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Speaker 1: Hey everybody, it's me Matt Rogers, letting you know. Tickets

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Speaker 1: are on sale now to see me on tour, the

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Speaker 1: Prince of Christmas Tour, that is, I'm doing my whole

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Speaker 1: album have you Heard of Christmas? Plus a lot more

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Speaker 1: with the whole band all throughout December. Go to www

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Speaker 1: dot Matt rodgersofficial dot com to see me in a

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Speaker 1: city near you.

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Speaker 2: And now Lost Cult drums look mare, Oh, I see

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Speaker 2: you my own and look over there is that culture? Yes? Yes, wah,

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Speaker 2: Lost Culture.

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Speaker 3: Sing don last culturistas calling tactile is fuck coctile eff.

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Speaker 2: I've been smiling and beaming all day. I woke up

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Speaker 2: with a giggle. Oh my gosh, I sort of left

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Speaker 2: out of bed, and then I looked at myself in

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Speaker 2: the mirror, and then I immediately got sad because I

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Speaker 2: think I'm actually developing a sty blufferitis.

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Speaker 3: No, it's if you develop a sty you just nip

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Speaker 3: it in the butt and you put rice in a sock,

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Speaker 3: you put in the microwave for thirty seconds and then

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Speaker 3: you just warm.

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Speaker 2: Is that there? Are all right? Good? I was all

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Speaker 2: nervous today because so I literally was so excited for this.

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Speaker 2: I got a facial. Yesterday, I got a facial for

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Speaker 2: the episode. Oh fun. I went to the Equinox Spot

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Speaker 2: and Hotel. I love ten Yards really the best area

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Speaker 2: of New York. Remember when I was looking for an

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Speaker 2: apartment in Hudson Yards. I don't think I gave you

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Speaker 2: any guph for it. I was like, if that's for

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Speaker 2: Matt's happiest Matt belongs at the theme park of New

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Speaker 2: York City all And this is what I wanted to

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Speaker 2: tell you, Yeah, are you what do you?

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Speaker 3: How do you feel about Rockefeller Center making a real

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Speaker 3: play at being the only real technical zoned theme park

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Speaker 3: in New York because that's what they're trying to do.

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Speaker 2: As the Prince of Rockefeller Center, I actually have to say,

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Speaker 2: we actually are the royal court of Rockefeller Center. If

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Speaker 2: you think about it, we're the gestures in the court.

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Speaker 2: So as a representative of the zone, I couldn't be

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Speaker 2: prouder of my sisters who are making that place a

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Speaker 2: theme park. They really are.

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Speaker 3: It's ticketed rides, you got to strap on a seatbelt.

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Speaker 2: You know. I've gone to the top ye in Rockefeller

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Speaker 2: Center and like go on the beam and it spins around.

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Speaker 2: It's very thrilling. You would love it? I think not

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Speaker 2: yet though?

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Speaker 4: Is that my cue?

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Speaker 2: No? Yeah, never mind, don't worry. So if you sort

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Speaker 2: of just like heard the voice, no, come.

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Speaker 5: On, I just need you to stay.

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Speaker 2: You got it? How would you like me this way?

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Speaker 2: You actually meaning to your right, which you feel natural?

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Speaker 2: Can we go touch to our lefte? Yeah? Yeah, guy,

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Speaker 2: I'm so sorry, just the tiniest mean, I'm getting a lot.

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Speaker 2: So what do you want me to do?

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Speaker 3: I just need you to yes, of course, so much perfect.

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Speaker 4: No, it's okay. I'm really glad.

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Speaker 5: It's that and not what I thought it was.

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Speaker 4: She was coming in like we gotta get out of here.

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Speaker 4: Come on, un coat came in and I was like,

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Speaker 4: something's happening.

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Speaker 2: You had the energy of like it's an emergency.

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Speaker 4: Well yeah, that was emergency energy.

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Speaker 3: The way the hair moved was urgent, gorgeous. It was scary,

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Speaker 3: excited and scared.

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Speaker 2: Here we go. No, we're back. We're using all of it.

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Speaker 2: We're using all of it is being used and I

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Speaker 2: won't even.

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Speaker 3: The part where I got a little snippy. It was like,

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Speaker 3: I'm getting a lot.

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Speaker 2: What do you want to know? Honestly? Like that's authenticity. Moment.

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Speaker 2: And that's why people love Lost cults with Matt Rogers

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Speaker 2: and bowing, because this is a real ass show. Oh yeah,

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Speaker 2: and that was a real moment. And here's what I

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Speaker 2: really want to say. You've said the theme park thing.

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Speaker 2: Do you know how I spent my morning. I've been

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Speaker 2: thinking about the Wicked theme park ride all day. I've

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Speaker 2: seen the film, and I want to unveil, like what

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Speaker 2: I think the experience of the theme park ride at

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Speaker 2: and at the Universe, at the Universe. Put it in

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Speaker 2: between there's a spot for it. You put it in

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Speaker 2: between Super Nintendo World and the Dark Universe. I thought

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Speaker 2: that's a perfect meeting for Wicked. It's Emerald City, slash

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Speaker 2: Oz whatever they want to do. And I can't wait

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Speaker 2: to pitch to our guest my idea for the theme

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Speaker 2: park ride, the story of it. Okay, because I know

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Speaker 2: we're with one of the true girlies. We're with one

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Speaker 2: of the true Floridian girlies. Let's bring her in. Talk

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Speaker 2: about your pal. She literally saved my life. If I can't.

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Speaker 3: Even look at you, fucking love you. She's the legend.

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Speaker 3: She's playing Glinda in Wicked Part one, maybe part two.

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Speaker 3: She's playing Glinda. You'll have to wait to see what

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Speaker 3: happens at the end of Act one. Does the character die?

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Speaker 2: Who knows the imagine the twist of like they killed

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Speaker 2: Oh my god, they really took a swing. That sucks.

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Speaker 2: We loved her performance in the first if the Munchkins

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Speaker 2: in munchkin Land. It's like a dark Wicked, Like the Dark.

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Speaker 2: Our guest is a singular talent and icon. I mean,

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Speaker 2: I am a fan. I've always been a fan. This

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Speaker 2: is surreal. I can't believe she's here. I mean Eternal

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Speaker 2: Sunshine one of the albums of the year, like to

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Speaker 2: say nothing of everything else she's ever put out. I mean,

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Speaker 2: I can't believe this is happening. It's the film of

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Speaker 2: the year, Wicked, and this guest you're about to welcome

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Speaker 2: into your ears is the one, the fucking only.

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Speaker 5: C Yeah, I've attempted to do been every third sentence.

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Speaker 5: That's sort of so sorry, I know, but it's just

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Speaker 5: been so tempting.

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Speaker 3: We really work our guests up and then and then

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Speaker 3: they chime in and then they're ready to go.

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Speaker 5: Okay, soy, pitt, Hi, thank you for having me.

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Speaker 2: This is a blessing and a half and three quarters

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Speaker 2: know this is perfection. Okay, do you want to know

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Speaker 2: the Wicked theme park ride?

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Speaker 4: Tell me now?

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Speaker 2: Because you want this to happen.

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Speaker 4: Of course I do, and I have ideas as well.

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Speaker 2: Okay, so let's collab. I think you go to like

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Speaker 2: it's not it's the Emerald City and the vibe is

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Speaker 2: like Glinda Live Today is going to address everyone, the

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Speaker 2: Aussians like, it's like we're all going already taking It's like, okay,

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Speaker 2: so it's.

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Speaker 4: I'm thinking about what when we're gonna have to shoot that?

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Speaker 2: Oh god, yeah, you'll figure it out.

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Speaker 5: I think about that sometimes, you know, shooting.

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Speaker 2: Like the theme park roll.

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Speaker 4: Yeah, shooting like you know Hermione being like don't forget

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Speaker 4: to wear your seat belts. Yeah, you know that that vibe.

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Speaker 2: Sometimes I feel like are they still doing that? They

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Speaker 2: to go out to like d Radcliffe and're on a

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Speaker 2: contract and they're locked into something. Can you do your

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Speaker 2: Hermione impression? Do you know what I'm talking about?

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Speaker 4: Wrong?

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Speaker 2: That been spleech All right, Sprange there is what is that?

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Speaker 5: No you call?

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Speaker 2: I know the vocal phrase, it's so good local what

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Speaker 2: the fray? Oh my god?

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Speaker 5: I love it so much.

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Speaker 3: Yeah, Okay, So Glinda is it today, Glinda is address today,

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Speaker 3: Glinda live like it's you and then like we as

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Speaker 3: the guests coming in are going to like see the

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Speaker 3: speech and then something is like happening.

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Speaker 2: So this takes place between Wicked one and two.

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Speaker 3: Okay, so in that that's fun.

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Speaker 2: Like so it's like we believe that Alphaba's like like

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Speaker 2: there's signs that are like get the witch, you know

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Speaker 2: what I mean. Like, and then like we get in

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Speaker 2: the ride and I don't know that they like the

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Speaker 2: rest of this, but like that's the setup and like

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Speaker 2: you are like get ready to speak, and then there's

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Speaker 2: like weather Weather Steve start to move. We think it's Alpha,

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Speaker 2: but but we know it's.

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Speaker 4: More of Michelle going yeah, yes, don't let her get

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Speaker 4: her way.

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Speaker 5: If that's the best shot on the whole thing.

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Speaker 4: When she turns and the monkeys go, oh my god,

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Speaker 4: it's the best shot of any movie I've ever seen

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Speaker 4: in my life. She's so hot, she's so beautiful and

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Speaker 4: regal and powerful.

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Speaker 2: And when she goes Wicked Witch.

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Speaker 5: Yes, what a choice to get quiet Wicked Witch.

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Speaker 2: Oh, I love's brilliant. I've seen it. I'm blown away

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Speaker 2: by the movie. And it's just like you guys, just

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Speaker 2: to leave the fake world of the theme park right now,

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Speaker 2: like we'll figure it out like t K t K

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Speaker 2: theme park ride. The very real film is so brilliant

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Speaker 2: and like you know it, you know it. You Wickeds

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Speaker 2: is a film about Fanny. He's a gay boy. He's

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Speaker 2: a gay boy who wants to make it big in

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Speaker 2: the world, right yeah, yeah, yeah.

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Speaker 3: He knows that the media landscape of oz is not

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Speaker 3: ready for a very homophobic city homophobic.

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Speaker 4: The best video in the world, if you rehearsing it,

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Speaker 4: is that it's been in my drafts for two years

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Speaker 4: of him his little pink like cap over your hair

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Speaker 4: because weren't ready to film yet with your little clips

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Speaker 4: in and he's like half in wardrobe, half in like

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Speaker 4: some cute like bowen thing, and he's just like what

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Speaker 4: did he say? Wait what matamor will say? Mustn't get

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Speaker 4: all right? Fine, I'm gay? Z be the most interesting

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Speaker 4: thing about Yeah, I've watched it three hundred times.

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Speaker 3: How do we feel about the original person who read

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Speaker 3: for Fanny at the table read for Wicked? It was

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Speaker 3: something Foster? What have I desecraated Sutton's name?

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Speaker 2: Wait? No, what are you talking to like in.

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Speaker 3: The original sort of like tailor d for Wicked, before

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Speaker 3: any of the shows, any of the whatever, any of

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Speaker 3: the Sutton Foster. They had Dina and they had Kristien,

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Speaker 3: but then they had Sutton Foster as Fanny.

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Speaker 2: Fanny.

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Speaker 4: That is the most important thing I've ever heard.

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Speaker 2: Yeah, it's crazy.

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Speaker 4: That is so spectacular, like two thousand and one, or

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Speaker 4: did I not know that.

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Speaker 3: I didn't know this either until people like we're sending

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Speaker 3: to me.

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Speaker 5: Oh my god.

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Speaker 4: I mean she's going to be so floored and proud

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Speaker 4: and absolutely.

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Speaker 2: You could run. And I've been saying it's brilliant in

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Speaker 2: this film. I mean he lights up, He lights up

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Speaker 2: my life every time you come on the street. And

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Speaker 2: I'm like, in a word, period, just.

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Speaker 5: So incredibly brilliant.

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Speaker 4: And I also just want like a string out of

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Speaker 4: everything you said, because I just I really do.

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Speaker 5: I want to string out. Let's bring string outs.

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Speaker 4: I love string I want to string out of everything

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Speaker 4: he said on that Setee I got to see last night,

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Speaker 4: Cynthia and I went to go do like watch along

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Speaker 4: and make commentaries.

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Speaker 2: Oh fun.

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Speaker 5: But while we were there, they showed us deleted scenes.

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Speaker 5: Oh and I got to see I've been through.

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Speaker 2: Oh my god, talk about that.

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Speaker 3: So they did a spoiler alert. They did cut the

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Speaker 3: scene where Glinda meets Fanny and sheenshin again.

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Speaker 4: But it's very cute and you will get to see it.

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Speaker 5: Oh really, you will get to see it's coming out because.

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Speaker 2: I want to see it. But that was my one notice.

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Speaker 2: I was like, well, who are are?

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Speaker 4: We kind of just made it all up, kind of

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Speaker 4: just like John was like, all right, you guys meet here,

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Speaker 4: uh huh, and maybe you do a little you know,

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Speaker 4: and we were like, perfect, we'll do it. And so

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Speaker 4: we did the weird dance thing whatever it was.

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Speaker 2: We did the weird dance thing.

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Speaker 5: And then I, oh, how are you guys really?

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Speaker 3: And yeah, so so aria is. Glinda goes, so, how

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Speaker 3: are it's been so long? How are you guys really?

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Speaker 3: And then I for some reason made a choice to

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Speaker 3: go I've I've been.

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Speaker 4: Through, and we said I've been through for two years.

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Speaker 3: After that, I've been through and then and the other

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Speaker 3: with the other phrase was I have had I.

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Speaker 2: Have had candle.

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Speaker 4: Scandal, I have I have, I've been through, I've.

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Speaker 2: I've been through.

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Speaker 5: Which I've been through I've been through is not it.

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Speaker 4: I've been through.

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Speaker 5: I've been through, just I've been through and we just

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Speaker 5: all collapsed. It was so ticklish, it was so funny.

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Speaker 2: There was the coolest waitress I used to waitress with

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Speaker 2: would always say, oh my god, that person is so

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Speaker 2: and never ever said the word after.

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Speaker 4: That's the safe thing to do, very safe.

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Speaker 2: You know how she was so?

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Speaker 5: And then you get to you know.

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Speaker 4: Exactly, Yeah, it's an invitation for more projection.

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Speaker 2: It protects and projects.

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Speaker 4: Yes, it protects and protects. Wait, but you I've been

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Speaker 4: through is so funny to me because that's like minute

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Speaker 4: three of the film.

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Speaker 2: It's too much. It's so funny.

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Speaker 3: I understand why it's cut because it makes no tonal

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Speaker 3: sense with the rest of the film.

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Speaker 4: This it lives on its own, but in the most

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Speaker 4: brilliant way, the same way that I don't see color

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Speaker 4: lives on its own.

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Speaker 3: Do we think do we think that that comes to I.

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Speaker 4: Know, it's so funny and it's so brilliant. And it

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Speaker 4: also was like, yeah, we're commenting on what we're commenting

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Speaker 4: on in this film. It's actually the most brilliant comedic

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Speaker 4: way of saying, yeah, that's what this is about.

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Speaker 2: I can't believe.

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Speaker 3: I find it miraculous that that stayed in the final

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Speaker 3: It's the best.

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Speaker 4: I was hoping and praying. I had literally my fingers

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Speaker 4: and Toest Cross that was sitting in the audience watching

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Speaker 4: for the very first time, and I literally John Chu

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Speaker 4: was sitting right next to me that he was like,

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Speaker 4: thank you, thank you.

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Speaker 5: Yes, I was like, thank God, thank goodness.

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Speaker 2: Honestly, Bowen Yang ad libs in the final cut.

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Speaker 3: You guys, there's something terrible about an ad lib that

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Speaker 3: you do on suck because you're with like a friend

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Speaker 3: and you're disarmed and you're you're being stupid, and then

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Speaker 3: you see it and then you go, well, fuck, a

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Speaker 3: good jillion people are gonna watch me do this stupid.

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Speaker 4: We have a lot of feelings about it as well,

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Speaker 4: and it you know totally. It's like once you once

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Speaker 4: you leave the set and you're like, the fuck did

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Speaker 4: we just.

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Speaker 2: Want to that's what we filmed?

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Speaker 6: Right?

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Speaker 5: I hope anything's okay?

286
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Speaker 2: Yeah, wow.

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Speaker 5: I feel like a blacked out for two years and

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Speaker 5: now I'm like.

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Speaker 2: Oh, right now the people are come in, come on,

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Speaker 2: are going to sit there and be like, we have

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Speaker 2: a lot of feelings about what this has always been

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Speaker 2: to us, and now this is the film which is.

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Speaker 4: Such a beautiful which is such a beautiful blessing and

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Speaker 4: responsibility to have as people who also love it and

295
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Speaker 4: have lived for this for twenty years. I have done

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Speaker 4: the research, like read the L. Frank baumb books and

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Speaker 4: and done their homework and have lived it and loved it.

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Speaker 4: And you know, it's such a beautiful celebration and we welcome,

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Speaker 4: we welcome the feelings.

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Speaker 2: We wasn't the feelings.

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Speaker 4: I'm a fangirl with those feelings about the things I

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Speaker 4: love totally.

303
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Speaker 3: Of course, to quote the show, I ask you a question,

304
00:14:05,960 --> 00:14:08,640
Speaker 3: what is this feeling now for you? Like so sudden

305
00:14:08,679 --> 00:14:10,960
Speaker 3: and new, So sudden and new, it was like two

306
00:14:11,000 --> 00:14:14,640
Speaker 3: years of your life where you were like monastic, You

307
00:14:14,679 --> 00:14:17,760
Speaker 3: were a monk being like I'm gonna be so disciplined

308
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Speaker 3: about this, and now I feel like it happened yesterday,

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Speaker 3: and now all of a sudden, we're like, oh fuck,

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Speaker 3: we have to like in a way like relive what

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Speaker 3: happened and then also like package it into a way

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Speaker 3: that like feels good for a sound bite, right.

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Speaker 4: And promote and sell the thing. And it's just like

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Speaker 4: it takes this transition from being this intimate, really real

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Speaker 4: feeling thing to us talking about it like it's a product.

316
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Speaker 4: And it's a very strange shift. But I'm really trying

317
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Speaker 4: to hold onto the humanness of it all and kind

318
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Speaker 4: of just like let that be what we talk about

319
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Speaker 4: because it's so exciting to.

320
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Speaker 5: Be able to talk about it. So it doesn't feel

321
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Speaker 5: like a press tour.

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Speaker 4: The way it has maybe when I was doing it

323
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Speaker 4: for music or something like that, because it feels, I

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Speaker 4: don't know, it feels a different for a million reasons.

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Speaker 4: I don't know.

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Speaker 2: Do you know.

327
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Speaker 3: What we kept saying when we shot it was like

328
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Speaker 3: it feels like we're shooting a little dye.

329
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Speaker 5: A little student film, a student.

330
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Speaker 2: Film, right, Like all of a sudden, there's like a mark, Yes,

331
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Speaker 2: I'm stepping on tape to do it, Like it's never

332
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Speaker 2: been done like this before, and yet we're committing it.

333
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Speaker 4: Yeah. That wall broke when there was like a man

334
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Speaker 4: on a hang glider with a camera in the sky

335
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Speaker 4: and they said like Daily Mail on a parachute. We

336
00:15:25,640 --> 00:15:30,120
Speaker 4: were like, oh, oh shit, yes, oh sure, sure, oh it's.

337
00:15:29,920 --> 00:15:32,920
Speaker 2: That Yeah, So someone flew in to try to get

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Speaker 2: like footage people. I actually saw it on Twitter, and

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Speaker 2: I was like wait what there was like literally like

340
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Speaker 2: hundreds of yards away, like yes, I think you could

341
00:15:41,360 --> 00:15:43,520
Speaker 2: hear you doing your like color torah.

342
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Speaker 5: That was one of the rehearsals.

343
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Speaker 4: And they were like all the way across the water

344
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Speaker 4: there was a little like river pond thing.

345
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Speaker 2: Yeah, and there was a body of water.

346
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Speaker 4: One thing about Ariana, she knows her bodies of water.

347
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Speaker 2: She knows.

348
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Speaker 5: Yes, she'll talk about it.

349
00:16:02,960 --> 00:16:04,280
Speaker 2: Yeah, I will.

350
00:16:04,760 --> 00:16:11,320
Speaker 4: Across the way there was across the brook, over the brook. Yes,

351
00:16:11,360 --> 00:16:16,080
Speaker 4: there was a ladder. There was there was a guy

352
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Speaker 4: with a.

353
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Speaker 2: Cat, said a flying gay guy with the camera from there,

354
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Speaker 2: We need you for the shot. Damn it. It was

355
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Speaker 2: a guy.

356
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Speaker 3: It was a guy standing a drone. It was a

357
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Speaker 3: guy standing a drone up.

358
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Speaker 1: Yeah.

359
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Speaker 4: But my favorite thing about it was like I was like,

360
00:16:33,920 --> 00:16:36,200
Speaker 4: I'm easy, peasy. I was like, oh, it's you know whatever,

361
00:16:36,400 --> 00:16:38,320
Speaker 4: if Mark doesn't have a problem with it, or John

362
00:16:38,360 --> 00:16:40,960
Speaker 4: is okay, like I'm going to just like do my job.

363
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Speaker 5: I'll ignore it and I'll block it out, blinders on whatever.

364
00:16:44,000 --> 00:16:46,120
Speaker 4: But like you know, a lot of people were concerned

365
00:16:46,440 --> 00:16:48,720
Speaker 4: because it's a big deal, you know, for that to

366
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Speaker 4: come out before it's supposed to come out, but no one.

367
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Speaker 5: Really cared.

368
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Speaker 2: What are they going to do exactly?

369
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Speaker 4: And I was like, yeah, totally. I mean I think

370
00:17:00,320 --> 00:17:01,840
Speaker 4: I heard that there's people and I think I just

371
00:17:01,920 --> 00:17:06,320
Speaker 4: saw saw some stuff and they were like, oh, well

372
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Speaker 4: from the top, and I was like, oh, that's amazing,

373
00:17:09,040 --> 00:17:11,760
Speaker 4: that's really cool. I was like, if you don't care,

374
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Speaker 4: I don't care exactly.

375
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Speaker 2: Yeah, that's nice.

376
00:17:14,200 --> 00:17:17,080
Speaker 3: Yeah, freeing, and we love and we bless the people

377
00:17:17,680 --> 00:17:20,720
Speaker 3: who's concern and job it is to like make sure

378
00:17:20,760 --> 00:17:22,880
Speaker 3: things are like secure and safe and like that. Absolutely,

379
00:17:23,200 --> 00:17:25,359
Speaker 3: but sometimes it is like other people kind of like

380
00:17:25,480 --> 00:17:28,160
Speaker 3: working you up right into thinking that it's a huge

381
00:17:28,200 --> 00:17:30,679
Speaker 3: problem when you're like when deep down like in your person,

382
00:17:30,720 --> 00:17:32,880
Speaker 3: you're like, oh, it's fine, Like I'll just keep doing

383
00:17:32,880 --> 00:17:33,280
Speaker 3: what I do.

384
00:17:33,480 --> 00:17:35,399
Speaker 4: Yeah, And we were all kept very safe and like

385
00:17:35,440 --> 00:17:37,840
Speaker 4: there was never any sort of like danger in that way.

386
00:17:38,080 --> 00:17:39,520
Speaker 4: And there's only so much you can do when we're

387
00:17:39,520 --> 00:17:43,600
Speaker 4: shooting on these like massive outdoor sets. Yeah, so instead

388
00:17:43,600 --> 00:17:46,640
Speaker 4: of having everyone stressed about it and become like anxious,

389
00:17:46,680 --> 00:17:48,840
Speaker 4: like you said, and you know, if there wasn't anything

390
00:17:48,880 --> 00:17:50,600
Speaker 4: that we could do, we just start to have fun

391
00:17:50,600 --> 00:17:52,119
Speaker 4: with it. Like when the drones would come me and

392
00:17:52,160 --> 00:17:55,000
Speaker 4: the munchkins would be like hello, and then I started

393
00:17:55,000 --> 00:17:56,680
Speaker 4: like taking my want and be like okay, that's enough.

394
00:17:57,720 --> 00:17:59,320
Speaker 5: Yeah, trying to make it fun, but you.

395
00:17:59,280 --> 00:18:02,480
Speaker 2: Know, crazy, when did this happen? Like when did you

396
00:18:02,520 --> 00:18:05,400
Speaker 2: guys know it was friendship and not just like a colleague.

397
00:18:05,440 --> 00:18:08,480
Speaker 2: I enjoy I mean I.

398
00:18:08,480 --> 00:18:12,960
Speaker 4: Was so so over the moon excited that you were

399
00:18:13,119 --> 00:18:14,040
Speaker 4: going to be able to see it.

400
00:18:14,119 --> 00:18:18,200
Speaker 5: I called Lauren, is that okay?

401
00:18:18,240 --> 00:18:21,520
Speaker 3: That I almost like, you're comfortable?

402
00:18:21,560 --> 00:18:24,920
Speaker 4: Well, because I knew that it was a huge, massive

403
00:18:25,160 --> 00:18:29,800
Speaker 4: ask and also probably an impossible one, and I didn't

404
00:18:29,840 --> 00:18:33,680
Speaker 4: have anything any sort of resolution to pitch him, but

405
00:18:34,680 --> 00:18:38,560
Speaker 4: I just called him and I was like, hi, lone,

406
00:18:38,760 --> 00:18:42,000
Speaker 4: Oh my goodness, how are you? And he was like, Warrior,

407
00:18:44,800 --> 00:18:50,040
Speaker 4: is there anyway? Is there anyway? And I was that

408
00:18:50,119 --> 00:18:52,440
Speaker 4: was the most nervous I've ever been.

409
00:18:52,720 --> 00:18:55,880
Speaker 5: But you know, yeah, we made it work.

410
00:18:56,040 --> 00:18:56,640
Speaker 2: He made it work.

411
00:18:56,720 --> 00:18:57,480
Speaker 5: You made it work.

412
00:18:57,640 --> 00:19:01,080
Speaker 4: You exhausted yourself and worked yourself to the bone.

413
00:19:01,280 --> 00:19:01,520
Speaker 2: Yes.

414
00:19:01,760 --> 00:19:03,760
Speaker 3: It's the only time that I've ever pulled like a

415
00:19:03,800 --> 00:19:06,359
Speaker 3: poudy face in front of him to be like I

416
00:19:06,440 --> 00:19:09,680
Speaker 3: really want to do this. And then he was like okay, okay, we'll.

417
00:19:09,480 --> 00:19:11,120
Speaker 2: Do that again. Because it was cute as fuck.

