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Speaker 1: I listen to The Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot. I listen to The Black

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Speaker 1: Guy You Tips podcast because Rod and Karen are hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy to

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Speaker 2: His podcast. I'm your host, Rod, joined us always by

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Speaker 2: my co host, and we are live on a Sunday morning,

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Speaker 2: ready to give you some podcasting before the super Bowl

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Speaker 2: wherever you're at. The official weapon of the show is

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Speaker 2: photing chair and an unofficial sport and bullet ball. Extreme

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Speaker 2: extreme extreme, and we're not by ourselves. We actually have

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Speaker 2: a guest today. Today's guest is your fave. He's a

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Speaker 2: podcaster for the Mundane Festival podcast. He's an actor of

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Speaker 2: stage and screen. He's a stand up comedian and a

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Speaker 2: friend Chris Lambert. His new stand up album, Killing in

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Speaker 2: Obscurity comes out February twentieth, which is only in a

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Speaker 2: couple of weeks. What's going on, my man?

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Speaker 3: Thanks for having me. I'm so happy to be back.

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Speaker 3: Honored as always to be with you and Karen.

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Speaker 4: Uh.

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Speaker 3: Just plugging away, TPS reports by day, stand up by night,

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Speaker 3: getting yelled at by my mom, making sure that's what

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Speaker 3: she needs, trying to get that paper audition and you know,

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Speaker 3: you know, same same shit, new stall, but yeahal progress.

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Speaker 2: Same soup, just reheated, as they say. Man, it's good

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Speaker 2: to see brother. First of all, I listened to the

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Speaker 2: album this morning. I was playing some video game. I

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Speaker 2: went and found a video game I can pay attention

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Speaker 2: to stuff in the background, you know those kinds, And

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Speaker 2: I listened a whole thing this morning.

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Speaker 3: Dude.

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Speaker 5: It's so good.

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Speaker 2: It's so it's brilliant, it's funny, it's so encapsulated everything

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Speaker 2: that I know and love about you. It's sharp, it's

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Speaker 2: and like it's succinct. Like it's got like maybe sixteen

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Speaker 2: or so tracks, but it's like fast, you know what

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Speaker 2: I mean. And the tracks aren't like short either, Like

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Speaker 2: I just mean when I say fast, it's like the

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Speaker 2: rhythm of the comedy.

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Speaker 5: You know, it's not it's not, yeah, it flows, but

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Speaker 5: you know it.

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Speaker 2: But all the storytelling of you, all the you know,

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Speaker 2: the dark humor, the light humor, like all of that stuff. Man,

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Speaker 2: it's on display, man, Like I love Felt Running Back

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Speaker 2: as well, your first album, but like this this joint

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Speaker 2: right here, man, is like this is this joint is

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Speaker 2: fire as well well, and.

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Speaker 5: It's like I am very very impressed. Man.

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Speaker 2: I always it's always dope to no dope people that

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Speaker 2: do dope work, you know, because I don't ever have

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Speaker 2: to come out here and lie to the audience like, hey.

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Speaker 5: My friend made a thing and uh, you know, hey,

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Speaker 5: maybe maybe it's not you never know.

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Speaker 2: I like, nah, I was listening to this joint like,

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Speaker 2: oh my god, Chris is in his motherfucking bag.

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Speaker 3: Dude.

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Speaker 2: I won't spoil you know, your punchlines and your jokes

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Speaker 2: too much, but you know, obviously we'll talk about life stuff,

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Speaker 2: but everything like the dating stuff, the stuff about the Jordan's,

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Speaker 2: the stuff about uh, you know, your your mom, your

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Speaker 2: you know.

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Speaker 5: Uh.

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Speaker 2: I love all the stuff about you know, coming out

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Speaker 2: of the pandemic, finally going back to the movies, you know,

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Speaker 2: stuff about blackness where you know, uh, you know, going

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Speaker 2: to get going going to the theater the same week

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Speaker 2: that that black movie was out, and then going to

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Speaker 2: get the white movie, and then the sister that worked

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Speaker 2: there being like having a little jet.

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Speaker 5: Like all that stuff.

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Speaker 2: Man, it's just beautiful stuff that I man, just like,

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Speaker 2: take a bow, bro.

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Speaker 5: I can't wait for everyone else to be able to

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Speaker 5: hear this.

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Speaker 4: Yeah, And also Chris, kudos to you for taking care

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Speaker 4: of your mom. I know, like dealing with older parents

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Speaker 4: could be something else because my up who raised me mama,

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Speaker 4: she's in her eighties and they are very sitting their ways.

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Speaker 4: A lot of times they difficult, a lot of times

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Speaker 4: they fuss at you about shit that don't make sense.

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Speaker 4: You'd be like, why is you fussing at me about this?

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Speaker 5: I'm not ten.

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Speaker 4: But she's also adorable, like like like it's just hilarious.

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Speaker 4: I remember you were saying, like you got her everything

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Speaker 4: in the list, but she was like, you didn't get

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Speaker 4: me this. You look like, but you didn't tell me

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Speaker 4: that's what you what you wanted. If you would have,

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Speaker 4: I would have got it. I feel your dog.

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Speaker 3: Yeah, yeah, thank you, thank you for listening. It means

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Speaker 3: a lot. Stop trying to make me cry.

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Speaker 4: Guys, you are a good son. I don't know if

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Speaker 4: anybody told you that. She might not tell you that,

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Speaker 4: but you are a good son.

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Speaker 3: She does. I mean, it's it's hard like when they

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Speaker 3: get older and stuff, but uh, it's I'm happy to

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Speaker 3: have her around.

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Speaker 5: I ain't that the truth, and.

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Speaker 3: Uh yeah, it's a lot, but it definitely, Uh, you

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Speaker 3: gotta take you take some of that pain and like

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Speaker 3: trauma and try to make it, make it art. Yeah,

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Speaker 3: might as well try to get paid off of it, Yeah,

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Speaker 3: or try to make people laugh or try to make

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Speaker 3: you make yourself feel less alone. Yeah, when you present

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Speaker 3: it to an audience.

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Speaker 4: Yeah, because you're not the only one going through that.

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Speaker 6: Yeah.

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Speaker 4: A lot of people are kind of what they call it,

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Speaker 4: that that middle generation where you're you don't have any children,

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Speaker 4: but some people take care of their children in addition

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Speaker 4: to take care of their parents, So you're kind of

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Speaker 4: in that middle spot. Yeah.

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Speaker 5: I think.

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Speaker 2: I think also like that's the that's the talent, right,

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Speaker 2: that's the that's the hard part is turning that stuff

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Speaker 2: into something like I think it's I mean, first of all,

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Speaker 2: it's cool to be funny and be like absurd, Like

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Speaker 2: there's nothing wrong with that, Like if you want to.

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Speaker 5: There's some comedians get.

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Speaker 2: On stage and they're just like, you know, hey, I

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Speaker 2: was in space the other day and I saw three

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Speaker 2: aliens and you're like, Okay, that didn't happen.

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Speaker 5: But let's see what you gotta do. But I think

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Speaker 5: like the hard part is turning into like the mundane,

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Speaker 5: you know, the.

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Speaker 2: Into the into that festival to make people want to

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Speaker 2: like come enjoy it. And a lot of that stuff

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Speaker 2: is well, you know, hey, manegs off for kids.

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Speaker 5: I've been doing this for a while.

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Speaker 2: But but but it is, But that is the beauty

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Speaker 2: of it, man, And that's where the talent comes in.

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Speaker 2: And that is I always feel like, uh, A lot

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Speaker 2: of times they tell comedians, especially when they start off,

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Speaker 2: especially black ones, they kind of like tell them to

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Speaker 2: skew away from the things that make them them. You know,

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Speaker 2: they'll be like, hey, Chris, you're funny, but you got

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Speaker 2: a lot of jokes about race.

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Speaker 5: And stuff like that. You know, why don't you.

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Speaker 2: It's like, wait, wait, white man, you're kind of trying

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Speaker 2: to turn me into you. You're just trying to If

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Speaker 2: I got up here and talked about my dick for

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Speaker 2: fifteen minutes, you'd be like, that's brilliant.

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Speaker 5: I love white dudes, love talk about the day.

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Speaker 3: But black people tell me. A black comic told me

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Speaker 3: that the stop don't talk about race.

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Speaker 5: Oh yeah, I remember that. When Steven A.

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Speaker 2: Smith was doing comedy at first, it was a long

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Speaker 2: time ago. He wasn't it was he was one. No,

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Speaker 2: he didn't have a lot of good jokes.

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Speaker 3: It was.

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Speaker 5: It was a lot of uh.

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Speaker 2: His all his stand up started by him telling somebody

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Speaker 2: how good a brother was and that a brother could ball.

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Speaker 2: But then he would he would say, however, and then

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Speaker 2: he was talk bad about it.

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Speaker 5: Brother.

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Speaker 2: Yeah, but no, I just think it's interesting because, uh,

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Speaker 2: the ship that happens to you is what makes you unique,

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Speaker 2: but it's also what makes you relatable. And being able

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Speaker 2: to get in that pocket and find that ship is like,

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Speaker 2: that's the hardest thing I think for people. And I

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Speaker 2: remember listening you work out some of these jokes, you know,

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Speaker 2: because I got this see you a few times when

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Speaker 2: I was in New York and like hearing the fruition

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Speaker 2: of these bits and the timing and the audience, you know,

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Speaker 2: eating it up and like reeling them in, pulling them out,

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Speaker 2: realing them in, Like, man, you you just really killed

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Speaker 2: this thing.

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Speaker 5: Man, I hope you are proud of it, because you

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Speaker 5: should be.

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Speaker 2: Is it is it going to be audio or is

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Speaker 2: it video as well?

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Speaker 5: Like how how is this coming out?

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Speaker 3: Yeah, it's gonna be. So they're both gonna come out.

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Speaker 3: The special is gonna come out and the album are

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Speaker 3: gonna come out on February twentieth, Specials will be on

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Speaker 3: YouTube and you'll see the show at Aviat and yeah,

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Speaker 3: and then the album, which I didn't I just hope

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Speaker 3: the hopefully the link will come out soon. I decided

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Speaker 3: to add two bonus tracks onto the album version, Uh,

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Speaker 3: it's me working out just there's there's a there's a

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Speaker 3: bit about me talking about the Superman movie and about

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Speaker 3: Superman being too woke. And then there's a bit that

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Speaker 3: I've been working on for a long time about r

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Speaker 3: Kelly and I was working it out at the Comedy

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Speaker 3: Seller and things kind of just kind of you know,

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Speaker 3: it's it's it's unpolished, but I still think it's a

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Speaker 3: it's kind of like that if you're if you remember

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Speaker 3: my first project, the Failed running Back, me talking about Bumblebee,

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Speaker 3: the Bumblebee movie and Transformers. So it's kind of like

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Speaker 3: just like a fun a fun thing that I wanted

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Speaker 3: to put wanted it to live somewhere.

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Speaker 2: What was your What did you learn from Failed running

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Speaker 2: Back when it came to making this special, Because I

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Speaker 2: feel like Fail running Back was your uh the jumping

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Speaker 2: out of the nest to see like can I fly?

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Speaker 4: You know, sometimes people get scared.

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Speaker 2: Yeah, yeah, yeah, Well, I mean because you know, I

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Speaker 2: love Chris, but Chris, You're you were so precious about

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Speaker 2: like this first special man, it's got to be do

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Speaker 2: and then you kind of pulled the rip chord on it,

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Speaker 2: like fuck it, this is the pandemic.

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Speaker 5: What if I fucking die then there's just nothing out there.

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Speaker 2: And but but like this time, I feel like you

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Speaker 2: get to do it with a little less of the fuck.

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Speaker 3: It, you know.

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Speaker 2: It's like like it's more of a like, nah, this

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Speaker 2: is a plan, this is like.

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Speaker 5: This a whole strategy, just a whole rollout. This is

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Speaker 5: a thing.

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Speaker 2: So like, what did you learn from Feil running Back

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Speaker 2: that you brought into Killing in Obscurity?

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Speaker 3: Well, Pelt running Back was kind of like a very

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Speaker 3: poor man's version of Chris Rocks Killed the Messenger where

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Speaker 3: I recorded some stuff on my my sets on my

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Speaker 3: phone and then I thought we were gonna all die

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Speaker 3: and I wanted something to have a barcode of mind

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Speaker 3: on it.

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Speaker 4: I wanted to do the world.

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Speaker 3: For the robots and I have something because yeah, yeah,

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Speaker 3: for AI and everything. So I just put it out

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Speaker 3: and I had the great Andy Kline master it, and uh,

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Speaker 3: and we put it. I put it out and just

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Speaker 3: because that that was about twenty five minutes or so.

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Speaker 3: So I think that was just like an offering of

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Speaker 3: like what if I if Comedy Central had given me

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Speaker 3: a half hour, That's kind of what it would have been,

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Speaker 3: something like that, something the like all a and then

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Speaker 3: a little bit of stuff in there. And then this

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Speaker 3: one was just like, well, I know this the jokes

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Speaker 3: that I want to do, and some new newer ones came,

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Speaker 3: like while I was preparing for this, because life happened

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Speaker 3: to me and especially in the dating chunk, and and

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Speaker 3: then after my dad died, I think it just uh

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Speaker 3: brought me. Yeah, I think I was just prepared like

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Speaker 3: I had. I said, you'll see when you watch this

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Speaker 3: special like me talking about Jeff'sruly directed it, who was

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Speaker 3: a friend of the podcast, and he interviewed me a

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Speaker 3: little before the show, and I was kind of nervous,

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Speaker 3: almost kind of like, but you'll see it, and I was.

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Speaker 3: I was a New Year's Eve of twenty twenty four

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Speaker 3: going into twenty twenty five. I did this show in Schenectady,

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Speaker 3: New York. There's this big theater called Procter's Theater. About

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Speaker 3: it maybe twelve hundred theaters, maybe nine hundred people in there,

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Speaker 3: and I remember like just being on stage and they

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Speaker 3: were just the jokes were just hitting them hard, like

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Speaker 3: they were laughing at the setups. And I was like,

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Speaker 3: I think I got something here, man, I think I

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Speaker 3: can do something. So I just reached out to Brandon

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Speaker 3: Collins and just said, hey, man, what would you think

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Speaker 3: about you know, I want to do a special. You

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Speaker 3: think about like producing it? You know? I know he

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Speaker 3: had been doing drunk Black History and putting on shows

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Speaker 3: and he had in November of twenty twenty four, he

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Speaker 3: had me come down and do a spot on this

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Speaker 3: sketch show just to do stand up and it was

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Speaker 3: at and I always love the fact that you can

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Speaker 3: go downstairs, Like New York comedy is about when you

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Speaker 3: at least when you start out. When you start doing

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Speaker 3: comedy in New York City, you're mostly doing bar shows.

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Speaker 3: Sometimes you're going in basements and and sharing your life

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Speaker 3: with people and trying to come out on the other end.

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Speaker 3: And Caveat definitely had that feel because it's in a

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Speaker 3: basement and there's this big, nice space and Brandon was

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Speaker 3: able to secure that venue and we're initially going to

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Speaker 3: do two shows and didn't sell enough tickets, so we

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Speaker 3: had one shot. And I've seen the homie jil do it.

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Speaker 5: Yeah, that's what we call that. We called that the jail.

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Speaker 2: Yeah, you schedule to sell enough for one, combine it

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Speaker 2: in one. Now you got one full show. See that's

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Speaker 2: that's actually a smart strategy he invented that.

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Speaker 3: I would have liked to have had, you know, more

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Speaker 3: of another show, but it is what it is not.

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Speaker 3: But I think we captured what it would be like

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Speaker 3: with me doing stand up on a on a night wherever.

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Speaker 3: So I think people I gave him everything I could and.

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Speaker 5: I think I'm gonna be honest too.

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Speaker 2: I think, honestly, a lot of specials could benefit from

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Speaker 2: one taping only Like I know U that's you know,

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Speaker 2: taboo to say to people outside of the game. But

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Speaker 2: a lot of times shout to Keith Mallley from Keith

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Speaker 2: and the Girl because he picks up this all the time.

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Speaker 5: But a lot of times.

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Speaker 2: When they do this multiple tape and ship, the editing

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Speaker 2: is not really great, like meaning like when they take

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Speaker 2: a joke from the second night, there's just differences. You're like, oh,

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Speaker 2: you're holding a cup in this one. You weren't holding

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Speaker 2: a cup the night before, or you know, the mic

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Speaker 2: was over here, we cut back, the MIC's way over here,

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Speaker 2: and so with you know, at least continuity wise, there's yeah,

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Speaker 2: there's more on the line. You'd like a safety net,

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Speaker 2: but like continuity wise, it feels more real and lived

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Speaker 2: in and honestly, at that point, dude, if you.

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Speaker 5: Don't got it, you don't got it.

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Speaker 2: Like it like like like if you feel me a

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Speaker 2: special and you bomb one but the other you kill,

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Speaker 2: Like what the fuck happened? Like that's not even that

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Speaker 2: shouldn't even be possible to be Like, yeah, we had

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Speaker 2: two tapings. One of them, I mean the motherfuckers walked out,

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Speaker 2: but the second one that's the one.

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Speaker 5: That we killed. So I feel like, you know, it heightens.

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Speaker 2: The stakes, but I mean I felt I could feel

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Speaker 2: the energy. If I don't know, it feels more real.

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Speaker 2: It's it's it's working when out of wire, you know

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Speaker 2: what I'm saying. It felt I like this feeling of

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Speaker 2: I gotta get this shit right. I got one tape

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Speaker 2: and how does the video element change compared to the

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Speaker 2: audio for the first one, So like I haven't seen

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Speaker 2: the video yet. But in my mind, like when you

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Speaker 2: got the PS five, I felt like you cradled it

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Speaker 2: like a baby like I felt. I felt that, But

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Speaker 2: I don't know if you did do that, Like did

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Speaker 2: you have to think about shit like that?

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Speaker 3: Yeah, it's what one thing is money, So that I

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Speaker 3: had to, I had to, I would have. I should

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Speaker 3: have thought more. I should have saved some money for it,

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Speaker 3: but uh, it's all my money, nothing for mommy.

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Speaker 5: So you're trying to So basically, when you watch.

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Speaker 2: Or sell this thing or stream it, people putting money

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Speaker 2: back in your pocket because you are unspent it.

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Speaker 3: Yeah, so I think what I'll do for the specialist

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Speaker 3: put up a venmo so if you want to, if

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Speaker 3: you like the special, you can tip me or something

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Speaker 3: like that. You could buy the buy the uh the

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Speaker 3: audio version, because there's bonus tracks that aren't on the special.

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Speaker 3: So if if I've been coming on the show for

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Speaker 3: sixteen years, if you like anything I've ever done, if

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Speaker 3: I ever made you laugh or made you feel good,

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Speaker 3: now's the time for Yeah.

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Speaker 5: What's the cash out? What's the VEO? Tell the people who.

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Speaker 3: Is at Chris Lambert and yeah, so it's it's there,

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Speaker 3: And then I'll post the pre order link once it drops.

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Speaker 3: But I wanted to come on here first because this

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Speaker 3: is kind of where everything started from, you know, ever

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Speaker 3: since The Morning Jones. Yeah, that's when you when you

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Speaker 3: and Karen first started.

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Speaker 5: So yeah, the show.

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Speaker 2: The show art that I chose for the day's podcast

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Speaker 2: is one of like the day that we met in

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Speaker 2: Raleigh in Durham in real life.

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Speaker 4: In real life, man, the first time we haven't seen

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Speaker 4: you live.

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Speaker 2: With Fonte and Chris Hardwick when you were opening for

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Speaker 2: Chris Hardwick.

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Speaker 5: Bro, that's been It's been a long time, man, we.

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Speaker 4: Know you know, wow, that's that's Nostyalsia. Pick I've seen it. Pick.

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Speaker 4: I was like, whoa, that was forever ago.

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Speaker 2: Yeah, we've known you for a long time, man, And like,

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Speaker 2: you know, it's so dope. Uh, one is so dope

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Speaker 2: to have that relationship that can keep going because you know,

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Speaker 2: that's not a guarantee that older I get, the more

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Speaker 2: you see like how weird shit just falls apart and

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Speaker 2: you're like, I did, I would have thought that this

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Speaker 2: would have been forever or whatever. So just I'm very

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Speaker 2: appreciative of the ability to like maintain these type of

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Speaker 2: friendships and.

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Speaker 4: To have on me too, Chris, And I'm not telling

356
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Speaker 4: me funny. I'm glad the Internet didn't make you crazy,

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Speaker 4: because I realized over the years the Internet has warped

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Speaker 4: a lot of people, like not trying to fundamentally warped

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Speaker 4: in with you, like, oh, I have to let you go.

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Speaker 4: I want them, but I have to because you are

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Speaker 4: too far out there. The internet done got your baby.

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Speaker 5: Look at these young naive children here, just the world

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Speaker 5: in front of them. I had a relax on.

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Speaker 2: Karen's hair was relaxed. Chris Hardwick, Was this before you

365
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Speaker 2: got any trouble?

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Speaker 5: Uh?

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Speaker 2: Fonte's I think little brother hadn't got back together and

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Speaker 2: then not got back together again yet.

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Speaker 5: Right, Chris full of hope.

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Speaker 2: You know in the background, nervous that Fante might have

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Speaker 2: listened to the podcast while.

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Speaker 5: I said it didn't like Charity at home. It was

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Speaker 5: a lot going on. It was a lot in this picture, guys.

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Speaker 5: It was a lot happening for these babies.

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Speaker 3: Yea.

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Speaker 2: So also you talk about you know we I mean,

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Speaker 2: since you started coming out here, we talked about relationships

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Speaker 2: and personal life and dating and shit. But like your

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Speaker 2: comedy didn't always talk about it back in the day.

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Speaker 2: But I feel like this time, this might be the

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Speaker 2: most I've heard you talk about dating.

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Speaker 5: And relationships in a special.

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Speaker 2: Like, what was that like to be vulnerable talk about

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Speaker 2: breakups all that stuff? Were you worried about all the

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Speaker 2: people that I'm dating gonna hear this and they're gonna

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Speaker 2: be like, that's not how I remember it, or it's

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Speaker 2: not so funny to me, you know where you're worried.

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Speaker 3: Very funny story. My ex girlfriend came to the table.

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Speaker 7: Oh and like after I got off stage, I saw

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Speaker 7: a text and she said, you were amazing, great job.

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Speaker 5: Wow.

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Speaker 3: Gave me the salute the salute emoji.

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Speaker 5: Wow.

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Speaker 3: Okay, yeah, And so we ended up hanging out that night.

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Speaker 4: And uh uh.

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Speaker 2: Yeah, having a good time and drinking, drinking a drinking

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Speaker 2: a shake at the counter with two straws.

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Speaker 5: I feel you.

399
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Speaker 3: We did go to a burger joint.

400
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Speaker 5: Yeah, okay, there you go.

401
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Speaker 3: But she I got love for her. I always have

402
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Speaker 3: love for her. And it wasn't to be malicious or anything,

403
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Speaker 3: just like that's that's my life. And it's like I

404
00:20:35,560 --> 00:20:39,040
Speaker 3: think I remember like Chris Rock and Neil Brennan doing

405
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Speaker 3: a podcast, what's the one where they knew there's like

406
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Speaker 3: we know black guys. It was the Champs, The Champs.

