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Speaker 1: And this drink chans motherfucking podcast. He's a legendary queen's rapper,

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Speaker 1: he said, it is your boy in O R. He's

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Speaker 1: a Miami hippoper lion. Up is d j e f N.

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and your number one

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Speaker 1: source for drunk fast drink chess. Mother everys New Year's

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Speaker 1: need that it's time for drink Chance, trick up? Mother?

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Speaker 1: Would it good be? Hopefully? Would it should be? This

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Speaker 1: is your boy in O R? What up is d

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Speaker 1: J E f And this is Drink Chance, motherfucking podcast?

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Speaker 1: Makes up? Now? Now? Now. When we started this podcast,

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Speaker 1: we said we wanted we want to enter interview legends.

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Speaker 1: We want people that's been out this game, has been

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Speaker 1: in this game for ten years or more and it's

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Speaker 1: still monkey foot stopping. People like to come under the

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Speaker 1: table with the dirty timberlins on the side of your mouth.

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Speaker 1: This guy has been doing stand up, had his first

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Speaker 1: gig at fourteen or some ship like this. This man

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Speaker 1: is still around. The baby, he's still around. He's been

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Speaker 1: on Death Comedy Jam before you even knew what death

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Speaker 1: Jam was. He's been out here He've been from Jerry

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Speaker 1: McGuire to the Little Type of Different Movies to Mad

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Speaker 1: TV one of the lottlest running cast members. When you

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Speaker 1: think a king of comedy, I think him and it

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Speaker 1: can't as impresses in the world. In case you don't

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Speaker 1: know what that A crazy thing about you is a

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Speaker 1: lot of people say they have rich history and comedy, right,

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Speaker 1: you actually have used to be in comedy, like I

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Speaker 1: mean from the beginning, like you know, going like, did

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Speaker 1: you have your first game at fourteen or was it sixties?

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Speaker 1: Started at fourteen? I started at fourteen, So what was

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Speaker 1: that comedic? It was being or just being entertainment? You

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Speaker 1: know how straight comedy I started? You know, I came

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Speaker 1: up through the ranks of Jersey and New York Bill

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Speaker 1: Bellamy h Clubs fourteen in New York and to go

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Speaker 1: blues Peppermint Lounge. He started, I'm so sorry to come back.

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Speaker 1: Your first show was at Uptown Comedy Club? Was that true?

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Speaker 1: That was my first show ever? That's why I want

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Speaker 1: to read your ship. They playing with me. My first

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Speaker 1: show I ever had was an Uptown comedy club. We

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Speaker 1: read that about you. I was like, holy ship, Yeah,

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Speaker 1: isn't the other one a little colder. Yeah, yeah, yeah,

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Speaker 1: come on, come on, you know pop, come on, Steve

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Speaker 1: got colder. But so yeah, I first went to the

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Speaker 1: improv with my mother and my sister back when you

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Speaker 1: had to draw numbers out of a hat. So we

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Speaker 1: all put in numbers. None of us got it, so,

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Speaker 1: you know, feeling deflated, some probably pulled my mom's aside

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Speaker 1: and said, you know, they got Uptown Comedy Club at Hall,

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Speaker 1: and you know, we jumped on the train went up.

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Speaker 1: There was about the Cotton Club. I can't remember that year.

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Speaker 1: You know, what's the numbers that when you're pulling the numbers?

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Speaker 1: Was that mean? Just put drawing numbers in a hat?

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Speaker 1: So open mic? Now, okay, So I didn't get that,

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Speaker 1: so I said go down to the Uptown and uh,

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Speaker 1: you know, I really didn't even have material that I

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Speaker 1: just would do, like like impression, So I did like

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Speaker 1: James Brown. So you started doing impression from the game

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Speaker 1: from the gate. It was my Yeah, that was my

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Speaker 1: I'm eighties baby. So I grew up watching Eddie on

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Speaker 1: S and Now, and uh, Eddie was doing the impression stay.

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Speaker 1: My first impression ever was Louis Armstrong because my mother's

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Speaker 1: a jazz blues singer. So moms and Pops will play

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Speaker 1: that when Pops was getting it in. So when I

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Speaker 1: heard potato but don't know what you say, Pops is

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Speaker 1: blowing Mom's back out. So you know, you know, I'm

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Speaker 1: an eighties baby. I grew up on TV, so Eddie

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Speaker 1: was my first heavy influence in so I just went

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Speaker 1: to the uptown and I did like three impressions doing

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Speaker 1: Pepsi commercial squad. Uh and you know from the bug

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Speaker 1: bit me, I killed it and uh I was I've

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Speaker 1: been in it ever since. Man. So so um, I'm sorry,

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Speaker 1: I'm jumping around, but I'm gonna get you straight to

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Speaker 1: it because it was Here's what I gotta say. I

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Speaker 1: look about you. Uh, you're on time and you don't

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Speaker 1: like this stim for being super late, but the sticking

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Speaker 1: runs like a Jewish man. I'm gonna tell you something.

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Speaker 1: I'm gonna tell you nothing. Um. It was different for

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Speaker 1: me because when I became a CEO, I realized that

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Speaker 1: that was one of the things that these people don't

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Speaker 1: want is to waste your time. So I always always

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Speaker 1: be on top of let me, let me, let me

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Speaker 1: get back to you, right because one of the illest

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Speaker 1: things that I watched you all day today, so literally

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Speaker 1: you've been on my mind this whole day. Right. Um.

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Speaker 1: One of the things that you that you said that

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Speaker 1: was very interesting to me. You said, when the person

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Speaker 1: doesn't stand up, that's supposed to be all you supposed

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Speaker 1: to be one on one with the uh, the audience,

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Speaker 1: and there's certain people who have help. Do you still

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Speaker 1: feel that that way or or is it because the

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Speaker 1: best ones don't have Because let me just tell you why.

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Speaker 1: I watched like three or young DRIs. You literally have

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Speaker 1: me in teests. So I'm sitting around like damn, so

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Speaker 1: I could understand you're frustrating. And when I heard you

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Speaker 1: say it, at first, I didn't understand until I say

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Speaker 1: your ship, and I said, I can understand how you

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Speaker 1: bust your ass or your ship. You you literally told

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Speaker 1: a bit huh pussy tastes like cold fresh fries. Holy

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Speaker 1: you want to tell somebody that, man? So I'm just saying,

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Speaker 1: so you're talking about ghostwriting? Yeah yeah, because basically, so

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Speaker 1: I'm I look at it like R and B right like,

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Speaker 1: but then when I heard your point of view and

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Speaker 1: you're saying, man, if I go out there and I'm

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Speaker 1: busting my ass, like you expect that. Is that something

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Speaker 1: you still feel or yeah, I mean because it's like, look,

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Speaker 1: I can't and maybe the is a question for you

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Speaker 1: to answer. Maybe it's different in the rap game because

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Speaker 1: I know some rappers have ghost writers, but I know

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Speaker 1: that I know for comedy, the best motherfucker's it is you.

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Speaker 1: Because you know, every every comic wants to come out

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Speaker 1: and have the joke be a Grand Slam home run.

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Speaker 1: That's always the intention, but that's not always the case.

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Speaker 1: From the time you say hello to the time you

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Speaker 1: say good night and everything in between. We want every

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Speaker 1: joke to be a Mike Tyson punch from the eighties.

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Speaker 1: Everything is strong with bad intentions, not like now now,

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Speaker 1: but right now. You know what we all want everything

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Speaker 1: to be done. Question. But you know, as you sit

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Speaker 1: there as an artist and you mode that piece of clay,

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Speaker 1: you're looking for perfection. You're looking for your piece to

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Speaker 1: be the Mona Lisa. And it's like if someone comes

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Speaker 1: along and gives you like sometimes when you do a joke,

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Speaker 1: you might not have it where it's perfec. Again, you're

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Speaker 1: missing a key ingredient, whether it's a facial expression, a

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Speaker 1: physical move, a one liner. And if somebody comes to

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Speaker 1: you and goes, hey, do this, do this face, add

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Speaker 1: this little this little thing right here, and that's the

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Speaker 1: difference between where your ship was here too now here.

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Speaker 1: That's you. Oh, that's them. That's the steroid. Somebody just

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Speaker 1: gave you the steroid to make you do what you

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Speaker 1: gotta do. So for you to be able to take

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Speaker 1: on your own accord and create that ship with no

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Speaker 1: help to where you got a classic, that's you. You're

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Speaker 1: the artist. You're the only one that did that. But

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Speaker 1: if somebody gives you that key ingredient to make your

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Speaker 1: gumbo the winning gumbo, is it is? It? Is it you?

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Speaker 1: That's what I'm saying. Is either or wrong, right, I mean,

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Speaker 1: it depends on it from an artist in the individual

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Speaker 1: is on the individual, you know what what you're striving for,

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Speaker 1: you know what I'm saying. Like when I when I

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Speaker 1: talked about, you know, the Kevin Hard situation, my mother

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Speaker 1: was like, well, you know, Richard Pryor had Paul Mooney wretchtion.

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Speaker 1: Paul Mooney wrote for Richard Pryor on the Richard Pryor Show.

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Speaker 1: That's a TV show. That's not stand up for a

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Speaker 1: TV show. There's a lot of parts in that. It's

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Speaker 1: an ensemble cast. You need writers TV. It's TV. But

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Speaker 1: for stand up, that's boxing, that's you. Nobody in that

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Speaker 1: ring but you. That's how it should be. Yeah, I

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Speaker 1: didn't like when you said it. I really no, No,

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Speaker 1: I really suggest people go, like, look up what you

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Speaker 1: do because the thing about it is like, you know,

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Speaker 1: I got to look at the comments because this is

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Speaker 1: what I gotta do because I'm only I'm gonna cut you.

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Speaker 1: But even I even had somebody saying the YouTube comments

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Speaker 1: when I said that, well, don't. If you look at

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Speaker 1: the credits for Raw, it says Robert Townsend and Kei

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Speaker 1: and Ivery Wains, they didn't write a stand up. They

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Speaker 1: wrote the skin in the beginning, kicked him in the

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Speaker 1: ding ding, thank you, that's what they did. And he

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Speaker 1: wrote his own stand up. And even Paul Mooney said

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Speaker 1: the interview, I don't write for Richard Genes. You watch

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Speaker 1: Richard Richard. I would watch rich and go I think

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Speaker 1: that's genius. Richard did not need my husband. They can't

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Speaker 1: stop of that. Goddamn, that is scary. You don't think

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Speaker 1: something like that. White men made noises like that. Yeah,

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Speaker 1: one of the craziest lines I heard you say. It

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Speaker 1: was you said everybody is a little bit racist. Now

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Speaker 1: I agree with that, but I wanted to correct the

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Speaker 1: statement because racist implies that you have some type of power.

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Speaker 1: So I want to say, everybody's prejudice. Yes, everyone's prejudice.

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Speaker 1: So you look up the real definition of racism. That's

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Speaker 1: a palmony. Palmony spoke on that and said, you know,

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Speaker 1: when you look up racist by definition, I can't be

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Speaker 1: racist because it's a power. Right. Yeah. So so when

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Speaker 1: I heard you say that, and I'm so sorry to

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Speaker 1: my people, but if I was, you know, go outside

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Speaker 1: right now. And I was to see Asian person get

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Speaker 1: to a car accident, it doesn't matter who the other person,

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Speaker 1: you know what, it makes me like, I think it's

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Speaker 1: that person. Like I'm just saying I've never seen the

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Speaker 1: Asian um actually get into an accident, but but what

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Speaker 1: I've heard, I think that they're not just traps because

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Speaker 1: steral Now that's the sterotypes. But stereotypes exist because there's truth,

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Speaker 1: because it's ticket. I ain't gone a single person, but

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Speaker 1: there's a good amount of course. You know, I always

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Speaker 1: tell people it's like, look, do all black women have

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Speaker 1: fat asses. No, I've seen black women with ask this

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Speaker 1: flattest note of paper. It's like it is white tigers

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Speaker 1: in the wild. They do exist, but that's not the

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Speaker 1: norm most black women have. The white tigers exists. Yeah,

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Speaker 1: so I really agree with that because like, like, it's

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Speaker 1: certainly the white tigers. No stereotypes. There's certain stereotypes. That's

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Speaker 1: one hundreds dead on, you know what I'm saying, Like, uh,

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Speaker 1: like us liking chicken like that, then really be funny

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Speaker 1: without stereotypes. Let's just about blacks chicken body. People love

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Speaker 1: chicken too, but it's more of a passion with us.

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Speaker 1: That's why we keep hot sauce and not glove comball.

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Speaker 1: That's why people don't keep it with hot sauces. Yeah,

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Speaker 1: I'm Franks. Are you a Franks guy? Kind of slicy? Catchup, nigger,

201
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Speaker 1: step off the sauce. You have spicy white man? Mask's white.

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Speaker 1: I like, I like the Spanish ship. What's the l

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Speaker 1: A ship? Ships? The l A ship? Tato? No, the

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Speaker 1: sounds Asian, the um is it? Oh? No, you're you're

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Speaker 1: thinking of the well No, no, just say I think

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Speaker 1: I know what he saw coming that cream, that clear

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Speaker 1: bottom with the green tip and they just certainly your

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Speaker 1: sauce it is, but it is it's l A hot

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Speaker 1: sauce like only see and you live in l A

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Speaker 1: like so you so you you're born in Jersey, that York,

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Speaker 1: New York. Then you moved to Jersey. I didn't move

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Speaker 1: to l A, Jersey, d in l A. How how like?

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Speaker 1: And now as you moved to l A, you were

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Speaker 1: in the business, correct, So how different was that coming

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Speaker 1: from the East Coast? Like you still look like a

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Speaker 1: straight up New York dude, I believe, But I moved

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Speaker 1: out to l A. The sweatwrag. You always have a

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Speaker 1: sweatwrag usually do gonna need the moment you see a

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Speaker 1: little point. You see the little point, You're man, Craig Robinson. Um,

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Speaker 1: you know a lot of New Yorkers looked down on

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Speaker 1: l A. But when I moved there, I was eighteen seventeen.

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Speaker 1: So everything became mine for the first time, first piece

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Speaker 1: of pussy, first house, first call, my first independence. So

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Speaker 1: l A has become my home because I grew up

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Speaker 1: there in a sense of becoming a man. When I

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Speaker 1: was in Jersey and New York, I was living in

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Speaker 1: my mama house. So I was still under her roof

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Speaker 1: and her rules and regulations. And New York we got

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Speaker 1: Puerto Ricans and l A, you got Mexican Mexicans like

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Speaker 1: your Mexican impression too, And listen, I love Spanish. My

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Speaker 1: two kids baby mother is Puerto Rican. Uh. And you

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Speaker 1: know they you know Mexican girls, they're cool, but you

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Speaker 1: know the bitches be heavy with the drawing the face

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Speaker 1: on what I'm saying, create your own eyebrows. Puerto Rican

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Speaker 1: women and beniqus have a different kind of sex, you

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Speaker 1: know what I mean. My heart it's always attached to

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Speaker 1: East Coast. But I love that l A man I do, man,

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Speaker 1: I love l A too. Man. Let me ask you

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Speaker 1: something that you said at one point that white people

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Speaker 1: are actually the drink champs. Like the white people, Oh yeah,

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Speaker 1: because like they drink different. Well, they drink to get blasted.

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Speaker 1: And he tell you that day to get like they

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Speaker 1: drinking with the sole purpose of being knocked the blacking

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Speaker 1: out niggas. We we we we drink to get nice,

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Speaker 1: you know, like we gotta stay because I got a

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Speaker 1: white friend to right. But let me just tell you

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Speaker 1: this is this is the one time I felt like

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Speaker 1: white privilege one day we were walking and I'm walking

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Speaker 1: with him obviously, and we're walking through somewhere I know

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Speaker 1: where that's supposed to walk through because my police there.

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Speaker 1: So the police officer says, hey, guys, you gotta get

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Speaker 1: out of there. He said, what law Office fourteen forty

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Speaker 1: four says, Then we didn't want I looked, I said,

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Speaker 1: I'm with him. Looked at me like, I know you

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Speaker 1: know better that it's a weird climbing because you see

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Speaker 1: all the clips on YouTube where some brothers stand their

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Speaker 1: ground with the cops and they say, they give me

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Speaker 1: your badge number and they break down what I know

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Speaker 1: what the law is. Hats off to your brothers, But

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Speaker 1: that scout him, that's that's a braise, scary, stupid mistake.

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Speaker 1: I'm just saying, I'm not trying to be you know,

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Speaker 1: it's nice that you can stay the law and you're

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Speaker 1: standing your round with them. Niggas will kill you, so

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Speaker 1: you're playing roulette with your life. You know what I'm saying.

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Speaker 1: It's like we we've been new the law, we know

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Speaker 1: the law better than anybody. But that's a dangerous game,

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Speaker 1: very dangerous, very dangerous. So what what what? What? What?

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Speaker 1: What is the best thing about comedy besides you releasing

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Speaker 1: your pain, because that's what I start to notice. What

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Speaker 1: I started to do today was obviously I started to

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Speaker 1: search you, and when I search you, other names come up.

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Speaker 1: So I start to look and I started to notice

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Speaker 1: that this is this is it that you guys have

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Speaker 1: to go through some type of dramatic thing to write

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Speaker 1: something funny about it, or it just comes naturally when

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Speaker 1: you're writing your material. I think the best ones that

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Speaker 1: just comes naturally, you know, like anything else. I don't

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Speaker 1: care what kind of artists you are, sports, rapping, singing, dancing, comedy.

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Speaker 1: The best ship is organic when it flows. As Michael

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Speaker 1: Jordan would say, you know, let you know, don't chase

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Speaker 1: the game, let it come to you. You know what

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Speaker 1: I'm saying, relax, uh, And I mean comedy is moist.

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Speaker 1: Now you know we're a moist era. Well, they have

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Speaker 1: to watch when they say I'm Floridian with my comedy.

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Speaker 1: I stay in my ground listening and I'm playing a

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Speaker 1: weird game because while everybody's looking to conform to the

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Speaker 1: status quot because everybody is worried about the climate of sensitivity,

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Speaker 1: I really really believe that this ship is gonna be

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Speaker 1: a backlash and it's gonna come back around. And when

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Speaker 1: it does, I want people to people to be able

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Speaker 1: to say he never wavered. It was always him, while

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Speaker 1: some people will go, well, such and such seems different

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Speaker 1: now because they're trying to match the climate. And I

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Speaker 1: don't ever want to watch it's gonna he said. He

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Speaker 1: said he doesn't care about people's feelings, like as long

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Speaker 1: as he's funny, like, he don't care like if he

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Speaker 1: hurts somebody's feelings in the process, if he said, because

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Speaker 1: you know, everyone's so sensitive right now, and the thing

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Speaker 1: about it, you can feel like you feel like it's

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Speaker 1: it handcuffs on comedy because because of that, I know

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Speaker 1: you outside the box. But I think it's handcuffs on

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Speaker 1: comics if you let it be, you know what I'm saying.

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Speaker 1: I'm not gonna let it be because I I just

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Speaker 1: but first of all, you know, Hollywood don't like me

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Speaker 1: much anyway, So what the funk I look like trying

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Speaker 1: to song and dance and do jazz hands for approval

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Speaker 1: I don't have to begin with. So you know, I'm

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Speaker 1: gonna continue to do with how I do it and

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Speaker 1: hopefully not going on what and it comes around. You

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Speaker 1: know what I'm saying, I'm not gonna I'm not gonna

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Speaker 1: switch my ship up so i can fall in line

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Speaker 1: with everybody else. That's corny to me. You know what

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Speaker 1: I'm saying. What he's saying, it seems like it's beyond Hollywood.

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Speaker 1: It's like becoming the status quo, the politically correctness bullshit.

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Speaker 1: But I listen, man, I look at it like Prohibition era.

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Speaker 1: You know, this is America. Anybody that knows the history

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Speaker 1: of this country. Americans are arrogant. We don't like to

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Speaker 1: be told what we can and can't do. So it's

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Speaker 1: like prohibition. It's like people want to drink, They're wanna

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Speaker 1: have a good time. They don't want nothing to take

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Speaker 1: away from having a good time. So if being not

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Speaker 1: politically correct and saying wild ship because that's how you feel,

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Speaker 1: provides and entertainment for an audience, people are gonna want

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Speaker 1: that because they're gonna get tired of being told off

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Speaker 1: political correctness and it's gonna backlash. And when it does,

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Speaker 1: like I said, I want to be one of the

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Speaker 1: people that they go. Also, you know, he stood his ground,

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Speaker 1: he didn't fake it. I see one special you said that.

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Speaker 1: You said, you said, I say the N word, I

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Speaker 1: say the F word and the C words, right ship,

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Speaker 1: But I'll make for the midgets revenge ship. It seemed

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Speaker 1: that comedy would be the political one. It's supposed to

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Speaker 1: supposedly the US stands for. You know, you don't want

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Speaker 1: to say the name. A group of minds called the retards.

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Speaker 1: But I was very scared. Yeah, that's the group called

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Speaker 1: the total retards. No, no, the first of them. I

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Speaker 1: was in a game called the Retards when I was

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Speaker 1: growing up. That's a fact. So when I became famous,

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Speaker 1: this is the dupest name in the world. But let

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Speaker 1: me just go with it. But then I was like,

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Speaker 1: damn or politically correctly And to you said, you're worried

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Speaker 1: about politically correctness, I mean it was me. I was

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Speaker 1: at the time. I was trying to keep some money.

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Speaker 1: So yeah, so I was like yeah, and I was like,

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Speaker 1: you know what, certain people are offended, but I didn't

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Speaker 1: mean it how they how they was taking it. I

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Speaker 1: meant it, And like, you know, we were tarding, like

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Speaker 1: that retarded, this retarded, not you do a joke. I know.

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Speaker 1: I seem about to be several balls about what I said.

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Speaker 1: At some point, I said, uh, you know how black

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Speaker 1: people keep hot sauce in their golf compartment. It's like

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Speaker 1: I keep skip peinting butter in case I run into

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Speaker 1: a retarded bit. SI pet Butter and Jack hard like

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Speaker 1: this Pbnb and Jake's this creet taking it by retarded

355
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Speaker 1: bit with that bigger, big, big everybody handicap what I

356
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Speaker 1: talking about handicaps. But here's the thing, here's what's funny

357
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Speaker 1: about it. When I've had people show up in my

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Speaker 1: at my shows that are mentally challenged, retarded, they love it.

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Speaker 1: They want to be made fun of, just like they

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Speaker 1: don't want to be looked at his victims. Now I've

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Speaker 1: had him come up. Men, they love it. But nobody

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Speaker 1: wants to be in seclusion from, you know, being a

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Speaker 1: part of what's deemed everybody else, you know, fun that ship.

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Speaker 1: Is there such thing as going too far in comedy? Yeah,

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Speaker 1: But like Dave Chappelle said, you don't know where the

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Speaker 1: line is till you cross it. You know what I'm saying,

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Speaker 1: So you gotta cross it. I do a joke right

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Speaker 1: now where I make fun of Dr King getting assassinated,

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Speaker 1: because really he was on the balcony after he was

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Speaker 1: even pussy in the motel room. I wasn't going to say,

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Speaker 1: you know, but when you hear he goes old though

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Speaker 1: he goes out, it's like, oh, that's historic my blackness.

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Speaker 1: Try to tonight like you know, to this day, I

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Speaker 1: know I'm strang changing the stuff. Let me take something.

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Speaker 1: Here's what j ain't do it. He did not do it,

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00:21:08,960 --> 00:21:12,720
Speaker 1: comed O j O j did not do it. I listen,

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00:21:12,920 --> 00:21:15,480
Speaker 1: I hung out o J. I per accident murderers. I

378
00:21:15,560 --> 00:21:19,000
Speaker 1: remember my purpose murderers. Oh, j Ain't got it in him.

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00:21:19,200 --> 00:21:21,480
Speaker 1: I don't know if it's not blackness taking over, it's

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Speaker 1: a little bit of you black. But I swear to god,

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Speaker 1: I didn't get the juice and I'll be like he

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00:21:29,520 --> 00:21:31,800
Speaker 1: but now this is one does make me come down.

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Speaker 1: And he told us basically lost stop stop stop these guys.

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Speaker 1: Let me spread You told him your original le murder

385
00:21:41,160 --> 00:21:44,119
Speaker 1: if he said yeah, But that listen, that's the thing

386
00:21:44,160 --> 00:21:47,920
Speaker 1: about old Ja. He plays on it. He definitely plays here.

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00:21:50,280 --> 00:21:53,119
Speaker 1: That's a bullship. That's a bull ship. Like like I

388
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Speaker 1: didn't notice that. I don't think he did it. I

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Speaker 1: still seriously don't think he did. Like I know, I'm

390
00:21:57,520 --> 00:21:59,239
Speaker 1: just playing it he did, I would have don't think

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Speaker 1: he did it, but I weally don't think Michael Jackson

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Speaker 1: didn't either. I mean, why if you have to go

393
00:22:04,800 --> 00:22:07,440
Speaker 1: ask you what why? What? Like? Are you really saying

394
00:22:07,520 --> 00:22:09,240
Speaker 1: him and Michael didn't do it? Because that's your black

395
00:22:09,359 --> 00:22:12,560
Speaker 1: I've never met Michael. I met o Ja and there

396
00:22:12,600 --> 00:22:14,879
Speaker 1: were a certain things. Now, he could be a great actor.

