WEBVTT - From The Archive: Sam Taylor-Johnson

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeart Radio

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<v Speaker 1>and Adami's Studios. I would like to remember exactly when

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<v Speaker 1>I met Sam Taylor Johnson. Was it at the Tate

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<v Speaker 1>in nineteen ninety eight when she was awarded the Turner Prize,

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<v Speaker 1>Or the day she entered the River Cafe a beautiful

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<v Speaker 1>young woman with her first baby, Angelica in her arms.

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<v Speaker 1>Was it when she came to see Richard with a

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<v Speaker 1>book of her astonishing photographs. Were we just invited to

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<v Speaker 1>a wild and glamorous party in her home that was

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<v Speaker 1>part of, as Sam says, the blur of what London

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<v Speaker 1>was in the late nineties. And when was the last

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<v Speaker 1>time I sat with Sam? Was it in a bar

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<v Speaker 1>with the love of her life, Aaron, or recently when

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<v Speaker 1>they missed a flight to Sicily and joined a lunch.

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<v Speaker 1>And how often have I asked where is Sam in London?

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<v Speaker 1>Preparing to director Amy Winehouse, trekking in Nepal, in the

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<v Speaker 1>south of France with Elton, or looking for a school

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<v Speaker 1>in Somerset for her young daughters. The one thing I

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<v Speaker 1>can always know is that wherever she is, whatever she

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<v Speaker 1>is creating, Sam is an extraordinary woman. I love her.

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<v Speaker 2>Oh, how do I go into that without tears streaming?

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<v Speaker 1>Well, we go into it with food. We can start

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<v Speaker 1>off with a recipe that you chose, which is.

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<v Speaker 2>Risotto with puccini and girols. One kilogram of mixed fresh

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<v Speaker 2>puccini and giroles, cleaned and chopped, extra virgin olive oil,

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<v Speaker 2>one garlic clove, peeled and finely chopped, one teaspoon of

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<v Speaker 2>fresh thyme, one liter of chicken stock, one hundred grams

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<v Speaker 2>of unsalted butter, one medium red onion, finely chopped, three

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<v Speaker 2>hundred grams of risotto rice, two hundred and fifty milli

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<v Speaker 2>liters of extra dryvermooth. Now that's the thing that sends

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<v Speaker 2>me running around the house when I'm about ten minutes

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<v Speaker 2>into cooking it, just like, do we have the mooth?

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<v Speaker 1>Do we read a recipe twice?

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<v Speaker 2>Two hundred grams of parmesan, freshly grated. I actually cooked

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<v Speaker 2>this last night. I thought I practiced, just to remind

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<v Speaker 2>myself what happened about five minutes in Aaron Aaron's here?

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<v Speaker 1>What did what happened?

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<v Speaker 3>The mood do we have? I can't make this without

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<v Speaker 3>the mooth?

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<v Speaker 1>I'm going to go.

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<v Speaker 2>And everyone was running around trying to find the but

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<v Speaker 2>it's what makes it. In a frying pan, heat three

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<v Speaker 2>tablespoons of olive oil, Add the mushrooms with the chopped

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<v Speaker 2>garlic and thyme, season and fry for a couple of

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<v Speaker 2>minutes until any liquid has evaporated. In a saucepan, heat

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<v Speaker 2>the butter with the remaining olive oil. Add the chopped onion,

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<v Speaker 2>and cook until the onion is soft. Add the rice

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<v Speaker 2>and stuff. Now, what's so great about this recipe is

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<v Speaker 2>it's really good if you want to have people around

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<v Speaker 2>for dinner but not necessarily engage with them the entire time.

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<v Speaker 1>Yes, I cared you you at the latest movie. I'm

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<v Speaker 1>stirring a resulta.

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<v Speaker 2>Exactly, I'm stirring a result. But it sort of also

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<v Speaker 2>gives you something to do, so you're you know, you're

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<v Speaker 2>active if you're not sure what to talk about. It's

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<v Speaker 2>sort of a perfectly sociable, unsociable meal to cook. Pour

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<v Speaker 2>in the vermouth and cook until it's been absorbed, stirring

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<v Speaker 2>all the while, then adding the hot stock ladle by Ladel.

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<v Speaker 2>Continue to cook until the rice is identity. Add the

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<v Speaker 2>wild mushrooms, the remaining butter, the parmesan and the chopped parsley,

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<v Speaker 2>and well, the best rosotto ever good.

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<v Speaker 1>It's comforting resulta.

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<v Speaker 2>But this was the first thing I ever cooked from

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<v Speaker 2>your cookbook, which is why I think it was in

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<v Speaker 2>one of the earlier ones. Yeah, I'm going to be

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<v Speaker 2>brave and attempt to resott it. Did you cook when

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<v Speaker 2>you were a kid? Did you?

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<v Speaker 4>No?

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<v Speaker 1>Not at all.

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<v Speaker 2>I didn't grow up in an environment where cooking was celebrated.

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<v Speaker 2>Food was made to eat to live. Frozen pizzas, margarine,

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<v Speaker 2>you know that that was to put in when you

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<v Speaker 2>come home from school, make for yourself and eat just a.

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<v Speaker 1>Make for yourself. So would you sit down to a

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<v Speaker 1>family meal or everybody taken care of that?

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<v Speaker 2>I almost can't remember family meals. So I think that's

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<v Speaker 2>again why I feel so excited about a kitchen very alive,

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<v Speaker 2>with food being cooked and bread being baked, and aromas

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<v Speaker 2>and activity, because as was definitely not not that environment.

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<v Speaker 1>Sometimes I talk to people who grew up with the

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<v Speaker 1>romantic idea of the family sitting down to a family

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<v Speaker 1>supperer and sitting and talking about the day, and some

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<v Speaker 1>people described having a mother that worked the night shift,

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<v Speaker 1>or a mother or father who came home from work

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<v Speaker 1>and were exhausted, or they came home from work and

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<v Speaker 1>they would prefer to do homework with you then cook.

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<v Speaker 1>I mean, there are many reasons why the image of

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<v Speaker 1>the family perhaps is somewhat romanticized, but it is important

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<v Speaker 1>something that, as you say, we try and create for

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<v Speaker 1>our kids. But you didn't have a role model for that,

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<v Speaker 1>so you had the reverse, but you changed it for

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<v Speaker 1>your own family.

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<v Speaker 3>I did have the rest.

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<v Speaker 2>And you know, sometimes, especially doing something like this, you

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<v Speaker 2>sort of look back and try and find that memory.

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<v Speaker 1>Now.

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<v Speaker 2>I definitely remember my mom made a dish that she

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<v Speaker 2>would be proud of, which was a rabbit dish with mustard,

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<v Speaker 2>I think, but that was something that was that would

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<v Speaker 2>come out. I don't know it would be a big thing.

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<v Speaker 2>But the rest of the time, it was moral survival.

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<v Speaker 1>What was she doing or your father doing? Was your

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<v Speaker 1>father there?

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<v Speaker 3>It was my stepfather?

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<v Speaker 4>Really?

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<v Speaker 2>Who who my sort of that part of my life

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<v Speaker 2>is more of a memory.

