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Speaker 1: Good morning, usc yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo. What happens when you don't

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Speaker 1: warm up the car in the morning. Let's to crack

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Speaker 1: it in the fo You gotta warm the car up

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Speaker 1: in the morning. I didn't warm him the car up.

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Speaker 1: I just cranked it. You gotta warm it up. I

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Speaker 1: should have went like three or four minutes before we

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Speaker 1: did that. Yes, she should have. Yes, indeed, Oh, Charlemagne,

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Speaker 1: the guy piece did up playing in this Thursday. Yes,

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Speaker 1: it's Thursday. Good morning. Tell yo how you're feeling. Here's

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Speaker 1: the think about this new studio. We still ain't figured

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Speaker 1: out the temperature. Now it's hot as it's either really

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Speaker 1: cold or really hot. And right now it's really hot.

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Speaker 1: Yes it is. What's up? What's up? Right? I told

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Speaker 1: Reid to turn it down and he got it. It's hot.

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Speaker 1: It's it's boiling in here. Well, our guests, ho would

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Speaker 1: be room? Yeah, it's definitely sixty nine boom. Now our

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Speaker 1: guests so today is n O r E and the

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Speaker 1: host of the Drink Chance podcast with DJ e F.

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Speaker 1: But they they they went to the wrong location. They gave, yeah,

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Speaker 1: they'll be here shortly. He went to the wrong building.

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Speaker 1: The thing is the Black Mothership. You know, I get

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Speaker 1: it though, you know what I'm saying. If you used

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Speaker 1: to be in uh, you know we've been at the

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Speaker 1: same place for thirteen years. Correct. Now you know the

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Speaker 1: Black Mothership is in a different location, right, So he's

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Speaker 1: at the other location. That's what we call his studio,

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Speaker 1: the Black Mothership. That's right. Mother Ship ain't done yet either,

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Speaker 1: By the way, I don't want you all to know.

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Speaker 1: It's getting there. It's work in progress. It's getting there.

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Speaker 1: I just I just brought a piece of art, a

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Speaker 1: Na's piece of art. Uh. There's something called a bare brick,

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Speaker 1: and people collected me see them all over the place,

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Speaker 1: Supreme does. It's so many different people. But they did

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Speaker 1: two hip hop versions. One is Nas and the other

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Speaker 1: one is Drake. That they did, so I bought the

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Speaker 1: NAS one for the studio just represents a Drake an owl,

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Speaker 1: I believe. So I know Drakes was it's right now.

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Speaker 1: If you look on line, it's like thirty five hundred. Why.

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Speaker 1: But that's the whole thing. It's a bare brick. It's

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Speaker 1: a bear. So's they do different versions of the Bears.

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Speaker 1: They have care Bears, they have Star Wars Steam, they

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Speaker 1: have Michael Jackson theme. They have all these different themes

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Speaker 1: and they make one for Nas and they make one

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Speaker 1: for Drake. That's my twist is man, cab Bears was dope.

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Speaker 1: They got was dope. Cat Beds was dope because you know,

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Speaker 1: they were like like when we have all these conversations

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Speaker 1: about identity, you know, it's like sixty nine different ways,

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Speaker 1: sixty nine different identities. Now it's like that. It was

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Speaker 1: like everybody had a different emotion or a different feeling

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Speaker 1: they represented on their stomach. Yeah, if I if I'm

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Speaker 1: calling that correctly, Yes, that's how I would have win.

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Speaker 1: So cam Do they still sell cab Bes? Yeah? I

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Speaker 1: would think kids would still like him, But they still do.

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Speaker 1: I think that Carton might still be on No now

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Speaker 1: you wild. I think they still no, ain't no way

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Speaker 1: in hell you might see reruns of cab Bes. Ain't

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Speaker 1: no new version of cabs or a new version of

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Speaker 1: cab Be. It'd be the day Bears, the day care Bears.

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Speaker 1: But but but I think the cab Bears will be big.

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Speaker 1: Like you said, it's emotion. This shows emotion. What's wrong

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Speaker 1: with you this morning? Man day cab that represent all

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Speaker 1: the different identities that currently exist. I think it's sixty

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Speaker 1: I do think it's like sixty something of them though

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Speaker 1: what I was told, well, well, we got some guests

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Speaker 1: joining us this morning, Dion Taylor, Terrence J and T.

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Speaker 1: They got a movie Fear, which comes out this weekend marrow, Yeah,

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Speaker 1: comes out tomorrow, which uh, it's a scary movie which

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Speaker 1: talks about the fears that people have. So they go

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Speaker 1: into like whatever fair you have, if you have a fair,

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Speaker 1: inspired is it? It breaks down at what it is

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Speaker 1: and put you in front of that fair. If you

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Speaker 1: have a fear of heights, put you in front of

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Speaker 1: that fair. So yeah, it's the group of people have

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Speaker 1: to confront like their worst fears. So and that's what

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Speaker 1: makes it so dope because hard movies aren't scary, no

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Speaker 1: more like Freddy Krueger Jason Boy's death don't scare nobody.

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Speaker 1: What scares people is real life, correct, you know. So

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Speaker 1: if you had to like face your yo, your your

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Speaker 1: worst fear ever, the thing that terrifies you, that was,

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Speaker 1: that's what would be considered hard down. That's what this

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Speaker 1: movie is correct, and we'll kick it with them next hour.

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Speaker 1: All right, Now, when we come back, we got front

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Speaker 1: page news, we'll tell you about Joe Biden. If you're

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Speaker 1: a renter, he's trying to help you out. And if

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Speaker 1: you need some money, well he's sending a whole lot

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Speaker 1: more to Ukraine. We'll tell you what we come back

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Speaker 1: at the breakfast club going on. Guy dre in Miami,

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Speaker 1: he said, he texts a peach fam good morning. There's

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Speaker 1: actually a new cab Bears cartoon series that came out

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Speaker 1: within the last five years, new toys and everything. My

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Speaker 1: niece has one of the New Bears. I told you,

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Speaker 1: but I've seen it. But you can't. Don't try to

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Speaker 1: make that sound tough. Just report. Just tell me that

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Speaker 1: there's a new cab bas He's right. All right, Well,

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Speaker 1: let's get in some front page news or yesterday. Of course,

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Speaker 1: we had winter storms and it canceled hundreds of US

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Speaker 1: flights with southwest or Southwest again hit the hardest, so

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Speaker 1: they said it was over like four hundred and eighty

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Speaker 1: two flights canceled in two hundred and thirty five of

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Speaker 1: them for southwest flights. Yeah, but y'all gonna sit here

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Speaker 1: and lie to me and tell me that Southwest is

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Speaker 1: the top five airlines. Didn't you just report that number three?

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Speaker 1: Southwest Airlines were number three? Southwest is a bus in

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Speaker 1: the sky. And you know what I might be in

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Speaker 1: soulting buses because buses was moving yesterday through that snow.

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Speaker 1: Wasn't Southwest Airlines. They're gonna be paying pilots millions in

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Speaker 1: bonuses as gratitude working during their meltdown. They're saying Southwest

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Speaker 1: will pay pilots and estimated forty five million in bonuses.

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Speaker 1: This is some ninety four hundred Polots are expected to

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Speaker 1: be paid fifty percent of their regular pay. Other employees,

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Speaker 1: including flight attendants, will also be compensated, saluted the pilots

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Speaker 1: and all the flight attendants. I'm happy for y'all, but

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Speaker 1: you know what that means for y'all that's riding on Southwest.

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Speaker 1: No peanuts, peanuts, no more peanuts. Okay, yes, Now, Joe Biden,

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Speaker 1: it seems like, well, first he's renting out rent's bill

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Speaker 1: of rights. Now this is in phase of sky high rents. Now.

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Speaker 1: You know rents have been shooting up. Inflation is making

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Speaker 1: it go up. So he has something called Rent's Bill

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Speaker 1: of Rights and an effort to improve rent affordability and

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Speaker 1: protections for tenants. Now they're gonna examine limits on rent

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Speaker 1: increases for future investments and actions promoting renter or protection.

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Speaker 1: So I guess what they're gonna do is is see

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Speaker 1: how much landlords are raising rents and make sure they

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Speaker 1: try to I guess limit that so people can actually

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Speaker 1: afford where their living. Well, that's a good thing, but

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Speaker 1: how is that going to immediately impact people? Because the

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Speaker 1: first is next week, that's true. How is that immediately

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Speaker 1: gonna impact people. I'm sure it's gonna take some time,

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Speaker 1: but I guess at the end of the day it

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Speaker 1: will absolutely positively make sure that people are not being

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Speaker 1: overpriced for rent. Now, you know, it sounds good, but

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Speaker 1: I don't see how you can tell somebody not to,

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Speaker 1: you know, overcharge. Now if you if you're a landlord,

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Speaker 1: you see rents have been going up and been going

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Speaker 1: up and going up, and it's getting ridiculous. Even in

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Speaker 1: New York City. My daughter goes to NYU and the

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Speaker 1: rent has shot up so much, which is really getting ridiculous. Now. Also,

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Speaker 1: we always talk about money and how much money we

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Speaker 1: have and I ain't got no, not US, I mean

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Speaker 1: the government. Oh but make sure you're clear on that now,

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Speaker 1: the government, the government, or you. Joe Biden announced yesterday

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Speaker 1: that the US plans to send thirty one Abrams tank

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Speaker 1: to Ukraine. Yeah, I did see that. I saw that

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Speaker 1: on the news. Actually now it will deliver also deliver

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Speaker 1: fourteen Leopard two tanks from his own stock to the country.

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Speaker 1: It's they're given a lot of help and more help

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Speaker 1: to Ukraine, which is a lot of bread, a lot

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Speaker 1: of money. I'm not sure I'm much those tanks costs,

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Speaker 1: but you can imagine those tanks costs in the millions

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Speaker 1: of dollars. I mean, technically, isn't that the US waging

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Speaker 1: war on Russia as well? Yes? Technically, if I'm providing

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Speaker 1: you the money and I'm providing you weapons, you know,

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Speaker 1: for you to fight against me, aren't you you know, yes,

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Speaker 1: aren't a liable as well? Yeah, you're supplying the weapons.

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Speaker 1: But like as I was saying last year, when we

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Speaker 1: had this conversation, what are those sanctions actually doing? People saying, oh,

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Speaker 1: it takes time, the sanctions take time, but it doesn't

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Speaker 1: seem like Russia stopped anything. Russia don't care. I ain't

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Speaker 1: seen him stop nothing. I know that they got plenty

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Speaker 1: of resources for Ukraine, they got money for war, but

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Speaker 1: can't feed the poul word to mister Chakor or that

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Speaker 1: all rhymed man. All right, well, that is your front

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Speaker 1: page news. Now get it off your chests. Eight hundred

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Speaker 1: five eight five one oh five one. If you need

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Speaker 1: to vent, hit us up right now again. Phone lines

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Speaker 1: a wide open eight hundred five eighty five one oh

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Speaker 1: five one. We're still waiting for our guest hosts today.

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Speaker 1: N Nori will be joining us in the second. It's

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. I'm like, okay, bro,

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Speaker 1: what's the feted? And this man stricken me that he's

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Speaker 1: spenting me himself and he's panties and I thought I

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Speaker 1: had me a piece of trade. I'm so confused that

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Speaker 1: was happening. Said he did what Knight sent you? Some

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Speaker 1: sent you a picture of him and his panties, you

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Speaker 1: know you like, he said, like all his Instagram, he

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Speaker 1: like it's like this super like you would think he

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Speaker 1: like his little game. And then he sent me this

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Speaker 1: videos him like this having all these different panties on

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Speaker 1: one and turn me. All that's not what you like though,

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Speaker 1: Oh you like like? I like? I want to okay,

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Speaker 1: all right, I want nobody show like put in me

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Speaker 1: the Ethica jaw that you had on your Instagram. Pitch

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Speaker 1: you show me panties. Okay, all right, off your chest

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Speaker 1: and you are venting. So you just venting right now? Traffic.

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Speaker 1: So I was looking for a bike from sharm, but

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Speaker 1: he was he want to play different. I don't. I don't.

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Speaker 1: I don't know what to tell you. You You don't want

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Speaker 1: to hit? You either want to hit it, you don't.

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Speaker 1: I don't know what to tell you said you don't

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Speaker 1: want to hit because he got panties on it. I

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Speaker 1: don't you know. I would think it's worth independing that matter, right, yeah,

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Speaker 1: I would. Whatever's independings. The box is what matters. Hello,

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Speaker 1: who's this? Good morning, berg Gang. We're going to the

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Speaker 1: Falling Baby. We don't care, Yeah, we don't care. We

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Speaker 1: could care less. Yeah, I'm a giant fan. Say what's up?

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Speaker 1: The nor Nor said, you know what I mean? Listen,

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Speaker 1: I said, all the time, you are really to go.

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Speaker 1: I went to see more people. Give me your flowers. Oh,

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Speaker 1: thank you, thank you, so heart so um We were

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Speaker 1: having an intellectually obtaining it a timbo my podcast is

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Speaker 1: walking too on my Twitter at just call me Lima

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Speaker 1: l A, and the topic was if your man proposed

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Speaker 1: to you and it doesn't work out, do you get

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Speaker 1: the ring back? In stellars? Are you asking for the ring? Day?

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Speaker 1: Oh yeah, you gotta get that ring back. Why would

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Speaker 1: you want to keep it? It's an engagement ring. It

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Speaker 1: serves a certain purpose. There's a certain intention with that ring,

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Speaker 1: you know what I mean. So you can't just walk

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Speaker 1: around wearing that. Oh yeah, I need my money back.

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Speaker 1: I'm you want. No, you wouldn't just walk around round it.

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Speaker 1: But it's again, I mean, you could do what I

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Speaker 1: know you want with it. Again, it's a gift if

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Speaker 1: we get married, is it if? Well, Drake hasn't changed.

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Speaker 1: Drake hasn't change for all his failed engagements, and he

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Speaker 1: kept all his engagement rings. He's a maniac. I don't

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Speaker 1: know why you would buy an engagement ring for every

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Speaker 1: different woman that you want to propose to. That's insane.

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Speaker 1: Oh so you got more rings than fandom? Hum? No,

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Speaker 1: not me, Drake got that? Oh Drake? Oh yeah, that

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Speaker 1: was some real Drake stuff. What do you think nor

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Speaker 1: what was the question. I'm a guy. You get ring

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Speaker 1: ring back? Yeah, yeah, yeah, yeah, yeah, you absolutely get

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Speaker 1: a ring back because you're attached to that person for life.

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Speaker 1: Still if you if you take the ring and you

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Speaker 1: put it on your I'm sorry, so if that to

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Speaker 1: buy you a card, you're giving that that cruiser same

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Speaker 1: intention as an engagement ring. There's no if but a

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Speaker 1: car again yeah you so you know that and the

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Speaker 1: gaatemring meaning that that you you that person's beyance, that's

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Speaker 1: a different intention. We'll get it off your chest. Eight

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Speaker 1: hundred and five eight five, one oh five one. If

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Speaker 1: you need to vent, hit us up now. It's the

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Speaker 1: breakfast Club. Good morning. The Breakfast Club is your time

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Speaker 1: to get it off your chest. Wait, wait up, whether

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Speaker 1: you're man or black, tell me get up and get

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Speaker 1: something called up now. Eight hundred and five A five

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Speaker 1: one oh five one. We want to hear from you

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Speaker 1: on the breakfast Club. Hello. Who's this Ashley? Ashley? Good morning?

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Speaker 1: Sound up? Set? What's the matter mamma? When so I've

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Speaker 1: been with my daughter's father who about eighteen years now.

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Speaker 1: Huh and um he cheated on him for his last year.

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Speaker 1: I had asked her if he leaves. He was cheating

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Speaker 1: and united time some type of intuition. It's like, so,

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Speaker 1: I promise I'm not doing that. I'm not well, um

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Speaker 1: my son tiss away. Fast forward three much times that

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Speaker 1: girlpaps up whatever. Yeah, and then the girl pops up

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Speaker 1: and she's like, so I was told with ya jharking

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Speaker 1: And then and then I remember I called this number

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Speaker 1: in October and it was the same female and she

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Speaker 1: told me that she wasn't seeing my started smothering, and

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Speaker 1: then she called to him my house and she said, yes,

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Speaker 1: I've seen him for the past year. I've been inside

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Speaker 1: your home when you've been at his mother's house for Thanksgiving.

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Speaker 1: I've been inside your home when y'a always moving out

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Speaker 1: of that house. And I helped him carry y'all bay

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Speaker 1: to the side of the road. Jesus at Lasia was

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Speaker 1: doing some label. That's what I can't thank you because

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Speaker 1: that I had to do. My thing is like she

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Speaker 1: tried to make you seem like me smoking is worse

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Speaker 1: than what he did. You smoking. Try to me it

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Speaker 1: wasn't stoke, you know. Did you beg me begging me

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Speaker 1: to take him back? You know? And but let's work

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Speaker 1: through it, blah blah blah blah blah. I was like, okay,

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Speaker 1: so okay, so that's words and now we're starting starting

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Speaker 1: sighting every day for months now. Not good time to go.

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Speaker 1: So he said the reason, and I'm like, I gotta go.

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Speaker 1: He was like, would you do what I do? Another thing? Wow?

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Speaker 1: So he said he was cheating. He said, you were

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Speaker 1: cheating because you'd be smoking weed. That's why you cheated. Yes,

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Speaker 1: and then no, it just main reason was because he

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Speaker 1: said I wasn't giving him more UNI days that during

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Speaker 1: the time, and my son passed a week and I like,

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Speaker 1: that was only seventy teen years old, and times when

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Speaker 1: readings out here birthday, So it sounds like all of

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Speaker 1: y'all grieving and all of y'all hurting, and all of

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Speaker 1: y'all projecting that hurt on each other. Sound like y'all

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Speaker 1: both need to heal. That's what it sounded like to me.

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Speaker 1: That sound like an understatement right when you would lose

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Speaker 1: the sun. But that's what it sounds like. Sounds like

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Speaker 1: you're not even really mad at each other, You're mad

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Speaker 1: at the situation. Absolutely. Hello, who's this Rich from Florida.

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Speaker 1: Rich from Florida get it off your chests. Rich Hey, man,

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Speaker 1: I'm just calling until my wife, my next kid, my

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Speaker 1: beautiful friend, like loving my everything. Happy anniversary. We've been

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Speaker 1: together for ten years, married seven and got two beautiful

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Speaker 1: boys and I know they're waking up and getting read

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Speaker 1: at the school and everything right now. So just wanted

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Speaker 1: to tough. I'm happy anniversary, amazing. What's a little to you?

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Speaker 1: And shout to you and your queen brother or yeah, queen,

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Speaker 1: thank you, thank you? All right, man, Hello, who's this?

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Speaker 1: I will calling from Jersey when I broke it off

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Speaker 1: your chest? Yeah, I just want to talk and you

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Speaker 1: guys may adjusted earlier in the week, but um, when

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Speaker 1: the NYPD was recording the people coming out of the Apollo,

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Speaker 1: I just think on so many levels that was wrong

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Speaker 1: and it could have went left real quickly. And I

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Speaker 1: don't know what I heard that wasn't true. I heard

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Speaker 1: they wasn't really recording. Now they were recording, but they

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Speaker 1: said they were doing it for a video showing positivity

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Speaker 1: and the NYPD in the community. But they were they

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Speaker 1: were really really understand what they said. But anytime technology

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Speaker 1: or information could be weaponized has always been weabinized. But

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Speaker 1: who once that if once those pictures or videos have

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Speaker 1: been taken, who knows down the line what could be

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Speaker 1: done with it? And if it was just as simple,

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Speaker 1: if you just wanted to see some positivity in the

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Speaker 1: black community, you could have just went around a corner,

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Speaker 1: social corner or coal or Red Rooster and took pictures

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Speaker 1: of adults. What if one of them, I know I've

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Speaker 1: been at age group before eighteen or twenty five. If

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Speaker 1: I come downstairs and the uniform officers with a tripod

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Speaker 1: and the cameras record me, certain things may come out

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Speaker 1: of my mouth, certain gestures may be made by my hand,

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Speaker 1: and then I put myself in a position where I

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Speaker 1: could be arrested and stuff like that. So the thought

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Speaker 1: process behind that was misguided at best. But if you

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Speaker 1: why not have a community outreach program where you have

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Speaker 1: people willing participants as opposed to all of a sudden,

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Speaker 1: NYPD just shows up and to my eyes, it looks

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Speaker 1: like they've been filming. Yeah, there wasn't a community outreache.

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Speaker 1: I said, it was a So they were doing that

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Speaker 1: for social media posts, to show how police work with

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Speaker 1: venue security to keep concerts safe for fans. That's what

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Speaker 1: they was recording. Yeah, I think that's BS. I think

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Speaker 1: they were filming because they wanted to see who was

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Speaker 1: coming in and out of that venue, especially if something happened.

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Speaker 1: They have the footage if everybody coming in and out, y'all,

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Speaker 1: do know we getn't recorded all the time, whether you

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Speaker 1: see the cameras or not. Like like, we're under surveillance

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Speaker 1: at all times. And they got the software that can

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Speaker 1: actually find people. I know they have it any mall.

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Speaker 1: So if you have a warrant and you walk in

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Speaker 1: the mall a lot of times they can you know,

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Speaker 1: poll right up depending on the warrant that you have.

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Speaker 1: So yeah, that's that's what I think that they were filming.

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Speaker 1: But you know, they can say whatever, you know what

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Speaker 1: they were saying. But I think it was they were

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Speaker 1: filming to see if if anything happened, they would have

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Speaker 1: everybody on film. Just know, we're under surveillance at all times.

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Speaker 1: So it don't matter whether they got the camera in

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Speaker 1: your face of the camera in the corner. You're under

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Speaker 1: surveillance at all times. All right, Well that is your well,

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Speaker 1: I just get it off your chest. Eight hundred five

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Speaker 1: eight five one o five one when we come back.

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00:17:03,840 --> 00:17:06,159
Speaker 1: We got your room report. We'll tell you what artists

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Speaker 1: what rapper said he will never buy a tesla. We'll

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Speaker 1: get to that next. The breakfas and our guest host

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Speaker 1: is here today the breakfast club. Good morning, the breakfast club.

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Speaker 1: Play the music. I'm about to introduce him. Let the

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Speaker 1: music start. We got the brother and you know it's crazy.

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Speaker 1: We're all in here ordering our morning beverages. You know,

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Speaker 1: the frappuccinos and the coffees and the green teas with

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Speaker 1: the horn us and nor. He said, give me an

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Speaker 1: a spade in the starbus. Yes, yes, yes, yes, cold

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Speaker 1: as the spade in the star bu. I want to

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Speaker 1: live out that life. I want to live out my wraps.

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Speaker 1: My goodness. Uh, you know, I just saw the movie Fair,

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00:17:48,640 --> 00:17:50,200
Speaker 1: and we forgot to hit the room report. In Trup

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00:17:50,800 --> 00:17:53,520
Speaker 1: was talking, but I wanted to say something. I just

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Speaker 1: saw the movie Fair, and I wanted to pick up

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00:17:55,880 --> 00:18:00,680
Speaker 1: tr Terrence j Um and Joseph for josephs Car. I

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00:18:00,720 --> 00:18:03,720
Speaker 1: always have a problem staying his last name. But all

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00:18:03,760 --> 00:18:09,360
Speaker 1: I saw in Fair was Asian spade Si rok uh Branson,

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00:18:09,560 --> 00:18:12,359
Speaker 1: and I forgot how to pronounce fifties champagne. I call

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00:18:12,440 --> 00:18:15,040
Speaker 1: it the King's Path, King's Path King, That's all I saw,

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Speaker 1: and I was like, yo, that that was a conscious

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Speaker 1: decision of hip hop people taking control of it, because

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Speaker 1: because you know, you could easily have t thos, but

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Speaker 1: who who who knows Tito? Who knows Tito? Like? Who

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Speaker 1: where is Tito? Tito ain't even Mexican. That's you Also

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Speaker 1: got to salute Dion Taylor though hidden Empire Film Group,

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Speaker 1: because they're produced and directed the Move. They're gonna be

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Speaker 1: joining us next hour, so we're gonna kick it with

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Speaker 1: them next hour. But right now, let's get to the

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Speaker 1: rumors or chatting. I mean, I guess we're on the

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Speaker 1: breakfast clud. This is where the t spells right right

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00:18:51,040 --> 00:18:54,360
Speaker 1: on the breakfast club. Now, Rick Ross said he will

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00:18:54,520 --> 00:18:59,400
Speaker 1: never purchase and is afraid to purchase a Tesla. Why

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00:18:59,400 --> 00:19:01,359
Speaker 1: are you can feel one? Now? Well, this is the

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00:19:01,359 --> 00:19:03,919
Speaker 1: reason why. Well, I'm not gonna sell I won't have

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00:19:03,960 --> 00:19:08,160
Speaker 1: a smart car. But I've never written in the tesla. No, never, never,

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00:19:08,200 --> 00:19:10,679
Speaker 1: in my life, I've never written in the Tesla in

386
00:19:10,680 --> 00:19:13,200
Speaker 1: the reason business because I've always had in the back

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00:19:13,200 --> 00:19:16,000
Speaker 1: of my mind the government could tap into the brain

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Speaker 1: on the car. Okay, where it's Rick. He's over. No

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00:19:21,880 --> 00:19:28,480
Speaker 1: bring him in for questioning. Good. Well, go ahead, yo,

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00:19:29,320 --> 00:19:34,720
Speaker 1: it's leaving wingstop before the wings. You pull up to

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Speaker 1: the building in the Asian walker hate Rick. What you

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Speaker 1: think it can't drive? They got pieces bringing you pieces,

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Speaker 1: robot cars, tacos. So if you get in there, I'm

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00:19:49,880 --> 00:19:52,159
Speaker 1: gonna lock the door and take you where it won'ta go.