418
00:19:12,680 --> 00:19:14,520
Speaker 3: I was like, I really want to do this, and

419
00:19:14,520 --> 00:19:14,959
Speaker 3: then I did.

420
00:19:15,600 --> 00:19:16,240
Speaker 2: I basically did.

421
00:19:16,440 --> 00:19:18,560
Speaker 4: It was really tough. Would you put yourself through?

422
00:19:18,720 --> 00:19:18,880
Speaker 2: Yes?

423
00:19:19,480 --> 00:19:22,119
Speaker 4: You were amazing regrets And I think the answer to

424
00:19:22,160 --> 00:19:24,080
Speaker 4: the question is the minute you got there, I was

425
00:19:24,160 --> 00:19:26,159
Speaker 4: just kind of like, oh my goodness. I hope that

426
00:19:26,280 --> 00:19:30,439
Speaker 4: he is having the same experience that I'm having because I, like,

427
00:19:30,480 --> 00:19:31,600
Speaker 4: I really want to be friends.

428
00:19:31,600 --> 00:19:32,159
Speaker 2: You know what I mean.

429
00:19:32,600 --> 00:19:34,760
Speaker 3: It was a star shower when I saw you when

430
00:19:34,800 --> 00:19:37,560
Speaker 3: we met for the first stars the stars exploded. It

431
00:19:37,600 --> 00:19:41,399
Speaker 3: was at Leavesden. We're doing rehearsals. Yes, and then I

432
00:19:41,440 --> 00:19:42,760
Speaker 3: remember like I was in my little room. I was

433
00:19:42,800 --> 00:19:46,719
Speaker 3: reading a book and then you came in and no,

434
00:19:46,840 --> 00:19:48,120
Speaker 3: it was so perfect.

435
00:19:48,640 --> 00:19:49,480
Speaker 4: I was too excited.

436
00:19:49,600 --> 00:19:50,240
Speaker 2: No, you weren't.

437
00:19:50,800 --> 00:19:52,760
Speaker 3: Cynthia came in and gave me brothers and she was

438
00:19:52,800 --> 00:19:55,359
Speaker 3: so fucking sweet. I'll never forget it. And then and

439
00:19:55,359 --> 00:19:57,760
Speaker 3: then you came in and then like it was like

440
00:19:57,800 --> 00:19:59,399
Speaker 3: I just like it was a meteor shower around you,

441
00:19:59,400 --> 00:20:00,920
Speaker 3: and I was like, this is so fun. I think

442
00:20:00,920 --> 00:20:03,840
Speaker 3: the moment that it was like friends, I think was

443
00:20:03,920 --> 00:20:07,840
Speaker 3: when we watched Mommy Dearest together and then VHS.

444
00:20:07,960 --> 00:20:09,760
Speaker 5: Yes, yes, Ari loves you.

445
00:20:09,800 --> 00:20:11,919
Speaker 3: Guys don't totally align on this. But Ari is a

446
00:20:11,960 --> 00:20:12,720
Speaker 3: huge horror freak.

447
00:20:13,000 --> 00:20:15,040
Speaker 2: Oh you're a horror freak, I am.

448
00:20:15,240 --> 00:20:16,879
Speaker 4: And the way.

449
00:20:16,720 --> 00:20:20,520
Speaker 2: You said that is a huge horror That sounds bad.

450
00:20:20,880 --> 00:20:25,320
Speaker 4: No great, I've heard a lot worse. But yeah, no

451
00:20:25,400 --> 00:20:30,480
Speaker 4: that's lovely. Thank your kindness, a mass of kindness. Thank you.

452
00:20:30,600 --> 00:20:34,800
Speaker 2: What's your horror pick? What's what's the best horror film?

453
00:20:34,960 --> 00:20:36,760
Speaker 4: I don't know. I really like what.

454
00:20:39,080 --> 00:20:41,280
Speaker 3: Give it? And you loved v AHS And I'm just

455
00:20:41,280 --> 00:20:43,520
Speaker 3: thinking because I watched Smile last night alone in my

456
00:20:43,560 --> 00:20:46,199
Speaker 3: apartment two or one Smile one because I want to smile.

457
00:20:46,280 --> 00:20:48,520
Speaker 4: To smile, I would go tonight, let's go as soon

458
00:20:48,560 --> 00:20:49,080
Speaker 4: as we can.

459
00:20:49,680 --> 00:20:50,520
Speaker 2: Wish and how would you?

460
00:20:50,560 --> 00:20:51,280
Speaker 4: How did you feel?

461
00:20:51,600 --> 00:20:52,480
Speaker 2: It was? Disturb it?

462
00:20:52,480 --> 00:20:53,879
Speaker 4: It's a good one, really good one.

463
00:20:53,920 --> 00:20:57,720
Speaker 3: I do Socie Bacon love so so she is a talent.

464
00:20:57,760 --> 00:21:00,440
Speaker 3: She's a talent. But god, that ending is crazy. Yeah,

465
00:21:00,440 --> 00:21:00,840
Speaker 3: it's a lot.

466
00:21:00,880 --> 00:21:01,920
Speaker 4: So I love that.

467
00:21:02,040 --> 00:21:02,560
Speaker 2: I love that.

468
00:21:02,640 --> 00:21:04,880
Speaker 5: I love heart Wait apparently well, because.

469
00:21:04,640 --> 00:21:07,240
Speaker 2: Apparently Smell too also ends in a way that you're.

470
00:21:07,119 --> 00:21:10,120
Speaker 5: Like, yeah, let's go, let's go. You don't like those I.

471
00:21:10,080 --> 00:21:16,480
Speaker 2: Get really anxious, upset, scared out, frustrated, and I got you,

472
00:21:16,480 --> 00:21:19,040
Speaker 2: you got me, You're protect me out there. You know

473
00:21:19,080 --> 00:21:22,119
Speaker 2: what I do do though? What haunted house? And we

474
00:21:22,280 --> 00:21:25,359
Speaker 2: just did the sickest talk about this. We were truly

475
00:21:25,400 --> 00:21:29,960
Speaker 2: in the woods in Pennsylvania. Were in Pennsylvania, Okay, yeah,

476
00:21:29,960 --> 00:21:32,240
Speaker 2: so Studie Bowen and I went just to like get

477
00:21:32,280 --> 00:21:38,480
Speaker 2: a little fall moment. It was like an unassuming haunted house,

478
00:21:38,520 --> 00:21:39,880
Speaker 2: like it's like, oh, this is like in the middle

479
00:21:39,880 --> 00:21:40,280
Speaker 2: of nowhere.

480
00:21:40,280 --> 00:21:42,080
Speaker 4: It's not going to be like those are the ones,

481
00:21:42,240 --> 00:21:44,320
Speaker 4: Those are the ones, are the ones, Those are the ones.

482
00:21:44,400 --> 00:21:46,480
Speaker 2: Because there wasn't that many people there, which meant the

483
00:21:46,520 --> 00:21:49,800
Speaker 2: groups when you're traveling through were small. It's not like

484
00:21:49,960 --> 00:21:51,879
Speaker 2: Halloween Harry Knights where it's like you've just signed.

485
00:21:53,359 --> 00:21:54,840
Speaker 4: You just signed like waivers and stuff.

486
00:21:54,880 --> 00:21:57,800
Speaker 5: So we did what I'm saying, That's.

487
00:21:57,640 --> 00:21:58,040
Speaker 4: What I'm saying.

488
00:21:58,080 --> 00:21:59,680
Speaker 5: When there's no waivers, all bets are off.

489
00:21:59,760 --> 00:22:04,959
Speaker 2: But usually usually though if they touch you, you're supposed

490
00:22:05,000 --> 00:22:08,679
Speaker 2: to have signed a waiver. We were getting really harangued

491
00:22:08,720 --> 00:22:10,399
Speaker 2: by these people and I loved every secondment.

492
00:22:10,440 --> 00:22:12,680
Speaker 4: But that's what I'm saying. There's no waiver in place,

493
00:22:12,760 --> 00:22:14,719
Speaker 4: so they really cane Wi.

494
00:22:15,440 --> 00:22:18,159
Speaker 2: Yeah, yeah, yeah, we were in the wild Poconos. That

495
00:22:18,320 --> 00:22:20,760
Speaker 2: the craziest what the house you can think of? I

496
00:22:20,800 --> 00:22:23,439
Speaker 2: want to go now. It was what fortnutes long? How

497
00:22:23,720 --> 00:22:23,919
Speaker 2: was it?

498
00:22:24,280 --> 00:22:29,040
Speaker 3: I swear to God, no breaks, no breaks, relentless horror.

499
00:22:30,920 --> 00:22:31,520
Speaker 4: Did that take up?

500
00:22:31,640 --> 00:22:34,680
Speaker 5: It was a big was it like a two mile yeah?

501
00:22:35,520 --> 00:22:39,080
Speaker 3: Big big footprint, like a compound. Basically it was we

502
00:22:39,119 --> 00:22:41,480
Speaker 3: stayed at this resort and and like the guys like

503
00:22:41,480 --> 00:22:43,800
Speaker 3: as they bring in, they're like, okay, guys, so it's

504
00:22:43,800 --> 00:22:47,240
Speaker 3: a bunch of actors, but like they're just doing their jobs.

505
00:22:47,280 --> 00:22:49,320
Speaker 2: So those people work in the kitchen at the resort.

506
00:22:49,359 --> 00:22:50,800
Speaker 3: They said, like, these people were in the kitchen, so

507
00:22:50,840 --> 00:22:52,280
Speaker 3: it's like los so we we were like, okay, so

508
00:22:52,320 --> 00:22:53,880
Speaker 3: it's loose steaks, not at all.

509
00:22:54,440 --> 00:22:55,960
Speaker 2: It was insane.

510
00:22:56,000 --> 00:22:56,840
Speaker 4: Well they're letting it out.

511
00:22:56,880 --> 00:22:58,520
Speaker 2: They're letting it out, they're letting it out. Oh, the

512
00:22:58,560 --> 00:23:02,000
Speaker 2: screams were not safe. Let's just say they came from here.

513
00:23:02,400 --> 00:23:05,320
Speaker 2: Like it was like a woman flying out of a corner,

514
00:23:05,400 --> 00:23:08,800
Speaker 2: Like like what it was you, I'll do it. It

515
00:23:08,920 --> 00:23:15,000
Speaker 2: was like this. It was like, get out.

516
00:23:15,520 --> 00:23:16,359
Speaker 4: I love screaming.

517
00:23:18,160 --> 00:23:20,399
Speaker 2: The only way you can respond to that is with

518
00:23:20,480 --> 00:23:23,560
Speaker 2: a scream at that level yourself. So we were just like, a.

519
00:23:24,520 --> 00:23:27,600
Speaker 4: Right, I love when you scream.

520
00:23:28,080 --> 00:23:30,960
Speaker 3: How do you feel as the professional, celebrated vocalist.

521
00:23:31,480 --> 00:23:35,679
Speaker 2: What is your sure you? Is this?

522
00:23:35,760 --> 00:23:36,119
Speaker 1: That is?

523
00:23:36,200 --> 00:23:36,679
Speaker 4: I needed that?

524
00:23:37,280 --> 00:23:39,760
Speaker 3: What is your opinion on screaming? Because some people it's

525
00:23:39,760 --> 00:23:40,119
Speaker 3: a device?

526
00:23:40,240 --> 00:23:45,080
Speaker 2: How do you scream like that? Like that? Wait for

527
00:23:45,119 --> 00:23:47,520
Speaker 2: that to have happened in the second way, By the way,

528
00:23:47,560 --> 00:23:52,200
Speaker 2: we saw how she screamed, and it's like this. Oh

529
00:23:52,440 --> 00:23:57,679
Speaker 2: it was giving the soft palette. Yes, she cleans up

530
00:23:57,680 --> 00:24:12,280
Speaker 2: her own eyes. Look, everybody, Oh, I loved getting my god.

531
00:24:15,520 --> 00:24:17,480
Speaker 2: What is your opinion on screaming?

532
00:24:19,320 --> 00:24:19,800
Speaker 1: Do you know?

533
00:24:19,920 --> 00:24:24,440
Speaker 2: Listen, you're a Halloween horror Nights and something. She kind

534
00:24:24,440 --> 00:24:25,119
Speaker 2: of did it social.

535
00:24:25,720 --> 00:24:27,960
Speaker 5: No, that's not my, that's not my that's not that

536
00:24:28,240 --> 00:24:28,920
Speaker 5: I think it's.

537
00:24:28,760 --> 00:24:31,280
Speaker 2: Like you don't have to do it. I'm sorry.

538
00:24:31,480 --> 00:24:33,879
Speaker 4: I'd like to. I'd like to, I'd like to, please,

539
00:24:33,960 --> 00:24:35,040
Speaker 4: thank you. No, I'd like to.

540
00:24:36,200 --> 00:24:36,320
Speaker 2: No.

541
00:24:36,400 --> 00:24:36,800
Speaker 4: I don't know.

542
00:24:36,840 --> 00:24:38,439
Speaker 5: I think it depends on the context.

543
00:24:38,920 --> 00:24:44,119
Speaker 4: But screaming is weird because sometimes I guess I subconsciously

544
00:24:44,200 --> 00:24:47,840
Speaker 4: scream in a healthy way because sometimes after I scream,

545
00:24:47,960 --> 00:24:50,400
Speaker 4: like there were several scenes in Wicked where there's lots

546
00:24:50,400 --> 00:24:53,520
Speaker 4: of screaming, and I was like, oh my, I love screaming.

547
00:24:54,119 --> 00:24:58,479
Speaker 5: But afterwards I felt like warmed up or something.

548
00:24:58,720 --> 00:25:02,840
Speaker 4: So maybe I subconsciously scream healthily, but I actually don't

549
00:25:03,320 --> 00:25:07,240
Speaker 4: know that I intentionally. Yeah, I mean like there are

550
00:25:07,280 --> 00:25:09,080
Speaker 4: ways to do it, but I don't think it's something

551
00:25:09,119 --> 00:25:10,840
Speaker 4: I choose when in fear totally?

552
00:25:10,920 --> 00:25:14,560
Speaker 3: Does this inspire or motivate you to do a horror movie?

553
00:25:14,600 --> 00:25:19,879
Speaker 4: Like? Well, you know, it depends on the context, depends

554
00:25:19,920 --> 00:25:23,879
Speaker 4: on the script. I'm not like a gore for the

555
00:25:23,920 --> 00:25:27,040
Speaker 4: sake of gore personally. And I also like, I don't know,

556
00:25:27,080 --> 00:25:28,560
Speaker 4: I want I would want to do a great job.

557
00:25:28,600 --> 00:25:30,680
Speaker 4: I want to do an incredible job. So it really

558
00:25:30,680 --> 00:25:34,119
Speaker 4: depends if I could lend myself to the character in

559
00:25:34,119 --> 00:25:36,440
Speaker 4: a way that I felt would be really purposeful and great.

560
00:25:36,560 --> 00:25:38,920
Speaker 5: Yeah then sure, but you know, I'm a project.

561
00:25:38,960 --> 00:25:43,440
Speaker 4: But I like horror that is thoughtful, Yeah, thoughtful, not

562
00:25:43,680 --> 00:25:45,159
Speaker 4: just blood.

563
00:25:44,880 --> 00:25:47,959
Speaker 3: For fun totally? What would you categorize BHL blood for fun?

564
00:25:48,040 --> 00:25:54,280
Speaker 2: Blood for fun? Would you categorize VHS as? I don't

565
00:25:54,320 --> 00:25:56,000
Speaker 2: have to talk about it really, right?

566
00:25:56,040 --> 00:25:57,200
Speaker 5: How did I make you watch that?

567
00:25:57,480 --> 00:25:58,800
Speaker 3: Because you were being a good friend and I was

568
00:25:58,840 --> 00:25:59,640
Speaker 3: going through a hard time.

569
00:25:59,680 --> 00:26:01,400
Speaker 4: But that's it's like not the thing to watch when

570
00:26:01,400 --> 00:26:04,800
Speaker 4: you're going through hot time. It's so anxious to it

571
00:26:04,840 --> 00:26:07,800
Speaker 4: was cathartic. Did you feel better afterwards? You sure weren't

572
00:26:07,800 --> 00:26:10,360
Speaker 4: thinking about whatever you came there thinking period.

573
00:26:10,560 --> 00:26:13,919
Speaker 3: And also we did really scary. We didn't enjoy that.

574
00:26:13,960 --> 00:26:15,520
Speaker 3: We did not that we didn't enjoy the whole thing,

575
00:26:15,520 --> 00:26:16,919
Speaker 3: but we did not stick with it because that's at

576
00:26:16,960 --> 00:26:18,719
Speaker 3: a certain point I've.

577
00:26:18,160 --> 00:26:24,880
Speaker 4: Never seen the whole thing. Yeah, I just VHS because

578
00:26:24,880 --> 00:26:29,320
Speaker 4: it's vignettes, and I love the first vignette because this

579
00:26:29,480 --> 00:26:32,840
Speaker 4: like fierce goblin woman like rips seven dicks off and

580
00:26:32,920 --> 00:26:34,120
Speaker 4: flies you're goin.

581
00:26:34,840 --> 00:26:36,160
Speaker 5: She's just like it's.

582
00:26:36,040 --> 00:26:40,000
Speaker 4: Really cool splits and she's gorgeous and cool and like kills.

583
00:26:40,520 --> 00:26:41,640
Speaker 2: Are you going to see the substance?

584
00:26:42,200 --> 00:26:43,920
Speaker 4: I am going to see this. I'm dying to see it.

585
00:26:44,000 --> 00:26:46,880
Speaker 2: Yeah, I heard it incredible. Everyone I'm talking to that's

586
00:26:46,880 --> 00:26:48,959
Speaker 2: seeing is like, I can't stop thinking about it.

587
00:26:49,000 --> 00:26:50,840
Speaker 5: I need to see it. Yeah, I'm really excited.

588
00:26:50,920 --> 00:26:53,320
Speaker 3: Se October thirty first on movie, but that's.

589
00:26:53,119 --> 00:26:54,200
Speaker 5: Not my favorite horror film.

590
00:26:54,240 --> 00:26:57,160
Speaker 4: I feel like, yeah, that's going to like lead people

591
00:26:57,160 --> 00:26:59,639
Speaker 4: to think I really I don't know. Would you like

592
00:26:59,640 --> 00:27:02,560
Speaker 4: to have a favorite Would I like to address this problem?

593
00:27:02,800 --> 00:27:04,600
Speaker 4: What's your favorite heartor film?

594
00:27:05,000 --> 00:27:06,840
Speaker 3: I'm not a huge I don't know it too well.

595
00:27:06,880 --> 00:27:09,359
Speaker 3: I'm not very literate, but I think I'm going to say,

596
00:27:10,400 --> 00:27:13,280
Speaker 3: oh God, recently I really.

597
00:27:13,040 --> 00:27:15,640
Speaker 2: Did love Are you gonna say what?

598
00:27:16,400 --> 00:27:16,600
Speaker 4: No?

599
00:27:16,600 --> 00:27:19,640
Speaker 3: No, not the Hills have Eyes, No girl, no way.

600
00:27:19,680 --> 00:27:21,919
Speaker 2: Not that the one that was it was like the

601
00:27:21,960 --> 00:27:24,280
Speaker 2: demon came out of her head, the one that was

602
00:27:24,280 --> 00:27:29,120
Speaker 2: on HBO mad. You know what I'm saying, magnant. Didn't

603
00:27:29,160 --> 00:27:32,879
Speaker 2: you love Malignant? I didn't seem like malignant? What was

604
00:27:32,920 --> 00:27:33,280
Speaker 2: the other one?

605
00:27:33,359 --> 00:27:36,840
Speaker 4: It's such a joyfully chaotic it's crazy.

606
00:27:37,080 --> 00:27:40,680
Speaker 2: See I appreciate complete insanity back when I was watching them,

607
00:27:40,720 --> 00:27:43,560
Speaker 2: like if it would get completely absurd, Like I loved

608
00:27:43,680 --> 00:27:45,240
Speaker 2: saw the first song.

609
00:27:45,119 --> 00:27:46,320
Speaker 4: Right because it's so brilliant.

610
00:27:46,400 --> 00:27:49,480
Speaker 2: It's brilliant, brilliant, the way it comes together in the montage.

611
00:27:49,520 --> 00:27:51,080
Speaker 2: I was like, oh my god, I didn't know I

612
00:27:51,119 --> 00:27:52,080
Speaker 2: was watching art.

613
00:27:52,840 --> 00:27:56,000
Speaker 4: I can endure that much gore. If it's that smart,

614
00:27:56,680 --> 00:27:59,000
Speaker 4: If it's that smart, I love it so much.

615
00:27:59,119 --> 00:28:01,840
Speaker 3: Yeah, just to switch gears, I really have to apologize

616
00:28:01,880 --> 00:28:05,600
Speaker 3: to you in person for what I opened my mouth

617
00:28:05,760 --> 00:28:06,280
Speaker 3: up too much.

618
00:28:06,280 --> 00:28:07,240
Speaker 2: When we kissed on.

619
00:28:08,600 --> 00:28:12,560
Speaker 4: You absolutely did. I was shaking no, no, no, no, no,

620
00:28:12,600 --> 00:28:14,639
Speaker 4: not in a bad way, not a bad way, in

621
00:28:14,880 --> 00:28:17,560
Speaker 4: just like a disarming way, because you know what, like

622
00:28:17,880 --> 00:28:20,560
Speaker 4: the recursis was so good. Oh my gosh, thank you.

623
00:28:20,760 --> 00:28:21,680
Speaker 4: I mean it comes from a.

624
00:28:21,640 --> 00:28:23,200
Speaker 2: Real place, you know it does.

625
00:28:23,320 --> 00:28:25,960
Speaker 3: But I kissed you too too much, you know what.

626
00:28:26,400 --> 00:28:28,600
Speaker 5: That's okay, And I know we were really dropped in.

627
00:28:29,119 --> 00:28:32,919
Speaker 4: We were dropped in, dropped in and it felt like

628
00:28:33,040 --> 00:28:35,960
Speaker 4: what these people needed at that time. It felt like

629
00:28:36,000 --> 00:28:37,480
Speaker 4: what these characters.

630
00:28:37,080 --> 00:28:38,720
Speaker 2: It was motivated required.

631
00:28:38,920 --> 00:28:41,400
Speaker 5: Yeah a little, I'm all for it.

632
00:28:43,120 --> 00:28:46,720
Speaker 3: I just should we talk about like how we arrived

633
00:28:46,720 --> 00:28:48,760
Speaker 3: at because there was not a kiss originally.

634
00:28:48,520 --> 00:28:50,920
Speaker 4: Right, No, there wasn't a kid, which was well that

635
00:28:51,080 --> 00:28:51,720
Speaker 4: here's the thing.

636
00:28:51,880 --> 00:28:53,360
Speaker 2: Go where you go?

637
00:28:52,920 --> 00:28:53,320
Speaker 1: You go?

638
00:28:53,560 --> 00:28:56,640
Speaker 4: No, I mean I when we rehearsed it a little,

639
00:28:56,960 --> 00:28:59,040
Speaker 4: I don't know. Yeah, in my head, I was like,

640
00:28:59,360 --> 00:29:01,120
Speaker 4: I didn't say thing because I like, oh, everyone's to

641
00:29:01,160 --> 00:29:05,200
Speaker 4: think I'm absolutely insane and too comfortable. But I was like, oh,

642
00:29:05,240 --> 00:29:08,160
Speaker 4: funny if we kissed at the end, and then Bowen

643
00:29:08,280 --> 00:29:11,280
Speaker 4: texts me a few hours later, I was like, it's

644
00:29:11,360 --> 00:29:15,200
Speaker 4: totally fine. This is way too crazy. But we were

645
00:29:15,240 --> 00:29:19,200
Speaker 4: talking and thought it would be so funny if we

646
00:29:19,480 --> 00:29:22,440
Speaker 4: kissed at the end, and I was like, wow, what

647
00:29:22,480 --> 00:29:23,320
Speaker 4: if we kiss.

648
00:29:24,880 --> 00:29:27,080
Speaker 5: Yeah, I was like wow, I was thinking that. I'm

649
00:29:27,080 --> 00:29:27,600
Speaker 5: so sorry.

650
00:29:27,680 --> 00:29:30,440
Speaker 2: We're immediately on board. Yes, So do you rehearse it?

651
00:29:30,520 --> 00:29:32,680
Speaker 2: Do you do it in dress? Or like? What's because

652
00:29:32,800 --> 00:29:35,520
Speaker 2: I always feel like with rehearsing a kissing, Oh it's

653
00:29:35,680 --> 00:29:37,000
Speaker 2: I've only had to do it a few times, but

654
00:29:37,000 --> 00:29:39,640
Speaker 2: it's like the rehearsal of it is like are we

655
00:29:39,720 --> 00:29:43,520
Speaker 2: doing it? Like what is it?

656
00:29:43,880 --> 00:29:46,920
Speaker 4: It's like, shit, are we reading for real? This time?

657
00:29:47,560 --> 00:29:48,680
Speaker 4: We kissing this time?

658
00:29:48,800 --> 00:29:48,920
Speaker 2: Right?

659
00:29:48,960 --> 00:29:49,000
Speaker 1: Not?

660
00:29:49,160 --> 00:29:49,920
Speaker 2: So what was it?

661
00:29:50,320 --> 00:29:52,040
Speaker 4: We kissed in the dress rehearsal.

662
00:29:52,440 --> 00:29:55,000
Speaker 2: We kissed in the rehearsal, but in me and I will.

663
00:29:54,800 --> 00:29:56,920
Speaker 4: Admit we had a very grown up conversation about it,

664
00:29:56,960 --> 00:29:57,760
Speaker 4: said we're doing it or not?

665
00:29:58,240 --> 00:30:00,440
Speaker 3: We did have a grown up conversation just like that,

666
00:30:00,520 --> 00:30:01,080
Speaker 3: a little.

667
00:30:03,200 --> 00:30:04,680
Speaker 4: Talking about how she comes out.

668
00:30:06,440 --> 00:30:06,640
Speaker 2: Or not.

669
00:30:07,280 --> 00:30:07,480
Speaker 1: Well.

670
00:30:07,680 --> 00:30:10,440
Speaker 3: I also, I think in the grand scheme of things,

671
00:30:10,440 --> 00:30:13,640
Speaker 3: I was maybe a little over eager because to run

672
00:30:13,680 --> 00:30:17,480
Speaker 3: through on Saturday. So so on Saturdays in the afternoons,

673
00:30:18,160 --> 00:30:24,400
Speaker 3: I go, I go. I was like, so should we

674
00:30:24,440 --> 00:30:26,280
Speaker 3: do it? I did say do you want to do

675
00:30:26,360 --> 00:30:28,800
Speaker 3: it for run through? I said, I phrased it in

676
00:30:28,840 --> 00:30:31,840
Speaker 3: like a leading way of like should we and you

677
00:30:31,880 --> 00:30:32,320
Speaker 3: were like.