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<v Speaker 1>And so do you think they were doing other things

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<v Speaker 1>rather than cook or did they just not?

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<v Speaker 2>It's a complicated history and it's hard to go into

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<v Speaker 2>not because not because it is sort of full of

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<v Speaker 2>sort of trauma and pain, but it's more that I

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<v Speaker 2>actually have this sort of almost blackout of I don't

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<v Speaker 2>actually have that much memory from that.

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<v Speaker 3>Time in my life.

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<v Speaker 2>And also if I do go into it or I

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<v Speaker 2>talk about it, I sort of feel a hope that

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<v Speaker 2>I've evolved to a place where I don't I don't

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<v Speaker 2>want to sort of talk about it with malice. It's

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<v Speaker 2>not that they were working. I think it was more

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<v Speaker 2>struggle survival and mental health, to be honest, and a

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<v Speaker 2>lot of a lot of just difficult scenarios.

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<v Speaker 1>Did you have coparts?

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<v Speaker 2>But they died when I was quite young, so I

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<v Speaker 2>don't really have a memory of them in terms of,

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<v Speaker 2>you know, I had sort of I had a great

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<v Speaker 2>Auntie Gladys, and a great uncle Les, who I felt

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<v Speaker 2>very close to, who lived in Shepherd's Bush. There was

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<v Speaker 2>a lot of time around their house in Shepherd's Bush,

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<v Speaker 2>and they were very much sort of meet and too

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<v Speaker 2>veg and I remember going home one day and saying

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<v Speaker 2>to my auntie Gladays, I'd say, I can't have roast chicken.

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<v Speaker 2>I'm a vegetarian, and she said, what chicken is not

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<v Speaker 2>really an animal?

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<v Speaker 3>Of course you can eat it.

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<v Speaker 1>I can't.

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<v Speaker 3>But but that was the sort of stability.

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<v Speaker 2>For me, they were this, you know, the stable hold,

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<v Speaker 2>the home where I would go to as a student

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<v Speaker 2>to know that I could be fed.

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<v Speaker 1>Did you struggle with food? Did you enjoy it? Did you? Yeah?

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<v Speaker 1>And I have school lunch when.

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<v Speaker 2>I did, but I was a free school dinner's kid,

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<v Speaker 2>so I was in the opposite queue.

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<v Speaker 3>To my friends.

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<v Speaker 1>Well, they had different queues.

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<v Speaker 3>They had different.

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<v Speaker 1>Cues, disgusting.

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<v Speaker 3>There was the queue on the left, which was the

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<v Speaker 3>regular queue.

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<v Speaker 2>Of Dickens, and then there was the free school dinner's line.

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<v Speaker 2>And and I wasn't always in the free school dinner's line.

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<v Speaker 2>There were moments where I was in it, and there

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<v Speaker 2>are moments where I could bounce over to the other side,

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<v Speaker 2>and I just always remember the dread of today I

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<v Speaker 2>have to go in the free school dinner's line, and

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<v Speaker 2>that fear of just like you know, feeling separate from

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<v Speaker 2>all your friends and just that sort of feeling a

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<v Speaker 2>little bit of shame that comes with.

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<v Speaker 1>Him or maybe a lot. So you had school lunches

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<v Speaker 1>and then.

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<v Speaker 2>School lunches and then home. Yeah, mostly yeahs and pizzas.

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<v Speaker 2>Where did you go out? Firstly in London until I

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<v Speaker 2>was eleven in stratum and then after that we moved

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<v Speaker 2>to the countryside to Sussex. But that was a big shock.

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<v Speaker 2>I was terrified of trees. It was so funny because

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<v Speaker 2>I was such an urban girl until then, and then

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<v Speaker 2>the idea that I had to walk down these country

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<v Speaker 2>lanes with trees.

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<v Speaker 3>It was quite funny.

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<v Speaker 1>Interesting because a lot of the people that I've talked

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<v Speaker 1>to think about the way they struggled in their youth,

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<v Speaker 1>whether they were from another country, whether their parents were

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<v Speaker 1>uncomfortable in being in England, whether they or in the

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<v Speaker 1>United States, wherever they were, people who struggled with money,

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<v Speaker 1>with divorce and all this is to do, you know,

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<v Speaker 1>with food and how those memories above and also I

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<v Speaker 1>don't know if you feel, but they measure and I

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<v Speaker 1>don't know if you do, measure their almost their success

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<v Speaker 1>by being able to order something delicious on the menu.

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<v Speaker 1>Paul McCartney, the able to order a good glass of

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<v Speaker 1>wine was something away that they measured their their own

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<v Speaker 1>success totally.

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<v Speaker 2>I mean, we never ate out, so eating out really

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<v Speaker 2>came to me in adult life. And I think that

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<v Speaker 2>the first time I realized food was for pleasure. Yeah,

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<v Speaker 2>was actually a college trip to Rome or post college.

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<v Speaker 2>I can't really remember, but we went to a small

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<v Speaker 2>little restaurant and I ordered something because I had absolutely

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<v Speaker 2>no idea what to expect, tabulatary with lemon lemon pasta,

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<v Speaker 2>and I remember eating it and just having this sort

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<v Speaker 2>of total, you know, explosion of flavor and thoughts and

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<v Speaker 2>feelings about is this what food can be? And that

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<v Speaker 2>feeling of tasting something which just kind of completely opens

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<v Speaker 2>your mind to potential. I guess that, and that you know,

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<v Speaker 2>it wasn't expensive, it was affordable, and that I could

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<v Speaker 2>eat this amazing food and not frozen pizzas. It was

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<v Speaker 2>a revelation, Yeah, and probably in my sort of probably

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<v Speaker 2>when I was about nineteen, I think then I went

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<v Speaker 2>to art school in Hastings, which was like a massive

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<v Speaker 2>turning point of excitement in my life, and then after

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<v Speaker 2>that into London for art school.

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<v Speaker 1>I always think it's another conversation about artists that creating

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<v Speaker 1>art is very solitary. Yeah, activity that you are in

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<v Speaker 1>your studio and your paint and everybody sort of had

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<v Speaker 1>these kind of wild nights of eating and drinking together

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<v Speaker 1>because it was so solitary during the day. Did you

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<v Speaker 1>find that.

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<v Speaker 3>Or was it?

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<v Speaker 2>Yeah? I think art school for me was like a

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<v Speaker 2>huge door had opened into a world of so much

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<v Speaker 2>possibility and excitement. And I feel like for the first

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<v Speaker 2>two years when I was at Hastings, I was just

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<v Speaker 2>sort of wide eyed and in sort of slight shock

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<v Speaker 2>that I was in this environment and just kept very quiet.

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<v Speaker 2>And then I went to Northeast London Polytechnic, which was

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<v Speaker 2>a very robust sort of shipbuilding yard feeling because I

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<v Speaker 2>was in the sculpture department. And then I left there

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<v Speaker 2>after the first year and went to Goldsmith, which by

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<v Speaker 2>comparison felt like a sort of Swiss finishing school because

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<v Speaker 2>people were very elegant and they were talking about ideas,

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<v Speaker 2>and I, again I felt very like I was sort

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<v Speaker 2>of sitting on the outside, watching and feeling this environment

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<v Speaker 2>being so alien.

