want to win them over. Take me somewhere,

0:40:26.400 --> 0:40:28.799
<v Speaker 2>take me anywhere where nobody knows me, and let me

0:40:28.840 --> 0:40:31.239
<v Speaker 2>see if I can win them over. And that has

0:40:31.280 --> 0:40:34.160
<v Speaker 2>always been something that's very dear to me, even when

0:40:34.200 --> 0:40:36.759
<v Speaker 2>it comes to shows. Any show, like you could do

0:40:36.800 --> 0:40:38.520
<v Speaker 2>a corporate gig right and they have it, and it's

0:40:38.600 --> 0:40:40.640
<v Speaker 2>like people be like, oh, they're waiting for the show.

0:40:40.640 --> 0:40:44.080
<v Speaker 2>I'll be okay, cool, what's the demographic? This is x

0:40:44.200 --> 0:40:47.160
<v Speaker 2>y zed. I don't then think okay, I'm just gonna

0:40:47.160 --> 0:40:50.440
<v Speaker 2>sing x y Z song. I go, well, how can

0:40:50.480 --> 0:40:52.640
<v Speaker 2>I connect with them? What am I going to be

0:40:52.640 --> 0:40:54.839
<v Speaker 2>able to on what level? And then win them over

0:40:54.920 --> 0:40:56.840
<v Speaker 2>so that then they can go you know what. I

0:40:56.880 --> 0:40:59.920
<v Speaker 2>didn't actually know Jayshaun before or even like his music,

0:41:00.160 --> 0:41:02.759
<v Speaker 2>but I like the dude. I like the guy. I

0:41:02.800 --> 0:41:04.960
<v Speaker 2>connected with him and he was fun on stage and

0:41:04.960 --> 0:41:06.680
<v Speaker 2>he was funny and he was an endearing and then

0:41:06.920 --> 0:41:09.160
<v Speaker 2>he actually rocked the crowd and now all of a sudden,

0:41:09.160 --> 0:41:09.759
<v Speaker 2>you want him over.

0:41:10.000 --> 0:41:10.200
<v Speaker 1>Yeah.

0:41:11.000 --> 0:41:13.360
<v Speaker 2>So when it came to America, I took that same approach.

0:41:13.880 --> 0:41:17.759
<v Speaker 2>I was. I remember distinctly being at Passport Control and

0:41:17.840 --> 0:41:21.920
<v Speaker 2>I was going to go and sign with cash money.

0:41:21.920 --> 0:41:24.239
<v Speaker 2>That's why I was going over there. And it was

0:41:24.239 --> 0:41:26.200
<v Speaker 2>a big day for me, and I was super excited.

0:41:26.640 --> 0:41:28.239
<v Speaker 2>I was like, I can't believe this man about to

0:41:28.239 --> 0:41:31.960
<v Speaker 2>get a record deal in America. But I went knowing

0:41:32.880 --> 0:41:37.560
<v Speaker 2>that if I don't succeed, at least I have everything

0:41:37.560 --> 0:41:40.799
<v Speaker 2>else that I've worked hard for. And if I do succeed, man,

0:41:40.880 --> 0:41:43.759
<v Speaker 2>that's only a bonus. Now that can only be even better.

0:41:44.280 --> 0:41:46.480
<v Speaker 2>But I'm excited. I'm a bit gassed up right I'm there.

0:41:49.680 --> 0:41:52.319
<v Speaker 1>It's like, oh my gosh, a big deal, young Money,

0:41:52.400 --> 0:41:54.200
<v Speaker 1>catch me record. It's like yeah, right.

0:41:54.840 --> 0:41:59.239
<v Speaker 2>So then I'm there at passport Control and the guy goes.

0:41:59.280 --> 0:42:01.319
<v Speaker 2>You know how they are America. Sometimes they're like, what

0:42:01.440 --> 0:42:02.120
<v Speaker 2>is the purpose of you?

0:42:02.400 --> 0:42:04.560
<v Speaker 1>Oh gosh, I still get it. Every time you're nervous.

0:42:04.840 --> 0:42:08.239
<v Speaker 1>I get so nervous years and.

0:42:08.280 --> 0:42:09.680
<v Speaker 2>It's like, what are the purpose of your visit to

0:42:09.680 --> 0:42:11.759
<v Speaker 2>the United States. I was like, so here's me, and

0:42:11.760 --> 0:42:14.640
<v Speaker 2>how I look slightly cocky. I go, be honest with

0:42:14.680 --> 0:42:17.440
<v Speaker 2>your mate, that's sign a big record deal. And he

0:42:17.480 --> 0:42:20.120
<v Speaker 2>goes yeah, he goes, what's your name? And I go

0:42:20.960 --> 0:42:23.560
<v Speaker 2>Jay Sean and he goes, I haven't heard of you.

0:42:24.000 --> 0:42:26.640
<v Speaker 2>So now I know I've got work to do right

0:42:26.760 --> 0:42:30.640
<v Speaker 2>on my entry to this country. The Good Lord has

0:42:30.680 --> 0:42:35.480
<v Speaker 2>gone relax, mate, calm your ego. There's work to be done.

0:42:36.000 --> 0:42:38.480
<v Speaker 2>And it was through that one guy, that immigration officer

0:42:38.520 --> 0:42:40.960
<v Speaker 2>who looked me dead in the eye and said, so what,

0:42:41.239 --> 0:42:43.359
<v Speaker 2>I haven't heard of you? And I thought, all right,

0:42:43.560 --> 0:42:45.919
<v Speaker 2>let's do this. Let's work. Let's work.

0:42:45.960 --> 0:42:48.759
<v Speaker 1>It's always the immigration officers. I don't recognize anyone man.

0:42:48.880 --> 0:42:51.080
<v Speaker 1>I get the same thing every just the best.

0:42:51.520 --> 0:42:55.239
<v Speaker 2>But I love that and Bro, you it humbled me

0:42:55.520 --> 0:42:58.359
<v Speaker 2>in a split second. And I'm not saying I had

0:42:58.360 --> 0:43:00.920
<v Speaker 2>a big head either, But if I was to be

0:43:01.000 --> 0:43:04.280
<v Speaker 2>cocky about my venture in the United States, I learned

0:43:04.360 --> 0:43:07.799
<v Speaker 2>right there. And then bro, prove yourself again. And that's

0:43:07.800 --> 0:43:09.000
<v Speaker 2>what I had to do from scratch.

0:43:09.040 --> 0:43:11.360
<v Speaker 1>Yeah, And it's such a great mindset to have because

0:43:11.800 --> 0:43:14.040
<v Speaker 1>you could have had that interaction and gone where you

0:43:14.040 --> 0:43:17.160
<v Speaker 1>should know me, right, you could do that or you

0:43:17.200 --> 0:43:19.719
<v Speaker 1>will know, Yeah you will get cocky, right, yeah, you

0:43:19.760 --> 0:43:23.239
<v Speaker 1>will know. And it's just it's so interesting because I

0:43:23.239 --> 0:43:26.759
<v Speaker 1>feel like that is just never a satisfying way to live.

0:43:27.200 --> 0:43:30.520
<v Speaker 1>That's what I've discovered, Like the the idea of thinking

0:43:30.560 --> 0:43:33.200
<v Speaker 1>you're at the top of the mountain or that you're

0:43:33.239 --> 0:43:35.240
<v Speaker 1>doing things it's the same thing as you said earlier,

0:43:35.320 --> 0:43:38.440
<v Speaker 1>like when you're making music from love, passion and excitement.

0:43:39.000 --> 0:43:41.440
<v Speaker 1>I feel like if you're doing something because of revenge,

0:43:42.040 --> 0:43:46.320
<v Speaker 1>because of proving someone wrong, because of I'll show you

0:43:46.880 --> 0:43:48.799
<v Speaker 1>because I'll see you at the top, Like when you

0:43:48.840 --> 0:43:52.160
<v Speaker 1>do things with that energy, even if and when you

0:43:52.280 --> 0:43:55.680
<v Speaker 1>make it, it never fulfills you because that person may not

0:43:55.840 --> 0:43:58.279
<v Speaker 1>have the reaction you want them to have their place,

0:43:58.280 --> 0:43:59.960
<v Speaker 1>that person would still be like, yeah, don't listen to me,

0:44:00.440 --> 0:44:02.480
<v Speaker 1>I don't like your music. Or when you go up

0:44:02.520 --> 0:44:04.040
<v Speaker 1>to that guy and go, oh wait, did you hear

0:44:04.080 --> 0:44:05.919
<v Speaker 1>me now I'm number one Billboard and they go, yeah,

0:44:05.960 --> 0:44:09.200
<v Speaker 1>my girlfriend didn't like it exactly, but yeah, it still

0:44:09.280 --> 0:44:10.960
<v Speaker 1>doesn't It won't feel you, bro.

0:44:11.440 --> 0:44:13.680
<v Speaker 2>And it's a very very good point, and I think

0:44:13.719 --> 0:44:20.000
<v Speaker 2>that it's it's such an important point because for me,

0:44:20.880 --> 0:44:24.640
<v Speaker 2>twenty years of work, Okay, what have I learned? What

0:44:24.719 --> 0:44:28.879
<v Speaker 2>are my lessons? I've been around the world. We were

0:44:28.880 --> 0:44:31.120
<v Speaker 2>calculating this of coming up to a million miles just

0:44:31.160 --> 0:44:33.759
<v Speaker 2>on one airline. Wow, just on one airline. Wow. So

0:44:33.840 --> 0:44:36.080
<v Speaker 2>I've definitely done way more. Must have been around the

0:44:36.080 --> 0:44:40.120
<v Speaker 2>world fifty times, at least fifty in terms of my legs, Yeah, easily.

0:44:40.560 --> 0:44:46.200
<v Speaker 2>That means I have had experiences after experience after experience

0:44:46.200 --> 0:44:53.040
<v Speaker 2>after experience after experience, some amazing, some horrible, some that

0:44:53.080 --> 0:44:54.719
<v Speaker 2>can make you feel like you're on top of the world,

0:44:54.800 --> 0:44:56.680
<v Speaker 2>and some that can pull you into a dark place

0:44:57.480 --> 0:44:59.720
<v Speaker 2>and you don't even want to talk to anyone depressed.

0:45:01.440 --> 0:45:04.120
<v Speaker 2>So where's that safe place? Where's the place where you're

0:45:04.160 --> 0:45:07.759
<v Speaker 2>just okay? Man, I'm alright with this. I'm in this

0:45:07.880 --> 0:45:09.920
<v Speaker 2>industry and it can either make me or break me,

0:45:10.320 --> 0:45:12.680
<v Speaker 2>or it can do neither, or I can just have

0:45:12.719 --> 0:45:16.640
<v Speaker 2>a great time while I'm here, make people happy that

0:45:16.760 --> 0:45:19.880
<v Speaker 2>I love, take care of my family, earn a good living.

0:45:20.239 --> 0:45:22.760
<v Speaker 2>And it all comes down to exactly what you just said,

0:45:23.000 --> 0:45:26.279
<v Speaker 2>Why are you doing this? If I was for the

0:45:26.320 --> 0:45:31.200
<v Speaker 2>rest of my career only driven to write songs and

0:45:31.239 --> 0:45:36.640
<v Speaker 2>perform and record to beat the big monster that is down.

0:45:37.400 --> 0:45:41.120
<v Speaker 2>If that was my only incentive, gotta beat down, gotta

0:45:41.160 --> 0:45:45.080
<v Speaker 2>be down, I've gotta top that. I am setting myself

0:45:45.200 --> 0:45:49.640
<v Speaker 2>up for failure, A and definitely a ton of anxiety,

0:45:50.840 --> 0:45:55.080
<v Speaker 2>a ton of like bad feelings and feelings that just

0:45:55.160 --> 0:45:57.160
<v Speaker 2>aren't on a vibe at all, because I'm doing it

0:45:57.160 --> 0:46:00.680
<v Speaker 2>all for the wrong reasons. If if I then go,

0:46:01.040 --> 0:46:05.600
<v Speaker 2>if I switch my mentality and go, Man, how lucky

0:46:05.680 --> 0:46:08.080
<v Speaker 2>were you? How blessed were you to be able to

0:46:08.120 --> 0:46:11.320
<v Speaker 2>have written that beautiful unicorn of a song that makes

0:46:11.360 --> 0:46:14.560
<v Speaker 2>so many people happy, That really did break a lot

0:46:14.600 --> 0:46:18.120
<v Speaker 2>of records and change your life. Gave you a life, man,

0:46:18.320 --> 0:46:21.640
<v Speaker 2>gave you a life. Put that in your back pocket. Yeah,

0:46:21.800 --> 0:46:24.280
<v Speaker 2>and be grateful and say thank you. That was wicked,

0:46:24.360 --> 0:46:27.840
<v Speaker 2>That was amazing. Now let's go on and write stuff

0:46:27.840 --> 0:46:31.600
<v Speaker 2>that you enjoy, that you love, that perhaps your fans

0:46:31.680 --> 0:46:34.120
<v Speaker 2>might connect to. But if I was to make the

0:46:34.160 --> 0:46:39.960
<v Speaker 2>metric of my happiness chart positions, comments, likes, followers, I'm

0:46:40.000 --> 0:46:43.319
<v Speaker 2>setting myself up failure because I can't control any of

0:46:43.360 --> 0:46:48.120
<v Speaker 2>those things at all. The only thing I can control

0:46:48.760 --> 0:46:51.280
<v Speaker 2>is the music that I write. The music that I record,

0:46:51.320 --> 0:46:53.920
<v Speaker 2>the music I put into this world, the way I

0:46:53.960 --> 0:46:56.719
<v Speaker 2>interact with people when I'm on stage and make them

0:46:56.719 --> 0:46:59.400
<v Speaker 2>feel those are the things I can control. And so

0:46:59.480 --> 0:47:02.360
<v Speaker 2>therefore my happiness hopefully will be in a safe place,

0:47:03.640 --> 0:47:06.000
<v Speaker 2>you know, because I'm not pinning it, I'm not rooting

0:47:06.040 --> 0:47:07.840
<v Speaker 2>it in something that is so out of my control.

