WEBVTT - Anywhere Where There’s Not People (S2, E18 "Back in the Saddle Again")

0:00:00.760 --> 0:00:17.279
<v Speaker 1>I am all in. Oh, let's just more. I am

0:00:17.320 --> 0:00:20.600
<v Speaker 1>all in with Scott Patterson and I Heart Radio podcast.

0:00:21.079 --> 0:00:24.880
<v Speaker 1>Hey everybody, it's Scott Patterson. I'm all in podcast, Heart Radio,

0:00:24.880 --> 0:00:28.000
<v Speaker 1>one of them productions. We are here, back again, and

0:00:28.160 --> 0:00:30.920
<v Speaker 1>I'm just gonna say hello, how are you. We're having

0:00:30.960 --> 0:00:33.720
<v Speaker 1>a blast and we're in great spirits because we've got

0:00:33.720 --> 0:00:37.199
<v Speaker 1>Amy Sugarman, We've got Danielle Romo, and we've got Riley Pulluses.

0:00:37.720 --> 0:00:39.599
<v Speaker 1>She's going to kick us off. Announced the episode. She's

0:00:39.600 --> 0:00:42.720
<v Speaker 1>gonna do her her awesome, awesome job. On the synopsis,

0:00:42.760 --> 0:00:46.600
<v Speaker 1>here we go, Riley Pellosis. This is episode eighteen. Back

0:00:46.600 --> 0:00:50.400
<v Speaker 1>in the Saddle ere day two, Rory asked Richard to

0:00:50.440 --> 0:00:53.200
<v Speaker 1>be a business advisor for a school project, which leads

0:00:53.200 --> 0:00:55.360
<v Speaker 1>to him to make a big decision about his retirement.

0:00:55.680 --> 0:00:59.040
<v Speaker 1>Dean is becoming too overbearing for Rory, and he realized

0:00:59.080 --> 0:01:02.680
<v Speaker 1>that things aren't the same in their relationship. Plus, Michelle's mother, Jess,

0:01:03.200 --> 0:01:05.880
<v Speaker 1>comes to visit at the inn. Yeah, what a what

0:01:06.000 --> 0:01:09.200
<v Speaker 1>an episode? Right? I just wanted you think I wanted

0:01:09.200 --> 0:01:11.399
<v Speaker 1>to hug everybody I felt bad for the people that

0:01:11.440 --> 0:01:13.319
<v Speaker 1>felt bad I felt I wanted to hug the people

0:01:13.360 --> 0:01:16.840
<v Speaker 1>that felt great. I even wanted to hug Paris. I

0:01:16.920 --> 0:01:19.560
<v Speaker 1>was like, so happy for Paris. She found a daddy,

0:01:19.720 --> 0:01:23.360
<v Speaker 1>She got her daddy, she got a granddaddy who thought

0:01:23.360 --> 0:01:25.480
<v Speaker 1>she had a great idea, was very happy for her.

0:01:25.680 --> 0:01:30.840
<v Speaker 1>She just lit up, right, she was so proud. And

0:01:30.959 --> 0:01:33.240
<v Speaker 1>I'm sure we just can we just rewind for one

0:01:33.280 --> 0:01:36.840
<v Speaker 1>second and just acknowledge the fact that Scott just said

0:01:37.160 --> 0:01:44.960
<v Speaker 1>Paris found her daddy. What a daddy she did. She

0:01:45.120 --> 0:01:48.600
<v Speaker 1>found her daddy. She's like, Daddy's not in Bangkok or

0:01:48.640 --> 0:01:50.920
<v Speaker 1>Hong Kong or Thailand or wherever. You know, having an

0:01:50.920 --> 0:01:53.400
<v Speaker 1>affair with somebody you know who sort of underrated that

0:01:53.440 --> 0:01:56.760
<v Speaker 1>we never talked about is Brad. I always feel like

0:01:56.840 --> 0:01:59.920
<v Speaker 1>he kneels so the kid at school, Brad. You know,

0:02:00.120 --> 0:02:02.440
<v Speaker 1>he was at school then he left. He's played by

0:02:02.480 --> 0:02:06.200
<v Speaker 1>Adam Wiley, who people might picket fences. I always feel

0:02:06.240 --> 0:02:10.400
<v Speaker 1>like he nails his moments. Yeah, but he's he's such

0:02:10.440 --> 0:02:14.200
<v Speaker 1>a minor character. You know, nobody's gonna put us up

0:02:14.240 --> 0:02:17.119
<v Speaker 1>against the wall for not mentioning him every episode. You know,

0:02:17.360 --> 0:02:19.560
<v Speaker 1>I just give him. But he had, you know, he

0:02:19.600 --> 0:02:22.399
<v Speaker 1>had some great moments. He had He had a laugh

0:02:22.440 --> 0:02:25.200
<v Speaker 1>out loud moment in this one too. Yeah, I agree.

0:02:25.520 --> 0:02:29.239
<v Speaker 1>When somebody you know one of the uh, the twins,

0:02:29.360 --> 0:02:32.200
<v Speaker 1>or not the twins, but the two dope girls, you know,

0:02:32.560 --> 0:02:38.600
<v Speaker 1>Louise Louise and yeah, right asked him, who asked as

0:02:38.639 --> 0:02:40.840
<v Speaker 1>he'd ever build? He said, you've built tried to build

0:02:40.840 --> 0:02:43.839
<v Speaker 1>a robot before, haven't you? And he paused and he goes, yes,

0:02:43.880 --> 0:02:48.239
<v Speaker 1>I have. It's very funny. You weren't wanting to produce

0:02:48.919 --> 0:02:54.120
<v Speaker 1>lipstick low Jack. That didn't seem like the That was good.

0:02:54.280 --> 0:02:56.680
<v Speaker 1>That was so good. So you know, let's take this

0:02:56.800 --> 0:02:59.880
<v Speaker 1>Richard stuff because you know Brad, he's going to get

0:02:59.880 --> 0:03:02.840
<v Speaker 1>his own segment. We're gonna do a whole show on Brad. Right,

0:03:02.880 --> 0:03:05.760
<v Speaker 1>We're gonna do it right, let's just do it. Uh

0:03:05.880 --> 0:03:08.880
<v Speaker 1>deserves his accolades. But for God's sake, what a great

0:03:08.880 --> 0:03:12.799
<v Speaker 1>episode for Richard. I know. Although I have to say

0:03:12.840 --> 0:03:15.160
<v Speaker 1>watched the episode twice because I watched it the first

0:03:15.160 --> 0:03:16.960
<v Speaker 1>time I forgot to look for the fashion. So I

0:03:16.960 --> 0:03:19.440
<v Speaker 1>went back to watch it again and I couldn't rewatch

0:03:19.520 --> 0:03:24.079
<v Speaker 1>the scene where Richard loses it at the school. It

0:03:24.240 --> 0:03:28.160
<v Speaker 1>just made me too uncomfortable that to see Richard not

0:03:28.560 --> 0:03:33.720
<v Speaker 1>being like perfect and cool and the grandpa that's that

0:03:33.800 --> 0:03:35.600
<v Speaker 1>we all look up to to see him sort of

0:03:35.680 --> 0:03:40.440
<v Speaker 1>embarrassingly lose it. I couldn't watch it, right could? You guys?

0:03:40.640 --> 0:03:46.480
<v Speaker 1>Did Stringe? I agreed with him. I did too. I

0:03:46.520 --> 0:03:51.600
<v Speaker 1>agreed with him. It doesn't function at the event, so

0:03:51.640 --> 0:03:57.480
<v Speaker 1>it's automatically disqualified. It cannot be considered for awards consideration.

0:03:57.760 --> 0:04:01.280
<v Speaker 1>You know, it doesn't work eight. So you guys were

0:04:01.360 --> 0:04:08.200
<v Speaker 1>cool with him losing it in the auditorium and then go, well, no,

0:04:08.200 --> 0:04:10.800
<v Speaker 1>no, no no, I mean no, I mean it was inappropriate.

0:04:10.880 --> 0:04:13.480
<v Speaker 1>It was I mean it was obviously you know, he

0:04:13.560 --> 0:04:15.960
<v Speaker 1>was on edge and he was acting out and he

0:04:16.040 --> 0:04:18.920
<v Speaker 1>didn't know why, and he was you know, he became unhinged.

0:04:18.960 --> 0:04:22.680
<v Speaker 1>It was not appropriate. But I I enjoy I enjoy

0:04:22.839 --> 0:04:26.960
<v Speaker 1>seeing like Michelle became unhinged in this episode as well,

0:04:27.000 --> 0:04:30.520
<v Speaker 1>And it was one of his best moments um in

0:04:30.600 --> 0:04:33.320
<v Speaker 1>the from what I've seen so far, it was hysterically funny.

0:04:33.440 --> 0:04:35.919
<v Speaker 1>See now that that's what I'm talking about. That is

0:04:35.920 --> 0:04:39.160
<v Speaker 1>what I'm talking about. That's how you lose it, okay,

0:04:39.480 --> 0:04:42.239
<v Speaker 1>And that's why I criticized my own work last week

0:04:42.440 --> 0:04:44.840
<v Speaker 1>right in the in the in the with the cast

0:04:44.880 --> 0:04:47.240
<v Speaker 1>getting spas it out like that. I will say, You've

0:04:47.279 --> 0:04:49.200
<v Speaker 1>got a lot of comments where people really like that scene.

0:04:49.560 --> 0:04:51.960
<v Speaker 1>I know, I know, I know they love that scene.

