WEBVTT - Bill Curbishley

0:00:08.600 --> 0:00:12.240
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left That's Podcast.

0:00:12.760 --> 0:00:17.520
<v Speaker 1>My guest today is manager Bill Kurbish, Lick Bill, how

0:00:17.560 --> 0:00:19.960
<v Speaker 1>are we doing? Okay, So, how did you get the

0:00:21.040 --> 0:00:23.560
<v Speaker 1>How did I get the who? Or how did they

0:00:23.600 --> 0:00:29.159
<v Speaker 1>get me? Well? I got the who because in the

0:00:29.280 --> 0:00:33.040
<v Speaker 1>very early days one of my oldest pals from school

0:00:33.320 --> 0:00:36.360
<v Speaker 1>two were very early days. Put a year on it. Well,

0:00:37.000 --> 0:00:40.720
<v Speaker 1>when I was a boy, Okay, when in my early years,

0:00:40.760 --> 0:00:43.600
<v Speaker 1>I went to school with two guys, Chris Stamp and

0:00:43.880 --> 0:00:46.600
<v Speaker 1>Mike Sure. Oh, I didn't know you that far back. Yeah,

0:00:46.720 --> 0:00:49.160
<v Speaker 1>we were scored together, and then we we left school.

0:00:49.200 --> 0:00:54.000
<v Speaker 1>We became MUDs in our teenage years. Anyway, Mike Shure

0:00:54.160 --> 0:00:58.280
<v Speaker 1>was constantly on at me about going with Oh he

0:00:58.360 --> 0:01:03.040
<v Speaker 1>was originally a lightened director for a comedian called Normal Wisdom.

0:01:03.120 --> 0:01:07.319
<v Speaker 1>And they then got together and they they were messing

0:01:07.360 --> 0:01:11.120
<v Speaker 1>around trying to create an independent label. Okay, this was

0:01:11.200 --> 0:01:15.640
<v Speaker 1>Christap and your other friends. Yeah, and along with then

0:01:16.000 --> 0:01:20.040
<v Speaker 1>Stamp got together with Kit Lambert. So eventually Mike Share

0:01:20.400 --> 0:01:24.319
<v Speaker 1>persuaded me. He said, listen, like music has been your life.

0:01:24.480 --> 0:01:26.880
<v Speaker 1>You know, we've been powered since we're at school, Come

0:01:26.920 --> 0:01:28.880
<v Speaker 1>in with us. So I went in with them. What

0:01:29.040 --> 0:01:33.680
<v Speaker 1>year was that? That was seventy, so that is the

0:01:33.760 --> 0:01:37.520
<v Speaker 1>year of the Timmy tour. In Who Live It leads

0:01:37.560 --> 0:01:44.080
<v Speaker 1>exactly around that period. And unfortunately it wasn't long before

0:01:44.120 --> 0:01:48.640
<v Speaker 1>I realized that both Chris and Kit we're suffering the

0:01:48.720 --> 0:01:55.280
<v Speaker 1>vagaries of excess drugs, different stuff, different ship. So um

0:01:55.320 --> 0:01:58.240
<v Speaker 1>I had a quick learning curve in that sense, and

0:01:58.320 --> 0:02:01.720
<v Speaker 1>I had to try and keep the ship afloat. And

0:02:01.760 --> 0:02:05.200
<v Speaker 1>we had over the that couple of years prior to

0:02:05.280 --> 0:02:09.040
<v Speaker 1>them really getting themselves in trouble, we acquired a lot

0:02:09.080 --> 0:02:11.960
<v Speaker 1>of really good artists. You know. We had Jimmy Hendrix,

0:02:12.440 --> 0:02:15.119
<v Speaker 1>he was brought to us by Chess Chandler from the Animals.

0:02:15.800 --> 0:02:20.720
<v Speaker 1>We had Mirk bol and t Rex and thunder Clapped Nerman,

0:02:21.440 --> 0:02:27.280
<v Speaker 1>and we were one of three small independent labels. Really

0:02:27.400 --> 0:02:30.639
<v Speaker 1>we had Trek Records. The only others were Chrysalist and

0:02:30.720 --> 0:02:36.000
<v Speaker 1>Charisma at that time, so it was quite innovative. And

0:02:36.919 --> 0:02:40.519
<v Speaker 1>we were dealing with Polydor PolyGram Polydor Records, which was

0:02:40.600 --> 0:02:44.600
<v Speaker 1>mainly a German company and as far as I and

0:02:44.680 --> 0:02:48.440
<v Speaker 1>R went, they didn't have much. So we did a

0:02:48.520 --> 0:02:51.040
<v Speaker 1>tape lease still with them, which enabled us to give

0:02:51.080 --> 0:02:54.760
<v Speaker 1>our artists, quite a very good royalty. But then we split.

0:02:55.080 --> 0:02:58.880
<v Speaker 1>We had a profit split with the distributor, so we

0:02:58.880 --> 0:03:04.280
<v Speaker 1>were often running. However, um Kit and Chris died really

0:03:04.280 --> 0:03:06.760
<v Speaker 1>suffering from their excesses. And I was a little bit

0:03:06.840 --> 0:03:10.000
<v Speaker 1>naive in away because I thought that they were really

0:03:10.080 --> 0:03:13.960
<v Speaker 1>just like banging away out cocaine and bows, but they

0:03:13.960 --> 0:03:17.520
<v Speaker 1>were doing smack. And there's only it's a one way road.

0:03:17.800 --> 0:03:21.160
<v Speaker 1>There's only one it takes. It takes the fire away

0:03:21.200 --> 0:03:26.919
<v Speaker 1>from you, you know so. And also my great pal

0:03:27.040 --> 0:03:30.200
<v Speaker 1>Mike Sure, he suffered a car crash. He was taking

0:03:31.560 --> 0:03:34.640
<v Speaker 1>some lights and stuff up to the cavern in Liverpool,

0:03:34.880 --> 0:03:38.520
<v Speaker 1>which is famous of course the Beatles, and he was

0:03:38.560 --> 0:03:40.320
<v Speaker 1>in the van and he hit a patch of fog

0:03:40.640 --> 0:03:43.480
<v Speaker 1>on the motorway. He hit some fog and they found

0:03:43.560 --> 0:03:46.560
<v Speaker 1>him the other side of the motorway and as a

0:03:46.600 --> 0:03:53.840
<v Speaker 1>consequence of the car crash he became quadriplegic. However, he

0:03:53.920 --> 0:03:56.720
<v Speaker 1>had a great music, suns, great mind, and he continued

0:03:56.760 --> 0:03:59.880
<v Speaker 1>to work with me for several years after that, quite

0:03:59.880 --> 0:04:02.400
<v Speaker 1>an number of years, but it was left to me

0:04:02.480 --> 0:04:05.760
<v Speaker 1>in a sense to steer the ship. And at that

0:04:06.040 --> 0:04:09.360
<v Speaker 1>time as well, we were heavily heavily involved in the

0:04:09.520 --> 0:04:13.160
<v Speaker 1>making of the movie Tommy. So I would get phone

0:04:13.200 --> 0:04:16.000
<v Speaker 1>calls from Stick would Bill, can you come in and

0:04:16.040 --> 0:04:21.160
<v Speaker 1>see me? They're driving me fucking mad. Why what's wrong? Well?

0:04:21.600 --> 0:04:25.159
<v Speaker 1>Kit wants his money and gold bullying, and Chris I

0:04:25.200 --> 0:04:28.560
<v Speaker 1>can never find. So I helped him stitch together the

0:04:28.960 --> 0:04:32.760
<v Speaker 1>the Tommy movie. I didn't really understand much about movies

0:04:32.800 --> 0:04:35.279
<v Speaker 1>in those days, so I used to go off and

0:04:35.400 --> 0:04:37.520
<v Speaker 1>pick the brains of friends of mine, you know, like

0:04:37.640 --> 0:04:41.480
<v Speaker 1>David Putnam, Sandy Leeberson who made quite a few movies,

0:04:41.520 --> 0:04:44.440
<v Speaker 1>you know, a long distance runner, all those, and I

0:04:44.520 --> 0:04:46.479
<v Speaker 1>used to pick their brains. Go back, change it a

0:04:46.480 --> 0:04:49.520
<v Speaker 1>bit with Stiggy, go away, come back, change it. Eventually

0:04:49.560 --> 0:04:52.520
<v Speaker 1>we got a great deal on what we wanted and

0:04:52.560 --> 0:04:57.839
<v Speaker 1>we made what's a classic movie of course. Um then

0:04:58.040 --> 0:05:03.440
<v Speaker 1>Chris Kit unfortunately Lee suffered probably fell down the stairs

0:05:04.120 --> 0:05:07.120
<v Speaker 1>and suffered a brain hemorrhage. And Chris went off to

0:05:07.160 --> 0:05:11.719
<v Speaker 1>New York and after quite a number of years, cleaned

0:05:11.760 --> 0:05:15.880
<v Speaker 1>up his act a bit and went into counseling of

0:05:15.960 --> 0:05:20.120
<v Speaker 1>all things. So from that moment on, I was often

0:05:20.200 --> 0:05:24.880
<v Speaker 1>running on my own. Um I got a call, I

0:05:24.920 --> 0:05:28.760
<v Speaker 1>took a little small office up above Pink Floyd's office.

0:05:28.880 --> 0:05:31.240
<v Speaker 1>Steve O'Rourke, who managed them, was an old mate, old

0:05:31.279 --> 0:05:34.440
<v Speaker 1>mate of mine, and I took a small office up

0:05:34.480 --> 0:05:38.599
<v Speaker 1>above and almost I didn't have much, you know, and

0:05:38.680 --> 0:05:42.440
<v Speaker 1>I had I kept getting some calls from Pete Rudge,

0:05:42.600 --> 0:05:45.719
<v Speaker 1>who at that time was with the Rolling Stones, and

0:05:45.760 --> 0:05:48.359
<v Speaker 1>he said to me, Bill, will you do? Will you

0:05:48.360 --> 0:05:51.279
<v Speaker 1>put together this tour of Europe for the Stones? You know,

0:05:51.360 --> 0:05:53.719
<v Speaker 1>you know all the promoters, you'll get us the best deals.

0:05:54.360 --> 0:05:58.920
<v Speaker 1>I said, Peter, I can't, I'm too busy, nothing. And

0:05:59.040 --> 0:06:02.280
<v Speaker 1>he kept coming and in the end I got the

0:06:02.279 --> 0:06:07.040
<v Speaker 1>deal I wanted and did the did the put together

0:06:07.120 --> 0:06:09.240
<v Speaker 1>the tour for them, went out on tour with them

0:06:09.240 --> 0:06:12.200
<v Speaker 1>and Pete, who's always been a friend p Rudge and

0:06:13.880 --> 0:06:17.360
<v Speaker 1>did the Stones tour and then it all happened. Who

0:06:17.400 --> 0:06:21.320
<v Speaker 1>came to me and they said, you know we're we're

0:06:21.320 --> 0:06:25.920
<v Speaker 1>into litigation with Track Records. Would you manage us? I said, well,

0:06:25.920 --> 0:06:28.320
<v Speaker 1>the only way we can do it if you're in litigation,

0:06:28.680 --> 0:06:32.160
<v Speaker 1>you know, which I'm sad to here, but um, if

0:06:32.160 --> 0:06:34.840
<v Speaker 1>you are in litigation, the only way to do it

0:06:34.880 --> 0:06:36.719
<v Speaker 1>is to get some cash flow, and that means going

0:06:36.760 --> 0:06:40.560
<v Speaker 1>out on the road and working and getting some cash

0:06:40.600 --> 0:06:43.680
<v Speaker 1>flow because it's all going to be locked up. And

0:06:43.760 --> 0:06:47.839
<v Speaker 1>I should back track slightly, because the reason why I

0:06:47.960 --> 0:06:52.600
<v Speaker 1>left Trade Records and them was that after we did

0:06:52.640 --> 0:06:56.640
<v Speaker 1>the premiere of the Tommy movie in New York, we

0:06:56.720 --> 0:07:00.719
<v Speaker 1>did it in a subway in New York. I was

0:07:00.760 --> 0:07:05.159
<v Speaker 1>promised a percentage of that film, of the management percentage

0:07:06.000 --> 0:07:08.000
<v Speaker 1>of which I was going to split with my pal,

0:07:09.279 --> 0:07:12.480
<v Speaker 1>the boy who was paralyzed, and it was never thought.

0:07:12.520 --> 0:07:14.360
<v Speaker 1>Come in. You could never get the pair of them

0:07:14.360 --> 0:07:17.000
<v Speaker 1>to sign anything laments then, I mean, they were at

0:07:17.000 --> 0:07:20.400
<v Speaker 1>war with each other. You would never find them in

0:07:20.400 --> 0:07:23.680
<v Speaker 1>the right state of mind to sign anything. And so

0:07:23.880 --> 0:07:28.160
<v Speaker 1>as a result of that, I'm gone. You know, you're

0:07:28.160 --> 0:07:31.280
<v Speaker 1>not only didn't pay me, but I was going to

0:07:31.440 --> 0:07:36.800
<v Speaker 1>split it with Mike Chris. He was worth us all

0:07:36.840 --> 0:07:39.720
<v Speaker 1>away through score his our pal. So you're not only

0:07:39.760 --> 0:07:42.560
<v Speaker 1>sucked me, you're sucked him. And I left and he

0:07:42.600 --> 0:07:44.360
<v Speaker 1>never thought I was going to leave, but I did.

0:07:44.600 --> 0:07:48.000
<v Speaker 1>And that's that was the story. Okay, So who was

0:07:48.080 --> 0:07:50.840
<v Speaker 1>running the management company in the label after you left?

0:07:51.080 --> 0:07:54.480
<v Speaker 1>If these two guys were such druggius they weren't able

0:07:54.560 --> 0:07:56.600
<v Speaker 1>to run it. I mean Mike, sure, try it in

0:07:56.640 --> 0:08:00.960
<v Speaker 1>his own way. He tried the boy but it was

0:08:01.000 --> 0:08:04.120
<v Speaker 1>awfully difficult for him, and so it just collapsed really

0:08:04.560 --> 0:08:07.080
<v Speaker 1>And that's when they came to me the WHO and

0:08:07.120 --> 0:08:08.680
<v Speaker 1>I was in as I said, I was in that

0:08:08.760 --> 0:08:11.240
<v Speaker 1>little office. I was doing the stones to her and

0:08:11.280 --> 0:08:14.080
<v Speaker 1>they came to me and said, you know, would you

0:08:14.120 --> 0:08:17.680
<v Speaker 1>manage just And prior to that, because it was in

0:08:17.760 --> 0:08:21.720
<v Speaker 1>such a disarray, Daughtry had a solo album which I

0:08:21.760 --> 0:08:23.880
<v Speaker 1>went to Lambent Sam. I said, look, he's he's made

0:08:23.880 --> 0:08:27.040
<v Speaker 1>this solo album and all the songs were written by

0:08:27.040 --> 0:08:31.360
<v Speaker 1>a new young singer. Say, got a great story here,

0:08:31.400 --> 0:08:35.319
<v Speaker 1>so m I said. They said, oh, we don't want

0:08:35.400 --> 0:08:37.319
<v Speaker 1>don't know, We're not going to release. I said, listen,

0:08:37.960 --> 0:08:41.400
<v Speaker 1>if you release it and it's successful, it will help

0:08:41.440 --> 0:08:45.560
<v Speaker 1>tremendously because it will help Roger's self esteem in this

0:08:45.600 --> 0:08:49.480
<v Speaker 1>whole situation because Pete was the main man, the writer,

0:08:50.200 --> 0:08:53.679
<v Speaker 1>the guitarist, he was the main man. And it was

0:08:53.720 --> 0:08:56.280
<v Speaker 1>an attempt to get some sort of democracy going, you know,

0:08:56.400 --> 0:09:00.079
<v Speaker 1>and and for for Roger to feel he's for it.

0:09:01.040 --> 0:09:02.600
<v Speaker 1>And they said, well, if you want to do it,

0:09:02.640 --> 0:09:06.320
<v Speaker 1>you can, so I said, okay, I will so I

0:09:06.360 --> 0:09:09.679
<v Speaker 1>came over to Los Angeles. In those days, m c

0:09:09.880 --> 0:09:14.720
<v Speaker 1>A was run by Artie mogul So this seventy three. Okay,

0:09:14.800 --> 0:09:18.520
<v Speaker 1>Artie mogul Forest in the music business. He's now this

0:09:18.640 --> 0:09:21.880
<v Speaker 1>He's known as a legendary crook, a big gambler, show

0:09:22.840 --> 0:09:26.120
<v Speaker 1>keep going. So I came over and the people that

0:09:26.160 --> 0:09:30.320
<v Speaker 1>were running m c that m c A at that

0:09:30.440 --> 0:09:35.400
<v Speaker 1>time were Mike Maitland, Lu Cook, very very honest man,

0:09:35.559 --> 0:09:40.160
<v Speaker 1>and Artie mogul So. I had three I had three albums.

0:09:40.640 --> 0:09:44.360
<v Speaker 1>I had the Roger Adultery solo album, the Leo Sayer album.

0:09:44.520 --> 0:09:47.880
<v Speaker 1>Adam Faith had asked me to bring and an album

0:09:47.920 --> 0:09:50.679
<v Speaker 1>by a band, a Dutch band called Golden ear Ring.

0:09:51.480 --> 0:09:54.480
<v Speaker 1>Of course, so I played them the three albums. So

0:09:54.559 --> 0:09:58.000
<v Speaker 1>they said, yeah, we love for the Daultry album and

0:09:58.200 --> 0:10:01.960
<v Speaker 1>we really liked this new kid. He eventually went to warners,

0:10:02.000 --> 0:10:05.000
<v Speaker 1>but we really love this new kid. I'm not sure

0:10:05.000 --> 0:10:08.680
<v Speaker 1>about the Dutch band. I said, listen, they're fantastic. Come

0:10:08.840 --> 0:10:11.320
<v Speaker 1>when are you going to be in London? So they said,

0:10:11.320 --> 0:10:13.440
<v Speaker 1>oh so so time. I said, listen, they're playing the

0:10:13.520 --> 0:10:17.199
<v Speaker 1>Lyceum in the strand come see them because they're a

0:10:17.280 --> 0:10:20.880
<v Speaker 1>great life and they're all good looking guys. I didn't

0:10:20.920 --> 0:10:23.679
<v Speaker 1>tell them they were opening for somebody else. I think

0:10:23.720 --> 0:10:27.559
<v Speaker 1>it was mounting all one of those means. So comes

0:10:27.559 --> 0:10:31.480
<v Speaker 1>the night of the show at the Lyceum and they're

0:10:31.520 --> 0:10:34.960
<v Speaker 1>just ready to go on stage, and then it's clear

0:10:35.000 --> 0:10:37.960
<v Speaker 1>the theater. It's an ira I R a bomb scare.

0:10:38.679 --> 0:10:42.800
<v Speaker 1>There's a bomb in the building. Everyone out. So everyone's

0:10:42.800 --> 0:10:45.920
<v Speaker 1>out and they're all in the strand and we're waiting

0:10:45.960 --> 0:10:48.360
<v Speaker 1>industry and for like maybe an hour or so to

0:10:48.440 --> 0:10:52.680
<v Speaker 1>get clearance. Eventually we get clearance, We go back in,

0:10:54.360 --> 0:10:58.400
<v Speaker 1>earing go on stage. They played their set. There's no

0:10:58.400 --> 0:11:00.240
<v Speaker 1>one there from m c A. So I own the

0:11:00.320 --> 0:11:04.160
<v Speaker 1>next morning. I said, where the funk were you? They said,

0:11:04.160 --> 0:11:07.439
<v Speaker 1>where were we? We We couldn't get anywhere near that

0:11:07.600 --> 0:11:10.720
<v Speaker 1>theater for the crowds. We want that band. They thought

0:11:10.720 --> 0:11:13.480
<v Speaker 1>the crowds were all there for them. We want that band.

0:11:14.200 --> 0:11:17.040
<v Speaker 1>And so they took the album, which was an album

0:11:17.080 --> 0:11:21.280
<v Speaker 1>called Moonten had a huge hit on it called Radar Love,

0:11:21.679 --> 0:11:26.000
<v Speaker 1>and then it's a driving song and the rest is history.

0:11:26.040 --> 0:11:29.360
<v Speaker 1>You know that. That's so. And Roger had a successful

0:11:29.400 --> 0:11:33.640
<v Speaker 1>album with his solo album Mud Not to the Distress

0:11:33.679 --> 0:11:37.000
<v Speaker 1>of Kit and Chris. But to the bewilderment I think,

0:11:37.240 --> 0:11:43.760
<v Speaker 1>and I'll never forget Lambert. I saw Lambert in New

0:11:43.840 --> 0:11:47.320
<v Speaker 1>York and he was wasn't compassment as and he said

0:11:47.360 --> 0:11:50.760
<v Speaker 1>to me, when we're going to release the Golden Earring album?

0:11:50.800 --> 0:11:53.640
<v Speaker 1>And I said, it's number five in the charts? What's

0:11:53.640 --> 0:11:57.000
<v Speaker 1>wrong with you? So it was a bit of a shambles, bob,

0:11:57.080 --> 0:12:00.880
<v Speaker 1>you know, And so I went forward. Then who came

0:12:00.960 --> 0:12:04.319
<v Speaker 1>to me for management? Okay, just to go you quit

0:12:04.600 --> 0:12:06.080
<v Speaker 1>since they said they weren't going to put out the

0:12:06.040 --> 0:12:09.400
<v Speaker 1>adultry album? Were you putting it out by yourself or

0:12:09.440 --> 0:12:12.480
<v Speaker 1>as part of their bellage, part of their management? Then

0:12:12.480 --> 0:12:15.880
<v Speaker 1>the Tommy movie came along after that, and that's when

0:12:15.880 --> 0:12:20.440
<v Speaker 1>I quit. So all those albums came out before the time. Yeah,

0:12:20.640 --> 0:12:23.360
<v Speaker 1>And coming back from New York after the premier of

0:12:23.360 --> 0:12:26.960
<v Speaker 1>the Tommy Movie was when I quit. On the plane? Okay,

0:12:27.040 --> 0:12:30.640
<v Speaker 1>So what was your first album with the who Oh ship?

0:12:30.800 --> 0:12:33.360
<v Speaker 1>Now you're asking me who by numbers? Was still the

0:12:33.360 --> 0:12:37.120
<v Speaker 1>old guys? Yeah? No, no, no, no, it was us. Okay,

0:12:37.160 --> 0:12:40.600
<v Speaker 1>that's nine four, So that was it. Am Whistle did

0:12:40.640 --> 0:12:43.200
<v Speaker 1>the sleeve to it. Who by Numbers? They could have

0:12:43.240 --> 0:12:44.960
<v Speaker 1>been the first one, but I was with it at

0:12:45.000 --> 0:12:49.000
<v Speaker 1>the time in the studio. Through those years, I worked

0:12:49.000 --> 0:12:53.920
<v Speaker 1>with him on Quadraphenia in the studios, you know, UM,

0:12:54.080 --> 0:13:01.400
<v Speaker 1>and much much later UM. I produced the movie Quadraphonia

0:13:03.440 --> 0:13:06.320
<v Speaker 1>that I constantly going on record, I'm just not stroking you.

0:13:06.600 --> 0:13:09.240
<v Speaker 1>That's the best rock movie ever. When people talk about it,

0:13:09.480 --> 0:13:12.480
<v Speaker 1>that's it because it's not only Quadrophenia. It works as

0:13:12.480 --> 0:13:14.400
<v Speaker 1>a movie. I can literally tell you where I saw

0:13:14.440 --> 0:13:18.600
<v Speaker 1>it so longer, a theater in Westwood and phenomenal. Yeah,

0:13:18.679 --> 0:13:21.400
<v Speaker 1>well that do you want to jump to that now

0:13:21.480 --> 0:13:24.240
<v Speaker 1>because we can come back to Yeah, we'll go back

0:13:24.240 --> 0:13:27.520
<v Speaker 1>to it, but let's go so so yeah. So they start,

0:13:27.559 --> 0:13:31.080
<v Speaker 1>they needed to tour to get cash flow, and then eventually,

0:13:31.880 --> 0:13:38.520
<v Speaker 1>Um the litigation was resolved, and as I said, Kit

0:13:39.080 --> 0:13:43.880
<v Speaker 1>had a bad he felt understairs. It was sad because

0:13:43.880 --> 0:13:46.840
<v Speaker 1>he came to see me like two days before that.

