1 00:00:00,760 --> 00:00:17,279 Speaker 1: I am all in. Oh, let's just more. I am 2 00:00:17,320 --> 00:00:20,600 Speaker 1: all in with Scott Patterson and I Heart Radio podcast. 3 00:00:21,079 --> 00:00:24,880 Speaker 1: Hey everybody, it's Scott Patterson. I'm all in podcast, Heart Radio, 4 00:00:24,880 --> 00:00:28,000 Speaker 1: one of them productions. We are here, back again, and 5 00:00:28,160 --> 00:00:30,920 Speaker 1: I'm just gonna say hello, how are you. We're having 6 00:00:30,960 --> 00:00:33,720 Speaker 1: a blast and we're in great spirits because we've got 7 00:00:33,720 --> 00:00:37,199 Speaker 1: Amy Sugarman, We've got Danielle Romo, and we've got Riley Pulluses. 8 00:00:37,720 --> 00:00:39,599 Speaker 1: She's going to kick us off. Announced the episode. She's 9 00:00:39,600 --> 00:00:42,720 Speaker 1: gonna do her her awesome, awesome job. On the synopsis, 10 00:00:42,760 --> 00:00:46,600 Speaker 1: here we go, Riley Pellosis. This is episode eighteen. Back 11 00:00:46,600 --> 00:00:50,400 Speaker 1: in the Saddle ere day two, Rory asked Richard to 12 00:00:50,440 --> 00:00:53,200 Speaker 1: be a business advisor for a school project, which leads 13 00:00:53,200 --> 00:00:55,360 Speaker 1: to him to make a big decision about his retirement. 14 00:00:55,680 --> 00:00:59,040 Speaker 1: Dean is becoming too overbearing for Rory, and he realized 15 00:00:59,080 --> 00:01:02,680 Speaker 1: that things aren't the same in their relationship. Plus, Michelle's mother, Jess, 16 00:01:03,200 --> 00:01:05,880 Speaker 1: comes to visit at the inn. Yeah, what a what 17 00:01:06,000 --> 00:01:09,200 Speaker 1: an episode? Right? I just wanted you think I wanted 18 00:01:09,200 --> 00:01:11,399 Speaker 1: to hug everybody I felt bad for the people that 19 00:01:11,440 --> 00:01:13,319 Speaker 1: felt bad I felt I wanted to hug the people 20 00:01:13,360 --> 00:01:16,840 Speaker 1: that felt great. I even wanted to hug Paris. I 21 00:01:16,920 --> 00:01:19,560 Speaker 1: was like, so happy for Paris. She found a daddy, 22 00:01:19,720 --> 00:01:23,360 Speaker 1: She got her daddy, she got a granddaddy who thought 23 00:01:23,360 --> 00:01:25,480 Speaker 1: she had a great idea, was very happy for her. 24 00:01:25,680 --> 00:01:30,840 Speaker 1: She just lit up, right, she was so proud. And 25 00:01:30,959 --> 00:01:33,240 Speaker 1: I'm sure we just can we just rewind for one 26 00:01:33,280 --> 00:01:36,840 Speaker 1: second and just acknowledge the fact that Scott just said 27 00:01:37,160 --> 00:01:44,960 Speaker 1: Paris found her daddy. What a daddy she did. She 28 00:01:45,120 --> 00:01:48,600 Speaker 1: found her daddy. She's like, Daddy's not in Bangkok or 29 00:01:48,640 --> 00:01:50,920 Speaker 1: Hong Kong or Thailand or wherever. You know, having an 30 00:01:50,920 --> 00:01:53,400 Speaker 1: affair with somebody you know who sort of underrated that 31 00:01:53,440 --> 00:01:56,760 Speaker 1: we never talked about is Brad. I always feel like 32 00:01:56,840 --> 00:01:59,920 Speaker 1: he kneels so the kid at school, Brad. You know, 33 00:02:00,120 --> 00:02:02,440 Speaker 1: he was at school then he left. He's played by 34 00:02:02,480 --> 00:02:06,200 Speaker 1: Adam Wiley, who people might picket fences. I always feel 35 00:02:06,240 --> 00:02:10,400 Speaker 1: like he nails his moments. Yeah, but he's he's such 36 00:02:10,440 --> 00:02:14,200 Speaker 1: a minor character. You know, nobody's gonna put us up 37 00:02:14,240 --> 00:02:17,119 Speaker 1: against the wall for not mentioning him every episode. You know, 38 00:02:17,360 --> 00:02:19,560 Speaker 1: I just give him. But he had, you know, he 39 00:02:19,600 --> 00:02:22,399 Speaker 1: had some great moments. He had He had a laugh 40 00:02:22,440 --> 00:02:25,200 Speaker 1: out loud moment in this one too. Yeah, I agree. 41 00:02:25,520 --> 00:02:29,239 Speaker 1: When somebody you know one of the uh, the twins, 42 00:02:29,360 --> 00:02:32,200 Speaker 1: or not the twins, but the two dope girls, you know, 43 00:02:32,560 --> 00:02:38,600 Speaker 1: Louise Louise and yeah, right asked him, who asked as 44 00:02:38,639 --> 00:02:40,840 Speaker 1: he'd ever build? He said, you've built tried to build 45 00:02:40,840 --> 00:02:43,839 Speaker 1: a robot before, haven't you? And he paused and he goes, yes, 46 00:02:43,880 --> 00:02:48,239 Speaker 1: I have. It's very funny. You weren't wanting to produce 47 00:02:48,919 --> 00:02:54,120 Speaker 1: lipstick low Jack. That didn't seem like the That was good. 48 00:02:54,280 --> 00:02:56,680 Speaker 1: That was so good. So you know, let's take this 49 00:02:56,800 --> 00:02:59,880 Speaker 1: Richard stuff because you know Brad, he's going to get 50 00:02:59,880 --> 00:03:02,840 Speaker 1: his own segment. We're gonna do a whole show on Brad. Right, 51 00:03:02,880 --> 00:03:05,760 Speaker 1: We're gonna do it right, let's just do it. Uh 52 00:03:05,880 --> 00:03:08,880 Speaker 1: deserves his accolades. But for God's sake, what a great 53 00:03:08,880 --> 00:03:12,799 Speaker 1: episode for Richard. I know. Although I have to say 54 00:03:12,840 --> 00:03:15,160 Speaker 1: watched the episode twice because I watched it the first 55 00:03:15,160 --> 00:03:16,960 Speaker 1: time I forgot to look for the fashion. So I 56 00:03:16,960 --> 00:03:19,440 Speaker 1: went back to watch it again and I couldn't rewatch 57 00:03:19,520 --> 00:03:24,079 Speaker 1: the scene where Richard loses it at the school. It 58 00:03:24,240 --> 00:03:28,160 Speaker 1: just made me too uncomfortable that to see Richard not 59 00:03:28,560 --> 00:03:33,720 Speaker 1: being like perfect and cool and the grandpa that's that 60 00:03:33,800 --> 00:03:35,600 Speaker 1: we all look up to to see him sort of 61 00:03:35,680 --> 00:03:40,440 Speaker 1: embarrassingly lose it. I couldn't watch it, right could? You guys? 62 00:03:40,640 --> 00:03:46,480 Speaker 1: Did Stringe? I agreed with him. I did too. I 63 00:03:46,520 --> 00:03:51,600 Speaker 1: agreed with him. It doesn't function at the event, so 64 00:03:51,640 --> 00:03:57,480 Speaker 1: it's automatically disqualified. It cannot be considered for awards consideration. 65 00:03:57,760 --> 00:04:01,280 Speaker 1: You know, it doesn't work eight. So you guys were 66 00:04:01,360 --> 00:04:08,200 Speaker 1: cool with him losing it in the auditorium and then go, well, no, 67 00:04:08,200 --> 00:04:10,800 Speaker 1: no, no no, I mean no, I mean it was inappropriate. 68 00:04:10,880 --> 00:04:13,480 Speaker 1: It was I mean it was obviously you know, he 69 00:04:13,560 --> 00:04:15,960 Speaker 1: was on edge and he was acting out and he 70 00:04:16,040 --> 00:04:18,920 Speaker 1: didn't know why, and he was you know, he became unhinged. 71 00:04:18,960 --> 00:04:22,680 Speaker 1: It was not appropriate. But I I enjoy I enjoy 72 00:04:22,839 --> 00:04:26,960 Speaker 1: seeing like Michelle became unhinged in this episode as well, 73 00:04:27,000 --> 00:04:30,520 Speaker 1: And it was one of his best moments um in 74 00:04:30,600 --> 00:04:33,320 Speaker 1: the from what I've seen so far, it was hysterically funny. 75 00:04:33,440 --> 00:04:35,919 Speaker 1: See now that that's what I'm talking about. That is 76 00:04:35,920 --> 00:04:39,160 Speaker 1: what I'm talking about. That's how you lose it, okay, 77 00:04:39,480 --> 00:04:42,239 Speaker 1: And that's why I criticized my own work last week 78 00:04:42,440 --> 00:04:44,840 Speaker 1: right in the in the in the with the cast 79 00:04:44,880 --> 00:04:47,240 Speaker 1: getting spas it out like that. I will say, You've 80 00:04:47,279 --> 00:04:49,200 Speaker 1: got a lot of comments where people really like that scene. 81 00:04:49,560 --> 00:04:51,960 Speaker 1: I know, I know, I know they love that scene. 82 00:04:51,960 --> 00:04:54,600 Speaker 1: They liked that scene. They like the opposite sort of 83 00:04:54,720 --> 00:04:57,200 Speaker 1: dischotomy between you and more life. I'm just saying, we 84 00:04:57,200 --> 00:04:58,839 Speaker 1: don't have to go back to I am the chief 85 00:04:58,880 --> 00:05:02,159 Speaker 1: constable of the acting police as I see it, but 86 00:05:02,240 --> 00:05:04,520 Speaker 1: want to make you gag. I will issue I will 87 00:05:04,560 --> 00:05:09,760 Speaker 1: issue arrest warrants, search warrants. I will issue orders to appear. 