1
00:00:00,080 --> 00:00:03,440
Speaker 1: Dearest friends and family. There is an insane new show

2
00:00:03,480 --> 00:00:05,320
Speaker 1: coming to Forever Dog that is going to blow your

3
00:00:05,320 --> 00:00:08,320
Speaker 1: mind and you have to subscribe right now. It's called Beyond,

4
00:00:08,680 --> 00:00:11,280
Speaker 1: and it's by one of our favorite individuals in this

5
00:00:12,080 --> 00:00:16,920
Speaker 1: entire world, Mike Helton. And if you love stuff like horoscopes, aliens,

6
00:00:17,000 --> 00:00:21,000
Speaker 1: or ghosts, spooky ghosts, non spooky ghost ghost of all types,

7
00:00:21,360 --> 00:00:24,000
Speaker 1: you are not going to want to miss this. Beyond

8
00:00:24,120 --> 00:00:28,360
Speaker 1: follows comedian, producer and most importantly, former loss culturista's guest

9
00:00:28,480 --> 00:00:32,680
Speaker 1: Mike Helton as he uses supernatural forces to solve everyday problems.

10
00:00:32,680 --> 00:00:34,760
Speaker 1: That's right, instead of just going to therapy like a

11
00:00:34,800 --> 00:00:38,320
Speaker 1: normal person. Mike works with which is medium's, ghost hunters,

12
00:00:38,320 --> 00:00:41,840
Speaker 1: cult leaders, healers, potion makers, astrologers, and more. Can which

13
00:00:41,880 --> 00:00:45,200
Speaker 1: solve his dog's aggression issues. Can of hypnotist cure Mike's

14
00:00:45,240 --> 00:00:47,879
Speaker 1: diet coke habit Can Mike use his powers as an

15
00:00:47,880 --> 00:00:50,400
Speaker 1: EmPATH to help exercise a demon from a thrift store

16
00:00:50,400 --> 00:00:52,440
Speaker 1: and in the East Village, Well, I'm not gonna tell you,

17
00:00:52,440 --> 00:00:54,360
Speaker 1: you're gonna have to subscribe in list another show. In

18
00:00:54,400 --> 00:00:56,400
Speaker 1: the first episode, Mike gets help from a medium to

19
00:00:56,440 --> 00:01:00,000
Speaker 1: connect with his deceased grandfather. It's such a terrific episode

20
00:01:00,000 --> 00:01:03,000
Speaker 1: of podcasting. Please check it out. Yeah, we actually saw

21
00:01:03,200 --> 00:01:05,280
Speaker 1: h p J right after they recorded that episode, and

22
00:01:05,280 --> 00:01:08,520
Speaker 1: he was he was fully shown. It was like, truly

23
00:01:08,600 --> 00:01:12,520
Speaker 1: like some sort of significant world event. It just happened.

24
00:01:12,520 --> 00:01:14,680
Speaker 1: There was an energy in the room. It was gorgeous,

25
00:01:14,680 --> 00:01:16,880
Speaker 1: like we felt it was. It was amazing. I can't

26
00:01:16,880 --> 00:01:18,720
Speaker 1: wait for that. And we haven't even told you the

27
00:01:18,760 --> 00:01:22,959
Speaker 1: best part. NYC listeners can catch the live premier show Monday,

28
00:01:22,959 --> 00:01:26,800
Speaker 1: September at Caveat. There's gonna be comedy, music and a

29
00:01:26,920 --> 00:01:30,160
Speaker 1: medium who will be telling stories about real evil demons

30
00:01:30,360 --> 00:01:33,920
Speaker 1: who tried to kill him, and he might even try

31
00:01:33,920 --> 00:01:36,600
Speaker 1: to connect an audience member with the deceased. That's money

32
00:01:36,600 --> 00:01:38,840
Speaker 1: well spent. Y'all go to Caveat, Done n y C

33
00:01:39,000 --> 00:01:41,040
Speaker 1: for ticket. I think I'm really gonna go. I'm gonna go. So,

34
00:01:41,120 --> 00:01:43,280
Speaker 1: whether you're a believer in this stuff or not at all,

35
00:01:43,360 --> 00:01:46,479
Speaker 1: join Mike for an open minded, hilarious, and emotional journey

36
00:01:46,480 --> 00:01:49,320
Speaker 1: through the incredible world of all things spiritual, spooky, and

37
00:01:49,400 --> 00:01:52,960
Speaker 1: down right beyond. Subscribe to be on today on Apple

38
00:01:53,040 --> 00:02:02,800
Speaker 1: Podcasts or wherever you get your podcasts. Look man, oh

39
00:02:02,840 --> 00:02:10,320
Speaker 1: I see you my look over there? How is that culture? Yes, goodness,

40
00:02:10,600 --> 00:02:18,160
Speaker 1: ding dong les culture. Here's the actuality. Okay, yesterday I

41
00:02:18,200 --> 00:02:23,399
Speaker 1: was at my beloved Famili's home, beloved and my mother

42
00:02:23,440 --> 00:02:26,080
Speaker 1: had made her food and we were eating the food

43
00:02:26,080 --> 00:02:27,680
Speaker 1: and I eat it a little too fast. And does

44
00:02:27,720 --> 00:02:29,280
Speaker 1: this ever happen to you where it goes down the

45
00:02:29,280 --> 00:02:32,400
Speaker 1: wrong pipe? But it doesn't like it goes into your sinuses?

46
00:02:32,960 --> 00:02:37,800
Speaker 1: Oh no, yeah, that's horrible feeling. Is a meat ball

47
00:02:37,880 --> 00:02:41,240
Speaker 1: in my brain currently right now? And I will come

48
00:02:41,280 --> 00:02:44,960
Speaker 1: and I thought, surely it will have passed. There is

49
00:02:45,000 --> 00:02:48,120
Speaker 1: a piece of food in my sinuses, and I'm starting

50
00:02:48,160 --> 00:02:50,320
Speaker 1: to feel sick. Okay, here's what you do. You're gonna

51
00:02:50,360 --> 00:02:51,920
Speaker 1: go to You're gonna go to your cd as. You're

52
00:02:51,960 --> 00:02:55,359
Speaker 1: gonna buy pot, not anti pot. I mean it's functionally,

53
00:02:55,400 --> 00:02:57,280
Speaker 1: it's the same idea, but just one of those like

54
00:02:57,320 --> 00:03:00,960
Speaker 1: sailing rinces. You gotta flush that out. It feels insane.

55
00:03:01,040 --> 00:03:03,040
Speaker 1: You have a meatball brain. Once I ever tell you

56
00:03:03,080 --> 00:03:04,680
Speaker 1: the story about the one time I ate McDonald's too

57
00:03:04,680 --> 00:03:06,440
Speaker 1: fast in high school and then fries came out of

58
00:03:06,480 --> 00:03:11,320
Speaker 1: my nose. Oh no, okay, this is what I mean,

59
00:03:11,320 --> 00:03:13,440
Speaker 1: that's the whole story. That's the whole story. Okay, okay, okay,

60
00:03:13,600 --> 00:03:15,639
Speaker 1: but listen now, you've got to be careful. I have

61
00:03:15,760 --> 00:03:18,960
Speaker 1: to be careful when you're eating. You got to be

62
00:03:19,000 --> 00:03:21,320
Speaker 1: careful when you're eating. I used to have the worst

63
00:03:21,360 --> 00:03:23,560
Speaker 1: habit of not chewing my food completely and then swallowing

64
00:03:23,560 --> 00:03:26,160
Speaker 1: it and then getting stuck. And I had to what

65
00:03:26,200 --> 00:03:28,920
Speaker 1: do you think that's about? It's Oh, it's about um,

66
00:03:29,240 --> 00:03:32,639
Speaker 1: like what it's about the cultural ergonomics, it's it's it's

67
00:03:32,639 --> 00:03:36,040
Speaker 1: a very Chinese things, very immigrant narrative. It's an immigrant narrative.

68
00:03:36,120 --> 00:03:42,480
Speaker 1: And I was bent over the Costco bathroom hot, bent

69
00:03:42,560 --> 00:03:46,320
Speaker 1: over a gape, but I had it really hot. I

70
00:03:46,360 --> 00:03:48,680
Speaker 1: had like a two inch piece of hot dogs stuck

71
00:03:48,720 --> 00:03:50,840
Speaker 1: in my esophagus for about four hours, and I was

72
00:03:50,880 --> 00:03:54,120
Speaker 1: just in Costco trying to wash it down, and my

73
00:03:54,200 --> 00:03:56,640
Speaker 1: parents just being like, what did we do to how

74
00:03:56,640 --> 00:03:58,640
Speaker 1: did this happen? What did we do to make this happen?

75
00:03:58,640 --> 00:04:00,240
Speaker 1: It's good they were asking those questions, and I do

76
00:04:00,320 --> 00:04:02,320
Speaker 1: blame them, and I do blame them. I do blame

77
00:04:02,400 --> 00:04:05,200
Speaker 1: now um, and I blame us for getting such a

78
00:04:05,200 --> 00:04:08,200
Speaker 1: good guest. I think if we have too good of

79
00:04:08,240 --> 00:04:10,600
Speaker 1: a time tonight. I blame us. I blame us, and

80
00:04:10,880 --> 00:04:13,560
Speaker 1: we're going to have the best time. Can I tell

81
00:04:13,560 --> 00:04:16,760
Speaker 1: you what the party is? What's the party at? Chloe

82
00:04:16,920 --> 00:04:19,839
Speaker 1: is crazy? Chloe is crazy, honey. It is a trove

83
00:04:19,920 --> 00:04:24,080
Speaker 1: of content. Here's every day, each each day, each day,

84
00:04:24,240 --> 00:04:26,840
Speaker 1: sometimes more than once a day, you'll get a treasure trove.

85
00:04:27,040 --> 00:04:29,640
Speaker 1: You'll get and it will become impressions down, it will

86
00:04:29,640 --> 00:04:33,920
Speaker 1: become characters down. It's impressions down. Characters down. Yeah, acting

87
00:04:33,960 --> 00:04:36,880
Speaker 1: moments down, like steering wheel acting or is it's it's

88
00:04:36,920 --> 00:04:41,320
Speaker 1: it's photoshoot moments, it's dance moments, it's street things. Oh

89
00:04:41,360 --> 00:04:44,080
Speaker 1: my gosh. Last night she had this fucking guy who

90
00:04:44,120 --> 00:04:46,800
Speaker 1: was cat calling her, following her, and it was riveting

91
00:04:46,880 --> 00:04:51,120
Speaker 1: to watch. She can turn anything into Academy Award. It's

92
00:04:51,160 --> 00:04:53,400
Speaker 1: truly compelling. I'm gonna tell you where I met this person,

93
00:04:54,200 --> 00:04:56,920
Speaker 1: Catherine Cohen at again, how many times do I say this?

94
00:04:57,560 --> 00:05:03,559
Speaker 1: It's my favorite, It's my favorite, It's my favorite. Henry.

95
00:05:03,600 --> 00:05:06,160
Speaker 1: I was guest hosting for Catherine. Yes, I remember this time.

96
00:05:06,160 --> 00:05:08,840
Speaker 1: I was sitting in the audience. Our guest goes up.

97
00:05:08,880 --> 00:05:12,760
Speaker 1: I was like, oh, she literally Catherine's emailed me like

98
00:05:12,880 --> 00:05:15,120
Speaker 1: in two hours before she was like, Okay, we literally

99
00:05:15,160 --> 00:05:16,680
Speaker 1: this person doesn't tell we must have her on the shop.

100
00:05:16,680 --> 00:05:18,000
Speaker 1: I was like, okay, coo, we'll give me your number.

101
00:05:18,080 --> 00:05:21,920
Speaker 1: Came in Slade did impressions of famous celebrities giving beach.

102
00:05:22,080 --> 00:05:27,880
Speaker 1: It was a moment's Blue Jays b Jo blue Jay's

103
00:05:27,920 --> 00:05:32,440
Speaker 1: from Toronto, Honey, I think so funny. And then just

104
00:05:32,920 --> 00:05:34,920
Speaker 1: and then the moment that you I mean, at this point,

105
00:05:35,360 --> 00:05:37,520
Speaker 1: tens of thousands of people follow her, but at the

106
00:05:37,520 --> 00:05:39,600
Speaker 1: moment that you looked through her stuff, You're just like,

107
00:05:40,160 --> 00:05:44,040
Speaker 1: it's how anyway, we're very bad. She's in town from

108
00:05:44,120 --> 00:05:45,560
Speaker 1: l A. And so we have her on the pod

109
00:05:45,839 --> 00:05:52,600
Speaker 1: and her name is Chloe. This is a big and

110
00:05:52,640 --> 00:05:55,080
Speaker 1: also this is this is a moment where I was like,

111
00:05:55,160 --> 00:05:56,760
Speaker 1: I literally have been telling people. I was like, you know,

112
00:05:56,800 --> 00:05:58,480
Speaker 1: Chloe Fineman's coming on the shop and people are like,

113
00:05:58,480 --> 00:06:00,680
Speaker 1: oh my god, what, oh my god, my friend Nico

114
00:06:00,720 --> 00:06:04,520
Speaker 1: from l A. Okay, can we talk about what happened

115
00:06:04,560 --> 00:06:06,800
Speaker 1: last night? You were walking down So it's been a

116
00:06:06,960 --> 00:06:10,040
Speaker 1: It's actually I can't stop thinking about the fact that

117
00:06:10,080 --> 00:06:15,040
Speaker 1: I'm not getting cat called it. I'm lamenting it um,

118
00:06:15,480 --> 00:06:18,760
Speaker 1: I like tried because it was like this thing. I

119
00:06:18,800 --> 00:06:23,000
Speaker 1: was like, this is content that that has legs and

120
00:06:23,320 --> 00:06:27,080
Speaker 1: conversation conversation starter. I remember like wearing like putting on

121
00:06:27,160 --> 00:06:30,000
Speaker 1: shorter jim shorts and going in downtown l A just

122
00:06:30,080 --> 00:06:35,279
Speaker 1: like hello, like silence everywhere recently, but then when you

123
00:06:35,320 --> 00:06:36,719
Speaker 1: were when you were here, when you were in school

124
00:06:36,760 --> 00:06:40,200
Speaker 1: here would that happened? Yeah? Yeah, And I am more

125
00:06:40,240 --> 00:06:43,039
Speaker 1: disgusting city New York, a little bit more disgusting, but

126
00:06:43,160 --> 00:06:46,680
Speaker 1: also like I have a butt, and and it was

127
00:06:46,920 --> 00:06:50,680
Speaker 1: nice to have it finally be acknowledged right on the street.

128
00:06:50,880 --> 00:06:53,599
Speaker 1: But not last night, not like it's been silenced honestly

129
00:06:53,640 --> 00:06:55,640
Speaker 1: for the last year ever since the Me Too movement.

130
00:06:55,680 --> 00:06:58,200
Speaker 1: I'll never forget. I used to walk downtown and there's

131
00:06:58,200 --> 00:07:00,919
Speaker 1: this guy in a in a driveway, a security guard,

132
00:07:01,000 --> 00:07:03,440
Speaker 1: and he'd always be like, hey, lady, yeah, And I

133
00:07:03,520 --> 00:07:05,920
Speaker 1: walked by and he looked at me and his mouth

134
00:07:06,080 --> 00:07:09,600
Speaker 1: just was glued together. Wow the power he learned his lesson.

135
00:07:10,760 --> 00:07:12,760
Speaker 1: But I hate it. And I have all these girls

136
00:07:12,760 --> 00:07:14,760
Speaker 1: being like, yeah, like I don't know if I look good,

137
00:07:16,800 --> 00:07:18,680
Speaker 1: Like we're so mad at getting cat cald, but we

138
00:07:18,800 --> 00:07:23,320
Speaker 1: need it. How does it get reflected back is the thing? Right? Yeah?

139
00:07:23,360 --> 00:07:25,440
Speaker 1: But then okay, so then talk about this guy coming

140
00:07:25,520 --> 00:07:27,720
Speaker 1: up to because this time he was really kind and

141
00:07:27,800 --> 00:07:30,800
Speaker 1: I was really yeah. Yeah, but I was desperate and

142
00:07:30,840 --> 00:07:32,160
Speaker 1: I was asking for it. I was in a tube

143
00:07:32,200 --> 00:07:36,560
Speaker 1: top and he came, thank you, thank you. Thought e

144
00:07:36,680 --> 00:07:41,560
Speaker 1: thirty Yeah, I love that. It's an embracement. It is

145
00:07:41,720 --> 00:07:43,800
Speaker 1: it is how much how much time left we have

146
00:07:43,800 --> 00:07:47,680
Speaker 1: on I think we can make the thirties. I think

147
00:07:47,680 --> 00:07:52,640
Speaker 1: it's a thought. Thirties twenties was n y U stage blacks, Yes,

148
00:07:52,680 --> 00:07:57,680
Speaker 1: and period costumes thirties are thought? Yeah? What studio were

149
00:07:57,680 --> 00:08:04,160
Speaker 1: you at? Adler? Rachel? Wow? Okay, yes, the famous one?

150
00:08:04,200 --> 00:08:08,440
Speaker 1: It's yeah. I mean so you're you're an a, You're

151
00:08:08,440 --> 00:08:16,400
Speaker 1: in your studio blacks, You walk outside, immediately get cat called. Yes, yes, yes, Chelsea, Yes,

152
00:08:17,080 --> 00:08:20,640
Speaker 1: was that a? Chelsea was in Chelsea? Great? Great? Yeah, okay,

153
00:08:20,680 --> 00:08:22,680
Speaker 1: So Adler is like a studio where they take it

154
00:08:22,800 --> 00:08:26,320
Speaker 1: V seriously, so seriously. I didn't leave all four years,

155
00:08:26,960 --> 00:08:29,240
Speaker 1: which is which is people know it is uncommon, very

156
00:08:29,400 --> 00:08:33,240
Speaker 1: very uncommon around They dip around. They go to London

157
00:08:33,800 --> 00:08:37,360
Speaker 1: experimental theater. You wanted to stay in there? I was

158
00:08:37,400 --> 00:08:41,560
Speaker 1: like I need to play this fifth year old alcoholic now. Now,

159
00:08:44,200 --> 00:08:47,400
Speaker 1: did you make yourself as seriously as the studio took

160
00:08:47,440 --> 00:08:51,480
Speaker 1: itself more seriously? Yeah? Like I get embarrassed coming back

161
00:08:51,480 --> 00:08:53,280
Speaker 1: to New York and seeing people like Rachel because they

162
00:08:53,320 --> 00:08:56,079
Speaker 1: know me a certain way and when I'm desperately trying

163
00:08:56,120 --> 00:08:59,120
Speaker 1: to never remember and so what way was that? Like?

164
00:08:59,760 --> 00:09:03,280
Speaker 1: Did you take yourself so serious? One time I had

165
00:09:03,280 --> 00:09:06,640
Speaker 1: a meltdown in the bathroom over a roll and the

166
00:09:06,679 --> 00:09:10,720
Speaker 1: head of the Stella Adler's grandson, Tom Openheim, banged on

167
00:09:10,760 --> 00:09:15,600
Speaker 1: the door and Tom was like, like I was just

168
00:09:15,679 --> 00:09:19,680
Speaker 1: weeping and he was banging on the door. He's like, Chloe, Chloe,

169
00:09:19,760 --> 00:09:26,200
Speaker 1: come out, Chloe, please let us talk to you. Yeah,

170
00:09:26,240 --> 00:09:30,760
Speaker 1: And I was like and I'm like talking to my

171
00:09:30,800 --> 00:09:32,839
Speaker 1: mom and she's like, what is wrong? Like people are

172
00:09:32,840 --> 00:09:36,160
Speaker 1: going to worry. And then of course they were worried

173
00:09:36,200 --> 00:09:38,079
Speaker 1: and they came out and then they went up to

174
00:09:38,120 --> 00:09:39,839
Speaker 1: the front desk and they're like, it's okay, it happens

175
00:09:39,840 --> 00:09:46,520
Speaker 1: at least once a while. But see this thing like

176
00:09:46,600 --> 00:09:49,480
Speaker 1: as someone who like secretly always she really wanted to

177
00:09:49,520 --> 00:09:55,199
Speaker 1: be a tische kid while but I want Yes, I

178
00:09:55,240 --> 00:09:57,559
Speaker 1: got into dramatic because it was the quote unquote easiest

179
00:09:57,559 --> 00:09:59,719
Speaker 1: to get into right and I was like, even more

180
00:09:59,800 --> 00:10:02,080
Speaker 1: to eat away. Then I also feel like the most sustainable.