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Speaker 1: That's the reason why. Yeah, slew to my guy Ross.

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00:19:55,000 --> 00:19:58,000
Speaker 1: But that logic is shortsighted. Like everything has smart technology.

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Speaker 1: Your phone can do that. They can tap you on

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Speaker 1: the phone, tap you on your laptop, like they can

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00:20:01,520 --> 00:20:04,119
Speaker 1: tap you on your Apple Watch. Like we're all that

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00:20:04,240 --> 00:20:07,639
Speaker 1: disavaillance people. Any car over one hundred thousand is a

401
00:20:07,640 --> 00:20:10,479
Speaker 1: smart car. Any car, like, I don't care what it is.

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00:20:10,560 --> 00:20:13,720
Speaker 1: The other day, I went to El Molinos and let's

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00:20:13,960 --> 00:20:17,119
Speaker 1: Molinos t that's a Restaurant's a nice little restaurant. And

404
00:20:17,359 --> 00:20:19,320
Speaker 1: I went there and I had to I didn't have

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Speaker 1: a mayback car. I had to maybe back truck. And

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Speaker 1: as soon as I got there, I started raining and

407
00:20:24,600 --> 00:20:27,240
Speaker 1: my window wouldn't roll up, and I literally had to

408
00:20:27,280 --> 00:20:30,840
Speaker 1: call the engineer and he told me it was like

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00:20:31,680 --> 00:20:34,760
Speaker 1: all of this is electronic So the same way that

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Speaker 1: he fixed my window from the restaurantsolutely, um, yeah, the

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00:20:38,600 --> 00:20:41,520
Speaker 1: police can do that, sa. The logic is shortsighted which

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Speaker 1: were surrounded by smart device. Absolutely like no Ross and

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Speaker 1: drop drop a bomb for no, it's no more Apple

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Speaker 1: Beans and Tony Romos. Oh no, no no, no, no Tony Romans.

415
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Speaker 1: I ain't gonna lie miss Tony Romans. Though. You know

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Speaker 1: the Quarterback restaurant. It's a queen's legend. We used to

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Speaker 1: go to court and then go to Tony Romans. Right there.

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Speaker 1: My wife on the first day at Tony that was

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Speaker 1: like leg that was a high end restaurant to y'all.

420
00:21:11,000 --> 00:21:13,520
Speaker 1: Makes sense, makes sense all right? Now it seems like

421
00:21:13,600 --> 00:21:19,960
Speaker 1: Kim Kardashian and North are starring in a new film.

422
00:21:20,640 --> 00:21:26,439
Speaker 1: Whenever Bob Joe, Bob Joe, you got kids. You know

423
00:21:26,480 --> 00:21:28,480
Speaker 1: that intro? That's right, you can sing it by heart.

424
00:21:28,560 --> 00:21:30,560
Speaker 1: You know Bluie intro. You can sing it bout hard.

425
00:21:30,600 --> 00:21:32,800
Speaker 1: That's that's one of them. One's Paul Patrol, Yes, right,

426
00:21:32,840 --> 00:21:35,040
Speaker 1: so she's nine years old. She's being cast it in

427
00:21:35,040 --> 00:21:39,399
Speaker 1: the upcoming sequel, Paul Patrol The Mighty Movie. So uh,

428
00:21:39,880 --> 00:21:42,280
Speaker 1: and North's little brother Satan will also make a cameo

429
00:21:42,359 --> 00:21:44,639
Speaker 1: in the movie as well, So they're making a lot

430
00:21:44,680 --> 00:21:46,080
Speaker 1: of money as a family. And Kim is in that

431
00:21:46,080 --> 00:21:50,280
Speaker 1: movie Kim movie as well. Yeah. Now, lastly, complex, you

432
00:21:50,280 --> 00:21:51,880
Speaker 1: know how they do their list each and every year.

433
00:21:51,960 --> 00:21:56,160
Speaker 1: They named twenty one Savage best rapper of twenty twenty

434
00:21:56,440 --> 00:22:00,359
Speaker 1: two because of his consistent output improvement and of elution

435
00:22:00,520 --> 00:22:03,800
Speaker 1: of his cadence and wordplay with every verse. I mean,

436
00:22:03,840 --> 00:22:05,600
Speaker 1: people get upset about those lists, but none of those

437
00:22:05,640 --> 00:22:07,439
Speaker 1: lists bother me because it just opens up, you know,

438
00:22:07,520 --> 00:22:10,240
Speaker 1: topics of discussion, Like I like twenty one Savage a lot.

439
00:22:10,359 --> 00:22:12,639
Speaker 1: I like twenty one Savage a lot too. When somebody

440
00:22:12,640 --> 00:22:14,680
Speaker 1: says he's number one on a list, of course, you know,

441
00:22:14,720 --> 00:22:17,160
Speaker 1: people are gonna name all the lyricists that came out

442
00:22:17,240 --> 00:22:18,760
Speaker 1: last year. You go, you gonna say, oh no, Push

443
00:22:18,760 --> 00:22:20,440
Speaker 1: your t should have been on. Oh no, Kendrick Labas

444
00:22:20,520 --> 00:22:22,879
Speaker 1: should have been on. But I think twenty two be

445
00:22:22,920 --> 00:22:29,360
Speaker 1: snapping two one. I think twenty one be snapping too.

446
00:22:29,400 --> 00:22:32,119
Speaker 1: But also I think Kodak Black had a phenomenal year

447
00:22:32,240 --> 00:22:34,840
Speaker 1: last year. I could have been number one on that list. Now,

448
00:22:35,480 --> 00:22:37,760
Speaker 1: you know, I wholeheartedly agree with you and the New

449
00:22:37,840 --> 00:22:40,240
Speaker 1: York and me immediately once you said twenty one Savage

450
00:22:40,240 --> 00:22:42,439
Speaker 1: was number one the New York and me said no.

451
00:22:43,359 --> 00:22:45,320
Speaker 1: But then I live in the South for the last

452
00:22:45,359 --> 00:22:49,080
Speaker 1: fifteen years, so I see the impact. I see, you know, um,

453
00:22:49,240 --> 00:22:52,399
Speaker 1: the Kodak black impact. I see it, and um, you

454
00:22:52,400 --> 00:22:54,600
Speaker 1: know what, I want to recognize it? And UM, I

455
00:22:54,640 --> 00:22:58,000
Speaker 1: always use someone that uh address twenty one Savage because

456
00:22:58,000 --> 00:23:01,160
Speaker 1: of his Naas comments, him saying how NAS is relevant

457
00:23:01,200 --> 00:23:04,919
Speaker 1: or not relevant? Relevant? And it's crazy because relevant is

458
00:23:04,960 --> 00:23:07,960
Speaker 1: relevant to people who the world relevant is relevant? Too

459
00:23:08,000 --> 00:23:13,920
Speaker 1: relevant is subjective? Correct? I understood exactly what Nord said. Subjective.

460
00:23:13,960 --> 00:23:17,280
Speaker 1: You can ask You can ask you know, some some

461
00:23:17,400 --> 00:23:20,800
Speaker 1: fans of maybe let's just just randomly whoever. I thought

462
00:23:20,800 --> 00:23:24,720
Speaker 1: that you can ask E forty fans's cold, excuse me,

463
00:23:24,760 --> 00:23:27,439
Speaker 1: it's twenty one Savage relevant and they might say no, right,

464
00:23:28,040 --> 00:23:31,040
Speaker 1: and then vice versa. You can ask twenty one Savage fans,

465
00:23:31,200 --> 00:23:33,400
Speaker 1: is E forty relevant and they might say no. But

466
00:23:33,440 --> 00:23:37,080
Speaker 1: then did you see Forty's house? Did you see his liquor?

467
00:23:37,160 --> 00:23:38,919
Speaker 1: Did you see what's going on? Like he doesn't have

468
00:23:38,960 --> 00:23:42,359
Speaker 1: to make music big up to Mount Westmore? But um,

469
00:23:42,440 --> 00:23:44,280
Speaker 1: and you know what's dope. What I really want to

470
00:23:44,320 --> 00:23:47,520
Speaker 1: do the level of the relevancy too, though, because now

471
00:23:47,600 --> 00:23:50,760
Speaker 1: there is an icon. Yes, so icons, And I went

472
00:23:50,840 --> 00:23:53,120
Speaker 1: like again, I went to nas party last night, big

473
00:23:53,200 --> 00:23:56,040
Speaker 1: up to Massive Pill, bigger to Peter Um bigger, the jungle,

474
00:23:56,440 --> 00:24:00,119
Speaker 1: left snacks everyone And if you everywhere I look, I

475
00:24:00,200 --> 00:24:03,480
Speaker 1: turned left, ni A Long, I turned right. Yeah, you

476
00:24:03,720 --> 00:24:06,920
Speaker 1: a long story. We're gonna talk about next, Nime Nia

477
00:24:07,000 --> 00:24:11,200
Speaker 1: Long icon who else? Um the mayor? Like I turned around,

478
00:24:11,560 --> 00:24:23,359
Speaker 1: not an icon. But what I'm saying is everywhere I

479
00:24:23,440 --> 00:24:26,040
Speaker 1: turned a main old fabulous. Everywhere I turned, it was

480
00:24:26,040 --> 00:24:28,480
Speaker 1: the star. And then you're looking and you're thinking about

481
00:24:28,720 --> 00:24:32,040
Speaker 1: like I started writing rhymes because of all Mattock And

482
00:24:32,240 --> 00:24:34,880
Speaker 1: where did all Matic come out in ninety two ninety four,

483
00:24:34,960 --> 00:24:38,120
Speaker 1: somewhere around that time. And to see this man still

484
00:24:38,240 --> 00:24:40,359
Speaker 1: he jumped on stage because they tried to ask me

485
00:24:40,400 --> 00:24:43,000
Speaker 1: to perform, and I ran so fast my body in

486
00:24:43,040 --> 00:24:46,360
Speaker 1: the trunk. No, I don't remember those lyrics. It would

487
00:24:46,359 --> 00:24:49,160
Speaker 1: have been the horrible performance. Me and him don't remember

488
00:24:49,200 --> 00:24:52,119
Speaker 1: them neither. And the fact that they're using lyrics against

489
00:24:52,119 --> 00:24:56,919
Speaker 1: people in court now you shouldn't want to like quick then,

490
00:24:57,000 --> 00:25:01,960
Speaker 1: but that jacket. You have one that's iconic, yes, timeless,

491
00:25:02,000 --> 00:25:04,160
Speaker 1: you can't put relevant on that, yes, yes, yes, right,

492
00:25:04,520 --> 00:25:06,640
Speaker 1: But then there's some little kids that out there that's saying,

493
00:25:06,680 --> 00:25:11,120
Speaker 1: hey man, that's not real fair that little kid works

494
00:25:11,119 --> 00:25:17,359
Speaker 1: repeated but um yeah, so yeah relevant But um I

495
00:25:17,440 --> 00:25:21,400
Speaker 1: thought that conversation was um dope and um I sailute

496
00:25:21,440 --> 00:25:24,800
Speaker 1: complex for putting out that that list. Yeah, I ain't

497
00:25:24,840 --> 00:25:27,360
Speaker 1: ad a right, Well, that is your room report. When

498
00:25:27,359 --> 00:25:28,840
Speaker 1: we come back, we got front page news. We'll tell

499
00:25:28,840 --> 00:25:31,480
Speaker 1: you about Ben Crump and who he's suing next and

500
00:25:31,560 --> 00:25:34,440
Speaker 1: the reason why. That's the lawyer. Right. Yeah, we'll turn here. Yeah,

501
00:25:34,560 --> 00:25:36,400
Speaker 1: we'll talk to we'll talk about it when we come back.

502
00:25:36,400 --> 00:25:40,040
Speaker 1: It's Breakfast Club. Good morning, the Breakfast Club. Your mornings

503
00:25:40,040 --> 00:25:43,960
Speaker 1: will never be the same. Your company has goals this year.

504
00:25:44,200 --> 00:25:46,119
Speaker 1: Find the right people to help you achieve them. With

505
00:25:46,240 --> 00:25:48,800
Speaker 1: zip Recruiter, where four out of five employees get a

506
00:25:48,880 --> 00:25:52,200
Speaker 1: quality candidate within the first day. Tried free zip recruiter

507
00:25:52,280 --> 00:25:56,400
Speaker 1: dot com, slash Breakfast zip recruiter dot com slash Breakfast

508
00:25:56,440 --> 00:25:59,120
Speaker 1: b R E A K F A S T Morning.

509
00:25:59,160 --> 00:26:01,800
Speaker 1: Everybody is team j n V. Charlomagne the guy. We

510
00:26:01,840 --> 00:26:03,920
Speaker 1: are the breakfast club. We got our guest hosts joining

511
00:26:04,000 --> 00:26:07,639
Speaker 1: us this morning and Ari, yes, sir, we're here. All right,

512
00:26:07,680 --> 00:26:11,080
Speaker 1: let's get into some front page news. Now. We know

513
00:26:11,160 --> 00:26:13,919
Speaker 1: the governor of Florida De Santis. He's been trying to

514
00:26:14,400 --> 00:26:19,359
Speaker 1: get African American studies not taught in classrooms. We believe

515
00:26:19,480 --> 00:26:22,800
Speaker 1: in teaching kids facts and how to think, but we

516
00:26:22,920 --> 00:26:25,840
Speaker 1: don't believe they should have an agenda imposed on them.

517
00:26:26,080 --> 00:26:29,120
Speaker 1: When you try to use black history to shoehart in

518
00:26:29,240 --> 00:26:33,600
Speaker 1: queer theory, you are clearly trying to use that for

519
00:26:33,680 --> 00:26:38,920
Speaker 1: political purposes. Well, Attorney Benjamin Crump, well he doesn't like that,

520
00:26:38,960 --> 00:26:41,320
Speaker 1: and he's gonna stand up for our people, and this

521
00:26:41,359 --> 00:26:44,080
Speaker 1: is what he's planning on doing. Governor DeSantis, are you

522
00:26:44,160 --> 00:26:47,480
Speaker 1: really trying to lead us into an era a can

523
00:26:47,560 --> 00:26:54,000
Speaker 1: to communism that provides censorship of free thoughts? Are we

524
00:26:54,080 --> 00:26:58,640
Speaker 1: gonna make sure that Governor DeSantis understands that we will

525
00:26:58,800 --> 00:27:04,560
Speaker 1: stand on their America comprinciples of the free exchange of ideals,

526
00:27:04,560 --> 00:27:09,280
Speaker 1: whether those are ideals and culture of European history, whether

527
00:27:09,320 --> 00:27:13,600
Speaker 1: those are ideals and culture of German history. Everybody who

528
00:27:13,760 --> 00:27:17,000
Speaker 1: is here in America, you have a right to have

529
00:27:17,480 --> 00:27:22,640
Speaker 1: your culture, your history respected and talk to the children

530
00:27:22,880 --> 00:27:27,040
Speaker 1: of America. We have to get the TV's working him

531
00:27:27,080 --> 00:27:29,439
Speaker 1: because I want to talk to Ben Crump more about that. Absolutely,

532
00:27:29,600 --> 00:27:32,280
Speaker 1: And and let's be clear, you know, they have never

533
00:27:32,320 --> 00:27:34,679
Speaker 1: wanted us to know our true history in this country. Okay,

534
00:27:34,680 --> 00:27:37,960
Speaker 1: but when you're talking about you know, icons like James Baldwin,

535
00:27:38,280 --> 00:27:40,640
Speaker 1: you know, Bayard Rusting. You know, even when you're talking

536
00:27:40,640 --> 00:27:42,960
Speaker 1: about like the founders of of BLM, you have to

537
00:27:43,000 --> 00:27:47,120
Speaker 1: discuss the intersexuality of someone's you know, sexuality and their race.

538
00:27:47,440 --> 00:27:50,280
Speaker 1: Now they just teaching kids about sexuality. I can understand

539
00:27:50,320 --> 00:27:52,000
Speaker 1: pushing back on that because I don't believe things like

540
00:27:52,000 --> 00:27:53,639
Speaker 1: that should be taught in the classroom. Other things that

541
00:27:53,640 --> 00:27:55,600
Speaker 1: should be between you know, the parents and the children

542
00:27:55,680 --> 00:27:58,679
Speaker 1: at home. But when you're discussing somebody a black history

543
00:27:58,800 --> 00:28:01,480
Speaker 1: legend like a James Baldwin of Bayard Rusting, you gotta

544
00:28:01,560 --> 00:28:07,600
Speaker 1: discuss this intersectionality between uh sexuality and race. And when

545
00:28:07,640 --> 00:28:11,320
Speaker 1: you think about like you know, the the Pyramids and

546
00:28:11,440 --> 00:28:14,320
Speaker 1: things like that, like people still don't know how the

547
00:28:13,840 --> 00:28:16,639
Speaker 1: Pyramids were built, you know what I mean? And let

548
00:28:16,720 --> 00:28:19,560
Speaker 1: alone so so, of course we need to learn about

549
00:28:19,560 --> 00:28:22,199
Speaker 1: our history and that let you know that they're afraid

550
00:28:22,240 --> 00:28:24,280
Speaker 1: of our history because if they don't want us to

551
00:28:24,320 --> 00:28:26,840
Speaker 1: know about it, and that means that they don't want

552
00:28:26,880 --> 00:28:28,880
Speaker 1: us to be great. They're afraid of you knowing who

553
00:28:28,920 --> 00:28:31,840
Speaker 1: you are and more. And also they're afraid of their

554
00:28:31,960 --> 00:28:34,480
Speaker 1: kids knowing who you are. You know what I mean.

555
00:28:34,800 --> 00:28:37,560
Speaker 1: You can't teach your whole new generation a white supremacy

556
00:28:37,600 --> 00:28:39,840
Speaker 1: if you got a bunch of white kids looking at

557
00:28:40,080 --> 00:28:42,320
Speaker 1: at at the history of black people in America and

558
00:28:42,360 --> 00:28:45,000
Speaker 1: saying to themselves. But I was totally fine they would

559
00:28:45,000 --> 00:28:48,200
Speaker 1: treat it. Yeah, that was totally wrong how they would

560
00:28:48,200 --> 00:28:50,400
Speaker 1: treat it. Like. I love the fact that everyone's going

561
00:28:50,440 --> 00:28:55,120
Speaker 1: to Ghana and um and and and receiving this history.

562
00:28:55,200 --> 00:28:58,040
Speaker 1: Like I felt like I was in Ghana what Dave Chappelle.

563
00:28:58,080 --> 00:29:02,080
Speaker 1: When Dave Chappelle went, I think todleb and Michael Blacksman

564
00:29:02,120 --> 00:29:05,720
Speaker 1: and I follow all of them on Instagram. Yeah, he

565
00:29:05,840 --> 00:29:08,440
Speaker 1: was there with them. I was there the week before them. Okay,

566
00:29:08,480 --> 00:29:10,120
Speaker 1: I thought he was there a week after because I

567
00:29:10,320 --> 00:29:13,520
Speaker 1: guess you posted the game. Yeah, so when I post,

568
00:29:13,560 --> 00:29:16,080
Speaker 1: I'm going, Yeah I post I've been going a week

569
00:29:16,080 --> 00:29:17,720
Speaker 1: for me too. But I love that. I love the

570
00:29:17,760 --> 00:29:20,760
Speaker 1: fact that we are going back and we are learning

571
00:29:20,800 --> 00:29:25,200
Speaker 1: the history and and the tours that's happening. Um so,

572
00:29:25,480 --> 00:29:28,080
Speaker 1: so definitely, let's we can't erase black history. I mean,

573
00:29:28,080 --> 00:29:31,160
Speaker 1: that's up the point of absolutely. And lastly, Meta is

574
00:29:31,200 --> 00:29:34,720
Speaker 1: going to restore Donald Trump's Facebook and Instagram accounts. Now

575
00:29:34,840 --> 00:29:37,920
Speaker 1: that's Facebook, Facebook, Facebook and Instagram. So they're saying the

576
00:29:37,960 --> 00:29:40,240
Speaker 1: suspension was handed down of course awake of the January

577
00:29:40,320 --> 00:29:43,440
Speaker 1: six Capital riots. Uh, they believe it was fueled by

578
00:29:43,480 --> 00:29:47,280
Speaker 1: Trump's baseless claims that the president's election had been stolen.

579
00:29:47,760 --> 00:29:49,280
Speaker 1: But it seems like they're gonna give him back his

580
00:29:49,320 --> 00:29:53,840
Speaker 1: Instagram and Facebook. I'm here for it, Like you just

581
00:29:53,880 --> 00:29:55,480
Speaker 1: want to be able to talk about it. No, yeah,

582
00:29:55,480 --> 00:29:58,640
Speaker 1: out here for listen. Listen, I can't lie. Listen Donald's

583
00:29:58,680 --> 00:30:02,880
Speaker 1: Trump twe we used to be lit. Let's just let

584
00:30:04,240 --> 00:30:06,240
Speaker 1: I'm here for it because I'm all about freedom of speech.

585
00:30:06,240 --> 00:30:08,000
Speaker 1: But if the freedom of speech is dangerous, if the

586
00:30:08,080 --> 00:30:12,000
Speaker 1: rhetoric rhetoric, then you certain accounts. Yeah, that's that's when

587
00:30:12,000 --> 00:30:14,240
Speaker 1: you got to police it, you know. But I'm not

588
00:30:14,400 --> 00:30:16,080
Speaker 1: ever sit here and say all, you know, he don't

589
00:30:16,080 --> 00:30:18,920
Speaker 1: deserve a platform. But by the way, let me just

590
00:30:18,960 --> 00:30:21,240
Speaker 1: be clear, I only go on Black Twitter. I know

591
00:30:21,280 --> 00:30:24,440
Speaker 1: that's not a separate app. I know it's not a

592
00:30:24,480 --> 00:30:27,680
Speaker 1: separate app. But for me, when I go on, it

593
00:30:27,800 --> 00:30:30,080
Speaker 1: just automatically brings me the Black Twitter. And let me

594
00:30:30,120 --> 00:30:32,800
Speaker 1: just tell y'all, Donald Trump is on black Twitter. Man.

595
00:30:33,000 --> 00:30:37,400
Speaker 1: I'm just because there's a bunch of black Twitter people

596
00:30:37,400 --> 00:30:40,680
Speaker 1: who'll be retweeting it silly as all the time. They

597
00:30:40,800 --> 00:30:43,360
Speaker 1: find it funny, but the rhetoric keys fuel it is

598
00:30:43,400 --> 00:30:47,080
Speaker 1: not funny. It's dangerous. But you know, I'm not here

599
00:30:47,120 --> 00:30:50,520
Speaker 1: to I believe in freedom of speech and I'm gonna

600
00:30:50,560 --> 00:30:56,720
Speaker 1: be honest. Sorry to make this elongated, Um, Joe Biden

601
00:30:56,720 --> 00:31:01,240
Speaker 1: ain't coming outside. What you mean? We ain't seen old

602
00:31:01,360 --> 00:31:06,200
Speaker 1: Joe nowhere. He ain't been a Dinosaur barbecue. He hain't

603
00:31:06,240 --> 00:31:10,760
Speaker 1: been to Justin's. He ain't been nowhere where he had

604
00:31:10,760 --> 00:31:13,840
Speaker 1: been the Envy Car Show. Who do you think Joe

605
00:31:13,880 --> 00:31:18,360
Speaker 1: Biden is? Joe Adams will be like Eric Adams. Dam

606
00:31:19,560 --> 00:31:23,560
Speaker 1: I respect your outside this and Joe Biden, I'm gonna

607
00:31:23,600 --> 00:31:25,600
Speaker 1: be honest because you got the sister with you. I

608
00:31:25,600 --> 00:31:30,680
Speaker 1: want to I want to root for you in Kamalama Kamala. Sorry,

609
00:31:30,880 --> 00:31:33,360
Speaker 1: but Joe, you just not outside. Did you see him

610
00:31:33,360 --> 00:31:35,440
Speaker 1: at the Black Church? Yeah, I did see him. I

611
00:31:35,480 --> 00:31:37,800
Speaker 1: did not like him at the Black Church. He he

612
00:31:37,880 --> 00:31:39,800
Speaker 1: looks like he had been outside the long time. He

613
00:31:39,800 --> 00:31:41,880
Speaker 1: would say, this is the the first time in Magic City.