678
00:30:35,600 --> 00:30:36,400
Speaker 2: Shall we kiss?

679
00:30:38,840 --> 00:30:42,040
Speaker 4: I feel like, well, because there was we talked about

680
00:30:42,160 --> 00:30:44,920
Speaker 4: maybe waiting till the real thing, just just to like

681
00:30:45,360 --> 00:30:47,560
Speaker 4: sween it and see how it was. And I was like,

682
00:30:47,680 --> 00:30:50,360
Speaker 4: let it be on the live you know, but then

683
00:30:50,400 --> 00:30:52,640
Speaker 4: we were like, no, let's let's be adult. Lets rehearse

684
00:30:52,680 --> 00:30:55,239
Speaker 4: it just so we know how it feels, not have

685
00:30:55,320 --> 00:30:57,080
Speaker 4: that surprise on live television.

686
00:30:57,120 --> 00:30:59,640
Speaker 2: And so your take on it and just talk to

687
00:30:59,680 --> 00:31:03,080
Speaker 2: me as so his mouth was a little too open.

688
00:31:03,200 --> 00:31:04,959
Speaker 4: No, no, no, that's it came from him, not for me.

689
00:31:05,120 --> 00:31:07,800
Speaker 2: But you you acknowledge you said you absolutely did open.

690
00:31:07,880 --> 00:31:08,840
Speaker 4: It was absolutely to open.

691
00:31:10,680 --> 00:31:12,720
Speaker 2: It was a little open chemistry.

692
00:31:12,800 --> 00:31:15,240
Speaker 4: But for the characters, I think it was perfectly open.

693
00:31:15,360 --> 00:31:18,440
Speaker 2: I would agree. I was watching it and I'm thinking I.

694
00:31:18,440 --> 00:31:19,840
Speaker 5: Did start shaking giggling.

695
00:31:19,960 --> 00:31:22,160
Speaker 2: Yeah, yeah, well you got it absolutely. I broke.

696
00:31:22,280 --> 00:31:25,840
Speaker 4: I was like, this is yeah.

697
00:31:25,880 --> 00:31:31,360
Speaker 2: I always seemed incredibly purposeful and motivated, and it felt incredible.

698
00:31:31,120 --> 00:31:33,680
Speaker 4: As long as that's how it felt for the audience, Yes,

699
00:31:33,920 --> 00:31:34,680
Speaker 4: it's all good. Here.

700
00:31:34,800 --> 00:31:38,280
Speaker 2: Have you ever told beef here.

701
00:31:38,320 --> 00:31:39,080
Speaker 4: It's official.

702
00:31:39,280 --> 00:31:40,480
Speaker 2: I'm happy we put into bad.

703
00:31:40,640 --> 00:31:41,640
Speaker 4: Thank you me too.

704
00:31:50,280 --> 00:31:53,760
Speaker 3: Can we quickly brief about how a sen was for you?

705
00:31:53,800 --> 00:31:56,240
Speaker 3: Because that was that was a top tier, a plus,

706
00:31:56,280 --> 00:31:57,960
Speaker 3: all time perfect episode.

707
00:31:58,080 --> 00:31:58,680
Speaker 4: Thank you.

708
00:31:58,880 --> 00:31:59,920
Speaker 3: That's it really was.

709
00:32:00,160 --> 00:32:00,520
Speaker 4: Thank you.

710
00:32:00,600 --> 00:32:02,480
Speaker 5: I had the time of my life. I would have

711
00:32:02,520 --> 00:32:05,720
Speaker 5: done it right after we finished at one am. Again, like,

712
00:32:05,800 --> 00:32:07,840
Speaker 5: I really love being there.

713
00:32:08,320 --> 00:32:11,120
Speaker 4: I love every single person there, Like I just had

714
00:32:11,160 --> 00:32:13,320
Speaker 4: the loveliest best time with everyone.

715
00:32:13,640 --> 00:32:17,479
Speaker 5: And I love laughing, I love comedy, I love bits.

716
00:32:17,560 --> 00:32:19,800
Speaker 2: You're so good at it. Thanks and also you can

717
00:32:19,800 --> 00:32:21,880
Speaker 2: take it leads from a joy that you have to

718
00:32:21,960 --> 00:32:24,760
Speaker 2: do it and like a motivation to like work hard

719
00:32:24,760 --> 00:32:27,320
Speaker 2: and get it right. And I also can't believe you've

720
00:32:27,320 --> 00:32:30,120
Speaker 2: only hosted twice. You give the energy of someone that's

721
00:32:30,120 --> 00:32:33,960
Speaker 2: been there, and again it throws like how good JT

722
00:32:34,160 --> 00:32:36,400
Speaker 2: worth the show back in the day of like you know,

723
00:32:36,480 --> 00:32:38,640
Speaker 2: coming in, Like what do you think it is that

724
00:32:38,680 --> 00:32:43,640
Speaker 2: prepares you to do something like Saturday Night Live? So well, Oh.

725
00:32:43,480 --> 00:32:46,720
Speaker 4: My gosh, I don't know. I mean that's really nice.

726
00:32:46,800 --> 00:32:50,000
Speaker 4: I think I find like a comfortability and getting to

727
00:32:50,040 --> 00:32:50,600
Speaker 4: know everyone.

728
00:32:51,120 --> 00:32:52,400
Speaker 5: I love getting to know people.

729
00:32:52,440 --> 00:32:55,000
Speaker 4: When I come to a place, I want to like

730
00:32:55,400 --> 00:33:01,040
Speaker 4: befriend everyone and be open. And when you're meeting all

731
00:33:01,080 --> 00:33:05,640
Speaker 4: the writers and collaborating with everyone, everyone is super just

732
00:33:05,720 --> 00:33:08,200
Speaker 4: kind of open and talk about where you can go,

733
00:33:08,320 --> 00:33:11,320
Speaker 4: like trying things and whatever. It just is a really

734
00:33:12,400 --> 00:33:16,800
Speaker 4: safe and fun experience. I don't know, it's like constant,

735
00:33:16,840 --> 00:33:18,920
Speaker 4: but it's the best and it's so much fun. And

736
00:33:18,960 --> 00:33:21,400
Speaker 4: I think I just love comedy, So maybe that is

737
00:33:21,440 --> 00:33:24,680
Speaker 4: like why I was so excited to go, and I

738
00:33:24,720 --> 00:33:31,720
Speaker 4: felt very excited. I think when it comes to doing big,

739
00:33:31,760 --> 00:33:36,600
Speaker 4: exciting things, sometimes you know, it can become like a scary,

740
00:33:36,680 --> 00:33:40,120
Speaker 4: daunting thing. But if you hold on to excitement and

741
00:33:40,200 --> 00:33:42,760
Speaker 4: gratitude and let that like fuel the whole experience, it

742
00:33:42,760 --> 00:33:44,440
Speaker 4: can really change the tone of everything.

743
00:33:44,960 --> 00:33:46,600
Speaker 5: It's something I like learned.

744
00:33:47,840 --> 00:33:50,640
Speaker 4: In my late twenties. But no, I don't know, it's

745
00:33:50,680 --> 00:33:51,720
Speaker 4: just it felt really.

746
00:33:53,120 --> 00:33:55,040
Speaker 2: Oh yeah, rock confort.

747
00:33:55,280 --> 00:34:00,400
Speaker 4: Texting with Bowen constantly having having a literal best friend there,

748
00:34:00,840 --> 00:34:03,440
Speaker 4: and in the weeks leading up, I felt like I

749
00:34:03,480 --> 00:34:05,880
Speaker 4: was bothering you because I was it's my turn to

750
00:34:05,920 --> 00:34:11,080
Speaker 4: apologize now. I felt like I was. I felt like

751
00:34:11,160 --> 00:34:15,320
Speaker 4: I was blowing you up because I I couldn't stop

752
00:34:15,440 --> 00:34:19,920
Speaker 4: like texting insane like ideas for bits and like silly,

753
00:34:20,000 --> 00:34:23,200
Speaker 4: silly things, and I was just so excited to get there.

754
00:34:23,400 --> 00:34:23,600
Speaker 2: Yeah.

755
00:34:23,800 --> 00:34:28,680
Speaker 4: Maybe that's why I think when you're excited about people. Yeah, yeah,

756
00:34:28,760 --> 00:34:31,239
Speaker 4: it shows I don't know almost.

757
00:34:30,960 --> 00:34:32,920
Speaker 2: Like it's like it's like and with Wicked too, and

758
00:34:33,040 --> 00:34:36,960
Speaker 2: I was just gonna like pose it that maybe like

759
00:34:37,000 --> 00:34:39,520
Speaker 2: when you get the audition for Glinda, right, that has

760
00:34:39,560 --> 00:34:41,680
Speaker 2: to be a thing where you're like, holy fuck, Like

761
00:34:41,800 --> 00:34:44,360
Speaker 2: it's something I've thought about for a very long time. Yeah,

762
00:34:44,800 --> 00:34:47,840
Speaker 2: Like it's one of those roles that's going to be

763
00:34:48,120 --> 00:34:50,640
Speaker 2: someone's going to get it and it's going to feel like, yes,

764
00:34:50,719 --> 00:34:52,560
Speaker 2: incredible that person, but like a little part of you

765
00:34:52,680 --> 00:34:55,240
Speaker 2: is like, oh God. And so when you get that audition,

766
00:34:56,080 --> 00:34:59,960
Speaker 2: I wonder is it all just like joy and like

767
00:35:00,040 --> 00:35:02,680
Speaker 2: how do you approach the comedy of something that's so

768
00:35:03,120 --> 00:35:06,080
Speaker 2: iconically done and like you respect but you bring yourself

769
00:35:06,120 --> 00:35:07,320
Speaker 2: to it because you do do.

770
00:35:07,200 --> 00:35:09,600
Speaker 4: That, Yes, thank you. I think it's kind of like

771
00:35:10,400 --> 00:35:12,080
Speaker 4: it was one of the most important parts to me

772
00:35:12,200 --> 00:35:15,600
Speaker 4: was finding that balance between like honoring the iconic Glinda

773
00:35:15,640 --> 00:35:17,360
Speaker 4: that we have had on our on the soundtrack for

774
00:35:17,400 --> 00:35:21,480
Speaker 4: twenty one years and the role that was like written

775
00:35:21,600 --> 00:35:25,400
Speaker 4: really by Winnie Holtzman and Kristin Chennaw with like, you know,

776
00:35:25,520 --> 00:35:29,440
Speaker 4: honoring what made it so iconic, which is like the

777
00:35:29,480 --> 00:35:35,000
Speaker 4: original material and you know people, while also.

778
00:35:34,800 --> 00:35:36,759
Speaker 5: Kind of like bringing myself to it.

779
00:35:37,040 --> 00:35:41,319
Speaker 4: And it's interesting because knowing something and being a fan

780
00:35:41,360 --> 00:35:43,520
Speaker 4: of something for such a long time is very different

781
00:35:43,560 --> 00:35:46,719
Speaker 4: than having to become it and sort of take it on.

782
00:35:47,200 --> 00:35:49,719
Speaker 4: So I don't know, I mean a lot of just

783
00:35:49,800 --> 00:35:53,240
Speaker 4: like trying and playing and reading the script one hundred

784
00:35:53,280 --> 00:35:56,359
Speaker 4: times fully through even before the audition, like not the

785
00:35:56,360 --> 00:36:01,080
Speaker 4: movie one, the Broadway one, so that sort of you know,

786
00:36:02,000 --> 00:36:04,560
Speaker 4: choices of my own could come through, and finding new

787
00:36:04,600 --> 00:36:07,360
Speaker 4: truth to little beats and moments that play differently on

788
00:36:07,440 --> 00:36:11,520
Speaker 4: stage because this isn't the stage show. And finding that

789
00:36:11,560 --> 00:36:15,279
Speaker 4: balance was of course the most important thing because I

790
00:36:15,440 --> 00:36:17,520
Speaker 4: know as a fan of it how important it is

791
00:36:17,560 --> 00:36:20,560
Speaker 4: to walk that line. And that's really all you can

792
00:36:20,600 --> 00:36:25,680
Speaker 4: do is the homework and also trial and play. I

793
00:36:25,719 --> 00:36:28,520
Speaker 4: have my amazing acting coach, Nancy Banks. You know, we

794
00:36:28,960 --> 00:36:33,600
Speaker 4: did a lot of playing and grounding my vocal placement

795
00:36:33,680 --> 00:36:38,040
Speaker 4: and even finding like okay, like what inflection, how far

796
00:36:38,080 --> 00:36:40,560
Speaker 4: do we want to go with it? And older vocal

797
00:36:40,960 --> 00:36:45,080
Speaker 4: versus younger Glinda vocals and the tonal shift when she's

798
00:36:45,160 --> 00:36:47,680
Speaker 4: young versus when she's old, and.

799
00:36:49,440 --> 00:36:52,400
Speaker 2: You know, incredible playing in that regard to like, I

800
00:36:52,440 --> 00:36:54,719
Speaker 2: have to say one of my favorite things about the

801
00:36:54,719 --> 00:36:57,319
Speaker 2: movie just holistically, and I think it's so funny that

802
00:36:57,360 --> 00:37:00,600
Speaker 2: you guys didn't chemistry test because the chemistry is two

803
00:37:00,719 --> 00:37:03,880
Speaker 2: is just nuts. And one of my favorite things about

804
00:37:04,200 --> 00:37:07,480
Speaker 2: a vocal choice in that movie is that Cynthia is

805
00:37:07,520 --> 00:37:12,000
Speaker 2: like singing her whole part very clean until you get

806
00:37:12,200 --> 00:37:15,560
Speaker 2: that note and it has so much gut in it.

807
00:37:15,640 --> 00:37:18,680
Speaker 6: Well it is a war cry, yes, and that that

808
00:37:18,840 --> 00:37:22,280
Speaker 6: like ends it, and you know that everything has changed

809
00:37:22,400 --> 00:37:27,319
Speaker 6: in the way that note is sung and that intentionality.

810
00:37:26,520 --> 00:37:27,560
Speaker 4: Is just brilliant.

811
00:37:27,719 --> 00:37:28,840
Speaker 5: Yeah, it's so beautiful.

812
00:37:29,040 --> 00:37:29,520
Speaker 2: Yeah.

813
00:37:29,600 --> 00:37:31,760
Speaker 4: I was in the room. I got to be there.

814
00:37:32,080 --> 00:37:34,200
Speaker 2: When she actually like was doing it, Like you mean

815
00:37:34,320 --> 00:37:35,359
Speaker 2: the studio you had to hear.

816
00:37:35,280 --> 00:37:37,080
Speaker 4: Her singifying gravity. I mean I was there when we

817
00:37:37,160 --> 00:37:40,200
Speaker 4: cheated the rehearsal tracks. Yeah, but you know I was

818
00:37:40,239 --> 00:37:43,360
Speaker 4: also on set when she was flying above me singing.

819
00:37:44,800 --> 00:37:46,920
Speaker 3: You know, you had to wit and you had to

820
00:37:46,920 --> 00:37:49,279
Speaker 3: be there to witness it. And also just like this

821
00:37:49,320 --> 00:37:52,160
Speaker 3: is not a spoiler, but it does cut to Golinda

822
00:37:52,440 --> 00:37:56,359
Speaker 3: pretty frequently during that moment, and I think the way

823
00:37:56,560 --> 00:37:59,080
Speaker 3: because you have an impossible thing to do in that moment,

824
00:37:59,120 --> 00:38:04,120
Speaker 3: which is just to like internally project that outward as

825
00:38:04,160 --> 00:38:06,960
Speaker 3: everything in your world and your circumstances changing, Like even

826
00:38:07,000 --> 00:38:10,799
Speaker 3: hearing you just talk about the prep and the consideration

827
00:38:10,880 --> 00:38:15,120
Speaker 3: that went into this, like you have the most expansive

828
00:38:16,120 --> 00:38:19,880
Speaker 3: knowledge of this character, and like, thank God it's you

829
00:38:20,040 --> 00:38:22,640
Speaker 3: because you're like rising to every occasion with it, like

830
00:38:22,640 --> 00:38:25,879
Speaker 3: you rose to the audition obviously in such a storied way.

831
00:38:26,000 --> 00:38:28,280
Speaker 3: Like I love the lore behind it now that people

832
00:38:28,320 --> 00:38:33,759
Speaker 3: know about and I just know, Yeah, it's fucking amazing.

833
00:38:33,920 --> 00:38:37,520
Speaker 2: You know that the movie is like about you forget sometimes,

834
00:38:37,560 --> 00:38:39,440
Speaker 2: like especially seeing it now in the way that you

835
00:38:39,440 --> 00:38:41,479
Speaker 2: guys have like made it brand new, like you really

836
00:38:41,480 --> 00:38:44,840
Speaker 2: remember what it's about. And it's about like speaking truth

837
00:38:44,880 --> 00:38:46,960
Speaker 2: to power and how hard that is. Yeah, and what

838
00:38:47,000 --> 00:38:49,359
Speaker 2: your character is going through. What Glinda is going through

839
00:38:49,400 --> 00:38:51,880
Speaker 2: at the end of at least this movie, is she's

840
00:38:51,920 --> 00:38:56,600
Speaker 2: not able to be strong enough yet to really be

841
00:38:56,719 --> 00:39:00,280
Speaker 2: a face of like dissent and rebellion, Like she's seeing

842
00:39:00,320 --> 00:39:02,840
Speaker 2: a truth and she's it's like the journey that you

843
00:39:02,920 --> 00:39:05,440
Speaker 2: have to go through there of like I know what's right,

844
00:39:05,480 --> 00:39:06,479
Speaker 2: but I'm just not there.

845
00:39:06,920 --> 00:39:09,960
Speaker 4: It's also just like a different I mean yes, but

846
00:39:10,080 --> 00:39:12,680
Speaker 4: also there's a different version of that, which is that

847
00:39:12,800 --> 00:39:16,080
Speaker 4: she is strong enough to know that she will never

848
00:39:16,160 --> 00:39:19,560
Speaker 4: choose that because she can't she doesn't have the tools,

849
00:39:19,920 --> 00:39:24,120
Speaker 4: and she knows what is important to her.

850
00:39:24,480 --> 00:39:25,840
Speaker 5: Yes, And it's.

851
00:39:25,680 --> 00:39:28,279
Speaker 4: Like it's not that she's not ready to do that,

852
00:39:28,680 --> 00:39:30,320
Speaker 4: it's just that she's not a person who's going to

853
00:39:30,360 --> 00:39:38,319
Speaker 4: do that. And having the strength to know that the past,

854
00:39:38,320 --> 00:39:40,600
Speaker 4: Oh my god, annoying. I'm so sorry.

855
00:39:40,719 --> 00:39:43,040
Speaker 2: No, I'm so curious about what you're No, it's.

856
00:39:43,000 --> 00:39:45,960
Speaker 4: It's just like emotional because it's like, of course it's

857
00:39:46,000 --> 00:39:48,000
Speaker 4: acting and I'm not gonna you know whatever.

858
00:39:48,560 --> 00:39:50,759
Speaker 5: We hit our marks and we do our thing and we.

859
00:39:50,719 --> 00:39:52,319
Speaker 4: Sing our songs and we do what we're supposed to do.

860
00:39:52,719 --> 00:39:58,640
Speaker 4: But it really felt so real, and it feels how

861
00:39:58,719 --> 00:40:01,720
Speaker 4: it feels in real life when you really love someone,

862
00:40:01,880 --> 00:40:05,239
Speaker 4: but the paths that you need to take for your

863
00:40:05,280 --> 00:40:09,960
Speaker 4: own truth and life and who you are, it's like

864
00:40:10,000 --> 00:40:14,560
Speaker 4: you can't actually you can't actually continue growing together. You're

865
00:40:14,600 --> 00:40:17,759
Speaker 4: growing apart, and you can still love that person, So

866
00:40:18,000 --> 00:40:21,719
Speaker 4: much and acknowledge that that's going to be best for them,

867
00:40:21,760 --> 00:40:23,759
Speaker 4: but it's not going to be best for me. So

868
00:40:23,840 --> 00:40:26,479
Speaker 4: I do have to not self abandon in this moment,

869
00:40:26,520 --> 00:40:28,640
Speaker 4: and I have to stay where I am and I

870
00:40:28,680 --> 00:40:30,440
Speaker 4: want you to go there, but I can't do you.

871
00:40:31,000 --> 00:40:33,800
Speaker 4: So I think it's certainty. I think she's really sure

872
00:40:33,840 --> 00:40:37,240
Speaker 4: in that moment, and I think that that's strength.

873
00:40:37,600 --> 00:40:37,799
Speaker 2: Yeah.

874
00:40:38,480 --> 00:40:40,439
Speaker 4: God, I don't think that it's that she's not strong

875
00:40:40,520 --> 00:40:42,040
Speaker 4: enough to go. I think that she's strong enough to

876
00:40:42,120 --> 00:40:42,879
Speaker 4: not go right.

877
00:40:42,920 --> 00:40:46,239
Speaker 3: Because there were This is not to switch gears, but

878
00:40:46,280 --> 00:40:48,680
Speaker 3: like there were so many moments. There was one moment.

879
00:40:48,760 --> 00:40:51,080
Speaker 3: I think it was during that I've Been Through I've

880
00:40:51,120 --> 00:40:53,560
Speaker 3: been through. It was during the I've Been Through scene

881
00:40:53,760 --> 00:40:56,200
Speaker 3: where like we were just like ad libbing and like

882
00:40:56,280 --> 00:40:57,799
Speaker 3: I was, I forgot what I pitched you, but I

883
00:40:57,840 --> 00:40:59,680
Speaker 3: was like, okay, maybe like we do want to dance

884
00:40:59,680 --> 00:41:01,840
Speaker 3: from S cool and like I don't know, Like I

885
00:41:01,880 --> 00:41:03,759
Speaker 3: pitched you a line and then you you looked me

886
00:41:03,800 --> 00:41:06,000
Speaker 3: in the eyes and this is done with such love

887
00:41:06,000 --> 00:41:10,200
Speaker 3: and care in respect. I pitched you like a stupid

888
00:41:10,320 --> 00:41:13,480
Speaker 3: fucking line of like like we do like an accent

889
00:41:13,560 --> 00:41:15,439
Speaker 3: or something, and then you just look at you looking

890
00:41:15,520 --> 00:41:15,799
Speaker 3: dead in.

891
00:41:15,800 --> 00:41:18,200
Speaker 2: The NiFe, and you go, I'm not gonna do that?

892
00:41:19,520 --> 00:41:19,840
Speaker 4: Did I?

893
00:41:19,920 --> 00:41:21,720
Speaker 2: Really? It was so funny.

894
00:41:22,280 --> 00:41:25,080
Speaker 3: We were dying laughing because I was like, of course,

895
00:41:25,200 --> 00:41:26,760
Speaker 3: I was like, it was like, this is me playing

896
00:41:26,760 --> 00:41:27,360
Speaker 3: too much.

897
00:41:27,160 --> 00:41:27,800
Speaker 2: With my friend.

898
00:41:28,680 --> 00:41:31,279
Speaker 3: I was like, she's gonna do She's playing Glinda and

899
00:41:31,320 --> 00:41:32,200
Speaker 3: the Wicked movie.

900
00:41:32,280 --> 00:41:34,920
Speaker 2: I can't tell her. I can't tell her to do bits.

901
00:41:35,120 --> 00:41:39,080
Speaker 4: Well, yes you can, but literally we always tell always,

902
00:41:39,120 --> 00:41:39,879
Speaker 4: we always.

903
00:41:39,600 --> 00:41:40,200
Speaker 2: We always did that.

904
00:41:40,239 --> 00:41:41,879
Speaker 3: But at that point, it was like, you know, four

905
00:41:41,880 --> 00:41:47,400
Speaker 3: months in the Strawberry Bush, the strawberry Bush broke.

906
00:41:46,800 --> 00:41:48,640
Speaker 4: Me and John can't find it, but I've been I've

907
00:41:48,640 --> 00:41:49,840
Speaker 4: been anxious to see it forever.

908
00:41:50,200 --> 00:41:53,000
Speaker 3: So in the scene when it's Dyloman's classroom and he's

909
00:41:53,000 --> 00:41:56,600
Speaker 3: in Leman's getting the lecture about like the history and

910
00:41:56,640 --> 00:42:01,920
Speaker 3: like what happened and right, food, food grew scarce and

911
00:42:01,960 --> 00:42:04,359
Speaker 3: people were angry, and then what's the line, like what.

912
00:42:04,239 --> 00:42:07,440
Speaker 4: Do people people were looking for? And she's like something

913
00:42:07,480 --> 00:42:10,399
Speaker 4: to someone and then something to whatever.

914
00:42:10,480 --> 00:42:11,560
Speaker 5: But there's one about food.

915
00:42:11,640 --> 00:42:14,880
Speaker 3: There's one about yes, yeah, yeah, yes, the Great Famine

916
00:42:14,920 --> 00:42:19,400
Speaker 3: occurred and people and people wanted to people were were

917
00:42:19,440 --> 00:42:19,839
Speaker 3: very peven.

918
00:42:19,880 --> 00:42:20,840
Speaker 5: We're looking for something to.

919
00:42:21,080 --> 00:42:24,319
Speaker 3: People were looking. Angry people look for and then and

920
00:42:24,360 --> 00:42:26,360
Speaker 3: then Alphaba says someone to blame.

921
00:42:27,040 --> 00:42:30,400
Speaker 2: But then it was on our coverage on our character

922
00:42:30,680 --> 00:42:32,920
Speaker 2: reached out of me, Bronwin and you. We did an

923
00:42:32,960 --> 00:42:33,239
Speaker 2: a lib.

924
00:42:33,360 --> 00:42:35,800
Speaker 3: It was like and and because he mentioned the famine,

925
00:42:35,840 --> 00:42:37,880
Speaker 3: and then what do angry people do?

926
00:42:37,960 --> 00:42:40,840
Speaker 2: What do people try to find? I'm that I'm.

927
00:42:43,239 --> 00:42:49,200
Speaker 4: Literally he said, like a strawberry bush and smacked him, laughing.

928
00:42:49,440 --> 00:42:55,880
Speaker 4: I literally strawberry's my paper because it was hell. It

929
00:42:56,000 --> 00:42:57,600
Speaker 4: was so good. I wish I wish it.

930
00:42:57,640 --> 00:43:00,400
Speaker 2: Were somewhere, find it, find it, strawberry.

931
00:43:00,600 --> 00:43:04,840
Speaker 4: Strawberry bush was incredible. And also so was when NASA

932
00:43:04,920 --> 00:43:08,799
Speaker 4: flies up in the in the sky scream. I know

933
00:43:08,880 --> 00:43:13,680
Speaker 4: that's your scream, and that's your scream, and everything is

934
00:43:14,280 --> 00:43:17,120
Speaker 4: flying around and things are falling and the thing falls

935
00:43:17,120 --> 00:43:18,160
Speaker 4: on the ground.