181
00:10:03,120 --> 00:10:05,160
Speaker 1: I'm happy I went now. At the time, I agree

182
00:10:05,160 --> 00:10:07,160
Speaker 1: with what Bone is about to say, you really wanted

183
00:10:07,200 --> 00:10:09,600
Speaker 1: that kind of acting eduction. Secretly, I was like, I

184
00:10:09,640 --> 00:10:11,600
Speaker 1: am not in the right place. You wanted the passion,

185
00:10:11,720 --> 00:10:14,520
Speaker 1: wanted the passion. But but my conception of what drama

186
00:10:14,600 --> 00:10:21,600
Speaker 1: school was like was crying in a bathroom and Stella's

187
00:10:21,600 --> 00:10:24,120
Speaker 1: grants On knocked me on the door. There was and then,

188
00:10:24,200 --> 00:10:26,280
Speaker 1: and I also never forget there was I gotten a

189
00:10:26,400 --> 00:10:28,800
Speaker 1: huge fight because the casting of the plays had come

190
00:10:28,800 --> 00:10:33,120
Speaker 1: out and I was cast as Lady Macbeth. Fabulous, and

191
00:10:34,559 --> 00:10:37,600
Speaker 1: I did because it's a great role that people were

192
00:10:37,600 --> 00:10:40,319
Speaker 1: out to kill me. Oh yeah, I've experienced that. And

193
00:10:40,480 --> 00:10:43,280
Speaker 1: this girl and this girl's boyfriend was Macbeth, and she

194
00:10:43,800 --> 00:10:47,680
Speaker 1: was so upset and so mean that she started running

195
00:10:47,760 --> 00:10:51,840
Speaker 1: down the halls weeping, and I was like, Eleanor, Eleanor,

196
00:10:51,920 --> 00:10:56,280
Speaker 1: Like Eleanor, let's talk Eleanor, because she's like because she

197
00:10:56,400 --> 00:11:00,760
Speaker 1: like desperately wanted to be Lady mnem to do a

198
00:11:00,840 --> 00:11:03,520
Speaker 1: power couple do the play. And I remember like circling

199
00:11:03,559 --> 00:11:07,440
Speaker 1: her and I was like eleanor talk. She was like no,

200
00:11:07,640 --> 00:11:10,320
Speaker 1: and she always wore like really fancy Mark Jacobs because

201
00:11:10,400 --> 00:11:12,680
Speaker 1: and when he has like those rich kids. She was

202
00:11:12,760 --> 00:11:16,079
Speaker 1: like draped in couture and like ignoring me. And then

203
00:11:16,120 --> 00:11:19,400
Speaker 1: Ellen Adler Stella Adler's grandmother sauce and she was crying

204
00:11:19,440 --> 00:11:22,160
Speaker 1: and she goes, if my mother knew that you girls

205
00:11:22,200 --> 00:11:28,920
Speaker 1: were arguing on Russia, Shanna, I swear to god, this

206
00:11:29,120 --> 00:11:33,679
Speaker 1: was like this was this is like, yeah, wow, that

207
00:11:33,880 --> 00:11:40,880
Speaker 1: is stemcasting. Go Ultimately, oh, I'm very either, Okay. So

208
00:11:41,160 --> 00:11:44,240
Speaker 1: they brought in a director who directs Shakespeare, like the

209
00:11:44,280 --> 00:11:47,360
Speaker 1: Harlem Shakespeare Company, so it was not used to directing

210
00:11:47,559 --> 00:11:51,560
Speaker 1: whites in their early nine like twenty year old white

211
00:11:52,120 --> 00:11:55,400
Speaker 1: white white girl. And so I was like he wanted

212
00:11:55,440 --> 00:11:58,199
Speaker 1: me to like spit on McBeth and like grab his

213
00:11:58,280 --> 00:12:00,120
Speaker 1: I do do this thing where I was like how

214
00:12:00,160 --> 00:12:03,559
Speaker 1: you know, and I would like fake grab his balls

215
00:12:03,800 --> 00:12:07,679
Speaker 1: and lick him in the eyes because she's the power. Yeah,

216
00:12:07,720 --> 00:12:10,400
Speaker 1: she's got the power to be like was like you

217
00:12:10,480 --> 00:12:14,880
Speaker 1: know the baby line, I don't know. I don't remember

218
00:12:14,880 --> 00:12:18,319
Speaker 1: it either. Never was top drunk grab balls him in

219
00:12:18,360 --> 00:12:21,199
Speaker 1: the eyes, spit. It was very and you did that.

220
00:12:21,400 --> 00:12:23,240
Speaker 1: I did that, and I was doing it and I

221
00:12:23,400 --> 00:12:25,560
Speaker 1: hit him or something and he was like whoa, whoa, whoa,

222
00:12:26,160 --> 00:12:28,559
Speaker 1: what's going on? And his direction was like, come on,

223
00:12:28,640 --> 00:12:31,640
Speaker 1: she's crazy, she's crazy. And so I spit on him,

224
00:12:31,760 --> 00:12:33,719
Speaker 1: and the directors like, why did you do that? Like what?

225
00:12:33,920 --> 00:12:36,000
Speaker 1: That was so crazy? And I was like, we told

226
00:12:36,000 --> 00:12:38,880
Speaker 1: me she's crazy. He goes, no, no, no, like, damn

227
00:12:39,320 --> 00:12:44,280
Speaker 1: you crazy, Oh my god, and he was white. He's like,

228
00:12:44,320 --> 00:12:46,920
Speaker 1: I'm old white of telling you. And so the day

229
00:12:46,960 --> 00:12:49,280
Speaker 1: that we premiere our show, he sits us down and

230
00:12:49,320 --> 00:12:51,160
Speaker 1: he's like, enjoy this because then you're probably never going

231
00:12:51,200 --> 00:12:56,840
Speaker 1: to play these rules again. What I remember this, God

232
00:12:56,920 --> 00:13:00,920
Speaker 1: rest her soul. But she would funk with my head.

233
00:13:01,040 --> 00:13:03,480
Speaker 1: So we did an tish main stage of Murat Sad.

234
00:13:04,200 --> 00:13:06,800
Speaker 1: But I remember that I played the marquis Assad Oh

235
00:13:06,840 --> 00:13:08,599
Speaker 1: my god. And it was controversy because I was in

236
00:13:08,679 --> 00:13:11,120
Speaker 1: dramatic writing. But I was one of Liz's favorites. I mean,

237
00:13:11,160 --> 00:13:14,160
Speaker 1: I could say now, but she selected and I remember

238
00:13:14,200 --> 00:13:18,800
Speaker 1: I got the people. They it's gross. They I mean,

239
00:13:18,840 --> 00:13:20,480
Speaker 1: they were so upset and I guess they had a point,

240
00:13:20,520 --> 00:13:22,559
Speaker 1: because I was not a drama student. I would hear

241
00:13:22,600 --> 00:13:24,199
Speaker 1: I was in the main stage. But I kind of

242
00:13:24,320 --> 00:13:25,520
Speaker 1: was like, well, you know, this is what happens in

243
00:13:25,520 --> 00:13:27,360
Speaker 1: the industry. Models are going to take your part. Somebody

244
00:13:28,760 --> 00:13:32,400
Speaker 1: you compared herself to models, to models who had no

245
00:13:32,520 --> 00:13:35,240
Speaker 1: rights to take the jobs. But I was like, you

246
00:13:35,320 --> 00:13:38,160
Speaker 1: know what, I honestly was just like fighting, fighting, fighting

247
00:13:38,200 --> 00:13:41,400
Speaker 1: to be accepted. Um. And then of course there was

248
00:13:41,480 --> 00:13:42,959
Speaker 1: of course all the pressure on me to be good

249
00:13:42,960 --> 00:13:45,240
Speaker 1: at the part. And then you add on to it.

250
00:13:45,600 --> 00:13:47,160
Speaker 1: By the way, they made it a punk rock musical.

251
00:13:47,160 --> 00:13:52,400
Speaker 1: I don't know if you remember this, Yeah, oh that

252
00:13:52,440 --> 00:13:55,360
Speaker 1: was me. I sang the song where we got whipped,

253
00:13:55,400 --> 00:13:57,120
Speaker 1: and it was like a punk rock ballad. It actually

254
00:13:57,200 --> 00:13:59,480
Speaker 1: was pretty badass. I don't know if I did it

255
00:13:59,520 --> 00:14:01,599
Speaker 1: when they were remember a single fucking thing. No, it

256
00:14:01,760 --> 00:14:04,679
Speaker 1: was like it was crazy. It was just like being

257
00:14:04,760 --> 00:14:08,920
Speaker 1: under nine year old screaming a bunch of like fucking

258
00:14:09,000 --> 00:14:11,920
Speaker 1: white because they said it. They said it in a

259
00:14:12,160 --> 00:14:15,680
Speaker 1: detention facility for like troubled youth, and we They also

260
00:14:15,760 --> 00:14:18,959
Speaker 1: had us write her own monologues as the characters in

261
00:14:19,320 --> 00:14:21,760
Speaker 1: top of doing the text, which was musicalized in punk rock.

262
00:14:21,880 --> 00:14:25,360
Speaker 1: It was insane. But I remember Liz would drive me

263
00:14:25,680 --> 00:14:27,880
Speaker 1: nuts because she'd give me different direction every day and

264
00:14:28,000 --> 00:14:29,920
Speaker 1: totally they're like. She's like, no, I want the character

265
00:14:29,960 --> 00:14:31,920
Speaker 1: to be like Steven Tyler. So then I would come

266
00:14:31,920 --> 00:14:36,960
Speaker 1: in and I'd be like Steven Tyler. She goes when

267
00:14:37,040 --> 00:14:39,040
Speaker 1: when she said Steven Tyler, I was like, okay, so

268
00:14:39,120 --> 00:14:42,160
Speaker 1: you wanted to be like an active rock star. You

269
00:14:42,240 --> 00:14:44,400
Speaker 1: wanted to be like coming in with swags. She's like, no,

270
00:14:44,480 --> 00:14:46,280
Speaker 1: it should be much more moody than that. I'm like, okay, well,

271
00:14:46,280 --> 00:14:49,960
Speaker 1: Steven Tyler isn't. And I kind of realized that she

272
00:14:50,400 --> 00:14:52,720
Speaker 1: she either one of two things, didn't know what she

273
00:14:52,840 --> 00:14:55,160
Speaker 1: wanted and was gonna when she saw it was like

274
00:14:55,400 --> 00:14:58,520
Speaker 1: do that, or she wanted me to be confused. She

275
00:14:58,640 --> 00:15:01,120
Speaker 1: constantly wanted to to keep it fresh and have you

276
00:15:01,160 --> 00:15:03,520
Speaker 1: switched back, And I think what she wanted was for

277
00:15:03,680 --> 00:15:08,000
Speaker 1: me to be like a lunatic. Yeah, and she succeeded.

278
00:15:08,160 --> 00:15:12,200
Speaker 1: I was fully crazy black like and that like my

279
00:15:12,280 --> 00:15:16,960
Speaker 1: personality looked like a villain and I was regnize you

280
00:15:17,680 --> 00:15:22,720
Speaker 1: probably I remember Black Swan had just come out, Yes, yes, yes,

281
00:15:22,920 --> 00:15:28,400
Speaker 1: remember this two? Is that Tisstone Black? That changed that

282
00:15:28,600 --> 00:15:30,560
Speaker 1: changed the way you thought. I remember one time I

283
00:15:30,640 --> 00:15:32,240
Speaker 1: had a this is the most n y U story,

284
00:15:32,280 --> 00:15:35,720
Speaker 1: and I probably have told I had a fight with

285
00:15:35,880 --> 00:15:38,160
Speaker 1: my voice teacher who asked me to He asked me

286
00:15:38,240 --> 00:15:41,120
Speaker 1: to sing that rock ballad in in voice class with him,

287
00:15:41,120 --> 00:15:43,040
Speaker 1: and I hadn't gone over it with him because he

288
00:15:43,360 --> 00:15:45,120
Speaker 1: he was trying to get me to sing want a

289
00:15:45,200 --> 00:15:48,160
Speaker 1: Beautiful Are and I just was like, this is not

290
00:15:48,360 --> 00:15:50,280
Speaker 1: the way I sing. So he's like, can you sing

291
00:15:50,320 --> 00:15:51,760
Speaker 1: the ballot that you sing in the show from me? Now?

292
00:15:51,760 --> 00:15:53,520
Speaker 1: I want to hear the way you're singing it. He

293
00:15:53,680 --> 00:15:56,120
Speaker 1: told me I could tell you that you're not allowed

294
00:15:56,160 --> 00:15:57,720
Speaker 1: to go on stage singing it the way you sing it.

295
00:15:57,760 --> 00:15:59,080
Speaker 1: And I'm like, well, I have to sing it like

296
00:15:59,200 --> 00:16:01,240
Speaker 1: from my gut, like gets like it's like a I'm

297
00:16:01,280 --> 00:16:03,440
Speaker 1: like thrashing around getting whipped while I do it. It's

298
00:16:03,480 --> 00:16:05,560
Speaker 1: like I have to I can't really sing it like this.

299
00:16:06,080 --> 00:16:08,720
Speaker 1: I can't do it like this. I have to do

300
00:16:08,800 --> 00:16:10,240
Speaker 1: it like the way I'm being directed to do it.

301
00:16:10,760 --> 00:16:13,040
Speaker 1: He goes, this is my tische sucks. They can't so

302
00:16:13,160 --> 00:16:15,280
Speaker 1: they don't teach you how to sing correctly. Starting hard

303
00:16:15,360 --> 00:16:16,800
Speaker 1: is the only place you learned how to sing correctly.

304
00:16:17,120 --> 00:16:20,760
Speaker 1: We got fight. We got to a fight, and I

305
00:16:20,920 --> 00:16:24,040
Speaker 1: walked from that class like Natalie Portman in the last

306
00:16:24,040 --> 00:16:26,680
Speaker 1: scene of Black Swan walking to Lincoln Center like crazed

307
00:16:26,720 --> 00:16:30,800
Speaker 1: her hair, like I was like, and I've stormed in,

308
00:16:31,000 --> 00:16:32,640
Speaker 1: like threw my makeup on the table and did my

309
00:16:32,720 --> 00:16:36,360
Speaker 1: makeup and it was like truly tips, you don't get

310
00:16:36,400 --> 00:16:38,600
Speaker 1: more tish than that, and gave like a seven out

311
00:16:38,640 --> 00:16:41,040
Speaker 1: of ten performance. Probably. I remember seeing Black Swan in

312
00:16:41,120 --> 00:16:44,480
Speaker 1: the Union Square. I saw in that theater and I

313
00:16:44,520 --> 00:16:46,120
Speaker 1: saw it with a girl and we were in the

314
00:16:46,160 --> 00:16:49,000
Speaker 1: middle of a play, and I was so triggered by

315
00:16:49,040 --> 00:16:51,240
Speaker 1: it because I felt like I like, I really like

316
00:16:51,360 --> 00:16:54,440
Speaker 1: it was my story that she was like are you okay?

317
00:16:54,440 --> 00:16:56,040
Speaker 1: And I was like, I have to go take a

318
00:16:56,160 --> 00:17:00,400
Speaker 1: lap And I walked alone like around Union Square and

319
00:17:00,960 --> 00:17:05,040
Speaker 1: just like processed the good for not a good movie

320
00:17:05,119 --> 00:17:08,960
Speaker 1: for narcissistic. It was like, it was like, this narcissism

321
00:17:09,040 --> 00:17:13,560
Speaker 1: story is my story. There's a kernel of truth to this.

322
00:17:14,040 --> 00:17:16,800
Speaker 1: Both of you should be arrested for that behavior. I

323
00:17:17,600 --> 00:17:21,159
Speaker 1: feel like I also was very sexually reckless at the

324
00:17:21,200 --> 00:17:25,639
Speaker 1: top hot producer Alex wasn't. It was in drama school

325
00:17:25,640 --> 00:17:34,520
Speaker 1: at n y o Oh better, that's better. Creative writing

326
00:17:34,600 --> 00:17:36,640
Speaker 1: was cool. I would have paid Alex for an actor

327
00:17:37,000 --> 00:17:39,760
Speaker 1: this whole time. I'm sorry you did. Here's a fabulous

328
00:17:39,800 --> 00:17:41,879
Speaker 1: actor and a great director. Yeah, wonderful, I too a

329
00:17:41,920 --> 00:17:43,360
Speaker 1: creative writing. And there was a girl who would show

330
00:17:43,400 --> 00:17:46,520
Speaker 1: up with an entire pumpkin. Veganism had like just hit

331
00:17:47,680 --> 00:17:49,520
Speaker 1: and this girl show was like a baked pumpkin that

332
00:17:49,600 --> 00:17:52,480
Speaker 1: she'd unwrap the tinfoil and that should just eat the

333
00:17:52,560 --> 00:18:02,400
Speaker 1: pumpkin alright, and she was iconic. She was. Actually, pumpkins are,

334
00:18:04,359 --> 00:18:07,000
Speaker 1: especially in October. They are there we go, they are,

335
00:18:07,160 --> 00:18:09,119
Speaker 1: you know, the pumpkin spices back, they are, I like

336
00:18:09,200 --> 00:18:13,399
Speaker 1: the cabocca squash a lot. What's this? It's a Japanese pumpkin.

337
00:18:14,560 --> 00:18:17,359
Speaker 1: My real vegetables Japanese, like the Japanese sweet potato Japanese.

338
00:18:19,040 --> 00:18:22,040
Speaker 1: You you're tarot girl. Yeah? Have you been to the

339
00:18:22,119 --> 00:18:26,600
Speaker 1: East You have to go. You have to go to

340
00:18:26,680 --> 00:18:30,680
Speaker 1: any McDonald's in East Asia and they'll have apple pie.

341
00:18:30,680 --> 00:18:32,280
Speaker 1: But then in the same pastries the apple pie, they'll

342
00:18:32,280 --> 00:18:36,400
Speaker 1: put tarot in it. Really it's so good. Yeah, yeah,

343
00:18:37,160 --> 00:18:40,719
Speaker 1: it's a dangerous thing to cook though, yes, I'm from Berkeley,

344
00:18:40,760 --> 00:18:46,240
Speaker 1: and so we like are really eccentric, like a white

345
00:18:46,280 --> 00:18:48,600
Speaker 1: person being like, let me tell you how to prepare taro,

346
00:18:50,720 --> 00:18:53,119
Speaker 1: but you have to you can like poison yourself if

347
00:18:53,160 --> 00:18:55,320
Speaker 1: you don't like so good or something. Yeah, even I

348
00:18:55,359 --> 00:18:57,080
Speaker 1: don't know that. Wait can we talk about this? Okay,

349
00:18:57,119 --> 00:18:59,600
Speaker 1: so what do you think? Because at this point it

350
00:18:59,640 --> 00:19:03,360
Speaker 1: seems like you've undone all of this like wild histrionic

351
00:19:03,480 --> 00:19:06,840
Speaker 1: like drama school behavioral stuff. But but will you will

352
00:19:06,880 --> 00:19:08,000
Speaker 1: you can look back on it now and be like,

353
00:19:08,119 --> 00:19:10,520
Speaker 1: oh my god, I can't believe I was a nightmare.

354
00:19:11,000 --> 00:19:13,240
Speaker 1: I can't believe I was that person. Like whether or

355
00:19:13,240 --> 00:19:15,280
Speaker 1: not you're a nightmare is up to someone else. That's true,

356
00:19:15,320 --> 00:19:18,400
Speaker 1: that's but um, what do you think was the thing

357
00:19:18,480 --> 00:19:21,320
Speaker 1: that helped you? Like, was it just time or like

358
00:19:21,760 --> 00:19:23,040
Speaker 1: because because at what point do you look back on

359
00:19:23,119 --> 00:19:24,879
Speaker 1: yourself and be like, oh, I can't believe I was

360
00:19:25,000 --> 00:19:29,120
Speaker 1: that person? Um getting into comedy, I had no sense

361
00:19:29,200 --> 00:19:32,040
Speaker 1: of humor. But but all throughout Tish was like this

362
00:19:32,240 --> 00:19:34,399
Speaker 1: is so dumb. You know, you knew at the back,

363
00:19:34,920 --> 00:19:38,560
Speaker 1: like Rachel was like they knew they were funny. Yeah,

364
00:19:38,640 --> 00:19:41,639
Speaker 1: but even Rachel didn't get into comedy. It didn't exist.

365
00:19:41,760 --> 00:19:44,520
Speaker 1: It truly did not exist in that space. It didn't

366
00:19:44,520 --> 00:19:48,199
Speaker 1: exist in that space. Yeah. Um. But also we had

367
00:19:48,280 --> 00:19:51,719
Speaker 1: this awful class where they like type cast nineteen year

368
00:19:51,720 --> 00:19:56,480
Speaker 1: old basically so good year old. And I remember like that,

369
00:19:56,720 --> 00:19:58,480
Speaker 1: like that day you'd come in and be like, well,

370
00:19:58,600 --> 00:20:00,679
Speaker 1: people tell me I kind of like Kate wins Let,

371
00:20:01,240 --> 00:20:07,159
Speaker 1: you know, so I guess I'm like and like I

372
00:20:07,200 --> 00:20:10,679
Speaker 1: remember like Rachel going up in some other funny Jewish

373
00:20:10,760 --> 00:20:13,280
Speaker 1: girls and then being like, you're funny, You're this meets that,

374
00:20:13,440 --> 00:20:17,560
Speaker 1: You're you're hilarious, you say that, you know, the Jewish

375
00:20:19,480 --> 00:20:21,399
Speaker 1: Jewish girls got to be funny. And then I went

376
00:20:21,480 --> 00:20:23,040
Speaker 1: up and I had highlights, which I still do. And

377
00:20:23,119 --> 00:20:29,639
Speaker 1: they're like elegant and complicated and they think they know

378
00:20:29,720 --> 00:20:31,399
Speaker 1: what they're talking about and all they do is get

379
00:20:31,520 --> 00:20:34,639
Speaker 1: kids so in their heads that they can right. And

380
00:20:34,640 --> 00:20:37,399
Speaker 1: I literally like, but I am. And then I had

381
00:20:37,440 --> 00:20:38,840
Speaker 1: to be like, you can't be like I think funny.