88 00:05:10,440 --> 00:05:12,680 Speaker 1: And I did I gonna. I did it to myself, 89 00:05:12,720 --> 00:05:14,880 Speaker 1: so anyway, But Richard was, yeah, he was. He was 90 00:05:14,920 --> 00:05:17,720 Speaker 1: a little bit over topic. God darn, what a great episode. 91 00:05:18,320 --> 00:05:21,880 Speaker 1: I I loved everybody. I loved Dean, I loved I 92 00:05:21,920 --> 00:05:24,480 Speaker 1: felt bad for Dean, and it was like he was 93 00:05:24,600 --> 00:05:27,599 Speaker 1: so unlike his when we first saw him. But still 94 00:05:27,640 --> 00:05:31,320 Speaker 1: it was like it hit him and you know, and 95 00:05:31,360 --> 00:05:35,640 Speaker 1: it's and it really made you know. And again I 96 00:05:35,680 --> 00:05:37,480 Speaker 1: don't mean to jump around we're talking about Richard and 97 00:05:37,480 --> 00:05:40,560 Speaker 1: all that, but but it's like it really made it 98 00:05:41,000 --> 00:05:45,920 Speaker 1: very apparent to me how great Alexis is acting is 99 00:05:47,080 --> 00:05:50,919 Speaker 1: because she was covering so well even with her mother 100 00:05:51,360 --> 00:05:54,279 Speaker 1: not talking about Jess and how she feels about Jess 101 00:05:55,279 --> 00:05:57,440 Speaker 1: because we know this is the reason. And it's like, 102 00:05:58,360 --> 00:06:01,000 Speaker 1: I'll call him tomorrow. Yeah, I texted, he called fourteen times. 103 00:06:01,240 --> 00:06:05,000 Speaker 1: I mean that that relationship is over. I mean that 104 00:06:05,000 --> 00:06:07,560 Speaker 1: that's like stick a fork in it, right, I wrote, 105 00:06:07,720 --> 00:06:13,680 Speaker 1: Dean done, and she noticed just as handwriting at the diner. 106 00:06:14,200 --> 00:06:17,039 Speaker 1: You know, it's already at that level. I'm glad you 107 00:06:17,240 --> 00:06:19,359 Speaker 1: brought up that omelet. I'm going to bring up that 108 00:06:19,440 --> 00:06:22,920 Speaker 1: omelet later. But to stay on track, here's my question 109 00:06:22,920 --> 00:06:25,440 Speaker 1: for all of you. What did you think about Laurel 110 00:06:26,400 --> 00:06:30,880 Speaker 1: giving Dean that real sort of heart felt romance advice. 111 00:06:31,080 --> 00:06:34,159 Speaker 1: It was one of her finest moments. I thought it 112 00:06:34,320 --> 00:06:37,279 Speaker 1: made me just love her more. I just kept thinking, Man, 113 00:06:37,360 --> 00:06:40,479 Speaker 1: what a good mom, What a great mom she is, 114 00:06:40,520 --> 00:06:43,080 Speaker 1: What a great person, What a great character, because she's 115 00:06:43,200 --> 00:06:47,600 Speaker 1: just so compassionate. She really she's an EmPATH, almost, isn't she. 116 00:06:47,600 --> 00:06:51,160 Speaker 1: She's feeling everybody's what's everybody's feeling. She's feeling his pain, 117 00:06:51,279 --> 00:06:53,640 Speaker 1: and she wants to make it better and give him 118 00:06:53,640 --> 00:06:55,960 Speaker 1: a shot when she kind of realizes he doesn't really 119 00:06:55,960 --> 00:06:58,839 Speaker 1: have a shot, you know, right, And I think she 120 00:06:58,960 --> 00:07:02,560 Speaker 1: probably somewhere deep out is like a little bit dreading, like, 121 00:07:02,720 --> 00:07:06,719 Speaker 1: oh God, like you're wrecking this because you're calling a 122 00:07:06,760 --> 00:07:10,280 Speaker 1: hundred and twelve times and you're just going to push 123 00:07:10,280 --> 00:07:12,600 Speaker 1: her into the guy I don't even want her to be. 124 00:07:12,960 --> 00:07:17,280 Speaker 1: There's no there's no going back from that. The fourteen calls. 125 00:07:17,480 --> 00:07:20,640 Speaker 1: You can't unre you can't forget that. Roy will never 126 00:07:20,680 --> 00:07:23,160 Speaker 1: forget that you're the guy. It doesn't matter how cool 127 00:07:23,240 --> 00:07:27,080 Speaker 1: whatever he does, you know, saves her life, saves the town, 128 00:07:27,160 --> 00:07:29,320 Speaker 1: it's still he's the guy that he can wash that 129 00:07:29,360 --> 00:07:36,040 Speaker 1: car all night. Yeah. What do you guys think with Daniel? 130 00:07:36,080 --> 00:07:39,080 Speaker 1: What do you guys think of this? Um? I agree 131 00:07:39,240 --> 00:07:43,520 Speaker 1: with exactly what you said. I think Lorelai recognizes Dean's 132 00:07:43,560 --> 00:07:48,880 Speaker 1: pain and she's like, oh no, like four kids, Um, 133 00:07:49,040 --> 00:07:52,400 Speaker 1: I she's seeing it all happen, and she's just got 134 00:07:52,400 --> 00:07:54,720 Speaker 1: a soft spot for for the guy. You can tell, 135 00:07:56,080 --> 00:07:58,760 Speaker 1: have any of us been in that situation? You know? Can? 136 00:07:58,800 --> 00:08:00,960 Speaker 1: I can? I throw something out to guys though, Sure, 137 00:08:01,080 --> 00:08:05,000 Speaker 1: I'm cool with lor La talking to Dean. I love Lorelai, 138 00:08:05,400 --> 00:08:07,520 Speaker 1: which everyone knows, so I love the way she talked 139 00:08:07,520 --> 00:08:10,960 Speaker 1: to Dean. But if I was rory and I'm coming 140 00:08:11,000 --> 00:08:13,520 Speaker 1: from her perspective. I'm not sure I would love my 141 00:08:13,600 --> 00:08:18,720 Speaker 1: mom giving love advice to my boyfriend. But he's a kid. 142 00:08:18,720 --> 00:08:20,960 Speaker 1: He's just a kid. He's so needy and he's such 143 00:08:21,000 --> 00:08:24,320 Speaker 1: a nice kid, and he's being he deserved it because 144 00:08:24,320 --> 00:08:27,960 Speaker 1: he's being so great with Rory, right, I mean, she 145 00:08:28,040 --> 00:08:30,600 Speaker 1: respects him. He's like, hey, this this kid is pretty 146 00:08:30,600 --> 00:08:32,360 Speaker 1: sharp and he's got a lot on the ball, and 147 00:08:32,360 --> 00:08:34,920 Speaker 1: he's from a big city and he's just getting shoot 148 00:08:35,000 --> 00:08:37,400 Speaker 1: up by my daughter. He probably he probably she felt 149 00:08:37,480 --> 00:08:39,920 Speaker 1: some pity for him because my daughter, she knows her 150 00:08:40,000 --> 00:08:41,800 Speaker 1: daughter is tough, because it's a part of her. She 151 00:08:41,840 --> 00:08:45,240 Speaker 1: knows how tough she is. Right, he has fallen so 152 00:08:45,280 --> 00:08:48,320 Speaker 1: far because remember when he was pushing lord lyon was 153 00:08:48,400 --> 00:08:50,680 Speaker 1: like is it my turn now? And then now we've 154 00:08:50,679 --> 00:08:54,720 Speaker 1: got this puddle that's just can't that's just paging and 155 00:08:54,760 --> 00:08:57,680 Speaker 1: calling and washing and paging and calling and sitting on 156 00:08:57,720 --> 00:09:00,920 Speaker 1: the step. You know, it's kind of weird, like when 157 00:09:01,360 --> 00:09:03,360 Speaker 1: when we first were introduced to Dean, he was kind 158 00:09:03,400 --> 00:09:07,000 Speaker 1: of a bad boy. Kind of does anyone agree, like 159 00:09:07,120 --> 00:09:11,480 Speaker 1: kind of a bad boy and now he is flailing literally, 160 00:09:11,880 --> 00:09:15,760 Speaker 1: it's it's not it's not attractive. Sorry, but I do. 161 00:09:15,920 --> 00:09:17,320 Speaker 1: I feel bad for him. I want to give the 162 00:09:17,320 --> 00:09:19,040 Speaker 1: guy a hug. I want to take him on a 163 00:09:19,080 --> 00:09:22,319 Speaker 1: walk in the woods, and I want to talk to him, 164 00:09:22,360 --> 00:09:25,079 Speaker 1: and I want to give him some advice. See, whenever 165 00:09:25,120 --> 00:09:29,920 Speaker 1: I have a problem with somebody or there's a misunderstanding, 166 00:09:29,960 --> 00:09:34,720 Speaker 1: I like to take people on walks, so and really 167 00:09:34,800 --> 00:09:37,640 Speaker 1: take a long walk in nature and work it out. 168 00:09:38,160 --> 00:09:40,040 Speaker 1: That's what I do. That's what I've always done, because 169 00:09:40,040 --> 00:09:42,439 Speaker 1: that's what I saw that in my family with my dad, 170 