0:13:48.280 --> 0:13:52.000
<v Speaker 1>He wasn't in great shape, and he said, Bill, he said,

0:13:52.000 --> 0:13:54.560
<v Speaker 1>you're doing a great job with them, he said, better

0:13:54.600 --> 0:13:59.080
<v Speaker 1>than we did together. I said, well, thanks, Kit, you know,

0:13:59.240 --> 0:14:02.959
<v Speaker 1>and he wasn't in great shape. So I gave him

0:14:03.000 --> 0:14:06.760
<v Speaker 1>some money and he went away. And then two days

0:14:06.840 --> 0:14:12.079
<v Speaker 1>later he had the accident. Okay, going back to the lawsuit,

0:14:12.880 --> 0:14:15.679
<v Speaker 1>the word on the street is that the Who had

0:14:15.679 --> 0:14:19.360
<v Speaker 1>a terrible deal, the managers were bad with money. What

0:14:19.440 --> 0:14:27.720
<v Speaker 1>was the truth there? The truth was, if you're heavy,

0:14:27.760 --> 0:14:33.520
<v Speaker 1>heavy into addiction, one of the overriding things that envelopes

0:14:33.560 --> 0:14:38.920
<v Speaker 1>your life is fear, fear of not having enough money

0:14:39.080 --> 0:14:41.840
<v Speaker 1>to feed that drug addiction. And that was one of

0:14:41.880 --> 0:14:46.360
<v Speaker 1>the problems. I'm not saying that they stole money. They

0:14:46.400 --> 0:14:50.440
<v Speaker 1>thought they borrowed it, but they didn't. In the end,

0:14:51.040 --> 0:14:57.240
<v Speaker 1>if you're borrowing money without any real possibility of repaying it,

0:14:57.960 --> 0:15:01.040
<v Speaker 1>that's not good. And so they were raid. In some

0:15:01.160 --> 0:15:04.240
<v Speaker 1>of the other accounts we had as well, the Hendlix

0:15:04.320 --> 0:15:07.280
<v Speaker 1>account some of the other artists, it was just grab

0:15:07.320 --> 0:15:12.480
<v Speaker 1>it for what they needed. But with the Who, what

0:15:12.760 --> 0:15:15.760
<v Speaker 1>what is true in fact is the Who will always

0:15:15.840 --> 0:15:21.600
<v Speaker 1>offer promised fort of track records ten percent each as

0:15:21.760 --> 0:15:26.680
<v Speaker 1>or Moon Daltry Towns in which they never got. They

0:15:26.760 --> 0:15:29.640
<v Speaker 1>just didn't get it to this day, never got it

0:15:29.680 --> 0:15:34.360
<v Speaker 1>to this day. And added to that, there was some

0:15:34.480 --> 0:15:38.760
<v Speaker 1>double dipping going on because um, their commission rate was

0:15:38.800 --> 0:15:46.040
<v Speaker 1>really high high was it other than the colonel I

0:15:46.080 --> 0:15:50.400
<v Speaker 1>don't know. Anybody's gone beyond twenty but okay exactly, so

0:15:51.600 --> 0:15:57.680
<v Speaker 1>it was um they had the publishing tied up, and

0:15:57.760 --> 0:16:02.320
<v Speaker 1>then it was a later day the pete discovered that

0:16:03.000 --> 0:16:06.520
<v Speaker 1>everything wasn't right within his publishing the income as well,

0:16:07.040 --> 0:16:11.320
<v Speaker 1>and that was it. That was the straw. Okay, So

0:16:11.400 --> 0:16:15.160
<v Speaker 1>how did the litigation resolve? It resolved in the sense

0:16:15.200 --> 0:16:21.880
<v Speaker 1>that the company basically eventually went bankrupt. They had to

0:16:21.960 --> 0:16:26.160
<v Speaker 1>repay the band all of the missing royalties, so they

0:16:26.200 --> 0:16:28.800
<v Speaker 1>did on which they found very difficult because they don't

0:16:28.800 --> 0:16:30.480
<v Speaker 1>have any money because they blown the money. Usually you

0:16:30.480 --> 0:16:32.600
<v Speaker 1>can get a judgment, but you can't have any money.

0:16:32.800 --> 0:16:37.040
<v Speaker 1>So what I was left to do was to renegotiate

0:16:37.080 --> 0:16:40.680
<v Speaker 1>a lot of their record deals and instead of the

0:16:40.720 --> 0:16:45.040
<v Speaker 1>amount that would usually go to track, you know of

0:16:45.080 --> 0:16:49.320
<v Speaker 1>profits and the overage after the artist's royalty, I made

0:16:49.360 --> 0:16:52.360
<v Speaker 1>sure it went to the WHO. So eventually, over a

0:16:52.400 --> 0:16:55.800
<v Speaker 1>long term, they got back as much, if not all,

0:16:56.400 --> 0:16:59.320
<v Speaker 1>of what they were rowed. But they weren't treated well

0:16:59.520 --> 0:17:02.440
<v Speaker 1>and it was completely unnecessary. I mean, I'm talking about

0:17:02.680 --> 0:17:06.000
<v Speaker 1>the whole friend of mine from Scooter, completely unnecessary. But

0:17:06.080 --> 0:17:09.600
<v Speaker 1>I knew, Bob, I knew that I was dealing with

0:17:09.680 --> 0:17:13.760
<v Speaker 1>a different person, the one who was my pal. He

0:17:13.880 --> 0:17:18.480
<v Speaker 1>was on heroin. He was a different person, you know.

0:17:19.200 --> 0:17:23.800
<v Speaker 1>And he was a good man. He had a good heart. Um,

0:17:23.920 --> 0:17:27.639
<v Speaker 1>but it all gets distorted, you know, it all gets changed,

0:17:27.760 --> 0:17:33.200
<v Speaker 1>and it was sad to see. Okay, before the drugs,

0:17:33.400 --> 0:17:37.720
<v Speaker 1>were they good managers? They were good. I don't think

0:17:37.760 --> 0:17:41.199
<v Speaker 1>they did lack in certain areas. I mean when I

0:17:41.280 --> 0:17:43.920
<v Speaker 1>came in and started doing the touring for the band,

0:17:43.960 --> 0:17:48.160
<v Speaker 1>for example, the first thing I saw was that they

0:17:48.200 --> 0:17:52.760
<v Speaker 1>were into taking a guarantee but not really really looking

0:17:52.800 --> 0:17:54.800
<v Speaker 1>at the back end. So what I did with the

0:17:54.800 --> 0:17:58.400
<v Speaker 1>band was I immediately changed that ship and I went

0:17:58.440 --> 0:18:01.520
<v Speaker 1>into the promoters and I took suffer guarantee, but I

0:18:01.560 --> 0:18:05.200
<v Speaker 1>wanted a nine deal. A lot of people give Peter

0:18:05.240 --> 0:18:09.080
<v Speaker 1>Grant credit for that. I was doing it way before Grant. Okay,

0:18:09.119 --> 0:18:11.480
<v Speaker 1>glad we're going on the record, because there were moth people.

0:18:11.520 --> 0:18:13.480
<v Speaker 1>I even I thought it was Peter Grant. No it wasn't.

0:18:13.520 --> 0:18:16.360
<v Speaker 1>I was doing nineties ten deals before Grant, head Zepplin

0:18:17.000 --> 0:18:21.040
<v Speaker 1>and so Um. I was earning them a lot more money,

0:18:21.560 --> 0:18:27.120
<v Speaker 1>a lot more money, and the band especially well Pete

0:18:27.160 --> 0:18:31.400
<v Speaker 1>says it in his book and Rogers always acknowledged that,

0:18:31.440 --> 0:18:35.440
<v Speaker 1>you know. And it was a simple leap of faith

0:18:35.480 --> 0:18:37.720
<v Speaker 1>on my part because I thought ship this band is

0:18:37.760 --> 0:18:41.359
<v Speaker 1>a great, great band. They can go into overage, and

0:18:41.400 --> 0:18:43.439
<v Speaker 1>I wanted to see them get the lion's share of

0:18:43.440 --> 0:18:47.040
<v Speaker 1>that overage. And that's how I've proceeded with them, with

0:18:47.160 --> 0:18:52.920
<v Speaker 1>them all my life, and everything is completely and absolutely transparent.

0:18:54.280 --> 0:18:57.440
<v Speaker 1>And I don't have a contract. Okay, let's got the

0:18:57.440 --> 0:19:00.320
<v Speaker 1>Egypt in America was Frank Barcelona, he was it was

0:19:00.359 --> 0:19:03.159
<v Speaker 1>Frank in Premier and who was in Europe? We were

0:19:03.200 --> 0:19:08.600
<v Speaker 1>great friends. We didn't have an agent in Europe. Initially

0:19:09.119 --> 0:19:14.640
<v Speaker 1>they put it again through their agency New Action. I

0:19:14.680 --> 0:19:17.000
<v Speaker 1>did it and in those days I used to do it. Oh,

0:19:17.160 --> 0:19:18.760
<v Speaker 1>I used to go I used to book them out

0:19:18.760 --> 0:19:21.400
<v Speaker 1>in Europe. I used to go out with him on tour.

0:19:21.800 --> 0:19:27.400
<v Speaker 1>I was met tour manager, accountant, the whole, the whole bundle.

0:19:28.280 --> 0:19:30.840
<v Speaker 1>So I used to settle after shows and do it all.

0:19:31.600 --> 0:19:34.320
<v Speaker 1>Let's talk about that now. This was the days when

0:19:34.359 --> 0:19:38.040
<v Speaker 1>you get paid in cash, right, because a lot of

0:19:38.040 --> 0:19:40.719
<v Speaker 1>it was because you didn't trust the promoter, didn't trust them.

0:19:40.720 --> 0:19:43.600
<v Speaker 1>I would want the I'd want the advance against the

0:19:43.640 --> 0:19:48.880
<v Speaker 1>guarantee into our account before we ever went and then

0:19:48.920 --> 0:19:52.320
<v Speaker 1>the balance in cash. Okay, so tell us some stories

0:19:52.320 --> 0:19:56.920
<v Speaker 1>about trying to collect the back end. I can honestly

0:19:56.960 --> 0:20:02.360
<v Speaker 1>say I never ever had a problem collecting that back end. Okay.

0:20:02.520 --> 0:20:05.440
<v Speaker 1>So that's one good thing. They at least had the money.

0:20:05.480 --> 0:20:07.920
<v Speaker 1>But I have been in the offices of promoters. Weren't

0:20:07.920 --> 0:20:10.600
<v Speaker 1>seen the two sets of books. They're said in the

0:20:10.720 --> 0:20:13.159
<v Speaker 1>set they show to the acts. So how do you know?

0:20:13.560 --> 0:20:16.399
<v Speaker 1>You know everybody stealing from everybody in this business, So

0:20:16.400 --> 0:20:18.560
<v Speaker 1>how did you deal with that? Well, one of the

0:20:18.640 --> 0:20:21.960
<v Speaker 1>things I've always said is I've always had a photober

0:20:22.080 --> 0:20:26.600
<v Speaker 1>figures really, and so I was very quick to be

0:20:26.680 --> 0:20:31.240
<v Speaker 1>able to do deals on foot on the bounce. But

0:20:31.359 --> 0:20:36.480
<v Speaker 1>also I would on a lot of those shows, I

0:20:36.520 --> 0:20:39.639
<v Speaker 1>would click people in and they have people on the

0:20:39.680 --> 0:20:43.120
<v Speaker 1>doors clicking them in. And in some instances I found

0:20:43.200 --> 0:20:47.720
<v Speaker 1>extra extra rose. In Germany, for example, I found extra rose.

0:20:48.200 --> 0:20:50.879
<v Speaker 1>You know, there was p and then instead of like

0:20:51.000 --> 0:20:56.280
<v Speaker 1>there was m N O P q Q. So you know,

0:20:56.880 --> 0:20:59.719
<v Speaker 1>got once they knew that you were into it, they

0:21:00.040 --> 0:21:04.240
<v Speaker 1>they stopped all that ship, you know. And ironically, when

0:21:04.240 --> 0:21:09.520
<v Speaker 1>I was doing when I made that shift um and

0:21:09.760 --> 0:21:13.800
<v Speaker 1>doing when ruddering me about doing the Stones to her,

0:21:14.119 --> 0:21:17.720
<v Speaker 1>you know, of Europe. I think that also set a

0:21:17.760 --> 0:21:21.879
<v Speaker 1>bit of a standard for me, because in my opinion,

0:21:21.920 --> 0:21:24.679
<v Speaker 1>I did some great deals for them, and I don't know.

0:21:24.880 --> 0:21:27.639
<v Speaker 1>I think the Stones were in a similar situation in

0:21:27.680 --> 0:21:30.600
<v Speaker 1>those days. It was early early days, that's as you know.

0:21:30.680 --> 0:21:32.840
<v Speaker 1>And some of those contracts and some of the promoters

0:21:32.880 --> 0:21:38.359
<v Speaker 1>were like give them the advance and ripped them. And

0:21:38.440 --> 0:21:40.120
<v Speaker 1>you have to be very careful. You have to look

0:21:40.119 --> 0:21:43.600
<v Speaker 1>at what the rule rent was on the hall, and

0:21:43.640 --> 0:21:46.719
<v Speaker 1>I used to go through it forensically. I wanted to

0:21:46.720 --> 0:21:49.280
<v Speaker 1>know how much a faultlift cast everything, because I was

0:21:49.840 --> 0:21:54.560
<v Speaker 1>my my aim. It was really to get this band

0:21:54.960 --> 0:21:58.160
<v Speaker 1>what I felt they deserved. And I guess if I'm

0:21:58.160 --> 0:22:03.480
<v Speaker 1>proud of anything, it's Townsend said in his book, from

0:22:03.480 --> 0:22:06.840
<v Speaker 1>the moment I took over, he was never in need

0:22:06.880 --> 0:22:12.440
<v Speaker 1>of money. It's their money. Without them, I wouldn't be here.

0:22:12.880 --> 0:22:16.280
<v Speaker 1>You wouldn't be here, that's for sure. It's the artist

0:22:16.359 --> 0:22:18.919
<v Speaker 1>comes first. I couldn't agree. What why is it called Trinifold?

0:22:19.960 --> 0:22:22.199
<v Speaker 1>It was the company I just picked off the shelf,

0:22:23.200 --> 0:22:26.359
<v Speaker 1>no other reason. I had a young accountant at that time.

0:22:26.440 --> 0:22:30.000
<v Speaker 1>I said I need to start a management company. He said, well,

0:22:30.240 --> 0:22:33.000
<v Speaker 1>he just took a company off the shelf four hundred

0:22:33.119 --> 0:22:37.160
<v Speaker 1>pounds and it was Trinifold. He's got no meaning. Okay,

0:22:37.200 --> 0:22:39.800
<v Speaker 1>let's go back to the beginning. So you're born where

0:22:40.840 --> 0:22:43.240
<v Speaker 1>I was born in London, in the East end of London,

0:22:43.400 --> 0:22:46.280
<v Speaker 1>in West Ham. Okay, So what was it like growing

0:22:46.359 --> 0:22:50.720
<v Speaker 1>up there? Ah? It was great. I mean it was

0:22:50.720 --> 0:22:54.000
<v Speaker 1>the East end of London. My father worked in the docks.

0:22:54.359 --> 0:22:57.320
<v Speaker 1>What do you do there? Well, my father was during

0:22:57.359 --> 0:23:00.280
<v Speaker 1>the Second World War. He was a chief injury near

0:23:00.359 --> 0:23:04.920
<v Speaker 1>on a submarine base in Salon and they called them

0:23:05.119 --> 0:23:09.200
<v Speaker 1>chief engineer artifica. Anyway, he came back after the Second

0:23:09.200 --> 0:23:12.239
<v Speaker 1>World War went into the docks and he was a

0:23:12.240 --> 0:23:15.680
<v Speaker 1>marine engineer in the docks. So it was ship repairs

0:23:15.920 --> 0:23:18.600
<v Speaker 1>and that's where we lived, around the docks. And then

0:23:18.640 --> 0:23:22.400
<v Speaker 1>your mother worked outside the home. She did um and

0:23:22.520 --> 0:23:25.920
<v Speaker 1>she sent me to school when I was four instead

0:23:25.920 --> 0:23:28.800
<v Speaker 1>of five so she could go to work. And she

0:23:28.880 --> 0:23:34.320
<v Speaker 1>did what she worked in various She was assistant cook,

0:23:35.240 --> 0:23:37.879
<v Speaker 1>she worked in a button factory. She did anything to

0:23:38.000 --> 0:23:41.959
<v Speaker 1>keep us alive. And I was say embarrassed later in

0:23:42.000 --> 0:23:45.639
<v Speaker 1>life because she altered my birth certificate to get me

0:23:45.720 --> 0:23:50.160
<v Speaker 1>into school, and you can't change a two into a one,

0:23:51.119 --> 0:23:53.119
<v Speaker 1>and it looked like there was a fucking hole in

0:23:53.160 --> 0:23:56.639
<v Speaker 1>the paper. So I passed what they had then the

0:23:57.359 --> 0:24:00.919
<v Speaker 1>day the scholarship in England called the eleven plant that

0:24:01.040 --> 0:24:03.639
<v Speaker 1>then if you pass that allowed you to go onto

0:24:03.640 --> 0:24:06.679
<v Speaker 1>a much more elite school, a grammar school or a

0:24:06.720 --> 0:24:10.200
<v Speaker 1>technical school or whatever. So I passed that at ten

0:24:10.280 --> 0:24:12.840
<v Speaker 1>instead of eleven. So when I had to go to

0:24:13.040 --> 0:24:15.000
<v Speaker 1>register to the school, I had to take this birth

0:24:15.000 --> 0:24:18.160
<v Speaker 1>certificate with me. A man, was I embarrassed? I mean,

0:24:18.160 --> 0:24:20.800
<v Speaker 1>you could see through it. I went down, I was

0:24:20.880 --> 0:24:23.800
<v Speaker 1>dreading it and they didn't even look at the So

0:24:23.800 --> 0:24:26.679
<v Speaker 1>so I went through school, all the way through school,

0:24:26.720 --> 0:24:31.560
<v Speaker 1>a year younger then I really should have been. Okay, So,

0:24:32.040 --> 0:24:34.800
<v Speaker 1>how many kids in the family? Six? And where are

0:24:34.800 --> 0:24:38.680
<v Speaker 1>you in the hierarchy? The oldest? You're the oldest. How

0:24:38.760 --> 0:24:43.280
<v Speaker 1>much older are you than the youngest? Uh? The youngest Paul,

0:24:44.160 --> 0:24:48.399
<v Speaker 1>here's eighteen years younger than me. Okay, what's your relationship

0:24:48.440 --> 0:24:52.399
<v Speaker 1>with the other five? Fantastic a live No one of

0:24:52.400 --> 0:24:55.520
<v Speaker 1>them is not the boy my brother who was the

0:24:55.560 --> 0:25:00.399
<v Speaker 1>next one down to me, Alfie. He sadly died like

0:25:00.520 --> 0:25:03.640
<v Speaker 1>ten years ago. Um, he was the next one down

0:25:03.640 --> 0:25:07.120
<v Speaker 1>to me. He was great. He was a good heavyweight boxer.

0:25:07.320 --> 0:25:10.840
<v Speaker 1>He was good. Then I had two sisters. One now

0:25:10.920 --> 0:25:14.600
<v Speaker 1>lives in New Zealand, then my other sisters still lives

0:25:14.640 --> 0:25:18.800
<v Speaker 1>in London. And then the two youngest brothers both were

0:25:19.400 --> 0:25:25.160
<v Speaker 1>soccer players, I have to say soccer soccer players. They

0:25:25.200 --> 0:25:27.760
<v Speaker 1>both played at west Ham, but one of them became

0:25:27.840 --> 0:25:32.000
<v Speaker 1>much much more famous than the other one. And so

0:25:32.160 --> 0:25:35.119
<v Speaker 1>the elder of those two Alan, he's sixteen years younger

0:25:35.160 --> 0:25:38.520
<v Speaker 1>than me. He had his first proper game in the

0:25:38.600 --> 0:25:43.639
<v Speaker 1>Premier League when he was sixteen and he played in

0:25:43.680 --> 0:25:46.760
<v Speaker 1>the England World Cup when he was fourteen. He was

0:25:47.080 --> 0:25:50.640
<v Speaker 1>a very great player and he's known very well in England.

0:25:50.760 --> 0:25:54.399
<v Speaker 1>He had he had nineteen years as a player, played

0:25:54.440 --> 0:25:58.719
<v Speaker 1>for west Ham. He played for West and Villa, Birmingham

0:25:58.760 --> 0:26:03.040
<v Speaker 1>Great Teams and Brighton and then he ended up at

0:26:03.080 --> 0:26:05.879
<v Speaker 1>a club Charlton, which was in the Second at the

0:26:05.960 --> 0:26:10.159
<v Speaker 1>end of his playing career Second Division, and he became

0:26:10.240 --> 0:26:12.480
<v Speaker 1>the coach there and took them up into the Premiership.

0:26:13.200 --> 0:26:17.440
<v Speaker 1>And he had nineteen years as a manager and he's

0:26:17.480 --> 0:26:20.560
<v Speaker 1>now a man of leisure. Now he's a pundit. But

0:26:20.680 --> 0:26:23.040
<v Speaker 1>the other thing about it, when he became a star,

0:26:23.200 --> 0:26:27.680
<v Speaker 1>salaries were much lower. Oh yeah, he he was top

0:26:27.720 --> 0:26:30.600
<v Speaker 1>of the tree as a player, and I guess he

0:26:30.640 --> 0:26:35.560
<v Speaker 1>was making then three hundred pounds five hundred dollars a week.

0:26:36.640 --> 0:26:39.520
<v Speaker 1>By the time he became a manager, he was making

0:26:39.840 --> 0:26:43.239
<v Speaker 1>two or three million a year. So he ended up

0:26:43.240 --> 0:26:47.120
<v Speaker 1>being in the game long enough to his rewards. And

0:26:47.640 --> 0:26:51.159
<v Speaker 1>his kids are growing up now and he was constantly

0:26:51.240 --> 0:26:55.640
<v Speaker 1>being poached at one time to be the national manager

0:26:55.720 --> 0:26:59.680
<v Speaker 1>you know, um, And he said, well at the moment now,

0:27:00.080 --> 0:27:01.960
<v Speaker 1>the way it is, he said, there's four or five

0:27:02.000 --> 0:27:05.120
<v Speaker 1>teams with money all the rest want you to work

0:27:05.119 --> 0:27:08.359
<v Speaker 1>a miracle. He said, I've had like thirty eight years

0:27:08.400 --> 0:27:12.920
<v Speaker 1>of it. I'm chilled. And he goes and does quite

0:27:12.960 --> 0:27:16.440
<v Speaker 1>a bit of punditry from um. He goes to Qatar

0:27:16.760 --> 0:27:18.960
<v Speaker 1>and does it for around. I mean, you might see

0:27:19.040 --> 0:27:21.040
<v Speaker 1>him over so we were in America, we'd see it's

0:27:21.040 --> 0:27:23.679
<v Speaker 1>a broadcaster a college. Yeah, he's a pandit and a

0:27:23.720 --> 0:27:26.359
<v Speaker 1>broadcaster for the Premier League. And a lot of it

0:27:26.400 --> 0:27:29.040
<v Speaker 1>comes over here because it goes everywhere but the UK.