614
00:31:43,000 --> 00:31:46,600
Speaker 1: Oh my god. One President Biden to be like Eric Adams.

615
00:31:46,640 --> 00:31:51,040
Speaker 1: Just we mixing out here. Eric Adams, you outside and

616
00:31:51,040 --> 00:31:54,640
Speaker 1: I respect Man Adams trying to be relevant. Just come, no, no, no,

617
00:31:54,680 --> 00:31:58,040
Speaker 1: he is relevant. Is in my world. He's relevant. I

618
00:31:58,040 --> 00:32:01,120
Speaker 1: want him to come to my party and drinks, makes polo.

619
00:32:01,280 --> 00:32:04,560
Speaker 1: He was. He met with Jim Jones every Wednesday. Got

620
00:32:04,640 --> 00:32:10,480
Speaker 1: a mixtape. I'm gonna copy. Hopefully it's a sale. I'm

621
00:32:10,480 --> 00:32:13,360
Speaker 1: not gonna listen, but I'm a comment just on the strip.

622
00:32:13,440 --> 00:32:16,640
Speaker 1: Oh my goodness. All right, and that is Front page News.

623
00:32:16,680 --> 00:32:20,080
Speaker 1: Now when we come back, Dion Taylor Terrace jt I.

624
00:32:20,240 --> 00:32:22,280
Speaker 1: The movie Fear comes out tomorrow. We're gonna kick it

625
00:32:22,320 --> 00:32:24,560
Speaker 1: with them now that we interviewed them yesterday. So Nori

626
00:32:24,640 --> 00:32:27,600
Speaker 1: won't be in this interview. But Nori's here. He's hosting.

627
00:32:27,640 --> 00:32:29,720
Speaker 1: He's our celebrity host. He's our guest host for today.

628
00:32:30,720 --> 00:32:33,840
Speaker 1: Lass on this one, I say it's the breakfast Club,

629
00:32:33,880 --> 00:32:39,680
Speaker 1: Good Morning, the Breakfast Club. Yeah, and that's what the

630
00:32:39,720 --> 00:32:42,400
Speaker 1: movie deals with. It is the manifestation of the consciousness.

631
00:32:42,880 --> 00:32:46,000
Speaker 1: So inside the film what happens is all the characters

632
00:32:46,800 --> 00:32:49,080
Speaker 1: are dealing with something, you know, the most unique thing

633
00:32:49,080 --> 00:32:51,960
Speaker 1: we have on earth, which is the mind. So whatever

634
00:32:51,960 --> 00:32:54,440
Speaker 1: it is that you could actually manifest or see, whether

635
00:32:54,480 --> 00:32:57,320
Speaker 1: that's good or bad, that's actually what you bring it

636
00:32:57,360 --> 00:33:00,680
Speaker 1: to your reality. So the movie is really cool that way,

637
00:33:00,840 --> 00:33:04,000
Speaker 1: and it's a big conversation piece. Man. We've been touring

638
00:33:04,120 --> 00:33:07,400
Speaker 1: the last week now. We did like five six cities,

639
00:33:07,480 --> 00:33:09,240
Speaker 1: and every time we screened the movie, it's you know,

640
00:33:09,240 --> 00:33:11,000
Speaker 1: it's been like an hour of Q and A after

641
00:33:11,040 --> 00:33:14,000
Speaker 1: everyone about what the mind is doing and how it's

642
00:33:14,040 --> 00:33:15,440
Speaker 1: doing it. And it's a lot to do with mental

643
00:33:15,480 --> 00:33:18,720
Speaker 1: illness too, man, Like you know, So it's dope that way.

644
00:33:18,840 --> 00:33:21,680
Speaker 1: And the end I think it's just spectacular, man, Like

645
00:33:21,720 --> 00:33:24,760
Speaker 1: what we the message we get, which is how do

646
00:33:24,840 --> 00:33:29,000
Speaker 1: you defeat fear? Filming this was horrifying. Dion made us

647
00:33:29,640 --> 00:33:44,120
Speaker 1: floor like we didn't have no trailer. Hey, man, I

648
00:33:44,280 --> 00:33:46,440
Speaker 1: told him I would go refer I mean, like refer

649
00:33:46,560 --> 00:33:48,440
Speaker 1: it for me though you know what I'm saying. But

650
00:33:48,440 --> 00:33:50,720
Speaker 1: but that, but I will tend you that the Large

651
00:33:50,840 --> 00:33:55,160
Speaker 1: Week film though, really is haunted. Yea, and no it

652
00:33:55,400 --> 00:34:00,280
Speaker 1: is that the story that they told that was really no, yeah,

653
00:34:00,400 --> 00:34:04,000
Speaker 1: that story that large with the with the the killing

654
00:34:04,080 --> 00:34:10,919
Speaker 1: of the witches and got to sleep there though, Yes, yeah,

655
00:34:11,040 --> 00:34:19,200
Speaker 1: this is really they did. They did. What did you see, Terrice?

656
00:34:19,239 --> 00:34:21,200
Speaker 1: Did you see anything when you were there sleeping? So

657
00:34:21,239 --> 00:34:23,600
Speaker 1: I'm not a When I pulled up my mattress, there

658
00:34:23,640 --> 00:34:25,759
Speaker 1: were spiders that came out from the bed. They had

659
00:34:25,800 --> 00:34:27,600
Speaker 1: to change like the bed that I wasn't like. It

660
00:34:27,640 --> 00:34:29,960
Speaker 1: was terrify. It was actually crazy. It was terrifying. It

661
00:34:30,000 --> 00:34:33,359
Speaker 1: was terrifying after the spiders came under your mattress. I'm

662
00:34:33,360 --> 00:34:37,640
Speaker 1: a method active baby, you know. You guys remember this

663
00:34:37,719 --> 00:34:40,799
Speaker 1: was this was the first movie that was shot during

664
00:34:40,840 --> 00:34:44,279
Speaker 1: the pandemic. So we actually went to the CDC and

665
00:34:44,360 --> 00:34:46,680
Speaker 1: had the conversation with them before they started doing the

666
00:34:46,680 --> 00:34:49,000
Speaker 1: bubble and all that. We were the first ones to

667
00:34:49,040 --> 00:34:51,919
Speaker 1: do it. We were actually driving people or driving test

668
00:34:51,920 --> 00:34:54,840
Speaker 1: results to LA and back every day. That's how he

669
00:34:54,920 --> 00:34:56,840
Speaker 1: got us all there. So that's how we're able to

670
00:34:56,840 --> 00:34:59,719
Speaker 1: get there. Joseph Cord drove from New York to Lake

671
00:34:59,800 --> 00:35:02,960
Speaker 1: to hold to do this film, Terrence Tip. Everybody came

672
00:35:03,000 --> 00:35:05,480
Speaker 1: down and descended into one location so we could make

673
00:35:05,480 --> 00:35:06,840
Speaker 1: the movie. Originally, if I was going to do it

674
00:35:06,840 --> 00:35:09,680
Speaker 1: with a carmophone, and then I got a little bit

675
00:35:09,719 --> 00:35:11,120
Speaker 1: more risky. I was like, man, I wonder if I

676
00:35:11,120 --> 00:35:13,319
Speaker 1: could call it a real DP and really shoot this.

677
00:35:13,880 --> 00:35:16,239
Speaker 1: And so what I think it's really great about the

678
00:35:16,280 --> 00:35:19,880
Speaker 1: film is in between takes you will see when you

679
00:35:19,920 --> 00:35:22,919
Speaker 1: go see the movie, wise call fears because you could

680
00:35:22,920 --> 00:35:25,560
Speaker 1: really see every actor in there really dealing with something.

681
00:35:25,719 --> 00:35:28,400
Speaker 1: Because this is at a time where we didn't know

682
00:35:28,800 --> 00:35:32,080
Speaker 1: so now everybody's cool, Now everybody tough, Now everybody know everything.

683
00:35:32,480 --> 00:35:34,919
Speaker 1: But this is when we were watching CNN and ten

684
00:35:34,960 --> 00:35:37,480
Speaker 1: Thousand Bodies every day. We were saying, you know what

685
00:35:37,480 --> 00:35:39,839
Speaker 1: I mean, this is that moment. So to be able

686
00:35:39,880 --> 00:35:41,680
Speaker 1: to do that film during that time, and shout out

687
00:35:41,680 --> 00:35:44,200
Speaker 1: to Rock sam Man for producing the film during about

688
00:35:44,400 --> 00:35:46,319
Speaker 1: but we did it, man. And now to have a

689
00:35:46,360 --> 00:35:48,800
Speaker 1: movie that looks like this and feels like this fresh

690
00:35:48,960 --> 00:35:51,600
Speaker 1: new it's pretty dope. And that's how it got us

691
00:35:51,640 --> 00:35:53,440
Speaker 1: all there, because you know, they called me and say, man,

692
00:35:53,600 --> 00:35:55,560
Speaker 1: I'm gonna shoot the movie. I say many nobody's shooting

693
00:35:55,560 --> 00:35:57,799
Speaker 1: the movies. Now I want to shoot the movie. I said,

694
00:35:57,840 --> 00:36:03,280
Speaker 1: all right, win he say, like Thursday, And that's what happened.

695
00:36:03,280 --> 00:36:06,799
Speaker 1: We just I mean, really it was is I guess

696
00:36:06,840 --> 00:36:10,040
Speaker 1: it's spontaneous as it sounds. That's exactly how I went down.

697
00:36:10,480 --> 00:36:12,640
Speaker 1: And as soon as I showed up, I saw Terence

698
00:36:12,719 --> 00:36:14,399
Speaker 1: and it ain't like, you know, I got to show

699
00:36:14,520 --> 00:36:17,719
Speaker 1: up and prepare and go to wardrobe like I showed him, Hey,

700
00:36:17,719 --> 00:36:19,680
Speaker 1: which what you're wearing right now here? Yeah, let's go.

701
00:36:20,640 --> 00:36:23,880
Speaker 1: First scene is coming right up. The campfire scene that was.

702
00:36:23,960 --> 00:36:27,680
Speaker 1: That was like thirty minutes after I got there. I

703
00:36:27,760 --> 00:36:30,759
Speaker 1: love that. I love that there's such a grittiness and

704
00:36:30,760 --> 00:36:33,600
Speaker 1: and so authentic one. It's done that way like when

705
00:36:33,600 --> 00:36:35,960
Speaker 1: you just in the trenches shooting a movie. It's a

706
00:36:36,040 --> 00:36:39,200
Speaker 1: labor of love. Everybody's just putting their best foot forward.

707
00:36:39,239 --> 00:36:41,920
Speaker 1: It's not about hair to make up the clothes. It's

708
00:36:41,960 --> 00:36:43,840
Speaker 1: really about just digging in and getting into it. You

709
00:36:43,840 --> 00:36:47,080
Speaker 1: got to be a beast to do that. Yeah, he

710
00:36:47,200 --> 00:36:49,480
Speaker 1: his dog. So you thought to yourself, don let's use

711
00:36:49,480 --> 00:36:54,560
Speaker 1: no budget whatsoever. What the film representative was a moment

712
00:36:54,600 --> 00:36:57,000
Speaker 1: of time we were in so even when tipped out

713
00:36:57,000 --> 00:37:00,600
Speaker 1: there right, you know, right he got there and I

714
00:37:00,600 --> 00:37:02,680
Speaker 1: looked at him. I was I was like, that's it.

715
00:37:03,360 --> 00:37:05,120
Speaker 1: This is the moment. This is what he looks like,

716
00:37:05,239 --> 00:37:07,800
Speaker 1: you know what I mean? And yeah, no no budget

717
00:37:08,200 --> 00:37:10,120
Speaker 1: at all. You know. What we were trying to do

718
00:37:10,200 --> 00:37:13,279
Speaker 1: is just be raw and be ugly and capture what

719
00:37:13,360 --> 00:37:16,040
Speaker 1: it felt like during that time. But the twist is

720
00:37:16,080 --> 00:37:18,120
Speaker 1: when you go to the theater, you'll understand what we're

721
00:37:18,160 --> 00:37:21,960
Speaker 1: going with this, because, like I said, there is a powerful,

722
00:37:22,120 --> 00:37:25,479
Speaker 1: powerful emotion and it would look it could it could

723
00:37:25,480 --> 00:37:29,000
Speaker 1: manifest in a very very hurtful way. So what I

724
00:37:29,040 --> 00:37:31,040
Speaker 1: thought was really cool about the movies as we keep

725
00:37:31,080 --> 00:37:32,920
Speaker 1: growing it and growing it. I was saying this the

726
00:37:32,960 --> 00:37:35,960
Speaker 1: other day, like during that time and even now, like

727
00:37:36,480 --> 00:37:37,759
Speaker 1: you feel like, oh man, I feel like I got

728
00:37:37,760 --> 00:37:40,920
Speaker 1: a little thing right here. You're gonna line, you start searching,

729
00:37:40,960 --> 00:37:42,400
Speaker 1: you go down the rabbit hole for you know, you

730
00:37:42,480 --> 00:37:48,840
Speaker 1: to diagnose yourself. Right, So they're like, I got this,

731
00:37:48,920 --> 00:37:52,399
Speaker 1: And so this energy is in this film, right, How

732
00:37:52,440 --> 00:37:55,560
Speaker 1: we perceived television is in this film. How we perceived

733
00:37:55,600 --> 00:37:58,960
Speaker 1: everything that we consume and how we regurgitated it's in

734
00:37:59,000 --> 00:38:01,719
Speaker 1: this film. We got more with Tia Terrace, J and

735
00:38:01,840 --> 00:38:04,600
Speaker 1: Dion Taylor. You know that movie Fear comes out tomorrow,

736
00:38:04,640 --> 00:38:06,680
Speaker 1: so don't move. It's to Breakfast Club, Go morning, like

737
00:38:06,800 --> 00:38:09,759
Speaker 1: everybody is DJ and V Charlemagne the guy we are

738
00:38:09,760 --> 00:38:12,440
Speaker 1: the Breakfast Club were still kicking it with Tia Terrace,

739
00:38:12,560 --> 00:38:16,040
Speaker 1: J and Dion and Taylor. That movie Fear comes out tomorrow.

740
00:38:16,520 --> 00:38:19,040
Speaker 1: Now La La was joining us during this interview, So

741
00:38:19,120 --> 00:38:20,680
Speaker 1: let's get back to the interview. Now. You talk about

742
00:38:20,719 --> 00:38:22,800
Speaker 1: the camp fine scene. That's the scene where you guys

743
00:38:22,800 --> 00:38:25,799
Speaker 1: start talking about your fear. So let me ask you

744
00:38:25,800 --> 00:38:28,719
Speaker 1: guys in real life, what is your biggest fear? Start

745
00:38:28,719 --> 00:38:33,520
Speaker 1: with you, TJ. My biggest fear is just not maximizing

746
00:38:33,560 --> 00:38:36,120
Speaker 1: my full potential, you know, waking up an old man

747
00:38:36,200 --> 00:38:38,520
Speaker 1: and looking back and feeling like I left something on

748
00:38:38,560 --> 00:38:40,840
Speaker 1: the table. And so that's why every morning I get up,

749
00:38:40,880 --> 00:38:42,880
Speaker 1: I'm like, you know, I don't want to leave anything

750
00:38:42,960 --> 00:38:45,920
Speaker 1: behind in this life, you know. So that would probably

751
00:38:45,960 --> 00:38:47,680
Speaker 1: be it is that while you alone, walk in front

752
00:38:47,719 --> 00:39:04,680
Speaker 1: of you is my sister. That's sister, that's like my sister.

753
00:39:05,120 --> 00:39:07,520
Speaker 1: How would this even go left? That's like my family.

754
00:39:07,719 --> 00:39:10,880
Speaker 1: When when when you see me along, you see you

755
00:39:10,960 --> 00:39:13,319
Speaker 1: got to open the doors. You know what I'm saying

756
00:39:13,320 --> 00:39:15,960
Speaker 1: me along is a is a is a national treasure.

757
00:39:16,000 --> 00:39:22,279
Speaker 1: She must be protected at all courts. You know. Biggest fear, uh?

758
00:39:22,400 --> 00:39:25,080
Speaker 1: I think my biggest fear, man, you know, is that

759
00:39:25,200 --> 00:39:28,000
Speaker 1: being able to be there for for for my kids

760
00:39:28,040 --> 00:39:30,640
Speaker 1: and my loved ones when they depending on me when

761
00:39:30,680 --> 00:39:33,160
Speaker 1: they need me, and not even just not be there physically,

762
00:39:33,200 --> 00:39:36,080
Speaker 1: like you know, just not be here to guide them

763
00:39:36,080 --> 00:39:39,000
Speaker 1: and direct them and you know, off of my my

764
00:39:39,280 --> 00:39:44,040
Speaker 1: uh I guess experience or knowledge or wisdom for them

765
00:39:44,080 --> 00:39:47,120
Speaker 1: to get through whatever they might be challenged with. I

766
00:39:47,160 --> 00:39:51,359
Speaker 1: think that's that's my biggest fear. Oh. I think my

767
00:39:51,360 --> 00:39:55,839
Speaker 1: biggest fear is like constantly trying to wonder if I'm

768
00:39:56,080 --> 00:39:59,400
Speaker 1: be here in ten, twelve, thirteen, fourteen years my kids,

769
00:39:59,400 --> 00:40:00,719
Speaker 1: Like I'm like, man, want to be here when they

770
00:40:00,719 --> 00:40:03,680
Speaker 1: turn That's something that I keep on messing with. And

771
00:40:03,680 --> 00:40:06,080
Speaker 1: that's something you gotta not do. You got to live

772
00:40:06,080 --> 00:40:08,480
Speaker 1: in a moment right now and understand that, you know,

773
00:40:08,520 --> 00:40:10,560
Speaker 1: every day as a blessing versus you trying to live

774
00:40:10,640 --> 00:40:13,520
Speaker 1: for what you know what twenty thirty gonna feel like,

775
00:40:13,600 --> 00:40:15,680
Speaker 1: you know what I mean? So it would be time

776
00:40:15,760 --> 00:40:17,640
Speaker 1: for me. And that's what's crazy as we deal with

777
00:40:17,680 --> 00:40:21,200
Speaker 1: all this in the film. Yeah, I'm thinking about the movie.

778
00:40:21,200 --> 00:40:23,239
Speaker 1: You know, you did the whole amborne virus that got

779
00:40:23,280 --> 00:40:25,480
Speaker 1: people stuck in the house, you know what I mean.

780
00:40:25,600 --> 00:40:27,759
Speaker 1: But then also, I'm not gonna give it away, but

781
00:40:28,080 --> 00:40:31,000
Speaker 1: there was a lot of people who committed suicide during

782
00:40:31,040 --> 00:40:33,120
Speaker 1: that time. What was all of that? Did y'all tip

783
00:40:33,160 --> 00:40:35,759
Speaker 1: all of that during that one year or that stuff

784
00:40:35,800 --> 00:40:37,920
Speaker 1: y'all did after the fact? Did it all in the

785
00:40:38,040 --> 00:40:40,520
Speaker 1: fifteen days we were there? Wow? So we were really

786
00:40:40,560 --> 00:40:43,840
Speaker 1: ahead of that moment. Yeah, that's why that's why I

787
00:40:43,920 --> 00:40:45,520
Speaker 1: keep telling you know, that's why the movie is being

788
00:40:45,520 --> 00:40:47,400
Speaker 1: received a way because you what you just hit on,

789
00:40:47,480 --> 00:40:49,800
Speaker 1: which is we were actually ahead of that curve a

790
00:40:49,800 --> 00:40:51,759
Speaker 1: little bit. What we were like, man, just thinking it

791
00:40:51,760 --> 00:40:54,920
Speaker 1: out loud, like tip Terence, you know what I mean?

792
00:40:55,000 --> 00:40:58,960
Speaker 1: Like how they how it happens is pretty dupe. What

793
00:40:59,080 --> 00:41:03,719
Speaker 1: was it like, July twenty twenty, Yeah, yeah, everything you

794
00:41:03,760 --> 00:41:06,400
Speaker 1: started hitting the fan around March April Februaries when they

795
00:41:06,400 --> 00:41:10,080
Speaker 1: started going far. You know, we put all the money

796
00:41:10,080 --> 00:41:12,120
Speaker 1: on the screen. So it's like, you know, when he

797
00:41:12,160 --> 00:41:14,279
Speaker 1: asked you to participate in something like that you want

798
00:41:14,280 --> 00:41:15,920
Speaker 1: to get paid six figures to be in it, or

799
00:41:15,920 --> 00:41:17,960
Speaker 1: you want to invest six figures and have a seat

800
00:41:17,960 --> 00:41:20,239
Speaker 1: at the table. And so that's the beauty of what

801
00:41:20,360 --> 00:41:23,720
Speaker 1: Dion's created with. This is where you know producers, complete

802
00:41:23,719 --> 00:41:27,239
Speaker 1: profit participation and I and I love that because it's

803
00:41:27,239 --> 00:41:29,680
Speaker 1: all about you know, Boston up. It's all about us

804
00:41:29,680 --> 00:41:33,160
Speaker 1: working together. It's not reaching up. There's no studio handing

805
00:41:33,239 --> 00:41:35,920
Speaker 1: us down money. It's completely self finance. It doesn't look

806
00:41:35,960 --> 00:41:39,399
Speaker 1: at depend if anybody else looks like they didn't tell

807
00:41:39,400 --> 00:41:41,120
Speaker 1: me that right now, I would have never thought that

808
00:41:41,160 --> 00:41:42,880
Speaker 1: watching it feel like get out Now that I think

809
00:41:42,920 --> 00:41:44,920
Speaker 1: about that, you know the people and get out of

810
00:41:44,960 --> 00:41:49,080
Speaker 1: the actors, they get out there. Your mater guard is

811
00:41:49,160 --> 00:41:52,400
Speaker 1: yeah this get out. And then the movie a little bit,

812
00:41:53,960 --> 00:41:59,480
Speaker 1: it's checked with an armored truck when you're on a

813
00:41:59,520 --> 00:42:01,879
Speaker 1: pillow in a box. His first road he checked from

814
00:42:01,920 --> 00:42:06,000
Speaker 1: you up. Yeah. But I think like what this represents everyone.