00:09:43,000 --> 00:09:45,720 Speaker 1: that yeah, he needed, he needed a long walk in 171 00:09:45,720 --> 00:09:48,520 Speaker 1: the woods and just look about stuff. What do you 172 00:09:48,520 --> 00:09:55,559 Speaker 1: think of that? End? Though? That's devastating. It was completely unexpected, 173 00:09:55,800 --> 00:09:59,720 Speaker 1: even though I should have seen it coming. But because 174 00:09:59,720 --> 00:10:02,680 Speaker 1: I up thinking, wait a minute, where's Rory? Oh dropped 175 00:10:02,679 --> 00:10:07,000 Speaker 1: her off at lanes right, And the subtle, very subtle 176 00:10:07,000 --> 00:10:09,200 Speaker 1: mention of like, oh, we might go to Luke's. And 177 00:10:09,240 --> 00:10:11,360 Speaker 1: I think, what's so interesting is they don't show us 178 00:10:11,440 --> 00:10:14,880 Speaker 1: that scene. We're just left to wander. But like we 179 00:10:14,960 --> 00:10:17,800 Speaker 1: know Jesse is there. He's either working or he's there 180 00:10:17,880 --> 00:10:21,160 Speaker 1: he lives there. M hmm. That's what I like about 181 00:10:21,200 --> 00:10:23,760 Speaker 1: this show. It's always a couple of steps ahead of 182 00:10:23,800 --> 00:10:27,199 Speaker 1: the audience. Yeah, not too far ahead, but enough to 183 00:10:27,280 --> 00:10:30,199 Speaker 1: keep you leaning in, right, You never really catch up 184 00:10:30,240 --> 00:10:33,680 Speaker 1: with it, that's correct. You don't. You're and it's and 185 00:10:33,720 --> 00:10:36,640 Speaker 1: it makes you lean forward and you sort of you know, 186 00:10:36,679 --> 00:10:39,400 Speaker 1: it does affect you your physicality when you're watching it. 187 00:10:39,520 --> 00:10:42,400 Speaker 1: I don't lean back and watch the show. I agree. 188 00:10:43,000 --> 00:10:45,200 Speaker 1: Isn't that the same thing with what they did with Richard. 189 00:10:45,280 --> 00:10:49,480 Speaker 1: We're expecting that Richard's going to be all like in 190 00:10:49,520 --> 00:10:53,280 Speaker 1: a Kirk fluffle because of the career fair and that 191 00:10:53,400 --> 00:10:56,400 Speaker 1: he's sort of embarrassed himself, and instead, suddenly he comes 192 00:10:56,440 --> 00:10:59,160 Speaker 1: down and he's like in a great mood and I'm 193 00:10:59,200 --> 00:11:01,680 Speaker 1: going back to work. So kind of threw a curveball, 194 00:11:01,760 --> 00:11:03,679 Speaker 1: like I thought, oh no, Emily's gonna have to pick 195 00:11:03,720 --> 00:11:08,840 Speaker 1: up the pieces, and it's like, nope, this dude's now inspired. Yeah. 196 00:11:09,640 --> 00:11:13,600 Speaker 1: Well he does have a point there about retirement, you know, 197 00:11:13,640 --> 00:11:16,840 Speaker 1: because I'm kind of reaching that age and uh, you know, 198 00:11:17,080 --> 00:11:21,200 Speaker 1: I'm sixty three. I am only we're only on season two. 199 00:11:21,320 --> 00:11:26,360 Speaker 1: You can it's like a long way to go. Yeah, 200 00:11:26,400 --> 00:11:29,679 Speaker 1: but this isn't like having a job. This is fun, right, 201 00:11:30,600 --> 00:11:32,360 Speaker 1: I don't know. I think of acting, you could have 202 00:11:32,400 --> 00:11:38,400 Speaker 1: a whole career resurgence at any time. Who needs it? Man, 203 00:11:38,480 --> 00:11:43,000 Speaker 1: I mean, yeah, great, fine as Hey listen, I just 204 00:11:43,040 --> 00:11:47,280 Speaker 1: got rejected. I just got rejected by Natalie Portman. Okay, 205 00:11:47,480 --> 00:11:50,120 Speaker 1: I almost had a job opposite Natalie Portman. I don't 206 00:11:50,160 --> 00:11:52,320 Speaker 1: think she rejected me. But you know I didn't get 207 00:11:52,320 --> 00:11:55,400 Speaker 1: that job. That can't do you know how that stirred 208 00:11:55,480 --> 00:11:57,920 Speaker 1: up all those old feelings again. You know, it's like, damn, 209 00:11:57,960 --> 00:12:01,840 Speaker 1: I didn't get it, almost got it. But I love it, 210 00:12:01,880 --> 00:12:03,880 Speaker 1: you know. I mean it's it's not like work at all. 211 00:12:03,960 --> 00:12:07,720 Speaker 1: It's just fun. You know, it's fun. I'll do this forever. 212 00:12:07,840 --> 00:12:12,360 Speaker 1: But anyway, back to the episode. Um, all right, let's 213 00:12:12,440 --> 00:12:14,559 Speaker 1: let's let's do Dean and Rory. Let's just keep the 214 00:12:14,679 --> 00:12:19,080 Speaker 1: focus here. Dean and Rory give me everything you guys got. Um. 215 00:12:19,200 --> 00:12:22,640 Speaker 1: I think she's been you know, she's being coy and 216 00:12:22,640 --> 00:12:25,640 Speaker 1: and being secretive with her own mother for a reason. 217 00:12:26,440 --> 00:12:28,959 Speaker 1: Maybe there's a little lack of trust there. Maybe there's 218 00:12:29,440 --> 00:12:31,959 Speaker 1: you know, she knows that Dean's gonna get up and 219 00:12:32,040 --> 00:12:36,000 Speaker 1: Laurelize Grill and Moan and wine and where's Rory and 220 00:12:35,720 --> 00:12:38,480 Speaker 1: and and I think Rory can tell because her mother 221 00:12:38,559 --> 00:12:40,760 Speaker 1: is pushed now, pushing the relationship, like why don't you 222 00:12:40,800 --> 00:12:42,680 Speaker 1: call him back? Now you can borrow my phone and 223 00:12:42,720 --> 00:12:45,120 Speaker 1: this kind of stuff. That's okay, I'll call him tomorrow. 224 00:12:45,559 --> 00:12:49,439 Speaker 1: She is out of this relationship. She's not feeling it, 225 00:12:49,880 --> 00:12:51,920 Speaker 1: and it's not like she's play acting with her mom, 226 00:12:51,960 --> 00:12:54,960 Speaker 1: but she's just sort of agreeing with her mom. Yeah, 227 00:12:55,000 --> 00:12:57,000 Speaker 1: it's nice that he hasn't called in a couple of days, 228 00:12:57,000 --> 00:12:59,240 Speaker 1: and may I even almost missed. You think she's not 229 00:12:59,360 --> 00:13:02,440 Speaker 1: totally away or how out she is? I think I 230 00:13:02,440 --> 00:13:05,480 Speaker 1: think Laurel is not aware what about Rory though, I 231 00:13:05,520 --> 00:13:07,680 Speaker 1: think Rory's out, but she's not willing to admit it 232 00:13:07,679 --> 00:13:09,520 Speaker 1: to herself yet. I think, Yeah, I think you're right. 233 00:13:09,559 --> 00:13:11,000 Speaker 1: I think she's right. She didn't want to go to 234 00:13:11,040 --> 00:13:13,600 Speaker 1: the softball game, but she's like, I'm just gonna do 235 00:13:13,679 --> 00:13:16,880 Speaker 1: my homework and he's kind of needy, like, oh, do 236 00:13:16,920 --> 00:13:18,640 Speaker 1: it at the game, and she's like, I'll just see 237 00:13:18,679 --> 00:13:21,920 Speaker 1: you tonight. Like they're just like this old married couple 238 00:13:22,000 --> 00:13:24,720 Speaker 1: that needs to like call it. But no, he but 239 00:13:24,840 --> 00:13:28,520 Speaker 1: he wants to be like an old married couple at 240 00:13:28,600 --> 00:13:31,320 Speaker 1: that age in high school because he sees that with 241 00:13:31,400 --> 00:13:33,960 Speaker 1: other guys they have that, and those are the couples 242 00:13:34,000 --> 00:13:36,160 Speaker 1: that get together and get married and have kids, you know, 243 00:13:36,520 --> 00:13:40,080 Speaker 1: by the time they're twenty. And he wants that, He 244 00:13:40,120 --> 00:13:42,600 Speaker 1: wants her at the at the game, doing her homework, 245 00:13:42,800 --> 00:13:48,160 Speaker 1: just being all about Dean, and I won't say anything, 246 00:13:48,200 --> 00:13:51,160 Speaker 1: but just funny you say that. Everybody make a mental 247 00:13:51,240 --> 00:13:54,000 Speaker 1: note right now what Scott just said that Dean wants 248 00:13:54,040 --> 00:13:56,720 Speaker 1: to be one of those couples. Just everybody write that 249 00:13:56,760 --> 00:14:01,440 Speaker 1: down and we'll talk about it again. Yeah, well we can't. 250 00:14:01,520 --> 00:14:03,480 Speaker 1: We can we continue to talk about because I don't 251 00:14:03,480 --> 00:14:06,160 Speaker 1: want to ruin for you what's coming. But I think 252 00:14:06,160 --> 00:14:09,640 Speaker 1: it's extremely poignant that you just said that you're not 253 00:14:09,760 --> 00:14:15,400 Speaker 1: totally aware of what's coming. And it's quite intuitive that 254 00:14:15,480 --> 00:14:20,640 Speaker 1: you're saying, all right, yeah, but she's just it's again 255 00:14:21,160 --> 00:14:23,800 Speaker 1: more evidence they're just one completely different paths. They have 256 00:14:23,920 --> 00:14:28,920 Speaker 1: completely different needs and different wants. And he's ready, it's 257 00:14:28,920 --> 00:14:31,480 Speaker 1: almost like he's ready to settle down and she's still searching. 