0:27:29.880 --> 0:27:32.400
<v Speaker 1>So I know lots of friends in America have seen

0:27:32.480 --> 0:27:37.639
<v Speaker 1>him pontificating after certain soccer slash woodball is getting bigger

0:27:37.640 --> 0:27:41.320
<v Speaker 1>and bigger. If Army Arsan was alive, it'd turn over

0:27:41.359 --> 0:27:44.639
<v Speaker 1>in his grave. I went to the World Cup with

0:27:45.080 --> 0:27:50.479
<v Speaker 1>Armored and Nessuy Hurtrican because Armored they were both manic. Well,

0:27:50.480 --> 0:27:53.040
<v Speaker 1>they brought the broad Pellade in New York exactly for

0:27:53.080 --> 0:27:57.399
<v Speaker 1>the Cosmos. And I went to the World Cup with

0:27:57.520 --> 0:27:59.960
<v Speaker 1>the pair of them, and we went down to Barcelona

0:28:00.119 --> 0:28:04.960
<v Speaker 1>for the semifinals and then into Madrid for the finals,

0:28:04.960 --> 0:28:06.760
<v Speaker 1>you know, and he was always and then he started

0:28:06.800 --> 0:28:11.480
<v Speaker 1>the Cosmos, and people thought, well, what's he doing. What

0:28:11.640 --> 0:28:17.760
<v Speaker 1>they didn't realize was that with the complete ethnic mixture

0:28:17.920 --> 0:28:21.879
<v Speaker 1>in America, you know, you had a sport there that

0:28:22.000 --> 0:28:25.199
<v Speaker 1>was appealing to them, whether they be Latin, American, Greek, this,

0:28:25.440 --> 0:28:29.040
<v Speaker 1>that Italian. But more to the point, it was a

0:28:29.160 --> 0:28:32.600
<v Speaker 1>sport that you had to be normal, normal higher. You

0:28:32.600 --> 0:28:34.840
<v Speaker 1>didn't have to be three hundred pounds, you didn't have

0:28:34.880 --> 0:28:37.879
<v Speaker 1>to be seven ft tall like basketball. It was for

0:28:37.960 --> 0:28:42.280
<v Speaker 1>normal size. So that's why it took off right me

0:28:42.360 --> 0:28:45.720
<v Speaker 1>out on the street. So going back to your five siblings,

0:28:45.720 --> 0:28:48.760
<v Speaker 1>did any of them ever work for you, well, my

0:28:48.920 --> 0:28:52.440
<v Speaker 1>younger brother. They did actually, but I only sold that.

0:28:52.680 --> 0:28:57.240
<v Speaker 1>I did a huge show in the football stadium in London,

0:28:57.600 --> 0:29:00.000
<v Speaker 1>and I had my brother, the one who who's deceased

0:29:00.040 --> 0:29:03.040
<v Speaker 1>healthy and the one Alan who was the soccer player.

0:29:03.400 --> 0:29:06.560
<v Speaker 1>They were selling programs and merchandise for me. And then

0:29:06.600 --> 0:29:10.560
<v Speaker 1>it was four or five weeks after that that he

0:29:10.640 --> 0:29:14.800
<v Speaker 1>got his first game, my brother for West Ham Um

0:29:14.920 --> 0:29:18.680
<v Speaker 1>and they played Newcastle and he scored the first goal

0:29:18.800 --> 0:29:21.760
<v Speaker 1>sixteen years of age, and he made the winner. And

0:29:21.880 --> 0:29:26.960
<v Speaker 1>that night they said on TV a star was born today.

0:29:27.280 --> 0:29:28.880
<v Speaker 1>Of course you would never come to work for me

0:29:28.920 --> 0:29:32.200
<v Speaker 1>again after course, after that. Okay, So you were a

0:29:32.240 --> 0:29:35.800
<v Speaker 1>good student. Yeah, I was a good student. I was

0:29:35.880 --> 0:29:41.239
<v Speaker 1>unruly and and disciplined, but I found a lot of

0:29:41.240 --> 0:29:44.560
<v Speaker 1>it easy. Okay. So you went to school and you

0:29:44.640 --> 0:29:47.360
<v Speaker 1>finished what we call high school here and then and

0:29:47.480 --> 0:29:50.280
<v Speaker 1>he thought of getting any more education, or you said

0:29:50.320 --> 0:29:52.560
<v Speaker 1>I'm done, I'm not going to school anymore. No, I

0:29:52.560 --> 0:29:55.040
<v Speaker 1>didn't know. I'm done. I had to get get out

0:29:55.040 --> 0:29:57.880
<v Speaker 1>and get a living. We were a very poor family.

0:29:57.960 --> 0:30:01.360
<v Speaker 1>We lived in a very poor area and it was

0:30:01.480 --> 0:30:04.040
<v Speaker 1>necessary to go to work, you know. So that's what

0:30:04.120 --> 0:30:08.800
<v Speaker 1>I did. Your whole you're seventeen and you're going to work. Well, yeah,

0:30:08.840 --> 0:30:11.560
<v Speaker 1>I was supposed to be seventeen, but I was really sixty,

0:30:12.800 --> 0:30:15.720
<v Speaker 1>and so for me it was work. And then I

0:30:15.800 --> 0:30:18.520
<v Speaker 1>went in of all things, I went into this boy

0:30:18.600 --> 0:30:21.520
<v Speaker 1>Mike sure I'm telling you about who was paralyzed. We

0:30:21.640 --> 0:30:24.360
<v Speaker 1>both decided we wanted to go in the merchant Navy.

0:30:24.560 --> 0:30:27.200
<v Speaker 1>We wanted to see a bit of the world, and

0:30:27.240 --> 0:30:30.080
<v Speaker 1>our plans were disrupted a little bit by the fact

0:30:30.160 --> 0:30:32.760
<v Speaker 1>that we had to go on different boats. So the

0:30:32.800 --> 0:30:37.320
<v Speaker 1>first time I ever came to America was as a

0:30:37.360 --> 0:30:41.360
<v Speaker 1>emergency seamen. When was that, oh funk that I was?

0:30:41.920 --> 0:30:47.800
<v Speaker 1>That was fifty nine, Okay, fifty nine, I was seventeen. Okay,

0:30:47.840 --> 0:30:51.920
<v Speaker 1>let's go. How long were you a merchant seamen? I

0:30:52.000 --> 0:30:56.120
<v Speaker 1>did one long five and a half months trip, which

0:30:56.160 --> 0:30:58.720
<v Speaker 1>took seven months because every time I got somewhere good,

0:30:58.760 --> 0:31:02.440
<v Speaker 1>I jumped right and I was what you would call

0:31:02.720 --> 0:31:06.520
<v Speaker 1>a distressed British seman. Okay, what did you actually do

0:31:06.600 --> 0:31:11.240
<v Speaker 1>on the boat? A mixture of things. I was originally

0:31:11.840 --> 0:31:14.640
<v Speaker 1>what you would call a comy waiter, but after that

0:31:15.480 --> 0:31:20.000
<v Speaker 1>it wasn't much else. I mean, I was scrubbing stuff. Um,

0:31:20.280 --> 0:31:22.800
<v Speaker 1>look picking up ship, you know it was it sounds

0:31:22.840 --> 0:31:25.560
<v Speaker 1>like hard work. It was hard work. Okay. So the

0:31:25.560 --> 0:31:27.560
<v Speaker 1>first time he came to New York, do you were

0:31:27.600 --> 0:31:30.000
<v Speaker 1>just on the border. You got to experience New York. No,

0:31:30.200 --> 0:31:32.360
<v Speaker 1>that's what I'm saying to you. I came New York.

0:31:32.920 --> 0:31:35.400
<v Speaker 1>You have a few days off. I got to Los

0:31:35.400 --> 0:31:40.160
<v Speaker 1>Angeles show days off. The big slap was from Los

0:31:40.160 --> 0:31:44.240
<v Speaker 1>Angeles to Tokyo. That was heavy. I remember it was

0:31:44.320 --> 0:31:47.880
<v Speaker 1>really heavy. Seas Um. I didn't come back to the

0:31:47.880 --> 0:31:50.680
<v Speaker 1>ship in Tokyo. I hooked up with a girl there

0:31:50.760 --> 0:31:53.760
<v Speaker 1>in Japan, and I was there for a week or two,

0:31:53.800 --> 0:31:57.760
<v Speaker 1>picked up another boat, and that's when I was classed

0:31:57.760 --> 0:32:02.560
<v Speaker 1>as a distressed British seman um. So I did that

0:32:02.640 --> 0:32:04.360
<v Speaker 1>in a couple of places. So let's go back to

0:32:04.360 --> 0:32:08.160
<v Speaker 1>the girl in Tokyo. This is a Japanese woman, of

0:32:08.200 --> 0:32:10.200
<v Speaker 1>course it was. You could have bet it, you could

0:32:10.200 --> 0:32:14.600
<v Speaker 1>have met it. No, she was Japanese, okay, and she

0:32:14.640 --> 0:32:17.760
<v Speaker 1>didn't speak English. I don't think only a little bit.

0:32:17.760 --> 0:32:19.560
<v Speaker 1>But I'm telling you, if you get a lot for

0:32:19.600 --> 0:32:24.200
<v Speaker 1>an Elvis Presley album in those days, and okay, you

0:32:24.200 --> 0:32:27.840
<v Speaker 1>you ever have any contact other than that week no, okay,

0:32:28.320 --> 0:32:31.000
<v Speaker 1>So now you ultimately make it back to the UK,

0:32:31.800 --> 0:32:36.200
<v Speaker 1>now you are seventeen, then what do you do? Well,

0:32:36.200 --> 0:32:40.680
<v Speaker 1>I did's various various work on building, science and ship

0:32:40.760 --> 0:32:46.760
<v Speaker 1>you know. And yeah, so then and it wasn't that long.

0:32:47.160 --> 0:32:49.480
<v Speaker 1>It was a number of years afterwards that I joined

0:32:49.480 --> 0:32:55.520
<v Speaker 1>by Track Records. But I hustled around a bit, had

0:32:55.640 --> 0:32:58.920
<v Speaker 1>various jobs. Well did you what were you thinking in

0:32:59.000 --> 0:33:01.280
<v Speaker 1>your head? This is going to be my whole life

0:33:01.280 --> 0:33:02.800
<v Speaker 1>for I'm gonna do something different. I'm gonna have a

0:33:02.800 --> 0:33:09.080
<v Speaker 1>big score. Uh not really because at that age, and

0:33:09.120 --> 0:33:11.800
<v Speaker 1>this is how I think about my my kids today.

0:33:11.920 --> 0:33:15.239
<v Speaker 1>You know, I didn't really focus too much on the

0:33:15.320 --> 0:33:19.040
<v Speaker 1>future and time. I never ever thought, I mean, to me,

0:33:19.240 --> 0:33:21.800
<v Speaker 1>people of forty years of age were old of course,

0:33:22.080 --> 0:33:24.800
<v Speaker 1>you know. So oh and I went to Jersey in

0:33:24.840 --> 0:33:27.960
<v Speaker 1>the Channel Islands. I had a great time there. For

0:33:28.000 --> 0:33:30.920
<v Speaker 1>a year. I was working with the divers and they

0:33:30.920 --> 0:33:35.760
<v Speaker 1>were widening the dock there. So they used to dive

0:33:35.880 --> 0:33:40.080
<v Speaker 1>with explosives because it was a very narrow inlet into

0:33:40.120 --> 0:33:43.640
<v Speaker 1>the into the docks in St Helier. So I worked

0:33:43.640 --> 0:33:45.680
<v Speaker 1>with them and they were like they used to clear it,

0:33:46.000 --> 0:33:48.560
<v Speaker 1>you know, detonate it. Get rid of the rock and

0:33:48.600 --> 0:33:51.120
<v Speaker 1>clear it. So I had a great year there with them.

0:33:51.400 --> 0:33:54.640
<v Speaker 1>Came back because in those days a lot of young

0:33:54.680 --> 0:33:56.320
<v Speaker 1>people used to go. That was the place to go,

0:33:57.640 --> 0:34:01.600
<v Speaker 1>the Jersey in the Channel Liners. Lots of fun, lots

0:34:01.640 --> 0:34:04.600
<v Speaker 1>of girls, lots of everything, you know. So I went

0:34:04.640 --> 0:34:08.080
<v Speaker 1>back for that year, came back for like five or

0:34:08.080 --> 0:34:10.319
<v Speaker 1>six months. Then I went back again for another six

0:34:10.360 --> 0:34:13.840
<v Speaker 1>months and had some great times, you know. And I

0:34:13.960 --> 0:34:16.319
<v Speaker 1>was a ski bum after carcind of thing. You're not

0:34:16.400 --> 0:34:18.279
<v Speaker 1>making any money, but you do what you want doing

0:34:18.280 --> 0:34:20.359
<v Speaker 1>what you're doing. Yes, So it traveled around a lot

0:34:20.400 --> 0:34:29.479
<v Speaker 1>and it was great, okay, and then you come back

0:34:29.520 --> 0:34:33.680
<v Speaker 1>and you start working with your buddy. Where is there

0:34:33.719 --> 0:34:39.440
<v Speaker 1>something else you want me to tell you? Yeah, when

0:34:39.480 --> 0:34:44.160
<v Speaker 1>I was twenty one, I was arrested for a crime, okay,

0:34:45.239 --> 0:34:49.120
<v Speaker 1>and it was a crime that I didn't commit. As

0:34:49.160 --> 0:34:52.040
<v Speaker 1>I sit here now and everybody knows, it's a bit

0:34:52.080 --> 0:34:56.120
<v Speaker 1>of a legend in the East End that I was

0:34:56.200 --> 0:35:00.680
<v Speaker 1>charged with an armed robbery along with four the guys

0:35:01.080 --> 0:35:06.200
<v Speaker 1>and I wasn't involved in it. Um so anyway they

0:35:06.200 --> 0:35:09.239
<v Speaker 1>put me onto it. And this can only happen in

0:35:09.400 --> 0:35:13.000
<v Speaker 1>nineteen sixty four. It wouldn't happen today. So they put

0:35:13.120 --> 0:35:18.080
<v Speaker 1>me on an identity parade. What do you mean is

0:35:18.480 --> 0:35:21.160
<v Speaker 1>that's a line up and if somebody chooses it. So

0:35:21.200 --> 0:35:24.120
<v Speaker 1>I'm in a lineup and I'm picked out by a policeman.

0:35:24.960 --> 0:35:27.680
<v Speaker 1>And this policeman said he was riding along on his

0:35:27.760 --> 0:35:32.359
<v Speaker 1>bicycle and he saw these guys Robin an armored vain

0:35:33.560 --> 0:35:37.120
<v Speaker 1>and the guy that he saw running away was five

0:35:37.200 --> 0:35:44.160
<v Speaker 1>ft eight with frizzy, bushy hair. The judge is a

0:35:44.200 --> 0:35:47.080
<v Speaker 1>wonderful man. I hope he's still fucking dying from cancer.

0:35:48.719 --> 0:35:52.360
<v Speaker 1>He said, Well, members of the jury, you might think

0:35:53.000 --> 0:35:56.840
<v Speaker 1>that curbishly. If he was running and stooped over, he

0:35:56.880 --> 0:36:00.000
<v Speaker 1>would look five for eight and with the wind rushing

0:36:00.000 --> 0:36:04.840
<v Speaker 1>in through his hair, it would look frizzy. That's ridiculous. Indeed,

0:36:05.320 --> 0:36:09.320
<v Speaker 1>So there was that, And there was one other woman

0:36:09.680 --> 0:36:13.640
<v Speaker 1>who said she saw somebody jumped from this land rather

0:36:14.920 --> 0:36:17.560
<v Speaker 1>and she said, when she saw me in the lineup,

0:36:17.600 --> 0:36:24.480
<v Speaker 1>she said maybe, But on eight previous identity parades she

0:36:24.719 --> 0:36:28.720
<v Speaker 1>picked out somebody definitely, and they were all innocent people.

0:36:29.640 --> 0:36:33.160
<v Speaker 1>And that's the evidence. That is the total evidence, right,

0:36:33.320 --> 0:36:38.439
<v Speaker 1>So other than the fact that two of the other

0:36:38.480 --> 0:36:41.440
<v Speaker 1>guys who were charged with the robbery. They were friends

0:36:41.440 --> 0:36:43.640
<v Speaker 1>of mine and known to be friends of mine, and

0:36:43.680 --> 0:36:47.040
<v Speaker 1>they did commit their they were part of him. Some

0:36:47.239 --> 0:36:51.040
<v Speaker 1>sentenced to fifteen years. You're a sentence. Well, let's go

0:36:51.080 --> 0:36:53.640
<v Speaker 1>a little bit slower. You don't have any money. What

0:36:53.640 --> 0:36:56.160
<v Speaker 1>do you do for a lawyer? You get what's called

0:36:56.239 --> 0:36:59.880
<v Speaker 1>legal aids. Okay, you get public defender here, but use

0:37:00.000 --> 0:37:02.279
<v Speaker 1>your public defender. Here's a million cases. And you don't

0:37:02.280 --> 0:37:04.120
<v Speaker 1>get such a good defense. You don't get such a

0:37:04.120 --> 0:37:10.200
<v Speaker 1>good defense. But the QC I had was really quite good. Okay,

0:37:10.200 --> 0:37:14.920
<v Speaker 1>just one more time. So they arrested you. Why because

0:37:14.960 --> 0:37:19.080
<v Speaker 1>they had already arrested four other guys, and two of

0:37:19.120 --> 0:37:21.160
<v Speaker 1>them were friends of mine, and I was a known

0:37:21.200 --> 0:37:25.000
<v Speaker 1>associate with them, so they thought, why not him. I

0:37:25.080 --> 0:37:29.719
<v Speaker 1>have to ask before this, this particular arm robbery, were

0:37:29.719 --> 0:37:33.000
<v Speaker 1>you involved in any illicit activities with those other two? No? No,

0:37:33.200 --> 0:37:35.160
<v Speaker 1>but I was a known friend, and that I'm just

0:37:35.200 --> 0:37:36.920
<v Speaker 1>trying to say the way you said non friend, Medis

0:37:37.200 --> 0:37:39.759
<v Speaker 1>had a sinister elevance, know, and we went we went

0:37:39.800 --> 0:37:43.040
<v Speaker 1>to drinking clubs and things like that, you know. So

0:37:43.040 --> 0:37:45.759
<v Speaker 1>so anyway, I was a known associate. Right, So now

0:37:45.840 --> 0:37:48.480
<v Speaker 1>you're in court you say you have a good public defender,

0:37:49.000 --> 0:37:53.000
<v Speaker 1>and you got fifteen years. So then what happened? I

0:37:53.040 --> 0:37:57.440
<v Speaker 1>went to prison and uh so, I mean, you couldn't

0:37:57.440 --> 0:38:00.400
<v Speaker 1>write all of this, It's just I went to prison.

0:38:01.280 --> 0:38:05.319
<v Speaker 1>So the first prison, I went to. Second prison, I

0:38:05.320 --> 0:38:09.800
<v Speaker 1>went to Hope I'm by the way. The other guys

0:38:10.120 --> 0:38:14.280
<v Speaker 1>who were convicted all made statements saying that I was innocent,

0:38:14.360 --> 0:38:16.880
<v Speaker 1>because they did before we do senses. Yeah, no, no,

0:38:17.000 --> 0:38:19.440
<v Speaker 1>they said you were innocent. Yeah, they said I was innocent,

0:38:20.200 --> 0:38:23.760
<v Speaker 1>but nobody took much regard of that. So we had

0:38:23.800 --> 0:38:28.040
<v Speaker 1>an appeal and obviously died. So did they also get

0:38:28.120 --> 0:38:30.879
<v Speaker 1>fifteen years or all of them? So I then went

0:38:30.920 --> 0:38:34.759
<v Speaker 1>to um one prison. Then I went to a notorious

0:38:34.800 --> 0:38:39.439
<v Speaker 1>prison called Dartmoor, which is in the moors and way

0:38:39.480 --> 0:38:43.120
<v Speaker 1>way in the wilderness in England. Whoever designed it must

0:38:43.120 --> 0:38:47.920
<v Speaker 1>have been a total mesochist, or say this rather anyway,

0:38:48.160 --> 0:38:51.400
<v Speaker 1>um I eventually I tried to escape from there. And

0:38:51.640 --> 0:38:55.960
<v Speaker 1>then now from watching the movies, they say, if you escape,

0:38:56.320 --> 0:38:59.000
<v Speaker 1>you know you don't get out early. That's right, So

0:38:59.040 --> 0:39:01.719
<v Speaker 1>what was going through your head? I just wanted to

0:39:01.760 --> 0:39:04.480
<v Speaker 1>get out, you know, I mean, I knew I was innocent.

0:39:04.560 --> 0:39:10.200
<v Speaker 1>I just wanted out and I thought, rightly or wrongly,

0:39:10.239 --> 0:39:12.120
<v Speaker 1>I thought, if I get out, I can try and

0:39:12.719 --> 0:39:14.880
<v Speaker 1>do something about this, prove it, or go missing. I

0:39:15.000 --> 0:39:22.440
<v Speaker 1>just to me at twenty one years of age, you know. So, Um,

0:39:22.520 --> 0:39:25.520
<v Speaker 1>I tried to escape with another guy and as a

0:39:25.560 --> 0:39:29.640
<v Speaker 1>result of that, they sent me to a very very

0:39:29.760 --> 0:39:33.320
<v Speaker 1>high security prison. Just so I know, did you actually

0:39:33.360 --> 0:39:36.000
<v Speaker 1>get outside the prison wall? No? No, we had keys.

0:39:36.040 --> 0:39:40.000
<v Speaker 1>A guy made keys for us, and um, somebody must

0:39:40.040 --> 0:39:42.640
<v Speaker 1>have said something because the next thing I knew was

0:39:42.719 --> 0:39:46.760
<v Speaker 1>the doors smashed open. I'm taken out at five am

0:39:46.800 --> 0:39:50.400
<v Speaker 1>in the morning, and I'm taken from the West Country

0:39:50.760 --> 0:39:54.040
<v Speaker 1>all the way up north past Newcastle to a place

0:39:54.080 --> 0:39:58.719
<v Speaker 1>called Durham. And in Durham they had a special special wing,

0:39:59.719 --> 0:40:03.120
<v Speaker 1>high high security. And when I tell you, I went

0:40:03.160 --> 0:40:06.560
<v Speaker 1>in there and there were twenty other prisoners and I

0:40:06.680 --> 0:40:12.120
<v Speaker 1>was the shortest sentence of fifteen years, and five of

0:40:12.160 --> 0:40:16.120
<v Speaker 1>them were great train robbers. Really, yeah, okay, did you

0:40:16.160 --> 0:40:19.960
<v Speaker 1>have was it like isolation or you so you so

0:40:20.040 --> 0:40:22.279
<v Speaker 1>you could talk to our these people? Yeah? We we

0:40:22.400 --> 0:40:27.880
<v Speaker 1>became great friends. We mixed together and we became great friends.

0:40:28.760 --> 0:40:35.359
<v Speaker 1>And I then a couple of years later, and you're

0:40:35.400 --> 0:40:37.680
<v Speaker 1>talking about my We were talking about my sister who

0:40:37.719 --> 0:40:40.760
<v Speaker 1>lives in New Zealand. She came to visit me because

0:40:40.760 --> 0:40:44.600
<v Speaker 1>she was leaving to go to New Zealand, and as

0:40:44.640 --> 0:40:51.360
<v Speaker 1>she was leaving, a little incident occurred. And the upshot

0:40:51.400 --> 0:40:54.880
<v Speaker 1>of that was the next day I attacked a prison

0:40:55.040 --> 0:40:57.719
<v Speaker 1>order as a result of what he said on my

0:40:57.840 --> 0:41:02.880
<v Speaker 1>visit and the insults and my sister. So I attacked

0:41:02.880 --> 0:41:08.520
<v Speaker 1>the prison mortar order and it was it was a

0:41:08.600 --> 0:41:12.759
<v Speaker 1>nice attack, really because it wasn't that physical. I just

0:41:12.800 --> 0:41:14.839
<v Speaker 1>put a whole pot of piss all over his head,

0:41:17.160 --> 0:41:20.719
<v Speaker 1>so I got them moved. But the key to the

0:41:20.760 --> 0:41:25.400
<v Speaker 1>story is that during all this time I had a solicitor,

0:41:25.640 --> 0:41:31.120
<v Speaker 1>a young man who was absolutely convinced by innocence, and

0:41:31.160 --> 0:41:34.600
<v Speaker 1>he was fighting to try and get me released, and

0:41:34.680 --> 0:41:37.640
<v Speaker 1>he came along to see me. As a result of

0:41:37.640 --> 0:41:41.280
<v Speaker 1>this thing in Durham with the prison guard, they moved

0:41:41.280 --> 0:41:46.000
<v Speaker 1>me to Lincoln in the Midlands, and he came to

0:41:46.040 --> 0:41:49.120
<v Speaker 1>see me and he was continuously trying to get something

0:41:49.160 --> 0:41:54.280
<v Speaker 1>done about my case. And then one day the governor

0:41:54.480 --> 0:41:58.840
<v Speaker 1>came into my cell. I was in isolation and he

0:41:58.920 --> 0:42:01.799
<v Speaker 1>came in is the government and the runs of prison. Yeah,

0:42:01.840 --> 0:42:05.480
<v Speaker 1>the governor, yeah, the chief warden. And he said, look,

0:42:05.520 --> 0:42:08.040
<v Speaker 1>he said, I've just been to London. His name was

0:42:08.120 --> 0:42:12.200
<v Speaker 1>Fred Owens. He said, I've just been to London. He said,

0:42:12.280 --> 0:42:14.960
<v Speaker 1>I met a couple of friends of yours. I said really,

0:42:15.760 --> 0:42:18.319
<v Speaker 1>he said yeah, he said, and they told me all

0:42:18.360 --> 0:42:22.760
<v Speaker 1>about what had happened to you. So I said, well, okay,

0:42:22.840 --> 0:42:25.120
<v Speaker 1>what are you going to do about it? He said, well,

0:42:25.160 --> 0:42:27.480
<v Speaker 1>I can't do anything really, he said, but if you

0:42:27.520 --> 0:42:31.000
<v Speaker 1>stay out of trouble for three months, I'll get your

0:42:31.000 --> 0:42:33.880
<v Speaker 1>moved to London so you can deal with your case

0:42:33.960 --> 0:42:39.279
<v Speaker 1>and your solicitors much more easily being in London. So

0:42:39.320 --> 0:42:41.919
<v Speaker 1>I said okay. So I stayed out of trouble, and

0:42:42.000 --> 0:42:45.120
<v Speaker 1>true to his word, he got me moved down to London,

0:42:45.800 --> 0:42:50.399
<v Speaker 1>and then I had access to my lawyer and other

0:42:50.440 --> 0:42:54.759
<v Speaker 1>people helping me on a much more daily basis. And

0:42:55.400 --> 0:42:58.880
<v Speaker 1>my lawyer was at that time solicitor, was friends with

0:42:59.000 --> 0:43:02.279
<v Speaker 1>a journalist and he was an independent journalist who wrote

0:43:02.280 --> 0:43:07.560
<v Speaker 1>for the Times, and so he um did a story

0:43:08.840 --> 0:43:11.440
<v Speaker 1>and it was front page on one of the Sunday papers.