407
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Speaker 5: Yeah, I used to funk with that show man.

408
00:20:48,560 --> 00:20:48,800
Speaker 3: Yeah.

409
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Speaker 2: I always felt bad because Neil Brennan is like, my

410
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Speaker 2: he's a guilty pleasure of mine, Like I do understand

411
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Speaker 2: he's a problematic white man and that he does think

412
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Speaker 2: he has this a throt already to speak on black

413
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Speaker 2: ship that is like I loved the Chappelle show too,

414
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Speaker 2: but come on, brother.

415
00:21:07,240 --> 00:21:13,000
Speaker 3: Yeah, open for him years ago and he was cool, like, yeah,

416
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Speaker 3: I told him. I was like, I was like, uh,

417
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Speaker 3: I think I told him. I was like, dude, I'm

418
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Speaker 3: not going to smoke up your ass, but I like

419
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Speaker 3: that movie. What's the movie he directed about the cars?

420
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Speaker 3: The car dealership or some ship. And he was like, no,

421
00:21:27,080 --> 00:21:29,119
Speaker 3: I get it, man, No, And he was cool, like

422
00:21:29,160 --> 00:21:32,440
Speaker 3: we were just like arguing about sports and it was

423
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Speaker 3: it was a good time. He was. He was cool.

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Speaker 1: Yeah.

425
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Speaker 2: Yeah, but yeah, no, I felt but I like, I

426
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Speaker 2: just I don't I have to privately like his stuff

427
00:21:41,960 --> 00:21:45,199
Speaker 2: like I love the Champs that I mean literally tears

428
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Speaker 2: rolling down my eyes listening to my cubical level, like

429
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Speaker 2: that's how funny that shit was to me. And then

430
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Speaker 2: but but I can never publicly be like, Yo, Neil

431
00:21:54,040 --> 00:21:56,240
Speaker 2: Brannan funny as fuck, because like I always know him,

432
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Speaker 2: like three weeks away from him saying something that people

433
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Speaker 2: would go back and be like, I thought that was

434
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Speaker 2: your boy, and I'm like, I didn't say he was

435
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Speaker 2: my boy.

436
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Speaker 5: I said the Champs was funny. Leave me alone.

437
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Speaker 3: I'll tell you something. I'll tell you something. I'll give

438
00:22:09,640 --> 00:22:10,600
Speaker 3: you a flipnote to that.

439
00:22:10,680 --> 00:22:11,320
Speaker 5: I guess.

440
00:22:13,200 --> 00:22:16,360
Speaker 3: The Champ. So he was talking to Chris Rock and

441
00:22:17,000 --> 00:22:19,800
Speaker 3: I remember listening to that as a young comic, and

442
00:22:19,840 --> 00:22:22,640
Speaker 3: he was just like, you talk about like a special

443
00:22:22,760 --> 00:22:25,639
Speaker 3: should be. It's not it should be this. It's not

444
00:22:25,680 --> 00:22:29,840
Speaker 3: written in stone. But Bring the Pain is probably one

445
00:22:29,840 --> 00:22:32,320
Speaker 3: of the greatest stand up comedy specials of all time,

446
00:22:32,760 --> 00:22:39,400
Speaker 3: at least to me, Bring the Pain and uh kill Yeah,

447
00:22:39,960 --> 00:22:42,359
Speaker 3: Bring the Pain an elephant in the room rather Okay.

448
00:22:43,480 --> 00:22:51,280
Speaker 3: So he's like, you talk about current events, personal stuff, relationships,

449
00:22:51,320 --> 00:22:54,320
Speaker 3: sex or something like you like you talk about those

450
00:22:54,359 --> 00:22:57,440
Speaker 3: topics as they relate to you and try to have

451
00:22:57,520 --> 00:23:02,360
Speaker 3: that that at least that structure and build upon that.

452
00:23:02,480 --> 00:23:05,600
Speaker 3: So I like that formatting, so it fit in my

453
00:23:05,640 --> 00:23:08,560
Speaker 3: brain where it would be like that to the specials

454
00:23:08,640 --> 00:23:13,320
Speaker 3: named from essentially a Bill Burke quote, and mill Burr

455
00:23:13,640 --> 00:23:16,520
Speaker 3: is one of my all time favorite comedians.

456
00:23:16,800 --> 00:23:20,080
Speaker 2: He's like your Nail Brandon. He's like, he's like your

457
00:23:20,160 --> 00:23:23,639
Speaker 2: Neil Brennan. You like, like, this is the thing about

458
00:23:23,840 --> 00:23:24,760
Speaker 2: liking white people.

459
00:23:24,800 --> 00:23:28,920
Speaker 5: Man, it's so hard because white dudes like the thing

460
00:23:28,960 --> 00:23:32,040
Speaker 5: people forget about white dudes because in the Gender Wars,

461
00:23:32,800 --> 00:23:35,880
Speaker 5: the white man has attained vanilla king status and they

462
00:23:35,920 --> 00:23:36,679
Speaker 5: have not earned it.

463
00:23:37,160 --> 00:23:40,439
Speaker 2: They have not earned it, and the bar is so

464
00:23:40,560 --> 00:23:42,520
Speaker 2: low for them that they get away with shit that

465
00:23:42,640 --> 00:23:45,600
Speaker 2: niggas can't get away with in the Gender Wars.

466
00:23:46,320 --> 00:23:50,240
Speaker 5: Yeah, so like I be excited, like, oh, man, Bill

467
00:23:50,240 --> 00:23:52,640
Speaker 5: Burr seems like you know what's happening. Okay, I fuck

468
00:23:52,680 --> 00:23:55,320
Speaker 5: with him. Oh, you know, Neil Brennan's cool.

469
00:23:55,640 --> 00:23:57,959
Speaker 2: But then I have to I can't really put it

470
00:23:58,000 --> 00:24:00,320
Speaker 2: on a T shirt because then, like everyone so why

471
00:24:00,400 --> 00:24:02,920
Speaker 2: they'd be like, you know what, Beyonce full of shit.

472
00:24:02,960 --> 00:24:05,720
Speaker 2: I'm like glad I didn't say check out Bill Bird's

473
00:24:05,760 --> 00:24:08,680
Speaker 2: later special because I'm not gonna defend that. And then

474
00:24:08,760 --> 00:24:11,120
Speaker 2: he go over there and perform for the Saudi King

475
00:24:11,200 --> 00:24:14,159
Speaker 2: and whatever Prince. Now I'm like, well, now I'm doublely

476
00:24:14,240 --> 00:24:16,840
Speaker 2: it can't fucking tell people I love this guy, So

477
00:24:17,760 --> 00:24:20,280
Speaker 2: you know, I feel I just want to relate. I

478
00:24:20,280 --> 00:24:22,760
Speaker 2: can relate as what I'm saying to the to bill

479
00:24:22,800 --> 00:24:25,280
Speaker 2: Birds that dude, but also yikes.

480
00:24:25,640 --> 00:24:29,000
Speaker 3: Before on the show, and it's like, I mean, it's

481
00:24:29,040 --> 00:24:32,480
Speaker 3: a if you look at my Facebook posts and you

482
00:24:32,520 --> 00:24:35,760
Speaker 3: follow me on Instagram, I put out a heart like

483
00:24:35,840 --> 00:24:39,800
Speaker 3: my version of a heartfelt post was I had got

484
00:24:39,800 --> 00:24:42,480
Speaker 3: to randomly open for him, and I talked about it

485
00:24:42,560 --> 00:24:45,280
Speaker 3: on my latest episode of the pod, my Monday and Festival,

486
00:24:45,320 --> 00:24:49,240
Speaker 3: but I'll say it here too. You know, twenty twelve,

487
00:24:49,680 --> 00:24:53,800
Speaker 3: I was at Carolines. Bill Bird was performing there. I

488
00:24:54,000 --> 00:24:56,399
Speaker 3: and the comics were just coming to hang out to

489
00:24:56,440 --> 00:24:58,359
Speaker 3: see the show, sitting in the back of the room.

490
00:24:58,840 --> 00:25:00,600
Speaker 3: It was sold out. It was no room, but there

491
00:25:00,640 --> 00:25:03,560
Speaker 3: was one little chair and table at the side of

492
00:25:03,600 --> 00:25:05,840
Speaker 3: the stage and I was sitting there and kicked me

493
00:25:05,840 --> 00:25:08,600
Speaker 3: out because of another customer. A customer come in and

494
00:25:08,680 --> 00:25:10,200
Speaker 3: I said, you know what, the next time he comes

495
00:25:10,200 --> 00:25:12,800
Speaker 3: into town, I'll just I'll get a ticket. I ain't gonta,

496
00:25:13,160 --> 00:25:14,960
Speaker 3: I ain't gonna have to worry about it, so I

497
00:25:15,000 --> 00:25:18,960
Speaker 3: get a ticket. He's playing in Hasbrouk Heights, New Jersey,

498
00:25:19,040 --> 00:25:22,160
Speaker 3: fifteen minutes down the street from me. The club is

499
00:25:22,160 --> 00:25:25,479
Speaker 3: at Bananas Comedy Club. It's in a holiday inn. Basically.

500
00:25:25,480 --> 00:25:30,520
Speaker 3: The show's in a big ass conference room. Yeah. Yeah,

501
00:25:30,800 --> 00:25:32,560
Speaker 3: I'm standing in the line. I got my ticket. I'm

502
00:25:32,600 --> 00:25:35,160
Speaker 3: talking to a guy in line and he's like, oh, yeah,

503
00:25:35,160 --> 00:25:37,639
Speaker 3: I'm a comedian. He's like, oh, you're a comedian. He's like,

504
00:25:37,640 --> 00:25:40,360
Speaker 3: are you famous? I said, dude, if I was famous,

505
00:25:40,440 --> 00:25:42,160
Speaker 3: I wouldn't be in line.

506
00:25:42,480 --> 00:25:43,600
Speaker 5: And I was in.

507
00:25:43,760 --> 00:25:49,359
Speaker 3: Paul Versey, a buddy of mine, a comedian. I reached

508
00:25:49,359 --> 00:25:50,800
Speaker 3: out to him. I just said, are you opening for

509
00:25:50,840 --> 00:25:53,840
Speaker 3: Bird this at the show? And he said I might be,

510
00:25:54,240 --> 00:25:56,600
Speaker 3: and he actually said yeah, I'm actually work opening for him,

511
00:25:57,080 --> 00:25:58,679
Speaker 3: And I said I was thinking, like, maybe I just

512
00:25:58,680 --> 00:26:01,120
Speaker 3: get to tap him up after this, say a big fan,

513
00:26:01,440 --> 00:26:05,040
Speaker 3: enjoy your work. So he comes in with Burr and

514
00:26:05,080 --> 00:26:07,760
Speaker 3: they get rushed off to a room and Bersey points

515
00:26:07,800 --> 00:26:09,240
Speaker 3: at me. He said just way here, and I was

516
00:26:09,280 --> 00:26:11,960
Speaker 3: like all right, and then he tells me to come

517
00:26:12,000 --> 00:26:16,240
Speaker 3: into this other room, another conference room, and then Bill

518
00:26:16,280 --> 00:26:20,720
Speaker 3: Burr standing there and we're talking and just hanging out backstage.

519
00:26:20,720 --> 00:26:24,240
Speaker 3: I had seen him at the perform at Carnegie Hall

520
00:26:24,280 --> 00:26:29,400
Speaker 3: in twenty eleven, and he said, and I said, yeah,

521
00:26:29,440 --> 00:26:32,359
Speaker 3: I had a ticket to see you in Inglewood, but

522
00:26:32,400 --> 00:26:33,959
Speaker 3: I didn't. I didn't get to go because I had

523
00:26:33,960 --> 00:26:36,040
Speaker 3: a show. And he was like, what are you bragging?

524
00:26:36,080 --> 00:26:37,840
Speaker 3: You had another show? Like he was making fun of

525
00:26:37,880 --> 00:26:41,159
Speaker 3: you know, making fun of me and just pleasantly and

526
00:26:41,200 --> 00:26:43,200
Speaker 3: all that stuff. And then the producer of the show

527
00:26:43,280 --> 00:26:46,600
Speaker 3: comes back like twenty minutes later, and he said, how

528
00:26:46,640 --> 00:26:48,399
Speaker 3: are you How are we going to do this, guys?

529
00:26:48,560 --> 00:26:51,439
Speaker 3: And then Bill said, I'll do fifty and just let

530
00:26:51,520 --> 00:26:54,159
Speaker 3: these guys do ten. And he pointed at me and

531
00:26:54,920 --> 00:26:56,879
Speaker 3: then the guys that were already on the show, and

532
00:26:56,920 --> 00:27:00,399
Speaker 3: I was like, oh shit, I'm on the show. Oh

533
00:26:59,520 --> 00:27:03,359
Speaker 3: So I got to open for him that night with

534
00:27:03,400 --> 00:27:05,920
Speaker 3: the ticket that I paid to go see him, damn.

535
00:27:06,160 --> 00:27:08,000
Speaker 3: And I was just like, oh ship and it was

536
00:27:08,080 --> 00:27:13,720
Speaker 3: just like always be prepared, Yeah, and I ripped it.

537
00:27:13,800 --> 00:27:17,639
Speaker 3: We went to Whitecastle after the show, and then months

538
00:27:17,680 --> 00:27:23,399
Speaker 3: later I had just messaged him to say, like, to

539
00:27:23,560 --> 00:27:25,800
Speaker 3: thank you. I thanked him then, but I just messaged

540
00:27:25,840 --> 00:27:28,480
Speaker 3: him to say thanks, like a few months later, and

541
00:27:28,520 --> 00:27:31,760
Speaker 3: he said, Chris, he said, that's that's great. To hear,

542
00:27:31,800 --> 00:27:34,399
Speaker 3: good luck with your stuff, just keep plowing ahead and

543
00:27:34,440 --> 00:27:37,440
Speaker 3: don't let the bullshit beat you down. And back then

544
00:27:37,480 --> 00:27:39,879
Speaker 3: I was at him where I cried because like, that

545
00:27:40,080 --> 00:27:43,600
Speaker 3: was one of my comedy hero and uh, you know,

546
00:27:43,760 --> 00:27:45,240
Speaker 3: regardless of what he.

547
00:27:45,119 --> 00:27:49,879
Speaker 6: Did or what he said, he didn't and he probably

548
00:27:49,920 --> 00:27:53,400
Speaker 6: said that ship to a lot of people, but he

549
00:27:53,680 --> 00:27:57,760
Speaker 6: said it to me, and I took his advice and

550
00:27:57,800 --> 00:27:59,640
Speaker 6: now you get this project and I was too much.

551
00:27:59,680 --> 00:28:02,080
Speaker 3: I'm not gonna change the title of it because that's

552
00:28:02,440 --> 00:28:04,560
Speaker 3: what it meant for me and killing an obscurity. That's

553
00:28:04,560 --> 00:28:06,760
Speaker 3: what I've been doing for years and years where people

554
00:28:07,240 --> 00:28:09,639
Speaker 3: come to see me perform, they don't know who the

555
00:28:09,640 --> 00:28:12,840
Speaker 3: fuck I am and they're just like, wow, that was

556
00:28:12,840 --> 00:28:14,920
Speaker 3: a great show. You know. The other week I saw

557
00:28:15,320 --> 00:28:19,160
Speaker 3: famous person X and it wasn't nearly as good as you.

558
00:28:19,520 --> 00:28:22,520
Speaker 3: How Come I never heard of you? How come years

559
00:28:22,520 --> 00:28:27,440
Speaker 3: of that? Right? And so it's like that's what that's

560
00:28:27,480 --> 00:28:28,879
Speaker 3: what this project is about.

561
00:28:30,119 --> 00:28:32,239
Speaker 5: And that was something that Bill Burr had said, like

562
00:28:32,560 --> 00:28:34,360
Speaker 5: a yeah, he said.

563
00:28:34,119 --> 00:28:37,680
Speaker 3: It on this podcast with Tom Rhodes. Comedian Tom Rose

564
00:28:37,760 --> 00:28:40,240
Speaker 3: used to have a podcast and Burr was on there

565
00:28:41,160 --> 00:28:44,120
Speaker 3: and he said, like, what's the best advice you ever

566
00:28:44,160 --> 00:28:47,400
Speaker 3: got in comedy and he said one of his old

567
00:28:47,440 --> 00:28:49,440
Speaker 3: mentors said, I don't know what you're doing, but keep

568
00:28:49,440 --> 00:28:52,360
Speaker 3: doing it. One guy. And then he said, one time

569
00:28:52,400 --> 00:28:55,480
Speaker 3: he was at the Comedy Seller and Bill and Dave Chappelle.

570
00:28:56,160 --> 00:28:57,960
Speaker 3: I just said and was saying, I don't know what

571
00:28:58,080 --> 00:29:02,360
Speaker 3: you're I don't know, Like, keep keep doing what you're doing.

572
00:29:02,360 --> 00:29:04,760
Speaker 3: It's gonna take a longer road for you. But when

573
00:29:04,760 --> 00:29:07,680
Speaker 3: it hits, it's really gonna hit. Because he was being

574
00:29:08,080 --> 00:29:11,440
Speaker 3: truthful to himself and he said that somebody's saying that

575
00:29:11,520 --> 00:29:15,160
Speaker 3: to him. They've saying that to him carried him through

576
00:29:15,920 --> 00:29:19,520
Speaker 3: those years where he was killing an obscurity where the

577
00:29:19,600 --> 00:29:22,560
Speaker 3: killing obscurity years where you're like people say, man, you're

578
00:29:22,640 --> 00:29:25,680
Speaker 3: really funny. Why are you? Why are you here?

579
00:29:26,440 --> 00:29:29,960
Speaker 5: Yeah? Yeah, how are you not a bigger deal?

580
00:29:30,200 --> 00:29:33,240
Speaker 4: This is like they like, that's such a funny. Why

581
00:29:33,240 --> 00:29:34,560
Speaker 4: are you in the middle of nowhere with me?

582
00:29:35,200 --> 00:29:35,400
Speaker 3: Yeah?

583
00:29:35,400 --> 00:29:38,200
Speaker 2: That's always such a funny compliment because they mean well,

584
00:29:38,640 --> 00:29:41,239
Speaker 2: but there's always a little backhanded where it's like it

585
00:29:41,280 --> 00:29:45,040
Speaker 2: turns into like an examination of like how your career

586
00:29:45,080 --> 00:29:47,320
Speaker 2: is fucked up as opposed to like a career it's like.

587
00:29:47,280 --> 00:29:48,600
Speaker 5: You are so good.

588
00:29:48,760 --> 00:29:52,240
Speaker 2: How come no one's ever heard of you? Like, wow,

589
00:29:52,400 --> 00:29:54,960
Speaker 2: you probably just go to the grocery store. Nobody even

590
00:29:55,000 --> 00:29:58,160
Speaker 2: know who you are, but you are so good. If

591
00:29:58,200 --> 00:29:59,520
Speaker 2: they knew who you was.

592
00:29:59,440 --> 00:30:01,520
Speaker 5: It will be a lying around the door. You shouldn't

593
00:30:01,520 --> 00:30:05,560
Speaker 5: even have to go to the grocery store, honestly, you

594
00:30:05,640 --> 00:30:07,959
Speaker 5: are that talented and you're just sitting up there all

595
00:30:07,960 --> 00:30:10,680
Speaker 5: the time, like thank you. The podcast can be found

596
00:30:10,720 --> 00:30:16,880
Speaker 5: on Spotify.

597
00:30:14,240 --> 00:30:16,920
Speaker 3: And that's like, that's been my whole career. So I

598
00:30:16,960 --> 00:30:20,520
Speaker 3: think it was a fitting titles. It's an homage to him,

599
00:30:20,560 --> 00:30:24,560
Speaker 3: it's a nod to him. So it's just it's uh.

600
00:30:25,200 --> 00:30:28,080
Speaker 2: And it's just my But I didn't notice, like as

601
00:30:28,160 --> 00:30:30,200
Speaker 2: much as you know, you look up to those guys,

602
00:30:30,560 --> 00:30:33,760
Speaker 2: there's not a lot of h anti trans material on

603
00:30:33,840 --> 00:30:36,960
Speaker 2: the on the special, Like, if you really want to

604
00:30:37,000 --> 00:30:42,280
Speaker 2: get in there and get into that Chapelle level Reide Festival, change.

605
00:30:42,080 --> 00:30:42,640
Speaker 4: It up a little bit.

606
00:30:42,640 --> 00:30:44,600
Speaker 5: I feel like you might be on the wrong track.

607
00:30:45,320 --> 00:30:45,920
Speaker 4: Chris, don't.

608
00:30:46,000 --> 00:30:46,360
Speaker 5: Don't.

609
00:30:46,400 --> 00:30:46,640
Speaker 4: Don't.

610
00:30:46,840 --> 00:30:49,320
Speaker 2: Even the stuff you said about the stuff you said

611
00:30:49,360 --> 00:30:52,640
Speaker 2: about women wasn't really that bad. It wasn't very toxic

612
00:30:52,720 --> 00:30:55,760
Speaker 2: at all. I mean, for a man who looks up

613
00:30:55,760 --> 00:30:59,280
Speaker 2: to Patrise O'Neill. I felt more like, Uh, this is

614
00:30:59,280 --> 00:31:01,120
Speaker 2: this guy's taking it easy on the ladies.

615
00:31:01,560 --> 00:31:03,840
Speaker 5: Uh did you ever you know, did you ever struggle

616
00:31:03,840 --> 00:31:04,120
Speaker 5: with that?

617
00:31:04,280 --> 00:31:06,840
Speaker 2: He was like, let me get up here and turn

618
00:31:07,200 --> 00:31:10,080
Speaker 2: turn the dial up so that someone could take like

619
00:31:10,160 --> 00:31:12,920
Speaker 2: three lines out of context and more in my life.

620
00:31:13,920 --> 00:31:19,720
Speaker 3: Man, I a dude on thatte album that you didn't.

621
00:31:19,480 --> 00:31:24,440
Speaker 2: Like Charity Stars All, which I now love for the record,

622
00:31:24,920 --> 00:31:27,160
Speaker 2: and I that is so good.

623
00:31:27,600 --> 00:31:29,680
Speaker 5: Fonte is such a tremendous talent.

624
00:31:30,360 --> 00:31:34,640
Speaker 2: My empathy made me depressed by listening to it, because

625
00:31:34,640 --> 00:31:38,400
Speaker 2: that's how fucking strong his talent is. I was had

626
00:31:38,480 --> 00:31:41,280
Speaker 2: a happy marriage and I was like, oh my god,

627
00:31:42,120 --> 00:31:43,280
Speaker 2: am I getting divorced?

628
00:31:43,360 --> 00:31:49,360
Speaker 5: This man? Am I cheating on my wife? He's like,

629
00:31:49,520 --> 00:31:50,840
Speaker 5: you know, yeah, exactly.