936
00:43:23,080 --> 00:43:27,720
Speaker 2: I know how it was the best time.

937
00:43:28,480 --> 00:43:29,600
Speaker 5: It was the best thing ever.

938
00:43:29,760 --> 00:43:31,840
Speaker 2: Before we ask you the question that it's the central

939
00:43:31,880 --> 00:43:33,759
Speaker 2: question of this podcast, I also want to say one

940
00:43:33,800 --> 00:43:36,160
Speaker 2: other thing, which is that this scene of the year

941
00:43:36,320 --> 00:43:40,000
Speaker 2: for me is dancing through life when she comes into

942
00:43:40,080 --> 00:43:44,680
Speaker 2: the Osta sport. Yeah, and that that moment, Wow, can

943
00:43:44,719 --> 00:43:47,279
Speaker 2: you talk about shooting that, Yeah, like, what what was

944
00:43:47,320 --> 00:43:48,160
Speaker 2: that experience?

945
00:43:48,920 --> 00:43:51,000
Speaker 4: Well, I mean, I love, first of all, I love

946
00:43:51,040 --> 00:43:53,719
Speaker 4: the little shot of her peeking around the corner like

947
00:43:53,920 --> 00:43:56,360
Speaker 4: with her little hat and she's so excited and whatever.

948
00:43:56,760 --> 00:44:01,440
Speaker 4: But it's just it's hard to describe because how it

949
00:44:01,480 --> 00:44:06,239
Speaker 4: feels to watch picture that a solid twelve hours of

950
00:44:06,280 --> 00:44:14,239
Speaker 4: that that particular section. The main bulk of it was

951
00:44:14,280 --> 00:44:16,480
Speaker 4: like one and a half days, but it was like

952
00:44:16,960 --> 00:44:20,320
Speaker 4: one and a half days of utter pin drop silence,

953
00:44:20,400 --> 00:44:23,960
Speaker 4: and every single person in the room was absolutely just

954
00:44:24,080 --> 00:44:27,960
Speaker 4: right there with Cynthia and kind of holding a very

955
00:44:28,520 --> 00:44:33,360
Speaker 4: warm space, you know, for how much she was giving

956
00:44:33,920 --> 00:44:39,680
Speaker 4: the whole time. And it's such an isolating and painful scene,

957
00:44:40,080 --> 00:44:44,239
Speaker 4: you know, and even if you're acting, you know, it's

958
00:44:44,280 --> 00:44:48,879
Speaker 4: just like it's such a heartbreaking feeling. And I had

959
00:44:48,920 --> 00:44:54,560
Speaker 4: such flutters and butterflies that whole day, and it's just

960
00:44:54,600 --> 00:44:58,720
Speaker 4: like holding space for her and then having this guilt

961
00:44:58,920 --> 00:45:03,040
Speaker 4: and this realization that I'm responsible for this, and just

962
00:45:03,080 --> 00:45:05,480
Speaker 4: sort of like looking at a friend and trying to

963
00:45:05,520 --> 00:45:07,800
Speaker 4: course correct it just so much. It was a really

964
00:45:08,440 --> 00:45:11,719
Speaker 4: intense day and I feel the same feelings when I

965
00:45:11,760 --> 00:45:13,800
Speaker 4: watch it back that I did in the room on

966
00:45:13,880 --> 00:45:19,160
Speaker 4: the day, Like, yeah, it was. It was a really

967
00:45:20,120 --> 00:45:22,719
Speaker 4: intense day and she's so beautiful in it. And I

968
00:45:22,760 --> 00:45:25,520
Speaker 4: just remember at the end of like the twelve hour

969
00:45:26,280 --> 00:45:29,200
Speaker 4: me and Mark and John all just like took her

970
00:45:29,239 --> 00:45:35,440
Speaker 4: aside and we were like and yeah, it was just

971
00:45:35,480 --> 00:45:38,839
Speaker 4: a very very very powerful, emotional day and she did

972
00:45:38,920 --> 00:45:41,960
Speaker 4: such beautiful work and everyone just held the safest of

973
00:45:42,000 --> 00:45:46,000
Speaker 4: spaces for her. And yeah, I like feel it when

974
00:45:46,040 --> 00:45:50,200
Speaker 4: I watch it back, certain scenes, like when they start happening,

975
00:45:50,239 --> 00:45:52,920
Speaker 4: my body has like a physical reaction, like when she

976
00:45:52,960 --> 00:45:56,680
Speaker 4: peaks around that corner, I like get anxious for what

977
00:45:56,760 --> 00:45:58,759
Speaker 4: I know is going to happen because I know how

978
00:45:58,800 --> 00:46:01,040
Speaker 4: it felt on the day, and I think that's a

979
00:46:01,080 --> 00:46:03,799
Speaker 4: sign of what beautiful work was done, because I feel

980
00:46:03,840 --> 00:46:05,840
Speaker 4: like when you watch it back, you feel how it

981
00:46:05,920 --> 00:46:06,359
Speaker 4: felt in.

982
00:46:06,320 --> 00:46:09,120
Speaker 3: The room, and it's a wonderful reminder that you were

983
00:46:09,120 --> 00:46:14,080
Speaker 3: so dropped in and present in that in that span

984
00:46:14,160 --> 00:46:16,640
Speaker 3: of time, which was a very long time. And I say,

985
00:46:16,640 --> 00:46:18,200
Speaker 3: I say four days because it was like with all

986
00:46:18,200 --> 00:46:19,239
Speaker 3: yours stuff.

987
00:46:19,000 --> 00:46:20,520
Speaker 5: Oh yes, yes, with the dancing and stuff.

988
00:46:21,080 --> 00:46:23,799
Speaker 4: I'm talking about this parting about.

989
00:46:23,520 --> 00:46:28,240
Speaker 2: The loneliness of that Cynthia is going through up I'm gonna,

990
00:46:28,440 --> 00:46:33,440
Speaker 2: you know, have this dancing moment and everyone's watching it

991
00:46:33,640 --> 00:46:36,319
Speaker 2: being like, what's happening, and it's your realization that like,

992
00:46:36,400 --> 00:46:39,120
Speaker 2: this is a human being who I've heard and now

993
00:46:39,120 --> 00:46:42,080
Speaker 2: I'm going to show up for her. And the really

994
00:46:42,160 --> 00:46:46,640
Speaker 2: wordless connection that you guys foster in that moment is

995
00:46:46,920 --> 00:46:51,000
Speaker 2: so beautiful and everyone's gonna love the movie so much, obviously,

996
00:46:51,320 --> 00:46:51,640
Speaker 2: so so.

997
00:46:51,880 --> 00:46:55,800
Speaker 4: So unfathomably spectacular, so great.

998
00:46:56,160 --> 00:46:57,000
Speaker 5: The choreography.

999
00:46:57,080 --> 00:47:00,600
Speaker 4: I actually, even though we rehearsed it like once or

1000
00:47:00,640 --> 00:47:05,600
Speaker 4: twice before that day, said I never learned it. Like

1001
00:47:05,640 --> 00:47:08,600
Speaker 4: I didn't want to remember it because I just literally

1002
00:47:08,600 --> 00:47:11,279
Speaker 4: wanted to be like following her hands and like letting

1003
00:47:11,360 --> 00:47:14,359
Speaker 4: her lead the way, because I felt like the more

1004
00:47:14,400 --> 00:47:19,440
Speaker 4: awkward it looks on Glinda, like the more beautiful it

1005
00:47:19,480 --> 00:47:22,600
Speaker 4: can be. You know, we're both just like little like

1006
00:47:22,719 --> 00:47:26,239
Speaker 4: wild deer greeting each other and trying to figure out

1007
00:47:26,239 --> 00:47:31,320
Speaker 4: how to speak the same language. And it's so beautifully awkward,

1008
00:47:32,160 --> 00:47:35,760
Speaker 4: and I love it very much. It's very I loved

1009
00:47:35,840 --> 00:47:36,880
Speaker 4: her very much.

1010
00:47:37,120 --> 00:47:39,280
Speaker 5: And yeah, it's a ride.

1011
00:47:39,440 --> 00:47:42,040
Speaker 4: This movie. Going from that into popular is such a ride,

1012
00:47:42,280 --> 00:47:44,440
Speaker 4: and then back again and then back again, and you.

1013
00:47:44,400 --> 00:47:46,480
Speaker 5: Know it's just like it's it's a wild ride.

1014
00:47:46,760 --> 00:47:49,680
Speaker 3: The popular is everything.

1015
00:47:49,840 --> 00:47:50,680
Speaker 5: I want to thank.

1016
00:47:52,239 --> 00:47:54,239
Speaker 4: Thank you. Wait, can I just share one more of

1017
00:47:54,239 --> 00:47:57,279
Speaker 4: my favorite memories from the Osdas Ballroom. Yes, other than

1018
00:47:57,320 --> 00:47:59,319
Speaker 4: the fun stuff that we did, the dancing and everything

1019
00:47:59,360 --> 00:48:01,279
Speaker 4: in the osdesk, we had so much fun in the

1020
00:48:01,920 --> 00:48:03,160
Speaker 4: It really was like a week there, really was.

1021
00:48:03,400 --> 00:48:04,560
Speaker 5: It was a week, yeah, I was.

1022
00:48:04,680 --> 00:48:09,520
Speaker 4: Yeah, but they gave us these like universal iPhones for

1023
00:48:09,680 --> 00:48:11,919
Speaker 4: behind the scenes stuff. It was actually only one and

1024
00:48:12,120 --> 00:48:14,080
Speaker 4: I think you and you and Bronwyn had.

1025
00:48:13,920 --> 00:48:16,319
Speaker 3: It for that whole week.

1026
00:48:16,400 --> 00:48:19,839
Speaker 4: Yeah, yeah, yeah, And I just remember the vibe that

1027
00:48:19,960 --> 00:48:28,279
Speaker 4: day and and you both being like not no time,

1028
00:48:29,480 --> 00:48:32,480
Speaker 4: like you know, like this is intense and everyone's like like, Okay,

1029
00:48:32,480 --> 00:48:37,239
Speaker 4: we're at the dance is happening, Like no, we're not.

1030
00:48:38,320 --> 00:48:40,200
Speaker 4: It's not the day actually.

1031
00:48:39,840 --> 00:48:43,719
Speaker 2: For that, And I'm so excited. Biggest today is that.

1032
00:48:47,120 --> 00:48:50,480
Speaker 3: We're about to group bully Cynthia Rivo For three days straight.

1033
00:48:50,680 --> 00:48:52,160
Speaker 3: I was like, are you kidding me?

1034
00:48:52,239 --> 00:48:53,600
Speaker 4: They were like, are you guys getting fun stuff?

1035
00:48:53,640 --> 00:48:56,960
Speaker 5: And it was like no, no, no, not today. In fact,

1036
00:48:57,040 --> 00:48:57,560
Speaker 5: not today.

1037
00:48:57,560 --> 00:49:00,960
Speaker 3: It was like universal social media people doing their job.

1038
00:49:01,920 --> 00:49:06,719
Speaker 2: Give it being so commed. Not because it also is

1039
00:49:06,719 --> 00:49:08,720
Speaker 2: a little bit of your characters, like because your character

1040
00:49:08,760 --> 00:49:10,560
Speaker 2: doesn't get it. And by the way your your you

1041
00:49:10,560 --> 00:49:15,680
Speaker 2: play a really good natural bully. You really say your coverage.

1042
00:49:15,440 --> 00:49:17,479
Speaker 4: In the ass. I remember I got to sit behind

1043
00:49:17,480 --> 00:49:23,120
Speaker 4: the monitor and watch you and bron Win experience that,

1044
00:49:24,560 --> 00:49:26,560
Speaker 4: and it was just so beautiful.

1045
00:49:27,120 --> 00:49:30,560
Speaker 5: You too are so brilliantly hilarious.

1046
00:49:30,600 --> 00:49:36,080
Speaker 4: But also just everything was so palpable, the shift, the

1047
00:49:36,480 --> 00:49:38,000
Speaker 4: it was so funny and so beautiful.

1048
00:49:38,000 --> 00:49:40,120
Speaker 5: And I love to have I have an iPhone video

1049
00:49:40,160 --> 00:49:40,879
Speaker 5: that whole take if.

1050
00:49:40,800 --> 00:49:41,160
Speaker 1: You like it.

1051
00:49:41,239 --> 00:49:43,480
Speaker 2: Oh my god, because you had the it was the

1052
00:49:43,520 --> 00:49:44,640
Speaker 2: univers my personal one.

1053
00:49:44,680 --> 00:49:46,800
Speaker 4: I filmed everything that happened from the whole tears.

1054
00:49:48,000 --> 00:49:51,279
Speaker 2: That was against the rules, but I'm very honest. You

1055
00:49:51,280 --> 00:49:53,800
Speaker 2: would say, he sent me some videos from the set. Yeah,

1056
00:49:54,480 --> 00:49:56,520
Speaker 2: what can I say? Yeah, well, it's over going to

1057
00:49:56,520 --> 00:49:58,319
Speaker 2: do edit you out. Oh I hope not.

1058
00:49:58,480 --> 00:50:01,280
Speaker 3: I perished the thought, but I not to place myself

1059
00:50:01,280 --> 00:50:03,160
Speaker 3: in that moment, in that scene, that very intense scene,

1060
00:50:03,160 --> 00:50:05,680
Speaker 3: but like I kind of feel a degree of that

1061
00:50:05,719 --> 00:50:07,959
Speaker 3: same thing where I watched it back and I was like, god,

1062
00:50:08,040 --> 00:50:10,640
Speaker 3: I feel like absolute hit because even in doing it,

1063
00:50:10,640 --> 00:50:14,279
Speaker 3: because acting is acting whenever, but even in like bullying

1064
00:50:14,320 --> 00:50:16,600
Speaker 3: Cynthia throughout this movie, Like, there were so many times

1065
00:50:16,600 --> 00:50:17,520
Speaker 3: where I went up to her and I was like,

1066
00:50:17,560 --> 00:50:20,520
Speaker 3: I'm so sorry. This feels so rotted in my soul

1067
00:50:20,640 --> 00:50:22,680
Speaker 3: to treat you this way. I think it's just a

1068
00:50:22,680 --> 00:50:26,120
Speaker 3: testament to like the way she's being so completely raw

1069
00:50:26,160 --> 00:50:29,759
Speaker 3: and beautiful and vulnerable in every frame of this. And God,

1070
00:50:29,920 --> 00:50:33,000
Speaker 3: you're both. You couldn't ask for two better people to

1071
00:50:33,080 --> 00:50:33,319
Speaker 3: do this.

1072
00:50:33,920 --> 00:50:35,080
Speaker 4: That's beautiful and good.

1073
00:50:35,160 --> 00:50:36,120
Speaker 2: Let's asking the question.

1074
00:50:46,120 --> 00:50:49,759
Speaker 5: Okay, I'm sorry, what is the Why are you apologizing.

1075
00:50:49,160 --> 00:50:50,200
Speaker 4: Because I did?

1076
00:50:50,400 --> 00:50:52,840
Speaker 5: I'm taking us miles back. No, I still have so

1077
00:50:52,920 --> 00:50:54,040
Speaker 5: much more to say about everything.

1078
00:50:54,080 --> 00:50:55,719
Speaker 2: We'll talk about it. We got to talk about What's

1079
00:50:55,719 --> 00:50:57,719
Speaker 2: the one question, the one question that we have to

1080
00:50:57,760 --> 00:51:00,440
Speaker 2: ask you is what was the culture that made you

1081
00:51:00,520 --> 00:51:03,920
Speaker 2: say culture was for you? If you can look back

1082
00:51:04,000 --> 00:51:08,879
Speaker 2: in your life and you think Ari Grande became Ari

1083
00:51:09,000 --> 00:51:12,799
Speaker 2: Grande as a result of this, influenced this thing in

1084
00:51:12,840 --> 00:51:17,120
Speaker 2: pop culture, this moment, whatever it is, can you speak

1085
00:51:17,239 --> 00:51:17,640
Speaker 2: on that?

1086
00:51:18,400 --> 00:51:22,160
Speaker 4: Yeah, I mean I think musical theater.

1087
00:51:22,640 --> 00:51:24,440
Speaker 5: Yeah, like I think Sherry Renice.

1088
00:51:24,480 --> 00:51:28,400
Speaker 4: God, Wow, my answer, I love that answer.

1089
00:51:30,120 --> 00:51:30,400
Speaker 2: I did.

1090
00:51:30,560 --> 00:51:32,080
Speaker 5: I mean I loved the soundtrack.

1091
00:51:32,120 --> 00:51:33,239
Speaker 4: I was really little. I don't think.

1092
00:51:33,239 --> 00:51:35,560
Speaker 2: I actually I saw it with Tony Braxton, but oh

1093
00:51:35,560 --> 00:51:36,120
Speaker 2: my god.

1094
00:51:36,080 --> 00:51:39,680
Speaker 4: Were no, but I saw I saw her dirty rotten scoundrel,

1095
00:51:40,320 --> 00:51:44,759
Speaker 4: and I remember being like, that's life changes. Yes, to

1096
00:51:44,840 --> 00:51:47,600
Speaker 4: see she's the best in the world.

1097
00:51:47,800 --> 00:51:50,279
Speaker 2: Yeah, you look at someone doing musical theater at a

1098
00:51:50,320 --> 00:51:51,839
Speaker 2: level like that and you're like, oh, well, I'm watching

1099
00:51:51,880 --> 00:51:53,200
Speaker 2: the most talented person on earth.

1100
00:51:53,320 --> 00:51:57,680
Speaker 4: Yes, I mean her and Kristen and Sutton Foster and

1101
00:51:57,800 --> 00:52:03,720
Speaker 4: just these like ladies who I grew up just listening

1102
00:52:03,760 --> 00:52:06,600
Speaker 4: on repeat and just like my musical theater goddesses.

1103
00:52:06,840 --> 00:52:10,920
Speaker 2: Yeah, yeah, I don't know. Does it feel like yeah? Absolutely?

1104
00:52:10,960 --> 00:52:13,160
Speaker 2: And I guess my question for you is like, you know,

1105
00:52:13,200 --> 00:52:16,359
Speaker 2: I'm watching Wicked and I had that feeling of like, well,

1106
00:52:16,400 --> 00:52:18,920
Speaker 2: she needs to act more. But then also at the

1107
00:52:18,960 --> 00:52:24,160
Speaker 2: same time, it's like you are probably the most like

1108
00:52:25,120 --> 00:52:30,160
Speaker 2: just important, gifted, like relevant pop artists. No, but let

1109
00:52:30,200 --> 00:52:32,359
Speaker 2: me say it because I believe it. And then I'm

1110
00:52:32,440 --> 00:52:36,360
Speaker 2: then you're like, does Broadway fit into that, Like is

1111
00:52:36,360 --> 00:52:39,200
Speaker 2: it something that would make sense for you? And is

1112
00:52:39,239 --> 00:52:41,560
Speaker 2: it in your heart to actually go to the stage

1113
00:52:41,600 --> 00:52:42,040
Speaker 2: and do that?

1114
00:52:42,120 --> 00:52:44,799
Speaker 5: It's it is my heart, you know.

1115
00:52:45,000 --> 00:52:48,720
Speaker 4: It is like I'm going to say something so scary

1116
00:52:48,760 --> 00:52:50,520
Speaker 4: it's going to scare the absolute shit out of my

1117
00:52:50,600 --> 00:52:53,719
Speaker 4: fans and everyone, but I love them and they'll deal,

1118
00:52:53,760 --> 00:52:55,879
Speaker 4: and we'll be here forever. I'm always going to make music.

1119
00:52:55,920 --> 00:52:57,880
Speaker 4: I'm always going to go on stage. I'm always going

1120
00:52:57,960 --> 00:53:01,840
Speaker 4: to do pop stuff. I Pinky Pram. But I don't

1121
00:53:01,960 --> 00:53:04,279
Speaker 4: think doing it at the rate that I've been doing

1122
00:53:04,320 --> 00:53:06,520
Speaker 4: it for the past ten years is where I see

1123
00:53:06,560 --> 00:53:09,560
Speaker 4: the next ten years. I think I love acting, I

1124
00:53:09,640 --> 00:53:13,000
Speaker 4: love musical theater. I think reconnecting with this part of

1125
00:53:13,040 --> 00:53:16,280
Speaker 4: myself who started in musical theater and who loves comedy,

1126
00:53:16,360 --> 00:53:20,360
Speaker 4: and it heals me to do that, finding roles to

1127
00:53:21,239 --> 00:53:24,319
Speaker 4: use these parts of myself, you know, and put them

1128
00:53:24,360 --> 00:53:27,640
Speaker 4: in little homes and characters and bits and bass and

1129
00:53:27,760 --> 00:53:30,920
Speaker 4: songs like it really does in a different way than

1130
00:53:31,000 --> 00:53:35,239
Speaker 4: songwriting and writing about my own pain, because it's just

1131
00:53:35,360 --> 00:53:37,600
Speaker 4: kind of like constantly reliving that one thing that you

1132
00:53:37,640 --> 00:53:41,040
Speaker 4: wrote the song about, or that is, you know, and

1133
00:53:41,080 --> 00:53:45,400
Speaker 4: finding a character and putting the pieces there, finding it

1134
00:53:45,480 --> 00:53:47,919
Speaker 4: a homes for them there, and then them coming back

1135
00:53:47,920 --> 00:53:50,360
Speaker 4: and feeding you and teaching you new things through performing

1136
00:53:50,400 --> 00:53:54,200
Speaker 4: the act of being Glinda. Whatever you know, and taking

1137
00:53:54,239 --> 00:53:57,080
Speaker 4: pieces from her back. It really feeds you. And I

1138
00:53:57,080 --> 00:54:00,000
Speaker 4: think that I would love to and whatever makes sense

1139
00:54:00,200 --> 00:54:02,360
Speaker 4: or whatever roles that we see fit or where I

1140
00:54:02,400 --> 00:54:04,719
Speaker 4: could really do a good job or honor the material,

1141
00:54:05,160 --> 00:54:07,960
Speaker 4: I would really love to because I think I think

1142
00:54:08,000 --> 00:54:10,840
Speaker 4: it's a lot better for me.

1143
00:54:11,120 --> 00:54:14,919
Speaker 2: Yeah, I hear you, but I want you to know,

1144
00:54:15,040 --> 00:54:17,759
Speaker 2: like when and I've been listening to I listened to

1145
00:54:17,800 --> 00:54:20,759
Speaker 2: you all the time, but like so many of my

1146
00:54:20,800 --> 00:54:24,759
Speaker 2: favorite songs of yours, I can tell are unbearable for

1147
00:54:24,840 --> 00:54:27,920
Speaker 2: you to put out there, Like I listened to I

1148
00:54:27,920 --> 00:54:30,920
Speaker 2: won't even say the song title. I mean, I imagine,

1149
00:54:30,960 --> 00:54:34,479
Speaker 2: I mean like I hated you, Like I had such

1150
00:54:34,520 --> 00:54:38,359
Speaker 2: an experience, and I have my own theories about like

1151
00:54:38,520 --> 00:54:41,440
Speaker 2: what we can't be friends is. But I think the

1152
00:54:41,600 --> 00:54:45,360
Speaker 2: video like is something that spoke to I know, me

1153
00:54:45,800 --> 00:54:48,319
Speaker 2: personally and so many people in such a visceral way.

1154
00:54:48,400 --> 00:54:50,960
Speaker 2: And there's that moment in the video, which by the way,

1155
00:54:51,840 --> 00:54:55,839
Speaker 2: is the video video and everyone knows it. So there's

1156
00:54:55,880 --> 00:54:59,200
Speaker 2: that moment where you hesitate in the process of having

1157
00:54:59,239 --> 00:55:02,879
Speaker 2: your memories removed, and you're it's like I don't want

1158
00:55:02,880 --> 00:55:05,919
Speaker 2: to let go. I'm actually uneasy, Like maybe my pain

1159
00:55:06,000 --> 00:55:08,120
Speaker 2: is really important. And if I lose that, like where

1160
00:55:08,160 --> 00:55:10,959
Speaker 2: am I going next? Like it's scary. And I think

1161
00:55:10,960 --> 00:55:13,960
Speaker 2: that that's such a specific thing to get across, but

1162
00:55:14,040 --> 00:55:17,480
Speaker 2: like has to be painful to literally fixate on the

1163
00:55:17,560 --> 00:55:21,839
Speaker 2: idea of eternal sunshine, because the idea is that we

1164
00:55:21,920 --> 00:55:24,160
Speaker 2: want to we feel this way, we want to create

1165
00:55:24,200 --> 00:55:26,960
Speaker 2: something called eternal sunshine because we're fixating on wanting to

1166
00:55:27,000 --> 00:55:30,160
Speaker 2: remove those emotions, right and yet here we are literally

1167
00:55:30,200 --> 00:55:33,640
Speaker 2: performing them. And I think that you're so sensitive and

1168
00:55:33,760 --> 00:55:36,440
Speaker 2: such a you know what, you could say, cancer vibes

1169
00:55:36,600 --> 00:55:39,960
Speaker 2: or whatever, but like you're so in tune to your

1170
00:55:39,960 --> 00:55:42,719
Speaker 2: work and you're so giving of yourself that it has

1171
00:55:42,760 --> 00:55:45,200
Speaker 2: to feel fucking exhausting. And so if you have other

1172
00:55:45,400 --> 00:55:48,640
Speaker 2: talents and other like interests, like I get that I

1173
00:55:48,760 --> 00:55:49,520
Speaker 2: love you back.

1174
00:55:49,920 --> 00:55:54,120
Speaker 4: That was such a thoughtful parade of like thoughtfulness, I

1175
00:55:54,120 --> 00:55:55,239
Speaker 4: love you thinks I don't.

1176
00:55:55,320 --> 00:55:56,600
Speaker 2: Yeah, yeah, I hear.

1177
00:55:56,520 --> 00:55:58,920
Speaker 3: You that he's got the thoughtful thoughtfulness.

1178
00:55:59,160 --> 00:56:00,720
Speaker 2: Well, I mean, I don't.

1179
00:56:00,560 --> 00:56:06,520
Speaker 4: Know, but talking but no, I guess what I'm saying

1180
00:56:06,600 --> 00:56:09,200
Speaker 4: is like the thing is, I'm not even asking you

1181
00:56:09,239 --> 00:56:09,680
Speaker 4: a question.