258 00:14:31,600 --> 00:14:33,520 Speaker 1: And this is just you know, this is just a 259 00:14:33,600 --> 00:14:36,840 Speaker 1: youthful romantic relationship that isn't going to work out. It's 260 00:14:36,840 --> 00:14:39,000 Speaker 1: going to be maybe she'll have a friend for life. 261 00:14:39,040 --> 00:14:42,360 Speaker 1: I don't know. Don't you think this how prominent Jess 262 00:14:42,480 --> 00:14:47,080 Speaker 1: is in an episode he's not in. I wrote down 263 00:14:47,080 --> 00:14:49,680 Speaker 1: that exact note. This episode has so much Jess in 264 00:14:49,720 --> 00:14:53,000 Speaker 1: it and he's not even there. The power of Jess right, 265 00:14:53,120 --> 00:14:57,080 Speaker 1: so cool. That's very clever writing, isn't it. Yes, they've 266 00:14:57,120 --> 00:15:00,520 Speaker 1: been so smart with Jess all along because and I 267 00:15:00,520 --> 00:15:02,320 Speaker 1: know I'm a broken record, but they just don't shove 268 00:15:02,400 --> 00:15:04,760 Speaker 1: him down our throats. We just started, we just started 269 00:15:04,800 --> 00:15:08,760 Speaker 1: left wanting more. He's got beautiful handwriting. Oh how do 270 00:15:08,800 --> 00:15:11,600 Speaker 1: you know his handwriting? Well, he writes in the margins, 271 00:15:11,680 --> 00:15:16,520 Speaker 1: you know, it's just the whole. And I kept leaning forward, 272 00:15:16,560 --> 00:15:18,400 Speaker 1: like what is he writing the margins? And I'm like, yeah, 273 00:15:18,440 --> 00:15:20,400 Speaker 1: come on, tell me what he writes? Smarts stuff, He 274 00:15:20,440 --> 00:15:23,680 Speaker 1: writes smarty pants. Yeah, but they didn't say. She didn't 275 00:15:23,720 --> 00:15:26,760 Speaker 1: give us any nuggets. She didn't get one little detail 276 00:15:26,840 --> 00:15:28,800 Speaker 1: from that. I just feel like he I mean, I 277 00:15:28,800 --> 00:15:30,560 Speaker 1: think I write smarty stuff that I'm not going to 278 00:15:30,600 --> 00:15:35,680 Speaker 1: even understand, well of literature. Smarts. You know, a girl 279 00:15:35,760 --> 00:15:37,880 Speaker 1: likes the guy if she says his handwriting is nice, 280 00:15:37,920 --> 00:15:42,280 Speaker 1: because guy's handwriting. It was a beautiful new sign you 281 00:15:42,400 --> 00:15:45,720 Speaker 1: had there in the dinner yeah, but I didn't do that, 282 00:15:45,800 --> 00:15:52,000 Speaker 1: did I? That was his hand. Also, that omelet sounded gross? 283 00:15:52,440 --> 00:15:56,440 Speaker 1: What was it? Bacon bits, tomatoes, bacon bits? And then 284 00:16:00,960 --> 00:16:05,160 Speaker 1: that whole omelet sounded gross, which I did maybe text 285 00:16:05,280 --> 00:16:07,880 Speaker 1: Riley late last night was like, can you make this 286 00:16:07,960 --> 00:16:10,640 Speaker 1: omelet and tell us how it is? Riley? You never 287 00:16:10,840 --> 00:16:14,240 Speaker 1: could you respond? I did? You said, yes, you'll make it. 288 00:16:14,560 --> 00:16:18,520 Speaker 1: I'll make it. Yeah. I'm not the greatest chef that 289 00:16:18,680 --> 00:16:21,200 Speaker 1: will say what happens? So did you? Guys? All? We 290 00:16:21,240 --> 00:16:25,080 Speaker 1: all agreed the omelet special is not good. I only 291 00:16:25,160 --> 00:16:29,520 Speaker 1: been okay with it minus Swiss cheese. Yeah. I don't 292 00:16:29,520 --> 00:16:31,720 Speaker 1: think the Swiss cheese is you gotta have cheddar in 293 00:16:31,760 --> 00:16:36,480 Speaker 1: an omelet you don't want to? Yeah, but the Reagano didn't. 294 00:16:37,600 --> 00:16:40,320 Speaker 1: I don't know about oregano either. Yeah. And it was 295 00:16:40,360 --> 00:16:42,960 Speaker 1: so cheap. It was four dollars and seventy five cents. Now. 296 00:16:42,960 --> 00:16:44,560 Speaker 1: I don't know if that was because it was twenty 297 00:16:44,640 --> 00:16:47,640 Speaker 1: years ago or if Luke's prices are like extraordinarily cheap. 298 00:16:47,640 --> 00:16:50,280 Speaker 1: But if you got that omelet like now, even at Denny's, 299 00:16:50,320 --> 00:16:52,880 Speaker 1: I think you're looking at eleven bucks nine. I don't 300 00:16:52,920 --> 00:16:58,200 Speaker 1: know Denny's bucks well, first of all, Luke's Diner is 301 00:16:58,200 --> 00:17:01,000 Speaker 1: no Denny's. It's totally a step up. You went to 302 00:17:01,120 --> 00:17:10,760 Speaker 1: farm Shop in Los Angeles that things oh for Good's. Yeah, 303 00:17:11,040 --> 00:17:17,920 Speaker 1: it was the best constructed and acted and written kids 304 00:17:17,960 --> 00:17:21,120 Speaker 1: stuff in terms of Roy Dean and just not even 305 00:17:21,119 --> 00:17:24,399 Speaker 1: being there, but as you rightfully point out, being a 306 00:17:24,520 --> 00:17:29,159 Speaker 1: very prominent member of each scene. Um, and it's just 307 00:17:29,320 --> 00:17:36,280 Speaker 1: getting us ready for the inevitable sort of you know, heartbreak. Yeah, 308 00:17:36,480 --> 00:17:39,359 Speaker 1: it's it's it's hard to watch, but they make it 309 00:17:39,520 --> 00:17:43,040 Speaker 1: very appetizing, you know what I mean. Very well said, Yes, 310 00:17:44,880 --> 00:17:48,040 Speaker 1: it's really compelling to watch because you just you like 311 00:17:48,240 --> 00:17:52,600 Speaker 1: that kid so much and you and you're rooting for him, um, 312 00:17:52,640 --> 00:17:56,240 Speaker 1: and his and his inner goodness is coming through, right 313 00:17:56,960 --> 00:17:59,920 Speaker 1: Jared Deine goodness coming through, and you just you want 314 00:18:00,080 --> 00:18:02,840 Speaker 1: him to like I just you know, and I was 315 00:18:02,880 --> 00:18:05,280 Speaker 1: watching it too because I I've been in that situation. 316 00:18:05,359 --> 00:18:07,479 Speaker 1: I think a lot of guys have been in that 317 00:18:07,560 --> 00:18:14,240 Speaker 1: situation in their youth. It's just it's just raining too hard, man, Yeah, 318 00:18:14,359 --> 00:18:16,840 Speaker 1: trying too hard. We call it hashtag trying too hard 319 00:18:17,280 --> 00:18:20,760 Speaker 1: and so true. I will let you know that an 320 00:18:20,760 --> 00:18:23,879 Speaker 1: omelet at farm Shop is going to run you somewhere 321 00:18:23,920 --> 00:18:27,160 Speaker 1: between nineteen and twenty three dollars? Do you have many 322 00:18:27,240 --> 00:18:33,760 Speaker 1: dozen eggs you can buy? Yeah? But yeah, I think 323 00:18:33,840 --> 00:18:36,240 Speaker 1: your prices are low. But it was twenty years ago. 324 00:18:36,320 --> 00:18:39,919 Speaker 1: So look, I'm the I'm the place to go. I 325 00:18:39,960 --> 00:18:45,280 Speaker 1: treat my customers. Right. Um. Anyway, how else do we 326 00:18:45,320 --> 00:18:50,040 Speaker 1: feel about Rory and Dean and Jess. I'm not mad 327 00:18:50,080 --> 00:18:52,959 Speaker 1: that she likes Jess. That's my problem. It's like, Okay, 328 00:18:53,000 --> 00:18:58,440 Speaker 1: Dean like sorry, but it's over. You know what it is. 329 00:18:59,320 --> 00:19:04,480 Speaker 1: You can not getting mad at Rory. Try even getting 330 00:19:04,560 --> 00:19:10,520 Speaker 1: perturbed Rory. It's not possible. She's too appealing. I mean 331 00:19:10,560 --> 00:19:15,720 Speaker 1: that face and those eyeballs. She's so cute. She asked 332 00:19:15,720 --> 00:19:19,680 Speaker 1: her grandpa to help with the project, right set, I mean, 333 00:19:19,720 --> 00:19:22,320 Speaker 1: how do you say no to her? Emily? You right? 334 00:19:22,440 --> 00:19:26,600 Speaker 1: Emily was like, oh my god, you're disappointing your granddaughter. 