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Speaker 1: To teas in a pod which Teddy Mellencamp and Camra Judge.

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Speaker 2: Hi, guys, welcome to another episode of Too Cheese and

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Speaker 2: a Pod with myself, Teddy Mellencamp and.

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Speaker 3: Tamba Judge. Hi, wake up, cam wake up? How you doing?

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Speaker 3: I am awake. I went to the gym. I have

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Speaker 3: just yeah, I've done it all so far. Yeah, seventeen

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Speaker 3: Zoom interviews today.

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Speaker 2: It's NonStop. No one else's NonStop.

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Speaker 3: Me not having a shower for two days.

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Speaker 2: Well not I can smell even on Zoom. But the

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Speaker 2: word pigeon. We're starting off by recamping Real Housewives of

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Speaker 2: New York. Like, listen, I'm not a mathematician, but I

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Speaker 2: am certain that we've heard isn't so? I know, I

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Speaker 2: am certain that we heard the word pigeon, like at

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Speaker 2: least like one million, eight hundred and thirty seven thy twenty.

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Speaker 3: They didn't just say pigeon. They say leaky pigeon. And

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Speaker 3: all I think about is like shit coming out of

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Speaker 3: a pigeon's ass. Oh and a schep pigeon.

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Speaker 2: Question shit pigeon white?

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Speaker 3: Yes, I think so, I don't white with a little

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Speaker 3: brownish shit in it?

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Speaker 2: Yes, Well it starts off where Rebecca says her husband

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Speaker 2: doesn't know about her pregnancy. She's coming back from her

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Speaker 2: conversation with Aaron. She says they need to shut their

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Speaker 2: leaky mouths and she's only five weeks. And Aaron asked

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Speaker 2: Brn if she told the other girls. Brynn says that

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Speaker 2: she said it was Russian Roulette with other men's sperm.

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Speaker 2: Rebecca and Aaron revealed the whole thing was a prank.

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Speaker 2: They wanted to know who the leaky pigeons were. So

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Speaker 2: I think it's it's messed up in a little tone deaf,

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Speaker 2: and then Raquel says she can't tell bren anything now,

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Speaker 2: and then Uba says, Aaron is the leakiest of the

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Speaker 2: leaky pigeons. Okay, how would you reacted as a housewife

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Speaker 2: in this moment.

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Speaker 3: When I found out that it's a prank? Yes, I

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Speaker 3: mean I feel like I had been had. I mean,

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Speaker 3: I've played pranks on people, but I've never seen anything

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Speaker 3: like this on a housewife's show. So it's very misleading

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Speaker 3: and it puts a lot of doubt out there in

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Speaker 3: the viewer's minds, like what are we watching? And we're

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Speaker 3: just watching something people are just we're just acting. Now,

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Speaker 3: we're making things up.

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Speaker 2: I mean, I feel like the producers I probably thought

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Speaker 2: they were getting pranked, Jock.

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Speaker 3: That's my next question. Do you think that production was

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Speaker 3: in on it?

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Speaker 2: I mean, I think they never show us a flashback

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Speaker 2: of Rebecca actually having that conversation with Aaron right right right?

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Speaker 3: And at what point did Brnn find out? She found

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Speaker 3: out the same day. Oh, it was the same day.

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Speaker 3: That's the part that I was a little I was

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Speaker 3: a little bit confused this same day.

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Speaker 2: That Aaron told Jessel and Brent. Then afterwards Jessel went

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Speaker 2: home and Brendan Aaron went to drinks, and then Aaron

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Speaker 2: told Brent and it's like at this point, I don't know,

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Speaker 2: I didn't like any of it.

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Speaker 3: Well, I have a feeling that the production did not

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Speaker 3: know and they just had to go with it because

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Speaker 3: Shed Media, who produces that shows. They're a great production company,

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Speaker 3: and I think Eric Fuller is the producer on that show.

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Speaker 3: But I don't know. It's not going well with the

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Speaker 3: viewers if you read social media, yeah, well it's not

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Speaker 3: going well with me either. I was glad to hear

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Speaker 3: Aaron say at the end, you know, when it was

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Speaker 3: a joke, like Aaron made it clear that she would

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Speaker 3: never expose a secret in anyone's life. That's the part

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Speaker 3: that my jaw dropped. And that's the only thing I

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Speaker 3: could think about when it happened, is like, really, Aaron,

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Speaker 3: you are going to go tell everybody this disgusting rumor

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Speaker 3: like are maybe it's a truth? Who knows at that point,

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Speaker 3: And it just made me think so different for about

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Speaker 3: Aaron for like one one week. Yeah, I'm glad that

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Speaker 3: it's like, No, I would never do that. Yeah, And

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Speaker 3: we all know Brin has a big mouth. It's not

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Speaker 3: a matter of try.

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Speaker 2: In on it too, which makes it even more weird.

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Speaker 2: Then bren and Jessel meet for drinks. Jessel talks about

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Speaker 2: baby number three and the couple therapists she found. Brenn

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Speaker 2: talks about freezing her eggs, and Brennan wants to build

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Speaker 2: a future with Gideon and is having him over to

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Speaker 2: see if they can co parent.

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Speaker 3: Well, here's the thing. She says that co parentinge's more

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Speaker 3: important than being married, and she wants to have a

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Speaker 3: baby with her ex boyfriend, but he's.

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Speaker 2: Still in love with her.

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Speaker 3: That all that is confusing, But how about Brennan. Jessel

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Speaker 3: wearing the sailor hats. No, and we're just seeing too

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Speaker 3: many props and housewives lately, too many props.

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Speaker 2: But what wasn't a prop was Jenna's black eye, but

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Speaker 2: Jenna kind of likes it. Uba calls Wendy a picnic

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Speaker 2: planner to plan a picnic with all the women.

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Speaker 3: I think the black guys are the new trend of

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Speaker 3: the housewives. The black eyes, the black guy we had

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Speaker 3: Heather Gay. Oh yeah, Jenna, Yeah, that's true.

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Speaker 2: Then Raquel and Mel go to a sex shop for

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Speaker 2: their engagement party. The theme is ball and underground dance

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Speaker 2: culture started by young ballroom.

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Speaker 3: It's called ballroom, isn't it. It's a ballroom is but

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Speaker 3: it's not like ballroom dancing. Yeah, like some underground some

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Speaker 3: I don't quite understand it. Any help there. I was

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Speaker 3: going to google it, didn't have time.

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Speaker 2: But I did appreciate the juxtaposition of Raquel visiting a

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Speaker 2: sex shop and being so open while discussing her conservative

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Speaker 2: religious mother like this, this is like the storytelling we

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Speaker 2: actually need, not freaking pranks and bs. Then Aaron, we

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Speaker 2: can get past.