397
00:22:14,960 --> 00:22:21,240
Speaker 1: He did do neck a gun or don't understand? To me,

398
00:22:21,320 --> 00:22:24,440
Speaker 1: that's a materpiecet to me, that's a masterpiece, my brother,

399
00:22:24,520 --> 00:22:29,399
Speaker 1: to me, so so. But I didn't come up. You know,

400
00:22:29,480 --> 00:22:32,040
Speaker 1: I know people who have that bad gene and them

401
00:22:32,080 --> 00:22:34,840
Speaker 1: that bad such as a and that. You know, I'm

402
00:22:34,920 --> 00:22:37,280
Speaker 1: trying to to to look at it. It's either he's

403
00:22:37,320 --> 00:22:39,680
Speaker 1: a great actor or he really don't have that in

404
00:22:39,720 --> 00:22:42,560
Speaker 1: into him. Now, I can't say that he like the

405
00:22:42,600 --> 00:22:45,280
Speaker 1: person that did it, good friend. Did he call him

406
00:22:45,359 --> 00:22:46,960
Speaker 1: after and say I did it? And he said he

407
00:22:47,080 --> 00:22:49,600
Speaker 1: held it down from there? But him actually doing it,

408
00:22:49,680 --> 00:22:52,200
Speaker 1: I just can't see you think Kelly did it. Oh yeah,

409
00:22:52,240 --> 00:22:55,840
Speaker 1: I could have ye. Let me tell you why, Let

410
00:22:55,920 --> 00:23:00,359
Speaker 1: me tell you why. I tell you what I'm gonna

411
00:23:00,359 --> 00:23:03,840
Speaker 1: tell you why. I also did a record of Kelly.

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Speaker 1: I'll be honest, I'm telling that you. It's the only

413
00:23:06,840 --> 00:23:09,440
Speaker 1: record that I got, the Soul over ten million. I

414
00:23:09,520 --> 00:23:12,760
Speaker 1: have no other records, so I keep my plaque. Okay,

415
00:23:14,160 --> 00:23:18,600
Speaker 1: your plane is dirty dirty? Actually ordered another one? Is

416
00:23:18,640 --> 00:23:22,880
Speaker 1: I lost it? Right? So anyway, so when I went

417
00:23:22,960 --> 00:23:28,760
Speaker 1: to record to r Kelly, Um, it's actually the same

418
00:23:29,000 --> 00:23:32,040
Speaker 1: story that Pump Daddy had. He was actually playing basketball.

419
00:23:32,160 --> 00:23:35,400
Speaker 1: I'm in Chicago, and I'm like, I didn't feel important,

420
00:23:35,400 --> 00:23:37,040
Speaker 1: Like what the funk am I waiting around watching this

421
00:23:37,119 --> 00:23:40,240
Speaker 1: growing as man playing basketball? So he said, you know,

422
00:23:40,359 --> 00:23:42,320
Speaker 1: if you wanted to just go to studio and later verse.

423
00:23:42,800 --> 00:23:45,240
Speaker 1: So I went to the studio and in each studio

424
00:23:45,400 --> 00:23:50,240
Speaker 1: I saw a bed. Mind you bunk beds? No, just

425
00:23:50,320 --> 00:23:54,159
Speaker 1: a bad studios, wondering that's abnormal. Nigga say't have no

426
00:23:54,240 --> 00:23:57,080
Speaker 1: beds in the studio, but they get some money. The

427
00:23:57,200 --> 00:24:00,200
Speaker 1: thing was this, I just came from Bearsville, Bill. It

428
00:24:00,280 --> 00:24:02,920
Speaker 1: was a place where you be secluded for two months

429
00:24:03,160 --> 00:24:06,680
Speaker 1: and you had actual, um, you know, bedrooms in the

430
00:24:06,720 --> 00:24:09,720
Speaker 1: studio because you slept there. So it never rung the

431
00:24:09,800 --> 00:24:13,119
Speaker 1: alarm to me until I watched the documentary when I

432
00:24:13,160 --> 00:24:15,680
Speaker 1: watched the documentary and he was like each girl had

433
00:24:15,760 --> 00:24:17,320
Speaker 1: beds in the studio. I was like, oh, ship, I

434
00:24:17,359 --> 00:24:20,560
Speaker 1: don't saw that, Like I literally saw that. But that's

435
00:24:20,600 --> 00:24:23,600
Speaker 1: the reason why I believe. And I actually did see

436
00:24:23,680 --> 00:24:28,800
Speaker 1: him eat somebody's ass. What's on video? That was on

437
00:24:28,920 --> 00:24:31,159
Speaker 1: age girl? Yeah, didn't we all see that? Ship? I

438
00:24:31,240 --> 00:24:33,520
Speaker 1: mean that ship saw that it was the first Netflix.

439
00:24:33,600 --> 00:24:35,600
Speaker 1: It wasn't it like that was the first Netflix and

440
00:24:36,080 --> 00:24:39,960
Speaker 1: it wasn't that. It was some Flix. But U so, yeah,

441
00:24:40,000 --> 00:24:42,920
Speaker 1: I believe I did it. I believe that, But the

442
00:24:43,040 --> 00:24:46,200
Speaker 1: juice I don't believe did it. And Mike I don't

443
00:24:46,200 --> 00:24:48,960
Speaker 1: believe did it. Then you think that's my blackness a

444
00:24:49,040 --> 00:24:52,600
Speaker 1: little bit. Black people we you know, we we prod

445
00:24:52,640 --> 00:24:55,600
Speaker 1: to protect our all, especially why our heroes, because they

446
00:24:55,640 --> 00:24:58,840
Speaker 1: tear our heroes down so much. So it's it's an instinct,

447
00:24:59,200 --> 00:25:01,040
Speaker 1: an internal in thing to one heard. You said you

448
00:25:01,119 --> 00:25:05,399
Speaker 1: didn't believe Bill until eight d nine. Yeah you know

449
00:25:05,520 --> 00:25:07,800
Speaker 1: he did four You said, damn, Bill, you sucked up.

450
00:25:08,480 --> 00:25:14,040
Speaker 1: I mean number of amount of people year player when

451
00:25:14,119 --> 00:25:16,760
Speaker 1: when Bill Cosby did for black people because of the

452
00:25:16,840 --> 00:25:20,960
Speaker 1: Cosby Show. It's such a you know, an accomplishment a

453
00:25:21,200 --> 00:25:24,320
Speaker 1: man on a sophisticated level. So you know, again there's

454
00:25:24,320 --> 00:25:27,560
Speaker 1: an automatic loyalty to that. And he predicted Brooklyn to

455
00:25:27,680 --> 00:25:30,639
Speaker 1: be gentified, yes, because he was in He was in

456
00:25:30,720 --> 00:25:32,440
Speaker 1: a life part of brook and no one knew what

457
00:25:32,520 --> 00:25:34,840
Speaker 1: part of Brooklyn that was. People get caught up in

458
00:25:34,960 --> 00:25:37,679
Speaker 1: celebrities so much that they act like celebrities are immune

459
00:25:37,760 --> 00:25:40,200
Speaker 1: from having sicknesses. You know what I'm saying, You ain't

460
00:25:40,240 --> 00:25:42,920
Speaker 1: got to be a regular person to have a sick

461
00:25:43,000 --> 00:25:45,840
Speaker 1: fetish or to be fucked up. It's just them's got money,

462
00:25:46,000 --> 00:25:47,879
Speaker 1: but they get fame. So what was he doing. He

463
00:25:48,000 --> 00:25:53,119
Speaker 1: was slipping Mickey's I want you to drink listen special

464
00:25:55,400 --> 00:26:01,880
Speaker 1: whatever poss on the word. Yeah, you know, it's funny

465
00:26:01,880 --> 00:26:03,920
Speaker 1: about the bio situation, not to make fun of fun

466
00:26:04,000 --> 00:26:06,520
Speaker 1: of it, but the thing about it was he denounced

467
00:26:06,560 --> 00:26:10,159
Speaker 1: hip hop. He didn't he announced comedians who who cursed

468
00:26:10,359 --> 00:26:13,160
Speaker 1: and used the N word. So it's crazy that when

469
00:26:13,200 --> 00:26:17,359
Speaker 1: it came back to it that he needed his corner.

470
00:26:17,880 --> 00:26:22,560
Speaker 1: Was he needed a famous female comedian told me a

471
00:26:22,680 --> 00:26:25,920
Speaker 1: story that uh Bill Cosby actually tried to shut deaf

472
00:26:26,000 --> 00:26:29,119
Speaker 1: comedy jam down. He tried, he talked to d L.

473
00:26:29,200 --> 00:26:31,119
Speaker 1: He didn't want uh, And he had said that he

474
00:26:31,200 --> 00:26:34,520
Speaker 1: did some radio interview with DL Hughley and he even

475
00:26:34,600 --> 00:26:37,200
Speaker 1: had his people get ahold of the tape. But he

476
00:26:37,240 --> 00:26:40,040
Speaker 1: didn't want deaf jam to happen because of all the profanity,

477
00:26:40,240 --> 00:26:42,679
Speaker 1: and he was worried that black people was gonna make

478
00:26:42,760 --> 00:26:44,880
Speaker 1: us look bad with all the pussy jeans. Will he's

479
00:26:44,880 --> 00:26:49,280
Speaker 1: slipping negga some ship, he Hyppochristmas, he slipping something, he

480
00:26:49,440 --> 00:26:53,440
Speaker 1: slipper any of it. Yeah, that's crazy. So you don't

481
00:26:53,440 --> 00:26:55,600
Speaker 1: think there's no truth to that conspiracy that he was

482
00:26:55,640 --> 00:27:00,080
Speaker 1: about to buy the networks. When I hear my not

483
00:27:00,160 --> 00:27:03,560
Speaker 1: hear black people say that, I think that's absolutely ridiculous. Listen,

484
00:27:03,720 --> 00:27:07,320
Speaker 1: people go, well, uh, he couldn't afford and he couldn't

485
00:27:07,320 --> 00:27:10,600
Speaker 1: afford NBC or he was gonna listen, they weren't selling it.

486
00:27:11,000 --> 00:27:13,240
Speaker 1: It wasn't enough for sale. He could have afforded it,

487
00:27:13,680 --> 00:27:15,520
Speaker 1: but they're not selling that. White people are not giving

488
00:27:15,560 --> 00:27:18,840
Speaker 1: away power and to be able to project how black

489
00:27:18,880 --> 00:27:22,359
Speaker 1: people are seen all over the world from an image

490
00:27:22,760 --> 00:27:25,439
Speaker 1: as power, and they're not gonna give him that kind

491
00:27:25,480 --> 00:27:28,800
Speaker 1: of power. They let Harvey pay his way out and

492
00:27:28,880 --> 00:27:32,000
Speaker 1: pay his way out. And this was ship from yet

493
00:27:32,119 --> 00:27:37,359
Speaker 1: last year. Yeah, and Bill said twenty years ago, and

494
00:27:37,440 --> 00:27:41,359
Speaker 1: they got him doing time. They do niggas dirty or

495
00:27:41,359 --> 00:27:44,960
Speaker 1: even rich, even rich, they will lock you up with

496
00:27:45,080 --> 00:27:59,320
Speaker 1: your money right there. Um, comedy is such a a

497
00:27:59,480 --> 00:28:04,399
Speaker 1: context for it. I didn't realize it until I'm actually

498
00:28:04,480 --> 00:28:07,520
Speaker 1: going through that. You guys, Damn, they're taking the ship

499
00:28:07,600 --> 00:28:10,640
Speaker 1: the rappers right now, like you think it's got bit

500
00:28:10,720 --> 00:28:13,840
Speaker 1: with each other, like you know, I don't. I don't.

501
00:28:14,720 --> 00:28:16,399
Speaker 1: I don't really know about that. I mean, I mean,

502
00:28:16,480 --> 00:28:19,320
Speaker 1: you know, there's there's small little things here and there.

503
00:28:19,359 --> 00:28:21,280
Speaker 1: But I've you know, I've never had a beef really

504
00:28:21,320 --> 00:28:24,320
Speaker 1: with anybody. You know. I've been opinionated about ship and

505
00:28:24,440 --> 00:28:27,000
Speaker 1: people take that as beef, but I've never officially said,

506
00:28:27,240 --> 00:28:28,840
Speaker 1: oh I don't like this cat, or I have a

507
00:28:28,920 --> 00:28:31,560
Speaker 1: problem with this cat. Like I said, I'm just opinionated,

508
00:28:31,760 --> 00:28:35,000
Speaker 1: and and motherfucker's be so delicate now that it's almost

509
00:28:35,040 --> 00:28:37,640
Speaker 1: like having an opinion means you're a hater. Not going

510
00:28:37,760 --> 00:28:40,680
Speaker 1: with the grain means you're a hater. It's like, why

511
00:28:40,840 --> 00:28:43,760
Speaker 1: am I wrong just because I don't agree with your

512
00:28:43,800 --> 00:28:47,760
Speaker 1: assessment pensions? Sometimes but sometimes I just can't be publicly

513
00:28:47,760 --> 00:28:50,680
Speaker 1: because anytime you have your voice opinion publicly, and a

514
00:28:50,800 --> 00:28:53,560
Speaker 1: person can publicly react to that opinion, and then it

515
00:28:53,880 --> 00:28:56,360
Speaker 1: just keeps going on. Sometimes, if I have something bad

516
00:28:56,440 --> 00:28:58,040
Speaker 1: to say about something, or if I don't like something

517
00:28:58,040 --> 00:29:00,120
Speaker 1: about somebody, I just don't say it because I know

518
00:29:00,200 --> 00:29:02,600
Speaker 1: they're gonna take it as I'm hating. As opposed to

519
00:29:02,640 --> 00:29:05,240
Speaker 1: happen that opinion. I know, but I think that's unfortunate

520
00:29:05,320 --> 00:29:08,080
Speaker 1: that you should be you have to shun your thoughts

521
00:29:08,480 --> 00:29:11,240
Speaker 1: because you're worried about being labeled a hater. You know,

522
00:29:11,320 --> 00:29:13,840
Speaker 1: I think that's one of the most overused words in

523
00:29:13,960 --> 00:29:16,000
Speaker 1: the world. It's like, you know, if it be one thing,

524
00:29:16,080 --> 00:29:19,959
Speaker 1: if I said, oh, this person is is garbage as

525
00:29:20,000 --> 00:29:23,040
Speaker 1: a comedian. And again I've never said that about anybody

526
00:29:23,120 --> 00:29:25,600
Speaker 1: that I've been accused of saying that about. I just

527
00:29:25,720 --> 00:29:27,720
Speaker 1: had a difference of opinion, you know what I'm saying.

528
00:29:27,760 --> 00:29:30,200
Speaker 1: Sometimes I can recognize the genius at the comic, but

529
00:29:30,320 --> 00:29:33,520
Speaker 1: he don't necessarily make me laugh. I'm not saying he's

530
00:29:33,520 --> 00:29:35,680
Speaker 1: a bad comic. He just don't do it for me.

531
00:29:35,800 --> 00:29:38,280
Speaker 1: But I see the genius. I see the genius said it.

532
00:29:39,120 --> 00:29:43,120
Speaker 1: You know, So how about you, Because you've heard your

533
00:29:43,200 --> 00:29:48,000
Speaker 1: opinions on people getting goals goales written for But how

534
00:29:48,040 --> 00:29:50,400
Speaker 1: about you have people come to you and say, you're Arey,

535
00:29:50,600 --> 00:29:52,360
Speaker 1: I want you to write this for me. I want

536
00:29:52,400 --> 00:29:54,680
Speaker 1: you to help out with this and then with your

537
00:29:54,720 --> 00:29:56,880
Speaker 1: stance on that yeah towards that year, and I say no,

538
00:29:58,200 --> 00:30:00,840
Speaker 1: yeah man, because I can't be your voice, you know

539
00:30:00,880 --> 00:30:03,040
Speaker 1: what I'm saying. Plus for me to write for you,

540
00:30:03,520 --> 00:30:05,120
Speaker 1: I'm too busy going to be thinking about how I

541
00:30:05,160 --> 00:30:07,040
Speaker 1: would do it, to make it as funny as it

542
00:30:07,120 --> 00:30:09,920
Speaker 1: could be, and what I might give it you might

543
00:30:10,000 --> 00:30:12,000
Speaker 1: not be comfortable with, you know what I'm saying. I

544
00:30:12,080 --> 00:30:14,640
Speaker 1: can make a suggestion and if you follow it, that's

545
00:30:14,760 --> 00:30:18,720
Speaker 1: that's up. But okay, but if the person comes to

546
00:30:18,720 --> 00:30:23,040
Speaker 1: you for movies, but stand up. You wanted to come

547
00:30:23,080 --> 00:30:25,240
Speaker 1: from the yeah man, because again, like I said, my

548
00:30:25,440 --> 00:30:29,760
Speaker 1: my my heroes in life Michael Jordan's Ali Tyson, and

549
00:30:29,880 --> 00:30:32,920
Speaker 1: I try to approach my comedy like Tyson in the eighties.

550
00:30:33,240 --> 00:30:36,240
Speaker 1: Like I said, I want, like every joke to try

551
00:30:36,280 --> 00:30:39,040
Speaker 1: to knock your head into the nose bleeds. You know.

552
00:30:39,040 --> 00:30:41,400
Speaker 1: I don't want no soft spots in my set. Like

553
00:30:41,480 --> 00:30:43,680
Speaker 1: when I look at some of the greatest rappers you know,

554
00:30:43,800 --> 00:30:46,120
Speaker 1: you buy a NAS album, a jay Z album, a

555
00:30:46,240 --> 00:30:51,200
Speaker 1: Jadakiss album. From track one to two, you might get

556
00:30:51,320 --> 00:30:54,320
Speaker 1: one tracks or two that you go all right, but

557
00:30:54,480 --> 00:30:57,480
Speaker 1: the rest you're like, yo, there's no weak spots. So

558
00:30:57,560 --> 00:30:59,000
Speaker 1: I don't want to be one of these comics who

559
00:30:59,040 --> 00:31:02,240
Speaker 1: come out do an hour. You go, fifteen minutes was great,

560
00:31:02,640 --> 00:31:06,000
Speaker 1: the other ten and then the next five is kind

561
00:31:06,000 --> 00:31:09,520
Speaker 1: of strong. I want from Hello to good night for

562
00:31:09,640 --> 00:31:12,320
Speaker 1: you to be checking your tear ducks and you're getting

563
00:31:12,320 --> 00:31:15,520
Speaker 1: to have work out. I'm trying to destroy it. You

564
00:31:15,680 --> 00:31:17,640
Speaker 1: was killing this. So let me ask you what are

565
00:31:17,680 --> 00:31:21,320
Speaker 1: you like more? Being on film like like according like

566
00:31:21,480 --> 00:31:24,120
Speaker 1: movies or things like that, all being on standard, you know,

567
00:31:24,160 --> 00:31:27,920
Speaker 1: they all they all got they they blessing and they curse. Uh.

568
00:31:28,560 --> 00:31:31,280
Speaker 1: From a stand up, from an ego standpoint, you know,

569
00:31:31,880 --> 00:31:34,560
Speaker 1: nothing is more gratifying than being a comedian. Because I

570
00:31:34,640 --> 00:31:38,080
Speaker 1: saw your producer to writer director you just start. You

571
00:31:38,200 --> 00:31:39,680
Speaker 1: do a movie and a TV show. Them is the

572
00:31:39,720 --> 00:31:43,719
Speaker 1: writer's words. Sometimes it's the director's vision that they they

573
00:31:43,800 --> 00:31:47,360
Speaker 1: give you in terms of direction. Sometimes it's a producer's call.

574
00:31:47,840 --> 00:31:50,360
Speaker 1: You know, So it ain't all you, which can be

575
00:31:50,440 --> 00:31:52,320
Speaker 1: a good thing too because it's like a team sport.

576
00:31:52,360 --> 00:31:54,280
Speaker 1: You're playing off your man and if you've got a

577
00:31:54,320 --> 00:31:56,520
Speaker 1: good teammate who knows how to hit you with the

578
00:31:56,600 --> 00:31:58,719
Speaker 1: no look or the whip whop, you know, and then

579
00:31:59,040 --> 00:32:01,520
Speaker 1: make your game better. Nothing better than doing a scene

580
00:32:01,560 --> 00:32:04,120
Speaker 1: with an actor and this motherfucker's so tight. You gotta

581
00:32:04,160 --> 00:32:06,520
Speaker 1: tighten up your game. So now you're not You're on

582
00:32:06,560 --> 00:32:08,720
Speaker 1: the same team, but you're competing, you know what I mean,

583
00:32:08,720 --> 00:32:10,680
Speaker 1: because he's like, Okay, I gotta step my ship up

584
00:32:10,760 --> 00:32:13,320
Speaker 1: because this nig is a beast with stand up is

585
00:32:13,480 --> 00:32:16,400
Speaker 1: you were alone? Man rises rise and fail? You know

586
00:32:16,880 --> 00:32:19,280
Speaker 1: you alone? Did you feel that? Mad TV? Like? What

587
00:32:19,520 --> 00:32:23,960
Speaker 1: was that? Absolutely? You know the crew I had again,

588
00:32:24,040 --> 00:32:26,360
Speaker 1: if and put it in basketball terms, we was like

589
00:32:26,400 --> 00:32:29,000
Speaker 1: a championship team. You know, we knew we we knew

590
00:32:29,040 --> 00:32:31,080
Speaker 1: where we had to be, We knew each other's weaknesses,

591
00:32:31,680 --> 00:32:33,760
Speaker 1: each other's good spots, we knew where the person like

592
00:32:33,880 --> 00:32:36,880
Speaker 1: the ball. So we just knew how to playoff of

593
00:32:36,920 --> 00:32:39,160
Speaker 1: each other in such a strong way that it made

594
00:32:39,240 --> 00:32:42,280
Speaker 1: for a great show. Unfortunately, you know, we wasn't Saturday

595
00:32:42,360 --> 00:32:50,080
Speaker 1: Night Live. That was like you just just like you're right,

596
00:32:50,160 --> 00:32:52,760
Speaker 1: we were the competition. But but The fact of the

597
00:32:52,800 --> 00:32:55,720
Speaker 1: matter is, no matter how good we were, it's like

598
00:32:55,960 --> 00:32:59,880
Speaker 1: you know the NFL versus CFL. You know, Saturday Night Live,

599
00:33:00,080 --> 00:33:03,240
Speaker 1: this Big Leagues, that's that's NFL man and and and

600
00:33:03,440 --> 00:33:06,160
Speaker 1: you know the people that watched us would say, you

601
00:33:06,240 --> 00:33:09,680
Speaker 1: guys way better than them. But we ain't them. You

602
00:33:09,720 --> 00:33:12,120
Speaker 1: know what I'm saying. They was the bully on the block,

603
00:33:12,520 --> 00:33:15,040
Speaker 1: no matter how bad they were. Let let me pick

604
00:33:15,120 --> 00:33:17,680
Speaker 1: up to sean paper's real quickly smoking these out and

605
00:33:18,000 --> 00:33:21,760
Speaker 1: I ain't even smoking. You're not doing it. I'm gonna

606
00:33:21,760 --> 00:33:26,080
Speaker 1: ask because I'll have something special for you. Yeah, yeah,

607
00:33:26,440 --> 00:33:28,480
Speaker 1: I did the smoke box would be real twice and

608
00:33:28,600 --> 00:33:34,440
Speaker 1: I chapped out. Okay, yeah, no, no, don't, but let

609
00:33:34,480 --> 00:33:36,560
Speaker 1: me pick up to be real, um, because the smoke

610
00:33:36,640 --> 00:33:39,400
Speaker 1: box is very ill. But I'm gonna be honest. I

611
00:33:39,480 --> 00:33:42,760
Speaker 1: don't like hot boxing. Even when I'm in my whip

612
00:33:43,080 --> 00:33:45,560
Speaker 1: and I smoke, I gotta roll the riddle down a

613
00:33:45,640 --> 00:33:48,120
Speaker 1: little bit. So pick him up and he does that

614
00:33:48,160 --> 00:33:50,480
Speaker 1: ship every motherfucking day, you know what I'm saying, every

615
00:33:50,560 --> 00:33:55,200
Speaker 1: motherfucking day. So one thing you said, uh you quoted

616
00:33:55,240 --> 00:33:59,320
Speaker 1: as statistics. You said Obama had nineties seven sent of

617
00:33:59,480 --> 00:34:02,880
Speaker 1: the black vote. Yeah, I didn't know that. Well, yeah,

618
00:34:02,920 --> 00:34:04,680
Speaker 1: it was pretty much up there. It's pretty much all

619
00:34:04,760 --> 00:34:07,040
Speaker 1: of it. Yeah, the ones who didn't vote for him

620
00:34:07,080 --> 00:34:11,320
Speaker 1: was the cool niggas people. I just didn't vote. Who know,

621
00:34:11,480 --> 00:34:14,839
Speaker 1: it's cool niggas. If he had the cool niggas too,

622
00:34:14,840 --> 00:34:19,520
Speaker 1: he'd have been at a hunt. But that's crazy. That's crazy, man. Um.