335 00:19:27,359 --> 00:19:30,439 Speaker 1: And Emily was right, It's like, oh my god, how 336 00:19:30,480 --> 00:19:34,159 Speaker 1: do you say no? But I mean, the casting of 337 00:19:34,200 --> 00:19:38,080 Speaker 1: these two is just a master stroke. Right was so 338 00:19:38,200 --> 00:19:40,560 Speaker 1: good together. It's so funny you say that. I thought 339 00:19:40,560 --> 00:19:43,120 Speaker 1: about this in particular in this episode, which this episode 340 00:19:43,160 --> 00:19:46,359 Speaker 1: is not my ultimate favorite. It's always good and I 341 00:19:46,400 --> 00:19:49,320 Speaker 1: actually liked it on my second rewatch just last night. 342 00:19:49,320 --> 00:19:53,440 Speaker 1: I watched it two times last night. M. But you're right, 343 00:19:54,480 --> 00:19:59,320 Speaker 1: she's awesome. Yeah, like she she's the heart and soul 344 00:19:59,359 --> 00:20:05,320 Speaker 1: of that show. Yeah, because or over the top, very 345 00:20:05,480 --> 00:20:10,280 Speaker 1: so subtle, and you're like everything she does, you believe everything. 346 00:20:10,960 --> 00:20:14,800 Speaker 1: It's so underplayed. And that face, that sweet face. I 347 00:20:14,840 --> 00:20:18,440 Speaker 1: mean you just so what do you think of? Okay, 348 00:20:18,480 --> 00:20:21,159 Speaker 1: so let's break down. Next we'll go to Rory and 349 00:20:21,320 --> 00:20:24,280 Speaker 1: Richard and Richard and the kids and just kind of 350 00:20:24,320 --> 00:20:30,160 Speaker 1: all that. M. What do you think, Well, Richard comes 351 00:20:30,200 --> 00:20:35,320 Speaker 1: to life. You know, it's uh, it's funny because you 352 00:20:35,320 --> 00:20:36,840 Speaker 1: know that's what guys do. They don't know what to 353 00:20:36,840 --> 00:20:38,439 Speaker 1: do with themselves. So they do all these things that 354 00:20:38,440 --> 00:20:41,080 Speaker 1: they never did before. They think thought they were interested in. 355 00:20:41,119 --> 00:20:43,359 Speaker 1: They realized, God, what a bore this is. You know, 356 00:20:43,560 --> 00:20:49,960 Speaker 1: like golf, golf I do and I joined a club 357 00:20:50,040 --> 00:20:52,720 Speaker 1: after you know, I thought I was done like ten 358 00:20:52,800 --> 00:20:55,359 Speaker 1: years ago, and I was just it was like, no, 359 00:20:55,359 --> 00:20:57,600 Speaker 1: I don't want to do this. I liked it. I 360 00:20:57,640 --> 00:20:59,399 Speaker 1: love golf. It's all great, but I just you know, 361 00:20:59,440 --> 00:21:01,480 Speaker 1: I sold him membership and I was like, once in 362 00:21:01,520 --> 00:21:04,320 Speaker 1: a while, it's fun. But do you work on cars? 363 00:21:05,359 --> 00:21:09,359 Speaker 1: I don't. First of all, you got a little kid though, too, 364 00:21:09,760 --> 00:21:13,800 Speaker 1: Like I'm raising my boy. Man, I'm busy. I have 365 00:21:13,840 --> 00:21:17,320 Speaker 1: a question for you guys. Do you think Emily is 366 00:21:17,400 --> 00:21:20,800 Speaker 1: excited or is kind of like w t F now 367 00:21:20,840 --> 00:21:23,119 Speaker 1: that he wants to go back to work happy? Is 368 00:21:23,200 --> 00:21:26,680 Speaker 1: a girl can be? She doesn't you think? So? Yeah, 369 00:21:26,720 --> 00:21:29,800 Speaker 1: he's driving her cuckoo. But I saw at the end 370 00:21:29,880 --> 00:21:32,720 Speaker 1: kind of she was like what, I think she's concerned 371 00:21:32,720 --> 00:21:36,240 Speaker 1: about what he's going to do, you know what I mean? 372 00:21:37,440 --> 00:21:41,000 Speaker 1: I think that's that was her primary source of concern, 373 00:21:41,560 --> 00:21:44,160 Speaker 1: like teacher and you know, Loura, like they were giving 374 00:21:44,240 --> 00:21:47,800 Speaker 1: him a hard time about it. So, I mean, I 375 00:21:47,800 --> 00:21:50,160 Speaker 1: don't know. I think she's happy because he's been so 376 00:21:50,320 --> 00:21:53,120 Speaker 1: she just wants him to be happy, which actually I admire, 377 00:21:53,400 --> 00:21:56,200 Speaker 1: Like she's a great partner to him and she wants 378 00:21:56,280 --> 00:21:58,600 Speaker 1: him to be happy. That's why she leans in during 379 00:21:58,640 --> 00:22:01,760 Speaker 1: the board meeting at their house and said he's smiling. 380 00:22:01,880 --> 00:22:04,760 Speaker 1: She just wants him to be happy. She's just like cookies. 381 00:22:04,960 --> 00:22:07,560 Speaker 1: What can I get you guys? Ice cream? He's happy? 382 00:22:07,720 --> 00:22:10,840 Speaker 1: Rory like she won't. I think she's cool with it. 383 00:22:11,480 --> 00:22:16,359 Speaker 1: Mm hmm, yeah, yeah, I thought I saw him getting 384 00:22:16,400 --> 00:22:21,720 Speaker 1: engaged with with Rory in the class and and being 385 00:22:21,720 --> 00:22:25,160 Speaker 1: the advisor. Was it was I don't know, I mean 386 00:22:25,160 --> 00:22:29,160 Speaker 1: it was very entertaining. It was um, you know. Paris 387 00:22:29,240 --> 00:22:32,800 Speaker 1: was her usual troubling self and then she came to 388 00:22:32,880 --> 00:22:38,879 Speaker 1: life Scott. Obviously Luke wasn't as prominent in this episode 389 00:22:38,920 --> 00:22:41,200 Speaker 1: as he was in the week before. Were you more 390 00:22:41,480 --> 00:22:46,200 Speaker 1: comfortable with your you know moments? Oh yeah, yeah, yeah 391 00:22:46,200 --> 00:22:50,160 Speaker 1: it was fine. It was great. Yeah I thought so too. Yeah, 392 00:22:50,359 --> 00:22:53,960 Speaker 1: I had no complaints. You know, timing was there, it 393 00:22:54,040 --> 00:22:59,040 Speaker 1: was funny, it was all good. Yeah, that one a lot, 394 00:22:59,320 --> 00:23:02,919 Speaker 1: you know, and that's get me out of the diner. 395 00:23:02,960 --> 00:23:04,840 Speaker 1: It gets a little more complicated, you know. I like 396 00:23:04,960 --> 00:23:09,960 Speaker 1: myself in the diner. So it was interesting. Really well, 397 00:23:10,000 --> 00:23:15,760 Speaker 1: without the hat, you lose your superpower, right, so I 398 00:23:15,840 --> 00:23:18,160 Speaker 1: had to hair act. I had to full on hair act, 399 00:23:18,440 --> 00:23:21,320 Speaker 1: and I don't like hair acting. I was used to 400 00:23:21,320 --> 00:23:29,520 Speaker 1: a hat act. Different, freaking hilarious. But it's true true 401 00:23:29,560 --> 00:23:32,439 Speaker 1: with with without the hat band going around my noggin, 402 00:23:32,920 --> 00:23:36,120 Speaker 1: it felt a little strange. It's like experiencing too much freedom. 403 00:23:36,160 --> 00:23:41,800 Speaker 1: It's like this is this is unfamiliar territory, uh Suki 404 00:23:42,320 --> 00:23:45,640 Speaker 1: and her poor wedding invitations. And I need to talk 405 00:23:45,680 --> 00:23:49,840 Speaker 1: about the meringue flying everywhere. You know, that was just great. 406 00:23:49,920 --> 00:23:52,680 Speaker 1: That was one of the funniest moments in the whole thing. 407 00:23:53,119 --> 00:23:57,440 Speaker 1: But I landed on her back, a big, big dukie 408 00:23:57,560 --> 00:24:02,880 Speaker 1: right on her back man the whole scene. I'm assuming 409 00:24:02,920 --> 00:24:05,040 Speaker 1: that means they practically shot that in one take, because 410 00:24:05,040 --> 00:24:06,760 Speaker 1: I'm not sure how long that morangue could have like 411 00:24:06,920 --> 00:24:11,200 Speaker 1: stuck on there. Yeah, I think they did one. Yeah. Yeah, 412 00:24:11,359 --> 00:24:14,600 Speaker 1: it felt like that to me too, Like, oh my god, wow, 413 00:24:14,600 --> 00:24:18,080 Speaker 1: because because I think the director probably thought, O, look 414 00:24:18,119 --> 00:24:22,280 Speaker 1: at the large dukie chunk on her back and let's 415 00:24:22,359 --> 00:24:24,840 Speaker 1: cut cut it. But then like, no, no, let's just 416 00:24:24,920 --> 00:24:29,439 Speaker 1: let it play out. It's brilliant. It's pretty good. It was. 417 00:24:29,560 --> 00:24:32,920 Speaker 1: It was pretty good. Yeah, like a small like because 418 00:24:32,920 --> 00:24:37,440 Speaker 1: it's such a c D storyline, but it was so good. 419 00:24:37,520 --> 00:24:39,840 Speaker 1: And the wedding is coming soon. We also learned that 420 00:24:39,920 --> 00:24:47,040 Speaker 1: like we're moments away. Yeah, it's it's I don't know, 421 00:24:47,280 --> 00:24:50,520 Speaker 1: you know, the anticipation. It's killing me for the wedding. 