0:43:12.280 --> 0:43:17.480
<v Speaker 1>This man is innocent. So as a result of that,

0:43:17.640 --> 0:43:20.960
<v Speaker 1>I got a re hearing in the in the Courts

0:43:21.000 --> 0:43:25.600
<v Speaker 1>of Law with not with a jury, but with three judges,

0:43:28.000 --> 0:43:31.120
<v Speaker 1>and they heard all the new evidence and everything, and

0:43:31.160 --> 0:43:34.680
<v Speaker 1>they refused it. And I was going back to the

0:43:34.719 --> 0:43:36.600
<v Speaker 1>prison and I never forget this. I was going back

0:43:36.640 --> 0:43:39.400
<v Speaker 1>to the prison in a vein. It was just before

0:43:39.480 --> 0:43:43.959
<v Speaker 1>Christmas and I'm on Tottenham Court Road and I saw

0:43:44.000 --> 0:43:48.160
<v Speaker 1>a bus and it was advertising the movie The Graduate,

0:43:49.120 --> 0:43:51.399
<v Speaker 1>and I think it was Jeremy or something, and he said,

0:43:51.440 --> 0:43:57.440
<v Speaker 1>this is Jeremy and he's worried about his future. And

0:43:57.480 --> 0:44:01.400
<v Speaker 1>it was great. Within Over the Christmas there was a

0:44:01.440 --> 0:44:05.560
<v Speaker 1>postal strike, so nothing much was getting through. Straight after

0:44:05.600 --> 0:44:10.280
<v Speaker 1>the Christmas, I was again, I've chosen at that time

0:44:10.480 --> 0:44:12.040
<v Speaker 1>to be a lot on my own, because you go

0:44:12.120 --> 0:44:14.239
<v Speaker 1>through cycles where you don't want to really mix too

0:44:14.360 --> 0:44:17.440
<v Speaker 1>much with people. You want to chill a bit more

0:44:17.600 --> 0:44:19.800
<v Speaker 1>on your own, you know. So I'm in the cell

0:44:20.400 --> 0:44:23.360
<v Speaker 1>and the doors opened and the guard said you're wanted

0:44:23.440 --> 0:44:26.960
<v Speaker 1>over at the parole at the parole office. I said,

0:44:26.960 --> 0:44:29.160
<v Speaker 1>go fuck off. I thought it was friends of mine playing.

0:44:30.400 --> 0:44:32.480
<v Speaker 1>I said, I'm not due for parole for another light

0:44:32.800 --> 0:44:36.040
<v Speaker 1>four or five years or even longer. He said, I'm

0:44:36.040 --> 0:44:40.040
<v Speaker 1>telling you get changed out of your working year. You're

0:44:40.040 --> 0:44:42.600
<v Speaker 1>wanted over, I said, I said, fuck off. So they

0:44:42.600 --> 0:44:46.560
<v Speaker 1>then sent up the principal officer and I told him

0:44:46.560 --> 0:44:49.240
<v Speaker 1>the same. So they dragged me over to the parole

0:44:49.320 --> 0:44:55.040
<v Speaker 1>office in the dressed in overalls and everything, and took

0:44:55.040 --> 0:44:58.359
<v Speaker 1>me in front of the parole board. So they said,

0:44:58.400 --> 0:45:01.480
<v Speaker 1>we've considered your case and we've think you're suitable for parole.

0:45:02.120 --> 0:45:04.759
<v Speaker 1>I said, well, how do you work that one out?

0:45:04.840 --> 0:45:06.800
<v Speaker 1>I said, I've got another five or six years to

0:45:06.880 --> 0:45:11.040
<v Speaker 1>do and I don't think I've been a model prisoner.

0:45:11.120 --> 0:45:15.840
<v Speaker 1>How about telling me I'm eligible for parole because I'm innocent.

0:45:17.760 --> 0:45:20.000
<v Speaker 1>So the head of the parole board said to me, listen,

0:45:20.640 --> 0:45:24.000
<v Speaker 1>I want you to go outside for five minutes and

0:45:24.120 --> 0:45:28.879
<v Speaker 1>consider what I'm saying to you. He said, whatever, if

0:45:28.920 --> 0:45:32.720
<v Speaker 1>you're out there on a working out scheme, you will

0:45:33.640 --> 0:45:38.560
<v Speaker 1>be able to do much more for yourself then you

0:45:38.640 --> 0:45:41.560
<v Speaker 1>will in here. He said, go outside and think for

0:45:41.600 --> 0:45:45.320
<v Speaker 1>a bit. So I came back in and he said well,

0:45:45.520 --> 0:45:49.360
<v Speaker 1>I said, okay. He said, well, we're moving you to

0:45:49.520 --> 0:45:52.880
<v Speaker 1>Penterville Prison, which was in North London. He said, and

0:45:53.000 --> 0:45:56.000
<v Speaker 1>as of we'll move you there in two weeks time,

0:45:56.360 --> 0:45:59.959
<v Speaker 1>and as of that time, you have to find a job,

0:46:00.600 --> 0:46:06.120
<v Speaker 1>You go out to work, you come back every night

0:46:06.400 --> 0:46:09.719
<v Speaker 1>to the prison, except that you have weekends at home.

0:46:11.239 --> 0:46:13.680
<v Speaker 1>So it's kind of like a half way house. Yeah,

0:46:13.760 --> 0:46:16.920
<v Speaker 1>that's where it happened. So where did I go to

0:46:16.960 --> 0:46:21.440
<v Speaker 1>get my interview? Mike? Sure track records? Okay, so what

0:46:21.520 --> 0:46:25.640
<v Speaker 1>year do you get it? Go on parole? Okay? So

0:46:26.200 --> 0:46:31.080
<v Speaker 1>you're in jail for how long? Six and a half years? Okay?

0:46:31.120 --> 0:46:35.120
<v Speaker 1>You know this is a bad analogy, but they say

0:46:35.160 --> 0:46:37.960
<v Speaker 1>in football, if you play one game, you're never the

0:46:38.000 --> 0:46:40.560
<v Speaker 1>same same thing like being if you're homeless for two weeks,

0:46:40.600 --> 0:46:43.560
<v Speaker 1>you're never the same. You're in jail for six and

0:46:43.680 --> 0:46:47.320
<v Speaker 1>a half years. How did that change it as a person?

0:46:50.120 --> 0:46:53.880
<v Speaker 1>I think it changed me tremendously. I've got to say

0:46:53.920 --> 0:46:58.800
<v Speaker 1>that for many years after that, I was fueled by anger.

0:46:59.719 --> 0:47:02.400
<v Speaker 1>We're out any doubts all. I was fueled by anger

0:47:03.680 --> 0:47:08.200
<v Speaker 1>when I drink on it, and but then that dissipated

0:47:08.280 --> 0:47:12.280
<v Speaker 1>after a while and when I was able to really

0:47:12.400 --> 0:47:16.360
<v Speaker 1>really reflect on it all, I think in some strange ways,

0:47:16.400 --> 0:47:19.000
<v Speaker 1>Although I wouldn't like to turn the clock back and

0:47:19.040 --> 0:47:23.719
<v Speaker 1>do it all again, I think I gained some intangibles,

0:47:24.440 --> 0:47:28.120
<v Speaker 1>intangible assets from that time, I mean, how to deal

0:47:28.200 --> 0:47:31.440
<v Speaker 1>with people, how to deal with myself and to deal

0:47:31.480 --> 0:47:35.520
<v Speaker 1>with people and to deal with their adverse situations. I

0:47:35.640 --> 0:47:39.640
<v Speaker 1>think that if you speak to most people that know me,

0:47:41.560 --> 0:47:48.400
<v Speaker 1>I'm a very calm person. I don't get dramatic. Nothing

0:47:48.400 --> 0:47:54.279
<v Speaker 1>phases me. Really, to be honest and nobody. So I

0:47:54.320 --> 0:47:59.360
<v Speaker 1>think I came out of it with a lot of assets.

0:47:59.760 --> 0:48:02.720
<v Speaker 1>To you think you're only calm because you went to prison.

0:48:03.400 --> 0:48:05.759
<v Speaker 1>I think I learned. Yeah, I think I learned how

0:48:05.920 --> 0:48:09.400
<v Speaker 1>to how to meditate on staff, how to how to

0:48:09.480 --> 0:48:13.080
<v Speaker 1>deal with it. Um ironically, I mean, as I said,

0:48:13.080 --> 0:48:16.440
<v Speaker 1>you couldn't write this script because I made a movie

0:48:17.200 --> 0:48:20.200
<v Speaker 1>not long after coming out about the prison I was in,

0:48:20.800 --> 0:48:25.120
<v Speaker 1>starring Roger Daltrey, called mc vicar exactly, and that was

0:48:25.160 --> 0:48:29.279
<v Speaker 1>the place I was in. So you know, who would

0:48:29.280 --> 0:48:32.480
<v Speaker 1>have thought two years, three years later on making this movie.

0:48:32.719 --> 0:48:35.120
<v Speaker 1>Of course, as they say, we're getting your story right here.

0:48:35.520 --> 0:48:38.160
<v Speaker 1>But you know, in today's prison movies were the reason

0:48:38.200 --> 0:48:40.960
<v Speaker 1>I mentioned it is because Roger mentions it in his books.

0:48:41.000 --> 0:48:42.960
<v Speaker 1>So I saw the movie when it came out. I

0:48:43.000 --> 0:48:46.480
<v Speaker 1>sided westbod Connecticut. He mentions the whole thing about me

0:48:46.520 --> 0:48:48.640
<v Speaker 1>being in prison and so on in the book. So

0:48:48.960 --> 0:48:51.239
<v Speaker 1>and I'm it's nothing that I'm ashamed of, you know

0:48:51.239 --> 0:48:56.080
<v Speaker 1>what I mean? Innocent? Yeah, in fact exactly, And so

0:48:56.760 --> 0:49:03.399
<v Speaker 1>as they all knew, and those periods, I've got people

0:49:03.400 --> 0:49:05.239
<v Speaker 1>who have been pushing me and pushing me for a

0:49:05.239 --> 0:49:08.319
<v Speaker 1>few years to either bank a movie or do do

0:49:08.400 --> 0:49:12.480
<v Speaker 1>a TV series around it. Um. I was quite reluctant

0:49:12.520 --> 0:49:14.880
<v Speaker 1>to do any of that when my children were younger.

0:49:15.320 --> 0:49:17.480
<v Speaker 1>I didn't want to embarrass them. And you know, our

0:49:18.000 --> 0:49:20.839
<v Speaker 1>cruel some children can be to others when they were

0:49:20.840 --> 0:49:24.600
<v Speaker 1>in store. But now that they're adults, they're pressing me

0:49:24.640 --> 0:49:26.880
<v Speaker 1>to do it. So I'm looking at seriously doing it,

0:49:26.920 --> 0:49:31.279
<v Speaker 1>you know. Okay, But I have to ask, what was

0:49:31.320 --> 0:49:35.359
<v Speaker 1>it like being in prison every day the same as

0:49:35.400 --> 0:49:39.480
<v Speaker 1>every other day. Well, they talk about men reaping and gangs,

0:49:39.520 --> 0:49:42.799
<v Speaker 1>and that wasn't any of that in those days. You

0:49:43.560 --> 0:49:47.040
<v Speaker 1>there was men being raped in those days, but it

0:49:47.120 --> 0:49:49.640
<v Speaker 1>was very tough. You didn't have the ship you got today,

0:49:49.960 --> 0:49:52.880
<v Speaker 1>you didn't have telephones. You've got one visit a month,

0:49:53.280 --> 0:50:01.400
<v Speaker 1>that's what you got. Um, And it wasn't so so orientated.

0:50:02.239 --> 0:50:09.840
<v Speaker 1>But also I was quite fortunate because I knew whatever

0:50:09.880 --> 0:50:12.399
<v Speaker 1>prison I went into, I knew a few people, now

0:50:13.000 --> 0:50:16.240
<v Speaker 1>you know, And as I said, I became very friendly

0:50:16.280 --> 0:50:22.080
<v Speaker 1>and Durham with five of the train robbers who remained friends. Um.

0:50:22.120 --> 0:50:25.279
<v Speaker 1>So I never had a problem in prison, m h.

0:50:26.320 --> 0:50:29.279
<v Speaker 1>And it's a bit different in when you're in what's

0:50:29.280 --> 0:50:35.799
<v Speaker 1>called a high category, top security long term prison. It's

0:50:35.840 --> 0:50:38.799
<v Speaker 1>a bit different. Okay, So why are you in prison?

0:50:38.880 --> 0:50:42.680
<v Speaker 1>Before you get out? You knew? Could you envision getting

0:50:42.680 --> 0:50:45.000
<v Speaker 1>out of prison at one time? And what you're gonna do?

0:50:46.040 --> 0:50:49.480
<v Speaker 1>When we were in Durham, the then Home Secretary was

0:50:49.520 --> 0:50:53.400
<v Speaker 1>the main called Roy Jenkins, and he he put us

0:50:53.440 --> 0:50:57.240
<v Speaker 1>under armed guard with machine guns and sam bags because

0:50:57.239 --> 0:51:00.520
<v Speaker 1>he said that he had heard from a good authority

0:51:00.600 --> 0:51:02.799
<v Speaker 1>that the train robbers were going to blow the wall

0:51:02.840 --> 0:51:05.759
<v Speaker 1>down to escape. And I used to walk around that

0:51:05.840 --> 0:51:09.960
<v Speaker 1>little yard convincing myself I would have as much good

0:51:10.040 --> 0:51:14.560
<v Speaker 1>luck as I as I've had bad luck. And indeed

0:51:14.640 --> 0:51:17.640
<v Speaker 1>God has been good. I've had more good luck than

0:51:17.680 --> 0:51:20.680
<v Speaker 1>bad luck, and I'm very very grateful. What was your

0:51:20.760 --> 0:51:26.440
<v Speaker 1>romeetic situation before, during and after prison? Before I went

0:51:26.440 --> 0:51:30.200
<v Speaker 1>into prison, I was with a girl, and when I

0:51:30.280 --> 0:51:33.960
<v Speaker 1>went into the prison, I said, you better forget about me.

0:51:35.000 --> 0:51:41.600
<v Speaker 1>I'm dead. And I didn't see her or anybody other

0:51:41.680 --> 0:51:48.720
<v Speaker 1>than my immediate family for all those years. And when

0:51:48.760 --> 0:51:51.600
<v Speaker 1>I was telling you about getting the retrial that was

0:51:51.680 --> 0:51:55.839
<v Speaker 1>on a front page news, I went downstairs to the

0:51:55.880 --> 0:51:58.240
<v Speaker 1>censor and I said, I don't want any letters coming

0:51:58.280 --> 0:52:02.200
<v Speaker 1>through here from crazy people, right because now it's in

0:52:02.239 --> 0:52:04.160
<v Speaker 1>the nose. I don't want that ship. I only want

0:52:04.239 --> 0:52:07.880
<v Speaker 1>letters from all the correspondents have been corresponding with me

0:52:07.960 --> 0:52:11.279
<v Speaker 1>for the last six years. And a postcard came through

0:52:11.840 --> 0:52:17.480
<v Speaker 1>from this girl and she had been married during that

0:52:17.600 --> 0:52:24.400
<v Speaker 1>period and divorced, and she had two children. So I

0:52:24.480 --> 0:52:28.360
<v Speaker 1>had her down to visit me, and then within a

0:52:28.400 --> 0:52:33.120
<v Speaker 1>couple of months I was out and we eventually married.

0:52:33.320 --> 0:52:35.839
<v Speaker 1>I adopted to two children, one of them lives here,

0:52:36.640 --> 0:52:41.759
<v Speaker 1>and we married and then we had She worked with

0:52:41.880 --> 0:52:46.920
<v Speaker 1>me all those years with the WHO, and we eventually

0:52:47.000 --> 0:52:51.120
<v Speaker 1>divorced after twenty five years, and then sadly she died

0:52:51.200 --> 0:52:56.080
<v Speaker 1>last year. Okay, two years ago. Why did you get divorced?

0:52:56.719 --> 0:52:59.319
<v Speaker 1>We just grew apart, we really did, you know? We

0:52:59.400 --> 0:53:04.399
<v Speaker 1>grew apart as people. Um, But it was good before that.

0:53:04.800 --> 0:53:06.799
<v Speaker 1>It was great before that. Yeah. It was good before that,

0:53:06.960 --> 0:53:10.319
<v Speaker 1>and we were soul mates and we were, but she

0:53:10.520 --> 0:53:14.399
<v Speaker 1>changed and I changed. Okay, so now you're working at

0:53:14.400 --> 0:53:16.520
<v Speaker 1>track Records. One of the things I did do just

0:53:19.440 --> 0:53:27.520
<v Speaker 1>I'm thirty one year sober, unclean, and that's when I

0:53:27.600 --> 0:53:34.280
<v Speaker 1>stopped drinking whatever. And then it changed everything I think.

0:53:34.320 --> 0:53:39.080
<v Speaker 1>And then in we divorced, you know, okay, I have

0:53:39.120 --> 0:53:42.120
<v Speaker 1>to ask it. Did she still drink? Yeah, but she

0:53:42.239 --> 0:53:44.840
<v Speaker 1>wasn't a big drinker. Okay, So when were you always

0:53:44.880 --> 0:53:48.320
<v Speaker 1>a big drinker? Oh? Yeah? And anything other than alcohol,

0:53:49.440 --> 0:53:56.160
<v Speaker 1>not really. I dabbled with I dabbled with marijuana. Um,

0:53:56.200 --> 0:53:59.040
<v Speaker 1>I had a little experiment with cocaine, but it wasn't

0:53:59.080 --> 0:54:02.560
<v Speaker 1>my drug. My my drug was alcohol. Okay, So how

0:54:02.600 --> 0:54:05.760
<v Speaker 1>did you go? Moivate you to get clean? I stopped,

0:54:06.160 --> 0:54:09.839
<v Speaker 1>But what motivated you? I had a young guy who

0:54:09.920 --> 0:54:13.360
<v Speaker 1>was an accountant who started with me when I first started,

0:54:13.520 --> 0:54:16.840
<v Speaker 1>and he was coming home from a party in the

0:54:16.880 --> 0:54:19.040
<v Speaker 1>early hours of the morning and he killed an old

0:54:19.120 --> 0:54:22.600
<v Speaker 1>lady on the crossing. And I was such a pig

0:54:22.600 --> 0:54:25.839
<v Speaker 1>in those days. Nobody could tell me not to drive

0:54:25.880 --> 0:54:29.240
<v Speaker 1>when I was drunk. And I stopped short and I thought,

0:54:30.440 --> 0:54:33.120
<v Speaker 1>what are you going to do. If it's someone's son,

0:54:33.640 --> 0:54:38.560
<v Speaker 1>someone's daughter, you know, you don't listen to people. And

0:54:38.600 --> 0:54:40.840
<v Speaker 1>I thought about it long and hard, and I stopped,

0:54:42.000 --> 0:54:44.960
<v Speaker 1>and I started getting fit and training, and I got

0:54:44.960 --> 0:54:49.120
<v Speaker 1>through the first Christmas because I didn't say this is forever.

0:54:50.040 --> 0:54:53.000
<v Speaker 1>But I stopped, and I got through the first Christmas,

0:54:54.040 --> 0:54:56.759
<v Speaker 1>and then before I knew it, I was into a

0:54:56.800 --> 0:55:01.000
<v Speaker 1>second Christmas. I had a similar situation. My life was

0:55:01.040 --> 0:55:04.480
<v Speaker 1>too crazy. I was arrusted for drunk driving and then

0:55:04.520 --> 0:55:09.320
<v Speaker 1>you get summary probation, which means within the two years,

0:55:09.520 --> 0:55:11.759
<v Speaker 1>if you get stopped at all with any alcohol, you

0:55:11.840 --> 0:55:14.719
<v Speaker 1>lose your license. This is l a. You have to

0:55:14.760 --> 0:55:16.920
<v Speaker 1>have a driver's license. And you know, the name of

0:55:16.920 --> 0:55:19.719
<v Speaker 1>the game is delay. So in the window for when

0:55:19.719 --> 0:55:22.920
<v Speaker 1>I was first arrested the night John Lennon uh was killed,

0:55:23.280 --> 0:55:26.839
<v Speaker 1>till going to jail, going to court, like eight months later,

0:55:27.200 --> 0:55:31.479
<v Speaker 1>I was stopped again on the freeway and I said,

0:55:31.840 --> 0:55:34.080
<v Speaker 1>so then once it was summary, I didn't get They

0:55:34.160 --> 0:55:36.160
<v Speaker 1>let me go, but I was stopped again. I said,

0:55:36.200 --> 0:55:39.360
<v Speaker 1>this couldn't happen. I said, you know, I'm not gonna

0:55:39.440 --> 0:55:41.839
<v Speaker 1>drive within eight hours, have a good drink. And then

0:55:41.840 --> 0:55:43.560
<v Speaker 1>I was I mean, I've told this story before I

0:55:43.760 --> 0:55:45.759
<v Speaker 1>one on one. I probably go on it fur the lake.

0:55:46.120 --> 0:55:48.640
<v Speaker 1>But I started to see this woman in there's the

0:55:48.640 --> 0:55:52.160
<v Speaker 1>beginning of sushi, so you would go, this is West Hollywood,

0:55:52.440 --> 0:55:55.960
<v Speaker 1>and okay, if I drank saki, I had to stay

0:55:55.960 --> 0:55:59.600
<v Speaker 1>at her house, which was a good thing until one

0:55:59.719 --> 0:56:04.160
<v Speaker 1>night she bit me. And there's a long story after that.

0:56:04.960 --> 0:56:08.520
<v Speaker 1>But uh then she said she would never do it again.

0:56:08.560 --> 0:56:11.680
<v Speaker 1>She did again. I said, my life is just too complicated.

0:56:11.960 --> 0:56:14.640
<v Speaker 1>I'm gonna stop drinking, you know, I gotta be able

0:56:14.680 --> 0:56:17.720
<v Speaker 1>to drive whatever. And I was not tending to quit forever,

0:56:17.920 --> 0:56:20.200
<v Speaker 1>just like you. And then all of a sudden, because

0:56:20.239 --> 0:56:23.080
<v Speaker 1>you know, the first couple of months is hard. It's

0:56:23.160 --> 0:56:25.680
<v Speaker 1>not the miss alcohol. So what you missed the lifestyle.

0:56:26.360 --> 0:56:30.200
<v Speaker 1>You know, it's a lifestyle. What's relevant, it's where did

0:56:30.239 --> 0:56:35.319
<v Speaker 1>she bite you? She didn't buy me where that's where

0:56:35.360 --> 0:56:38.440
<v Speaker 1>we go, and she bought me bit me on the Netflix.