382
00:20:39,280 --> 00:20:43,439
Speaker 1: You know, you don't look funny. They do that. I mean,

383
00:20:44,560 --> 00:20:46,040
Speaker 1: we have friends that went to Kept twenty one two

384
00:20:46,080 --> 00:20:47,920
Speaker 1: and they were the same thing. I mean, Dave gets

385
00:20:47,960 --> 00:20:50,880
Speaker 1: told all the time, like he said he got told

386
00:20:50,920 --> 00:20:54,119
Speaker 1: a lot like you will never ever be funny. You

387
00:20:54,240 --> 00:20:57,640
Speaker 1: are only handsome, like he said, he'll Steven say, it's

388
00:20:57,680 --> 00:20:59,600
Speaker 1: like you go up there and they s s s

389
00:20:59,680 --> 00:21:01,480
Speaker 1: you and they and they're out of work. I mean

390
00:21:01,520 --> 00:21:03,800
Speaker 1: not to ship, but like they don't have jobs. They're

391
00:21:03,840 --> 00:21:07,080
Speaker 1: just working in I mean they work in the school where. Yeah,

392
00:21:07,119 --> 00:21:09,639
Speaker 1: like they sat us down, They sat us down. This

393
00:21:09,800 --> 00:21:11,440
Speaker 1: guy and he pointed to all of us and he'd

394
00:21:11,480 --> 00:21:15,919
Speaker 1: go romantically, character actor, romantically character actor, and then in between,

395
00:21:17,119 --> 00:21:18,760
Speaker 1: did you ever hear the story? Like they had this

396
00:21:19,040 --> 00:21:21,080
Speaker 1: dance teacher. I guess his name was like Lloyd or something,

397
00:21:21,440 --> 00:21:25,439
Speaker 1: and he would just go and he'd be like chorus lead, funny,

398
00:21:25,800 --> 00:21:29,800
Speaker 1: no career, what a night. He would just like they

399
00:21:29,840 --> 00:21:32,080
Speaker 1: would call him real life Lloyd. He give you the

400
00:21:32,119 --> 00:21:34,240
Speaker 1: real life and it makes you so self involved. My

401
00:21:34,359 --> 00:21:36,760
Speaker 1: friend was staying with me at the time, and I

402
00:21:36,880 --> 00:21:40,080
Speaker 1: had everyone from our class come over and like point

403
00:21:40,200 --> 00:21:41,800
Speaker 1: and be like, well, you know you are you are

404
00:21:41,920 --> 00:21:44,840
Speaker 1: Rachel McAdams, just like no, but like you really are,

405
00:21:45,160 --> 00:21:47,320
Speaker 1: Like you're sweet. You don't see it, but you are,

406
00:21:47,400 --> 00:21:49,920
Speaker 1: and we are. That's how we see you. And my

407
00:21:50,040 --> 00:21:52,600
Speaker 1: friend she was like a journal she's like a hyper

408
00:21:52,680 --> 00:21:55,240
Speaker 1: genius journalist student was like why are you here? Like

409
00:21:56,480 --> 00:21:59,880
Speaker 1: this was so traumatic and gross for me to witness. God,

410
00:22:00,040 --> 00:22:02,720
Speaker 1: I mean like I'm still like reckoning with that bullshit

411
00:22:02,800 --> 00:22:05,480
Speaker 1: from high school and that's like there's no structure behind that.

412
00:22:05,520 --> 00:22:07,680
Speaker 1: But like I high school, I haven't in high school.

413
00:22:07,680 --> 00:22:09,359
Speaker 1: I just have like shitty adults who like didn't know

414
00:22:09,400 --> 00:22:11,280
Speaker 1: what they were talking about. Be like, you will never

415
00:22:11,400 --> 00:22:13,480
Speaker 1: be like the lead, Like like you will never be

416
00:22:13,600 --> 00:22:16,399
Speaker 1: like someone who will be like prominently featured on stage,

417
00:22:16,960 --> 00:22:18,639
Speaker 1: like make it work. Make it work as like like

418
00:22:18,800 --> 00:22:21,359
Speaker 1: milk it as a chorus member that somebody said to

419
00:22:21,400 --> 00:22:24,400
Speaker 1: me one time, not handsome enough to be the star,

420
00:22:24,560 --> 00:22:26,320
Speaker 1: but not ugly enough to be the best friend. So

421
00:22:27,840 --> 00:22:35,639
Speaker 1: what And yeah, I'm like I'm holding my face right

422
00:22:35,680 --> 00:22:37,480
Speaker 1: now and you guys can see. It gets worse in

423
00:22:37,680 --> 00:22:41,760
Speaker 1: l A. Yeah, but then it's like funny and you

424
00:22:41,840 --> 00:22:44,000
Speaker 1: have you know who you are kind of. I mean

425
00:22:44,040 --> 00:22:47,480
Speaker 1: I know that I don't like to beat myself auditions

426
00:22:47,520 --> 00:22:49,119
Speaker 1: in l A. I mean I've only done it like

427
00:22:49,359 --> 00:22:52,680
Speaker 1: for one week. But like the people who work those

428
00:22:52,840 --> 00:22:56,760
Speaker 1: are their own breed of people. They're just like I mean,

429
00:22:56,840 --> 00:22:59,480
Speaker 1: like I mean the people who run the casting people like, yeah,

430
00:22:59,760 --> 00:23:02,080
Speaker 1: I I did one with with this woman who like

431
00:23:02,119 --> 00:23:04,480
Speaker 1: worked out of a bungalow, lovely bungalow and silver lace.

432
00:23:04,640 --> 00:23:06,600
Speaker 1: You did, Oh that's a big deal to get to

433
00:23:06,680 --> 00:23:09,880
Speaker 1: her bungalow. I know who you're talking about. She has

434
00:23:09,960 --> 00:23:12,840
Speaker 1: like she has like hair, Yeah, good for you to

435
00:23:12,880 --> 00:23:16,080
Speaker 1: get that. Didn't have didn't have any side. She was

436
00:23:16,160 --> 00:23:18,159
Speaker 1: off book with with with the whole the whole thing

437
00:23:18,840 --> 00:23:22,480
Speaker 1: was giving me like full like grounded realism, Like hey,

438
00:23:22,600 --> 00:23:24,520
Speaker 1: so and I was like, oh, we're just doing it.

439
00:23:24,600 --> 00:23:26,600
Speaker 1: Like she walked into the room, she sits down, and

440
00:23:26,640 --> 00:23:29,720
Speaker 1: then she just starts. She starts, she started the scene,

441
00:23:29,800 --> 00:23:32,399
Speaker 1: just started the scene, and I was like, and it

442
00:23:32,560 --> 00:23:36,680
Speaker 1: was fun. And then like afterwards, she goes, yeah, okay, um, yeah,

443
00:23:36,680 --> 00:23:38,920
Speaker 1: I'm a needed to come back in tomorrow. Okay, Josh

444
00:23:39,000 --> 00:23:41,200
Speaker 1: needs like with what the guy needs to She's like,

445
00:23:41,520 --> 00:23:44,159
Speaker 1: Josh needs to see you, and yeah, I see what

446
00:23:44,240 --> 00:23:47,159
Speaker 1: you're doing. And just like it was just like so bizarre.

447
00:23:47,240 --> 00:23:49,240
Speaker 1: It was lovely, Like it was a positive experience. But

448
00:23:49,320 --> 00:23:51,200
Speaker 1: I was like, oh, people in l A are so

449
00:23:51,400 --> 00:23:54,199
Speaker 1: specific and how they do that. Yeah, it's well they

450
00:23:54,280 --> 00:23:59,320
Speaker 1: say it's harder, it's harder than theater, the specificity of

451
00:23:59,320 --> 00:24:02,280
Speaker 1: the choices. I agree with that. It's true because when

452
00:24:02,320 --> 00:24:05,240
Speaker 1: you when you're acting on stage, you can perform, but

453
00:24:05,359 --> 00:24:07,399
Speaker 1: when you are acting on camera, you have to be acting.

454
00:24:08,040 --> 00:24:10,560
Speaker 1: You can't hide from the camera. Yeah, there's this awful

455
00:24:10,640 --> 00:24:13,639
Speaker 1: teacher who actually she Have you heard about this like

456
00:24:14,200 --> 00:24:17,280
Speaker 1: drama that happened where this woman told the Jewish girl

457
00:24:17,320 --> 00:24:21,560
Speaker 1: to right were we talking about that? We were, Yeah,

458
00:24:21,680 --> 00:24:26,000
Speaker 1: I love talking about I can't like a Jewish girl

459
00:24:26,040 --> 00:24:27,800
Speaker 1: that she should that she should change her name to

460
00:24:27,920 --> 00:24:31,879
Speaker 1: Rosa Ramirez. So that's she's based in New York. This

461
00:24:32,040 --> 00:24:36,879
Speaker 1: this person the teacher teacher's Yeah, I was in her

462
00:24:36,960 --> 00:24:39,200
Speaker 1: class and around that time, and I ended up dropping

463
00:24:39,200 --> 00:24:40,840
Speaker 1: out and used this to get out of it. But

464
00:24:40,960 --> 00:24:43,960
Speaker 1: I remember I like showed up and wasn't fully off book,

465
00:24:43,960 --> 00:24:45,600
Speaker 1: and she looked at me and was like, how can

466
00:24:45,640 --> 00:24:52,240
Speaker 1: I critique your acting when you're not off book? And

467
00:24:52,320 --> 00:24:54,800
Speaker 1: he literally said like the instead of and it was

468
00:24:54,880 --> 00:24:59,119
Speaker 1: like yeah, wait, wait and wait. My lane was like

469
00:24:59,280 --> 00:25:03,120
Speaker 1: the it was like procedural doctor side that like, I'll

470
00:25:03,160 --> 00:25:05,880
Speaker 1: never ever go out for has anything with my life.

471
00:25:06,720 --> 00:25:12,320
Speaker 1: I was like the spinal Fifida and she's how Yeah,

472
00:25:12,720 --> 00:25:17,200
Speaker 1: how can I critique acting if you're not book? Yeah?

473
00:25:17,480 --> 00:25:20,240
Speaker 1: That is I kind of that, I know. That's the thing.

474
00:25:20,280 --> 00:25:24,320
Speaker 1: I was like kind of like I kind of think

475
00:25:24,560 --> 00:25:28,800
Speaker 1: you're amazing. Wow, it's like that cold like authority without

476
00:25:28,920 --> 00:25:31,600
Speaker 1: raising your voice. It's just it's literally it's what you

477
00:25:31,680 --> 00:25:36,960
Speaker 1: did the other day. It's barely raises her voice and stillness. Yeah,

478
00:25:37,000 --> 00:25:39,480
Speaker 1: but those like I've been like ever since I've thought

479
00:25:39,480 --> 00:25:41,800
Speaker 1: of that, Like I'm just like I'm trying to emulate, Like,

480
00:25:41,920 --> 00:25:43,879
Speaker 1: but then you seem like you have that has to

481
00:25:43,920 --> 00:25:46,040
Speaker 1: be earned, Like I can't just do that from now on,

482
00:25:47,280 --> 00:25:49,080
Speaker 1: Like what the funk are you doing? To be quiet?

483
00:25:49,119 --> 00:25:51,640
Speaker 1: And like still? Well, that's the weird thing, right, It's

484
00:25:51,720 --> 00:25:53,960
Speaker 1: like at this stage of our career where it's like

485
00:25:54,080 --> 00:25:56,080
Speaker 1: starting out, it's like you go in there and you

486
00:25:56,160 --> 00:25:57,600
Speaker 1: make a big choice and they're like, what the funk?

487
00:25:57,640 --> 00:25:59,280
Speaker 1: What do they think they are? Like why didn't they

488
00:25:59,280 --> 00:26:01,720
Speaker 1: do what they were supposed to? But it's like, but

489
00:26:02,080 --> 00:26:05,160
Speaker 1: but I'm told to choices. I had a really bad

490
00:26:05,320 --> 00:26:07,880
Speaker 1: My worst audition like so far was in New York,

491
00:26:08,119 --> 00:26:12,800
Speaker 1: like it in the winter. I don't say what it was,

492
00:26:12,920 --> 00:26:14,720
Speaker 1: but like what was the experience was I showed up.

493
00:26:14,760 --> 00:26:17,040
Speaker 1: I had a fun rainbow sweater that that was like

494
00:26:17,080 --> 00:26:22,480
Speaker 1: trending at the time. I love a trend and the

495
00:26:22,560 --> 00:26:24,600
Speaker 1: woman I like, sit down. I brought like glasses because

496
00:26:24,640 --> 00:26:26,359
Speaker 1: she was a nerd, and then she was like, please

497
00:26:26,400 --> 00:26:30,560
Speaker 1: take up for sweater like I was wearing like a

498
00:26:30,600 --> 00:26:33,320
Speaker 1: silk and brawn. I was like, yeah, So I took

499
00:26:33,359 --> 00:26:35,600
Speaker 1: off this sweater and I like did it? And she

500
00:26:35,800 --> 00:26:40,879
Speaker 1: was like, do you act? And I was like what

501
00:26:41,080 --> 00:26:42,720
Speaker 1: she's like when, I mean, you do the skits and

502
00:26:42,800 --> 00:26:47,280
Speaker 1: the sketches, but do you act scripted scripted material? Here's

503
00:26:47,280 --> 00:26:49,600
Speaker 1: the thing. I mean, well this is this just goes

504
00:26:49,640 --> 00:26:51,479
Speaker 1: to that saying. But I'm just realizing this again now

505
00:26:51,640 --> 00:26:55,439
Speaker 1: it's so much worse for women. I was no casting

506
00:26:55,480 --> 00:27:01,359
Speaker 1: director has really never never never. Maybe a man really

507
00:27:01,800 --> 00:27:03,320
Speaker 1: and then I take that. I'm like, oh great, she

508
00:27:03,520 --> 00:27:06,960
Speaker 1: we're just cleaning out. But sometimes it's it's the maybe

509
00:27:07,119 --> 00:27:10,879
Speaker 1: a game man would be like sweetie, coming coming to

510
00:27:10,960 --> 00:27:14,880
Speaker 1: do this, like no, and maybe commercial commercially, the directors

511
00:27:15,680 --> 00:27:18,280
Speaker 1: commercials are a little bit more like um, just like

512
00:27:18,800 --> 00:27:21,840
Speaker 1: not willing to engage. But that's kind of the nature

513
00:27:21,880 --> 00:27:26,879
Speaker 1: of that. But I've woman's trip like that to another

514
00:27:26,960 --> 00:27:29,320
Speaker 1: woman is I felt so bad and because I was like,

515
00:27:29,440 --> 00:27:34,639
Speaker 1: I'm not good at multiicam. Yet I got it, you know.

516
00:27:34,680 --> 00:27:36,000
Speaker 1: It was like I got it the night before. I

517
00:27:36,119 --> 00:27:43,560
Speaker 1: had like five hours. It was eight pages. Yeah, and

518
00:27:43,600 --> 00:27:49,919
Speaker 1: I hate what people call like what we do skitsure.

519
00:27:50,119 --> 00:27:55,479
Speaker 1: They're called stitches, I mean. And then so then comedy

520
00:27:55,600 --> 00:27:57,880
Speaker 1: was this thing that, like you would say, helped undo

521
00:27:57,920 --> 00:28:02,000
Speaker 1: a lot of this. Absolutely. Yeah. When you graduate Adler,

522
00:28:02,440 --> 00:28:04,960
Speaker 1: they don't really give you, like any career advice because

523
00:28:05,000 --> 00:28:07,880
Speaker 1: you're just used to playing these alcoholics and nailing them,

524
00:28:08,640 --> 00:28:11,440
Speaker 1: nailing them, And so they sent you across the street

525
00:28:11,480 --> 00:28:14,080
Speaker 1: to one on one you know that play one on

526
00:28:14,160 --> 00:28:17,760
Speaker 1: one studios. It's on and they've casting director workshops, so

527
00:28:17,840 --> 00:28:21,480
Speaker 1: you go to those learn how to do on camera,

528
00:28:21,600 --> 00:28:23,480
Speaker 1: and like I would go to those and like cry

529
00:28:24,240 --> 00:28:26,200
Speaker 1: and do those kind of things and they're like we

530
00:28:26,240 --> 00:28:28,920
Speaker 1: want to see your funnies night. Um. But yeah, it

531
00:28:28,960 --> 00:28:31,440
Speaker 1: was until I moved l A and just was like

532
00:28:31,520 --> 00:28:33,919
Speaker 1: really lost that got into it? How did you get

533
00:28:33,960 --> 00:28:37,600
Speaker 1: into it? Um? My mom told me to do improv

534
00:28:37,720 --> 00:28:43,760
Speaker 1: to find a guy. Well I went to Growlings and

535
00:28:43,840 --> 00:28:48,320
Speaker 1: I was like they're all gay, very gay. It's my home,

536
00:28:48,480 --> 00:28:52,560
Speaker 1: it's women and gays, like one strike Eye from Ohio. Well,

537
00:28:52,600 --> 00:28:56,760
Speaker 1: and he's probably wonderful. Yeah he is. It's like literally Indiana, Ohio.

538
00:28:57,120 --> 00:28:59,240
Speaker 1: Everyone else is gay and women. It feels like the

539
00:28:59,280 --> 00:29:02,600
Speaker 1: Growlings is but it's very gay. But it's also well

540
00:29:02,600 --> 00:29:06,680
Speaker 1: I shouldn't say this, but it's a little homophonic. Well,

541
00:29:06,760 --> 00:29:10,960
Speaker 1: it's like Drew d like, my here's my divine and yeah,

542
00:29:11,040 --> 00:29:14,200
Speaker 1: my divine inspiration. I like, I've loved him forever and

543
00:29:14,320 --> 00:29:17,240
Speaker 1: he was not a groundling, which blows my mind because

544
00:29:17,240 --> 00:29:18,880
Speaker 1: I think he's one of the most talented people of

545
00:29:18,960 --> 00:29:22,160
Speaker 1: all times. Azing, like, where did he come up again?

546
00:29:22,160 --> 00:29:25,320
Speaker 1: I thought for the worst time, I thought it was yeah, yeah, yeah, yeah,

547
00:29:25,360 --> 00:29:28,080
Speaker 1: yeah yeah yeah. And they like just this year are

548
00:29:28,160 --> 00:29:32,400
Speaker 1: letting men play women, like it's just a slower game. Really,

549
00:29:32,520 --> 00:29:34,720
Speaker 1: that's so interesting. I like it there because all the

550
00:29:34,760 --> 00:29:38,600
Speaker 1: teachers are women, and I like the u cvs like

551
00:29:38,960 --> 00:29:40,120
Speaker 1: it kind of kept me in l a for a

552
00:29:40,160 --> 00:29:42,160
Speaker 1: while because I felt like I could develop as like

553
00:29:42,200 --> 00:29:45,840
Speaker 1: a female. Yeah, I hear that. I think that, UCB.

554
00:29:45,960 --> 00:29:47,880
Speaker 1: It's only recently. And when I say recently, I think

555
00:29:47,920 --> 00:29:49,720
Speaker 1: in the last five or six years it's become this

556
00:29:49,800 --> 00:29:54,400
Speaker 1: place where it's like you see more than one queer person,

557
00:29:54,680 --> 00:29:57,640
Speaker 1: gay person, more than one woman, Like now there's like

558
00:29:57,720 --> 00:30:01,120
Speaker 1: a whole community, large community of people New York scene

559
00:30:01,160 --> 00:30:04,440
Speaker 1: that are like we're queer or like even just like

560
00:30:04,600 --> 00:30:06,720
Speaker 1: you see more than now. I think it is the

561
00:30:06,800 --> 00:30:09,280
Speaker 1: only time, and I think it did have a lot

562
00:30:09,360 --> 00:30:11,200
Speaker 1: to do with having a female actressy director, where the

563
00:30:11,360 --> 00:30:13,320
Speaker 1: a lot most of the teams are half women half men,

564
00:30:13,840 --> 00:30:16,120
Speaker 1: but that was not the case in l A. You'd

565
00:30:16,160 --> 00:30:18,600
Speaker 1: like walk in and you'd be blinded by the platt.

566
00:30:18,800 --> 00:30:20,760
Speaker 1: You sort of like see like all this, you'd see

567
00:30:20,800 --> 00:30:23,239
Speaker 1: like the kids or whatever, or the converse, and then

568
00:30:23,280 --> 00:30:24,680
Speaker 1: the plat and then you'd have to like look up

569
00:30:24,680 --> 00:30:31,800
Speaker 1: because everyone was so tall. Then classes there I started

570
00:30:31,800 --> 00:30:34,640
Speaker 1: two thousand nine, and it was like it was it's

571
00:30:34,680 --> 00:30:38,400
Speaker 1: already like it's already like vulnerable, and you're anxious taking

572
00:30:38,440 --> 00:30:40,720
Speaker 1: it in prov class and because you don't you don't

573
00:30:40,720 --> 00:30:42,880
Speaker 1: know what you're doing right right, And then when it's

574
00:30:43,320 --> 00:30:45,960
Speaker 1: everyone is like a certain type of person, you're like,

575
00:30:46,000 --> 00:30:47,560
Speaker 1: oh my god, oh my god, I'm gonna die. You

576
00:30:47,600 --> 00:30:49,800
Speaker 1: know what's so interesting? I was talking to someone, um

577
00:30:50,080 --> 00:30:53,320
Speaker 1: maritzaone tany is she teaches his UCB one on one now.