630
00:31:50,920 --> 00:31:54,880
Speaker 2: He liked the man Scissor for. He's like Scissor for

631
00:31:54,880 --> 00:31:55,960
Speaker 2: forty five year olds.

632
00:31:56,760 --> 00:31:58,160
Speaker 4: He's going through something.

633
00:31:58,240 --> 00:32:01,760
Speaker 3: To me, I think he's the Mark Twain and hip hop, yes,

634
00:32:03,000 --> 00:32:06,000
Speaker 3: and that record and it's not to. It's not to.

635
00:32:06,160 --> 00:32:10,040
Speaker 3: It's just a great writer artist is not to be

636
00:32:10,120 --> 00:32:10,880
Speaker 3: like he's the.

637
00:32:10,880 --> 00:32:13,560
Speaker 2: Black just like right, yeah, I know what you trying,

638
00:32:13,800 --> 00:32:15,960
Speaker 2: don't don't worry. They're not those people don't listen to

639
00:32:16,000 --> 00:32:18,240
Speaker 2: our show. Okay, yeah, that's fine.

640
00:32:19,880 --> 00:32:20,800
Speaker 4: You're in space.

641
00:32:21,160 --> 00:32:23,520
Speaker 5: How come he got to be a white man? Just

642
00:32:23,560 --> 00:32:26,880
Speaker 5: don't you mean? He the Frederick Douglass of hip hop?

643
00:32:26,960 --> 00:32:27,360
Speaker 5: Like we did?

644
00:32:28,000 --> 00:32:30,760
Speaker 3: He saw that. He saw that one one time, like

645
00:32:30,800 --> 00:32:33,680
Speaker 3: on Twitter and he and I and I wrote that

646
00:32:33,960 --> 00:32:35,680
Speaker 3: and he saw it and he said, why cause I

647
00:32:35,720 --> 00:32:36,520
Speaker 3: say nigga a lot?

648
00:32:38,560 --> 00:32:40,080
Speaker 4: That's hilarious.

649
00:32:40,760 --> 00:32:42,480
Speaker 5: He does, though, he does say a lot.

650
00:32:42,680 --> 00:32:46,040
Speaker 3: But but he has a record call who loves you More?

651
00:32:46,480 --> 00:32:48,800
Speaker 3: And at the end he talks about like the famous

652
00:32:48,840 --> 00:32:53,400
Speaker 3: celebrit musicians they had fucked up ship going, all of

653
00:32:53,440 --> 00:32:57,320
Speaker 3: your greats had ship that was wrong because they're human human.

654
00:32:58,360 --> 00:33:00,360
Speaker 3: But it's the time that we're on stage. It is

655
00:33:00,400 --> 00:33:03,080
Speaker 3: the time that we're on the mic doing what we do.

656
00:33:03,760 --> 00:33:06,080
Speaker 3: We try to be excellent. We just think that's how

657
00:33:06,120 --> 00:33:10,240
Speaker 3: you get close to God. Artistically, you're trying to shoot

658
00:33:10,240 --> 00:33:17,200
Speaker 3: for that excellence. But but my favorite comedians after I

659
00:33:17,240 --> 00:33:21,800
Speaker 3: started doing comedy are or Bill Bird, patrisa O'Neill, and

660
00:33:21,920 --> 00:33:22,600
Speaker 3: Lewis c. K.

661
00:33:24,240 --> 00:33:28,920
Speaker 5: Because because of the scandals, he wasn't a fan Chris,

662
00:33:29,760 --> 00:33:31,480
Speaker 5: so Chris is a rare bird because we used to

663
00:33:31,480 --> 00:33:34,840
Speaker 5: talk about this. I remember before Louis c k harassed

664
00:33:34,840 --> 00:33:35,200
Speaker 5: and women.

665
00:33:35,320 --> 00:33:37,520
Speaker 2: He was like, I don't know he all right, And

666
00:33:37,560 --> 00:33:40,280
Speaker 2: I'm like, Chris, this man is hilarious. He's like, I

667
00:33:40,280 --> 00:33:43,160
Speaker 2: don't think so, I don't see it. But then the

668
00:33:43,280 --> 00:33:45,760
Speaker 2: me too movement happened and he got.

669
00:33:45,600 --> 00:33:48,360
Speaker 5: Canceled, and Chris was like, I bought my first Luisy

670
00:33:48,440 --> 00:33:49,280
Speaker 5: K special today.

671
00:33:49,680 --> 00:33:53,080
Speaker 2: It was so good. They were sleeping on him. I

672
00:33:53,120 --> 00:33:54,960
Speaker 2: don't think that was thanks for trying to put me

673
00:33:55,040 --> 00:33:56,040
Speaker 2: on Okay.

674
00:33:55,880 --> 00:33:58,360
Speaker 5: He did. Chris is a weird guy.

675
00:33:59,720 --> 00:34:01,640
Speaker 3: One of the reason is because you know, like I

676
00:34:01,680 --> 00:34:05,160
Speaker 3: grew up with the greats like prior Paul Mooney Lawrence

677
00:34:05,320 --> 00:34:09,760
Speaker 3: of my generation. As a young person of the generation

678
00:34:09,840 --> 00:34:13,799
Speaker 3: where you have newer people, Martin Lawrence was the guy

679
00:34:13,880 --> 00:34:16,560
Speaker 3: for me because he was from the area. He's from

680
00:34:16,760 --> 00:34:22,919
Speaker 3: PG County. He was like Kevin Hart before Kevin Hart

681
00:34:23,280 --> 00:34:27,279
Speaker 3: where he was becoming that movie star, the under the

682
00:34:27,360 --> 00:34:31,480
Speaker 3: Eddie Murphy tree, where he was able to even though

683
00:34:31,520 --> 00:34:37,360
Speaker 3: he was had the swagger, he was also able to

684
00:34:37,680 --> 00:34:41,400
Speaker 3: like emit vulnerability and to admit when he was wrong

685
00:34:41,800 --> 00:34:46,279
Speaker 3: on stage. Like in his prime, Martin was the amazing,

686
00:34:46,400 --> 00:34:51,520
Speaker 3: you know. And so like with Bill Burr and Patrese

687
00:34:51,760 --> 00:34:56,279
Speaker 3: and Louis to me with their with their stand up,

688
00:34:56,320 --> 00:34:59,560
Speaker 3: it's like there's no artifice. Really, there's a there's almost

689
00:34:59,600 --> 00:35:01,719
Speaker 3: a lack of artifice where it's just like I'm a

690
00:35:01,760 --> 00:35:05,440
Speaker 3: guy on stage and I'm talking to you. So the

691
00:35:05,640 --> 00:35:12,520
Speaker 3: off stage persona is is very similar to what the

692
00:35:12,560 --> 00:35:15,800
Speaker 3: on stage persona is. It's just a little more heightened

693
00:35:15,880 --> 00:35:19,640
Speaker 3: because there is a performance. So just from that that

694
00:35:19,719 --> 00:35:25,279
Speaker 3: basic standpoint, that's that's what I appreciate about them. And

695
00:35:25,320 --> 00:35:28,680
Speaker 3: then the comedy that I'm drawn to for the most

696
00:35:28,719 --> 00:35:32,000
Speaker 3: part is that and uh, that's kind of what I

697
00:35:32,080 --> 00:35:35,960
Speaker 3: was going for with just like my version of of

698
00:35:35,960 --> 00:35:36,439
Speaker 3: of that.

699
00:35:36,960 --> 00:35:38,520
Speaker 5: Well, I mean I think you achieved it.

700
00:35:38,600 --> 00:35:40,600
Speaker 2: Like I said, this album really just reminds me of

701
00:35:40,640 --> 00:35:43,600
Speaker 2: you as a person, not like like it's a performance,

702
00:35:43,680 --> 00:35:46,880
Speaker 2: but it's all the things that I think of you,

703
00:35:47,239 --> 00:35:49,320
Speaker 2: Like it's sweet, it's.

704
00:35:49,160 --> 00:35:52,360
Speaker 5: Smart, it's funny, it's vulnerable.

705
00:35:51,920 --> 00:35:54,040
Speaker 2: It's all those things, and it's just like, yeah, man,

706
00:35:54,080 --> 00:35:57,600
Speaker 2: you like you did that. So like, yeah, I can't

707
00:35:57,600 --> 00:35:59,560
Speaker 2: wait to see it as well, because you know, I'm

708
00:35:59,560 --> 00:36:01,360
Speaker 2: sure the video is going to catch some of that

709
00:36:01,400 --> 00:36:04,680
Speaker 2: as well, but yeah, man, very proud of the special.

710
00:36:04,719 --> 00:36:07,120
Speaker 2: I really thought, I really think it's really good man.

711
00:36:08,480 --> 00:36:09,919
Speaker 5: And then, uh.

712
00:36:10,880 --> 00:36:12,960
Speaker 2: Dating, We always talk about dating when you come on,

713
00:36:13,280 --> 00:36:15,719
Speaker 2: and I think the last time you were on, you know,

714
00:36:15,880 --> 00:36:18,279
Speaker 2: first of all, I always end up apologizing for the

715
00:36:18,360 --> 00:36:19,680
Speaker 2: joke I made about you.

716
00:36:22,120 --> 00:36:23,720
Speaker 5: Less than after only white women.

717
00:36:24,040 --> 00:36:26,560
Speaker 2: I really thought that that the audience would would take

718
00:36:26,600 --> 00:36:27,359
Speaker 2: it as a joke.

719
00:36:28,880 --> 00:36:29,799
Speaker 5: I think many did.

720
00:36:29,880 --> 00:36:31,480
Speaker 2: But so every once in a while I get a

721
00:36:31,480 --> 00:36:34,560
Speaker 2: comment when I'm like, that's what they're like, Uh, you

722
00:36:34,680 --> 00:36:35,920
Speaker 2: think Chris is so cool?

723
00:36:35,960 --> 00:36:37,640
Speaker 5: But he I'm like, I made that up. That was

724
00:36:37,640 --> 00:36:38,000
Speaker 5: a joke.

725
00:36:39,520 --> 00:36:43,520
Speaker 2: But uh, when we talked about dating the last time,

726
00:36:44,200 --> 00:36:47,200
Speaker 2: I think it was you had gone through this breakup.

727
00:36:47,280 --> 00:36:49,840
Speaker 2: You were getting back out in the in the dating streets,

728
00:36:50,440 --> 00:36:53,879
Speaker 2: trying to see what was going on, not closing yourself off.

729
00:36:54,960 --> 00:36:56,920
Speaker 2: And now it sounds like on the album you're talking

730
00:36:56,920 --> 00:37:00,000
Speaker 2: about having a girlfriend studio audience.

731
00:37:03,560 --> 00:37:06,200
Speaker 3: On the album, I had, well, I hadn't met I

732
00:37:06,239 --> 00:37:10,080
Speaker 3: do have a girlfriend, but I didn't meet her until

733
00:37:10,960 --> 00:37:12,960
Speaker 3: maybe a month or two after the taping.

734
00:37:13,160 --> 00:37:15,560
Speaker 5: Oh so you just said girl? So you just made

735
00:37:15,600 --> 00:37:18,080
Speaker 5: that up on the special? Got it? Okay? Which one?

736
00:37:18,080 --> 00:37:18,480
Speaker 5: This one?

737
00:37:18,480 --> 00:37:20,839
Speaker 2: You said girlfriend. Maybe you let it slip in there,

738
00:37:20,880 --> 00:37:23,200
Speaker 2: you said something about or maybe you were talking about

739
00:37:23,200 --> 00:37:24,080
Speaker 2: your ex girlfriend.

740
00:37:24,960 --> 00:37:26,879
Speaker 5: Yeah, yeah, yeah, I got it. I got it about

741
00:37:26,920 --> 00:37:30,000
Speaker 5: the north Face co Yeah yeah. But now, but now

742
00:37:30,160 --> 00:37:33,000
Speaker 5: you do have a girlfriend. You know. That's what the

743
00:37:33,000 --> 00:37:39,399
Speaker 5: streets is saying. Oh she's a black queen. Oh oh okay.

744
00:37:39,160 --> 00:37:41,879
Speaker 2: So maybe all the haters that I created myself can

745
00:37:42,040 --> 00:37:44,759
Speaker 2: stop obsessing over this.

746
00:37:44,880 --> 00:37:49,080
Speaker 5: Brother. Are you not happy? Damn uh? Now now that's

747
00:37:49,120 --> 00:37:50,840
Speaker 5: good man. How'd y'all meet?

748
00:37:51,160 --> 00:37:55,120
Speaker 3: We met on hinge? It was actually there was this

749
00:37:55,120 --> 00:37:58,200
Speaker 3: one girl if if you know the movie five Hundred

750
00:37:58,320 --> 00:38:01,359
Speaker 3: Days of Summer, mm hmm, I met this I met

751
00:38:01,400 --> 00:38:04,200
Speaker 3: this black girl and this is not my girlfriend. I

752
00:38:04,239 --> 00:38:07,920
Speaker 3: met this black girl and I was like, oh she's wow.

753
00:38:08,880 --> 00:38:11,560
Speaker 3: It was so real, like we liked all the same stuff.

754
00:38:12,000 --> 00:38:15,160
Speaker 3: She knew who little brother was, her parents were from

755
00:38:15,200 --> 00:38:19,120
Speaker 3: North Carolina, just like mine. And she was trying to

756
00:38:19,200 --> 00:38:20,560
Speaker 3: run game. She was bad.

757
00:38:20,760 --> 00:38:24,440
Speaker 5: She was bad, she was And then she tried to

758
00:38:24,480 --> 00:38:26,719
Speaker 5: run game. How what is running game on you? She

759
00:38:26,840 --> 00:38:28,879
Speaker 5: was like, can here's the cash app?

760
00:38:30,840 --> 00:38:35,960
Speaker 3: No? No, she she was just like, I don't know.

761
00:38:36,040 --> 00:38:38,239
Speaker 3: It just didn't work out. I could I could have

762
00:38:38,280 --> 00:38:41,880
Speaker 3: did some things differently. But but she she pulled the

763
00:38:41,960 --> 00:38:45,319
Speaker 3: cord before I could. She cut the chord before I could.

764
00:38:46,160 --> 00:38:50,120
Speaker 3: And but she was she was, She was not who

765
00:38:51,320 --> 00:38:53,600
Speaker 3: I thought she was. Just just because somebody likes the

766
00:38:53,600 --> 00:38:55,359
Speaker 3: same ship that you like don't mean a job.

767
00:38:56,400 --> 00:38:57,840
Speaker 5: Yeah, I don't agree.

768
00:38:58,280 --> 00:39:01,960
Speaker 2: Sometimes sometimes it's the difference is to make the dating

769
00:39:02,000 --> 00:39:04,160
Speaker 2: and the relationship fun is to be like, let me

770
00:39:04,200 --> 00:39:06,640
Speaker 2: introduce you to something, you introducing me to something, not.

771
00:39:06,600 --> 00:39:08,280
Speaker 5: We're just all like the same ship already.

772
00:39:08,400 --> 00:39:10,279
Speaker 4: Because what people fail to realize if you're in a

773
00:39:10,280 --> 00:39:12,640
Speaker 4: relationship and y'all like the same ship, shit get expensive.

774
00:39:12,640 --> 00:39:14,480
Speaker 4: Because I'm trying to tell you right now. Me and

775
00:39:14,560 --> 00:39:16,799
Speaker 4: Roger life video games. So guess what he got XO,

776
00:39:16,920 --> 00:39:18,880
Speaker 4: bitch I got one too? Why because I got touched

777
00:39:19,120 --> 00:39:21,040
Speaker 4: glazing him in the eyes, Like, is you're gonna get off?

778
00:39:21,080 --> 00:39:23,319
Speaker 4: Nigga niggas, You're gonna get off? So it could be

779
00:39:23,480 --> 00:39:25,879
Speaker 4: very when y'all got the.

780
00:39:25,880 --> 00:39:28,640
Speaker 3: Same with my girlfriend.

781
00:39:29,080 --> 00:39:30,120
Speaker 5: That game is way too hard.

782
00:39:30,120 --> 00:39:30,880
Speaker 4: That game is different.

783
00:39:30,880 --> 00:39:31,080
Speaker 3: That's you.

784
00:39:32,120 --> 00:39:34,640
Speaker 2: That's your yes, that is that is your fault. All

785
00:39:34,640 --> 00:39:37,720
Speaker 2: your niggas who like hard games.

786
00:39:37,040 --> 00:39:39,120
Speaker 4: Being hard, The hell's around with you niggas.

787
00:39:39,160 --> 00:39:41,480
Speaker 2: I just I just deleted the game off my hard

788
00:39:41,560 --> 00:39:44,799
Speaker 2: drive today, meo, because I was like, what's the point?

789
00:39:45,440 --> 00:39:47,360
Speaker 5: Like you get you get halfway through the game, and

790
00:39:47,360 --> 00:39:47,840
Speaker 5: then they.

791
00:39:47,719 --> 00:39:50,120
Speaker 2: Take back all the ship that you upgraded throughout the

792
00:39:50,160 --> 00:39:52,600
Speaker 2: game to make yourself be barely able to fight.

793
00:39:52,640 --> 00:39:55,160
Speaker 5: I was like, so now I got three hearts? Fuck

794
00:39:55,200 --> 00:39:55,640
Speaker 5: you bitch.

795
00:39:56,719 --> 00:39:57,480
Speaker 4: Yeah, I.

796
00:39:59,760 --> 00:40:03,000
Speaker 3: Was impress her. I got farm relatively far in that game,

797
00:40:03,080 --> 00:40:05,840
Speaker 3: and playing with her I couldn't. But I'm just trying

798
00:40:05,840 --> 00:40:06,919
Speaker 3: to impress her.

799
00:40:07,719 --> 00:40:10,279
Speaker 5: Why would she be Why was she being impressed by

800
00:40:10,280 --> 00:40:14,200
Speaker 5: this hard ass game? And understand she's just sitting.

801
00:40:13,960 --> 00:40:17,520
Speaker 2: On the couch watching you get killed like this. No,

802
00:40:17,800 --> 00:40:18,799
Speaker 2: what's the fun for her?

803
00:40:21,120 --> 00:40:23,200
Speaker 3: She didn't watch me play Ghost of Sushima a couple

804
00:40:23,239 --> 00:40:23,840
Speaker 3: of weeks ago.

805
00:40:24,080 --> 00:40:26,600
Speaker 4: Okay, Now I like to watch Roger play that.

806
00:40:27,840 --> 00:40:28,520
Speaker 3: What's what's that?

807
00:40:28,760 --> 00:40:29,080
Speaker 5: I like?

808
00:40:29,200 --> 00:40:31,279
Speaker 4: Not because I like video games. I like to watch

809
00:40:31,360 --> 00:40:33,319
Speaker 4: Roger play that. But if you're somebody not in the

810
00:40:33,360 --> 00:40:35,120
Speaker 4: video games, you're like, what is this?

811
00:40:36,200 --> 00:40:38,520
Speaker 3: Yeah? I don't think she hates him. I think I

812
00:40:38,560 --> 00:40:41,000
Speaker 3: want to try that Marvel what's the beat him up

813
00:40:41,040 --> 00:40:42,360
Speaker 3: game that just came out tomorrow?

814
00:40:42,400 --> 00:40:46,440
Speaker 5: Oh y'all, I'll be playing that sometimes y'all play together. No,

815
00:40:46,960 --> 00:40:49,799
Speaker 5: but Karen could she just don't she don't she like

816
00:40:49,880 --> 00:40:53,080
Speaker 5: cozy games and ship, but she could easily hop into

817
00:40:53,080 --> 00:40:54,920
Speaker 5: the beat them ups with me. It's not like, I mean,

818
00:40:54,920 --> 00:40:57,000
Speaker 5: you really don't die in those games anymore.

819
00:40:57,600 --> 00:40:59,719
Speaker 4: That so caliber we used to play together all the time.

820
00:41:00,080 --> 00:41:00,919
Speaker 5: That's a fighting game.

821
00:41:01,040 --> 00:41:06,319
Speaker 2: Meat them Up is more like Streets of Rage, you know, Yeah, exactly. Okay,

822
00:41:06,320 --> 00:41:10,120
Speaker 2: so like we there's a Marvel game like that now

823
00:41:10,280 --> 00:41:11,799
Speaker 2: that I play all the time.

824
00:41:11,880 --> 00:41:13,399
Speaker 5: It's it's actually on Xbox Live.

825
00:41:13,760 --> 00:41:15,520
Speaker 4: Oh, the one you played with the Wovering.

826
00:41:16,239 --> 00:41:18,200
Speaker 5: Yeah, you could be Wolverine. Yeah, you could be a

827
00:41:18,239 --> 00:41:21,400
Speaker 5: cosmic invasion is the name of it. But yeah, so

828
00:41:21,800 --> 00:41:25,600
Speaker 5: you you were saying you were she she watches.

829
00:41:27,120 --> 00:41:30,080
Speaker 3: I don't play that much with her, but she's.

830
00:41:29,840 --> 00:41:34,200
Speaker 5: Not in the video games. Yeah, but your Manic Prisie

831
00:41:34,280 --> 00:41:38,080
Speaker 5: dream Girl five hundred Days, she was in there.

832
00:41:39,040 --> 00:41:41,759
Speaker 3: Yeah. We only went out a couple of times. But

833
00:41:42,320 --> 00:41:44,120
Speaker 3: after that, I was kind of like, damn, I really

834
00:41:44,120 --> 00:41:47,000
Speaker 3: fucked up. I was like ship, but then I was

835
00:41:47,040 --> 00:41:50,279
Speaker 3: still like trying to date. But I went out with

836
00:41:50,360 --> 00:41:53,040
Speaker 3: her and with my current girlfriend, and we just clicked

837
00:41:53,120 --> 00:41:56,520
Speaker 3: and it was just like we even going strong for

838
00:41:56,560 --> 00:41:59,279
Speaker 3: six months, Like she's she's come on the road with me.

839
00:41:59,520 --> 00:42:05,600
Speaker 5: Wow, how is that? Does she listen to the podcast?

840
00:42:05,960 --> 00:42:09,080
Speaker 3: I hope not. Okay, I don't think she does. I

841
00:42:09,080 --> 00:42:09,719
Speaker 3: don't think she.

842
00:42:10,760 --> 00:42:13,080
Speaker 2: Any chance because I'm just saying, I'm just just to

843
00:42:13,120 --> 00:42:16,399
Speaker 2: help you. If case she ever listened to this. When

844
00:42:16,440 --> 00:42:18,680
Speaker 2: you first started talking about the first girl, he's like,

845
00:42:18,719 --> 00:42:20,840
Speaker 2: oh my gosh, she was the best, she was perfect.

846
00:42:20,960 --> 00:42:23,160
Speaker 5: It was five hundred days of summer.

847
00:42:24,280 --> 00:42:25,920
Speaker 2: And then when you got to hurry, like we've been

848
00:42:25,960 --> 00:42:28,560
Speaker 2: going strong and uh, you know it's been good.

849
00:42:28,880 --> 00:42:31,480
Speaker 5: Well you should have been like when I but when.

850
00:42:31,320 --> 00:42:38,239
Speaker 2: I'm matched on hinge with my lady, Okay, shine through

851
00:42:38,280 --> 00:42:40,880
Speaker 2: the screen as if to say, this is the one.