0:04:51.960 --> 0:04:54.600
<v Speaker 1>They liked that scene. They like the opposite sort of

0:04:54.720 --> 0:04:57.200
<v Speaker 1>dischotomy between you and more life. I'm just saying, we

0:04:57.200 --> 0:04:58.839
<v Speaker 1>don't have to go back to I am the chief

0:04:58.880 --> 0:05:02.159
<v Speaker 1>constable of the acting police as I see it, but

0:05:02.240 --> 0:05:04.520
<v Speaker 1>want to make you gag. I will issue I will

0:05:04.560 --> 0:05:09.760
<v Speaker 1>issue arrest warrants, search warrants. I will issue orders to appear.

0:05:10.440 --> 0:05:12.680
<v Speaker 1>And I did I gonna. I did it to myself,

0:05:12.720 --> 0:05:14.880
<v Speaker 1>so anyway, But Richard was, yeah, he was. He was

0:05:14.920 --> 0:05:17.720
<v Speaker 1>a little bit over topic. God darn, what a great episode.

0:05:18.320 --> 0:05:21.880
<v Speaker 1>I I loved everybody. I loved Dean, I loved I

0:05:21.920 --> 0:05:24.480
<v Speaker 1>felt bad for Dean, and it was like he was

0:05:24.600 --> 0:05:27.599
<v Speaker 1>so unlike his when we first saw him. But still

0:05:27.640 --> 0:05:31.320
<v Speaker 1>it was like it hit him and you know, and

0:05:31.360 --> 0:05:35.640
<v Speaker 1>it's and it really made you know. And again I

0:05:35.680 --> 0:05:37.480
<v Speaker 1>don't mean to jump around we're talking about Richard and

0:05:37.480 --> 0:05:40.560
<v Speaker 1>all that, but but it's like it really made it

0:05:41.000 --> 0:05:45.920
<v Speaker 1>very apparent to me how great Alexis is acting is

0:05:47.080 --> 0:05:50.919
<v Speaker 1>because she was covering so well even with her mother

0:05:51.360 --> 0:05:54.279
<v Speaker 1>not talking about Jess and how she feels about Jess

0:05:55.279 --> 0:05:57.440
<v Speaker 1>because we know this is the reason. And it's like,

0:05:58.360 --> 0:06:01.000
<v Speaker 1>I'll call him tomorrow. Yeah, I texted, he called fourteen times.

0:06:01.240 --> 0:06:05.000
<v Speaker 1>I mean that that relationship is over. I mean that

0:06:05.000 --> 0:06:07.560
<v Speaker 1>that's like stick a fork in it, right, I wrote,

0:06:07.720 --> 0:06:13.680
<v Speaker 1>Dean done, and she noticed just as handwriting at the diner.

0:06:14.200 --> 0:06:17.039
<v Speaker 1>You know, it's already at that level. I'm glad you

0:06:17.240 --> 0:06:19.359
<v Speaker 1>brought up that omelet. I'm going to bring up that

0:06:19.440 --> 0:06:22.920
<v Speaker 1>omelet later. But to stay on track, here's my question

0:06:22.920 --> 0:06:25.440
<v Speaker 1>for all of you. What did you think about Laurel

0:06:26.400 --> 0:06:30.880
<v Speaker 1>giving Dean that real sort of heart felt romance advice.

0:06:31.080 --> 0:06:34.159
<v Speaker 1>It was one of her finest moments. I thought it

0:06:34.320 --> 0:06:37.279
<v Speaker 1>made me just love her more. I just kept thinking, Man,

0:06:37.360 --> 0:06:40.479
<v Speaker 1>what a good mom, What a great mom she is,

0:06:40.520 --> 0:06:43.080
<v Speaker 1>What a great person, What a great character, because she's

0:06:43.200 --> 0:06:47.600
<v Speaker 1>just so compassionate. She really she's an EmPATH, almost, isn't she.

0:06:47.600 --> 0:06:51.160
<v Speaker 1>She's feeling everybody's what's everybody's feeling. She's feeling his pain,

0:06:51.279 --> 0:06:53.640
<v Speaker 1>and she wants to make it better and give him

0:06:53.640 --> 0:06:55.960
<v Speaker 1>a shot when she kind of realizes he doesn't really

0:06:55.960 --> 0:06:58.839
<v Speaker 1>have a shot, you know, right, And I think she

0:06:58.960 --> 0:07:02.560
<v Speaker 1>probably somewhere deep out is like a little bit dreading, like,

0:07:02.720 --> 0:07:06.719
<v Speaker 1>oh God, like you're wrecking this because you're calling a

0:07:06.760 --> 0:07:10.280
<v Speaker 1>hundred and twelve times and you're just going to push

0:07:10.280 --> 0:07:12.600
<v Speaker 1>her into the guy I don't even want her to be.

0:07:12.960 --> 0:07:17.280
<v Speaker 1>There's no there's no going back from that. The fourteen calls.

0:07:17.480 --> 0:07:20.640
<v Speaker 1>You can't unre you can't forget that. Roy will never

0:07:20.680 --> 0:07:23.160
<v Speaker 1>forget that you're the guy. It doesn't matter how cool

0:07:23.240 --> 0:07:27.080
<v Speaker 1>whatever he does, you know, saves her life, saves the town,

0:07:27.160 --> 0:07:29.320
<v Speaker 1>it's still he's the guy that he can wash that

0:07:29.360 --> 0:07:36.040
<v Speaker 1>car all night. Yeah. What do you guys think with Daniel?

0:07:36.080 --> 0:07:39.080
<v Speaker 1>What do you guys think of this? Um? I agree

0:07:39.240 --> 0:07:43.520
<v Speaker 1>with exactly what you said. I think Lorelai recognizes Dean's

0:07:43.560 --> 0:07:48.880
<v Speaker 1>pain and she's like, oh no, like four kids, Um,

0:07:49.040 --> 0:07:52.400
<v Speaker 1>I she's seeing it all happen, and she's just got

0:07:52.400 --> 0:07:54.720
<v Speaker 1>a soft spot for for the guy. You can tell,

0:07:56.080 --> 0:07:58.760
<v Speaker 1>have any of us been in that situation? You know? Can?

0:07:58.800 --> 0:08:00.960
<v Speaker 1>I can? I throw something out to guys though, Sure,

0:08:01.080 --> 0:08:05.000
<v Speaker 1>I'm cool with lor La talking to Dean. I love Lorelai,

0:08:05.400 --> 0:08:07.520
<v Speaker 1>which everyone knows, so I love the way she talked

0:08:07.520 --> 0:08:10.960
<v Speaker 1>to Dean. But if I was rory and I'm coming

0:08:11.000 --> 0:08:13.520
<v Speaker 1>from her perspective. I'm not sure I would love my

0:08:13.600 --> 0:08:18.720
<v Speaker 1>mom giving love advice to my boyfriend. But he's a kid.

0:08:18.720 --> 0:08:20.960
<v Speaker 1>He's just a kid. He's so needy and he's such

0:08:21.000 --> 0:08:24.320
<v Speaker 1>a nice kid, and he's being he deserved it because

0:08:24.320 --> 0:08:27.960
<v Speaker 1>he's being so great with Rory, right, I mean, she

0:08:28.040 --> 0:08:30.600
<v Speaker 1>respects him. He's like, hey, this this kid is pretty

0:08:30.600 --> 0:08:32.360
<v Speaker 1>sharp and he's got a lot on the ball, and

0:08:32.360 --> 0:08:34.920
<v Speaker 1>he's from a big city and he's just getting shoot

0:08:35.000 --> 0:08:37.400
<v Speaker 1>up by my daughter. He probably he probably she felt

0:08:37.480 --> 0:08:39.920
<v Speaker 1>some pity for him because my daughter, she knows her

0:08:40.000 --> 0:08:41.800
<v Speaker 1>daughter is tough, because it's a part of her. She

0:08:41.840 --> 0:08:45.240
<v Speaker 1>knows how tough she is. Right, he has fallen so

0:08:45.280 --> 0:08:48.320
<v Speaker 1>far because remember when he was pushing lord lyon was

0:08:48.400 --> 0:08:50.680
<v Speaker 1>like is it my turn now? And then now we've

0:08:50.679 --> 0:08:54.720
<v Speaker 1>got this puddle that's just can't that's just paging and

0:08:54.760 --> 0:08:57.680
<v Speaker 1>calling and washing and paging and calling and sitting on

0:08:57.720 --> 0:09:00.920
<v Speaker 1>the step. You know, it's kind of weird, like when

0:09:01.360 --> 0:09:03.360
<v Speaker 1>when we first were introduced to Dean, he was kind

0:09:03.400 --> 0:09:07.000
<v Speaker 1>of a bad boy. Kind of does anyone agree, like

0:09:07.120 --> 0:09:11.480
<v Speaker 1>kind of a bad boy and now he is flailing literally,

0:09:11.880 --> 0:09:15.760
<v Speaker 1>it's it's not it's not attractive. Sorry, but I do.

0:09:15.920 --> 0:09:17.320
<v Speaker 1>I feel bad for him. I want to give the

0:09:17.320 --> 0:09:19.040
<v Speaker 1>guy a hug. I want to take him on a

0:09:19.080 --> 0:09:22.319
<v Speaker 1>walk in the woods, and I want to talk to him,

0:09:22.360 --> 0:09:25.079
<v Speaker 1>and I want to give him some advice. See, whenever

0:09:25.120 --> 0:09:29.920
<v Speaker 1>I have a problem with somebody or there's a misunderstanding,

0:09:29.960 --> 0:09:34.720
<v Speaker 1>I like to take people on walks, so and really

0:09:34.800 --> 0:09:37.640
<v Speaker 1>take a long walk in nature and work it out.