0:56:39.360 --> 0:56:43.200
<v Speaker 1>So you understand where I'm coming from that because you know,

0:56:44.800 --> 0:56:48.600
<v Speaker 1>lots of other people whose names remained nameless now you

0:56:48.640 --> 0:56:52.640
<v Speaker 1>know they're famous answers or whatever, all stopped around that

0:56:52.840 --> 0:56:56.680
<v Speaker 1>same time or just after me, you know, and we

0:56:56.760 --> 0:56:59.840
<v Speaker 1>frequently see each other and they're clean and dry, and

0:57:00.120 --> 0:57:03.160
<v Speaker 1>why they're still alive. They really are well. I mean,

0:57:03.280 --> 0:57:05.759
<v Speaker 1>as they say, one thing, I know, you know because

0:57:06.000 --> 0:57:07.440
<v Speaker 1>l A you can. This is another thing. I ran

0:57:07.520 --> 0:57:10.200
<v Speaker 1>into somebody who wanted to be reasonable with and I

0:57:10.280 --> 0:57:11.640
<v Speaker 1>had had a couple of drinks and he didn't he

0:57:11.719 --> 0:57:14.360
<v Speaker 1>could tell. They said, whenever I'm in a situation, I

0:57:14.440 --> 0:57:18.320
<v Speaker 1>want to have all my marbles with me, and you know,

0:57:18.480 --> 0:57:20.600
<v Speaker 1>I don't really have the urge anymore. And sometimes when

0:57:20.640 --> 0:57:22.919
<v Speaker 1>you're a restaurant it's midnight and they've had a couple

0:57:22.960 --> 0:57:25.840
<v Speaker 1>of bottles that everybody's having a good time. But I

0:57:25.960 --> 0:57:29.360
<v Speaker 1>also remember what was wigging up was exactly and I

0:57:29.440 --> 0:57:35.000
<v Speaker 1>never I never do because honestly, our older wife, for

0:57:35.120 --> 0:57:37.440
<v Speaker 1>my wife and friends, it never occurs to me. It's

0:57:37.480 --> 0:57:40.000
<v Speaker 1>a different life. And my two kids. I've got a

0:57:40.080 --> 0:57:43.600
<v Speaker 1>daughter of twenty three with this current marriage, and a

0:57:43.680 --> 0:57:46.680
<v Speaker 1>boy of twenty one. And they've never seen me drunk,

0:57:46.840 --> 0:57:50.080
<v Speaker 1>which is great, right, right right. They've seen me grumpy,

0:57:50.320 --> 0:57:53.400
<v Speaker 1>they've seen whatever they've seen me in mood swings, but

0:57:53.600 --> 0:57:56.240
<v Speaker 1>never seen me like that, which is very very important

0:57:56.240 --> 0:58:01.080
<v Speaker 1>because it's not it's not do what I say is

0:58:01.160 --> 0:58:03.320
<v Speaker 1>do what I do you know. Well, that's what the

0:58:03.400 --> 0:58:05.440
<v Speaker 1>other thing you mentioned about driving drunk. I went to

0:58:05.560 --> 0:58:07.960
<v Speaker 1>college in Mark. This is on the dark era. That's

0:58:08.000 --> 0:58:11.120
<v Speaker 1>not ad whatever. That's what we used to do. You

0:58:11.200 --> 0:58:13.640
<v Speaker 1>get drunk and we're gonna go out driving. I remember

0:58:13.680 --> 0:58:15.640
<v Speaker 1>I lived in Utah sche Bump for a couple years.

0:58:15.640 --> 0:58:18.000
<v Speaker 1>I remember, and that's a pretty you know, dangerous road

0:58:18.120 --> 0:58:20.520
<v Speaker 1>driving back down to the canyon don the canyon. I

0:58:20.560 --> 0:58:22.720
<v Speaker 1>remember one morning I woke up and I had to

0:58:22.720 --> 0:58:24.680
<v Speaker 1>go out and look at my car and said, you know,

0:58:24.880 --> 0:58:27.360
<v Speaker 1>is my car really here? And intact I literally went

0:58:27.360 --> 0:58:29.600
<v Speaker 1>around the whole Guy said, I just can't believe I

0:58:29.680 --> 0:58:34.240
<v Speaker 1>lived in Spain. And the honestly, the road around the

0:58:34.320 --> 0:58:38.080
<v Speaker 1>mountain to where I lived was one car wide. He's

0:58:38.120 --> 0:58:43.480
<v Speaker 1>shaking his hits on the time hour survived. But you know,

0:58:43.640 --> 0:58:46.520
<v Speaker 1>there's another side to it all as well. I mean, um,

0:58:46.680 --> 0:58:48.440
<v Speaker 1>I know that some of the artists I was with

0:58:48.960 --> 0:58:52.480
<v Speaker 1>some but maybe two, I don't know, one of them

0:58:52.600 --> 0:58:56.600
<v Speaker 1>sort of resented it or couldn't understand it, or you know,

0:58:56.960 --> 0:58:59.240
<v Speaker 1>whether there's an element of I would like to be

0:58:59.400 --> 0:59:02.800
<v Speaker 1>like that in it, or little element you know, having

0:59:02.880 --> 0:59:05.960
<v Speaker 1>work with I don't know whether it's worse with English people.

0:59:06.680 --> 0:59:09.320
<v Speaker 1>But up until first of all, this was before mothers

0:59:09.320 --> 0:59:13.160
<v Speaker 1>against drum driving, but up until sometime in the nineties

0:59:13.240 --> 0:59:15.680
<v Speaker 1>when it became kind of cool not to drink. Oh

0:59:15.760 --> 0:59:17.720
<v Speaker 1>you actually get shipped. You got to a bar, hey

0:59:17.920 --> 0:59:21.720
<v Speaker 1>have one, and they exactly, well it's all like bring

0:59:21.840 --> 0:59:24.880
<v Speaker 1>them into the into the group, exactly, it makes them

0:59:24.920 --> 0:59:29.440
<v Speaker 1>feel better. But coming back to the the reasons as well,

0:59:29.640 --> 0:59:32.360
<v Speaker 1>is that this young solicitor I was telling you about

0:59:32.400 --> 0:59:37.000
<v Speaker 1>who fought for me and for me, I saw him

0:59:37.560 --> 0:59:39.600
<v Speaker 1>when I was released, and I didn't see him for

0:59:39.640 --> 0:59:42.560
<v Speaker 1>a while after that, and then lo and behold, it

0:59:42.760 --> 0:59:46.160
<v Speaker 1>moved to San Francisco and I saw him in San

0:59:46.240 --> 0:59:51.320
<v Speaker 1>Francisco in seventy three. He had two little baby girls, twins,

0:59:52.560 --> 0:59:55.520
<v Speaker 1>and he came with me to the count Palace, which

0:59:55.640 --> 0:59:59.560
<v Speaker 1>was the infamous night when the fake drummer Keith Moon

0:59:59.640 --> 1:00:04.560
<v Speaker 1>falls off the drum right right. And so I never

1:00:04.680 --> 1:00:09.840
<v Speaker 1>saw him after that for all those years, and then

1:00:09.920 --> 1:00:14.440
<v Speaker 1>I saw him two years ago. He's now a rebi

1:00:15.040 --> 1:00:22.000
<v Speaker 1>in Israel. That's a crazy story. That is crazy, really crazy, okay,

1:00:22.800 --> 1:00:25.360
<v Speaker 1>But he was not the person who killed somebody. That

1:00:25.400 --> 1:00:26.880
<v Speaker 1>was somebody else in your office. Oh yeah, that was

1:00:26.880 --> 1:00:28.600
<v Speaker 1>an account. Okay, I just want to make sure I

1:00:28.640 --> 1:00:31.600
<v Speaker 1>got the story this. This is a solicitor who understand

1:00:31.600 --> 1:00:35.160
<v Speaker 1>who who defended me? Right? I understand through. Okay, So

1:00:35.520 --> 1:00:39.760
<v Speaker 1>a different question. Um, you said it earlier that you

1:00:39.800 --> 1:00:43.280
<v Speaker 1>were always a big music fan. Yeah, so what did

1:00:43.360 --> 1:00:45.360
<v Speaker 1>that look like? Did your parents play music in the house?

1:00:45.400 --> 1:00:47.680
<v Speaker 1>How did you be going? Oh? Yeah, my mom was

1:00:47.760 --> 1:00:50.480
<v Speaker 1>a singer. She used to sing in pups. My dad

1:00:50.600 --> 1:00:53.480
<v Speaker 1>used to drink and she used to sing, and she

1:00:53.720 --> 1:00:57.760
<v Speaker 1>was a good singer, and and her her sister, my aunt.

1:00:58.120 --> 1:01:02.400
<v Speaker 1>So it was music. Music. And then as a young man, Um,

1:01:02.920 --> 1:01:08.040
<v Speaker 1>we were mods. So we would go out what quadraphenia

1:01:08.120 --> 1:01:11.000
<v Speaker 1>is all about. Really, we would go out on a

1:01:11.080 --> 1:01:14.080
<v Speaker 1>Friday night and we'd come back Monday morning and go

1:01:14.200 --> 1:01:16.800
<v Speaker 1>to work. I mean, we were industrious, the MUDs. We

1:01:16.880 --> 1:01:21.480
<v Speaker 1>weren't living off Social Security. And I would go out,

1:01:22.240 --> 1:01:24.560
<v Speaker 1>go to wherever we were going, where the MUDs went,

1:01:24.800 --> 1:01:27.439
<v Speaker 1>and then a lot with a couple of pals, we'd

1:01:27.440 --> 1:01:31.200
<v Speaker 1>go down to what was then a notorious black area,

1:01:31.480 --> 1:01:35.320
<v Speaker 1>Cable Street in Stepane, and they had all these small

1:01:35.440 --> 1:01:39.480
<v Speaker 1>sabines and clubs, and that's I don't know what shebine

1:01:39.560 --> 1:01:43.880
<v Speaker 1>is a word for a club, and it was all

1:01:43.960 --> 1:01:47.120
<v Speaker 1>blue beat reggae, and that was it for me, you know.

1:01:47.840 --> 1:01:51.040
<v Speaker 1>And it was all about Prince baster King pleasure all

1:01:51.120 --> 1:01:53.360
<v Speaker 1>those songs that were coming in and a lot of

1:01:53.440 --> 1:01:56.400
<v Speaker 1>that stuff was brought in by American g ias after

1:01:56.480 --> 1:01:59.919
<v Speaker 1>the Second World War, you know, and and then brought

1:02:00.080 --> 1:02:04.600
<v Speaker 1>crossed through from from the Caribbean, from Jamaica. So music

1:02:05.280 --> 1:02:08.440
<v Speaker 1>was very much in my blood. And then I gravitated

1:02:08.480 --> 1:02:11.400
<v Speaker 1>a bit from that to jazz, became a real real

1:02:11.800 --> 1:02:14.760
<v Speaker 1>aviad jazz fan, you know, all the way through. And

1:02:15.040 --> 1:02:19.320
<v Speaker 1>so it was in my blood, okay, And I never realized.

1:02:21.000 --> 1:02:25.080
<v Speaker 1>Um so when you're saying about what did I gain

1:02:25.920 --> 1:02:31.880
<v Speaker 1>from that? I found something that hopefully I'm reasonably good at.

1:02:33.080 --> 1:02:39.040
<v Speaker 1>And I'm forever grateful for that because I found something

1:02:39.120 --> 1:02:42.560
<v Speaker 1>in my life that I think I'm pretty good at.

1:02:43.320 --> 1:02:46.760
<v Speaker 1>And the people I work for and I stressed for

1:02:47.760 --> 1:02:52.280
<v Speaker 1>and with I feel the same. So it worked out

1:02:52.360 --> 1:02:56.560
<v Speaker 1>certainly from our viewpoint. Um, you know, we only heard

1:02:56.600 --> 1:02:59.840
<v Speaker 1>about it, we ultimly the movie Quadraphenia and Elite seven,

1:03:00.480 --> 1:03:02.960
<v Speaker 1>but we read about the Margin rockers what was really

1:03:03.040 --> 1:03:05.880
<v Speaker 1>going on there? Well, I'm doing it. I'm working on

1:03:05.960 --> 1:03:09.000
<v Speaker 1>a TV series at the moment, just going to explore

1:03:09.960 --> 1:03:13.360
<v Speaker 1>the whole cultural change. Is going to be three series,

1:03:14.520 --> 1:03:19.080
<v Speaker 1>the whole cultural change after the Second World War in England,

1:03:19.360 --> 1:03:23.920
<v Speaker 1>and it's quite phenomenal because what happened was I went

1:03:24.000 --> 1:03:25.920
<v Speaker 1>to meet some people at a C a m C.

1:03:26.640 --> 1:03:29.080
<v Speaker 1>And they said, how would you sum this up? You

1:03:29.160 --> 1:03:32.000
<v Speaker 1>mean like AMC movie theater. Okay, So they said, well,

1:03:32.080 --> 1:03:35.120
<v Speaker 1>how would you sum this up, this thing you're talking about?

1:03:35.400 --> 1:03:38.840
<v Speaker 1>I said, Well, when I was a boy, my parents,

1:03:39.640 --> 1:03:42.760
<v Speaker 1>if anyone came through the door wearing a suit, it

1:03:42.920 --> 1:03:47.320
<v Speaker 1>was yes, sir, yes sir, I said, and everybody followed

1:03:47.360 --> 1:03:50.919
<v Speaker 1>their father into whatever profession he was in. I said,

1:03:51.000 --> 1:03:54.880
<v Speaker 1>But without generation Second World War, there was a reaction

1:03:55.000 --> 1:03:57.560
<v Speaker 1>to it and instead of yes sir, we said, funk

1:03:57.640 --> 1:04:01.720
<v Speaker 1>you and we wanted something more and that's what happened.

1:04:01.800 --> 1:04:05.200
<v Speaker 1>So with the evolution. I remember when I was fifth

1:04:05.520 --> 1:04:08.760
<v Speaker 1>in NFT eight, when I was sixteen, when we were

1:04:08.840 --> 1:04:11.960
<v Speaker 1>not we were murdered. It was all about the clothes,

1:04:12.960 --> 1:04:17.120
<v Speaker 1>you know, being like a peacock wearing those clothes. We

1:04:17.280 --> 1:04:19.360
<v Speaker 1>worked as hard as we could to make the money

1:04:19.440 --> 1:04:23.160
<v Speaker 1>to buy the clothes. But the changes were. It was

1:04:23.240 --> 1:04:32.920
<v Speaker 1>a revolution, the changes in advertising, fashion, design, music. You

1:04:33.040 --> 1:04:36.120
<v Speaker 1>know what happened. You've got the invasion of English and

1:04:36.240 --> 1:04:40.080
<v Speaker 1>that's incredible that you've got an invasion of English music

1:04:40.400 --> 1:04:43.200
<v Speaker 1>right as a result of the Second World War, not

1:04:43.400 --> 1:04:46.480
<v Speaker 1>French or German or Dutch. I mentioned one Dutch being.

1:04:46.640 --> 1:04:51.320
<v Speaker 1>But it was all English right coming to America, and

1:04:52.600 --> 1:04:57.400
<v Speaker 1>everybody's saying in American right right, that was wed You

1:04:57.520 --> 1:05:00.360
<v Speaker 1>noticed that exactly, we didn't see yeah, we didn't sing

1:05:00.440 --> 1:05:05.040
<v Speaker 1>in English, right right. And so all of that was happening,

1:05:05.160 --> 1:05:10.640
<v Speaker 1>and from there came people like Riddy Scott, Alan Parker,

1:05:11.280 --> 1:05:14.920
<v Speaker 1>David Partner, movie greet movie directors, movie executive from from

1:05:14.960 --> 1:05:18.720
<v Speaker 1>advertising through there. So the TV series that I'm doing

1:05:18.960 --> 1:05:23.040
<v Speaker 1>embraces more than just Quadrophenia, because Couadrophenia was three days

1:05:23.200 --> 1:05:26.840
<v Speaker 1>in the life of a Mud. What we're doing is

1:05:27.760 --> 1:05:32.439
<v Speaker 1>it's starts in with the wind wind rush generation coming

1:05:32.480 --> 1:05:35.520
<v Speaker 1>in from the Caribbean and from Jamaica into England immigrants,

1:05:36.520 --> 1:05:41.360
<v Speaker 1>and it takes us through the sixties and through the seventhies.

1:05:42.080 --> 1:05:46.160
<v Speaker 1>So we go through that all those cultural changes, all

1:05:46.280 --> 1:05:49.840
<v Speaker 1>that color, because after the Second World War everything was gray.

1:05:50.640 --> 1:05:56.680
<v Speaker 1>So all that Color, Carnaby, street pop, arts, advertising, fashion.

1:05:57.600 --> 1:06:04.120
<v Speaker 1>Then we've got Margaret Thatcher, Industrial Strikes, Punk which came

1:06:04.160 --> 1:06:07.000
<v Speaker 1>and went through to the end of it, and it

1:06:07.120 --> 1:06:10.080
<v Speaker 1>takes us up to the end of the seventies maybe

1:06:10.120 --> 1:06:13.960
<v Speaker 1>early eighties. Okay, did you have a scooter? No? Do

1:06:14.040 --> 1:06:17.160
<v Speaker 1>you know what we had? We had a funeral hearse.

1:06:18.960 --> 1:06:21.280
<v Speaker 1>We had a funeral hearse. We used to go down

1:06:21.320 --> 1:06:24.439
<v Speaker 1>to Brighton where the riots were in a funeral hearse,

1:06:24.920 --> 1:06:29.120
<v Speaker 1>eight or ten of us and um, oh yeah. And

1:06:29.560 --> 1:06:33.400
<v Speaker 1>when we first did the movie Quadrophenia, the first scenes

1:06:34.000 --> 1:06:35.960
<v Speaker 1>we had to shoot with the riot scenes because it

1:06:36.080 --> 1:06:37.720
<v Speaker 1>was very late in the year and we had to

1:06:37.800 --> 1:06:41.280
<v Speaker 1>simulate summer and it was like the end of September

1:06:41.440 --> 1:06:44.600
<v Speaker 1>and it was freezing down now. And I went to

1:06:44.720 --> 1:06:48.920
<v Speaker 1>my youngest brother's school with two buses to big coaches

1:06:49.360 --> 1:06:51.360
<v Speaker 1>and got all the kids out of there for extras

1:06:51.480 --> 1:06:54.520
<v Speaker 1>for the riot scenes. Know, so we never know. We

1:06:54.600 --> 1:07:00.360
<v Speaker 1>didn't have scooters. We had Okay, the others? Was the

1:07:00.440 --> 1:07:04.480
<v Speaker 1>mart tell me about the Rockers? Were the Rockers again

1:07:06.520 --> 1:07:11.640
<v Speaker 1>in the first series. In the movie of Quadraphine, You've

1:07:11.680 --> 1:07:14.400
<v Speaker 1>got the fantastic scene when Jimmy's in the bath and

1:07:14.480 --> 1:07:17.760
<v Speaker 1>he's singing, and someone's singing in the other bath and

1:07:17.880 --> 1:07:20.840
<v Speaker 1>it's Kevin, his pal. And when they come out, Ray Winston,

1:07:20.920 --> 1:07:23.520
<v Speaker 1>when they come out, he looks at him and he goes,

1:07:24.840 --> 1:07:27.240
<v Speaker 1>what the funk you're wearing? Because he's a rock He's

1:07:27.280 --> 1:07:33.760
<v Speaker 1>a rocker. So yeah, the rockers they were in weirdly enough,

1:07:35.520 --> 1:07:38.120
<v Speaker 1>their their music appealed to me as well, you know.

1:07:38.200 --> 1:07:40.240
<v Speaker 1>I mean, I can remember the first time I saw

1:07:40.240 --> 1:07:42.680
<v Speaker 1>a rock around the clock, the Bill Haley movie, you know,

1:07:43.240 --> 1:07:49.840
<v Speaker 1>And um, all of the rock music appealed to me

1:07:50.160 --> 1:07:52.480
<v Speaker 1>to a great extent, but the dress didn't so much.

1:07:53.320 --> 1:07:56.080
<v Speaker 1>The leather gear and the big bikes and to what

1:07:56.200 --> 1:07:58.920
<v Speaker 1>degree with their battles between the bids and the rockers

1:07:59.120 --> 1:08:03.400
<v Speaker 1>a lot. And I was involved in a lot of that,

1:08:03.560 --> 1:08:06.480
<v Speaker 1>going down to Brighton and Margate and getting involved in

1:08:06.840 --> 1:08:09.880
<v Speaker 1>in the fights down there. It was it was all

1:08:09.960 --> 1:08:14.240
<v Speaker 1>the time, It was there all the time. Um. And

1:08:14.440 --> 1:08:19.120
<v Speaker 1>it's I guess everything we can ever talk about is

1:08:19.160 --> 1:08:22.800
<v Speaker 1>in Shakespeare anyway, So it's all Romeo and Juliet in

1:08:22.920 --> 1:08:26.000
<v Speaker 1>the end West Side stories, Romeo and Juliet. The modern

1:08:26.120 --> 1:08:29.519
<v Speaker 1>rockers are to a great degree, you know, so um,

1:08:29.960 --> 1:08:33.120
<v Speaker 1>but you get those tribes. It's all tribal. We have

1:08:33.240 --> 1:08:37.040
<v Speaker 1>tribal in America right now. It is, of course, And

1:08:37.800 --> 1:08:40.240
<v Speaker 1>on that subject talking about tribal you know, and and

1:08:40.479 --> 1:08:42.840
<v Speaker 1>and some of the things that happened. I mean, it

1:08:42.960 --> 1:08:46.360
<v Speaker 1>was quite extraordinary for me because I was born in

1:08:46.439 --> 1:08:50.160
<v Speaker 1>this working class area and I'm telling you they were

1:08:51.120 --> 1:08:53.519
<v Speaker 1>pretty rigid in lots of ways, and there was a

1:08:53.560 --> 1:08:57.240
<v Speaker 1>lot of discrimination. But having said that, one of my

1:08:57.320 --> 1:08:59.200
<v Speaker 1>best friends was a black boy who lived next door

1:08:59.280 --> 1:09:04.760
<v Speaker 1>to me. But more than that, there was this prejudice everywhere.

1:09:05.280 --> 1:09:09.439
<v Speaker 1>But for me growing up, my role models, my icons

1:09:10.000 --> 1:09:13.720
<v Speaker 1>were all the black blues musicians and black athletes, you know,

1:09:14.360 --> 1:09:19.840
<v Speaker 1>Joe Louis Sugar, Ray Robinson, Mohammed Ali, Cassis Clay, Mohammed Ali.

1:09:20.439 --> 1:09:23.320
<v Speaker 1>So I guess I was strange in a way because

1:09:23.360 --> 1:09:27.360
<v Speaker 1>I was devoid of that prejudice, but it was around

1:09:27.400 --> 1:09:32.679
<v Speaker 1>me all the time. And so when you talk about tribes,

1:09:33.640 --> 1:09:38.080
<v Speaker 1>you know, I fully I was bewildered a bit by

1:09:38.120 --> 1:09:43.080
<v Speaker 1>America and the prejudice and the fact that someone like

1:09:44.000 --> 1:09:47.080
<v Speaker 1>Cassius Clay could come back from the Olympics and not

1:09:47.200 --> 1:09:51.240
<v Speaker 1>going into a restaurant of his choice, you know. Um,

1:09:52.320 --> 1:09:55.800
<v Speaker 1>But thankfully the world has changed. It was changed to

1:09:55.840 --> 1:09:58.120
<v Speaker 1>a certain degree. But what do you think of brexit?