852
00:42:41,600 --> 00:42:43,480
Speaker 5: Okay, you gotta cut Cooke butter.

853
00:42:44,760 --> 00:42:47,360
Speaker 2: Just in case she does hear this, you gotta you gotta,

854
00:42:47,600 --> 00:42:48,880
Speaker 2: you gotta pump up.

855
00:42:49,080 --> 00:42:54,560
Speaker 5: Over over five hundred days. Okay. I'm trying to help Cipher. No,

856
00:42:54,760 --> 00:42:57,359
Speaker 5: I'm not making trouble Cipher. You take that back. I'm

857
00:42:57,400 --> 00:42:58,759
Speaker 5: trying to help my brother out.

858
00:42:59,000 --> 00:43:01,400
Speaker 2: What if he would have forgot okay, what if he

859
00:43:01,400 --> 00:43:03,480
Speaker 2: would have said, damn, I never and then he go

860
00:43:03,560 --> 00:43:05,560
Speaker 2: back and look, we changed topics a lot on here

861
00:43:05,640 --> 00:43:08,239
Speaker 2: we cut each other off. What if he never get

862
00:43:08,320 --> 00:43:10,759
Speaker 2: back to this moment and she here this shit six

863
00:43:10,880 --> 00:43:13,799
Speaker 2: years later and she'd like, damn all got married, he

864
00:43:13,880 --> 00:43:16,720
Speaker 2: never loved me, Like five hundred Days of Summer, Black Girl.

865
00:43:17,160 --> 00:43:18,080
Speaker 5: I'm just helping.

866
00:43:19,280 --> 00:43:23,000
Speaker 3: I was actually trying to show her that movie, but

867
00:43:23,160 --> 00:43:25,080
Speaker 3: she she was like, it's too many white people.

868
00:43:25,200 --> 00:43:26,200
Speaker 5: There's a lot of white people.

869
00:43:27,760 --> 00:43:30,680
Speaker 3: I'm like, you remember the movie, like Summer is a girl.

870
00:43:30,680 --> 00:43:32,920
Speaker 3: Oh my god, she's perfect, old like a man picture.

871
00:43:34,520 --> 00:43:37,360
Speaker 3: But then at the end he meets this, he meets

872
00:43:37,400 --> 00:43:41,600
Speaker 3: Minka Kelly at the end autumn, right, So I think, like,

873
00:43:41,719 --> 00:43:45,200
Speaker 3: she's my autumn. She's on that. I feel like that

874
00:43:45,280 --> 00:43:48,279
Speaker 3: I'm supposed to be with, you know, like she's we

875
00:43:48,840 --> 00:43:50,719
Speaker 3: really connect and like a lot of the things that

876
00:43:50,760 --> 00:43:52,640
Speaker 3: I would want to do if I wanted to do

877
00:43:52,680 --> 00:43:54,960
Speaker 3: on a date, I would ask a woman that I

878
00:43:55,000 --> 00:43:57,640
Speaker 3: was previous date, previously dating. I don't know, I don't

879
00:43:57,640 --> 00:43:59,799
Speaker 3: want to do that. Like I wanted to go to

880
00:43:59,800 --> 00:44:04,799
Speaker 3: this place called the Storm King Center. It's like this

881
00:44:05,440 --> 00:44:08,719
Speaker 3: outside museum with these sculptures and stuff. It's like an

882
00:44:08,760 --> 00:44:13,000
Speaker 3: hour and a little bit of change away. She said, yeah,

883
00:44:13,040 --> 00:44:14,840
Speaker 3: let's do that. What if we just did that? And

884
00:44:14,840 --> 00:44:18,320
Speaker 3: we did that on the second day, she was yeah.

885
00:44:18,440 --> 00:44:20,360
Speaker 2: And you said taking her on the road, And Karen

886
00:44:20,360 --> 00:44:21,600
Speaker 2: asked you about that, what was that?

887
00:44:21,680 --> 00:44:22,200
Speaker 5: What's that like?

888
00:44:22,320 --> 00:44:26,319
Speaker 3: Yes, taking her on the road. It was fun, like

889
00:44:26,360 --> 00:44:28,799
Speaker 3: we have a good time. Like I I'd say, look,

890
00:44:29,120 --> 00:44:36,040
Speaker 3: because I was trying to demystify stand up because in

891
00:44:36,040 --> 00:44:39,560
Speaker 3: the previous relationships, like what if you go away and

892
00:44:39,640 --> 00:44:46,320
Speaker 3: you don't understand, it's not as crazy and drug women

893
00:44:46,600 --> 00:44:50,680
Speaker 3: as you think it is. It's just a lot of

894
00:44:51,200 --> 00:44:53,680
Speaker 3: hurry up and wig. You're just you're sitting here, you're

895
00:44:53,800 --> 00:44:56,400
Speaker 3: sitting there, and you're in the hotel by yourself. So

896
00:44:56,440 --> 00:44:59,480
Speaker 3: I try to make it fun, like she enjoys the show.

897
00:44:59,680 --> 00:45:02,160
Speaker 3: But I'll take her out to dinner, you know, have

898
00:45:02,560 --> 00:45:07,200
Speaker 3: a nice dinner somewhere and and and to make it

899
00:45:07,239 --> 00:45:11,920
Speaker 3: fun for her. But yeah, like she she enjoys it.

900
00:45:12,000 --> 00:45:15,680
Speaker 3: Now sometimes she depending on what city it is. So

901
00:45:16,080 --> 00:45:18,359
Speaker 3: I remember one time said, I got a gig, and

902
00:45:18,400 --> 00:45:20,160
Speaker 3: I know she had just come back from a trip

903
00:45:20,239 --> 00:45:23,719
Speaker 3: or something for a work or vacation and she was traveling,

904
00:45:24,280 --> 00:45:26,040
Speaker 3: so I kind of gave her ship. I was like, yeah,

905
00:45:26,040 --> 00:45:28,040
Speaker 3: I'm going to be in I'm going to be in Albany.

906
00:45:28,400 --> 00:45:30,239
Speaker 3: And she was like, oh, that's so great for you.

907
00:45:30,960 --> 00:45:34,520
Speaker 5: Yeah, she was like, I'm not going to that awesome.

908
00:45:34,840 --> 00:45:37,560
Speaker 5: You have a safe trip, but that means it's been demystified, right.

909
00:45:38,239 --> 00:45:38,680
Speaker 3: Yeah.

910
00:45:38,680 --> 00:45:39,720
Speaker 5: She's like, cool, it's.

911
00:45:39,560 --> 00:45:43,319
Speaker 4: A job going up a state, New York. You'll be

912
00:45:43,480 --> 00:45:44,399
Speaker 4: icy when you get back.

913
00:45:45,239 --> 00:45:48,040
Speaker 3: Yeah. And then she did actually go. She actually went.

914
00:45:48,840 --> 00:45:51,320
Speaker 3: She went upstate with me twice, like in the fall.

915
00:45:51,840 --> 00:45:54,640
Speaker 3: She ended up going because it was a get like

916
00:45:55,120 --> 00:45:57,080
Speaker 3: we were supposed to I forget what we were supposed

917
00:45:57,080 --> 00:45:59,080
Speaker 3: to do. I think one night I was supposed to

918
00:45:59,120 --> 00:46:02,239
Speaker 3: make one Friday night, supposed to make her spaghetti and

919
00:46:02,280 --> 00:46:06,080
Speaker 3: I got booked for a weekend because somebody dropped out.

920
00:46:06,760 --> 00:46:09,680
Speaker 3: And they're like, and that's another thing killing obscurity, when

921
00:46:09,680 --> 00:46:12,840
Speaker 3: a famous person drops out of something and they're like,

922
00:46:13,000 --> 00:46:15,200
Speaker 3: and Chris do it? They call my manager. I was like, yep,

923
00:46:15,280 --> 00:46:16,200
Speaker 3: I'll get that money.

924
00:46:16,320 --> 00:46:20,000
Speaker 5: Yeah, on my way and I was like.

925
00:46:20,040 --> 00:46:23,800
Speaker 3: Hey, good news, bad news, And I said, bad news

926
00:46:23,880 --> 00:46:29,360
Speaker 3: is I can't do spaghetti tonight, But how would you

927
00:46:29,440 --> 00:46:32,160
Speaker 3: like to come on a trip with me? In beautiful

928
00:46:32,360 --> 00:46:38,160
Speaker 3: spring came, she came through, had a good.

929
00:46:37,960 --> 00:46:40,279
Speaker 5: Time and being able to road trip together is a

930
00:46:40,280 --> 00:46:42,640
Speaker 5: good thing. Man, Like, It's not that's you can't take

931
00:46:42,680 --> 00:46:44,359
Speaker 5: that ship. For granted, there's a lot of people that

932
00:46:45,040 --> 00:46:47,359
Speaker 5: get in the car friends and get out the car

933
00:46:47,719 --> 00:46:48,600
Speaker 5: fucking enemies.

934
00:46:50,320 --> 00:46:51,479
Speaker 4: Take your own route back.

935
00:46:51,840 --> 00:46:54,080
Speaker 5: Yeah, So that's dope that y'all are able to do.

936
00:46:54,120 --> 00:46:57,600
Speaker 5: That Is she into movies?

937
00:46:57,840 --> 00:47:00,000
Speaker 2: It sounds like you said she's not in the video games,

938
00:47:00,120 --> 00:47:02,480
Speaker 2: she in the movies, because I know that's another major

939
00:47:02,520 --> 00:47:05,640
Speaker 2: tentpole of the Chris Lambert experience.

940
00:47:05,840 --> 00:47:09,600
Speaker 3: She likes movies. But I think with me, I think

941
00:47:09,719 --> 00:47:14,040
Speaker 3: she goes more. She's she's in another field of entertainment,

942
00:47:15,160 --> 00:47:19,239
Speaker 3: but you know, on the like production side, so she

943
00:47:19,280 --> 00:47:22,520
Speaker 3: doesn't get to see as much. But with me she

944
00:47:22,640 --> 00:47:24,520
Speaker 3: does go. Like we've seen.

945
00:47:24,640 --> 00:47:27,600
Speaker 2: It's probably helping her too, because like in that field now,

946
00:47:27,640 --> 00:47:30,040
Speaker 2: she when she sees certain people and stuff like, oh,

947
00:47:30,080 --> 00:47:32,960
Speaker 2: I do know this thing they were in her Oh

948
00:47:33,040 --> 00:47:35,719
Speaker 2: you worked on blank Okay, I did see that now,

949
00:47:35,760 --> 00:47:38,000
Speaker 2: And it does add a little perspective, like it's it's

950
00:47:38,080 --> 00:47:41,520
Speaker 2: not a bad thing to have more information, and when

951
00:47:41,760 --> 00:47:44,680
Speaker 2: when the oscars come up, she can just you know,

952
00:47:44,680 --> 00:47:49,040
Speaker 2: know some of the stuff that we're hating in the

953
00:47:49,120 --> 00:47:51,279
Speaker 2: race war before, like she can have seen it for

954
00:47:51,320 --> 00:47:55,800
Speaker 2: herself instead of what typically black people do. Yeah, instead

955
00:47:55,800 --> 00:47:57,919
Speaker 2: of what typically black people do. What they just watched

956
00:47:57,960 --> 00:48:01,680
Speaker 2: the one movie and then they hate everything that's not

957
00:48:02,920 --> 00:48:05,719
Speaker 2: whether they watched it or not, and then they pick

958
00:48:05,760 --> 00:48:09,160
Speaker 2: it apart through uh social media, until you feel like

959
00:48:09,200 --> 00:48:12,360
Speaker 2: a coon for having enjoyed that other good movie.

960
00:48:12,480 --> 00:48:13,960
Speaker 5: And that's just kind of where we are.

961
00:48:14,080 --> 00:48:16,040
Speaker 4: He was like, move was kind of good job.

962
00:48:17,560 --> 00:48:20,440
Speaker 3: She She's been on a couple of Patreon episodes and

963
00:48:20,480 --> 00:48:23,200
Speaker 3: I remember we saw we saw one battle after another

964
00:48:23,360 --> 00:48:26,560
Speaker 3: together and she looked at me and saw these white

965
00:48:26,600 --> 00:48:29,640
Speaker 3: boys around. She said, how many? How many do you

966
00:48:29,719 --> 00:48:36,080
Speaker 3: of these guys do you think have a podcast? Well,

967
00:48:36,120 --> 00:48:37,560
Speaker 3: you're sitting next to one.

968
00:48:37,640 --> 00:48:41,240
Speaker 5: Too, that's hilarious.

969
00:48:41,520 --> 00:48:45,360
Speaker 3: And then and then when after Tianna Taylor's last scene,

970
00:48:45,480 --> 00:48:48,640
Speaker 3: I turned to her, I said, how that's enough time

971
00:48:48,680 --> 00:48:50,080
Speaker 3: for an Oscar nomination, right?

972
00:48:50,440 --> 00:48:54,200
Speaker 5: She was like yeah, yeah, you know yeah.

973
00:48:54,480 --> 00:48:57,439
Speaker 4: Then she came on stage and showed us her six pack,

974
00:48:57,480 --> 00:48:58,879
Speaker 4: and I was like, oh damn.

975
00:48:58,840 --> 00:49:01,160
Speaker 2: Yeah, Karen still has a say, ain't one bad after another?

976
00:49:01,160 --> 00:49:03,520
Speaker 2: I don't think I think I saw that with by myself.

977
00:49:04,120 --> 00:49:07,239
Speaker 2: So I'm sure I'm weird. Chris, I like some things.

978
00:49:07,239 --> 00:49:09,560
Speaker 4: I'm like, I'm all in something like I'm all over

979
00:49:09,600 --> 00:49:11,640
Speaker 4: the place something a lot. Sometimes like too many white people.

980
00:49:11,680 --> 00:49:12,960
Speaker 4: He's like, it's good. I don't give fuck too many

981
00:49:13,000 --> 00:49:15,080
Speaker 4: white people's And.

982
00:49:15,120 --> 00:49:18,320
Speaker 2: I don't make sense that one battle after another trailer

983
00:49:18,480 --> 00:49:21,480
Speaker 2: is not too many white people though, That's just not true.

984
00:49:21,680 --> 00:49:24,680
Speaker 2: So I don't know why that you just decided not

985
00:49:24,760 --> 00:49:25,239
Speaker 2: to see it.

986
00:49:25,719 --> 00:49:27,400
Speaker 5: I don't know why you decided not to see it.

987
00:49:27,440 --> 00:49:30,960
Speaker 2: You just decided not to And I'm this relationship is

988
00:49:31,000 --> 00:49:34,440
Speaker 2: not one of pushing pull me know, when Karen is

989
00:49:34,520 --> 00:49:36,440
Speaker 2: out or in on something, I feel no.

990
00:49:36,640 --> 00:49:38,719
Speaker 5: Pressure to like change her, please don't.

991
00:49:38,800 --> 00:49:41,120
Speaker 2: So it's like, yeah, like I'm gonna go enjoy this

992
00:49:41,280 --> 00:49:45,120
Speaker 2: movie five out of five amazing. Everyone's gonna talk about it.

993
00:49:45,600 --> 00:49:47,759
Speaker 2: And then people be like, well, what about Carring. You know,

994
00:49:47,800 --> 00:49:49,520
Speaker 2: I'm watching the new Game of Thrones?

995
00:49:49,560 --> 00:49:51,600
Speaker 5: Well what it was carrying? Gonna watch it? I don't know,

996
00:49:51,719 --> 00:49:54,720
Speaker 5: and I don't. It's not my job, Like she gonna

997
00:49:54,840 --> 00:49:55,880
Speaker 5: she do what she want to do.

998
00:49:56,960 --> 00:49:59,759
Speaker 3: Yeah, like a lot of black women, I don't think

999
00:49:59,800 --> 00:50:01,760
Speaker 3: you're we're caring. It's just like a lot of black

1000
00:50:01,840 --> 00:50:04,320
Speaker 3: men that I know that are married to black women

1001
00:50:04,360 --> 00:50:07,080
Speaker 3: are dating. So a lot of black women are just like,

1002
00:50:07,680 --> 00:50:10,960
Speaker 3: there's no black people in it, and kind of and

1003
00:50:11,040 --> 00:50:13,800
Speaker 3: I get I get it because like a lot of times,

1004
00:50:14,320 --> 00:50:16,240
Speaker 3: like I want to go see it. I got tickets

1005
00:50:16,239 --> 00:50:19,080
Speaker 3: to see a play for my birthday, and I just

1006
00:50:19,280 --> 00:50:21,200
Speaker 3: was like, I just gotta be some black people. If

1007
00:50:21,239 --> 00:50:23,359
Speaker 3: I'm paying this amount of money, I want to see

1008
00:50:23,400 --> 00:50:26,080
Speaker 3: some black people. Yeah, but movies I give a little

1009
00:50:26,120 --> 00:50:29,759
Speaker 3: more levity, especially if it's like Paul Thomas Anderson and

1010
00:50:29,920 --> 00:50:31,880
Speaker 3: you know, Regina Hall's in it.

1011
00:50:33,239 --> 00:50:38,760
Speaker 2: I think also, though sometimes I want to see another

1012
00:50:38,840 --> 00:50:41,640
Speaker 2: person's world, I don't want to keep seeing my world

1013
00:50:41,680 --> 00:50:44,279
Speaker 2: reflected all the time, like, uh.

1014
00:50:44,480 --> 00:50:46,960
Speaker 5: Quietly, I'm I realized it, Like the last.

1015
00:50:46,840 --> 00:50:49,480
Speaker 2: Couple of years. I'm a huge Western Anderson fan. Apparently

1016
00:50:49,560 --> 00:50:52,360
Speaker 2: I like, I didn't realize it. But if I go

1017
00:50:52,440 --> 00:50:54,319
Speaker 2: back and look, if I go back and look through

1018
00:50:54,360 --> 00:50:58,680
Speaker 2: my through my like catalog of how I rated a

1019
00:50:58,719 --> 00:51:00,520
Speaker 2: lot of those movies, I've seen a lot, and I've

1020
00:51:00,600 --> 00:51:04,440
Speaker 2: enjoyed a lot, but I don't but I'm not going.

1021
00:51:04,200 --> 00:51:07,160
Speaker 5: There to be like, how will the black people be betrayed?

1022
00:51:07,200 --> 00:51:09,799
Speaker 2: I'm going there to be like escapism, Like cool, here's

1023
00:51:09,800 --> 00:51:13,279
Speaker 2: your little quirky white world. I don't need representation. I

1024
00:51:13,320 --> 00:51:16,440
Speaker 2: don't think you necessarily could even write a character that

1025
00:51:16,480 --> 00:51:19,680
Speaker 2: would ring to me. Is like, oh this this is

1026
00:51:19,680 --> 00:51:22,120
Speaker 2: like a brother up the street. Brothers up the street

1027
00:51:22,160 --> 00:51:24,960
Speaker 2: don't belong in Wes Anderson movies. It wouldn't even make sense.

1028
00:51:25,360 --> 00:51:26,680
Speaker 5: It's just regular niggas.

1029
00:51:26,680 --> 00:51:29,520
Speaker 2: And like even the white people in Wes Anderson movies

1030
00:51:29,560 --> 00:51:32,239
Speaker 2: aren't up the street from me. So anyway, I say

1031
00:51:32,280 --> 00:51:37,239
Speaker 2: all that to say, like I don't have the too

1032
00:51:37,239 --> 00:51:41,280
Speaker 2: many white people thing in it, and often I've enjoyed

1033
00:51:41,280 --> 00:51:45,279
Speaker 2: The Curve was a thing that I c yeah, and

1034
00:51:45,719 --> 00:51:48,640
Speaker 2: you know, Seinfeld was like that, like there's a bunch

1035
00:51:48,640 --> 00:51:50,960
Speaker 2: of stuff where I watch it and I'm like, I

1036
00:51:51,000 --> 00:51:53,960
Speaker 2: don't know, it's pretty good. And then you know, until

1037
00:51:54,000 --> 00:51:56,319
Speaker 2: you get on social media talk to somebody else, you

1038
00:51:56,320 --> 00:51:57,399
Speaker 2: don't know that it's part of.

1039
00:51:57,360 --> 00:52:00,040
Speaker 5: A race war. So you just like, oh, I enjoyed this,

1040
00:52:00,200 --> 00:52:03,080
Speaker 5: and then you get you get up, like I watched uh,

1041
00:52:04,160 --> 00:52:07,640
Speaker 5: the fucking Maharschel ali Oscar winning movie with him and

1042
00:52:07,680 --> 00:52:09,080
Speaker 5: the Italian dude, and.

1043
00:52:10,560 --> 00:52:13,520
Speaker 2: When I left, I was like, that's fucking good. I

1044
00:52:13,800 --> 00:52:15,359
Speaker 2: like tear it up a little bit at the end,

1045
00:52:16,040 --> 00:52:18,360
Speaker 2: and then Twitter I got on there and I was

1046
00:52:18,360 --> 00:52:19,680
Speaker 2: Donald Glover with the pizza box.

1047
00:52:19,719 --> 00:52:23,799
Speaker 5: I was like, shit, Like, first of all, this didn't.

1048
00:52:23,480 --> 00:52:26,960
Speaker 2: Even this, This ain't real, This ain't how it happened exactly.

1049
00:52:27,000 --> 00:52:30,040
Speaker 2: Did you know the children of the Black Men are

1050
00:52:30,120 --> 00:52:31,080
Speaker 2: upset in real life?

1051
00:52:31,080 --> 00:52:33,120
Speaker 5: I was like, I don't. I just enjoyed the movie.

1052
00:52:33,160 --> 00:52:34,960
Speaker 5: I didn't want to. I didn't know I was in

1053
00:52:34,960 --> 00:52:35,440
Speaker 5: the race war.

1054
00:52:35,560 --> 00:52:37,200
Speaker 4: Yeah, I didn't. I didn't want to get into any

1055
00:52:37,200 --> 00:52:37,400
Speaker 4: of this.

1056
00:52:38,360 --> 00:52:42,080
Speaker 3: To your point about Wes Anderson, I think he's he's

1057
00:52:42,160 --> 00:52:45,320
Speaker 3: up there too, like when he does something, I gotta

1058
00:52:45,360 --> 00:52:48,240
Speaker 3: see it, Like I'm I think he's a generational talent,

1059
00:52:48,400 --> 00:52:51,600
Speaker 3: like just like Spike. Just like, yeah, Spike was in

1060
00:52:51,600 --> 00:52:55,719
Speaker 3: our childhood, so I mean like as we as we

1061
00:52:55,920 --> 00:52:58,200
Speaker 3: the three of us are like growing up like those

1062
00:52:58,239 --> 00:53:02,160
Speaker 3: directors that kind of had an impact on me. It's like,

1063
00:53:02,239 --> 00:53:05,319
Speaker 3: you know, like the obviously Spike, but then there's like

1064
00:53:06,120 --> 00:53:09,319
Speaker 3: Wes Anderson, people that are I'm trying to name people

1065
00:53:09,360 --> 00:53:11,600
Speaker 3: that aren't black, Christopher Nolan.