623
00:34:19,640 --> 00:34:23,640
Speaker 1: And you also said you don't smoke weed with Asians. Yeah,

624
00:34:23,719 --> 00:34:28,600
Speaker 1: that's specific as that. Let me tell you something. Some

625
00:34:28,719 --> 00:34:32,319
Speaker 1: of that ship is you know, it's entertainment. I would

626
00:34:32,320 --> 00:34:37,160
Speaker 1: smoke your MySpace paper, I would smoke weed with Asians.

627
00:34:37,280 --> 00:34:41,239
Speaker 1: But the punchline lies in the stereotype, you know what

628
00:34:41,320 --> 00:34:44,480
Speaker 1: I mean? Because you know, I don't want to smoke

629
00:34:44,520 --> 00:34:46,320
Speaker 1: with somebody it looks like they did and blow my

630
00:34:46,400 --> 00:34:51,239
Speaker 1: eye and their eyes the three quarters closed. So now, um,

631
00:34:52,760 --> 00:34:55,640
Speaker 1: I've heard you say this before, and I'm very very

632
00:34:55,719 --> 00:34:58,640
Speaker 1: curious to to actually hear you say this in person.

633
00:34:58,800 --> 00:35:02,439
Speaker 1: You said that you you're a black ball at one point,

634
00:35:02,680 --> 00:35:07,000
Speaker 1: I still do. Okay, now for people who's you know,

635
00:35:08,320 --> 00:35:13,279
Speaker 1: who's not aware of what black ball means? Right, Um,

636
00:35:14,880 --> 00:35:16,960
Speaker 1: can you describe with black ball is? And then not

637
00:35:17,080 --> 00:35:20,480
Speaker 1: only that, say why you felt you will you will

638
00:35:20,520 --> 00:35:23,200
Speaker 1: be a black ball. Uh. You know, black ball is

639
00:35:23,200 --> 00:35:25,040
Speaker 1: when they put you in the book. You know what

640
00:35:25,120 --> 00:35:26,839
Speaker 1: I'm saying. Where it's like, you know, it don't matter

641
00:35:26,920 --> 00:35:29,759
Speaker 1: how talented you off you in the book, They're not

642
00:35:29,880 --> 00:35:32,880
Speaker 1: fucking with you. Uh. And listen, do I do? I

643
00:35:33,120 --> 00:35:35,879
Speaker 1: technically know for a fact that I am, of course

644
00:35:35,960 --> 00:35:38,680
Speaker 1: not um And every now and then, you know, I

645
00:35:39,200 --> 00:35:41,120
Speaker 1: book a job here and there, so maybe I'm not.

646
00:35:41,840 --> 00:35:43,480
Speaker 1: But but I don't think I'm on the top of

647
00:35:43,560 --> 00:35:48,000
Speaker 1: the list when it comes time to cast for certain

648
00:35:48,040 --> 00:35:52,280
Speaker 1: projects or whatever project. Um. And that's partly because you know, again,

649
00:35:52,360 --> 00:35:56,480
Speaker 1: I'm again, I'm opinionated, man, and I tend not to

650
00:35:56,560 --> 00:35:59,359
Speaker 1: hold back. And you know I'm not out here trying

651
00:35:59,400 --> 00:36:02,640
Speaker 1: to maliciously say things for effect. I'm just telling you

652
00:36:02,719 --> 00:36:05,319
Speaker 1: how I feel, telling you what I think, and giving

653
00:36:05,360 --> 00:36:07,880
Speaker 1: it to you honestly. And uh. And I talked a

654
00:36:07,920 --> 00:36:09,719
Speaker 1: lot about racing interviews, you know, when I've done a

655
00:36:09,760 --> 00:36:11,799
Speaker 1: lot of my lad TV interviews. The thing I said

656
00:36:11,840 --> 00:36:14,200
Speaker 1: about the white people in the Jedi mind trick. You know,

657
00:36:14,280 --> 00:36:17,160
Speaker 1: when you read the comments white folks, the Maynaise people

658
00:36:17,200 --> 00:36:20,719
Speaker 1: don't be happy. Man. You know what I mean because

659
00:36:20,760 --> 00:36:23,120
Speaker 1: that that that truth is tough. But what was it

660
00:36:23,200 --> 00:36:24,880
Speaker 1: a specific moment where he was like, you know what,

661
00:36:25,360 --> 00:36:28,800
Speaker 1: I feel like I'm black ball from from this moment. Like, no,

662
00:36:29,080 --> 00:36:31,440
Speaker 1: not really a specific moment. It's just it's just a

663
00:36:31,600 --> 00:36:34,040
Speaker 1: vibe that I feel, you know. Well, actually here let

664
00:36:34,080 --> 00:36:36,799
Speaker 1: me tell you, Uh, Kevin Hard I think he still

665
00:36:36,840 --> 00:36:39,400
Speaker 1: has a cartoon coming out where you know, he that

666
00:36:39,840 --> 00:36:42,160
Speaker 1: that thing in his joke where goes alright, alright, alright,

667
00:36:42,760 --> 00:36:45,439
Speaker 1: And in the cartoon, auditioned for the role of his dad,

668
00:36:46,040 --> 00:36:48,200
Speaker 1: you know, so you know, Kevin has his own voice.

669
00:36:48,280 --> 00:36:50,920
Speaker 1: Obviously he's gonna do it like himself. And I put

670
00:36:50,960 --> 00:36:53,320
Speaker 1: a little flavor into what my interpretation of what his

671
00:36:53,440 --> 00:36:56,880
Speaker 1: dad would be. And uh, I had hosted Behavior and

672
00:36:56,960 --> 00:37:00,160
Speaker 1: Point Awards I think was last year. I think you

673
00:37:00,280 --> 00:37:09,520
Speaker 1: hosted Yeah yeah, yeah, yeah, is that a porn So

674
00:37:09,800 --> 00:37:11,840
Speaker 1: we had a pre party in l A. And I

675
00:37:11,880 --> 00:37:14,160
Speaker 1: didn't get chosen for that though. They just called they

676
00:37:14,239 --> 00:37:15,880
Speaker 1: called my agent him was like, we want him to

677
00:37:16,280 --> 00:37:19,799
Speaker 1: to host the Point of Work ship. Yeah. He having

678
00:37:19,920 --> 00:37:23,920
Speaker 1: top show musical guests, I mean one a huge production. Yeah,

679
00:37:24,000 --> 00:37:26,600
Speaker 1: I was one of the one that I did. But

680
00:37:27,440 --> 00:37:30,080
Speaker 1: at the at the at the pre porn party. My

681
00:37:30,200 --> 00:37:32,279
Speaker 1: manager came up to me, was like, I gotta tell

682
00:37:32,280 --> 00:37:35,640
Speaker 1: you the cartoon you auditioned for. Kevin wanted you, everybody

683
00:37:35,719 --> 00:37:37,680
Speaker 1: wanted you. You. You was on the you know, fourth

684
00:37:37,719 --> 00:37:40,480
Speaker 1: and goal. And then the president of Fox said, who oh,

685
00:37:40,640 --> 00:37:45,319
Speaker 1: not that guy. Yeah, so you know, and Kevin, as

686
00:37:45,360 --> 00:37:49,120
Speaker 1: powerful as he is, he can't override the head of Fox.

687
00:37:49,719 --> 00:37:52,160
Speaker 1: So the president was just no, not that guy, you

688
00:37:52,200 --> 00:37:54,279
Speaker 1: know what I mean? So yeah, and why would you

689
00:37:54,360 --> 00:37:56,799
Speaker 1: think that would come from? Like because again, ship did

690
00:37:56,840 --> 00:37:59,400
Speaker 1: I say, because you're having like a personal relationship when

691
00:37:59,440 --> 00:38:04,440
Speaker 1: you told him you can't what you said that president

692
00:38:04,480 --> 00:38:09,560
Speaker 1: of No, that would be Dave Chappelle's been keeping it

693
00:38:09,640 --> 00:38:14,200
Speaker 1: real wrong. Um no, man, I just again, when you look,

694
00:38:14,280 --> 00:38:16,759
Speaker 1: you could go through my whole lad TV catalog. You

695
00:38:16,800 --> 00:38:20,160
Speaker 1: could have said anything. Yeah, yeah, yeah, yeah, so you know,

696
00:38:20,440 --> 00:38:23,000
Speaker 1: and even on social media, you know, and I'm trying

697
00:38:23,040 --> 00:38:27,360
Speaker 1: to get better with it, but when I read comments

698
00:38:27,719 --> 00:38:31,520
Speaker 1: about race and white people say certain things that rubbed

699
00:38:31,600 --> 00:38:34,560
Speaker 1: me wrong or it's just so fucking outlandish, you know,

700
00:38:35,760 --> 00:38:37,520
Speaker 1: I go at him, you know what I'm saying. And

701
00:38:37,560 --> 00:38:40,440
Speaker 1: even when when when black people anybody racist, far as

702
00:38:40,480 --> 00:38:43,480
Speaker 1: I can, sir, says something wild about me. Instead of

703
00:38:43,560 --> 00:38:46,040
Speaker 1: just going ha, let me ignore it. I turned in

704
00:38:46,080 --> 00:38:54,520
Speaker 1: the scar faced balcony scene. Maybe that's a detriment, you know,

705
00:38:54,680 --> 00:38:58,279
Speaker 1: maybe I need to stop doing that. But you've you've

706
00:38:58,320 --> 00:39:02,839
Speaker 1: been in big productions like Mad TV to Jerry mguire. Um,

707
00:39:03,200 --> 00:39:06,320
Speaker 1: where was the moment where you thought that, you know what,

708
00:39:07,080 --> 00:39:09,040
Speaker 1: these people are leaning on me and they don't want

709
00:39:09,120 --> 00:39:12,040
Speaker 1: to see me succeed? And is that when you went

710
00:39:12,320 --> 00:39:14,880
Speaker 1: stronger towards stand up because they can't continue to stand? Well? No,

711
00:39:15,120 --> 00:39:17,920
Speaker 1: I mean, but stand up was the first thing that

712
00:39:18,040 --> 00:39:19,880
Speaker 1: was the bread and butter, so that that was always

713
00:39:20,280 --> 00:39:23,239
Speaker 1: gonna come first. Um. And again that's why I'm saying

714
00:39:23,280 --> 00:39:27,880
Speaker 1: it's tricky. Maybe I got this boogeyman imagination going on

715
00:39:28,000 --> 00:39:31,080
Speaker 1: because again there's not any one specific thing where there's

716
00:39:31,120 --> 00:39:33,400
Speaker 1: nothing I can point to and go for sure. I

717
00:39:33,520 --> 00:39:36,960
Speaker 1: know that's the case, But my spiky sense is tingling,

718
00:39:37,640 --> 00:39:41,239
Speaker 1: and I just something just feels, you know, because for

719
00:39:41,360 --> 00:39:43,160
Speaker 1: me to have been in this game for as long

720
00:39:43,239 --> 00:39:45,759
Speaker 1: as I've been and for me and I don't want

721
00:39:45,760 --> 00:39:47,960
Speaker 1: to come off like I'm you know, on some cocky ship,

722
00:39:48,080 --> 00:39:50,480
Speaker 1: but for me to bring it the way I've brought it.

723
00:39:51,160 --> 00:39:55,840
Speaker 1: There's no fucking reason why I shouldn't be bigger than

724
00:39:55,920 --> 00:39:58,279
Speaker 1: what I am. And I know that sounds vain, but

725
00:39:58,360 --> 00:40:03,839
Speaker 1: I don't mind saying that because I'm gonna wrap. I wish,

726
00:40:03,920 --> 00:40:09,360
Speaker 1: I'm excited and it's still be acceptable. Only rappers have

727
00:40:10,000 --> 00:40:13,120
Speaker 1: a green light to say I'm the best, and you

728
00:40:13,200 --> 00:40:18,400
Speaker 1: know it, flies don't do that. No, I mean, um um.

729
00:40:18,760 --> 00:40:22,239
Speaker 1: Comedy is slowly but surely reminded me more and more

730
00:40:22,400 --> 00:40:25,160
Speaker 1: of hip hop every day because there's certain components that

731
00:40:26,400 --> 00:40:31,520
Speaker 1: very It's very like before it wasn't hold on, hold

732
00:40:31,520 --> 00:40:34,719
Speaker 1: on that, hold on that listen me trying to get drunk.

733
00:40:34,840 --> 00:40:37,880
Speaker 1: Hold on now you start with me too? What the

734
00:40:39,200 --> 00:40:43,320
Speaker 1: me too? Yeah? But so um. But one thing, I

735
00:40:43,440 --> 00:40:47,239
Speaker 1: went to my app show one night and he invited me,

736
00:40:47,360 --> 00:40:49,239
Speaker 1: so we went back there. We bought a couple of

737
00:40:49,280 --> 00:40:51,640
Speaker 1: bottles in the backstage, and the one thing that I

738
00:40:51,719 --> 00:40:54,560
Speaker 1: did notice is that you guys actually staying. You guys

739
00:40:54,680 --> 00:40:58,120
Speaker 1: own rooms. I don't, okay, I see and this, this,

740
00:40:58,440 --> 00:41:00,320
Speaker 1: this is what I'm telling you like, I'm I'm just

741
00:41:00,440 --> 00:41:02,960
Speaker 1: cut different, you know what I'm saying. Like, and what's

742
00:41:03,000 --> 00:41:05,880
Speaker 1: so funny is the industry, however, they see me. Whatever

743
00:41:05,960 --> 00:41:09,640
Speaker 1: that perception is anybody outside of that that's not in

744
00:41:09,719 --> 00:41:12,440
Speaker 1: the Hollywood world, like regular Joe blows will tell you

745
00:41:12,600 --> 00:41:15,000
Speaker 1: I'm the coolest, most humble nick in the world. Like

746
00:41:15,080 --> 00:41:17,000
Speaker 1: I'm not going to the comedy club and hiding out

747
00:41:17,000 --> 00:41:19,160
Speaker 1: in the green room until its showtime, when you're gonna

748
00:41:19,160 --> 00:41:21,200
Speaker 1: see me amongst the people. Part of the reason that

749
00:41:21,280 --> 00:41:24,279
Speaker 1: it's it's strategic. I'm chasing the joint. I'm looking at

750
00:41:24,320 --> 00:41:26,440
Speaker 1: the crowd going my fucking the third road need to

751
00:41:26,440 --> 00:41:30,680
Speaker 1: be funked with because of that outfit. This is a

752
00:41:30,760 --> 00:41:35,479
Speaker 1: potential problem. I gotta have five jokes because he's feeling brave.

753
00:41:36,520 --> 00:41:45,320
Speaker 1: I'm watching and can you do that? Let's plus plus,

754
00:41:45,400 --> 00:41:47,960
Speaker 1: I want to send out the signal to the crowd

755
00:41:48,040 --> 00:41:50,239
Speaker 1: that he's not like everybody else because they know most

756
00:41:50,400 --> 00:41:53,200
Speaker 1: people stay in the green room and keep the fans

757
00:41:53,280 --> 00:41:55,560
Speaker 1: at bay, and it gives off a vibe of not

758
00:41:55,680 --> 00:41:57,839
Speaker 1: that I'm better than you, but you know what I'm saying,

759
00:41:57,880 --> 00:42:02,360
Speaker 1: So I want them to feel whatn't. So then on

760
00:42:02,480 --> 00:42:06,640
Speaker 1: top of that, if the jokes can match that, now

761
00:42:06,920 --> 00:42:09,800
Speaker 1: they they love you. You gotta eating out the palmitty

762
00:42:10,160 --> 00:42:13,040
Speaker 1: your hand because they're going not only the motherfucking super cool.

763
00:42:13,400 --> 00:42:15,520
Speaker 1: But he's funny as a motherfucker, So the more reason

764
00:42:15,600 --> 00:42:18,960
Speaker 1: I can get them to invest in me. It's a wind. Now,

765
00:42:19,120 --> 00:42:21,200
Speaker 1: that's one thing, man. I kid you now, I was

766
00:42:21,280 --> 00:42:23,680
Speaker 1: going through as much as your discography as much as

767
00:42:23,719 --> 00:42:28,680
Speaker 1: I can and um, the movies you're you're you're hilarious.

768
00:42:28,760 --> 00:42:32,840
Speaker 1: But I can tell one million percent no, they cannot

769
00:42:32,960 --> 00:42:35,440
Speaker 1: funk with you on that stage. Like there's not a

770
00:42:35,520 --> 00:42:39,200
Speaker 1: lot of people like the way your timing, the way

771
00:42:39,320 --> 00:42:42,719
Speaker 1: you just sit around, like you can tell you're comfortable

772
00:42:42,840 --> 00:42:44,759
Speaker 1: and that you're like on the stage, like how I'm

773
00:42:44,760 --> 00:42:46,880
Speaker 1: comfortable on the toilet. I'm just I'm just ill on

774
00:42:46,920 --> 00:42:50,399
Speaker 1: the toilet, Like I'm like a one toilet, Like I'm

775
00:42:50,440 --> 00:42:52,640
Speaker 1: a good shooter, you know what I'm saying. Like, and

776
00:42:52,719 --> 00:42:55,120
Speaker 1: you're like you're like you like you get on and

777
00:42:55,320 --> 00:42:59,520
Speaker 1: you're like you're really is that with you? Is that

778
00:42:59,640 --> 00:43:03,640
Speaker 1: something that's inspires you the crowd to play off the crowd? Yeah,

779
00:43:03,840 --> 00:43:06,520
Speaker 1: I mean listen, one once upon a time ago, my

780
00:43:06,640 --> 00:43:09,000
Speaker 1: crowd work was none. Only to say I didn't do it.

781
00:43:09,719 --> 00:43:12,680
Speaker 1: I stepped to the script. You know, every every comics

782
00:43:12,760 --> 00:43:15,359
Speaker 1: jokes is like the playbook I wouldn't go outside to play.

783
00:43:15,400 --> 00:43:18,759
Speaker 1: I'm not calling the auto, but uh, if you really

784
00:43:18,840 --> 00:43:20,480
Speaker 1: want to be great, you should be able to do

785
00:43:20,520 --> 00:43:24,560
Speaker 1: a little bit of all improv political humor, race humor.

786
00:43:24,719 --> 00:43:26,920
Speaker 1: If you're getting my impressions, it's a specific thing, but

787
00:43:27,360 --> 00:43:29,600
Speaker 1: you should. You should be able to have every facet

788
00:43:29,640 --> 00:43:32,440
Speaker 1: of your game type. And big shout out to Joe

789
00:43:32,520 --> 00:43:34,759
Speaker 1: Tory and D. L. Hughley because they were two of

790
00:43:34,840 --> 00:43:38,399
Speaker 1: the masters of crowd work. Joe each asked a lot Joe.

791
00:43:38,480 --> 00:43:41,560
Speaker 1: I even heard recently where Joe did some ship that

792
00:43:41,800 --> 00:43:44,080
Speaker 1: even made me go, I don't know if I do that.

793
00:43:44,520 --> 00:43:48,560
Speaker 1: He was on stage and somebody was sucking up and

794
00:43:48,640 --> 00:43:51,120
Speaker 1: he told he made a joke about their mother, and

795
00:43:51,239 --> 00:43:53,640
Speaker 1: then the person said got mad, said a man, don't

796
00:43:53,680 --> 00:43:55,719
Speaker 1: talk about my mother, my mother dad. He said, well,

797
00:43:55,719 --> 00:43:57,200
Speaker 1: then I'll dig the bit up and find something to

798
00:43:57,280 --> 00:44:05,680
Speaker 1: joke about it. He was a little too far, Like

799
00:44:05,719 --> 00:44:07,440
Speaker 1: I said, you don't know what the line is to you.

800
00:44:08,640 --> 00:44:11,880
Speaker 1: That's true, but listen, I've had motherfucker's want to fight me.

801
00:44:12,080 --> 00:44:13,880
Speaker 1: You're a good comment. Can less motherfucker want to throw

802
00:44:13,960 --> 00:44:15,960
Speaker 1: hands with you. I've had people waiting wait for me

803
00:44:16,000 --> 00:44:19,600
Speaker 1: after one Nigga in Orlando had on a sleeveless that

804
00:44:19,760 --> 00:44:22,120
Speaker 1: the vest, and I was like, Nigga, we're the last

805
00:44:22,120 --> 00:44:24,280
Speaker 1: time you've seen the Nigga rock dinner much less sleeveless.

806
00:44:24,680 --> 00:44:26,839
Speaker 1: So I just kept making jokes about his sleeveless vest,

807
00:44:26,920 --> 00:44:29,200
Speaker 1: and finally he got mad towards every the show and

808
00:44:29,280 --> 00:44:32,480
Speaker 1: got up saying, fucking new you, I'll be I'll be black.

809
00:44:32,600 --> 00:44:34,040
Speaker 1: I said, what you're gonna do, come back and beat

810
00:44:34,040 --> 00:44:39,799
Speaker 1: people the sleeves I got on that stage. The only

811
00:44:39,920 --> 00:44:42,120
Speaker 1: thing stopped him from getting to me was a security

812
00:44:42,200 --> 00:44:44,279
Speaker 1: cause he was talking to security and once he's seen

813
00:44:44,320 --> 00:44:46,520
Speaker 1: me come out to come sell my merch, he rushed

814
00:44:46,880 --> 00:44:50,360
Speaker 1: that security grabbed him up with yeah, man, you touched nerves.

815
00:44:51,960 --> 00:44:53,840
Speaker 1: Let me just tell you, we don't know if you

816
00:44:53,920 --> 00:44:56,279
Speaker 1: know well our shows about our shows about giving people

817
00:44:56,320 --> 00:44:58,560
Speaker 1: their flowers when they can smell them. So many people

818
00:44:58,600 --> 00:45:01,040
Speaker 1: want to say how great you are, you pass away,

819
00:45:01,960 --> 00:45:03,800
Speaker 1: you get sick, or you something. We don't want to

820
00:45:03,840 --> 00:45:05,279
Speaker 1: do that. We want to tell you that in your face,

821
00:45:05,840 --> 00:45:08,279
Speaker 1: face to face, and tell you you know you're hilarious.

822
00:45:08,680 --> 00:45:11,000
Speaker 1: You do what you bring to this world, we appreciate it,

823
00:45:11,200 --> 00:45:13,520
Speaker 1: and we want to say that we salute ship. Why

824
00:45:13,640 --> 00:45:18,080
Speaker 1: you head a little man and it's called my pink bump. Okay,

825
00:45:18,520 --> 00:45:24,480
Speaker 1: let's go. I don't like it. I don't miss that's

826
00:45:24,520 --> 00:45:31,960
Speaker 1: it at all. Yeah, that's that's like a compliment. That's

827
00:45:31,960 --> 00:45:39,480
Speaker 1: Aminese secret. That's like a compliment. Hell so we do

828
00:45:39,600 --> 00:45:43,279
Speaker 1: this with all guests because you know what, you know

829
00:45:43,360 --> 00:45:46,600
Speaker 1: what the crazy thing is calling down offishal shout out

830
00:45:46,640 --> 00:45:50,960
Speaker 1: the card down official. The other posted super doube. When

831
00:45:50,960 --> 00:45:55,160
Speaker 1: he posted man, he posted, uh, a picture of the

832
00:45:55,280 --> 00:45:59,960
Speaker 1: Rolling Stones and I think the guy that make Jack

833
00:46:00,200 --> 00:46:04,000
Speaker 1: make Jack, he was he part of the Rolling Stones. Okay,

834
00:46:04,640 --> 00:46:06,319
Speaker 1: so he posted a picture that Mick Jack and said,

835
00:46:06,360 --> 00:46:07,960
Speaker 1: look he's on the road with the Rolling Stones. To

836
00:46:07,960 --> 00:46:10,800
Speaker 1: think Mick Jack is like seventy years old. So he

837
00:46:10,920 --> 00:46:14,360
Speaker 1: said that the older McJagger got, the more revered he

838
00:46:14,480 --> 00:46:19,200
Speaker 1: became in his community. The older was crazy that, he said.

839
00:46:19,239 --> 00:46:23,360
Speaker 1: The shows show the older wee get, the more that

840
00:46:23,480 --> 00:46:26,360
Speaker 1: they say were washed up or they say, you know,

841
00:46:26,640 --> 00:46:29,360
Speaker 1: and that's funked up in our community. So we started

842
00:46:29,400 --> 00:46:31,879
Speaker 1: this show to say, you know what, we don't want

843
00:46:31,880 --> 00:46:34,040
Speaker 1: to interview the new guys. You know who's the one

844
00:46:34,080 --> 00:46:36,560
Speaker 1: saying we watched we watched up. Who's saying that, it's

845
00:46:36,600 --> 00:46:39,680
Speaker 1: it's it's our it's our it's our community. It's that

846
00:46:39,800 --> 00:46:42,320
Speaker 1: So you just you mean regular Joe's within the community,

847
00:46:43,239 --> 00:46:46,640
Speaker 1: make stream. It's just, it's just, it's just, it's just

848
00:46:46,760 --> 00:46:49,000
Speaker 1: when you were in this business for more than twelve years,

849
00:46:49,080 --> 00:46:51,239
Speaker 1: people just feel like they're used to you, so you're

850
00:46:51,280 --> 00:46:53,520
Speaker 1: just supposed to be. They don't fuck your gift no more.