815
00:42:06,719 --> 00:42:09,359
Speaker 1: I think everyone talks a good game about this black

816
00:42:09,400 --> 00:42:12,520
Speaker 1: excellence and building our own and but it's very seldom

817
00:42:12,520 --> 00:42:15,759
Speaker 1: man that we actually really work together. And people, Yeah,

818
00:42:15,760 --> 00:42:17,960
Speaker 1: people don't want to have that conversation about like, you know,

819
00:42:18,080 --> 00:42:21,000
Speaker 1: working with people that look just like you, and especially

820
00:42:21,040 --> 00:42:23,920
Speaker 1: in this industry man, where people are actually was that

821
00:42:24,040 --> 00:42:26,799
Speaker 1: looked like you could be the most cutthroat you know,

822
00:42:26,920 --> 00:42:29,160
Speaker 1: and the most people that have pushed you away, so

823
00:42:29,320 --> 00:42:32,520
Speaker 1: very clickish, you know what I mean. So for us independently, man,

824
00:42:32,560 --> 00:42:34,920
Speaker 1: I've been you know, this took us a long time

825
00:42:34,960 --> 00:42:37,600
Speaker 1: to be able to build this. But now, like movies

826
00:42:37,640 --> 00:42:40,759
Speaker 1: like you know, Black and Blue and Intruder and you

827
00:42:40,800 --> 00:42:44,440
Speaker 1: know all these other films we amazed Supremacy. Yeah, with rehearsal,

828
00:42:44,560 --> 00:42:47,719
Speaker 1: Ali and Danny Glover, like now to be able to

829
00:42:47,800 --> 00:42:50,239
Speaker 1: do it at this level and now also be inclusive

830
00:42:50,320 --> 00:42:53,439
Speaker 1: and work with other people, this movie could go much

831
00:42:53,480 --> 00:42:55,359
Speaker 1: further than I could throw it based on the fact

832
00:42:55,360 --> 00:42:57,680
Speaker 1: that these guys could run faster than me too, you

833
00:42:57,719 --> 00:43:00,480
Speaker 1: know what I mean. So this should be like the

834
00:43:00,560 --> 00:43:03,000
Speaker 1: new brand of what we're trying to build in Hollywood,

835
00:43:03,400 --> 00:43:06,400
Speaker 1: you know, which is really everybody working together and building

836
00:43:06,440 --> 00:43:10,080
Speaker 1: something and owning something collectively, not just one person getting

837
00:43:10,160 --> 00:43:13,920
Speaker 1: rich or getting empowered or so if this movie works,

838
00:43:14,800 --> 00:43:16,680
Speaker 1: we do it again, and then we do it again,

839
00:43:17,000 --> 00:43:19,600
Speaker 1: and then these guys actually participate because right now no

840
00:43:19,600 --> 00:43:21,360
Speaker 1: one owns IPPs. I was going to say. It's just

841
00:43:21,400 --> 00:43:24,520
Speaker 1: so that's what's so important. And one thing about you,

842
00:43:24,600 --> 00:43:28,560
Speaker 1: Dan is you're always about giving those opportunities to people

843
00:43:28,600 --> 00:43:32,680
Speaker 1: that to us, you know, people that understand what our

844
00:43:32,760 --> 00:43:34,600
Speaker 1: day to day lifestyle is like. And I think it's

845
00:43:34,640 --> 00:43:37,120
Speaker 1: amazing to provide those opportunities to all of us for

846
00:43:37,200 --> 00:43:40,160
Speaker 1: ownership and just also to kind of I've learned a

847
00:43:40,160 --> 00:43:42,440
Speaker 1: lot from you, like just learning from you, and I

848
00:43:42,520 --> 00:43:44,759
Speaker 1: know just watching how he works, it's like it's like

849
00:43:44,800 --> 00:43:47,200
Speaker 1: a master class. And to be able to be a

850
00:43:47,239 --> 00:43:49,200
Speaker 1: part of that, and then, like he said, take that

851
00:43:49,200 --> 00:43:51,520
Speaker 1: blueprint and do it again, and do it again. That's

852
00:43:51,560 --> 00:43:53,880
Speaker 1: what it's about, providing more opportunities for all of us

853
00:43:53,880 --> 00:43:55,920
Speaker 1: out there to continue to grow and then put us

854
00:43:55,920 --> 00:43:59,200
Speaker 1: in position to provide more opportunities for more people. You

855
00:43:59,200 --> 00:44:01,359
Speaker 1: gotta had that some reason why people are like, man,

856
00:44:01,400 --> 00:44:04,680
Speaker 1: I haven't seen Jack Nicholson work in twenty five years,

857
00:44:04,680 --> 00:44:06,800
Speaker 1: but he's sitting on the front row of the Lakers

858
00:44:06,840 --> 00:44:10,680
Speaker 1: game right because he owns Steak and Equity and batman

859
00:44:11,520 --> 00:44:14,279
Speaker 1: Iano reeves the matrix, you know what I mean. So

860
00:44:14,320 --> 00:44:16,120
Speaker 1: you could go on and on how these guys are

861
00:44:16,160 --> 00:44:18,960
Speaker 1: able to actually be a part of something but us,

862
00:44:19,280 --> 00:44:21,520
Speaker 1: we always get it up front, you know what I mean.

863
00:44:21,560 --> 00:44:23,880
Speaker 1: And now in this system where everything is streaming and

864
00:44:23,920 --> 00:44:26,560
Speaker 1: they own everything, you really don't get no ip or equity.

865
00:44:26,880 --> 00:44:29,000
Speaker 1: So now you're gonna get paid all the money right now,

866
00:44:29,360 --> 00:44:31,240
Speaker 1: and then you're gonna watch that for the next twenty

867
00:44:31,239 --> 00:44:33,680
Speaker 1: thirty years. Your kid's gonna watch that. So to be

868
00:44:33,719 --> 00:44:36,319
Speaker 1: able to participate like real did and to get out

869
00:44:36,840 --> 00:44:39,480
Speaker 1: or have a percentage, I'm sure he didn't invest, but

870
00:44:39,640 --> 00:44:42,080
Speaker 1: they gave him equity in the movie because he came

871
00:44:42,080 --> 00:44:44,920
Speaker 1: in a small budget movie. But this is different, man, Like,

872
00:44:45,000 --> 00:44:48,320
Speaker 1: this is ownership. So when you see Fear this weekend

873
00:44:48,320 --> 00:44:51,480
Speaker 1: in the movie theater, and you're right, it looks fantastic.

874
00:44:51,800 --> 00:44:55,600
Speaker 1: Shout out to Chris Duskin, you know the whole VFX

875
00:44:55,640 --> 00:44:57,719
Speaker 1: team that worked on this. When you see that, just

876
00:44:57,840 --> 00:45:00,879
Speaker 1: understand when you buy that ticket, it is actually going

877
00:45:00,880 --> 00:45:03,560
Speaker 1: back to a black production company and back to these

878
00:45:03,560 --> 00:45:05,759
Speaker 1: guys who put their money up and they owned that.

879
00:45:05,800 --> 00:45:07,719
Speaker 1: So in five years from now, when you watch Fear,

880
00:45:07,880 --> 00:45:09,600
Speaker 1: it's there. So now we could buy some cars for

881
00:45:09,760 --> 00:45:22,879
Speaker 1: Envy's car shot. For the car shot, I was gonna ask.

882
00:45:22,920 --> 00:45:25,000
Speaker 1: So when you board during the pandemic. It was like,

883
00:45:25,040 --> 00:45:26,919
Speaker 1: I gotta shoot something. I can't just sit on my ass.

884
00:45:26,960 --> 00:45:29,359
Speaker 1: But what was that? That thought process came because we

885
00:45:29,360 --> 00:45:32,120
Speaker 1: were all home doing nothing. No Dion was calling, everybody

886
00:45:32,280 --> 00:45:34,799
Speaker 1: was on the phone with Charlemagne six am every morning.

887
00:45:34,840 --> 00:45:36,680
Speaker 1: We got to change the world. We're gonna do a

888
00:45:36,760 --> 00:45:42,480
Speaker 1: pro like Dione the couple Z we did great man.

889
00:45:42,520 --> 00:45:46,239
Speaker 1: We were acting was leading the charge on. It wasn't

890
00:45:46,280 --> 00:45:50,080
Speaker 1: even entertainment stuff. It was politics. Yeah, all of us,

891
00:45:50,360 --> 00:45:54,080
Speaker 1: you and me and Killer Mike and uh. I think

892
00:45:54,120 --> 00:45:57,200
Speaker 1: we all just everybody knew something big is gonna come

893
00:45:57,200 --> 00:45:59,120
Speaker 1: out of it. You know. We just wanted to be

894
00:45:59,160 --> 00:46:01,719
Speaker 1: a part of whatever was going to be on the

895
00:46:01,760 --> 00:46:05,960
Speaker 1: other side that was that was going to be financially

896
00:46:06,000 --> 00:46:10,400
Speaker 1: beneficial or even just culturally beneficial. And I think, you know,

897
00:46:11,000 --> 00:46:14,239
Speaker 1: in our own way, everybody did. I mean a lot

898
00:46:14,280 --> 00:46:16,680
Speaker 1: of people didn't make it to the other side. Yeah,

899
00:46:17,160 --> 00:46:20,319
Speaker 1: I'm saying that physically as well as mental mentally, a

900
00:46:20,320 --> 00:46:23,160
Speaker 1: lot of people did not make that jump y'all show

901
00:46:23,200 --> 00:46:28,480
Speaker 1: that in the movie. Yeah, some people wanted to make it.

902
00:46:28,880 --> 00:46:32,200
Speaker 1: You know what I'm saying. It's around than just wasn't

903
00:46:32,239 --> 00:46:34,920
Speaker 1: you know, they just wouldn't let it happen with the

904
00:46:35,719 --> 00:46:39,640
Speaker 1: ain't gonna say to all. We got more with Ti

905
00:46:39,960 --> 00:46:42,439
Speaker 1: terrece J and Dion Taylor. You know that movie Fear

906
00:46:42,520 --> 00:46:44,640
Speaker 1: comes out tomorrow, so don't move. It's to Breakfast Club.

907
00:46:45,400 --> 00:46:48,319
Speaker 1: Everybody is DJ and V Charlomagne the guy. We are

908
00:46:48,360 --> 00:46:51,000
Speaker 1: the Breakfast Club. We're still kicking it with Ti terrece

909
00:46:51,120 --> 00:46:55,239
Speaker 1: J and Dion Taylor. That movie Fear comes out tomorrow. Now,

910
00:46:55,760 --> 00:46:58,000
Speaker 1: Lola was joining us during this interview, so let's get

911
00:46:58,040 --> 00:47:00,279
Speaker 1: back to the interview. Charlomage. That was port and it's

912
00:47:00,360 --> 00:47:02,960
Speaker 1: like just mento ship, like who taught you? Like you're

913
00:47:03,000 --> 00:47:05,319
Speaker 1: given the game to people, but who taught you? You

914
00:47:05,360 --> 00:47:08,520
Speaker 1: know what? I wasn't taught. And I think that's what

915
00:47:09,239 --> 00:47:11,240
Speaker 1: really helps me to be who I am today because

916
00:47:11,320 --> 00:47:14,080
Speaker 1: it was so hard for us for seventeen years. Every

917
00:47:14,080 --> 00:47:16,520
Speaker 1: time we went somewhere and somebody tell you know, you

918
00:47:16,520 --> 00:47:18,520
Speaker 1: don't know how to actually do something, so you have

919
00:47:18,560 --> 00:47:21,000
Speaker 1: to learn on your own. I just remember Man two

920
00:47:21,120 --> 00:47:23,799
Speaker 1: three times having a metaphysical depth in my life. Well,

921
00:47:23,800 --> 00:47:25,920
Speaker 1: I'm like, damn man, Like I thought I was doing

922
00:47:25,960 --> 00:47:29,799
Speaker 1: this right, but I collapsed and later on in life

923
00:47:29,800 --> 00:47:34,000
Speaker 1: I ended up, meaning Robert Smith, who became a real

924
00:47:34,040 --> 00:47:36,120
Speaker 1: mentor to me. But I was already on the move.

925
00:47:36,560 --> 00:47:40,560
Speaker 1: He already seen that. But yeah, that's why riches. But

926
00:47:40,600 --> 00:47:42,600
Speaker 1: that's why I just come from a place man of like, man,

927
00:47:42,719 --> 00:47:45,080
Speaker 1: we could just show it educating. I know that's not normal,

928
00:47:45,600 --> 00:47:47,880
Speaker 1: but you know we already said, man, the game is

929
00:47:47,920 --> 00:47:50,239
Speaker 1: to be sold. And I told I've always been like, no, man,

930
00:47:50,280 --> 00:47:52,480
Speaker 1: you get a game away for free, so we could

931
00:47:52,520 --> 00:47:55,200
Speaker 1: learn and move forward. That's the bottom line, you know

932
00:47:55,239 --> 00:47:57,160
Speaker 1: what I mean. It's not it should not be this

933
00:47:57,239 --> 00:47:59,960
Speaker 1: thing where it's only one and we've had this guy.

934
00:48:00,000 --> 00:48:02,520
Speaker 1: I've seen Kevin Hard have it. I've seen Tia have it,

935
00:48:03,000 --> 00:48:06,480
Speaker 1: Terrence have it. That's a reality right now, it's only one,

936
00:48:06,840 --> 00:48:08,160
Speaker 1: you know what I mean. It's like, man, how do

937
00:48:08,239 --> 00:48:10,920
Speaker 1: we get past that? And then how do we also

938
00:48:11,000 --> 00:48:14,040
Speaker 1: celebrate people that's actually winning? Man? You know, we just

939
00:48:14,120 --> 00:48:17,440
Speaker 1: talking about Josephcore of fifty cent on the way over,

940
00:48:17,560 --> 00:48:19,440
Speaker 1: because Joe is a really big part of this film,

941
00:48:19,880 --> 00:48:22,239
Speaker 1: and I was just saying to myself, Man, do you

942
00:48:22,239 --> 00:48:24,920
Speaker 1: guys understand we do as a culture, but do you

943
00:48:25,000 --> 00:48:29,000
Speaker 1: understand what this man has done in television? Yeah? I

944
00:48:29,000 --> 00:48:32,600
Speaker 1: don't think people understand they don't. Yeah, But at the

945
00:48:32,640 --> 00:48:35,920
Speaker 1: same time, why why why does the country not understand that?

946
00:48:36,320 --> 00:48:38,560
Speaker 1: And then why is he still being in a position

947
00:48:38,560 --> 00:48:41,920
Speaker 1: where he has to fight for what he's right? Right, Like,

948
00:48:41,960 --> 00:48:45,759
Speaker 1: this is real man valuable in black content. Yea be

949
00:48:45,920 --> 00:48:49,440
Speaker 1: valuab But I don't think we are the best somebody

950
00:48:49,480 --> 00:48:55,520
Speaker 1: else's hands. True, they try to devalue when we own out. Well,

951
00:48:55,560 --> 00:48:57,480
Speaker 1: his numbers is good at his numbers is better than

952
00:48:57,520 --> 00:49:00,319
Speaker 1: every other show on the network, So what what does

953
00:49:00,360 --> 00:49:02,839
Speaker 1: that mean? But that's also why it's up to us,

954
00:49:03,000 --> 00:49:05,600
Speaker 1: like everything that we're talking about, because obviously fifty has

955
00:49:05,680 --> 00:49:08,160
Speaker 1: been a mentor and I've said a million times, I'll

956
00:49:08,160 --> 00:49:10,520
Speaker 1: say it a million one times. Fifty changed my life

957
00:49:10,520 --> 00:49:12,600
Speaker 1: by the opportunities that he's always provided to me. But

958
00:49:12,640 --> 00:49:15,440
Speaker 1: then you'll see what people be like, Oh, she did power,

959
00:49:15,520 --> 00:49:18,320
Speaker 1: now she on BMF, she just do everything. We're fifties

960
00:49:18,320 --> 00:49:20,239
Speaker 1: that first of all, I'm loyal and second of all,

961
00:49:20,520 --> 00:49:29,919
Speaker 1: like this man provided it's like it's like you're you're

962
00:49:29,920 --> 00:49:32,080
Speaker 1: mad about that or that's not the right thing, but

963
00:49:32,480 --> 00:49:35,479
Speaker 1: some other person gives me opportunity. Yeah, yeah, you should

964
00:49:35,480 --> 00:49:37,719
Speaker 1: go do that, you should go do that. Because yeah,

965
00:49:37,760 --> 00:49:39,359
Speaker 1: I just said, it's not it's not it's value when

966
00:49:39,360 --> 00:49:41,440
Speaker 1: we give it to somebody else, but we have it.

967
00:49:41,440 --> 00:49:44,000
Speaker 1: It's just it's not valued. Man. They criticize you to

968
00:49:44,040 --> 00:49:47,160
Speaker 1: the copy got real, No what Tip? It makes a

969
00:49:47,200 --> 00:49:48,799
Speaker 1: lot of sense because I'm thinking about like somebody like

970
00:49:48,840 --> 00:49:51,880
Speaker 1: normally live right, you know what I mean, called you

971
00:49:52,000 --> 00:49:56,480
Speaker 1: every time no one would say anything. Yeah Joppa, Yeah,

972
00:49:57,000 --> 00:50:00,719
Speaker 1: I would be praised every everywhere. You know, I was

973
00:50:00,760 --> 00:50:02,560
Speaker 1: thinking too, Tip, you know who was who was mentoring

974
00:50:02,600 --> 00:50:05,239
Speaker 1: the young rappers in Atlanta? Could you talk about your

975
00:50:05,280 --> 00:50:07,279
Speaker 1: growth from your evolution? And I feel like brothers like

976
00:50:07,280 --> 00:50:09,680
Speaker 1: you who made the transition from the streets, you know,

977
00:50:09,840 --> 00:50:12,600
Speaker 1: the corporate America. You gotta get these young brothers from

978
00:50:12,600 --> 00:50:14,920
Speaker 1: games because they feel like they just doing it all

979
00:50:14,960 --> 00:50:17,680
Speaker 1: the way. I'm I'm I'm always here, bro, you know

980
00:50:17,719 --> 00:50:19,880
Speaker 1: what I'm saying. I'm always here. I always try and

981
00:50:19,920 --> 00:50:23,759
Speaker 1: make myself available whenever I can. And uh, and I

982
00:50:23,800 --> 00:50:27,799
Speaker 1: believe that the mentorship is you know, it's present. It's present. Man.

983
00:50:28,000 --> 00:50:33,000
Speaker 1: You know you got uh institutions of culture like Grand

984
00:50:33,080 --> 00:50:39,960
Speaker 1: Hustle qc Uh. You know you got uh free bands,

985
00:50:40,000 --> 00:50:45,680
Speaker 1: you got uh street execs. Uh, you know it's it's

986
00:50:45,719 --> 00:50:49,200
Speaker 1: a lot even so so deaf. You know, you got

987
00:50:49,200 --> 00:50:51,320
Speaker 1: a lot of ogs, did you know what I'm saying?

988
00:50:51,320 --> 00:50:55,760
Speaker 1: They reached back and still make sure that the conversations

989
00:50:55,760 --> 00:50:59,319
Speaker 1: of being had. Uh you gotta Killer Mike, you got

990
00:50:59,480 --> 00:51:04,239
Speaker 1: you know, uh see low Yeah, of course, jeez. Everybody

991
00:51:04,320 --> 00:51:08,400
Speaker 1: like does our part to make sure that if there's

992
00:51:08,480 --> 00:51:11,440
Speaker 1: some information that a young man or a young lady needs,

993
00:51:11,960 --> 00:51:13,920
Speaker 1: that they know where to find the places like the

994
00:51:13,960 --> 00:51:17,680
Speaker 1: gathering spot, places like the Trap Music Museum, places like

995
00:51:17,760 --> 00:51:20,600
Speaker 1: Trap City Cafe where you just show up and just

996
00:51:20,760 --> 00:51:23,759
Speaker 1: happen to see somebody. Hey, man, how do you like

997
00:51:23,800 --> 00:51:25,840
Speaker 1: a person like pulled up to the cafe? But like,

998
00:51:26,160 --> 00:51:28,800
Speaker 1: how do I copyright my music if I can't really

999
00:51:28,800 --> 00:51:31,440
Speaker 1: afford the lawyer? I was like, man, you know I

1000
00:51:31,480 --> 00:51:32,920
Speaker 1: just used to I don't know if they still do

1001
00:51:32,960 --> 00:51:34,360
Speaker 1: it like that, but I just used to put my

1002
00:51:34,400 --> 00:51:40,040
Speaker 1: demo in the mail, and I don't know where I

1003
00:51:45,880 --> 00:51:47,720
Speaker 1: used the way I would tell you what I'm saying,

1004
00:51:48,320 --> 00:51:52,880
Speaker 1: if ye mean that's what I learned. You know, let

1005
00:51:52,920 --> 00:51:57,279
Speaker 1: me this question for you too, and you this this

1006
00:51:57,360 --> 00:52:00,239
Speaker 1: is interesting. Could you could you were you when you

1007
00:52:00,320 --> 00:52:04,080
Speaker 1: name Killer Mike yourself? Q? See all these different branch

1008
00:52:04,280 --> 00:52:08,799
Speaker 1: organizations that's as pioneer rap. Is there a way to

1009
00:52:08,960 --> 00:52:11,960
Speaker 1: actually unionize hip hop? Was it somebody trying to do that.

1010
00:52:12,320 --> 00:52:15,399
Speaker 1: They've been trying to do it for why they trying?

1011
00:52:15,440 --> 00:52:17,359
Speaker 1: What I'm saying, you could actually do that, I think

1012
00:52:17,400 --> 00:52:18,919
Speaker 1: I think it should be done it and the reason

1013
00:52:18,960 --> 00:52:21,560
Speaker 1: not only for that to put for conversation and growth,

1014
00:52:21,560 --> 00:52:24,520
Speaker 1: but also think about all the artists that get older.

1015
00:52:25,120 --> 00:52:29,120
Speaker 1: That's what I'm saying, Yeah, don't have health kids, Yeah,

1016
00:52:29,160 --> 00:52:32,759
Speaker 1: you know, don't have the finance that's retirement. I mean,

1017
00:52:32,800 --> 00:52:34,080
Speaker 1: I think that would be a great I guess you'd

1018
00:52:34,080 --> 00:52:35,520
Speaker 1: have to look at other industries to see how they

1019
00:52:35,520 --> 00:52:37,200
Speaker 1: did it, because that's out of my spectrum education. I

1020
00:52:37,200 --> 00:52:39,040
Speaker 1: guess you'd have to look at like the film industry

1021
00:52:39,080 --> 00:52:41,120
Speaker 1: and see how they did it way way way back.

1022
00:52:41,520 --> 00:52:45,680
Speaker 1: Because those old artists have nothing right right, Like they've

1023
00:52:45,680 --> 00:52:51,360
Speaker 1: been used through the system, through the studios, nothing, So

1024
00:52:51,440 --> 00:52:52,839
Speaker 1: they got to wait for them. They got to wait

1025
00:52:52,880 --> 00:52:55,719
Speaker 1: for the fifty year hip hop to get a check, right.

1026
00:52:55,840 --> 00:52:58,200
Speaker 1: So that's crazy. Man, Like you should you should as

1027
00:52:58,200 --> 00:52:59,839
Speaker 1: smart as you are, I mean, you should dive into

1028
00:52:59,880 --> 00:53:04,720
Speaker 1: that that. I mean, bro, I hear it. Takes participation,

1029
00:53:04,880 --> 00:53:07,440
Speaker 1: you know what I mean. Everybody got to be, you know,

1030
00:53:07,600 --> 00:53:10,759
Speaker 1: willing to come together. I see most of the time,

1031
00:53:11,239 --> 00:53:14,840
Speaker 1: people if it ain't our idea, yeah, you know what

1032
00:53:14,880 --> 00:53:18,120
Speaker 1: I'm saying, if we didn't think of it first, Like

1033
00:53:18,440 --> 00:53:20,640
Speaker 1: you know, a lot of times people don't really want

1034
00:53:20,640 --> 00:53:24,640
Speaker 1: to participate, you know, collectively. But it is a phenomenal idea,

1035
00:53:24,840 --> 00:53:26,480
Speaker 1: and it's gonna be a resentment to the to the

1036
00:53:26,560 --> 00:53:29,960
Speaker 1: artists who aren't doing well. And you know, why should

1037
00:53:29,960 --> 00:53:31,600
Speaker 1: I work with the artists that is doing well. We

1038
00:53:31,680 --> 00:53:34,400
Speaker 1: don't just build it without them, right, I mean, you

1039
00:53:34,480 --> 00:53:37,480
Speaker 1: don't get in right, So anyway, that's interesting. We just

1040
00:53:38,000 --> 00:53:40,040
Speaker 1: don't your dudes after So the same thing you pay

1041
00:53:40,040 --> 00:53:42,239
Speaker 1: your dudes yelling and when things happen, you get help

1042
00:53:42,239 --> 00:53:44,959
Speaker 1: and chance you get true. We need that. We need

1043
00:53:44,960 --> 00:53:47,719
Speaker 1: that right now, I'm with it. Yeah, we need that

1044
00:53:48,000 --> 00:53:57,400
Speaker 1: last question to buy down that before dollars. You need

1045
00:53:57,440 --> 00:54:12,759
Speaker 1: a long watch beyond a bunch of difference at all,

1046
00:54:12,840 --> 00:54:16,000
Speaker 1: stop stop stop, No. A bunch of celebrities went out

1047
00:54:16,040 --> 00:54:18,480
Speaker 1: there right kneel long is a friend. A bunch of

1048
00:54:18,560 --> 00:54:21,680
Speaker 1: friends were all out there, were hanging out. Incredible performance.

1049
00:54:21,719 --> 00:54:24,160
Speaker 1: This is the biggest launch in the world. They launched

1050
00:54:24,160 --> 00:54:28,319
Speaker 1: this hotel, the Royal Atlantis, Nobu launched a new restaurant.