1066
00:53:12,120 --> 00:53:15,160
Speaker 5: Imagine struggling to name people that aren't black that are

1067
00:53:15,160 --> 00:53:18,040
Speaker 5: directors of films like we will be here forever. It's not.

1068
00:53:18,440 --> 00:53:21,160
Speaker 5: It's very Scorsese Spiel.

1069
00:53:23,480 --> 00:53:24,240
Speaker 3: Much older.

1070
00:53:24,480 --> 00:53:27,600
Speaker 5: I know, I'll just joke, I'll just jump like Michael

1071
00:53:27,719 --> 00:53:32,760
Speaker 5: Man just you know, a close jobs. Pick a movie,

1072
00:53:32,840 --> 00:53:36,320
Speaker 5: pick a movie. It's a white man more than likely one.

1073
00:53:36,680 --> 00:53:39,440
Speaker 3: Yeah. But it's like it's just like there's certain people that,

1074
00:53:39,560 --> 00:53:42,600
Speaker 3: no matter what they do, I want to see yeh

1075
00:53:42,719 --> 00:53:44,760
Speaker 3: one of them because of Rushmore.

1076
00:53:44,800 --> 00:53:46,960
Speaker 5: Because Rushmore was the ship bro.

1077
00:53:48,000 --> 00:53:51,000
Speaker 2: But he but like the role ten and bombs like

1078
00:53:51,040 --> 00:53:54,960
Speaker 2: he for For me, I realized this year he don't

1079
00:53:55,040 --> 00:53:58,040
Speaker 2: really miss Like even a bad Wes Anderson film is

1080
00:53:58,040 --> 00:54:01,040
Speaker 2: an experienced to me. Like it's like, oh, because nobody

1081
00:54:01,080 --> 00:54:03,000
Speaker 2: else is doing this shit. That shit he did with

1082
00:54:03,040 --> 00:54:07,279
Speaker 2: Timothy Shola made like yeah, he just he real good man,

1083
00:54:07,400 --> 00:54:09,399
Speaker 2: He real good with them white folks, and I'm glad

1084
00:54:09,440 --> 00:54:11,799
Speaker 2: he don't get into our issues and I.

1085
00:54:11,840 --> 00:54:12,719
Speaker 5: Don't need that shit.

1086
00:54:14,000 --> 00:54:16,960
Speaker 2: Even the shorts that he did for Netflix, and he

1087
00:54:17,000 --> 00:54:19,799
Speaker 2: had one with Benedict Cumberbatch where it's just literally a

1088
00:54:19,880 --> 00:54:22,360
Speaker 2: short story and it's only like maybe twenty thirty minutes,

1089
00:54:22,800 --> 00:54:26,680
Speaker 2: but this motherfucker was literally putting the fucking scenes together

1090
00:54:27,000 --> 00:54:31,560
Speaker 2: like a stage seamlessly in the fucking world and making

1091
00:54:31,600 --> 00:54:32,760
Speaker 2: it look like a one shot.

1092
00:54:32,840 --> 00:54:36,640
Speaker 5: I was like, this motherfucker different, bro, it is what

1093
00:54:36,680 --> 00:54:37,000
Speaker 5: it is.

1094
00:54:37,760 --> 00:54:40,359
Speaker 2: I'm not gonna I'm not here to convince people who

1095
00:54:40,400 --> 00:54:44,480
Speaker 2: are like, you know, I'm he's too white for me. Okay, fine,

1096
00:54:44,719 --> 00:54:46,919
Speaker 2: not enough for me, I guess because I will watch

1097
00:54:46,960 --> 00:54:49,279
Speaker 2: the shit and enjoy it and be like, well, that's

1098
00:54:49,320 --> 00:54:51,719
Speaker 2: just an experience that you don't get to have that

1099
00:54:51,920 --> 00:54:52,319
Speaker 2: I did.

1100
00:54:52,520 --> 00:54:55,080
Speaker 3: Yeah, yeah, I mean it's it's like, if you look

1101
00:54:55,120 --> 00:54:58,680
Speaker 3: at my album cover for philed running Back, the print

1102
00:54:59,280 --> 00:55:04,920
Speaker 3: is the failed running Back topography. Fun is from like

1103
00:55:05,040 --> 00:55:09,040
Speaker 3: Rushmore because it's like it's like boom. Like when I

1104
00:55:09,080 --> 00:55:11,560
Speaker 3: told the artist Diego Pimant I wanted to be like

1105
00:55:11,800 --> 00:55:16,200
Speaker 3: Rushmore film running Back, and Tony mentioned David Fincher. I

1106
00:55:16,239 --> 00:55:18,959
Speaker 3: got to work with David Fincher on mind Hunter, and

1107
00:55:19,320 --> 00:55:23,640
Speaker 3: he was in He's I had two or three lines

1108
00:55:23,680 --> 00:55:26,480
Speaker 3: in that thing, and he made sure my costume was

1109
00:55:26,560 --> 00:55:31,319
Speaker 3: like that ship was in real life. Yeah. He made

1110
00:55:31,360 --> 00:55:33,799
Speaker 3: me come He made me come back to do sound like,

1111
00:55:33,880 --> 00:55:36,200
Speaker 3: to do a d R like voice work. I went

1112
00:55:36,239 --> 00:55:39,400
Speaker 3: into the studio in New York and my manager's assistant

1113
00:55:39,440 --> 00:55:41,279
Speaker 3: was like, yeah, you know, David Fincher wants to know

1114
00:55:41,280 --> 00:55:43,560
Speaker 3: if you can make it tomorrow. I was like, whatever

1115
00:55:43,719 --> 00:55:45,000
Speaker 3: David Fincher wants.

1116
00:55:45,280 --> 00:55:50,960
Speaker 5: I'm already here, I'm outside. I'm actually yeah, you head

1117
00:55:51,000 --> 00:55:53,720
Speaker 5: that knocking, that is me. I'm buzzing. I'm buzzing myself

1118
00:55:53,760 --> 00:55:55,560
Speaker 5: in something.

1119
00:55:55,960 --> 00:55:59,759
Speaker 4: Oh, I was going to say. And periodically, for some

1120
00:55:59,840 --> 00:56:02,640
Speaker 4: of these movies depend on the movie. I'll opt not

1121
00:56:02,719 --> 00:56:05,040
Speaker 4: to watch it and Roger will show me the movie

1122
00:56:05,080 --> 00:56:09,360
Speaker 4: later on, like years later, and I'm fine with that too.

1123
00:56:09,480 --> 00:56:13,960
Speaker 4: And I remember Leonardo DiCaprio, what was the one with

1124
00:56:14,000 --> 00:56:16,799
Speaker 4: the bear The Revenant. I didn't see that. I didn't

1125
00:56:16,800 --> 00:56:18,400
Speaker 4: see that when it first came out, but I know

1126
00:56:18,560 --> 00:56:21,160
Speaker 4: when it came out, it like swept the oscars. Everybody

1127
00:56:21,280 --> 00:56:24,000
Speaker 4: raved the Bell and all that stuff. Me and Roger

1128
00:56:24,160 --> 00:56:25,960
Speaker 4: sat down and watched that movie. At the end of

1129
00:56:26,040 --> 00:56:28,480
Speaker 4: that movie, I look at him. I would say he,

1130
00:56:29,360 --> 00:56:32,600
Speaker 4: him and that Bell were fucking enemies.

1131
00:56:32,880 --> 00:56:35,160
Speaker 5: And I believe he fucking fought a bear.

1132
00:56:36,320 --> 00:56:40,680
Speaker 4: He deserved that Oscar, you know. And I'm okay with

1133
00:56:40,800 --> 00:56:43,480
Speaker 4: watching stuff like later if that makes sense, like like

1134
00:56:43,600 --> 00:56:45,920
Speaker 4: kind of after the kind of after the fact. And

1135
00:56:45,920 --> 00:56:49,160
Speaker 4: and for me it's like I say, it's It's like

1136
00:56:49,360 --> 00:56:52,120
Speaker 4: sometimes I'll see stuff and I'm like, yeah, Sometimes I

1137
00:56:52,160 --> 00:56:54,840
Speaker 4: see stuff and I'm like, no, you know, and I

1138
00:56:54,960 --> 00:56:57,359
Speaker 4: sometimes it's not even the rhyme or reason behind it.

1139
00:56:57,880 --> 00:57:01,640
Speaker 2: Yeah, I'm watching. Uh, We'll watching wonder Man now, Yes

1140
00:57:02,400 --> 00:57:05,640
Speaker 2: on Disney Plus. We're like halfway through because Karen likes

1141
00:57:05,680 --> 00:57:06,400
Speaker 2: to watch one.

1142
00:57:06,280 --> 00:57:09,120
Speaker 4: And then wait, my brain is like one doesn't know.

1143
00:57:10,400 --> 00:57:10,560
Speaker 3: But.

1144
00:57:12,760 --> 00:57:15,399
Speaker 2: It's so good. That whole thing is so good, y'all.

1145
00:57:15,480 --> 00:57:19,480
Speaker 2: Yuays is so good in it. Ben Kingsley is so

1146
00:57:19,560 --> 00:57:23,280
Speaker 2: amazing in it. But honestly, watching it made me want

1147
00:57:23,560 --> 00:57:25,840
Speaker 2: I was like, I would watch a Wes Anderson one

1148
00:57:25,880 --> 00:57:28,880
Speaker 2: of these, Like I would like to see what he

1149
00:57:28,920 --> 00:57:31,160
Speaker 2: does in the MCU with the way like now I do.

1150
00:57:31,720 --> 00:57:34,840
Speaker 2: I think Marvel has gotten to that point where stylistically

1151
00:57:34,920 --> 00:57:38,680
Speaker 2: you can feel the differences in the series, which people

1152
00:57:38,760 --> 00:57:42,960
Speaker 2: at once bemoan but also deny the progress because when

1153
00:57:42,960 --> 00:57:44,280
Speaker 2: they don't like something, it's.

1154
00:57:44,120 --> 00:57:47,400
Speaker 5: Like everything I don't like is all that Marvel is.

1155
00:57:47,760 --> 00:57:50,040
Speaker 2: But when they like something, that was like, there's why

1156
00:57:50,040 --> 00:57:52,480
Speaker 2: can't it always be like this? And it's like, well,

1157
00:57:52,520 --> 00:57:56,080
Speaker 2: first of all, they're all fucking different. She hope doesn't

1158
00:57:56,080 --> 00:57:59,600
Speaker 2: feel like wonder Man doesn't feel like Miss Marvel doesn't

1159
00:57:59,600 --> 00:58:03,720
Speaker 2: feel and I kind of, yeah, I'm kind of digging

1160
00:58:03,800 --> 00:58:06,200
Speaker 2: that it's different. And you know, when you don't like one,

1161
00:58:06,240 --> 00:58:08,560
Speaker 2: you don't like one. But it doesn't to me, mean

1162
00:58:08,680 --> 00:58:12,280
Speaker 2: like all this shit is trash and uh and now

1163
00:58:12,480 --> 00:58:15,440
Speaker 2: I am looking at the I love Sam Raimi's uh

1164
00:58:15,920 --> 00:58:17,400
Speaker 2: Doctor Strange, like, so.

1165
00:58:17,480 --> 00:58:19,680
Speaker 4: I love that one. That one was actually really good

1166
00:58:19,720 --> 00:58:19,920
Speaker 4: to me.

1167
00:58:20,120 --> 00:58:23,080
Speaker 2: Yeah, and like it kind of proves the falsehood of

1168
00:58:23,120 --> 00:58:25,960
Speaker 2: when people say, like whether you get in these studios

1169
00:58:26,040 --> 00:58:27,600
Speaker 2: and all the movies a cookie cutter, I was like, no,

1170
00:58:27,640 --> 00:58:30,640
Speaker 2: they or not? They feel different to me. Sam Raimi

1171
00:58:30,720 --> 00:58:33,240
Speaker 2: shit did not feel like the other Doctor Strange. That

1172
00:58:33,280 --> 00:58:36,720
Speaker 2: shit was scary. So like, I'm kind of enjoying that

1173
00:58:36,800 --> 00:58:38,520
Speaker 2: stuff and I do want to see more people get

1174
00:58:38,560 --> 00:58:39,280
Speaker 2: their hands on it.

1175
00:58:40,120 --> 00:58:42,480
Speaker 5: But it is, you know, time for awards.

1176
00:58:43,640 --> 00:58:46,720
Speaker 2: What are you one of the blacks that thinks sinners

1177
00:58:46,840 --> 00:58:50,280
Speaker 2: They only nominated Sinators a record number of times to

1178
00:58:50,440 --> 00:58:51,720
Speaker 2: not give it any awards.

1179
00:58:51,800 --> 00:58:54,760
Speaker 5: That's the black conspiracy going around. They're gonna give them something.

1180
00:58:56,680 --> 00:58:59,360
Speaker 3: I think they I think it's gonna come away with

1181
00:58:59,440 --> 00:59:03,120
Speaker 3: a lot of them. I was surprised by you know

1182
00:59:03,160 --> 00:59:07,160
Speaker 3: when I just the after I saw it the second time,

1183
00:59:07,280 --> 00:59:10,000
Speaker 3: maybe really the first time, I thought it was just

1184
00:59:10,040 --> 00:59:12,880
Speaker 3: gonna be del Roy to get them as far as

1185
00:59:12,920 --> 00:59:17,080
Speaker 3: acting was concerned, but I was pleasantly surprised that Michael B.

1186
00:59:17,200 --> 00:59:25,320
Speaker 3: Jordan and Wooney got the noms. Yeah. I I think

1187
00:59:25,360 --> 00:59:30,280
Speaker 3: it's a great film. Uh. I think it's the second

1188
00:59:30,720 --> 00:59:37,560
Speaker 3: film to have a mostly non white cast to kind

1189
00:59:37,560 --> 00:59:41,160
Speaker 3: of go wired to wire since everything everywhere all at once.

1190
00:59:41,800 --> 00:59:43,960
Speaker 3: And I think I was when I was on for

1191
00:59:44,160 --> 00:59:46,480
Speaker 3: All Nerds, I was trying to tell him that. I said,

1192
00:59:46,480 --> 00:59:48,120
Speaker 3: I think it's gonna go wired or wire and I

1193
00:59:48,160 --> 00:59:49,040
Speaker 3: think it'll.

1194
00:59:48,840 --> 00:59:52,840
Speaker 2: Be okay actually, And I think also it benefits from

1195
00:59:52,880 --> 00:59:57,080
Speaker 2: a couple of things in your studio. I think I

1196
00:59:57,120 --> 01:00:00,800
Speaker 2: think it benefits obviously, for from Ryan Coogler heat, like

1197
01:00:01,600 --> 01:00:03,880
Speaker 2: the motherfucker's the hottest director in the game right now,

1198
01:00:05,320 --> 01:00:08,960
Speaker 2: and it did a feat that just people did not

1199
01:00:09,040 --> 01:00:11,040
Speaker 2: think independent films could do anymore.

1200
01:00:12,280 --> 01:00:13,320
Speaker 5: So I think you got that.

1201
01:00:14,360 --> 01:00:18,720
Speaker 2: I also think it benefits from not winning the Emmy

1202
01:00:20,560 --> 01:00:24,960
Speaker 2: for Best Feelm because I think the Oscars like being different.

1203
01:00:25,280 --> 01:00:27,800
Speaker 5: They do like a lot, like it's almost.

1204
01:00:27,440 --> 01:00:29,800
Speaker 2: No rhyme or reason to it, but it's like having

1205
01:00:29,840 --> 01:00:32,800
Speaker 2: that happen before the votes are turned in or whatever.

1206
01:00:32,800 --> 01:00:34,800
Speaker 5: For the Oscars, it's like the Oscar people are like,

1207
01:00:35,120 --> 01:00:38,040
Speaker 5: I'm not a We're not like the award show where

1208
01:00:38,040 --> 01:00:40,720
Speaker 5: they get drunk and make fucked up speeches. We're a

1209
01:00:40,760 --> 01:00:42,000
Speaker 5: real award show.

1210
01:00:41,880 --> 01:00:44,640
Speaker 2: And so we won't be giving it to La La Lain.

1211
01:00:44,720 --> 01:00:47,200
Speaker 2: We will be giving ours to you know whatever. So

1212
01:00:47,240 --> 01:00:49,240
Speaker 2: I feel like that's part of it too. And then

1213
01:00:49,280 --> 01:00:51,800
Speaker 2: also I think people forget that the voting body's been changed.

1214
01:00:51,800 --> 01:00:54,720
Speaker 2: It's been changed since like five years ago. Yeah, we

1215
01:00:54,920 --> 01:00:59,480
Speaker 2: really haven't had these like huge racial scandals since, Like

1216
01:01:00,040 --> 01:01:02,240
Speaker 2: we've had nitpicks here and there.

1217
01:01:01,880 --> 01:01:03,320
Speaker 5: Like Jamie v.

1218
01:01:03,480 --> 01:01:08,440
Speaker 2: Curtis winning for everything everywhere all at once over uh

1219
01:01:08,840 --> 01:01:12,600
Speaker 2: Angela Bassett. But I didn't feel like that was a man.

1220
01:01:12,720 --> 01:01:15,120
Speaker 2: We we white folks are gonna make sure the blacks

1221
01:01:15,120 --> 01:01:18,480
Speaker 2: don't get anything. I saw the reasoning in it because

1222
01:01:18,520 --> 01:01:20,040
Speaker 2: and not and not that I agree with it, but

1223
01:01:20,080 --> 01:01:21,000
Speaker 2: the reasoning.

1224
01:01:20,680 --> 01:01:22,760
Speaker 5: Is pretty much the same way it always is. It's

1225
01:01:22,760 --> 01:01:26,000
Speaker 5: a comic book movie, and they will they like they'll

1226
01:01:26,160 --> 01:01:27,400
Speaker 5: help the mals.

1227
01:01:27,440 --> 01:01:31,320
Speaker 2: They'll give you is an acknowledgment with a nomination of Hey,

1228
01:01:31,560 --> 01:01:34,160
Speaker 2: that was a good comic book movie, and you did

1229
01:01:34,200 --> 01:01:36,720
Speaker 2: a good job. But when it comes to the hoiity

1230
01:01:36,760 --> 01:01:39,320
Speaker 2: toyty oscars, we are not giving those out to people that.

1231
01:01:39,360 --> 01:01:42,160
Speaker 4: Put on costumes that in comedy they do not respect them.

1232
01:01:42,160 --> 01:01:44,080
Speaker 5: To your yeah, they don't respect them as much so.

1233
01:01:44,560 --> 01:01:47,040
Speaker 2: But but my point being, like, I don't think there

1234
01:01:47,120 --> 01:01:50,360
Speaker 2: is gonna be some type of surreptitious racial conspiracy to

1235
01:01:50,920 --> 01:01:55,560
Speaker 2: humiliate sinners by nominating it the most times, which if

1236
01:01:55,640 --> 01:01:57,680
Speaker 2: you were gonna, if you were gonna not to give

1237
01:01:57,720 --> 01:02:01,520
Speaker 2: the game away, but if you were gonna like snug it,

1238
01:02:01,720 --> 01:02:05,600
Speaker 2: you just wouldn't even nominate it. Wouldn't like we'd be like, damn,

1239
01:02:05,600 --> 01:02:07,560
Speaker 2: it's weird and only got nominated in three things.

1240
01:02:07,600 --> 01:02:09,520
Speaker 5: That's how you know you're about to get fucked. Like,

1241
01:02:10,040 --> 01:02:10,640
Speaker 5: given it the.

1242
01:02:10,600 --> 01:02:12,400
Speaker 2: Most ever means there's a lot of people that actually

1243
01:02:12,480 --> 01:02:13,760
Speaker 2: saw it and enjoyed that movie.

1244
01:02:14,680 --> 01:02:16,800
Speaker 3: And I think it's gonna be the only thing. I

1245
01:02:16,840 --> 01:02:21,120
Speaker 3: think it's just gonna be like I think him and

1246
01:02:21,800 --> 01:02:28,040
Speaker 3: Coogler and pt Anderson will split like Best Director and

1247
01:02:28,280 --> 01:02:31,120
Speaker 3: Best Picture. That's what I think might happen. I don't

1248
01:02:31,840 --> 01:02:33,960
Speaker 3: It's only gonna be one of them. It's not gonna

1249
01:02:33,960 --> 01:02:37,440
Speaker 3: be like Coogle gets both or Anderson gets both. I

1250
01:02:37,480 --> 01:02:40,760
Speaker 3: think those are the two that all you know, I

1251
01:02:40,840 --> 01:02:48,400
Speaker 3: don't be an issue, but I want Coogler to come

1252
01:02:48,440 --> 01:02:51,040
Speaker 3: home with some some a bundle of hardware.

1253
01:02:51,680 --> 01:02:54,600
Speaker 5: Yeah, me too. I want all the senders people to

1254
01:02:54,600 --> 01:02:57,920
Speaker 5: win everything. That would be dope. But honestly, man, this

1255
01:02:57,960 --> 01:02:59,880
Speaker 5: is a year where I don't like.

1256
01:03:00,280 --> 01:03:03,840
Speaker 2: It's almost like the Grammys for me when people like

1257
01:03:03,880 --> 01:03:07,920
Speaker 2: everyone's doing this revisionism of like, man, gn X shouldn't

1258
01:03:07,920 --> 01:03:10,760
Speaker 2: have won. It was good, but it shouldn't have won

1259
01:03:10,840 --> 01:03:13,200
Speaker 2: over the clips or such as A And I'm like,

1260
01:03:13,760 --> 01:03:17,880
Speaker 2: first of all, we're all acting like gn X didn't

1261
01:03:17,960 --> 01:03:20,880
Speaker 2: run the goddamn world for three hundred and sixty five

1262
01:03:20,960 --> 01:03:26,040
Speaker 2: days straight, Like yeah, all the charts, all that stuff.

1263
01:03:26,200 --> 01:03:33,160
Speaker 2: It's not to mention like this was Kendrick getting the

1264
01:03:33,240 --> 01:03:36,720
Speaker 2: people where people had always acted like he couldn't. And

1265
01:03:36,920 --> 01:03:39,160
Speaker 2: and this is one of the reasons I'm like I

1266
01:03:39,160 --> 01:03:42,320
Speaker 2: would as an artist, I would almost never even cater

1267
01:03:42,480 --> 01:03:46,440
Speaker 2: to people that had attractions about me because it's just

1268
01:03:46,480 --> 01:03:48,240
Speaker 2: it's not worth it, because at the end of the day,

1269
01:03:48,280 --> 01:03:50,680
Speaker 2: they never they have something inside of them that's never

1270
01:03:50,680 --> 01:03:52,520
Speaker 2: gonna allow you to get the full props so just

1271
01:03:52,560 --> 01:03:55,000
Speaker 2: don't even worry about them. Yeah, but people, you.

1272
01:03:54,960 --> 01:03:57,720
Speaker 4: Know, he dumbed this album down compared to his other ones.

1273
01:03:57,880 --> 01:03:58,560
Speaker 5: Yeah, like it was.