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<v Speaker 1>Was that the days of Michael Craig Martin and Damian

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<v Speaker 1>Land and it was and.

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<v Speaker 2>That freeze had just happened, So there was a lot

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<v Speaker 2>of debate around this huge exhibition that had sort of

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<v Speaker 2>thrown all these young artists that were still at art

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<v Speaker 2>school onto the map, and there was a sort of

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<v Speaker 2>freeze and an anti freeze, and I just sort of

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<v Speaker 2>sat again and sort of listened and felt the debates

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<v Speaker 2>between everything and everyone, but sort of also knew I

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<v Speaker 2>was in the eye of a storm, and I of

0:12:18.400 --> 0:12:23.160
<v Speaker 2>a very exciting transitional moment in the art world because

0:12:23.200 --> 0:12:26.120
<v Speaker 2>these artists like Damien had a studio outside of art

0:12:26.120 --> 0:12:29.559
<v Speaker 2>school and was already you know, functioning as an artist

0:12:29.640 --> 0:12:33.120
<v Speaker 2>and selling and having exhibitions, and Gary Hume and Sarah

0:12:33.200 --> 0:12:36.360
<v Speaker 2>Luca you know, it all was just this sort of

0:12:36.400 --> 0:12:39.960
<v Speaker 2>bubbling energy that I felt but didn't quite know how

0:12:40.000 --> 0:12:42.480
<v Speaker 2>to access because I was still sort of feeling a

0:12:42.480 --> 0:12:46.360
<v Speaker 2>bit quiet on the outside. It really took going to

0:12:46.520 --> 0:12:48.880
<v Speaker 2>Tracy Emmen and Sarah Lucas had a little shop in

0:12:49.760 --> 0:12:52.319
<v Speaker 2>the East End, just off of Brick Lane, and it

0:12:52.360 --> 0:12:55.320
<v Speaker 2>really took going to that little shop to feel that

0:12:55.400 --> 0:13:00.520
<v Speaker 2>anything was possible, that anything they made was art, and

0:13:00.760 --> 0:13:03.880
<v Speaker 2>they were artists and they were allowing themselves to be that.

0:13:04.000 --> 0:13:06.079
<v Speaker 2>And it was that moment for me that was quite

0:13:06.120 --> 0:13:09.520
<v Speaker 2>pivotal in understanding I could allow myself to be an artist,

0:13:09.760 --> 0:13:12.240
<v Speaker 2>that I could actually sort of say it out loud

0:13:12.760 --> 0:13:15.720
<v Speaker 2>and actually be creative. And I think up until then,

0:13:16.600 --> 0:13:19.200
<v Speaker 2>you know, you sort of feel like you're in the

0:13:19.200 --> 0:13:21.319
<v Speaker 2>wrong place at the wrong time, and you're not meant

0:13:21.360 --> 0:13:22.560
<v Speaker 2>to be there feeling.

0:13:22.600 --> 0:13:26.199
<v Speaker 1>Were you as adventurous in your I guess development as

0:13:26.200 --> 0:13:29.520
<v Speaker 1>an artist as maybe in food? Did you go to

0:13:29.679 --> 0:13:34.599
<v Speaker 1>Chinese restaurants or Indian restaurants? Did you Indian restaurants or

0:13:34.760 --> 0:13:36.079
<v Speaker 1>drink whiskeys?

0:13:36.280 --> 0:13:40.400
<v Speaker 2>No, Indian restaurants was absolutely where we all went because

0:13:40.520 --> 0:13:44.360
<v Speaker 2>once I kind of, once I, you know, became friends

0:13:44.360 --> 0:13:48.640
<v Speaker 2>with Tracy, we all would you know, sort of be

0:13:48.720 --> 0:13:51.520
<v Speaker 2>in that neighborhood and we'd all, you know, go in

0:13:51.600 --> 0:13:53.960
<v Speaker 2>and out of all the different Indian restaurants around that

0:13:54.040 --> 0:13:58.360
<v Speaker 2>area and find our favorites, and that's where we would gather.

0:14:00.600 --> 0:14:01.319
<v Speaker 3>I felt like.

0:14:02.760 --> 0:14:05.920
<v Speaker 2>Exactly how you said earlier about McCartney saying it was

0:14:05.960 --> 0:14:08.680
<v Speaker 2>a measure of success. I'm growing into my own person

0:14:08.720 --> 0:14:11.640
<v Speaker 2>because I understand food. I'm growing into my own person

0:14:11.679 --> 0:14:13.679
<v Speaker 2>because I can take myself to a restaurant and I

0:14:13.800 --> 0:14:18.040
<v Speaker 2>can actually order something that's completely different to anything I've

0:14:18.080 --> 0:14:20.400
<v Speaker 2>ever tried before. And I think it is it's a

0:14:20.440 --> 0:14:23.640
<v Speaker 2>feeling of one, you're sort of stepping into being an adult,

0:14:23.720 --> 0:14:27.920
<v Speaker 2>but also you're stepping into sort of a feeling of

0:14:27.960 --> 0:14:32.400
<v Speaker 2>new success, not necessarily you know, huge financial success, but

0:14:32.600 --> 0:14:43.880
<v Speaker 2>beginning to be able to take yourself places. My first

0:14:43.960 --> 0:14:47.280
<v Speaker 2>job as a waiter would have been when I was

0:14:47.320 --> 0:14:50.160
<v Speaker 2>at school. I worked in a local beefeater steakhouse and

0:14:50.240 --> 0:14:54.280
<v Speaker 2>used to have to wear a beefe to Little Apron

0:14:54.800 --> 0:14:58.160
<v Speaker 2>and then Vic Naylor's and Clarkhall. Do you remember Vic

0:14:58.240 --> 0:15:01.360
<v Speaker 2>Naylor's and Clarkwork. It was a great restaurant and I

0:15:01.360 --> 0:15:03.800
<v Speaker 2>I mean it was just fun, fun, fun, but it

0:15:03.960 --> 0:15:06.480
<v Speaker 2>was also terrible because I used to we all used

0:15:06.520 --> 0:15:10.240
<v Speaker 2>to get absolutely trashed. And I remember going to a

0:15:10.320 --> 0:15:12.920
<v Speaker 2>table and someone said do you have any bread? And

0:15:13.000 --> 0:15:15.120
<v Speaker 2>I said yes, let me go and get it. And

0:15:15.160 --> 0:15:17.400
<v Speaker 2>then it was just up the road from Saint John,

0:15:17.680 --> 0:15:19.520
<v Speaker 2>and I said, quick, where's the bread. They're like, oh,

0:15:19.560 --> 0:15:21.160
<v Speaker 2>we don't have any. Can you run to get some

0:15:21.240 --> 0:15:24.800
<v Speaker 2>from Saint John. Absolutely I ran to Saint John and

0:15:24.840 --> 0:15:26.080
<v Speaker 2>then my then manager was.

0:15:26.080 --> 0:15:27.400
<v Speaker 3>Sat at the bar. I come, I have a drink

0:15:27.440 --> 0:15:27.680
<v Speaker 3>with me.