1:09:59.240 --> 1:10:02.040
<v Speaker 1>Oh for funk saying, how long have you got? Okay,

1:10:02.160 --> 1:10:04.280
<v Speaker 1>I haven't got an hour for brexit, but I got

1:10:04.320 --> 1:10:08.680
<v Speaker 1>a few minutes from Brexit. Okay. Brexit I think is

1:10:08.840 --> 1:10:14.160
<v Speaker 1>essential for one real reason. It started off as a

1:10:14.280 --> 1:10:21.040
<v Speaker 1>trade in family, just purely for commerce the EU, and

1:10:21.160 --> 1:10:25.639
<v Speaker 1>it started off as a trade in family, and it's

1:10:25.760 --> 1:10:29.880
<v Speaker 1>been distorted and distorted over the years to the point

1:10:30.000 --> 1:10:34.760
<v Speaker 1>where the other twenty seven countries involved have lost their

1:10:35.439 --> 1:10:39.799
<v Speaker 1>ability to pass their own laws to even increase interests

1:10:39.840 --> 1:10:43.720
<v Speaker 1>in the banks. They're governed by Brussels. And I think

1:10:43.840 --> 1:10:50.000
<v Speaker 1>it's to me it's doomed. It will not survive in

1:10:50.120 --> 1:10:53.559
<v Speaker 1>the Union in my opinion the EU. Is it more

1:10:53.600 --> 1:10:56.639
<v Speaker 1>about the currency or more about the laws. Well, firstly,

1:10:57.200 --> 1:11:00.120
<v Speaker 1>we as England have your own currency. We would ever

1:11:00.200 --> 1:11:04.439
<v Speaker 1>have survived the two thousand and eight economic disaster without

1:11:04.720 --> 1:11:07.839
<v Speaker 1>having our own currency because we were able to fluctuate

1:11:07.920 --> 1:11:11.559
<v Speaker 1>the interest rates and go with with you know, currency

1:11:11.600 --> 1:11:16.400
<v Speaker 1>eas in which they in Brussels refused the other countries

1:11:16.400 --> 1:11:18.760
<v Speaker 1>to the way. And what they've got now is they've

1:11:18.800 --> 1:11:25.200
<v Speaker 1>got these dependent countries Portugal, Italy, Spain, you know, Greece, Greece,

1:11:25.760 --> 1:11:29.080
<v Speaker 1>and what they did to Greece I think is abominable.

1:11:29.720 --> 1:11:32.280
<v Speaker 1>If you read there's a finance minister who was the

1:11:32.360 --> 1:11:36.000
<v Speaker 1>finance minister for Greece at the time, and they maligned

1:11:36.120 --> 1:11:38.920
<v Speaker 1>him and said he was an idiot. In fact, he's

1:11:38.960 --> 1:11:43.000
<v Speaker 1>a highly intelligent man, Yannis, and the way he describes

1:11:43.080 --> 1:11:47.520
<v Speaker 1>what they did to them is like punitive and repugnant.

1:11:48.000 --> 1:11:52.200
<v Speaker 1>So for me, Um, I would like to see us out.

1:11:52.760 --> 1:11:54.600
<v Speaker 1>I would like to see us trade in with the

1:11:54.720 --> 1:11:58.439
<v Speaker 1>rest of the world and free of those sheckles, because

1:11:59.320 --> 1:12:02.840
<v Speaker 1>I consider of the EU is corrupt. It really is.

1:12:02.960 --> 1:12:07.120
<v Speaker 1>It's a corrupt machine. There's been many books written. One

1:12:07.240 --> 1:12:11.040
<v Speaker 1>body X finance minister who's a woman who is um

1:12:11.800 --> 1:12:14.840
<v Speaker 1>half argentinean half American and she was a head of

1:12:15.040 --> 1:12:19.080
<v Speaker 1>head of funds there and what she So we're better

1:12:19.160 --> 1:12:21.559
<v Speaker 1>off out of it, Okay, So what about I mean,

1:12:21.640 --> 1:12:25.080
<v Speaker 1>I know in our world, I had experience with Richard

1:12:25.120 --> 1:12:29.000
<v Speaker 1>Griffith's manager, and I've been with his partner at a

1:12:29.080 --> 1:12:32.360
<v Speaker 1>gig and we were getting together the next day and

1:12:33.000 --> 1:12:35.960
<v Speaker 1>I emailed hearing I didn't hear back from him. I

1:12:36.160 --> 1:12:39.479
<v Speaker 1>texted her email Richard, and he got back to immediately said,

1:12:39.479 --> 1:12:41.240
<v Speaker 1>I know, I thought you were in I think he

1:12:41.320 --> 1:12:44.240
<v Speaker 1>was an Amsterdam with one d okay whatever. They said, No,

1:12:44.360 --> 1:12:47.200
<v Speaker 1>we took the private jet home. I'm home already, and

1:12:47.280 --> 1:12:49.280
<v Speaker 1>it's like at twelve o'clock at night. Because of all

1:12:49.320 --> 1:12:52.040
<v Speaker 1>the relaxation under the EU, they don't have all the

1:12:52.120 --> 1:12:54.800
<v Speaker 1>customs and all that other stuff. Now in your world

1:12:54.880 --> 1:13:00.040
<v Speaker 1>there's a direct you know, interference customs wise. Yeah, I

1:13:00.080 --> 1:13:03.160
<v Speaker 1>guess so, but it will ease. I mean, my daughter

1:13:03.240 --> 1:13:07.200
<v Speaker 1>said to me, dead dead when if we leave, will

1:13:07.240 --> 1:13:10.519
<v Speaker 1>I be able to go clubbing in Germany? I said,

1:13:10.560 --> 1:13:13.840
<v Speaker 1>you do you think Canadians and Americans don't go clubbing

1:13:13.840 --> 1:13:15.880
<v Speaker 1>in Germany? Do you think they turn them away when

1:13:15.920 --> 1:13:18.479
<v Speaker 1>they've got their money in their hand? Come on, So

1:13:18.760 --> 1:13:23.120
<v Speaker 1>it's all about money, Bob. Everything that happens in this

1:13:23.280 --> 1:13:27.320
<v Speaker 1>world is driven by money. The wars that we look

1:13:27.400 --> 1:13:33.640
<v Speaker 1>at that so fucking awful. Money. Money. Money. Just to

1:13:33.720 --> 1:13:36.520
<v Speaker 1>go one step further, there are a lot of European

1:13:36.640 --> 1:13:40.400
<v Speaker 1>companies who have built factories and held up propped up

1:13:40.680 --> 1:13:44.120
<v Speaker 1>a lot of low income communities in England, and those

1:13:44.200 --> 1:13:47.679
<v Speaker 1>companies will go, won't there? Be fewer jobs. No, not really.

1:13:48.120 --> 1:13:50.559
<v Speaker 1>I think that's a lot of it is scare mongering.

1:13:50.920 --> 1:13:53.760
<v Speaker 1>I think we're going to find markets. I don't. I'm

1:13:53.800 --> 1:13:57.360
<v Speaker 1>not saying it won't be tough in the beginning, but

1:13:57.560 --> 1:13:59.479
<v Speaker 1>you see, you've got a lot of young people who

1:13:59.520 --> 1:14:03.240
<v Speaker 1>don't remember it before that. I can remember what we

1:14:03.360 --> 1:14:06.920
<v Speaker 1>were before we joined the EU. Digor never wanted us

1:14:07.000 --> 1:14:11.360
<v Speaker 1>there anyway, he said, we're in island, We're not landlocked.

1:14:11.560 --> 1:14:14.639
<v Speaker 1>We shouldn't be in Europe. Don't start me, under Gaul.

1:14:15.960 --> 1:14:22.320
<v Speaker 1>I remember, I mean without America, we wouldn't be a

1:14:22.360 --> 1:14:25.240
<v Speaker 1>free nation. Of course, I'm telling you. And I remembered

1:14:25.280 --> 1:14:27.519
<v Speaker 1>the Gal and I think it might have been Foster,

1:14:27.640 --> 1:14:32.040
<v Speaker 1>that is, who was then the American ambassador, and the

1:14:32.160 --> 1:14:38.720
<v Speaker 1>Gore said to him, I want every American military personnel

1:14:39.360 --> 1:14:43.960
<v Speaker 1>out of France within six months. So he said, does

1:14:44.000 --> 1:14:52.760
<v Speaker 1>that include the ones that are buried here? Okay, let's

1:14:52.840 --> 1:14:57.400
<v Speaker 1>jump back, you nourball, you've got a track records. What's

1:14:57.400 --> 1:14:59.680
<v Speaker 1>happening at track Records? When you get there? When I

1:14:59.760 --> 1:15:05.479
<v Speaker 1>get there, they, as I said, I was quite naive.

1:15:05.520 --> 1:15:09.200
<v Speaker 1>I didn't realize what they were into, et cetera. On

1:15:10.600 --> 1:15:13.560
<v Speaker 1>how much the drugs were part of their life. But

1:15:13.720 --> 1:15:19.400
<v Speaker 1>I started learning incredibly quickly, and it wasn't long before

1:15:19.479 --> 1:15:22.360
<v Speaker 1>I was taking the band out on the road. And

1:15:22.479 --> 1:15:27.040
<v Speaker 1>then I went to Lambert Stamp with the old contracts

1:15:27.120 --> 1:15:29.160
<v Speaker 1>and I said, listen, these don't look great to me.

1:15:30.880 --> 1:15:34.160
<v Speaker 1>I think I could do these better. Well, they couldn't

1:15:34.160 --> 1:15:36.439
<v Speaker 1>be bothered, you know. They said, well, if you think so,

1:15:36.960 --> 1:15:40.439
<v Speaker 1>I see what I can. So I took them out

1:15:40.479 --> 1:15:44.560
<v Speaker 1>on one tour, and I think I made them in

1:15:44.680 --> 1:15:49.160
<v Speaker 1>those days could have easily been five or six hundred

1:15:49.240 --> 1:15:54.519
<v Speaker 1>thousand pounds more. So in essence, Lamber and Stamp made

1:15:54.560 --> 1:15:56.720
<v Speaker 1>a lot more, and I got a little bit of

1:15:56.800 --> 1:15:59.240
<v Speaker 1>a bonus, a little bit of a bonus, but I

1:15:59.360 --> 1:16:03.679
<v Speaker 1>thought I've proved something here, and and I went forward

1:16:04.040 --> 1:16:06.240
<v Speaker 1>on that basis, you know. And then what happened was

1:16:06.920 --> 1:16:08.640
<v Speaker 1>the more and more I did with the band, the

1:16:08.720 --> 1:16:11.479
<v Speaker 1>more and more I suppose we became family. You know.

1:16:11.960 --> 1:16:14.920
<v Speaker 1>It was a bit slower with Pete than Roger. Roger

1:16:15.040 --> 1:16:19.080
<v Speaker 1>was always my champion, always, especially once I did his

1:16:19.200 --> 1:16:23.080
<v Speaker 1>solo album. But Pete is slow to take two people.

1:16:24.000 --> 1:16:28.200
<v Speaker 1>But eventually he came round, and now we're really really bonded,

1:16:28.240 --> 1:16:31.800
<v Speaker 1>you like let's talk about Pete and Roger. How do

1:16:32.000 --> 1:16:37.200
<v Speaker 1>they get along? Well, someone asked me that the other day,

1:16:37.240 --> 1:16:39.439
<v Speaker 1>and I said, they're a little bit like Richard Burton

1:16:39.520 --> 1:16:45.840
<v Speaker 1>and Elizabeth Taylor. I'm not telling you who's Elizabeth. It's

1:16:45.840 --> 1:16:48.280
<v Speaker 1>a it's a love hate thing in a sense, I

1:16:48.360 --> 1:16:51.080
<v Speaker 1>mean all it is. It's not love hate, that's wrong,

1:16:51.560 --> 1:16:57.720
<v Speaker 1>it's love irritability. They were just like having a brother

1:16:57.800 --> 1:17:02.400
<v Speaker 1>and since, yeah, they irritate each other. Okay, Now, whatever

1:17:02.560 --> 1:17:06.800
<v Speaker 1>happened with Speedy Keeen Thunderclap Newman. I was a huge

1:17:06.920 --> 1:17:10.720
<v Speaker 1>fan of that initial album, Hollywood Dream Speedy. I gave

1:17:10.800 --> 1:17:15.080
<v Speaker 1>him the title ironically because I got it now because

1:17:15.120 --> 1:17:20.559
<v Speaker 1>I just come home Previous Convictions that was his album,

1:17:20.960 --> 1:17:23.759
<v Speaker 1>and boted I got it. And we were great friends

1:17:24.560 --> 1:17:27.760
<v Speaker 1>and I spent time with them, and Speedy was a good,

1:17:27.880 --> 1:17:32.400
<v Speaker 1>great friend. And Speedy was with a girl, Janet, who

1:17:32.520 --> 1:17:36.600
<v Speaker 1>used to work with us in track records. She eventually

1:17:36.760 --> 1:17:42.720
<v Speaker 1>married Asthlete Right Janet Astley Right, don't no. Lesley was

1:17:42.800 --> 1:17:45.760
<v Speaker 1>one of the She was one of the family that

1:17:46.479 --> 1:17:52.400
<v Speaker 1>Pete married into. Her name was Jen Jen. It'll come

1:17:52.439 --> 1:17:55.680
<v Speaker 1>to me in a minute, but anyway, she ended up

1:17:56.520 --> 1:18:03.160
<v Speaker 1>marrying Phil Daniels from the movie. Okay, now, um, how

1:18:03.200 --> 1:18:06.880
<v Speaker 1>about Jimmy McCullough, who ultimately went to play with Wings.

1:18:06.920 --> 1:18:09.840
<v Speaker 1>He went to Wings, Jimmy and his brother they were

1:18:09.920 --> 1:18:12.560
<v Speaker 1>on track. I got on great with them. You know,

1:18:13.040 --> 1:18:17.040
<v Speaker 1>he was phenomenal, little Jimmy. They were they were great guitarist.

1:18:17.600 --> 1:18:21.120
<v Speaker 1>So we had so much great talent coming through our hands.

1:18:21.280 --> 1:18:26.479
<v Speaker 1>You know, it was phenomenal. Really in those days it

1:18:26.600 --> 1:18:32.200
<v Speaker 1>was so vibrant. Who owns all those masters? Now, because

1:18:32.240 --> 1:18:35.760
<v Speaker 1>of the debts and the money that was missing, we

1:18:35.920 --> 1:18:39.400
<v Speaker 1>sold all the masters to PolyGram in order to pay

1:18:39.479 --> 1:18:43.880
<v Speaker 1>the artists there ortists. Okay, Now, also in seventy two,

1:18:43.960 --> 1:18:45.479
<v Speaker 1>I think at the end of seventy two, and you know,

1:18:45.640 --> 1:18:48.840
<v Speaker 1>Pete produced something in the course, I know that. And

1:18:48.960 --> 1:18:52.160
<v Speaker 1>then but he put out a solo album who came first?

1:18:53.000 --> 1:18:56.120
<v Speaker 1>Now that wasn't available on CD until right go sometimes

1:18:56.160 --> 1:19:00.200
<v Speaker 1>like now that wasn't that on track records? Though? That

1:19:00.320 --> 1:19:02.920
<v Speaker 1>was on track records absolutely, So how did that get

1:19:02.960 --> 1:19:08.880
<v Speaker 1>excluded from the deal with Poley Graham? It was When

1:19:08.920 --> 1:19:11.320
<v Speaker 1>you say excluded in what way? It was? Wounds it

1:19:11.400 --> 1:19:16.320
<v Speaker 1>today they do, Oh yeah, just like when I took

1:19:16.720 --> 1:19:19.719
<v Speaker 1>an album much much later that Pete did called Empty Glass,

1:19:20.320 --> 1:19:23.120
<v Speaker 1>and I did a deal with Doug Morris Echo, much

1:19:23.200 --> 1:19:27.080
<v Speaker 1>to the chagrin and Mo Austin and and Jerry Mars

1:19:27.200 --> 1:19:31.639
<v Speaker 1>soon chasing me. Um. There's a little story involved there

1:19:31.760 --> 1:19:34.920
<v Speaker 1>where I really felt that Doug Morris was so hungry

1:19:35.000 --> 1:19:38.280
<v Speaker 1>for it. He just started at CO and I thought,

1:19:38.400 --> 1:19:40.280
<v Speaker 1>this is a guy who's going to die for this album,

1:19:40.520 --> 1:19:43.920
<v Speaker 1>which he did, and he's He often says the two

1:19:44.000 --> 1:19:47.400
<v Speaker 1>albums that set him on his career were Pete towns

1:19:47.439 --> 1:19:52.479
<v Speaker 1>As Empty Glass and Stevie Nick Solo. Listen I Empty Glass.

1:19:52.520 --> 1:19:53.720
<v Speaker 1>I just put it the other day. You know, a

1:19:53.800 --> 1:19:58.400
<v Speaker 1>little is enough in the title track, unbelievable, especially Empty

1:19:58.400 --> 1:20:00.920
<v Speaker 1>Glass when I used to drink. He likes a mess.

1:20:01.680 --> 1:20:05.040
<v Speaker 1>You know, I hold an empty glass. Okay, but let's

1:20:05.080 --> 1:20:08.400
<v Speaker 1>go back. You're still with m C. A quadrophenia comes

1:20:08.439 --> 1:20:10.280
<v Speaker 1>out with m C and m C A. This is

1:20:10.320 --> 1:20:12.280
<v Speaker 1>a question you may may not be able to answer.

1:20:13.080 --> 1:20:16.400
<v Speaker 1>Roger and Pete. What do they prefer a quadrophenia or Tommy.

1:20:18.439 --> 1:20:21.680
<v Speaker 1>That's very difficult for me to answer for them. But

1:20:24.040 --> 1:20:28.040
<v Speaker 1>because there obviously for Peter as a writer, they relate

1:20:29.320 --> 1:20:34.040
<v Speaker 1>to two different periods of his thinking. And I often

1:20:34.200 --> 1:20:39.880
<v Speaker 1>say that Tommy is the hippie opera and Quadrophenia is

1:20:40.000 --> 1:20:45.200
<v Speaker 1>the industrial opera. UM. In their own ways, they've had

1:20:45.320 --> 1:20:53.320
<v Speaker 1>several incarnations, you know. UM Tommy was was the stage

1:20:53.400 --> 1:20:59.479
<v Speaker 1>production and the movie. Ironically, the movie came first UM

1:21:00.439 --> 1:21:04.479
<v Speaker 1>and Quadrophenia. Incredibly, I still can't believe it, but we

1:21:04.720 --> 1:21:09.800
<v Speaker 1>celebrated the fourties anniversary of the movie Quadrophenia earlier this year.

1:21:10.439 --> 1:21:13.599
<v Speaker 1>All of the cast turned up Sting Ray Winston, all

1:21:13.640 --> 1:21:16.439
<v Speaker 1>of them. We had a great night, raised money for charity,

1:21:17.040 --> 1:21:20.160
<v Speaker 1>and it's still being shown on TV. HOWU. It's just insane. Now,

1:21:20.240 --> 1:21:23.000
<v Speaker 1>that's a movie that you know, it's not deated whatsoever.

1:21:23.120 --> 1:21:26.639
<v Speaker 1>Certainly it's a period movie to begin with. But yeah,

1:21:26.640 --> 1:21:29.760
<v Speaker 1>but the only thing that stated, Bob are the uniforms,

1:21:30.160 --> 1:21:34.840
<v Speaker 1>the dilemma, the problems, the whole core of the film

1:21:35.200 --> 1:21:38.040
<v Speaker 1>are the same your kids, My kids. They get to

1:21:38.120 --> 1:21:42.200
<v Speaker 1>their teenage years and they're faced with a minefield and

1:21:42.280 --> 1:21:45.080
<v Speaker 1>they've got to walk across that minefield and it's full

1:21:45.160 --> 1:21:46.760
<v Speaker 1>of ship. You know, it's full of all kinds of

1:21:47.840 --> 1:21:51.400
<v Speaker 1>real big problems, whether it be what we deal with

1:21:51.600 --> 1:21:55.240
<v Speaker 1>with teenagers with cancer, is they come through their teenage

1:21:55.320 --> 1:21:58.200
<v Speaker 1>years and don't get anything like that. You praise God.

1:21:58.760 --> 1:22:01.080
<v Speaker 1>There's other stuff out there on the streets, the drugs

1:22:01.120 --> 1:22:04.360
<v Speaker 1>and everything. So the teenage years are a minefield, and

1:22:04.520 --> 1:22:09.360
<v Speaker 1>every teenager thinks his problems are unique. He won't go

1:22:09.479 --> 1:22:11.880
<v Speaker 1>to Dead Willie because dad says, I know all about that.

1:22:12.000 --> 1:22:14.519
<v Speaker 1>I went through that you couldn't have done. They go

1:22:14.680 --> 1:22:19.120
<v Speaker 1>to their peer group to look for answers, and the

1:22:19.240 --> 1:22:22.519
<v Speaker 1>answers I'm afraid and not with the peer group. So

1:22:23.080 --> 1:22:29.519
<v Speaker 1>so um yeah, I think that in Tommy is a

1:22:29.600 --> 1:22:34.519
<v Speaker 1>metaphor deft, dumb and blind. It's a metaphor of uh,

1:22:34.920 --> 1:22:40.439
<v Speaker 1>you're you know, being not having your senses. They're are reawakening, etcetera, etcetera.

1:22:41.439 --> 1:22:45.479
<v Speaker 1>Quadrophenia is totally different. Quadrophenias are coming in of Age

1:22:45.560 --> 1:22:51.240
<v Speaker 1>movie A Journey, And so for me, if I had

1:22:51.280 --> 1:22:56.479
<v Speaker 1>to have a choice, my choice it's quadrophenia. I can't

1:22:56.520 --> 1:22:59.200
<v Speaker 1>say about Pete and Roger. I mean, you've got great

1:22:59.240 --> 1:23:01.200
<v Speaker 1>songs in Birth. Well, the only thing is switching give

1:23:01.280 --> 1:23:03.640
<v Speaker 1>us a little bit. When I was in college, we

1:23:03.760 --> 1:23:05.680
<v Speaker 1>used to have a thing name a better album than

1:23:05.760 --> 1:23:09.439
<v Speaker 1>Who's Next from beginning to end and all that stuff

1:23:09.479 --> 1:23:11.439
<v Speaker 1>is held up. But how did you end up switching

1:23:11.520 --> 1:23:16.479
<v Speaker 1>from mc A to Warner Brothers with who? Um? I

1:23:16.560 --> 1:23:20.120
<v Speaker 1>think that was the advent of it, that we didn't

1:23:20.240 --> 1:23:25.280
<v Speaker 1>switch really until I did the Townsend deal with Glass

1:23:26.960 --> 1:23:29.040
<v Speaker 1>And on that subject you're talking about when you were

1:23:29.080 --> 1:23:33.599
<v Speaker 1>at college. I made a movie two years ago called

1:23:33.680 --> 1:23:37.479
<v Speaker 1>The Railway Man, and it's a true story about a

1:23:37.600 --> 1:23:42.639
<v Speaker 1>guy who was a Japanese prisoner of war. And it's

1:23:43.360 --> 1:23:48.200
<v Speaker 1>basically a movie about forgiveness. It's a true story and

1:23:48.280 --> 1:23:52.960
<v Speaker 1>he's tortured terribly by the Japanese and he was on

1:23:53.080 --> 1:23:56.479
<v Speaker 1>the Death Railroad railroad, you know, the Burma Railroad. So

1:23:56.640 --> 1:24:00.760
<v Speaker 1>it starts Colin Firth and Nicole Kimmon. You should go see.

1:24:00.760 --> 1:24:03.799
<v Speaker 1>It's a good movie. I'm very proud of it. Anyway,

1:24:04.160 --> 1:24:09.439
<v Speaker 1>during location, Colin Firth said to me, listen. He said

1:24:09.439 --> 1:24:12.599
<v Speaker 1>a lot of these musicians, he said, they collect things,

1:24:12.680 --> 1:24:15.960
<v Speaker 1>don't They said, there's this guy who collects ferraris. I said, no,

1:24:16.080 --> 1:24:21.880
<v Speaker 1>that's Nick Mason pink Floyd. So I said, um, I said,

1:24:24.400 --> 1:24:25.960
<v Speaker 1>you know a lot of them clicked things. I said,

1:24:26.000 --> 1:24:28.920
<v Speaker 1>you collect anything, which I knew he did, he said,

1:24:28.920 --> 1:24:32.040
<v Speaker 1>because my partner told me. He said, well, I suppose

1:24:32.120 --> 1:24:35.760
<v Speaker 1>you could say. He said, I'd collect guitars. I said,

1:24:35.760 --> 1:24:38.679
<v Speaker 1>can you play them? He said, well yeah. After a fashion,

1:24:39.240 --> 1:24:41.599
<v Speaker 1>he said all right, he said cards on the table.

1:24:42.280 --> 1:24:46.200
<v Speaker 1>He said, my favorite album of all time is Quadrophenia.

1:24:47.280 --> 1:24:49.680
<v Speaker 1>I said, Colin, don't give me that ship. Tell me

1:24:49.760 --> 1:24:53.520
<v Speaker 1>a song from it. He told me every song on Quadrophenia.

1:24:54.080 --> 1:24:56.200
<v Speaker 1>So I said, well, where did you get into that?

1:24:56.960 --> 1:25:00.639
<v Speaker 1>He said when I was at university. I said, okay.

1:25:00.680 --> 1:25:03.439
<v Speaker 1>So I went home the next day, so I phone Pete.