0:09:38.160 --> 0:09:40.040
<v Speaker 1>That's what I do. That's what I've always done, because

0:09:40.040 --> 0:09:42.439
<v Speaker 1>that's what I saw that in my family with my dad,

0:09:43.000 --> 0:09:45.720
<v Speaker 1>that yeah, he needed, he needed a long walk in

0:09:45.720 --> 0:09:48.520
<v Speaker 1>the woods and just look about stuff. What do you

0:09:48.520 --> 0:09:55.559
<v Speaker 1>think of that? End? Though? That's devastating. It was completely unexpected,

0:09:55.800 --> 0:09:59.720
<v Speaker 1>even though I should have seen it coming. But because

0:09:59.720 --> 0:10:02.680
<v Speaker 1>I up thinking, wait a minute, where's Rory? Oh dropped

0:10:02.679 --> 0:10:07.000
<v Speaker 1>her off at lanes right, And the subtle, very subtle

0:10:07.000 --> 0:10:09.200
<v Speaker 1>mention of like, oh, we might go to Luke's. And

0:10:09.240 --> 0:10:11.360
<v Speaker 1>I think, what's so interesting is they don't show us

0:10:11.440 --> 0:10:14.880
<v Speaker 1>that scene. We're just left to wander. But like we

0:10:14.960 --> 0:10:17.800
<v Speaker 1>know Jesse is there. He's either working or he's there

0:10:17.880 --> 0:10:21.160
<v Speaker 1>he lives there. M hmm. That's what I like about

0:10:21.200 --> 0:10:23.760
<v Speaker 1>this show. It's always a couple of steps ahead of

0:10:23.800 --> 0:10:27.199
<v Speaker 1>the audience. Yeah, not too far ahead, but enough to

0:10:27.280 --> 0:10:30.199
<v Speaker 1>keep you leaning in, right, You never really catch up

0:10:30.240 --> 0:10:33.680
<v Speaker 1>with it, that's correct. You don't. You're and it's and

0:10:33.720 --> 0:10:36.640
<v Speaker 1>it makes you lean forward and you sort of you know,

0:10:36.679 --> 0:10:39.400
<v Speaker 1>it does affect you your physicality when you're watching it.

0:10:39.520 --> 0:10:42.400
<v Speaker 1>I don't lean back and watch the show. I agree.

0:10:43.000 --> 0:10:45.200
<v Speaker 1>Isn't that the same thing with what they did with Richard.

0:10:45.280 --> 0:10:49.480
<v Speaker 1>We're expecting that Richard's going to be all like in

0:10:49.520 --> 0:10:53.280
<v Speaker 1>a Kirk fluffle because of the career fair and that

0:10:53.400 --> 0:10:56.400
<v Speaker 1>he's sort of embarrassed himself, and instead, suddenly he comes

0:10:56.440 --> 0:10:59.160
<v Speaker 1>down and he's like in a great mood and I'm

0:10:59.200 --> 0:11:01.680
<v Speaker 1>going back to work. So kind of threw a curveball,

0:11:01.760 --> 0:11:03.679
<v Speaker 1>like I thought, oh no, Emily's gonna have to pick

0:11:03.720 --> 0:11:08.840
<v Speaker 1>up the pieces, and it's like, nope, this dude's now inspired. Yeah.

0:11:09.640 --> 0:11:13.600
<v Speaker 1>Well he does have a point there about retirement, you know,

0:11:13.640 --> 0:11:16.840
<v Speaker 1>because I'm kind of reaching that age and uh, you know,

0:11:17.080 --> 0:11:21.200
<v Speaker 1>I'm sixty three. I am only we're only on season two.

0:11:21.320 --> 0:11:26.360
<v Speaker 1>You can it's like a long way to go. Yeah,

0:11:26.400 --> 0:11:29.679
<v Speaker 1>but this isn't like having a job. This is fun, right,

0:11:30.600 --> 0:11:32.360
<v Speaker 1>I don't know. I think of acting, you could have

0:11:32.400 --> 0:11:38.400
<v Speaker 1>a whole career resurgence at any time. Who needs it? Man,

0:11:38.480 --> 0:11:43.000
<v Speaker 1>I mean, yeah, great, fine as Hey listen, I just

0:11:43.040 --> 0:11:47.280
<v Speaker 1>got rejected. I just got rejected by Natalie Portman. Okay,

0:11:47.480 --> 0:11:50.120
<v Speaker 1>I almost had a job opposite Natalie Portman. I don't

0:11:50.160 --> 0:11:52.320
<v Speaker 1>think she rejected me. But you know I didn't get

0:11:52.320 --> 0:11:55.400
<v Speaker 1>that job. That can't do you know how that stirred

0:11:55.480 --> 0:11:57.920
<v Speaker 1>up all those old feelings again. You know, it's like, damn,

0:11:57.960 --> 0:12:01.840
<v Speaker 1>I didn't get it, almost got it. But I love it,

0:12:01.880 --> 0:12:03.880
<v Speaker 1>you know. I mean it's it's not like work at all.

0:12:03.960 --> 0:12:07.720
<v Speaker 1>It's just fun. You know, it's fun. I'll do this forever.

0:12:07.840 --> 0:12:12.360
<v Speaker 1>But anyway, back to the episode. Um, all right, let's

0:12:12.440 --> 0:12:14.559
<v Speaker 1>let's let's do Dean and Rory. Let's just keep the

0:12:14.679 --> 0:12:19.080
<v Speaker 1>focus here. Dean and Rory give me everything you guys got. Um.

0:12:19.200 --> 0:12:22.640
<v Speaker 1>I think she's been you know, she's being coy and

0:12:22.640 --> 0:12:25.640
<v Speaker 1>and being secretive with her own mother for a reason.

0:12:26.440 --> 0:12:28.959
<v Speaker 1>Maybe there's a little lack of trust there. Maybe there's

0:12:29.440 --> 0:12:31.959
<v Speaker 1>you know, she knows that Dean's gonna get up and

0:12:32.040 --> 0:12:36.000
<v Speaker 1>Laurelize Grill and Moan and wine and where's Rory and

0:12:35.720 --> 0:12:38.480
<v Speaker 1>and and I think Rory can tell because her mother

0:12:38.559 --> 0:12:40.760
<v Speaker 1>is pushed now, pushing the relationship, like why don't you

0:12:40.800 --> 0:12:42.680
<v Speaker 1>call him back? Now you can borrow my phone and

0:12:42.720 --> 0:12:45.120
<v Speaker 1>this kind of stuff. That's okay, I'll call him tomorrow.

0:12:45.559 --> 0:12:49.439
<v Speaker 1>She is out of this relationship. She's not feeling it,

0:12:49.880 --> 0:12:51.920
<v Speaker 1>and it's not like she's play acting with her mom,

0:12:51.960 --> 0:12:54.960
<v Speaker 1>but she's just sort of agreeing with her mom. Yeah,

0:12:55.000 --> 0:12:57.000
<v Speaker 1>it's nice that he hasn't called in a couple of days,

0:12:57.000 --> 0:12:59.240
<v Speaker 1>and may I even almost missed. You think she's not

0:12:59.360 --> 0:13:02.440
<v Speaker 1>totally away or how out she is? I think I

0:13:02.440 --> 0:13:05.480
<v Speaker 1>think Laurel is not aware what about Rory though, I

0:13:05.520 --> 0:13:07.680
<v Speaker 1>think Rory's out, but she's not willing to admit it

0:13:07.679 --> 0:13:09.520
<v Speaker 1>to herself yet. I think, Yeah, I think you're right.

0:13:09.559 --> 0:13:11.000
<v Speaker 1>I think she's right. She didn't want to go to

0:13:11.040 --> 0:13:13.600
<v Speaker 1>the softball game, but she's like, I'm just gonna do

0:13:13.679 --> 0:13:16.880
<v Speaker 1>my homework and he's kind of needy, like, oh, do

0:13:16.920 --> 0:13:18.640
<v Speaker 1>it at the game, and she's like, I'll just see

0:13:18.679 --> 0:13:21.920
<v Speaker 1>you tonight. Like they're just like this old married couple

0:13:22.000 --> 0:13:24.720
<v Speaker 1>that needs to like call it. But no, he but

0:13:24.840 --> 0:13:28.520
<v Speaker 1>he wants to be like an old married couple at

0:13:28.600 --> 0:13:31.320
<v Speaker 1>that age in high school because he sees that with

0:13:31.400 --> 0:13:33.960
<v Speaker 1>other guys they have that, and those are the couples

0:13:34.000 --> 0:13:36.160
<v Speaker 1>that get together and get married and have kids, you know,

0:13:36.520 --> 0:13:40.080
<v Speaker 1>by the time they're twenty. And he wants that, He

0:13:40.120 --> 0:13:42.600
<v Speaker 1>wants her at the at the game, doing her homework,

0:13:42.800 --> 0:13:48.160
<v Speaker 1>just being all about Dean, and I won't say anything,

0:13:48.200 --> 0:13:51.160
<v Speaker 1>but just funny you say that. Everybody make a mental

0:13:51.240 --> 0:13:54.000
<v Speaker 1>note right now what Scott just said that Dean wants

0:13:54.040 --> 0:13:56.720
<v Speaker 1>to be one of those couples. Just everybody write that

0:13:56.760 --> 0:14:01.440
<v Speaker 1>down and we'll talk about it again. Yeah, well we can't.