0:47:08.080 --> 0:47:11.279
<v Speaker 1>There's this quote that I heard that someone said that,

0:47:12.239 --> 0:47:14.839
<v Speaker 1>you know, at one point I had to stop being

0:47:14.880 --> 0:47:18.040
<v Speaker 1>a hit machine and go back to being an artist.

0:47:18.480 --> 0:47:21.000
<v Speaker 1>And I love that idea, but I feel every artist

0:47:21.080 --> 0:47:25.600
<v Speaker 1>goes through this series of phases where you start as

0:47:25.640 --> 0:47:29.160
<v Speaker 1>a pure artist, You start with pure creativity and pure patchet,

0:47:29.920 --> 0:47:33.880
<v Speaker 1>and then in the scaling of a business of having

0:47:33.880 --> 0:47:36.440
<v Speaker 1>team members of whatever it is, you become a hit machine.

0:47:36.480 --> 0:47:38.520
<v Speaker 1>And you kind of try and like you said, you

0:47:38.640 --> 0:47:42.600
<v Speaker 1>try and like mathematically figure out the equation. You may

0:47:43.000 --> 0:47:44.719
<v Speaker 1>kind of have some hits, you may not have some hits,

0:47:44.719 --> 0:47:46.799
<v Speaker 1>but you have this and either way, whether you've had

0:47:46.840 --> 0:47:49.920
<v Speaker 1>it or whether you haven't, you become unfulfilled. And that's

0:47:49.960 --> 0:47:53.719
<v Speaker 1>what happens so externally, even if this person is having

0:47:53.760 --> 0:47:56.799
<v Speaker 1>all the number ones, they're still feeling internally fulfilled because

0:47:56.840 --> 0:47:59.319
<v Speaker 1>it doesn't link back to that pure artistry that they

0:47:59.320 --> 0:48:02.120
<v Speaker 1>started started doing and then they try to go back there.

0:48:02.640 --> 0:48:05.080
<v Speaker 1>Everyone goes back that everyone wants to go back there.

0:48:05.120 --> 0:48:07.960
<v Speaker 1>Some people take thirty years, some people do it in

0:48:08.000 --> 0:48:10.319
<v Speaker 1>three years. I've met people at both ends of the

0:48:10.320 --> 0:48:13.960
<v Speaker 1>spectrum who they made stuff they hated for thirty years.

0:48:14.320 --> 0:48:16.040
<v Speaker 1>Some people gave up after three years and said, you

0:48:16.040 --> 0:48:17.960
<v Speaker 1>know what, I'm going back to doing what I love right,

0:48:18.239 --> 0:48:20.880
<v Speaker 1>And it's normal, Like it's normal for everyone to have

0:48:20.960 --> 0:48:23.520
<v Speaker 1>that so so true. It's so wonderful to hear you

0:48:23.560 --> 0:48:25.799
<v Speaker 1>talk about it in that way, because I think that

0:48:27.400 --> 0:48:29.560
<v Speaker 1>we had Rick Rubin here a few months ago and

0:48:29.600 --> 0:48:30.400
<v Speaker 1>he was saying the same thing.

0:48:30.440 --> 0:48:31.120
<v Speaker 2>He was just like you.

0:48:31.640 --> 0:48:33.120
<v Speaker 1>He was saying the same thing you said. He was like,

0:48:33.160 --> 0:48:37.440
<v Speaker 1>we're not music isn't made formulaically. Like he was like,

0:48:37.480 --> 0:48:39.120
<v Speaker 1>you're not trying to think what people are going to love,

0:48:39.160 --> 0:48:41.000
<v Speaker 1>and so I'm gonna make it. And you know, to

0:48:41.440 --> 0:48:45.640
<v Speaker 1>hear that across artists and musicians, different genres, different backgrounds,

0:48:46.440 --> 0:48:49.080
<v Speaker 1>it speaks to a lot when was your darkest time

0:48:49.200 --> 0:48:50.879
<v Speaker 1>or when was a moment where you felt like you'd

0:48:51.600 --> 0:48:53.040
<v Speaker 1>you were just this is not.

0:48:54.320 --> 0:48:58.880
<v Speaker 2>You know, it's so true. Everything you're saying artists we are.

0:48:59.120 --> 0:49:01.960
<v Speaker 2>We exist in one of two states. We're either you

0:49:02.000 --> 0:49:07.600
<v Speaker 2>can't mess with me best or I suck. Everyone hates me.

0:49:07.719 --> 0:49:09.080
<v Speaker 2>I'm the worst. I should quit.

0:49:09.640 --> 0:49:12.440
<v Speaker 1>I can relate in between.

0:49:13.000 --> 0:49:15.839
<v Speaker 2>The hardest place to be is I'm all right, I'm

0:49:15.840 --> 0:49:18.680
<v Speaker 2>gonna right. I guess I'm gonna write. Artist who wants

0:49:18.719 --> 0:49:23.239
<v Speaker 2>to be I'm an alright artist? Nobody how's it good?

0:49:23.560 --> 0:49:28.520
<v Speaker 2>All right? Man? Nobody wants that. So if you're not

0:49:28.640 --> 0:49:29.719
<v Speaker 2>killing it, you're here.

0:49:31.000 --> 0:49:31.520
<v Speaker 1>I suck.

0:49:32.239 --> 0:49:34.880
<v Speaker 2>I should quit. Nobody likes me. People aren't listening to

0:49:34.880 --> 0:49:38.160
<v Speaker 2>my music. That listen to that person's music. So of

0:49:38.320 --> 0:49:41.960
<v Speaker 2>course I've had those moments. Not only have I had

0:49:42.000 --> 0:49:46.360
<v Speaker 2>them epically in one particular point in my life. My

0:49:47.080 --> 0:49:49.920
<v Speaker 2>whole journey man has been like It's been like the

0:49:50.000 --> 0:49:53.239
<v Speaker 2>Rocky Story, which is why I'm so obsessed with Rocky.

0:49:53.000 --> 0:49:56.400
<v Speaker 1>And love Rocky bro The Slide docs out.

0:49:56.880 --> 0:50:00.879
<v Speaker 2>I watched it. I'm also obsessed with Sorests, the dude.

0:50:01.040 --> 0:50:03.920
<v Speaker 2>That dude, he's he's so smart, and I watched the

0:50:04.120 --> 0:50:05.440
<v Speaker 2>I watched it. I'm not going to ruin it for you.

0:50:05.480 --> 0:50:08.120
<v Speaker 2>But one thing I've always known for about SYBESTERI stallone

0:50:08.440 --> 0:50:10.680
<v Speaker 2>is that this guy bet on himself. That's the story.

0:50:10.719 --> 0:50:13.319
<v Speaker 2>We know. He bet on himself. Didn't get cast in

0:50:13.360 --> 0:50:15.920
<v Speaker 2>movies because of the way he looked, the way you spoke.

0:50:16.520 --> 0:50:19.280
<v Speaker 2>So what did he do? He wrote roles for himself.

0:50:19.440 --> 0:50:21.880
<v Speaker 2>What an amazing, what a genius thing to do that

0:50:22.200 --> 0:50:24.279
<v Speaker 2>you're not gonna cast me? Fine, and he bet on

0:50:24.360 --> 0:50:28.520
<v Speaker 2>himself with Rocky, but he didn't win immediately in Rocky.

0:50:29.320 --> 0:50:33.600
<v Speaker 2>But what that story tells me is, here's a grit.

0:50:33.680 --> 0:50:36.080
<v Speaker 2>Here's a guy, a bum, just a dude that no

0:50:36.120 --> 0:50:39.359
<v Speaker 2>one pays attention to. But he's still a human being.

0:50:39.440 --> 0:50:43.800
<v Speaker 2>He symbolizes your average Joe, your average Joe who the

0:50:43.840 --> 0:50:46.680
<v Speaker 2>world ain't really looking at. They don't really stop to

0:50:46.760 --> 0:50:49.840
<v Speaker 2>notice him. But he has a secret dream. He has

0:50:49.880 --> 0:50:51.680
<v Speaker 2>a little dream inside of him, you know what I mean.

0:50:52.320 --> 0:50:54.960
<v Speaker 2>And then when he gets that opportunity, he goes for

0:50:55.040 --> 0:50:56.960
<v Speaker 2>it because he's gotten a nothing to lose. But b

0:50:57.400 --> 0:51:00.799
<v Speaker 2>he's all hot, he's all hot, and he's doing it

0:51:00.800 --> 0:51:03.280
<v Speaker 2>from a place of love. He doesn't necessarily need that belt.

0:51:03.320 --> 0:51:06.479
<v Speaker 2>He just loves a the game. And B, I can't

0:51:06.480 --> 0:51:08.400
<v Speaker 2>believe I got this opportunity. Man, I'm gonna take this

0:51:08.440 --> 0:51:10.440
<v Speaker 2>I'm gonna take it with both my hands. I'm not

0:51:10.480 --> 0:51:14.799
<v Speaker 2>gonna let go. But then the Rocky saga, the storyline continues,

0:51:14.840 --> 0:51:17.960
<v Speaker 2>the rise and then the fall. And that's why he's

0:51:18.000 --> 0:51:20.520
<v Speaker 2>to me he's such a great writer, is because I

0:51:20.520 --> 0:51:23.360
<v Speaker 2>think he was simultaneously writing about what was going on

0:51:23.400 --> 0:51:26.879
<v Speaker 2>in his life, from nobody to becoming the biggest stuy

0:51:26.960 --> 0:51:29.600
<v Speaker 2>in Hollywood to then maybe getting caught up in the game,

0:51:29.960 --> 0:51:32.200
<v Speaker 2>losing your roots. Oh now I'm not even speaking the

0:51:32.200 --> 0:51:34.040
<v Speaker 2>same way. I don't walk the same way, talk the

0:51:34.080 --> 0:51:36.120
<v Speaker 2>same way, I don't write the same way. Because now

0:51:36.120 --> 0:51:39.000
<v Speaker 2>I'm a star, people are looking at me expecting different things.

0:51:39.280 --> 0:51:41.760
<v Speaker 2>And my career was like that when I started off.

0:51:42.360 --> 0:51:44.840
<v Speaker 2>I just wrote from the heart. Man. I wrote it

0:51:45.160 --> 0:51:48.400
<v Speaker 2>because Jay, Rishie Rich and Juggie Deer coming through on

0:51:48.480 --> 0:51:52.200
<v Speaker 2>a song. Who says that, why are you calling your

0:51:52.200 --> 0:51:56.560
<v Speaker 2>own names out on a song? Most songs are just like, hey, girls,

0:51:56.640 --> 0:51:59.520
<v Speaker 2>so you from the last time. It's an imaginary story

0:51:59.640 --> 0:52:03.640
<v Speaker 2>about something now that you. Yeah, this guy thinks it's

0:52:03.719 --> 0:52:07.759
<v Speaker 2>okay on his first ever song to Goya, of the song,

0:52:07.880 --> 0:52:08.960
<v Speaker 2>it's not the intro part.

0:52:09.320 --> 0:52:11.759
<v Speaker 1>It's not like that, yo, It's yeah, it's not it's

0:52:11.760 --> 0:52:14.640
<v Speaker 1>not that far. It's it's the verse.

0:52:15.320 --> 0:52:21.239
<v Speaker 2>It's the verse. Why young, cockiness, fresh fun? Not even

0:52:21.280 --> 0:52:23.560
<v Speaker 2>thinking about it, not studying other songs, going well, what

0:52:23.600 --> 0:52:24.560
<v Speaker 2>are the kind of lyrics today?

0:52:24.560 --> 0:52:24.759
<v Speaker 1>Write?

0:52:24.760 --> 0:52:26.799
<v Speaker 2>What are the big hits? I did it and it

0:52:26.800 --> 0:52:30.279
<v Speaker 2>connected and it felt right and it worked first album.

0:52:30.480 --> 0:52:32.040
<v Speaker 2>I mean, you're familiar with you all.

0:52:32.320 --> 0:52:35.440
<v Speaker 1>Against I remember buying Me against Myself on CD There

0:52:35.440 --> 0:52:36.840
<v Speaker 1>You Go, because I was so excited to look at

0:52:36.880 --> 0:52:39.000
<v Speaker 1>the art and I love the idea because on the

0:52:39.080 --> 0:52:41.480
<v Speaker 1>last track you had to wait like a few minutes

0:52:41.880 --> 0:52:44.480
<v Speaker 1>and fast forward it to wait for like bonus material.