1274
01:03:59,040 --> 01:04:02,520
Speaker 2: It was more accessible, the beats were a certain tempo

1275
01:04:02,560 --> 01:04:05,160
Speaker 2: and all that stuff. And you still got people because

1276
01:04:05,160 --> 01:04:07,840
Speaker 2: no one's impressed by anything for long anymore, so you

1277
01:04:07,920 --> 01:04:11,760
Speaker 2: still got people trying to dismiss it. And I loved

1278
01:04:11,800 --> 01:04:14,880
Speaker 2: the Clips album and I loved Tyler Creator's album, Like

1279
01:04:14,920 --> 01:04:17,240
Speaker 2: this wasn't a this was a strong year for hip hop.

1280
01:04:17,280 --> 01:04:21,000
Speaker 5: But I was like, yeah, gnx wins, I get.

1281
01:04:20,840 --> 01:04:22,840
Speaker 4: It, kope and what did we talk about?

1282
01:04:23,000 --> 01:04:23,240
Speaker 5: Yeah?

1283
01:04:23,320 --> 01:04:26,600
Speaker 2: But yeah, but man, I think we're in that age

1284
01:04:26,680 --> 01:04:29,000
Speaker 2: now where like the Award shows is kind of service,

1285
01:04:29,120 --> 01:04:31,560
Speaker 2: just fidder for people to get their own hot.

1286
01:04:31,360 --> 01:04:33,440
Speaker 5: Takes off after the Awars.

1287
01:04:33,480 --> 01:04:38,800
Speaker 2: But the latest hot takery that's happening in the music

1288
01:04:39,440 --> 01:04:44,240
Speaker 2: is around the j Cole rollout. Okay, Jermaine Cole has

1289
01:04:44,320 --> 01:04:48,160
Speaker 2: dropped his album to fall Off after was it.

1290
01:04:48,080 --> 01:04:51,120
Speaker 5: Eight years or something, It's been a long time. He's

1291
01:04:51,160 --> 01:04:55,000
Speaker 5: been talking about The Falloff for a long time and

1292
01:04:55,040 --> 01:04:59,360
Speaker 5: he finally dropped it. And the takes are very hot.

1293
01:04:59,400 --> 01:05:03,600
Speaker 5: They're scalding hot. I've seen so many I did not

1294
01:05:03,720 --> 01:05:06,120
Speaker 5: know the internet was tired of j Cole as much

1295
01:05:06,160 --> 01:05:07,840
Speaker 5: as I didn't realize.

1296
01:05:07,840 --> 01:05:11,400
Speaker 2: I thought he was more toiling in obscurity than he

1297
01:05:11,600 --> 01:05:16,640
Speaker 2: was toiling in infamy. And apparently they went and found like,

1298
01:05:16,720 --> 01:05:18,480
Speaker 2: and you know it's bad because when you see the

1299
01:05:18,520 --> 01:05:24,000
Speaker 2: screenshots of lyrics these days, it's almost never to say

1300
01:05:24,000 --> 01:05:25,120
Speaker 2: how great the lyrics are.

1301
01:05:25,200 --> 01:05:27,360
Speaker 5: It's almost always to be like, look at this shit.

1302
01:05:28,120 --> 01:05:30,280
Speaker 2: And so they had a few where he referred to

1303
01:05:30,360 --> 01:05:35,600
Speaker 2: his biracialness and he is getting kizzled.

1304
01:05:35,880 --> 01:05:38,439
Speaker 5: For that shit. I was like, I was like, ooh,

1305
01:05:38,560 --> 01:05:40,320
Speaker 5: I have nothing to say.

1306
01:05:40,360 --> 01:05:43,720
Speaker 2: I did listen to the album as much as I could,

1307
01:05:43,720 --> 01:05:45,960
Speaker 2: but I don't feel like I'm a big enough Jake

1308
01:05:46,040 --> 01:05:47,080
Speaker 2: Cole fan.

1309
01:05:47,560 --> 01:05:52,040
Speaker 5: To be like double album, Oh my god, stop the presses.

1310
01:05:52,120 --> 01:05:55,480
Speaker 5: What I'm not. I'm not doing anything this weekend.

1311
01:05:55,160 --> 01:05:57,720
Speaker 2: But listening to Jay, I'm not that guy with Cole.

1312
01:05:57,960 --> 01:06:00,760
Speaker 2: I kind of like tap in and tap out with.

1313
01:06:00,760 --> 01:06:03,880
Speaker 4: Cold say, And like I said, it's one of the things,

1314
01:06:03,960 --> 01:06:06,280
Speaker 4: there's no disrespect, but when you talk about him, his

1315
01:06:06,360 --> 01:06:09,919
Speaker 4: fans act like if you don't praise him, you're saying

1316
01:06:09,920 --> 01:06:12,040
Speaker 4: he fucking sucks. And I'm like, that's not what I'm saying.

1317
01:06:12,200 --> 01:06:16,120
Speaker 2: But I've always said his fans are his biggest problem,

1318
01:06:16,160 --> 01:06:16,720
Speaker 2: Like it's not.

1319
01:06:18,680 --> 01:06:21,960
Speaker 5: Nigga, Yes, perfect perfection.

1320
01:06:22,480 --> 01:06:25,200
Speaker 2: Just illustrated every and the thing is they've been talking

1321
01:06:25,240 --> 01:06:28,800
Speaker 2: about they've been making the Jermaine Cole joke for a

1322
01:06:28,960 --> 01:06:33,040
Speaker 2: decade and it's never been wrong that that.

1323
01:06:32,920 --> 01:06:36,520
Speaker 5: This his fans are fucked. I have a theory, by

1324
01:06:36,560 --> 01:06:37,520
Speaker 5: the way, on this.

1325
01:06:37,800 --> 01:06:39,920
Speaker 2: I don't know if you could if you, I don't

1326
01:06:39,960 --> 01:06:42,160
Speaker 2: think I've ever told you about this, Chris, but I

1327
01:06:42,160 --> 01:06:44,960
Speaker 2: have a theory about this Ja Cole thing because I

1328
01:06:45,320 --> 01:06:52,560
Speaker 2: think the the love for him to me is outsized

1329
01:06:52,800 --> 01:06:56,000
Speaker 2: for what he's giving people like the dudes that love

1330
01:06:56,080 --> 01:06:59,680
Speaker 2: him love him like will fight you over j Cole,

1331
01:07:00,200 --> 01:07:03,240
Speaker 2: And I never really understood it. But I've been talking

1332
01:07:03,280 --> 01:07:06,760
Speaker 2: with my friend Bossi about it, texting and stuff like that.

1333
01:07:06,840 --> 01:07:10,080
Speaker 5: We've been talking about j Cole and this rollout. And

1334
01:07:10,640 --> 01:07:12,960
Speaker 5: while we were talking because she she doesn't really like

1335
01:07:13,080 --> 01:07:15,760
Speaker 5: him and didn't really get to pill of his music.

1336
01:07:15,840 --> 01:07:18,200
Speaker 2: Karen didn't really like him for and didn't get the

1337
01:07:18,320 --> 01:07:22,040
Speaker 2: pill his music. And so I've just been narratively trying

1338
01:07:22,080 --> 01:07:24,560
Speaker 2: to put the pieces together to like, how you know,

1339
01:07:24,640 --> 01:07:26,600
Speaker 2: cause I don't think it's you know, Kendrick. They both

1340
01:07:26,640 --> 01:07:30,040
Speaker 2: love Kendrick, they love Tyler, Like it's not like, oh

1341
01:07:30,120 --> 01:07:31,960
Speaker 2: black Man, I hate you know, it's not that.

1342
01:07:32,840 --> 01:07:37,800
Speaker 5: But I think J Cole filled a vacuum at a

1343
01:07:37,880 --> 01:07:41,920
Speaker 5: time where if you're of my age, in Chris's age,

1344
01:07:41,960 --> 01:07:44,920
Speaker 5: we grew up took taking something for granted, which was

1345
01:07:44,960 --> 01:07:51,840
Speaker 5: like we kind of had backpack underground rappers the whole

1346
01:07:51,880 --> 01:07:56,600
Speaker 5: way through, like the lyrical miracle niggas, and it.

1347
01:07:56,760 --> 01:07:58,960
Speaker 2: Just there's no way to say it without it saying

1348
01:07:59,040 --> 01:08:03,000
Speaker 2: shady sounding, but like J Cole to me, would have

1349
01:08:03,080 --> 01:08:07,600
Speaker 2: been the fourth or fifth best nigga on Raucous Records,

1350
01:08:08,120 --> 01:08:11,080
Speaker 2: between Punchline and Wordsworth, and that would have been fine.

1351
01:08:11,080 --> 01:08:13,080
Speaker 2: We would have been like, oh J co Yeah, I

1352
01:08:13,080 --> 01:08:15,200
Speaker 2: fuck with him, Like, oh, he's one of those guys,

1353
01:08:15,240 --> 01:08:19,880
Speaker 2: the's lyricists, lounge type nigga and when he in his

1354
01:08:20,080 --> 01:08:25,080
Speaker 2: age group, that type of rap basically disappeared. Yeah, And

1355
01:08:25,160 --> 01:08:28,760
Speaker 2: so he kind of was one of the he's forty one,

1356
01:08:28,800 --> 01:08:33,519
Speaker 2: I believe, and he kind of was the only dude

1357
01:08:34,600 --> 01:08:40,200
Speaker 2: making music for your Like, like I said, it's gonna

1358
01:08:40,240 --> 01:08:42,840
Speaker 2: sound shady out on me too, but like dudes that

1359
01:08:42,880 --> 01:08:47,840
Speaker 2: would have went full in cell, but but didn't because

1360
01:08:47,880 --> 01:08:50,800
Speaker 2: they still got good hearts and they care. But you know,

1361
01:08:51,000 --> 01:08:55,919
Speaker 2: like they don't sell drugs, they're not criminals, they're not violent,

1362
01:08:57,479 --> 01:09:02,120
Speaker 2: They're they're you know, they got booms and families and

1363
01:09:02,400 --> 01:09:07,080
Speaker 2: they go to school. And during I think J Cole's error,

1364
01:09:07,280 --> 01:09:09,920
Speaker 2: he felt like one of the only dudes that was

1365
01:09:10,000 --> 01:09:14,160
Speaker 2: doing that type of music for those type of guys

1366
01:09:14,560 --> 01:09:17,240
Speaker 2: when almost nobody else was serving them, when Future in

1367
01:09:17,280 --> 01:09:20,760
Speaker 2: Them was coming up, Drake is coming up. Kendrick's a

1368
01:09:20,760 --> 01:09:25,240
Speaker 2: different type of guy, like you know, like Kendricks Uh,

1369
01:09:25,280 --> 01:09:28,960
Speaker 2: I just feel like Kanye and Kanye's a little so

1370
01:09:29,080 --> 01:09:32,000
Speaker 2: Kanye is a little older, And I did think about

1371
01:09:32,040 --> 01:09:36,000
Speaker 2: that because I said, honestly, the gap is kind of

1372
01:09:36,080 --> 01:09:40,880
Speaker 2: between Kanye the cold, like like Kanye, Kanye was kind

1373
01:09:40,880 --> 01:09:42,960
Speaker 2: of the last dude that was like, hey man, I

1374
01:09:43,120 --> 01:09:47,040
Speaker 2: just be wearing Polos, going to these parties and trying

1375
01:09:47,040 --> 01:09:50,600
Speaker 2: to dress preppy and get some girls. And you know

1376
01:09:50,680 --> 01:09:53,480
Speaker 2: that's how we started off anyway, and we were like, okay,

1377
01:09:53,560 --> 01:09:55,880
Speaker 2: like I see why people gloonb onto that, cause what

1378
01:09:56,080 --> 01:09:58,639
Speaker 2: what what can I relate to? Cameron telling me wearing

1379
01:09:58,640 --> 01:10:01,600
Speaker 2: our pink and flying down to see Poppy or a

1380
01:10:01,640 --> 01:10:03,960
Speaker 2: guy that wears polos and goes to college parties but

1381
01:10:04,120 --> 01:10:06,439
Speaker 2: dropped out of school. Yes, one of those is more

1382
01:10:06,479 --> 01:10:08,719
Speaker 2: relatable to me as just a regular guy.

1383
01:10:08,920 --> 01:10:11,800
Speaker 5: I think j Cole's, like in his era, one of

1384
01:10:11,800 --> 01:10:14,640
Speaker 5: the few relatable guys to that experience.

1385
01:10:15,120 --> 01:10:18,280
Speaker 2: And so dudes that have that type of experience who

1386
01:10:18,280 --> 01:10:19,920
Speaker 2: are like I don't want to be with the drug

1387
01:10:20,040 --> 01:10:22,840
Speaker 2: deal and I want to have sex with the beautiful girls,

1388
01:10:22,880 --> 01:10:25,200
Speaker 2: they don't all want to have sex with me, and

1389
01:10:25,240 --> 01:10:27,240
Speaker 2: so I kind of resent them for that, you know,

1390
01:10:27,400 --> 01:10:29,280
Speaker 2: But I not all the way to the Drake level,

1391
01:10:29,320 --> 01:10:32,120
Speaker 2: but to the just to the Jermaine Cole level. I

1392
01:10:32,160 --> 01:10:37,519
Speaker 2: think he's representation, yes, for those guys, and that's why

1393
01:10:37,520 --> 01:10:42,560
Speaker 2: they get so emotionally, like intense about it in a

1394
01:10:42,640 --> 01:10:43,320
Speaker 2: way that I don't.

1395
01:10:44,000 --> 01:10:46,559
Speaker 5: I don't think for me, I don't think I.

1396
01:10:46,479 --> 01:10:49,280
Speaker 2: Could ever get that emotionally intense about j Cole because

1397
01:10:49,280 --> 01:10:51,040
Speaker 2: it's just like, oh, no, I like him. He's a

1398
01:10:51,080 --> 01:10:52,840
Speaker 2: good rapper, and I like, you know, like some of

1399
01:10:52,840 --> 01:10:56,600
Speaker 2: the songs, but like the idea like him coming to

1400
01:10:56,680 --> 01:10:59,439
Speaker 2: college campuses and like people flooding it, that idea is

1401
01:10:59,520 --> 01:11:01,840
Speaker 2: so far to me, like if I hear J Co's

1402
01:11:01,880 --> 01:11:03,760
Speaker 2: coming to town, I'm not like, oh, I gotta drop

1403
01:11:03,800 --> 01:11:04,439
Speaker 2: what I'm doing.

1404
01:11:04,479 --> 01:11:05,559
Speaker 5: I gotta go see J Cole.

1405
01:11:06,320 --> 01:11:09,719
Speaker 3: You said this Rod, and I'm gonna you can correct

1406
01:11:09,760 --> 01:11:12,800
Speaker 3: me because I'm gonna butcher it. But when we're talking,

1407
01:11:12,840 --> 01:11:17,960
Speaker 3: when we talk about music, like how it's it's connected

1408
01:11:18,000 --> 01:11:20,760
Speaker 3: to how did you say? You said something like it's

1409
01:11:20,800 --> 01:11:23,599
Speaker 3: connected to your your childhood or.

1410
01:11:25,200 --> 01:11:29,479
Speaker 2: Yeah, most most music, I think is connected to the

1411
01:11:29,520 --> 01:11:31,880
Speaker 2: feeling of life you were going through at the time.

1412
01:11:32,760 --> 01:11:35,800
Speaker 2: And so that's why, you know, as a person that's

1413
01:11:35,840 --> 01:11:39,080
Speaker 2: constantly listening to new music and looking for new artists,

1414
01:11:40,520 --> 01:11:43,439
Speaker 2: I'm not in touch with my generation as much as

1415
01:11:43,479 --> 01:11:48,720
Speaker 2: like the pulse of it, because, like I said, this

1416
01:11:48,760 --> 01:11:51,519
Speaker 2: is not the ship on nobody. But the reason most

1417
01:11:51,520 --> 01:11:58,400
Speaker 2: of the people in my age group think, uh, Griselda

1418
01:11:59,000 --> 01:12:03,400
Speaker 2: and the Clips are like the only like that's the

1419
01:12:03,400 --> 01:12:05,680
Speaker 2: only hip hop that I fuck with right now, it's

1420
01:12:05,680 --> 01:12:09,800
Speaker 2: because they still thinking about ninety six when you know,

1421
01:12:10,200 --> 01:12:13,719
Speaker 2: like like, oh man, I was dating girls, I looked

1422
01:12:13,760 --> 01:12:16,240
Speaker 2: good school, I had no bills.

1423
01:12:16,840 --> 01:12:18,240
Speaker 5: You know, like they're.

1424
01:12:18,080 --> 01:12:21,519
Speaker 2: Still mentally there and they're never going to not want

1425
01:12:21,520 --> 01:12:24,120
Speaker 2: to be there, so they want everything to take them

1426
01:12:24,160 --> 01:12:24,599
Speaker 2: back there.

1427
01:12:24,720 --> 01:12:26,960
Speaker 4: Yeah, and you know what, and a lot of them

1428
01:12:26,960 --> 01:12:30,080
Speaker 4: got upset when Spotify gave ages. There was like, I'm

1429
01:12:30,120 --> 01:12:32,440
Speaker 4: not seventy five. It's like, well, bitch, you ain't listening.

1430
01:12:32,160 --> 01:12:34,120
Speaker 5: To oh you're talking about Spotify rap. Yeah.

1431
01:12:34,160 --> 01:12:36,360
Speaker 4: You was like, you ain't listen to new music since

1432
01:12:36,400 --> 01:12:38,920
Speaker 4: the like, you're in this genre music and it's telling

1433
01:12:38,960 --> 01:12:41,479
Speaker 4: you you're listening to the same genre of music, so

1434
01:12:41,560 --> 01:12:43,400
Speaker 4: of course it's gonna bump you up in age.

1435
01:12:43,439 --> 01:12:44,960
Speaker 2: Well, I think a lot of them are actually very

1436
01:12:44,960 --> 01:12:49,120
Speaker 2: comfortable now in their rigid old ways, like like they're

1437
01:12:49,200 --> 01:12:51,120
Speaker 2: just like this new shit is whack, and I'm like, and.

1438
01:12:51,160 --> 01:12:52,280
Speaker 4: They won't even give it a chance.

1439
01:12:52,320 --> 01:12:56,040
Speaker 5: You were like, no, I'm like some of it's good,

1440
01:12:56,040 --> 01:12:57,639
Speaker 5: and they don't want to hear it, right, they don't

1441
01:12:57,640 --> 01:12:58,200
Speaker 5: want to hear it.

1442
01:12:59,320 --> 01:13:01,840
Speaker 3: Yeah, that's what I felt about, Like because as a

1443
01:13:01,920 --> 01:13:07,160
Speaker 3: kid growing up like Snoop Keith Murray, Redman, Method Man,

1444
01:13:07,280 --> 01:13:10,800
Speaker 3: a tribe called quest Right, I would cast those dudes

1445
01:13:10,880 --> 01:13:13,559
Speaker 3: were like fifty in their fifties. Now they're like ten

1446
01:13:13,640 --> 01:13:17,519
Speaker 3: years older than me. And for the first time, a lot,

1447
01:13:17,640 --> 01:13:22,160
Speaker 3: as far as hip hop's concerned, little brother felt like mine. Yes,

1448
01:13:22,320 --> 01:13:24,519
Speaker 3: like they felt like they were out because they were

1449
01:13:24,560 --> 01:13:27,360
Speaker 3: like a couple of years older. And it's like, oh, yes,

1450
01:13:27,560 --> 01:13:30,519
Speaker 3: we went to college and we're trying to get girls,

1451
01:13:30,560 --> 01:13:32,360
Speaker 3: but we didn't get the girls. So we got to

1452
01:13:32,400 --> 01:13:34,600
Speaker 3: go to the cookout to get a banana smoothie or

1453
01:13:34,680 --> 01:13:37,840
Speaker 3: jake or whatever. Yes, and I'm gonna I'm rapping and

1454
01:13:37,920 --> 01:13:40,360
Speaker 3: I'm you know, working at the call center and shit

1455
01:13:40,479 --> 01:13:43,160
Speaker 3: like that. So I didn't get I mean, I didn't

1456
01:13:43,200 --> 01:13:45,320
Speaker 3: get that till I was like twenty two, twenty three

1457
01:13:45,360 --> 01:13:47,320
Speaker 3: years old. I was in grad school by the time

1458
01:13:47,880 --> 01:13:49,960
Speaker 3: that came out. But it was like, Oh, these guys

1459
01:13:49,960 --> 01:13:52,360
Speaker 3: are mine, And I think that's maybe.

1460
01:13:52,120 --> 01:13:54,600
Speaker 5: That's a good point because little brothers like that for

1461
01:13:54,760 --> 01:13:56,120
Speaker 5: me in a way that I think J.

1462
01:13:56,280 --> 01:13:58,920
Speaker 2: Cole might be for my brother or something. Yeah, who's

1463
01:13:58,960 --> 01:14:00,240
Speaker 2: about four years you me.

1464
01:14:00,840 --> 01:14:04,920
Speaker 5: And but the difference is I think, and I think this.

1465
01:14:04,800 --> 01:14:07,200
Speaker 2: Is where the J Cole shit gets fucked up, because

1466
01:14:07,240 --> 01:14:12,559
Speaker 2: it's not his fault, but he over succeeded, like like,

1467
01:14:12,920 --> 01:14:16,559
Speaker 2: so he started being like little brothers in a pocket

1468
01:14:16,720 --> 01:14:21,520
Speaker 2: where you respect them and at best think they're underrated.

1469
01:14:22,520 --> 01:14:24,679
Speaker 5: Ain't nobody ever in my motherfucking life.

1470
01:14:24,600 --> 01:14:27,160
Speaker 2: Came to me to tell me little brother was overrated,

1471
01:14:27,920 --> 01:14:32,080
Speaker 2: like like like, And so I've never had to fight

1472
01:14:32,160 --> 01:14:35,000
Speaker 2: for my fandom or validation of my fandom and the

1473
01:14:35,000 --> 01:14:38,320
Speaker 2: way that these j Cole does did because when Cole

1474
01:14:38,439 --> 01:14:40,880
Speaker 2: went platinum with no features.

1475
01:14:40,840 --> 01:14:42,960
Speaker 5: Take a drink because that comes up every time.

1476
01:14:43,920 --> 01:14:46,400
Speaker 2: But when he when that happened, it actually kind of

1477
01:14:46,439 --> 01:14:49,599
Speaker 2: fucked up the trajectory of just appreciating him because then

1478
01:14:49,640 --> 01:14:52,519
Speaker 2: it became about what he wasn't because people was like, yeah,

1479
01:14:52,600 --> 01:14:54,800
Speaker 2: but I mean I found him boring and he went

1480
01:14:54,800 --> 01:14:56,920
Speaker 2: platinum with no features. Yeah, but he went platinum with

1481
01:14:56,920 --> 01:14:59,320
Speaker 2: no features. Who else could have done that? I mean,

1482
01:14:59,360 --> 01:15:00,760
Speaker 2: I don't know else could have did it. But I

1483
01:15:00,760 --> 01:15:03,720
Speaker 2: don't like the music, so it don't matter. And so

1484
01:15:03,800 --> 01:15:06,400
Speaker 2: it just became this tug of war, and I feel

1485
01:15:06,439 --> 01:15:09,080
Speaker 2: like they kind of approach it with a lot of defensiveness,

1486
01:15:10,520 --> 01:15:13,840
Speaker 2: and probably because he does get unfairly maligned in a

1487
01:15:13,840 --> 01:15:17,559
Speaker 2: way that we wouldn't malign. Uh, Like I said, we

1488
01:15:17,600 --> 01:15:18,880
Speaker 2: have no rap middle.