851
00:46:54,200 --> 00:46:56,560
Speaker 1: You know I'm saying, I'm talking about I'm telling ourselves,

852
00:46:56,560 --> 00:46:58,920
Speaker 1: I'm clearing you know, they just at first, when you know,

853
00:46:59,040 --> 00:47:00,600
Speaker 1: you know, you know, your first couple of years, you

854
00:47:00,680 --> 00:47:02,960
Speaker 1: come out, you're, you're, you're, You're a gift, and then

855
00:47:03,040 --> 00:47:05,360
Speaker 1: after a while they see you. It happens when artists,

856
00:47:05,400 --> 00:47:08,719
Speaker 1: happens when commedities happens with boxes, and we want to

857
00:47:08,800 --> 00:47:10,759
Speaker 1: change that narrative. So I want to pick up the

858
00:47:10,840 --> 00:47:14,040
Speaker 1: carton now official for pointing that out, pointing about what

859
00:47:14,200 --> 00:47:16,439
Speaker 1: we were doing and saying like this is the reason

860
00:47:16,480 --> 00:47:18,960
Speaker 1: why I love Drink Chance because drink champions giving people

861
00:47:19,000 --> 00:47:21,040
Speaker 1: their flowers now, and I think that that's what we

862
00:47:21,080 --> 00:47:23,239
Speaker 1: should do. I think it takes nothing away from me

863
00:47:23,360 --> 00:47:25,759
Speaker 1: for to tell you how dope I think you are,

864
00:47:26,280 --> 00:47:28,480
Speaker 1: how funny I think you are, how ill I think

865
00:47:28,520 --> 00:47:30,160
Speaker 1: you are. I don't think it takes nothing away from me.

866
00:47:30,200 --> 00:47:31,839
Speaker 1: In fact, I think it adds on to me as

867
00:47:31,840 --> 00:47:33,319
Speaker 1: a man. I think you should clap for that guy there.

868
00:47:36,360 --> 00:47:37,960
Speaker 1: I think an apps on to me as a man,

869
00:47:38,080 --> 00:47:40,520
Speaker 1: because I'm not I'm not insecure and letting the next

870
00:47:40,600 --> 00:47:43,360
Speaker 1: person know that you're great. And guess what, I'm inspired

871
00:47:43,360 --> 00:47:45,560
Speaker 1: by your greatness, like you know what, I'm let's tell

872
00:47:45,560 --> 00:47:47,520
Speaker 1: you the truth, like I always knew you was funny,

873
00:47:47,560 --> 00:47:51,160
Speaker 1: but today, like I got to, I got to analyze

874
00:47:51,160 --> 00:47:53,160
Speaker 1: because when I'm about to interview somebody, I want to

875
00:47:53,239 --> 00:47:55,879
Speaker 1: I want to know everything. So I'm watching and I'm

876
00:47:55,920 --> 00:47:58,160
Speaker 1: like this one like you made tears come up my eyes.

877
00:47:58,200 --> 00:48:00,480
Speaker 1: You know what? Fox me up man and and I've

878
00:48:00,520 --> 00:48:02,759
Speaker 1: been doing this thirty years, and I guess my boy

879
00:48:02,840 --> 00:48:05,719
Speaker 1: always tell me how I should be used to it

880
00:48:05,840 --> 00:48:07,719
Speaker 1: and not see myself the way I see it. But

881
00:48:07,800 --> 00:48:10,960
Speaker 1: I remember when I first met you, waits used to

882
00:48:11,000 --> 00:48:14,040
Speaker 1: it to that point, agether, So I just like how

883
00:48:14,160 --> 00:48:18,120
Speaker 1: most people see me from a revered standpoint, It's hard

884
00:48:18,200 --> 00:48:20,279
Speaker 1: for me to see myself as that. You know what,

885
00:48:20,320 --> 00:48:22,840
Speaker 1: I'm saying, because I still look at myself as like

886
00:48:23,000 --> 00:48:24,520
Speaker 1: I let me put it like this, like when I

887
00:48:24,600 --> 00:48:26,399
Speaker 1: first met you, I don't know if you remember where

888
00:48:26,400 --> 00:48:30,960
Speaker 1: we first met. Okay, Miami Airport and and uh, you

889
00:48:31,560 --> 00:48:33,480
Speaker 1: knew me. You saw me, he gave me love. He

890
00:48:33,560 --> 00:48:35,080
Speaker 1: was like, oh, ship my nigga, you need to do

891
00:48:35,160 --> 00:48:38,479
Speaker 1: my podcasting. And I'm trying to keep my poker face,

892
00:48:38,880 --> 00:48:42,960
Speaker 1: but I'm going fucking me. I grew up with this nigger.

893
00:48:43,360 --> 00:48:47,320
Speaker 1: So but my point is, my point is when I

894
00:48:47,440 --> 00:48:50,200
Speaker 1: run into celebrities that know me, oh no, I'm gonna

895
00:48:50,200 --> 00:48:54,719
Speaker 1: bit me. When I run into celebrities that know me, Um,

896
00:48:55,480 --> 00:48:57,520
Speaker 1: I know, I know them, I grew up on them.

897
00:48:57,640 --> 00:49:00,200
Speaker 1: I'm expected to know them. I don't expect my because

898
00:49:00,239 --> 00:49:02,319
Speaker 1: you know me. And I'm finding out as I meet

899
00:49:02,360 --> 00:49:04,520
Speaker 1: these motherckers they not only know me, but it's almost

900
00:49:04,600 --> 00:49:07,319
Speaker 1: like they're not just going, hey, how you doing, They're

901
00:49:07,320 --> 00:49:11,040
Speaker 1: going you And it fucks me up because I'm just like, yo,

902
00:49:11,160 --> 00:49:13,920
Speaker 1: this is surreal. So you know, you know why can

903
00:49:13,960 --> 00:49:16,640
Speaker 1: certain people are are good at certain things, Like you're

904
00:49:16,719 --> 00:49:19,759
Speaker 1: actually talent. What I mean by that is you're talented,

905
00:49:20,280 --> 00:49:24,000
Speaker 1: like you know how to act, but you know how

906
00:49:24,040 --> 00:49:27,719
Speaker 1: to be a comedian and that's that's like one of

907
00:49:27,800 --> 00:49:31,400
Speaker 1: my friends. Um, his name is Jack Thriller. Right, we

908
00:49:31,480 --> 00:49:34,239
Speaker 1: had Jack Teller in the podcast. He was hilarious. But

909
00:49:34,360 --> 00:49:38,120
Speaker 1: what happened was um him and to change. Had had

910
00:49:38,160 --> 00:49:41,120
Speaker 1: a little problem, right. I didn't think the problem was

911
00:49:41,480 --> 00:49:47,120
Speaker 1: was anything. So I tried to FaceTime to change. What

912
00:49:47,280 --> 00:49:49,960
Speaker 1: I didn't know was I did not dress FaceTime my

913
00:49:50,000 --> 00:49:54,879
Speaker 1: press regular call. So I'm like, the dude change, I'm like, yo, um,

914
00:49:55,320 --> 00:49:57,360
Speaker 1: you know Jack Thriller said you a bit chas Nicks.

915
00:49:57,360 --> 00:50:00,480
Speaker 1: Don't think he's so like just Jack Dillers right there.

916
00:50:01,280 --> 00:50:05,000
Speaker 1: So to change, to change, I had I'm drunk at

917
00:50:05,000 --> 00:50:08,040
Speaker 1: the time. You know, we're not fake drinking. Right back

918
00:50:08,440 --> 00:50:10,719
Speaker 1: some more drinking, so we're not We're not fake drinking here.

919
00:50:10,760 --> 00:50:15,160
Speaker 1: So what happens is to change his Jack Drugger and

920
00:50:15,239 --> 00:50:17,880
Speaker 1: he just loses his mind. He goes telling him I

921
00:50:17,960 --> 00:50:20,040
Speaker 1: had never I never heard nobody say this. He said,

922
00:50:20,120 --> 00:50:23,160
Speaker 1: tell him his mama pussy, like I've never heard of

923
00:50:25,440 --> 00:50:31,240
Speaker 1: terrible man. He called his mama pussy. So anyway, Jack

924
00:50:32,200 --> 00:50:36,600
Speaker 1: Jackie acted back and recipes of combat Jack to combat Jack. Well,

925
00:50:36,680 --> 00:50:41,160
Speaker 1: Jackie acted back and Jack got gamester back with two change.

926
00:50:41,719 --> 00:50:44,359
Speaker 1: But he was being playful. No, not not at first

927
00:50:44,400 --> 00:50:46,600
Speaker 1: at first. When when when when the two change said

928
00:50:46,600 --> 00:50:50,120
Speaker 1: your mama pussy? Jack was seriously took it seriously. Guys

929
00:50:50,200 --> 00:50:55,120
Speaker 1: he should because nobody mama should be pussy. But absolutely.

930
00:50:55,440 --> 00:50:59,399
Speaker 1: But I remember Jack coming to me and saying to me, yo, nori,

931
00:51:00,719 --> 00:51:02,319
Speaker 1: why did you do that? Why did you set me up?

932
00:51:02,360 --> 00:51:03,920
Speaker 1: And I said, one, I didn't set you up. I

933
00:51:04,000 --> 00:51:06,400
Speaker 1: thought I was. You know, it's a little obniviated. I

934
00:51:06,480 --> 00:51:12,200
Speaker 1: thought I was on facebo. Two. I did not enjoy

935
00:51:12,440 --> 00:51:16,239
Speaker 1: him jumping out of his comedian I feel like, yes,

936
00:51:16,360 --> 00:51:18,239
Speaker 1: I feel like the comedian should. But when he walked out,

937
00:51:18,360 --> 00:51:23,240
Speaker 1: was he acting or not? He was serious? He was serious,

938
00:51:23,239 --> 00:51:26,160
Speaker 1: he would he told I set him up, and I

939
00:51:26,239 --> 00:51:28,840
Speaker 1: still to this day thought he was acting. No, No,

940
00:51:29,320 --> 00:51:32,320
Speaker 1: he fell out. So that's so. So that's so I've

941
00:51:32,360 --> 00:51:35,239
Speaker 1: bring that up to say, now I told this to Jack,

942
00:51:35,320 --> 00:51:37,160
Speaker 1: so I don't want it to seem like beause you know,

943
00:51:37,239 --> 00:51:39,400
Speaker 1: Jack is my friends now. He's a great dude, right,

944
00:51:39,400 --> 00:51:40,840
Speaker 1: and I spoke to him the other day, so I

945
00:51:40,960 --> 00:51:44,120
Speaker 1: told him. The difference between him and when we interviewed

946
00:51:44,160 --> 00:51:48,160
Speaker 1: Marlon Wayne's was we interviewed all the ways and in

947
00:51:48,239 --> 00:51:50,600
Speaker 1: the middle of our interview, the A c just break, right,

948
00:51:51,960 --> 00:51:54,400
Speaker 1: So let just break and we have more. Nigga's there right,

949
00:51:54,719 --> 00:51:57,240
Speaker 1: so you know how nigga hate you heard you know Nigga.

950
00:51:57,840 --> 00:52:03,000
Speaker 1: I'm feeling it now. So we had nig So now

951
00:52:03,160 --> 00:52:06,319
Speaker 1: Mollan is sweating like a motherfucker. But we we gotta

952
00:52:06,360 --> 00:52:08,800
Speaker 1: play all cool. We gotta act like we've been doing this.

953
00:52:09,640 --> 00:52:13,640
Speaker 1: So Mallon at no point broke his comedians like he

954
00:52:14,680 --> 00:52:16,759
Speaker 1: he stayed you know what I'm trying to say, Yeah,

955
00:52:16,800 --> 00:52:20,319
Speaker 1: I do like he stayed in character like at all,

956
00:52:20,480 --> 00:52:24,840
Speaker 1: And to me, that's what a real comedian is. You

957
00:52:24,920 --> 00:52:27,560
Speaker 1: know what I'm saying. Am I bugging because I'm not.

958
00:52:27,719 --> 00:52:29,880
Speaker 1: I'm not twenty four hours of rapper. I'm telling you

959
00:52:29,960 --> 00:52:34,880
Speaker 1: the truth. I think. Listen, I don't again, this is

960
00:52:34,920 --> 00:52:39,040
Speaker 1: where I need to tread likely because based on certain

961
00:52:39,120 --> 00:52:43,920
Speaker 1: things I would naturally say, it will be perceived. Um.

962
00:52:45,400 --> 00:52:49,440
Speaker 1: You know, some dudes are characters because that's their stick.

963
00:52:50,880 --> 00:52:53,600
Speaker 1: It's their stick. I think. I think some of the

964
00:52:53,680 --> 00:52:59,120
Speaker 1: greatest comedians don't do stick. They're funny naturally like gimmick.

965
00:52:59,280 --> 00:53:02,400
Speaker 1: And when you front naturally, you don't have to turn it.

966
00:53:02,520 --> 00:53:04,319
Speaker 1: You don't have to do a stick it. It comes

967
00:53:04,360 --> 00:53:06,600
Speaker 1: when you wanted to come. It comes when it needs

968
00:53:06,680 --> 00:53:08,440
Speaker 1: to come. You know, I think if I had to

969
00:53:08,480 --> 00:53:11,000
Speaker 1: sit here and do the aries the funny guy the

970
00:53:11,239 --> 00:53:13,319
Speaker 1: entire way, well then how do we know who you are?

971
00:53:14,520 --> 00:53:16,600
Speaker 1: You're not showing us who you are. You're showing us

972
00:53:16,680 --> 00:53:19,520
Speaker 1: you your stand up. You know, why does it? You know,

973
00:53:19,800 --> 00:53:23,279
Speaker 1: let me see if you have insight. D know what

974
00:53:23,320 --> 00:53:30,719
Speaker 1: I'm saying, that's real deep. I'm listen. I'm not gonna

975
00:53:30,760 --> 00:53:37,000
Speaker 1: say no name. But you know, some comics talent doesn't

976
00:53:37,040 --> 00:53:40,200
Speaker 1: match their arrogance. Like you know what I'm saying. You

977
00:53:40,360 --> 00:53:43,239
Speaker 1: you you there's some comics who will come in the

978
00:53:43,320 --> 00:53:46,959
Speaker 1: club with dark shades on them. They give specific orders

979
00:53:47,000 --> 00:53:48,959
Speaker 1: to the white staff. Don't look him in the eye,

980
00:53:49,760 --> 00:53:53,480
Speaker 1: don't talk to him, and they have a swagger like

981
00:53:53,640 --> 00:53:56,279
Speaker 1: they ship, don't stink, And it's like, if you're going

982
00:53:56,360 --> 00:54:01,040
Speaker 1: to do that, you gotta be Dave Chappelle. Come look

983
00:54:01,080 --> 00:54:04,080
Speaker 1: at like Ernie Murphy. But they sound like POLYI Shaw. Yeah,

984
00:54:04,640 --> 00:54:09,160
Speaker 1: It's like, Ni, your talent doesn't match. He's never been

985
00:54:09,160 --> 00:54:16,080
Speaker 1: funny to me. I'm just the white guy, right, I

986
00:54:16,200 --> 00:54:18,120
Speaker 1: listened for the record. I don't think any I don't

987
00:54:18,160 --> 00:54:21,320
Speaker 1: think any comic shouldn't walk around with that much bravado.

988
00:54:21,960 --> 00:54:25,560
Speaker 1: But if you're going to, you gotta be a bad motherfucker.

989
00:54:25,760 --> 00:54:30,160
Speaker 1: Rest in peace, Patriseo Neil. He's my ONK. So you

990
00:54:30,239 --> 00:54:33,920
Speaker 1: know he's in show you because I don't want to

991
00:54:34,200 --> 00:54:37,239
Speaker 1: think he goes right in my interview right now, keeps

992
00:54:37,239 --> 00:54:40,080
Speaker 1: saying my next question. Everything. He keeps saying, you get

993
00:54:40,080 --> 00:54:42,120
Speaker 1: your next question before you get to your next question.

994
00:54:42,200 --> 00:54:43,799
Speaker 1: Let me just go back for a second, like when

995
00:54:43,800 --> 00:54:45,600
Speaker 1: I told you how you and I met. And this

996
00:54:45,760 --> 00:54:47,480
Speaker 1: is why I say this ship is so surreal to me.

997
00:54:47,840 --> 00:54:50,080
Speaker 1: I'm telling my NA story and I think nas is

998
00:54:50,160 --> 00:54:52,120
Speaker 1: one of the greatest rappers of all time, you know.

999
00:54:52,160 --> 00:54:54,279
Speaker 1: And that's when I get into these debates with these

1000
00:54:54,360 --> 00:54:57,840
Speaker 1: young kids about rap who can't wrap. To begin with this,

1001
00:54:58,000 --> 00:55:01,439
Speaker 1: Niger made a song called Rewind He right backwards nigga.

1002
00:55:01,440 --> 00:55:02,880
Speaker 1: I was smoking l you know how hard it is

1003
00:55:02,960 --> 00:55:08,360
Speaker 1: for me to right forward this nigga And it was

1004
00:55:08,440 --> 00:55:11,839
Speaker 1: a beast. So I'm in the Last Factory one night

1005
00:55:12,040 --> 00:55:14,520
Speaker 1: and I'm up the balcony levels two levels, and I

1006
00:55:14,560 --> 00:55:16,640
Speaker 1: see Palise and this is when him and Calie was married.

1007
00:55:16,840 --> 00:55:18,480
Speaker 1: I didn't know he was there, but I've seen Kalie

1008
00:55:18,760 --> 00:55:20,120
Speaker 1: and I go, Kalie, I just want to tell you,

1009
00:55:20,239 --> 00:55:22,840
Speaker 1: can you please tell your husband? I think this nigga

1010
00:55:22,920 --> 00:55:24,799
Speaker 1: is one of the She stopped me. She goes, he's

1011
00:55:24,840 --> 00:55:27,960
Speaker 1: downstairs in the booth. He loves you. So I go

1012
00:55:28,120 --> 00:55:29,600
Speaker 1: down there and I think I called my man over here.

1013
00:55:29,640 --> 00:55:30,880
Speaker 1: I even my boy who was here with me. Now

1014
00:55:30,920 --> 00:55:34,400
Speaker 1: when it happened. I he was sitting in the booth

1015
00:55:34,760 --> 00:55:36,560
Speaker 1: like this with a with a heney on the table.

1016
00:55:36,880 --> 00:55:39,359
Speaker 1: He was showing like this. So I walk up to him.

1017
00:55:39,400 --> 00:55:41,759
Speaker 1: I extend my hand. I go, yo, Nas, I just

1018
00:55:41,840 --> 00:55:45,800
Speaker 1: gotta tell. He goes yo, I love you God, that nigga.

1019
00:55:47,000 --> 00:55:48,880
Speaker 1: He goes Joe. I watch you all the time. You

1020
00:55:49,000 --> 00:55:52,320
Speaker 1: that nigga God. I said, thank you, nas nigga. I

1021
00:55:52,400 --> 00:56:01,840
Speaker 1: went outside and was straight bit my nigga like like.

1022
00:56:07,280 --> 00:56:09,400
Speaker 1: So that's jo was. That was a moment for me.

1023
00:56:10,560 --> 00:56:14,480
Speaker 1: But treat so Nil. You're holding plank blasses with you.

1024
00:56:14,520 --> 00:56:20,839
Speaker 1: But on break later, okay, i' work that way. Wanna

1025
00:56:20,880 --> 00:56:34,400
Speaker 1: look at Stoll. You just turned into a white flterurn.

1026
00:56:40,000 --> 00:56:43,719
Speaker 1: You treat so then, yeah, one of the most genius

1027
00:56:45,040 --> 00:56:50,320
Speaker 1: comedians out there. Yeah, a good my man. When he

1028
00:56:50,400 --> 00:56:54,239
Speaker 1: was alive, I had just started to lose weight that

1029
00:56:54,360 --> 00:56:59,520
Speaker 1: I went up interview with Shade before and leaving at

1030
00:56:59,600 --> 00:57:02,200
Speaker 1: the excuse me. It was even that Power one on

1031
00:57:02,320 --> 00:57:05,359
Speaker 1: five and I did an interviews on them. He had

1032
00:57:05,400 --> 00:57:07,399
Speaker 1: seen me like six months prior to that. He seed

1033
00:57:07,440 --> 00:57:09,560
Speaker 1: me like big boy. He was like, yo, so how

1034
00:57:09,640 --> 00:57:12,440
Speaker 1: did you do this? I gave my number and again

1035
00:57:12,520 --> 00:57:14,840
Speaker 1: he's another comedian. He would just talk to me and

1036
00:57:14,880 --> 00:57:17,520
Speaker 1: he would just rank on me like he was just

1037
00:57:17,920 --> 00:57:20,000
Speaker 1: like the nigga. Never stopped me in the comediany like

1038
00:57:20,360 --> 00:57:24,040
Speaker 1: nigga listened. So you're telling me when you go home,

1039
00:57:24,200 --> 00:57:31,920
Speaker 1: you ain't like people like I'm just saying that was

1040
00:57:32,000 --> 00:57:35,400
Speaker 1: a funny, dude. Let me man. I always said, there's

1041
00:57:35,440 --> 00:57:39,880
Speaker 1: only three comics I would be nervous to follow. I'll

1042
00:57:39,960 --> 00:57:42,960
Speaker 1: follow anybody, but the three niggers who always would give

1043
00:57:43,000 --> 00:57:47,120
Speaker 1: me if I had to follow him, I'm miss Patrese,

1044
00:57:47,560 --> 00:57:54,840
Speaker 1: Dave and Tommy Davidson. Tommy, Now you're gonna talk about

1045
00:57:54,880 --> 00:57:57,960
Speaker 1: talent And we did the shack Sawstar comedy jam and

1046
00:57:58,080 --> 00:58:00,040
Speaker 1: Cedric kind of gave him a little bit of it.

1047
00:58:00,160 --> 00:58:02,640
Speaker 1: Because he was like, you know, for for the Spanish

1048
00:58:02,720 --> 00:58:05,720
Speaker 1: bros that didn't understood your Spanish. But that was nice

1049
00:58:06,040 --> 00:58:08,400
Speaker 1: for the Spanish bros. Meaning a lot of black people

1050
00:58:08,440 --> 00:58:10,520
Speaker 1: didn't get it. When Tommy does the bit when he

1051
00:58:10,640 --> 00:58:15,400
Speaker 1: imitates uh Telemundo and Spanish and he speaks Spanish and

1052
00:58:15,520 --> 00:58:19,480
Speaker 1: sings that creatively is one of the greatest bits because

1053
00:58:19,520 --> 00:58:22,640
Speaker 1: to pull that off, that's talent. You gotta be able

1054
00:58:22,640 --> 00:58:25,520
Speaker 1: to speak fluently in a different language and make it funny.

1055
00:58:26,720 --> 00:58:28,480
Speaker 1: And if you go back when Tommy, I'll forget what

1056
00:58:28,920 --> 00:58:31,520
Speaker 1: special he did. But he didn't think about square dancing

1057
00:58:32,240 --> 00:58:36,680
Speaker 1: and he did the band joined the didn't think his

1058
00:58:36,800 --> 00:58:39,800
Speaker 1: energy level. He's a stick of dynamite. And for him

1059
00:58:39,880 --> 00:58:42,240
Speaker 1: to be that energetic and come up with them kind

1060
00:58:42,240 --> 00:58:46,040
Speaker 1: of bits, Tommy's a bad motherfucker. Tommy David who Dave

1061
00:58:46,120 --> 00:58:52,360
Speaker 1: Chappelle and Patrese, Yeah, he was. He was so special.

1062
00:58:52,560 --> 00:58:55,320
Speaker 1: Patrese would say things and you will go, how I

1063
00:58:55,360 --> 00:58:57,000
Speaker 1: would have How would have I would have someone even

1064
00:58:57,120 --> 00:58:58,800
Speaker 1: think of that? Like he was on the Opie and

1065
00:58:58,840 --> 00:59:02,080
Speaker 1: Anthony Show one time and a black stripper was going

1066
00:59:02,160 --> 00:59:03,800
Speaker 1: at it with him, and you know how you know,

1067
00:59:03,880 --> 00:59:06,080
Speaker 1: girls before they get all these implants, how titties were

1068
00:59:06,160 --> 00:59:10,680
Speaker 1: really flat, saggy and long, but just flash. And he

1069
00:59:10,800 --> 00:59:13,320
Speaker 1: told this bit your titties looked like Bible sling shots.