0:52:44.600 --> 0:52:46.880
<v Speaker 1>I love this kind of like hidden things like yeah.

0:52:46.880 --> 0:52:51.480
<v Speaker 2>Mass yeah, and So Me against Myself? Why was it

0:52:51.520 --> 0:52:54.680
<v Speaker 2>even called Me against Myself? It was called me against myself? Because, bro,

0:52:55.400 --> 0:52:58.640
<v Speaker 2>in all honesty, truth be told, from the beginning of

0:52:58.680 --> 0:53:03.959
<v Speaker 2>my career, I have been in this little bubble where

0:53:04.040 --> 0:53:08.720
<v Speaker 2>I have been fighting myself the whole time. The rapper

0:53:08.880 --> 0:53:12.040
<v Speaker 2>versus the singer, the R and B guy versus the

0:53:12.040 --> 0:53:16.799
<v Speaker 2>pop guy. It's always been this duality of who is

0:53:16.840 --> 0:53:19.160
<v Speaker 2>actually keeping it real and who's the one making the

0:53:19.239 --> 0:53:23.080
<v Speaker 2>money and you know, up on the stages, and are

0:53:23.120 --> 0:53:25.960
<v Speaker 2>they the same person? Because the guy who's keeping it

0:53:26.000 --> 0:53:28.759
<v Speaker 2>real was the rapper. He was the guy who was like, yo,

0:53:28.840 --> 0:53:31.480
<v Speaker 2>you sold out. You're writing these fictional songs about hey,

0:53:31.480 --> 0:53:33.799
<v Speaker 2>baby girl, this, baby girl that, and on the song

0:53:33.880 --> 0:53:36.960
<v Speaker 2>me against myself, it's literally the rapper versus the singer.

0:53:38.080 --> 0:53:43.120
<v Speaker 2>And the other part of this whole thing was it

0:53:43.200 --> 0:53:48.160
<v Speaker 2>was me against everyone else in the music industry because

0:53:48.239 --> 0:53:52.000
<v Speaker 2>at the time when I started, I didn't really know it,

0:53:52.160 --> 0:53:54.439
<v Speaker 2>know it, and you know, but now we look back,

0:53:55.120 --> 0:53:58.080
<v Speaker 2>I was really out there by myself as the only

0:53:58.120 --> 0:54:00.560
<v Speaker 2>Asian kid in a sea of and we're talking like

0:54:00.560 --> 0:54:02.000
<v Speaker 2>a bit of the mainstream artists now.

0:54:01.840 --> 0:54:03.959
<v Speaker 1>And twenty years ago, even more so twenty years ago.

0:54:04.160 --> 0:54:06.120
<v Speaker 2>And it was only until I sort of really started

0:54:06.120 --> 0:54:10.439
<v Speaker 2>coming across situations where I realized I am the odd

0:54:10.440 --> 0:54:12.319
<v Speaker 2>one out, I am the fish out of water here,

0:54:12.360 --> 0:54:15.000
<v Speaker 2>I'm the one that doesn't look like anybody else. It

0:54:15.080 --> 0:54:20.200
<v Speaker 2>was very different, and you know, for me, I felt

0:54:20.239 --> 0:54:24.200
<v Speaker 2>like at that point the only thing that was going

0:54:24.280 --> 0:54:26.160
<v Speaker 2>to get me through all of this was by staying

0:54:26.200 --> 0:54:31.520
<v Speaker 2>true to who I am. Right, So there's this, you

0:54:31.560 --> 0:54:34.440
<v Speaker 2>know song I wrote called good Enough. So what I

0:54:34.440 --> 0:54:37.840
<v Speaker 2>would do is I would instead of screaming about it

0:54:37.880 --> 0:54:41.520
<v Speaker 2>on interviews and ranting on about it and complaining about

0:54:41.560 --> 0:54:43.880
<v Speaker 2>how difficult it is trying to break through and not

0:54:43.960 --> 0:54:47.000
<v Speaker 2>having the same opportunities as other artists. I used to

0:54:47.080 --> 0:54:50.880
<v Speaker 2>disguise my songs my love songs. I used to write

0:54:50.960 --> 0:54:53.759
<v Speaker 2>open letters to the music industry and disguise them as

0:54:53.800 --> 0:54:57.360
<v Speaker 2>love songs. So there's a song on my first album

0:54:57.360 --> 0:55:01.800
<v Speaker 2>on Me Against Myself called good Enough, And in the lyrics,

0:55:01.840 --> 0:55:04.880
<v Speaker 2>you think he's talking about a girl who's not the

0:55:04.920 --> 0:55:07.680
<v Speaker 2>same race as her, so like he's dating a girl

0:55:07.680 --> 0:55:09.759
<v Speaker 2>from a different race. But it's actually a letter, open

0:55:09.840 --> 0:55:12.120
<v Speaker 2>letter to the music industry, and it says it says,

0:55:12.120 --> 0:55:14.680
<v Speaker 2>I've got my mother's skin, I've got my father's eyes.

0:55:15.239 --> 0:55:17.680
<v Speaker 2>That's something that I can't deny, and that's nothing that

0:55:17.719 --> 0:55:20.359
<v Speaker 2>I want to hide. And even though my roots come

0:55:20.400 --> 0:55:23.600
<v Speaker 2>from the other side, they told me that they won't mind,

0:55:23.600 --> 0:55:26.240
<v Speaker 2>because I heard that love is blind. And then it says,

0:55:26.719 --> 0:55:29.320
<v Speaker 2>how do I change a million minds in this lifetime?

0:55:29.760 --> 0:55:32.160
<v Speaker 2>What is it I have to do if I erase

0:55:32.239 --> 0:55:35.840
<v Speaker 2>my history? What defines me? If I had to change

0:55:35.880 --> 0:55:39.480
<v Speaker 2>my truth, would I be good enough for you? And

0:55:39.680 --> 0:55:43.760
<v Speaker 2>really it was about me talking to the music industry, yeah,

0:55:43.840 --> 0:55:46.000
<v Speaker 2>saying like, I'm just like you. Why are you giving

0:55:46.000 --> 0:55:49.160
<v Speaker 2>me a harder time? Man, listen to my music, tell

0:55:49.160 --> 0:55:51.120
<v Speaker 2>me if it fits in where it should fit in.

0:55:51.600 --> 0:55:53.719
<v Speaker 2>So but when all that stuff started to happen, I

0:55:53.719 --> 0:55:55.440
<v Speaker 2>went in a bit of a It was hard for me.

0:55:55.480 --> 0:55:57.960
<v Speaker 2>I went into like a little bit of a dark

0:55:58.000 --> 0:56:00.319
<v Speaker 2>place because I was like the Saint, this is meant

0:56:00.320 --> 0:56:01.800
<v Speaker 2>to be fun, this is meant to be my dream,

0:56:01.840 --> 0:56:04.680
<v Speaker 2>and now like I'm not getting the same opportunities. And

0:56:05.280 --> 0:56:07.680
<v Speaker 2>I didn't know what to do about that. You know,

0:56:07.800 --> 0:56:09.840
<v Speaker 2>when my first album, when they tried to take me

0:56:09.880 --> 0:56:14.480
<v Speaker 2>onto the second album at Virgin, I realized that these

0:56:14.480 --> 0:56:17.560
<v Speaker 2>people don't understand me, they don't understand my vision, my art.

0:56:17.920 --> 0:56:20.600
<v Speaker 2>I'm gonna go step out. So any money that I

0:56:20.640 --> 0:56:23.320
<v Speaker 2>had earned off that first album and touring, I invested

0:56:23.360 --> 0:56:27.200
<v Speaker 2>in myself, like Sylvester Stallone, and that's where I did

0:56:27.360 --> 0:56:29.440
<v Speaker 2>my Own Way album. Of course why it's called My

0:56:29.480 --> 0:56:35.719
<v Speaker 2>Own Way. On that album, I remember leaving Virgin and

0:56:36.440 --> 0:56:39.359
<v Speaker 2>at the time being told, don't worry, you're gonna get

0:56:39.400 --> 0:56:41.720
<v Speaker 2>another record deal. You know you've got all the success,

0:56:41.719 --> 0:56:45.160
<v Speaker 2>You've got these chart hits. Of course you're gonna get signed. Immediately,

0:56:45.360 --> 0:56:46.719
<v Speaker 2>I was like, yeah, okay, good, I'll get signed to

0:56:46.719 --> 0:56:51.920
<v Speaker 2>a label that understands me. Then happen didn't happened, And

0:56:51.960 --> 0:56:54.360
<v Speaker 2>now I'm like, well, I had like four years in

0:56:54.400 --> 0:56:56.960
<v Speaker 2>the game, that's it. Maybe I should have stayed with

0:56:57.000 --> 0:56:59.279
<v Speaker 2>virgin who who else gets a major record deal and

0:56:59.280 --> 0:57:03.719
<v Speaker 2>then walks away from And then I had to talk

0:57:03.719 --> 0:57:07.240
<v Speaker 2>to my parents tell them the situation. I've just given

0:57:07.320 --> 0:57:10.239
<v Speaker 2>up a chance at being a doctor. I've had one

0:57:10.280 --> 0:57:14.279
<v Speaker 2>album out toward the World a little bit. Didn't really

0:57:14.800 --> 0:57:18.240
<v Speaker 2>smash it, though, did I Like for the Indians around

0:57:18.240 --> 0:57:21.200
<v Speaker 2>the world, yes, I smashed it. Of course, they were

0:57:21.240 --> 0:57:23.760
<v Speaker 2>like the first guy, our guy, but in terms of

0:57:23.800 --> 0:57:25.760
<v Speaker 2>mainstream they were kind of like, oh yeah, that guy

0:57:25.800 --> 0:57:30.800
<v Speaker 2>had a couple of songs. So I remember being lost,

0:57:30.920 --> 0:57:36.280
<v Speaker 2>really lost, and I pretended actually to my parents that

0:57:36.360 --> 0:57:39.720
<v Speaker 2>I was off to the studio working on a new album.

0:57:39.880 --> 0:57:42.680
<v Speaker 2>And there were times where I would get my car

0:57:43.280 --> 0:57:47.240
<v Speaker 2>and I was drive around park up somewhere and literally

0:57:47.280 --> 0:57:50.480
<v Speaker 2>sit down in my car and go and cry and

0:57:50.800 --> 0:57:53.600
<v Speaker 2>your own on my own and just cry because I

0:57:53.680 --> 0:57:57.600
<v Speaker 2>was so lost and so scared. Here's a guy who

0:57:58.160 --> 0:58:00.240
<v Speaker 2>had all the big dreams in the world or the

0:58:00.320 --> 0:58:04.560
<v Speaker 2>guy who worked so hard at school two degrees. I

0:58:04.600 --> 0:58:07.440
<v Speaker 2>had to just really just sit there and think about

0:58:08.080 --> 0:58:09.920
<v Speaker 2>there has to be a reason. There has to be

0:58:09.960 --> 0:58:13.480
<v Speaker 2>a reason that this gift was given to me, that

0:58:13.520 --> 0:58:15.200
<v Speaker 2>this blessing was given to me to be able to

0:58:15.200 --> 0:58:17.280
<v Speaker 2>try to fly the flag for us. What do I do?

0:58:17.360 --> 0:58:20.680
<v Speaker 2>It can't just end it amazingly as the universe would

0:58:20.680 --> 0:58:24.160
<v Speaker 2>have it. About two weeks later, there was this event

0:58:24.240 --> 0:58:26.400
<v Speaker 2>where I was in doing like a meet and greet

0:58:26.760 --> 0:58:29.840
<v Speaker 2>and this kid comes up to me and he's about

0:58:29.840 --> 0:58:32.640
<v Speaker 2>sixteen seventeen at the time, hands me a CD and

0:58:32.680 --> 0:58:35.240
<v Speaker 2>he goes, hey, man, I'm such a big fan I

0:58:35.320 --> 0:58:37.720
<v Speaker 2>make music. Please listen to it if you can. My

0:58:37.880 --> 0:58:40.800
<v Speaker 2>contact details are on there. So yeah, cool man. Now

0:58:40.800 --> 0:58:43.360
<v Speaker 2>look when this happens, as you know, like sometimes we're

0:58:43.400 --> 0:58:46.200
<v Speaker 2>like you're bro cool, but sometimes you get one hundred

0:58:46.200 --> 0:58:48.280
<v Speaker 2>CDs you don't get to listen to them all. On

0:58:48.320 --> 0:58:51.120
<v Speaker 2>the way home, put it in the car. Listening to it,

0:58:57.280 --> 0:59:02.800
<v Speaker 2>I'm like like this beat is insane. And I was like, holy,

0:59:03.200 --> 0:59:05.640
<v Speaker 2>I'm calling this guy straight away. I picked him up,

0:59:05.680 --> 0:59:07.080
<v Speaker 2>picked up the phone and I was like, where do

0:59:07.120 --> 0:59:10.280
<v Speaker 2>you live? Where's your studio. He's like jashon. I was

0:59:10.320 --> 0:59:12.360
<v Speaker 2>like yeah, He's like, bro, come on. I was like, no,

0:59:13.560 --> 0:59:16.160
<v Speaker 2>I'm coming over now to your studio. And he had

0:59:16.160 --> 0:59:22.440
<v Speaker 2>a studio in his garden in Slough. He had a

0:59:22.480 --> 0:59:24.920
<v Speaker 2>studio in his garden shed in Slough and this is

0:59:24.920 --> 0:59:28.560
<v Speaker 2>a fan of mine. And I said we're gonna work.