1051
00:54:28,440 --> 00:54:32,280
Speaker 1: It was incredible. We all went out there. Beyonce looked amazing,

1052
00:54:32,600 --> 00:54:37,919
Speaker 1: She looked impeccable voice obviously, Blue Ivy came out. All

1053
00:54:37,960 --> 00:54:41,000
Speaker 1: the vibes were there, a very theatrical performance. So this

1054
00:54:41,080 --> 00:54:44,279
Speaker 1: wasn't you know, this wasn't single ladies dancing tight beyond.

1055
00:54:44,520 --> 00:54:47,760
Speaker 1: This was like this was a low Beyonce right, very class,

1056
00:54:48,239 --> 00:54:50,400
Speaker 1: very you know what I mean. So, the the the

1057
00:54:50,840 --> 00:54:54,080
Speaker 1: outfits and the wardrobe was masterful. She came out, she

1058
00:54:54,120 --> 00:54:56,560
Speaker 1: went on this little platform and had the wind in

1059
00:54:56,600 --> 00:55:01,399
Speaker 1: the water hitting her. It was amazing. You know what water. Yeah,

1060
00:55:01,400 --> 00:55:03,720
Speaker 1: they had these sprinklers. He didn't curred. It was fire.

1061
00:55:03,880 --> 00:55:07,799
Speaker 1: There was was coming off of the building. You know,

1062
00:55:07,840 --> 00:55:09,520
Speaker 1: everybody was out there. It was it was a vibe.

1063
00:55:10,320 --> 00:55:19,920
Speaker 1: Had one question, when why not twenty five million? The

1064
00:55:20,080 --> 00:55:24,239
Speaker 1: number was reflective of not just the payment to her,

1065
00:55:24,280 --> 00:55:28,000
Speaker 1: but it was a whole production, you know what I mean. Yeah,

1066
00:55:28,080 --> 00:55:31,200
Speaker 1: so this we said, that was all I said. It

1067
00:55:31,200 --> 00:55:32,759
Speaker 1: was like a million dollars an hour. I don't even

1068
00:55:32,760 --> 00:55:34,560
Speaker 1: think that was a number. I think the number was

1069
00:55:34,600 --> 00:55:36,800
Speaker 1: actually more I think like the bigger number was somewhere

1070
00:55:36,840 --> 00:55:38,799
Speaker 1: around forty five million, like it was. It was, it's

1071
00:55:38,840 --> 00:55:44,719
Speaker 1: the biggest launch. They wanted to outdo the original Atlantis

1072
00:55:44,719 --> 00:55:48,719
Speaker 1: like she deserved it. Absolutely, she worked her ass all

1073
00:55:48,760 --> 00:55:51,480
Speaker 1: throughout the year. Man, and when you seebs A, you're

1074
00:55:51,480 --> 00:55:54,640
Speaker 1: gonna get a show. So you know it's certain people

1075
00:55:54,680 --> 00:55:57,480
Speaker 1: were just happy to see those types of numbers go

1076
00:55:57,560 --> 00:56:01,200
Speaker 1: to absolutely, somebody like, man, well I can't get twenty

1077
00:56:01,200 --> 00:56:05,279
Speaker 1: four because but show back back to you know the

1078
00:56:05,560 --> 00:56:08,240
Speaker 1: knee A long question. We have to celebrate our queens.

1079
00:56:08,680 --> 00:56:11,080
Speaker 1: We have to make sure when when they stepped out,

1080
00:56:11,080 --> 00:56:17,640
Speaker 1: you when you when I see Gabriel Union n Nash

1081
00:56:17,920 --> 00:56:21,680
Speaker 1: making good like we gotta celebrate our icons. You know

1082
00:56:21,680 --> 00:56:23,680
Speaker 1: what I'm saying. Lola will tell you I don't care

1083
00:56:23,760 --> 00:56:41,400
Speaker 1: where I see together together. I'm asking man, no, no

1084
00:56:41,400 --> 00:56:58,399
Speaker 1: shout up to me and I'm not come terce long.

1085
00:57:14,880 --> 00:57:18,320
Speaker 1: Everybody is DJ Envy, Charlemagne the guy. We are the

1086
00:57:18,400 --> 00:57:21,560
Speaker 1: Breakfast Club. Now we got our guest host with us.

1087
00:57:21,640 --> 00:57:24,520
Speaker 1: Uh Nori and O are joining us this morning. Make

1088
00:57:24,520 --> 00:57:29,680
Speaker 1: sure y'all bring on a SPA. And I want to

1089
00:57:29,720 --> 00:57:33,360
Speaker 1: salute another queen's person, stephen A Smith. He was hit

1090
00:57:33,480 --> 00:57:35,640
Speaker 1: this week book. That's right, speaking of his book, just

1091
00:57:35,680 --> 00:57:38,720
Speaker 1: heard it hit the New York Times Bestsellers listen on

1092
00:57:38,760 --> 00:57:41,080
Speaker 1: the New York Times Best Sellers list. Nobody sold more

1093
00:57:41,080 --> 00:57:44,000
Speaker 1: books this week than Prince Harry. Wow. Yeah, So salute

1094
00:57:44,000 --> 00:57:46,240
Speaker 1: to stephen A. Smith and Charles Suit and everybody over

1095
00:57:46,400 --> 00:57:50,880
Speaker 1: to thirteen Gallery. That dope, and we're so glad that

1096
00:57:50,960 --> 00:57:53,280
Speaker 1: Rihanna people are leaving him alone. I don't think they

1097
00:57:53,360 --> 00:57:57,600
Speaker 1: leave him now not. I don't think. Let's get to

1098
00:57:57,640 --> 00:58:04,600
Speaker 1: the rooms. Let's talk. N O R E had chatting.

1099
00:58:07,120 --> 00:58:08,480
Speaker 1: I mean, I guess we on the breakfast clud. This

1100
00:58:08,480 --> 00:58:11,320
Speaker 1: is where the tea spills, right right on the breakfast club. Now,

1101
00:58:11,520 --> 00:58:14,800
Speaker 1: Nori is media now been media for some years. Drank

1102
00:58:14,880 --> 00:58:17,240
Speaker 1: Champs is one of the biggest platforms out here. Thank you.

1103
00:58:17,320 --> 00:58:21,160
Speaker 1: And you know Nori be having that tea. You want

1104
00:58:21,160 --> 00:58:22,640
Speaker 1: to start with where he was last night? You want

1105
00:58:22,640 --> 00:58:24,760
Speaker 1: to start there first. I did that already. No, No,

1106
00:58:24,800 --> 00:58:26,760
Speaker 1: he didn't tell the story. So you know, tell us

1107
00:58:26,760 --> 00:58:28,360
Speaker 1: some of the people you ran into last night and

1108
00:58:28,400 --> 00:58:30,520
Speaker 1: where you were last day for people that just joining us. Well,

1109
00:58:30,560 --> 00:58:33,880
Speaker 1: the biggest um thing was um I had just recently

1110
00:58:34,560 --> 00:58:37,680
Speaker 1: recorded up a show with people that that's the guest

1111
00:58:37,760 --> 00:58:42,480
Speaker 1: of today, t Terrence j and Um Joseph Sakarium, who

1112
00:58:42,480 --> 00:58:46,040
Speaker 1: we all know and love as Tommy and Um bring

1113
00:58:46,120 --> 00:58:50,040
Speaker 1: out the fact that uh Nia long has been outside,

1114
00:58:50,120 --> 00:58:53,080
Speaker 1: like outside, outside, she's been, She's been around, everyone's been

1115
00:58:53,080 --> 00:58:55,640
Speaker 1: seeing and so I see the alone, you've seen the

1116
00:58:55,720 --> 00:58:57,840
Speaker 1: last name. I'm looking at the picture right now and

1117
00:58:59,280 --> 00:59:01,400
Speaker 1: give us face. And I told her, I was like, Nina,

1118
00:59:01,480 --> 00:59:03,680
Speaker 1: I just wanted to know, I said, I said on

1119
00:59:03,680 --> 00:59:06,440
Speaker 1: my should that you've been outside because I don't know

1120
00:59:06,480 --> 00:59:08,240
Speaker 1: what she courted or not, but she was like, yeah,

1121
00:59:08,240 --> 00:59:11,320
Speaker 1: I've been outside all month. What she probably had because

1122
00:59:11,320 --> 00:59:14,520
Speaker 1: she probably been promoting the best man the final chapter. Yes,

1123
00:59:14,560 --> 00:59:24,800
Speaker 1: but that's not what I meant. Outside outside, but big

1124
00:59:24,840 --> 00:59:26,720
Speaker 1: up to me along. She was so sweet. She got

1125
00:59:26,800 --> 00:59:28,880
Speaker 1: to meet my wife. My wife is so she wanted

1126
00:59:28,880 --> 00:59:30,880
Speaker 1: to meet us. So we're doing the wife like she

1127
00:59:30,880 --> 00:59:33,640
Speaker 1: got to meet my wife. I was with my wife, Yes, definitely,

1128
00:59:33,680 --> 00:59:35,880
Speaker 1: with my wife, Yes, definitely. My wife calls to me

1129
00:59:35,920 --> 00:59:39,400
Speaker 1: everywhere and Um, but she was such a pleasure. She was.

1130
00:59:39,440 --> 00:59:41,840
Speaker 1: She was everything that I thought that it would be.

1131
00:59:41,960 --> 00:59:43,960
Speaker 1: This is a beautiful black queen. You know what I'm

1132
00:59:43,960 --> 00:59:47,560
Speaker 1: saying she's living her life. And I actually, you know,

1133
00:59:47,800 --> 00:59:49,640
Speaker 1: and when I broke it up, I brung up hard

1134
00:59:49,680 --> 00:59:52,720
Speaker 1: and I brung up Lorie Harvey, and I actually want

1135
00:59:52,720 --> 00:59:55,160
Speaker 1: to just say, like, you know what I'm saying, Um,

1136
00:59:55,720 --> 00:59:59,000
Speaker 1: I'll support females that you know that that I want

1137
00:59:59,000 --> 01:00:02,400
Speaker 1: to be do exactly what they wanted to be. Free.

1138
01:00:02,480 --> 01:00:04,200
Speaker 1: You know what, we gotta get our minds out the

1139
01:00:04,200 --> 01:00:06,400
Speaker 1: gutter because you know, the reality is what's wrong with

1140
01:00:06,440 --> 01:00:09,480
Speaker 1: people just dating? We see people together and we just assume, oh,

1141
01:00:10,000 --> 01:00:12,600
Speaker 1: he's sleeping with that person or she's sleeping with that person, Like, no,

1142
01:00:12,640 --> 01:00:14,880
Speaker 1: they probably just dating. You can't date, right, And me,

1143
01:00:15,240 --> 01:00:18,080
Speaker 1: I'm I'm such a lame. I've been with my wife

1144
01:00:18,160 --> 01:00:26,640
Speaker 1: sixteen years talking. No, No, I mean that's right to

1145
01:00:26,640 --> 01:00:29,040
Speaker 1: the that's right, that's right to the average human being

1146
01:00:29,200 --> 01:00:33,200
Speaker 1: married mom. And I actually sometimes I want to like

1147
01:00:33,240 --> 01:00:36,400
Speaker 1: listen to other people's flaws, Like I realized that, I

1148
01:00:36,440 --> 01:00:39,640
Speaker 1: realized I liked it Jerry Springer years later, because my

1149
01:00:39,720 --> 01:00:42,600
Speaker 1: life was better than these people's life right there. So

1150
01:00:42,680 --> 01:00:46,919
Speaker 1: every now like watching other people, I like to watch

1151
01:00:47,000 --> 01:00:51,560
Speaker 1: other peoples. Yeah, so um, yeah, so get back to

1152
01:00:51,560 --> 01:00:53,720
Speaker 1: my point. Pick up to Nia long who else I

1153
01:00:53,880 --> 01:00:56,360
Speaker 1: see last night, I see the mayor who was outside.

1154
01:00:56,640 --> 01:00:59,080
Speaker 1: I think he should go back to New York. Jeric Adams,

1155
01:00:59,080 --> 01:01:00,560
Speaker 1: I think he should go for press in it because

1156
01:01:00,560 --> 01:01:02,720
Speaker 1: he's outside way more than Joe. We do not want

1157
01:01:02,800 --> 01:01:05,000
Speaker 1: their air academs to run for president. He's just buried

1158
01:01:05,040 --> 01:01:07,600
Speaker 1: mix heats and you know by the way he should be.

1159
01:01:07,600 --> 01:01:09,680
Speaker 1: You got to meet people where they are. Obama wasn't

1160
01:01:09,680 --> 01:01:12,880
Speaker 1: mixing though. Obama wasn't. Obama wasn't. We needed a little

1161
01:01:12,880 --> 01:01:15,240
Speaker 1: bit more mixy out of Obama. No, he wasn't. He

1162
01:01:15,280 --> 01:01:17,080
Speaker 1: wasn't mixing. So, but that's not what I wanted to

1163
01:01:17,080 --> 01:01:20,760
Speaker 1: talk about. Another there was another little rumor that you

1164
01:01:21,080 --> 01:01:24,480
Speaker 1: said it here behind the scenes. Okay, remember what he

1165
01:01:24,600 --> 01:01:27,840
Speaker 1: was talking about Future and Drake. Oh that's what I heard.

1166
01:01:27,880 --> 01:01:32,040
Speaker 1: I heard. That's a big rumor that Future, Um it's

1167
01:01:32,080 --> 01:01:36,040
Speaker 1: not too happy. Uh this Drake and twenty one Savage album.

1168
01:01:36,720 --> 01:01:39,000
Speaker 1: And since the Future and Drake did an album before,

1169
01:01:39,080 --> 01:01:43,400
Speaker 1: and it makes Drake and Future album not as important,

1170
01:01:43,400 --> 01:01:45,880
Speaker 1: I would say, feel And that's I mean, this is

1171
01:01:46,080 --> 01:01:48,000
Speaker 1: this is allegedly, this is all rumors. I've never heard

1172
01:01:48,040 --> 01:01:49,800
Speaker 1: it from Future Smuth. I've never heard it from Drake.

1173
01:01:49,960 --> 01:01:52,320
Speaker 1: Never heard it from twenty one but um, it's an

1174
01:01:52,320 --> 01:01:54,880
Speaker 1: alleged big rumor. That's that's going on right now. Where'd

1175
01:01:54,880 --> 01:01:57,520
Speaker 1: you hear that? An in in the streets? In the

1176
01:01:57,560 --> 01:02:01,439
Speaker 1: streets with a K in Miami in Miama if Miami, Yeah,

1177
01:02:01,520 --> 01:02:04,640
Speaker 1: I'm on Miami end yeah something. So you heard that

1178
01:02:04,760 --> 01:02:07,680
Speaker 1: Future is upset with Drake. Drake did the album with

1179
01:02:07,720 --> 01:02:11,760
Speaker 1: twenty one Savage because it makes their project seemed less important,

1180
01:02:11,920 --> 01:02:14,160
Speaker 1: I would think, so, you know what I mean, We've

1181
01:02:14,160 --> 01:02:16,480
Speaker 1: never seen jay Z doing other best of both worlds,

1182
01:02:16,760 --> 01:02:19,600
Speaker 1: you know what I'm saying. We've seen Washington Washingtone, but

1183
01:02:19,600 --> 01:02:23,840
Speaker 1: that was equally get what you're saying. Yeah, and even

1184
01:02:23,920 --> 01:02:27,480
Speaker 1: that Jay Electronica was credited as the album like this,

1185
01:02:27,760 --> 01:02:30,040
Speaker 1: certain songs that it don't even say feature in jay Z, right,

1186
01:02:30,120 --> 01:02:32,160
Speaker 1: you know what I'm saying. So, so it's difficult. I

1187
01:02:32,160 --> 01:02:35,280
Speaker 1: will say this. I like the fact that these younger

1188
01:02:35,360 --> 01:02:37,680
Speaker 1: artists and newer artists are doing records with other people

1189
01:02:37,680 --> 01:02:39,680
Speaker 1: and doing albums with other people because back then, you

1190
01:02:39,680 --> 01:02:41,960
Speaker 1: guys would never because you would have too many label conflicts.

1191
01:02:41,920 --> 01:02:44,840
Speaker 1: But because its magic if you wouldn't nas really did

1192
01:02:44,880 --> 01:02:47,160
Speaker 1: an album together, right, I would you imagine if if

1193
01:02:47,200 --> 01:02:49,520
Speaker 1: you win, you know, fat Joel, would you know in

1194
01:02:49,600 --> 01:02:52,320
Speaker 1: Terroce Squad dumped out the album together, we didn't do

1195
01:02:52,360 --> 01:02:55,440
Speaker 1: It's big up Drake because Drake is, to me, is

1196
01:02:55,520 --> 01:02:57,760
Speaker 1: learning how important he is to the culture, and he's

1197
01:02:57,760 --> 01:03:00,640
Speaker 1: spreading it. You know that. I think he always knew.

1198
01:03:00,640 --> 01:03:02,080
Speaker 1: That's why he always does record with the up and

1199
01:03:02,160 --> 01:03:04,680
Speaker 1: coming people. Yeah, but I think it's more so when

1200
01:03:04,720 --> 01:03:08,040
Speaker 1: when when you do a whole album with twenty one Savage,

1201
01:03:08,080 --> 01:03:10,320
Speaker 1: it would all due respect to twenty one Savage, it's

1202
01:03:10,360 --> 01:03:14,160
Speaker 1: like you're putting twenty one Savage on that level now,

1203
01:03:14,240 --> 01:03:16,280
Speaker 1: Like even though he probably was on that level, but

1204
01:03:16,360 --> 01:03:18,600
Speaker 1: now you're putting him on that level. You're putting him

1205
01:03:18,600 --> 01:03:20,320
Speaker 1: on the level of Future, you know what I'm saying.

1206
01:03:20,320 --> 01:03:24,920
Speaker 1: And Future is arguably one of the most influential artists ever.

1207
01:03:25,040 --> 01:03:26,200
Speaker 1: Like you know what I mean, I don't think. I

1208
01:03:26,240 --> 01:03:28,280
Speaker 1: don't think there's nothing to argue. Yeah, I mean, like

1209
01:03:28,840 --> 01:03:30,960
Speaker 1: I look at these kids. I look at these kids

1210
01:03:30,960 --> 01:03:33,320
Speaker 1: and and and all the drugs that they taken, and

1211
01:03:34,240 --> 01:03:35,919
Speaker 1: and it's all for Future, you know what I'm saying.

1212
01:03:36,000 --> 01:03:39,080
Speaker 1: It's like I'm sorry, like but you know, and for

1213
01:03:39,160 --> 01:03:41,320
Speaker 1: the record. I don't believe Future probably feels that way.

1214
01:03:41,320 --> 01:03:43,360
Speaker 1: I don't think Future is that petty. I don't think

1215
01:03:43,400 --> 01:03:45,800
Speaker 1: he's upset that drink did the album with twenty one.

1216
01:03:46,680 --> 01:03:48,600
Speaker 1: I probably. I mean, we're getting too much money to

1217
01:03:48,680 --> 01:03:51,880
Speaker 1: be upset. But it's a it's a it's a little discrepancy.

1218
01:03:51,960 --> 01:03:55,280
Speaker 1: I hurt my lad is your room report? Yes, yes,

1219
01:03:55,800 --> 01:03:59,200
Speaker 1: I'm high, you're high well ignoring when I side smoke,

1220
01:03:59,560 --> 01:04:02,280
Speaker 1: I think I'm I'm not, not not yet, but we're

1221
01:04:02,320 --> 01:04:06,439
Speaker 1: gonna put some champagne second. That's right, and for after

1222
01:04:06,480 --> 01:04:08,640
Speaker 1: the hour. You know, this is a great segue into

1223
01:04:08,720 --> 01:04:11,320
Speaker 1: talking about how you can lead the youth in a

1224
01:04:11,360 --> 01:04:13,959
Speaker 1: more positive direction, because I need a couple of people

1225
01:04:14,000 --> 01:04:15,760
Speaker 1: to come to the front of the congregation, Michael Gibson

1226
01:04:15,800 --> 01:04:17,720
Speaker 1: and Thomas Smith for discuss I will do that. Next,

1227
01:04:17,720 --> 01:04:20,680
Speaker 1: it's the Breakfast Club. Good Morning, the Breakfast Club. Your

1228
01:04:20,680 --> 01:04:24,040
Speaker 1: mornings will never be the same. Look at to turn

1229
01:04:24,080 --> 01:04:26,400
Speaker 1: a small bet into a big payday With Draft Kings

1230
01:04:26,440 --> 01:04:29,480
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1231
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1232
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Speaker 1: v Y, and get a special order restrictions apply. See

1234
01:04:38,280 --> 01:04:44,439
Speaker 1: Draft Kings dot com slash sports book for the it's

1235
01:04:44,520 --> 01:04:49,200
Speaker 1: time for Donkey of the Day. A democrat, so being

1236
01:04:49,280 --> 01:04:51,640
Speaker 1: Dunkey of the days a little bit of a mix club.

1237
01:04:51,800 --> 01:04:58,120
Speaker 1: So like a Donkey o the day breakfast club. Bitches.

1238
01:04:58,640 --> 01:05:00,880
Speaker 1: Now I've been called a lot of twenty three years

1239
01:05:00,880 --> 01:05:03,160
Speaker 1: that Donkey of the Day is a new wife. That's right.

1240
01:05:03,160 --> 01:05:05,000
Speaker 1: We got to eight to spades in the Starfbucks cup

1241
01:05:05,040 --> 01:05:08,280
Speaker 1: baby because they years. Oh, that's right. Donkey to Day

1242
01:05:08,320 --> 01:05:11,600
Speaker 1: for Thursday, January twenty third goes to an Annapolis, Maryland

1243
01:05:11,600 --> 01:05:14,280
Speaker 1: man named Michael Gibson and a thirty one year old

1244
01:05:14,320 --> 01:05:17,840
Speaker 1: man named Thomas Smith. I'm using the word man loosely. Okay,

1245
01:05:17,840 --> 01:05:20,840
Speaker 1: this young brother is twenty three years old. Michael Gibson is.

1246
01:05:20,840 --> 01:05:23,480
Speaker 1: But we all know the full development of the prefrontal

1247
01:05:23,520 --> 01:05:26,000
Speaker 1: cortex isn't fully accomplished until the age of twenty five.

1248
01:05:26,040 --> 01:05:28,120
Speaker 1: But the law don't give a dam and the reality

1249
01:05:28,200 --> 01:05:30,160
Speaker 1: is they shouldn't, especially when it comes to what this

1250
01:05:30,640 --> 01:05:32,840
Speaker 1: young man did. Now, Michael Gibson is twenty three, and

1251
01:05:32,840 --> 01:05:35,320
Speaker 1: he was sentenced to life in prison with all but

1252
01:05:35,480 --> 01:05:38,800
Speaker 1: eighty years suspended for first degree murder and twenty years

1253
01:05:38,800 --> 01:05:41,080
Speaker 1: concurrent for using a firearm. I don't know what any

1254
01:05:41,120 --> 01:05:44,120
Speaker 1: of that means. It just sounds like forever. Okay. In fact,

1255
01:05:44,160 --> 01:05:46,480
Speaker 1: when I hear sentences like that, prison sentences like that,

1256
01:05:46,680 --> 01:05:50,400
Speaker 1: I think to myself, what does judicial system? Did? Judicial

1257
01:05:51,120 --> 01:05:53,480
Speaker 1: visit line got my way? What did the justice system

1258
01:05:53,520 --> 01:05:56,120
Speaker 1: they know about the afterlife that we don't? Okay when

1259
01:05:56,120 --> 01:05:57,960
Speaker 1: they give out those kind of sentences and they're talking

1260
01:05:57,960 --> 01:06:01,040
Speaker 1: about this lifetime and the next, because they can't possibly

1261
01:06:01,080 --> 01:06:02,960
Speaker 1: expect me to do all this time in this dimension.

1262
01:06:03,040 --> 01:06:06,600
Speaker 1: No way, Michael was given eternal time? Okay? What did

1263
01:06:06,640 --> 01:06:11,840
Speaker 1: Michael do for a judge just sentence him to prison forever? Well,

1264
01:06:13,920 --> 01:06:16,320
Speaker 1: he was promised thirty two hundred dollars to kill a

1265
01:06:16,440 --> 01:06:20,400
Speaker 1: man and he did it, Yes, thirty two hundred dollars

1266
01:06:20,440 --> 01:06:22,320
Speaker 1: to kill a man. Not just any man. It was

1267
01:06:22,360 --> 01:06:26,000
Speaker 1: his mom's longtime boyfriend, and because his mom and his

1268
01:06:26,080 --> 01:06:28,440
Speaker 1: boyfriend had an argument that he didn't like, he decided

1269
01:06:28,480 --> 01:06:32,000
Speaker 1: to hire someone to kill him. The guy Thomas Smith did.