0:15:28.080 --> 0:15:30.720
<v Speaker 2>So I sat down and had a drink which turned

0:15:30.760 --> 0:15:33.680
<v Speaker 2>into two, and I was the bread. I quickly got

0:15:33.720 --> 0:15:37.400
<v Speaker 2>the bread from Saint John and ran back. I've got

0:15:37.440 --> 0:15:42.960
<v Speaker 2>you some bread about an hour ago. This place is terrible.

0:15:43.000 --> 0:15:44.960
<v Speaker 2>Let me see the manager. Let me go and get

0:15:45.000 --> 0:15:48.920
<v Speaker 2>him rundown Saint John. Pull him out the bar, and

0:15:49.520 --> 0:15:51.600
<v Speaker 2>the whole story is that. He then went up and said,

0:15:51.600 --> 0:15:53.640
<v Speaker 2>you asked to see me. Yes, the service is terrible.

0:15:53.720 --> 0:15:55.320
<v Speaker 2>He said, yes, I agree, Now you should leave.

0:15:57.280 --> 0:15:58.200
<v Speaker 1>What year was there?

0:15:58.520 --> 0:16:00.960
<v Speaker 3>That was right after I left art school?

0:16:01.040 --> 0:16:02.080
<v Speaker 1>So lit.

0:16:04.120 --> 0:16:05.880
<v Speaker 3>Nine?

0:16:05.760 --> 0:16:09.000
<v Speaker 1>Yeah? Maybe yeah, times have changed. I think you think

0:16:09.160 --> 0:16:13.040
<v Speaker 1>maybe there's still those places, but we've all become much more.

0:16:13.400 --> 0:16:15.560
<v Speaker 1>Do you know the story about Damien.

0:16:15.600 --> 0:16:17.320
<v Speaker 3>And which one?

0:16:17.640 --> 0:16:21.040
<v Speaker 1>Which one? The one at the grad Show club where

0:16:21.080 --> 0:16:27.640
<v Speaker 1>he and aunt completely trashed. I had just I banned

0:16:27.640 --> 0:16:29.680
<v Speaker 1>somebody from the River Cafe for being rude to one

0:16:29.720 --> 0:16:31.840
<v Speaker 1>of my waiters, and I was telling the story I

0:16:31.880 --> 0:16:33.800
<v Speaker 1>was telling out and he said, well, Damien, I went

0:16:34.200 --> 0:16:37.400
<v Speaker 1>and we got completely you know, trash, and we were

0:16:37.600 --> 0:16:40.160
<v Speaker 1>They closed the doors and we were kicked out, and

0:16:40.160 --> 0:16:41.640
<v Speaker 1>we went on the street and then we found a

0:16:41.720 --> 0:16:45.280
<v Speaker 1>ladder and we climbed up and we broke a window.

0:16:45.440 --> 0:16:47.640
<v Speaker 1>We came in and then we got sick over the

0:16:47.720 --> 0:16:50.480
<v Speaker 1>pool table, and then we went and got some alcohol

0:16:50.600 --> 0:16:53.440
<v Speaker 1>out of the out of the fridge and we drank that.

0:16:54.120 --> 0:16:56.920
<v Speaker 1>Then we you know, we took something and we crashed

0:16:56.920 --> 0:16:59.240
<v Speaker 1>out on the sofa. Was Mary Anne, the manager came

0:16:59.240 --> 0:17:01.280
<v Speaker 1>in the next daye said, you know, I could call

0:17:01.280 --> 0:17:04.840
<v Speaker 1>the police. You broke and new enter, you damage my property,

0:17:05.400 --> 0:17:08.320
<v Speaker 1>and you stole stuff, you know, but instead of calling

0:17:08.359 --> 0:17:10.399
<v Speaker 1>the police, I am going to ban you for twenty

0:17:10.400 --> 0:17:13.800
<v Speaker 1>four hours.

0:17:14.560 --> 0:17:19.159
<v Speaker 5>Twenty four hours, brilliant are the days I had a

0:17:19.240 --> 0:17:23.440
<v Speaker 5>customer who just was slightly rude to somebody, and I said,

0:17:23.440 --> 0:17:24.760
<v Speaker 5>you could never come back again.

0:17:24.920 --> 0:17:26.200
<v Speaker 1>You know, that's the difference.

0:17:26.280 --> 0:17:27.679
<v Speaker 3>It is a measure of a person.

0:17:27.880 --> 0:17:30.000
<v Speaker 1>Well, that's why it's good to I think people date

0:17:30.040 --> 0:17:32.440
<v Speaker 1>people in restaurants, you know, you go on a date

0:17:32.480 --> 0:17:34.360
<v Speaker 1>and see how they are to the waiter, or you

0:17:34.440 --> 0:17:37.240
<v Speaker 1>interview lots of people. Have you ever interviewed anybody for

0:17:37.280 --> 0:17:38.480
<v Speaker 1>a job in a restaurant?

0:17:38.960 --> 0:17:43.000
<v Speaker 3>Totally? Yeah, yeah I did you Before I came here,

0:17:43.200 --> 0:17:44.359
<v Speaker 3>I met someone was.

0:17:45.080 --> 0:17:50.280
<v Speaker 2>Higher for the movie actually yeah, perfect, perfect, perfect and

0:17:50.400 --> 0:17:51.040
<v Speaker 2>brilliant O.

0:17:51.240 --> 0:17:56.720
<v Speaker 1>Good good good. And so from from being an art

0:17:56.800 --> 0:18:00.159
<v Speaker 1>school and then being an artist, what was it like

0:18:00.400 --> 0:18:04.560
<v Speaker 1>in the once you were all working and I hate

0:18:04.600 --> 0:18:07.879
<v Speaker 1>to use the word successful, but successful when you and

0:18:08.000 --> 0:18:10.840
<v Speaker 1>Jay lived in that house and parties? Was food? Did

0:18:10.880 --> 0:18:13.000
<v Speaker 1>you care about food then? Did you think that you

0:18:13.119 --> 0:18:13.720
<v Speaker 1>all wanted it?

0:18:13.960 --> 0:18:14.000
<v Speaker 4>Was?

0:18:14.080 --> 0:18:15.520
<v Speaker 1>It was hard.

0:18:15.880 --> 0:18:17.920
<v Speaker 2>It's hard to sort of cast my mind to that era,

0:18:17.960 --> 0:18:20.359
<v Speaker 2>because it's that thing I think Koko Chanel said it,

0:18:20.359 --> 0:18:22.720
<v Speaker 2>it's you know, I'm six people away from the person

0:18:22.760 --> 0:18:25.440
<v Speaker 2>I once was. I think, yeah, I sometimes feel like that.

0:18:25.520 --> 0:18:27.639
<v Speaker 2>And so when I think back to those times, I

0:18:27.720 --> 0:18:33.760
<v Speaker 2>think of myself as a very different person, and so

0:18:33.760 --> 0:18:37.280
<v Speaker 2>so much sort of shift and change within myself happened

0:18:37.359 --> 0:18:40.320
<v Speaker 2>during that period. I was suddenly sort of living in

0:18:40.359 --> 0:18:44.320
<v Speaker 2>this very sort of grand house and living a very

0:18:44.359 --> 0:18:47.880
<v Speaker 2>different life, and and it was all sort of fast

0:18:47.960 --> 0:18:51.119
<v Speaker 2>rolling and high octane, and fast rolling and high octane

0:18:51.200 --> 0:18:53.880
<v Speaker 2>is fun, and then you can't. It's so hard to maintain.