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Speaker 3: This prank and we can speed things up a little

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Speaker 3: bit with this show, because I feel like it's it's

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Speaker 3: lacking a little bit. A lot of people until media

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Speaker 3: are saying that maybe they need to, you know, replace

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Speaker 3: some of the girls with some ogs, mix.

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Speaker 2: Themmon so they're not That would be really hard. I think.

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Speaker 2: I think you'd either have to go back to the ogs,

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Speaker 2: but mixing these I think that would be kind of

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Speaker 2: a ship show too, exactly.

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Speaker 3: That's a ship show we need to see.

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Speaker 2: But then Aaron and Jessel meet up with their moms

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Speaker 2: and sons. Aaron thinks that Brent likes to spread rumors

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Speaker 2: and Rebecca is an easy target for her. Jessel thought

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Speaker 2: Bren was in on it.

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Speaker 3: Wait, and so Aaron's saying she thinks Bren's like to

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Speaker 3: spread rumors when she puts together this whole rumor, then

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Speaker 3: tells Brandon brings her in on it. Yeah, that's what.

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Speaker 2: I don't know. What did she think was gonna happen.

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Speaker 2: Bren was just playing it up. But then Bren uba

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Speaker 2: Raquel and say go to the Museum of Sex. So

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Speaker 2: we see I've been there. We see Aaron and Jessel's

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Speaker 2: kids playing with magnetiles, and then and then the movie

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Speaker 2: and Raquel like pulling a ball.

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Speaker 3: I mean, I have I mean a question for you,

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Speaker 3: what were your thoughts on Aaron's interview look where she

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Speaker 3: wore a jeans and just like a long sleeved T shirt.

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Speaker 2: I thought it was hot. I wish I was allowed

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Speaker 2: to warn that.

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Speaker 3: That's why I knew you were going to say that

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Speaker 3: I could put money on it, like if I got sweat.

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Speaker 3: I've never we've people. I tried.

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Speaker 2: No, I tried. I tried once, Like I tried like

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Speaker 2: a casual like soup, and they were like.

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Speaker 3: I'm gonna try my pajamas next year and see if

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Speaker 3: it goes.

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Speaker 2: Yeah, you're gonna try. How we pod, but no, before

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Speaker 2: you do a confessional day like for your even though

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Speaker 2: you do multiple ones, but with each look, they take

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Speaker 2: a picture of you and then they send it to

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Speaker 2: get approved. And my casual look did not get approved.

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Speaker 3: That's funny because it was I'm like, oh my god,

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Speaker 3: she's she's had jeans on before in her confessionals. And

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Speaker 3: then they then she went to a new confessional look,

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Speaker 3: which was really pretty, the gray blazer with no bron yeah,

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Speaker 3: no bron perky boobs.

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Speaker 2: Yeah, I mean she's hot. Yeah, let's let's be clear.

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Speaker 2: But then we get to ask you.

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Speaker 3: Have you been to the Museum Sex I think so,

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Speaker 3: but I know you would remember if you were, then

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Speaker 3: maybe I haven't. It's a very cool place. Eddie and

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Speaker 3: I went last year. I believe we were trying to

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Speaker 3: think of something different to do in New York. It's

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Speaker 3: like multiple layers. They have one room. There's actually a housewife.

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Speaker 2: On the wall.

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Speaker 3: I think I talked to you about it. Oh yeah, yeah,

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Speaker 3: remember Denise Richards pictures on from what was it was

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Speaker 3: that movie she did Wild Things.

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Speaker 2: That's something like that.

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Speaker 3: You get to pull wankers in a bathroom as a game.

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Speaker 3: There's a big slide that goes down. It's pretty cool

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Speaker 3: place in New York. I highly recommend it.

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Speaker 2: But then you know it continues that they're talking more

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Speaker 2: about the Dodge Bell and how it was a prank

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Speaker 2: and who was in the loop. I mean again with

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Speaker 2: the things having off camera to try and produce what

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Speaker 2: happens on camera.

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Speaker 3: This ain't it like?

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Speaker 2: This isn't like. I still see their like digging up

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Speaker 2: real shit to talk about off camera. But like we

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Speaker 2: need Direnda the Eagle to swoop in and save these pigeons.

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Speaker 3: I would like to render and Luanne to go back

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Speaker 3: Sonia and then yeah, I'm not going to say who

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Speaker 3: I get rid of. Yeah, I know, I know, but

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Speaker 3: I think that they can make that work.

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Speaker 2: Yeah, then just and Povet meet with their therapist.

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Speaker 3: The fact that he was eating, oh you know how

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Speaker 3: I can't stand sound and any kind of bodily noises,

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Speaker 3: And for him to sit there, I was getting anxious,

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Speaker 3: like I had turned the TV down because I had

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Speaker 3: to listen to him eat chips, and it was so

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Speaker 3: annoying that even the therapist is like, next time, can

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Speaker 3: you not be eating?

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Speaker 2: But also like so disrespectful like in therapy, like I

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Speaker 2: get it. I have like I always have a sparkling

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Speaker 2: water or like a soda or something on the pod

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Speaker 2: because like my voice, no.

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Speaker 3: That's that's liquid. It's like you're sitting here eating and

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Speaker 3: making noises and you're not eating chips in salsa.

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Speaker 2: But and it's also not therapy. We're here talking shit,

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Speaker 2: like if I wanted to have a chip. That's one thing.

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Speaker 3: This is this is kind of therapy. The ship we

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Speaker 3: get about what we say.

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Speaker 2: Yeah, it's therapy. After therapy, we need it afterwards.

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Speaker 3: You find it odd that Pavat found a therapist in

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Speaker 3: Mexico City.

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Speaker 2: No, because I'm sure he found one for the budget

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Speaker 2: that he wanted Mexico City. I mean, but Mexico City

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Speaker 2: is expensive, so well.

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Speaker 3: Yeah, but it was just weird of all places, Like

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Speaker 3: how did you find a therapist in Mexico City.

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Speaker 2: It's probably his friend or something like, let's be it's

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Speaker 2: I mean, at least it wasn't the guy who's the

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Speaker 2: therapist for Potomac and all.

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Speaker 3: Those therapist doctor kin No, Papa is saying ninety nine percent, no,

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Speaker 3: he does not want to have any more children. But uh,

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Speaker 3: Jessel is just holding on to that one percent, hoping

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Speaker 3: it opens a door forty fifty percent.