1270
01:06:32,040 --> 01:06:35,240
Speaker 1: Thomas Smith hired Michael Gibson to kill his mom's longtime

1271
01:06:35,320 --> 01:06:39,200
Speaker 1: boyfriend for thirty two hundred dollars as much as Jody

1272
01:06:39,280 --> 01:06:41,560
Speaker 1: hated Melvin and baby boy, he didn't even attempt to

1273
01:06:41,600 --> 01:06:43,760
Speaker 1: do nothing like that. In fact, Jody stepped to Melvin,

1274
01:06:43,800 --> 01:06:46,120
Speaker 1: got his ass knocked out, fell to a glass table,

1275
01:06:46,160 --> 01:06:48,200
Speaker 1: got his ass choked a little bit from the back. Hell,

1276
01:06:48,320 --> 01:06:50,760
Speaker 1: Jody even cocked the gun on Melvin, but didn't raise it,

1277
01:06:50,880 --> 01:06:53,160
Speaker 1: and Melvin ended up taking it away. The point is,

1278
01:06:53,360 --> 01:06:55,200
Speaker 1: mama got to have a life too, And if mama

1279
01:06:55,280 --> 01:06:58,080
Speaker 1: is arguing with her boyfriend, of course, you know you

1280
01:06:58,120 --> 01:07:01,560
Speaker 1: don't let anybody disrespect, but hire somebody to kill him.

1281
01:07:02,000 --> 01:07:04,920
Speaker 1: You're gonna erase two lives, yours and his. Because the

1282
01:07:05,000 --> 01:07:07,040
Speaker 1: thirty two hundred dollars. I know, thirty two hundred dollars

1283
01:07:07,040 --> 01:07:08,920
Speaker 1: seemed like a lot of money, and it is, but

1284
01:07:09,040 --> 01:07:11,680
Speaker 1: not incarcerated forever money. Okay, thirty two hundred dollars is

1285
01:07:11,680 --> 01:07:14,080
Speaker 1: barely rint money for some people. Thirty two hundred dollars.

1286
01:07:14,120 --> 01:07:16,280
Speaker 1: You can't even get a BBL. The average BBL price

1287
01:07:16,400 --> 01:07:18,400
Speaker 1: is sixty two hundred dollars. You got to kill two

1288
01:07:18,440 --> 01:07:20,800
Speaker 1: people at thirty two hundred a piece to be able

1289
01:07:20,800 --> 01:07:22,920
Speaker 1: to afford one BBL. And you're only gonna have two

1290
01:07:22,960 --> 01:07:26,400
Speaker 1: hundred dollars left now, I've heard you know, I've never

1291
01:07:26,480 --> 01:07:28,800
Speaker 1: killed anybody or shot anybody, but I heard that after

1292
01:07:28,840 --> 01:07:32,000
Speaker 1: you do it, you are extremely hungry for days. Nor

1293
01:07:32,120 --> 01:07:40,440
Speaker 1: is that true? Yes, talk to the mike. Then you

1294
01:07:40,480 --> 01:07:45,360
Speaker 1: got miles of me. I was just North City. Yes,

1295
01:07:45,640 --> 01:07:50,320
Speaker 1: And then he said, I don't know. All I'm saying

1296
01:07:50,480 --> 01:07:53,120
Speaker 1: is two hundred dollars will not be enough to eat

1297
01:07:53,160 --> 01:07:54,640
Speaker 1: for the rest of the week if you have to

1298
01:07:54,720 --> 01:07:57,960
Speaker 1: kill two people and pay for a BBL. Listen, my

1299
01:07:58,040 --> 01:08:00,640
Speaker 1: fellow Americans, I really don't know what we are gone wrong,

1300
01:08:00,880 --> 01:08:04,360
Speaker 1: but generations are failing generations. Okay, Thomas Smith is thirty one.

1301
01:08:04,560 --> 01:08:06,480
Speaker 1: Michael gives in this twenty three. So that's an eight

1302
01:08:06,560 --> 01:08:10,920
Speaker 1: year age difference. Do we realize the difference that is?

1303
01:08:10,960 --> 01:08:12,960
Speaker 1: Think about an eighteen year old school in a ten

1304
01:08:13,040 --> 01:08:15,360
Speaker 1: year old. How much more life that eighteen year old

1305
01:08:15,400 --> 01:08:17,360
Speaker 1: has lived in that ten year old. That eighteen year

1306
01:08:17,360 --> 01:08:20,719
Speaker 1: old has already learned to drive, he's graduated high school,

1307
01:08:20,760 --> 01:08:24,439
Speaker 1: about to start college. Eight years that's two presidential terms,

1308
01:08:24,640 --> 01:08:26,919
Speaker 1: all right, A thirty one year old should be schooling

1309
01:08:27,120 --> 01:08:28,760
Speaker 1: a twenty three year old to the game of life.

1310
01:08:28,840 --> 01:08:30,360
Speaker 1: Right at thirty two year old can have a major

1311
01:08:30,439 --> 01:08:33,000
Speaker 1: influence and impact on a twenty three year old same

1312
01:08:33,040 --> 01:08:35,320
Speaker 1: way you can give him thirty two hundred and encourage

1313
01:08:35,400 --> 01:08:37,120
Speaker 1: him to kill somebody. You could have said, hey man,

1314
01:08:37,240 --> 01:08:39,360
Speaker 1: I'm gonna put this money towards you learning the trade.

1315
01:08:39,479 --> 01:08:41,000
Speaker 1: You know, I'm gonna put this money towards sending you

1316
01:08:41,040 --> 01:08:42,920
Speaker 1: to barber school. Now, don't get me wrong, trade schooling

1317
01:08:42,960 --> 01:08:44,960
Speaker 1: barber school costs more than thirty two hundred. But you

1318
01:08:45,000 --> 01:08:47,360
Speaker 1: understand what I'm saying. You have the ability to point

1319
01:08:47,400 --> 01:08:49,760
Speaker 1: this young man in the right direction, but instead you

1320
01:08:49,840 --> 01:08:52,839
Speaker 1: decided to turn this young man into a crash test dummy.

1321
01:08:53,000 --> 01:08:54,720
Speaker 1: And now his life is finished. And did you know

1322
01:08:54,760 --> 01:08:58,120
Speaker 1: this young man was prohibited from possessing a firearm due

1323
01:08:58,160 --> 01:09:00,519
Speaker 1: to a previous conviction. So this lets me know this

1324
01:09:00,600 --> 01:09:02,280
Speaker 1: young man is one of them ones. You know, the

1325
01:09:02,320 --> 01:09:05,080
Speaker 1: ones I'm talking about, the young shooter. Okay, think old

1326
01:09:05,080 --> 01:09:08,920
Speaker 1: dog in Menace Bishop and Juice Poppy from Left Rack.

1327
01:09:09,000 --> 01:09:12,120
Speaker 1: He's that young man, folks in the community. No, it's

1328
01:09:12,160 --> 01:09:14,479
Speaker 1: one blacking mouth short of a five pack. But instead

1329
01:09:14,640 --> 01:09:16,880
Speaker 1: of someone putting their arm around the brother, showing them

1330
01:09:16,920 --> 01:09:18,879
Speaker 1: love and getting them on the right path, they decided

1331
01:09:18,920 --> 01:09:21,879
Speaker 1: to aid in a bed his dysfunction. Okay. The scripture

1332
01:09:21,960 --> 01:09:24,720
Speaker 1: teaches old men and women for council, young men and

1333
01:09:24,720 --> 01:09:26,280
Speaker 1: women for war. But it should be a war against

1334
01:09:26,280 --> 01:09:30,720
Speaker 1: the system, okay, A war against oppression and perpetual exploitation,

1335
01:09:30,760 --> 01:09:33,719
Speaker 1: a war against ignorance, a war against pittsport, morals and values,

1336
01:09:34,080 --> 01:09:36,760
Speaker 1: not war against each other. Please let him Mark give

1337
01:09:36,840 --> 01:09:40,759
Speaker 1: Michael Gibson and Thomas Smith the biggest he hall, heh, heh,

1338
01:09:41,400 --> 01:09:46,120
Speaker 1: you stupid mother? Are you dumb? All right for a world? Y'all? Alright,

1339
01:09:46,800 --> 01:09:49,639
Speaker 1: donkey today, better bundle up. I realize as many years

1340
01:09:49,680 --> 01:09:51,680
Speaker 1: I've been coming on the show and doing the show,

1341
01:09:51,720 --> 01:09:54,160
Speaker 1: I've never seen you do dunkey to day. Never Na,

1342
01:09:54,240 --> 01:09:57,639
Speaker 1: because I've always been a guest I've been against the show.

1343
01:09:57,920 --> 01:09:59,800
Speaker 1: Now I feel like Angela, yee, this is not your

1344
01:10:00,000 --> 01:10:02,559
Speaker 1: It's time to guest hosting. Remember Nor used to come

1345
01:10:02,640 --> 01:10:04,960
Speaker 1: up here, Nor East every Nor still so every Eastern

1346
01:10:05,040 --> 01:10:08,200
Speaker 1: Nor would come. But he hosted, He hosted Breakfast Club

1347
01:10:08,200 --> 01:10:09,640
Speaker 1: a couple of times back in the day. Felt like

1348
01:10:09,680 --> 01:10:11,800
Speaker 1: I guest hosted. But I don't think I officially was

1349
01:10:11,840 --> 01:10:13,760
Speaker 1: a guest host, but I felt, I feel I feel

1350
01:10:13,760 --> 01:10:16,640
Speaker 1: like felt like yeah, but I mean a lot of

1351
01:10:16,640 --> 01:10:19,120
Speaker 1: people would say those were the early seeds of drink Champions.

1352
01:10:19,520 --> 01:10:21,679
Speaker 1: Started to be like, I love how you tickets own props.

1353
01:10:24,080 --> 01:10:28,400
Speaker 1: That's I like here. I always I always say that,

1354
01:10:28,520 --> 01:10:32,240
Speaker 1: I say and and rest in piece of Prodigy. But

1355
01:10:32,400 --> 01:10:36,120
Speaker 1: had Prodigy not wrote that book, yes, I might drink Champ.

1356
01:10:36,200 --> 01:10:39,439
Speaker 1: So I owe Prodigy a lot because all I wanted

1357
01:10:39,439 --> 01:10:43,479
Speaker 1: to do was just um basically rebuttle, have a rebuttal

1358
01:10:43,560 --> 01:10:47,639
Speaker 1: to his and you brothers was my brother along with Angela,

1359
01:10:48,160 --> 01:10:50,920
Speaker 1: she's my sister, and y'all gave me the outlet to

1360
01:10:51,000 --> 01:10:53,400
Speaker 1: come up here. And I remember me going to Canada,

1361
01:10:53,439 --> 01:10:55,160
Speaker 1: me coming up here so much, and then going to

1362
01:10:55,280 --> 01:10:58,560
Speaker 1: Canada and I walked through the security gate and the

1363
01:10:58,640 --> 01:11:01,360
Speaker 1: guy says to me, first club, and I was like,

1364
01:11:02,680 --> 01:11:04,920
Speaker 1: and then he kept saying he had nothing else to

1365
01:11:05,000 --> 01:11:06,720
Speaker 1: say to me, just kept saying breakfast club. And I

1366
01:11:06,840 --> 01:11:09,000
Speaker 1: was like, I said, damn, I either old money or

1367
01:11:11,320 --> 01:11:13,760
Speaker 1: I was like, this is something about this. And then

1368
01:11:13,880 --> 01:11:15,760
Speaker 1: I started to realize. I was like, Wow, they like

1369
01:11:15,880 --> 01:11:19,599
Speaker 1: hearing me talk like and and that, So yeah, you're right,

1370
01:11:19,960 --> 01:11:22,559
Speaker 1: that's that's where that's right. Early seed to drink champs

1371
01:11:22,640 --> 01:11:24,479
Speaker 1: lay it right here. The breakfast club. All right, when

1372
01:11:24,479 --> 01:11:26,960
Speaker 1: we come back eight five eight five, one h five one,

1373
01:11:27,040 --> 01:11:29,439
Speaker 1: Nori is here. Of course you know he's from Drink Champs.

1374
01:11:29,640 --> 01:11:32,160
Speaker 1: But we're gonna be talking drink text this morning. Context

1375
01:11:32,280 --> 01:11:38,880
Speaker 1: drunk text text. Yes, now nose before sim Simm And

1376
01:11:38,920 --> 01:11:41,599
Speaker 1: now this, this conversation really comes the other day one

1377
01:11:41,640 --> 01:11:43,320
Speaker 1: of our producers up here, her name, we call her

1378
01:11:43,360 --> 01:11:45,880
Speaker 1: sim Simmer. This story better be good? Who got the

1379
01:11:45,960 --> 01:11:49,200
Speaker 1: keys to the story? Better be good? Better be phenomenal.

1380
01:11:49,520 --> 01:11:51,880
Speaker 1: Now she got a drunk text the other night from

1381
01:11:51,920 --> 01:11:54,640
Speaker 1: an old classmate. It better be phenomenal. Now what did

1382
01:11:54,680 --> 01:11:56,519
Speaker 1: that that that class me see to you? You gotta

1383
01:11:56,520 --> 01:11:58,639
Speaker 1: take your mask off to talk sim Oh sorry, I'm

1384
01:11:58,640 --> 01:12:01,280
Speaker 1: just so used to it. Um. So yeah, it was

1385
01:12:01,400 --> 01:12:03,200
Speaker 1: like three o'clock in the morning. I think when it's

1386
01:12:03,240 --> 01:12:05,720
Speaker 1: one of y'all texting me pertaining to the show. But

1387
01:12:05,840 --> 01:12:07,240
Speaker 1: what do they do and text you at three o'clock?

1388
01:12:07,240 --> 01:12:10,960
Speaker 1: I would never be telling the show but not necessarily done.

1389
01:12:11,000 --> 01:12:18,240
Speaker 1: But like other producers, so I'm thinking to somebody from

1390
01:12:18,240 --> 01:12:20,240
Speaker 1: the show to talk about work, because usually it's only

1391
01:12:20,280 --> 01:12:22,439
Speaker 1: me and God at that time. And I look and

1392
01:12:23,200 --> 01:12:24,920
Speaker 1: the name I'm not gonna say it but it was

1393
01:12:25,000 --> 01:12:27,560
Speaker 1: somebody I haven't spoken to and like since I graduated.

1394
01:12:27,960 --> 01:12:29,800
Speaker 1: And when I opened it, I could already tell it's

1395
01:12:29,840 --> 01:12:31,599
Speaker 1: a full paragraph like that when you got to scroll

1396
01:12:31,880 --> 01:12:37,320
Speaker 1: along and it's like he's like, oh, long drunk text. Yes, yes,

1397
01:12:37,439 --> 01:12:40,200
Speaker 1: he was telling me about like somebody who passed away.

1398
01:12:40,320 --> 01:12:42,320
Speaker 1: I have no idea that He's like, oh, I wish

1399
01:12:42,360 --> 01:12:44,640
Speaker 1: I did this ten years ago, but I like you.

1400
01:12:44,840 --> 01:12:47,120
Speaker 1: And like in between he's dropping like crises that don't

1401
01:12:47,120 --> 01:12:49,040
Speaker 1: even make sense. And then he took a picture of

1402
01:12:49,120 --> 01:12:51,680
Speaker 1: what I wrote in our yearbook and he was like,

1403
01:12:51,880 --> 01:12:54,559
Speaker 1: oh I saw this, and I just thought the timing

1404
01:12:54,680 --> 01:12:57,639
Speaker 1: was right, blah blah blah. And then like ten minutes

1405
01:12:57,680 --> 01:12:59,559
Speaker 1: later he techn me back, goes, I didn't do that right.

1406
01:13:00,840 --> 01:13:07,679
Speaker 1: That wasn't a good drunk text. That story good drunk Texas.

1407
01:13:07,720 --> 01:13:10,840
Speaker 1: When you send somebody something and you know you'd be like, yo, um,

1408
01:13:11,320 --> 01:13:19,880
Speaker 1: I want that, pissie. That's a silly drunk text. Woman

1409
01:13:19,960 --> 01:13:22,599
Speaker 1: hit you and be like, y'all want that dumb like duck.

1410
01:13:23,360 --> 01:13:27,519
Speaker 1: You're talking about dinner, what you mean? But let's open

1411
01:13:27,600 --> 01:13:30,280
Speaker 1: the phone lines five A five, one oh five, and

1412
01:13:30,360 --> 01:13:32,720
Speaker 1: we're talking drunk text. We'll talking some more. If you

1413
01:13:32,840 --> 01:13:35,200
Speaker 1: set one by accident, maybe you receive something. Let's talk

1414
01:13:35,200 --> 01:13:38,559
Speaker 1: about it. It's the Breakfast Club. Good morning, the Breakfast Club.

1415
01:13:41,880 --> 01:13:48,960
Speaker 1: It's topic time. That's the phone called eight hundred five

1416
01:13:49,000 --> 01:13:50,519
Speaker 1: eight five one oh five. Want to join it to

1417
01:13:50,600 --> 01:13:54,120
Speaker 1: the discussion with the Breakfast Club. Talk about it morning.

1418
01:13:54,200 --> 01:13:58,280
Speaker 1: Everybody's DJ Envy Charlomagne, the guy we are the Breakfast Club.

1419
01:13:58,439 --> 01:14:00,800
Speaker 1: Now if he's just joining us, of course, Norris here

1420
01:14:00,880 --> 01:14:04,080
Speaker 1: he is our guest host for today and we're talking

1421
01:14:04,160 --> 01:14:06,559
Speaker 1: drunk text. You know, he's from drink Champ, so we're

1422
01:14:06,600 --> 01:14:10,280
Speaker 1: talking drunk texts. Now, have you guys ever received a

1423
01:14:10,400 --> 01:14:15,840
Speaker 1: drunk text? The drunk Master masters right there? Name one.

1424
01:14:17,680 --> 01:14:21,479
Speaker 1: Just you know, we've been having amazing years and just

1425
01:14:21,640 --> 01:14:24,439
Speaker 1: like just our brothers just hitting us and saying thank you.

1426
01:14:24,520 --> 01:14:27,160
Speaker 1: You know, I've been able to give sixteen people jobs,

1427
01:14:27,240 --> 01:14:29,800
Speaker 1: you know what I'm saying, even more than when I've

1428
01:14:29,840 --> 01:14:33,200
Speaker 1: been rapping. So I just always every now and then,

1429
01:14:33,320 --> 01:14:35,600
Speaker 1: like I'll give somebody a bonus or something like that,

1430
01:14:35,720 --> 01:14:38,200
Speaker 1: or someone would just text me, man, you man, you

1431
01:14:38,320 --> 01:14:41,720
Speaker 1: really really a real one. And I prefer that much

1432
01:14:41,840 --> 01:14:44,320
Speaker 1: more than the street Texas when they say you're a

1433
01:14:44,400 --> 01:14:47,800
Speaker 1: real one. Um drunk text me one time You're like, yo,

1434
01:14:48,240 --> 01:14:49,640
Speaker 1: y'all love you, bro, I want to thank you for

1435
01:14:49,720 --> 01:14:53,360
Speaker 1: everything that you do. I'm like, what did you thank me?

1436
01:14:56,320 --> 01:15:03,479
Speaker 1: Which is not thank you? I knew yeah, and then

1437
01:15:03,560 --> 01:15:07,360
Speaker 1: that's that's that's good like every you know. Um, I

1438
01:15:07,560 --> 01:15:10,679
Speaker 1: like to say, we didn't make up the phrase giving

1439
01:15:10,720 --> 01:15:15,439
Speaker 1: out flowers, we made it famous, right, and the way

1440
01:15:15,520 --> 01:15:18,920
Speaker 1: y'all do it is supid fly when yuh the gold flower,

1441
01:15:19,120 --> 01:15:21,720
Speaker 1: I'm gonna tell you what it means the most. When

1442
01:15:21,760 --> 01:15:25,040
Speaker 1: you see God blessed the dad DMX right, God blessed

1443
01:15:25,040 --> 01:15:30,640
Speaker 1: the dead Gangster's like yeah, define it really hits and

1444
01:15:30,800 --> 01:15:34,320
Speaker 1: take off too, you know what I mean? But um So,

1445
01:15:35,280 --> 01:15:38,680
Speaker 1: what I like to say is drunk Texas are necessary

1446
01:15:38,760 --> 01:15:42,000
Speaker 1: because sometimes it's something that you really mean, like like

1447
01:15:42,200 --> 01:15:44,559
Speaker 1: like like a homegirl just says like maybe this guy

1448
01:15:44,680 --> 01:15:47,200
Speaker 1: really meant that, really wanted to say that attention. He

1449
01:15:47,240 --> 01:15:49,680
Speaker 1: didn't have the courage and you know Asian Spade and

1450
01:15:49,720 --> 01:15:51,880
Speaker 1: SARAQ gives you that courage, you know what I mean. So,

1451
01:15:52,200 --> 01:15:55,400
Speaker 1: um so I think it's necessary becume to the tina. Um,

1452
01:15:55,560 --> 01:15:57,920
Speaker 1: I think it's necessary, and I think it's dope. To

1453
01:15:57,960 --> 01:16:00,640
Speaker 1: give people flowers. I think it's really you know, I

1454
01:16:00,760 --> 01:16:03,000
Speaker 1: really knew Envy when he had an MPV. You know

1455
01:16:03,040 --> 01:16:06,680
Speaker 1: what I'm saying, He really uh, I really no, No,

1456
01:16:06,960 --> 01:16:12,040
Speaker 1: Montero was Monterro. I'm sorry, MPV was. I'm putting your car,

1457
01:16:12,400 --> 01:16:14,280
Speaker 1: always pulling my car, you know what I'm saying. But um,

1458
01:16:14,640 --> 01:16:17,080
Speaker 1: and to see where he's at, that's beautiful. So when

1459
01:16:17,120 --> 01:16:19,720
Speaker 1: I see him, you know, doing the car shows, and

1460
01:16:20,160 --> 01:16:23,080
Speaker 1: I always try to like either I participate or try

1461
01:16:23,120 --> 01:16:25,840
Speaker 1: to participate, and it's just dope for me. It's dope

1462
01:16:25,880 --> 01:16:27,760
Speaker 1: to see where you came from. It's dope to see

1463
01:16:28,040 --> 01:16:31,360
Speaker 1: the evolution of a human, you know I'm saying, Because

1464
01:16:31,560 --> 01:16:35,800
Speaker 1: human that stays are the same, it's just they dead.

1465
01:16:36,240 --> 01:16:39,320
Speaker 1: They're dead. So drunk texts are necessary. I'm sorry to

1466
01:16:39,400 --> 01:16:42,599
Speaker 1: make text deep. I just there's no one else who

1467
01:16:42,640 --> 01:16:45,360
Speaker 1: didn't make drunk texting deep. You know, I gotta. I

1468
01:16:45,400 --> 01:16:48,240
Speaker 1: got a drunk text about a year ago. I think

1469
01:16:48,240 --> 01:16:51,040
Speaker 1: I told you it was another DJ, and I guess

1470
01:16:51,080 --> 01:16:54,360
Speaker 1: he was. I hope he was texting a young lady.

1471
01:16:54,920 --> 01:16:56,200
Speaker 1: Tell me who the DJ was. I'm not telling you.

1472
01:16:56,200 --> 01:17:01,599
Speaker 1: If you young lady, he texted me y'all can't wait

1473
01:17:01,600 --> 01:17:04,679
Speaker 1: to get that ass right. True story. I don't see

1474
01:17:04,680 --> 01:17:06,759
Speaker 1: the problems you got to prove this was a chees story.

1475
01:17:07,000 --> 01:17:09,519
Speaker 1: I guess he caught himself later a couple of hours later,

1476
01:17:09,560 --> 01:17:11,560
Speaker 1: he was like, no, my bad bro was for you.

1477
01:17:12,120 --> 01:17:15,920
Speaker 1: He gave you two hours to respond and then he realized, like,

1478
01:17:16,040 --> 01:17:17,840
Speaker 1: damn if he ain't gonna give me no action, so

1479
01:17:18,040 --> 01:17:19,800
Speaker 1: let me clean this up. But it was drunk six.