0:14:01.520 --> 0:14:03.480
<v Speaker 1>We can we continue to talk about because I don't

0:14:03.480 --> 0:14:06.160
<v Speaker 1>want to ruin for you what's coming. But I think

0:14:06.160 --> 0:14:09.640
<v Speaker 1>it's extremely poignant that you just said that you're not

0:14:09.760 --> 0:14:15.400
<v Speaker 1>totally aware of what's coming. And it's quite intuitive that

0:14:15.480 --> 0:14:20.640
<v Speaker 1>you're saying, all right, yeah, but she's just it's again

0:14:21.160 --> 0:14:23.800
<v Speaker 1>more evidence they're just one completely different paths. They have

0:14:23.920 --> 0:14:28.920
<v Speaker 1>completely different needs and different wants. And he's ready, it's

0:14:28.920 --> 0:14:31.480
<v Speaker 1>almost like he's ready to settle down and she's still searching.

0:14:31.600 --> 0:14:33.520
<v Speaker 1>And this is just you know, this is just a

0:14:33.600 --> 0:14:36.840
<v Speaker 1>youthful romantic relationship that isn't going to work out. It's

0:14:36.840 --> 0:14:39.000
<v Speaker 1>going to be maybe she'll have a friend for life.

0:14:39.040 --> 0:14:42.360
<v Speaker 1>I don't know. Don't you think this how prominent Jess

0:14:42.480 --> 0:14:47.080
<v Speaker 1>is in an episode he's not in. I wrote down

0:14:47.080 --> 0:14:49.680
<v Speaker 1>that exact note. This episode has so much Jess in

0:14:49.720 --> 0:14:53.000
<v Speaker 1>it and he's not even there. The power of Jess right,

0:14:53.120 --> 0:14:57.080
<v Speaker 1>so cool. That's very clever writing, isn't it. Yes, they've

0:14:57.120 --> 0:15:00.520
<v Speaker 1>been so smart with Jess all along because and I

0:15:00.520 --> 0:15:02.320
<v Speaker 1>know I'm a broken record, but they just don't shove

0:15:02.400 --> 0:15:04.760
<v Speaker 1>him down our throats. We just started, we just started

0:15:04.800 --> 0:15:08.760
<v Speaker 1>left wanting more. He's got beautiful handwriting. Oh how do

0:15:08.800 --> 0:15:11.600
<v Speaker 1>you know his handwriting? Well, he writes in the margins,

0:15:11.680 --> 0:15:16.520
<v Speaker 1>you know, it's just the whole. And I kept leaning forward,

0:15:16.560 --> 0:15:18.400
<v Speaker 1>like what is he writing the margins? And I'm like, yeah,

0:15:18.440 --> 0:15:20.400
<v Speaker 1>come on, tell me what he writes? Smarts stuff, He

0:15:20.440 --> 0:15:23.680
<v Speaker 1>writes smarty pants. Yeah, but they didn't say. She didn't

0:15:23.720 --> 0:15:26.760
<v Speaker 1>give us any nuggets. She didn't get one little detail

0:15:26.840 --> 0:15:28.800
<v Speaker 1>from that. I just feel like he I mean, I

0:15:28.800 --> 0:15:30.560
<v Speaker 1>think I write smarty stuff that I'm not going to

0:15:30.600 --> 0:15:35.680
<v Speaker 1>even understand, well of literature. Smarts. You know, a girl

0:15:35.760 --> 0:15:37.880
<v Speaker 1>likes the guy if she says his handwriting is nice,

0:15:37.920 --> 0:15:42.280
<v Speaker 1>because guy's handwriting. It was a beautiful new sign you

0:15:42.400 --> 0:15:45.720
<v Speaker 1>had there in the dinner yeah, but I didn't do that,

0:15:45.800 --> 0:15:52.000
<v Speaker 1>did I? That was his hand. Also, that omelet sounded gross?

0:15:52.440 --> 0:15:56.440
<v Speaker 1>What was it? Bacon bits, tomatoes, bacon bits? And then

0:16:00.960 --> 0:16:05.160
<v Speaker 1>that whole omelet sounded gross, which I did maybe text

0:16:05.280 --> 0:16:07.880
<v Speaker 1>Riley late last night was like, can you make this

0:16:07.960 --> 0:16:10.640
<v Speaker 1>omelet and tell us how it is? Riley? You never

0:16:10.840 --> 0:16:14.240
<v Speaker 1>could you respond? I did? You said, yes, you'll make it.

0:16:14.560 --> 0:16:18.520
<v Speaker 1>I'll make it. Yeah. I'm not the greatest chef that

0:16:18.680 --> 0:16:21.200
<v Speaker 1>will say what happens? So did you? Guys? All? We

0:16:21.240 --> 0:16:25.080
<v Speaker 1>all agreed the omelet special is not good. I only

0:16:25.160 --> 0:16:29.520
<v Speaker 1>been okay with it minus Swiss cheese. Yeah. I don't

0:16:29.520 --> 0:16:31.720
<v Speaker 1>think the Swiss cheese is you gotta have cheddar in

0:16:31.760 --> 0:16:36.480
<v Speaker 1>an omelet you don't want to? Yeah, but the Reagano didn't.

0:16:37.600 --> 0:16:40.320
<v Speaker 1>I don't know about oregano either. Yeah. And it was

0:16:40.360 --> 0:16:42.960
<v Speaker 1>so cheap. It was four dollars and seventy five cents. Now.

0:16:42.960 --> 0:16:44.560
<v Speaker 1>I don't know if that was because it was twenty

0:16:44.640 --> 0:16:47.640
<v Speaker 1>years ago or if Luke's prices are like extraordinarily cheap.

0:16:47.640 --> 0:16:50.280
<v Speaker 1>But if you got that omelet like now, even at Denny's,

0:16:50.320 --> 0:16:52.880
<v Speaker 1>I think you're looking at eleven bucks nine. I don't

0:16:52.920 --> 0:16:58.200
<v Speaker 1>know Denny's bucks well, first of all, Luke's Diner is

0:16:58.200 --> 0:17:01.000
<v Speaker 1>no Denny's. It's totally a step up. You went to

0:17:01.120 --> 0:17:10.760
<v Speaker 1>farm Shop in Los Angeles that things oh for Good's. Yeah,

0:17:11.040 --> 0:17:17.920
<v Speaker 1>it was the best constructed and acted and written kids

0:17:17.960 --> 0:17:21.120
<v Speaker 1>stuff in terms of Roy Dean and just not even

0:17:21.119 --> 0:17:24.399
<v Speaker 1>being there, but as you rightfully point out, being a

0:17:24.520 --> 0:17:29.159
<v Speaker 1>very prominent member of each scene. Um, and it's just

0:17:29.320 --> 0:17:36.280
<v Speaker 1>getting us ready for the inevitable sort of you know, heartbreak. Yeah,

0:17:36.480 --> 0:17:39.359
<v Speaker 1>it's it's it's hard to watch, but they make it

0:17:39.520 --> 0:17:43.040
<v Speaker 1>very appetizing, you know what I mean. Very well said, Yes,

0:17:44.880 --> 0:17:48.040
<v Speaker 1>it's really compelling to watch because you just you like

0:17:48.240 --> 0:17:52.600
<v Speaker 1>that kid so much and you and you're rooting for him, um,

0:17:52.640 --> 0:17:56.240
<v Speaker 1>and his and his inner goodness is coming through, right

0:17:56.960 --> 0:17:59.920
<v Speaker 1>Jared Deine goodness coming through, and you just you want

0:18:00.080 --> 0:18:02.840
<v Speaker 1>him to like I just you know, and I was

0:18:02.880 --> 0:18:05.280
<v Speaker 1>watching it too because I I've been in that situation.

0:18:05.359 --> 0:18:07.479
<v Speaker 1>I think a lot of guys have been in that

0:18:07.560 --> 0:18:14.240
<v Speaker 1>situation in their youth. It's just it's just raining too hard, man, Yeah,

0:18:14.359 --> 0:18:16.840
<v Speaker 1>trying too hard. We call it hashtag trying too hard

0:18:17.280 --> 0:18:20.760
<v Speaker 1>and so true. I will let you know that an

0:18:20.760 --> 0:18:23.879
<v Speaker 1>omelet at farm Shop is going to run you somewhere

0:18:23.920 --> 0:18:27.160
<v Speaker 1>between nineteen and twenty three dollars? Do you have many

0:18:27.240 --> 0:18:33.760
<v Speaker 1>dozen eggs you can buy? Yeah? But yeah, I think

0:18:33.840 --> 0:18:36.240
<v Speaker 1>your prices are low. But it was twenty years ago.

0:18:36.320 --> 0:18:39.919
<v Speaker 1>So look, I'm the I'm the place to go. I

0:18:39.960 --> 0:18:45.280
<v Speaker 1>treat my customers. Right. Um. Anyway, how else do we

0:18:45.320 --> 0:18:50.040
<v Speaker 1>feel about Rory and Dean and Jess. I'm not mad

0:18:50.080 --> 0:18:52.959
<v Speaker 1>that she likes Jess. That's my problem. It's like, Okay,

0:18:53.000 --> 0:18:58.440
<v Speaker 1>Dean like sorry, but it's over. You know what it is.

0:18:59.320 --> 0:19:04.480
<v Speaker 1>You can not getting mad at Rory. Try even getting

0:19:04.560 --> 0:19:10.520
<v Speaker 1>perturbed Rory. It's not possible. She's too appealing. I mean

0:19:10.560 --> 0:19:15.720
<v Speaker 1>that face and those eyeballs. She's so cute. She asked

0:19:15.720 --> 0:19:19.680
<v Speaker 1>her grandpa to help with the project, right set, I mean,

0:19:19.720 --> 0:19:22.320
<v Speaker 1>how do you say no to her? Emily? You right?