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Speaker 2: The excitement in her face when she saw one percent,

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Speaker 2: I was like, holy shit.

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Speaker 3: I feel like Pavit is kind of hamming it up

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Speaker 3: for the cameras.

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Speaker 2: Oh you think. I'm like, we get it, Pavit, just

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Speaker 2: but take it to the food Network. We don't need

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Speaker 2: this shit. We want to like, yeah, and be respectable

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Speaker 2: to your wife. She does want to have a daughter.

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Speaker 2: Have this conversation. There's times for jokes and when you're

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Speaker 2: on with your therapist, that's not one of those times.

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Speaker 2: And to be honest, I didn't laugh at one of

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Speaker 2: your jokes.

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Speaker 3: Well, I know, I would say though, watching their kids

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Speaker 3: are pretty little, their boys are pretty little. Throwing a

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Speaker 3: third one in, Like, I don't know how old she

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Speaker 3: is or if there's a rush to have a third child,

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Speaker 3: But I say, hold on, I'm more of like do

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Speaker 3: it all, Like I had two close together and it

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Speaker 3: was hard. I don't have help though, so it was

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Speaker 3: really hard.

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Speaker 2: I mean, she's forty five years old, but she's I think,

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Speaker 2: has to get a surrogate.

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Speaker 3: Oh, I didn't know she was forty five. Yeah, she

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Speaker 3: was in her thirties.

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Speaker 2: But then bren invites Gideon over for wine tasting, but

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Speaker 2: she's actually setting up a babysitting session with her friend's son.

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Speaker 2: Bren talks to Gideon about using her eggs and his

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Speaker 2: sperm to make an embryo.

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Speaker 3: I mean, this poor guy, he is literally getting ambushed

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Speaker 3: with this sperm talk on camera.

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Speaker 2: Well before we even get to that, I'm guessing Brenn

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Speaker 2: will never be allowed to babysit this child again. Once

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Speaker 2: that mom watches the.

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Speaker 3: Scene, they're like drinking, he's dipping his toys.

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Speaker 2: In the line. But it made me really love Gideon.

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Speaker 3: Me too. I think that they would make adorable kids.

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Speaker 3: But this is giving I need a storyline, So we're

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Speaker 3: going to be talking about having another baby, not another

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Speaker 3: I have a baby. Sorry, I don't know.

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Speaker 2: I also, you know one, I think get In is

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Speaker 2: so charming. I mean, are they still having sex? I

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Speaker 2: mean he is saying, why does she? Why does he

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Speaker 2: have to do it with the eggs?

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Speaker 3: She can't? Is she gonna do a sarrogate or she

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Speaker 3: has to have a vitro or how what is that?

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Speaker 3: I don't I've never gone through any infertility stuff.

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Speaker 2: I don't think they're still having sex. I don't think

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Speaker 2: that there that she's into him like that, But but

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Speaker 2: I don't think it'll be that hard to get into him.

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Speaker 2: He's I don't know whatever. Well, I think if she

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Speaker 2: was into him, she probably would have married him. I

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Speaker 2: think she still has the engagement ring. But also why

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Speaker 2: is he putting up with it?

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Speaker 3: I don't know, I need more.

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Speaker 2: If she has dated anyone since.

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Speaker 3: Brand oh, I would hope so.

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Speaker 2: Well. I mean, could you imagine all of a sudden

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Speaker 2: your day Gideon, and then he's like, oh, I'm actually

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Speaker 2: going to be the I'm actually having a child with

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Speaker 2: my ex girlfriend who I'm still in love with, even

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Speaker 2: though she's not into me. But either way, Gideon loves

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Speaker 2: the idea, supposedly, even though he lives in Los Angeles

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Speaker 2: and London and Brennan is not interested in relocating. Yeah,

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Speaker 2: let's see what happens quarter one of twenty twenty five,

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Speaker 2: as they called it exactly.

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Speaker 3: And if we have to hear the pigeon word again,

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Speaker 3: like you said, I'm turning the TV off.

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Speaker 2: Well don't worry, we do because then Uba sets up

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Speaker 2: the picnic with the little pigeons for everyone. So I

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Speaker 2: brought champagne for her and Brent to reconcile after the prank.

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Speaker 3: Have you ever seen those little tiny champagne bottles?

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Speaker 2: Yeah, they're so cute.

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Speaker 3: I've seen prosecco, but I've never seen small champagne bottles.

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Speaker 2: Yeah, so cute, really cute. I've seen him. Know where

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Speaker 2: I saw him? Were you with me? Oh? At Kathy

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Speaker 2: Hilton's holiday party she had.

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Speaker 3: Like no, teddy, I was not invited.

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Speaker 2: Oh sorry AnyWho? So I brought the champagne and then

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Speaker 2: bren Uba and Cie catch Jenna up with everything regarding

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Speaker 2: the prank. I ended this episode thinking, like is the

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Speaker 2: leaky pigeon gonna turn into the next pandemic Like this,

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Speaker 2: I just.

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Speaker 3: Want to see a pigeon sit on somebody's head at

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Speaker 3: this point.

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Speaker 2: I wish they would have. And so on that note,

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Speaker 2: I am really grateful to be done recapping New York

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Speaker 2: this past episode and get into Salt Lake City because that.

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Speaker 3: She was good. Shit was really good.

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Speaker 2: It was good ship. That was like full blown adult

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Speaker 2: dog shit into the Bronwin's floor.

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Speaker 3: Definitely. The Salt Lake City is one show that started

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Speaker 3: off good, like they just know what they're doing. Yeah,

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Speaker 3: I could do with a little less props, but other

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Speaker 3: than that, yeah, the way, I.

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Speaker 2: Just kind of realized they have a lot of props

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Speaker 2: because they're kind of dorky.

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Speaker 3: Like that's fine, you know, but like Angie, I'm sorry,

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Speaker 3: I don't think you're dorky. If you're listening, Angie, I

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Speaker 3: love you.

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Speaker 2: I think you're dorky.

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Speaker 3: I I think I think.

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Speaker 2: I'm dorky too in certain extents. But I think it's

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Speaker 2: like it's the same with like how she was being

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Speaker 2: the helicopter mom, like she like embraces it.

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Speaker 3: Okay, are we just gonna get right into Salt Lake City?

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Speaker 2: Okay, it's breakfast to Mary's something. Okay, can we.

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Speaker 3: Talk about that? That breakfast and Mary's the intro? Like

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Speaker 3: what the book was going on there?

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Speaker 2: I don't know.

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Speaker 3: The editors over there are very trying to be very creative,

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Speaker 3: and I don't know if it's a good thing or a.