578
00:30:53,440 --> 00:30:55,880
Speaker 1: She's great, but she wasna her and like I was

579
00:30:55,920 --> 00:30:57,040
Speaker 1: catching up with her and she was like, yea, I'm

580
00:30:57,040 --> 00:30:58,880
Speaker 1: teaching classes now, and then she brought up something interesting

581
00:30:58,920 --> 00:31:03,360
Speaker 1: where she was like, it's interesting giving feedback to people

582
00:31:03,400 --> 00:31:05,320
Speaker 1: in one on one where they don't have the language yet,

583
00:31:06,120 --> 00:31:08,160
Speaker 1: Like they don't have the language for you to say like, oh,

584
00:31:08,280 --> 00:31:10,480
Speaker 1: you're not playing game. This was off game, like the

585
00:31:10,600 --> 00:31:12,800
Speaker 1: only way you can note these people at when I

586
00:31:12,840 --> 00:31:18,200
Speaker 1: wanted to be like, hey, that wasn't funny. You can't

587
00:31:18,480 --> 00:31:24,120
Speaker 1: make a disabled joke because that's not funny. It's every yeah,

588
00:31:24,600 --> 00:31:26,480
Speaker 1: and when people start out, they don't know how to

589
00:31:26,640 --> 00:31:30,080
Speaker 1: not be right. It's those are my treasure trouves are

590
00:31:30,120 --> 00:31:33,360
Speaker 1: those one on one classes and to one Yeah, in

591
00:31:33,480 --> 00:31:35,520
Speaker 1: terms of your your own stuff like watching other people,

592
00:31:35,560 --> 00:31:37,280
Speaker 1: watching other people and like I remember I had to

593
00:31:37,320 --> 00:31:39,360
Speaker 1: repeat to one for something like I don't I like

594
00:31:39,400 --> 00:31:42,120
Speaker 1: took a while together and in l A. The people

595
00:31:42,160 --> 00:31:45,719
Speaker 1: who take those classes are like business like for so long,

596
00:31:45,800 --> 00:31:47,960
Speaker 1: it's no one who actually wants to do it, which

597
00:31:48,040 --> 00:31:53,000
Speaker 1: makes it so fun and funny. Yeah, like really old people. Yeah,

598
00:31:53,720 --> 00:31:59,320
Speaker 1: there's always the one like really outliery person New York

599
00:31:59,400 --> 00:32:01,800
Speaker 1: in New York. Well, in any class, I feel like

600
00:32:01,880 --> 00:32:06,640
Speaker 1: there's never yeah yeah there was. There was like a glitch.

601
00:32:06,760 --> 00:32:11,440
Speaker 1: I was signing up for four one. There was I

602
00:32:11,600 --> 00:32:13,600
Speaker 1: was signing up for four oh one. I took four

603
00:32:13,640 --> 00:32:17,600
Speaker 1: a one with Doug mo and it was like there

604
00:32:17,680 --> 00:32:19,520
Speaker 1: was only eight people in the class due to a glitch,

605
00:32:21,680 --> 00:32:24,840
Speaker 1: and like so that one guy was like in every

606
00:32:24,920 --> 00:32:28,360
Speaker 1: scene because he just bied. By nature of it, we

607
00:32:28,440 --> 00:32:30,120
Speaker 1: all did more scenes because there was only eight of us,

608
00:32:30,200 --> 00:32:33,240
Speaker 1: and so it just became so overwhelming that it was

609
00:32:33,320 --> 00:32:36,360
Speaker 1: like I don't know if I can do this, But

610
00:32:36,480 --> 00:32:39,520
Speaker 1: it was just like, yeah, I don't know. I don't

611
00:32:39,520 --> 00:32:43,080
Speaker 1: miss being in classes. I never fried there. I was

612
00:32:43,160 --> 00:32:45,120
Speaker 1: never the person that was like crushing it in class.

613
00:32:45,200 --> 00:32:46,880
Speaker 1: That's what you don't want to be that. That's what

614
00:32:47,000 --> 00:32:50,080
Speaker 1: I wasn't And I crushed class and failed at life.

615
00:32:50,400 --> 00:32:53,320
Speaker 1: For interesting, that's a gross thing. I crushed No, no, no,

616
00:32:53,440 --> 00:32:58,560
Speaker 1: But that's very like the teacher, like yeah, yeah, yeah, yeah, yeah.

617
00:32:59,160 --> 00:33:02,440
Speaker 1: I would say I didn't love classes that you cev.

618
00:33:02,560 --> 00:33:04,120
Speaker 1: I mean they were they were great, they're necessary, but

619
00:33:04,240 --> 00:33:05,719
Speaker 1: like I would say that I was always a good

620
00:33:05,720 --> 00:33:08,120
Speaker 1: student in class. And then outside in the outside world,

621
00:33:08,160 --> 00:33:11,560
Speaker 1: I'd be like, whoa, I'm terrible at this and I

622
00:33:11,680 --> 00:33:14,360
Speaker 1: still have this weird thing with him prop now. But anyway, um,

623
00:33:14,760 --> 00:33:18,920
Speaker 1: I think I think that is like such a good

624
00:33:19,800 --> 00:33:23,360
Speaker 1: I think that's such a rich like trajectory, topography whatever

625
00:33:23,480 --> 00:33:26,200
Speaker 1: for you, because it's like tophy just like I don't know,

626
00:33:26,280 --> 00:33:27,960
Speaker 1: you're just like evening that out in such a nice

627
00:33:27,960 --> 00:33:31,520
Speaker 1: swear where it like but like re re equilibrates using

628
00:33:31,520 --> 00:33:35,400
Speaker 1: all these big words. It comes in handy for like impressions. Yeah, okay,

629
00:33:35,560 --> 00:33:39,320
Speaker 1: all those years of impression impression. Can we get into

630
00:33:39,400 --> 00:33:41,280
Speaker 1: this like like I don't want to get to process

631
00:33:41,400 --> 00:33:44,760
Speaker 1: oriented e on this, but like I have five beverages,

632
00:33:46,960 --> 00:33:52,040
Speaker 1: a solid five beverages on so let's just talk about

633
00:33:52,080 --> 00:33:54,760
Speaker 1: what we have. We have essential this is just a

634
00:33:54,800 --> 00:34:02,760
Speaker 1: water words disgusting juice press drinking. We have what's this beach?

635
00:34:03,200 --> 00:34:06,960
Speaker 1: I feel tired? Great? What's this year? We have Lineman's

636
00:34:07,000 --> 00:34:10,319
Speaker 1: carbonated juice press and it's made with cane junkers. I'm

637
00:34:10,320 --> 00:34:15,120
Speaker 1: taking my time and of course a canned cold and

638
00:34:15,239 --> 00:34:17,279
Speaker 1: I was just paid for something, so I actually spent

639
00:34:17,360 --> 00:34:23,560
Speaker 1: thirty dollars. Okay, nothing you got paid to have beverages.

640
00:34:23,719 --> 00:34:25,760
Speaker 1: I love beverages, and then I always forget how expensive

641
00:34:25,800 --> 00:34:27,959
Speaker 1: it's going to be, right, especially what the juice press

642
00:34:28,080 --> 00:34:30,600
Speaker 1: probably eight nine bucks. I think I forgot that you

643
00:34:30,760 --> 00:34:35,759
Speaker 1: did this. This looks like fourty b all bottles that

644
00:34:35,800 --> 00:34:39,200
Speaker 1: are all bad for the environment, and here we are.

645
00:34:40,120 --> 00:34:42,919
Speaker 1: It's beau. I feel like it's curated nice. It looks

646
00:34:42,960 --> 00:34:45,160
Speaker 1: like a I could post it is. It's a tableau. Yeah,

647
00:34:46,560 --> 00:34:49,439
Speaker 1: I want them in the picture that we take. Yeah,

648
00:34:49,480 --> 00:34:54,560
Speaker 1: we can all hold one Culturalista. We have some exciting

649
00:34:54,640 --> 00:34:56,400
Speaker 1: news we want to tell you all about. Did you

650
00:34:56,480 --> 00:35:00,239
Speaker 1: know Lost Culturistas is in bed with DC ver to Go,

651
00:35:00,520 --> 00:35:05,280
Speaker 1: the legendary Legs and Dairy comic book imprint behind Sandman,

652
00:35:05,440 --> 00:35:07,960
Speaker 1: Why the Last Man, Preacher and more? I did know that,

653
00:35:08,120 --> 00:35:10,439
Speaker 1: And yes, I know there is going to be Lost

654
00:35:10,440 --> 00:35:13,399
Speaker 1: culture Rests Adds in DC vertical comic books. And I'm

655
00:35:13,480 --> 00:35:15,759
Speaker 1: very excited about this. So Bo, well, don't you tell

656
00:35:15,800 --> 00:35:17,919
Speaker 1: the people at home about a new comic book where

657
00:35:17,960 --> 00:35:21,000
Speaker 1: they might just see our little faces. Our little faces

658
00:35:21,200 --> 00:35:24,080
Speaker 1: will show up in a new comic book called House

659
00:35:24,160 --> 00:35:27,359
Speaker 1: of Whispers, and issue number one is in stores right now. Yes,

660
00:35:27,480 --> 00:35:30,120
Speaker 1: House of Whispers isn't that a brand new chapter in

661
00:35:30,200 --> 00:35:33,160
Speaker 1: the Sandman universe? And doesn't it take place in New

662
00:35:33,280 --> 00:35:36,239
Speaker 1: Orleans and center around the world of voodoo mythology. And

663
00:35:36,320 --> 00:35:38,480
Speaker 1: it isn't House of Whispers the one written by award

664
00:35:38,520 --> 00:35:41,520
Speaker 1: winning novelist Nalo Hopkinson, who is linked with the creation

665
00:35:41,600 --> 00:35:45,320
Speaker 1: of the afro Futurism literary movement. Okay, that sounds fantastic.

666
00:35:45,480 --> 00:35:48,279
Speaker 1: It truly actually sounds amazing. So we have the first

667
00:35:48,360 --> 00:35:51,399
Speaker 1: issue and it is fantastic. I cannot wait to read more.

668
00:35:51,640 --> 00:35:54,040
Speaker 1: Here are some reasons you should pick up House of

669
00:35:54,040 --> 00:35:57,800
Speaker 1: Whispers today. One number one, number one, it's a fusion

670
00:35:57,840 --> 00:36:01,040
Speaker 1: of magical realism and Southern fantasy, a roma fantasy often

671
00:36:01,160 --> 00:36:05,240
Speaker 1: unseen in mainstream common culture. Number two, number two strong

672
00:36:05,400 --> 00:36:08,359
Speaker 1: queer POC women kicking ass. And this is number three,

673
00:36:08,440 --> 00:36:11,240
Speaker 1: number three, a story about the power of magic, mystery,

674
00:36:11,360 --> 00:36:14,879
Speaker 1: and dreams, all working together to save planet. So get

675
00:36:14,960 --> 00:36:17,120
Speaker 1: House of Whispers right now. You can find it in

676
00:36:17,239 --> 00:36:21,120
Speaker 1: comics stores, online on comics Ology, or read DC dot

677
00:36:21,200 --> 00:36:24,279
Speaker 1: com that's r E A D D C dot com,

678
00:36:24,680 --> 00:36:32,600
Speaker 1: or wherever you get your comics process impression. So when

679
00:36:32,640 --> 00:36:35,120
Speaker 1: did you discover you could do them? And like when

680
00:36:35,160 --> 00:36:39,560
Speaker 1: I had to first submitting for some stuff from some stuff.

681
00:36:39,600 --> 00:36:42,839
Speaker 1: So so really, oh it was you had only when

682
00:36:42,840 --> 00:36:45,759
Speaker 1: you had to to discover Yeah, because that UCB they're

683
00:36:45,760 --> 00:36:48,080
Speaker 1: not allowed to write in your mode audition you're not

684
00:36:48,160 --> 00:36:50,400
Speaker 1: allowed to, and groundlings you're not allowed to. You're not

685
00:36:50,440 --> 00:36:53,880
Speaker 1: allowed to groundlings either. They encourage no impressions from impression.

686
00:36:55,480 --> 00:36:58,080
Speaker 1: We were I remember like in a class doing like

687
00:36:58,200 --> 00:37:00,279
Speaker 1: Drew Barrymore or something and being like, Oh, I guess

688
00:37:00,360 --> 00:37:06,480
Speaker 1: I actually sound like her. That's crazy, like that literally crazy,

689
00:37:07,320 --> 00:37:16,759
Speaker 1: um flower films, flower pressed crocks. This is why I

690
00:37:16,760 --> 00:37:19,120
Speaker 1: want to get into like what what are the first

691
00:37:19,280 --> 00:37:20,960
Speaker 1: little things that you key and on or is it

692
00:37:21,040 --> 00:37:23,160
Speaker 1: just more of a holistic thing more in the whole.

693
00:37:24,280 --> 00:37:26,880
Speaker 1: I think it depends. I think like my brain was

694
00:37:27,760 --> 00:37:32,000
Speaker 1: washed because we had voice class for like three days

695
00:37:32,040 --> 00:37:34,879
Speaker 1: a week, and so I usually go to the voice

696
00:37:35,000 --> 00:37:36,799
Speaker 1: first because I feel like I'm like, it's the only

697
00:37:36,840 --> 00:37:40,040
Speaker 1: way I feel like I'm actually applying undergrad. That's actually

698
00:37:40,719 --> 00:37:42,719
Speaker 1: said the same thing last her about impression. Really like

699
00:37:42,960 --> 00:37:45,120
Speaker 1: she said that she doesn't even watch videos of people

700
00:37:45,239 --> 00:37:48,320
Speaker 1: necessarily at first, she listens to them. Oh really, I know,

701
00:37:48,400 --> 00:37:51,279
Speaker 1: I watched it's a lot of like mindless YouTube and

702
00:37:51,360 --> 00:37:55,560
Speaker 1: then kind of like finding what makes you laugh, Like

703
00:37:55,640 --> 00:37:58,319
Speaker 1: I just watched them until something they do makes me laugh, right,

704
00:37:58,520 --> 00:38:00,279
Speaker 1: and then because you have to have a take sure,

705
00:38:00,400 --> 00:38:02,799
Speaker 1: which I find hard, I find it easier to be them,

706
00:38:02,880 --> 00:38:05,320
Speaker 1: to just be them, yeah, like okay, like with g

707
00:38:05,520 --> 00:38:08,279
Speaker 1: G for example, and that was her voice. That was

708
00:38:08,320 --> 00:38:10,480
Speaker 1: her voice. I was watching Vogu twenty one questions and

709
00:38:10,600 --> 00:38:17,360
Speaker 1: being like, what Atrocian So I really likes pizza and

710
00:38:18,760 --> 00:38:21,719
Speaker 1: you're like you look like a cat goddess and the

711
00:38:22,239 --> 00:38:28,760
Speaker 1: voice of like a seven year old boy. Yeah, it's whatever,

712
00:38:28,960 --> 00:38:31,160
Speaker 1: and it's like kind of it's like she's from Malibu

713
00:38:31,400 --> 00:38:37,080
Speaker 1: and things aren't pronounced correctly, and yeah, I think my

714
00:38:37,200 --> 00:38:39,960
Speaker 1: favorite that you do is Nicole Kim in Big Little Lives.

715
00:38:40,360 --> 00:38:44,480
Speaker 1: The Wigges thinks that was you make me laugh. That

716
00:38:44,640 --> 00:38:47,960
Speaker 1: was pressure to submitted tate for something, and I was like,

717
00:38:48,160 --> 00:38:49,279
Speaker 1: I feel like I could do big a lot of

718
00:38:49,320 --> 00:38:52,920
Speaker 1: love and I locked myself. I didn't have HBO in

719
00:38:53,000 --> 00:38:56,440
Speaker 1: my apartments. When I drove to San Francisca. What I

720
00:38:56,560 --> 00:38:58,520
Speaker 1: was like, Man, when I have a deadline, I like, man,

721
00:38:59,719 --> 00:39:01,080
Speaker 1: we're like I notice in l A and they're like

722
00:39:01,080 --> 00:39:02,520
Speaker 1: I have to write, and they're like in a hotel,

723
00:39:02,600 --> 00:39:06,200
Speaker 1: so everyone's like at the Madonna and I understand it. Yeah,

724
00:39:06,360 --> 00:39:11,080
Speaker 1: so I was like, I'm gonna go home three days,

725
00:39:11,120 --> 00:39:13,200
Speaker 1: like a day of it was in travel. I literally

726
00:39:13,320 --> 00:39:15,920
Speaker 1: drove and and just like watched it and yeah, her

727
00:39:16,040 --> 00:39:20,279
Speaker 1: laugh made me laugh. We have a tape she so

728
00:39:20,440 --> 00:39:27,360
Speaker 1: funny came into because like stunning performance, she's incredible. But

729
00:39:27,960 --> 00:39:32,720
Speaker 1: does she slip into her own accent often? Yes she does, honey,

730
00:39:32,880 --> 00:39:35,880
Speaker 1: and you can't deny, but you're still I had that

731
00:39:36,000 --> 00:39:39,440
Speaker 1: sag ballot in my hands and I checked, Yeah, there's

732
00:39:39,480 --> 00:39:42,920
Speaker 1: no what's the scene in the therapist office. It's like stunning,

733
00:39:43,400 --> 00:39:48,239
Speaker 1: It's absolutely, I mean just that just one scene that

734
00:39:48,400 --> 00:39:53,160
Speaker 1: was amazing, the first one, the last. The therapist actress

735
00:39:53,160 --> 00:39:58,000
Speaker 1: I forgot her name, is incredible and she was she

736
00:39:58,160 --> 00:40:00,279
Speaker 1: was in Deadwood. She's like Angels in America. Here the

737
00:40:00,640 --> 00:40:05,080
Speaker 1: player that she was like one of the figurines in

738
00:40:05,080 --> 00:40:07,920
Speaker 1: the museum that comes to life and talks to her. Yeah,

739
00:40:08,520 --> 00:40:11,200
Speaker 1: she's amazing. She's amazing. Um, but yeah, that therapist, oh

740
00:40:11,239 --> 00:40:13,800
Speaker 1: my god, oh my god. No, I'm not accepting not

741
00:40:13,920 --> 00:40:17,160
Speaker 1: knowing her name. I think it's Aaron no, and the

742
00:40:17,239 --> 00:40:23,520
Speaker 1: way she just like gently prods the questions. Robin, She's

743
00:40:23,680 --> 00:40:27,480
Speaker 1: tremendous and she just played a fucking great therapist, you

744
00:40:27,560 --> 00:40:29,520
Speaker 1: know what I mean. Like that's and and Nicole and

745
00:40:30,280 --> 00:40:34,600
Speaker 1: the way that Nicole responds to Alexander in that scene amazing.

746
00:40:34,960 --> 00:40:39,040
Speaker 1: I'd also think Alexander scars Guard, he's amazing every award

747
00:40:39,239 --> 00:40:43,480
Speaker 1: wanting because the show doesn't work without him being terrifying

748
00:40:43,600 --> 00:40:46,400
Speaker 1: and terrible. And you have to imagine that a lot

749
00:40:46,440 --> 00:40:48,440
Speaker 1: of actors were like hesitant to do something like that

750
00:40:48,560 --> 00:40:50,560
Speaker 1: because when you're too good at playing that, it's like,

751
00:40:50,800 --> 00:40:53,200
Speaker 1: especially now, it's like you know what I mean, you

752
00:40:53,360 --> 00:40:56,760
Speaker 1: get people are so stupid they can't separate the two. Yeah,

753
00:40:57,200 --> 00:41:01,160
Speaker 1: he's tremendous. And then with Okay, and then Hannah Gadsby,

754
00:41:01,840 --> 00:41:04,279
Speaker 1: that was that was voice and like that was like

755
00:41:04,440 --> 00:41:08,239
Speaker 1: my friend Casey, who I Chartie Party sixty nine? Yeah,

756
00:41:09,040 --> 00:41:11,880
Speaker 1: chartis the best. Um, we were like thinking of new

757
00:41:11,960 --> 00:41:13,560
Speaker 1: ones to do, and he's like, I think you should

758
00:41:13,600 --> 00:41:18,080
Speaker 1: take on Hannah. Like we treated like a I mean,

759
00:41:18,160 --> 00:41:20,759
Speaker 1: you should do Hannah And that was really hard. I

760
00:41:20,840 --> 00:41:22,799
Speaker 1: had to watch her a lot. And then even when

761
00:41:22,880 --> 00:41:26,440
Speaker 1: we shot the video the first forty five, Like we

762
00:41:26,520 --> 00:41:28,560
Speaker 1: had like so many first takes of it and it

763
00:41:28,719 --> 00:41:32,279
Speaker 1: was sounded like Emma Thompson doing an impression of it

764
00:41:32,400 --> 00:41:35,239
Speaker 1: was just like a bad Emma Thompson impression. For so

765
00:41:35,360 --> 00:41:38,800
Speaker 1: long I loved the beast Strop you guys used it's like,

766
00:41:40,520 --> 00:41:42,840
Speaker 1: and then like, oh my god, we just do it

767
00:41:42,920 --> 00:41:45,880
Speaker 1: for fun, because finding the green screen, like finding the

768
00:41:45,920 --> 00:41:48,080
Speaker 1: images honestly one of the most fun. Well, the fun

769
00:41:48,160 --> 00:41:49,880
Speaker 1: of it really comes through. And you know what I mean,

770
00:41:50,239 --> 00:41:53,440
Speaker 1: because it feels like Drew even it feels like is

771
00:41:53,480 --> 00:41:57,400
Speaker 1: my divine inspiration. He really he's carved the path. I

772
00:41:57,440 --> 00:41:59,759
Speaker 1: mean truly, like Drew was one of these first people

773
00:41:59,800 --> 00:42:03,320
Speaker 1: in this modern contemporary whatever said internet comedy or internet

774
00:42:03,360 --> 00:42:05,480
Speaker 1: comedy where Matt and I were like, who is this?

775
00:42:06,000 --> 00:42:09,800
Speaker 1: Chloe was huge, huge, me too, And when when I

776
00:42:09,840 --> 00:42:11,879
Speaker 1: found out he taught at Groundlings, I lost my ship

777
00:42:12,600 --> 00:42:14,560
Speaker 1: and I ran to his class and he's a really

778
00:42:15,080 --> 00:42:20,960
Speaker 1: intense teacher. He's like, no, no, I wouldn't know, shut up,

779
00:42:21,000 --> 00:42:23,920
Speaker 1: shut up like that. I love that. That is that

780
00:42:24,080 --> 00:42:26,560
Speaker 1: sounds silar than like any sort of drama school Adler

781
00:42:26,719 --> 00:42:28,840
Speaker 1: like it is it totally. I felt at home at

782
00:42:28,880 --> 00:42:31,359
Speaker 1: Groundlings because the teachers are really like mean, but it's

783
00:42:31,400 --> 00:42:33,880
Speaker 1: funny in a way that it's like that makes you

784
00:42:33,920 --> 00:42:36,920
Speaker 1: want to do better. We're not in a very stressful way,

785
00:42:36,920 --> 00:42:40,520
Speaker 1: and it's stressful, but it's not as destructive as like

786
00:42:40,600 --> 00:42:43,759
Speaker 1: someone at Adler being like not like I don't know, well,

787
00:42:43,880 --> 00:42:47,080
Speaker 1: my first like my first impression, I'm being so gross.