0:19:22.440 --> 0:19:26.600
<v Speaker 1>Emily was like, oh my god, you're disappointing your granddaughter.

0:19:27.359 --> 0:19:30.439
<v Speaker 1>And Emily was right, It's like, oh my god, how

0:19:30.480 --> 0:19:34.159
<v Speaker 1>do you say no? But I mean, the casting of

0:19:34.200 --> 0:19:38.080
<v Speaker 1>these two is just a master stroke. Right was so

0:19:38.200 --> 0:19:40.560
<v Speaker 1>good together. It's so funny you say that. I thought

0:19:40.560 --> 0:19:43.120
<v Speaker 1>about this in particular in this episode, which this episode

0:19:43.160 --> 0:19:46.359
<v Speaker 1>is not my ultimate favorite. It's always good and I

0:19:46.400 --> 0:19:49.320
<v Speaker 1>actually liked it on my second rewatch just last night.

0:19:49.320 --> 0:19:53.440
<v Speaker 1>I watched it two times last night. M. But you're right,

0:19:54.480 --> 0:19:59.320
<v Speaker 1>she's awesome. Yeah, like she she's the heart and soul

0:19:59.359 --> 0:20:05.320
<v Speaker 1>of that show. Yeah, because or over the top, very

0:20:05.480 --> 0:20:10.280
<v Speaker 1>so subtle, and you're like everything she does, you believe everything.

0:20:10.960 --> 0:20:14.800
<v Speaker 1>It's so underplayed. And that face, that sweet face. I

0:20:14.840 --> 0:20:18.440
<v Speaker 1>mean you just so what do you think of? Okay,

0:20:18.480 --> 0:20:21.159
<v Speaker 1>so let's break down. Next we'll go to Rory and

0:20:21.320 --> 0:20:24.280
<v Speaker 1>Richard and Richard and the kids and just kind of

0:20:24.320 --> 0:20:30.160
<v Speaker 1>all that. M. What do you think, Well, Richard comes

0:20:30.200 --> 0:20:35.320
<v Speaker 1>to life. You know, it's uh, it's funny because you

0:20:35.320 --> 0:20:36.840
<v Speaker 1>know that's what guys do. They don't know what to

0:20:36.840 --> 0:20:38.439
<v Speaker 1>do with themselves. So they do all these things that

0:20:38.440 --> 0:20:41.080
<v Speaker 1>they never did before. They think thought they were interested in.

0:20:41.119 --> 0:20:43.359
<v Speaker 1>They realized, God, what a bore this is. You know,

0:20:43.560 --> 0:20:49.960
<v Speaker 1>like golf, golf I do and I joined a club

0:20:50.040 --> 0:20:52.720
<v Speaker 1>after you know, I thought I was done like ten

0:20:52.800 --> 0:20:55.359
<v Speaker 1>years ago, and I was just it was like, no,

0:20:55.359 --> 0:20:57.600
<v Speaker 1>I don't want to do this. I liked it. I

0:20:57.640 --> 0:20:59.399
<v Speaker 1>love golf. It's all great, but I just you know,

0:20:59.440 --> 0:21:01.480
<v Speaker 1>I sold him membership and I was like, once in

0:21:01.520 --> 0:21:04.320
<v Speaker 1>a while, it's fun. But do you work on cars?

0:21:05.359 --> 0:21:09.359
<v Speaker 1>I don't. First of all, you got a little kid though, too,

0:21:09.760 --> 0:21:13.800
<v Speaker 1>Like I'm raising my boy. Man, I'm busy. I have

0:21:13.840 --> 0:21:17.320
<v Speaker 1>a question for you guys. Do you think Emily is

0:21:17.400 --> 0:21:20.800
<v Speaker 1>excited or is kind of like w t F now

0:21:20.840 --> 0:21:23.119
<v Speaker 1>that he wants to go back to work happy? Is

0:21:23.200 --> 0:21:26.680
<v Speaker 1>a girl can be? She doesn't you think? So? Yeah,

0:21:26.720 --> 0:21:29.800
<v Speaker 1>he's driving her cuckoo. But I saw at the end

0:21:29.880 --> 0:21:32.720
<v Speaker 1>kind of she was like what, I think she's concerned

0:21:32.720 --> 0:21:36.240
<v Speaker 1>about what he's going to do, you know what I mean?

0:21:37.440 --> 0:21:41.000
<v Speaker 1>I think that's that was her primary source of concern,

0:21:41.560 --> 0:21:44.160
<v Speaker 1>like teacher and you know, Loura, like they were giving

0:21:44.240 --> 0:21:47.800
<v Speaker 1>him a hard time about it. So, I mean, I

0:21:47.800 --> 0:21:50.160
<v Speaker 1>don't know. I think she's happy because he's been so

0:21:50.320 --> 0:21:53.120
<v Speaker 1>she just wants him to be happy, which actually I admire,

0:21:53.400 --> 0:21:56.200
<v Speaker 1>Like she's a great partner to him and she wants

0:21:56.280 --> 0:21:58.600
<v Speaker 1>him to be happy. That's why she leans in during

0:21:58.640 --> 0:22:01.760
<v Speaker 1>the board meeting at their house and said he's smiling.

0:22:01.880 --> 0:22:04.760
<v Speaker 1>She just wants him to be happy. She's just like cookies.

0:22:04.960 --> 0:22:07.560
<v Speaker 1>What can I get you guys? Ice cream? He's happy?

0:22:07.720 --> 0:22:10.840
<v Speaker 1>Rory like she won't. I think she's cool with it.

0:22:11.480 --> 0:22:16.359
<v Speaker 1>Mm hmm, yeah, yeah, I thought I saw him getting

0:22:16.400 --> 0:22:21.720
<v Speaker 1>engaged with with Rory in the class and and being

0:22:21.720 --> 0:22:25.160
<v Speaker 1>the advisor. Was it was I don't know, I mean

0:22:25.160 --> 0:22:29.160
<v Speaker 1>it was very entertaining. It was um, you know. Paris

0:22:29.240 --> 0:22:32.800
<v Speaker 1>was her usual troubling self and then she came to

0:22:32.880 --> 0:22:38.879
<v Speaker 1>life Scott. Obviously Luke wasn't as prominent in this episode

0:22:38.920 --> 0:22:41.200
<v Speaker 1>as he was in the week before. Were you more

0:22:41.480 --> 0:22:46.200
<v Speaker 1>comfortable with your you know moments? Oh yeah, yeah, yeah

0:22:46.200 --> 0:22:50.160
<v Speaker 1>it was fine. It was great. Yeah I thought so too. Yeah,

0:22:50.359 --> 0:22:53.960
<v Speaker 1>I had no complaints. You know, timing was there, it

0:22:54.040 --> 0:22:59.040
<v Speaker 1>was funny, it was all good. Yeah, that one a lot,

0:22:59.320 --> 0:23:02.919
<v Speaker 1>you know, and that's get me out of the diner.

0:23:02.960 --> 0:23:04.840
<v Speaker 1>It gets a little more complicated, you know. I like

0:23:04.960 --> 0:23:09.960
<v Speaker 1>myself in the diner. So it was interesting. Really well,

0:23:10.000 --> 0:23:15.760
<v Speaker 1>without the hat, you lose your superpower, right, so I

0:23:15.840 --> 0:23:18.160
<v Speaker 1>had to hair act. I had to full on hair act,

0:23:18.440 --> 0:23:21.320
<v Speaker 1>and I don't like hair acting. I was used to

0:23:21.320 --> 0:23:29.520
<v Speaker 1>a hat act. Different, freaking hilarious. But it's true true

0:23:29.560 --> 0:23:32.439
<v Speaker 1>with with without the hat band going around my noggin,

0:23:32.920 --> 0:23:36.120
<v Speaker 1>it felt a little strange. It's like experiencing too much freedom.

0:23:36.160 --> 0:23:41.800
<v Speaker 1>It's like this is this is unfamiliar territory, uh Suki

0:23:42.320 --> 0:23:45.640
<v Speaker 1>and her poor wedding invitations. And I need to talk

0:23:45.680 --> 0:23:49.840
<v Speaker 1>about the meringue flying everywhere. You know, that was just great.

0:23:49.920 --> 0:23:52.680
<v Speaker 1>That was one of the funniest moments in the whole thing.

0:23:53.119 --> 0:23:57.440
<v Speaker 1>But I landed on her back, a big, big dukie

0:23:57.560 --> 0:24:02.880
<v Speaker 1>right on her back man the whole scene. I'm assuming

0:24:02.920 --> 0:24:05.040
<v Speaker 1>that means they practically shot that in one take, because

0:24:05.040 --> 0:24:06.760
<v Speaker 1>I'm not sure how long that morangue could have like

0:24:06.920 --> 0:24:11.200
<v Speaker 1>stuck on there. Yeah, I think they did one. Yeah. Yeah,

0:24:11.359 --> 0:24:14.600
<v Speaker 1>it felt like that to me too, Like, oh my god, wow,

0:24:14.600 --> 0:24:18.080
<v Speaker 1>because because I think the director probably thought, O, look

0:24:18.119 --> 0:24:22.280
<v Speaker 1>at the large dukie chunk on her back and let's

0:24:22.359 --> 0:24:24.840
<v Speaker 1>cut cut it. But then like, no, no, let's just

0:24:24.920 --> 0:24:29.439
<v Speaker 1>let it play out. It's brilliant. It's pretty good. It was.

0:24:29.560 --> 0:24:32.920
<v Speaker 1>It was pretty good. Yeah, like a small like because

0:24:32.920 --> 0:24:37.440
<v Speaker 1>it's such a c D storyline, but it was so good.