0:59:28.720 --> 0:59:30.800
<v Speaker 2>He's like, dude, come on. I was like, I'm serious.

0:59:30.840 --> 0:59:33.680
<v Speaker 2>And it was just me and him, and on that

0:59:33.880 --> 0:59:38.240
<v Speaker 2>day I wrote write it with this kid who had

0:59:38.320 --> 0:59:41.240
<v Speaker 2>just given me a demo CD. He had a dream,

0:59:41.520 --> 0:59:43.480
<v Speaker 2>He had a lofty dream. He didn't know that. I

0:59:43.560 --> 0:59:45.200
<v Speaker 2>was also in a place in my life where I

0:59:45.240 --> 0:59:48.840
<v Speaker 2>needed I needed something. He needed something and I needed something.

0:59:48.880 --> 0:59:51.720
<v Speaker 2>We both wanted to win. And that song was just

0:59:51.800 --> 0:59:57.320
<v Speaker 2>sent bro, and it changed everything. That song obviously, as

0:59:57.360 --> 0:59:57.640
<v Speaker 2>you know.

0:59:57.840 --> 1:00:01.280
<v Speaker 1>I mean, I was about living, and that song has

1:00:01.320 --> 1:00:04.400
<v Speaker 1>had so many lives, yeah, and so many edits and

1:00:04.480 --> 1:00:07.520
<v Speaker 1>so many like it's insane. Yeah.

1:00:07.640 --> 1:00:09.760
<v Speaker 2>But I and without have getting too heavy on the

1:00:09.760 --> 1:00:12.400
<v Speaker 2>spiritual shit about it. I think it's because there is

1:00:12.440 --> 1:00:16.400
<v Speaker 2>something special about that song. I think it's because that song,

1:00:16.800 --> 1:00:20.120
<v Speaker 2>it's very genesis, came from a place of where I

1:00:20.280 --> 1:00:22.800
<v Speaker 2>was at my lowest and needed so badly to be

1:00:22.840 --> 1:00:25.960
<v Speaker 2>plucked out of this dark place. And I needed something

1:00:27.000 --> 1:00:29.480
<v Speaker 2>from up here. Man, I needed something to lift me up.

1:00:29.920 --> 1:00:31.720
<v Speaker 2>And that song not only just did that for me,

1:00:31.760 --> 1:00:34.080
<v Speaker 2>It's kind of like a sacred song for me, you know.

1:00:34.200 --> 1:00:37.680
<v Speaker 2>And it gave this kid a life. It gave him

1:00:37.720 --> 1:00:46.080
<v Speaker 2>an entire career one song. And then fast forward twelve

1:00:46.160 --> 1:00:48.880
<v Speaker 2>years later, it goes and gives another guy a life,

1:00:49.240 --> 1:00:52.280
<v Speaker 2>some random dude in Lithuania who's just like done a

1:00:52.360 --> 1:00:54.360
<v Speaker 2>remix and put it on YouTube, and then it goes

1:00:54.400 --> 1:00:58.400
<v Speaker 2>on TikTok. This guy is now touring the world, do

1:00:58.400 --> 1:01:01.640
<v Speaker 2>you know what I mean? So, like, you know, it

1:01:01.640 --> 1:01:04.360
<v Speaker 2>did pretty good for me during the pandemic. Yeah, a

1:01:04.360 --> 1:01:06.200
<v Speaker 2>little nice little pocket change for me too, And it

1:01:06.240 --> 1:01:09.840
<v Speaker 2>was like, you know, it's special. So there you go.

1:01:09.920 --> 1:01:12.919
<v Speaker 2>There was my rocky story. Right, yeah, boom down here

1:01:12.960 --> 1:01:16.720
<v Speaker 2>in the dumps. Back up now, right, it's out Jase Seawan.

1:01:16.840 --> 1:01:20.200
<v Speaker 2>Version two's out, shaved head, right, the spikes are on

1:01:20.240 --> 1:01:22.360
<v Speaker 2>the shaved head, and all of a sudden, man, I

1:01:22.360 --> 1:01:23.240
<v Speaker 2>got another shot at it.

1:01:23.400 --> 1:01:25.320
<v Speaker 1>The reason why I love hearing it is because I remember,

1:01:25.960 --> 1:01:28.880
<v Speaker 1>like I remember trying to figure out what had happened

1:01:28.880 --> 1:01:31.439
<v Speaker 1>between the two albums too, and I remember like, as

1:01:31.480 --> 1:01:34.640
<v Speaker 1>as your fans were following, it was like, I can't remember.

1:01:34.680 --> 1:01:38.000
<v Speaker 1>It was like was it relentless or reckless? Relentless? Right?

1:01:38.040 --> 1:01:40.000
<v Speaker 1>It was relentless, and it was like, yeah, you were

1:01:40.000 --> 1:01:42.280
<v Speaker 1>seeing that shift and you never know what's going on

1:01:42.280 --> 1:01:45.959
<v Speaker 1>on the other side. The best part about that story, though,

1:01:46.560 --> 1:01:51.800
<v Speaker 1>is the randomness and allowing the randomness, because I think

1:01:51.880 --> 1:01:56.040
<v Speaker 1>so often as you become more successful, you become more closed,

1:01:56.520 --> 1:01:58.800
<v Speaker 1>and you become more are You're just a little kid.

1:01:58.840 --> 1:02:02.000
<v Speaker 1>What do you have? And that ego. We've talked about

1:02:02.040 --> 1:02:04.720
<v Speaker 1>ego a few times in this conversation. It just shows

1:02:04.760 --> 1:02:06.800
<v Speaker 1>me again and again and again the thing that gets

1:02:06.880 --> 1:02:09.720
<v Speaker 1>in all of our ways is our ego. Ego stops

1:02:09.720 --> 1:02:11.760
<v Speaker 1>you from being creative because you're scared of what your

1:02:11.800 --> 1:02:14.960
<v Speaker 1>friends will think. That's ego. Ego stops you when you

1:02:15.000 --> 1:02:18.440
<v Speaker 1>start thinking you're the man getting into America. And if

1:02:18.480 --> 1:02:20.439
<v Speaker 1>you would have acted in that way back at that guy,

1:02:20.440 --> 1:02:22.360
<v Speaker 1>but you were like, no, no, no, I'm going to get better.

1:02:23.200 --> 1:02:25.400
<v Speaker 1>I need more. I need to get more people to

1:02:25.440 --> 1:02:27.880
<v Speaker 1>know my work. And then ego again could have stopped

1:02:27.880 --> 1:02:30.240
<v Speaker 1>you from going. He's a little kid. What is he Noo,

1:02:30.600 --> 1:02:32.920
<v Speaker 1>I'm jas schwan like he's just everyone gives me CDs.

1:02:33.400 --> 1:02:37.360
<v Speaker 1>It's so interesting just how we have to work against

1:02:37.360 --> 1:02:41.160
<v Speaker 1>our ego constantly, and me against myself in and of itself,

1:02:41.240 --> 1:02:44.440
<v Speaker 1>is actually us against our ego on a daily basis.

1:02:44.480 --> 1:02:47.400
<v Speaker 1>That's the real battle. The real battle is us against

1:02:47.440 --> 1:02:48.760
<v Speaker 1>our ego. It really is.

1:02:49.200 --> 1:02:52.320
<v Speaker 2>It's so true, man, I think I think all of

1:02:52.360 --> 1:02:55.240
<v Speaker 2>that ties in also bro so just keeping not just

1:02:55.320 --> 1:02:57.720
<v Speaker 2>keeping your eyes open, right, but keeping your mind open.

1:02:58.120 --> 1:02:59.800
<v Speaker 2>And the thing is, I always look at it like this.

1:03:00.040 --> 1:03:05.400
<v Speaker 2>And self awareness is obviously something that you of course

1:03:05.440 --> 1:03:08.120
<v Speaker 2>talk about a lot, and some people go their whole life, man,

1:03:08.640 --> 1:03:11.560
<v Speaker 2>not being self aware, Okay, their whole life, I think

1:03:12.080 --> 1:03:15.400
<v Speaker 2>very Fortunately for myself, I got it quite early on

1:03:15.400 --> 1:03:19.240
<v Speaker 2>once I started this career, I kind of understood again

1:03:19.360 --> 1:03:21.000
<v Speaker 2>just like standing out as the only brown dude, I

1:03:21.040 --> 1:03:23.800
<v Speaker 2>was very self aware. I understood also understanding that when

1:03:23.800 --> 1:03:27.560
<v Speaker 2>I came across those problems and those obstacles, I realized

1:03:27.640 --> 1:03:29.600
<v Speaker 2>very quickly that my sense of humor was able to

1:03:29.600 --> 1:03:31.760
<v Speaker 2>get me out of them rather than letting it destroy me.

1:03:32.080 --> 1:03:34.600
<v Speaker 2>So rather than letting me go when someone says something

1:03:34.680 --> 1:03:38.240
<v Speaker 2>dumb or something stupid or insensitive or culturally inappropriate. Instead

1:03:38.240 --> 1:03:40.560
<v Speaker 2>of getting mad and causing an argument, I would use

1:03:40.560 --> 1:03:42.960
<v Speaker 2>wit and intelligence to be able to get myself out

1:03:43.000 --> 1:03:45.720
<v Speaker 2>of it. Now I realized what kind of person I

1:03:46.040 --> 1:03:49.440
<v Speaker 2>was in this industry that I'm in, and this industry

1:03:49.640 --> 1:03:53.240
<v Speaker 2>you know, as you know, it can be very, very fake.

1:03:53.280 --> 1:03:55.720
<v Speaker 2>It can be very it's hard to find connections with

1:03:55.760 --> 1:03:58.800
<v Speaker 2>certain people. But if you know who you are in

1:03:58.840 --> 1:04:00.720
<v Speaker 2>that space, I think you're going that just you'll be

1:04:00.800 --> 1:04:03.880
<v Speaker 2>okay through the highs and through the lows, do you

1:04:03.920 --> 1:04:04.320
<v Speaker 2>know what I mean?

1:04:04.400 --> 1:04:04.800
<v Speaker 1>Yeah?

1:04:05.680 --> 1:04:07.800
<v Speaker 2>But yeah, I love what I love that you recognize that,

1:04:07.880 --> 1:04:10.680
<v Speaker 2>because it's it's very true. If I wasn't open to

1:04:10.720 --> 1:04:14.320
<v Speaker 2>the randomness and I wasn't open to the science, you.

1:04:14.360 --> 1:04:17.040
<v Speaker 1>Just miss out. And I think about that, right, like,

1:04:17.120 --> 1:04:19.080
<v Speaker 1>I think we all have to reflect on our own

1:04:19.520 --> 1:04:23.360
<v Speaker 1>life and go where do we miss out on that randomness?

1:04:23.840 --> 1:04:26.560
<v Speaker 1>Because we've started to think that things have to be

1:04:26.600 --> 1:04:30.960
<v Speaker 1>formulaic or equations or perfectly fitting or coming from the

1:04:31.040 --> 1:04:35.000
<v Speaker 1>right source. Like sometimes yes, you know, right, Like we

1:04:35.200 --> 1:04:37.440
<v Speaker 1>always think, oh yeah, that business person will tell me

1:04:37.480 --> 1:04:40.280
<v Speaker 1>the right thing, or that individual and it's like, well, no,

1:04:40.360 --> 1:04:43.640
<v Speaker 1>there could be some random person in your family or

1:04:43.680 --> 1:04:46.200
<v Speaker 1>your friends group who says one thing to you that

1:04:46.360 --> 1:04:50.240
<v Speaker 1>actually shoots you off in an amazing direction. There was

1:04:50.520 --> 1:04:52.920
<v Speaker 1>I'm going to give a shout. Me and Jeremy had

1:04:52.920 --> 1:04:55.360
<v Speaker 1>a call like this recently. So Jeremy said to me,

1:04:55.520 --> 1:04:58.320
<v Speaker 1>he goes to me. He said to me, I just

1:04:58.360 --> 1:05:00.520
<v Speaker 1>called I called him randomly. I was on a and

1:05:00.520 --> 1:05:02.040
<v Speaker 1>I hadn't caught up with them for a while, so

1:05:02.080 --> 1:05:05.200
<v Speaker 1>I'll call up Jeremy and we start having this phone call.