422 00:24:50,800 --> 00:24:56,000 Speaker 1: Not you don't care. It'll be nice, right, but it's 423 00:24:56,040 --> 00:24:58,160 Speaker 1: not it's not so let me ask you that, Okay, 424 00:24:58,240 --> 00:25:01,040 Speaker 1: keeping me up at night. So you of Melissa McCarthy, 425 00:25:01,040 --> 00:25:02,600 Speaker 1: and I know you love the character of Suki s 426 00:25:04,040 --> 00:25:05,960 Speaker 1: is it you just are in the moment with her, 427 00:25:06,040 --> 00:25:08,639 Speaker 1: like you just love her sort of comedic and like 428 00:25:08,760 --> 00:25:11,280 Speaker 1: physical stuff, but you're not like totally invested in her 429 00:25:11,320 --> 00:25:17,119 Speaker 1: and Jackson in their future. I think it's a very yes. No, absolutely, 430 00:25:17,720 --> 00:25:22,040 Speaker 1: Melissa McCarthy is amazing watching her as a treat and 431 00:25:22,119 --> 00:25:25,159 Speaker 1: it's a masterclass in acting, whether it's a comedy or 432 00:25:25,200 --> 00:25:27,199 Speaker 1: drama because she, you know, put on the drama too. 433 00:25:27,280 --> 00:25:30,800 Speaker 1: She really yelled at the the card people, you know, 434 00:25:31,240 --> 00:25:34,000 Speaker 1: so when she changes gears, it's it's just awesome to 435 00:25:34,040 --> 00:25:38,919 Speaker 1: watch um. But yeah, I mean she's a sweet, a 436 00:25:39,000 --> 00:25:42,119 Speaker 1: very sweet character. It's a but these are these are 437 00:25:42,160 --> 00:25:46,160 Speaker 1: kind of they don't use they don't utilize these characters 438 00:25:46,160 --> 00:25:49,840 Speaker 1: in such a way where you're anticipating every single storyline 439 00:25:49,840 --> 00:25:52,959 Speaker 1: that I'm in for the Melissa's in or what you know. 440 00:25:53,040 --> 00:25:57,360 Speaker 1: It's like, really it's it's all about you know, it's 441 00:25:57,400 --> 00:26:02,160 Speaker 1: all about uh Rory and Laurela and the kid love 442 00:26:02,440 --> 00:26:04,919 Speaker 1: and their drama with their parents. I mean that's really 443 00:26:05,000 --> 00:26:06,880 Speaker 1: kind of the focus of the show is what I'm 444 00:26:06,880 --> 00:26:08,520 Speaker 1: getting out of this, and that we're all just sort 445 00:26:08,560 --> 00:26:12,440 Speaker 1: of sprinkled in when you know, just I wouldn't loop 446 00:26:12,480 --> 00:26:14,200 Speaker 1: you in with that. I would not look I would 447 00:26:14,200 --> 00:26:17,320 Speaker 1: not loop you in with that. But am I incorrect 448 00:26:17,359 --> 00:26:19,359 Speaker 1: if I sort of say this, you guys weigh in 449 00:26:20,880 --> 00:26:24,800 Speaker 1: those characters. We love them, the amcillary characters, but they 450 00:26:24,880 --> 00:26:29,680 Speaker 1: really are mostly comedy, even in their drama, Like even 451 00:26:29,720 --> 00:26:35,280 Speaker 1: in Michelle's drama, it's still comedy. Right, It's not like 452 00:26:35,320 --> 00:26:38,440 Speaker 1: we're so we're not I'm not worried about Michelle, right, 453 00:26:40,000 --> 00:26:41,840 Speaker 1: But I mean that was some of those are some 454 00:26:41,880 --> 00:26:44,680 Speaker 1: of the funniest scenes that he's done with his mother. 455 00:26:45,160 --> 00:26:49,399 Speaker 1: She was great. She it was great stuff, and it 456 00:26:49,480 --> 00:26:52,639 Speaker 1: was really funny, and it was just you know, and 457 00:26:52,720 --> 00:26:55,280 Speaker 1: that's you know, if you if you can add a 458 00:26:55,320 --> 00:26:57,480 Speaker 1: little spice here and there to the to the to 459 00:26:57,560 --> 00:26:59,439 Speaker 1: the forty minutes, great do it and they do it 460 00:26:59,640 --> 00:27:07,480 Speaker 1: tot late and they sprinkle it in. Yeah. But yeah, 461 00:27:07,560 --> 00:27:10,960 Speaker 1: So it's not like we're you know, what we're involved 462 00:27:11,000 --> 00:27:16,320 Speaker 1: in is Rory, or we're involved with Laurela, or we're 463 00:27:16,359 --> 00:27:18,959 Speaker 1: involved a little you know, maybe a little less so, 464 00:27:19,480 --> 00:27:23,919 Speaker 1: but in a major way with with uh, Emily and 465 00:27:24,040 --> 00:27:27,280 Speaker 1: rich Now Richard, right, I mean it really when when 466 00:27:27,280 --> 00:27:30,840 Speaker 1: they're those episodes are heavy, heavy, heavy with them, you know, 467 00:27:30,880 --> 00:27:34,360 Speaker 1: they're very prominent and that's yeah. And there are really powerful, 468 00:27:34,400 --> 00:27:41,960 Speaker 1: sort of dramatic moments with that. Yeah, and that's why. 469 00:27:42,160 --> 00:27:44,040 Speaker 1: And at the beginning they wanted to call it to 470 00:27:44,080 --> 00:27:48,240 Speaker 1: gilmore Way and uh, I think the creators wanted to 471 00:27:48,280 --> 00:27:51,560 Speaker 1: call it uh No, I think I think the studio 472 00:27:51,600 --> 00:27:55,800 Speaker 1: wanted to call it to gilmore Way, and the creators 473 00:27:55,800 --> 00:27:58,359 Speaker 1: wanted to call it gilmore Girls. I'm glad they went 474 00:27:58,440 --> 00:28:01,280 Speaker 1: with girls. This studio thought it was a bigger show 475 00:28:01,280 --> 00:28:04,360 Speaker 1: than that that included more people to gilmore Way, which 476 00:28:04,400 --> 00:28:07,480 Speaker 1: would be Emily and Richard. Right. So, and that's kind 477 00:28:07,480 --> 00:28:10,280 Speaker 1: of how it feels. That's how that's how it feels, 478 00:28:11,359 --> 00:28:14,120 Speaker 1: and I think everybody else is just and that's kind 479 00:28:14,119 --> 00:28:17,919 Speaker 1: of how it was for the reboot too. You should 480 00:28:18,080 --> 00:28:23,040 Speaker 1: see the TikTok slutes that are convinced there's a new 481 00:28:23,080 --> 00:28:26,879 Speaker 1: reboot coming because oh yeah, so did I send you 482 00:28:26,880 --> 00:28:29,200 Speaker 1: guys this TikTok? Or the one girl has is certain 483 00:28:29,280 --> 00:28:33,560 Speaker 1: of it because the official gilmore Instagram has posted twice 484 00:28:34,280 --> 00:28:37,359 Speaker 1: like in a day. I never sent you guys this 485 00:28:37,480 --> 00:28:41,240 Speaker 1: like detective on TikTok. I don't know. They've got all 486 00:28:41,320 --> 00:28:44,280 Speaker 1: kinds of theories in there, So what's one there that 487 00:28:44,360 --> 00:28:46,880 Speaker 1: you're all coming back again? I mean, she doesn't really 488 00:28:46,880 --> 00:28:49,800 Speaker 1: have a lot of knowledge there because her theory is 489 00:28:49,840 --> 00:28:52,360 Speaker 1: just based on the fact that the Instagram's back a lot. 490 00:28:52,920 --> 00:28:57,720 Speaker 1: But I mean, do you know something look us in 491 00:28:57,720 --> 00:28:59,360 Speaker 1: the eye? I don't know. I don't know if that 492 00:29:00,200 --> 00:29:04,520 Speaker 1: look us? And oh what do you guys I'm looking? 