1070
00:59:16,000 --> 00:59:18,640
Speaker 1: Fucking you know what that is the stick with the

1071
00:59:18,720 --> 00:59:21,800
Speaker 1: rubber band and the titties was hanging like the rubber

1072
00:59:21,800 --> 00:59:25,520
Speaker 1: band and the whole Bible sling shot. This thing he

1073
00:59:25,560 --> 00:59:29,040
Speaker 1: would come up with ship there was just incredible, incredible,

1074
00:59:29,240 --> 00:59:31,880
Speaker 1: and his was his honesty. They were talking about the

1075
00:59:31,880 --> 00:59:34,800
Speaker 1: Tiger Woods thing when Tiger got in trouble and they

1076
00:59:34,880 --> 00:59:37,200
Speaker 1: had a psychiatrist on the phone like a real doctor,

1077
00:59:37,720 --> 00:59:40,960
Speaker 1: and at one point he kept going, uh, miss miss,

1078
00:59:41,400 --> 00:59:43,520
Speaker 1: and she stopped him and she goes, patrese, please don't

1079
00:59:43,560 --> 00:59:46,600
Speaker 1: call me miss, call me ma'am or doctor. And there

1080
00:59:46,720 --> 00:59:49,040
Speaker 1: was a nice to second pregnant pause and patrise win

1081
00:59:49,680 --> 00:59:56,080
Speaker 1: whatever bitch come list just like that kind of Yeah,

1082
00:59:56,520 --> 01:00:01,160
Speaker 1: that's a hat temper man as a comedian, right, You see,

1083
01:00:01,240 --> 01:00:05,240
Speaker 1: you see information in this world some that's probably not funny.

1084
01:00:05,880 --> 01:00:07,960
Speaker 1: How do you guys like sitting there like like I

1085
01:00:08,080 --> 01:00:10,880
Speaker 1: see comedians make jokes about the world trade and and

1086
01:00:11,040 --> 01:00:15,480
Speaker 1: make it make fun um like, how do you how

1087
01:00:15,520 --> 01:00:18,520
Speaker 1: do you go about a tragic situation and turning it

1088
01:00:18,600 --> 01:00:22,000
Speaker 1: and flipping it into something funny. Hot timing, it's the

1089
01:00:22,120 --> 01:00:25,240
Speaker 1: right time. There's such a thing as too soon too soon,

1090
01:00:25,880 --> 01:00:29,080
Speaker 1: but yeah, timing. After a certain amount of time goes by,

1091
01:00:29,720 --> 01:00:32,240
Speaker 1: anything can be Sometimes it might be too soon. But

1092
01:00:32,520 --> 01:00:34,600
Speaker 1: here's the funny thing. Going back to my doctor King joke.

1093
01:00:34,880 --> 01:00:36,440
Speaker 1: When I do the joke and I say the punch

1094
01:00:36,480 --> 01:00:39,960
Speaker 1: sign about uh doctor King getting shot on the balcony,

1095
01:00:40,360 --> 01:00:44,320
Speaker 1: the audience goes oh, and I go, fuck, y'all, too soon,

1096
01:00:47,640 --> 01:00:49,240
Speaker 1: you know what I mean? So you gotta address the

1097
01:00:49,280 --> 01:00:54,840
Speaker 1: elephant in the room. How the fun is that? Too soon? Yeah? Uh,

1098
01:00:56,120 --> 01:01:01,360
Speaker 1: let's let's bring your yomie. Yeah, and I'm think gonna

1099
01:01:01,360 --> 01:01:03,760
Speaker 1: set them up right so we can step outside right here,

1100
01:01:04,480 --> 01:01:10,720
Speaker 1: take a big yeah. So we were back then we're back. Okay,

1101
01:01:10,760 --> 01:01:15,520
Speaker 1: my man, I'm so sorry if you do. Steinberg man,

1102
01:01:15,560 --> 01:01:17,480
Speaker 1: I'm just how my areas opener. I've been traveling with

1103
01:01:17,600 --> 01:01:20,240
Speaker 1: him for about two years and we do a podcast

1104
01:01:20,280 --> 01:01:23,840
Speaker 1: together in the podcast spears in Steinberg a K eight

1105
01:01:24,000 --> 01:01:31,640
Speaker 1: jew in the Jerk ser Stinberg. Okay, definitely definitely what

1106
01:01:31,840 --> 01:01:33,680
Speaker 1: y'all what y'all saying on the podcast, what's going on

1107
01:01:33,720 --> 01:01:38,959
Speaker 1: in the podcast Everything Raw Uncut, Yo, Yo, y'all, y'all

1108
01:01:39,000 --> 01:01:51,160
Speaker 1: doing the yaloe may go to your plan. Yeah, we

1109
01:01:51,240 --> 01:01:52,960
Speaker 1: don't film that ship, so no one knows what's going on.

1110
01:01:55,760 --> 01:02:01,240
Speaker 1: Just skiing, help y'all out that we're figured out. I

1111
01:02:01,320 --> 01:02:05,200
Speaker 1: was figuring out. So okay, that's dope, man, So okay,

1112
01:02:05,480 --> 01:02:08,960
Speaker 1: now I'll be in that. Explain your relationship with comedy,

1113
01:02:09,400 --> 01:02:12,440
Speaker 1: my relationship with comedy. I failed in everything else, and

1114
01:02:12,560 --> 01:02:15,600
Speaker 1: comedy is the only thing that's ever made me happy. Yeah, no, seriously,

1115
01:02:15,600 --> 01:02:18,000
Speaker 1: and it's the only thing that uh like everything that

1116
01:02:18,080 --> 01:02:22,200
Speaker 1: I thought I could say. And honestly, I just never

1117
01:02:22,840 --> 01:02:24,880
Speaker 1: This is my first time that I ever had felt

1118
01:02:24,920 --> 01:02:26,720
Speaker 1: like I was actually accomplishing something in my life. And

1119
01:02:26,720 --> 01:02:29,160
Speaker 1: I didn't start doing this until I was forty two. Yeah,

1120
01:02:29,200 --> 01:02:31,240
Speaker 1: I went to the comedy to your fort I went

1121
01:02:31,280 --> 01:02:36,320
Speaker 1: home and told my kids. So I went home and

1122
01:02:36,360 --> 01:02:37,919
Speaker 1: told my kids at forty two, I think I'm gonna

1123
01:02:37,920 --> 01:02:39,560
Speaker 1: take this ship for real. I'm gonna really go out

1124
01:02:39,560 --> 01:02:42,440
Speaker 1: of the stand up. Yeah. And my kids just said, Dad, like,

1125
01:02:42,600 --> 01:02:47,320
Speaker 1: we like food and ship, And what did you do before?

1126
01:02:48,520 --> 01:02:52,040
Speaker 1: I did everything before? Honestly, I used to honestly back

1127
01:02:52,120 --> 01:02:54,400
Speaker 1: in uh in the late eighties. I mean I sold weed.

1128
01:02:54,520 --> 01:02:56,800
Speaker 1: I sold weed for I used to take I used

1129
01:02:56,800 --> 01:02:59,200
Speaker 1: to take weed from from from the eight to the

1130
01:02:59,280 --> 01:03:02,680
Speaker 1: two thousand. Sometimes I might have spend a little time

1131
01:03:02,680 --> 01:03:09,120
Speaker 1: in jail because so that that took some time. And

1132
01:03:09,120 --> 01:03:13,600
Speaker 1: then I got married, run it back over the weed

1133
01:03:13,680 --> 01:03:18,960
Speaker 1: and went to marriage morning. Were you so coke? You's

1134
01:03:19,000 --> 01:03:22,880
Speaker 1: so caught for it? Like a minute, it was like

1135
01:03:22,920 --> 01:03:24,720
Speaker 1: a monty, But I did. I only so coke because

1136
01:03:24,720 --> 01:03:28,600
Speaker 1: I want to coke. So you you with your own product. Yeah,

1137
01:03:33,080 --> 01:03:36,160
Speaker 1: and that was before Biggie, so you would have been

1138
01:03:36,160 --> 01:03:39,640
Speaker 1: around earlier. You have told me something black guy, white guy,

1139
01:03:40,240 --> 01:03:45,400
Speaker 1: blite guy stowing his own coke dube. That's why everybody

1140
01:03:45,400 --> 01:03:47,600
Speaker 1: who everybody knows anything about codes how this works when

1141
01:03:47,600 --> 01:03:49,200
Speaker 1: you don't have a lot of money, and I didn't.

1142
01:03:49,400 --> 01:03:51,400
Speaker 1: What you do is you just take an a ball

1143
01:03:51,400 --> 01:03:53,160
Speaker 1: and you take out a half a gram for yourself.

1144
01:03:53,240 --> 01:03:55,000
Speaker 1: You crush an asper and you put that in there.

1145
01:03:55,240 --> 01:03:57,640
Speaker 1: You sell the other three grams to coke, and you

1146
01:03:57,760 --> 01:04:07,000
Speaker 1: keep a half a gram for yourself or somebody anywhow

1147
01:04:07,080 --> 01:04:11,840
Speaker 1: the nigga don't know nothing about it. So y'all see

1148
01:04:11,840 --> 01:04:16,880
Speaker 1: America don't be putting that shot on us. I just

1149
01:04:17,000 --> 01:04:24,040
Speaker 1: broke down and ate ball and some cope as for him, Asterka,

1150
01:04:24,120 --> 01:04:25,400
Speaker 1: because I didn't know what you were supposed to do

1151
01:04:25,480 --> 01:04:27,360
Speaker 1: that when you started as him with the code, mixed

1152
01:04:27,360 --> 01:04:31,000
Speaker 1: them with the code, someone gets a headache, I've already

1153
01:04:31,280 --> 01:04:35,080
Speaker 1: taken care of their problems. Meanwhile, I use words like

1154
01:04:35,240 --> 01:04:39,200
Speaker 1: expeditious you get high and not have a headache at

1155
01:04:39,200 --> 01:04:41,000
Speaker 1: the same same time. But no, I only did that.

1156
01:04:41,120 --> 01:04:42,840
Speaker 1: I did that seriously a couple of times, you know.

1157
01:04:42,960 --> 01:04:45,480
Speaker 1: I did a few times. No longer that I did

1158
01:04:45,560 --> 01:04:47,200
Speaker 1: that though, just to just to really just to have

1159
01:04:47,320 --> 01:04:49,280
Speaker 1: my own cope. But when I met the coke dudes,

1160
01:04:49,680 --> 01:04:51,640
Speaker 1: they actually got me into the weed. And I was

1161
01:04:51,720 --> 01:04:54,120
Speaker 1: from Arizona and I was, now everybody's gonna know this.

1162
01:04:54,200 --> 01:04:55,560
Speaker 1: I went to you, I went to the U of A,

1163
01:04:55,720 --> 01:04:58,920
Speaker 1: and I went to Pima Community College. You're gonna hear

1164
01:04:58,960 --> 01:05:10,720
Speaker 1: me cough you Okay, So how was it going. I

1165
01:05:10,840 --> 01:05:12,720
Speaker 1: was there and I met a bunch of kids to

1166
01:05:12,800 --> 01:05:14,760
Speaker 1: go to college, and they want we taken back to

1167
01:05:14,880 --> 01:05:17,200
Speaker 1: like you know, your kids sat. I was to make

1168
01:05:17,240 --> 01:05:19,360
Speaker 1: sure yeah no no, no, no, no, no, yeah, I was.

1169
01:05:19,800 --> 01:05:24,320
Speaker 1: I was. I was nineteen years old. So I met

1170
01:05:24,400 --> 01:05:26,320
Speaker 1: people who wanted weed to go back there. So and

1171
01:05:26,360 --> 01:05:28,080
Speaker 1: I knew all these guys from the coke, but now

1172
01:05:28,160 --> 01:05:29,560
Speaker 1: everybody want to get out of coke because it was

1173
01:05:29,680 --> 01:05:32,080
Speaker 1: dangerous and weed was easy at the time. So we

1174
01:05:32,240 --> 01:05:35,240
Speaker 1: just took weed. Uh, we bought like we'd buy a

1175
01:05:35,280 --> 01:05:38,320
Speaker 1: trash compactor and then you fill it with weed and

1176
01:05:38,400 --> 01:05:40,640
Speaker 1: you'd make twenty five to forty pound blocks and then

1177
01:05:40,640 --> 01:05:42,560
Speaker 1: you throw them in your suitcase. But you can't do anymore.

1178
01:05:42,640 --> 01:05:44,520
Speaker 1: And I'm not saying this to advocate. If you're do,

1179
01:05:44,680 --> 01:05:46,920
Speaker 1: I want to send some weed back home. And then

1180
01:05:47,000 --> 01:05:48,640
Speaker 1: you know that if you go to the airport right

1181
01:05:48,680 --> 01:05:50,520
Speaker 1: now with weed in your suitcase, you ain't gonna leave

1182
01:05:50,520 --> 01:05:52,600
Speaker 1: the airport. Well you will, but it will be within

1183
01:05:52,720 --> 01:05:54,880
Speaker 1: cups and you'll be going somewhere else, not where your destination.

1184
01:05:56,000 --> 01:05:57,960
Speaker 1: In the good old day, you can just throw that

1185
01:05:58,000 --> 01:06:00,760
Speaker 1: ship in your suitcase. W A. I feel like it

1186
01:06:00,920 --> 01:06:10,360
Speaker 1: was all the all the This nig is white boy Ricky.

1187
01:06:10,760 --> 01:06:12,520
Speaker 1: So no, that's what That's what I and I and

1188
01:06:12,560 --> 01:06:14,080
Speaker 1: I did that I did. I got a little trouble

1189
01:06:14,160 --> 01:06:16,040
Speaker 1: for it. I went to jail for a little while

1190
01:06:16,480 --> 01:06:19,320
Speaker 1: and then with a little while. Just really it was quick.

1191
01:06:19,360 --> 01:06:22,760
Speaker 1: It was six months. That's definitely it was quick because

1192
01:06:22,800 --> 01:06:25,960
Speaker 1: it was three hunder pounds, So that's quick three under

1193
01:06:26,040 --> 01:06:37,560
Speaker 1: pounds six months as well. Right now, what happens, I

1194
01:06:37,640 --> 01:06:39,920
Speaker 1: will never deny white privilege, and I will accept it

1195
01:06:40,000 --> 01:06:43,040
Speaker 1: graciously at all times because that would be so when

1196
01:06:43,040 --> 01:06:44,720
Speaker 1: I get pulled little, I just jump out the seat

1197
01:06:44,760 --> 01:06:50,600
Speaker 1: and put you into this. You know, it's very very simple.

1198
01:06:50,680 --> 01:06:54,120
Speaker 1: White privilege comes quickly, especially if you look like this.

1199
01:06:54,160 --> 01:06:57,680
Speaker 1: Now I'm Mexican and Jewish, and I look Jewish, So

1200
01:06:58,640 --> 01:07:01,680
Speaker 1: that's still let's story. Ever, what that comes with, I'm

1201
01:07:01,720 --> 01:07:03,600
Speaker 1: taking all of it. So let's let's have it. You

1202
01:07:03,680 --> 01:07:06,560
Speaker 1: know this, this is a black privilege is sometimes absolutely

1203
01:07:06,800 --> 01:07:09,000
Speaker 1: it's some black peop. We don't have the privileges like

1204
01:07:09,120 --> 01:07:11,800
Speaker 1: y'all have, Like I'm gonna get you in a college,

1205
01:07:12,040 --> 01:07:15,120
Speaker 1: But stereotype is our privilege. You know what I'm saying.

1206
01:07:15,160 --> 01:07:19,480
Speaker 1: Sometimes can work for you. Sometimes being an angry nigga

1207
01:07:19,520 --> 01:07:22,840
Speaker 1: can work for you. What I'm saying, give you an example.

1208
01:07:22,960 --> 01:07:30,080
Speaker 1: Shut the funk up, white man. No, this is this

1209
01:07:30,200 --> 01:07:32,360
Speaker 1: is true, and we talking about the same podcast. Everybody

1210
01:07:32,440 --> 01:07:36,080
Speaker 1: has privilege because it all rolls downhill, and everybody's at

1211
01:07:36,120 --> 01:07:37,600
Speaker 1: some point in the hill. So privilege. You need to

1212
01:07:37,640 --> 01:07:40,320
Speaker 1: recognize your own privilege at all times. White people don't

1213
01:07:40,320 --> 01:07:42,680
Speaker 1: recognize they have their own pridget privilege. The only reason

1214
01:07:42,720 --> 01:07:45,200
Speaker 1: they don't know it is because they just do what

1215
01:07:45,480 --> 01:07:48,520
Speaker 1: is white American. You're gonna walk outside. It's easy to

1216
01:07:48,520 --> 01:07:50,280
Speaker 1: be white in America. You're not gonna notice anything that.

1217
01:07:50,440 --> 01:07:52,800
Speaker 1: This is just how it works, you know. Crazy. I

1218
01:07:52,920 --> 01:07:55,160
Speaker 1: used to hate being famous until I can get a

1219
01:07:56,200 --> 01:08:03,480
Speaker 1: table of crustaceans. And I was like, I'm like when

1220
01:08:03,520 --> 01:08:05,680
Speaker 1: you can't like when I like, I like to be

1221
01:08:05,920 --> 01:08:07,640
Speaker 1: as normal as possible, Like I don't wanna want to

1222
01:08:07,680 --> 01:08:10,600
Speaker 1: go to a place and announced I'm coming. But then

1223
01:08:11,080 --> 01:08:15,040
Speaker 1: after a while I'm like that, Yeah, it's nice to

1224
01:08:15,080 --> 01:08:18,240
Speaker 1: put that. I heard you say something. I heard you

1225
01:08:18,320 --> 01:08:21,760
Speaker 1: said something you said m that you thought it was

1226
01:08:21,800 --> 01:08:26,160
Speaker 1: a downfall that you don't smile enough, like like not

1227
01:08:26,320 --> 01:08:27,720
Speaker 1: me now, like when you get in front of a

1228
01:08:27,800 --> 01:08:30,720
Speaker 1: certain type of crowds, Well no, it's uh, it's like

1229
01:08:30,840 --> 01:08:33,120
Speaker 1: when I'm not on stage. Like that's why, going back

1230
01:08:33,160 --> 01:08:36,000
Speaker 1: to what you said earlier about being in comic mode,

1231
01:08:36,400 --> 01:08:39,839
Speaker 1: most people's perception of comedians is that we're always joking.

1232
01:08:40,160 --> 01:08:42,080
Speaker 1: When I'm not on stage, man, I wear ice cube

1233
01:08:42,080 --> 01:08:44,000
Speaker 1: scal you know what I mean. And the people that

1234
01:08:44,120 --> 01:08:46,800
Speaker 1: don't know me, I don't look approachable. I don't look

1235
01:08:46,880 --> 01:08:49,040
Speaker 1: like you know, I don't come off like Wayne Brady

1236
01:08:49,800 --> 01:08:55,799
Speaker 1: your Warrior when I did. I'm gonna be honest, spells

1237
01:08:55,840 --> 01:09:01,400
Speaker 1: criminal all round. Listen listening. But I did the Breakfast Club.

1238
01:09:01,560 --> 01:09:06,400
Speaker 1: I rolled up there with their hand hoodie, so definitely stero. Yes,

1239
01:09:07,160 --> 01:09:10,960
Speaker 1: you know, I don't. I don't walk around cheesing, you

1240
01:09:10,960 --> 01:09:13,720
Speaker 1: know what I'm saying, So people see that angry black

1241
01:09:14,680 --> 01:09:16,680
Speaker 1: I mean just I don't walk around cheesing like that.

1242
01:09:17,360 --> 01:09:19,400
Speaker 1: You know. I get in the moment when it's time

1243
01:09:19,439 --> 01:09:23,280
Speaker 1: to get in the moment. Okay, I'm gonna switch it

1244
01:09:23,360 --> 01:09:27,120
Speaker 1: switches crazy before I switch it crazy. I would like

1245
01:09:27,200 --> 01:09:32,439
Speaker 1: to ask bother people's opinion on Key and Pill, right,

1246
01:09:34,880 --> 01:09:37,920
Speaker 1: because I know you guys are a mad TV together. Yeah,

1247
01:09:38,200 --> 01:09:40,439
Speaker 1: I know that they took a different turn. You took

1248
01:09:40,439 --> 01:09:44,280
Speaker 1: a different turn, and I really didn't relate to Ki

1249
01:09:44,360 --> 01:09:47,160
Speaker 1: and Pill at all. Now let me stop you right there. Okay,

1250
01:09:48,040 --> 01:09:49,559
Speaker 1: this is one of the things that got me in trouble.

1251
01:09:50,040 --> 01:09:51,719
Speaker 1: What I'm saying the one thing that got me in trouble.

1252
01:09:52,120 --> 01:09:54,639
Speaker 1: I was on Black TV and I talked about how,

1253
01:09:55,680 --> 01:09:58,840
Speaker 1: you know, just like black people, we come in different forms.

1254
01:09:59,240 --> 01:10:01,960
Speaker 1: You know what I'm saying, d m X is DMX

1255
01:10:02,000 --> 01:10:05,200
Speaker 1: all the time. DMX used that example in Will Smith

1256
01:10:05,520 --> 01:10:09,479
Speaker 1: and Will Smith. Will Smith has that magical ability where

1257
01:10:09,560 --> 01:10:11,720
Speaker 1: he can be around a bunch of white people and

1258
01:10:11,840 --> 01:10:14,360
Speaker 1: come off genuine, not like he's trying to be white,

1259
01:10:14,439 --> 01:10:19,320
Speaker 1: not like he's shuffling and uncle thomma, he's himself right.

1260
01:10:19,360 --> 01:10:21,600
Speaker 1: But he could also go down to eighty hood and

1261
01:10:21,760 --> 01:10:28,760
Speaker 1: still be will and he's respected authenticity, authenticity. Uh, DMX

1262
01:10:28,880 --> 01:10:31,720
Speaker 1: might not. He might, he might do it, but he

1263
01:10:31,960 --> 01:10:34,600
Speaker 1: might be around up a kind of upper echelon of

1264
01:10:34,600 --> 01:10:38,320
Speaker 1: white folks, and X being X, they may who he's

1265
01:10:38,360 --> 01:10:40,640
Speaker 1: too abrace it for them. So I almost say it's

1266
01:10:40,680 --> 01:10:42,600
Speaker 1: like an X men gene to be black and be

1267
01:10:42,680 --> 01:10:45,080
Speaker 1: able to do both sides without switching it up for

1268
01:10:45,200 --> 01:10:48,680
Speaker 1: any one of them. That's a special talent um. And

1269
01:10:48,920 --> 01:10:52,479
Speaker 1: and you know, Campo, I said, are they black? Yes,

1270
01:10:53,080 --> 01:10:59,800
Speaker 1: technically yes, but based on certain behavior, based on certain action,

1271
01:11:00,560 --> 01:11:02,760
Speaker 1: just the swagger, a way you walk away, you talk,

1272
01:11:02,960 --> 01:11:07,639
Speaker 1: certain moves you make. They were black, but they weren't black.

1273
01:11:08,120 --> 01:11:09,720
Speaker 1: If you get and I know you know what I mean,

1274
01:11:09,800 --> 01:11:11,599
Speaker 1: I know what you mean. But I said they even

1275
01:11:11,680 --> 01:11:13,960
Speaker 1: heard Dave say he said he had to watch him

1276
01:11:14,520 --> 01:11:17,599
Speaker 1: kind of like like do his show for two years. Yes,

1277
01:11:18,000 --> 01:11:22,800
Speaker 1: because Dave Chappelle said like after he like like quit

1278
01:11:23,360 --> 01:11:25,559
Speaker 1: and when he said that, he because they were They

1279
01:11:25,600 --> 01:11:27,920
Speaker 1: took his slot. They took they took like like the

1280
01:11:28,000 --> 01:11:30,960
Speaker 1: skets type of comedy thing. Maybe they take everything from

1281
01:11:31,040 --> 01:11:34,200
Speaker 1: him that was his his lease. It wasn't even a

1282
01:11:34,280 --> 01:11:36,280
Speaker 1: slot as the same or no, I don't want I

1283
01:11:36,280 --> 01:11:39,280
Speaker 1: don't know about the slot. But but what I said

1284
01:11:39,439 --> 01:11:42,720
Speaker 1: was perceived a certain white And what did you say?