1:05:05.400 --> 1:05:07.800
<v Speaker 1>And I had no agenda, there was no plan. It

1:05:07.840 --> 1:05:10.160
<v Speaker 1>was just catching up with the mate. And he said

1:05:10.160 --> 1:05:11.760
<v Speaker 1>to me random because Jay, I can't wait till you

1:05:11.800 --> 1:05:15.000
<v Speaker 1>start a school. And I was like, dude, what are

1:05:15.040 --> 1:05:19.600
<v Speaker 1>you talking about? Very Jeremy, Yeah, yeah, And I was like,

1:05:19.680 --> 1:05:21.720
<v Speaker 1>first of all, Jeremy, I don't have kids, so I

1:05:21.720 --> 1:05:24.720
<v Speaker 1>don't even know what school feels like for kids. Second

1:05:24.720 --> 1:05:27.840
<v Speaker 1>of all, I feel really unqualified to start a school.

1:05:27.840 --> 1:05:30.560
<v Speaker 1>I think it's actually very There needs to be a

1:05:30.560 --> 1:05:32.640
<v Speaker 1>lot of research, There needs to be a lot of understanding,

1:05:32.680 --> 1:05:35.760
<v Speaker 1>like dealing with kids' mind should be dealt with extremely

1:05:36.720 --> 1:05:40.600
<v Speaker 1>delicately and thoughtfully. I don't think everyone should start schools. Thirdly,

1:05:40.800 --> 1:05:43.560
<v Speaker 1>like sure, it's a nice idea, but like it's so

1:05:43.760 --> 1:05:46.000
<v Speaker 1>like I wouldn't. I've never even thought of that as

1:05:46.040 --> 1:05:49.240
<v Speaker 1>even a concept in my life. But I answered all

1:05:49.240 --> 1:05:51.200
<v Speaker 1>of that, and then immediately something came to my mind.

1:05:51.640 --> 1:05:54.320
<v Speaker 1>I'd love to go and study the best schools on

1:05:54.360 --> 1:05:56.800
<v Speaker 1>the planet. And I was like, I would love to

1:05:56.920 --> 1:05:59.200
<v Speaker 1>actually go and understand not because I want to start

1:05:59.200 --> 1:06:02.000
<v Speaker 1>a school, but because I would love to understand the

1:06:02.120 --> 1:06:06.040
<v Speaker 1>human mind and what we're messing up that's creating kids

1:06:06.080 --> 1:06:09.200
<v Speaker 1>who cause issues in the world versus kids that get

1:06:09.240 --> 1:06:11.560
<v Speaker 1>it right. Now. There's lots of studies and research, but

1:06:11.600 --> 1:06:14.160
<v Speaker 1>I would actually love to go and sit with parents

1:06:14.160 --> 1:06:15.760
<v Speaker 1>and teachers. And I came back to my team the

1:06:15.760 --> 1:06:17.720
<v Speaker 1>next day I was like, guys, I have to go

1:06:17.760 --> 1:06:19.320
<v Speaker 1>and do this, and we have to document it and

1:06:19.400 --> 1:06:21.360
<v Speaker 1>we have to get because not because I think there's

1:06:21.400 --> 1:06:23.400
<v Speaker 1>content and I don't even know what I do with it.

1:06:23.720 --> 1:06:26.840
<v Speaker 1>I just know that I would be fascinated if over

1:06:26.840 --> 1:06:30.160
<v Speaker 1>the next five years I could understand more deeply how

1:06:30.200 --> 1:06:32.880
<v Speaker 1>to build more compassionate children. Not because I want to

1:06:32.880 --> 1:06:37.120
<v Speaker 1>start a school, not because I think I should. Random conversation.

1:06:37.160 --> 1:06:39.360
<v Speaker 1>It's random conversation that my mate just said, I could

1:06:39.360 --> 1:06:41.920
<v Speaker 1>be like, what does Jeremy know I've got a content,

1:06:42.040 --> 1:06:45.040
<v Speaker 1>you know, I've got stuff going on. You know, he's nice.

1:06:45.080 --> 1:06:46.680
<v Speaker 1>He thinks he wants me to start a school, but

1:06:46.760 --> 1:06:50.040
<v Speaker 1>like that's it. But really it sparked, like genuinely, I

1:06:50.080 --> 1:06:52.000
<v Speaker 1>can't tell you how much that idea is, Like you

1:06:52.080 --> 1:06:55.160
<v Speaker 1>are captivated because I'm like, yeah, you know, I'd love

1:06:55.320 --> 1:07:01.720
<v Speaker 1>to know how we build compassionate, empowered, confident children who

1:07:02.040 --> 1:07:04.160
<v Speaker 1>change the world. I would love to understand that on

1:07:04.200 --> 1:07:06.840
<v Speaker 1>a very deep, intimate and personal level. And so I

1:07:06.840 --> 1:07:09.240
<v Speaker 1>started researching, like where are the best schools in the world,

1:07:09.440 --> 1:07:10.840
<v Speaker 1>and like what are the schools that make the most

1:07:10.840 --> 1:07:12.680
<v Speaker 1>creative kids? What are the school that make the most

1:07:12.680 --> 1:07:14.160
<v Speaker 1>of this kids. So I'm like, I've got to go

1:07:14.200 --> 1:07:15.520
<v Speaker 1>to the school in Spain. I've got to go to

1:07:15.560 --> 1:07:19.520
<v Speaker 1>this girl. And I was like, amazing, travel now feels alive. Yeah, yeah, yeah, yeah.

1:07:19.520 --> 1:07:20.880
<v Speaker 1>It's not like I've got to jump on a plane

1:07:20.960 --> 1:07:22.040
<v Speaker 1>to do tod It's like.

1:07:22.080 --> 1:07:24.080
<v Speaker 2>It's and it's for a purpose and it's fun. It's

1:07:24.120 --> 1:07:26.960
<v Speaker 2>something fun. And I think, really, what you're onto there,

1:07:27.000 --> 1:07:29.160
<v Speaker 2>bro is is it's very easy to like sort of

1:07:29.200 --> 1:07:31.160
<v Speaker 2>become complacent as well, like you go, this is what

1:07:31.240 --> 1:07:34.360
<v Speaker 2>I do great studio at this time, I write a song, great,

1:07:34.680 --> 1:07:38.240
<v Speaker 2>blah blah blah. When do you find out if we've

1:07:38.240 --> 1:07:40.040
<v Speaker 2>got if you're lucky enough to have another forty fifty

1:07:40.120 --> 1:07:42.240
<v Speaker 2>years on this earth? Right, what's going to light us

1:07:42.320 --> 1:07:46.160
<v Speaker 2>up that whole journey? What's And I think about that constantly.

1:07:47.080 --> 1:07:50.320
<v Speaker 2>If I've already done this much, I have been lucky enough,

1:07:50.560 --> 1:07:52.840
<v Speaker 2>blessed enough to have twenty years in the music industry,

1:07:53.400 --> 1:07:54.800
<v Speaker 2>What am I going to do for the rest of

1:07:54.840 --> 1:07:57.560
<v Speaker 2>my life? What's going to light me up? And I'm

1:07:57.600 --> 1:08:00.760
<v Speaker 2>just gonna retire. I'm just gonna sit there lovely. I

1:08:01.000 --> 1:08:03.680
<v Speaker 2>got my kids with my family and my wife. That's lovely.

1:08:03.720 --> 1:08:07.440
<v Speaker 2>It's beautiful. But I'm not like that. I need something

1:08:07.480 --> 1:08:09.560
<v Speaker 2>to fire me up. Yeah, do you know what I mean?

1:08:09.640 --> 1:08:11.919
<v Speaker 2>Which is like I said, why I did this thing,

1:08:11.920 --> 1:08:15.680
<v Speaker 2>all of these different companies that I've created, But the

1:08:15.960 --> 1:08:19.400
<v Speaker 2>biggest thing now that really lights me up, Jay, is

1:08:19.960 --> 1:08:23.040
<v Speaker 2>seeing what's happening with this new generation of Asian artists.

1:08:23.240 --> 1:08:24.760
<v Speaker 1>I was about to ask you it really is.

1:08:25.000 --> 1:08:29.519
<v Speaker 2>It's crazy. Man. I I am, as you probably know,

1:08:29.640 --> 1:08:33.160
<v Speaker 2>haven't done an album for a long time. Okay, a

1:08:33.200 --> 1:08:35.800
<v Speaker 2>lot of people you man, when you're gonna do another album,

1:08:35.880 --> 1:08:38.640
<v Speaker 2>And you know what my answer always was, there's what

1:08:38.640 --> 1:08:40.519
<v Speaker 2>I said, honestly, is what I used to say. Nobody

1:08:40.520 --> 1:08:44.799
<v Speaker 2>cares about an album anymore. They just want music content.

1:08:45.320 --> 1:08:47.160
<v Speaker 2>If you, let's say your favorite arts, let's just say

1:08:47.200 --> 1:08:49.680
<v Speaker 2>Drake for example. Let's just say you're waiting for a

1:08:49.720 --> 1:08:52.280
<v Speaker 2>Drake album, and it's like a Guys, I'm gonna be

1:08:52.320 --> 1:08:54.920
<v Speaker 2>back in three years. I'm gonna just work really hard

1:08:54.960 --> 1:08:57.360
<v Speaker 2>on this in this day and age that we're in

1:08:57.400 --> 1:09:00.000
<v Speaker 2>with our attention spans, ain't no, I'm waiting three years,

1:09:01.439 --> 1:09:03.120
<v Speaker 2>which is why he could turn one out a year.

1:09:03.960 --> 1:09:07.160
<v Speaker 2>But that's Drake. But people don't want to wait around.

1:09:07.439 --> 1:09:09.120
<v Speaker 2>So I used to just said, I said, forget album.

1:09:09.160 --> 1:09:12.600
<v Speaker 2>That model is old. It's an old notion. I'll just

1:09:12.680 --> 1:09:15.439
<v Speaker 2>keep giving you music. I'll just keep putting it up.

1:09:15.439 --> 1:09:18.080
<v Speaker 2>It's on my Spotify, it's some Apple music. And I

1:09:18.120 --> 1:09:23.080
<v Speaker 2>did that consistently for years, and through doing that, I

1:09:23.240 --> 1:09:24.720
<v Speaker 2>sort of like, you know, just spend a lot of

1:09:24.760 --> 1:09:30.200
<v Speaker 2>time on these streaming platforms. I started discovering all this music,

1:09:30.680 --> 1:09:34.760
<v Speaker 2>which to me was reminiscent of what me and Rishi

1:09:34.800 --> 1:09:36.960
<v Speaker 2>and JUGI were doing twenty years ago. So all of

1:09:36.960 --> 1:09:39.720
<v Speaker 2>a sudden you had these kids from India singing in

1:09:39.720 --> 1:09:43.840
<v Speaker 2>Punjubbi but they're singing over like a drill beat and

1:09:44.240 --> 1:09:48.759
<v Speaker 2>there's like an English vocal on there from some random artists.

1:09:49.160 --> 1:09:51.519
<v Speaker 2>And I was like, this fusion stuff is happening again,

1:09:51.560 --> 1:09:54.679
<v Speaker 2>except this time it's happening with these twenty year old

1:09:54.760 --> 1:09:58.160
<v Speaker 2>kids who are living in India, who have basically grown

1:09:58.200 --> 1:10:00.200
<v Speaker 2>up with access to the Internet from the moment there born.

1:10:00.200 --> 1:10:02.200
<v Speaker 2>They got this device. So yeah, of course they're listened

1:10:02.200 --> 1:10:03.880
<v Speaker 2>to Bollyword and then listen to all this stuff, but

1:10:03.920 --> 1:10:08.040
<v Speaker 2>they're also listening to Travis Scott and they're listening to

1:10:08.479 --> 1:10:12.600
<v Speaker 2>you know, and then Rihanna whatever it is. So that

1:10:12.840 --> 1:10:16.439
<v Speaker 2>was us twenty years ago, and I, when I tell you,

1:10:16.479 --> 1:10:18.760
<v Speaker 2>something happened inside me. It just started bubbling. I was like,

1:10:18.800 --> 1:10:20.559
<v Speaker 2>I need to get in front of these kids. I

1:10:20.600 --> 1:10:23.000
<v Speaker 2>need to soak up their energy. It's that youthful energy,

1:10:23.320 --> 1:10:28.280
<v Speaker 2>that excitement because they're not jaded. They're not they haven't

1:10:28.320 --> 1:10:31.920
<v Speaker 2>even stepped into the industry yet. They're just kids having fun.

1:10:32.360 --> 1:10:34.920
<v Speaker 2>That's who I was twenty years ago, and it lit

1:10:34.960 --> 1:10:37.160
<v Speaker 2>me up and I said to Jeremy, and of course

1:10:37.160 --> 1:10:39.320
<v Speaker 2>it was the best news you ever heard. I was like, Jeremy,

1:10:39.320 --> 1:10:43.439
<v Speaker 2>that's it decided. Man. He was like, you're what an album?

1:10:43.680 --> 1:10:45.400
<v Speaker 2>I was like, yep, and we're going to India. That's

1:10:45.400 --> 1:10:48.519
<v Speaker 2>why we're doing it. He's like, great, never been to India.

1:10:48.640 --> 1:10:49.880
<v Speaker 2>I was like, Oh, this is going to be fun

1:10:49.920 --> 1:10:50.400
<v Speaker 2>for you, bro.

1:10:51.280 --> 1:10:52.000
<v Speaker 1>So we did.