1489
01:15:18,560 --> 01:15:19,720
Speaker 5: Class, that's what it is.

1490
01:15:20,080 --> 01:15:24,040
Speaker 2: Well, we had a rap middle class that would during

1491
01:15:24,080 --> 01:15:24,800
Speaker 2: his age group.

1492
01:15:24,880 --> 01:15:26,679
Speaker 5: We didn't have a real rap middle class.

1493
01:15:27,000 --> 01:15:29,080
Speaker 2: And I think if he if there was a middle

1494
01:15:29,080 --> 01:15:31,960
Speaker 2: class where it's like, yeah, I like j Cole and

1495
01:15:32,040 --> 01:15:35,439
Speaker 2: I like just blank and blank and blank. I feel

1496
01:15:35,479 --> 01:15:37,720
Speaker 2: like it wouldn't have been as bad, but I don't know.

1497
01:15:37,800 --> 01:15:40,439
Speaker 2: For some reason, he catches a lot of flak for it.

1498
01:15:40,520 --> 01:15:43,800
Speaker 5: And then you know, bowing out of him, bowing out

1499
01:15:43,800 --> 01:15:47,400
Speaker 5: of the beef just did not It just doesn't age well.

1500
01:15:47,479 --> 01:15:47,680
Speaker 5: You know.

1501
01:15:48,640 --> 01:15:50,920
Speaker 3: I listened to it. I think it was fine. I

1502
01:15:50,960 --> 01:15:54,040
Speaker 3: think I was playing mad in and listening to it. Yeah,

1503
01:15:54,200 --> 01:15:56,240
Speaker 3: I was like, he's he's talented. I never had a

1504
01:15:56,280 --> 01:15:58,879
Speaker 3: problem with him. I said, he's very talented, very skilled,

1505
01:15:59,520 --> 01:16:01,920
Speaker 3: and I have an affection for him because he's from

1506
01:16:01,920 --> 01:16:06,600
Speaker 3: North Carolina. I thought it was weird a little and

1507
01:16:06,760 --> 01:16:09,040
Speaker 3: not trying to gain any kind of cool points. But

1508
01:16:09,120 --> 01:16:12,439
Speaker 3: the record when they were talking about somebody that some

1509
01:16:12,800 --> 01:16:15,719
Speaker 3: dude that was gay and he was living his life,

1510
01:16:15,760 --> 01:16:18,120
Speaker 3: and I was just like, it's kind of like.

1511
01:16:18,320 --> 01:16:21,960
Speaker 5: Oh yeah, I told I told BOSSI. I told BOSSI

1512
01:16:22,040 --> 01:16:24,719
Speaker 5: that was Uncle Diary's Yeah.

1513
01:16:24,840 --> 01:16:27,640
Speaker 3: Yeah, it's just like what do you do? Okay? And

1514
01:16:27,680 --> 01:16:32,160
Speaker 3: then like I just felt like, I think next year

1515
01:16:33,720 --> 01:16:36,800
Speaker 3: my favorite, my favorite album of twenty twenty five was

1516
01:16:37,200 --> 01:16:38,160
Speaker 3: Walle's album.

1517
01:16:38,360 --> 01:16:42,280
Speaker 2: Right, Yo, that's crazy you said that because I me

1518
01:16:42,360 --> 01:16:42,839
Speaker 2: and BOSSI.

1519
01:16:42,920 --> 01:16:43,400
Speaker 5: That's the thing.

1520
01:16:43,439 --> 01:16:47,320
Speaker 2: I was like, if I don't know how why it

1521
01:16:47,400 --> 01:16:49,320
Speaker 2: is this way, but I was just like if his

1522
01:16:49,439 --> 01:16:53,120
Speaker 2: fans treated him kind of like how Walle is treated well,

1523
01:16:53,160 --> 01:16:55,840
Speaker 2: like Wile in DC, is that dude, but they don't

1524
01:16:55,840 --> 01:16:57,519
Speaker 2: be spending a lot of time fighting about it.

1525
01:16:57,560 --> 01:17:00,080
Speaker 5: They're like, that's our guy, Like if you don't like him.

1526
01:17:00,200 --> 01:17:02,439
Speaker 4: Yeah, And the thing is that people with mind if

1527
01:17:02,960 --> 01:17:06,160
Speaker 4: you if you bring his name up and people go, okay,

1528
01:17:06,200 --> 01:17:08,280
Speaker 4: you respect him, but it's like you bring his name up,

1529
01:17:08,320 --> 01:17:11,960
Speaker 4: it was like if you he the golf, I'm gonna

1530
01:17:11,960 --> 01:17:13,920
Speaker 4: burn this bit and you're like, oh, I didn't. I

1531
01:17:13,960 --> 01:17:15,280
Speaker 4: didn't ask for that energy.

1532
01:17:15,360 --> 01:17:17,160
Speaker 2: So I think that's a big part of it is

1533
01:17:17,200 --> 01:17:21,519
Speaker 2: that he's probably at that wild a level where everyone

1534
01:17:21,560 --> 01:17:23,519
Speaker 2: could respect him, be like if it's for you, ors

1535
01:17:23,520 --> 01:17:23,760
Speaker 2: for you.

1536
01:17:23,800 --> 01:17:24,880
Speaker 5: If it's not, it's not right.

1537
01:17:25,280 --> 01:17:27,800
Speaker 2: But Yees fans have kind of turned it into a

1538
01:17:27,880 --> 01:17:32,439
Speaker 2: more of a negative than a positive, and that sucks

1539
01:17:32,439 --> 01:17:34,799
Speaker 2: because like that it doesn't really become about the album

1540
01:17:34,800 --> 01:17:38,320
Speaker 2: and the content of what he's talking about. And then

1541
01:17:38,479 --> 01:17:42,840
Speaker 2: like bowing out of that rap battle thing, I listened

1542
01:17:42,880 --> 01:17:46,000
Speaker 2: to him now kind of like how I listen to

1543
01:17:46,080 --> 01:17:49,920
Speaker 2: Rick rosssell drugs where it's like he's like, I'm the

1544
01:17:49,960 --> 01:17:52,439
Speaker 2: best rapper nobody could kill, do anything.

1545
01:17:52,520 --> 01:17:58,280
Speaker 5: I'll destroy everybody, And I'm like, what you want built?

1546
01:17:58,320 --> 01:18:01,519
Speaker 2: Like yeah, like you could keep making excuses for how

1547
01:18:01,560 --> 01:18:05,439
Speaker 2: that went, but no, it wasn't because you thought like

1548
01:18:05,560 --> 01:18:08,080
Speaker 2: it was gonna be like pocking big and someone's gonna die.

1549
01:18:08,160 --> 01:18:11,960
Speaker 5: We know that's not what happened. You can stop taking

1550
01:18:12,000 --> 01:18:15,479
Speaker 5: shots at Kendrick and Drake with the subliminals. You can.

1551
01:18:15,560 --> 01:18:18,400
Speaker 5: Really you should just leave it on when it came

1552
01:18:18,479 --> 01:18:21,600
Speaker 5: down to it. I actually thought you did the smartest.

1553
01:18:21,120 --> 01:18:24,599
Speaker 2: Thing and backed out because you knew that shit was

1554
01:18:24,800 --> 01:18:28,080
Speaker 2: more serious. Don't come back later like you know me,

1555
01:18:28,240 --> 01:18:30,360
Speaker 2: when I was in ninth grade and I got beat up,

1556
01:18:30,840 --> 01:18:34,080
Speaker 2: uh in front of my best friend who didn't help

1557
01:18:34,120 --> 01:18:35,639
Speaker 2: me because the bully would.

1558
01:18:35,400 --> 01:18:37,080
Speaker 5: Have just beat both of us up. I respected it,

1559
01:18:37,120 --> 01:18:40,719
Speaker 5: I understood, but then on the on the walk home

1560
01:18:40,920 --> 01:18:46,840
Speaker 5: to my house, I'm just sitting there and I'm damn

1561
01:18:46,880 --> 01:18:48,840
Speaker 5: near crying, and I'm being like, man, I could have

1562
01:18:48,920 --> 01:18:51,760
Speaker 5: did I should have said I would have did, And

1563
01:18:51,840 --> 01:18:54,400
Speaker 5: I was just like, uh, that's how cold sounds to

1564
01:18:54,439 --> 01:18:54,920
Speaker 5: me right now?

1565
01:18:55,040 --> 01:18:57,000
Speaker 2: He would have, could have, should have, but you didn't.

1566
01:18:57,080 --> 01:18:58,519
Speaker 2: So what the fuck are you talking about?

1567
01:18:58,560 --> 01:18:58,720
Speaker 3: Bro?

1568
01:18:58,960 --> 01:19:01,080
Speaker 5: Just move on to tell us about that, you know,

1569
01:19:01,160 --> 01:19:03,040
Speaker 5: that time you lost your virginity for the twelfth time.

1570
01:19:05,960 --> 01:19:07,960
Speaker 2: What he did he likes He said it hisself on

1571
01:19:08,000 --> 01:19:10,519
Speaker 2: the album anyway, all right, man?

1572
01:19:10,640 --> 01:19:13,280
Speaker 5: So, uh when is this out? When does this come out?

1573
01:19:13,360 --> 01:19:13,400
Speaker 4: This?

1574
01:19:13,600 --> 01:19:14,839
Speaker 5: Uh special?

1575
01:19:16,560 --> 01:19:20,080
Speaker 2: You think, are you gonna are you gonna invite me

1576
01:19:20,120 --> 01:19:22,320
Speaker 2: and see stand up? And Jaco surprised me with Ja

1577
01:19:22,360 --> 01:19:24,559
Speaker 2: Cole and then be like, drive, We're going to dinner

1578
01:19:25,040 --> 01:19:25,759
Speaker 2: with j Cole.

1579
01:19:29,160 --> 01:19:34,000
Speaker 5: I heard your little podcast, you know, hope not? Where

1580
01:19:34,000 --> 01:19:36,640
Speaker 5: can so? Where can they find a special? Killing in Obscurity?

1581
01:19:37,439 --> 01:19:43,120
Speaker 3: February twentieth on Apple Music, wherever you stream iTunes, wherever

1582
01:19:43,160 --> 01:19:45,479
Speaker 3: you buy music, you can find it in the special?

1583
01:19:45,800 --> 01:19:49,600
Speaker 3: The video actual special will be on YouTube on my

1584
01:19:49,680 --> 01:19:53,240
Speaker 3: YouTube channel, Chris Lamberth Comedy. So you can subscribe to

1585
01:19:53,320 --> 01:19:56,800
Speaker 3: that now and uh the lincol The link will be

1586
01:19:56,920 --> 01:19:59,640
Speaker 3: up soon and you just want it. It'll alert you

1587
01:19:59,760 --> 01:20:02,240
Speaker 3: that there's a new video and play it.

1588
01:20:02,520 --> 01:20:07,760
Speaker 5: Who's winning the Super Bowl? I don't care because there's no.

1589
01:20:07,800 --> 01:20:12,080
Speaker 2: Black quarterbacks or coaches. I figured you would say that.

1590
01:20:13,600 --> 01:20:17,160
Speaker 2: I figured you would say that. I mean, are you okay?

1591
01:20:17,200 --> 01:20:20,960
Speaker 2: So are you excited about Shadir Sanders new coach? Are

1592
01:20:21,000 --> 01:20:22,439
Speaker 2: you a Shu Sanders have God?

1593
01:20:22,600 --> 01:20:22,680
Speaker 5: Like?

1594
01:20:22,760 --> 01:20:23,360
Speaker 4: I don't.

1595
01:20:23,600 --> 01:20:25,519
Speaker 5: I don't know how you are well.

1596
01:20:25,680 --> 01:20:27,880
Speaker 3: I want him to do well, but you're not in

1597
01:20:27,880 --> 01:20:30,320
Speaker 3: the Pro Bowler.

1598
01:20:30,560 --> 01:20:34,400
Speaker 2: Pro Bowl Sanders. Okay, he was out there throwing to

1599
01:20:34,439 --> 01:20:35,120
Speaker 2: them flags.

1600
01:20:35,160 --> 01:20:38,519
Speaker 4: Come on, put some respect on that man's name.

1601
01:20:39,240 --> 01:20:41,080
Speaker 3: I just want him to do well. I mean I don't.

1602
01:20:41,160 --> 01:20:43,479
Speaker 3: I don't have any eight for him. I wanted to

1603
01:20:43,479 --> 01:20:44,400
Speaker 3: get an opportunity.

1604
01:20:44,479 --> 01:20:46,559
Speaker 5: I don't. I don't want him to do I want

1605
01:20:46,640 --> 01:20:47,559
Speaker 5: him to do well too.

1606
01:20:48,360 --> 01:20:51,600
Speaker 2: And I and mostly because I I watched sports to

1607
01:20:51,720 --> 01:20:52,440
Speaker 2: be surprised.

1608
01:20:52,479 --> 01:20:53,920
Speaker 5: I don't like.

1609
01:20:54,080 --> 01:20:57,000
Speaker 2: I listen to all my sports podcast people. I love him,

1610
01:20:57,120 --> 01:21:01,479
Speaker 2: you know, Nick Wright, Bomani. There's some many people, but

1611
01:21:01,680 --> 01:21:05,080
Speaker 2: man like they're in it to be right, and that's

1612
01:21:05,120 --> 01:21:07,000
Speaker 2: not that's not fun to me.

1613
01:21:07,240 --> 01:21:08,200
Speaker 5: I don't like being.

1614
01:21:08,120 --> 01:21:10,360
Speaker 2: Right like I like being right when I'm right about

1615
01:21:10,400 --> 01:21:14,439
Speaker 2: something absurd, like like oh, the Hornet's gonna make the playoffs,

1616
01:21:14,479 --> 01:21:15,080
Speaker 2: and then it happened.

1617
01:21:15,120 --> 01:21:17,040
Speaker 4: I'll be like, oh, I told you, I told you,

1618
01:21:17,720 --> 01:21:19,280
Speaker 4: come on eight games in a row.

1619
01:21:19,479 --> 01:21:23,640
Speaker 2: But like Lindsey Vaughn today went skiing without an ACL,

1620
01:21:24,880 --> 01:21:28,280
Speaker 2: and last week on the show, I said her body's

1621
01:21:28,360 --> 01:21:30,720
Speaker 2: trying to tell her to sit her forty one year

1622
01:21:30,720 --> 01:21:33,880
Speaker 2: old ass down because you can't do skin.

1623
01:21:34,280 --> 01:21:35,679
Speaker 5: What you basically saying.

1624
01:21:35,520 --> 01:21:38,880
Speaker 2: Is everybody out there with acls that work don't need them.

1625
01:21:38,920 --> 01:21:42,439
Speaker 2: They just they just got extra acls, and you gonna

1626
01:21:42,479 --> 01:21:44,280
Speaker 2: go out there and beat them. And of course she

1627
01:21:44,560 --> 01:21:47,759
Speaker 2: got really fucked up today, got helicoptered out.

1628
01:21:47,800 --> 01:21:51,640
Speaker 5: Early this morning, and I wasn't I didn't feel a

1629
01:21:51,920 --> 01:21:52,639
Speaker 5: high of.

1630
01:21:54,560 --> 01:21:57,520
Speaker 4: I told y'all, what did I say, Like, an ACL

1631
01:21:57,720 --> 01:22:00,800
Speaker 4: is an L go sit your professional take that have

1632
01:22:00,840 --> 01:22:03,639
Speaker 4: to stop playing. They spot for a whole fucking year

1633
01:22:03,680 --> 01:22:05,120
Speaker 4: and you think you don't get your ass out there

1634
01:22:05,160 --> 01:22:05,880
Speaker 4: and goddamn ski.

1635
01:22:06,120 --> 01:22:10,080
Speaker 5: But my point is that doesn't feel as good as

1636
01:22:10,280 --> 01:22:12,680
Speaker 5: it would feel if she actually went out there and

1637
01:22:12,720 --> 01:22:13,559
Speaker 5: got the gold medal.

1638
01:22:14,200 --> 01:22:16,760
Speaker 2: Like I would prefer to live in a world where

1639
01:22:16,800 --> 01:22:18,680
Speaker 2: I was like, I did not think she could do

1640
01:22:18,760 --> 01:22:22,880
Speaker 2: that shit. God damn what she so she to go?

1641
01:22:23,720 --> 01:22:26,000
Speaker 2: She just went out there with no ACF. I would

1642
01:22:26,120 --> 01:22:28,160
Speaker 2: like to live in that world. That would have been fun.

1643
01:22:28,520 --> 01:22:30,479
Speaker 4: I would have enjoyed that. I didn't want it to

1644
01:22:30,479 --> 01:22:30,800
Speaker 4: get her.

1645
01:22:30,840 --> 01:22:32,840
Speaker 2: I say all that to say, that's how I feel

1646
01:22:32,880 --> 01:22:36,800
Speaker 2: about Shadria Sanders. Everybody that know and love football keep

1647
01:22:36,840 --> 01:22:40,760
Speaker 2: telling me it's not just that he hasn't had his

1648
01:22:40,840 --> 01:22:41,400
Speaker 2: fair shot.

1649
01:22:41,439 --> 01:22:42,599
Speaker 5: They like, he's sorry.

1650
01:22:43,120 --> 01:22:46,240
Speaker 2: I'm like, he's I don't watch college football, so I'm like,

1651
01:22:46,280 --> 01:22:46,920
Speaker 2: he's sorry.

1652
01:22:47,080 --> 01:22:49,280
Speaker 5: They like, he's sorry. I was like, but then during

1653
01:22:49,320 --> 01:22:52,240
Speaker 5: the draft, y'all had said he was gonna go like

1654
01:22:52,400 --> 01:22:55,120
Speaker 5: near the time, and then when it came to draft

1655
01:22:55,120 --> 01:22:57,759
Speaker 5: that he went near the bottom, and it's like, because

1656
01:22:57,760 --> 01:22:58,240
Speaker 5: he's sorry.

1657
01:22:58,280 --> 01:23:00,599
Speaker 2: I was like, but but he did saw y'all didn't

1658
01:23:00,600 --> 01:23:02,519
Speaker 2: say he would be this even y'all have to.

1659
01:23:02,439 --> 01:23:06,280
Speaker 5: Be surprised, right that he went this far. He's sorry

1660
01:23:06,360 --> 01:23:06,559
Speaker 5: and he.

1661
01:23:06,600 --> 01:23:09,519
Speaker 2: Think he good, but he's not good, and so yeah, man,

1662
01:23:09,600 --> 01:23:12,640
Speaker 2: I'm rooting for him to surprise every It would be

1663
01:23:12,760 --> 01:23:15,160
Speaker 2: nice if he was and at this point the bar solo,

1664
01:23:15,400 --> 01:23:15,959
Speaker 2: it would.

1665
01:23:15,720 --> 01:23:18,000
Speaker 5: Be nice if he was just all right, so I

1666
01:23:18,000 --> 01:23:19,640
Speaker 5: could be like, oh, he turned out to be all right.

1667
01:23:19,720 --> 01:23:21,599
Speaker 5: Y'all said he was sorry. Looks like y'all were wrong.

1668
01:23:21,680 --> 01:23:23,559
Speaker 4: He made it to the Pro Bowl, and no matter

1669
01:23:23,600 --> 01:23:25,640
Speaker 4: what they say, they talked about them accolade, so that

1670
01:23:25,680 --> 01:23:26,920
Speaker 4: shit counts so this.

1671
01:23:26,880 --> 01:23:31,719
Speaker 2: Super Bowl is about their saying this to me because

1672
01:23:32,400 --> 01:23:37,880
Speaker 2: Sam Darnold was sorry. Y'all told me he was sorry

1673
01:23:38,439 --> 01:23:42,559
Speaker 2: for years. This man was on the Panthers, and I

1674
01:23:42,680 --> 01:23:44,760
Speaker 2: was like, but he's sorry. I guess he won't be

1675
01:23:44,800 --> 01:23:45,960
Speaker 2: here long and he wasn't.

1676
01:23:45,960 --> 01:23:48,360
Speaker 5: And I was like, I guess, I guess everybody was

1677
01:23:48,479 --> 01:23:52,320
Speaker 5: right everyone, But I don't know enough football. This nigga

1678
01:23:52,360 --> 01:23:55,800
Speaker 5: win the Super Bowl. They can't take that from him.

1679
01:23:55,920 --> 01:23:57,639
Speaker 4: They cannot, No.

1680
01:23:57,520 --> 01:24:01,080
Speaker 3: They can't. But they get that latitude like that.

1681
01:24:01,439 --> 01:24:03,280
Speaker 5: Yeah, well of course, of course.

1682
01:24:03,360 --> 01:24:07,880
Speaker 2: But my as we are watching things change within the game,

1683
01:24:09,160 --> 01:24:13,680
Speaker 2: I think this white man is on the precipice of

1684
01:24:13,760 --> 01:24:17,559
Speaker 2: being what black quarterbacks can be because I'm already starting

1685
01:24:17,640 --> 01:24:21,040
Speaker 2: to see it, Like that one nigga that's the backup

1686
01:24:21,120 --> 01:24:21,960
Speaker 2: for Arizona.

1687
01:24:22,640 --> 01:24:23,679
Speaker 5: He keep a job.

1688
01:24:24,640 --> 01:24:27,360
Speaker 2: That brother is Every year I look up here on

1689
01:24:27,400 --> 01:24:29,400
Speaker 2: another team and he know worked his way into the

1690
01:24:29,400 --> 01:24:30,240
Speaker 2: starting rotation.

1691
01:24:31,200 --> 01:24:32,840
Speaker 5: I was like, how is he doing this?

1692
01:24:32,960 --> 01:24:33,640
Speaker 4: Do they not know?

1693
01:24:33,720 --> 01:24:35,560
Speaker 5: He blown journey man quarterback?

1694
01:24:38,439 --> 01:24:43,680
Speaker 2: And it's like Jacoby Brissett, this is on talking about Yeah.

1695
01:24:43,200 --> 01:24:47,080
Speaker 5: Like we're slowly watching it happen for black quarterbacks. Nobody's

1696
01:24:47,120 --> 01:24:47,920
Speaker 5: talking about it yet.

1697
01:24:47,920 --> 01:24:51,000
Speaker 2: Because they the black quarterback ain't been to the Super

1698
01:24:51,000 --> 01:24:54,160
Speaker 2: Bowl yet, but it's happening. And Sam Donald's on the

1699
01:24:54,200 --> 01:24:59,960
Speaker 2: precipice of being what reclamation like, Oh, you can reclaim

1700
01:25:00,080 --> 01:25:04,599
Speaker 2: get this quarterback with a different team. Teddy Ridgewater another example.

1701
01:25:04,960 --> 01:25:06,280
Speaker 4: He was here in Charlotte too.