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Speaker 2: I think Salt Lake City can get away with anything

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Speaker 2: because the show's actually good, so they can throw in

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Speaker 2: whatever editing they like, and I'm fine with it.

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Speaker 3: Yeah, it's it was kind of weird to me that

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Speaker 3: whole I'm like, like, we open it up every time

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Speaker 3: the show opens up. I'm like, oh God, what kind

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Speaker 3: of fairy tale they've taken us down?

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Speaker 2: Now, Lisa and Heather meet up. Lisa says the group

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Speaker 2: heard a completely different story from Bronwyin. Heather says nothing,

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00:17:07,040 --> 00:17:10,879
Speaker 2: Bronwin says tracks, and then Lisa says Todd asked her

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Speaker 2: to leave unless she made up with Bronwyin. But two

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00:17:15,000 --> 00:17:17,560
Speaker 2: things that I need to really say about this scene.

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Speaker 2: One Heather not knowing what Kimo Sabi is.

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Speaker 3: Well, I was gonna say, Chemo Sabi. Oh my god,

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Speaker 3: this is not Beverly Hills and we are not in Aspen.

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Speaker 3: I do not want to see another Kimo Sabi on

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Speaker 3: the show. Well, I didn't know.

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Speaker 2: I know. I was sad that I've never been there

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Speaker 2: or known. I love.

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Speaker 3: We have a knockoff Kimo Sabbi in Big Bear. It's

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Speaker 3: called like Leather Goods. I actually look it, but Heather

346
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Speaker 3: thinking that Kimo Sabi was a sushi restaurant.

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Speaker 2: I'm liking Heather. She made me laugh this episode a

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Speaker 2: couple of times.

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Speaker 3: I know, I think Heather's great on the show. I

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Speaker 3: don't always agree with what she has to say, which

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Speaker 3: I'm sure she doesn't always agree what I have to

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Speaker 3: say on the show, I know, but I feel like,

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Speaker 3: you know, like we talked about earlier, like if you're

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Speaker 3: polarizing and people are talking about you, well you're doing

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Speaker 3: something right.

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Speaker 2: Yep. Well, then Todd tells bron When that he's never

357
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Speaker 2: seen her act like she did on the trip. He

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Speaker 2: tells her she ruined it a perfectly nice afternoon. Bron

359
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Speaker 2: Win says they all yell at each other and she

360
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Speaker 2: doesn't know how to interact with them. Todd says she

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Speaker 2: should leave with her dignity. Bronwin gets emotional, saying Todd's

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00:18:26,960 --> 00:18:31,800
Speaker 2: approval means everything to her, Todd is basically like, I'm

363
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Speaker 2: too rich for this shit. You want my money? Stop?

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Speaker 2: And you know where I don't think back.

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Speaker 3: Huh.

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Speaker 2: Well, the way it affected her is what was scary. Yeah,

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Speaker 2: that's what I like.

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Speaker 3: It was a controlled woman's situation. The way she responded

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Speaker 3: was somebody that's being controlled allegedly. Like That's what I

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Speaker 3: got from it because I had been in a controlling

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Speaker 3: relationship and when somebody talks to you like that and

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Speaker 3: you gotta you just learn to just be submissive and

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Speaker 3: just be like okay, okay.

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Speaker 2: I mean either she's not going to be back or

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Speaker 2: Todd will not be participating and much right, but Todd doesn't.

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Speaker 3: But when what really lost me is when she said

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Speaker 3: Todd doesn't want me to publicly show my emotions. That

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00:19:22,280 --> 00:19:28,560
Speaker 3: right there was like publicly or privately. Yeah, And that's like, girl,

379
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Speaker 3: you want to be able to be in a relationship

380
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Speaker 3: and be yourself. And that's one thing like when I

381
00:19:33,160 --> 00:19:35,080
Speaker 3: was younger, I'm like, and I'm not saying she's in

382
00:19:35,119 --> 00:19:39,160
Speaker 3: it just for the money, but I would never date

383
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Speaker 3: somebody older than me or somebody really wealthy because I

384
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Speaker 3: did not want to have to.

385
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Speaker 2: But I don't think you have to be older with

386
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Speaker 2: that to have that kind of control over somebody. I think,

387
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Speaker 2: oh you don't.

388
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Speaker 3: It's a personality, but it comes. It does come with

389
00:19:53,760 --> 00:19:57,480
Speaker 3: the territory. Let's be honest. It happens often, but I

390
00:19:57,520 --> 00:19:58,680
Speaker 3: also do not always.

391
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Speaker 2: But all that much out Bronwin's childhood, I think if

392
00:20:03,880 --> 00:20:05,639
Speaker 2: we kind of we don't. We just know that she

393
00:20:05,680 --> 00:20:08,200
Speaker 2: had a baby young and and then all of a

394
00:20:08,200 --> 00:20:12,920
Speaker 2: sudden this this man that was significantly older than her

395
00:20:13,080 --> 00:20:17,480
Speaker 2: came in and helped her create this life that she had.

396
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Speaker 3: Very respectful to him.

397
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Speaker 2: She is so respectful to him, but you can see

398
00:20:21,960 --> 00:20:23,200
Speaker 2: a sadness.

399
00:20:23,680 --> 00:20:25,560
Speaker 3: Yeah, I don't.

400
00:20:26,160 --> 00:20:28,720
Speaker 2: But also the thing that pisses me off is like, Todd,

401
00:20:28,840 --> 00:20:31,240
Speaker 2: you know what show this was? I agreed to let

402
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Speaker 2: her do it. You agree to let her do it,

403
00:20:33,760 --> 00:20:36,000
Speaker 2: so now let her do it well because she is

404
00:20:36,040 --> 00:20:36,640
Speaker 2: doing it well.

405
00:20:36,680 --> 00:20:39,560
Speaker 3: But then sometimes you see like such a happiness between

406
00:20:39,600 --> 00:20:43,560
Speaker 3: them as well. So it's really hard to judge. You know,

407
00:20:43,640 --> 00:20:49,840
Speaker 3: we've all had those moments. Do you have to be

408
00:20:49,880 --> 00:20:51,280
Speaker 3: a dick right now? And it could be one of

409
00:20:51,280 --> 00:20:52,920
Speaker 3: those things where a lot of guys are like I

410
00:20:53,320 --> 00:20:56,119
Speaker 3: do this, Like this is annoying. Todd might be that

411
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Speaker 3: guy I don't know who knows.

412
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Speaker 2: Yeah, I knew, I didn't want I don't care if

413
00:21:00,800 --> 00:21:03,720
Speaker 2: I could have gotten that necklace. Afterwards, I don't want

414
00:21:03,720 --> 00:21:04,560
Speaker 2: to be talked to like that.