0:24:37.520 --> 0:24:39.840
<v Speaker 1>And the wedding is coming soon. We also learned that

0:24:39.920 --> 0:24:47.040
<v Speaker 1>like we're moments away. Yeah, it's it's I don't know,

0:24:47.280 --> 0:24:50.520
<v Speaker 1>you know, the anticipation. It's killing me for the wedding.

0:24:50.800 --> 0:24:56.000
<v Speaker 1>Not you don't care. It'll be nice, right, but it's

0:24:56.040 --> 0:24:58.160
<v Speaker 1>not it's not so let me ask you that, Okay,

0:24:58.240 --> 0:25:01.040
<v Speaker 1>keeping me up at night. So you of Melissa McCarthy,

0:25:01.040 --> 0:25:02.600
<v Speaker 1>and I know you love the character of Suki s

0:25:04.040 --> 0:25:05.960
<v Speaker 1>is it you just are in the moment with her,

0:25:06.040 --> 0:25:08.639
<v Speaker 1>like you just love her sort of comedic and like

0:25:08.760 --> 0:25:11.280
<v Speaker 1>physical stuff, but you're not like totally invested in her

0:25:11.320 --> 0:25:17.119
<v Speaker 1>and Jackson in their future. I think it's a very yes. No, absolutely,

0:25:17.720 --> 0:25:22.040
<v Speaker 1>Melissa McCarthy is amazing watching her as a treat and

0:25:22.119 --> 0:25:25.159
<v Speaker 1>it's a masterclass in acting, whether it's a comedy or

0:25:25.200 --> 0:25:27.199
<v Speaker 1>drama because she, you know, put on the drama too.

0:25:27.280 --> 0:25:30.800
<v Speaker 1>She really yelled at the the card people, you know,

0:25:31.240 --> 0:25:34.000
<v Speaker 1>so when she changes gears, it's it's just awesome to

0:25:34.040 --> 0:25:38.919
<v Speaker 1>watch um. But yeah, I mean she's a sweet, a

0:25:39.000 --> 0:25:42.119
<v Speaker 1>very sweet character. It's a but these are these are

0:25:42.160 --> 0:25:46.160
<v Speaker 1>kind of they don't use they don't utilize these characters

0:25:46.160 --> 0:25:49.840
<v Speaker 1>in such a way where you're anticipating every single storyline

0:25:49.840 --> 0:25:52.959
<v Speaker 1>that I'm in for the Melissa's in or what you know.

0:25:53.040 --> 0:25:57.360
<v Speaker 1>It's like, really it's it's all about you know, it's

0:25:57.400 --> 0:26:02.160
<v Speaker 1>all about uh Rory and Laurela and the kid love

0:26:02.440 --> 0:26:04.919
<v Speaker 1>and their drama with their parents. I mean that's really

0:26:05.000 --> 0:26:06.880
<v Speaker 1>kind of the focus of the show is what I'm

0:26:06.880 --> 0:26:08.520
<v Speaker 1>getting out of this, and that we're all just sort

0:26:08.560 --> 0:26:12.440
<v Speaker 1>of sprinkled in when you know, just I wouldn't loop

0:26:12.480 --> 0:26:14.200
<v Speaker 1>you in with that. I would not look I would

0:26:14.200 --> 0:26:17.320
<v Speaker 1>not loop you in with that. But am I incorrect

0:26:17.359 --> 0:26:19.359
<v Speaker 1>if I sort of say this, you guys weigh in

0:26:20.880 --> 0:26:24.800
<v Speaker 1>those characters. We love them, the amcillary characters, but they

0:26:24.880 --> 0:26:29.680
<v Speaker 1>really are mostly comedy, even in their drama, Like even

0:26:29.720 --> 0:26:35.280
<v Speaker 1>in Michelle's drama, it's still comedy. Right, It's not like

0:26:35.320 --> 0:26:38.440
<v Speaker 1>we're so we're not I'm not worried about Michelle, right,

0:26:40.000 --> 0:26:41.840
<v Speaker 1>But I mean that was some of those are some

0:26:41.880 --> 0:26:44.680
<v Speaker 1>of the funniest scenes that he's done with his mother.

0:26:45.160 --> 0:26:49.399
<v Speaker 1>She was great. She it was great stuff, and it

0:26:49.480 --> 0:26:52.639
<v Speaker 1>was really funny, and it was just you know, and

0:26:52.720 --> 0:26:55.280
<v Speaker 1>that's you know, if you if you can add a

0:26:55.320 --> 0:26:57.480
<v Speaker 1>little spice here and there to the to the to

0:26:57.560 --> 0:26:59.439
<v Speaker 1>the forty minutes, great do it and they do it

0:26:59.640 --> 0:27:07.480
<v Speaker 1>tot late and they sprinkle it in. Yeah. But yeah,

0:27:07.560 --> 0:27:10.960
<v Speaker 1>So it's not like we're you know, what we're involved

0:27:11.000 --> 0:27:16.320
<v Speaker 1>in is Rory, or we're involved with Laurela, or we're

0:27:16.359 --> 0:27:18.959
<v Speaker 1>involved a little you know, maybe a little less so,

0:27:19.480 --> 0:27:23.919
<v Speaker 1>but in a major way with with uh, Emily and

0:27:24.040 --> 0:27:27.280
<v Speaker 1>rich Now Richard, right, I mean it really when when

0:27:27.280 --> 0:27:30.840
<v Speaker 1>they're those episodes are heavy, heavy, heavy with them, you know,

0:27:30.880 --> 0:27:34.360
<v Speaker 1>they're very prominent and that's yeah. And there are really powerful,

0:27:34.400 --> 0:27:41.960
<v Speaker 1>sort of dramatic moments with that. Yeah, and that's why.

0:27:42.160 --> 0:27:44.040
<v Speaker 1>And at the beginning they wanted to call it to

0:27:44.080 --> 0:27:48.240
<v Speaker 1>gilmore Way and uh, I think the creators wanted to

0:27:48.280 --> 0:27:51.560
<v Speaker 1>call it uh No, I think I think the studio

0:27:51.600 --> 0:27:55.800
<v Speaker 1>wanted to call it to gilmore Way, and the creators

0:27:55.800 --> 0:27:58.359
<v Speaker 1>wanted to call it gilmore Girls. I'm glad they went

0:27:58.440 --> 0:28:01.280
<v Speaker 1>with girls. This studio thought it was a bigger show

0:28:01.280 --> 0:28:04.360
<v Speaker 1>than that that included more people to gilmore Way, which

0:28:04.400 --> 0:28:07.480
<v Speaker 1>would be Emily and Richard. Right. So, and that's kind

0:28:07.480 --> 0:28:10.280
<v Speaker 1>of how it feels. That's how that's how it feels,

0:28:11.359 --> 0:28:14.120
<v Speaker 1>and I think everybody else is just and that's kind

0:28:14.119 --> 0:28:17.919
<v Speaker 1>of how it was for the reboot too. You should

0:28:18.080 --> 0:28:23.040
<v Speaker 1>see the TikTok slutes that are convinced there's a new

0:28:23.080 --> 0:28:26.879
<v Speaker 1>reboot coming because oh yeah, so did I send you

0:28:26.880 --> 0:28:29.200
<v Speaker 1>guys this TikTok? Or the one girl has is certain

0:28:29.280 --> 0:28:33.560
<v Speaker 1>of it because the official gilmore Instagram has posted twice

0:28:34.280 --> 0:28:37.359
<v Speaker 1>like in a day. I never sent you guys this

0:28:37.480 --> 0:28:41.240
<v Speaker 1>like detective on TikTok. I don't know. They've got all

0:28:41.320 --> 0:28:44.280
<v Speaker 1>kinds of theories in there, So what's one there that

0:28:44.360 --> 0:28:46.880
<v Speaker 1>you're all coming back again? I mean, she doesn't really

0:28:46.880 --> 0:28:49.800
<v Speaker 1>have a lot of knowledge there because her theory is

0:28:49.840 --> 0:28:52.360
<v Speaker 1>just based on the fact that the Instagram's back a lot.

0:28:52.920 --> 0:28:57.720
<v Speaker 1>But I mean, do you know something look us in

0:28:57.720 --> 0:28:59.360
<v Speaker 1>the eye? I don't know. I don't know if that

0:29:00.200 --> 0:29:04.520
<v Speaker 1>look us? And oh what do you guys I'm looking?

0:29:04.560 --> 0:29:07.680
<v Speaker 1>Do you guys believe them I'm looking. I saw a

0:29:07.680 --> 0:29:13.520
<v Speaker 1>little hurt. He's not looking at He's not looking at

0:29:13.560 --> 0:29:19.320
<v Speaker 1>us anything to any fair, we were told not to

0:29:19.360 --> 0:29:24.760
<v Speaker 1>look Scott and so should we do a little fashion

0:29:24.880 --> 0:29:28.640
<v Speaker 1>before we have to go? Listen, Tom and I discussed it.

0:29:29.040 --> 0:29:32.400
<v Speaker 1>He said, you're big enough to demand the people don't

0:29:32.600 --> 0:29:35.480
<v Speaker 1>look you in the eye. I said, I don't know

0:29:35.480 --> 0:29:38.000
<v Speaker 1>how it's gonna fly. Here's a couple of notes I have.