1182
00:56:09,800 --> 00:56:12,799
Speaker 2: I guess I'm just acknowledging and seeing and I want

1183
00:56:12,840 --> 00:56:17,239
Speaker 2: you to know that as your fan, like we just

1184
00:56:17,239 --> 00:56:20,720
Speaker 2: want you to feed yourself and like do what makes

1185
00:56:20,800 --> 00:56:24,799
Speaker 2: you feel good and evolve, and you are evolving like

1186
00:56:24,800 --> 00:56:28,000
Speaker 2: like in this movie. Like I'm telling you, like Noma

1187
00:56:28,080 --> 00:56:30,759
Speaker 2: are gonna cry, Like I just feel like it's so

1188
00:56:30,840 --> 00:56:33,160
Speaker 2: amazing to see someone do something that were born to do,

1189
00:56:33,719 --> 00:56:37,360
Speaker 2: like and I don't know, I've always felt like, especially

1190
00:56:37,440 --> 00:56:39,920
Speaker 2: because you've been such a good sister to my sister,

1191
00:56:40,520 --> 00:56:44,000
Speaker 2: I just like I want you to be happy and

1192
00:56:46,239 --> 00:56:49,640
Speaker 2: I'm sorry, man, oh my god. Okay, I feel like

1193
00:56:50,239 --> 00:56:52,520
Speaker 2: I feel you know, you're just but this is like

1194
00:56:52,520 --> 00:56:55,800
Speaker 2: what you do. You're such an available, open, emotional person

1195
00:56:55,840 --> 00:56:57,520
Speaker 2: and I deeply.

1196
00:56:57,440 --> 00:57:07,400
Speaker 4: We're for taking the risk. I think my chair is

1197
00:57:07,440 --> 00:57:08,880
Speaker 4: like cemented to the ground.

1198
00:57:08,960 --> 00:57:13,359
Speaker 2: No, no, okay. That remind me of when I did

1199
00:57:13,480 --> 00:57:17,600
Speaker 2: Celebrity Will of Fortune with Paula Abduel. She's so small

1200
00:57:17,720 --> 00:57:19,880
Speaker 2: that she she would do the wheel and that we

1201
00:57:20,080 --> 00:57:24,280
Speaker 2: would take. She's in the middle and like I'm here,

1202
00:57:24,360 --> 00:57:26,320
Speaker 2: like this is Faula. She goes all right, here we

1203
00:57:26,360 --> 00:57:32,560
Speaker 2: go away and like her leg went up.

1204
00:57:33,600 --> 00:57:35,240
Speaker 4: Can I just thank you for saying that, just because

1205
00:57:35,280 --> 00:57:37,960
Speaker 4: it was so incredibly kind and I really appreciate it,

1206
00:57:37,960 --> 00:57:40,800
Speaker 4: and I am going to carry it with me. Art

1207
00:57:41,040 --> 00:57:44,320
Speaker 4: also is what feeds me, So in whatever capacity it is,

1208
00:57:44,720 --> 00:57:49,120
Speaker 4: I'll always be doing and creating six different things at once.

1209
00:57:49,120 --> 00:57:49,800
Speaker 2: You know what I mean.

1210
00:57:49,920 --> 00:57:52,560
Speaker 4: It's just I don't see that going anywhere. I just

1211
00:57:52,560 --> 00:57:56,240
Speaker 4: see it kind of like shifting and becoming a little different.

1212
00:57:56,480 --> 00:57:59,160
Speaker 2: My chapters, you know what I mean. Like there's I'm

1213
00:57:59,160 --> 00:58:02,960
Speaker 2: thankful to you for Positions because that was my album

1214
00:58:03,000 --> 00:58:05,000
Speaker 2: for the Pandemic and I'll look you in the eyes

1215
00:58:05,000 --> 00:58:07,720
Speaker 2: and oh my god, I'm telling you, there's not a

1216
00:58:07,800 --> 00:58:22,160
Speaker 2: better piece. But like, yeah, I did it.

1217
00:58:22,160 --> 00:58:25,240
Speaker 4: It was beautiful, the characters needed it, but yeah, thank you.

1218
00:58:26,080 --> 00:58:29,000
Speaker 4: That's such a funny thing the life cycle that album

1219
00:58:29,080 --> 00:58:32,840
Speaker 4: is taken, because when it came out, it was kind

1220
00:58:32,880 --> 00:58:33,400
Speaker 4: of like.

1221
00:58:35,480 --> 00:58:38,520
Speaker 2: It didn't go so well in a soft way. Whereas

1222
00:58:38,520 --> 00:58:41,120
Speaker 2: that think you there had been such moments or do

1223
00:58:41,160 --> 00:58:42,120
Speaker 2: you no, no.

1224
00:58:41,920 --> 00:58:43,320
Speaker 5: No, no, not even like that.

1225
00:58:43,400 --> 00:58:45,000
Speaker 4: I just mean as far as like what my fans

1226
00:58:45,000 --> 00:58:48,080
Speaker 4: were saying, and like I feel like in the beginning

1227
00:58:48,120 --> 00:58:50,360
Speaker 4: of the Positions of it all, like it kind of

1228
00:58:50,480 --> 00:58:54,200
Speaker 4: was I got a little I'm not going to like

1229
00:58:54,400 --> 00:58:57,720
Speaker 4: use this word and bully, but you know, you know, Yeah,

1230
00:58:57,960 --> 00:59:01,320
Speaker 4: I just got like a little bit of this is

1231
00:59:01,360 --> 00:59:04,200
Speaker 4: not what we want vibes, I think, and I remember

1232
00:59:04,200 --> 00:59:05,080
Speaker 4: that really.

1233
00:59:05,080 --> 00:59:06,320
Speaker 5: I'm such a sensitive artist.

1234
00:59:06,360 --> 00:59:08,200
Speaker 4: Whatever, Yeah, this is the point you put ours there

1235
00:59:08,400 --> 00:59:10,400
Speaker 4: so that people can tear it apart and do whatever

1236
00:59:10,400 --> 00:59:12,960
Speaker 4: they want with it or celebrated whatever. I understand. I'm

1237
00:59:13,080 --> 00:59:16,960
Speaker 4: very grateful in an acceptance to be here. When I

1238
00:59:17,080 --> 00:59:19,040
Speaker 4: preface this, I need to preface it with that because

1239
00:59:19,080 --> 00:59:21,800
Speaker 4: I know it comes with being an artist, but I

1240
00:59:21,840 --> 00:59:23,880
Speaker 4: also am a cancer and very sensive. So I just

1241
00:59:23,920 --> 00:59:26,760
Speaker 4: remember that really like put me in a cage of

1242
00:59:26,840 --> 00:59:28,560
Speaker 4: like judging every single piece.

1243
00:59:28,600 --> 00:59:31,840
Speaker 5: I like scrapped so many things that I was like gonna.

1244
00:59:31,600 --> 00:59:34,920
Speaker 4: Put out for it, and now people are just they

1245
00:59:35,000 --> 00:59:37,040
Speaker 4: love it like it's the best thing I'll ever make,

1246
00:59:37,120 --> 00:59:38,400
Speaker 4: And I'm like, what is that?

1247
00:59:38,840 --> 00:59:42,080
Speaker 2: How is that fair? Sometimes, especially when they really get

1248
00:59:42,080 --> 00:59:43,720
Speaker 2: worked up in their heads that we're going to get

1249
00:59:43,720 --> 00:59:45,840
Speaker 2: a certain thing and then it's a little different.

1250
00:59:46,440 --> 00:59:48,480
Speaker 4: But I love them for it, and it's okay. It

1251
00:59:48,480 --> 00:59:51,200
Speaker 4: it's fine, and it's not mine anymore. And that's the

1252
00:59:51,240 --> 00:59:53,320
Speaker 4: thing that I also have to say, because I am

1253
00:59:53,360 --> 00:59:56,120
Speaker 4: aware it's like a part of it, and I'm grateful

1254
00:59:56,400 --> 00:59:59,400
Speaker 4: for the voices and for the passion I am, I

1255
00:59:59,480 --> 01:00:01,040
Speaker 4: really am you release it and.

1256
01:00:00,960 --> 01:00:04,240
Speaker 3: Then of course, and so this is what makes you

1257
01:00:04,880 --> 01:00:09,040
Speaker 3: a true realized artist is that you you You are

1258
01:00:09,320 --> 01:00:13,800
Speaker 3: incredibly emotionally intelligent. You're I think EQ You're You're the

1259
01:00:13,880 --> 01:00:20,200
Speaker 3: highest Einstein. I think that like every artist, not every artist,

1260
01:00:20,200 --> 01:00:22,880
Speaker 3: but like it kind of is this fun little jewel

1261
01:00:22,960 --> 01:00:25,800
Speaker 3: now and everyone on every artists like Crown where it's like,

1262
01:00:25,880 --> 01:00:28,360
Speaker 3: oh you you you put out a body of work

1263
01:00:28,440 --> 01:00:33,480
Speaker 3: that ends up being at the time mischaracterized or misinterpreted,

1264
01:00:33,520 --> 01:00:36,920
Speaker 3: and then over time it develops the patina and people

1265
01:00:36,920 --> 01:00:39,439
Speaker 3: were like, oh my god, this is this was always great.

1266
01:00:39,520 --> 01:00:40,920
Speaker 5: It's strange to watch happen.

1267
01:00:41,280 --> 01:00:42,520
Speaker 4: It's kind of interesting.

1268
01:00:42,760 --> 01:00:44,640
Speaker 3: But I feel like with what you're saying about being

1269
01:00:44,640 --> 01:00:47,040
Speaker 3: an artist, Like, I mean, we've had conversations about this,

1270
01:00:47,080 --> 01:00:48,800
Speaker 3: especially when a Turtle Sunshine came out. We're like, god,

1271
01:00:48,840 --> 01:00:52,640
Speaker 3: this is a really everything is so considered. And I

1272
01:00:52,760 --> 01:00:57,760
Speaker 3: was even watching you do your makeup video for The

1273
01:00:57,800 --> 01:01:00,000
Speaker 3: Boy's Mind and I'm like, and I want it to

1274
01:01:00,160 --> 01:01:03,880
Speaker 3: is the stupidest question, but I have to ask you, okay,

1275
01:01:07,080 --> 01:01:13,360
Speaker 3: because because you're so good at makeup, do you have

1276
01:01:13,400 --> 01:01:16,720
Speaker 3: an interest or have you explored drawing?

1277
01:01:17,640 --> 01:01:18,439
Speaker 2: Do you know what I mean?

1278
01:01:18,840 --> 01:01:21,360
Speaker 3: Like you're so dexterous with your like like you you're

1279
01:01:21,400 --> 01:01:27,160
Speaker 3: able to know No, look at me, like.

1280
01:01:29,520 --> 01:01:32,800
Speaker 5: Dray draw painting me today.

1281
01:01:33,120 --> 01:01:36,880
Speaker 4: He brings out a diesel and some oil paints. I

1282
01:01:36,920 --> 01:01:40,240
Speaker 4: actually I paint. I paint with my dad sometimes, do

1283
01:01:40,280 --> 01:01:44,840
Speaker 4: you like little like paint and SIPs sometimes watercolors? And

1284
01:01:44,880 --> 01:01:48,040
Speaker 4: I painted for Cynthia. Actually I painted a cute little

1285
01:01:48,800 --> 01:01:51,160
Speaker 4: thing of munchkin Land and it's like the tulips with

1286
01:01:51,200 --> 01:01:52,760
Speaker 4: the yellow brick road up the middle, and then there's

1287
01:01:52,800 --> 01:01:55,760
Speaker 4: a little bubble in the sky and there's a green

1288
01:01:55,960 --> 01:02:00,000
Speaker 4: like cloudy behind it and a little tiny little elf

1289
01:02:00,200 --> 01:02:03,080
Speaker 4: and the monkeys behind. So I painted that for her.

1290
01:02:03,160 --> 01:02:05,800
Speaker 4: But I don't have that much time to color a

1291
01:02:05,840 --> 01:02:08,000
Speaker 4: paint side. I don't, but I love to and I'm

1292
01:02:08,080 --> 01:02:11,240
Speaker 4: very creative. My dad is like an artist in every way,

1293
01:02:11,360 --> 01:02:15,840
Speaker 4: graphic designer, photographer, a painter. Yes, and he's super creative

1294
01:02:15,840 --> 01:02:18,680
Speaker 4: in that way. And I thought, that's so nice talk

1295
01:02:18,680 --> 01:02:20,440
Speaker 4: to me about painting coloring.

1296
01:02:20,480 --> 01:02:24,200
Speaker 3: Right, that makes sense to me, Like you're with the

1297
01:02:24,320 --> 01:02:27,280
Speaker 3: hands amazing love a coloring book.

1298
01:02:27,920 --> 01:02:30,160
Speaker 2: I love a coloring book, especially like when it's a

1299
01:02:30,200 --> 01:02:34,000
Speaker 2: funny concept.

1300
01:02:32,400 --> 01:02:34,760
Speaker 5: The one of oz for Cynthia.

1301
01:02:35,280 --> 01:02:39,360
Speaker 2: Yes, And the thing is the way I said that.

1302
01:02:39,400 --> 01:02:41,840
Speaker 2: And the thing is is that when you get like

1303
01:02:41,840 --> 01:02:44,560
Speaker 2: a wicked coloring book, like you kind of think like, oh,

1304
01:02:44,600 --> 01:02:47,240
Speaker 2: I know what everything should be, and so then you

1305
01:02:47,280 --> 01:02:50,600
Speaker 2: just do it your own way. Suddenly Alphaba is not green,

1306
01:02:50,760 --> 01:02:52,840
Speaker 2: she's purple for once.

1307
01:02:53,680 --> 01:02:58,760
Speaker 4: But my mom recently was like, oh is that a

1308
01:02:58,800 --> 01:03:00,800
Speaker 4: coloring book? Is that she came over and I was

1309
01:03:00,840 --> 01:03:05,880
Speaker 4: like yeah, and she she self proclaims.

1310
01:03:05,400 --> 01:03:07,960
Speaker 5: Yeah, I haven't seen one of those.

1311
01:03:07,600 --> 01:03:11,600
Speaker 4: Wild but no, she she says she's not like creative

1312
01:03:11,600 --> 01:03:12,960
Speaker 4: and that she doesn't like things like that, but she

1313
01:03:13,520 --> 01:03:16,400
Speaker 4: loves it. And I was like, mommy, you don't need

1314
01:03:16,440 --> 01:03:20,240
Speaker 4: to be you know, creative. She's a business brilliant person.

1315
01:03:20,280 --> 01:03:23,959
Speaker 4: But but she I gave her the colored pencils and

1316
01:03:24,320 --> 01:03:27,960
Speaker 4: the coloring book and she loved it. But also picture

1317
01:03:28,000 --> 01:03:30,640
Speaker 4: the character from SNL and she was coloring so hard.

1318
01:03:31,320 --> 01:03:36,160
Speaker 2: She was like, and I was like the reality, Oh yes,

1319
01:03:36,320 --> 01:03:39,439
Speaker 2: would we talk about the story of that?

1320
01:03:39,680 --> 01:03:41,800
Speaker 3: And this is why you should like you did not

1321
01:03:41,880 --> 01:03:43,560
Speaker 3: text me a bunch before in the leader like this

1322
01:03:43,600 --> 01:03:46,040
Speaker 3: is thank god you did, because like literally.

1323
01:03:45,760 --> 01:03:46,320
Speaker 2: We're helping, right.

1324
01:03:46,440 --> 01:03:49,520
Speaker 3: This happened two months before the show, before you came on.

1325
01:03:50,320 --> 01:03:52,200
Speaker 4: I was it was it was Labor Day weekend and

1326
01:03:52,240 --> 01:03:55,000
Speaker 4: Hale and my brother in law, Hale's family was visiting,

1327
01:03:55,080 --> 01:03:59,880
Speaker 4: and we had a lovely, fun game day and it

1328
01:04:00,320 --> 01:04:03,840
Speaker 4: was so fun and funny and sweet. And my mom is,

1329
01:04:04,120 --> 01:04:08,800
Speaker 4: by the way, the most generous, kindest, giving person in

1330
01:04:08,840 --> 01:04:12,560
Speaker 4: the entire world. Yes, she is like the hostest with

1331
01:04:12,720 --> 01:04:14,880
Speaker 4: the mostest you will walk in.

1332
01:04:15,000 --> 01:04:18,240
Speaker 5: And there are like a million fruit trays and.

1333
01:04:18,280 --> 01:04:22,040
Speaker 4: Vegan options for the vegan people being me and Hale only.

1334
01:04:23,280 --> 01:04:25,720
Speaker 4: But even that deserves you know. She wants to take

1335
01:04:25,760 --> 01:04:29,000
Speaker 4: everyone everywhere, and she's just the best. She's the kindest,

1336
01:04:29,000 --> 01:04:31,720
Speaker 4: most generous person in the entire world.

1337
01:04:32,560 --> 01:04:36,919
Speaker 2: But competitive, yeah.

1338
01:04:36,360 --> 01:04:38,480
Speaker 4: And fiercely protective of her children.

1339
01:04:38,760 --> 01:04:39,400
Speaker 2: I see.

1340
01:04:39,800 --> 01:04:45,040
Speaker 4: So even if we're playing you know, charades and whatever,

1341
01:04:45,360 --> 01:04:47,680
Speaker 4: you don't fuck around. So this is what happened. And

1342
01:04:47,720 --> 01:04:50,400
Speaker 4: I excused myself immediately to send a voice note to

1343
01:04:50,400 --> 01:04:51,959
Speaker 4: Bow and I said, okay.

1344
01:04:51,680 --> 01:04:55,560
Speaker 2: Well there is something brewing here.

1345
01:04:56,040 --> 01:04:56,280
Speaker 3: Something.

1346
01:04:57,040 --> 01:04:59,480
Speaker 4: Yes, we're playing, we're playing charades.

1347
01:05:00,080 --> 01:05:00,200
Speaker 1: And and.

1348
01:05:01,800 --> 01:05:05,320
Speaker 4: Hell's brother, my brother in law's brother, who they're also

1349
01:05:05,320 --> 01:05:06,800
Speaker 4: sweet and amazing, was like.

1350
01:05:06,840 --> 01:05:09,200
Speaker 5: I was like ha ha, like we're winning vibes.

1351
01:05:09,360 --> 01:05:11,000
Speaker 4: Like that was the extent of it. Was like he

1352
01:05:11,080 --> 01:05:14,720
Speaker 4: was like, wear heads, we're ahead, and my mom goes

1353
01:05:15,280 --> 01:05:16,200
Speaker 4: tiny dick syndrome.

1354
01:05:16,280 --> 01:05:17,280
Speaker 5: Huh And I.

1355
01:05:17,240 --> 01:05:17,800
Speaker 4: Was like this.

1356
01:05:21,880 --> 01:05:23,000
Speaker 2: Tiny dick syndrome.

1357
01:05:23,360 --> 01:05:26,280
Speaker 4: Mommy, wait, like that's not funny. I was like, mom,

1358
01:05:26,360 --> 01:05:31,480
Speaker 4: that's intense and harmful. That's like in so intense, and

1359
01:05:31,520 --> 01:05:33,960
Speaker 4: we all were laughing, and of course, like he laughed

1360
01:05:33,960 --> 01:05:36,400
Speaker 4: and everyone was laughing, but she was like, well that's

1361
01:05:36,400 --> 01:05:38,640
Speaker 4: a sign of what that is. And I was like, Mommy,

1362
01:05:40,000 --> 01:05:42,760
Speaker 4: this is insane. And then I started doing it as

1363
01:05:42,800 --> 01:05:45,720
Speaker 4: a bit for Jesse Hill's other brother, and he was

1364
01:05:46,400 --> 01:05:51,040
Speaker 4: like crying tears tears, and like it lasted the whole day.

1365
01:05:51,360 --> 01:05:52,800
Speaker 4: So I was like, well, when we have to do

1366
01:05:52,840 --> 01:05:56,160
Speaker 4: something with this, please, it's just so silly and jaw dropped.

1367
01:05:56,160 --> 01:05:58,160
Speaker 3: I was like yeah yeah.

1368
01:05:58,200 --> 01:06:00,400
Speaker 4: And also we have like a very aggressive game playing

1369
01:06:00,440 --> 01:06:03,560
Speaker 4: family too. I'm like the opposite so where my mom

1370
01:06:03,600 --> 01:06:06,479
Speaker 4: and Frankie and Hale sit on the spectrum of I'm

1371
01:06:06,560 --> 01:06:08,720
Speaker 4: an alien in my family a little bit because I'm

1372
01:06:08,720 --> 01:06:11,240
Speaker 4: like I don't care. I just want to have fun

1373
01:06:11,280 --> 01:06:12,400
Speaker 4: and I want to be there and I'm here for

1374
01:06:12,480 --> 01:06:13,000
Speaker 4: a good time.

1375
01:06:13,320 --> 01:06:14,040
Speaker 5: You know, I'm okay.

1376
01:06:14,120 --> 01:06:15,440
Speaker 4: I just want to play the game. I'm happy to

1377
01:06:15,440 --> 01:06:16,680
Speaker 4: be there. I don't even know half.

1378
01:06:16,560 --> 01:06:19,280
Speaker 2: The rules of just winning be here.

1379
01:06:19,600 --> 01:06:21,000
Speaker 5: Being here is a great.

1380
01:06:20,760 --> 01:06:23,000
Speaker 4: Time and I and I miss everyone when I'm not home.

1381
01:06:23,040 --> 01:06:26,520
Speaker 4: And you know, this is a great time, not for

1382
01:06:26,680 --> 01:06:31,560
Speaker 4: Hale or my mom. It is real. It's real deal.

1383
01:06:32,320 --> 01:06:35,080
Speaker 4: Hale's a real gamer though. He knows games that no

1384
01:06:35,120 --> 01:06:37,160
Speaker 4: one's ever heard of in the world. He's like a

1385
01:06:37,200 --> 01:06:41,840
Speaker 4: genius nerd person who loves games. And Frankie can't can't

1386
01:06:42,040 --> 01:06:44,520
Speaker 4: lose a game, Mommy can't lose.

1387
01:06:44,360 --> 01:06:46,520
Speaker 3: A game because you know what, First of all, they

1388
01:06:46,520 --> 01:06:49,240
Speaker 3: can't lose a game on jock Box.

1389
01:06:49,320 --> 01:06:50,120
Speaker 4: I don't like it.

1390
01:06:50,320 --> 01:06:53,680
Speaker 2: A plus plus, I love jock Box. We need to

1391
01:06:53,720 --> 01:06:55,560
Speaker 2: do please, that's what we need to do. We need

1392
01:06:55,600 --> 01:06:55,880
Speaker 2: to do that.

1393
01:06:56,280 --> 01:06:57,960
Speaker 4: We need to do jack Box.

1394
01:06:58,160 --> 01:06:59,880
Speaker 2: We need to get Jay and a.

1395
01:07:01,560 --> 01:07:04,480
Speaker 3: Josh and Air to be this. I see it in

1396
01:07:04,520 --> 01:07:05,080
Speaker 3: my mind.

1397
01:07:05,200 --> 01:07:05,880
Speaker 4: I love them.

1398
01:07:05,960 --> 01:07:07,200
Speaker 5: I love your whole.

1399
01:07:07,560 --> 01:07:11,320
Speaker 2: They're the best. They're the best. They really truly are

1400
01:07:11,400 --> 01:07:14,320
Speaker 2: the funniest. Have you seen identical twins? I watched it,

1401
01:07:15,280 --> 01:07:17,160
Speaker 2: watched sticks together.

1402
01:07:17,560 --> 01:07:20,040
Speaker 5: I mean, I'm obsessed with them. There are Angels from Heaven.

1403
01:07:20,360 --> 01:07:22,400
Speaker 2: Yeah, that's like a truly fun game too, because really,

1404
01:07:22,400 --> 01:07:24,360
Speaker 2: who cares if you win? Like, it's fun if you win,

1405
01:07:24,400 --> 01:07:25,960
Speaker 2: but it's really more just about making each other.

1406
01:07:28,680 --> 01:07:31,320
Speaker 3: Frankie was about the points that it's always about the

1407
01:07:31,360 --> 01:07:32,000
Speaker 3: points too.

1408
01:07:32,120 --> 01:07:32,840
Speaker 5: It was so funny.

1409
01:07:32,840 --> 01:07:34,680
Speaker 2: I know what that might be though, because I also

1410
01:07:34,840 --> 01:07:37,200
Speaker 2: am like I'm the oldest and I'm a gay son,

1411
01:07:37,360 --> 01:07:39,240
Speaker 2: So there's that little bit thing of like best little

1412
01:07:39,280 --> 01:07:41,480
Speaker 2: boy in the world. I'm gonna win the game because like,

1413
01:07:41,560 --> 01:07:43,680
Speaker 2: you know, what I'm saying is that might be a thing.

1414
01:07:44,200 --> 01:07:47,440
Speaker 2: You're not really competitive, need to win? No, never, You're

1415
01:07:47,440 --> 01:07:47,880
Speaker 2: really not.

1416
01:07:48,360 --> 01:07:50,320
Speaker 4: Can we wait? Sorry, I'm sorry, but speaking of Frankie,

1417
01:07:50,320 --> 01:07:52,400
Speaker 4: can we can we go see Rocky Horror?

1418
01:07:52,960 --> 01:07:53,640
Speaker 5: It's still happening?

1419
01:07:53,640 --> 01:07:56,680
Speaker 2: Please? How longer is it happening? Happening?

1420
01:07:57,000 --> 01:07:57,440
Speaker 4: I don't know.

1421
01:07:58,720 --> 01:08:02,960
Speaker 2: To night, I'm gonna nice Cabaret. Oh my god, I'm

1422
01:08:03,000 --> 01:08:07,840
Speaker 2: seeing Marty and Cabaret. Jealous. I know. I saw it

1423
01:08:07,880 --> 01:08:10,560
Speaker 2: in the West End with Jake Shears. Oh great, and

1424
01:08:10,600 --> 01:08:12,240
Speaker 2: it was great, and I'm seeing it again. I haven't

1425
01:08:12,240 --> 01:08:13,720
Speaker 2: seen it yet a new I love Cabaret.

1426
01:08:13,760 --> 01:08:15,480
Speaker 4: It's one of my good wish Are you coming to

1427
01:08:15,520 --> 01:08:16,560
Speaker 4: the screening tonight.

1428
01:08:16,479 --> 01:08:19,160
Speaker 3: I wasn't told the details and so I wasn't playing.

1429
01:08:19,200 --> 01:08:19,800
Speaker 3: I would love to.

1430
01:08:20,000 --> 01:08:21,080
Speaker 4: I'll tell you the details.

1431
01:08:21,240 --> 01:08:22,960
Speaker 2: Yeah, that's actually going to be really fun because it's

1432
01:08:22,960 --> 01:08:24,800
Speaker 2: going to be all the Broadway people. But I was

1433
01:08:24,960 --> 01:08:25,800
Speaker 2: seeing it be.

1434
01:08:25,720 --> 01:08:27,439
Speaker 4: Coming with you. We wish we could have boot both

1435
01:08:27,439 --> 01:08:30,240
Speaker 4: at the time. Marty and Cabaret, they're my favorite.