1:25:03.479 --> 1:25:05.840
<v Speaker 1>I said, Pete, you don't have a guitar, do you

1:25:05.960 --> 1:25:08.479
<v Speaker 1>that I could give Colin Firth. You know I'm making

1:25:08.520 --> 1:25:11.599
<v Speaker 1>this movie with him. He said yeah, he said I do. Actually,

1:25:11.600 --> 1:25:13.920
<v Speaker 1>he said, I've got the guitar that I wrote Quadrophenia on.

1:25:15.479 --> 1:25:18.360
<v Speaker 1>I said what, he said, I've got the said you're

1:25:18.360 --> 1:25:20.400
<v Speaker 1>not going to give that. You won't give that way?

1:25:20.400 --> 1:25:21.840
<v Speaker 1>He said, yeah, yeah, I will for it for you

1:25:22.080 --> 1:25:25.439
<v Speaker 1>for him, So he signs it. I'll go back on location.

1:25:26.000 --> 1:25:29.160
<v Speaker 1>I said to him, Colin, we need to see you tonight.

1:25:29.240 --> 1:25:32.240
<v Speaker 1>Andy and I over at the hotel. Got to have

1:25:32.280 --> 1:25:34.760
<v Speaker 1>a talk with you. He said, it's not about this mustache.

1:25:34.880 --> 1:25:37.519
<v Speaker 1>Is it you had a mustache in the movie. So

1:25:37.760 --> 1:25:40.040
<v Speaker 1>I said no, but come over the hotel. So he

1:25:40.080 --> 1:25:42.679
<v Speaker 1>came over the hotel. So I gave him the guitar.

1:25:43.439 --> 1:25:46.840
<v Speaker 1>He said, what's that? I said, open it? He said

1:25:47.000 --> 1:25:49.880
<v Speaker 1>ship He said for Gibson. I said, it's more than that.

1:25:50.240 --> 1:25:54.400
<v Speaker 1>I said, it's it's the guitar. The townsend wrote Quadrophenia

1:25:54.520 --> 1:25:58.760
<v Speaker 1>on he went. He said that means more to me

1:25:59.640 --> 1:26:03.160
<v Speaker 1>than you, Oscar I got for the King's speech. You know,

1:26:05.120 --> 1:26:09.160
<v Speaker 1>music sitting in the Sheridan Gibson okay, So how do

1:26:09.280 --> 1:26:14.920
<v Speaker 1>you are? How does the band okay moon dies? Did

1:26:15.040 --> 1:26:18.800
<v Speaker 1>you see that coming? Well, we always saw it coming,

1:26:20.040 --> 1:26:22.880
<v Speaker 1>but even so when it happens, it's a shock. And

1:26:23.000 --> 1:26:27.200
<v Speaker 1>the day that it happened is quite peculiar in a way,

1:26:27.320 --> 1:26:30.439
<v Speaker 1>because I went to PolyGram and the guy who was

1:26:30.560 --> 1:26:33.320
<v Speaker 1>the MP deer PolyGram at that time in England was

1:26:33.400 --> 1:26:36.400
<v Speaker 1>a man called Fred high On. He was from Holland

1:26:36.920 --> 1:26:39.240
<v Speaker 1>and he was the original manager of Golden ear Ring

1:26:39.360 --> 1:26:41.720
<v Speaker 1>and let's how I got the Golden ear Ring thing.

1:26:42.479 --> 1:26:44.800
<v Speaker 1>And he was always a raven her fan. And I

1:26:44.840 --> 1:26:47.920
<v Speaker 1>went to PolyGram and they agreed to give me the

1:26:48.080 --> 1:26:53.400
<v Speaker 1>money to produce the movie Quadrophenia. M mcvickor and I

1:26:53.479 --> 1:26:57.760
<v Speaker 1>did them that year, back to back, and I came

1:26:57.800 --> 1:27:01.200
<v Speaker 1>back to the office. I got there and my x

1:27:01.280 --> 1:27:05.840
<v Speaker 1>or I said to me, sit down. She said Moon's dead.

1:27:07.000 --> 1:27:10.920
<v Speaker 1>I said, what she said, Moon's dead? Fuck? You know.

1:27:11.840 --> 1:27:15.479
<v Speaker 1>And it was so hard to assimilate and to take

1:27:15.600 --> 1:27:19.679
<v Speaker 1>in because I was told by that doctor who gave

1:27:19.800 --> 1:27:23.240
<v Speaker 1>him those pills him and never in pills. They were

1:27:23.320 --> 1:27:27.120
<v Speaker 1>pills to combat shakes and detis and epilepsy if you're

1:27:27.160 --> 1:27:29.920
<v Speaker 1>because he was trying to come off the brose. And

1:27:30.000 --> 1:27:31.960
<v Speaker 1>I was told there were no side effects. But I

1:27:32.000 --> 1:27:34.479
<v Speaker 1>suppose if you take twenty three of anything, that's going

1:27:34.520 --> 1:27:38.479
<v Speaker 1>to be side effects. Um. So I've often said, you

1:27:38.560 --> 1:27:48.840
<v Speaker 1>know that if if Moon Moon's death was inevitable, then

1:27:49.680 --> 1:27:54.400
<v Speaker 1>John it was Yours was unnecessary. Okay, a little deeper,

1:27:55.040 --> 1:27:59.920
<v Speaker 1>you know, it was unnecessary because with John we all

1:28:00.040 --> 1:28:02.439
<v Speaker 1>knew he had a little bit of a hard thing,

1:28:02.560 --> 1:28:06.240
<v Speaker 1>but it was always played down. He was very flippant

1:28:06.280 --> 1:28:11.120
<v Speaker 1>about it. Nobody ever thought it was anything more than

1:28:11.240 --> 1:28:16.000
<v Speaker 1>something you just took a pillful, you know. So yeah,

1:28:16.080 --> 1:28:20.400
<v Speaker 1>but but coming back to Moon, Um, even though you

1:28:20.640 --> 1:28:24.160
<v Speaker 1>expect these things, and I don't know if Moon would

1:28:24.160 --> 1:28:28.320
<v Speaker 1>have would have if he would ever have made old bones.

1:28:28.960 --> 1:28:31.759
<v Speaker 1>He just wasn't that type of character to make old bones.

1:28:31.840 --> 1:28:34.720
<v Speaker 1>You know, how can you envisage an old Keith Moon?

1:28:34.920 --> 1:28:38.360
<v Speaker 1>I don't know. What I do know is if Moon

1:28:39.000 --> 1:28:42.200
<v Speaker 1>has had any discipline whatsoever, he could have been one

1:28:42.280 --> 1:28:45.400
<v Speaker 1>of our greatest character actors because he could sit with

1:28:45.520 --> 1:28:48.160
<v Speaker 1>you well, but he could sit with you and within

1:28:48.320 --> 1:28:52.720
<v Speaker 1>ten minutes he would have of all your idiosyncrasies, all

1:28:52.800 --> 1:28:57.280
<v Speaker 1>your body language. He was a great mimic, fantastic, but

1:28:57.400 --> 1:29:00.479
<v Speaker 1>no discipline. Well, one other thing, you know, remember I

1:29:00.560 --> 1:29:04.120
<v Speaker 1>saw the band performed Tommy at Fillmore East. This is

1:29:04.200 --> 1:29:08.120
<v Speaker 1>six and I've never seen a drummer like Moon. You know,

1:29:08.920 --> 1:29:11.439
<v Speaker 1>he almost it would take two people to replicate him.

1:29:11.479 --> 1:29:13.880
<v Speaker 1>It was just unbelievable the way his arms moved. Well,

1:29:13.920 --> 1:29:18.320
<v Speaker 1>he's dynamic and he's so unorthodox, you know. And my

1:29:18.479 --> 1:29:23.200
<v Speaker 1>tour manager, Rex King, he came to see us play

1:29:23.960 --> 1:29:27.280
<v Speaker 1>at the Hammersmith Odeon with John Bonham and as they

1:29:27.360 --> 1:29:30.000
<v Speaker 1>came out, Bonham said to him, We've just seen the

1:29:30.080 --> 1:29:34.000
<v Speaker 1>best band on the planet, the best band on the planet,

1:29:34.680 --> 1:29:37.280
<v Speaker 1>and I've had artists through my career. You know. I

1:29:37.400 --> 1:29:41.200
<v Speaker 1>was twenty six years with Robert Plant and fourteen of

1:29:41.320 --> 1:29:47.200
<v Speaker 1>those years Jimmy Page was with us and superlative musicians. Yes,

1:29:48.200 --> 1:29:50.240
<v Speaker 1>but when the Who are on, the Who are on.

1:29:50.400 --> 1:29:54.519
<v Speaker 1>I remember a headline we had we had from one

1:29:54.920 --> 1:29:59.720
<v Speaker 1>concert and it said, yes, Zeppelin, Zeppelin and the rest

1:29:59.760 --> 1:30:02.479
<v Speaker 1>of the good, but they can't kiss you good night

1:30:03.080 --> 1:30:05.240
<v Speaker 1>like the Who. Well, I just remember when they had

1:30:05.280 --> 1:30:08.960
<v Speaker 1>the Madison Square Garden concert after nine eleven and the

1:30:09.040 --> 1:30:11.280
<v Speaker 1>Who just blew everybody else off the stage. Were that

1:30:11.439 --> 1:30:16.080
<v Speaker 1>nine eleven? Things quite interesting because funnily enough they were

1:30:16.520 --> 1:30:18.240
<v Speaker 1>Pete and Roger were in my office. So I got

1:30:18.280 --> 1:30:21.720
<v Speaker 1>a phone call from Weinstein. So he said, what the

1:30:21.760 --> 1:30:26.240
<v Speaker 1>Who did the nine eleven thing? I said, Harvey, we're

1:30:26.280 --> 1:30:28.519
<v Speaker 1>not a cabaret action. I said, if we come and

1:30:28.640 --> 1:30:33.200
<v Speaker 1>do that, I want forty five minutes. He said, at least,

1:30:33.400 --> 1:30:35.040
<v Speaker 1>he said, you've got it. You got it, He said,

1:30:35.439 --> 1:30:38.040
<v Speaker 1>no problem. He said, but if the Who come on,

1:30:38.960 --> 1:30:41.679
<v Speaker 1>all the other artists will come on. So I said,

1:30:41.920 --> 1:30:44.280
<v Speaker 1>he said, where do you want to play on the bill?

1:30:44.720 --> 1:30:50.600
<v Speaker 1>I said anywhere. I just want that fifty minutes back anywhere.

1:30:51.360 --> 1:30:54.960
<v Speaker 1>And that day was fucking magic and I'll never forget

1:30:55.080 --> 1:30:58.080
<v Speaker 1>Elton John Old Power, but he came into that dressing

1:30:58.160 --> 1:31:01.240
<v Speaker 1>room to the boys and he were I've never seen

1:31:01.320 --> 1:31:05.720
<v Speaker 1>anything like it. And for me, I've been with them

1:31:05.800 --> 1:31:12.000
<v Speaker 1>forty nine years. The most moving experience I've had was

1:31:12.200 --> 1:31:16.080
<v Speaker 1>that we did nine eleven. And we've had some amazing stuff,

1:31:16.160 --> 1:31:20.760
<v Speaker 1>but we did nine eleven. And then some time after that,

1:31:20.960 --> 1:31:25.679
<v Speaker 1>we went to Washington for the Kennedy Awards, and Dave

1:31:25.760 --> 1:31:30.000
<v Speaker 1>Grohl spoke about how they were responsible for him being

1:31:30.080 --> 1:31:32.040
<v Speaker 1>in the music business, and we had all the other

1:31:32.920 --> 1:31:36.680
<v Speaker 1>artists up there would do songs, you know whatever, and

1:31:36.760 --> 1:31:40.120
<v Speaker 1>then right at the last song, I could hear require

1:31:41.520 --> 1:31:44.640
<v Speaker 1>on that last song, and the curtain opened and it

1:31:44.760 --> 1:31:48.639
<v Speaker 1>was all the police and firemen from New York. Fuck

1:31:49.120 --> 1:31:52.479
<v Speaker 1>the feeling. I can't describe to you what I felt like,

1:31:53.479 --> 1:31:58.760
<v Speaker 1>because to return that and to say there, thank you

1:31:59.080 --> 1:32:01.600
<v Speaker 1>was something else. You know. It was just such a

1:32:01.760 --> 1:32:05.880
<v Speaker 1>moving experience. And I'm not given to goose bumps or stuff,

1:32:05.960 --> 1:32:09.280
<v Speaker 1>but I'm telling you that was a moment. I you know,

1:32:09.680 --> 1:32:12.120
<v Speaker 1>I can feel it over here and I can't add

1:32:12.120 --> 1:32:14.479
<v Speaker 1>anything to that. So I'll go to a more minor point.

1:32:15.080 --> 1:32:22.000
<v Speaker 1>Why did it end with you? And plant? I was

1:32:22.080 --> 1:32:28.000
<v Speaker 1>with him twenty six years. We encouraged him to come

1:32:28.040 --> 1:32:31.440
<v Speaker 1>down to London and to get out from the Midlands

1:32:32.000 --> 1:32:37.200
<v Speaker 1>with all the old cronies. I think during that period

1:32:37.520 --> 1:32:41.439
<v Speaker 1>he was with me, we made some great albums Palms,

1:32:41.479 --> 1:32:45.840
<v Speaker 1>that album, Feed the Nations best solo album, incredible record,

1:32:45.960 --> 1:32:49.519
<v Speaker 1>Fate of Nations twenty nine, Palms, the two other albums

1:32:49.600 --> 1:32:54.680
<v Speaker 1>I gave him the title for Now and Zen and

1:32:55.040 --> 1:32:57.160
<v Speaker 1>No One. Zen was huge, and then he did the

1:32:58.439 --> 1:33:01.040
<v Speaker 1>album with Addison Krause, right, that was still when he

1:33:01.080 --> 1:33:04.760
<v Speaker 1>was you were managing him, yeah, oh yeah. So then

1:33:04.840 --> 1:33:11.080
<v Speaker 1>what happened. It came down in a way to a point,

1:33:11.120 --> 1:33:15.880
<v Speaker 1>a principle on my part, and the only way I

1:33:15.960 --> 1:33:22.240
<v Speaker 1>can really really explaining it to you is that we're

1:33:22.320 --> 1:33:29.479
<v Speaker 1>deal in different currencies. And my currency is that I

1:33:29.640 --> 1:33:34.400
<v Speaker 1>believe that the real wealth in life is what you've got,

1:33:35.240 --> 1:33:37.960
<v Speaker 1>is what you've got after they take away the money,

1:33:38.800 --> 1:33:45.560
<v Speaker 1>what you've got left, and that's family, friends and principles.

1:33:46.600 --> 1:33:50.320
<v Speaker 1>And I've always lived that way. And he deals in

1:33:50.360 --> 1:33:54.280
<v Speaker 1>a different currency. And if he's got any regrets now,

1:33:56.320 --> 1:33:58.840
<v Speaker 1>then he has to be honest with himself. But for

1:33:58.960 --> 1:34:02.960
<v Speaker 1>both those guys, I would like to think that I

1:34:03.000 --> 1:34:07.479
<v Speaker 1>did a really good job. And Jimmy bumped into a

1:34:07.560 --> 1:34:13.200
<v Speaker 1>friend of mine, an agent, a few months ago, and

1:34:13.520 --> 1:34:17.160
<v Speaker 1>he said, has Bill so Rod said, oh, he's great,

1:34:17.240 --> 1:34:19.400
<v Speaker 1>he said, send him my love. He said, tell him.

1:34:19.760 --> 1:34:23.360
<v Speaker 1>I've only just started realizing how much he really did

1:34:23.439 --> 1:34:27.720
<v Speaker 1>for us. But it's okay. But with Robert, I said

1:34:27.800 --> 1:34:32.160
<v Speaker 1>to him, it's going to come a time. And I

1:34:32.200 --> 1:34:34.200
<v Speaker 1>don't want to sound him modest here, but yet there's

1:34:34.200 --> 1:34:36.480
<v Speaker 1>going to come a time when you're going to realize

1:34:37.439 --> 1:34:41.080
<v Speaker 1>you've lost your best friend. I said, because I would

1:34:41.120 --> 1:34:43.600
<v Speaker 1>have stood in front of a train for you, but

1:34:43.720 --> 1:34:47.240
<v Speaker 1>not anymore. And it was about a point of principle.

1:34:47.520 --> 1:34:50.680
<v Speaker 1>And I don't wish him any ill. I wish him

1:34:50.720 --> 1:34:56.120
<v Speaker 1>every success. But there's a thing about artists, Bob, not

1:34:56.280 --> 1:35:01.960
<v Speaker 1>all of them, but the majority percent of them. They

1:35:02.040 --> 1:35:06.240
<v Speaker 1>don't have any friends from the past, very few of them.

1:35:07.040 --> 1:35:10.519
<v Speaker 1>What happens is they choose a career that takes them

1:35:10.560 --> 1:35:15.240
<v Speaker 1>away from their childhood and teenage friends, and so they

1:35:15.360 --> 1:35:20.200
<v Speaker 1>go on a different journey. And while they're on that journey,

1:35:21.240 --> 1:35:27.120
<v Speaker 1>they lose a sense of loyalty. And what takes over

1:35:27.240 --> 1:35:31.000
<v Speaker 1>and becomes more important to them is where's my album

1:35:31.040 --> 1:35:35.400
<v Speaker 1>in the chance this week, etcetera, etcetera, and they lose

1:35:36.000 --> 1:35:44.080
<v Speaker 1>their real sense of friendship and loyalty. And I'm big

1:35:44.200 --> 1:35:46.360
<v Speaker 1>on that. I'm sorry, I'm just really big on it.

1:35:47.560 --> 1:35:49.920
<v Speaker 1>And so that's what you find with lots of artists,

1:35:50.280 --> 1:35:53.360
<v Speaker 1>and we a lot most of us run away with

1:35:53.439 --> 1:35:58.000
<v Speaker 1>the idea of thinking that arts because they're artists, they're

1:35:58.120 --> 1:36:03.320
<v Speaker 1>nice and good people. They're not. They're not. Listen. I've

1:36:03.400 --> 1:36:05.600
<v Speaker 1>met some of the greatest artists in the world. I

1:36:05.640 --> 1:36:09.599
<v Speaker 1>want to mention them, and they're just unbelievably narcissistic means

1:36:09.840 --> 1:36:12.599
<v Speaker 1>of them. And it's like, you know, they're exceptions who

1:36:12.680 --> 1:36:14.360
<v Speaker 1>you know live up to them. But no, the other

1:36:14.439 --> 1:36:18.879
<v Speaker 1>thing about an artist, they'll funk over anybody for themselves exactly.

1:36:19.160 --> 1:36:23.160
<v Speaker 1>There are number one. So when you take out on board,

1:36:23.920 --> 1:36:26.720
<v Speaker 1>and I'm a personal manager and I give a bit

1:36:26.800 --> 1:36:31.360
<v Speaker 1>more than some other managers, they may get a contract

1:36:31.439 --> 1:36:33.200
<v Speaker 1>and they put it in their desk and that's it.

1:36:35.120 --> 1:36:37.360
<v Speaker 1>I don't live like that. I don't have a contract

1:36:37.400 --> 1:36:39.519
<v Speaker 1>with the who I haven't had one for forty nine years.

1:36:40.040 --> 1:36:43.599
<v Speaker 1>If they want to leave me tomorrow they're dissatisfied, they

1:36:43.640 --> 1:36:45.840
<v Speaker 1>can go. I don't want to go through any litigation.

1:36:46.240 --> 1:36:47.840
<v Speaker 1>I just want to be paid for what I've done.

1:36:48.920 --> 1:36:51.720
<v Speaker 1>But it becomes a friendship. Judas Priest have been with

1:36:51.880 --> 1:36:58.120
<v Speaker 1>me thirty seven years. Again, it's a friendship. You give,

1:36:58.560 --> 1:37:00.840
<v Speaker 1>you become friends. You give the it and I give

1:37:00.960 --> 1:37:06.320
<v Speaker 1>to them a promise. That's what I do. So and

1:37:06.439 --> 1:37:09.320
<v Speaker 1>I've got friends right back to my school days. I

1:37:09.360 --> 1:37:11.759
<v Speaker 1>still go see them in the East End. We're mates.

1:37:12.080 --> 1:37:15.439
<v Speaker 1>Sadly every year ago there's one less. But you know,

1:37:15.720 --> 1:37:17.680
<v Speaker 1>how about all these old people. I mean, obviously you're

1:37:17.800 --> 1:37:21.639
<v Speaker 1>very successful financially. Do these people your family members ever

1:37:21.720 --> 1:37:25.519
<v Speaker 1>come to you for money? Well? My other what my brothers,

1:37:25.640 --> 1:37:29.679
<v Speaker 1>sisters and people we're brothers and sisters are friends both. Yeah,

1:37:30.400 --> 1:37:33.160
<v Speaker 1>and how do you feel about that? I'm okay, okay,

1:37:33.400 --> 1:37:37.479
<v Speaker 1>you know what money is. Tell me, money is a

1:37:37.640 --> 1:37:43.880
<v Speaker 1>means to end. Money is a means for you to

1:37:44.040 --> 1:37:48.080
<v Speaker 1>help the people you love enjoy their life. And if

1:37:48.160 --> 1:37:50.480
<v Speaker 1>you can do that, that's all it is. It's a commodity.

1:37:51.360 --> 1:37:54.200
<v Speaker 1>That's funny because Cliff Bernstein said something very similar to me, like,

1:37:54.400 --> 1:37:56.479
<v Speaker 1>you know, be able to help people's lives, you know,

1:37:56.560 --> 1:38:02.360
<v Speaker 1>at the same time, So okay, yea, So Pete says

1:38:02.840 --> 1:38:06.240
<v Speaker 1>he can't play live anymore. Well, before that, who say

1:38:06.360 --> 1:38:09.240
<v Speaker 1>we're retiring? I remember making it too, Yeah, I remember

1:38:09.360 --> 1:38:12.439
<v Speaker 1>making said of my Nakamiti tape deck, you know, and

1:38:12.520 --> 1:38:15.559
<v Speaker 1>then they keep coming back. What's up with that? Well

1:38:16.160 --> 1:38:19.000
<v Speaker 1>in two that's when he said, he said, I want

1:38:19.000 --> 1:38:20.720
<v Speaker 1>to be with my kids. I don't want tour in him.

1:38:22.720 --> 1:38:24.720
<v Speaker 1>A couple of years ago we played Hyde Park and

1:38:24.800 --> 1:38:28.360
<v Speaker 1>Tom mzer Ardino, he was the promoter of the Cotton Bowl.

1:38:28.400 --> 1:38:29.640
<v Speaker 1>On that last tour, he said, I've got a T

1:38:29.760 --> 1:38:31.680
<v Speaker 1>shirt for you. He gave me. It was the Who's Fair.

1:38:33.560 --> 1:38:35.760
<v Speaker 1>But so Pete didn't want to do it. So from

1:38:35.800 --> 1:38:40.600
<v Speaker 1>A two two I think it was a tight. We

1:38:40.680 --> 1:38:44.920
<v Speaker 1>didn't do that interestingly enough. And that's when I picked up.

1:38:45.000 --> 1:38:48.880
<v Speaker 1>Someone said to me, you're interested in Judas Priest. I said, yeah,

1:38:48.960 --> 1:38:52.280
<v Speaker 1>they're good, Lfe Ben. Where are they down in Texas?

1:38:52.920 --> 1:38:54.479
<v Speaker 1>They want to see you? So I went down there.

1:38:55.000 --> 1:38:57.880
<v Speaker 1>And so you know, we had all those years where

1:38:58.160 --> 1:39:01.280
<v Speaker 1>they didn't her, which as have said loss in a way,

1:39:01.640 --> 1:39:05.639
<v Speaker 1>but um, and now it's turned full circle and Pezz

1:39:05.720 --> 1:39:08.560
<v Speaker 1>the one who wants to tour. He's really enjoying it

1:39:08.840 --> 1:39:12.600
<v Speaker 1>and he wants to tour. And I guess it's in

1:39:12.680 --> 1:39:16.439
<v Speaker 1>all of our minds that, you know, if life's a

1:39:16.560 --> 1:39:20.160
<v Speaker 1>three week holiday, we're on the third week and this Wednesday.

1:39:22.120 --> 1:39:27.000
<v Speaker 1>But what about his hearing issue? About what? I don't

1:39:27.000 --> 1:39:28.800
<v Speaker 1>know if you're saying that as a joke, but Pete

1:39:28.840 --> 1:39:32.679
<v Speaker 1>farm famously said he had tonight is and he couldn't play, etcetera.