1:10:52.120 --> 1:10:55.120
<v Speaker 2>We went to India this year and I recorded three

1:10:55.160 --> 1:10:58.880
<v Speaker 2>quarters of my album in India with these guys, these

1:10:59.200 --> 1:11:04.559
<v Speaker 2>immenseally talented kids whose faces were just lit up from music.

1:11:04.680 --> 1:11:08.320
<v Speaker 2>There was no journey, they hadn't even been on a

1:11:08.400 --> 1:11:12.000
<v Speaker 2>journey yet. There were no obstacles, there was no problems,

1:11:12.040 --> 1:11:14.160
<v Speaker 2>there were no highs and lows. It was just love

1:11:14.720 --> 1:11:18.040
<v Speaker 2>for music. And this album for me, now, I'm so

1:11:18.200 --> 1:11:21.400
<v Speaker 2>excited about it because again, it came from a place

1:11:21.479 --> 1:11:23.920
<v Speaker 2>of joy and excitement, you know what I mean?

1:11:24.040 --> 1:11:26.760
<v Speaker 1>Yeah, yeah, yeah. And it's so it's so interesting, how

1:11:26.800 --> 1:11:30.360
<v Speaker 1>like even that with the going back to your Rocky

1:11:30.360 --> 1:11:37.160
<v Speaker 1>story example, there's Rocky five where he trains Tommy Gunn Yeah,

1:11:37.200 --> 1:11:39.040
<v Speaker 1>and it's like that whole feeling of he gets his

1:11:39.240 --> 1:11:42.760
<v Speaker 1>enthusiasm back because he's back in there he's with a

1:11:42.840 --> 1:11:45.719
<v Speaker 1>young guy who reminds him of himself, and like, again,

1:11:45.760 --> 1:11:49.519
<v Speaker 1>there's such a need for us to always go and

1:11:49.840 --> 1:11:52.240
<v Speaker 1>be with the beginner again and go to the source again,

1:11:52.280 --> 1:11:54.160
<v Speaker 1>and we miss out on that in life because the

1:11:54.240 --> 1:11:58.080
<v Speaker 1>higher you get again, less randomness I means you spend

1:11:58.160 --> 1:12:00.680
<v Speaker 1>time with the same people. You're not spending time with

1:12:00.720 --> 1:12:03.559
<v Speaker 1>the person who's at the grassroots, who's got their finger

1:12:03.640 --> 1:12:06.840
<v Speaker 1>on the pulse. And all of a sudden again you're disconnected. Yeah,

1:12:06.880 --> 1:12:09.280
<v Speaker 1>you're disconnected, Yeah, completely disconnected.

1:12:09.320 --> 1:12:12.800
<v Speaker 2>And that's so right, man. I felt myself going. I

1:12:12.840 --> 1:12:15.559
<v Speaker 2>felt like through through my journey and through twenty years.

1:12:15.640 --> 1:12:18.679
<v Speaker 2>You know what's really interesting is that it's very easy

1:12:19.200 --> 1:12:22.800
<v Speaker 2>to age yourself out the game, right it is. And

1:12:23.120 --> 1:12:25.880
<v Speaker 2>you know, I think it's funny. I don't know if

1:12:25.880 --> 1:12:27.599
<v Speaker 2>you've ever too, if any of the other artists who

1:12:27.600 --> 1:12:29.559
<v Speaker 2>you've had on your podcast I've ever talked about this

1:12:30.360 --> 1:12:32.720
<v Speaker 2>ageism is a funny thing in the music Yeah, yeah,

1:12:32.720 --> 1:12:35.160
<v Speaker 2>I think we are in the music industry. It's weird, right, Like,

1:12:35.200 --> 1:12:37.559
<v Speaker 2>if you're an actor, it's brilliant. You just get to

1:12:37.560 --> 1:12:40.840
<v Speaker 2>play older roles. Yeah, and sometimes they've become even better

1:12:40.880 --> 1:12:42.400
<v Speaker 2>because they've been active for so many years and.

1:12:42.400 --> 1:12:45.559
<v Speaker 1>Now right, well, now I feel like most like main

1:12:45.640 --> 1:12:48.160
<v Speaker 1>the main actors like in movies are fifty years old, right,

1:12:48.400 --> 1:12:51.000
<v Speaker 1>that's like the standard age if you actually checked their age.

1:12:51.160 --> 1:12:53.760
<v Speaker 2>Yeah, it's really interesting. So in a way, the more

1:12:53.800 --> 1:12:55.639
<v Speaker 2>time you spend there, the more years you put into

1:12:55.640 --> 1:12:58.840
<v Speaker 2>that craft will actually play off. I mean, let's say

1:12:58.880 --> 1:13:01.120
<v Speaker 2>if I was a doctor right now, I'll probably be

1:13:01.160 --> 1:13:03.600
<v Speaker 2>a consultant within a few years. The more years you

1:13:03.640 --> 1:13:06.479
<v Speaker 2>put in, you step up the ladder. And whereas music,

1:13:06.760 --> 1:13:08.840
<v Speaker 2>it's like the more years you put in, it's like

1:13:08.880 --> 1:13:11.720
<v Speaker 2>you're ending. You're going closer towards the finish line, and

1:13:11.720 --> 1:13:13.519
<v Speaker 2>they're like, come mate, enough, now I get off stage.

1:13:13.720 --> 1:13:16.160
<v Speaker 2>No one wants to see a fifty year old dancing around, right,

1:13:16.200 --> 1:13:18.080
<v Speaker 2>And it's a very weird thing. If again, if I

1:13:18.080 --> 1:13:20.760
<v Speaker 2>didn't have a sense of humor about that, I could

1:13:20.800 --> 1:13:23.680
<v Speaker 2>be like, who are you to tell me when to

1:13:23.720 --> 1:13:26.720
<v Speaker 2>stop working? Who are you to tell me I'm too

1:13:26.760 --> 1:13:29.080
<v Speaker 2>old to be on that stage? Who are you to

1:13:29.120 --> 1:13:32.799
<v Speaker 2>tell me that I have not done anything great since

1:13:33.200 --> 1:13:37.320
<v Speaker 2>that song or this song? But I do understand, I

1:13:37.400 --> 1:13:40.360
<v Speaker 2>do understand. It's kind of awkward and cringe worthy. At

1:13:40.360 --> 1:13:43.120
<v Speaker 2>some point if you see some people who aren't self

1:13:43.160 --> 1:13:46.800
<v Speaker 2>aware enough to understand that, Bro, maybe you shouldn't be

1:13:46.880 --> 1:13:50.080
<v Speaker 2>dancing right now, go and sit on a stool. Make

1:13:50.080 --> 1:13:54.799
<v Speaker 2>the song acoustic, and let's just get that audience.

1:13:54.960 --> 1:13:58.080
<v Speaker 1>Yeah, right, Being able to let go of a former

1:13:58.120 --> 1:13:59.799
<v Speaker 1>identity that worked, Yeah.

1:14:00.040 --> 1:14:03.160
<v Speaker 2>That's right. That's so interesting. And the thing is, quite

1:14:03.160 --> 1:14:06.960
<v Speaker 2>often we're frozen in time. I'm frozen in time on

1:14:07.000 --> 1:14:09.439
<v Speaker 2>those plaques in my house and in Jeremy's house, there's

1:14:09.439 --> 1:14:12.760
<v Speaker 2>a baby face Jasehwan, And I look at him, and

1:14:12.800 --> 1:14:15.880
<v Speaker 2>I see that young boy, and I see what he's achieved,

1:14:15.880 --> 1:14:19.479
<v Speaker 2>and I'm proud of him. But I'm also very aware

1:14:20.160 --> 1:14:22.720
<v Speaker 2>that maybe I don't want to keep doing this ten

1:14:22.800 --> 1:14:26.000
<v Speaker 2>years down the line. Who knows, I mean, truth be told.

1:14:26.439 --> 1:14:29.000
<v Speaker 2>I'm sure Snoop and all these guys said that they

1:14:29.000 --> 1:14:29.759
<v Speaker 2>wouldn't be rapping.

1:14:30.360 --> 1:14:34.040
<v Speaker 1>I feel like your favorite artists redoing songs that are

1:14:34.080 --> 1:14:37.400
<v Speaker 1>either nostalgic. I think nostalgia is such a big part

1:14:37.439 --> 1:14:39.760
<v Speaker 1>of music, right, You listen to music to feel that

1:14:39.800 --> 1:14:41.280
<v Speaker 1>way again. To me, exactly like.

1:14:41.439 --> 1:14:42.240
<v Speaker 2>For me with us, she too.

1:14:42.240 --> 1:14:43.360
<v Speaker 1>I don't think I should have made a load of

1:14:43.439 --> 1:14:45.360
<v Speaker 1>new music in recently, it's like to me when he

1:14:45.960 --> 1:14:49.240
<v Speaker 1>did You Remind Me, obviously, and there was this scene

1:14:49.240 --> 1:14:53.160
<v Speaker 1>in that You Remind Me video where the song shuts off,

1:14:53.200 --> 1:14:56.559
<v Speaker 1>but he's on that silhouette of that, you know, the

1:14:56.600 --> 1:14:58.759
<v Speaker 1>son's in the background, and he did that on stage

1:14:58.800 --> 1:15:00.559
<v Speaker 1>and for me, I was just like, that's all I

1:15:00.560 --> 1:15:03.000
<v Speaker 1>want to see because to me, it's like that is

1:15:03.080 --> 1:15:05.240
<v Speaker 1>exactly where I was at sixteen. I remember trying to

1:15:05.240 --> 1:15:09.400
<v Speaker 1>do the moves and failing exactly, and I still anything.

1:15:09.479 --> 1:15:12.479
<v Speaker 1>I don't dance. Yeah, but that's the thing. And it's

1:15:12.479 --> 1:15:14.840
<v Speaker 1>like if Eminem picks up a mike ever, I will

1:15:14.960 --> 1:15:16.840
<v Speaker 1>be there. I will just sit and watch. I mean,

1:15:17.120 --> 1:15:19.920
<v Speaker 1>I mean watching Beckham in his documentary Take three Kicks

1:15:20.240 --> 1:15:22.760
<v Speaker 1>and Happily words, David Beckham play football any day of

1:15:22.800 --> 1:15:25.400
<v Speaker 1>the week because there's there's a feeling there that you'll

1:15:25.439 --> 1:15:29.639
<v Speaker 1>never get because nostalgia is built that way. Nostalgia will

1:15:29.640 --> 1:15:33.439
<v Speaker 1>never change. Like if you had a positive experience watching Rocky.

1:15:33.720 --> 1:15:35.800
<v Speaker 1>I can still watch Rocky because me and my dad

1:15:35.880 --> 1:15:38.400
<v Speaker 1>used to watch Rocky together, so it will never Rocky

1:15:38.439 --> 1:15:42.280
<v Speaker 1>will never ever be old or boring for me because

1:15:42.360 --> 1:15:45.400
<v Speaker 1>you know, I've watched Rocky a million times, Bro, every

1:15:45.520 --> 1:15:47.639
<v Speaker 1>word of all of them, even Rocky five, even though

1:15:47.640 --> 1:15:49.840
<v Speaker 1>they say it's a bad one. I still love Rocky

1:15:50.360 --> 1:15:51.479
<v Speaker 1>love it right.

1:15:51.720 --> 1:15:54.120
<v Speaker 2>But Bro, you you bring up such a good point.

1:15:54.200 --> 1:15:56.840
<v Speaker 2>It's such a true point. Yeah, which is why I mean,

1:15:56.880 --> 1:15:58.280
<v Speaker 2>if you go to Vegas White why all of the

1:15:58.320 --> 1:16:01.640
<v Speaker 2>biggest acts are noster I act. But they put you

1:16:01.680 --> 1:16:04.680
<v Speaker 2>in a place where you just feel they transport you

1:16:04.720 --> 1:16:07.080
<v Speaker 2>back in time. What can ever transport you back in time?

1:16:07.080 --> 1:16:10.320
<v Speaker 2>As well as music? Does you know where you were,

1:16:10.400 --> 1:16:12.320
<v Speaker 2>what you were wearing, what girl you were dating? You

1:16:12.360 --> 1:16:14.080
<v Speaker 2>know all of that stuff. You know, when you listen

1:16:14.160 --> 1:16:16.120
<v Speaker 2>to a song, you know where you were, and it's

1:16:16.400 --> 1:16:19.240
<v Speaker 2>a beautiful thing. But it's really funny. You reminded me

1:16:19.320 --> 1:16:22.840
<v Speaker 2>of something when he said about the Rocky thing, right,

1:16:22.880 --> 1:16:26.080
<v Speaker 2>and you were saying again just to go back to that.

1:16:26.680 --> 1:16:29.680
<v Speaker 2>The other day when I was watching a document his documentary,

1:16:29.720 --> 1:16:31.360
<v Speaker 2>and I'm not not going to spoil anything for you.

1:16:32.000 --> 1:16:34.200
<v Speaker 2>There's some of the scenes are in his house in LA.

1:16:34.640 --> 1:16:35.639
<v Speaker 2>You've probably been to his house.