788
00:42:47,120 --> 00:42:51,040
Speaker 1: But my very first impression was our Shakespeare teacher that

789
00:42:51,239 --> 00:42:53,160
Speaker 1: I have this active teacher character. That's me just doing

790
00:42:53,200 --> 00:42:56,040
Speaker 1: an impression of this old gay man who taught us Shakespeare,

791
00:42:56,320 --> 00:43:03,400
Speaker 1: who was like, you have to growl up, yeah, wish

792
00:43:03,480 --> 00:43:05,520
Speaker 1: to come up in your air playing Lady Macbeth. You

793
00:43:05,600 --> 00:43:10,640
Speaker 1: have to grob you have to grow a penis at

794
00:43:10,640 --> 00:43:16,160
Speaker 1: the time. You have to grow a penis like Puss

795
00:43:16,320 --> 00:43:20,680
Speaker 1: in the Ring and I we're eighteen, yeah, and you're like,

796
00:43:20,800 --> 00:43:23,000
Speaker 1: oh my god, a teacher is using the word pussy pussy.

797
00:43:23,800 --> 00:43:25,960
Speaker 1: If you were doing Hamlet and I was a feeling

798
00:43:26,080 --> 00:43:28,279
Speaker 1: he would ruffle your hair and then whisper in your

799
00:43:28,360 --> 00:43:35,680
Speaker 1: ear and that's just sucking. But that's like, that's that's

800
00:43:35,719 --> 00:43:40,240
Speaker 1: sling blade. So I feel like you would not fly today.

801
00:43:41,000 --> 00:43:43,600
Speaker 1: But I loved that. No, I mean, what the thing

802
00:43:43,719 --> 00:43:46,600
Speaker 1: is like the impressions for me are the hardest. I'm

803
00:43:46,640 --> 00:43:48,880
Speaker 1: knocking at them. So what I always do is I

804
00:43:49,239 --> 00:43:52,560
Speaker 1: pick a take and it's kind of like, though, that's

805
00:43:52,600 --> 00:43:54,279
Speaker 1: like what you really should do. It has to have

806
00:43:54,360 --> 00:43:56,400
Speaker 1: a take well when it can be when people can

807
00:43:56,440 --> 00:43:58,480
Speaker 1: be like, oh my god, that was such a good impression.

808
00:43:58,520 --> 00:44:00,080
Speaker 1: I think that's great. Those have to have to to

809
00:44:00,200 --> 00:44:02,799
Speaker 1: what all of yours have strong takes. But the thing

810
00:44:02,920 --> 00:44:05,400
Speaker 1: is like, like I see people like my Rudolf, I

811
00:44:05,440 --> 00:44:08,279
Speaker 1: don't think it's a good impressionist, but she always has

812
00:44:08,360 --> 00:44:12,640
Speaker 1: the funniest her Beyonce is like, it's a fine Beyonce.

813
00:44:12,760 --> 00:44:14,759
Speaker 1: But for example, we were watching her do Omarosa from

814
00:44:14,800 --> 00:44:19,880
Speaker 1: way back and it was that's part problem problematic? Am

815
00:44:19,920 --> 00:44:24,560
Speaker 1: I wrong? Yes? Yes, well yeah, But the thing is

816
00:44:24,719 --> 00:44:26,800
Speaker 1: it was like it was she did she did my

817
00:44:26,960 --> 00:44:29,640
Speaker 1: roudof and she spoke in a voice that was like

818
00:44:35,960 --> 00:44:40,080
Speaker 1: her mid Atlantics of hilarious. It's you don't care that

819
00:44:40,200 --> 00:44:44,440
Speaker 1: it's not a good omarosa because it was it's so funny.

820
00:44:44,560 --> 00:44:47,760
Speaker 1: So like, but like I remember I in my JFL

821
00:44:47,800 --> 00:44:49,440
Speaker 1: said I had a Channing Tatum and it's not a

822
00:44:49,520 --> 00:44:56,520
Speaker 1: good I danced a little bit music crippoling Insecure. Yeah,

823
00:44:56,800 --> 00:45:02,759
Speaker 1: but he's mad. He's and it's very upset that people

824
00:45:02,800 --> 00:45:04,920
Speaker 1: like him for his body are not his actor. But

825
00:45:05,160 --> 00:45:07,520
Speaker 1: that like's like he's a really good act He's actually

826
00:45:08,480 --> 00:45:14,000
Speaker 1: he's dropped in Honey, He's dropped right in Adler. No.

827
00:45:14,239 --> 00:45:16,520
Speaker 1: But like the thing is like it's like for people

828
00:45:16,640 --> 00:45:20,000
Speaker 1: that cannot do impressions like myself, but can do original characters,

829
00:45:20,080 --> 00:45:22,560
Speaker 1: it's like you gotta just like make sure you cover

830
00:45:22,680 --> 00:45:25,200
Speaker 1: it up with like a fucking take, because I mean

831
00:45:25,239 --> 00:45:26,759
Speaker 1: I see people like you and people that can do

832
00:45:26,800 --> 00:45:29,359
Speaker 1: impressions and I'm like, Jesus Christ, that's like a whole

833
00:45:29,440 --> 00:45:33,239
Speaker 1: other fucking bla. It's like it's so, it's so, but

834
00:45:33,440 --> 00:45:35,279
Speaker 1: you're way you're talking about it, It's like you do

835
00:45:35,400 --> 00:45:37,040
Speaker 1: have to go about it the same way. Yeah, you

836
00:45:37,120 --> 00:45:40,319
Speaker 1: just you watch it a lot, and like sometimes they're

837
00:45:40,360 --> 00:45:43,040
Speaker 1: really bad until they're good. That's what it is. You

838
00:45:43,120 --> 00:45:45,480
Speaker 1: just make and gets good. But then like the thing

839
00:45:45,520 --> 00:45:47,560
Speaker 1: about Cloe is that she also just has like a

840
00:45:47,640 --> 00:45:51,840
Speaker 1: good observational lens in general, like steering wheel acting, I

841
00:45:51,880 --> 00:45:56,279
Speaker 1: think that's the best, so good, so good. You're the

842
00:45:56,360 --> 00:45:59,239
Speaker 1: Queen of steering. You do it better than who who

843
00:45:59,400 --> 00:46:04,560
Speaker 1: was that? Who does well? Okay, so it's honestly, it

844
00:46:04,680 --> 00:46:08,480
Speaker 1: started with the Net and American. Yeah, there's like five

845
00:46:08,760 --> 00:46:12,120
Speaker 1: accounts of it, and then um, they do it in

846
00:46:12,280 --> 00:46:15,520
Speaker 1: big little lies a lot. That's my favorite. That's when

847
00:46:15,520 --> 00:46:18,520
Speaker 1: I that's my favorite team. And that's when Nicole Kidman's

848
00:46:18,520 --> 00:46:22,160
Speaker 1: like and she does her like this thing. Yeah that's

849
00:46:22,200 --> 00:46:25,560
Speaker 1: hand paws. That that's steering mail. And then Elizabeth Moss

850
00:46:25,560 --> 00:46:28,800
Speaker 1: did it in Handmaid's Tale so much. She does it

851
00:46:28,920 --> 00:46:31,080
Speaker 1: like four times and that's that's like she has the

852
00:46:31,120 --> 00:46:35,839
Speaker 1: weal and she's like, fuck, it's so good. It's so good.

853
00:46:35,920 --> 00:46:38,600
Speaker 1: There's powerful, it's so powerful, and it's how you win awards.

854
00:46:38,719 --> 00:46:40,920
Speaker 1: Like I really feel like it's gonna get her, might

855
00:46:40,960 --> 00:46:42,960
Speaker 1: get her another. I mean I wanted to go to Sandra.

856
00:46:43,440 --> 00:46:45,960
Speaker 1: We were talking about this and I can. I could

857
00:46:45,960 --> 00:46:47,719
Speaker 1: go to Sandra and then one other person. I mean,

858
00:46:47,760 --> 00:46:51,200
Speaker 1: Elizabeth Moss is a performance is so undeniable that it's

859
00:46:51,239 --> 00:46:56,760
Speaker 1: like she doesn't talk like well with diet like the stuff.

860
00:46:56,880 --> 00:46:59,920
Speaker 1: The way Sandra makes words come out of her. I know,

861
00:47:00,080 --> 00:47:04,040
Speaker 1: sund really she's a prophet. She the way like I

862
00:47:04,080 --> 00:47:07,239
Speaker 1: would never make those words come out like they're so

863
00:47:07,400 --> 00:47:11,319
Speaker 1: authentic and emotional. Time. When I when when I did

864
00:47:11,360 --> 00:47:13,440
Speaker 1: the Sandra lip sync, I was like, wow, I know,

865
00:47:13,560 --> 00:47:14,920
Speaker 1: I know, and I know that when you did that,

866
00:47:15,120 --> 00:47:18,080
Speaker 1: she's doing she's making a lot, like so many micro

867
00:47:18,320 --> 00:47:24,200
Speaker 1: choices and the way that you felt yeah something and

868
00:47:24,280 --> 00:47:27,920
Speaker 1: then yeah it's so delicious and then and then the

869
00:47:28,080 --> 00:47:33,719
Speaker 1: end and that will never And also it's just like

870
00:47:33,880 --> 00:47:36,359
Speaker 1: you read you look at just the words and you think, wow,

871
00:47:36,440 --> 00:47:38,719
Speaker 1: if I got this as an actor, like it would

872
00:47:38,800 --> 00:47:41,719
Speaker 1: be so different and so much worse, because much worse.

873
00:47:42,040 --> 00:47:46,319
Speaker 1: It's just like she's such she uses words. Yeah, words

874
00:47:46,400 --> 00:47:49,160
Speaker 1: are like played with. I look up the other nominees

875
00:47:49,160 --> 00:47:51,040
Speaker 1: because I feel like if it's not Elizabeth, and if

876
00:47:51,080 --> 00:47:54,440
Speaker 1: it's not Sandra, then it's someone else. I mean nominations. Anyway,

877
00:47:54,440 --> 00:47:55,920
Speaker 1: I don't know. It's a great year though. There's a

878
00:47:55,920 --> 00:47:58,680
Speaker 1: lot of steering reacting in sharp objects. But I find

879
00:47:58,719 --> 00:48:02,880
Speaker 1: that show hard to hard to watch because yeah, well

880
00:48:02,920 --> 00:48:05,719
Speaker 1: it's like I would watch it eating breakfast and then

881
00:48:05,800 --> 00:48:10,839
Speaker 1: be like it's not good. It's slow. And I love

882
00:48:10,920 --> 00:48:14,800
Speaker 1: Amy Adams, I do give you obsessed with her, but

883
00:48:15,120 --> 00:48:18,080
Speaker 1: not mentioning it's it's a tough one for me. It's tough.

884
00:48:18,680 --> 00:48:20,920
Speaker 1: What do we got Claire Foy? I think because it's

885
00:48:20,960 --> 00:48:25,319
Speaker 1: it's her last she's outstanding its last seasons. As they're

886
00:48:25,360 --> 00:48:28,040
Speaker 1: talking about miss Claire Foy for the supporting actress. Oscar

887
00:48:28,360 --> 00:48:33,200
Speaker 1: First Man, the first reviews of is happening, and so

888
00:48:33,320 --> 00:48:35,279
Speaker 1: now we have all the first reviews of the big

889
00:48:35,320 --> 00:48:39,120
Speaker 1: Oscar movies. So First Man got reviews. Some people are raving,

890
00:48:39,200 --> 00:48:41,960
Speaker 1: some people not Star is Born. The reviews have come

891
00:48:42,000 --> 00:48:45,680
Speaker 1: out and they're very positively. Yeah, they're saying it's actually

892
00:48:46,239 --> 00:48:48,640
Speaker 1: a sleigh and a half. Really, I gotta work on that,

893
00:48:48,760 --> 00:48:54,319
Speaker 1: lady gun you were um. First of all, she's giving

894
00:48:54,320 --> 00:48:56,080
Speaker 1: you so much material just in that car and that

895
00:48:56,160 --> 00:49:01,719
Speaker 1: scene alone when he's like that is there was so

896
00:49:01,800 --> 00:49:07,440
Speaker 1: much material in her Netflix special just yeah, um. And

897
00:49:07,520 --> 00:49:09,560
Speaker 1: then what else? You know what movie I heard is good?

898
00:49:10,000 --> 00:49:12,320
Speaker 1: There's a movie coming out with Rachel VISs Ema Stone

899
00:49:12,320 --> 00:49:15,080
Speaker 1: and Olivia Coleman called The Favorite, which that looks really

900
00:49:15,120 --> 00:49:18,279
Speaker 1: good with it. It's the same lobster guy. Yeah, it's

901
00:49:18,400 --> 00:49:20,920
Speaker 1: it's like Olivia Coleman's in it. Olivia Coleman plays like

902
00:49:20,960 --> 00:49:24,880
Speaker 1: a queen and emistone and I guess Rachel Vice is

903
00:49:24,960 --> 00:49:28,239
Speaker 1: like just under her and then Emi Stone plays like

904
00:49:28,360 --> 00:49:31,239
Speaker 1: the new servant that they hire or something like that,

905
00:49:31,440 --> 00:49:34,239
Speaker 1: like some someone new to like this estate. And it's

906
00:49:34,280 --> 00:49:37,440
Speaker 1: like a comedy, like like sort of comedy matters um

907
00:49:37,719 --> 00:49:40,400
Speaker 1: and Rave reviews and they're saying that Emi Stone is

908
00:49:40,480 --> 00:49:43,040
Speaker 1: phenomenal in it. She's good. She's good. It's really good.

909
00:49:43,080 --> 00:49:45,520
Speaker 1: I think she's really telling very very and she seems

910
00:49:45,520 --> 00:49:47,279
Speaker 1: like a good and she's a good person. Yeah, she

911
00:49:47,400 --> 00:49:49,680
Speaker 1: seems like a good person, like from people who like

912
00:49:49,800 --> 00:49:52,400
Speaker 1: whatever periphctly know her that everyone's looks like she's a

913
00:49:52,520 --> 00:49:59,120
Speaker 1: solid human. Yeah, and don't they call her em Emily

914
00:49:59,560 --> 00:50:01,960
Speaker 1: Emily um clorie. I think we should ask you the question.

915
00:50:02,000 --> 00:50:03,839
Speaker 1: We ask all of our guests to ask this question,

916
00:50:03,960 --> 00:50:06,160
Speaker 1: and I think you and we like screen this for

917
00:50:06,280 --> 00:50:08,160
Speaker 1: you earlier. And let's see if I say the same

918
00:50:08,200 --> 00:50:11,439
Speaker 1: and you were self conscio, but I believe a great choice. Okay,

919
00:50:11,520 --> 00:50:15,400
Speaker 1: so you can change your answer for you Okay, uh, Chlorie,

920
00:50:15,480 --> 00:50:17,239
Speaker 1: what is the culture that made you say culture is

921
00:50:17,400 --> 00:50:20,879
Speaker 1: for me? Like defining pop culture that made you say wow?

922
00:50:21,040 --> 00:50:23,640
Speaker 1: I might be forming into a person due to this,

923
00:50:23,880 --> 00:50:29,000
Speaker 1: the miseducation of Lauren Hell and just celebrated its twenty anniversary,

924
00:50:29,400 --> 00:50:32,400
Speaker 1: which is insane. Insane, that's okay, So then what are

925
00:50:32,440 --> 00:50:34,320
Speaker 1: you okay? So then let's let's dive into this. So

926
00:50:34,600 --> 00:50:39,759
Speaker 1: I'm from Berkeley, and um, like white people don't listen

927
00:50:39,800 --> 00:50:43,400
Speaker 1: to white people. Yeah, And I was just like I

928
00:50:43,760 --> 00:50:46,160
Speaker 1: as I've always been the person. They're like, you have

929
00:50:46,280 --> 00:50:49,840
Speaker 1: more phases than the moon. But the miseducation, I was like, no, no,

930
00:50:50,040 --> 00:50:52,000
Speaker 1: this is me. And I was right. And I started

931
00:50:52,040 --> 00:50:55,400
Speaker 1: wearing like Rastafarian Oh my god. So I was just

932
00:50:55,480 --> 00:50:59,120
Speaker 1: like little miss appropriate just was appropriating everything I possibly could,

933
00:50:59,719 --> 00:51:02,399
Speaker 1: like really felt it like smoked weed for the first time,

934
00:51:03,719 --> 00:51:08,120
Speaker 1: came from this earnest place, not like like womanhood and

935
00:51:08,560 --> 00:51:11,000
Speaker 1: hip hop. Yeah, and I had it was like the

936
00:51:11,040 --> 00:51:15,520
Speaker 1: first time I really had a crush on somebody. Yeah, Andrew, Yeah,

937
00:51:15,760 --> 00:51:17,480
Speaker 1: it was like yeah it was associated with like I'm

938
00:51:17,480 --> 00:51:19,680
Speaker 1: gonna listen to this music and flirt with this guy.

939
00:51:20,080 --> 00:51:22,239
Speaker 1: Yeah it was it was it was that music that

940
00:51:22,360 --> 00:51:24,759
Speaker 1: kicked in just as you were kind of becoming a person. Yeah.

941
00:51:27,000 --> 00:51:31,239
Speaker 1: Black Street was like around that same time. Was it like,

942
00:51:31,480 --> 00:51:34,919
Speaker 1: was it Fuji's leading into Yeah? And when I bought

943
00:51:34,920 --> 00:51:36,719
Speaker 1: the Fuji's it was like all at that same time,

944
00:51:36,840 --> 00:51:40,239
Speaker 1: especially the Fujisan that album. I mean, yeah, they're the best,

945
00:51:40,520 --> 00:51:42,640
Speaker 1: but there's something that's still still to this day, like

946
00:51:42,800 --> 00:51:45,880
Speaker 1: when um, oh my god, do have that thing comes on?

947
00:51:46,000 --> 00:51:49,120
Speaker 1: You're like this is this is unique, You'll never hear

948
00:51:49,200 --> 00:51:53,120
Speaker 1: it again. Yeah, although I really like hip hop right now,

949
00:51:53,640 --> 00:51:57,080
Speaker 1: this new like lady hip hop. Do you know Tierra Whack?

950
00:51:57,960 --> 00:52:00,040
Speaker 1: You gotta check her out? She just I know you

951
00:52:00,080 --> 00:52:03,040
Speaker 1: like Jungle Pussy because you love jungle and I deeply

952
00:52:03,080 --> 00:52:05,439
Speaker 1: love your friend Jungle Pussy. Yeah, there's some like hints

953
00:52:05,480 --> 00:52:08,839
Speaker 1: of Lauren Hill, like a little bit someone Lauren Um,

954
00:52:09,360 --> 00:52:11,560
Speaker 1: but you'll should check out Taro Wax. She's this like

955
00:52:12,200 --> 00:52:15,360
Speaker 1: twenty five year old girl from Philly. She's wait, I

956
00:52:15,480 --> 00:52:18,040
Speaker 1: was just listening. Did she do a thing with Kanye She?

957
00:52:18,280 --> 00:52:20,959
Speaker 1: I don't know she did do anything. I think she's

958
00:52:21,640 --> 00:52:25,919
Speaker 1: like just someone she like like people like people, people

959
00:52:26,000 --> 00:52:27,880
Speaker 1: love her like like all like the hip hop like

960
00:52:27,960 --> 00:52:30,279
Speaker 1: higher ups like oh see that's when you know, that's

961
00:52:30,280 --> 00:52:31,880
Speaker 1: when you know. But like she so she basically put

962
00:52:31,920 --> 00:52:35,000
Speaker 1: out this m visual album and all the all the

963
00:52:35,040 --> 00:52:37,120
Speaker 1: tracks for a minute long and it's fifteen songs. So

964
00:52:37,160 --> 00:52:39,399
Speaker 1: it's a fifteen minute visual album cool and you listen

965
00:52:39,400 --> 00:52:41,240
Speaker 1: to it in fifteen minutes and it's all like wonderful,

966
00:52:41,280 --> 00:52:44,520
Speaker 1: little like vignette of melodies and you're like, oh, these

967
00:52:44,560 --> 00:52:48,400
Speaker 1: are really good. That's a way you're here. I was

968
00:52:48,440 --> 00:52:53,800
Speaker 1: listening to Tiana Taylor is Great my co stars after Party.

969
00:52:53,920 --> 00:53:00,239
Speaker 1: Wait what she's in the Afterparty Netflix movie? She's in it.

970
00:53:00,480 --> 00:53:02,640
Speaker 1: Oh my god. I was just walking past the brick

971
00:53:02,840 --> 00:53:08,360
Speaker 1: like living, Oh my god, she's amazing, really really excited

972
00:53:08,440 --> 00:53:09,560
Speaker 1: when they found out she was going to be in

973
00:53:09,600 --> 00:53:11,360
Speaker 1: the movie. You listen to work this pussy right now,

974
00:53:12,320 --> 00:53:15,760
Speaker 1: you're gonna pop your genity. I'm gonna pop my bussy.