0:18:54.680 --> 0:18:57.480
<v Speaker 2>And I couldn't maintain it. And I definitely sort of

0:18:57.520 --> 0:19:02.600
<v Speaker 2>felt like, you know, throw these parties and then I

0:19:02.600 --> 0:19:04.680
<v Speaker 2>would disappear off at about ten o'clock.

0:19:04.760 --> 0:19:09.440
<v Speaker 1>I remember the part that you didn't talk about. What

0:19:09.600 --> 0:19:12.200
<v Speaker 1>we haven't talked about in terms of food and being

0:19:12.200 --> 0:19:16.400
<v Speaker 1>an artist, and in that lifetime was when you were ill, yeah,

0:19:16.440 --> 0:19:20.920
<v Speaker 1>and the diet that you then, and I remember very

0:19:21.000 --> 0:19:28.040
<v Speaker 1>well your rigor in dealing with your illness, in the

0:19:28.080 --> 0:19:31.920
<v Speaker 1>way you ate, and I think it was really before

0:19:32.119 --> 0:19:35.399
<v Speaker 1>a lot of us thought about food and health, and

0:19:35.960 --> 0:19:39.840
<v Speaker 1>you were unhealthy and you use food to think about health.

0:19:40.280 --> 0:19:44.000
<v Speaker 1>And you also took you know, you went the scientific route,

0:19:44.040 --> 0:19:49.639
<v Speaker 1>so you went for the medicine and for the but

0:19:49.920 --> 0:19:53.040
<v Speaker 1>it wasn't alternative. You did it. But you did do

0:19:53.119 --> 0:19:56.760
<v Speaker 1>a diet. I remember you very clearly talked no dairy.

0:19:57.720 --> 0:19:59.040
<v Speaker 3>Yeah, I mean I have.

0:19:59.000 --> 0:20:00.840
<v Speaker 2>To sort of almost step out I sided myself to

0:20:00.840 --> 0:20:03.720
<v Speaker 2>talk about it. But yeah, nineteen ninety seven, six months

0:20:03.800 --> 0:20:07.840
<v Speaker 2>after I had Angelico's, my oddest of four daughters, I

0:20:07.880 --> 0:20:11.000
<v Speaker 2>got diagnosed with colon cancer. And of course it was,

0:20:11.400 --> 0:20:15.520
<v Speaker 2>you know, a shock, but there was such an urgency

0:20:15.600 --> 0:20:19.840
<v Speaker 2>in my mind to be well and to get back

0:20:19.840 --> 0:20:22.399
<v Speaker 2>home and be a mother and be present that I

0:20:22.480 --> 0:20:24.960
<v Speaker 2>just sort of, you know, almost jumped out of the

0:20:24.960 --> 0:20:28.680
<v Speaker 2>hospital bed and I'm back, I'm fine. And then three

0:20:28.760 --> 0:20:32.800
<v Speaker 2>years later I got diagnosed with breast cancer. And then

0:20:33.200 --> 0:20:35.280
<v Speaker 2>I didn't leap out of bed, and I didn't say

0:20:35.520 --> 0:20:39.080
<v Speaker 2>I'm back, I'm fine. I got sort of quietly retreated

0:20:39.200 --> 0:20:41.800
<v Speaker 2>into myself, I think, and I went to a very

0:20:42.880 --> 0:20:47.600
<v Speaker 2>sort of almost a totally different personality to somebody I

0:20:47.680 --> 0:20:50.679
<v Speaker 2>knew myself as in a way in order to figure

0:20:50.720 --> 0:20:53.480
<v Speaker 2>out a way to get through it.

0:20:53.560 --> 0:20:56.000
<v Speaker 3>And it's it's a.

0:20:55.960 --> 0:20:59.720
<v Speaker 2>Trauma, and in that trauma, you have to sort of

0:20:59.760 --> 0:21:02.520
<v Speaker 2>figure out what are my options, what are my options

0:21:02.520 --> 0:21:04.399
<v Speaker 2>of survival? And obviously when you're in it, you're not

0:21:04.440 --> 0:21:08.720
<v Speaker 2>thinking clearly in that way. But you know, it was

0:21:08.880 --> 0:21:11.760
<v Speaker 2>very much the first time I didn't take it seriously.

0:21:11.760 --> 0:21:15.480
<v Speaker 2>Almost second time, I'm going to take this very seriously.

0:21:16.160 --> 0:21:17.360
<v Speaker 3>You know, I want to live.

0:21:17.440 --> 0:21:21.800
<v Speaker 2>I want to be a mom and be around and

0:21:21.960 --> 0:21:23.639
<v Speaker 2>that was my you know, that was the thing I

0:21:23.680 --> 0:21:27.960
<v Speaker 2>had Angelica as my purpose and goal to survive for.

0:21:28.720 --> 0:21:33.000
<v Speaker 2>You know, it was chemotherapy, mastec to me and everything

0:21:33.520 --> 0:21:34.719
<v Speaker 2>medical that I could.

0:21:34.800 --> 0:21:35.400
<v Speaker 3>But at the.

0:21:35.320 --> 0:21:37.520
<v Speaker 2>Same time, I knew that I had to support that

0:21:38.080 --> 0:21:42.399
<v Speaker 2>for myself with I had acupuncture. I gave up I

0:21:42.400 --> 0:21:45.080
<v Speaker 2>gave up drinking and the party life, and I gave up,

0:21:45.240 --> 0:21:48.280
<v Speaker 2>you know, anything that I felt was detrimental to my health. Sugar,

0:21:48.520 --> 0:21:51.520
<v Speaker 2>I gave up dairy and pretty much set still.

0:21:51.640 --> 0:21:52.480
<v Speaker 1>Do you still not.

0:21:52.640 --> 0:21:56.680
<v Speaker 2>Have Yeah, okay, let's not be too puritan sugar. Yes,

0:21:56.880 --> 0:22:00.159
<v Speaker 2>there's every so often, but I'm conscious about eating and

0:22:00.200 --> 0:22:03.760
<v Speaker 2>I'm conscious about if things have you know, very strict

0:22:03.800 --> 0:22:08.960
<v Speaker 2>about milk, very strict about cheese, butter, I'll allow it then,

0:22:09.200 --> 0:22:10.720
<v Speaker 2>you know, and I'm not going to be too because

0:22:10.760 --> 0:22:13.080
<v Speaker 2>there's also a point where you just have to you know,

0:22:13.119 --> 0:22:15.600
<v Speaker 2>you have to function in the world. And you know,

0:22:15.760 --> 0:22:18.119
<v Speaker 2>there was probably at least five years where I was

0:22:18.240 --> 0:22:22.639
<v Speaker 2>absolutely I would read every ingredient and nothing could be

0:22:22.640 --> 0:22:24.919
<v Speaker 2>because I was frightened, you know, and fear is a

0:22:25.080 --> 0:22:28.680
<v Speaker 2>very good reason to make sacrifices and changes in your life.