0:29:38.360 --> 0:29:40.720
<v Speaker 1>One is I thought it was fascinating that she was

0:29:40.840 --> 0:29:43.120
<v Speaker 1>totally First of all, I loved her. She wore a

0:29:43.120 --> 0:29:46.120
<v Speaker 1>lot of blue in this episode, which another fan told

0:29:46.160 --> 0:29:48.400
<v Speaker 1>me they do always dress her a lot of blue,

0:29:48.400 --> 0:29:50.640
<v Speaker 1>which makes sense because she's got the blue eyes. She's

0:29:50.680 --> 0:29:53.320
<v Speaker 1>reading that Motley Crue book. And you, guys, that Motley

0:29:53.360 --> 0:29:55.720
<v Speaker 1>Crue book is real and I already went on Amazon

0:29:55.840 --> 0:30:01.120
<v Speaker 1>to order it. That was pretty funny moment snorting ants. Yeah,

0:30:01.200 --> 0:30:03.560
<v Speaker 1>that was pretty good. And then she had Lorla had

0:30:03.600 --> 0:30:06.640
<v Speaker 1>two awesome blue button downs. She always like rocks the

0:30:06.680 --> 0:30:09.360
<v Speaker 1>button downs a lot, one with the white cuffs and

0:30:09.360 --> 0:30:11.320
<v Speaker 1>then the other one with more like the sort of

0:30:11.360 --> 0:30:15.360
<v Speaker 1>tuxedo e type cuffs. But I will say Michelle's mom

0:30:15.600 --> 0:30:19.360
<v Speaker 1>stole the fashion in this episode. Her fashion, it was

0:30:19.400 --> 0:30:22.000
<v Speaker 1>so yeah, no quite. Where do you think she was from?

0:30:22.000 --> 0:30:24.200
<v Speaker 1>Where was she supposed to be from? What was that accent?

0:30:25.640 --> 0:30:29.920
<v Speaker 1>It's all French. They're from Paris, right, that was a

0:30:30.040 --> 0:30:34.600
<v Speaker 1>that was a Parisian accent. I'm gonna have to I

0:30:34.600 --> 0:30:37.760
<v Speaker 1>think we're gonna we're going to talk to her later

0:30:37.800 --> 0:30:40.360
<v Speaker 1>this week. Guys already talked to her, because that's the

0:30:40.920 --> 0:30:45.240
<v Speaker 1>mom from Fresh Pins of bel Air. She's the right,

0:30:45.840 --> 0:30:47.640
<v Speaker 1>and she has since made up with Will Smith. For

0:30:47.680 --> 0:30:54.080
<v Speaker 1>anyone wondering they're good, huh so I don't. I don't

0:30:54.080 --> 0:30:56.600
<v Speaker 1>even know what happened. I'm gonna have to can I

0:30:56.640 --> 0:30:59.200
<v Speaker 1>ask her about what happens, she is she gonna like

0:30:59.360 --> 0:31:04.200
<v Speaker 1>not want to about that. You what? But it's Will Smith.

0:31:05.280 --> 0:31:10.080
<v Speaker 1>He's a major moiel. I'm much more interested in her

0:31:10.120 --> 0:31:14.240
<v Speaker 1>playing Michelle's mom um. I'm trying to think if we forgot,

0:31:14.280 --> 0:31:17.560
<v Speaker 1>but I'm conducting the interview. I mean, do you do

0:31:17.640 --> 0:31:25.200
<v Speaker 1>you shine in? I love Richard and his coveralls. I'm

0:31:25.200 --> 0:31:28.360
<v Speaker 1>not gonna lie. I love that. I can't wait to

0:31:28.400 --> 0:31:30.840
<v Speaker 1>have Riley mcgonmelet and I'm ready for my favorite line

0:31:30.840 --> 0:31:35.640
<v Speaker 1>when you tell me alright, go ahead, start start us off. Brad,

0:31:36.280 --> 0:31:38.920
<v Speaker 1>your festive interjections are a real kick in the pants.

0:31:39.080 --> 0:31:43.480
<v Speaker 1>But we're low on time, so can it. So she

0:31:43.680 --> 0:31:46.760
<v Speaker 1>took up you know the time to do that, So

0:31:46.880 --> 0:31:51.600
<v Speaker 1>her interjections are wasting time, was my retort as I

0:31:51.640 --> 0:31:54.640
<v Speaker 1>was leaning forward to watch it. I'll follow up to

0:31:54.640 --> 0:31:59.800
<v Speaker 1>Amy's favorite line, Mine's from Brad to Paris and he goes,

0:32:00.160 --> 0:32:02.240
<v Speaker 1>she doesn't have a baseball pot in her hands, does she?

0:32:05.160 --> 0:32:12.080
<v Speaker 1>I'm telling you, Brad, Brad is Brad pulls through. There

0:32:12.160 --> 0:32:14.480
<v Speaker 1>was also a new student that was very cute, I

0:32:14.520 --> 0:32:17.880
<v Speaker 1>don't know in the group, yah yep. I was like,

0:32:17.880 --> 0:32:23.000
<v Speaker 1>who's that? Look? Ship at Chiltern. What's Up? It was

0:32:23.000 --> 0:32:29.280
<v Speaker 1>a favorite. What's going on in that casting office? My

0:32:29.360 --> 0:32:31.160
<v Speaker 1>favorite line was from Laura line when she's talking to

0:32:31.280 --> 0:32:34.240
<v Speaker 1>Michelle about carbs and she says, calm down, have have

0:32:34.360 --> 0:32:41.760
<v Speaker 1>some toast. Ye favorite a lot of favorite lines. Uh.

0:32:42.280 --> 0:32:47.720
<v Speaker 1>One I can remember is Michelle losing it on Laura La.

0:32:48.440 --> 0:32:50.200
<v Speaker 1>He said, I hate you. I hate you very much.

0:32:51.080 --> 0:32:53.160
<v Speaker 1>That's just the way he did it. Yeah, what did

0:32:53.200 --> 0:32:56.040
<v Speaker 1>he say? You turned my friend into my mother, You

0:32:56.120 --> 0:32:58.240
<v Speaker 1>turned my Gizelle into a mother, And I hate you

0:32:58.280 --> 0:33:00.960
<v Speaker 1>for that, right and I hate your very much and

0:33:01.000 --> 0:33:03.440
<v Speaker 1>he storms out. But this is the reason it was

0:33:03.480 --> 0:33:07.440
<v Speaker 1>so funny is because he understands, you know, Yanique as

0:33:07.480 --> 0:33:11.960
<v Speaker 1>an actor understands the difference between going too far with

0:33:12.080 --> 0:33:16.440
<v Speaker 1>anger and losing the humor and and the balance was

0:33:16.480 --> 0:33:19.160
<v Speaker 1>just perfect because he had all that intensity and energy

0:33:19.200 --> 0:33:21.920
<v Speaker 1>and that yet it's still stayed comedic and that's hard

0:33:21.960 --> 0:33:26.000
<v Speaker 1>to do. So I really thought that was nails it before.

0:33:26.080 --> 0:33:28.480
<v Speaker 1>We have a question for you. Do your when you

0:33:28.520 --> 0:33:31.160
<v Speaker 1>have like a what do you call like a monologue,

0:33:31.160 --> 0:33:32.840
<v Speaker 1>when you have like a longer thing, does it come

0:33:32.880 --> 0:33:35.800
<v Speaker 1>back to you at all? Like? Is it in there somewhere?

0:33:36.440 --> 0:33:37.840
<v Speaker 1>Or do you have to sort of is it more

0:33:37.880 --> 0:33:40.920
<v Speaker 1>like you gil More model, so like you had a

0:33:41.000 --> 0:33:47.160
<v Speaker 1>purge in to get the next moment, Na, It's not

0:33:47.200 --> 0:33:51.120
<v Speaker 1>like scoring seven years ago our fathers brought for the continent.

0:33:51.200 --> 0:33:54.560
<v Speaker 1>Like when someone starts to Gettysburg address, it comes right

0:33:54.560 --> 0:33:59.720
<v Speaker 1>back to me. It's in there when I used to

0:34:00.120 --> 0:34:03.360
<v Speaker 1>when I used to study Shakespeare, and it's all memorization, right,

0:34:04.520 --> 0:34:07.960
<v Speaker 1>So you you really, I mean you know I would

0:34:08.040 --> 0:34:10.080
<v Speaker 1>do that. I would. I would work on a play

0:34:10.120 --> 0:34:13.320
<v Speaker 1>for six months or three months or six months or

0:34:13.360 --> 0:34:16.520
<v Speaker 1>whatever it was, and that and you remember, and then

0:34:16.600 --> 0:34:20.440
<v Speaker 1>performance and perform and performance. Um, so that stays with

0:34:20.520 --> 0:34:26.319
<v Speaker 1>you for years and years and years, And yes it does.

0:34:26.480 --> 0:34:29.520
<v Speaker 1>And it took I mean, I don't know, it took

0:34:29.719 --> 0:34:33.880
<v Speaker 1>I don't know, fifteen twenty years for me to really

0:34:33.920 --> 0:34:36.840
<v Speaker 1>struggle to remember some of those you know, long speeches.

0:34:37.560 --> 0:34:43.200
<v Speaker 1>Knew them no Shakespeare. So Gilmore was more I think

0:34:43.200 --> 0:34:45.680
<v Speaker 1>you've said it before, like you swished it in. You

0:34:45.760 --> 0:34:47.399
<v Speaker 1>had to get it out swish and the next one

0:34:47.400 --> 0:34:51.279
<v Speaker 1>to get it out short term memory. Yeah, yeah, but

0:34:51.440 --> 0:34:53.880
<v Speaker 1>I mean that was you know, the Shakespeare stuff is

0:34:53.960 --> 0:34:57.080
<v Speaker 1>like locked into the brain gel for a couple of decades,

0:34:57.280 --> 0:34:59.439
<v Speaker 1>but then it fades. You know, it eventually fades because

0:34:59.480 --> 0:35:01.319
<v Speaker 1>if you don't want go on it. But it's like

0:35:01.440 --> 0:35:03.200
<v Speaker 1>you know when I when I did that bit on

0:35:03.239 --> 0:35:06.240
<v Speaker 1>the on the on the podcast right on the advice

0:35:06.280 --> 0:35:09.200
<v Speaker 1>of the players, I didn't I didn't have it memorized.