1702
01:25:06,400 --> 01:25:10,280
Speaker 2: And listen, I love this guy, but that's my sleeper,

1703
01:25:10,439 --> 01:25:15,559
Speaker 2: Bryce Young. I see Bryce Young as Oh, the Panthers

1704
01:25:15,600 --> 01:25:17,880
Speaker 2: are gonna eventually go we can't pay him as well.

1705
01:25:18,000 --> 01:25:18,880
Speaker 5: We gotta let him.

1706
01:25:19,720 --> 01:25:23,080
Speaker 2: We're gonna go drive another quarterback. It won't work out here.

1707
01:25:23,360 --> 01:25:25,479
Speaker 2: He's not gonna be And then I want to look

1708
01:25:25,560 --> 01:25:28,519
Speaker 2: up and be like, oh, Bryce Young, Seattle apparently leading

1709
01:25:28,800 --> 01:25:29,679
Speaker 2: almost got MVP.

1710
01:25:29,920 --> 01:25:32,280
Speaker 5: Oh he's taking this team in Super Bowl. It can happen.

1711
01:25:32,360 --> 01:25:36,120
Speaker 2: So that's my angle for this Super Bowl for black

1712
01:25:36,120 --> 01:25:40,000
Speaker 2: people is it would be dope if Sam Donald can

1713
01:25:40,040 --> 01:25:44,120
Speaker 2: fucking show that you can reclaim a quarterback that got

1714
01:25:44,120 --> 01:25:46,840
Speaker 2: written off, because black quarterbacks get written off way too

1715
01:25:46,920 --> 01:25:49,439
Speaker 2: fucking fast and often don't get a second chance.

1716
01:25:49,760 --> 01:25:51,559
Speaker 5: So maybe he can be the example.

1717
01:25:52,439 --> 01:25:57,120
Speaker 3: Now, did Seattle get rid of Gino or did he just.

1718
01:25:57,000 --> 01:26:04,800
Speaker 5: Sign with he Gino? Gino did a little chorus on

1719
01:26:04,880 --> 01:26:08,320
Speaker 5: him brother. He uh oh, he didn't want to be

1720
01:26:08,400 --> 01:26:11,920
Speaker 5: in Seattle no more. Pete Carroll was coming to the Raiders.

1721
01:26:11,960 --> 01:26:14,680
Speaker 2: You know, Pete Carroll his dog that had really reclaimed

1722
01:26:14,680 --> 01:26:18,320
Speaker 2: Gino's career, and I think he was like, I'll go

1723
01:26:18,760 --> 01:26:21,080
Speaker 2: take a little less money or even a little bit more,

1724
01:26:21,120 --> 01:26:22,800
Speaker 2: but I just want to go play for Pete Carroll

1725
01:26:22,840 --> 01:26:24,160
Speaker 2: because I know he believe in me.

1726
01:26:24,840 --> 01:26:27,960
Speaker 5: And then the Raiders raided, you know what I mean.

1727
01:26:28,000 --> 01:26:30,599
Speaker 5: He got down there because hey, Gino could have been

1728
01:26:30,760 --> 01:26:32,400
Speaker 5: in this motherfucking Super Bowl.

1729
01:26:32,680 --> 01:26:37,160
Speaker 3: Yeah, okay, yeah, I was wrong. So unlike our friends,

1730
01:26:37,960 --> 01:26:40,519
Speaker 3: I was wrong because they got rid of got rid

1731
01:26:40,560 --> 01:26:42,960
Speaker 3: of Geno, and then the pictures got rid of a

1732
01:26:43,000 --> 01:26:44,080
Speaker 3: black coach.

1733
01:26:44,600 --> 01:26:48,320
Speaker 5: So Gino got greedy. Man, Gino got greedy. But and

1734
01:26:48,360 --> 01:26:50,280
Speaker 5: then the black coach thing. I was with you until

1735
01:26:50,320 --> 01:26:54,559
Speaker 5: Mike Rabel he wanted tom One. So I can't even

1736
01:26:54,600 --> 01:26:56,280
Speaker 5: be like I watched them games. I'll be like this,

1737
01:26:56,320 --> 01:26:57,240
Speaker 5: mo fuck is good. Bro.

1738
01:26:59,600 --> 01:27:02,240
Speaker 2: It's like, ain't look, It's like one battle after another,

1739
01:27:02,400 --> 01:27:05,840
Speaker 2: you know what I'm saying. When they're doing the car

1740
01:27:05,960 --> 01:27:07,840
Speaker 2: chase scene at the end of one battle at another

1741
01:27:08,000 --> 01:27:09,759
Speaker 2: you had to lean back and be like this motherfucker's

1742
01:27:09,760 --> 01:27:13,559
Speaker 2: got it though, Paul Thomas Anderson got it. Like, I'm

1743
01:27:13,560 --> 01:27:16,080
Speaker 2: not saying I'm rooting for him, but if he win,

1744
01:27:16,240 --> 01:27:17,840
Speaker 2: I can't be like they just gave it to the

1745
01:27:17,880 --> 01:27:18,280
Speaker 2: white boy.

1746
01:27:18,280 --> 01:27:20,200
Speaker 5: I'm like, nah, he did something.

1747
01:27:21,120 --> 01:27:23,360
Speaker 3: Okay, I said correctly because I said that on my

1748
01:27:23,400 --> 01:27:24,759
Speaker 3: podcast today.

1749
01:27:24,880 --> 01:27:28,960
Speaker 5: I was like, they got rid of Geno, but shut

1750
01:27:29,040 --> 01:27:32,720
Speaker 5: up a but that's isn't it progress that Geno got

1751
01:27:32,800 --> 01:27:33,559
Speaker 5: rid of them? Though?

1752
01:27:34,280 --> 01:27:37,720
Speaker 2: Isn't that like we comes you know, it won't be

1753
01:27:37,760 --> 01:27:40,640
Speaker 2: a Black History Month moment, but it really.

1754
01:27:40,400 --> 01:27:44,320
Speaker 5: Should be, Like Optimistic should play in the background, and

1755
01:27:44,360 --> 01:27:48,400
Speaker 5: they should they should do that Black History moment o ESPN.

1756
01:27:49,439 --> 01:27:52,280
Speaker 5: When ESPN does their like Black Tree his story moments this.

1757
01:27:52,200 --> 01:27:55,679
Speaker 2: Month, one of them should be like Geno Smith said,

1758
01:27:55,800 --> 01:27:59,639
Speaker 2: fuck his team that wanted him to come back, who

1759
01:27:59,680 --> 01:28:01,400
Speaker 2: was going the super Bowl so he could go get

1760
01:28:01,400 --> 01:28:04,080
Speaker 2: more money and play with the Raiders and be terrible,

1761
01:28:04,760 --> 01:28:07,200
Speaker 2: And they just show like him signing the contract. They

1762
01:28:07,200 --> 01:28:10,519
Speaker 2: show him in the Raiders uniform sewn the interception, and

1763
01:28:10,520 --> 01:28:12,360
Speaker 2: you're like, no, this is black this.

1764
01:28:12,280 --> 01:28:15,000
Speaker 5: Is Black history too, this is black empowerment. He was

1765
01:28:15,040 --> 01:28:17,320
Speaker 5: able to make a bad decision, Yeah, he was to

1766
01:28:17,360 --> 01:28:18,280
Speaker 5: make a bad decision.

1767
01:28:19,280 --> 01:28:22,800
Speaker 3: Shout out to the homie boyside from fire Starter. He

1768
01:28:23,120 --> 01:28:28,280
Speaker 3: worked on this project on Peacock Field Generals of Black Quarterbacks.

1769
01:28:28,360 --> 01:28:31,479
Speaker 3: It just it's out now. If you got Peacock I

1770
01:28:31,479 --> 01:28:34,960
Speaker 3: gotta watch that. It's a documentary on black quarterbacks. It's

1771
01:28:35,000 --> 01:28:36,200
Speaker 3: it's really good so far.

1772
01:28:37,160 --> 01:28:39,559
Speaker 2: Okay, I gotta check that out because I read Fourth

1773
01:28:39,560 --> 01:28:43,479
Speaker 2: and a Mile by Bill Rowden a long time.

1774
01:28:43,280 --> 01:28:46,120
Speaker 5: Ago, and uh man.

1775
01:28:46,200 --> 01:28:49,120
Speaker 2: This is it's always funny. Like people will be like, oh,

1776
01:28:49,160 --> 01:28:50,360
Speaker 2: the NFL so racist.

1777
01:28:50,400 --> 01:28:51,960
Speaker 5: I was like, not as raci as it used to be.

1778
01:28:52,840 --> 01:28:56,879
Speaker 2: Yeah, while you're still watching, this is the least racist

1779
01:28:56,880 --> 01:29:02,120
Speaker 2: they've been. That's I mean, if you were watching before me,

1780
01:29:02,680 --> 01:29:05,000
Speaker 2: you actually watched it be more racist.

1781
01:29:05,040 --> 01:29:07,920
Speaker 5: You actually worse than me. I'm watching now while I'm like,

1782
01:29:07,960 --> 01:29:09,559
Speaker 5: black people be doing stuffs now.

1783
01:29:09,640 --> 01:29:13,160
Speaker 2: So all right, man, let's wrap this up. We I

1784
01:29:13,200 --> 01:29:18,519
Speaker 2: gotta go to the gym, and then I gotta go by.

1785
01:29:19,880 --> 01:29:25,400
Speaker 5: Uh uh shrimp Shack, Script Shack, see if they can

1786
01:29:25,680 --> 01:29:29,040
Speaker 5: hook me up. Shout out to my man and yeah, man,

1787
01:29:29,640 --> 01:29:33,880
Speaker 5: we got a sponsor for yesterday's show, a local script shack.

1788
01:29:33,960 --> 01:29:37,360
Speaker 5: They open it up on Super Bowl Sunday today and

1789
01:29:37,880 --> 01:29:40,280
Speaker 5: I was like, you know what, and he.

1790
01:29:40,240 --> 01:29:43,280
Speaker 2: Said, hey, man, if you ever want some script shack,

1791
01:29:43,360 --> 01:29:47,000
Speaker 2: come by. And I said, don't don't play with me

1792
01:29:47,400 --> 01:29:51,400
Speaker 2: like that, because I'll do it. Actually, actually have the

1793
01:29:52,360 --> 01:29:55,160
Speaker 2: actually have the ad that he sent. He sent us

1794
01:29:55,160 --> 01:29:58,760
Speaker 2: a video of the ad. H this is not He's

1795
01:29:58,800 --> 01:29:59,639
Speaker 2: not even paying for this.

1796
01:29:59,640 --> 01:30:01,719
Speaker 5: This is just uh uh.

1797
01:30:01,880 --> 01:30:05,080
Speaker 2: This is just brand synergy at this point because scrimpt

1798
01:30:05,120 --> 01:30:08,799
Speaker 2: Shack and the black out tips feels like a union

1799
01:30:08,840 --> 01:30:11,320
Speaker 2: that is made to be shared.

1800
01:30:12,520 --> 01:30:14,759
Speaker 5: But uh, I put up the wrong screen.

1801
01:30:15,560 --> 01:30:17,880
Speaker 2: Why is it doing this now? I won't show me

1802
01:30:19,000 --> 01:30:24,559
Speaker 2: how to take it off. Great, let me refresh.

1803
01:30:24,600 --> 01:30:26,920
Speaker 5: I'll be right back. Sorry. I don't know what happened.

1804
01:30:26,960 --> 01:30:31,360
Speaker 5: It just it was I think I hte the button

1805
01:30:31,400 --> 01:30:34,840
Speaker 5: to I think I hte the button like a national chain.

1806
01:30:35,600 --> 01:30:37,680
Speaker 5: I don't know if they're national, but I think so.

1807
01:30:38,080 --> 01:30:39,400
Speaker 5: Oh wait, am I not on screen?

1808
01:30:40,360 --> 01:30:41,280
Speaker 4: The screen is black?

1809
01:30:42,160 --> 01:30:46,920
Speaker 5: God damn it. You're embarrassing yourself in front of Chris.

1810
01:30:49,600 --> 01:30:51,920
Speaker 5: Now he's gonna thank your show is a ghetto.

1811
01:30:52,080 --> 01:30:53,960
Speaker 4: I know he gonna think we whack.

1812
01:30:54,600 --> 01:30:59,839
Speaker 5: Right, I see? Okay? Yeah man, now Chris.

1813
01:30:59,680 --> 01:31:02,519
Speaker 4: Is gonna we're back by sound rod. That's why you

1814
01:31:02,520 --> 01:31:02,960
Speaker 4: can hear me.

1815
01:31:03,320 --> 01:31:04,759
Speaker 3: That's what. Yeah, I forgot.

1816
01:31:05,320 --> 01:31:10,120
Speaker 2: So here's the Uh, make sure I put the right thing.

1817
01:31:10,439 --> 01:31:12,800
Speaker 2: This is the so this is the he sent us

1818
01:31:12,840 --> 01:31:18,600
Speaker 2: this yesterday is ad for a script shots.

1819
01:31:19,920 --> 01:31:23,000
Speaker 3: Come see us for your next event. Super Bowl missed.

1820
01:31:24,520 --> 01:31:25,519
Speaker 3: We got the best fishing the.

1821
01:31:25,520 --> 01:31:26,880
Speaker 5: Prince of a town called bell Air.

1822
01:31:36,360 --> 01:31:38,200
Speaker 3: Script shot.

1823
01:31:38,680 --> 01:31:41,479
Speaker 5: Yeah, I'm gonna get involved in that. Shout out to

1824
01:31:41,479 --> 01:31:44,160
Speaker 5: my man.

1825
01:31:44,360 --> 01:31:45,040
Speaker 3: I love that.

1826
01:31:45,200 --> 01:31:48,000
Speaker 5: I'm gonna get involved. What a perfect what a perfect sponsor.

1827
01:31:48,160 --> 01:31:50,600
Speaker 2: I'm like, so yeah, I'm gonna He was like, yeah, man,

1828
01:31:50,680 --> 01:31:52,360
Speaker 2: y'all should come on and get a platter. I was like,

1829
01:31:52,600 --> 01:31:55,320
Speaker 2: don't say that, because I will do. I will text

1830
01:31:55,320 --> 01:31:57,160
Speaker 2: you on Sunday and drive over there. So I'm gonna

1831
01:31:57,160 --> 01:31:59,599
Speaker 2: go to the jail. I'm gonna get my script shot

1832
01:31:59,640 --> 01:32:02,160
Speaker 2: platter and then I'm gonna watch the super Bowl.

1833
01:32:02,280 --> 01:32:03,559
Speaker 5: And that's how I'm enjoy it.

1834
01:32:03,800 --> 01:32:07,240
Speaker 4: And I can't wait. I'm excited about a bad bunny

1835
01:32:07,479 --> 01:32:08,360
Speaker 4: speaking Spanish.

1836
01:32:08,439 --> 01:32:08,840
Speaker 5: Let's go.

1837
01:32:09,080 --> 01:32:12,519
Speaker 4: And yes, I listened to that last album and I'm

1838
01:32:12,520 --> 01:32:15,599
Speaker 4: not gonna lie. His last albums mother fucking flames, like

1839
01:32:15,600 --> 01:32:18,720
Speaker 4: like like the beat like I know, sound wild, but

1840
01:32:18,760 --> 01:32:21,040
Speaker 4: the beats on that bitch goals like like if you

1841
01:32:21,160 --> 01:32:23,280
Speaker 4: if you're listening to it, you'll be like, I don't

1842
01:32:23,320 --> 01:32:25,320
Speaker 4: know what he's saying, but this mo fucker goals.

1843
01:32:25,400 --> 01:32:27,960
Speaker 2: I'm so excited for all the Latino people in my

1844
01:32:28,040 --> 01:32:31,519
Speaker 2: life too, because like at the gym, like some of

1845
01:32:31,560 --> 01:32:34,360
Speaker 2: the trainers are like like a latinas and stuff like

1846
01:32:34,400 --> 01:32:37,800
Speaker 2: that and so, and it's you know, it's a YMCA.

1847
01:32:38,400 --> 01:32:41,880
Speaker 2: So you're talking to Christians, probably some conservatives in there.

1848
01:32:42,200 --> 01:32:44,799
Speaker 2: So I don't know how loud they get to be about,

1849
01:32:44,920 --> 01:32:47,920
Speaker 2: you know, their politics and beliefs and shit, but you

1850
01:32:47,960 --> 01:32:49,720
Speaker 2: know when they with me sometimes it slipped through the

1851
01:32:49,720 --> 01:32:53,160
Speaker 2: cracks and uh, She's like, what you doing this weekend?

1852
01:32:53,240 --> 01:32:56,840
Speaker 2: I'm like nothing, really, I mean same thing everybody don't

1853
01:32:56,840 --> 01:32:59,360
Speaker 2: watch super Bowl And she was like, oh yeah, I

1854
01:32:59,400 --> 01:33:00,600
Speaker 2: was like you she was.

1855
01:33:00,600 --> 01:33:01,759
Speaker 5: Like bad bunny.

1856
01:33:01,960 --> 01:33:04,200
Speaker 2: Yeah, you know, like she's like oh, and she's like

1857
01:33:04,240 --> 01:33:06,680
Speaker 2: telling about the music and like she's like, do you know.

1858
01:33:06,840 --> 01:33:09,000
Speaker 2: I was like, I don't speak Spanish, but you know,

1859
01:33:09,040 --> 01:33:10,920
Speaker 2: I fuck with the vibes. She was like telling me

1860
01:33:11,000 --> 01:33:14,800
Speaker 2: like what the songs mean and stuff, and I feel like, uh,

1861
01:33:16,000 --> 01:33:18,640
Speaker 2: maybe this almost full circle moment relates back to like

1862
01:33:18,680 --> 01:33:20,000
Speaker 2: everything everywhere all at once.

1863
01:33:20,720 --> 01:33:23,040
Speaker 5: Uh, and crazy rich agents and stuff.

1864
01:33:23,320 --> 01:33:25,840
Speaker 2: I don't necessarily need it to be my culture now,

1865
01:33:26,600 --> 01:33:31,000
Speaker 2: but being black gives me shorthand to other people's cultures.

1866
01:33:30,560 --> 01:33:33,720
Speaker 5: And I do vicariously get like I like that. I'm not.

1867
01:33:33,920 --> 01:33:36,960
Speaker 2: I'm not like John Leguizamo, where I feel like someone

1868
01:33:37,040 --> 01:33:39,400
Speaker 2: else getting a moment takes away from my racial moment.

1869
01:33:39,439 --> 01:33:42,439
Speaker 5: I'm like, no, we all, this is just as fun

1870
01:33:42,479 --> 01:33:45,160
Speaker 5: as if when Kendrick got up there. This is just

1871
01:33:45,200 --> 01:33:46,120
Speaker 5: as big a deal to me.

1872
01:33:46,600 --> 01:33:50,000
Speaker 3: I don't think. I don't think white people get that.

1873
01:33:50,160 --> 01:33:55,920
Speaker 3: I don't think other cultures get that about us. It's sad,

1874
01:33:56,120 --> 01:34:00,479
Speaker 3: but I think we are the conduit for all because

1875
01:34:00,479 --> 01:34:03,000
Speaker 3: once it starts working right for us, starts working right

1876
01:34:03,040 --> 01:34:03,559
Speaker 3: for everybody.

1877
01:34:03,600 --> 01:34:05,360
Speaker 5: Come on, that's a good point.

1878
01:34:05,520 --> 01:34:09,040
Speaker 2: If not for Jay Z putting thirty seven black people

1879
01:34:09,080 --> 01:34:10,840
Speaker 2: in a row in the super Bowl, do we get

1880
01:34:10,880 --> 01:34:12,080
Speaker 2: bad Bunny?

1881
01:34:12,520 --> 01:34:12,800
Speaker 5: You know.

1882
01:34:14,400 --> 01:34:18,679
Speaker 3: Because my man people didn't like his The creator of Black.

1883
01:34:20,600 --> 01:34:22,479
Speaker 5: Kenya, burs Ken.

1884
01:34:22,680 --> 01:34:28,560
Speaker 3: Barris said something similar about that, and that's in this country.

1885
01:34:29,040 --> 01:34:30,040
Speaker 3: That's how it works.

1886
01:34:30,720 --> 01:34:35,160
Speaker 5: Mm hmm. Black people to fullbacks. Black people are the fullbacks,

1887
01:34:35,200 --> 01:34:38,120
Speaker 5: man Like, they make the way and then motherfuckers come

1888
01:34:38,160 --> 01:34:39,880
Speaker 5: behind us get the touchdown and be like.

1889
01:34:40,320 --> 01:34:45,439
Speaker 2: H it's all me and glory to myself. All right,

1890
01:34:46,360 --> 01:34:48,639
Speaker 2: thanks for listening, Chris, Thank you for being here.

1891
01:34:48,640 --> 01:34:50,760
Speaker 5: Bro. It's always fun to hang out and talk with you.

1892
01:34:50,960 --> 01:34:53,120
Speaker 5: It is. You don't have to have a project to

1893
01:34:53,200 --> 01:34:55,760
Speaker 5: come through. I'll just emphasize again you can always come

1894
01:34:55,800 --> 01:34:59,800
Speaker 5: hang out and make sure you guys go and get this.

1895
01:35:00,080 --> 01:35:04,479
Speaker 5: Support this on the twentieth, which is twelve days from now,

1896
01:35:05,439 --> 01:35:09,000
Speaker 5: So run up the numbers on the YouTube, hit up

1897
01:35:09,040 --> 01:35:13,240
Speaker 5: his venmo help him recoup some of the calls. And now,

1898
01:35:13,240 --> 01:35:15,479
Speaker 5: are you doing any stand up that you know?

1899
01:35:15,520 --> 01:35:15,720
Speaker 3: Where?

1900
01:35:15,720 --> 01:35:18,680
Speaker 5: Can people find you out here in the streets?

1901
01:35:19,320 --> 01:35:23,360
Speaker 3: Find me on Instagram and I'm all over. It just depends.

1902
01:35:23,600 --> 01:35:25,960
Speaker 3: I work out at the Common Cellar when I'm there

1903
01:35:26,840 --> 01:35:29,240
Speaker 3: in New York City, but I'm around. I usually just

1904
01:35:29,280 --> 01:35:32,440
Speaker 3: post where I'm at in my stories or on my Instagram.

1905
01:35:32,520 --> 01:35:34,439
Speaker 5: All right, So make sure y'all go check them out, man,

1906
01:35:34,479 --> 01:35:39,240
Speaker 5: And I'm telling y'all this shit was so good you

1907
01:35:39,280 --> 01:35:40,480
Speaker 5: will not be disappointed.

1908
01:35:40,560 --> 01:35:44,320
Speaker 2: Check it out, all right, y'all until next time, which

1909
01:35:44,479 --> 01:35:48,840
Speaker 2: we got two three Horns games two Horners games this week,

1910
01:35:48,920 --> 01:35:52,040
Speaker 2: so y'all might only get one more show this week,

1911
01:35:52,120 --> 01:35:54,720
Speaker 2: all right, y'all, So until next time, I love you, you,