0:22:28.840 --> 0:22:32.880
<v Speaker 2>I just shifted into a completely different person in a way.

0:22:32.920 --> 0:22:35.240
<v Speaker 1>Would you tell somebody who came to see that if

0:22:35.280 --> 0:22:39.399
<v Speaker 1>they had cancer and any form, would you say to

0:22:39.440 --> 0:22:41.160
<v Speaker 1>them to try to do.

0:22:41.080 --> 0:22:42.640
<v Speaker 3>This because you don't.

0:22:43.160 --> 0:22:46.919
<v Speaker 2>It's difficult because also you know, there's varying. You know,

0:22:46.960 --> 0:22:48.679
<v Speaker 2>your case is different to the next person. It's the

0:22:48.720 --> 0:22:51.199
<v Speaker 2>next person to what level you have it or you know,

0:22:52.000 --> 0:22:56.359
<v Speaker 2>it's hard to advise people in that way we talked

0:22:56.400 --> 0:22:59.199
<v Speaker 2>about to people who are in it, I try to

0:22:59.200 --> 0:23:00.920
<v Speaker 2>be you know, get up in the morning, put on

0:23:00.960 --> 0:23:03.840
<v Speaker 2>a great song, move around, care people when you're feeling down.

0:23:03.880 --> 0:23:06.440
<v Speaker 2>I try to sort of keep it, you know, let's

0:23:06.520 --> 0:23:08.600
<v Speaker 2>keep it in a place where we're going to get

0:23:08.640 --> 0:23:08.919
<v Speaker 2>through this.

0:23:09.000 --> 0:23:09.639
<v Speaker 3>It's a job.

0:23:09.960 --> 0:23:13.760
<v Speaker 2>It's a job, and you know it's also you can't

0:23:13.800 --> 0:23:16.439
<v Speaker 2>people say, well, you're so brave to have gotten through it.

0:23:16.480 --> 0:23:18.720
<v Speaker 2>But it's not bravery that gets you through it, because

0:23:18.760 --> 0:23:21.280
<v Speaker 2>it doesn't mean that people who haven't survived aren't brave.

0:23:21.880 --> 0:23:25.439
<v Speaker 2>Getting through it is you know, an amount of medical intervention,

0:23:25.560 --> 0:23:28.879
<v Speaker 2>amount of luck in terms of diagnosis and what you

0:23:28.960 --> 0:23:30.520
<v Speaker 2>can then do to support all of that.

0:23:31.040 --> 0:23:34.760
<v Speaker 1>But when you talk about the energy or the you know,

0:23:34.800 --> 0:23:39.080
<v Speaker 1>the getting up and doing that has shown that actually

0:23:39.160 --> 0:23:42.919
<v Speaker 1>a kind of activity with any illness, with grief. You know,

0:23:42.960 --> 0:23:45.840
<v Speaker 1>you say that, having been through grief in my life,

0:23:45.920 --> 0:23:48.120
<v Speaker 1>that I sort of know the drill, you know, which

0:23:48.160 --> 0:23:50.199
<v Speaker 1>is you get out of bed or I mean you

0:23:50.240 --> 0:23:52.760
<v Speaker 1>can stay in bed and cry all day too, that's fine,

0:23:53.160 --> 0:23:57.080
<v Speaker 1>but the you know, the activity, and.

0:23:56.160 --> 0:23:58.360
<v Speaker 3>He's in the support of you know, friendships.

0:23:58.400 --> 0:24:00.440
<v Speaker 2>When I was, when I would have chema, i'd have

0:24:00.880 --> 0:24:03.960
<v Speaker 2>Gary Hume and Georgie and Johnny Shankid and friends would

0:24:04.359 --> 0:24:06.880
<v Speaker 2>you know, bring the food and sit around and sort

0:24:06.920 --> 0:24:08.760
<v Speaker 2>of laugh and sit with me for a few hours

0:24:09.240 --> 0:24:12.159
<v Speaker 2>and you know, you sort of feel, you know, the

0:24:12.359 --> 0:24:14.720
<v Speaker 2>chema going through your veins. But on the other hand,

0:24:14.760 --> 0:24:17.280
<v Speaker 2>you could be eating some strawberries and chatting with friends

0:24:17.320 --> 0:24:20.800
<v Speaker 2>and watching watching everyone just you know support you in

0:24:20.840 --> 0:24:23.439
<v Speaker 2>that way, and I think and yeah, and that's also

0:24:23.600 --> 0:24:26.199
<v Speaker 2>you know, that was definitely sort of food related in

0:24:26.200 --> 0:24:28.399
<v Speaker 2>the sense that you know, chema can taste bad in

0:24:28.440 --> 0:24:31.680
<v Speaker 2>your mouth. It's sort of metallicy. And my friends had

0:24:31.720 --> 0:24:34.159
<v Speaker 2>researched that a little bit. I've heard if you have

0:24:34.720 --> 0:24:37.320
<v Speaker 2>you know, some boiled sweets, or if you have this,

0:24:37.600 --> 0:24:39.600
<v Speaker 2>or and then another friend mango.

0:24:39.680 --> 0:24:40.480
<v Speaker 3>Mango is really good.

0:24:43.119 --> 0:24:47.080
<v Speaker 1>Because Rose Gray, you started the cafe with and had

0:24:47.119 --> 0:24:49.560
<v Speaker 1>breast cancer, just found that. I always say that she

0:24:49.720 --> 0:24:52.440
<v Speaker 1>ate her way through chemo, you know, just ate everything.

0:24:52.480 --> 0:24:56.879
<v Speaker 1>But she she was careful, yeah, as she was before

0:24:56.920 --> 0:24:59.480
<v Speaker 1>she got sick, but she loved having mangoes.

0:25:00.280 --> 0:25:02.440
<v Speaker 2>Serotonin I think it's good for but I think it's

0:25:02.480 --> 0:25:06.840
<v Speaker 2>also I mean still now really education around nutrition and

0:25:06.880 --> 0:25:10.280
<v Speaker 2>what's you know, what's good for you to live, Like

0:25:10.320 --> 0:25:13.400
<v Speaker 2>I said, as a keep the machine at optimum level,

0:25:14.600 --> 0:25:18.080
<v Speaker 2>you know, and maintenance. We maintain our cars sometimes better

0:25:18.119 --> 0:25:18.719
<v Speaker 2>than our bodies.

0:25:18.720 --> 0:25:32.240
<v Speaker 6>And hi there, My name is Hamish. I am one

0:25:32.240 --> 0:25:35.600
<v Speaker 6>of the chefs here at the River Cafe. One of

0:25:35.640 --> 0:25:38.400
<v Speaker 6>the sauces or dishes that I think is very special

0:25:38.440 --> 0:25:40.520
<v Speaker 6>to us, and it's coming back onto the venue a

0:25:40.520 --> 0:25:44.760
<v Speaker 6>bit more often. Is our Banya Kouder. We make this

0:25:44.880 --> 0:25:49.879
<v Speaker 6>sauce by reducing down a bottle of Italian red wine

0:25:50.280 --> 0:25:54.760
<v Speaker 6>or champagne or prosecco, and then we melt in about

0:25:54.800 --> 0:25:58.800
<v Speaker 6>twelve to fifteen cloves of garlic anchovies and this creates

0:25:58.840 --> 0:26:03.880
<v Speaker 6>a really ten salty, amazing base to a sauce. Then

0:26:04.280 --> 0:26:08.760
<v Speaker 6>copious amounts of butter to make it extremely smooth, silky

0:26:09.280 --> 0:26:11.760
<v Speaker 6>and just rich and delicious.