0:35:09.239 --> 0:35:10.960
<v Speaker 1>I had to read it most of it. But it's

0:35:11.000 --> 0:35:13.440
<v Speaker 1>when you know, the flow of it, the beats of

0:35:13.440 --> 0:35:17.719
<v Speaker 1>it came back a little bit, you know, Yeah, it's there. Yeah,

0:35:17.880 --> 0:35:21.880
<v Speaker 1>it is interesting how you how you remember things, you know,

0:35:22.560 --> 0:35:27.319
<v Speaker 1>clown pillow. For all those following along, you know, I

0:35:27.400 --> 0:35:30.960
<v Speaker 1>do have some interesting details I want to talk about.

0:35:31.480 --> 0:35:36.759
<v Speaker 1>At the thirteen forty mark of the episode, let's get

0:35:36.880 --> 0:35:43.200
<v Speaker 1>let's get precise here. Okay, let's time code this thing. Um,

0:35:43.239 --> 0:35:47.879
<v Speaker 1>so there's a guy shopping behind Dean at four. Oh

0:35:47.920 --> 0:35:49.839
<v Speaker 1>my gosh, was this when they were on the sidewalk

0:35:49.960 --> 0:35:55.120
<v Speaker 1>having the conversation where about the softball game? Yes, and

0:35:55.160 --> 0:35:58.600
<v Speaker 1>there's a live at four right, you know, there's a

0:35:58.640 --> 0:36:05.640
<v Speaker 1>live chicken in the sky's bag. I did not catch that,

0:36:06.160 --> 0:36:09.480
<v Speaker 1>and I'm sure it wasn't actual and actual live chicken,

0:36:09.520 --> 0:36:12.920
<v Speaker 1>but that's what it looked like. Um, you're going to

0:36:12.960 --> 0:36:17.120
<v Speaker 1>need the screenshot that I also thought Lane's side faces

0:36:17.160 --> 0:36:24.239
<v Speaker 1>in that scene were excellent, Like we didn't because uncomfortable, uncomfortable, uncomfortable, right,

0:36:24.360 --> 0:36:27.640
<v Speaker 1>But here's okay, but here's the thing from from fourteen

0:36:27.760 --> 0:36:32.200
<v Speaker 1>thirty three to fifteen oh five. Lane makes faces throughout

0:36:32.280 --> 0:36:35.040
<v Speaker 1>that and I'm assuming that it probably wasn't visible when

0:36:35.040 --> 0:36:38.360
<v Speaker 1>it was aired on its original aspect ratio, you know

0:36:38.400 --> 0:36:42.200
<v Speaker 1>what I mean. So saying I thought her side faces

0:36:42.239 --> 0:36:46.799
<v Speaker 1>because I thought she's in this moment that's so uncomfortable

0:36:46.800 --> 0:36:50.440
<v Speaker 1>and awkward, so she would be started making faces, and

0:36:50.480 --> 0:36:52.880
<v Speaker 1>then I thought again, I sort of was happy that

0:36:52.920 --> 0:36:55.120
<v Speaker 1>we didn't have to discuss it afterwards. I was like,

0:36:55.160 --> 0:36:58.359
<v Speaker 1>she just moved and I was kind of glad about it, right, right,

0:36:58.440 --> 0:37:03.640
<v Speaker 1>right right. Another thing was there's an extra in a

0:37:03.680 --> 0:37:07.640
<v Speaker 1>blue jacket and a black backpack, and she repeatedly appears

0:37:07.719 --> 0:37:12.600
<v Speaker 1>behind Dean and crosses the street behind Rory and is

0:37:12.719 --> 0:37:18.680
<v Speaker 1>sometimes in both places at the same time. Riley, It's

0:37:18.719 --> 0:37:23.600
<v Speaker 1>gonna be all you on the Instagram discovering this, alright.

0:37:23.680 --> 0:37:29.040
<v Speaker 1>So so then there's another one. Okay, I hope Riley

0:37:29.080 --> 0:37:31.320
<v Speaker 1>has one of those pens that she knows the circle

0:37:31.360 --> 0:37:37.400
<v Speaker 1>things on the Instagram. No all forward you. Well, you're

0:37:38.239 --> 0:37:42.160
<v Speaker 1>a lot of homework this week, don't, sir. I do

0:37:42.239 --> 0:37:49.080
<v Speaker 1>a lot of homework every every week. It's just it's crueling. Uh,

0:37:49.239 --> 0:37:53.120
<v Speaker 1>it's still Dean whining. Uh. You can't glance up between

0:37:53.200 --> 0:37:56.680
<v Speaker 1>nihilistic theories and Rory shoots back. I can, But what's

0:37:56.680 --> 0:37:58.600
<v Speaker 1>the point? By the way, that's one of my favorite lines.

0:38:01.360 --> 0:38:07.800
<v Speaker 1>Um um yellow umbrellas. Also, that's interesting this scene stood

0:38:07.800 --> 0:38:11.680
<v Speaker 1>out to you because I too thought which store has

0:38:11.680 --> 0:38:15.080
<v Speaker 1>those yellow umbrellas? In that same scene, you'll see it

0:38:15.120 --> 0:38:17.839
<v Speaker 1>in the background and I'm like, is that dosis market? Like?

0:38:17.840 --> 0:38:22.600
<v Speaker 1>Who has this young umbrella? H So, uh, Riley, you

0:38:22.600 --> 0:38:25.640
<v Speaker 1>want me to email that to you? Yes? Please? Who's

0:38:25.680 --> 0:38:28.200
<v Speaker 1>took us to school? Scott? No, no, no, no, no, no, no,

0:38:28.239 --> 0:38:30.600
<v Speaker 1>I'm taking to school. I'm just a student. I also

0:38:30.680 --> 0:38:33.680
<v Speaker 1>loved how they talked about how great uh Emily's roles

0:38:33.719 --> 0:38:37.120
<v Speaker 1>are and that Lorela had foreigner purse, because that's that's

0:38:37.200 --> 0:38:40.080
<v Speaker 1>that's my girl. I just shove bread in my bag too.

0:38:40.600 --> 0:38:45.640
<v Speaker 1>Mm hmm. She called her own dad go. I texted

0:38:45.719 --> 0:38:48.080
<v Speaker 1>Riley about that. I said, do not miss this for

0:38:48.239 --> 0:38:53.719
<v Speaker 1>pop culture. But that's that's that's right, we'll get into that. Yeah,

0:38:53.719 --> 0:38:57.000
<v Speaker 1>what's next week, guys, Riley, what's next week? We have

0:38:57.160 --> 0:39:01.359
<v Speaker 1>next episode as number nineteen. Teach me tonight at just

0:39:01.360 --> 0:39:07.480
<v Speaker 1>feels like justin rory me, teach me tonight. I won't tell,

0:39:07.680 --> 0:39:16.320
<v Speaker 1>but yell you everybody. So we're gonna wrap this up.

0:39:16.880 --> 0:39:22.200
<v Speaker 1>Great episode. Yeah, this is a good episode, really really good,

0:39:22.320 --> 0:39:26.320
<v Speaker 1>very fine episode. I'm enjoying being in kid world. Good.

0:39:26.760 --> 0:39:31.400
<v Speaker 1>I really I like to see Paris, you know, happy

0:39:31.480 --> 0:39:34.279
<v Speaker 1>to grow on you. I just wanted, I just I

0:39:34.320 --> 0:39:37.240
<v Speaker 1>wanted her face to change. Just change somebody change her face,

0:39:37.880 --> 0:39:40.720
<v Speaker 1>you know, have it have blood going through her face.

0:39:41.360 --> 0:39:45.319
<v Speaker 1>I'm tired of her bloodless cold attacks on people. Let's

0:39:45.360 --> 0:39:48.319
<v Speaker 1>just get some blood in her face and get her

0:39:48.400 --> 0:40:00.280
<v Speaker 1>sunny and smiling. And Brad, Brad, I do al ever, buddy,

0:40:00.280 --> 0:40:02.440
<v Speaker 1>that's gonna wrap it up. I'm Scott Patterson and I

0:40:02.480 --> 0:40:08.200
<v Speaker 1>am with my prestigious team Amy Sugarman, Danielle rom O'Riley Pelusis,

0:40:08.800 --> 0:40:11.000
<v Speaker 1>and we'll be back for more episodes. Best fans on

0:40:11.000 --> 0:40:44.520
<v Speaker 1>the planet, Thanks for downloading. Stay safe everybody, Hey everybody,

0:40:44.520 --> 0:40:47.839
<v Speaker 1>and don't forget follow us on Instagram at I am

0:40:47.920 --> 0:40:51.920
<v Speaker 1>All In Podcast and email us at Gilmore at I

0:40:52.120 --> 0:40:55.480
<v Speaker 1>Heart radio dot com. Oh you Gilmore fans. If you're

0:40:55.480 --> 0:40:57.320
<v Speaker 1>looking for the best cup of coffee in the world,

0:40:57.360 --> 0:41:01.239
<v Speaker 1>go to my website for my company, scott ep dot com,

0:41:01.440 --> 0:41:03.600
<v Speaker 1>s C O T. T y P dot com, Scott

0:41:03.600 --> 0:41:14.480
<v Speaker 1>e P dot com Grade one Specialty Coffee. Yeah.