975
00:53:15,920 --> 00:53:17,799
Speaker 1: You're gonna pop your bussy to work that. She came

976
00:53:17,880 --> 00:53:19,880
Speaker 1: up because I was listening to City Girls and you

977
00:53:20,080 --> 00:53:23,000
Speaker 1: City Girls they have this song called Period. It's like

978
00:53:23,400 --> 00:53:26,319
Speaker 1: the best I've ever heard. The women are coming back.

979
00:53:26,480 --> 00:53:28,319
Speaker 1: Yes they are. I mean, and it's not this thing

980
00:53:28,360 --> 00:53:31,400
Speaker 1: where it's like, oh there are no female They're here

981
00:53:31,520 --> 00:53:34,960
Speaker 1: here and they're huge. I mean, it's like, literally, they

982
00:53:34,960 --> 00:53:36,680
Speaker 1: should just have a concert where it's all it's just

983
00:53:36,719 --> 00:53:40,360
Speaker 1: like Lizzo and Princess Nokia and Jungle Pussy. Okay, Princess Nokia.

984
00:53:40,400 --> 00:53:42,440
Speaker 1: People are like turning on her. Everyone's turning on her

985
00:53:42,600 --> 00:53:46,480
Speaker 1: because she did that alternative album? Is that sort of

986
00:53:46,520 --> 00:53:48,600
Speaker 1: the way it goes, like what are You're not allowed

987
00:53:48,640 --> 00:53:50,120
Speaker 1: to do anything different? I think they were, But I

988
00:53:50,320 --> 00:53:52,400
Speaker 1: love her. I think she's I think she's a very talented.

989
00:53:52,520 --> 00:53:55,080
Speaker 1: People are turning on Doja Cat now, yes, because she

990
00:53:55,480 --> 00:53:58,080
Speaker 1: tweeted this thing out of nowhere where she was like

991
00:53:58,480 --> 00:54:01,360
Speaker 1: what did she say? She was like, um, and I

992
00:54:01,719 --> 00:54:03,560
Speaker 1: am I homophobic If I used the word faggot when

993
00:54:03,560 --> 00:54:09,920
Speaker 1: I was in high school, I just call people faking. Although, Azalia,

994
00:54:10,400 --> 00:54:12,040
Speaker 1: how do you feel about ze? Because I feel like

995
00:54:12,040 --> 00:54:16,600
Speaker 1: she's one of those people were Her talent sort of

996
00:54:16,680 --> 00:54:22,560
Speaker 1: transcends the insanity and her whole thing with Elon Musk.

997
00:54:22,640 --> 00:54:25,880
Speaker 1: I cannot believe. It's so fucking funny, so fucking funny.

998
00:54:26,040 --> 00:54:30,280
Speaker 1: The fact that she called Grimes a perhapst beer pussy

999
00:54:31,239 --> 00:54:35,520
Speaker 1: is genius, genius. If we if we all do, if

1000
00:54:35,560 --> 00:54:37,440
Speaker 1: we all knew a Zilia Banks, she would leave rooms

1001
00:54:37,440 --> 00:54:39,360
Speaker 1: and we would say that bitch is so crazy but

1002
00:54:39,560 --> 00:54:42,160
Speaker 1: so funny, Like Okay, Matt and I like pulled up

1003
00:54:42,200 --> 00:54:43,920
Speaker 1: the video where she called that fight attendant a faggot,

1004
00:54:44,000 --> 00:54:47,200
Speaker 1: And it's hilarious for somebody have to say something that

1005
00:54:47,280 --> 00:54:54,120
Speaker 1: flight attend it was a fag like I'm sorry, but

1006
00:54:55,800 --> 00:54:59,719
Speaker 1: come for me too, and we're gonna. I just want

1007
00:54:59,760 --> 00:55:02,600
Speaker 1: to heat the way she says it, because it's no

1008
00:55:02,760 --> 00:55:05,560
Speaker 1: she goes. No, it's not that she goes, it's deeper.

1009
00:55:05,600 --> 00:55:09,759
Speaker 1: It's like she drops like this, the draw is fucking bag.

1010
00:55:10,600 --> 00:55:13,239
Speaker 1: She says it from her soul. But the thing is like,

1011
00:55:14,600 --> 00:55:17,960
Speaker 1: here's the thing, here's the thing, fucking fat let's let's

1012
00:55:18,160 --> 00:55:20,000
Speaker 1: let's let's paint a picture in our heads of what

1013
00:55:20,120 --> 00:55:22,520
Speaker 1: this is. We hear about the way that some of

1014
00:55:22,560 --> 00:55:26,320
Speaker 1: these flight attendants treat people. We hear about fucking racism.

1015
00:55:26,400 --> 00:55:29,319
Speaker 1: We hear that she's gonna tell me Azalia Banks being

1016
00:55:29,360 --> 00:55:31,080
Speaker 1: who she is, I see to her plane. Maybe she

1017
00:55:31,160 --> 00:55:33,240
Speaker 1: was being a little extra. That doesn't mean you fucking

1018
00:55:33,280 --> 00:55:36,680
Speaker 1: not not let her off the plane. You're not letting

1019
00:55:36,680 --> 00:55:41,319
Speaker 1: her back. She shouldn't have said it. But also at

1020
00:55:41,360 --> 00:55:43,680
Speaker 1: the end of the day, like what the hell, why

1021
00:55:43,719 --> 00:55:46,640
Speaker 1: are you abusing her? Just get let her get off

1022
00:55:46,640 --> 00:55:48,279
Speaker 1: the plane. Then we're not to do with it at all.

1023
00:55:48,760 --> 00:55:51,160
Speaker 1: This is all to say Treasure Island, this track that

1024
00:55:51,239 --> 00:55:53,279
Speaker 1: she came out with like a month ago. It's so good,

1025
00:55:53,440 --> 00:55:55,200
Speaker 1: so good. That's the thing. Her music, It is so good.

1026
00:55:55,360 --> 00:55:58,759
Speaker 1: Her music is so good. And what's you gonna do?

1027
00:55:58,920 --> 00:56:00,440
Speaker 1: Like you're going to be mad at of her speaking

1028
00:56:00,480 --> 00:56:02,560
Speaker 1: truth to power. Now I have to I'm sorry, I

1029
00:56:02,640 --> 00:56:05,720
Speaker 1: have to read I think my favorite tweet of all time.

1030
00:56:07,320 --> 00:56:09,600
Speaker 1: I just I'm sorry, I'm sorry, my problematic favor for

1031
00:56:09,680 --> 00:56:13,799
Speaker 1: saying that. No. I also I used to see her

1032
00:56:13,840 --> 00:56:16,400
Speaker 1: in downtown l A A lot. Yeah, yeah, just like,

1033
00:56:16,600 --> 00:56:20,400
Speaker 1: and she'd be eating eggs at the Why I was

1034
00:56:20,440 --> 00:56:22,120
Speaker 1: at the hotel down to l A. I don't know.

1035
00:56:22,600 --> 00:56:24,800
Speaker 1: I like weird. I lived, I lived down there, and

1036
00:56:24,840 --> 00:56:26,520
Speaker 1: I thought that I would have this life where I like,

1037
00:56:26,640 --> 00:56:29,560
Speaker 1: I get up and I go to work at the hotel. Yeah,

1038
00:56:29,640 --> 00:56:31,080
Speaker 1: people do it here. You see it in New York

1039
00:56:31,120 --> 00:56:32,960
Speaker 1: all the time. That's where I like, because it's right

1040
00:56:33,000 --> 00:56:35,800
Speaker 1: by Adler. I thought I would live. Is where we

1041
00:56:35,840 --> 00:56:39,359
Speaker 1: watched Dred Race. Now that it's on Thursday's weekend, when

1042
00:56:39,400 --> 00:56:41,920
Speaker 1: it's not packed in those couches, its scourges, and it's

1043
00:56:41,960 --> 00:56:44,000
Speaker 1: cozy and it's productive and it's a great place for

1044
00:56:44,000 --> 00:56:46,200
Speaker 1: a little Micah. She'd always have these eggs and these

1045
00:56:46,239 --> 00:56:48,239
Speaker 1: crazy nails, and I'd like see her and she'd like

1046
00:56:48,360 --> 00:56:53,040
Speaker 1: look up, and I like, I love you just Her

1047
00:56:53,120 --> 00:56:56,040
Speaker 1: music is no joke. Can just read this my favorite tweet.

1048
00:56:56,280 --> 00:56:58,400
Speaker 1: I think I've read this to you. This is um,

1049
00:56:58,520 --> 00:57:00,239
Speaker 1: this was back in. This is right I r Ann

1050
00:57:00,280 --> 00:57:02,000
Speaker 1: Winter came out, so this is recent. She goes, and

1051
00:57:02,080 --> 00:57:04,480
Speaker 1: this is right after Nicki Minaje wore a mermaid tail

1052
00:57:04,480 --> 00:57:06,360
Speaker 1: in a music video. Then Azelia freaked out. It's like,

1053
00:57:06,760 --> 00:57:11,440
Speaker 1: people are, well, she's not so, I mean sure as

1054
00:57:11,520 --> 00:57:13,840
Speaker 1: she goes l O L. Female rap is a mess today.

1055
00:57:13,920 --> 00:57:16,960
Speaker 1: Yet I'm still the most original, talented and the most

1056
00:57:17,040 --> 00:57:23,240
Speaker 1: skinny all taps drinking, drinking my skinny watermelon teeny staring

1057
00:57:23,320 --> 00:57:26,160
Speaker 1: from the kitchen window as I watched the raccoons scrounged

1058
00:57:26,240 --> 00:57:29,840
Speaker 1: for art in my garbage pobblem, Like that's an artful

1059
00:57:29,840 --> 00:57:32,960
Speaker 1: TWI that's come on, that's amazing, It's amazing. She's amazing.

1060
00:57:34,360 --> 00:57:37,880
Speaker 1: Pretty is great. Yeah, Jungle Pussy is amazing. I think

1061
00:57:38,440 --> 00:57:40,840
Speaker 1: she has these great this whole thing about how to

1062
00:57:40,880 --> 00:57:44,200
Speaker 1: make like a skin potion. I like her because she's

1063
00:57:44,240 --> 00:57:47,160
Speaker 1: like healthy, yeah yeah, yeah, she's like a healthy She's

1064
00:57:47,200 --> 00:57:51,840
Speaker 1: a healthy rapper like she Butter and Lemon Grass. She'll

1065
00:57:51,840 --> 00:57:54,320
Speaker 1: give you lifestyle tips. Yeah, I took her lifetyle tips.

1066
00:57:54,480 --> 00:57:56,040
Speaker 1: Do wait, did you have you listened to the Kayli

1067
00:57:56,080 --> 00:58:00,160
Speaker 1: forties seven? Yes? Yeah, yeah, yeah, yeah so good. Yeah yeah, wait,

1068
00:58:00,160 --> 00:58:02,400
Speaker 1: there's a new one in handbags. Listen to that. That's

1069
00:58:02,440 --> 00:58:05,160
Speaker 1: really good. Oh my god, all the time, all the time,

1070
00:58:05,360 --> 00:58:07,960
Speaker 1: She's amazing. That's my I listen to and I get

1071
00:58:08,000 --> 00:58:10,600
Speaker 1: on a plane. Yes, and I feel no fear. That's

1072
00:58:10,640 --> 00:58:13,240
Speaker 1: great plane. So hip hop is your genre absolutely? Yeah.

1073
00:58:13,560 --> 00:58:16,000
Speaker 1: And it started with the Miss Educational. Yes, okay, let's

1074
00:58:16,040 --> 00:58:17,800
Speaker 1: talk about this because my mom was like, you can

1075
00:58:17,840 --> 00:58:22,120
Speaker 1: play this. I like this free cyclist all the time

1076
00:58:22,160 --> 00:58:25,240
Speaker 1: in the car. Yeah. It's an incredible album. X Factor

1077
00:58:25,520 --> 00:58:29,000
Speaker 1: do op um God still one of the most successful

1078
00:58:29,040 --> 00:58:32,080
Speaker 1: albums of all the time. And even that bonus track

1079
00:58:32,520 --> 00:58:36,280
Speaker 1: the uh You're just Too Good to be True whatever.

1080
00:58:36,320 --> 00:58:39,880
Speaker 1: It came out like when Cheryl Crow CDs were coming out,

1081
00:58:39,960 --> 00:58:42,560
Speaker 1: so it just felt like there was not that space filed.

1082
00:58:43,000 --> 00:58:45,959
Speaker 1: It was a little fair. Yeah, it was a little

1083
00:58:46,000 --> 00:58:50,440
Speaker 1: Sarah macacklin Cheryl Crow. Well, you had like little Fair happening,

1084
00:58:50,480 --> 00:58:53,240
Speaker 1: and then you had like pop Diva's happening, and then

1085
00:58:53,280 --> 00:58:55,920
Speaker 1: you had Lauren Hill because that was also that was

1086
00:58:56,000 --> 00:58:57,960
Speaker 1: also it was little fair. It was you were either

1087
00:58:58,040 --> 00:59:00,640
Speaker 1: a woman, you had a guitar, or you had a big,

1088
00:59:01,040 --> 00:59:04,040
Speaker 1: big voice where you riffed the house down right, or

1089
00:59:04,520 --> 00:59:07,960
Speaker 1: you were a pop princess. And then there was like

1090
00:59:08,320 --> 00:59:11,520
Speaker 1: this space and I think like just even Lauren Hill,

1091
00:59:11,560 --> 00:59:14,840
Speaker 1: like singing and also rapping, was like, oh wait, let's

1092
00:59:14,840 --> 00:59:17,040
Speaker 1: pivot and let's let's look at this too, and then

1093
00:59:17,160 --> 00:59:19,720
Speaker 1: like it's true, like there is this like world of

1094
00:59:19,800 --> 00:59:23,560
Speaker 1: hip hop that I feel was exposed. God, I mean

1095
00:59:24,200 --> 00:59:26,920
Speaker 1: speaking of one of the best singers ever to like,

1096
00:59:27,680 --> 00:59:30,800
Speaker 1: like Lauren is another like very mystifying figure where it's

1097
00:59:30,840 --> 00:59:32,560
Speaker 1: like you don't really know what to make of her

1098
00:59:32,600 --> 00:59:35,000
Speaker 1: because there's just seemed to be all of these prickly

1099
00:59:35,160 --> 00:59:38,480
Speaker 1: things like she came to Oakland. I remember, didn't like,

1100
00:59:38,640 --> 00:59:43,560
Speaker 1: didn't perform a concert because it was to me white people. Yeah, respect,

1101
00:59:43,560 --> 00:59:46,880
Speaker 1: I don't know, I kind of classically always late. I've

1102
00:59:46,920 --> 00:59:49,840
Speaker 1: heard that she's not the most pleasant person, but um,

1103
00:59:50,240 --> 00:59:52,680
Speaker 1: when you have when you're that talent, it's like it's

1104
00:59:52,800 --> 00:59:55,320
Speaker 1: so hard. She did a cover not too long like

1105
00:59:55,400 --> 00:59:59,640
Speaker 1: a year ago that was on Facebook. Yeah. It was

1106
00:59:59,680 --> 01:00:02,320
Speaker 1: like an events yeah, and event where she performed for

1107
01:00:02,360 --> 01:00:05,160
Speaker 1: the first time in a while, and I mean it's chills,

1108
01:00:05,200 --> 01:00:08,080
Speaker 1: Like her voice is insane. You put up with people's

1109
01:00:08,080 --> 01:00:09,640
Speaker 1: bullshit when you know you're going to get a certain

1110
01:00:11,600 --> 01:00:14,480
Speaker 1: you just do yeah. Right. But it's like there's no

1111
01:00:14,720 --> 01:00:18,080
Speaker 1: like mathematical way to like figure that. It's like read

1112
01:00:18,160 --> 01:00:21,040
Speaker 1: the Franklin saying, Hi, there can be no air conditioning. Yeah, yeah, yeah,

1113
01:00:21,080 --> 01:00:23,720
Speaker 1: you turn the air conditioning off because when the queen

1114
01:00:23,800 --> 01:00:27,680
Speaker 1: rolls with with Lauren Hill though, oh, I just want

1115
01:00:27,720 --> 01:00:29,600
Speaker 1: to I used to do this a joke when like

1116
01:00:29,720 --> 01:00:33,000
Speaker 1: the handful of times I would do stand up that

1117
01:00:33,080 --> 01:00:35,600
Speaker 1: I do it. Um when I talk about going to

1118
01:00:35,880 --> 01:00:38,680
Speaker 1: this Beyonce concert with Brittany remember High Britney Halloway Brown.

1119
01:00:38,680 --> 01:00:40,720
Speaker 1: If you're listening, um, oh yeah, remember when you went.

1120
01:00:40,880 --> 01:00:44,200
Speaker 1: But I'll be like, um, I'll be like I am,

1121
01:00:45,560 --> 01:00:47,320
Speaker 1: I'll be like yes, so Brittany came with me, and

1122
01:00:47,360 --> 01:00:50,400
Speaker 1: Brittany is like the Lauren Hill of being late to things,

1123
01:00:51,000 --> 01:00:53,440
Speaker 1: and I'm I'm the Lauren Hill of hating white people.

1124
01:00:53,600 --> 01:00:55,920
Speaker 1: I thought that was a fun joke, but then it

1125
01:00:55,960 --> 01:00:59,520
Speaker 1: would like get such a mixed reacitially anyway, but Lauren

1126
01:00:59,640 --> 01:01:02,040
Speaker 1: is Yeah, so Lauren, I feel like, what what just

1127
01:01:02,160 --> 01:01:05,160
Speaker 1: came out recently? Some wanted some producer, someone on Miss

1128
01:01:05,280 --> 01:01:08,480
Speaker 1: Education or some close collaborator of hers like called her

1129
01:01:08,520 --> 01:01:10,840
Speaker 1: out in this essay and was like she's like, I

1130
01:01:10,880 --> 01:01:12,720
Speaker 1: don't know, she doesn't have good relations to people. I

1131
01:01:13,080 --> 01:01:14,919
Speaker 1: think because she's not you know, she's a tough person

1132
01:01:15,000 --> 01:01:16,480
Speaker 1: to deal with. I don't know. I just feel like

1133
01:01:16,800 --> 01:01:18,320
Speaker 1: a lot of money tied up on that album too,

1134
01:01:18,400 --> 01:01:21,680
Speaker 1: is that thing totally? And like I feel like, if

1135
01:01:21,920 --> 01:01:24,000
Speaker 1: all's right in the world, like we get one more

1136
01:01:24,160 --> 01:01:27,560
Speaker 1: like piece of great work out of her. Not that

1137
01:01:27,640 --> 01:01:29,920
Speaker 1: I'm not that we demanding things, but like it's just

1138
01:01:30,360 --> 01:01:33,880
Speaker 1: I would want that. It is crazy because even even

1139
01:01:34,520 --> 01:01:37,040
Speaker 1: really it's nuts that really from her was like her

1140
01:01:37,040 --> 01:01:38,880
Speaker 1: work with the Fujis and then that album and then

1141
01:01:38,920 --> 01:01:42,200
Speaker 1: there's really hasn't been what I mean, it's like other

1142
01:01:42,240 --> 01:01:44,280
Speaker 1: people that put out like iconic pieces of work, like

1143
01:01:44,440 --> 01:01:45,840
Speaker 1: they followed up like you know what I mean, like

1144
01:01:46,360 --> 01:01:49,240
Speaker 1: a lot of more set, there's Jagged Little Pill, and

1145
01:01:49,320 --> 01:01:51,600
Speaker 1: then it's almost like you don't even remember anything else.

1146
01:01:51,640 --> 01:01:56,560
Speaker 1: But there are other albums, yeah, Christmas albums Laura Hill

1147
01:01:56,560 --> 01:02:00,600
Speaker 1: should release a Christmas She had an acoustic album that

1148
01:02:00,680 --> 01:02:04,200
Speaker 1: came out and she did an MTV unplugged acoust and

1149
01:02:04,280 --> 01:02:08,720
Speaker 1: it's beauty, Like, it's just beaut that. I also live

1150
01:02:08,760 --> 01:02:12,320
Speaker 1: for her performance and fucking fist direct to ahead and

1151
01:02:12,440 --> 01:02:16,360
Speaker 1: she really Ralph was the mother. Yes, just so kind

1152
01:02:16,480 --> 01:02:19,000
Speaker 1: and like her fashion at the time, she's so beautiful.

1153
01:02:19,640 --> 01:02:23,400
Speaker 1: Those music videos are like timeless, yes, even now, even

1154
01:02:23,440 --> 01:02:25,800
Speaker 1: when she did that little video where she did an

1155
01:02:25,840 --> 01:02:29,760
Speaker 1: acoustic cover of Doop, like she just wore this giant

1156
01:02:29,840 --> 01:02:32,560
Speaker 1: brimmed hat and looked incredible. Incredible. Yeah, I love you,

1157
01:02:32,760 --> 01:02:35,560
Speaker 1: not aged. I also heard that in concert she rarely

1158
01:02:35,640 --> 01:02:38,919
Speaker 1: does the same arrangement twice, like she's always like rearaging things,

1159
01:02:39,000 --> 01:02:42,160
Speaker 1: Like she's like it has to be different, like her

1160
01:02:42,200 --> 01:02:44,160
Speaker 1: instincts must be followed at all times, and like her

1161
01:02:44,200 --> 01:02:47,080
Speaker 1: band is good enough to like change because she has

1162
01:02:47,120 --> 01:02:50,320
Speaker 1: of course the best and the best work and probably

1163
01:02:50,360 --> 01:02:52,800
Speaker 1: if someone were not perfect, she could just look fill

1164
01:02:52,880 --> 01:02:55,000
Speaker 1: them a look and they be gone. That's okay. You

1165
01:02:55,040 --> 01:02:57,000
Speaker 1: know what This is the thing that is solidifying all

1166
01:02:57,040 --> 01:02:59,800
Speaker 1: this for me is that she is a musical genius. Yeah,

1167
01:03:00,080 --> 01:03:02,600
Speaker 1: and like you can't and that is the thing that

1168
01:03:02,640 --> 01:03:07,400
Speaker 1: you weigh against all the other behavioral stuff. And I

1169
01:03:07,440 --> 01:03:08,800
Speaker 1: think the issue is that like a lot of people

1170
01:03:08,960 --> 01:03:13,320
Speaker 1: will have that behavior without the talent. Sure, yeah, it's

1171
01:03:13,360 --> 01:03:17,520
Speaker 1: like yeah and they and people put up with even them. Yeah. Yeah.