1480
01:17:19,880 --> 01:17:22,560
Speaker 1: He was drunk, and he meant to text tell you

1481
01:17:22,600 --> 01:17:24,559
Speaker 1: it was I'm not gonna do that. I'm not gonna

1482
01:17:24,560 --> 01:17:31,479
Speaker 1: text nothing. Jazz Man, good morning, good morning, good morning,

1483
01:17:31,880 --> 01:17:39,479
Speaker 1: good morning. You were drunk, texted Jasmine Girl. Yes, man, um,

1484
01:17:40,040 --> 01:17:42,400
Speaker 1: I you know, I had an idea of what I

1485
01:17:42,560 --> 01:17:45,720
Speaker 1: was doing, but I didn't get the outcome that I

1486
01:17:45,840 --> 01:17:50,640
Speaker 1: was hoping for. Yeah, it was more like, uh, what

1487
01:17:50,760 --> 01:17:53,040
Speaker 1: are you doing it? Yeah? Because the morning, you know,

1488
01:17:53,439 --> 01:17:55,800
Speaker 1: And I don't think people realize what people don't. Women

1489
01:17:55,840 --> 01:17:58,479
Speaker 1: don't realize when you say pissy instead of the other word.

1490
01:17:58,560 --> 01:18:04,000
Speaker 1: It throws people off, especially after that young man. You

1491
01:18:04,080 --> 01:18:07,000
Speaker 1: know what I'm saying that young Miami interfewould Tree and

1492
01:18:07,040 --> 01:18:08,479
Speaker 1: you gotta be careful. You hit hit to do a

1493
01:18:08,520 --> 01:18:10,400
Speaker 1: talk about you gonna get this pissie. No, you're not

1494
01:18:10,479 --> 01:18:13,519
Speaker 1: gonna be on me. Hello? Who's this? Hey? This is

1495
01:18:13,720 --> 01:18:19,479
Speaker 1: Cozy from betrayed? What's up? I was drunk and I

1496
01:18:19,680 --> 01:18:22,559
Speaker 1: picked my boyfriend and mom tell her I was gonna

1497
01:18:22,600 --> 01:18:25,080
Speaker 1: be her ass? WHOA? How do you make up for that?

1498
01:18:25,120 --> 01:18:27,080
Speaker 1: Protect your boyfriend's mom? You're gonna be the How do

1499
01:18:27,120 --> 01:18:28,639
Speaker 1: you make up for that one? Yeah, that's that's weird.

1500
01:18:28,800 --> 01:18:32,280
Speaker 1: I was you're us pause, I mean not pause, but

1501
01:18:32,360 --> 01:18:36,559
Speaker 1: don't curse. I was drunk, but yeah, it was hard,

1502
01:18:36,640 --> 01:18:38,439
Speaker 1: like you had to have a whole time respection about

1503
01:18:38,439 --> 01:18:41,160
Speaker 1: it everything. Damn it? Man? All right, man, I wanted

1504
01:18:41,200 --> 01:18:42,920
Speaker 1: a frist about who was you? Who? Did you mean you?

1505
01:18:43,640 --> 01:18:45,760
Speaker 1: Or did you really mean that? I meant to say

1506
01:18:45,840 --> 01:18:48,080
Speaker 1: this for my boyfriend. You meant to tell your bofriend

1507
01:18:48,080 --> 01:18:50,160
Speaker 1: I'm gonna beat your mom's ass. No, I mean to

1508
01:18:50,200 --> 01:18:53,640
Speaker 1: tell him. Oh well that maybe you could have been

1509
01:18:53,640 --> 01:18:55,439
Speaker 1: saying some other wild stuff. You know what I mean?

1510
01:18:55,880 --> 01:18:59,720
Speaker 1: You could have told your boyfriend mom. Now would have

1511
01:18:59,760 --> 01:19:04,439
Speaker 1: been Hello this, Hi, I just see morey. I'll like

1512
01:19:04,600 --> 01:19:08,400
Speaker 1: you for media. Sorry, now you are drunk texted? What

1513
01:19:08,479 --> 01:19:12,120
Speaker 1: did you do? Mama? So I'm said, the whole network.

1514
01:19:12,680 --> 01:19:16,439
Speaker 1: But my man is now certainly my fiance. He was

1515
01:19:16,600 --> 01:19:19,000
Speaker 1: gone for a bit to work. I was out with

1516
01:19:19,160 --> 01:19:24,400
Speaker 1: a girl. We were greeting and he called soon. So

1517
01:19:24,920 --> 01:19:27,960
Speaker 1: I was like to start and had some flips of

1518
01:19:28,160 --> 01:19:34,120
Speaker 1: me and showers and send sends the whole network. Well,

1519
01:19:34,520 --> 01:19:38,719
Speaker 1: my name step with Jay and so that my step brothers.

1520
01:19:39,439 --> 01:19:43,200
Speaker 1: So I actually my step brothers. While I was drunk,

1521
01:19:44,080 --> 01:19:48,160
Speaker 1: and now I have to see a holiday and I'm naked.

1522
01:19:48,280 --> 01:19:52,120
Speaker 1: He winks bad. Drunk your phone sound crazy? So was you?

1523
01:19:52,479 --> 01:19:55,040
Speaker 1: You sent a naked picture a naked video to your

1524
01:19:55,720 --> 01:19:58,680
Speaker 1: fiance's brother. Correct, sound like you trying to blame it

1525
01:19:58,720 --> 01:20:02,800
Speaker 1: on alcohol. Sound like you meant to do that. Yeah,

1526
01:20:02,840 --> 01:20:04,240
Speaker 1: but it sounds like you meant to do it, like

1527
01:20:04,400 --> 01:20:06,200
Speaker 1: you you know, you just blame it on alcohol. But

1528
01:20:06,280 --> 01:20:08,720
Speaker 1: you're feeling his brother a little bit. Hello, who's this?

1529
01:20:11,760 --> 01:20:17,400
Speaker 1: I love dad? What's up? Bro? We're talking? Uh? Drunk text? Uh? Yeah? Yes?

1530
01:20:17,520 --> 01:20:23,639
Speaker 1: The last year us a lot of No, you could

1531
01:20:23,640 --> 01:20:33,880
Speaker 1: get drunk a lot, girl pretty much, but now YO

1532
01:20:34,560 --> 01:20:39,559
Speaker 1: made him get So that's crazy. He said he wanted

1533
01:20:39,640 --> 01:20:41,960
Speaker 1: the girl to defecate on his face. Don't he take

1534
01:20:42,000 --> 01:20:43,800
Speaker 1: what he wanted to girl to sit on the face.

1535
01:20:45,600 --> 01:20:48,560
Speaker 1: He said, that's crazy. I thought we enjoyed that. I

1536
01:20:48,640 --> 01:20:50,719
Speaker 1: thought we was begin out here. I don't know, boot.

1537
01:20:50,760 --> 01:20:52,400
Speaker 1: The game was making people go so so it was

1538
01:20:52,400 --> 01:20:57,160
Speaker 1: out of no long drinking back drive five one on

1539
01:20:57,320 --> 01:21:00,160
Speaker 1: five one. We're talking drunk texts and didn't go and

1540
01:21:00,240 --> 01:21:05,960
Speaker 1: sober afterwards? Is Nuts goes together? Scared Straight program. It's

1541
01:21:05,960 --> 01:21:17,600
Speaker 1: the Breakfast Club. Good morning. Call me your opinions to

1542
01:21:17,640 --> 01:21:21,880
Speaker 1: the breakfast club topic. Come on I five five five

1543
01:21:21,960 --> 01:21:26,000
Speaker 1: one morning. Everybody is DJ n V Charlomagne the guy.

1544
01:21:26,080 --> 01:21:28,040
Speaker 1: We are the Breakfast Club. We get our guest hosts

1545
01:21:28,080 --> 01:21:31,400
Speaker 1: and or a. Norri's here now if you just join us,

1546
01:21:31,640 --> 01:21:35,559
Speaker 1: we're talking about sending drunk text. Now, what are y'all

1547
01:21:35,600 --> 01:21:38,800
Speaker 1: looking at? We vibral Baby Lucy to Jasmine brand. I

1548
01:21:38,880 --> 01:21:40,360
Speaker 1: was just looking at the Jasmine brand. They put up

1549
01:21:40,360 --> 01:21:42,920
Speaker 1: a headline Future allegedly upset that Drake did an album

1550
01:21:42,920 --> 01:21:45,559
Speaker 1: with twenty one Shove and says, Nori, this is just happened,

1551
01:21:46,920 --> 01:21:50,760
Speaker 1: shout to Jack allegedly too. We said allegedly, yeah, man,

1552
01:21:51,200 --> 01:21:53,559
Speaker 1: already that's all good. But we're talking drunk text now.

1553
01:21:53,680 --> 01:21:55,560
Speaker 1: Of course, have you ever said a drunk text to

1554
01:21:55,640 --> 01:21:58,280
Speaker 1: somebody and regretted it, or maybe you didn't regret it,

1555
01:21:58,320 --> 01:22:01,479
Speaker 1: maybe don't care. Hello, who's that for himself? We're talking

1556
01:22:01,560 --> 01:22:04,240
Speaker 1: drunk tech. You sent one out? Problem, I got one? Man,

1557
01:22:04,360 --> 01:22:09,439
Speaker 1: I received one? What you got it from? What's his name? No? No?

1558
01:22:09,960 --> 01:22:13,840
Speaker 1: I was out with no no old acquaintment and uh

1559
01:22:14,320 --> 01:22:17,280
Speaker 1: after that happened, returning Oh my gosh from uh, I

1560
01:22:17,840 --> 01:22:21,360
Speaker 1: hate you. You ain't none but a dog like that

1561
01:22:21,560 --> 01:22:23,720
Speaker 1: in a few minutes later like where you at? I

1562
01:22:23,920 --> 01:22:26,720
Speaker 1: wanted to see you. It was just, Uh, that's like

1563
01:22:26,760 --> 01:22:29,519
Speaker 1: a cocaine text. That's not like a cocaine. That don't

1564
01:22:29,520 --> 01:22:32,880
Speaker 1: sound like alcohol. That's not like cocaine for real, man,

1565
01:22:33,320 --> 01:22:35,280
Speaker 1: I don't cocaine. Take it to the mood twins, Let

1566
01:22:35,400 --> 01:22:37,200
Speaker 1: me be ask with you that story with whackbro horrible. Hello,

1567
01:22:37,240 --> 01:22:42,479
Speaker 1: who's this? Hey Hannah, Hey mama. We're talking drunk tech.

1568
01:22:42,520 --> 01:22:44,760
Speaker 1: You're sending a drunk text to somebody. I didn't send one,

1569
01:22:44,800 --> 01:22:47,400
Speaker 1: but my acting college send any one? What is saying?

1570
01:22:47,640 --> 01:22:51,000
Speaker 1: He just said, Hey, what's up is this? Diana? I said, yeah,

1571
01:22:51,200 --> 01:22:56,960
Speaker 1: how are you? And he responded, you married? That's all up?

1572
01:22:57,280 --> 01:23:00,920
Speaker 1: That's all y'all got. Hello, who's this. You know. It's

1573
01:23:01,000 --> 01:23:03,360
Speaker 1: Jimmy from New York. Jimmy from New York. We're talking

1574
01:23:03,640 --> 01:23:07,880
Speaker 1: drunk textas wanted brother. All right, I don't personally. I

1575
01:23:08,040 --> 01:23:11,040
Speaker 1: just think the drink gives you, like the confidence to

1576
01:23:11,120 --> 01:23:13,559
Speaker 1: send off the text that you always wanted to send. All.

1577
01:23:13,920 --> 01:23:16,920
Speaker 1: I'm saying it just so happened. You get those texts

1578
01:23:17,040 --> 01:23:19,400
Speaker 1: like four or three in the morning, and that God

1579
01:23:19,439 --> 01:23:22,200
Speaker 1: looks kind of weird. Other than that, if that, people

1580
01:23:22,320 --> 01:23:23,800
Speaker 1: be wanting to say. You know what I mean. So

1581
01:23:23,880 --> 01:23:25,880
Speaker 1: you're saying the guy, the DJ who's saying envy the

1582
01:23:25,920 --> 01:23:27,760
Speaker 1: text and he wanted that ass he really wanted to

1583
01:23:27,840 --> 01:23:31,000
Speaker 1: send that. Oh my goodness, absolutely word word Now I

1584
01:23:31,040 --> 01:23:32,720
Speaker 1: feel you. I don't think so at all. I think

1585
01:23:32,760 --> 01:23:34,760
Speaker 1: he was trying to saying to another lady. And then

1586
01:23:35,280 --> 01:23:38,160
Speaker 1: I said another lady, A lady who I like this.

1587
01:23:38,360 --> 01:23:40,360
Speaker 1: I listen, I love this. This is a progressive bro,

1588
01:23:40,640 --> 01:23:43,639
Speaker 1: whatever you identify as that support you. Oh my goodness, Hello,

1589
01:23:43,720 --> 01:23:46,840
Speaker 1: who's this? Hey? What's up? I don't even need to

1590
01:23:46,880 --> 01:23:49,320
Speaker 1: be on air, but I want to know how simp

1591
01:23:49,400 --> 01:23:52,680
Speaker 1: timer responded to that drunk text. Dying to know how

1592
01:23:52,760 --> 01:23:55,160
Speaker 1: she responded. This must be the person the gentleman, come in.

1593
01:23:57,880 --> 01:24:00,040
Speaker 1: So now, if you just joined us, Simpson, want to

1594
01:24:00,080 --> 01:24:02,639
Speaker 1: produces a pair. I got a drunk text a couple

1595
01:24:02,680 --> 01:24:05,519
Speaker 1: of days ago from somebody she went to high school with. Yeah,

1596
01:24:05,600 --> 01:24:07,200
Speaker 1: and what she didn't say is that the guy was

1597
01:24:07,280 --> 01:24:09,160
Speaker 1: white and she's black. And at some point in the

1598
01:24:09,240 --> 01:24:12,200
Speaker 1: text he said black lives mother, and it confused her.

1599
01:24:12,840 --> 01:24:15,600
Speaker 1: He said, to black lives mother. But that's why I

1600
01:24:15,720 --> 01:24:17,439
Speaker 1: was gonna say. I can already tell that's not the

1601
01:24:17,479 --> 01:24:19,479
Speaker 1: person who texts me because that's not the voice of

1602
01:24:19,520 --> 01:24:21,400
Speaker 1: a white man. So how did you reply to the

1603
01:24:21,479 --> 01:24:24,120
Speaker 1: to the gentleman, Well, because he was white, I had

1604
01:24:24,240 --> 01:24:28,760
Speaker 1: no interest in going. But he was cool side, That's

1605
01:24:28,800 --> 01:24:31,519
Speaker 1: what I'm talking about thinking. So I text him and

1606
01:24:31,560 --> 01:24:33,480
Speaker 1: I lie to I was like, I'm in a serious relationship,

1607
01:24:33,640 --> 01:24:35,880
Speaker 1: but you know, I don't mind catching up. We could

1608
01:24:35,920 --> 01:24:38,360
Speaker 1: talk like I link with you. And then he text

1609
01:24:38,439 --> 01:24:39,920
Speaker 1: me back and he was like what did he say?

1610
01:24:40,080 --> 01:24:44,479
Speaker 1: He said, um lashes for Tim Simmon the last year,

1611
01:24:45,120 --> 01:24:51,800
Speaker 1: zero lashes. He said, zero lashes for you. He's happy

1612
01:24:51,800 --> 01:24:57,240
Speaker 1: meeting basically, So what's the mold of the story. There

1613
01:24:57,320 --> 01:24:59,000
Speaker 1: was a young lady that says she texted up Ball

1614
01:24:59,040 --> 01:25:01,200
Speaker 1: but son and asked how biggest penis was, but she

1615
01:25:01,600 --> 01:25:03,280
Speaker 1: we lost. By the way. That by the way, that's

1616
01:25:03,360 --> 01:25:05,400
Speaker 1: not drunk texting. You really want to know how big

1617
01:25:05,479 --> 01:25:07,720
Speaker 1: somebody's penis is. A drunk text is when you mess

1618
01:25:07,800 --> 01:25:10,600
Speaker 1: up a word. You know what I'm saying. All you

1619
01:25:10,840 --> 01:25:13,120
Speaker 1: might be overly emotional and you might say something that

1620
01:25:13,200 --> 01:25:16,800
Speaker 1: you regret sending, but that's not drunk texting. Just say

1621
01:25:16,840 --> 01:25:18,479
Speaker 1: you want to see what the barbar penis look like.

1622
01:25:18,640 --> 01:25:20,240
Speaker 1: That's all. We want to get some cut to the

1623
01:25:20,280 --> 01:25:22,240
Speaker 1: person who does to cut, So list some more story.

1624
01:25:22,640 --> 01:25:29,680
Speaker 1: We'll get some trim to the person that no. You

1625
01:25:29,760 --> 01:25:33,840
Speaker 1: know why, I know because I learned from people before me,

1626
01:25:33,960 --> 01:25:36,120
Speaker 1: so I've always been super paranoid about that when I

1627
01:25:36,160 --> 01:25:37,680
Speaker 1: saw it was snapt to go to jail back in

1628
01:25:37,760 --> 01:25:40,680
Speaker 1: the day for that, and fat yall, I'm super back

1629
01:25:40,720 --> 01:25:45,040
Speaker 1: in the day. That was five years ago. But I

1630
01:25:45,120 --> 01:25:49,120
Speaker 1: thank God from my financial team, Lifeline Financials, the Humble

1631
01:25:49,160 --> 01:25:51,560
Speaker 1: and Lord and everybody over there like Noah, by the

1632
01:25:51,600 --> 01:25:54,840
Speaker 1: grace of God. No. Well, somebody is getting that knock

1633
01:25:54,920 --> 01:25:58,200
Speaker 1: because they allegedly, oh four million. We'll talk about it

1634
01:25:58,240 --> 01:25:59,840
Speaker 1: when we come back. It's the breakfast Club. Good morning,

1635
01:26:00,360 --> 01:26:07,360
Speaker 1: the breakfast Club owning everybody's DJ m V Charlemagne the guy.

1636
01:26:07,439 --> 01:26:09,719
Speaker 1: We are the breakfast Club. We got our guest hosts

1637
01:26:09,760 --> 01:26:13,439
Speaker 1: and r y sir, and let's get to the rooms.

1638
01:26:13,479 --> 01:26:18,600
Speaker 1: Let's go through my hat or you gossiping or you

1639
01:26:18,720 --> 01:26:22,280
Speaker 1: chatting the report? I mean, I guess we're on the

1640
01:26:22,280 --> 01:26:24,400
Speaker 1: breakast club. This is where the tea spills, right on

1641
01:26:24,520 --> 01:26:27,639
Speaker 1: the breakfast Club. We're gonna start off with some sad news.

1642
01:26:27,720 --> 01:26:29,080
Speaker 1: But before we do, let me ask you a question.

1643
01:26:29,120 --> 01:26:31,120
Speaker 1: Nor when? Nor have you got a colon oscar be here?

1644
01:26:32,479 --> 01:26:34,439
Speaker 1: I don't know what that is, but it sounds like

1645
01:26:34,560 --> 01:26:39,320
Speaker 1: something to do with my yes, but that shouldn't matter,

1646
01:26:39,479 --> 01:26:41,040
Speaker 1: nor you should go get it. I got mine over

1647
01:26:41,080 --> 01:26:43,680
Speaker 1: the holiday. We got his this week, I think this week.

1648
01:26:43,720 --> 01:26:47,240
Speaker 1: Earlier this week. We're up in age. They stick a

1649
01:26:47,280 --> 01:26:49,479
Speaker 1: camera up your butt. Were born in the nineteen hundred, bro,

1650
01:26:49,640 --> 01:26:51,880
Speaker 1: and they make sure that there's no no polyps or

1651
01:26:51,880 --> 01:26:55,960
Speaker 1: anything that's cancers, And then you know, I immediately am hurt.

1652
01:26:56,080 --> 01:26:58,160
Speaker 1: Right now, you're not even gonna feel it. They go

1653
01:26:58,240 --> 01:27:00,760
Speaker 1: to sleep like you have when you're on the screen

1654
01:27:00,760 --> 01:27:03,720
Speaker 1: machine and you drop down there. Who I feel like

1655
01:27:03,720 --> 01:27:05,519
Speaker 1: I just when he said that to do it, but

1656
01:27:06,040 --> 01:27:07,439
Speaker 1: we've lost a lot of great people in our coach

1657
01:27:09,760 --> 01:27:15,840
Speaker 1: combat Jack Reggio. Yeah, and it's treatable if you catch

1658
01:27:15,880 --> 01:27:17,559
Speaker 1: it early. Correct, So you know you pupposed to get

1659
01:27:17,560 --> 01:27:20,360
Speaker 1: your screening around forty four forty five or forty five

1660
01:27:20,439 --> 01:27:23,439
Speaker 1: is the screening age. Yes, I just shouted out combat Jack.

1661
01:27:23,560 --> 01:27:26,439
Speaker 1: I got the rhyme. I said, it's co signed. I

1662
01:27:26,600 --> 01:27:29,840
Speaker 1: drink more ace than jay Z and I said rest

1663
01:27:29,880 --> 01:27:32,720
Speaker 1: in peace, cam back Jack free Jack free tax too,

1664
01:27:32,720 --> 01:27:35,479
Speaker 1: he free, you know what I mean? So, yeah, that's

1665
01:27:35,600 --> 01:27:38,639
Speaker 1: old to the podcast game, you know what I mean? Yeah, Yeah,

1666
01:27:39,400 --> 01:27:42,000
Speaker 1: Well the reason I mentioned that is the Inky Boys,

1667
01:27:42,120 --> 01:27:44,720
Speaker 1: that is Randy Gonzalez and his son Bryce. If you

1668
01:27:44,720 --> 01:27:46,759
Speaker 1: don't know who they are, they do the the skits

1669
01:27:46,880 --> 01:27:49,479
Speaker 1: on TikTok. The skits are huge. The the young the

1670
01:27:49,560 --> 01:27:52,519
Speaker 1: young boy can actually I should say, yeah, I see

1671
01:27:52,560 --> 01:27:55,080
Speaker 1: a teenager not a teenager. Yeah, but young boy can

1672
01:27:55,120 --> 01:27:58,080
Speaker 1: actually act maybe funny skits and him. His dad recently

1673
01:27:58,160 --> 01:28:02,200
Speaker 1: passed away with goes from colon cancer, rest and piece.

1674
01:28:02,320 --> 01:28:03,519
Speaker 1: So when he found out that he had it, I

1675
01:28:03,560 --> 01:28:05,599
Speaker 1: think back a couple of months ago, back in April.

1676
01:28:05,680 --> 01:28:10,200
Speaker 1: This is what he actually said, spreading awareness for colon cancer.

1677
01:28:10,560 --> 01:28:12,720
Speaker 1: So the fight in the battle is still not over.

1678
01:28:13,200 --> 01:28:19,439
Speaker 1: And yeah check. So I've been to three rounds of

1679
01:28:19,640 --> 01:28:24,040
Speaker 1: chemos already so far, every day looking good. It's been

1680
01:28:24,240 --> 01:28:27,400
Speaker 1: fullble for me. I barely started moving again my hands

1681
01:28:27,439 --> 01:28:31,200
Speaker 1: and feet. Cancer sucks. Sucks the life at him to

1682
01:28:31,800 --> 01:28:34,080
Speaker 1: change my head chemo because it's not whorking right now.

1683
01:28:34,160 --> 01:28:37,080
Speaker 1: But I do feel good, very sad. And what's that

1684
01:28:37,360 --> 01:28:39,599
Speaker 1: he was only thirty five. That means he probably had

1685
01:28:39,600 --> 01:28:41,880
Speaker 1: a history of it and his family, right, because they

1686
01:28:41,920 --> 01:28:43,200
Speaker 1: said if you have a history of it in your family,

1687
01:28:43,240 --> 01:28:45,840
Speaker 1: then you should go get you know, checked earlier thirty five. Yea,

1688
01:28:45,920 --> 01:28:48,479
Speaker 1: God damn man, God bless that brother. Man, rest and

1689
01:28:48,520 --> 01:28:50,920
Speaker 1: piece because of doctor Saby Man. That's that's the reason

1690
01:28:50,960 --> 01:28:53,679
Speaker 1: why I believe in all of his products and everything

1691
01:28:53,960 --> 01:28:56,160
Speaker 1: he's doing. Yeah, but we're gonna stay on top of

1692
01:28:56,200 --> 01:28:59,519
Speaker 1: you til you get to check. Okay, Yeah, yeah, yeah, yeah,

1693
01:28:59,720 --> 01:29:01,519
Speaker 1: I'm damn. I was just about to say I'm in,

1694
01:29:01,800 --> 01:29:04,439
Speaker 1: but I don't think that was probably either. They're on

1695
01:29:04,520 --> 01:29:09,559
Speaker 1: top of him as the press. It's already opened now.