0:26:16.119 --> 0:26:20.639
<v Speaker 3>Is my favorite an sourdi bread.

0:26:21.280 --> 0:26:22.919
<v Speaker 1>This is the saltiness of the anto.

0:26:24.800 --> 0:26:28.480
<v Speaker 2>But I think growing up what it equates to, so

0:26:28.640 --> 0:26:31.560
<v Speaker 2>that would be my I'm successful and knowledgeable and I

0:26:31.560 --> 0:26:33.000
<v Speaker 2>can eat anchovies on toast.

0:26:33.800 --> 0:26:36.800
<v Speaker 3>It comes from growing up with Marma on toast.

0:26:37.800 --> 0:26:39.440
<v Speaker 1>Yes, it's one of.

0:26:39.359 --> 0:26:42.640
<v Speaker 2>Those, and Mama on toast for me has been a

0:26:42.680 --> 0:26:48.159
<v Speaker 2>constant constant from child all the way through my student life,

0:26:48.320 --> 0:26:49.040
<v Speaker 2>artist life.

0:26:51.680 --> 0:26:54.240
<v Speaker 1>So I was trying about the solitariness of being an artist.

0:26:54.320 --> 0:26:56.800
<v Speaker 1>But what about as I go back to the to

0:26:56.880 --> 0:26:59.919
<v Speaker 1>the cinema when you directed Noaby or when you do

0:27:00.000 --> 0:27:03.040
<v Speaker 1>directed Fifty Shades of Gray, do you do you think

0:27:03.080 --> 0:27:05.520
<v Speaker 1>about how you feed the people on the set. Is

0:27:05.560 --> 0:27:08.480
<v Speaker 1>that important to you? The way you start for food?

0:27:08.520 --> 0:27:12.440
<v Speaker 1>Break was Anderson that he hates a lunch hour because

0:27:12.480 --> 0:27:14.680
<v Speaker 1>it makes everybody stop, and then you have to get tired,

0:27:14.720 --> 0:27:17.840
<v Speaker 1>and then but you know, he tried to give everybody soup,

0:27:17.880 --> 0:27:19.920
<v Speaker 1>but then the crew wanted meals.

0:27:20.119 --> 0:27:22.359
<v Speaker 3>How do you deal with It's interesting.

0:27:22.640 --> 0:27:26.080
<v Speaker 2>I feel absolutely with West in that way that I

0:27:26.119 --> 0:27:28.600
<v Speaker 2>don't like when everyone stops for lunch. But at the

0:27:28.680 --> 0:27:33.639
<v Speaker 2>same time, I do like the communal break of everyone

0:27:33.720 --> 0:27:36.439
<v Speaker 2>sitting and sort of literally digesting what we've done and

0:27:36.480 --> 0:27:39.520
<v Speaker 2>talking around food. And I always try to make sure

0:27:39.640 --> 0:27:43.200
<v Speaker 2>we have reasonably good caterers so that everyone's just sort

0:27:43.200 --> 0:27:47.240
<v Speaker 2>of enjoying that time rather than just complaining this is disgusting.

0:27:47.520 --> 0:27:51.040
<v Speaker 1>Was there a difference in doing nowhere By and fifty

0:27:51.119 --> 0:27:52.800
<v Speaker 1>Shades of Gray from.

0:27:52.560 --> 0:27:56.879
<v Speaker 2>I'm sure there was. I can't remember. It's own trauma.

0:27:56.280 --> 0:27:59.639
<v Speaker 2>But but we Aaron and I made a movie in

0:27:59.720 --> 0:28:02.720
<v Speaker 2>twenty one days. We didn't We made a million little

0:28:02.720 --> 0:28:07.679
<v Speaker 2>pieces and it was the smallest, smallest, smallest.

0:28:07.160 --> 0:28:09.399
<v Speaker 3>Budget, but we had the best, best food.

0:28:09.840 --> 0:28:12.600
<v Speaker 1>There's a food touch to feel very different from Los Angeles.

0:28:13.040 --> 0:28:17.560
<v Speaker 1>We've moved from l A to English, the English country.

0:28:18.440 --> 0:28:20.919
<v Speaker 1>I mean, what about food and that feel different?

0:28:20.960 --> 0:28:24.760
<v Speaker 2>This particle shift not in our house because we cook

0:28:24.800 --> 0:28:29.480
<v Speaker 2>the same things, but definitely a different culture of Well.

0:28:29.400 --> 0:28:34.720
<v Speaker 4>The difference is avocados. There's certain things that grow differently

0:28:34.840 --> 0:28:38.920
<v Speaker 4>so Africa. You know, when you're were West coast, if

0:28:38.920 --> 0:28:42.320
<v Speaker 4>you had these sort of you know, anything California or

0:28:42.360 --> 0:28:46.400
<v Speaker 4>from Mexico. The avocados a difference to Guacamole's like amazing

0:28:46.840 --> 0:28:49.640
<v Speaker 4>have avocados here. They're sort of imported from Spain and

0:28:49.680 --> 0:28:52.200
<v Speaker 4>they're hard and there there's just no point.

0:28:52.200 --> 0:28:52.760
<v Speaker 1>There's no point.

0:28:52.840 --> 0:28:55.560
<v Speaker 4>There's no point in avocado and you just don't eat that.

0:28:56.080 --> 0:28:59.480
<v Speaker 1>I really respect that you said, because it is to

0:28:59.600 --> 0:29:01.120
<v Speaker 1>do with the ingredient.

0:29:01.200 --> 0:29:01.880
<v Speaker 3>Absolutely.

0:29:01.960 --> 0:29:04.160
<v Speaker 1>What about do you go to fewer restaurants here? Did

0:29:04.160 --> 0:29:05.320
<v Speaker 1>you eat out more in La.

0:29:05.440 --> 0:29:08.920
<v Speaker 3>We did, probably, I think, but we are in the middle.

0:29:08.720 --> 0:29:11.640
<v Speaker 1>Of the urban there too, probably, yeah, And there was

0:29:11.840 --> 0:29:13.560
<v Speaker 1>I don't know, it was a different I had a

0:29:13.640 --> 0:29:17.400
<v Speaker 1>sort of different routine I think there for food, you know,

0:29:17.560 --> 0:29:17.880
<v Speaker 1>I was.