1436
01:08:30,320 --> 01:08:34,320
Speaker 2: MC really love that. I cannot wait. What a beautiful

1437
01:08:34,320 --> 01:08:38,200
Speaker 2: person inside and oil absolutely absolute a great when like

1438
01:08:38,400 --> 01:08:40,360
Speaker 2: because you're like a drag Race fan. Yes, you watch

1439
01:08:40,400 --> 01:08:40,960
Speaker 2: every season?

1440
01:08:41,160 --> 01:08:43,920
Speaker 4: I watch almost every I mean I try to. Yeah,

1441
01:08:44,200 --> 01:08:45,320
Speaker 4: I'm a big drag Race fan.

1442
01:08:45,520 --> 01:08:49,160
Speaker 2: Have you been judged twice for once twice? Season seventees?

1443
01:08:49,200 --> 01:08:52,240
Speaker 2: I remember season seven iconically. That was a really amazing

1444
01:08:52,240 --> 01:08:54,360
Speaker 2: episode the first time you were there, and they did

1445
01:08:54,400 --> 01:08:55,439
Speaker 2: break free at the end.

1446
01:08:55,720 --> 01:08:57,800
Speaker 4: I wish I remembered more of that experience.

1447
01:08:57,880 --> 01:09:00,800
Speaker 2: Okay, it were great and they did break free and

1448
01:09:00,840 --> 01:09:05,360
Speaker 2: it was Candy Hoe versus who won. I'm not who

1449
01:09:05,360 --> 01:09:07,000
Speaker 2: won the show, but won the lip saying I'm forgetting

1450
01:09:07,040 --> 01:09:09,920
Speaker 2: her name Jars Yes, Jane Door Fears.

1451
01:09:10,080 --> 01:09:13,680
Speaker 4: Yeah, that was crazily The morning after we shot the

1452
01:09:13,680 --> 01:09:16,840
Speaker 4: Bang Bang video and I had no sleep and I

1453
01:09:16,840 --> 01:09:19,519
Speaker 4: came straight there and it was like a full twelve hours.

1454
01:09:19,960 --> 01:09:22,479
Speaker 2: It's just surreal thing to me. When we were there.

1455
01:09:22,960 --> 01:09:24,960
Speaker 2: We also had a really good episode, great episode, but

1456
01:09:24,960 --> 01:09:26,000
Speaker 2: it was those were those were long days?

1457
01:09:26,040 --> 01:09:26,519
Speaker 4: Your episode?

1458
01:09:26,560 --> 01:09:26,920
Speaker 5: Oh my god?

1459
01:09:26,960 --> 01:09:29,840
Speaker 2: Yeah, no, it was beautiful and we got hallucinated by

1460
01:09:29,880 --> 01:09:34,160
Speaker 2: DUA was the and we are screaming the whole time

1461
01:09:34,200 --> 01:09:38,680
Speaker 2: we were. They cut to us and we are living

1462
01:09:39,280 --> 01:09:43,719
Speaker 2: the fantasy because it was Jasmine Kennedy of course, really

1463
01:09:43,800 --> 01:09:44,519
Speaker 2: ripping it up.

1464
01:09:45,000 --> 01:09:46,799
Speaker 3: It was that was a great, great, great episode.

1465
01:09:47,200 --> 01:09:48,680
Speaker 2: Well we'll figure it out, we'll go see it.

1466
01:09:48,680 --> 01:09:50,400
Speaker 3: Okay, so Marty, but hold on, we need to talk

1467
01:09:50,439 --> 01:09:52,720
Speaker 3: about something before we move on. I don't think so, honey.

1468
01:09:52,760 --> 01:09:53,799
Speaker 3: And then I can't even.

1469
01:09:53,560 --> 01:09:55,439
Speaker 2: Believe we're gonna move on. Why is it? Why could this.

1470
01:09:57,720 --> 01:09:58,760
Speaker 4: Give me a little more?

1471
01:09:59,120 --> 01:10:01,960
Speaker 2: Of course, hold on, No one has to be.

1472
01:10:01,680 --> 01:10:03,679
Speaker 5: Your twenty No one has to be anywhere you.

1473
01:10:03,560 --> 01:10:06,479
Speaker 2: Sure are, because this isn't like a press day for you,

1474
01:10:06,600 --> 01:10:07,040
Speaker 2: or is it?

1475
01:10:07,080 --> 01:10:08,559
Speaker 5: This is a press day for me? But this is

1476
01:10:08,560 --> 01:10:09,679
Speaker 5: the most important part.

1477
01:10:09,840 --> 01:10:10,559
Speaker 2: What else are you doing?

1478
01:10:10,600 --> 01:10:12,759
Speaker 4: I do have to leave at three, that's perkay problem.

1479
01:10:13,200 --> 01:10:16,080
Speaker 4: No I hear that it's two twenty. If I can

1480
01:10:16,160 --> 01:10:17,120
Speaker 4: leave my three. We're good.

1481
01:10:17,200 --> 01:10:19,240
Speaker 5: I'll be completely early and on time.

1482
01:10:19,320 --> 01:10:20,880
Speaker 2: You know what else you need to go see? And

1483
01:10:21,120 --> 01:10:23,520
Speaker 2: you need to go see?

1484
01:10:23,600 --> 01:10:25,880
Speaker 4: I know, I know. I mean, that's that's everything I

1485
01:10:25,880 --> 01:10:28,240
Speaker 4: could want for a person. I love this moment for

1486
01:10:28,280 --> 01:10:31,760
Speaker 4: her so much. She is so in her element, so

1487
01:10:31,840 --> 01:10:36,880
Speaker 4: dropped in, so beautiful, so talented. Yes, and I love

1488
01:10:36,960 --> 01:10:39,040
Speaker 4: that the pictures of her and blood at the stage door,

1489
01:10:39,120 --> 01:10:39,960
Speaker 4: It's like, that's me.

1490
01:10:40,200 --> 01:10:40,840
Speaker 2: That's a mood.

1491
01:10:41,240 --> 01:10:41,840
Speaker 5: That's a mood.

1492
01:10:42,160 --> 01:10:48,320
Speaker 2: But I love watching someone you in the Wicked movie.

1493
01:10:48,320 --> 01:10:49,720
Speaker 2: It's like when you watch.

1494
01:10:49,520 --> 01:10:53,120
Speaker 5: Someone and you that's where they're supposed to be. How

1495
01:10:53,160 --> 01:10:54,360
Speaker 5: beautiful that is happening.

1496
01:10:54,760 --> 01:10:58,200
Speaker 2: And I'm telling you right now night of sunset of Art,

1497
01:10:58,320 --> 01:11:02,000
Speaker 2: I sat next to Candy Bursts. Oh my god, the

1498
01:11:02,160 --> 01:11:05,640
Speaker 2: legend like literally star studied. So many people there like

1499
01:11:05,720 --> 01:11:08,760
Speaker 2: sitting there watching her, and I thought, Wow, she is

1500
01:11:08,800 --> 01:11:12,679
Speaker 2: stepping into destiny right now. She's giving one of those

1501
01:11:12,720 --> 01:11:17,680
Speaker 2: performances everyone will always talk about, and it is. It

1502
01:11:17,760 --> 01:11:18,320
Speaker 2: is amazing.

1503
01:11:18,560 --> 01:11:21,000
Speaker 4: Yeah, it's beautiful to see, even like from Afar as

1504
01:11:21,000 --> 01:11:23,120
Speaker 4: a person who hasn't even seen it yet, I'm like, oh,

1505
01:11:23,200 --> 01:11:24,519
Speaker 4: I know exactly what's coming.

1506
01:11:24,720 --> 01:11:26,160
Speaker 2: Yeah, we need to talk about figment.

1507
01:11:26,800 --> 01:11:28,920
Speaker 4: Oh, we do need to talk about figment.

1508
01:11:29,800 --> 01:11:33,360
Speaker 2: So this this is also another moment where I was like.

1509
01:11:33,400 --> 01:11:35,840
Speaker 5: Oh, we're supposed to be in each other's We're supposed.

1510
01:11:35,560 --> 01:11:37,320
Speaker 3: To be in each other's lives. And then I also thought,

1511
01:11:37,360 --> 01:11:38,640
Speaker 3: and I did not tell you, I was like, you

1512
01:11:38,680 --> 01:11:39,880
Speaker 3: need to meet my friend Matt Roger.

1513
01:11:40,000 --> 01:11:41,880
Speaker 4: Yeah, yeah, yeah, that was actually the moment that.

1514
01:11:41,960 --> 01:11:43,479
Speaker 2: We need to go to Disney together.

1515
01:11:43,640 --> 01:11:49,840
Speaker 4: Absolutely, Actually which one? Which one? Okay, I mean, I'm connected,

1516
01:11:50,000 --> 01:11:53,800
Speaker 4: me too, me too? We share that, Yes, we share that,

1517
01:11:53,840 --> 01:11:58,080
Speaker 4: I mean. And also it's where the Tower of Terror?

1518
01:11:59,040 --> 01:12:00,599
Speaker 2: And can you speak on this because this is really

1519
01:12:00,600 --> 01:12:02,720
Speaker 2: important because you know this came up with Mariah. We

1520
01:12:03,160 --> 01:12:06,400
Speaker 2: mentioned episode and speak on Tower of Terror speak on Disney.

1521
01:12:07,640 --> 01:12:11,400
Speaker 5: WHOA, Okay, I want to speak on the Tower of Terror.

1522
01:12:11,479 --> 01:12:14,960
Speaker 4: Yes, start there, because I love, I love and I

1523
01:12:15,000 --> 01:12:18,559
Speaker 4: respect the Guardians of the Galaxy.

1524
01:12:18,640 --> 01:12:20,160
Speaker 2: Yeah, of course I do.

1525
01:12:20,320 --> 01:12:24,960
Speaker 4: I think it's a beautiful experience, a beautiful thing, Raccoon.

1526
01:12:25,160 --> 01:12:29,719
Speaker 4: It's impressive, it's amazing. I'm like a big baby group person. Yeah,

1527
01:12:30,080 --> 01:12:33,439
Speaker 4: really cool. I don't remember you know much about her,

1528
01:12:33,479 --> 01:12:34,120
Speaker 4: but I love her.

1529
01:12:34,280 --> 01:12:35,320
Speaker 2: Yes, And.

1530
01:12:36,680 --> 01:12:38,880
Speaker 5: I just think that it is that that was a zipper.

1531
01:12:38,880 --> 01:12:40,479
Speaker 2: That was not a far I'm sorry. There was a

1532
01:12:40,520 --> 01:12:43,160
Speaker 2: noise over there was a noise down there, which could

1533
01:12:43,160 --> 01:12:47,360
Speaker 2: have gone either way now, but it had to be called. No. No, no,

1534
01:12:47,400 --> 01:12:48,640
Speaker 2: I'm sorry, I'm sorry, I'm sorry. No.

1535
01:12:48,760 --> 01:12:51,040
Speaker 5: Please, this is yours. I'm in your home.

1536
01:12:51,160 --> 01:12:54,400
Speaker 3: No, and you're literally about to meditate on terror.

1537
01:12:55,040 --> 01:12:57,360
Speaker 4: Honestly, I'm glad that happened because something needed to break

1538
01:12:57,360 --> 01:13:00,559
Speaker 4: the tension of what I was feeling inside the tower.

1539
01:13:00,920 --> 01:13:04,640
Speaker 2: You're angsty about this because it's an endangered species.

1540
01:13:04,720 --> 01:13:10,320
Speaker 4: It's not angst, it's it's dire, desperate, real dexy central

1541
01:13:10,439 --> 01:13:13,160
Speaker 4: to protect and preserve what is the Tower of.

1542
01:13:13,120 --> 01:13:15,000
Speaker 2: Tir Yeah, it should be a historical landmark.

1543
01:13:15,040 --> 01:13:17,439
Speaker 4: Absolutely, And I think it's really important and great that

1544
01:13:17,479 --> 01:13:20,519
Speaker 4: there is the Guardian's Galaxy ride in California. I think

1545
01:13:20,520 --> 01:13:23,400
Speaker 4: that's perfect. And you know Aurora's Castle, keep it all.

1546
01:13:23,840 --> 01:13:26,080
Speaker 4: That's great and I love that that's the first and

1547
01:13:26,120 --> 01:13:29,000
Speaker 4: it's there. Ye when it comes to Florida. When it

1548
01:13:29,000 --> 01:13:33,560
Speaker 4: comes to the Disney in Florida, first of all, we

1549
01:13:33,560 --> 01:13:37,000
Speaker 4: get Cinderella's Castle, which you know, also a landmark.

1550
01:13:37,160 --> 01:13:38,839
Speaker 2: She's large and in charge.

1551
01:13:39,160 --> 01:13:43,920
Speaker 4: Yes, she is my mom tells us too often that

1552
01:13:43,960 --> 01:13:48,040
Speaker 4: she wants her ashes sprinkled over it, and I'm like, Mom,

1553
01:13:48,360 --> 01:13:50,720
Speaker 4: it's Christmas. Do we have to talk about this right now?

1554
01:13:50,760 --> 01:13:52,599
Speaker 4: It's just like, yeah, you have to make sure that

1555
01:13:52,600 --> 01:13:54,320
Speaker 4: that happens, And I'm like, Mom, I don't want to

1556
01:13:54,320 --> 01:13:57,559
Speaker 4: make sure that that happens. Also, like, I think that's

1557
01:13:57,640 --> 01:13:59,519
Speaker 4: like I think there's like actors back there working and

1558
01:13:59,560 --> 01:14:01,200
Speaker 4: so have you gonna sprinkled on people's heads who are

1559
01:14:01,240 --> 01:14:02,840
Speaker 4: like dressed a stinker bell waiting for their cue.

1560
01:14:02,880 --> 01:14:04,680
Speaker 3: Totally, there's like there's like a hotel room in there.

1561
01:14:04,760 --> 01:14:04,920
Speaker 2: Yeah.

1562
01:14:04,920 --> 01:14:06,960
Speaker 5: Absolutely, there's lots happening back there.

1563
01:14:07,000 --> 01:14:09,120
Speaker 2: I don't think it's kind of small, right, I've heard

1564
01:14:09,200 --> 01:14:12,400
Speaker 2: the like, like what you think the experience of saying

1565
01:14:12,439 --> 01:14:12,960
Speaker 2: in that.

1566
01:14:12,800 --> 01:14:13,479
Speaker 4: I've been in there?

1567
01:14:13,760 --> 01:14:14,160
Speaker 2: Have you?

1568
01:14:14,240 --> 01:14:16,080
Speaker 4: I've been in there because I performed at the Castle

1569
01:14:16,120 --> 01:14:18,719
Speaker 4: one time and I got to change in there, which

1570
01:14:18,800 --> 01:14:21,080
Speaker 4: was really cool, and it's really beautiful and it's really

1571
01:14:21,120 --> 01:14:21,840
Speaker 4: it feels very real.

1572
01:14:21,920 --> 01:14:23,759
Speaker 2: Do you have a Club thirty three membership? I don't,

1573
01:14:24,400 --> 01:14:25,080
Speaker 2: but you've been in.

1574
01:14:25,479 --> 01:14:26,000
Speaker 4: I've been there.

1575
01:14:26,280 --> 01:14:27,400
Speaker 5: Yeah, I've been through.

1576
01:14:27,640 --> 01:14:28,160
Speaker 2: I've been through.

1577
01:14:28,600 --> 01:14:29,200
Speaker 4: I've been through.

1578
01:14:30,080 --> 01:14:33,439
Speaker 5: But yeah, it feels a little extreme to me.

1579
01:14:33,680 --> 01:14:38,320
Speaker 2: Yeah, sure you do, you do, you have somehow gotten in.

1580
01:14:38,439 --> 01:14:39,200
Speaker 4: But do you have a thing.

1581
01:14:40,840 --> 01:14:42,800
Speaker 2: I am like the kind of mental illness where it's

1582
01:14:42,800 --> 01:14:45,080
Speaker 2: like I will one day sure, like I have a

1583
01:14:45,080 --> 01:14:46,960
Speaker 2: stick disease that no one can figure out what it is,

1584
01:14:47,000 --> 01:14:49,920
Speaker 2: where like I will go there, something happens to what

1585
01:14:49,960 --> 01:14:50,280
Speaker 2: do you do it?

1586
01:14:50,360 --> 01:14:52,040
Speaker 5: I'll do it.

1587
01:14:52,439 --> 01:14:52,760
Speaker 4: I'm in.

1588
01:14:53,680 --> 01:14:56,760
Speaker 2: Put us on the list whoever the powers that.

1589
01:14:57,920 --> 01:14:59,479
Speaker 5: We have to make that happen.

1590
01:15:01,040 --> 01:15:03,880
Speaker 4: Keep talking, No, I just I think it's actually one

1591
01:15:03,920 --> 01:15:06,840
Speaker 4: of the most important things. It's art that it's day.

1592
01:15:07,080 --> 01:15:09,960
Speaker 2: Yeah. Absolutely. Did you ever tell ari about when we

1593
01:15:10,040 --> 01:15:14,000
Speaker 2: had to be evacuated It broke on us the tower

1594
01:15:14,320 --> 01:15:20,200
Speaker 2: literally a metric ton of edible. What did we do?

1595
01:15:21,040 --> 01:15:21,680
Speaker 4: My goodness?

1596
01:15:21,920 --> 01:15:24,880
Speaker 3: And it broke down, and it broke down, not like

1597
01:15:25,400 --> 01:15:26,440
Speaker 3: as you're about.

1598
01:15:26,160 --> 01:15:29,599
Speaker 2: To go in when she goes forward, she goes forward.

1599
01:15:30,400 --> 01:15:31,200
Speaker 2: It broke down.

1600
01:15:32,000 --> 01:15:34,799
Speaker 3: That's so scary, and we were stoned out of our gorge,

1601
01:15:35,600 --> 01:15:38,639
Speaker 3: being like, yo, is this happening.

1602
01:15:39,840 --> 01:15:42,160
Speaker 4: It's not fair, that's not good.

1603
01:15:42,240 --> 01:15:46,240
Speaker 2: We were between worlds, were like between the world, and

1604
01:15:46,280 --> 01:15:49,760
Speaker 2: so what they ended up doing was someone kind of

1605
01:15:49,800 --> 01:15:50,519
Speaker 2: comes in out.

1606
01:15:50,360 --> 01:15:54,400
Speaker 3: Of the shadows, out of the proscenium to get hot.

1607
01:15:54,560 --> 01:15:55,759
Speaker 5: Wait, how did they get in there?

1608
01:15:56,640 --> 01:16:00,360
Speaker 2: So I hate an illusion being shattered, I know, but

1609
01:16:00,400 --> 01:16:02,320
Speaker 2: it was kind of fascinating because they go, you guys

1610
01:16:02,360 --> 01:16:05,479
Speaker 2: need to get up, walk into the twilight zone and

1611
01:16:05,600 --> 01:16:08,040
Speaker 2: step out through the exit door.

1612
01:16:08,320 --> 01:16:12,760
Speaker 3: Take a real elevator down.

1613
01:16:12,840 --> 01:16:13,360
Speaker 5: I don't want to know.

1614
01:16:13,320 --> 01:16:14,160
Speaker 4: Where the exit door is.

1615
01:16:14,280 --> 01:16:15,880
Speaker 2: We're not going to tell you. Isn't that crazy?

1616
01:16:16,200 --> 01:16:19,360
Speaker 4: Really crazy? I'm so glad that you're safe and that

1617
01:16:19,400 --> 01:16:19,960
Speaker 4: it was fine.

1618
01:16:20,200 --> 01:16:21,479
Speaker 2: I hope one day you experienced this.

1619
01:16:21,680 --> 01:16:22,960
Speaker 5: I don't want to know where the exit is.

1620
01:16:23,720 --> 01:16:27,760
Speaker 2: I don't like when I like breaking news. Have you

1621
01:16:27,840 --> 01:16:30,760
Speaker 2: been down there to do the Guardians roller coaster in Epcot?

1622
01:16:30,920 --> 01:16:35,599
Speaker 4: Amazing another that's what it should be. Yeah, close, that's

1623
01:16:35,640 --> 01:16:38,320
Speaker 4: what it should be. That's incredible. And the music is

1624
01:16:38,360 --> 01:16:39,080
Speaker 4: different every time.

1625
01:16:39,200 --> 01:16:45,640
Speaker 2: Yes, and it's just fabulous when Conga plays crazy, crazy crazy.

1626
01:16:45,360 --> 01:16:48,120
Speaker 4: Absolutely So glad you brought that up because I was

1627
01:16:48,160 --> 01:16:48,479
Speaker 4: going to.

1628
01:16:48,400 --> 01:16:51,200
Speaker 2: Bring it up so you this was funny. So we go.

1629
01:16:51,280 --> 01:16:53,880
Speaker 2: We ended up going a bunch of times and I

1630
01:16:53,920 --> 01:16:56,040
Speaker 2: was like, God, I wish it was Conga And they go,

1631
01:16:57,400 --> 01:16:59,960
Speaker 2: they say that it's going to happen in two things,

1632
01:17:00,040 --> 01:17:02,080
Speaker 2: and they can put you on the train for conga

1633
01:17:02,120 --> 01:17:03,800
Speaker 2: and we did it and it was the best. And

1634
01:17:03,840 --> 01:17:04,800
Speaker 2: then what was it that you want?

1635
01:17:04,920 --> 01:17:08,040
Speaker 3: I really wanted tears for fears. Everybody wants to rule, right,

1636
01:17:08,160 --> 01:17:09,040
Speaker 3: and we never got it.

1637
01:17:09,040 --> 01:17:09,960
Speaker 2: They couldn't figure it out.

1638
01:17:10,360 --> 01:17:12,800
Speaker 5: No problem, and well we'll have to go again.

1639
01:17:12,840 --> 01:17:13,639
Speaker 2: We'll have to go again.

1640
01:17:14,400 --> 01:17:18,840
Speaker 3: On set on Wicked, there's a sculpted sort of thing,

1641
01:17:18,960 --> 01:17:24,439
Speaker 3: a gigantic sculpted Jeff, a thing of Jeff Goldlands the Wizard.

1642
01:17:24,479 --> 01:17:25,200
Speaker 2: Wait, do you.

1643
01:17:25,160 --> 01:17:28,280
Speaker 4: Remember when we discovered his head and we didn't know

1644
01:17:28,280 --> 01:17:28,600
Speaker 4: about it.

1645
01:17:28,560 --> 01:17:30,800
Speaker 3: I didn't know, And then I remember, I remember, I

1646
01:17:30,800 --> 01:17:31,559
Speaker 3: have pictures of it.

1647
01:17:31,720 --> 01:17:34,000
Speaker 4: Yeah, because we were going for a walk. We were

1648
01:17:34,040 --> 01:17:36,120
Speaker 4: going for a walk talking about life.

1649
01:17:35,920 --> 01:17:39,719
Speaker 3: And then we must we happen upon this gigantic face

1650
01:17:39,800 --> 01:17:41,600
Speaker 3: of Jeff jo face.

1651
01:17:41,800 --> 01:17:45,200
Speaker 5: And we were like, dear god, Jeff.

1652
01:17:45,360 --> 01:17:49,000
Speaker 3: Basically a two story tall sculpted face mask of Jeff

1653
01:17:49,000 --> 01:17:51,559
Speaker 3: gold Bloom, and we're like, wow, this is crazy.

1654
01:17:51,560 --> 01:17:52,720
Speaker 2: And then it's in the mood. It serves a.

1655
01:17:52,640 --> 01:17:55,160
Speaker 4: Purpose, Yes, it serves a beautiful purpose, but we just

1656
01:17:55,200 --> 01:17:56,960
Speaker 4: had no idea. We were so disarmed by it.

1657
01:17:57,080 --> 01:18:00,320
Speaker 2: Yes, this figment, no figment.

1658
01:18:00,040 --> 01:18:00,680
Speaker 5: But in a way.

1659
01:18:00,920 --> 01:18:05,920
Speaker 4: One day we were on set, we were ont and

1660
01:18:05,920 --> 01:18:06,760
Speaker 4: and we were just like.

1661
01:18:07,040 --> 01:18:09,680
Speaker 2: Talking about our favorite.

1662
01:18:09,840 --> 01:18:13,519
Speaker 4: Said you undertourney into the imagination. Yes, because we were like,

1663
01:18:13,520 --> 01:18:15,960
Speaker 4: oh my gosh, like, oh my gosh, oh my gosh.

1664
01:18:16,800 --> 01:18:19,280
Speaker 2: We had said, oh my gosh, you know who I

1665
01:18:19,320 --> 01:18:24,559
Speaker 2: love that figment that my guy. No, get up, girl down.

1666
01:18:25,240 --> 01:18:28,160
Speaker 2: Wait no, here, here's here's the actual question I need

1667
01:18:28,240 --> 01:18:31,479
Speaker 2: answered absolutely right now. If they were to add one

1668
01:18:31,520 --> 01:18:35,000
Speaker 2: of your songs to Guardians of the Galaxy.

1669
01:18:34,720 --> 01:18:37,080
Speaker 5: You don't want They don't have to do that because.

1670
01:18:36,840 --> 01:18:40,800
Speaker 2: I want it. Why is it into you? Why is

1671
01:18:40,840 --> 01:18:45,120
Speaker 2: it into you? Can you imagine? So it would be gagging.

1672
01:18:45,439 --> 01:18:47,800
Speaker 4: You're like, I would love to ride the ghost in

1673
01:18:47,960 --> 01:18:50,600
Speaker 4: Guardians or the Galaxy ghost in.

1674
01:18:51,280 --> 01:18:56,400
Speaker 2: No. I was watching for some reason. Sometimes as I

1675
01:18:56,479 --> 01:18:58,960
Speaker 2: want to do I'll watch like old clips of the voice. Yeah,

1676
01:18:59,000 --> 01:19:00,800
Speaker 2: would you ever go back and do that again? And

1677
01:19:00,840 --> 01:19:03,320
Speaker 2: do you think you mostly did it because the chair spun.

1678
01:19:04,320 --> 01:19:07,200
Speaker 4: So No, but it was a perk.

1679
01:19:08,040 --> 01:19:09,720
Speaker 2: It was a good perk.

1680
01:19:10,720 --> 01:19:11,960
Speaker 4: Yes, it's so crazy.

1681
01:19:12,000 --> 01:19:16,320
Speaker 5: It is really fun. You have to get you have

1682
01:19:16,400 --> 01:19:17,600
Speaker 5: to go do it.

1683
01:19:17,640 --> 01:19:19,240
Speaker 2: At some point, I have to hit the button.