415
00:21:04,880 --> 00:21:08,639
Speaker 3: Yeah, I don't put a happiness on money.

416
00:21:09,200 --> 00:21:12,120
Speaker 2: And then Angie's dad comes over for dinner. Angie says

417
00:21:12,160 --> 00:21:14,520
Speaker 2: she tries to be the perfect mom since she didn't

418
00:21:14,560 --> 00:21:17,400
Speaker 2: have one growing up. Angie found a necklace that her

419
00:21:17,400 --> 00:21:19,879
Speaker 2: friends gave Electro when she was born, a reminder of

420
00:21:19,880 --> 00:21:25,480
Speaker 2: her grandma, and Angie felt no emotion. Angie gets emotional,

421
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Speaker 2: explaining she doesn't want to disrespect her memory.

422
00:21:30,920 --> 00:21:35,440
Speaker 3: Yeah. I think that Angie speaks for every mom out

423
00:21:35,440 --> 00:21:39,119
Speaker 3: there too, when she was talking about the struggles with

424
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Speaker 3: you know, raising a daughter, and you wanted them to thrive,

425
00:21:43,119 --> 00:21:45,480
Speaker 3: but then you're kind of enabling them because you don't

426
00:21:45,480 --> 00:21:47,320
Speaker 3: want them to do the hard work and all that.

427
00:21:47,440 --> 00:21:50,720
Speaker 3: I did not know that Angie's mom died of alcoholism?

428
00:21:50,800 --> 00:21:52,000
Speaker 2: Is that what she I didn't either.

429
00:21:52,160 --> 00:21:55,240
Speaker 3: I didn't know that. And Angie being opening hones that

430
00:21:55,320 --> 00:22:00,320
Speaker 3: whole scene actually made me tear up, just to know that,

431
00:22:00,480 --> 00:22:04,160
Speaker 3: you know, she has that anger in her, like after

432
00:22:04,200 --> 00:22:06,960
Speaker 3: becoming a mom, Like why didn't you fight harder to

433
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Speaker 3: be around for us kids?

434
00:22:08,720 --> 00:22:13,000
Speaker 2: Yeah, And I think that it's a common trauma response

435
00:22:13,720 --> 00:22:16,840
Speaker 2: to when something really hurts you to have no emotion

436
00:22:17,160 --> 00:22:20,280
Speaker 2: about it, Like I I can be very emotional about

437
00:22:20,320 --> 00:22:24,800
Speaker 2: certain things, but there are some things you couldn't squeeze

438
00:22:24,800 --> 00:22:27,560
Speaker 2: a cheer out of me no matter what. Yeah, Like,

439
00:22:27,680 --> 00:22:31,840
Speaker 2: there's just there's just some things that like And those

440
00:22:31,880 --> 00:22:34,439
Speaker 2: are things I talk about in therapy, like when all

441
00:22:34,440 --> 00:22:36,320
Speaker 2: of a sudden, you like see like my eyes kind

442
00:22:36,320 --> 00:22:39,520
Speaker 2: of glass over and just it means like I am

443
00:22:39,560 --> 00:22:41,800
Speaker 2: totally disconnected from the situation.

444
00:22:44,160 --> 00:22:49,880
Speaker 3: But Angie had another prop, answers the door with her

445
00:22:50,160 --> 00:22:51,480
Speaker 3: favorite daughter sweatshirt on.

446
00:22:52,119 --> 00:23:08,960
Speaker 2: Oh God. Then the women arrive at Mary's breakfast at

447
00:23:09,000 --> 00:23:12,040
Speaker 2: Tiffany's party, which had none of the props that they

448
00:23:12,040 --> 00:23:14,760
Speaker 2: were using to set up. So I assumed you were happy.

449
00:23:15,119 --> 00:23:16,879
Speaker 2: Remember they put all that stuff on the table and

450
00:23:16,880 --> 00:23:22,800
Speaker 2: they it's all gone. Heather does not acknowledge Bronwin. Mary

451
00:23:22,880 --> 00:23:27,159
Speaker 2: says she invited Brittany, so Brittany knows she's not poor.

452
00:23:27,480 --> 00:23:30,040
Speaker 3: I love that. I mean, everything that comes out of

453
00:23:30,080 --> 00:23:32,280
Speaker 3: Mary's mouth is just golden.

454
00:23:32,760 --> 00:23:35,400
Speaker 2: I mean, and she was the Boys of Reason at the.

455
00:23:35,400 --> 00:23:38,439
Speaker 3: End, I know the mistress of the manner.

456
00:23:39,280 --> 00:23:43,399
Speaker 2: Then Brittany tells Angie she's offended. She brought a bottle

457
00:23:43,440 --> 00:23:46,199
Speaker 2: of wine to her house, and Angie questions how she

458
00:23:46,200 --> 00:23:49,080
Speaker 2: could be offended by that, when Britney's I don't know

459
00:23:49,119 --> 00:23:52,800
Speaker 2: if she said boning or doinging or doing or whatever.

460
00:23:53,200 --> 00:23:56,679
Speaker 2: Three guys and drinks, but whatever it.

461
00:23:56,720 --> 00:24:01,240
Speaker 3: Was, but evidently she doesn't want her peers to know

462
00:24:01,359 --> 00:24:03,920
Speaker 3: her Mormon peers to know that she does have a drink.

463
00:24:03,960 --> 00:24:06,480
Speaker 3: But she's been drinking on cameras. So Brittany either going

464
00:24:06,600 --> 00:24:11,159
Speaker 3: to know. Brittany, they know, yeah, they know, But I

465
00:24:11,280 --> 00:24:13,639
Speaker 3: just want to say hell to the no. With merediths

466
00:24:13,680 --> 00:24:19,160
Speaker 3: octopus bangs, absolutely not. She had them clips so far

467
00:24:19,240 --> 00:24:22,120
Speaker 3: back in her head that I was watching the show

468
00:24:22,160 --> 00:24:25,119
Speaker 3: and Sophia walked in and she goes, why is that

469
00:24:25,240 --> 00:24:27,960
Speaker 3: woman's bangs clips so far back to or like the

470
00:24:28,040 --> 00:24:30,760
Speaker 3: back of her head? It was like her sola. She

471
00:24:30,840 --> 00:24:32,639
Speaker 3: should have put them up just a little bit. I

472
00:24:32,640 --> 00:24:36,880
Speaker 3: think Bronwyin nailed it with the little side bang. I'm

473
00:24:36,920 --> 00:24:40,080
Speaker 3: not sure what Brittany obviously didn't dress up. She didn't

474
00:24:40,080 --> 00:24:41,600
Speaker 3: get the memo.