1696
01:29:09,800 --> 01:29:12,160
Speaker 1: Now this is the one person I'm scared of, no

1697
01:29:12,280 --> 01:29:15,960
Speaker 1: matter what's right. Ain't no one person. That's when you

1698
01:29:15,960 --> 01:29:21,519
Speaker 1: supposed to use the word day. That day that is day.

1699
01:29:22,040 --> 01:29:24,599
Speaker 1: Chris Brown has been hitting hit with a tax bill

1700
01:29:24,680 --> 01:29:29,200
Speaker 1: that totals over four million dollars. Damn the way nor

1701
01:29:29,360 --> 01:29:34,760
Speaker 1: feel about colonosapiest. Damn, I'm hurting right now. And me

1702
01:29:34,840 --> 01:29:37,120
Speaker 1: I'm a positive thinker. So that that means that he

1703
01:29:37,520 --> 01:29:40,800
Speaker 1: had to make at least ten to twelve million probably, yes,

1704
01:29:41,120 --> 01:29:42,960
Speaker 1: like to old that. And when they come, they want

1705
01:29:43,000 --> 01:29:44,439
Speaker 1: their money, and if they don't get the money, they're

1706
01:29:44,439 --> 01:29:47,559
Speaker 1: gonna put a lean on everything, including passports, houses. Cause

1707
01:29:47,840 --> 01:29:50,000
Speaker 1: you said that to me earlier. That was very shocking

1708
01:29:50,040 --> 01:29:51,439
Speaker 1: when you said that to me, you said, they put

1709
01:29:51,520 --> 01:29:53,840
Speaker 1: a on your passport. Yeah, they did that to me

1710
01:29:54,080 --> 01:29:56,040
Speaker 1: like you old child support. Yeah, they don't want you

1711
01:29:56,080 --> 01:29:57,679
Speaker 1: to travel, like they feel like you might be fleeing

1712
01:29:57,720 --> 01:29:59,960
Speaker 1: the country. And also they want to make it inconvenient,

1713
01:30:00,120 --> 01:30:01,800
Speaker 1: make you want to pay them. You know what it did?

1714
01:30:04,320 --> 01:30:06,080
Speaker 1: I make some noise for that, but I don't think

1715
01:30:06,120 --> 01:30:10,519
Speaker 1: so now. But let's skip on that over some years

1716
01:30:10,680 --> 01:30:13,200
Speaker 1: or that one one year they didn't say, just said

1717
01:30:13,200 --> 01:30:15,920
Speaker 1: it heels for a million dollars. And lastly, a family

1718
01:30:15,960 --> 01:30:18,680
Speaker 1: guy the cartoon is getting a lot of uh, I

1719
01:30:18,720 --> 01:30:21,960
Speaker 1: would say negative feedback because of this joke right here,

1720
01:30:22,520 --> 01:30:25,760
Speaker 1: Oh music fashketball, Ah, you think the fun traps. I'll

1721
01:30:25,800 --> 01:30:28,120
Speaker 1: stick around to pick up their reward this time. I

1722
01:30:28,200 --> 01:30:30,680
Speaker 1: don't know about them, but they're gonna have holograms of

1723
01:30:30,760 --> 01:30:33,760
Speaker 1: Tupocket also Nipsey Hustle, who I'd never heard of. And

1724
01:30:33,800 --> 01:30:37,080
Speaker 1: then it was told to care immensely about. Yeah, people

1725
01:30:37,120 --> 01:30:41,439
Speaker 1: don't like that that jokes family You know, I'm being honest.

1726
01:30:42,120 --> 01:30:45,640
Speaker 1: I didn't get offended earlier, but now hearing it, just

1727
01:30:45,920 --> 01:30:48,559
Speaker 1: now live on it, I kind of didn't get offended. Yeah,

1728
01:30:48,840 --> 01:30:51,760
Speaker 1: you know what interesting about shows like Family Guy. You'll

1729
01:30:51,800 --> 01:30:55,800
Speaker 1: watch them, you'll laugh until it's something that pertains to you.

1730
01:30:56,520 --> 01:31:00,240
Speaker 1: That's like certain shows certain people you may enjoy and

1731
01:31:00,400 --> 01:31:03,439
Speaker 1: tell us about you, and you'll call somebody that you love.

1732
01:31:03,680 --> 01:31:06,840
Speaker 1: Right now, you're offended, But we know what Family Guy is.

1733
01:31:07,040 --> 01:31:10,280
Speaker 1: We've always known the Family Guy is. That's what Family

1734
01:31:10,320 --> 01:31:13,040
Speaker 1: Guy does. I'm offended now. Yeah, I don't made feel

1735
01:31:13,040 --> 01:31:16,439
Speaker 1: a little funny shout about people at monster and did

1736
01:31:16,520 --> 01:31:23,760
Speaker 1: you drink? Because he's got a monster terrible. I was

1737
01:31:23,800 --> 01:31:25,679
Speaker 1: trying to keep I was trying to make somebody salute

1738
01:31:25,720 --> 01:31:27,800
Speaker 1: all money in you know what I mean, salute the

1739
01:31:27,840 --> 01:31:33,120
Speaker 1: black Sam nobody Lord London like j I don't know

1740
01:31:33,479 --> 01:31:36,080
Speaker 1: because I like family guys so much that I didn't

1741
01:31:36,080 --> 01:31:39,600
Speaker 1: want to stay on this and them, but shout the

1742
01:31:39,640 --> 01:31:42,360
Speaker 1: whole monster. Yeah, the monster sponsors me, sponsor my car,

1743
01:31:42,439 --> 01:31:45,599
Speaker 1: shows my warehouse, everything over there. But you like family,

1744
01:31:45,840 --> 01:31:48,000
Speaker 1: you salute the monster, but you like family guy because

1745
01:31:48,120 --> 01:31:50,080
Speaker 1: they do things like that. That's what you have to

1746
01:31:50,200 --> 01:31:52,479
Speaker 1: know that eventually it's gonna be your defend you as well.

1747
01:31:52,880 --> 01:31:54,559
Speaker 1: So you kind of got to keep that same energy.

1748
01:31:54,600 --> 01:31:55,960
Speaker 1: You can be offended, but you got to keep that

1749
01:31:56,000 --> 01:31:58,400
Speaker 1: same energy, right you know? All right, Well that is

1750
01:31:58,479 --> 01:32:00,559
Speaker 1: your rumor report. The people's choice makes up. Next, let's

1751
01:32:00,560 --> 01:32:02,599
Speaker 1: start off with some man r he's not. Lets start

1752
01:32:02,600 --> 01:32:04,360
Speaker 1: off with some super thug oh or not. It's the

1753
01:32:04,400 --> 01:32:07,200
Speaker 1: Breakfast I got a new record from North Breakfast Club.

1754
01:32:07,320 --> 01:32:11,120
Speaker 1: Your mornings will never be the same. Your company has

1755
01:32:11,200 --> 01:32:13,360
Speaker 1: goals this year. Find the right people that help you

1756
01:32:13,439 --> 01:32:15,920
Speaker 1: achieve them. With zip recruiter, where four out of five

1757
01:32:15,960 --> 01:32:19,120
Speaker 1: employees get a quality candidate within the first day. Try

1758
01:32:19,120 --> 01:32:21,880
Speaker 1: it free a zip recruiter dot com, slash breakfast, zip

1759
01:32:22,000 --> 01:32:25,479
Speaker 1: recruiter dot com slash Breakfast b R E A k

1760
01:32:25,840 --> 01:32:28,960
Speaker 1: F A ST. I want to everybody's DJ n V

1761
01:32:29,160 --> 01:32:31,559
Speaker 1: Charlomagne the guy. We are the breakfast Club. We got

1762
01:32:31,600 --> 01:32:34,599
Speaker 1: our special guest host and O R E. Norri here

1763
01:32:34,960 --> 01:32:38,080
Speaker 1: and I like, how y'all kindly didn't help me drink

1764
01:32:38,160 --> 01:32:42,360
Speaker 1: none of my champagne. No, we got early morning. I'm

1765
01:32:42,560 --> 01:32:44,880
Speaker 1: the early morning drinker. No, you not neither. I just

1766
01:32:45,000 --> 01:32:48,280
Speaker 1: wanted to celebrate, you know. Um, I want to sorry

1767
01:32:48,280 --> 01:32:50,639
Speaker 1: if I'm interrupting, but I wanted to thank y'all, both

1768
01:32:50,680 --> 01:32:52,280
Speaker 1: of y'all face to face. You know what I'm saying.

1769
01:32:52,479 --> 01:32:55,040
Speaker 1: I know that my media career started from here, even

1770
01:32:55,080 --> 01:32:58,880
Speaker 1: though it's not here. It was another building, but my

1771
01:32:59,000 --> 01:33:02,000
Speaker 1: media career started it. Even though I don't think y'all

1772
01:33:02,600 --> 01:33:04,599
Speaker 1: uh did a purpose. I don't think I did it purpose.

1773
01:33:04,680 --> 01:33:07,160
Speaker 1: I think it was something that was just birthed. And um,

1774
01:33:07,360 --> 01:33:09,920
Speaker 1: you're a very entertaining person or your top three storyteller

1775
01:33:09,960 --> 01:33:13,680
Speaker 1: in hip hop? You IRV Gotti, Fact Joe best storytellers

1776
01:33:13,720 --> 01:33:16,479
Speaker 1: in hip hop and tell everybody got you gotta forgive me?

1777
01:33:16,560 --> 01:33:17,920
Speaker 1: How you mad at me for what you said on

1778
01:33:18,000 --> 01:33:24,360
Speaker 1: my show? No, no, no, no, yes, you know mad

1779
01:33:24,360 --> 01:33:26,360
Speaker 1: at you. Listen, by the way, IRV in my show

1780
01:33:26,479 --> 01:33:28,960
Speaker 1: three times he gets mad at me every three times.

1781
01:33:29,040 --> 01:33:32,400
Speaker 1: That something. I don't know why I'm not that great

1782
01:33:32,439 --> 01:33:35,880
Speaker 1: of a journalist. Guys like, all you do is drink,

1783
01:33:35,880 --> 01:33:38,040
Speaker 1: getting drunk, and then you say whatever you want to say.

1784
01:33:38,160 --> 01:33:41,439
Speaker 1: That's why everybody loves Drink Champs is literally like inside baseball,

1785
01:33:41,479 --> 01:33:42,560
Speaker 1: you know what I mean. It's like y'all in the

1786
01:33:42,640 --> 01:33:44,800
Speaker 1: locker room. Y'a've been playing for all of these years.

1787
01:33:44,840 --> 01:33:46,640
Speaker 1: Now you get to hear the players talk. How did

1788
01:33:46,680 --> 01:33:48,280
Speaker 1: you know he was managing? Did he text your manage? Joe?

1789
01:33:48,360 --> 01:33:53,639
Speaker 1: He's not texting me back. What's crazy is I can't

1790
01:33:53,680 --> 01:33:55,840
Speaker 1: have you mad at me and a chart? He mad

1791
01:33:55,840 --> 01:33:58,719
Speaker 1: at me like it's like, it's it's crazy Taka shunt.

1792
01:33:58,760 --> 01:34:00,800
Speaker 1: He's mad at me, but he hasn't done the show

1793
01:34:00,800 --> 01:34:02,920
Speaker 1: a shanty wherever you at, You and Mama and shanty.

1794
01:34:03,240 --> 01:34:05,840
Speaker 1: We would like y'all, we you know, you know, get

1795
01:34:05,880 --> 01:34:08,560
Speaker 1: y'all pedicures and manicures and then things like that. We

1796
01:34:08,600 --> 01:34:10,600
Speaker 1: would like to, you know, just sit down and and

1797
01:34:10,720 --> 01:34:13,599
Speaker 1: and tell the story. You know what I mean. We're

1798
01:34:13,640 --> 01:34:15,680
Speaker 1: having fun. Drink Champs I know I haven't promoted this

1799
01:34:15,800 --> 01:34:17,719
Speaker 1: whole time, but Dreen Champs to come on every Thursday

1800
01:34:17,800 --> 01:34:22,400
Speaker 1: night with volte Um Friday on audio and then Saturday

1801
01:34:22,479 --> 01:34:26,640
Speaker 1: on YouTube. Um. We just recently did a wonderful deal

1802
01:34:26,720 --> 01:34:29,040
Speaker 1: with people at Warner Brothers for the audio part of

1803
01:34:29,120 --> 01:34:31,080
Speaker 1: the side. We're having fun, big of Jack Thrill. I

1804
01:34:31,120 --> 01:34:34,160
Speaker 1: don't know why he keep texting me, but uh he

1805
01:34:34,280 --> 01:34:37,200
Speaker 1: must be listening. But um yeah, so um um, and

1806
01:34:37,560 --> 01:34:40,720
Speaker 1: we're in a great space right now. Man, I'm having fun.

1807
01:34:41,280 --> 01:34:43,680
Speaker 1: This is This is not the most money I've ever made,

1808
01:34:43,720 --> 01:34:46,040
Speaker 1: but it's the easiest money I've ever made. And I'm

1809
01:34:46,120 --> 01:34:48,400
Speaker 1: able to give people jobs, and that's the thing that

1810
01:34:48,479 --> 01:34:51,280
Speaker 1: I'm most proud of. I'm not able to help other people,

1811
01:34:51,800 --> 01:34:54,439
Speaker 1: you know. Um. You know, it was at a time

1812
01:34:54,520 --> 01:34:56,000
Speaker 1: I could just get up and say, you know, I

1813
01:34:56,080 --> 01:34:57,720
Speaker 1: want to go to Monico. I want to go to

1814
01:34:58,000 --> 01:34:59,400
Speaker 1: the south of France, so I want to go to

1815
01:34:59,760 --> 01:35:02,080
Speaker 1: you know, old Paris or whatever, and I could just

1816
01:35:02,240 --> 01:35:04,479
Speaker 1: do it. Now I'm making it so people around me,

1817
01:35:04,520 --> 01:35:06,320
Speaker 1: you could do the same things and I don't got

1818
01:35:06,400 --> 01:35:09,600
Speaker 1: to cop their flights. And that's kind of cool, and

1819
01:35:09,720 --> 01:35:12,240
Speaker 1: that's kind of cool. So pick up to Massive Hill too,

1820
01:35:12,360 --> 01:35:14,840
Speaker 1: Nas Peter for inviting me. Last night. We went to

1821
01:35:15,040 --> 01:35:17,559
Speaker 1: a great party. I met Na Long, got to tell her,

1822
01:35:17,920 --> 01:35:19,840
Speaker 1: you know what I said about on the show. I

1823
01:35:19,960 --> 01:35:21,880
Speaker 1: got to meet the mayor of New York City, who,

1824
01:35:21,960 --> 01:35:23,800
Speaker 1: y'all don't think it's a big deal. But for a

1825
01:35:23,880 --> 01:35:26,720
Speaker 1: person from Left Frack City, with my criminal background, my

1826
01:35:26,800 --> 01:35:28,560
Speaker 1: crew on new record, for me to shake hands with

1827
01:35:28,720 --> 01:35:35,800
Speaker 1: a mayor of any sort, I think it's a great deal.

1828
01:35:35,920 --> 01:35:38,439
Speaker 1: I think that's the first official hip hop mayor we

1829
01:35:38,520 --> 01:35:41,680
Speaker 1: had David Dinkins. David Dinkins did visit the Hood, but

1830
01:35:41,960 --> 01:35:46,120
Speaker 1: like Eric Adams, I think Eric Adams is rolling dice

1831
01:35:46,240 --> 01:35:47,680
Speaker 1: in Hall M right now. I don't know if you're

1832
01:35:47,720 --> 01:35:50,800
Speaker 1: the first official hip hop mayor. Yeah, I think maybe

1833
01:35:50,840 --> 01:35:54,719
Speaker 1: in New York Barca. You know what I'm saying. I'm

1834
01:35:54,760 --> 01:35:56,400
Speaker 1: so sorry. I didn't even not mean the world I

1835
01:35:56,520 --> 01:35:59,439
Speaker 1: mean and to me, I'm sorry, and I know you

1836
01:35:59,560 --> 01:36:02,720
Speaker 1: from Amongst Corner, South Carolina, but to me, New York

1837
01:36:02,920 --> 01:36:05,599
Speaker 1: is the world. So when I'm sorry, I've never grown

1838
01:36:05,640 --> 01:36:08,200
Speaker 1: out of that. I've never I've never grown out of that.

1839
01:36:08,479 --> 01:36:10,800
Speaker 1: So if you something in New York, if you did

1840
01:36:10,840 --> 01:36:13,200
Speaker 1: it this time in New York. You did it the biggest,

1841
01:36:13,240 --> 01:36:16,479
Speaker 1: you know what I mean? And um, so yeah, I

1842
01:36:16,960 --> 01:36:19,160
Speaker 1: think he's I think he's dope. I think he can

1843
01:36:19,400 --> 01:36:22,439
Speaker 1: shape up to be a president. I know, I know

1844
01:36:22,479 --> 01:36:25,400
Speaker 1: I'm saying that funny, but we need a president that

1845
01:36:25,439 --> 01:36:28,519
Speaker 1: you can identify with, like like everyone says Barrock was

1846
01:36:28,560 --> 01:36:34,360
Speaker 1: the first black president. Rock. Yeah, I loved it, by

1847
01:36:34,360 --> 01:36:37,840
Speaker 1: the way, but we need the first hip hop president.

1848
01:36:37,840 --> 01:36:39,599
Speaker 1: I don't want to say the first in word president,

1849
01:36:39,680 --> 01:36:42,200
Speaker 1: but we need the first hip hop president. When you

1850
01:36:42,280 --> 01:36:44,840
Speaker 1: come in and you you you coming up to twenty

1851
01:36:44,880 --> 01:36:47,519
Speaker 1: one savage, will you do something for a man? You

1852
01:36:47,600 --> 01:36:52,559
Speaker 1: know what I mean? You you're going, what's that dance

1853
01:36:52,640 --> 01:36:58,880
Speaker 1: they do? I can't do it. I can't through the

1854
01:36:58,920 --> 01:37:00,800
Speaker 1: living room. I'll be so mad because I'm like, how

1855
01:37:00,880 --> 01:37:03,160
Speaker 1: did I don't have rhythm? Like, well, my kids got

1856
01:37:03,280 --> 01:37:05,760
Speaker 1: rhythm and I ain't really got it, you know what

1857
01:37:05,760 --> 01:37:07,800
Speaker 1: I mean. But that's we need the president coming out

1858
01:37:07,840 --> 01:37:10,840
Speaker 1: to that. Um and I just got to say something.

1859
01:37:10,880 --> 01:37:13,880
Speaker 1: I'm sorry because Joe Biden, I'm not happy with you.

1860
01:37:14,840 --> 01:37:19,879
Speaker 1: I'm not happy with Joe body. Kamala, Kamala, you invited

1861
01:37:20,240 --> 01:37:22,360
Speaker 1: um Jason Lee to the White House, so I forgive

1862
01:37:22,400 --> 01:37:26,519
Speaker 1: her or strip of that. Just anybody, everybody, everybody, NBA,

1863
01:37:26,600 --> 01:37:28,960
Speaker 1: anybody to me. I didn't go, say everybody. I didn't

1864
01:37:29,000 --> 01:37:31,479
Speaker 1: want to go because I ain't. I've been looking at

1865
01:37:32,040 --> 01:37:33,960
Speaker 1: my mail box. Whatever we're gonna get you on that

1866
01:37:34,040 --> 01:37:36,439
Speaker 1: media little story. Now, I think my criminal background is

1867
01:37:36,479 --> 01:37:40,000
Speaker 1: not going to allow me. You know. Yeah, I was

1868
01:37:40,040 --> 01:37:41,400
Speaker 1: want to say a story. Let me, let me let

1869
01:37:41,439 --> 01:37:43,600
Speaker 1: that go. But man, I'm getting man. Thank y'all for

1870
01:37:43,760 --> 01:37:46,240
Speaker 1: let me come up here and bug out. Man, Um,

1871
01:37:46,439 --> 01:37:49,600
Speaker 1: I forgot how you know crazy y'all A listen. I

1872
01:37:49,720 --> 01:37:53,160
Speaker 1: listen to y'all all the time, um in the morning.

1873
01:37:53,240 --> 01:37:55,519
Speaker 1: Well you should know if I'm if I give you

1874
01:37:56,040 --> 01:37:59,240
Speaker 1: that text, I'm listening, that means I'm doing something positive,

1875
01:37:59,600 --> 01:38:01,760
Speaker 1: you know what I mean. If I don't listen to y'all,

1876
01:38:01,800 --> 01:38:05,000
Speaker 1: that means it's a negative day happening. It's a negative

1877
01:38:05,040 --> 01:38:07,680
Speaker 1: day happen. And you know, ironically, the only part that

1878
01:38:07,760 --> 01:38:09,920
Speaker 1: I don't listen to on the show, it's the positive

1879
01:38:09,960 --> 01:38:11,240
Speaker 1: note of the day because I'd be wanting to be

1880
01:38:11,280 --> 01:38:14,600
Speaker 1: a little negative like we're gonna do that when we

1881
01:38:14,680 --> 01:38:17,479
Speaker 1: come back. When we come back, it's the breakfast club,

1882
01:38:17,560 --> 01:38:21,800
Speaker 1: the morning morning. Everybody is DJ and V Charlomagne the guy.

1883
01:38:21,840 --> 01:38:23,920
Speaker 1: We are the breakfast Club. We got our guest host, Nori,

1884
01:38:24,080 --> 01:38:26,639
Speaker 1: who has never heard the positive note you never heard

1885
01:38:26,720 --> 01:38:31,360
Speaker 1: Donkey the Day Live, but so before before Charlomagne, that's

1886
01:38:31,360 --> 01:38:33,960
Speaker 1: the positive. No, you got positivity for the people? Nor yes? Man, Um,

1887
01:38:34,160 --> 01:38:38,479
Speaker 1: you know what, Stop paying attention to the hate and

1888
01:38:38,600 --> 01:38:41,599
Speaker 1: pay more attention to the love. You know what I mean? Um,

1889
01:38:42,160 --> 01:38:43,880
Speaker 1: It would be times I would go on Twitter or

1890
01:38:43,960 --> 01:38:48,559
Speaker 1: go on Instagram and I would actually, you know, pay

1891
01:38:48,600 --> 01:38:52,800
Speaker 1: attention to the people saying Nori, Nori's gay, and Nori

1892
01:38:53,000 --> 01:38:57,439
Speaker 1: has a big head, Nori's I just got to be gay.

1893
01:39:00,120 --> 01:39:04,519
Speaker 1: Yeah you mean no, No, I'm saying anyway you make

1894
01:39:04,560 --> 01:39:10,519
Speaker 1: it in like that, and those are are are important

1895
01:39:10,520 --> 01:39:13,000
Speaker 1: because you need you need to balance right, But the

1896
01:39:13,120 --> 01:39:16,360
Speaker 1: love is more important. Like the love is like I

1897
01:39:16,479 --> 01:39:21,240
Speaker 1: remember just now, Russell Westbrook just got an interview with

1898
01:39:21,320 --> 01:39:27,120
Speaker 1: a lady picked him up. RUSSELLSOK. Thought it was a joke.

1899
01:39:27,520 --> 01:39:30,439
Speaker 1: I need you in him because he's not used to

1900
01:39:31,160 --> 01:39:34,040
Speaker 1: he's not used to positivity. That's crazy. That's how rare

1901
01:39:34,160 --> 01:39:37,720
Speaker 1: positivity is nowadays. Is that Russell? He kept looking at her.

1902
01:39:38,040 --> 01:39:40,519
Speaker 1: You look at us waiting. He's waiting for a joke,

1903
01:39:40,560 --> 01:39:42,439
Speaker 1: he's waiting for her to say something, and when she

1904
01:39:42,600 --> 01:39:45,559
Speaker 1: just stayed all positive, he was like, we need people

1905
01:39:45,640 --> 01:39:48,920
Speaker 1: like you. But that's exactly what we should live. We

1906
01:39:48,960 --> 01:39:51,400
Speaker 1: should live like that, we should live like we should

1907
01:39:51,400 --> 01:39:55,599
Speaker 1: be used to that that that shouldn't be abnormal, abnormal.

1908
01:39:55,720 --> 01:39:58,080
Speaker 1: So let's put that's my positive note. Let's put it

1909
01:39:58,080 --> 01:40:00,639
Speaker 1: in a knife little package. I'll piggyback off. Or our

1910
01:40:00,720 --> 01:40:03,600
Speaker 1: life is shaped by our mind, but we become what

1911
01:40:03,760 --> 01:40:07,400
Speaker 1: we think. Breakfast clubs. You, I'll finish what y'all done.