1684
01:19:19,280 --> 01:19:24,000
Speaker 4: It's really fun. It's really fun. I got so emotionally

1685
01:19:24,040 --> 01:19:27,000
Speaker 4: attached to everyone. That's my problem. I can't really do

1686
01:19:27,120 --> 01:19:30,000
Speaker 4: that because I really get in I really get in

1687
01:19:30,040 --> 01:19:33,120
Speaker 4: there with everyone, and I love everyone so much. I

1688
01:19:33,160 --> 01:19:37,559
Speaker 4: love meeting people, and I felt so invested and I

1689
01:19:37,600 --> 01:19:39,720
Speaker 4: still do. Like I see them all on Instagram, and

1690
01:19:39,760 --> 01:19:43,840
Speaker 4: I yes, I mean not, I've been busy. I haven't

1691
01:19:43,880 --> 01:19:47,040
Speaker 4: really been in touch with anyone, but I love them

1692
01:19:47,080 --> 01:19:48,760
Speaker 4: and I'm in touch with them on Instagram. Like I

1693
01:19:48,880 --> 01:19:50,479
Speaker 4: like their posts, I see their things, I see what

1694
01:19:50,479 --> 01:19:53,240
Speaker 4: they're up to. Bell ahead of Baby, Sasha's putting out

1695
01:19:53,280 --> 01:19:57,960
Speaker 4: solo music, Sasha of Jim and Sasha and you know,

1696
01:19:58,120 --> 01:20:01,240
Speaker 4: I mean like he sent me his project last year

1697
01:20:01,320 --> 01:20:04,200
Speaker 4: and he's so talented, and so I'm still in touch

1698
01:20:04,200 --> 01:20:06,920
Speaker 4: with some of them, but I it's just like I

1699
01:20:06,960 --> 01:20:08,520
Speaker 4: get very involved.

1700
01:20:09,040 --> 01:20:11,720
Speaker 2: Yeah. And also like for a non competitive person, like

1701
01:20:11,880 --> 01:20:14,479
Speaker 2: the rest of those judges were really competitive, Like Kelly

1702
01:20:14,680 --> 01:20:15,679
Speaker 2: is really competitive.

1703
01:20:15,760 --> 01:20:16,320
Speaker 4: I love her.

1704
01:20:16,520 --> 01:20:17,000
Speaker 2: I love it.

1705
01:20:17,120 --> 01:20:20,240
Speaker 5: Number one, that is she's the best in the world.

1706
01:20:20,640 --> 01:20:22,759
Speaker 2: Is she the best singer in the world. I think

1707
01:20:23,360 --> 01:20:28,120
Speaker 2: it could be key, it could be a thing. She's unbelievable,

1708
01:20:29,400 --> 01:20:30,000
Speaker 2: just wild.

1709
01:20:30,320 --> 01:20:32,760
Speaker 4: She really is one of the greatest vocalists that there

1710
01:20:32,840 --> 01:20:33,920
Speaker 4: ever husband ever.

1711
01:20:34,120 --> 01:20:36,840
Speaker 2: So you being like, you know, like young when she

1712
01:20:37,000 --> 01:20:39,519
Speaker 2: was on American Idol. Was that like a trip for you? Like,

1713
01:20:39,560 --> 01:20:42,040
Speaker 2: I wonder, like when you meet these people that are like,

1714
01:20:42,400 --> 01:20:46,720
Speaker 2: you know now your peers, well, it feels probably odd

1715
01:20:46,760 --> 01:20:50,280
Speaker 2: to say you as someone who's like a really reverent

1716
01:20:50,840 --> 01:20:56,120
Speaker 2: like respector of these vocal legends like now to hear them,

1717
01:20:56,160 --> 01:20:58,640
Speaker 2: just to be able to engage with them, Like right,

1718
01:20:58,880 --> 01:21:00,400
Speaker 2: where how do you approach to that?

1719
01:21:01,760 --> 01:21:06,880
Speaker 4: I mean, so many things that have come to be

1720
01:21:07,000 --> 01:21:11,519
Speaker 4: in my life feel like such a dream, Like I

1721
01:21:11,640 --> 01:21:15,559
Speaker 4: can't really fathom a lot of things, you know, even

1722
01:21:15,560 --> 01:21:20,439
Speaker 4: getting to know Image and Heap just kind of meeting

1723
01:21:20,600 --> 01:21:23,800
Speaker 4: her was one of the best things that has ever

1724
01:21:23,880 --> 01:21:26,720
Speaker 4: happened ever. You know. I was so in shock and

1725
01:21:26,760 --> 01:21:28,120
Speaker 4: all the first time I went to go meet her,

1726
01:21:28,120 --> 01:21:29,240
Speaker 4: I thought it was being catfished.

1727
01:21:29,680 --> 01:21:31,240
Speaker 5: Wow, I didn't really think it was going to be her.

1728
01:21:31,720 --> 01:21:32,439
Speaker 5: I was really scared.

1729
01:21:32,439 --> 01:21:33,640
Speaker 4: And then I got kind of like lost in the

1730
01:21:33,640 --> 01:21:36,040
Speaker 4: woods and I was like, this is it. I'm done,

1731
01:21:37,439 --> 01:21:40,439
Speaker 4: well the journey there. I'm not gonna like, I'm not

1732
01:21:40,479 --> 01:21:43,400
Speaker 4: gonna like drop I'm not going to drop the location

1733
01:21:44,520 --> 01:21:45,439
Speaker 4: Emmy's house.

1734
01:21:46,280 --> 01:21:46,759
Speaker 2: In the Polkon.

1735
01:21:48,479 --> 01:21:51,320
Speaker 4: But it really is a trip. I just feel so

1736
01:21:51,320 --> 01:21:53,400
Speaker 4: deeply grateful because so much of the art that I

1737
01:21:53,439 --> 01:21:57,719
Speaker 4: have loved, I've developed an interesting relationship with or artists

1738
01:21:57,760 --> 01:22:01,760
Speaker 4: that I've loved, and you know when they say don't

1739
01:22:01,760 --> 01:22:04,960
Speaker 4: meet your idols, I've had so many positive experiences of

1740
01:22:05,040 --> 01:22:07,559
Speaker 4: that and I'm so grateful for that. You know.

1741
01:22:07,920 --> 01:22:10,920
Speaker 3: Can I share what the moment was that I got

1742
01:22:10,920 --> 01:22:14,599
Speaker 3: to win us a view meeting Stevie next. Yeah, it

1743
01:22:14,640 --> 01:22:18,240
Speaker 3: was for promo on Thursday, and she.

1744
01:22:18,280 --> 01:22:21,080
Speaker 4: Had written me a letter a few years ago, so

1745
01:22:21,120 --> 01:22:22,799
Speaker 4: we had spoken in contact.

1746
01:22:22,880 --> 01:22:24,880
Speaker 5: We had spoken once before, but we had never met.

1747
01:22:24,960 --> 01:22:28,280
Speaker 3: But no, no, no, and ari and I were already

1748
01:22:28,320 --> 01:22:31,200
Speaker 3: on the floor just like giggling, being stupid, and then

1749
01:22:31,840 --> 01:22:34,799
Speaker 3: they bring Stevie on and I just kind of immediately

1750
01:22:34,800 --> 01:22:38,600
Speaker 3: need to back away. And she took Arii's hands and

1751
01:22:38,760 --> 01:22:41,960
Speaker 3: was like, I have to tell you that I loved

1752
01:22:42,080 --> 01:22:43,040
Speaker 3: your video.

1753
01:22:42,800 --> 01:22:43,880
Speaker 2: For a week. Can't be friends.

1754
01:22:43,880 --> 01:22:47,640
Speaker 3: It reminded me of so many people that I have

1755
01:22:47,760 --> 01:22:48,680
Speaker 3: come across.

1756
01:22:48,320 --> 01:22:51,240
Speaker 2: In my life, probably Lindsay Buckingham.

1757
01:22:51,080 --> 01:22:54,680
Speaker 3: Sure, totally and like for whatever the song means, like

1758
01:22:54,720 --> 01:22:55,520
Speaker 3: for her.

1759
01:22:55,680 --> 01:22:58,519
Speaker 4: To oh it's not just a real moment. I couldn't

1760
01:22:58,640 --> 01:23:02,920
Speaker 4: I couldn't believe anything. She's so kind and so cool

1761
01:23:02,960 --> 01:23:07,040
Speaker 4: and so beautiful. I can't I can't really get over

1762
01:23:07,160 --> 01:23:10,120
Speaker 4: what that was like, spending those few days together and

1763
01:23:10,240 --> 01:23:14,440
Speaker 4: sharing a space with her. Just such a warm, beautiful,

1764
01:23:14,479 --> 01:23:18,040
Speaker 4: good witch in every sense, you know, you know, just

1765
01:23:18,200 --> 01:23:24,640
Speaker 4: overly generous, like overly friendly, overly kind. And I don't know,

1766
01:23:24,720 --> 01:23:28,600
Speaker 4: I feel like I love meeting people and talking, but

1767
01:23:28,680 --> 01:23:31,120
Speaker 4: sometimes I can go and stay overstay my welcome.

1768
01:23:31,160 --> 01:23:31,600
Speaker 5: I feel it.

1769
01:23:32,120 --> 01:23:34,000
Speaker 4: And I felt like I like I wasn't doing that.

1770
01:23:34,080 --> 01:23:35,800
Speaker 4: She's wanted to keep going with me, and I was like,

1771
01:23:35,800 --> 01:23:37,840
Speaker 4: oh my goodness, we're both going and going and going,

1772
01:23:38,240 --> 01:23:41,920
Speaker 4: and she's such a just a sweet, kind, kind energy,

1773
01:23:42,120 --> 01:23:45,679
Speaker 4: and I just I couldn't wrap my head around it.

1774
01:23:45,640 --> 01:23:48,000
Speaker 2: What she's offering right now too with this new song.

1775
01:23:48,040 --> 01:23:49,760
Speaker 2: Like I was watching an interview with her a couple

1776
01:23:49,760 --> 01:23:51,840
Speaker 2: of days ago, and you know, the song is about

1777
01:23:51,920 --> 01:23:54,320
Speaker 2: like women like acting right now and like you know,

1778
01:23:54,920 --> 01:23:57,679
Speaker 2: voting and fighting the fight, like and really making sure

1779
01:23:57,720 --> 01:24:02,360
Speaker 2: that we don't lose rights. And but she was really

1780
01:24:02,400 --> 01:24:04,320
Speaker 2: talking about it in a way of like service and

1781
01:24:04,439 --> 01:24:07,040
Speaker 2: she's like she said this line in this interview where

1782
01:24:07,040 --> 01:24:09,599
Speaker 2: she was like I was given this gift and I'm

1783
01:24:09,640 --> 01:24:12,080
Speaker 2: doing my job she's like, I'm out here, and you

1784
01:24:12,160 --> 01:24:14,680
Speaker 2: get the sense that it's just like, you know, she

1785
01:24:14,760 --> 01:24:16,800
Speaker 2: didn't have to do Saturday Night Live. No, you know

1786
01:24:16,840 --> 01:24:19,040
Speaker 2: what I mean. I would imagine that's a pretty daunting

1787
01:24:19,160 --> 01:24:22,400
Speaker 2: thing to be asked. And she spoke on how nervous

1788
01:24:22,400 --> 01:24:24,639
Speaker 2: she was, but you get the sense that she's like, no,

1789
01:24:25,520 --> 01:24:27,880
Speaker 2: hear this song. I'm being given this opportunity. I have

1790
01:24:27,960 --> 01:24:29,880
Speaker 2: this to offer. And she kept saying like, you know,

1791
01:24:29,960 --> 01:24:31,760
Speaker 2: I tell a good story, so I'm gonna go out

1792
01:24:31,760 --> 01:24:33,640
Speaker 2: there and tell the story. And it was just like

1793
01:24:34,320 --> 01:24:37,439
Speaker 2: there was like a selfless like artists mentality that she

1794
01:24:37,560 --> 01:24:39,000
Speaker 2: so clearly had and has had.

1795
01:24:39,240 --> 01:24:41,240
Speaker 4: There's work to be done and I'm gonna do it. Yeah,

1796
01:24:41,400 --> 01:24:42,400
Speaker 4: she's unbelievable.

1797
01:24:42,560 --> 01:24:45,680
Speaker 3: Yeah, there's a serviceability and what she does that she

1798
01:24:45,760 --> 01:24:46,280
Speaker 3: knows about.

1799
01:24:46,439 --> 01:24:46,640
Speaker 2: You know.

1800
01:24:46,760 --> 01:24:50,799
Speaker 3: She's like, I'm gonna like be the vehicle for this message.

1801
01:24:50,880 --> 01:24:53,360
Speaker 3: That's God. I just love her. I loved seeing you

1802
01:24:53,400 --> 01:24:53,960
Speaker 3: guys together.

1803
01:24:54,920 --> 01:24:56,040
Speaker 4: It felt really special.

1804
01:24:56,280 --> 01:24:58,519
Speaker 2: Yeah the BT, yes, I love because I remember we

1805
01:24:58,560 --> 01:25:01,160
Speaker 2: got to be on the floor for at just seventeen

1806
01:25:01,520 --> 01:25:03,880
Speaker 2: and so there was a moment where for some reason

1807
01:25:03,920 --> 01:25:06,640
Speaker 2: they had to hold it back for a second, like

1808
01:25:06,640 --> 01:25:09,040
Speaker 2: I guess maybe some commercial was going too long or whatever,

1809
01:25:09,080 --> 01:25:11,360
Speaker 2: and there was a moment, but I was watching you

1810
01:25:11,400 --> 01:25:14,040
Speaker 2: guys interact with each other and like have a moment

1811
01:25:14,080 --> 01:25:16,519
Speaker 2: of play in that oh yeah, And I was like,

1812
01:25:16,680 --> 01:25:19,360
Speaker 2: this is very It's like obviously a cool live TV

1813
01:25:19,520 --> 01:25:22,000
Speaker 2: moment like where they get to count down a few

1814
01:25:22,040 --> 01:25:25,400
Speaker 2: different times, but just watching you guys together was really fun.

1815
01:25:25,880 --> 01:25:28,200
Speaker 4: It was really people kind of looked at each other

1816
01:25:28,240 --> 01:25:31,320
Speaker 4: and we were like yeah, and it was very sweet.

1817
01:25:31,439 --> 01:25:34,719
Speaker 4: And you know when when live things like that are happening,

1818
01:25:34,720 --> 01:25:36,720
Speaker 4: it's everyone gets a little like nervous, and we felt

1819
01:25:36,760 --> 01:25:38,320
Speaker 4: like the audience get a little tense too, so we

1820
01:25:38,320 --> 01:25:39,840
Speaker 4: started doing like a bit with them too.

1821
01:25:40,360 --> 01:25:42,520
Speaker 2: It was really fun to play her in a biopic.

1822
01:25:42,720 --> 01:25:44,280
Speaker 4: Oh why.

1823
01:25:45,960 --> 01:25:50,200
Speaker 2: If that not not to be like that should happen

1824
01:25:50,240 --> 01:25:51,840
Speaker 2: in the way that you can cut it if you.

1825
01:25:51,800 --> 01:25:53,760
Speaker 4: Want, but you could, Oh my goodness, there are so

1826
01:25:53,840 --> 01:25:57,080
Speaker 4: many girlies that would be perfect for that.

1827
01:25:57,560 --> 01:26:00,000
Speaker 2: Well I'm just saying you remember one of the girlies.

1828
01:26:00,000 --> 01:26:02,800
Speaker 4: Should play Stevie. Oh you go, No one can do

1829
01:26:02,840 --> 01:26:03,479
Speaker 4: Stevie minutes.

1830
01:26:03,600 --> 01:26:07,240
Speaker 2: It's like when Fantasia played herself. Absolutely remember that. It

1831
01:26:07,280 --> 01:26:10,439
Speaker 2: was years ago. Fantasia played herself and her own biopic

1832
01:26:10,479 --> 01:26:14,080
Speaker 2: for lifetime. Yes, yes, genius, Yeah, it could happen more.

1833
01:26:14,160 --> 01:26:16,400
Speaker 4: Do you remember when Share played everyone in west Side

1834
01:26:16,400 --> 01:26:17,200
Speaker 4: Story Side Story?

1835
01:26:17,280 --> 01:26:17,439
Speaker 2: Yeah?

1836
01:26:17,640 --> 01:26:18,599
Speaker 4: Iconic fabulous.

1837
01:26:18,640 --> 01:26:19,280
Speaker 2: You could pull that off.

1838
01:26:19,320 --> 01:26:20,920
Speaker 4: That's really that's really fun.

1839
01:26:21,080 --> 01:26:21,920
Speaker 2: Yeah.

1840
01:26:22,000 --> 01:26:23,640
Speaker 5: I want to know what that meeting was.

1841
01:26:25,080 --> 01:26:27,640
Speaker 2: You think it was just one meeting? Yes?

1842
01:26:28,560 --> 01:26:29,599
Speaker 4: Yeah, I do.

1843
01:26:38,720 --> 01:26:40,599
Speaker 2: With our final twenty minutes, let's cross into I don't

1844
01:26:40,600 --> 01:26:42,799
Speaker 2: think so honey, because I don't think. Money always pvokes conversation,

1845
01:26:42,840 --> 01:26:44,200
Speaker 2: and I want to leave room for it. So I

1846
01:26:44,200 --> 01:26:47,439
Speaker 2: don't think so honey. Is our sixty second segment where

1847
01:26:47,439 --> 01:26:50,839
Speaker 2: we all rant, rail and rave against something in culture

1848
01:26:51,960 --> 01:26:55,040
Speaker 2: that just bothers us and we It's a cathartic moment

1849
01:26:55,439 --> 01:26:56,960
Speaker 2: and we're all going to be made better for it.

1850
01:26:57,000 --> 01:26:59,080
Speaker 2: I have something that I'd like to do. I don't

1851
01:26:59,080 --> 01:27:01,640
Speaker 2: really have, like, I haven't planned anything out of just

1852
01:27:01,680 --> 01:27:02,840
Speaker 2: have my emotions on this thing.

1853
01:27:03,040 --> 01:27:05,800
Speaker 3: Okay, that's good, This is Matt Rogers. I don't think

1854
01:27:05,840 --> 01:27:07,400
Speaker 3: so honey. As time starts, I.

1855
01:27:07,360 --> 01:27:09,519
Speaker 2: Don't think so honey, Klamari? Can I ask you a

1856
01:27:09,560 --> 01:27:13,280
Speaker 2: genuine question? Who actually cares? I? Do you actually care

1857
01:27:13,320 --> 01:27:15,639
Speaker 2: about Kalamara? You think that you I don't think so, honey,

1858
01:27:15,680 --> 01:27:18,040
Speaker 2: that it's ever different one place to the other. Don't

1859
01:27:18,040 --> 01:27:21,920
Speaker 2: get me wrong, it's a really good appetizer. There's no versatility.

1860
01:27:22,120 --> 01:27:25,160
Speaker 2: And if you get into being versatile with your calamari,

1861
01:27:25,320 --> 01:27:27,680
Speaker 2: what's gonna happen is it's not fried. Then it's just

1862
01:27:27,720 --> 01:27:33,320
Speaker 2: like what boiled calamari? Sure, I'm sorry, but it's boring.

1863
01:27:33,800 --> 01:27:38,000
Speaker 2: It's boring the things we can do with other appetizers.

1864
01:27:38,160 --> 01:27:41,160
Speaker 2: Look at my girl wings. You can have a lemon pepper,

1865
01:27:41,200 --> 01:27:42,719
Speaker 2: you can have a buffalo, you can have a barbecue.

1866
01:27:42,760 --> 01:27:45,040
Speaker 2: And I've only listed three. I don't have time to

1867
01:27:45,040 --> 01:27:47,720
Speaker 2: list the rest. But what I'm saying is the versatility.

1868
01:27:47,840 --> 01:27:51,040
Speaker 2: Now I hear you at home, Matt, what about buffalo klamari?

1869
01:27:51,400 --> 01:27:54,040
Speaker 2: You have a point fifteen seconds but you don't see it.

1870
01:27:54,080 --> 01:27:56,479
Speaker 2: You don't hear about it. Calamari physics something that's on

1871
01:27:56,560 --> 01:27:59,519
Speaker 2: the table constantly. And I'm like, that's great, but are

1872
01:27:59,560 --> 01:28:03,240
Speaker 2: we just not using our imaginations By Brussels sprouts on

1873
01:28:03,240 --> 01:28:06,000
Speaker 2: the table as an appetizer, I'm saying it, but heat

1874
01:28:06,040 --> 01:28:08,639
Speaker 2: is nodding, And I want to say, let's get more

1875
01:28:08,640 --> 01:28:12,040
Speaker 2: creative with appetizers. Seafood restaurants I'm looking at you, like,

1876
01:28:12,160 --> 01:28:14,080
Speaker 2: come on, let's get the raw bar together.

1877
01:28:14,280 --> 01:28:15,599
Speaker 3: That's quite enough. That's one minute.

1878
01:28:15,960 --> 01:28:18,880
Speaker 2: Well, I just feel I don't think anyone agrees with me.

1879
01:28:19,160 --> 01:28:21,360
Speaker 4: See I agree, I don't think. I mean, but I

1880
01:28:21,360 --> 01:28:23,720
Speaker 4: also never had it. I don't want to eat them.

1881
01:28:23,800 --> 01:28:24,559
Speaker 2: You don't want to eat them.

1882
01:28:24,600 --> 01:28:25,320
Speaker 4: I don't want to eat them.

1883
01:28:25,360 --> 01:28:28,040
Speaker 5: I think it's better for the world.

1884
01:28:26,920 --> 01:28:28,559
Speaker 2: Yeah, I hear that deeply.

1885
01:28:28,760 --> 01:28:30,799
Speaker 5: But to each their own, to each their own.

1886
01:28:31,439 --> 01:28:32,960
Speaker 2: Because you're right, it is better for the world. I mean,

1887
01:28:33,000 --> 01:28:35,120
Speaker 2: when Natalie Portman came out with that documentary that was

1888
01:28:35,240 --> 01:28:38,080
Speaker 2: did you ever watch her doc No Eating Animals? That

1889
01:28:38,160 --> 01:28:39,719
Speaker 2: was what it was called, And it was so crazy

1890
01:28:39,760 --> 01:28:42,120
Speaker 2: to watch her due press for it because she was like, listen,

1891
01:28:42,680 --> 01:28:46,360
Speaker 2: my documentary does talk about how it's much much better

1892
01:28:46,400 --> 01:28:47,680
Speaker 2: for the world for us to not do it. But

1893
01:28:47,680 --> 01:28:49,360
Speaker 2: I'm not telling you not to. I'm just here with

1894
01:28:49,400 --> 01:28:52,120
Speaker 2: my documentary. Yeah, and like, watch it or don't. This

1895
01:28:52,160 --> 01:28:54,639
Speaker 2: is the choice I made for myself. But I don't

1896
01:28:54,920 --> 01:28:55,559
Speaker 2: that you're wrong.

1897
01:28:55,600 --> 01:28:56,280
Speaker 4: I'm just right.

1898
01:28:56,520 --> 01:28:58,759
Speaker 2: Yeah, I'm just right.

1899
01:28:59,600 --> 01:29:04,080
Speaker 3: Which is a vibews can be true, Yeah, two things

1900
01:29:04,120 --> 01:29:04,679
Speaker 3: can be true.

1901
01:29:04,800 --> 01:29:07,439
Speaker 2: It's not that you're wrong. I'm just right. Right.

1902
01:29:07,479 --> 01:29:11,880
Speaker 3: Absolutely, I'm right and you might be wrong. I'm big

1903
01:29:11,960 --> 01:29:17,280
Speaker 3: and you're small. What's that round trunch bull? The legend's

1904
01:29:17,400 --> 01:29:19,000
Speaker 3: name trunch crunch bowl.

1905
01:29:19,160 --> 01:29:21,679
Speaker 4: I have a question. Yeah, should my thing be about

1906
01:29:21,840 --> 01:29:23,519
Speaker 4: my the Tower of Terror?

1907
01:29:23,880 --> 01:29:27,160
Speaker 2: Absolutely? Yes, yes, hold on, when I get it, do

1908
01:29:27,240 --> 01:29:30,040
Speaker 2: you want to go in that pull it up?

1909
01:29:30,240 --> 01:29:31,880
Speaker 3: I just I do want to say. I want to

1910
01:29:31,880 --> 01:29:34,240
Speaker 3: push back and say that you cannot say that anyone

1911
01:29:34,240 --> 01:29:37,000
Speaker 3: who likes Klamari is not is unimaginative when it comes

1912
01:29:37,040 --> 01:29:38,040
Speaker 3: to appetizers.

1913
01:29:38,560 --> 01:29:40,559
Speaker 2: I just think that you're there.

1914
01:29:41,120 --> 01:29:44,120
Speaker 3: All the sauces you named for wings can easily be

1915
01:29:44,400 --> 01:29:46,720
Speaker 3: slathered onto, but you don't want to talk about it

1916
01:29:46,800 --> 01:29:49,559
Speaker 3: like that. I'm just offering up my my rebuttal. That's

1917
01:29:49,560 --> 01:29:55,040
Speaker 3: all you are, Queen. I love Calamary.

1918
01:29:55,600 --> 01:29:57,800
Speaker 5: Have you ever watched the like my best friend.

1919
01:29:57,560 --> 01:30:02,559
Speaker 4: The Octopus Octimus Teacher Teacher, that's what it's called for

1920
01:30:02,640 --> 01:30:03,320
Speaker 4: dads for sure.

1921
01:30:03,360 --> 01:30:04,599
Speaker 2: My dad loves that.

1922
01:30:04,680 --> 01:30:05,400
Speaker 4: For dads and me.

1923
01:30:05,880 --> 01:30:10,320
Speaker 2: Dad, you know what I've said, like four times Blackfish. Yeah,

1924
01:30:10,360 --> 01:30:16,600
Speaker 2: that watch doesn't stay with you after mental illness that

1925
01:30:16,720 --> 01:30:18,559
Speaker 2: no one can tell me what it is. The things

1926
01:30:18,600 --> 01:30:24,680
Speaker 2: I do Twitter will tell you come on one day.

1927
01:30:24,680 --> 01:30:26,000
Speaker 2: They all came from me. They were like Matt has

1928
01:30:26,000 --> 01:30:29,160
Speaker 2: adhd and I was like stop and then I was now,

1929
01:30:29,240 --> 01:30:30,000
Speaker 2: I'm like, I do.

1930
01:30:31,880 --> 01:30:32,320
Speaker 4: They tell me?

1931
01:30:32,360 --> 01:30:35,760
Speaker 5: I have a lot of things God, And you know

1932
01:30:37,080 --> 01:30:37,559
Speaker 5: I'm kidding.

1933
01:30:38,080 --> 01:30:40,320
Speaker 4: I'm joking. You're actually invasive and scary.

1934
01:30:40,840 --> 01:30:42,920
Speaker 2: I look at them like, what do I say? I

1935
01:30:43,160 --> 01:30:45,040
Speaker 2: write that down? That down?

1936
01:30:45,240 --> 01:30:49,320
Speaker 5: Know, just wrong and loud and.

1937
01:30:48,400 --> 01:30:49,080
Speaker 2: Wrong and loud.

1938
01:30:49,160 --> 01:30:51,360
Speaker 5: Yeah, that's toxic.