475
00:24:42,040 --> 00:24:44,960
Speaker 2: And Lisa was I didn't get that either.

476
00:24:45,119 --> 00:24:48,960
Speaker 3: Well I didn't understand. Well, Heather, she had a white

477
00:24:49,000 --> 00:24:50,240
Speaker 3: sweater on a white pants.

478
00:24:50,480 --> 00:24:52,320
Speaker 2: I think how that was, Like, I'm done, I already

479
00:24:52,320 --> 00:24:55,879
Speaker 2: did a Valentine's themed something like, I'm just going to

480
00:24:55,920 --> 00:24:58,879
Speaker 2: come in a regular outfit a class. I would just say,

481
00:24:59,080 --> 00:25:01,400
Speaker 2: if you're not going to come in theme, just come

482
00:25:01,480 --> 00:25:02,440
Speaker 2: in a classic outfit.

483
00:25:03,480 --> 00:25:07,080
Speaker 3: Yeah exactly. But Angie said, Abeleine can have Risachi plates.

484
00:25:07,200 --> 00:25:10,840
Speaker 3: I had no words. Johnny Rastacci is looking down thinking

485
00:25:11,440 --> 00:25:15,239
Speaker 3: can reality TV get any dummer? Can I really get

486
00:25:15,280 --> 00:25:18,159
Speaker 3: any dummer? And then I love Mary when she goes,

487
00:25:18,440 --> 00:25:24,080
Speaker 3: first of all, isn't breaking bread mean talking? Or isn't

488
00:25:24,080 --> 00:25:25,880
Speaker 3: that what I think?

489
00:25:25,920 --> 00:25:28,760
Speaker 2: Breaking bread is like a religious thing, like do we

490
00:25:28,840 --> 00:25:31,800
Speaker 2: break bread together? Like do we start?

491
00:25:32,040 --> 00:25:36,159
Speaker 3: It's a religious thing. I feel like I thought breaking

492
00:25:36,200 --> 00:25:42,280
Speaker 3: bread was like starting to eat, starting conversation, hanging out together.

493
00:25:42,320 --> 00:25:43,880
Speaker 3: I don't know, we need to google it. But anyways,

494
00:25:43,880 --> 00:25:46,320
Speaker 3: when Whitney goes, can we break some Oh.

495
00:25:46,280 --> 00:25:48,920
Speaker 2: It's it's meaning enemies coming together.

496
00:25:49,119 --> 00:25:52,359
Speaker 3: Yeah, breaking bread like having a conversation about something. Anyway,

497
00:25:52,440 --> 00:25:55,359
Speaker 3: So she's like, Whitney's like, can we break the bread?

498
00:25:56,040 --> 00:25:58,399
Speaker 2: And I'm like, oh, but it is from the Bible.

499
00:25:58,440 --> 00:26:00,240
Speaker 2: I feel better about this. I was like, I know

500
00:26:00,480 --> 00:26:03,280
Speaker 2: I've heard this, yeah yeah, oh yeah, and.

501
00:26:03,160 --> 00:26:05,040
Speaker 3: Then Mary goes, yeah, but don't put the bread in

502
00:26:05,119 --> 00:26:09,720
Speaker 3: your purse. Brittany, like I literally laughed out loud.

503
00:26:10,320 --> 00:26:13,720
Speaker 2: What about when Mary says Jared is sliding into her dms?

504
00:26:13,920 --> 00:26:16,840
Speaker 3: Can this guy? I mean, what is going on is

505
00:26:16,960 --> 00:26:19,800
Speaker 3: he just needs to be famous? He just is a

506
00:26:19,800 --> 00:26:22,320
Speaker 3: little thirsty. I don't know if he's like, oh, this

507
00:26:22,359 --> 00:26:24,600
Speaker 3: girl's you know, on the show. I'm just being nice

508
00:26:24,600 --> 00:26:27,680
Speaker 3: saying nice things to her. But Mary's like Petitioner's like, hey,

509
00:26:27,680 --> 00:26:29,879
Speaker 3: have you brought this up? She's like no, no, I

510
00:26:30,040 --> 00:26:31,400
Speaker 3: end up going on. I don't care.

511
00:26:33,320 --> 00:26:36,480
Speaker 2: Well, someone on Reddit just ran into Brittany and she

512
00:26:36,840 --> 00:26:38,520
Speaker 2: was with Jared allegedly.

513
00:26:39,200 --> 00:26:41,080
Speaker 3: Ah.

514
00:26:41,119 --> 00:26:45,960
Speaker 2: But then every single time that there's a conversation there's

515
00:26:46,000 --> 00:26:49,680
Speaker 2: a dispute between something. Then I feel like Brittany needs

516
00:26:49,680 --> 00:26:51,240
Speaker 2: a step ladder because she's like.

517
00:26:52,040 --> 00:26:54,919
Speaker 3: What about Matty? What about me?

518
00:26:56,040 --> 00:26:56,280
Speaker 1: I know?

519
00:26:58,160 --> 00:27:03,160
Speaker 2: Then Heather asked braun and why she doesn't have a prenup?

520
00:27:03,440 --> 00:27:04,480
Speaker 3: Why does she care?

521
00:27:05,200 --> 00:27:08,080
Speaker 2: Why? I don't get it. I'm pretty sure that.

522
00:27:08,320 --> 00:27:13,200
Speaker 3: No power to you. Yeah, right, Like it's so weird

523
00:27:13,240 --> 00:27:15,840
Speaker 3: that she brings it up every single time, like, why

524
00:27:15,880 --> 00:27:16,680
Speaker 3: do you care?

525
00:27:17,800 --> 00:27:21,440
Speaker 2: Oh, Bronwyn tells Heather to stop knocking on that door,

526
00:27:21,600 --> 00:27:24,720
Speaker 2: and then Heather says she knows Todd is an asshole

527
00:27:24,800 --> 00:27:27,520
Speaker 2: on couple She said, I know three things about Todd.

528
00:27:28,800 --> 00:27:33,160
Speaker 2: She doesn't have a prenup, he has uh, he collects mugs,

529
00:27:33,720 --> 00:27:40,919
Speaker 2: and he's an asshole on couple's trips. I feel like,

530
00:27:42,280 --> 00:27:45,080
Speaker 2: you know now, not that I'm just really loving bron

531
00:27:45,080 --> 00:27:47,480
Speaker 2: When at the moment, but I feel like as Heather

532
00:27:47,800 --> 00:27:50,840
Speaker 2: as someone who is upset at broun When for sharing

533
00:27:50,880 --> 00:27:56,000
Speaker 2: information on others. She's literally judging her husband off information

534
00:27:56,200 --> 00:27:56,840
Speaker 2: from others.