493 00:29:04,560 --> 00:29:07,680 Speaker 1: Do you guys believe them I'm looking. I saw a 494 00:29:07,680 --> 00:29:13,520 Speaker 1: little hurt. He's not looking at He's not looking at 495 00:29:13,560 --> 00:29:19,320 Speaker 1: us anything to any fair, we were told not to 496 00:29:19,360 --> 00:29:24,760 Speaker 1: look Scott and so should we do a little fashion 497 00:29:24,880 --> 00:29:28,640 Speaker 1: before we have to go? Listen, Tom and I discussed it. 498 00:29:29,040 --> 00:29:32,400 Speaker 1: He said, you're big enough to demand the people don't 499 00:29:32,600 --> 00:29:35,480 Speaker 1: look you in the eye. I said, I don't know 500 00:29:35,480 --> 00:29:38,000 Speaker 1: how it's gonna fly. Here's a couple of notes I have. 501 00:29:38,360 --> 00:29:40,720 Speaker 1: One is I thought it was fascinating that she was 502 00:29:40,840 --> 00:29:43,120 Speaker 1: totally First of all, I loved her. She wore a 503 00:29:43,120 --> 00:29:46,120 Speaker 1: lot of blue in this episode, which another fan told 504 00:29:46,160 --> 00:29:48,400 Speaker 1: me they do always dress her a lot of blue, 505 00:29:48,400 --> 00:29:50,640 Speaker 1: which makes sense because she's got the blue eyes. She's 506 00:29:50,680 --> 00:29:53,320 Speaker 1: reading that Motley Crue book. And you, guys, that Motley 507 00:29:53,360 --> 00:29:55,720 Speaker 1: Crue book is real and I already went on Amazon 508 00:29:55,840 --> 00:30:01,120 Speaker 1: to order it. That was pretty funny moment snorting ants. Yeah, 509 00:30:01,200 --> 00:30:03,560 Speaker 1: that was pretty good. And then she had Lorla had 510 00:30:03,600 --> 00:30:06,640 Speaker 1: two awesome blue button downs. She always like rocks the 511 00:30:06,680 --> 00:30:09,360 Speaker 1: button downs a lot, one with the white cuffs and 512 00:30:09,360 --> 00:30:11,320 Speaker 1: then the other one with more like the sort of 513 00:30:11,360 --> 00:30:15,360 Speaker 1: tuxedo e type cuffs. But I will say Michelle's mom 514 00:30:15,600 --> 00:30:19,360 Speaker 1: stole the fashion in this episode. Her fashion, it was 515 00:30:19,400 --> 00:30:22,000 Speaker 1: so yeah, no quite. Where do you think she was from? 516 00:30:22,000 --> 00:30:24,200 Speaker 1: Where was she supposed to be from? What was that accent? 517 00:30:25,640 --> 00:30:29,920 Speaker 1: It's all French. They're from Paris, right, that was a 518 00:30:30,040 --> 00:30:34,600 Speaker 1: that was a Parisian accent. I'm gonna have to I 519 00:30:34,600 --> 00:30:37,760 Speaker 1: think we're gonna we're going to talk to her later 520 00:30:37,800 --> 00:30:40,360 Speaker 1: this week. Guys already talked to her, because that's the 521 00:30:40,920 --> 00:30:45,240 Speaker 1: mom from Fresh Pins of bel Air. She's the right, 522 00:30:45,840 --> 00:30:47,640 Speaker 1: and she has since made up with Will Smith. For 523 00:30:47,680 --> 00:30:54,080 Speaker 1: anyone wondering they're good, huh so I don't. I don't 524 00:30:54,080 --> 00:30:56,600 Speaker 1: even know what happened. I'm gonna have to can I 525 00:30:56,640 --> 00:30:59,200 Speaker 1: ask her about what happens, she is she gonna like 526 00:30:59,360 --> 00:31:04,200 Speaker 1: not want to about that. You what? But it's Will Smith. 527 00:31:05,280 --> 00:31:10,080 Speaker 1: He's a major moiel. I'm much more interested in her 528 00:31:10,120 --> 00:31:14,240 Speaker 1: playing Michelle's mom um. I'm trying to think if we forgot, 529 00:31:14,280 --> 00:31:17,560 Speaker 1: but I'm conducting the interview. I mean, do you do 530 00:31:17,640 --> 00:31:25,200 Speaker 1: you shine in? I love Richard and his coveralls. I'm 531 00:31:25,200 --> 00:31:28,360 Speaker 1: not gonna lie. I love that. I can't wait to 532 00:31:28,400 --> 00:31:30,840 Speaker 1: have Riley mcgonmelet and I'm ready for my favorite line 533 00:31:30,840 --> 00:31:35,640 Speaker 1: when you tell me alright, go ahead, start start us off. Brad, 534 00:31:36,280 --> 00:31:38,920 Speaker 1: your festive interjections are a real kick in the pants. 535 00:31:39,080 --> 00:31:43,480 Speaker 1: But we're low on time, so can it. So she 536 00:31:43,680 --> 00:31:46,760 Speaker 1: took up you know the time to do that, So 537 00:31:46,880 --> 00:31:51,600 Speaker 1: her interjections are wasting time, was my retort as I 538 00:31:51,640 --> 00:31:54,640 Speaker 1: was leaning forward to watch it. I'll follow up to 539 00:31:54,640 --> 00:31:59,800 Speaker 1: Amy's favorite line, Mine's from Brad to Paris and he goes, 540 00:32:00,160 --> 00:32:02,240 Speaker 1: she doesn't have a baseball pot in her hands, does she? 541 00:32:05,160 --> 00:32:12,080 Speaker 1: I'm telling you, Brad, Brad is Brad pulls through. There 542 00:32:12,160 --> 00:32:14,480 Speaker 1: was also a new student that was very cute, I 543 00:32:14,520 --> 00:32:17,880 Speaker 1: don't know in the group, yah yep. I was like, 544 00:32:17,880 --> 00:32:23,000 Speaker 1: who's that? Look? Ship at Chiltern. What's Up? It was 545 00:32:23,000 --> 00:32:29,280 Speaker 1: a favorite. What's going on in that casting office? My 546 00:32:29,360 --> 00:32:31,160 Speaker 1: favorite line was from Laura line when she's talking to 547 00:32:31,280 --> 00:32:34,240 Speaker 1: Michelle about carbs and she says, calm down, have have 548 00:32:34,360 --> 00:32:41,760 Speaker 1: some toast. Ye favorite a lot of favorite lines. Uh. 549 00:32:42,280 --> 00:32:47,720 Speaker 1: One I can remember is Michelle losing it on Laura La. 550 00:32:48,440 --> 00:32:50,200 Speaker 1: He said, I hate you. I hate you very much. 551 00:32:51,080 --> 00:32:53,160 Speaker 1: That's just the way he did it. Yeah, what did 552 00:32:53,200 --> 00:32:56,040 Speaker 1: he say? You turned my friend into my mother, You 553 00:32:56,120 --> 00:32:58,240 Speaker 1: turned my Gizelle into a mother, And I hate you 554 00:32:58,280 --> 00:33:00,960 Speaker 1: for that, right and I hate your very much and 555 00:33:01,000 --> 00:33:03,440 Speaker 1: he storms out. But this is the reason it was 556 00:33:03,480 --> 00:33:07,440 Speaker 1: so funny is because he understands, you know, Yanique as 557 00:33:07,480 --> 00:33:11,960 Speaker 1: an actor understands the difference between going too far with 558 00:33:12,080 --> 00:33:16,440 Speaker 1: anger and losing the humor and and the balance was 559 00:33:16,480 --> 00:33:19,160 Speaker 1: just perfect because he had all that intensity and energy 560 00:33:19,200 --> 00:33:21,920 Speaker 1: and that yet it's still stayed comedic and that's hard 561 00:33:21,960 --> 00:33:26,000 Speaker 1: to do. So I really thought that was nails it before. 562 00:33:26,080 --> 00:33:28,480 Speaker 1: We have a question for you. Do your when you 563 00:33:28,520 --> 00:33:31,160 Speaker 1: have like a what do you call like a monologue, 564 00:33:31,160 --> 00:33:32,840 Speaker 1: when you have like a longer thing, does it come 565 00:33:32,880 --> 00:33:35,800 Speaker 1: back to you at all? Like? Is it in there somewhere? 566 00:33:36,440 --> 00:33:37,840 Speaker 1: Or do you have to sort of is it more 567 00:33:37,880 --> 00:33:40,920 Speaker 1: like you gil More model, so like you had a 568 00:33:41,000 --> 00:33:47,160 Speaker 1: purge in to get the next moment, Na, It's not 569 00:33:47,200 --> 00:33:51,120 Speaker 1: like scoring seven years ago our fathers brought for the continent. 570 00:33:51,200 --> 00:33:54,560 Speaker 1: Like when someone starts to Gettysburg address, it comes right 571 00:33:54,560 --> 00:33:59,720 Speaker 1: back to me. It's in there when I used to 572 00:34:00,120 --> 00:34:03,360 Speaker 1: when I used to study Shakespeare, and it's all memorization, right, 573 00:34:04,520 --> 00:34:07,960 Speaker 1: So you you really, I mean you know I would 574 00:34:08,040 --> 00:34:10,080 Speaker 1: do that. I would. I would work on a play 575 00:34:10,120 --> 00:34:13,320 Speaker 1: for six months or three months or six months or 576 00:34:13,360 --> 00:34:16,520 Speaker 1: whatever it was, and that and you remember, and then 577 00:34:16,600 --> 00:34:20,440 Speaker 1: performance and perform and performance. Um, so that stays with 578 00:34:20,520 --> 00:34:26,319 Speaker 1: you for years and years and years, And yes it does. 579 00:34:26,480 --> 00:34:29,520 Speaker 1: And it took I mean, I don't know, it took 580 00:34:29,719 --> 00:34:33,880 Speaker 1: I don't know, fifteen twenty years for me to really 581 00:34:33,920 --> 00:34:36,840 Speaker 1: struggle to remember some of those you know, long speeches. 582 00:34:37,560 --> 00:34:43,200 Speaker 1: Knew them no Shakespeare. So Gilmore was more I think 583 00:34:43,200 --> 00:34:45,680 Speaker 1: you've said it before, like you swished it in. You 584 00:34:45,760 --> 00:34:47,399 Speaker 1: had to get it out swish and the next one 585 00:34:47,400 --> 00:34:51,279 Speaker 1: to get it out short term memory. Yeah, yeah, but 586 00:34:51,440 --> 00:34:53,880 Speaker 1: I mean that was you know, the Shakespeare stuff is 587 00:34:53,960 --> 00:34:57,080 Speaker 1: like locked into the brain gel for a couple of decades, 588 00:34:57,280 --> 00:34:59,439 Speaker 1: but then it fades. You know, it eventually fades because 589 00:34:59,480 --> 00:35:01,319 Speaker 1: if you don't want go on it. But it's like 590 00:35:01,440 --> 00:35:03,200 Speaker 1: you know when I when I did that bit on 591 00:35:03,239 --> 00:35:06,240 Speaker 1: the on the on the podcast right on the advice 592 00:35:06,280 --> 00:35:09,200 Speaker 1: of the players, I didn't I didn't have it memorized. 