1285
01:11:42,760 --> 01:11:45,559
Speaker 1: For the record, I just again, I just I basically

1286
01:11:45,640 --> 01:11:47,639
Speaker 1: said it look key and peel And I never said

1287
01:11:47,680 --> 01:11:50,880
Speaker 1: they weren't funny, very funny. I just said, you know,

1288
01:11:51,000 --> 01:11:53,120
Speaker 1: do they come off? In other words, when I would

1289
01:11:53,160 --> 01:11:56,240
Speaker 1: watch them on their show and they would imitate black guys,

1290
01:11:56,800 --> 01:11:59,680
Speaker 1: it came off like Amos and Andy. It felt like

1291
01:12:00,080 --> 01:12:04,479
Speaker 1: guys doing black face, like black brother you know, brother man, yeah,

1292
01:12:04,680 --> 01:12:08,599
Speaker 1: brother performing in a way when I go, nigga, don't

1293
01:12:08,600 --> 01:12:12,240
Speaker 1: act like real leagues, don't talk like that. It felt

1294
01:12:12,280 --> 01:12:14,360
Speaker 1: like white guys trying to be black guys even though

1295
01:12:14,360 --> 01:12:17,920
Speaker 1: they were black guys being black guys. Something something, the

1296
01:12:18,000 --> 01:12:22,479
Speaker 1: authenticity wasn't there. So I said that, cut to, um,

1297
01:12:23,520 --> 01:12:27,920
Speaker 1: Jordan does get Out, three hundred million dollar movie, get

1298
01:12:27,920 --> 01:12:30,760
Speaker 1: Out one an Oscar. We had a great movie. But

1299
01:12:31,200 --> 01:12:33,160
Speaker 1: this was all before he blew up. Let me tell

1300
01:12:33,160 --> 01:12:35,519
Speaker 1: you some funny ship crazy ship is I funk with

1301
01:12:35,680 --> 01:12:39,080
Speaker 1: them when they're separate, when they got together as the

1302
01:12:39,280 --> 01:12:42,240
Speaker 1: Skets comedy. I didn't like the Skets comedy, but like,

1303
01:12:42,400 --> 01:12:46,880
Speaker 1: I like him and that's okay, comedy subjective. But cut

1304
01:12:46,920 --> 01:12:50,200
Speaker 1: to he's fucking huge now. And I kept saying to myself,

1305
01:12:50,240 --> 01:12:52,360
Speaker 1: I wonder if he saw that interview. And I don't

1306
01:12:52,360 --> 01:12:54,280
Speaker 1: know whether he did. It didn't Maybe some other dudes

1307
01:12:54,320 --> 01:12:56,479
Speaker 1: got in his heir. But this is when he was

1308
01:12:57,000 --> 01:13:00,479
Speaker 1: casting to the last o g and idition for the

1309
01:13:00,600 --> 01:13:07,200
Speaker 1: role et Cedric God that says he produced it directed

1310
01:13:08,000 --> 01:13:11,600
Speaker 1: get Out from get Out and yeah, that's yeah. So

1311
01:13:11,680 --> 01:13:14,840
Speaker 1: I read the breakdown and I go produced by Jordan Peale,

1312
01:13:14,840 --> 01:13:17,680
Speaker 1: I said, ship. So I went to the audition that

1313
01:13:17,840 --> 01:13:19,760
Speaker 1: day and I walked in the room. Now he could

1314
01:13:19,800 --> 01:13:21,720
Speaker 1: have played it where it was like yeah and then

1315
01:13:21,800 --> 01:13:23,800
Speaker 1: I know what you said and made me feel it,

1316
01:13:24,160 --> 01:13:26,599
Speaker 1: but he didn't. He was like everything south. He shook

1317
01:13:26,680 --> 01:13:29,720
Speaker 1: the hands, we did the thing, and I'm as I'm auditioning.

1318
01:13:30,280 --> 01:13:32,840
Speaker 1: I didn't get it from him, but the white guys

1319
01:13:32,880 --> 01:13:34,519
Speaker 1: who were working with him, I said, I know they've

1320
01:13:34,560 --> 01:13:36,240
Speaker 1: got in his ear and said, yo, you need to

1321
01:13:36,240 --> 01:13:38,719
Speaker 1: see what this nick said about you, because the vibe

1322
01:13:38,760 --> 01:13:43,280
Speaker 1: in the room was just you could feel it. So,

1323
01:13:43,840 --> 01:13:45,920
Speaker 1: you know, that's one of those moments where I said

1324
01:13:46,000 --> 01:13:48,559
Speaker 1: what I said, and even when I did my interview

1325
01:13:48,600 --> 01:13:51,080
Speaker 1: on Comedy Hype, I said, I still stand by what

1326
01:13:51,200 --> 01:13:54,639
Speaker 1: I said, but maybe I just shouldn't have said. I'm

1327
01:13:54,640 --> 01:13:57,439
Speaker 1: not gonna change my opinion, but maybe I shouldn't just

1328
01:13:57,520 --> 01:14:00,200
Speaker 1: not have said it period, because that's one of those

1329
01:14:00,280 --> 01:14:04,000
Speaker 1: moments where you know, yeah, motherfucker, payback, but you just

1330
01:14:04,040 --> 01:14:07,240
Speaker 1: said it again. Well I took the same stand, not

1331
01:14:07,439 --> 01:14:10,040
Speaker 1: changing what I said, but it is. But now it's

1332
01:14:10,080 --> 01:14:13,960
Speaker 1: out there, so said what you said, you should have

1333
01:14:14,000 --> 01:14:16,400
Speaker 1: just it should have been said. Well, yeah, but those

1334
01:14:16,439 --> 01:14:19,360
Speaker 1: are the repercussions right like like like again again, I

1335
01:14:19,479 --> 01:14:21,599
Speaker 1: think that those guys are funny in their own way.

1336
01:14:22,320 --> 01:14:27,680
Speaker 1: I think at first way comedy, I think sorry to

1337
01:14:27,720 --> 01:14:30,519
Speaker 1: quit like this, but I think comedy. Since you sold

1338
01:14:30,760 --> 01:14:33,000
Speaker 1: us as fans, now you could look at it something

1339
01:14:33,080 --> 01:14:37,439
Speaker 1: totally different. But for me, comedy, since you sold this

1340
01:14:37,560 --> 01:14:41,439
Speaker 1: is the new Chapelle. Yeah, this is how this how

1341
01:14:41,479 --> 01:14:44,240
Speaker 1: it is presented to me as a fan replacement, this

1342
01:14:44,400 --> 01:14:47,120
Speaker 1: is this is the new Chapelle. Even before that there

1343
01:14:47,200 --> 01:14:51,200
Speaker 1: was Carlos Sancia and that went through its troubles, right,

1344
01:14:51,439 --> 01:14:53,559
Speaker 1: But but I think they were always trying to find

1345
01:14:53,640 --> 01:14:56,160
Speaker 1: the new Chappelle shell right, when you create that kind

1346
01:14:56,200 --> 01:15:00,719
Speaker 1: of noise, the revenue they want that they want. Dennis,

1347
01:15:01,120 --> 01:15:02,920
Speaker 1: what did you think when when you found out he

1348
01:15:02,960 --> 01:15:05,760
Speaker 1: went to Africa? I didn't really have an opinion on it,

1349
01:15:05,920 --> 01:15:08,000
Speaker 1: you know. And then later when he did interviews where

1350
01:15:08,040 --> 01:15:12,320
Speaker 1: he talked about particularly on the inside the actors studio,

1351
01:15:12,720 --> 01:15:15,040
Speaker 1: when he talked about Hollywood in the business and what's

1352
01:15:15,080 --> 01:15:21,760
Speaker 1: insane one noticed the one with the guys the white guy. Yeah. Yeah,

1353
01:15:23,439 --> 01:15:26,880
Speaker 1: but Dave is so insightful that that, you know, he

1354
01:15:27,000 --> 01:15:29,320
Speaker 1: said things in interviews that that kind of made you

1355
01:15:29,439 --> 01:15:32,840
Speaker 1: go he wasn't crazy. I noticed suspend they wanted to

1356
01:15:32,880 --> 01:15:35,400
Speaker 1: put on it, but he wasn't crazy, you know. He

1357
01:15:35,560 --> 01:15:37,200
Speaker 1: he had to get away from it. He talked about

1358
01:15:37,240 --> 01:15:39,840
Speaker 1: the incident where Martin Lawrence was, you know, I guess

1359
01:15:39,920 --> 01:15:42,920
Speaker 1: running down the street and clothes and bugging in the street,

1360
01:15:42,920 --> 01:15:44,760
Speaker 1: and he goes, you know, what kind of industry do

1361
01:15:44,880 --> 01:15:47,000
Speaker 1: we live in? That's so sick that would make a

1362
01:15:47,040 --> 01:15:49,280
Speaker 1: person do that? You know what I'm saying that Again,

1363
01:15:49,360 --> 01:15:52,120
Speaker 1: we don't know the facts. Facts, was Martin on someone

1364
01:15:52,160 --> 01:15:55,040
Speaker 1: who knows? Only Martin knows that. But I'm telling you

1365
01:15:55,120 --> 01:15:57,519
Speaker 1: this bas definitely PCP that well, based on what I

1366
01:15:57,600 --> 01:16:00,760
Speaker 1: know about this industry and what I've been through, I

1367
01:16:00,800 --> 01:16:02,280
Speaker 1: don't know too many people that make it in this

1368
01:16:02,400 --> 01:16:10,679
Speaker 1: industry sober because this businessman still your spirit, still your spirit? Yeah,

1369
01:16:10,840 --> 01:16:23,559
Speaker 1: we it's real sick because I like, you know, knowing

1370
01:16:23,640 --> 01:16:27,000
Speaker 1: that you was coming today, did you hit it again? Yeah,

1371
01:16:27,160 --> 01:16:32,400
Speaker 1: this interview is going to be very different knowing that

1372
01:16:32,520 --> 01:16:34,960
Speaker 1: she was coming today. I see all your interviews prior

1373
01:16:35,840 --> 01:16:39,640
Speaker 1: and obviously lead the comments and so many people like

1374
01:16:39,720 --> 01:16:42,439
Speaker 1: when we have opinion of somebody else and people think

1375
01:16:42,479 --> 01:16:45,240
Speaker 1: that you're doing better, the automatic cord your halo, right.

1376
01:16:46,600 --> 01:16:49,640
Speaker 1: So I went and I really assessed everything, and I

1377
01:16:49,800 --> 01:16:52,639
Speaker 1: saw every point that you were trying to make back

1378
01:16:52,720 --> 01:16:54,880
Speaker 1: then today, like I just saw it. I was just

1379
01:16:55,000 --> 01:16:56,720
Speaker 1: like I like because I was supposed to only watch

1380
01:16:56,800 --> 01:16:58,960
Speaker 1: like three or four and I just walked around my

1381
01:16:59,000 --> 01:17:02,759
Speaker 1: house the whole day when I watched about like twelve

1382
01:17:03,000 --> 01:17:05,920
Speaker 1: twelve different things. You're doing the press as a DMX,

1383
01:17:05,960 --> 01:17:09,559
Speaker 1: You're doing, uh, You're being asked this question, you being

1384
01:17:09,920 --> 01:17:13,000
Speaker 1: a blad being asked this question about this, and and

1385
01:17:13,200 --> 01:17:15,800
Speaker 1: and and so on and so forth. But me going

1386
01:17:15,880 --> 01:17:20,920
Speaker 1: through all of that, it took me twelve twelve different

1387
01:17:21,000 --> 01:17:27,600
Speaker 1: things for me to understand. Your point is because so

1388
01:17:27,680 --> 01:17:30,120
Speaker 1: many people like you know, I guess it's that light.

1389
01:17:30,200 --> 01:17:38,800
Speaker 1: I think you spoke about it, um and and and

1390
01:17:38,960 --> 01:17:41,920
Speaker 1: and and they say that it's one person chosen in

1391
01:17:42,080 --> 01:17:49,320
Speaker 1: Hollywood a year, right, black people maybe right, And it's

1392
01:17:49,560 --> 01:17:54,880
Speaker 1: it's it's, it's it's. It's so much the same in

1393
01:17:54,960 --> 01:17:59,639
Speaker 1: the music business, like meaning like we have a run, right,

1394
01:17:59,720 --> 01:18:02,080
Speaker 1: like you have a crazy one that you have a run,

1395
01:18:02,320 --> 01:18:06,280
Speaker 1: but then at some point it just slows down. It

1396
01:18:06,360 --> 01:18:09,360
Speaker 1: doesn't stop, it slows down and you have to do

1397
01:18:09,640 --> 01:18:14,040
Speaker 1: something else. Have you have you have you guys reached

1398
01:18:14,080 --> 01:18:17,560
Speaker 1: that point? I mean, I guess I'm lucky enough to

1399
01:18:17,640 --> 01:18:21,680
Speaker 1: where one I'm not out there overexposed. So you know,

1400
01:18:21,760 --> 01:18:23,679
Speaker 1: and this, this is another thing I love about Dave.

1401
01:18:24,080 --> 01:18:28,960
Speaker 1: You don't see Dave in a shiploaded interviews. And let

1402
01:18:29,000 --> 01:18:31,519
Speaker 1: me just say again, please, I don't want this to

1403
01:18:31,600 --> 01:18:34,800
Speaker 1: be perceived wrong, different strokes, different folks. If it works

1404
01:18:34,840 --> 01:18:39,360
Speaker 1: for you, great, You see Kevin Hard everywhere, and that's fine,

1405
01:18:39,479 --> 01:18:41,679
Speaker 1: that's you know, he's on he's the movie man whatever.

1406
01:18:42,600 --> 01:18:45,599
Speaker 1: But I think when you leave mystery, it makes people

1407
01:18:45,640 --> 01:18:48,479
Speaker 1: wonder what are you doing? And it adds to your mistique.

1408
01:18:48,880 --> 01:18:51,160
Speaker 1: As much as I love Michael Jordan, I'm a Michael

1409
01:18:51,200 --> 01:18:54,040
Speaker 1: Jordan fanatic, I love the fact that I don't see

1410
01:18:54,080 --> 01:18:58,920
Speaker 1: him like I see Barkley every Thursday, because it adds

1411
01:18:58,960 --> 01:19:01,400
Speaker 1: to my see you don't see nos and you don't

1412
01:19:01,400 --> 01:19:04,280
Speaker 1: see about him everything like you don't see that like

1413
01:19:04,400 --> 01:19:07,400
Speaker 1: those cards. A different business model, That's what I'm saying.

1414
01:19:07,439 --> 01:19:10,040
Speaker 1: It could just be that, So you know, for me,

1415
01:19:10,160 --> 01:19:13,040
Speaker 1: I'm just like, because I'm trying to understand what you're saying.

1416
01:19:13,040 --> 01:19:16,120
Speaker 1: Would you mean a different business life. Maybe someone says

1417
01:19:16,200 --> 01:19:19,320
Speaker 1: I need to get myself overexposed and make this kind

1418
01:19:19,360 --> 01:19:21,280
Speaker 1: of bread in this kind of way, and then other

1419
01:19:21,320 --> 01:19:26,160
Speaker 1: people say, well, I'll reserve myself to this kind of bag, understand,

1420
01:19:26,200 --> 01:19:29,080
Speaker 1: and one is not better than another. It's I'm boking

1421
01:19:29,200 --> 01:19:31,240
Speaker 1: maybe the same amount of money. I'm just saying for me,

1422
01:19:31,439 --> 01:19:33,280
Speaker 1: you know what I'm saying. I think when people, especially

1423
01:19:33,360 --> 01:19:35,280
Speaker 1: when people love you and they want to see you

1424
01:19:35,600 --> 01:19:39,920
Speaker 1: and you're not always available, you keep that desire, that burden,

1425
01:19:40,040 --> 01:19:42,720
Speaker 1: desire for them to keep looking for you. UM. So

1426
01:19:42,840 --> 01:19:47,280
Speaker 1: I'm not looking to oversaturate myself for one um. And

1427
01:19:47,439 --> 01:19:50,920
Speaker 1: you know again, it's like they say, game recognize game.

1428
01:19:52,840 --> 01:19:55,320
Speaker 1: If people see an interview, if they see my work

1429
01:19:55,439 --> 01:19:59,080
Speaker 1: and they go this thing is so authentic, or he's

1430
01:19:59,160 --> 01:20:02,920
Speaker 1: so talented. For somebody who doesn't have a movie career,

1431
01:20:03,400 --> 01:20:05,960
Speaker 1: if for somebody who ain't been on TV consistently since

1432
01:20:06,040 --> 01:20:08,479
Speaker 1: Mad and it's been a minute, the fact that I'm

1433
01:20:08,479 --> 01:20:09,920
Speaker 1: still able to go out on the road and put

1434
01:20:09,920 --> 01:20:13,360
Speaker 1: asses in the seats is a testament to something that

1435
01:20:13,479 --> 01:20:16,760
Speaker 1: people know. You're with this sniging, I'm gonna get this

1436
01:20:17,439 --> 01:20:21,080
Speaker 1: and fox with it. Do you do do you think

1437
01:20:21,240 --> 01:20:24,280
Speaker 1: this is a crazy question? Do you think you suffer

1438
01:20:25,439 --> 01:20:31,760
Speaker 1: from your own success? Like meaning like Fat Joe goes

1439
01:20:31,960 --> 01:20:35,479
Speaker 1: all out every year right to make a crazy record.

1440
01:20:35,520 --> 01:20:38,120
Speaker 1: I see him every year, and then he makes a

1441
01:20:38,240 --> 01:20:42,240
Speaker 1: record and it works, and then the people say, well,

1442
01:20:42,320 --> 01:20:47,960
Speaker 1: I'm supposed to work so so I don't know if

1443
01:20:48,000 --> 01:20:51,639
Speaker 1: you've got people like this a little It works all

1444
01:20:51,840 --> 01:20:55,320
Speaker 1: year to make a crazy hit and it comes to

1445
01:20:55,479 --> 01:20:58,479
Speaker 1: hit and people accept it. They say, Okay, this is

1446
01:20:58,479 --> 01:21:01,040
Speaker 1: a little back new flowing my way up, this is

1447
01:21:01,080 --> 01:21:03,360
Speaker 1: a new sus. But then at the same tone and

1448
01:21:03,400 --> 01:21:05,560
Speaker 1: they say, so what he was supposed to make it

1449
01:21:06,000 --> 01:21:11,800
Speaker 1: because he's subjected to make the best product and you're you're, you're,

1450
01:21:11,920 --> 01:21:14,120
Speaker 1: I don't want to say supposed to but but it's

1451
01:21:14,160 --> 01:21:16,519
Speaker 1: not a surprise. But he still get the props that

1452
01:21:16,600 --> 01:21:19,760
Speaker 1: he deserves because they almost say he's supposed to make

1453
01:21:19,800 --> 01:21:23,599
Speaker 1: it home run? Is that technically he is because he's talented,

1454
01:21:23,680 --> 01:21:25,960
Speaker 1: he's got the goods, But if he don't apply the

1455
01:21:26,040 --> 01:21:28,720
Speaker 1: work ethic and he's lazy with it and he just

1456
01:21:28,800 --> 01:21:30,840
Speaker 1: acts like it's supposed to be, be stoked upon him

1457
01:21:31,240 --> 01:21:35,040
Speaker 1: and much different. But what I'm saying is like, there's

1458
01:21:35,080 --> 01:21:39,280
Speaker 1: not a lot of losses on Europe. Behalf like this.

1459
01:21:40,200 --> 01:21:44,400
Speaker 1: You know this, you rock both places right so now

1460
01:21:44,640 --> 01:21:47,799
Speaker 1: you is is that is that when people just expected

1461
01:21:47,920 --> 01:21:50,880
Speaker 1: you like they oh, every rocked him on the place,

1462
01:21:51,040 --> 01:21:54,400
Speaker 1: but he's supposed to. I mean, they might expect it.

1463
01:21:54,479 --> 01:21:56,519
Speaker 1: But at the same time, again, I'm not. I'm not

1464
01:21:56,680 --> 01:22:00,519
Speaker 1: everywhere to where you can judge me so much, you

1465
01:22:00,600 --> 01:22:03,240
Speaker 1: know what I'm saying, Like, look, man, there's no reason

1466
01:22:03,320 --> 01:22:06,200
Speaker 1: why I should If it's like they give everybody under

1467
01:22:06,240 --> 01:22:09,240
Speaker 1: the sun that's a comic a show on Comedy Central.

1468
01:22:09,600 --> 01:22:11,639
Speaker 1: There's no reason why I shouldn't have a show. There's

1469
01:22:11,680 --> 01:22:14,320
Speaker 1: no reason why I shouldn't have special. Netflix turned me down.

1470
01:22:14,800 --> 01:22:17,200
Speaker 1: You know, people keep saying to me, you should have Netflix,

1471
01:22:17,520 --> 01:22:19,519
Speaker 1: but they keep turning their Netflix turned me down. And

1472
01:22:19,600 --> 01:22:22,120
Speaker 1: when I got in that before, I don't know what

1473
01:22:22,240 --> 01:22:24,960
Speaker 1: the timing of when it was. But even with when

1474
01:22:25,000 --> 01:22:28,799
Speaker 1: I had that incident with Corey hokem at my manager.

1475
01:22:29,240 --> 01:22:33,080
Speaker 1: Not the fight, the fight, yeah that was the part. Yeah,

1476
01:22:33,120 --> 01:22:36,000
Speaker 1: the interview joint. My my manager went to try to

1477
01:22:36,080 --> 01:22:38,320
Speaker 1: get me a Netflix special, and he said a couple

1478
01:22:38,360 --> 01:22:40,640
Speaker 1: of the executives said they saw the Corey olcom thing

1479
01:22:40,760 --> 01:22:44,360
Speaker 1: and went, they laughed, they went, he deserved it good.

1480
01:22:45,200 --> 01:22:46,759
Speaker 1: And not only did they not give me the special,

1481
01:22:46,840 --> 01:22:49,639
Speaker 1: they felt I deserved that. Let me task you something

1482
01:22:49,720 --> 01:22:53,960
Speaker 1: because um I saw it years ago did understand it,

1483
01:22:54,040 --> 01:22:56,679
Speaker 1: but dude, I had the obviously when I'm Google today

1484
01:22:57,040 --> 01:23:00,720
Speaker 1: it popped up, but I actually didn't understand n what

1485
01:23:01,040 --> 01:23:06,400
Speaker 1: actually transpired, like because Corey. As I'm looking at the

1486
01:23:06,560 --> 01:23:09,640
Speaker 1: interviews prior to that, I'm seeing the respect you have

1487
01:23:09,800 --> 01:23:14,200
Speaker 1: for Corey. I was in my top five. And let

1488
01:23:14,280 --> 01:23:16,360
Speaker 1: me say, for the record, I still think he's a

1489
01:23:16,400 --> 01:23:19,160
Speaker 1: great comedian. Just because the incident happened doesn't take away

1490
01:23:19,200 --> 01:23:21,920
Speaker 1: his ability. He's still a bad motherfucker. But we just

1491
01:23:22,080 --> 01:23:26,479
Speaker 1: definitely I feel like, I feel like what part made

1492
01:23:26,520 --> 01:23:29,000
Speaker 1: you feel like he wasn't your friend? No ball, Well,

1493
01:23:29,040 --> 01:23:31,920
Speaker 1: first of all, he never was my friend. Let me

1494
01:23:32,000 --> 01:23:35,080
Speaker 1: I just say he was somebody I respected and a

1495
01:23:35,160 --> 01:23:37,360
Speaker 1: colleague in the comedy game. I don't working around with

1496
01:23:37,479 --> 01:23:40,160
Speaker 1: that word friend. Friend is somebody who if you bury

1497
01:23:40,240 --> 01:23:43,679
Speaker 1: a body. Friend is somebody who you know what your lady,

1498
01:23:44,200 --> 01:23:46,200
Speaker 1: you know what I'm saying, who has your batch? You

1499
01:23:46,320 --> 01:23:47,960
Speaker 1: know my best friend is in the back of this

1500
01:23:48,080 --> 01:23:51,000
Speaker 1: room right now. So I don't take that word lightly.

1501
01:23:51,120 --> 01:23:55,120
Speaker 1: But to answer your question, after the incident went down,

1502
01:23:55,479 --> 01:23:58,160
Speaker 1: the stance he took right when it happened, it was

1503
01:23:58,280 --> 01:24:01,599
Speaker 1: very different the next day and I didn't understand that. Okay,

1504
01:24:01,640 --> 01:24:03,559
Speaker 1: I don't understand you right now, So would you mean

1505
01:24:03,640 --> 01:24:06,000
Speaker 1: like what happened at that at the moment it popped

1506
01:24:06,040 --> 01:24:09,200
Speaker 1: off and and you know, in the heat of the moment,

1507
01:24:09,800 --> 01:24:12,439
Speaker 1: he was saying one thing to me like, you know,

1508
01:24:12,680 --> 01:24:14,960
Speaker 1: oh man, that's crazy. Was fucked up what he did?