535
00:27:57,119 --> 00:28:02,760
Speaker 3: Yeah, it's not what we all do. Yeah, that's we

536
00:28:02,800 --> 00:28:08,280
Speaker 3: get all our information off of Instagram and.

537
00:28:07,400 --> 00:28:11,320
Speaker 2: Yeah, then we get into the plane ticket saga.

538
00:28:11,440 --> 00:28:13,240
Speaker 3: Oh my god, this is so annoying.

539
00:28:13,920 --> 00:28:17,119
Speaker 2: Lisa said. Lisa said she would have bought her plane

540
00:28:17,119 --> 00:28:21,040
Speaker 2: ticket herself. She claims Angie was upset too. Bron One

541
00:28:21,080 --> 00:28:23,639
Speaker 2: says it's wild that anyone cared where they sat, and

542
00:28:23,640 --> 00:28:26,239
Speaker 2: then Heather questions why bron When only booked herself and

543
00:28:26,280 --> 00:28:30,119
Speaker 2: Todds a first class ticket and bronin says, because it

544
00:28:30,160 --> 00:28:32,919
Speaker 2: was on my goddamn credit card.

545
00:28:34,240 --> 00:28:37,440
Speaker 3: Huh. I mean seriously, First of all, the flashbacks did

546
00:28:37,440 --> 00:28:41,000
Speaker 3: not show that Angie was upset at all. And these

547
00:28:41,080 --> 00:28:43,360
Speaker 3: damn girls get a free trip on a private jet

548
00:28:43,440 --> 00:28:46,800
Speaker 3: with presents in this twenty thousand dollars a night, beautiful

549
00:28:46,800 --> 00:28:48,120
Speaker 3: house and they're mad.

550
00:28:48,720 --> 00:28:51,840
Speaker 4: I just don't can't fuse it. I confuse it on

551
00:28:51,920 --> 00:28:58,800
Speaker 4: something on Housewives trip. Normally production pays for commercial flights.

552
00:28:59,480 --> 00:29:03,520
Speaker 3: Well they probabrobably played for their flight home, is what happened.

553
00:29:03,600 --> 00:29:06,200
Speaker 3: I don't know why are we acting like I mean,

554
00:29:06,240 --> 00:29:08,680
Speaker 3: did Bronwin maybe she did?

555
00:29:09,400 --> 00:29:09,480
Speaker 1: No?

556
00:29:10,400 --> 00:29:12,520
Speaker 3: Well, I don't know how their production. It's all in

557
00:29:12,640 --> 00:29:14,640
Speaker 3: production and how it works, but we.

558
00:29:15,000 --> 00:29:19,640
Speaker 2: Well, clearly it's how Bronwin got Heather's information though about

559
00:29:19,640 --> 00:29:20,280
Speaker 2: her birthday.

560
00:29:21,520 --> 00:29:26,200
Speaker 3: That's true. It probably production booked those flights back home,

561
00:29:26,280 --> 00:29:31,360
Speaker 3: and Bronwyn upgraded hers. Who knows and all? Either way she.

562
00:29:31,360 --> 00:29:33,080
Speaker 2: Got a plane there. That's not production.

563
00:29:34,280 --> 00:29:39,080
Speaker 3: Yeah, yeah, that's on Bronwyn. But production has Heather's information.

564
00:29:39,400 --> 00:29:42,680
Speaker 3: And why Heather does not want to say publicly how

565
00:29:42,680 --> 00:29:45,040
Speaker 3: old she is or what her birthday it is is

566
00:29:45,280 --> 00:29:47,520
Speaker 3: that you took me right back to I'm not going

567
00:29:47,600 --> 00:29:49,000
Speaker 3: to tell you how I got the black eye.

568
00:29:49,360 --> 00:29:52,920
Speaker 2: Yeah enough, already, like and nobody. I mean, I don't

569
00:29:52,920 --> 00:29:54,840
Speaker 2: really care, to be honest, I didn't even go in

570
00:29:54,880 --> 00:29:56,680
Speaker 2: the world I mean, Whitney did for me, so I

571
00:29:56,680 --> 00:29:58,520
Speaker 2: didn't have to. But I didn't even go in the

572
00:29:58,520 --> 00:30:00,720
Speaker 2: world Wide Web to find out how to Heather is

573
00:30:00,800 --> 00:30:01,720
Speaker 2: or I don't care.

574
00:30:02,320 --> 00:30:05,520
Speaker 3: But you feel like Heather made up with Bromwin because

575
00:30:05,680 --> 00:30:09,080
Speaker 3: after that comment from Bronwin telling Heather because it's my

576
00:30:09,280 --> 00:30:12,920
Speaker 3: goddamn credit card, do you think she thought, oh shit,

577
00:30:13,040 --> 00:30:14,000
Speaker 3: I've met my match.

578
00:30:14,560 --> 00:30:19,480
Speaker 2: I think she was like, this newbie is teaching housewife

579
00:30:19,480 --> 00:30:21,719
Speaker 2: one oh one, and I need to get over on

580
00:30:21,760 --> 00:30:24,760
Speaker 2: that side because she's about to handle shit unless Todd

581
00:30:24,800 --> 00:30:25,440
Speaker 2: makes her quit.

582
00:30:26,400 --> 00:30:28,600
Speaker 3: Yeah yeah, no, I agree.

583
00:30:29,360 --> 00:30:32,800
Speaker 2: Then Bronwin tells Heather she's still open to a friendship,

584
00:30:32,880 --> 00:30:34,959
Speaker 2: but doesn't feel like she wants to fix things on

585
00:30:35,000 --> 00:30:39,240
Speaker 2: her end. Heather says she is cautious of new people

586
00:30:39,320 --> 00:30:41,760
Speaker 2: joining the group, and Heather says being left out hurt

587
00:30:41,760 --> 00:30:44,760
Speaker 2: her feelings, but she's willing to move forward. This is

588
00:30:44,760 --> 00:30:47,480
Speaker 2: when Brittany feels the need to sell yea yell, what

589
00:30:47,640 --> 00:30:49,800
Speaker 2: about me? What about me? No?

590
00:30:49,960 --> 00:30:52,080
Speaker 3: That was really out of left field for sure.