1172
01:03:18,200 --> 01:03:21,280
Speaker 1: Is it is popular in comedy, yes, in the Lady

1173
01:03:21,320 --> 01:03:24,440
Speaker 1: Gaga Netflix saying where she's like getting massaged every other

1174
01:03:24,640 --> 01:03:28,480
Speaker 1: take and like weeping with her soul and like I'm like,

1175
01:03:28,520 --> 01:03:32,560
Speaker 1: are you in that much pain? Honestly, I guess I

1176
01:03:32,680 --> 01:03:35,439
Speaker 1: choose to believe that she actually is, because like, yeah,

1177
01:03:35,880 --> 01:03:39,280
Speaker 1: that's a lot. What does that mean? She's like a ranting,

1178
01:03:39,360 --> 01:03:41,440
Speaker 1: raving c just I mean just to week all day

1179
01:03:41,520 --> 01:03:45,240
Speaker 1: and just have somebody like like like just working here

1180
01:03:45,320 --> 01:03:47,120
Speaker 1: and there's like four like sometimes I'm sure she's like

1181
01:03:47,200 --> 01:03:51,080
Speaker 1: three massuses. She's just like slowly weeping. I mean that

1182
01:03:51,240 --> 01:03:55,240
Speaker 1: was so iconic for you know, I did and then

1183
01:03:55,320 --> 01:03:57,040
Speaker 1: and then I feel like the time went too far.

1184
01:03:57,480 --> 01:03:59,320
Speaker 1: People just bring it back. I mean that's I have

1185
01:03:59,400 --> 01:04:01,680
Speaker 1: like a lot of questions that are like not relevant,

1186
01:04:02,120 --> 01:04:04,280
Speaker 1: but I kind of want to just write. But I

1187
01:04:04,400 --> 01:04:07,360
Speaker 1: think that's good enough. Sometimes it doesn't really matter. People

1188
01:04:07,480 --> 01:04:09,320
Speaker 1: do like to see like a good impression, even if

1189
01:04:09,360 --> 01:04:11,960
Speaker 1: it comes from Serri wheel and Nette thing. I was like,

1190
01:04:12,080 --> 01:04:14,520
Speaker 1: this is a twenty year old movie, but like, yeah,

1191
01:04:14,800 --> 01:04:17,480
Speaker 1: I have a Bill Paxton that I love. Yeah, but

1192
01:04:18,960 --> 01:04:21,400
Speaker 1: but I I've been talked out of putting it in

1193
01:04:21,600 --> 01:04:23,919
Speaker 1: my like submissions and reels and stuff like so good.

1194
01:04:23,960 --> 01:04:26,440
Speaker 1: But the thing is, like I see it sucking these

1195
01:04:26,480 --> 01:04:29,200
Speaker 1: straight guys doing these these fucking throwback impressions and no

1196
01:04:29,280 --> 01:04:32,680
Speaker 1: one cares. They do it all the time. Then I

1197
01:04:32,800 --> 01:04:35,080
Speaker 1: wear is their brain? I don't know, that's all I

1198
01:04:35,160 --> 01:04:37,680
Speaker 1: see it all. I didn't stand up. Yeah, yeah, what

1199
01:04:37,760 --> 01:04:41,440
Speaker 1: are you? You're talking about caddy shacks? Still, I know

1200
01:04:41,920 --> 01:04:45,760
Speaker 1: that's interesting to me because it's like man like if

1201
01:04:45,800 --> 01:04:50,120
Speaker 1: if you know what I mean, like a different do

1202
01:04:50,280 --> 01:04:55,440
Speaker 1: it liked to pull up Michiko Kakutani impression. Who cares

1203
01:04:55,520 --> 01:04:57,720
Speaker 1: what the references are? I mean, look as long as

1204
01:04:57,760 --> 01:05:00,760
Speaker 1: it's good, it's good, I think, rather than timely. I've

1205
01:05:00,880 --> 01:05:03,400
Speaker 1: done some bad timely stuff. There you go. Yeah, because

1206
01:05:03,400 --> 01:05:04,920
Speaker 1: you feel like you have to, you have to rather

1207
01:05:04,960 --> 01:05:07,600
Speaker 1: than do something of the past, right right, right right,

1208
01:05:07,760 --> 01:05:11,120
Speaker 1: I mean I'm in whip out all my starwards. You

1209
01:05:11,200 --> 01:05:16,520
Speaker 1: have no idea how good this Bill packs just away

1210
01:05:16,560 --> 01:05:18,840
Speaker 1: and it was like, oh, but it's a very good.

1211
01:05:18,840 --> 01:05:22,560
Speaker 1: But it was based on the Twister attraction at Universal Studios,

1212
01:05:23,440 --> 01:05:25,840
Speaker 1: So he's in the in the Twister Attractions pre show

1213
01:05:25,960 --> 01:05:29,280
Speaker 1: or deally departed that ride no longer. He just standing

1214
01:05:29,320 --> 01:05:33,200
Speaker 1: there in the craziest stance, just talking about how a

1215
01:05:33,280 --> 01:05:35,400
Speaker 1: twister is the worst thing you can go through and laugh.

1216
01:05:35,600 --> 01:05:38,400
Speaker 1: It's got the force of a he's just like truly

1217
01:05:39,160 --> 01:05:42,560
Speaker 1: and the way his body is position the funniest Wooden

1218
01:05:42,840 --> 01:05:46,160
Speaker 1: performance ever. Talking about it on podcast The Ride Coming

1219
01:05:46,200 --> 01:05:50,760
Speaker 1: to Forever Dog Network Position. It's a really good podcast.

1220
01:05:50,800 --> 01:05:52,720
Speaker 1: I'll give it a plug. It's a really good podcast

1221
01:05:52,760 --> 01:05:54,320
Speaker 1: where every single the time they have a different guest

1222
01:05:54,360 --> 01:05:56,560
Speaker 1: on talking about a different theme park attraction and I'm

1223
01:05:56,600 --> 01:06:00,400
Speaker 1: a theme park bitch. You are? Do you with the Island?

1224
01:06:00,440 --> 01:06:02,800
Speaker 1: Then deeply with Oland, I'm jealous of you because you're

1225
01:06:02,800 --> 01:06:05,280
Speaker 1: going there right after that, that's great. I felt deeply

1226
01:06:05,320 --> 01:06:07,360
Speaker 1: with it. I've done the cycle in a couple of times. Really,

1227
01:06:07,480 --> 01:06:09,640
Speaker 1: I'm just I think it might go tonight. Do it.

1228
01:06:09,800 --> 01:06:15,640
Speaker 1: You gotta do one ride, Just do the Cyclone fantasy,

1229
01:06:15,720 --> 01:06:18,320
Speaker 1: and that's one reason to do when they go upside down.

1230
01:06:18,760 --> 01:06:21,760
Speaker 1: Oh no, no, Cyclone doesn't go upside. So I like

1231
01:06:21,880 --> 01:06:24,520
Speaker 1: the old like you could die. One ye, you might

1232
01:06:24,640 --> 01:06:26,360
Speaker 1: die on it. You might die, you might, But the

1233
01:06:26,480 --> 01:06:28,680
Speaker 1: thing is that is to die an iconic coast. I mean,

1234
01:06:28,720 --> 01:06:32,760
Speaker 1: that's an iconic coast. Be amazing, amazing day. I hope

1235
01:06:32,800 --> 01:06:34,440
Speaker 1: that one day I'm on it and it just flies

1236
01:06:34,440 --> 01:06:36,080
Speaker 1: off the trucks and I go, you love me like

1237
01:06:37,280 --> 01:06:41,080
Speaker 1: and I deeply die, go right into the ocean and

1238
01:06:41,200 --> 01:06:45,800
Speaker 1: I'm like, and you dine a ball of fire and

1239
01:06:45,840 --> 01:06:50,320
Speaker 1: I die like Beyonce Chloe. I am just this sounds

1240
01:06:50,360 --> 01:06:54,560
Speaker 1: so obnoxious. No, no, no, the day that someone does

1241
01:06:54,600 --> 01:06:59,080
Speaker 1: the Chloe Fineman impression, what happens then that that is

1242
01:06:59,120 --> 01:07:02,840
Speaker 1: that's snakeating, It's on top. I in Groundlings, I'd always

1243
01:07:03,000 --> 01:07:06,000
Speaker 1: do these things where they'd like teach characters or impressions

1244
01:07:06,040 --> 01:07:07,760
Speaker 1: and they'd be like, let's do someone in the class,

1245
01:07:08,000 --> 01:07:11,040
Speaker 1: and then would always be like, drove, like do Chloe,

1246
01:07:11,320 --> 01:07:15,520
Speaker 1: And it's always somebody. Yeah. I don't know what the

1247
01:07:15,520 --> 01:07:17,720
Speaker 1: impression would be. I think an impression of me would

1248
01:07:17,720 --> 01:07:20,960
Speaker 1: be so insulting. It would be someone's screen would be

1249
01:07:21,040 --> 01:07:25,200
Speaker 1: what you literally just like see what I mean? Can

1250
01:07:25,240 --> 01:07:28,920
Speaker 1: I do? No? I was going to do an impression,

1251
01:07:29,080 --> 01:07:33,160
Speaker 1: but I can ask a stupid question, would it makes

1252
01:07:33,200 --> 01:07:35,400
Speaker 1: sense if you were to ever do an impression of

1253
01:07:35,520 --> 01:07:40,560
Speaker 1: yourself stupid? I don't know, it doesn't work. I mean

1254
01:07:40,600 --> 01:07:45,680
Speaker 1: I know that like uh forever, I like in school,

1255
01:07:45,800 --> 01:07:48,000
Speaker 1: I was they were always like stop smiling while you

1256
01:07:48,120 --> 01:07:52,000
Speaker 1: talk Northern California, like because we kind of like talk

1257
01:07:52,120 --> 01:07:54,320
Speaker 1: like this, and I don't know, I talk out of

1258
01:07:54,360 --> 01:07:56,320
Speaker 1: the side of my mouth a lot like that was

1259
01:07:56,400 --> 01:08:00,560
Speaker 1: just how I grew up talking. Um would probably be

1260
01:08:00,640 --> 01:08:03,680
Speaker 1: like she's being inappropriate in her dad's mad. You know,

1261
01:08:06,240 --> 01:08:08,200
Speaker 1: I don't think I could do an impression just because

1262
01:08:08,200 --> 01:08:10,720
Speaker 1: I'm around you, Tom, around you too much ever doing it. Yeah,

1263
01:08:11,240 --> 01:08:13,240
Speaker 1: it's it's it's the closeness we don't have the critical

1264
01:08:13,440 --> 01:08:15,960
Speaker 1: I don't have anyone call me out. I would appreciate it,

1265
01:08:16,600 --> 01:08:18,240
Speaker 1: or like I always make fun of my friends and

1266
01:08:18,360 --> 01:08:22,320
Speaker 1: doing impression I've ever had because Chloe like you, Like

1267
01:08:22,400 --> 01:08:24,639
Speaker 1: I've seen you answer questions like yes or no questions

1268
01:08:24,680 --> 01:08:31,560
Speaker 1: with like sounds and like physicality, like you're like like like,

1269
01:08:34,479 --> 01:08:36,559
Speaker 1: but I'm saying like that, that's not me doing a impression,

1270
01:08:36,640 --> 01:08:38,439
Speaker 1: but I'm saying that's you, like going to that place

1271
01:08:39,040 --> 01:08:43,920
Speaker 1: default in your mind is like so inspired and like, oh,

1272
01:08:44,160 --> 01:08:46,360
Speaker 1: like that's like that's where it all comes from. It's

1273
01:08:46,360 --> 01:08:48,640
Speaker 1: like thinking in those terms of like yeah, it's just

1274
01:08:48,800 --> 01:08:50,840
Speaker 1: very like it's just like Chloe being like and it

1275
01:08:50,960 --> 01:08:54,400
Speaker 1: was very animated because I say I'm animated. It was

1276
01:08:54,439 --> 01:08:56,599
Speaker 1: weird too, because like Melissa Vy did it Jenny Slate

1277
01:08:56,680 --> 01:09:02,960
Speaker 1: impression on Instagram. Jenny didn't like it. Maybe she will

1278
01:09:03,000 --> 01:09:05,040
Speaker 1: smash like button, but I was just like, oh, that's

1279
01:09:05,040 --> 01:09:08,559
Speaker 1: so interesting to like do someone like I don't know, Jenny.

1280
01:09:09,720 --> 01:09:14,840
Speaker 1: Iconic comic is like interesting, that interesting, Yeah, most of doesn't.

1281
01:09:14,840 --> 01:09:18,320
Speaker 1: Whitney come in, she's really good, and your Silverman she

1282
01:09:18,360 --> 01:09:22,240
Speaker 1: does Comedian and those are all really easy. I mean

1283
01:09:22,280 --> 01:09:24,320
Speaker 1: Sarah silver And I feel like that's like she has

1284
01:09:24,400 --> 01:09:26,080
Speaker 1: a state of manner of being which is like you

1285
01:09:26,320 --> 01:09:30,479
Speaker 1: like it's a car, it's like and he does so

1286
01:09:30,600 --> 01:09:32,759
Speaker 1: many like iconic things. But I don't do Amy Schumer.

1287
01:09:33,280 --> 01:09:35,160
Speaker 1: But because I saw someone do it online, I think

1288
01:09:35,200 --> 01:09:36,840
Speaker 1: she's friends with you guys. She's in New York. She

1289
01:09:36,920 --> 01:09:39,960
Speaker 1: did an Amy Schumer that was like flawless, really, and

1290
01:09:40,040 --> 01:09:42,080
Speaker 1: when someone does that, I don't touch it, Like Chelsea

1291
01:09:42,240 --> 01:09:47,439
Speaker 1: David since Lendon done him. That's I mean, that's very

1292
01:09:47,479 --> 01:09:49,200
Speaker 1: cool that like you have such respect for that to

1293
01:09:49,400 --> 01:09:51,840
Speaker 1: you want to go to go near it. That's why

1294
01:09:52,400 --> 01:09:57,080
Speaker 1: that's why Paxton I crushed the piston. It is on

1295
01:09:57,160 --> 01:10:01,679
Speaker 1: my old character, which is on Yeah. I mean, maybe

1296
01:10:01,760 --> 01:10:04,080
Speaker 1: that'll change, but for now, it's definitely like, oh I can't. Yeah,

1297
01:10:04,400 --> 01:10:06,760
Speaker 1: that's wonderful. That is like the platonic ideal for the

1298
01:10:06,800 --> 01:10:09,679
Speaker 1: craft of just having that respect for other people. Sacred,

1299
01:10:10,200 --> 01:10:13,200
Speaker 1: sacred beach psych Grid. I think it's time. I think

1300
01:10:13,240 --> 01:10:17,280
Speaker 1: it's time. I don't think yes, did I not remember?

1301
01:10:18,040 --> 01:10:20,160
Speaker 1: We never put it all together, but now we're here,

1302
01:10:21,160 --> 01:10:25,479
Speaker 1: we'll go first time or if you cannot think of

1303
01:10:25,560 --> 01:10:28,760
Speaker 1: something we can drop into, actually have a good one,

1304
01:10:28,920 --> 01:10:30,760
Speaker 1: can you do? So this is Matt Rodgers. I don't

1305
01:10:30,760 --> 01:10:33,960
Speaker 1: think so, Honey, his time starts now. I don't think so, Honey. Starbucks,

1306
01:10:34,000 --> 01:10:36,760
Speaker 1: when you say pumpkin spices back, have the ingredients ready

1307
01:10:36,760 --> 01:10:39,000
Speaker 1: to make pumpkin spice, Because let me tell you something,

1308
01:10:39,040 --> 01:10:40,960
Speaker 1: when you say pumpkin spices back, guess who's going to

1309
01:10:41,000 --> 01:10:43,840
Speaker 1: be the first person in line, honey, me the bitch.

1310
01:10:44,320 --> 01:10:46,519
Speaker 1: And when I step up and order a pumpkin spice

1311
01:10:46,560 --> 01:10:48,960
Speaker 1: and event a frappuccino form and then I have to

1312
01:10:49,040 --> 01:10:54,840
Speaker 1: wait twenty minutes. Honey, I've not a happy customer. I

1313
01:10:54,880 --> 01:10:56,920
Speaker 1: don't think so, Honey. When I have a fucking full

1314
01:10:57,000 --> 01:10:59,920
Speaker 1: conversation with the employee, and we will say how excited

1315
01:11:00,000 --> 01:11:02,559
Speaker 1: you are about pumpkin spice, and how you know we're not. Basically,

1316
01:11:02,560 --> 01:11:04,920
Speaker 1: we're just living our life because it's good. And then

1317
01:11:05,240 --> 01:11:08,559
Speaker 1: the same young woman is having a hard time finding

1318
01:11:08,600 --> 01:11:11,360
Speaker 1: the ingredients. It's like, Honey, you posted it up on

1319
01:11:11,400 --> 01:11:13,960
Speaker 1: the chalkboard. You posted it up on the commercials let's

1320
01:11:14,000 --> 01:11:18,120
Speaker 1: get ready with the pumpkin spice. You had the audacity

1321
01:11:18,600 --> 01:11:22,160
Speaker 1: to advertise everyone pumpkins spice and back, I'm gonna come.

1322
01:11:22,560 --> 01:11:25,240
Speaker 1: I'm here, so give me a pumpkin spice. I'm waiting,

1323
01:11:25,360 --> 01:11:28,720
Speaker 1: hont and you know that, gizzy. Honey, it's New York.

1324
01:11:28,920 --> 01:11:32,200
Speaker 1: I need my pumpkin spice right now, honey. And that's

1325
01:11:32,240 --> 01:11:34,560
Speaker 1: one minute. I'm just saying, like, if you're going to

1326
01:11:34,680 --> 01:11:37,719
Speaker 1: get me all up in timkin, do you like pumpkin spice?

1327
01:11:37,880 --> 01:11:41,559
Speaker 1: I don't you know what. I'm back on the cycle

1328
01:11:41,640 --> 01:11:44,080
Speaker 1: of liking it again. But I think I I mean,

1329
01:11:44,200 --> 01:11:47,479
Speaker 1: I think I should and I'd be a more whimsical person. No, no, no,

1330
01:11:47,880 --> 01:11:50,439
Speaker 1: I don't think I should have gotten a venty. Yeah,

1331
01:11:51,520 --> 01:11:54,920
Speaker 1: but that's so much, you know, it was so much,

1332
01:11:55,000 --> 01:11:57,599
Speaker 1: and then you overdo it because it becomes like in everything.

1333
01:11:58,880 --> 01:12:01,639
Speaker 1: I wanted to make myself feel better after a RESTful situation,

1334
01:12:02,200 --> 01:12:04,080
Speaker 1: and so then I went and got my pumpkin spice

1335
01:12:04,120 --> 01:12:07,600
Speaker 1: and I was like, oh yes, And honestly, you know,

1336
01:12:07,880 --> 01:12:10,200
Speaker 1: here's the thing. It's actually a rule of culture. You

1337
01:12:10,360 --> 01:12:13,040
Speaker 1: never actually want a large. Say it with me, You

1338
01:12:13,240 --> 01:12:16,639
Speaker 1: never actually want large. You always want a medium, bitch

1339
01:12:17,560 --> 01:12:21,080
Speaker 1: or a grand. If you will, you just you will

1340
01:12:21,200 --> 01:12:23,680
Speaker 1: never need that much volume or something. You swear to God.

1341
01:12:23,720 --> 01:12:26,040
Speaker 1: We were in Penn Station the other day, me and

1342
01:12:26,479 --> 01:12:28,479
Speaker 1: where to God you were? Yeah? Where was that? Was

1343
01:12:28,560 --> 01:12:32,200
Speaker 1: I with you? Oh? I think I was with my sister? Okay,

1344
01:12:32,240 --> 01:12:34,160
Speaker 1: what do you do? Oh? I was with my sister

1345
01:12:34,240 --> 01:12:36,640
Speaker 1: and I went to go get um smoothie and I

1346
01:12:36,720 --> 01:12:38,879
Speaker 1: was like, I love a large without looking at the sizes,

1347
01:12:38,960 --> 01:12:40,439
Speaker 1: and they were like, are you sure you want a large?

1348
01:12:40,680 --> 01:12:42,519
Speaker 1: And then I looked over and I swear to God,

1349
01:12:42,680 --> 01:12:46,640
Speaker 1: the large was this big? They downa crazy. I was like,

1350
01:12:46,680 --> 01:12:48,880
Speaker 1: oh my god, no, I want a small, which is

1351
01:12:48,960 --> 01:12:52,000
Speaker 1: like a fucking bucket. They down sold that. That's crazy

1352
01:12:52,040 --> 01:12:54,559
Speaker 1: because because even they were human beings and could tell

1353
01:12:54,600 --> 01:12:56,240
Speaker 1: that I wasn't going to finish this. But you guys,

1354
01:12:56,520 --> 01:12:59,360
Speaker 1: you never want a large. You never want a large.