0:29:17.840 --> 0:29:20.400
<v Speaker 2>Really into and I'll have a shake and yes, could

0:29:20.400 --> 0:29:22.479
<v Speaker 2>you put some racio mushroom and a little bit of

0:29:22.520 --> 0:29:25.280
<v Speaker 2>this and a little bit of that, and there everyone

0:29:25.320 --> 0:29:31.240
<v Speaker 2>seems so knowledgeable about what about what each ingredient of

0:29:31.280 --> 0:29:34.320
<v Speaker 2>this certain mushroom is going to give you. You know, this

0:29:34.360 --> 0:29:36.680
<v Speaker 2>one's for the brain and cognitive function, and this one's

0:29:36.760 --> 0:29:39.840
<v Speaker 2>for memory, and this one's for your liver, and this

0:29:39.880 --> 0:29:42.680
<v Speaker 2>one's for you know. I was getting quite good at

0:29:42.720 --> 0:29:44.720
<v Speaker 2>all of that and understanding how it was going to

0:29:44.800 --> 0:29:47.400
<v Speaker 2>benefit me, and then you know, I got here. I

0:29:47.440 --> 0:29:49.200
<v Speaker 2>was like, where am I going to get my charger?

0:29:50.800 --> 0:29:51.760
<v Speaker 3>Do you drink coffee?

0:29:52.000 --> 0:29:53.240
<v Speaker 1>Do I drink coffee?

0:29:54.040 --> 0:29:55.000
<v Speaker 3>New to coffee?

0:29:55.280 --> 0:29:58.200
<v Speaker 4>Very new to coffee, Like the American coffee was just

0:29:58.240 --> 0:30:02.000
<v Speaker 4>the sort of the diner coffee, the all day for

0:30:02.520 --> 0:30:03.640
<v Speaker 4>filted coffee.

0:30:03.720 --> 0:30:06.840
<v Speaker 3>It's just sort of, Yeah, tell.

0:30:06.720 --> 0:30:11.440
<v Speaker 1>Me about food in your house? Well, how many children? Four?

0:30:11.720 --> 0:30:16.640
<v Speaker 2>I mean for this weekend, they're all four at home.

0:30:16.800 --> 0:30:19.800
<v Speaker 2>I mean my specialty is the pancakes. I'd like to

0:30:19.840 --> 0:30:24.960
<v Speaker 2>say I'm the pancakes person Tenesca. I have my dishes,

0:30:25.160 --> 0:30:28.240
<v Speaker 2>but the pancakes are in the mornings. I can make creps,

0:30:28.560 --> 0:30:30.880
<v Speaker 2>I can make big fluffy pancakes as they're called, or

0:30:30.880 --> 0:30:34.680
<v Speaker 2>I can do the green pancakes, which are roamy. My

0:30:34.720 --> 0:30:39.719
<v Speaker 2>youngest one absolutely loves. She's very What is that how

0:30:39.880 --> 0:30:45.520
<v Speaker 2>they made? It's they're basically one egg, one banana, gluten

0:30:45.560 --> 0:30:53.120
<v Speaker 2>free flour, a handful of spinach and cinnamon and vanilla,

0:30:53.400 --> 0:30:57.680
<v Speaker 2>and and and a cup of almond milk blitzed, and

0:30:57.720 --> 0:31:02.360
<v Speaker 2>then and then Friday coking up oil and they puff

0:31:02.480 --> 0:31:04.960
<v Speaker 2>up and then absolutely up do they puff up with

0:31:05.000 --> 0:31:08.800
<v Speaker 2>a little bit of baking powder in there, and and

0:31:08.840 --> 0:31:14.800
<v Speaker 2>then Yeah, Aaron's good at cooking, literally sort of seven

0:31:15.120 --> 0:31:17.480
<v Speaker 2>seven weeks, so many dishes.

0:31:17.160 --> 0:31:18.440
<v Speaker 3>Are on the table when he cooks.

0:31:19.280 --> 0:31:21.600
<v Speaker 1>I'm just like, that's so nice. I can't bake.

0:31:22.400 --> 0:31:24.560
<v Speaker 2>When Aaron ever goes into the kitchen to bake, we

0:31:24.800 --> 0:31:29.040
<v Speaker 2>all are literally waiting for a blood splattering because.

0:31:28.760 --> 0:31:31.040
<v Speaker 3>We're always with the blender.

0:31:31.360 --> 0:31:33.280
<v Speaker 1>The cherry that.

0:31:35.040 --> 0:31:37.240
<v Speaker 4>He put his finger in it, well, I was trying

0:31:37.240 --> 0:31:39.959
<v Speaker 4>to take what was left over dough off around the

0:31:40.200 --> 0:31:43.440
<v Speaker 4>thing my fingers, but my hand was obviously gripping the

0:31:43.440 --> 0:31:46.600
<v Speaker 4>top of the button, so it went, it went, blits

0:31:46.640 --> 0:31:48.880
<v Speaker 4>the top of my I don't have much of a.

0:31:48.880 --> 0:31:51.680
<v Speaker 1>Nail on that finger off. So what do you do

0:31:51.760 --> 0:31:53.080
<v Speaker 1>for desserts? Do you have dessert?

0:31:55.440 --> 0:31:58.280
<v Speaker 4>And Roamy? Our youngest is a bit of a baker, actually,

0:31:58.400 --> 0:32:03.080
<v Speaker 4>so we recently got really rumble a gorgeous apple orchard

0:32:03.120 --> 0:32:07.000
<v Speaker 4>in Somerset, and with a mixture of cooking apples and

0:32:07.040 --> 0:32:10.120
<v Speaker 4>cider apples, and could eat blackberries everywhere right now at

0:32:10.120 --> 0:32:12.760
<v Speaker 4>the moment, there's tons of blackberries. So recently it was

0:32:12.760 --> 0:32:15.840
<v Speaker 4>a BlackBerry an apple crumble.

0:32:16.680 --> 0:32:19.760
<v Speaker 1>My last questions to you Aaron and to you Sam

0:32:20.120 --> 0:32:23.160
<v Speaker 1>would be if you need food for comfort, is there

0:32:23.200 --> 0:32:25.239
<v Speaker 1>a food that you would reach for?

0:32:26.280 --> 0:32:30.440
<v Speaker 2>Marmite and a jacket potato is probably actually a could

0:32:30.640 --> 0:32:35.360
<v Speaker 2>trump the avie on, but marmite butter jacket potato.

0:32:35.840 --> 0:32:38.560
<v Speaker 3>That is my comfort food. I know I'm looking at you.

0:32:40.080 --> 0:32:44.440
<v Speaker 1>Thank you, you will be You're my comfort. Thank you, Sam,

0:32:44.480 --> 0:32:45.760
<v Speaker 1>thank you, thank you.

0:32:45.840 --> 0:32:46.560
<v Speaker 3>This was a joy.

0:32:46.600 --> 0:32:53.400
<v Speaker 1>Thank you so much. The River Cafe look Book is

0:32:53.400 --> 0:32:57.200
<v Speaker 1>on sale. One hundred pages of beautiful photographs that will

0:32:57.240 --> 0:33:00.760
<v Speaker 1>inspire you to cook. It's a look book, It's a cookbook.

0:33:01.080 --> 0:33:09.120
<v Speaker 1>Order one now. Ruthie's Table four is a production of

0:33:09.240 --> 0:33:15.360
<v Speaker 1>iHeartRadio Anatomized studios. For more podcasts from iHeartRadio, visit the

0:33:15.440 --> 0:33:20.400
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:33:20.400 --> 0:33:32.520
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