1:16:35.880 --> 1:16:37.600
<v Speaker 1>I haven't. I haven't. I've only met him once and

1:16:37.640 --> 1:16:39.840
<v Speaker 1>he was amazing. Dude. Yeah, I've only met once and

1:16:39.840 --> 1:16:40.320
<v Speaker 1>he's amazing.

1:16:41.280 --> 1:16:43.320
<v Speaker 2>I hope. I'm so glad he lived up to what.

1:16:45.680 --> 1:16:49.559
<v Speaker 2>But here's a guy who's been acting for what fifty

1:16:49.600 --> 1:16:52.600
<v Speaker 2>years now, fifty fifty years in the game, and what

1:16:52.720 --> 1:16:57.040
<v Speaker 2>was his biggest breakthrough here? Rocky Rocky one biggest breakthrough here?

1:16:57.240 --> 1:17:01.240
<v Speaker 2>But then fifty years of more films. Now, if Sylvester

1:17:01.320 --> 1:17:04.600
<v Speaker 2>Stallone is walking down Sunset Boulevard and me and my

1:17:04.680 --> 1:17:07.120
<v Speaker 2>maid or whoever was there and they saw him, oh

1:17:07.160 --> 1:17:11.160
<v Speaker 2>my god, or just any person sees him, what do

1:17:11.200 --> 1:17:17.200
<v Speaker 2>you think he hears every day of his life? Your Rocky? Right,

1:17:17.560 --> 1:17:20.559
<v Speaker 2>that's what we do. Now. He could take that in

1:17:20.560 --> 1:17:22.280
<v Speaker 2>one of two ways, couldn't he. He could either go

1:17:22.520 --> 1:17:25.360
<v Speaker 2>shut up, I've done like a hundred films what he

1:17:25.439 --> 1:17:28.479
<v Speaker 2>keep going back to Rocky? Or he could go, yo,

1:17:29.320 --> 1:17:32.679
<v Speaker 2>I get it because I love Rocky too, and Rocky

1:17:32.840 --> 1:17:35.240
<v Speaker 2>for me changed my life. And I know you guys

1:17:35.280 --> 1:17:39.120
<v Speaker 2>love Rocky totally. And he took Rocky his baby that

1:17:39.240 --> 1:17:41.960
<v Speaker 2>changed his whole life. And instead of rejecting it and

1:17:42.000 --> 1:17:45.360
<v Speaker 2>going you remind me of the fact that maybe I've

1:17:45.400 --> 1:17:48.120
<v Speaker 2>never topped you, instead of doing that, He's like, come here,

1:17:48.200 --> 1:17:53.080
<v Speaker 2>I'll put a massive statue of myself as Rocky in

1:17:53.200 --> 1:17:55.960
<v Speaker 2>my swimming pool in my house, and I will have

1:17:56.160 --> 1:17:59.360
<v Speaker 2>all the Rocky memorabilia all around my house and I

1:17:59.360 --> 1:18:02.519
<v Speaker 2>will embrace you and I will be grateful for you. Yeah,

1:18:03.000 --> 1:18:06.840
<v Speaker 2>and that I really love that because I think the

1:18:06.840 --> 1:18:09.400
<v Speaker 2>problem as artists is that sometimes we want to when

1:18:09.400 --> 1:18:11.679
<v Speaker 2>we do a show, right, people are waiting.

1:18:11.720 --> 1:18:11.840
<v Speaker 1>Man.

1:18:11.880 --> 1:18:15.080
<v Speaker 2>You go see Michael Jackson. It's Michael Jackson. He has

1:18:15.200 --> 1:18:17.479
<v Speaker 2>some of the biggest best songs on planet Earth, one

1:18:17.479 --> 1:18:19.960
<v Speaker 2>of the biggest pop stars that ever lived. What are

1:18:20.000 --> 1:18:25.439
<v Speaker 2>people waiting for? And you want to see him do

1:18:25.520 --> 1:18:30.519
<v Speaker 2>his dance and moonwalk and he's probably like, I'm Michael

1:18:30.640 --> 1:18:33.200
<v Speaker 2>Jackson and that's what you're waiting for, bijeon.

1:18:33.760 --> 1:18:35.160
<v Speaker 1>Oh great, of.

1:18:35.120 --> 1:18:38.200
<v Speaker 2>Course they are, because that's why they fell in love

1:18:38.240 --> 1:18:39.880
<v Speaker 2>with him, and that's why they fell in love with

1:18:40.000 --> 1:18:43.400
<v Speaker 2>Rocky and they're the people who for me in American man,

1:18:43.439 --> 1:18:45.200
<v Speaker 2>they fall in love with down. So when I do

1:18:45.240 --> 1:18:47.800
<v Speaker 2>my shows and stuff like that, whatever it is, even

1:18:47.800 --> 1:18:50.919
<v Speaker 2>if I've got new songs, I'm not turning my concert

1:18:50.920 --> 1:18:54.120
<v Speaker 2>into me. I'm not turning it into Hey, guys, I

1:18:54.160 --> 1:18:55.800
<v Speaker 2>know that you loads of songs that you guys want

1:18:55.840 --> 1:18:57.599
<v Speaker 2>to hear, but I'm actually gonna spend the next forty

1:18:57.600 --> 1:19:00.000
<v Speaker 2>five minutes singing my brand new album not doing it.

1:19:00.160 --> 1:19:02.519
<v Speaker 2>They don't care because they don't know it. The show's

1:19:02.520 --> 1:19:02.840
<v Speaker 2>for them.

1:19:03.000 --> 1:19:05.240
<v Speaker 1>Yeah. Right, It's such a good point. And I love

1:19:05.320 --> 1:19:07.920
<v Speaker 1>this idea of you know, every we all and whether

1:19:07.960 --> 1:19:12.000
<v Speaker 1>it's age, whether it's time, whether it's changes in life,

1:19:12.080 --> 1:19:14.400
<v Speaker 1>there is a part of your identity where you have

1:19:14.479 --> 1:19:16.360
<v Speaker 1>to shad, you have to let go, like everyone has

1:19:16.400 --> 1:19:19.519
<v Speaker 1>to do that. And what's amazing is I actually saw

1:19:19.600 --> 1:19:21.800
<v Speaker 1>what you just said you don't do happen recently. I

1:19:21.800 --> 1:19:23.800
<v Speaker 1>won't name the aryst I'll tell you after it. I'll

1:19:23.800 --> 1:19:26.559
<v Speaker 1>tell you after it. Right. So it comes on stage

1:19:26.840 --> 1:19:30.639
<v Speaker 1>and we're waiting for this song, right, waiting and he's

1:19:30.760 --> 1:19:33.559
<v Speaker 1>he's the he's the first act before the main stage.

1:19:33.560 --> 1:19:35.479
<v Speaker 1>But it's still an artist that I love, and I'm

1:19:35.479 --> 1:19:38.000
<v Speaker 1>waiting for the song. The beat comes on and we're

1:19:38.160 --> 1:19:40.479
<v Speaker 1>all there and yes, like me and Radi and our

1:19:40.479 --> 1:19:43.599
<v Speaker 1>friends that we went, we're really excited. And then ten

1:19:43.960 --> 1:19:47.040
<v Speaker 1>seconds into the track they cut the beat and he goes,

1:19:47.360 --> 1:19:49.320
<v Speaker 1>you think I'm going to do that? Here he goes,

1:19:49.360 --> 1:19:50.560
<v Speaker 1>you think I'm going to give you that alsong? He

1:19:50.560 --> 1:19:52.599
<v Speaker 1>goes in Oh, thirty years of songs to give you,

1:19:52.920 --> 1:19:55.280
<v Speaker 1>and then he goes plays all these songs that we

1:19:55.280 --> 1:19:57.840
<v Speaker 1>didn't recognize and he actually did that, and it was like,

1:19:58.000 --> 1:19:59.800
<v Speaker 1>I was like, you just took away my moment, Bro.

1:20:00.160 --> 1:20:02.720
<v Speaker 1>I wanted you to do that song. Not because I'm

1:20:02.760 --> 1:20:05.280
<v Speaker 1>limiting you, not because I think you have no other hits.

1:20:05.320 --> 1:20:09.479
<v Speaker 1>You actually a really talented but that song is so

1:20:09.560 --> 1:20:12.320
<v Speaker 1>special and iconic. Yeah, that I need to hear it.

1:20:12.320 --> 1:20:13.040
<v Speaker 2>I need to hear it.

1:20:13.120 --> 1:20:15.160
<v Speaker 1>And I felt like ten seconds of it was all

1:20:15.160 --> 1:20:16.559
<v Speaker 1>he gave us. And then and then he never went

1:20:16.600 --> 1:20:17.800
<v Speaker 1>back to it, and I thought, oh, maybe he gave

1:20:17.800 --> 1:20:20.760
<v Speaker 1>it ten seconds, he'll go back set finished. Didn't get it,

1:20:20.840 --> 1:20:22.920
<v Speaker 1>you know. And that's exactly that feeling.

1:20:22.720 --> 1:20:23.920
<v Speaker 2>Of our own stuff.

1:20:23.920 --> 1:20:26.759
<v Speaker 1>But you're saying we're dealing with that. We're all dealing

1:20:26.800 --> 1:20:30.960
<v Speaker 1>with that. We all have a trapped identity somewhere. All

1:20:31.040 --> 1:20:34.599
<v Speaker 1>of us have what you're saying somewhere, and somehow we're

1:20:34.640 --> 1:20:38.599
<v Speaker 1>actually mad at it, right, it's annoyed by it rather

1:20:38.680 --> 1:20:42.000
<v Speaker 1>than welcoming and embracing it. And I think about that,

1:20:42.040 --> 1:20:43.960
<v Speaker 1>it's been ten years since I left the monastery. I'm

1:20:44.000 --> 1:20:48.920
<v Speaker 1>a very different externally, a very different person. Today, I'm married, businesses,

1:20:49.000 --> 1:20:51.639
<v Speaker 1>we have you know, media, we change where we live,

1:20:51.760 --> 1:20:53.880
<v Speaker 1>like so many things. But in my heart, I'm the

1:20:53.920 --> 1:20:57.120
<v Speaker 1>same person. I'm a very different Externally, my life has

1:20:57.120 --> 1:21:00.280
<v Speaker 1>different things. Of course I've changed. People change to me,

1:21:00.280 --> 1:21:03.479
<v Speaker 1>they've changed, but I embraced that experience. It's a massive

1:21:03.520 --> 1:21:06.320
<v Speaker 1>part of me. But I found that whether you embrace

1:21:06.439 --> 1:21:09.599
<v Speaker 1>or reject, people always have an issue with it because

1:21:09.640 --> 1:21:12.240
<v Speaker 1>it doesn't make sense to them if it doesn't fit

1:21:12.280 --> 1:21:15.720
<v Speaker 1>into their version of how they perceive you. It's complicated,

1:21:15.760 --> 1:21:18.559
<v Speaker 1>and I think for me, I've I've learned to accept

1:21:18.600 --> 1:21:21.519
<v Speaker 1>that I need to give myself permission to be who

1:21:21.560 --> 1:21:24.519
<v Speaker 1>I am today, to be who I was ten years

1:21:24.560 --> 1:21:27.120
<v Speaker 1>ago and who I will be ten years from now,

1:21:27.560 --> 1:21:30.000
<v Speaker 1>and I promise you it won't be the same. And

1:21:30.040 --> 1:21:32.760
<v Speaker 1>I need to give myself permission to allow that. And

1:21:32.800 --> 1:21:35.000
<v Speaker 1>I think we when you see, like you said, when

1:21:35.040 --> 1:21:37.840
<v Speaker 1>you see silves and give himself permission, I was. We

1:21:37.880 --> 1:21:40.640
<v Speaker 1>had Arnold Schwarzninger on the podcast. He's the same. He

1:21:40.680 --> 1:21:44.320
<v Speaker 1>has he has the original Terminator outfit in his place,

1:21:44.360 --> 1:21:48.160
<v Speaker 1>he has alien, he has everything, and he loves it

1:21:48.240 --> 1:21:50.519
<v Speaker 1>like he really loves it. And I love him for

1:21:50.560 --> 1:21:53.640
<v Speaker 1>it because I'm like, yeah, bro, you to you of

1:21:53.680 --> 1:21:56.519
<v Speaker 1>course you should. You crushed it and you're not trying.

1:21:56.560 --> 1:21:58.639
<v Speaker 1>He's not trying to be determinator anymore. He's not trying

1:21:58.640 --> 1:22:00.479
<v Speaker 1>to be But he loves it. He loves was doing

1:22:00.880 --> 1:22:03.200
<v Speaker 1>we want. My social media manager asked him a question

1:22:03.240 --> 1:22:04.160
<v Speaker 1>on the way out, and they said, do you have

1:22:04.200 --> 1:22:07.439
<v Speaker 1>any last words? And you're like, I'll be bad, you know, like, oh,

1:22:07.640 --> 1:22:09.439
<v Speaker 1>he loves it, and I love it, and I love

1:22:09.520 --> 1:22:09.760
<v Speaker 1>it and.

1:22:10.680 --> 1:22:11.639
<v Speaker 2>Give him what they want.