1939
01:30:51,520 --> 01:30:54,920
Speaker 2: Ready to be right in loud? Yeah yeah, So here

1940
01:30:54,960 --> 01:30:57,519
Speaker 2: comes Bowen Yang. By the way, I was showing Ari

1941
01:30:57,680 --> 01:30:59,920
Speaker 2: the intermediate playlist, this is.

1942
01:31:02,120 --> 01:31:02,240
Speaker 1: One.

1943
01:31:02,680 --> 01:31:05,960
Speaker 2: Okay, so bow and Yang locked loaded, ready to rip,

1944
01:31:06,120 --> 01:31:10,639
Speaker 2: roar and ride. I don't think so, honey. Time starts now.

1945
01:31:10,720 --> 01:31:13,720
Speaker 3: I don't think so honey, Ginger. I don't like the

1946
01:31:13,760 --> 01:31:15,880
Speaker 3: way you're shaped. I go to the grocery store. You're

1947
01:31:16,320 --> 01:31:21,800
Speaker 3: you're shaped like branched dicks. And I don't like how

1948
01:31:21,840 --> 01:31:23,479
Speaker 3: you slice into it and you leave it on the

1949
01:31:23,520 --> 01:31:27,680
Speaker 3: counter and it becomes stringy. And then Nigella loss And

1950
01:31:27,760 --> 01:31:31,840
Speaker 3: describes ginger as having a spicy warmth. I go, shut up,

1951
01:31:32,360 --> 01:31:35,760
Speaker 3: it is it doesn't do anything. When was the last

1952
01:31:35,760 --> 01:31:38,160
Speaker 3: time a ginger shot kept you from having a cold?

1953
01:31:38,320 --> 01:31:44,080
Speaker 2: Me? Yeah, damn it. It is it is. It is

1954
01:31:44,160 --> 01:31:48,240
Speaker 2: not pulling its weight anymore. Ginger. You think it's the placebo, y'all.

1955
01:31:48,320 --> 01:31:51,400
Speaker 3: I'm telling you for a fact, it is not actually

1956
01:31:51,479 --> 01:31:55,240
Speaker 3: doing anything. You're you're eating something spicy and gross and

1957
01:31:55,280 --> 01:31:59,400
Speaker 3: it's not actually good anymore. And Ginger has making all

1958
01:31:59,439 --> 01:32:02,120
Speaker 3: these can is now that make make you feel like

1959
01:32:02,120 --> 01:32:04,599
Speaker 3: you're supposed to be healthy. No, I don't think somebody ginger,

1960
01:32:04,640 --> 01:32:06,800
Speaker 3: you're shaped weird. I don't think we're ever supposed to

1961
01:32:06,840 --> 01:32:09,080
Speaker 3: have eaten you. We're supposed to letting you grow in

1962
01:32:09,240 --> 01:32:12,519
Speaker 3: the ground and take roots. That's one meant to be buried.

1963
01:32:12,560 --> 01:32:14,120
Speaker 3: Look at the faces of your friends.

1964
01:32:14,320 --> 01:32:15,880
Speaker 2: They're laughing. They're laughing.

1965
01:32:16,040 --> 01:32:17,360
Speaker 4: I couldn't have been a us.

1966
01:32:18,240 --> 01:32:21,599
Speaker 2: I think they're laughing at us. If you're laughing at us,

1967
01:32:21,920 --> 01:32:29,000
Speaker 2: say whoa, oh no, no, thank.

1968
01:32:28,760 --> 01:32:30,960
Speaker 4: You, thank you God, thank you.

1969
01:32:31,080 --> 01:32:31,280
Speaker 2: Well.

1970
01:32:31,360 --> 01:32:33,640
Speaker 3: I think, well now we're both embarrassed. You stand by

1971
01:32:33,640 --> 01:32:35,479
Speaker 3: your calamari. I don't think soonny, this is a disaster.

1972
01:32:35,800 --> 01:32:36,200
Speaker 2: Ginger.

1973
01:32:36,479 --> 01:32:37,760
Speaker 4: Ginger is fabulous.

1974
01:32:37,840 --> 01:32:42,200
Speaker 3: Yeah, I've always thought so until I used it for

1975
01:32:42,240 --> 01:32:44,439
Speaker 3: a dish yesterday and I went, what was the dish?

1976
01:32:45,000 --> 01:32:45,439
Speaker 2: A curry?

1977
01:32:46,200 --> 01:32:49,400
Speaker 4: It belongs it has to be in curry doesn't.

1978
01:32:49,080 --> 01:32:54,280
Speaker 3: It You would think too much, well much too much?

1979
01:32:54,760 --> 01:32:56,160
Speaker 2: Did you just put too much in?

1980
01:32:57,760 --> 01:33:01,320
Speaker 3: That's on Ginger, that can happen, that's Inger, much.

1981
01:33:01,240 --> 01:33:04,880
Speaker 4: Like Starnice has a big presence, sucks up all the

1982
01:33:04,920 --> 01:33:08,240
Speaker 4: space in the room. Certain flavors really can't be You

1983
01:33:08,320 --> 01:33:09,599
Speaker 4: can't share a dish with them.

1984
01:33:10,120 --> 01:33:12,000
Speaker 5: I think they're very self conscious about it.

1985
01:33:12,080 --> 01:33:15,719
Speaker 4: I think Starnesse comes into the room and is like, Hi, hey,

1986
01:33:15,920 --> 01:33:17,719
Speaker 4: I'm sorry, it's.

1987
01:33:17,560 --> 01:33:20,519
Speaker 5: Going to see and claries like fuck.

1988
01:33:22,280 --> 01:33:24,479
Speaker 2: I don't think people know you as a culinary icon.

1989
01:33:24,760 --> 01:33:26,640
Speaker 2: You are has it been something you're holding back from

1990
01:33:26,680 --> 01:33:27,040
Speaker 2: the world?

1991
01:33:27,280 --> 01:33:30,160
Speaker 5: Well, I mean, I don't think I'm a culinary icon.

1992
01:33:30,320 --> 01:33:33,000
Speaker 4: I'll say Jada is shook.

1993
01:33:33,240 --> 01:33:36,280
Speaker 2: Jada is shaking. I do like to don't you feel

1994
01:33:36,320 --> 01:33:40,800
Speaker 2: Jada shaking? I think Jadas is shaking. What does Jonda

1995
01:33:40,800 --> 01:33:42,479
Speaker 2: delient just have anything to do with? I think Joda

1996
01:33:42,520 --> 01:33:46,120
Speaker 2: Delarentis is watching this right now being like, fuck, Marianna

1997
01:33:46,240 --> 01:33:49,400
Speaker 2: is good as she's coming from me cooking. She's cooking now.

1998
01:33:49,560 --> 01:33:52,000
Speaker 4: I am cooking. I am cooking. I like to cook.

1999
01:33:53,120 --> 01:33:55,040
Speaker 5: I do you think that's enough of that?

2000
01:33:56,360 --> 01:33:57,840
Speaker 4: I don't think there's life there. I don't think that's

2001
01:33:57,880 --> 01:34:02,519
Speaker 4: interesting or adds value to this podcast, asked a ship,

2002
01:34:02,960 --> 01:34:04,240
Speaker 4: Am I going to sit here and talk about like

2003
01:34:04,360 --> 01:34:06,479
Speaker 4: roasting mushrooms for the next ten minutes?

2004
01:34:07,479 --> 01:34:16,519
Speaker 2: WHOA, that's amazing. Tell more about that, honestly, anyone like King.

2005
01:34:16,439 --> 01:34:18,400
Speaker 5: Oyster trumpet, like the trumpet ones, the.

2006
01:34:18,360 --> 01:34:20,639
Speaker 2: Trumpet mushrooms, the trumpet ones, I do like those.

2007
01:34:20,680 --> 01:34:23,400
Speaker 5: There's so many different ways you can work those, guys.

2008
01:34:23,160 --> 01:34:26,439
Speaker 2: You know, so many differents you can work.

2009
01:34:27,960 --> 01:34:32,040
Speaker 4: Crazy, especially something that looks as falic as it does

2010
01:34:32,320 --> 01:34:34,680
Speaker 4: so many but you can make them into little like

2011
01:34:36,840 --> 01:34:38,599
Speaker 4: you can make them into scallops if you just all

2012
01:34:38,640 --> 01:34:44,680
Speaker 4: tell them like that, or you can chop themisast like

2013
01:34:44,760 --> 01:34:46,160
Speaker 4: make them in their little chips.

2014
01:34:46,360 --> 01:34:49,280
Speaker 2: Yeah, I want to take her to Brooklyn Crab. Yeah,

2015
01:34:50,240 --> 01:34:54,160
Speaker 2: the restaurant in Red Hook. You can't take me, you.

2016
01:34:54,479 --> 01:34:55,679
Speaker 5: Drink, I can have the sides.

2017
01:34:57,360 --> 01:34:59,880
Speaker 4: That's the one thing you really get to know, this

2018
01:35:00,360 --> 01:35:02,920
Speaker 4: sides queen. It's like kind of the Saudi's finish? Is

2019
01:35:02,920 --> 01:35:06,559
Speaker 4: it in butter? You got to ask, don't you know?

2020
01:35:07,520 --> 01:35:08,880
Speaker 2: Well, speaking of I told you.

2021
01:35:08,840 --> 01:35:10,519
Speaker 5: That wasn't going to go anywhere.

2022
01:35:10,560 --> 01:35:14,439
Speaker 2: Serving up a dish here it is? So are you ready?

2023
01:35:14,439 --> 01:35:16,439
Speaker 2: Because oh yes, so this is the moment, and it

2024
01:35:16,439 --> 01:35:18,120
Speaker 2: feels like you've now thought.

2025
01:35:18,240 --> 01:35:19,800
Speaker 4: Well, I didn't know what I was going to do,

2026
01:35:19,840 --> 01:35:22,040
Speaker 4: but I feel like now that we've talked about it.

2027
01:35:22,000 --> 01:35:23,559
Speaker 5: I should use my letter.

2028
01:35:23,800 --> 01:35:26,519
Speaker 2: Absolutely. Now is the time use the letter. It's time

2029
01:35:26,520 --> 01:35:29,240
Speaker 2: for everyone to hear the letter. This is a gand times,

2030
01:35:31,120 --> 01:35:32,400
Speaker 2: so this is gonna be a different take. And I

2031
01:35:32,439 --> 01:35:35,040
Speaker 2: don't think sowney. This is an historical artifact. It's a

2032
01:35:35,040 --> 01:35:38,400
Speaker 2: written document that really serves as an I don't think so.

2033
01:35:38,520 --> 01:35:41,240
Speaker 3: Honey, and here we go, here we go. This is

2034
01:35:41,280 --> 01:35:43,840
Speaker 3: Ariana Grande's I don't think so, honey. Her time starts now.

2035
01:35:44,560 --> 01:35:46,719
Speaker 4: I don't think so, honey. The guardians of the Galaxy

2036
01:35:46,800 --> 01:35:51,040
Speaker 4: ride in Disneyland, California, No offense said with much love

2037
01:35:51,080 --> 01:35:54,000
Speaker 4: and respect, an open letter to Disney World, Orlando.

2038
01:35:54,040 --> 01:35:55,519
Speaker 5: Hello, I hope this finds you well. My name is

2039
01:35:55,520 --> 01:35:56,080
Speaker 5: Ariana Grande.

2040
01:35:56,120 --> 01:35:57,800
Speaker 4: I've been a frequent visitor and a great admirer of

2041
01:35:57,800 --> 01:35:59,720
Speaker 4: your park since I can remember. Some of my fond

2042
01:35:59,760 --> 01:36:02,760
Speaker 4: is the Professional Memories have been collaborating on my cover

2043
01:36:02,800 --> 01:36:05,080
Speaker 4: of Allan Makin and David Zipple's tremendous hit Zero to

2044
01:36:05,080 --> 01:36:07,720
Speaker 4: Hero and performing in front of Cinderella's Castle along a

2045
01:36:07,760 --> 01:36:11,080
Speaker 4: magnificent choir that you so graciously provided. Further, some of

2046
01:36:11,080 --> 01:36:14,799
Speaker 4: my oldest and warmest personal memories include spotting hidden mickeys

2047
01:36:14,800 --> 01:36:16,920
Speaker 4: across the parks, driving up from Boca on the weekends,

2048
01:36:16,960 --> 01:36:19,200
Speaker 4: counting the purple signs, knowing we were nearing your parks,

2049
01:36:19,280 --> 01:36:22,519
Speaker 4: and alas Dot da data Dot doa dat riding the

2050
01:36:22,760 --> 01:36:25,639
Speaker 4: absolute masterpiece that is the Twilight Zone Tower of Terror

2051
01:36:25,680 --> 01:36:27,920
Speaker 4: for the first time once I was finally tall enough.

2052
01:36:28,400 --> 01:36:30,759
Speaker 4: Perhaps this message comes prematurely, but I would be remiss

2053
01:36:30,760 --> 01:36:32,320
Speaker 4: if I did not reach out with a potential matter

2054
01:36:32,360 --> 01:36:34,400
Speaker 4: of grave concern in the wake of the most recent

2055
01:36:34,400 --> 01:36:38,439
Speaker 4: alterations that have befallen your historic Pulse Park in California. Yes,

2056
01:36:38,479 --> 01:36:40,800
Speaker 4: I am referring to the calamitous loss slash makeover of

2057
01:36:40,840 --> 01:36:43,519
Speaker 4: the Tower of Terror. Ride here, I humbly implore you

2058
01:36:43,560 --> 01:36:47,160
Speaker 4: to not follow suit. Please allow the iconic and tremendous

2059
01:36:47,439 --> 01:36:50,479
Speaker 4: Tower of Terror to stand tall permanently in the name

2060
01:36:50,479 --> 01:36:54,000
Speaker 4: of historical preservation, spooky honor, and good old fashioned fun.

2061
01:36:54,120 --> 01:36:55,680
Speaker 4: I hope that you'll consider this humble plea from a

2062
01:36:55,720 --> 01:36:59,479
Speaker 4: passionate fan and my way over while asking that my

2063
01:36:59,520 --> 01:37:02,760
Speaker 4: own pastn't devoted fans signed the attached change dot org

2064
01:37:02,800 --> 01:37:06,080
Speaker 4: petition just in case. I never posted this, but I

2065
01:37:06,160 --> 01:37:10,439
Speaker 4: really wanted to me and that's one minute best. My

2066
01:37:10,439 --> 01:37:12,800
Speaker 4: best friend Aaron and I worked on this together during

2067
01:37:12,840 --> 01:37:13,480
Speaker 4: the pandemic.

2068
01:37:13,960 --> 01:37:15,240
Speaker 2: You can tell it went through drafts.

2069
01:37:15,360 --> 01:37:19,439
Speaker 5: Yeah, absolutely, the votecab yeah yeah, yeah.

2070
01:37:19,320 --> 01:37:22,479
Speaker 2: Yeah you and did they so you never sent it?

2071
01:37:22,560 --> 01:37:25,040
Speaker 4: No, I never posted it, but I was ready, but

2072
01:37:25,080 --> 01:37:26,960
Speaker 4: it felt like there were more important things going on

2073
01:37:27,080 --> 01:37:31,439
Speaker 4: in the world, so I didn't. I don't know, this

2074
01:37:31,600 --> 01:37:33,840
Speaker 4: was really up there. I'm kidding is here's the thing,

2075
01:37:33,920 --> 01:37:36,800
Speaker 4: like joking, but it's not a joke.

2076
01:37:36,960 --> 01:37:39,360
Speaker 2: You know. I once created a change dot org petition

2077
01:37:39,800 --> 01:37:42,080
Speaker 2: for Disney World and it actually got a lot of signature.

2078
01:37:42,200 --> 01:37:44,519
Speaker 2: Really was I did not want them to make Donald

2079
01:37:44,560 --> 01:37:45,879
Speaker 2: Trump in the Hall of Presidents.

2080
01:37:46,120 --> 01:37:46,360
Speaker 1: Good.

2081
01:37:46,439 --> 01:37:48,520
Speaker 2: I was like, I was like, this would be ridiculous,

2082
01:37:48,560 --> 01:37:51,160
Speaker 2: and they did do it. And then they did.

2083
01:37:51,439 --> 01:37:52,240
Speaker 4: Oh they put them there.

2084
01:37:52,920 --> 01:37:55,920
Speaker 2: That's so famously they what you know what I'm going

2085
01:37:56,000 --> 01:37:59,880
Speaker 2: to say. So they started to make a Hillary animatronic

2086
01:38:00,040 --> 01:38:03,080
Speaker 2: because everyone was so positive. So when you go down

2087
01:38:03,160 --> 01:38:05,479
Speaker 2: to if you ever go to the Hall of Presidents

2088
01:38:05,479 --> 01:38:08,000
Speaker 2: and you see the Donald Trump atamatronic, he kind of

2089
01:38:08,000 --> 01:38:09,040
Speaker 2: has Hillary's face.

2090
01:38:09,640 --> 01:38:11,200
Speaker 5: No, what are you talking about.

2091
01:38:11,400 --> 01:38:14,559
Speaker 2: I'm talking about exactly what I said, Oriana, I'm talking

2092
01:38:14,600 --> 01:38:19,320
Speaker 2: about exactly what. But literally he's got the face shape.

2093
01:38:19,400 --> 01:38:26,400
Speaker 2: You can confirm this, right, So he's he's gone her face.

2094
01:38:27,320 --> 01:38:31,160
Speaker 2: I can't say anymore. Well, I'll post it. But like

2095
01:38:31,640 --> 01:38:35,000
Speaker 2: I did a change dot org and it did some numbers.

2096
01:38:34,720 --> 01:38:36,760
Speaker 3: And we will and we will post the change dot

2097
01:38:36,880 --> 01:38:38,720
Speaker 3: org petition that you're referring to.

2098
01:38:38,760 --> 01:38:41,240
Speaker 5: You know what, I I don't want to rock the boat.

2099
01:38:42,640 --> 01:38:47,840
Speaker 2: That's it. This is a duty. The boat rocked as

2100
01:38:48,680 --> 01:38:48,920
Speaker 2: it is.

2101
01:38:51,200 --> 01:38:54,360
Speaker 3: It's okay, I say goodbye.

2102
01:38:54,640 --> 01:38:59,360
Speaker 2: Why was this so good? I literally I had been waiting.

2103
01:38:59,040 --> 01:39:02,160
Speaker 5: To meet you every finally met I know.

2104
01:39:02,439 --> 01:39:04,479
Speaker 2: And also I felt like it was the Essenal after

2105
01:39:04,520 --> 01:39:06,320
Speaker 2: party and it was so there was so much going on.

2106
01:39:06,479 --> 01:39:07,360
Speaker 2: I literally like.

2107
01:39:07,520 --> 01:39:10,160
Speaker 4: You had a glow around you, you had a halo around

2108
01:39:10,240 --> 01:39:12,920
Speaker 4: you coming towards me, and it felt like an angel

2109
01:39:12,960 --> 01:39:15,960
Speaker 4: descended from the heavens. I was literally like this person, wait,

2110
01:39:16,080 --> 01:39:18,439
Speaker 4: I literally because we have a messaged and I know

2111
01:39:18,560 --> 01:39:21,920
Speaker 4: you and we know now. Yeah, absolutely, but I was

2112
01:39:22,000 --> 01:39:24,640
Speaker 4: just I told Boone, I was like, oh my goodness,

2113
01:39:24,960 --> 01:39:28,360
Speaker 4: he has such a disarmingly warm energy.

2114
01:39:28,720 --> 01:39:32,080
Speaker 5: I am so obsessed with him.

2115
01:39:32,680 --> 01:39:34,960
Speaker 2: Well, I mean I felt like I was like I

2116
01:39:35,000 --> 01:39:36,840
Speaker 2: was like meeting Ari and so it was just like

2117
01:39:36,960 --> 01:39:38,280
Speaker 2: I like, I give her a hug, and I'm like,

2118
01:39:38,560 --> 01:39:40,400
Speaker 2: I just want to say that, you know, And I

2119
01:39:40,439 --> 01:39:42,439
Speaker 2: started to like, I was like, I have this conversation

2120
01:39:42,479 --> 01:39:45,000
Speaker 2: with her later about how meaningful it is to me

2121
01:39:45,439 --> 01:39:48,120
Speaker 2: that you were there for him when he was going

2122
01:39:48,160 --> 01:39:52,680
Speaker 2: through things, and I just like, I've like, you know

2123
01:39:52,720 --> 01:39:54,839
Speaker 2: what I'm saying. Yeah, I just always felt very connected

2124
01:39:54,840 --> 01:39:58,120
Speaker 2: to you because I could tell that my friend had

2125
01:39:58,160 --> 01:40:03,760
Speaker 2: a friend. So anyway, that's how I feel about that.

2126
01:40:04,120 --> 01:40:08,080
Speaker 2: And you just are such a sensation in this movie

2127
01:40:08,479 --> 01:40:12,160
Speaker 2: and in everything you do, and we love you.

2128
01:40:12,439 --> 01:40:16,200
Speaker 3: We knew you used to sing for good.

2129
01:40:16,439 --> 01:40:18,360
Speaker 5: I'm need to hear that.

2130
01:40:18,560 --> 01:40:22,600
Speaker 2: Yeah, I was off of that. I'm glad that's tracks

2131
01:40:22,680 --> 01:40:24,320
Speaker 2: it does. We actually had it.

2132
01:40:24,400 --> 01:40:25,960
Speaker 3: We had we had it together there for a while.

2133
01:40:26,000 --> 01:40:27,400
Speaker 3: We had a great rendition.

2134
01:40:27,640 --> 01:40:30,080
Speaker 4: There was once a video of us, Like, I feel

2135
01:40:30,080 --> 01:40:31,880
Speaker 4: like I have seen it, but I want I want

2136
01:40:31,880 --> 01:40:32,639
Speaker 4: to see it in person.

2137
01:40:32,720 --> 01:40:35,920
Speaker 2: Yeah, you know, we gotta do it. We'll do it soon. Well,

2138
01:40:35,960 --> 01:40:39,120
Speaker 2: there's Sunday. But it's so emotional to get through. Oh,

2139
01:40:39,240 --> 01:40:42,080
Speaker 2: forget about for Good. That must have been crazy shooting that.

2140
01:40:42,320 --> 01:40:45,120
Speaker 4: I was hovering outside my body for two weeks. And

2141
01:40:45,160 --> 01:40:48,400
Speaker 4: also we shot it on a rain cover day, so

2142
01:40:48,439 --> 01:40:50,360
Speaker 4: it wasn't even supposed to be When we were shooting.

2143
01:40:50,360 --> 01:40:53,680
Speaker 4: It got you, which I loved because I love not

2144
01:40:54,200 --> 01:40:57,439
Speaker 4: over rehearsing or knowing fully. You know, when you know

2145
01:40:57,479 --> 01:40:58,920
Speaker 4: the girls, you can just jump in and do it,

2146
01:40:59,080 --> 01:41:01,640
Speaker 4: but you know it's fine, and we just were. It

2147
01:41:01,680 --> 01:41:04,360
Speaker 4: was a lot we had to do. Movie two's going

2148
01:41:04,439 --> 01:41:07,040
Speaker 4: to be a lot. We're not allowed to talk about

2149
01:41:07,080 --> 01:41:09,080
Speaker 4: it much, but I just will say it's going to

2150
01:41:09,120 --> 01:41:10,040
Speaker 4: feel different.

2151
01:41:10,120 --> 01:41:11,400
Speaker 2: Than every one.

2152
01:41:11,439 --> 01:41:12,040
Speaker 4: I haven't seen it.

2153
01:41:12,120 --> 01:41:13,920
Speaker 2: Everyone that was like it should be one movie, Like

2154
01:41:14,080 --> 01:41:15,120
Speaker 2: you're gonna feel silly, you know.

2155
01:41:15,439 --> 01:41:18,200
Speaker 4: I think you understand once you see it that there's

2156
01:41:18,240 --> 01:41:20,479
Speaker 4: just simply too much. There's too much to get through

2157
01:41:20,520 --> 01:41:24,880
Speaker 4: that deserves and needs to be honored and explored and

2158
01:41:25,040 --> 01:41:29,120
Speaker 4: fully fully represented. We got one shot to make these

2159
01:41:29,120 --> 01:41:32,040
Speaker 4: movies until they remake it and you know and whatever. Yeah,

2160
01:41:32,200 --> 01:41:34,519
Speaker 4: but we had to get it right. There's so much

2161
01:41:34,560 --> 01:41:36,160
Speaker 4: story that deserves the time.

2162
01:41:37,120 --> 01:41:39,559
Speaker 2: Thank you.

2163
01:41:38,760 --> 01:41:43,720
Speaker 4: You are brilliant. I love you both so much.

2164
01:41:43,760 --> 01:41:44,720
Speaker 2: Thank you for loving me.

2165
01:41:44,800 --> 01:41:45,679
Speaker 4: This was so much fun.

2166
01:41:46,080 --> 01:41:50,560
Speaker 2: We end every episode with this song, switching the positions

2167
01:41:50,600 --> 01:41:55,639
Speaker 2: for you indroom not you not knowing it in front

2168
01:41:55,640 --> 01:41:55,880
Speaker 2: of her.

2169
01:41:57,120 --> 01:42:02,200
Speaker 4: I know it's a strange key.

2170
01:42:04,920 --> 01:42:07,519
Speaker 2: We're done fine.

2171
01:42:08,400 --> 01:42:10,519
Speaker 3: Last Culture Racist is the production by Will Harreld's Big

2172
01:42:10,560 --> 01:42:11,799
Speaker 3: Money Players and I Heard Radio.

2173
01:42:11,640 --> 01:42:15,040
Speaker 2: Podcasts created and hosted by Matt Rodgers and Bowen Yang.

2174
01:42:15,200 --> 01:42:18,880
Speaker 2: Executive produced by Anna Hasnier and Hans Soni, produced by.

2175
01:42:18,720 --> 01:42:22,080
Speaker 3: Beck Ramos, edited mixed by Doug bamim Anika Bord and our.

2176
01:42:22,040 --> 01:42:29,200
Speaker 2: Music is by Henk. Hey everybody, it's me Matt Rogers

2177
01:42:29,280 --> 01:42:29,720
Speaker 2: letting you know.

2178
01:42:29,760 --> 01:42:32,160
Speaker 1: Tickets are on sale now to see me on tour,

2179
01:42:32,560 --> 01:42:35,040
Speaker 1: the Prince of Christmas Tour, that is, I'm doing my

2180
01:42:35,080 --> 01:42:37,479
Speaker 1: whole album Have You Heard of Christmas? Plus a lot

2181
01:42:37,520 --> 01:42:40,080
Speaker 1: more with the whole band all throughout December. Go to

2182
01:42:40,240 --> 01:42:41,559
Speaker 1: www dot.

2183
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Speaker 2: Matt Rodgers Official dot com. See me in a city

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Speaker 2: near you