1355
01:13:00,000 --> 01:13:01,920
Speaker 1: Mean if they tell you it's fifty cents more, well,

1356
01:13:02,640 --> 01:13:04,160
Speaker 1: and then they get you in the movie theaters to

1357
01:13:04,360 --> 01:13:05,639
Speaker 1: they do, do you want to make that a large?

1358
01:13:05,680 --> 01:13:07,640
Speaker 1: For Adlarmore? And you always go, I mean, yeah, no,

1359
01:13:07,800 --> 01:13:10,400
Speaker 1: it's a waste. I always say, no, are you a

1360
01:13:10,439 --> 01:13:16,000
Speaker 1: popcorn kind of kind of? I'm not like dieting. We

1361
01:13:16,080 --> 01:13:18,839
Speaker 1: always say a rule of culture, popcorn doesn't count. Popcorn

1362
01:13:19,080 --> 01:13:23,680
Speaker 1: is air, okay? And I don't think so, Honey, he

1363
01:13:23,800 --> 01:13:26,120
Speaker 1: thinks he has one. I think so, And as time

1364
01:13:26,160 --> 01:13:27,960
Speaker 1: starts now, I don't think so. Many anyone who has

1365
01:13:28,000 --> 01:13:30,320
Speaker 1: not seen the Teddy Perkins episode of Atlanta I just

1366
01:13:30,439 --> 01:13:32,320
Speaker 1: saw last night, and I granted I am four and

1367
01:13:32,360 --> 01:13:34,360
Speaker 1: a half months late. It is one of the best

1368
01:13:34,400 --> 01:13:36,200
Speaker 1: episodes of a television I've ever seen in my life.

1369
01:13:36,240 --> 01:13:38,840
Speaker 1: It is so bizarre, it's so viscerally upsetting and funny

1370
01:13:39,000 --> 01:13:42,560
Speaker 1: and tragic, and I don't know, this is not the

1371
01:13:42,600 --> 01:13:44,200
Speaker 1: most interesting I don't think so many. But I'm saying

1372
01:13:44,240 --> 01:13:46,400
Speaker 1: everyone has to watch this and now, even if you

1373
01:13:46,520 --> 01:13:49,000
Speaker 1: are not familiar with the show, although context does help.

1374
01:13:49,479 --> 01:13:52,000
Speaker 1: Um Lekeith Stanfield turns out an amazing performance. What a

1375
01:13:52,040 --> 01:13:56,599
Speaker 1: beautiful actor, beautiful person. Hunky hunky hunky. Look love l Keith,

1376
01:13:56,640 --> 01:13:59,479
Speaker 1: but he he's like the cookie crazy guy and in

1377
01:13:59,520 --> 01:14:01,240
Speaker 1: the whole show out but like to see him play

1378
01:14:01,320 --> 01:14:06,040
Speaker 1: straight man against Donald Glover in White Face is truly stunning.

1379
01:14:06,800 --> 01:14:09,120
Speaker 1: I will never forget this episode of television. I have

1380
01:14:09,280 --> 01:14:10,960
Speaker 1: to go back and watch it. There's a there's a

1381
01:14:11,000 --> 01:14:13,080
Speaker 1: scene with an ostrich Et. I won't spoil it, but

1382
01:14:13,160 --> 01:14:16,320
Speaker 1: it is the most viscerally upsetting thing I've ever seen

1383
01:14:16,360 --> 01:14:17,880
Speaker 1: in my life, and I wanted to throw up. Alex,

1384
01:14:17,920 --> 01:14:19,840
Speaker 1: you know what I'm talking about. I've seen this. It's

1385
01:14:19,920 --> 01:14:22,960
Speaker 1: you have to watch it. It's so good. Ever, get

1386
01:14:23,040 --> 01:14:26,599
Speaker 1: thee to a Funnery and watch the Teddy Perkins episode.

1387
01:14:26,840 --> 01:14:29,160
Speaker 1: That's lesson, I don't think so, honey, and more just

1388
01:14:29,320 --> 01:14:33,280
Speaker 1: a statement of appreciating and that's okay, and that's okay,

1389
01:14:33,640 --> 01:14:36,280
Speaker 1: you know, and that's okay, and that's okay. It's whatever

1390
01:14:36,320 --> 01:14:38,519
Speaker 1: you want to make it. I haven't seen that episode.

1391
01:14:38,560 --> 01:14:39,920
Speaker 1: So that was and I don't think so honey. On me,

1392
01:14:40,320 --> 01:14:43,400
Speaker 1: you need you have you watched any of Atlanta? It's

1393
01:14:43,439 --> 01:14:47,040
Speaker 1: on my list. You would stand for Zayz Beats. Watch

1394
01:14:47,720 --> 01:14:51,679
Speaker 1: She's fabulous. Do you watch Atlanta? I have a crush

1395
01:14:51,760 --> 01:14:56,240
Speaker 1: on yeh should watch it. He's so good. He he

1396
01:14:56,360 --> 01:14:59,479
Speaker 1: is in white face. He plays this eccentric billionaire type

1397
01:14:59,520 --> 01:15:04,719
Speaker 1: of person. Oh my god, she's incredible. It's it's truly

1398
01:15:04,840 --> 01:15:08,400
Speaker 1: insane this episode. Anyway, So now we have someone to

1399
01:15:08,479 --> 01:15:09,960
Speaker 1: do and I don't think so, honey, that has previously

1400
01:15:10,000 --> 01:15:12,080
Speaker 1: subverted the form by doing her. I don't think so, honey.

1401
01:15:12,160 --> 01:15:16,479
Speaker 1: On Greta Girlwick and another person I could do, but

1402
01:15:16,680 --> 01:15:18,960
Speaker 1: I maybe they want but we're going to find out

1403
01:15:19,040 --> 01:15:23,240
Speaker 1: right now. This is Chloe Fine, I don't think so honey.

1404
01:15:23,320 --> 01:15:25,679
Speaker 1: Her time starts now. Okay, I don't think so, honey.

1405
01:15:25,960 --> 01:15:29,639
Speaker 1: White man who says he cannot get through Ninette four

1406
01:15:29,720 --> 01:15:31,479
Speaker 1: guys to be like, I tried to watch it, but like,

1407
01:15:31,880 --> 01:15:33,800
Speaker 1: I don't know. I only lasted thirty minutes. The whole

1408
01:15:33,920 --> 01:15:36,160
Speaker 1: point of the Nette is the thirty minutes that come

1409
01:15:36,240 --> 01:15:42,080
Speaker 1: after your that cannot stand. Her first half is hilarious

1410
01:15:43,720 --> 01:15:46,840
Speaker 1: and all sorts of jokes and the fact you can't

1411
01:15:46,880 --> 01:15:49,639
Speaker 1: even get past that because everything is to be hetered

1412
01:15:49,680 --> 01:15:55,840
Speaker 1: to you and your dick humor the fact that you

1413
01:15:55,920 --> 01:15:58,240
Speaker 1: don't get it, or you find her boring, or it's like,

1414
01:15:58,320 --> 01:16:01,280
Speaker 1: not get out of your fucking you're going to learn,

1415
01:16:01,960 --> 01:16:04,680
Speaker 1: open your eyes and your ears. I cannot stand. I

1416
01:16:04,720 --> 01:16:07,240
Speaker 1: cannot stand because you don't find her attractive, or sometimes

1417
01:16:08,160 --> 01:16:11,280
Speaker 1: it's really why you don't like today jokes. You're never

1418
01:16:11,320 --> 01:16:13,320
Speaker 1: gonna you're never gonna expand you're never going to be

1419
01:16:13,439 --> 01:16:16,080
Speaker 1: woke and you can't man explain the net to me,

1420
01:16:16,160 --> 01:16:18,439
Speaker 1: which is ultimately what you probably want to be able

1421
01:16:18,479 --> 01:16:23,439
Speaker 1: to do, because it's funny be closed. I just thought

1422
01:16:23,439 --> 01:16:26,240
Speaker 1: it boring, Like I don't know, I didn't really get it.

1423
01:16:26,400 --> 01:16:30,320
Speaker 1: And you know, we've actually talked about this a bunch.

1424
01:16:30,439 --> 01:16:34,040
Speaker 1: But the thing is, like you guys, yeah, it's just

1425
01:16:34,200 --> 01:16:36,800
Speaker 1: not it is for you. It's just not for you

1426
01:16:36,880 --> 01:16:41,679
Speaker 1: to explain. Yeah, like to I came, yeah, three guys

1427
01:16:41,840 --> 01:16:44,080
Speaker 1: since being in New York, We're like, yeah, then I

1428
01:16:44,200 --> 01:16:48,320
Speaker 1: tried to watch it, God, like why bring that? It's

1429
01:16:48,360 --> 01:16:52,559
Speaker 1: something that impression and also like it really gets good

1430
01:16:52,680 --> 01:16:55,599
Speaker 1: if you keep watching. But she's really a fine wine

1431
01:16:55,840 --> 01:16:59,280
Speaker 1: than that. Yeah, talk, you mentioned something that I think

1432
01:16:59,400 --> 01:17:01,280
Speaker 1: is very do which is the fact that you know,

1433
01:17:01,600 --> 01:17:06,040
Speaker 1: because they can't and don't fuck her, or like they

1434
01:17:06,120 --> 01:17:08,639
Speaker 1: have no desire to do that because she's not for them,

1435
01:17:08,760 --> 01:17:11,000
Speaker 1: or like she's not presenting herself sexually for them, like

1436
01:17:11,640 --> 01:17:14,160
Speaker 1: there is a block there. Yeah, it's such a thing

1437
01:17:14,320 --> 01:17:16,880
Speaker 1: and the thing about and there's even some backlash I

1438
01:17:16,960 --> 01:17:20,080
Speaker 1: think from even like weird places, like I think I've

1439
01:17:20,080 --> 01:17:21,800
Speaker 1: heard queer people be like, I don't know, or just

1440
01:17:21,880 --> 01:17:25,639
Speaker 1: people be like is it comedy? Though it's like wait, wait, wait, wait, wait,

1441
01:17:25,880 --> 01:17:28,120
Speaker 1: Like you're not gonna you're not gonna be the one

1442
01:17:28,240 --> 01:17:30,960
Speaker 1: to like define the parameters of what this is and

1443
01:17:31,200 --> 01:17:34,559
Speaker 1: if this is hurting the form, you're kidding me, you're

1444
01:17:34,680 --> 01:17:36,519
Speaker 1: going to be the person who died and made you king.

1445
01:17:36,640 --> 01:17:41,520
Speaker 1: Like I do understand the backlash behind like the like sexicide,

1446
01:17:41,880 --> 01:17:44,680
Speaker 1: I don't. I don't understand the backlash, but behind people saying, um,

1447
01:17:44,800 --> 01:17:48,040
Speaker 1: well it's not comedy, but it absolutely the first thirty minutes,

1448
01:17:48,040 --> 01:17:51,160
Speaker 1: which I kept rewatching for the stupid impression is it hilarious?

1449
01:17:51,880 --> 01:17:53,920
Speaker 1: Joke after jog after joke, But then she brings it

1450
01:17:54,000 --> 01:17:55,960
Speaker 1: all back together towards the end, or it's like, oh,

1451
01:17:56,120 --> 01:17:58,760
Speaker 1: this is like a masterfully done piece. But even if

1452
01:17:58,840 --> 01:18:01,240
Speaker 1: it were, even if it weren't funny in the way

1453
01:18:01,320 --> 01:18:03,880
Speaker 1: that like people needed to be, you cannot be the

1454
01:18:03,960 --> 01:18:06,680
Speaker 1: gatekeeper of someone going on a stage and performing art

1455
01:18:06,760 --> 01:18:08,800
Speaker 1: like that's just that's what this is, you guys, you

1456
01:18:08,840 --> 01:18:10,360
Speaker 1: know that's what we all do. You go up there,

1457
01:18:10,520 --> 01:18:12,720
Speaker 1: you get a reaction the way that you can, and

1458
01:18:13,040 --> 01:18:15,639
Speaker 1: and if you don't understand that reaction or aren't giving

1459
01:18:15,680 --> 01:18:18,479
Speaker 1: that reaction the way other people are, or couldn't get

1460
01:18:18,560 --> 01:18:21,000
Speaker 1: that reaction in that same way, that doesn't mean it's

1461
01:18:21,040 --> 01:18:23,599
Speaker 1: bad or doesn't deserve a place. It just means it's

1462
01:18:23,680 --> 01:18:26,200
Speaker 1: different and there should be more different kinds of art.

1463
01:18:26,320 --> 01:18:28,920
Speaker 1: I think that's what's killing people is that they don't

1464
01:18:28,920 --> 01:18:30,640
Speaker 1: see it in the narrow way that they've had to

1465
01:18:30,720 --> 01:18:33,519
Speaker 1: come up or they've told they were told is the

1466
01:18:33,520 --> 01:18:35,639
Speaker 1: way you succeed. So it's like, how could this person

1467
01:18:35,680 --> 01:18:38,960
Speaker 1: be succeeded. I also am like really inspired by her

1468
01:18:39,240 --> 01:18:42,160
Speaker 1: thing to not self have to self deprecate. Absolutely. I

1469
01:18:42,280 --> 01:18:44,479
Speaker 1: never even thought about I never thought about it until

1470
01:18:45,000 --> 01:18:48,080
Speaker 1: it's true. It's true. Did you into a million times

1471
01:18:48,120 --> 01:18:51,200
Speaker 1: at JFL I saw her order something and I was scared.

1472
01:18:51,560 --> 01:18:56,320
Speaker 1: I was genuinely like stars check weren't elevated with her

1473
01:18:56,360 --> 01:18:59,320
Speaker 1: and I would have lost. I was like, I can't

1474
01:18:59,360 --> 01:19:03,639
Speaker 1: believe how I am not like leaping. Yeah, Tiffany Hattries

1475
01:19:03,720 --> 01:19:08,120
Speaker 1: came out of an elevator in a ballgown. Yeah, Jesus,

1476
01:19:08,160 --> 01:19:10,320
Speaker 1: I would have sparkly red ball account. It was crazy

1477
01:19:10,439 --> 01:19:13,240
Speaker 1: to all be space with people like that. Yeah, it's

1478
01:19:13,280 --> 01:19:15,640
Speaker 1: so so crazy. But just the fact that she was

1479
01:19:15,720 --> 01:19:18,960
Speaker 1: like treated poorly there, I just she was so so

1480
01:19:19,479 --> 01:19:23,200
Speaker 1: I did not hear like stand ups like. She got

1481
01:19:23,280 --> 01:19:26,760
Speaker 1: heckled at the show that leaves a Trader her own.

1482
01:19:27,120 --> 01:19:30,040
Speaker 1: She was heckled at her gallup and then do some

1483
01:19:30,280 --> 01:19:36,559
Speaker 1: some random what's that? Who who? And a fucking leaves

1484
01:19:36,560 --> 01:19:38,120
Speaker 1: a trigger hosted this other show that she was on,

1485
01:19:38,160 --> 01:19:39,920
Speaker 1: and then the comic went up afterward was like, yeah,

1486
01:19:39,960 --> 01:19:42,280
Speaker 1: Hannah Gaspy hasn't said a funny thing in her life

1487
01:19:42,400 --> 01:19:45,400
Speaker 1: like you, I can't, and he's proving her whole FI

1488
01:19:46,320 --> 01:19:49,600
Speaker 1: needs to end coming. I've been at three stand up

1489
01:19:49,640 --> 01:19:52,920
Speaker 1: shows this week here and everyone is heckling. You really

1490
01:19:53,400 --> 01:19:56,120
Speaker 1: never seen anything. I'm not I'm not in my I'm

1491
01:19:56,160 --> 01:19:57,800
Speaker 1: not in the bubble that I feel safe in. But

1492
01:19:57,920 --> 01:20:02,960
Speaker 1: these like straighty shows, heck heckle city. They were heckling um,

1493
01:20:03,720 --> 01:20:07,559
Speaker 1: do you know? Yeah? I love him he was they

1494
01:20:07,600 --> 01:20:10,240
Speaker 1: were heckling him. Oh my god. This guy would heckle

1495
01:20:10,280 --> 01:20:13,080
Speaker 1: and then this girl would turn around in high five him.

1496
01:20:13,640 --> 01:20:16,479
Speaker 1: We'll have fun going back to whatever. I know. And

1497
01:20:16,600 --> 01:20:19,280
Speaker 1: I really was like so tempted, just like, why don't

1498
01:20:19,280 --> 01:20:24,120
Speaker 1: you get on stage? Yeah? Yeah, your day. Travis like

1499
01:20:24,240 --> 01:20:28,519
Speaker 1: truly the most unimpeachable comedian out there, like so likable

1500
01:20:28,600 --> 01:20:30,599
Speaker 1: and so great and so great, let's say it hot.

1501
01:20:32,160 --> 01:20:34,400
Speaker 1: He knows I think he's hot because he's posted there's

1502
01:20:34,439 --> 01:20:36,920
Speaker 1: traps where he's sure left. One time I went under.

1503
01:20:37,120 --> 01:20:39,400
Speaker 1: I went up after him a set, and my whole

1504
01:20:39,439 --> 01:20:41,479
Speaker 1: first minute of my set was how hot? It was

1505
01:20:41,720 --> 01:20:45,040
Speaker 1: so hot? And so yeah. I lingered after the show

1506
01:20:45,080 --> 01:20:47,080
Speaker 1: and was like, hey, yeah, are you I thought that

1507
01:20:47,200 --> 01:20:50,920
Speaker 1: was really good. Yeah, just here for a little while,

1508
01:20:51,000 --> 01:20:55,080
Speaker 1: so obviously for a couple of days. Yeah, how New York?

1509
01:20:56,000 --> 01:20:58,760
Speaker 1: Where do you live? Yeah? Oh cool. He also has

1510
01:20:58,800 --> 01:21:02,760
Speaker 1: a tattoo um that I shouldn't well whatever, he has

1511
01:21:02,800 --> 01:21:04,920
Speaker 1: a tattoo that I he said was a wolf but

1512
01:21:04,960 --> 01:21:08,680
Speaker 1: looks like a new That's a great conversation. Start. I

1513
01:21:08,800 --> 01:21:12,200
Speaker 1: love about you know what talk about at the wedding?

1514
01:21:12,200 --> 01:21:16,120
Speaker 1: Bringing up at the wedding? Wow, what a fun episode.

1515
01:21:16,200 --> 01:21:19,680
Speaker 1: We love, we love So is there anything coming up

1516
01:21:19,720 --> 01:21:21,360
Speaker 1: for you? People can see you? You have like shows

1517
01:21:21,400 --> 01:21:27,880
Speaker 1: coming up in the la la um. No it's on

1518
01:21:27,960 --> 01:21:30,360
Speaker 1: the net. Or you're crazy for not You're crazy for

1519
01:21:30,479 --> 01:21:33,680
Speaker 1: not following. Chloe's crazy. Truly about that bitch? About that

1520
01:21:33,800 --> 01:21:37,479
Speaker 1: bitch someone? We love you so much. I love you, guys,

1521
01:21:37,720 --> 01:21:41,479
Speaker 1: I really didn't listen. This is a love fest and

1522
01:21:41,960 --> 01:21:44,880
Speaker 1: that's what we love. That's what we love, and actually

1523
01:21:45,000 --> 01:21:47,800
Speaker 1: leads into the song that it's gonna sing. We're gonna

1524
01:21:47,880 --> 01:21:52,880
Speaker 1: sing and we're gonna you know a song when did

1525
01:21:53,040 --> 01:22:04,960
Speaker 1: you love You? And that's um okay, we need to

1526
01:22:05,000 --> 01:22:07,600
Speaker 1: start singing. We can't do the garthen Cat thing I

1527
01:22:07,640 --> 01:22:09,600
Speaker 1: think we need to do. Can I tell you what?

1528
01:22:09,680 --> 01:22:11,559
Speaker 1: I've been listening to a lot because our last episode

1529
01:22:11,560 --> 01:22:16,160
Speaker 1: was exclusively about her. Wait, and I really don't like

1530
01:22:16,240 --> 01:22:18,559
Speaker 1: every Levine, but I'm gonna have to sing this song

1531
01:22:18,720 --> 01:22:21,360
Speaker 1: we go Did you think that I was gonna get

1532
01:22:21,520 --> 01:22:30,200
Speaker 1: up to you? And episode I was gonna do and try.

1533
01:22:30,360 --> 01:22:34,759
Speaker 1: I don't try to tell me what to do. Don't

1534
01:22:34,840 --> 01:22:39,000
Speaker 1: try to tell me what to say. You're better off

1535
01:22:39,240 --> 01:22:45,760
Speaker 1: that way, trip that to put me on, mess me up.

1536
01:22:45,800 --> 01:22:47,560
Speaker 1: I've done no wrong. I don't know the rest. I

1537
01:22:47,600 --> 01:22:52,840
Speaker 1: don't know the rest. And then the chorus again, we

1538
01:22:52,920 --> 01:22:54,800
Speaker 1: love Ovril. Well that's the song we're closing out on

1539
01:22:54,840 --> 01:22:59,400
Speaker 1: this episode. We love you, we love Chloe. Uh Like, Subscribe, listen, review,

1540
01:23:00,040 --> 01:23:07,240
Speaker 1: live comments by This has been a Forever Dog production

1541
01:23:07,680 --> 01:23:11,879
Speaker 1: executive produced by Brett Bahum, Joe Silio, and Alex Ramsey.

1542
01:23:12,560 --> 01:23:16,760
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1543
01:23:16,880 --> 01:23:21,120
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1544
01:23:21,600 --> 01:23:23,960
Speaker 1: or wherever you get your podcasts. Keep up with the

1545
01:23:24,080 --> 01:23:27,080
Speaker 1: latest Forever Dog news by following us on Twitter.