1:22:11.760 --> 1:22:13.360
<v Speaker 1>Yeah, and I love him for it. And he's not

1:22:13.600 --> 1:22:16.800
<v Speaker 1>he's not disingenuous, he's not inauthentic, he's not stuck in

1:22:16.800 --> 1:22:19.800
<v Speaker 1>the past. He's a really he was great to chat to.

1:22:19.880 --> 1:22:22.200
<v Speaker 1>And so yeah, man, all these people were talking about

1:22:22.200 --> 1:22:24.960
<v Speaker 1>but Jay, I could talk to you for hours. I

1:22:24.960 --> 1:22:27.959
<v Speaker 1>think we have. Yeah, we have been. I could genuinely

1:22:28.000 --> 1:22:29.479
<v Speaker 1>talk to you guys, and I love this and I

1:22:29.520 --> 1:22:31.920
<v Speaker 1>think we've What I love about this conversation, genuine is

1:22:32.120 --> 1:22:34.760
<v Speaker 1>I feel like we've drawn like you pulled out Rocky,

1:22:34.880 --> 1:22:36.760
<v Speaker 1>and I think because we have that, we we've drawn

1:22:36.800 --> 1:22:38.880
<v Speaker 1>this really nice arc and narrative for people. And I

1:22:38.920 --> 1:22:42.040
<v Speaker 1>hope everyone who's listening and watching this I really hope

1:22:42.080 --> 1:22:45.200
<v Speaker 1>that you find your own rocky journey, like genuinely in

1:22:45.240 --> 1:22:47.599
<v Speaker 1>your own way as you've seen mirrored in your life

1:22:47.600 --> 1:22:50.479
<v Speaker 1>that you've shared so wonderfully today. But Jay, we end

1:22:50.600 --> 1:22:53.439
<v Speaker 1>every episode with a final five or the Fast five.

1:22:53.880 --> 1:22:56.320
<v Speaker 1>Jay Sean Dizzi your Fast five. The first question is

1:22:56.920 --> 1:22:59.479
<v Speaker 1>what is the best advice you've ever heard or received?

1:23:00.240 --> 1:23:03.360
<v Speaker 2>Spend so much time on self improvement that you have

1:23:03.439 --> 1:23:05.519
<v Speaker 2>no time to criticize. Others love it.

1:23:05.600 --> 1:23:07.439
<v Speaker 1>That is great advice and no one's ever said it

1:23:07.439 --> 1:23:10.400
<v Speaker 1>on the show. Second question, what is the worst advice

1:23:10.439 --> 1:23:11.599
<v Speaker 1>you've ever heard or received?

1:23:11.840 --> 1:23:14.120
<v Speaker 2>It sounds so stupid, but it's like when you get

1:23:14.439 --> 1:23:17.600
<v Speaker 2>the big money, nobody told me how to spend it

1:23:17.720 --> 1:23:20.720
<v Speaker 2>or invest it? So great point, right, And nobody told

1:23:20.760 --> 1:23:23.760
<v Speaker 2>me anyway about that go buy some houses instead of like,

1:23:23.840 --> 1:23:25.760
<v Speaker 2>you know, wasting on stuff like that. So I wish

1:23:25.800 --> 1:23:29.000
<v Speaker 2>I actually got some advice on that how to manage money.

1:23:29.080 --> 1:23:31.760
<v Speaker 1>Yeah, that's good, that's good. I hope, I hope all Yeah,

1:23:31.800 --> 1:23:34.120
<v Speaker 1>I hope everyone is coming into new money is hearing that?

1:23:34.920 --> 1:23:40.480
<v Speaker 1>Question Number three, what has been the gift of parenting

1:23:40.520 --> 1:23:43.599
<v Speaker 1>that you didn't expect? Because I know you're a great dad, and.

1:23:43.520 --> 1:23:46.280
<v Speaker 2>That is no longer. The world is no longer about me,

1:23:46.360 --> 1:23:48.840
<v Speaker 2>My job is no longer about me, My life is

1:23:48.840 --> 1:23:51.120
<v Speaker 2>no longer about me. It's all about It's all for

1:23:51.200 --> 1:23:53.840
<v Speaker 2>my kids. All of this now is for my kids.

1:23:54.360 --> 1:23:56.920
<v Speaker 2>And it's the most beautiful thing. Is there's nothing more

1:23:57.360 --> 1:24:00.760
<v Speaker 2>that grounding. You know, then when you can be a

1:24:00.800 --> 1:24:03.280
<v Speaker 2>pop star and famous around the world, but you come

1:24:03.280 --> 1:24:06.040
<v Speaker 2>home and you're just daddy. It really is the cutest.

1:24:07.040 --> 1:24:09.800
<v Speaker 1>Question Number four, What is the thing that surprised you

1:24:09.880 --> 1:24:11.920
<v Speaker 1>most about the music industry in twenty years?

1:24:12.680 --> 1:24:15.240
<v Speaker 2>How much how much of a change technology would have

1:24:15.240 --> 1:24:18.920
<v Speaker 2>on it. It's literally flipped it on its head. It

1:24:19.040 --> 1:24:21.599
<v Speaker 2>is a totally different animal. There's one hundred and twenty

1:24:21.680 --> 1:24:25.719
<v Speaker 2>thousand new songs that come out every day now every day,

1:24:25.760 --> 1:24:29.120
<v Speaker 2>every day, one hundred and twenty thousand new songs come out.

1:24:29.560 --> 1:24:31.519
<v Speaker 2>So you imagine trying to put get yours is just

1:24:31.520 --> 1:24:34.519
<v Speaker 2>a needle in a haystack. And so many people can

1:24:34.520 --> 1:24:36.760
<v Speaker 2>be independent. You could do whatever you want. Don't need

1:24:36.760 --> 1:24:38.559
<v Speaker 2>that big record deal anymore. Although I do have a

1:24:38.560 --> 1:24:42.679
<v Speaker 2>record company that I've started for South Asian Talent that

1:24:42.680 --> 1:24:44.080
<v Speaker 2>that's my way of giving back.

1:24:44.320 --> 1:24:45.280
<v Speaker 1>I'm so excited about that.

1:24:45.280 --> 1:24:47.280
<v Speaker 2>But yeah, and that's what I want to use all

1:24:47.280 --> 1:24:48.160
<v Speaker 2>of my twenty years for.

1:24:48.280 --> 1:24:48.439
<v Speaker 1>Bro.

1:24:48.840 --> 1:24:50.760
<v Speaker 2>All of my experience is to now pass it on

1:24:50.800 --> 1:24:53.720
<v Speaker 2>to the next generation. So I have experienced it, I

1:24:53.800 --> 1:24:56.040
<v Speaker 2>know all about it now, so now it's my turn

1:24:56.120 --> 1:24:57.439
<v Speaker 2>to be able to help other people through.

1:24:57.560 --> 1:24:59.160
<v Speaker 1>I love that you're doing that as well, because I

1:24:59.200 --> 1:25:02.919
<v Speaker 1>think there's your need for that support. I was probably

1:25:02.960 --> 1:25:05.719
<v Speaker 1>the two you know, I was the guy watching jump

1:25:05.760 --> 1:25:08.000
<v Speaker 1>off but too scared to go on. Right, that's it,

1:25:08.360 --> 1:25:08.720
<v Speaker 1>you know, I.

1:25:08.680 --> 1:25:09.160
<v Speaker 2>Know you love.

1:25:12.160 --> 1:25:15.840
<v Speaker 1>I think the age, but but no that idea of

1:25:15.880 --> 1:25:17.920
<v Speaker 1>like there's just I think there's any I'm so happy

1:25:17.960 --> 1:25:19.679
<v Speaker 1>that you're doing that. Honestly, when I heard about that,

1:25:19.680 --> 1:25:22.519
<v Speaker 1>that was amazing. And so Sata can't come to the event.

1:25:22.560 --> 1:25:24.559
<v Speaker 1>I was on a plane. I was out of town.

1:25:25.080 --> 1:25:27.960
<v Speaker 1>Fifth and final question, if you could create one law

1:25:28.240 --> 1:25:30.599
<v Speaker 1>that everyone in the world had to follow, what would

1:25:30.640 --> 1:25:30.880
<v Speaker 1>it be?

1:25:31.439 --> 1:25:34.479
<v Speaker 2>The obvious thing for me to think that the world

1:25:34.560 --> 1:25:38.479
<v Speaker 2>is missing right now is kindness. So what if there

1:25:38.520 --> 1:25:41.880
<v Speaker 2>was a law that every person that you meet you

1:25:42.040 --> 1:25:44.479
<v Speaker 2>had to do a kind act. But if there was

1:25:44.520 --> 1:25:47.280
<v Speaker 2>a law that you had to do one random act

1:25:47.320 --> 1:25:50.000
<v Speaker 2>of kindness a day and I think that could go

1:25:50.120 --> 1:25:51.920
<v Speaker 2>on to make the world a better place.

1:25:52.040 --> 1:25:54.200
<v Speaker 1>Yeah, that would beauty, I think so. I love it.

1:25:54.240 --> 1:25:55.760
<v Speaker 2>Even if you didn't want to do it, if it

1:25:55.800 --> 1:25:57.080
<v Speaker 2>was a law and you knew you had to do

1:25:57.240 --> 1:25:59.080
<v Speaker 2>a random act of kindness for somebody, that could have

1:25:59.120 --> 1:26:00.160
<v Speaker 2>a knock on effect.

1:26:00.040 --> 1:26:01.680
<v Speaker 1>Because it would make you do it even end of

1:26:01.760 --> 1:26:03.760
<v Speaker 1>the day, like you exact figure it out. Yeah, I

1:26:03.800 --> 1:26:06.519
<v Speaker 1>love it, Jay, Sean. Everyone, I'm so grateful Jay, thank

1:26:06.560 --> 1:26:07.400
<v Speaker 1>you so much for coming on.

1:26:07.520 --> 1:26:09.240
<v Speaker 2>Thank you bro, thank you for having me.

1:26:09.320 --> 1:26:10.679
<v Speaker 1>Yeah, no, this is so much fun.

1:26:11.000 --> 1:26:12.080
<v Speaker 2>I knew it would be. I mean, it would be

1:26:12.160 --> 1:26:13.800
<v Speaker 2>yapping on for hours. I don't even know how long.

1:26:13.960 --> 1:26:15.800
<v Speaker 1>I don't know. I'd have to ask these guys. But no,

1:26:15.920 --> 1:26:18.200
<v Speaker 1>that was awesome man. Thank you so excited for people

1:26:18.240 --> 1:26:21.120
<v Speaker 1>to continue to listen to your new album on Spotify?

1:26:21.640 --> 1:26:23.439
<v Speaker 1>And where do you Where do you like as an

1:26:23.479 --> 1:26:25.560
<v Speaker 1>Actually that's a great question as a musician. Where do

1:26:25.600 --> 1:26:27.680
<v Speaker 1>you like people to discover your work? Now?

1:26:27.680 --> 1:26:30.160
<v Speaker 2>Well, the streaming obviously, the streaming platforms is where it's

1:26:30.160 --> 1:26:32.080
<v Speaker 2>all at, right, so everybody knows that whatever they have

1:26:32.080 --> 1:26:35.080
<v Speaker 2>a favorite stream but whatever you like it will obviously

1:26:35.080 --> 1:26:38.360
<v Speaker 2>be up on there. But really, Also, I love being

1:26:38.400 --> 1:26:39.160
<v Speaker 2>on TikTok man.

1:26:39.400 --> 1:26:39.960
<v Speaker 1>I know you do.

1:26:40.160 --> 1:26:43.519
<v Speaker 2>You know, TikTok for me is actually a really cathartic

1:26:43.560 --> 1:26:46.679
<v Speaker 2>tool because it allows me to my silly, goofy sense

1:26:46.680 --> 1:26:48.720
<v Speaker 2>of humor I allowed. It allows me to just be

1:26:48.760 --> 1:26:51.120
<v Speaker 2>a human being rather than just an artist. So yeah,

1:26:51.120 --> 1:26:52.880
<v Speaker 2>if you guys want to just follow me on TikTok,

1:26:52.880 --> 1:26:55.040
<v Speaker 2>it's just at jay Sean and all all of the

1:26:55.120 --> 1:26:57.639
<v Speaker 2>usual stuff is very easy. It's just at Jayshan everywhere.

1:26:57.720 --> 1:27:00.200
<v Speaker 2>So yeah, man, brother, thank you so much.

1:27:00.240 --> 1:27:03.160
<v Speaker 1>Fun man ma man, if you love this episode, you'll

1:27:03.280 --> 1:27:07.639
<v Speaker 1>really enjoy my episode with Selena Gomez on befriending your

1:27:07.680 --> 1:27:11.680
<v Speaker 1>inner critic and how to speak to yourself with more compassion.

1:27:12.120 --> 1:27:15.800
<v Speaker 2>My fears are only going to continue to show me

1:27:15.880 --> 1:27:19.040
<v Speaker 2>what I'm capable of. The more that I face my fears,

1:27:19.120 --> 1:27:22.679
<v Speaker 2>the more that I feel I'm gaining strength, I'm gaining wisdom,

1:27:22.800 --> 1:27:24.559
<v Speaker 2>and I just want to keep doing that.