1:39:32.760 --> 1:39:35.519
<v Speaker 1>And then he played acoustic guitar behind plastic you know,

1:39:35.640 --> 1:39:39.439
<v Speaker 1>whatever he did, he had the tonitus and he was

1:39:39.479 --> 1:39:42.080
<v Speaker 1>getting a lot of pain from it. But there are

1:39:42.479 --> 1:39:45.439
<v Speaker 1>lots of meds now today that can lessen that, you know,

1:39:46.000 --> 1:39:49.320
<v Speaker 1>and he's finding that. Okay, Pete. One of the problems

1:39:49.360 --> 1:39:52.439
<v Speaker 1>we've got is Roger uses ear monitors and Pete uses

1:39:52.560 --> 1:39:56.599
<v Speaker 1>stage monitors, you know. And I, I mean, I listened

1:39:56.640 --> 1:39:59.920
<v Speaker 1>to this ship and I think, am I really live

1:40:00.040 --> 1:40:03.040
<v Speaker 1>in here in the real world? Or is this the afterworld?

1:40:03.479 --> 1:40:06.960
<v Speaker 1>Because sometimes they'll come off stage and Roger was saying,

1:40:07.040 --> 1:40:10.920
<v Speaker 1>funking on the stage, I can't fucking hear anything, And

1:40:11.040 --> 1:40:13.120
<v Speaker 1>I said, you told me that have the fucking silver

1:40:13.240 --> 1:40:17.920
<v Speaker 1>dome in right right right, you know. So they're all

1:40:17.960 --> 1:40:22.320
<v Speaker 1>getting different sales up there on stage. Um, And I

1:40:22.439 --> 1:40:24.439
<v Speaker 1>can't do anything about that. I said to them, Look,

1:40:24.479 --> 1:40:28.479
<v Speaker 1>I can do everything for you to help you with

1:40:28.680 --> 1:40:32.599
<v Speaker 1>what happens off the stage. I cannot do anything about

1:40:32.600 --> 1:40:35.880
<v Speaker 1>what's on that stage. I can't be where Pete is

1:40:36.320 --> 1:40:39.519
<v Speaker 1>when you're playing a song or where you are get

1:40:39.560 --> 1:40:41.600
<v Speaker 1>your ship together. You know you should be able to

1:40:41.680 --> 1:40:46.560
<v Speaker 1>do it. Okay, So moon dies, they play with different drummers,

1:40:47.040 --> 1:40:51.200
<v Speaker 1>then Entwhistle dies just before the tour, they continued to work.

1:40:52.000 --> 1:40:58.080
<v Speaker 1>Is the motivation? What is the motivation for them? If

1:40:58.120 --> 1:41:01.360
<v Speaker 1>it's in your blood, it's in your blood. I don't

1:41:01.439 --> 1:41:03.280
<v Speaker 1>know that you're going to go and do anything else.

1:41:03.439 --> 1:41:06.519
<v Speaker 1>Pete's got lots of sides to him. He's just finished

1:41:06.560 --> 1:41:11.920
<v Speaker 1>the book Age of Anxiety. He's a constant worker. But

1:41:12.080 --> 1:41:14.160
<v Speaker 1>what else are you going to do? You know, if

1:41:14.200 --> 1:41:19.040
<v Speaker 1>you're given that gift, and it is a gift, what

1:41:19.160 --> 1:41:22.280
<v Speaker 1>else are you going to do? So you do carry on.

1:41:22.920 --> 1:41:24.960
<v Speaker 1>It's got to be the same with Jagger and Richards.

1:41:25.040 --> 1:41:29.679
<v Speaker 1>They they don't need the money. But I've often believed

1:41:29.720 --> 1:41:34.400
<v Speaker 1>that God works in mysterious ways, and in a lot

1:41:34.479 --> 1:41:37.600
<v Speaker 1>of ways he's fair. So what he does is he

1:41:37.800 --> 1:41:41.640
<v Speaker 1>takes someone like these artists and he gives them a

1:41:41.800 --> 1:41:46.160
<v Speaker 1>special gift. He gives them a little bit extra more

1:41:46.280 --> 1:41:49.720
<v Speaker 1>than you, all right, But at the other end he

1:41:49.840 --> 1:41:54.439
<v Speaker 1>leaves something off unless where we fit in. Okay, how

1:41:54.520 --> 1:41:58.280
<v Speaker 1>did the deal with c S I come together? Oh?

1:41:58.439 --> 1:42:01.080
<v Speaker 1>That was I forget who who actually rang me in

1:42:01.160 --> 1:42:05.400
<v Speaker 1>the first place? It was Jack what's his name, Jack Rossman?

1:42:05.640 --> 1:42:08.880
<v Speaker 1>Jack slipped my mind at the moment, but it was.

1:42:09.840 --> 1:42:12.760
<v Speaker 1>It was either Brookheim or somebody who was who was

1:42:12.840 --> 1:42:17.120
<v Speaker 1>a raven Houfen and they were looking for somebody. But somebody,

1:42:18.439 --> 1:42:21.880
<v Speaker 1>as is usual, somebody who's an underling who never ever

1:42:22.000 --> 1:42:25.880
<v Speaker 1>probably got credit for it, said hey, listen to this stuff,

1:42:25.920 --> 1:42:30.160
<v Speaker 1>you know. And it was the synthesizer songs. And it

1:42:30.280 --> 1:42:33.320
<v Speaker 1>was amazing, wasn't it. Because so many people started coming

1:42:33.320 --> 1:42:37.559
<v Speaker 1>to concerts and saying, oh, at least the people who

1:42:37.600 --> 1:42:43.320
<v Speaker 1>do see it, you know. So that's how it came about. Okay,

1:42:43.400 --> 1:42:45.680
<v Speaker 1>but you know, they get the guy's name now. But

1:42:45.760 --> 1:42:48.479
<v Speaker 1>he was from CBS. Okay, But that was he. He

1:42:48.760 --> 1:42:51.919
<v Speaker 1>was one of the first artists of his era, Jack Sussman.

1:42:53.240 --> 1:42:55.040
<v Speaker 1>He was one of the first from his era to

1:42:55.200 --> 1:42:59.480
<v Speaker 1>license these songs. So was he reluctant for a credibility

1:43:00.160 --> 1:43:01.880
<v Speaker 1>did he say, hey, you know, if you're Peter three,

1:43:01.920 --> 1:43:04.360
<v Speaker 1>I'll make the deal. No, he came round to it.

1:43:04.840 --> 1:43:07.559
<v Speaker 1>I remember years ago. I went back and I said him, Pete.

1:43:08.120 --> 1:43:11.320
<v Speaker 1>It was with the advent of mobile phones, you know.

1:43:11.720 --> 1:43:14.160
<v Speaker 1>I said, Pete, I've got a fantastic deal for you

1:43:14.439 --> 1:43:18.320
<v Speaker 1>with a T and T for going mobile, the song

1:43:18.880 --> 1:43:22.000
<v Speaker 1>co Mobile. I said, I've got a great deal for you.

1:43:22.160 --> 1:43:23.800
<v Speaker 1>He said, Now, I'm not selling songs to that. I'm

1:43:23.800 --> 1:43:26.280
<v Speaker 1>not doing any of that. No, no, no. And then

1:43:26.920 --> 1:43:28.880
<v Speaker 1>a couple of years later he did a complete turn

1:43:28.960 --> 1:43:32.639
<v Speaker 1>around and they were picking up whose songs for all

1:43:32.800 --> 1:43:36.160
<v Speaker 1>kinds of I did a deal as well. I mean,

1:43:36.360 --> 1:43:39.439
<v Speaker 1>she worked these artists out. Bob. I did a deal

1:43:40.080 --> 1:43:45.040
<v Speaker 1>with GM Motors for rock and roll, right for led

1:43:45.120 --> 1:43:49.759
<v Speaker 1>Zepplin right. So, and it was a huge, huge amount

1:43:49.800 --> 1:43:54.519
<v Speaker 1>of money, I'm telling you so. Um. First thing, first

1:43:54.600 --> 1:43:57.719
<v Speaker 1>it was ken million, wasn't it more than that? Okay,

1:43:58.760 --> 1:44:03.400
<v Speaker 1>more than that. So I'm on the road with Robert

1:44:03.439 --> 1:44:06.880
<v Speaker 1>Plant and we're going to go to the jail. And

1:44:07.000 --> 1:44:09.720
<v Speaker 1>by the way, as part of the deal, I said

1:44:09.720 --> 1:44:12.880
<v Speaker 1>to them, can you give Robert Plant an escalade in

1:44:12.960 --> 1:44:16.320
<v Speaker 1>every city? So he picks up an escalade. When he

1:44:16.800 --> 1:44:18.719
<v Speaker 1>after he's done it, he drops it back at the airport.

1:44:19.439 --> 1:44:21.320
<v Speaker 1>We're going to get to Detroit. So I said to him,

1:44:22.479 --> 1:44:24.120
<v Speaker 1>when you get to Detroit, you've got to come to

1:44:24.200 --> 1:44:27.439
<v Speaker 1>the factory and sign people's albums, you know, I said,

1:44:27.439 --> 1:44:30.320
<v Speaker 1>the workers. He said, yeah, yeah, okay. So we go

1:44:30.479 --> 1:44:33.400
<v Speaker 1>to the factory and he's great. He's signing all their albums.

1:44:33.520 --> 1:44:36.760
<v Speaker 1>And then the CEO came down, who was a little

1:44:36.800 --> 1:44:41.719
<v Speaker 1>bit to me. The typical American maverick flies his own plane,

1:44:42.680 --> 1:44:46.679
<v Speaker 1>you know whatever, right, you know, So he says, Mr Plant,

1:44:46.760 --> 1:44:52.559
<v Speaker 1>He said, how are you enjoying the escalade? So Plant,

1:44:52.600 --> 1:44:54.680
<v Speaker 1>he looked at him and he went, I like the

1:44:54.760 --> 1:45:00.800
<v Speaker 1>fall better. I went, what he said? He's so the

1:45:00.840 --> 1:45:03.960
<v Speaker 1>guy looked at him. He couldn't believe it. So when

1:45:04.000 --> 1:45:06.200
<v Speaker 1>we get outside, I said, are you for fucking real?

1:45:06.920 --> 1:45:09.960
<v Speaker 1>I said, you've had all that money, You've got this.

1:45:10.240 --> 1:45:12.479
<v Speaker 1>He said yeah, he said, but you know, he said,

1:45:12.560 --> 1:45:16.080
<v Speaker 1>that commercial for the escalator it's on TV too much.

1:45:17.120 --> 1:45:19.240
<v Speaker 1>I said, what do you mean it's on TV too much?

1:45:19.520 --> 1:45:21.719
<v Speaker 1>That's what they paid for and that's why your kettital

1:45:21.760 --> 1:45:26.080
<v Speaker 1>has gone through the roof. So we get home, he

1:45:26.240 --> 1:45:30.960
<v Speaker 1>phoned me A few weeks afterwards, he said, Bill, he

1:45:31.120 --> 1:45:34.320
<v Speaker 1>said that guy GM. I said, yeah. He said, do

1:45:34.439 --> 1:45:36.080
<v Speaker 1>you think you can phone him up and see if

1:45:36.160 --> 1:45:38.200
<v Speaker 1>you can get us to escaladors one for me and

1:45:38.240 --> 1:45:40.880
<v Speaker 1>one for my son. I said, no, I fucking can't

1:45:41.439 --> 1:45:47.679
<v Speaker 1>tell me to go to forward exactly exactly. Work it out, Okay,

1:45:47.880 --> 1:45:49.880
<v Speaker 1>So that the actus ever get jealous of one another,

1:45:50.000 --> 1:45:54.000
<v Speaker 1>they don't have your time? Yeah, how do you manage that?

1:45:54.439 --> 1:45:57.280
<v Speaker 1>I think that it's difficult. I think that that was

1:45:57.400 --> 1:46:01.920
<v Speaker 1>one of the problems with Robert plant Um. I think

1:46:02.000 --> 1:46:04.800
<v Speaker 1>that he resented any time I spent with the who.

1:46:05.640 --> 1:46:08.360
<v Speaker 1>I tried to juggle it as best as possible, but

1:46:08.479 --> 1:46:11.320
<v Speaker 1>I think he resented that a bit. But I was

1:46:11.400 --> 1:46:19.240
<v Speaker 1>forever jumping off one to the other. Um and I'll

1:46:19.280 --> 1:46:27.439
<v Speaker 1>go there. Pete Townsend is the complete complete artist. He

1:46:27.600 --> 1:46:31.639
<v Speaker 1>writes everything, he sings it, he gives you a demo.

1:46:32.560 --> 1:46:39.160
<v Speaker 1>It's phenomenal. The Scoop albums. Yeah, he's the real deal.

1:46:40.360 --> 1:46:43.400
<v Speaker 1>A lot of the others need to partner with someone,

1:46:44.160 --> 1:46:47.280
<v Speaker 1>and I'm not potting them down. They're great artists. But

1:46:47.439 --> 1:46:52.920
<v Speaker 1>you know, for me, Elton John, I love him. We're friends.

1:46:54.040 --> 1:46:59.360
<v Speaker 1>The songs he wrote with Bernie Special songs, Jagger Knees,

1:46:59.520 --> 1:47:05.640
<v Speaker 1>Richards plant needed page. That's all I can say. So

1:47:05.840 --> 1:47:08.120
<v Speaker 1>there is a little bit jellously because Townsend is the

1:47:08.240 --> 1:47:14.200
<v Speaker 1>complete deal. He writes it all complete musician. Okay, So

1:47:14.320 --> 1:47:16.200
<v Speaker 1>what is it you do as a manager that makes

1:47:16.200 --> 1:47:21.120
<v Speaker 1>you so great? But it must be something because you're

1:47:21.200 --> 1:47:24.000
<v Speaker 1>you're actually talking about There are some managers were traffic cups.

1:47:24.400 --> 1:47:27.920
<v Speaker 1>They deal with the incoming. Then there's some managers were visionaries,

1:47:28.040 --> 1:47:30.760
<v Speaker 1>and you've put out some visionary thing. So are you

1:47:30.840 --> 1:47:32.720
<v Speaker 1>the type of guy who says, listen, I have a plan,

1:47:32.840 --> 1:47:34.920
<v Speaker 1>we're going to do this or that, or you're fielding

1:47:35.040 --> 1:47:36.840
<v Speaker 1>calls or what is it doing? I do a lot

1:47:36.880 --> 1:47:40.160
<v Speaker 1>of that stuff, but I often joke and say what

1:47:40.320 --> 1:47:43.760
<v Speaker 1>I do really really well is I do the unnecessary

1:47:43.880 --> 1:47:49.320
<v Speaker 1>for the ungrateful. But but yeah, I do I plan

1:47:49.439 --> 1:47:55.360
<v Speaker 1>with them. Um. But if I had to say to someone, now,

1:47:58.200 --> 1:48:03.080
<v Speaker 1>what are the essentials for management, I'd say, never be

1:48:03.160 --> 1:48:07.759
<v Speaker 1>afraid to say no, never be afraid to make a mistake,

1:48:09.439 --> 1:48:13.840
<v Speaker 1>Try as hard as you can to make more successful

1:48:13.920 --> 1:48:18.680
<v Speaker 1>moves than unsuccessful. So at least it's like, well how

1:48:18.760 --> 1:48:22.120
<v Speaker 1>many goals did they score? You know? So that your

1:48:22.280 --> 1:48:27.800
<v Speaker 1>your average, because everybody makes mistakes, everybody, and so you

1:48:27.880 --> 1:48:31.959
<v Speaker 1>have to sit between it. And if you've got four artists,

1:48:32.520 --> 1:48:35.200
<v Speaker 1>it's much easier. Well maybe it's not asked John Reid

1:48:35.320 --> 1:48:37.840
<v Speaker 1>and people like that who have had solo artists, but

1:48:38.439 --> 1:48:41.960
<v Speaker 1>it's usually a lot easier with a solo artist because

1:48:42.000 --> 1:48:44.720
<v Speaker 1>you're answering one person with one set of problems than

1:48:44.800 --> 1:48:47.400
<v Speaker 1>it is with three or four. And if those three

1:48:47.520 --> 1:48:52.960
<v Speaker 1>or four of really forceful characters like Daughtry Towns in

1:48:53.040 --> 1:48:55.519
<v Speaker 1>the Moon were and then and Whistle was in his

1:48:55.640 --> 1:49:00.080
<v Speaker 1>own right he could be quite forceful, then you're juggle in.

1:49:00.880 --> 1:49:05.840
<v Speaker 1>It's difficult. So I don't know really how I've totally

1:49:05.960 --> 1:49:11.320
<v Speaker 1>managed it. It's um okay, Well that's managing the people.

1:49:11.680 --> 1:49:14.599
<v Speaker 1>How many of the ideas will you say, oh, let's

1:49:14.640 --> 1:49:17.120
<v Speaker 1>play within an orchestra, or oh let's do an album,

1:49:17.280 --> 1:49:19.519
<v Speaker 1>or this is the way the yard should be. A

1:49:20.200 --> 1:49:22.320
<v Speaker 1>contribute quite a bit to that, but I mean it's

1:49:22.800 --> 1:49:25.200
<v Speaker 1>to give Rogery's dew. It was his idea to come

1:49:25.240 --> 1:49:29.000
<v Speaker 1>with the orchestra because it used the orchestra only solo

1:49:29.120 --> 1:49:32.360
<v Speaker 1>stuff and it sounded so great. I mean he recorded

1:49:32.439 --> 1:49:36.200
<v Speaker 1>this the concert from Bethel and it was great, and

1:49:36.439 --> 1:49:38.760
<v Speaker 1>when he put it to Pete, Pete was quite skeptical.

1:49:39.240 --> 1:49:42.439
<v Speaker 1>Now Pete sort of loves it. Not only is it

1:49:42.600 --> 1:49:46.240
<v Speaker 1>great and sounds great, but it's easy for him. He's

1:49:46.240 --> 1:49:49.439
<v Speaker 1>finding it easy up there, you know. So And and

1:49:49.720 --> 1:49:52.040
<v Speaker 1>for me it was a good move on Roger's part

1:49:52.080 --> 1:49:57.599
<v Speaker 1>because he he gave it another dimension, the who music.

1:49:58.439 --> 1:50:02.080
<v Speaker 1>Um what I think that if I've got a forte,

1:50:02.720 --> 1:50:05.839
<v Speaker 1>I think it's in projects, in coming up with projects,

1:50:05.920 --> 1:50:10.320
<v Speaker 1>you know. Um, like with the Quadrophenia movie, going back

1:50:10.360 --> 1:50:13.160
<v Speaker 1>all the way back again. There that guy Frank Roddon.

1:50:13.760 --> 1:50:16.320
<v Speaker 1>He never made a movie. He had made a couple

1:50:16.360 --> 1:50:19.040
<v Speaker 1>of TV movies and one of them was great. It

1:50:19.160 --> 1:50:21.320
<v Speaker 1>was this true story about a deaf and dumb girl

1:50:22.400 --> 1:50:27.200
<v Speaker 1>who was raped. She she kills the killer, and we

1:50:27.360 --> 1:50:30.280
<v Speaker 1>gave him I was so impressed with him. We gave

1:50:30.360 --> 1:50:33.559
<v Speaker 1>him the Quadrophenia film to do. I think he made

1:50:33.560 --> 1:50:37.280
<v Speaker 1>a masterpiece. He came over here and he made a

1:50:37.360 --> 1:50:41.800
<v Speaker 1>movie for Fox called The Lords of Discipline, great book.

1:50:42.600 --> 1:50:45.040
<v Speaker 1>They ripped the fucking film to pieces. He came back

1:50:45.160 --> 1:50:49.320
<v Speaker 1>so disillusion he said, I'm never making another film. And

1:50:49.400 --> 1:50:52.000
<v Speaker 1>he did a TV series which was huge in England

1:50:52.040 --> 1:50:55.479
<v Speaker 1>called r V the same pet didn't mean much in

1:50:55.520 --> 1:50:59.280
<v Speaker 1>the rest of the world, and then he did Master Chef,

1:51:02.000 --> 1:51:04.560
<v Speaker 1>So we don't need a benefit for Frank, right. So

1:51:04.680 --> 1:51:09.600
<v Speaker 1>what are you most proud of in your career? I

1:51:09.720 --> 1:51:16.000
<v Speaker 1>guess I can't really pick out a concert because there's

1:51:16.040 --> 1:51:22.680
<v Speaker 1>been so many superb and superlative concerts. But if I

1:51:22.760 --> 1:51:27.160
<v Speaker 1>had to pick out a concert, I'd have to fall

1:51:27.280 --> 1:51:32.400
<v Speaker 1>on the side of that of nine eleven for the emotion,

1:51:33.479 --> 1:51:36.479
<v Speaker 1>just a sheer emotion of it, although we've had such

1:51:36.560 --> 1:51:43.760
<v Speaker 1>wonderful concerts. But proud, Yeah, the Kennedy Award. But I'm

1:51:43.840 --> 1:51:49.439
<v Speaker 1>proud that I've got two people who trusted me with

1:51:49.520 --> 1:51:53.040
<v Speaker 1>their lives, because that's how I look at it. When

1:51:53.080 --> 1:51:57.040
<v Speaker 1>an artist comes to me, they're putting a life in

1:51:57.120 --> 1:52:03.759
<v Speaker 1>my hands because there are artistic endeavors and their dreams

1:52:04.439 --> 1:52:08.920
<v Speaker 1>are their life. And that's what I'm proud of that

1:52:09.000 --> 1:52:14.160
<v Speaker 1>I've managed to manage. I hope I managed to do

1:52:14.240 --> 1:52:16.320
<v Speaker 1>a good job for them. And you're gonna do it

1:52:16.400 --> 1:52:21.040
<v Speaker 1>till you drop. Yeah, because I wouldn't say I want

1:52:21.080 --> 1:52:23.679
<v Speaker 1>to do it at the same rate and pace. Because

1:52:23.760 --> 1:52:27.439
<v Speaker 1>I enjoyed doing projects as opposed to the band thing now.

1:52:28.160 --> 1:52:30.960
<v Speaker 1>Pete laughed the other day because I said to him, well,

1:52:31.000 --> 1:52:33.160
<v Speaker 1>I don't fancy going down to the pig and whistle

1:52:33.479 --> 1:52:36.840
<v Speaker 1>and listen to another young band's problems. I want to

1:52:36.880 --> 1:52:38.720
<v Speaker 1>do projects. I want to do films. I want to

1:52:38.720 --> 1:52:40.120
<v Speaker 1>do this. I want to do it. But it will

1:52:40.160 --> 1:52:47.479
<v Speaker 1>always be music. Um so yeah, I mean. And it's

1:52:47.479 --> 1:52:50.679
<v Speaker 1>about realizing dreams, isn't it. My two My two kids.

1:52:50.800 --> 1:52:55.639
<v Speaker 1>My daughter she's just come out from university. She got

1:52:55.680 --> 1:52:59.400
<v Speaker 1>a great degree in English lit and creative writing. She

1:52:59.479 --> 1:53:04.439
<v Speaker 1>wants to go into publishing novels. My boys termed professional

1:53:04.520 --> 1:53:09.080
<v Speaker 1>as a golfer. Um, it's allowing being able to help

1:53:09.200 --> 1:53:15.280
<v Speaker 1>people hopefully realize their dreams. And if the who had

1:53:15.400 --> 1:53:20.280
<v Speaker 1>dreams when I first met them, and I know they did,

1:53:21.360 --> 1:53:23.679
<v Speaker 1>then I think I've helped them get there and realize

1:53:23.680 --> 1:53:27.000
<v Speaker 1>a lot of them. Well, Bill, this has been fantastic.

1:53:27.080 --> 1:53:29.200
<v Speaker 1>We could go out for like five hours. We've really

1:53:29.240 --> 1:53:31.120
<v Speaker 1>got the essence of who you are. Thanks so much

1:53:31.120 --> 1:53:33.760
<v Speaker 1>for doing this, and well, it's been a pleasure to

1:53:33.840 --> 1:53:38.599
<v Speaker 1>be here. And what we've managed to do this afternoon

1:53:38.840 --> 1:53:43.120
<v Speaker 1>is to turn crumpy old Bob into nice Bob. Hey, listen,

1:53:43.160 --> 1:53:46.040
<v Speaker 1>I our side away personality til next time. If Bob

1:53:46.160 --> 1:53:46.720
<v Speaker 1>Wes