1509
01:24:15,080 --> 01:24:18,120
Speaker 1: And dude is wrong. But then because it wasn't him,

1510
01:24:18,160 --> 01:24:21,600
Speaker 1: that just it wasn't Corey was it was Williams or

1511
01:24:21,600 --> 01:24:25,040
Speaker 1: whatever his name was. But then after days later I

1512
01:24:25,160 --> 01:24:27,800
Speaker 1: called Corey back and was like, nigga blah blah blah blah,

1513
01:24:28,080 --> 01:24:31,040
Speaker 1: and he was like, nah, man, you was tripping. You

1514
01:24:31,240 --> 01:24:34,120
Speaker 1: was fucking up. You was you had too much tanker

1515
01:24:34,240 --> 01:24:38,080
Speaker 1: ray you was. I was like, that's different from what

1516
01:24:38,160 --> 01:24:40,280
Speaker 1: you told me. So then that kind of just and

1517
01:24:40,360 --> 01:24:43,400
Speaker 1: we like that SESSI story here, I guess, and it

1518
01:24:43,600 --> 01:24:48,280
Speaker 1: just dramatically changed, you know, because because that's that's the thing. Now,

1519
01:24:48,920 --> 01:24:51,640
Speaker 1: let me ask you, because I don't know, um is

1520
01:24:51,800 --> 01:24:55,040
Speaker 1: Zoe Williams and commedia and that was no. But here

1521
01:24:55,160 --> 01:24:57,320
Speaker 1: was my mistake. And I said this in many interviews

1522
01:24:58,400 --> 01:25:01,040
Speaker 1: because Corey was my guy again and there was a

1523
01:25:01,160 --> 01:25:03,800
Speaker 1: risk my guy. All he had to do was say

1524
01:25:03,840 --> 01:25:05,640
Speaker 1: to me. What he said was, which was, Yo, this

1525
01:25:05,760 --> 01:25:08,800
Speaker 1: is Zoe Williams. It's my man. Okay, so your man

1526
01:25:08,920 --> 01:25:12,160
Speaker 1: is now my man for you. And I thought the

1527
01:25:12,280 --> 01:25:17,120
Speaker 1: same thing that we're doing him. We could do that drinks.

1528
01:25:17,560 --> 01:25:19,800
Speaker 1: So I'm like, let's say you so oh and again

1529
01:25:19,840 --> 01:25:21,719
Speaker 1: I'm from New York. I talked with a certain flair

1530
01:25:21,760 --> 01:25:24,320
Speaker 1: with a passion, and I let my guard down. So

1531
01:25:24,439 --> 01:25:27,000
Speaker 1: I'm talking, we in it. I'm got to tang ray

1532
01:25:29,400 --> 01:25:32,320
Speaker 1: crazy and there's a little bit of contact. I'm I'm

1533
01:25:32,400 --> 01:25:38,000
Speaker 1: excited a little bit. So it's doing this and I was,

1534
01:25:38,640 --> 01:25:40,840
Speaker 1: and I was saying, ship and look, here's the thing

1535
01:25:40,880 --> 01:25:43,479
Speaker 1: about comics, like rappers or whatever. When you're in the

1536
01:25:43,560 --> 01:25:46,000
Speaker 1: same hustle, you know how to break each other's balls

1537
01:25:46,360 --> 01:25:49,000
Speaker 1: and then they ever gonna be no animosity we jokes.

1538
01:25:49,160 --> 01:25:52,400
Speaker 1: Was what we do is we eat. I assumed he

1539
01:25:52,560 --> 01:25:56,519
Speaker 1: was in that world. He's a civilian. He's a regular civilian.

1540
01:25:56,840 --> 01:26:00,800
Speaker 1: So what I'm saying is touching nerves when I'm thinking comics, Nigga,

1541
01:26:00,840 --> 01:26:02,960
Speaker 1: this we feel. We give and take. If I give

1542
01:26:03,000 --> 01:26:04,880
Speaker 1: it to you, you give it to me ten times

1543
01:26:04,960 --> 01:26:07,479
Speaker 1: back as good. So I guess you know I didn't

1544
01:26:07,479 --> 01:26:10,360
Speaker 1: want too many me slaps and you know, I'm masage

1545
01:26:10,400 --> 01:26:13,639
Speaker 1: this nigga's tissues, and he got upset and the ship

1546
01:26:13,720 --> 01:26:15,599
Speaker 1: went the way it went. But like I said, that's

1547
01:26:15,680 --> 01:26:18,040
Speaker 1: my fault because I went in there with the with

1548
01:26:18,600 --> 01:26:20,479
Speaker 1: I just went in in with my guard down, and

1549
01:26:20,640 --> 01:26:22,719
Speaker 1: I said, I would never do that again. I believe.

1550
01:26:22,920 --> 01:26:26,080
Speaker 1: I believe comedians has to be comedians. Um, that's the

1551
01:26:26,120 --> 01:26:28,200
Speaker 1: reason why I was like, like yo, wal and ways

1552
01:26:28,320 --> 01:26:31,640
Speaker 1: we had to like literally kick him out because he

1553
01:26:31,880 --> 01:26:33,680
Speaker 1: just he just fell in love with us. He just

1554
01:26:33,880 --> 01:26:36,600
Speaker 1: kept kept smoking and he just was like he just

1555
01:26:36,760 --> 01:26:39,000
Speaker 1: like you know what, like he felt comfortable cause we

1556
01:26:39,240 --> 01:26:44,639
Speaker 1: like we understand comedians like you could cloud everybody. Russell

1557
01:26:44,680 --> 01:26:47,240
Speaker 1: Peters came here as well, and Russell Peter sip Right

1558
01:26:47,320 --> 01:26:49,680
Speaker 1: were FM is that we we got him high, we

1559
01:26:49,760 --> 01:26:54,680
Speaker 1: got him fucked up. And he joked on Twitter and

1560
01:26:54,720 --> 01:26:59,000
Speaker 1: Twitter's paradise everyone could see the twinnters paradise and I

1561
01:26:59,120 --> 01:27:01,000
Speaker 1: didn't know because he he kind of went a little

1562
01:27:01,040 --> 01:27:03,800
Speaker 1: too farn like just like for a certain thing, and

1563
01:27:03,920 --> 01:27:05,519
Speaker 1: I had to but he was saying it to me,

1564
01:27:05,920 --> 01:27:07,880
Speaker 1: but I had to pull twinters aside, and I'm like, Yo,

1565
01:27:08,560 --> 01:27:10,640
Speaker 1: we gotta let a comedian be a comedian. That's like

1566
01:27:10,760 --> 01:27:12,720
Speaker 1: me telling me, you know, you can't be that much

1567
01:27:12,760 --> 01:27:15,960
Speaker 1: of a rapper, like I can't, you can't. I don't

1568
01:27:16,000 --> 01:27:17,639
Speaker 1: want nobody to judge me like that. I don't want

1569
01:27:17,640 --> 01:27:19,920
Speaker 1: nobody to say, yo, yo, you know what, say what what?

1570
01:27:20,160 --> 01:27:23,640
Speaker 1: Don't say? What? What? What? What? What? What? What? You?

1571
01:27:24,720 --> 01:27:31,800
Speaker 1: Three tools? The tools is okay, but three periously. I

1572
01:27:31,880 --> 01:27:34,600
Speaker 1: don't want somebody to do that. So I stepped the

1573
01:27:34,680 --> 01:27:37,720
Speaker 1: twinter that I said, yo, look, I know what comedians do.

1574
01:27:38,080 --> 01:27:41,240
Speaker 1: And Twinter looked at me like, yo, fun didn't give

1575
01:27:41,280 --> 01:27:46,040
Speaker 1: a fun. He went some way where he sound on him. No,

1576
01:27:48,640 --> 01:27:55,400
Speaker 1: he was just you, just like physically like he was

1577
01:27:55,439 --> 01:27:56,640
Speaker 1: just you know, I was gonna say, he wouldn't be

1578
01:27:56,680 --> 01:28:09,439
Speaker 1: able to feel like, no, don't because that and that's

1579
01:28:09,520 --> 01:28:13,680
Speaker 1: that's that's the thing is comedians. I'd love to say

1580
01:28:13,680 --> 01:28:16,960
Speaker 1: I feel sorry for y'all, but I watched because the

1581
01:28:17,080 --> 01:28:20,599
Speaker 1: thing is what makes me the same person is watching

1582
01:28:20,680 --> 01:28:24,200
Speaker 1: you motherfucker's make fun of me, watching your motherfucker's make

1583
01:28:24,240 --> 01:28:26,280
Speaker 1: fun of what's happening. You know what's funny? Man? I

1584
01:28:26,360 --> 01:28:29,719
Speaker 1: got then when as you say that, and most people

1585
01:28:29,760 --> 01:28:32,000
Speaker 1: are like that, but you know, I tell you a

1586
01:28:32,160 --> 01:28:36,040
Speaker 1: rapper who sense of humors was? You know ll I

1587
01:28:36,160 --> 01:28:38,519
Speaker 1: did a movie called Out of Same with ll Um.

1588
01:28:39,280 --> 01:28:41,560
Speaker 1: I was, and I was playing his best friend and

1589
01:28:41,640 --> 01:28:43,800
Speaker 1: I would, you know, imitate him in front of him.

1590
01:28:50,120 --> 01:28:55,800
Speaker 1: It's crazy, man, it's kind of funny people. While so

1591
01:28:56,000 --> 01:28:58,439
Speaker 1: he wasn't. Really he felt like I was making fun

1592
01:28:58,560 --> 01:29:02,920
Speaker 1: of him instead of trying to last you well. And

1593
01:29:03,000 --> 01:29:06,040
Speaker 1: you know, listen and certain interviews and certain things I've done,

1594
01:29:06,320 --> 01:29:08,439
Speaker 1: like I said, I go, I go hard, like on

1595
01:29:08,560 --> 01:29:11,240
Speaker 1: my CD did I did a prank call where I

1596
01:29:11,320 --> 01:29:13,880
Speaker 1: did LLL call with a gay club trying trying to

1597
01:29:13,920 --> 01:29:19,880
Speaker 1: get in on Filipino night. How's this gone? It's so

1598
01:29:20,040 --> 01:29:22,840
Speaker 1: specific thought, that's what I just I was. I called

1599
01:29:22,880 --> 01:29:24,920
Speaker 1: the club up and I said, you know, I want

1600
01:29:24,960 --> 01:29:28,280
Speaker 1: to come in on Filipino night. It's a Filipino night.

1601
01:29:28,280 --> 01:29:30,880
Speaker 1: I want to sit and boot with Hoodie on. You

1602
01:29:31,040 --> 01:29:34,280
Speaker 1: have a cocon up the way you're only chaps. I'm

1603
01:29:34,280 --> 01:29:37,040
Speaker 1: gonna sit with the Filipino boy, not man. Its crazy man,

1604
01:29:39,720 --> 01:29:42,639
Speaker 1: you know, so you know, and I think word got

1605
01:29:42,720 --> 01:29:44,960
Speaker 1: back to him and he kind of you know, but

1606
01:29:45,040 --> 01:29:46,840
Speaker 1: that's what I'm stilling there. This was on the set

1607
01:29:47,120 --> 01:29:49,760
Speaker 1: he just was on my comedy CD. My on the

1608
01:29:49,800 --> 01:29:51,840
Speaker 1: set like you and oh no, no, no, no, I

1609
01:29:51,880 --> 01:29:55,240
Speaker 1: mean I mean you know you've already done that. Yeah,

1610
01:29:55,320 --> 01:29:58,240
Speaker 1: he got a set. But how about DMX, like when

1611
01:29:58,280 --> 01:30:01,360
Speaker 1: you when you met DMX that he app Well, here's funny. Uh.

1612
01:30:01,640 --> 01:30:03,560
Speaker 1: I remember jay Z was doing a concert at the

1613
01:30:03,560 --> 01:30:06,200
Speaker 1: Staple Center and that week we had Meth and Read

1614
01:30:06,280 --> 01:30:09,360
Speaker 1: on Mad TV. So Meth was like, Yo, I'm hanging

1615
01:30:09,400 --> 01:30:11,760
Speaker 1: out with hold the Staple Center. Your roll with me?

1616
01:30:11,920 --> 01:30:14,400
Speaker 1: So I did so again. My CD had just come out,

1617
01:30:14,479 --> 01:30:17,400
Speaker 1: So I'm bumping in the bustle rhymes and everybody, and

1618
01:30:17,680 --> 01:30:19,519
Speaker 1: you hold up my CD and promoted give me a

1619
01:30:19,520 --> 01:30:21,360
Speaker 1: shout out of y'all, and it was all doing it.

1620
01:30:21,880 --> 01:30:25,040
Speaker 1: So I've seen X and I said X man my CD.

1621
01:30:25,120 --> 01:30:28,760
Speaker 1: He stopped me said, you're dog I the hologen so

1622
01:30:29,120 --> 01:30:32,840
Speaker 1: and here yeah, mam, mistake he was. He was hanging

1623
01:30:32,880 --> 01:30:34,920
Speaker 1: out in one of the locker rooms and in the

1624
01:30:35,000 --> 01:30:38,080
Speaker 1: locker room there's only one way in, and so it

1625
01:30:38,160 --> 01:30:41,760
Speaker 1: gave me being naive. I walk in the locker room. Uh,

1626
01:30:41,880 --> 01:30:44,400
Speaker 1: he comes in next, but then fifteen niggers come in

1627
01:30:45,040 --> 01:30:48,320
Speaker 1: and they all formed a circle around me and Accident's

1628
01:30:48,360 --> 01:30:50,240
Speaker 1: just me and X in the middle. And then the

1629
01:30:50,360 --> 01:30:53,280
Speaker 1: last dude comes into security. He slams the door boom

1630
01:30:53,600 --> 01:30:55,960
Speaker 1: and stands right in front of the door and he said,

1631
01:30:56,040 --> 01:30:58,160
Speaker 1: your dog my voice I heard some days with my voice.

1632
01:30:58,680 --> 01:31:00,920
Speaker 1: I said, well, look, as just want you to promote

1633
01:31:00,920 --> 01:31:03,080
Speaker 1: the CD. I'll tell you what, come to my hotel

1634
01:31:03,200 --> 01:31:05,479
Speaker 1: in me here. If the ship is real, yeah, if

1635
01:31:05,520 --> 01:31:18,720
Speaker 1: it's not, here's my here's here's then let's go back.

1636
01:31:18,880 --> 01:31:20,680
Speaker 1: Let's go back to what I was talking about, the

1637
01:31:20,800 --> 01:31:26,240
Speaker 1: degrees of blackness. Now I'm a legit ut nigger. Here's

1638
01:31:26,280 --> 01:31:29,880
Speaker 1: how I know I'm not nigger. Nigga was talking to

1639
01:31:29,960 --> 01:31:31,680
Speaker 1: me and at one point this nigga said, you're dog

1640
01:31:31,720 --> 01:31:34,400
Speaker 1: and pulled the razor blade out from under this talk.

1641
01:31:35,360 --> 01:31:36,880
Speaker 1: And I looked at that ship and I said, this

1642
01:31:37,080 --> 01:31:40,760
Speaker 1: nigger can talk without cutting inside. I said, now I

1643
01:31:40,840 --> 01:31:42,800
Speaker 1: know the difference between me and this nigger can do that.

1644
01:31:43,040 --> 01:31:48,400
Speaker 1: I'm the hustings that breathe and nigger right there. I'm

1645
01:31:48,439 --> 01:31:51,680
Speaker 1: so ashamed to say I can do that. As that's

1646
01:31:51,720 --> 01:31:54,240
Speaker 1: that's the racking Ziland. I'm so sorry. So that's the

1647
01:31:54,280 --> 01:32:01,479
Speaker 1: rest of nineties. So how about whole what was your

1648
01:32:01,479 --> 01:32:06,479
Speaker 1: first impression and you meeting home. Uh, well, the first

1649
01:32:06,560 --> 01:32:08,799
Speaker 1: time I met him, I had to do an interview.

1650
01:32:08,840 --> 01:32:11,960
Speaker 1: I was interviewing to me a grand Grant Hills wife

1651
01:32:12,400 --> 01:32:15,400
Speaker 1: for a magazine and it was at this spot in

1652
01:32:15,439 --> 01:32:17,639
Speaker 1: Beverly Hills where you know, they had a little restaurant

1653
01:32:17,680 --> 01:32:20,519
Speaker 1: outdoor joint. So I'm sitting with her at the table

1654
01:32:20,680 --> 01:32:22,200
Speaker 1: and he comes in and I remember he had had

1655
01:32:22,240 --> 01:32:25,200
Speaker 1: on backwards in a wife beater. He obviously knew she

1656
01:32:25,360 --> 01:32:28,200
Speaker 1: was he. I wasn't nobody at the time to me,

1657
01:32:29,000 --> 01:32:31,720
Speaker 1: So he went over to give her love and sing,

1658
01:32:32,640 --> 01:32:35,360
Speaker 1: and uh, I was like, yo, whole man, big fan man,

1659
01:32:35,439 --> 01:32:40,720
Speaker 1: whatever is nagn played me like. It was like damn so.

1660
01:32:40,840 --> 01:32:43,439
Speaker 1: And I hadn't really seen him after that, but me

1661
01:32:43,520 --> 01:32:45,599
Speaker 1: and my people's we went to the Pacquial may Weather

1662
01:32:45,640 --> 01:32:48,240
Speaker 1: the fight, and when the fight was over, everybody was

1663
01:32:48,320 --> 01:32:51,439
Speaker 1: spilling out from the arena into the streets and you

1664
01:32:51,560 --> 01:32:54,960
Speaker 1: see Alan Iverson There's a little mob around him. Then

1665
01:32:55,040 --> 01:32:58,760
Speaker 1: that mob believes him and immediately goes over here. Because

1666
01:32:58,800 --> 01:33:02,680
Speaker 1: now it was Jay Beyonce walking hand by hand, and

1667
01:33:02,800 --> 01:33:06,240
Speaker 1: I just happened my movement to join their rhythm. So

1668
01:33:06,360 --> 01:33:08,559
Speaker 1: I'm right next to them as they walking and stride,

1669
01:33:08,960 --> 01:33:12,160
Speaker 1: and I said, U yo, jay Man, I big fan,

1670
01:33:12,280 --> 01:33:14,360
Speaker 1: man goes, I know who you are, nigga. I know

1671
01:33:21,479 --> 01:33:28,640
Speaker 1: how didn't say anything. I know who you are. I

1672
01:33:28,720 --> 01:33:30,479
Speaker 1: really I really wanted to break down to him and

1673
01:33:30,560 --> 01:33:32,639
Speaker 1: just give him a little bit. You know, I ain't

1674
01:33:32,640 --> 01:33:35,559
Speaker 1: animated like say a bust the moms sh you get

1675
01:33:35,560 --> 01:33:37,880
Speaker 1: when you break down my lines. Add that to the

1676
01:33:38,000 --> 01:33:40,280
Speaker 1: fact been plut a bunch of times times staff of

1677
01:33:40,360 --> 01:33:46,040
Speaker 1: mind flowing, so pop coaching everybody. We'll see what happens

1678
01:33:46,080 --> 01:34:01,479
Speaker 1: when I no longer exists. Now, how how shock? You

1679
01:34:01,560 --> 01:34:05,599
Speaker 1: know what's funny when people ask about the impressions, I say,

1680
01:34:05,600 --> 01:34:12,639
Speaker 1: it's always like being a musician. Singers have ear for tonation, pitch, um, riffs, tone,

1681
01:34:13,320 --> 01:34:16,040
Speaker 1: so it's like everybody's voice is a note. So shock

1682
01:34:16,160 --> 01:34:19,639
Speaker 1: is all based, you know. To be honest, I like Shock,

1683
01:34:20,320 --> 01:34:22,599
Speaker 1: But every time I meet him, he grabs my head

1684
01:34:22,920 --> 01:34:26,120
Speaker 1: and I know I actually can't meet him in the

1685
01:34:26,680 --> 01:34:29,519
Speaker 1: right So I'm just I'm just like a mad talking

1686
01:34:29,720 --> 01:34:32,439
Speaker 1: but I just really like yet, please, let's stop this.

1687
01:34:33,880 --> 01:34:36,439
Speaker 1: Let's do it like this. Let's uh ask ask me

1688
01:34:36,479 --> 01:34:39,519
Speaker 1: a questions? Asking me a question like we got asking

1689
01:34:39,520 --> 01:34:43,960
Speaker 1: me a basketball questions. Okay, Shock, Right now, we got

1690
01:34:44,080 --> 01:34:49,680
Speaker 1: Kevin Durant is going to the Brooklyn Nets, but he's

1691
01:34:49,720 --> 01:34:52,080
Speaker 1: gonna be out the whole season. He's gonna be out

1692
01:34:52,120 --> 01:34:54,600
Speaker 1: the whole season. How is the net season going to

1693
01:34:54,680 --> 01:34:58,240
Speaker 1: be like with just Kyrie? Is Kyrie hold down this

1694
01:34:58,360 --> 01:35:04,360
Speaker 1: whole season without? First of all, let me tell you what, brother,

1695
01:35:04,479 --> 01:35:08,559
Speaker 1: they already got a strong to us best best point guards.

1696
01:35:12,000 --> 01:35:24,360
Speaker 1: I just said, James, let's check me. Let's I just

1697
01:35:24,439 --> 01:35:26,479
Speaker 1: to tell people all the time, as long as Lebron

1698
01:35:26,560 --> 01:35:29,840
Speaker 1: got the others, it's what I'm gonna make the balls

1699
01:35:29,920 --> 01:35:31,280
Speaker 1: gonna do you want to do? But when he got

1700
01:35:31,320 --> 01:35:42,280
Speaker 1: the others, Jr. Let me let me, let me go back,

1701
01:35:42,360 --> 01:35:44,559
Speaker 1: let me go back town to why this is why

1702
01:35:44,560 --> 01:35:48,519
Speaker 1: I say I'm black balls. Y'all recently saw the NBA Awards, right,

1703
01:35:49,200 --> 01:35:51,599
Speaker 1: and they had that moment with Jay Farrow sat at

1704
01:35:51,640 --> 01:35:55,080
Speaker 1: the table with Barkley and imitated Shock. And it ain't

1705
01:35:55,120 --> 01:35:57,960
Speaker 1: got nothing to do with my vanity. Read the comments

1706
01:35:58,800 --> 01:36:01,720
Speaker 1: eight five ninety sense that there's no fucking way that

1707
01:36:01,720 --> 01:36:06,479
Speaker 1: shouldn't have been aries, No fucking way that's aries all day.

1708
01:36:07,200 --> 01:36:09,200
Speaker 1: And I didn't get that that job. I didn't even

1709
01:36:09,240 --> 01:36:12,679
Speaker 1: get the call, so you know, I know that's because

1710
01:36:12,720 --> 01:36:15,840
Speaker 1: I'm black balls. No, but my Spidey sense tells me

1711
01:36:15,960 --> 01:36:19,320
Speaker 1: something that's crazy. And Jay Fouler just did White Famous,

1712
01:36:19,400 --> 01:36:21,880
Speaker 1: didn't he Well he had done White Famous, yeah, and

1713
01:36:22,120 --> 01:36:24,240
Speaker 1: from Saturday Night Live and all that. But you know,

1714
01:36:25,040 --> 01:36:27,040
Speaker 1: that's that's just one of those moments where I go, man,

1715
01:36:27,160 --> 01:36:33,559
Speaker 1: something's up, something's up, okay, and people move saying That's

1716
01:36:33,600 --> 01:36:37,040
Speaker 1: what makes me an asshole is that I would say that.

1717
01:36:37,560 --> 01:36:39,800
Speaker 1: I'm not supposed to say I think I should have

1718
01:36:39,840 --> 01:36:43,000
Speaker 1: got that call. I'm not allowed to say that that. No,

1719
01:36:43,320 --> 01:36:47,920
Speaker 1: but that's perceived as cocky because you shouldn't have got

1720
01:36:48,280 --> 01:36:51,160
Speaker 1: you should I'm saying that, like I shouldn't be like

1721
01:36:51,280 --> 01:36:53,479
Speaker 1: that somehow. Now I don't think that's you know, and

1722
01:36:54,200 --> 01:36:56,160
Speaker 1: like I'm just saying that I felt, you know, that's

1723
01:36:56,200 --> 01:36:58,519
Speaker 1: a job I deserved slightly. But I'm not supposed to

1724
01:36:58,560 --> 01:37:01,040
Speaker 1: say that you were out before jaw is my man,

1725
01:37:01,080 --> 01:37:04,240
Speaker 1: I got his phone number? Were cool? Um, seeing that's

1726
01:37:04,240 --> 01:37:07,559
Speaker 1: the whole house every now and then, Um, but you've

1727
01:37:07,600 --> 01:37:09,760
Speaker 1: been doing it way before. Well. People also thought I

1728
01:37:09,840 --> 01:37:12,400
Speaker 1: had a beef with Jay because I said this again.

1729
01:37:12,600 --> 01:37:17,800
Speaker 1: I always started everything with my fucker's funny and Jay's funny.

1730
01:37:17,840 --> 01:37:19,800
Speaker 1: And I'll say, like I said a million times, he

1731
01:37:19,880 --> 01:37:23,000
Speaker 1: does impressions I wish I could do. I'm envious to that, naggd.