593 00:35:09,239 --> 00:35:10,960 Speaker 1: I had to read it most of it. But it's 594 00:35:11,000 --> 00:35:13,440 Speaker 1: when you know, the flow of it, the beats of 595 00:35:13,440 --> 00:35:17,719 Speaker 1: it came back a little bit, you know, Yeah, it's there. Yeah, 596 00:35:17,880 --> 00:35:21,880 Speaker 1: it is interesting how you how you remember things, you know, 597 00:35:22,560 --> 00:35:27,319 Speaker 1: clown pillow. For all those following along, you know, I 598 00:35:27,400 --> 00:35:30,960 Speaker 1: do have some interesting details I want to talk about. 599 00:35:31,480 --> 00:35:36,759 Speaker 1: At the thirteen forty mark of the episode, let's get 600 00:35:36,880 --> 00:35:43,200 Speaker 1: let's get precise here. Okay, let's time code this thing. Um, 601 00:35:43,239 --> 00:35:47,879 Speaker 1: so there's a guy shopping behind Dean at four. Oh 602 00:35:47,920 --> 00:35:49,839 Speaker 1: my gosh, was this when they were on the sidewalk 603 00:35:49,960 --> 00:35:55,120 Speaker 1: having the conversation where about the softball game? Yes, and 604 00:35:55,160 --> 00:35:58,600 Speaker 1: there's a live at four right, you know, there's a 605 00:35:58,640 --> 00:36:05,640 Speaker 1: live chicken in the sky's bag. I did not catch that, 606 00:36:06,160 --> 00:36:09,480 Speaker 1: and I'm sure it wasn't actual and actual live chicken, 607 00:36:09,520 --> 00:36:12,920 Speaker 1: but that's what it looked like. Um, you're going to 608 00:36:12,960 --> 00:36:17,120 Speaker 1: need the screenshot that I also thought Lane's side faces 609 00:36:17,160 --> 00:36:24,239 Speaker 1: in that scene were excellent, Like we didn't because uncomfortable, uncomfortable, uncomfortable, right, 610 00:36:24,360 --> 00:36:27,640 Speaker 1: But here's okay, but here's the thing from from fourteen 611 00:36:27,760 --> 00:36:32,200 Speaker 1: thirty three to fifteen oh five. Lane makes faces throughout 612 00:36:32,280 --> 00:36:35,040 Speaker 1: that and I'm assuming that it probably wasn't visible when 613 00:36:35,040 --> 00:36:38,360 Speaker 1: it was aired on its original aspect ratio, you know 614 00:36:38,400 --> 00:36:42,200 Speaker 1: what I mean. So saying I thought her side faces 615 00:36:42,239 --> 00:36:46,799 Speaker 1: because I thought she's in this moment that's so uncomfortable 616 00:36:46,800 --> 00:36:50,440 Speaker 1: and awkward, so she would be started making faces, and 617 00:36:50,480 --> 00:36:52,880 Speaker 1: then I thought again, I sort of was happy that 618 00:36:52,920 --> 00:36:55,120 Speaker 1: we didn't have to discuss it afterwards. I was like, 619 00:36:55,160 --> 00:36:58,359 Speaker 1: she just moved and I was kind of glad about it, right, right, 620 00:36:58,440 --> 00:37:03,640 Speaker 1: right right. Another thing was there's an extra in a 621 00:37:03,680 --> 00:37:07,640 Speaker 1: blue jacket and a black backpack, and she repeatedly appears 622 00:37:07,719 --> 00:37:12,600 Speaker 1: behind Dean and crosses the street behind Rory and is 623 00:37:12,719 --> 00:37:18,680 Speaker 1: sometimes in both places at the same time. Riley, It's 624 00:37:18,719 --> 00:37:23,600 Speaker 1: gonna be all you on the Instagram discovering this, alright. 625 00:37:23,680 --> 00:37:29,040 Speaker 1: So so then there's another one. Okay, I hope Riley 626 00:37:29,080 --> 00:37:31,320 Speaker 1: has one of those pens that she knows the circle 627 00:37:31,360 --> 00:37:37,400 Speaker 1: things on the Instagram. No all forward you. Well, you're 628 00:37:38,239 --> 00:37:42,160 Speaker 1: a lot of homework this week, don't, sir. I do 629 00:37:42,239 --> 00:37:49,080 Speaker 1: a lot of homework every every week. It's just it's crueling. Uh, 630 00:37:49,239 --> 00:37:53,120 Speaker 1: it's still Dean whining. Uh. You can't glance up between 631 00:37:53,200 --> 00:37:56,680 Speaker 1: nihilistic theories and Rory shoots back. I can, But what's 632 00:37:56,680 --> 00:37:58,600 Speaker 1: the point? By the way, that's one of my favorite lines. 633 00:38:01,360 --> 00:38:07,800 Speaker 1: Um um yellow umbrellas. Also, that's interesting this scene stood 634 00:38:07,800 --> 00:38:11,680 Speaker 1: out to you because I too thought which store has 635 00:38:11,680 --> 00:38:15,080 Speaker 1: those yellow umbrellas? In that same scene, you'll see it 636 00:38:15,120 --> 00:38:17,839 Speaker 1: in the background and I'm like, is that dosis market? Like? 637 00:38:17,840 --> 00:38:22,600 Speaker 1: Who has this young umbrella? H So, uh, Riley, you 638 00:38:22,600 --> 00:38:25,640 Speaker 1: want me to email that to you? Yes? Please? Who's 639 00:38:25,680 --> 00:38:28,200 Speaker 1: took us to school? Scott? No, no, no, no, no, no, no, 640 00:38:28,239 --> 00:38:30,600 Speaker 1: I'm taking to school. I'm just a student. I also 641 00:38:30,680 --> 00:38:33,680 Speaker 1: loved how they talked about how great uh Emily's roles 642 00:38:33,719 --> 00:38:37,120 Speaker 1: are and that Lorela had foreigner purse, because that's that's 643 00:38:37,200 --> 00:38:40,080 Speaker 1: that's my girl. I just shove bread in my bag too. 644 00:38:40,600 --> 00:38:45,640 Speaker 1: Mm hmm. She called her own dad go. I texted 645 00:38:45,719 --> 00:38:48,080 Speaker 1: Riley about that. I said, do not miss this for 646 00:38:48,239 --> 00:38:53,719 Speaker 1: pop culture. But that's that's that's right, we'll get into that. Yeah, 647 00:38:53,719 --> 00:38:57,000 Speaker 1: what's next week, guys, Riley, what's next week? We have 648 00:38:57,160 --> 00:39:01,359 Speaker 1: next episode as number nineteen. Teach me tonight at just 649 00:39:01,360 --> 00:39:07,480 Speaker 1: feels like justin rory me, teach me tonight. I won't tell, 650 00:39:07,680 --> 00:39:16,320 Speaker 1: but yell you everybody. So we're gonna wrap this up. 651 00:39:16,880 --> 00:39:22,200 Speaker 1: Great episode. Yeah, this is a good episode, really really good, 652 00:39:22,320 --> 00:39:26,320 Speaker 1: very fine episode. I'm enjoying being in kid world. Good. 653 00:39:26,760 --> 00:39:31,400 Speaker 1: I really I like to see Paris, you know, happy 654 00:39:31,480 --> 00:39:34,279 Speaker 1: to grow on you. I just wanted, I just I 655 00:39:34,320 --> 00:39:37,240 Speaker 1: wanted her face to change. Just change somebody change her face, 656 00:39:37,880 --> 00:39:40,720 Speaker 1: you know, have it have blood going through her face. 657 00:39:41,360 --> 00:39:45,319 Speaker 1: I'm tired of her bloodless cold attacks on people. Let's 658 00:39:45,360 --> 00:39:48,319 Speaker 1: just get some blood in her face and get her 659 00:39:48,400 --> 00:40:00,280 Speaker 1: sunny and smiling. And Brad, Brad, I do al ever, buddy, 660 00:40:00,280 --> 00:40:02,440 Speaker 1: that's gonna wrap it up. I'm Scott Patterson and I 661 00:40:02,480 --> 00:40:08,200 Speaker 1: am with my prestigious team Amy Sugarman, Danielle rom O'Riley Pelusis, 662 00:40:08,800 --> 00:40:11,000 Speaker 1: and we'll be back for more episodes. Best fans on 663 00:40:11,000 --> 00:40:44,520 Speaker 1: the planet, Thanks for downloading. Stay safe everybody, Hey everybody, 664 00:40:44,520 --> 00:40:47,839 Speaker 1: and don't forget follow us on Instagram at I am 665 00:40:47,920 --> 00:40:51,920 Speaker 1: All In Podcast and email us at Gilmore at I 666 00:40:52,120 --> 00:40:55,480 Speaker 1: Heart radio dot com. Oh you Gilmore fans. If you're 667 00:40:55,480 --> 00:40:57,320 Speaker 1: looking for the best cup of coffee in the world, 668 00:40:57,360 --> 00:41:01,239 Speaker 1: go to my website for my company, scott ep dot com, 669 00:41:01,440 --> 00:41:03,600 Speaker 1: s C O T. T y P dot com, Scott 670 00:41:03,600 --> 00:41:14,480 Speaker 1: e P dot com Grade one Specialty Coffee. Yeah.