1732
01:37:23,320 --> 01:37:25,080
Speaker 1: But the only thing I said to bother me is

1733
01:37:25,120 --> 01:37:28,040
Speaker 1: impressions are specific, and what makes a great impression is

1734
01:37:28,479 --> 01:37:32,240
Speaker 1: is when you capture detail to the last time. And Jay,

1735
01:37:32,320 --> 01:37:35,840
Speaker 1: when he would do jay Z, he would always go blue,

1736
01:37:35,920 --> 01:37:39,360
Speaker 1: I vy my baby girl, I run the whale, and

1737
01:37:39,439 --> 01:37:41,439
Speaker 1: I said, oh, I would never say that. He would

1738
01:37:41,439 --> 01:37:43,280
Speaker 1: say girl in the world the way you say girl

1739
01:37:43,280 --> 01:37:45,240
Speaker 1: in the world, over the whole tone, you know, my

1740
01:37:45,360 --> 01:37:49,559
Speaker 1: baby girl, smoke wirl and when the fun is wild

1741
01:37:51,080 --> 01:37:54,080
Speaker 1: like that would just irritate me. Like that would irritate me.

1742
01:37:54,720 --> 01:37:58,679
Speaker 1: That's ultimately jay Z. That just like when he would

1743
01:37:58,680 --> 01:38:00,640
Speaker 1: do Shot, he would do this face. He would go

1744
01:38:03,840 --> 01:38:06,280
Speaker 1: and it's like it's it's part of what Mason great is.

1745
01:38:06,320 --> 01:38:10,240
Speaker 1: It's a slight exaggeration. Shot don't look like this but

1746
01:38:10,520 --> 01:38:16,800
Speaker 1: a little bit. So I just, you know, certain little

1747
01:38:16,880 --> 01:38:18,840
Speaker 1: things like that would get me. And I would say that,

1748
01:38:19,200 --> 01:38:21,640
Speaker 1: and again, I'm not supposed to say ship like that.

1749
01:38:22,400 --> 01:38:24,920
Speaker 1: I'm just supposed to you're the only one who can

1750
01:38:24,960 --> 01:38:30,880
Speaker 1: do someone else's impression of that somebody else compression the impression. Yeah,

1751
01:38:31,160 --> 01:38:33,920
Speaker 1: what's your favorite part of comedy? Me? I mean that

1752
01:38:34,000 --> 01:38:36,880
Speaker 1: you started at you stared at forty one, said two,

1753
01:38:38,000 --> 01:38:40,680
Speaker 1: started at two. I'm gonna be real honest for me

1754
01:38:41,280 --> 01:38:44,920
Speaker 1: self gratification to get that immediate responsive laughter for something

1755
01:38:45,000 --> 01:38:48,120
Speaker 1: that I said and know that people enjoyed it. It's

1756
01:38:48,120 --> 01:38:51,200
Speaker 1: like drug. But but I really talked about my real

1757
01:38:51,240 --> 01:38:54,439
Speaker 1: life stories. So when I don't get that it's not fun.

1758
01:38:54,760 --> 01:38:58,559
Speaker 1: That's because, yeah, because it's me. When this someone doesn't

1759
01:38:58,600 --> 01:39:01,000
Speaker 1: like me, they don't like me, they don't concert material.

1760
01:39:01,200 --> 01:39:04,000
Speaker 1: It's your life, so they don't like me. So that's

1761
01:39:04,000 --> 01:39:05,479
Speaker 1: the only side of it. But I love I love

1762
01:39:05,560 --> 01:39:07,160
Speaker 1: the honesty that you get to have a comedy and

1763
01:39:07,160 --> 01:39:09,200
Speaker 1: that's what I thought about it. And it's not a

1764
01:39:09,280 --> 01:39:12,479
Speaker 1: real job like I have not felt in the eleven

1765
01:39:12,560 --> 01:39:14,679
Speaker 1: years I've been doing this. I had a job. Wow,

1766
01:39:14,880 --> 01:39:16,360
Speaker 1: I don't feel I don't feel like you're gonna work.

1767
01:39:16,360 --> 01:39:20,439
Speaker 1: You feel like you guys mean well. I would perform

1768
01:39:20,520 --> 01:39:23,519
Speaker 1: in certain spots in Cali and he just happened to

1769
01:39:23,560 --> 01:39:27,280
Speaker 1: be opening up. I though he's from Utah. I shut no, no,

1770
01:39:27,400 --> 01:39:28,880
Speaker 1: this is based on a joke. No, no, this is

1771
01:39:28,920 --> 01:39:33,360
Speaker 1: from a game. It's based on that comed white because

1772
01:39:33,360 --> 01:39:36,240
Speaker 1: I ain't no niggas, So you talk to white people happen.

1773
01:39:37,720 --> 01:39:39,280
Speaker 1: The first time I went to Utah, I was looking

1774
01:39:39,280 --> 01:39:42,960
Speaker 1: at the niggas, like looking at I was like, I

1775
01:39:43,040 --> 01:39:45,639
Speaker 1: was at the airpoint. You know, airport is diverse because

1776
01:39:45,680 --> 01:39:47,639
Speaker 1: niggas is going in and out. You know that's funny.

1777
01:39:47,680 --> 01:39:49,640
Speaker 1: As the first time I went to Utah, stuck at

1778
01:39:49,680 --> 01:39:53,120
Speaker 1: the airport for seven hours, I became a callbing old fan. Yeah,

1779
01:39:53,120 --> 01:39:57,639
Speaker 1: I was like, you jazz they calling oders the game. Yeah,

1780
01:39:57,680 --> 01:39:59,840
Speaker 1: so I was like, yeah, that's White's agate. You know

1781
01:40:00,000 --> 01:40:04,320
Speaker 1: it is great. So yeah, I know. So I would

1782
01:40:04,360 --> 01:40:07,720
Speaker 1: I would perform. And he was opening for me, and uh,

1783
01:40:08,080 --> 01:40:10,280
Speaker 1: you know, like I said, I wear scal like my

1784
01:40:10,400 --> 01:40:12,439
Speaker 1: music on him in the zone getting ready for the show.

1785
01:40:13,160 --> 01:40:16,320
Speaker 1: And again this perception is don't talk to Arias so

1786
01:40:16,439 --> 01:40:19,640
Speaker 1: he's he's angry or he's a divo, he's difficult, and

1787
01:40:19,960 --> 01:40:21,640
Speaker 1: he didn't tell into any of that ship. So he

1788
01:40:21,800 --> 01:40:25,479
Speaker 1: just started talking to me. Uh, and you know, things

1789
01:40:25,560 --> 01:40:28,040
Speaker 1: just kind of meshed and I liked this comedy and

1790
01:40:28,240 --> 01:40:30,439
Speaker 1: he had the guts to ask me yoke and I

1791
01:40:30,920 --> 01:40:35,320
Speaker 1: featured with you regularly. I said, yeah, come on, said though,

1792
01:40:35,320 --> 01:40:37,000
Speaker 1: I said, it's real quick. The second time I worked

1793
01:40:37,040 --> 01:40:39,840
Speaker 1: with him, though, he was on the road and he

1794
01:40:39,920 --> 01:40:42,599
Speaker 1: didn't talk to me like I thought, we broke that barrier.

1795
01:40:42,720 --> 01:40:44,960
Speaker 1: Like we talked. We had a big conversation. What I

1796
01:40:45,040 --> 01:40:47,040
Speaker 1: didn't know is if you don't know areas well, just

1797
01:40:47,160 --> 01:40:48,920
Speaker 1: because you met him and had a conversation with him,

1798
01:40:49,040 --> 01:40:51,160
Speaker 1: you don't start off where you left off. You go

1799
01:40:51,400 --> 01:40:55,720
Speaker 1: back to where you first. Yeah. So I sat in

1800
01:40:55,760 --> 01:40:57,320
Speaker 1: the green room for like two days and I didn't

1801
01:40:57,360 --> 01:40:59,680
Speaker 1: say anything to him, and he wasn't saying anything to me,

1802
01:40:59,760 --> 01:41:01,519
Speaker 1: and I just go, so, is this what you expect

1803
01:41:01,560 --> 01:41:04,760
Speaker 1: from your feature? Not talk to you unless you talk

1804
01:41:04,840 --> 01:41:06,360
Speaker 1: to me? And he just looked at me, goes, I'm

1805
01:41:06,520 --> 01:41:08,400
Speaker 1: grown fucking man. You can talk to me whenever you

1806
01:41:08,520 --> 01:41:11,919
Speaker 1: want to. He goes, I'll be outside. He walked outside.

1807
01:41:11,960 --> 01:41:13,600
Speaker 1: And then that after that it was kind of like

1808
01:41:14,000 --> 01:41:16,400
Speaker 1: and I think the third week we worked together brought

1809
01:41:16,439 --> 01:41:18,640
Speaker 1: me a big bottle of tequil. Him. I said, we're

1810
01:41:18,680 --> 01:41:25,160
Speaker 1: good now, yea, but do you ever like um? Both

1811
01:41:25,200 --> 01:41:28,799
Speaker 1: of you guys? You know you have because you're literally

1812
01:41:28,880 --> 01:41:31,439
Speaker 1: your job is to make other people happy. Right. They

1813
01:41:31,479 --> 01:41:33,640
Speaker 1: say your way to get into heaven is to do

1814
01:41:33,800 --> 01:41:36,160
Speaker 1: something for people who can't do nothing for you. That's

1815
01:41:36,200 --> 01:41:39,680
Speaker 1: literally your job. Because your your job is to make

1816
01:41:39,760 --> 01:41:43,560
Speaker 1: somebody laugh that literally probably can't make you laugh. But

1817
01:41:43,640 --> 01:41:45,840
Speaker 1: that's the relationship. It's like, I feel like if I

1818
01:41:45,920 --> 01:41:47,960
Speaker 1: get to make you laugh, but it makes me feel

1819
01:41:48,000 --> 01:41:50,800
Speaker 1: good about myself. We completed that relationship and that's what

1820
01:41:50,960 --> 01:41:53,880
Speaker 1: makes that work for me. And I'm happy that they're

1821
01:41:53,920 --> 01:41:56,280
Speaker 1: getting what they need for me. But I couldn't do

1822
01:41:56,360 --> 01:42:00,280
Speaker 1: it if I wasn't getting what I needed from doing comedy, right,

1823
01:42:00,720 --> 01:42:09,080
Speaker 1: that was hard? Well all right, so look three years

1824
01:42:09,080 --> 01:42:12,200
Speaker 1: my lucky number. We did too. We're going in God,

1825
01:42:13,560 --> 01:42:16,040
Speaker 1: that's it. You only got the time of the anniversary.

1826
01:42:16,120 --> 01:42:19,240
Speaker 1: Let's do it. It's the anniversary. But n r E

1827
01:42:19,400 --> 01:42:29,280
Speaker 1: album than y'all. I gotta I want to turn one. Uh.

1828
01:42:29,600 --> 01:42:32,400
Speaker 1: This album means the most important album to me because

1829
01:42:32,479 --> 01:42:34,439
Speaker 1: this is my album. I stepped out on my own.

1830
01:42:34,840 --> 01:42:37,640
Speaker 1: We had made the More Reporters the Classic album and

1831
01:42:38,200 --> 01:42:40,080
Speaker 1: Capone got locked up and I had to go on

1832
01:42:40,200 --> 01:42:42,479
Speaker 1: my own. So I actually made this and if it

1833
01:42:42,520 --> 01:42:47,040
Speaker 1: would have failed. Uh, I would have been the blame

1834
01:42:47,560 --> 01:42:50,600
Speaker 1: and it worked and I still wasn't the blame. But

1835
01:42:50,880 --> 01:42:53,519
Speaker 1: that's that's the way. It's just the way that ship

1836
01:42:53,640 --> 01:42:58,200
Speaker 1: works for you to you know, turn twenty one years yesterday,

1837
01:42:58,640 --> 01:43:00,960
Speaker 1: which means it's twenty one years week. You know each

1838
01:43:00,960 --> 01:43:07,000
Speaker 1: other's well because you know our albums. And I before

1839
01:43:08,040 --> 01:43:10,280
Speaker 1: up to DJ College because is he coming or not?

1840
01:43:10,400 --> 01:43:13,280
Speaker 1: I've really been seeing him pause, um, you know for

1841
01:43:13,360 --> 01:43:15,439
Speaker 1: a lot a lot of these past couple of weeks,

1842
01:43:16,160 --> 01:43:18,519
Speaker 1: and you know, he's brought up drink chats before, but

1843
01:43:18,640 --> 01:43:21,160
Speaker 1: this time he's like, what's something here? Fat man with

1844
01:43:21,320 --> 01:43:24,000
Speaker 1: some crazy hood. He knows the beginning of my story.

1845
01:43:24,240 --> 01:43:28,880
Speaker 1: He knows that my struggle. He knows. I'm just saying.

1846
01:43:28,960 --> 01:43:31,240
Speaker 1: I just never heard him that passionately. So I want

1847
01:43:31,240 --> 01:43:33,439
Speaker 1: to bag him. Also want to pick up something. You

1848
01:43:33,600 --> 01:43:35,479
Speaker 1: pick him up, And I also want to pick up

1849
01:43:35,520 --> 01:43:38,200
Speaker 1: something because I would like to apologize to people who

1850
01:43:38,320 --> 01:43:42,760
Speaker 1: watched the Rick Ross interview. You know, you know what,

1851
01:43:42,840 --> 01:43:46,360
Speaker 1: I think eppisodes are coming out of sync whenever you

1852
01:43:46,479 --> 01:43:48,640
Speaker 1: heard that ship. I want to say sorry because I

1853
01:43:48,760 --> 01:43:52,160
Speaker 1: looked at myself and I said, jeezus, I didn't like

1854
01:43:52,320 --> 01:43:55,519
Speaker 1: me ived it. Yeah, that's not a shot. I'm gonna

1855
01:43:55,520 --> 01:43:58,479
Speaker 1: be honest and listen after that, like, shot, it's not

1856
01:43:58,600 --> 01:44:01,720
Speaker 1: a shot, Bro, that's not a shot. Really push around here.

1857
01:44:03,600 --> 01:44:07,320
Speaker 1: So I'm gonna be a real jig old everybody. I'm

1858
01:44:07,680 --> 01:44:10,920
Speaker 1: I'm I'm gonna be a real person, Rick Ross. You

1859
01:44:11,000 --> 01:44:13,680
Speaker 1: deserved a better interview than that. What happened was we was,

1860
01:44:13,800 --> 01:44:16,880
Speaker 1: you know, drink assistant assist o'clock in the morning. Um,

1861
01:44:17,760 --> 01:44:20,880
Speaker 1: I've held it down to the middle of the interview.

1862
01:44:21,240 --> 01:44:23,639
Speaker 1: You did a great job until the middle of the interview.

1863
01:44:23,720 --> 01:44:27,040
Speaker 1: What happened was they wouldn't give us the champagne bottle.

1864
01:44:27,080 --> 01:44:28,760
Speaker 1: They kept pouring it for us. So when they kept

1865
01:44:28,760 --> 01:44:30,760
Speaker 1: pouring it for us, we didn't have none of our liquor,

1866
01:44:30,880 --> 01:44:33,080
Speaker 1: We had none of our likers. So I don't want

1867
01:44:33,120 --> 01:44:35,280
Speaker 1: to make excuses. I want to, you know, be you know,

1868
01:44:35,400 --> 01:44:37,320
Speaker 1: great to my fans and say, you know, for being

1869
01:44:37,439 --> 01:44:39,280
Speaker 1: with us, because there's a certain people that keep saying

1870
01:44:39,600 --> 01:44:42,960
Speaker 1: great fucking Rick Ross interview, and I appreciate that, but

1871
01:44:43,040 --> 01:44:45,120
Speaker 1: I wasn't on my a game. Can I say something? Really,

1872
01:44:45,600 --> 01:44:47,640
Speaker 1: you held it down, so thank you. It's not not

1873
01:44:47,760 --> 01:44:50,880
Speaker 1: helding it down. First of all word show called Drink Chace. Yes,

1874
01:44:51,880 --> 01:44:54,000
Speaker 1: if you get drunk and sometimes it doesn't work out.

1875
01:44:54,120 --> 01:44:59,559
Speaker 1: That's what being drunk is. It doesn't work out sometimes.

1876
01:44:59,680 --> 01:45:03,599
Speaker 1: Step we did a special podcast episode called the High

1877
01:45:03,640 --> 01:45:08,840
Speaker 1: Episode and devoted us to eat edibles and smoke and

1878
01:45:09,000 --> 01:45:13,760
Speaker 1: drink and then do the podcast. He couldn't do this

1879
01:45:13,880 --> 01:45:19,639
Speaker 1: smoke sensical, Like if I was just funked up as him,

1880
01:45:19,880 --> 01:45:22,439
Speaker 1: that whole episode would have been harrending. You know what

1881
01:45:22,520 --> 01:45:26,720
Speaker 1: the crazy ship is. It's never were both sucked up.

1882
01:45:26,760 --> 01:45:33,640
Speaker 1: It's always either year up, but somebody's pet crack. Episode's

1883
01:45:33,640 --> 01:45:38,680
Speaker 1: got to sleep. I walked away. Let's sleep. But to

1884
01:45:38,760 --> 01:45:41,080
Speaker 1: a degree, that's kind of how it shouldn't be somebody.

1885
01:45:41,680 --> 01:45:44,080
Speaker 1: That's the point. Like, that's what I'm trying to tell people, Like,

1886
01:45:44,120 --> 01:45:46,680
Speaker 1: if you're a fan, we're not doing it. If you're

1887
01:45:46,680 --> 01:45:49,200
Speaker 1: a fan of what we're doing, like, don't get mad

1888
01:45:49,280 --> 01:45:52,320
Speaker 1: when we actually do what we say you do it? Yeah, yeah, yeah,

1889
01:45:52,360 --> 01:45:54,439
Speaker 1: you can't get mad at that. That is the product.

1890
01:45:54,720 --> 01:45:56,679
Speaker 1: That's not the real thing. What I'm saying. We drink

1891
01:45:56,800 --> 01:46:03,519
Speaker 1: chance sometimes too much. So we just want to let

1892
01:46:03,560 --> 01:46:05,920
Speaker 1: the people know. Man, we're out here working hard. As

1893
01:46:06,000 --> 01:46:18,559
Speaker 1: of now, we got episodes coming uh from Na's masterp Ross.

1894
01:46:18,800 --> 01:46:20,800
Speaker 1: We got a whole bunch of big episodes. We want

1895
01:46:20,840 --> 01:46:23,160
Speaker 1: to announce it on the Come on, everybody, everybody's gonna

1896
01:46:23,200 --> 01:46:25,759
Speaker 1: listen to this motherfucker interviews if you want to announce

1897
01:46:25,760 --> 01:46:28,920
Speaker 1: it on this and we're having fun. Man, we're doing it.

1898
01:46:29,240 --> 01:46:33,960
Speaker 1: I so much appreciate you for coming through Manure a legend.

1899
01:46:34,320 --> 01:46:36,640
Speaker 1: Our game is about bigging up legends. Be big en

1900
01:46:36,720 --> 01:46:39,080
Speaker 1: up people who's been seasoned, you know what I mean.

1901
01:46:39,120 --> 01:46:43,679
Speaker 1: People feel like, uh, the longer you've been in this game,

1902
01:46:44,160 --> 01:46:46,360
Speaker 1: Like I said, people call you washed up. But I

1903
01:46:46,479 --> 01:46:48,719
Speaker 1: want to call us season I want to call us classics.

1904
01:46:49,040 --> 01:46:51,040
Speaker 1: I want to call us legends. You know what I'm saying,

1905
01:46:51,280 --> 01:46:55,120
Speaker 1: as opposed to people that you know, I listened to

1906
01:46:55,160 --> 01:46:56,880
Speaker 1: a person who's been in the game twenty years and

1907
01:46:56,920 --> 01:46:58,800
Speaker 1: a person has been in the game for two days

1908
01:46:59,120 --> 01:47:03,480
Speaker 1: any day, because our rout the your experience, and unfortunately

1909
01:47:03,680 --> 01:47:06,280
Speaker 1: we live in the world where that's the exact opposite.

1910
01:47:06,640 --> 01:47:10,080
Speaker 1: These people they want to listen to, you know, God

1911
01:47:10,120 --> 01:47:13,640
Speaker 1: bless these city girls, but deep, God, dam man, what

1912
01:47:13,760 --> 01:47:16,720
Speaker 1: the fun is going on? These girls? I'm walking they

1913
01:47:16,840 --> 01:47:19,880
Speaker 1: probably they see a bit like the cigarette with a pussy,

1914
01:47:20,479 --> 01:47:27,400
Speaker 1: like they where is this girl? Like like this is

1915
01:47:27,479 --> 01:47:29,680
Speaker 1: these city girls? They got chipped this We live in

1916
01:47:29,720 --> 01:47:34,559
Speaker 1: a different generations quality of they got Starbucks in hall

1917
01:47:34,640 --> 01:47:38,519
Speaker 1: them right now. It's a fact. Moke up frappuccinos. That's

1918
01:47:38,560 --> 01:47:45,559
Speaker 1: not like a song up. There's nothing wrong with growth,

1919
01:47:45,720 --> 01:47:48,439
Speaker 1: like like like like Jada said in that that line,

1920
01:47:48,760 --> 01:47:51,479
Speaker 1: take them to the Gucci store showing the loafs hood niggers.

1921
01:47:51,479 --> 01:47:53,479
Speaker 1: I'm just showing you broth, you know what I mean.

1922
01:47:53,600 --> 01:47:56,400
Speaker 1: So growth is good, man, you need to Starbucks. Okay,

1923
01:47:56,439 --> 01:47:58,400
Speaker 1: So now I'm just I'm in this on this one.

1924
01:48:00,360 --> 01:48:05,679
Speaker 1: You did an interview with Sway and Snoop forgave Iggy

1925
01:48:06,920 --> 01:48:09,479
Speaker 1: because Iggy has said something about Snoop and Snoop set

1926
01:48:09,800 --> 01:48:14,360
Speaker 1: I forget bit and you said he said, he said

1927
01:48:14,920 --> 01:48:19,080
Speaker 1: Sloop Bay Super Snoop said, yeah, you said, you said,

1928
01:48:19,120 --> 01:48:21,920
Speaker 1: see the rappers they start off hardcohol. Yeah. Listen, I've

1929
01:48:21,960 --> 01:48:25,120
Speaker 1: always had a love hate relationship or some of the

1930
01:48:25,160 --> 01:48:27,599
Speaker 1: philosophy and rap you know they's talking about you can

1931
01:48:27,760 --> 01:48:31,599
Speaker 1: keep gangster hard, call gangsters killers? Like has it said?

1932
01:48:31,600 --> 01:48:33,439
Speaker 1: No matter how much new I get, I'm staying in

1933
01:48:33,520 --> 01:48:35,920
Speaker 1: the projects. He didn't live in the process when he

1934
01:48:36,120 --> 01:48:40,840
Speaker 1: said that, right, But my point being as all as

1935
01:48:40,960 --> 01:48:43,800
Speaker 1: as much as you predicate yourself on being hard, at

1936
01:48:43,800 --> 01:48:47,720
Speaker 1: the end of the day, your nig is a reciting poetry. Yes, son,

1937
01:48:47,840 --> 01:48:51,479
Speaker 1: start smiling. It's profitable to smile because you know all

1938
01:48:51,479 --> 01:48:53,800
Speaker 1: of them. You can start out hard. You know you

1939
01:48:53,920 --> 01:48:59,880
Speaker 1: start smiling. Now we can put you in a bad

1940
01:49:06,720 --> 01:49:10,960
Speaker 1: can we promote the podcasts Call Up spears in Steinberg.

1941
01:49:11,280 --> 01:49:16,200
Speaker 1: It's available through iTunes, Slash, Apple, Google Play, Spotify, Spotify,

1942
01:49:16,560 --> 01:49:19,880
Speaker 1: and spearsberg dot com. Fun with Your Boy Arias on Cameo,

1943
01:49:20,320 --> 01:49:24,280
Speaker 1: Pay that Money, Get thee Yeah, yeah, so look me

1944
01:49:24,400 --> 01:49:27,000
Speaker 1: up on cameo and Instagram and all of that. Ship

1945
01:49:27,280 --> 01:49:29,479
Speaker 1: Yes solo. Let me just tell you something, man, once again.

1946
01:49:29,479 --> 01:49:33,360
Speaker 1: I'm gonna salute y'all because this is this is about y'all. Y'all.

1947
01:49:33,360 --> 01:49:35,519
Speaker 1: I'm gonna give you some comedy character real quick before

1948
01:49:35,520 --> 01:49:37,519
Speaker 1: if we do your shot. You just did your salute,

1949
01:49:37,880 --> 01:49:46,559
Speaker 1: you bring my Italian half take this fucking up, fucking

1950
01:49:46,600 --> 01:49:49,800
Speaker 1: men amongst men. Then the fucking boys hit all right,

1951
01:49:49,800 --> 01:49:51,479
Speaker 1: so we're gonna take this fucking shot. I'm gonna do

1952
01:49:51,560 --> 01:49:54,200
Speaker 1: somebody some of that. You're gonna do a shot so

1953
01:49:54,360 --> 01:50:05,240
Speaker 1: fucking good, you're gonna get up a walk out of them. Yeah, okay,

1954
01:50:05,280 --> 01:50:09,439
Speaker 1: I'm going west here. Yeah, if we take a picture, okay,

1955
01:50:10,040 --> 01:50:14,320
Speaker 1: dry out, Okay, get dropped, Get dropped. So funny,