591
00:30:52,760 --> 00:31:00,880
Speaker 2: Then Brittany apologizes to Bronwin. I feel like the only

592
00:31:00,920 --> 00:31:03,720
Speaker 2: thing that could have made this entire dinner or lunch

593
00:31:03,960 --> 00:31:05,680
Speaker 2: better was if Monica was there.

594
00:31:06,520 --> 00:31:09,360
Speaker 3: Oh my god, I thought the same thing I thought

595
00:31:09,400 --> 00:31:12,960
Speaker 3: at this moment. I'm like, I'm missing Monica. I wouldn't

596
00:31:13,000 --> 00:31:15,680
Speaker 3: be surprised if Monica comes back one day. I think

597
00:31:15,720 --> 00:31:18,320
Speaker 3: that Mary's very close with Monica, and the two of

598
00:31:18,360 --> 00:31:22,280
Speaker 3: them together would be forced to reckon with well.

599
00:31:22,280 --> 00:31:25,960
Speaker 2: Then Angie tells Meredith, then it's then everybody's happy. Forero

600
00:31:26,000 --> 00:31:26,959
Speaker 2: point two seconds?

601
00:31:27,000 --> 00:31:30,440
Speaker 3: Ask you a question, Yes, Maylee, Maylee? Where is she?

602
00:31:30,640 --> 00:31:31,880
Speaker 3: We haven't seen her in a while.

603
00:31:32,400 --> 00:31:35,080
Speaker 2: I don't think we probably will maybe not.

604
00:31:36,800 --> 00:31:38,040
Speaker 3: Did she just drop out?

605
00:31:38,160 --> 00:31:41,440
Speaker 2: I know that that maybe there's doctor If you only

606
00:31:41,520 --> 00:31:44,840
Speaker 2: say seven words, that that's it.

607
00:31:46,120 --> 00:31:56,400
Speaker 3: Oh wait, so Whitney reaches out to Monica. That's coming up, guys.

608
00:31:54,000 --> 00:31:55,240
Speaker 2: In the trailer.

609
00:31:55,280 --> 00:31:57,160
Speaker 3: How did I miss that part? I know I did too.

610
00:31:57,400 --> 00:31:59,520
Speaker 2: Whitney reaching out to Monica in the trailer is a

611
00:31:59,560 --> 00:32:03,880
Speaker 2: little piece to heaven. Cannot wait. But before we finish

612
00:32:03,960 --> 00:32:06,920
Speaker 2: out this episode, Angie tells Meredith she wants to move forward,

613
00:32:06,920 --> 00:32:09,840
Speaker 2: but has unresolved feelings from the podcast Drama with Sean.

614
00:32:10,440 --> 00:32:13,400
Speaker 2: Meredith says if Angie wants to go backward, it's not

615
00:32:13,520 --> 00:32:16,200
Speaker 2: going to be pretty. Angie asked if that's a threat.

616
00:32:16,520 --> 00:32:19,800
Speaker 2: Angie says she and Sean received support from the LGBTQ

617
00:32:19,920 --> 00:32:23,720
Speaker 2: community after Meredith's comments, and Meredith takes out her phone

618
00:32:24,040 --> 00:32:28,360
Speaker 2: and plays Sean on Behind the Velvet Rope podcast. Whitney

619
00:32:28,400 --> 00:32:31,120
Speaker 2: grabs the phone, but it's the phone is kind of here.

620
00:32:31,240 --> 00:32:33,719
Speaker 2: She kind of grabs it. She goes to turn it up,

621
00:32:33,760 --> 00:32:37,400
Speaker 2: but then Meredith loses her ship, which made me want

622
00:32:37,440 --> 00:32:41,080
Speaker 2: to go, what else is this phone? What else is

623
00:32:41,160 --> 00:32:45,000
Speaker 2: on this phone? Yeah, exactly, other messages are on this

624
00:32:45,120 --> 00:32:48,120
Speaker 2: phone because like, you don't get that kind of revved

625
00:32:48,200 --> 00:32:50,720
Speaker 2: up if like if I handed you my phone, I

626
00:32:50,720 --> 00:32:53,240
Speaker 2: would play, or like if you grab my phone to

627
00:32:53,280 --> 00:32:57,040
Speaker 2: play to turn it up, I would be like, Okay, Like,

628
00:32:57,120 --> 00:32:59,920
Speaker 2: what's the worst you're going to find on there? Bad selfies?

629
00:33:00,120 --> 00:33:01,480
Speaker 2: Me while I'm trying to get a good one.

630
00:33:01,520 --> 00:33:05,760
Speaker 3: Right, right, pictures of my buttthole trying to figure out

631
00:33:05,800 --> 00:33:06,840
Speaker 3: what is that is.

632
00:33:08,800 --> 00:33:08,960
Speaker 1: Right?

633
00:33:11,280 --> 00:33:16,080
Speaker 2: But Angie tells Meredith she's miserable. We never really get

634
00:33:16,080 --> 00:33:20,160
Speaker 2: to even hear what's happening on the podcast, but I

635
00:33:20,200 --> 00:33:22,920
Speaker 2: think it's you know, Angie made her points quite clear.

636
00:33:23,400 --> 00:33:25,960
Speaker 2: And then Meredith's doing what Meredith does, which is getting

637
00:33:26,000 --> 00:33:31,320
Speaker 2: up and leaving and crying. Isn't great because she always

638
00:33:31,360 --> 00:33:33,320
Speaker 2: does the same thing, but she didn't say the words

639
00:33:33,360 --> 00:33:35,120
Speaker 2: what did she walking out crying?

640
00:33:35,520 --> 00:33:38,640
Speaker 3: It was so dramatic. It was such a dramatic thing

641
00:33:38,720 --> 00:33:41,600
Speaker 3: to do. And then Mary's like, thank you lord, she

642
00:33:41,680 --> 00:33:42,880
Speaker 3: took those bangs with her.

643
00:33:44,040 --> 00:33:47,080
Speaker 2: But before that, Mary tells Meredith to get out if

644
00:33:47,080 --> 00:33:49,440
Speaker 2: she's not going to listen, and then Meredith's.

645
00:33:49,040 --> 00:33:52,560
Speaker 3: Like, kicked me out, solo drama queen.

646
00:33:53,040 --> 00:33:55,240
Speaker 2: Yeah, but why didn't she at least say her line

647
00:33:55,280 --> 00:33:56,719
Speaker 2: of like I'm not engaging.

648
00:33:57,320 --> 00:33:59,320
Speaker 3: I know, but all I can think about is Meredith

649
00:33:59,360 --> 00:34:01,360
Speaker 3: walking out is when Sophia was two years old and

650
00:34:01,400 --> 00:34:04,520
Speaker 3: cut her own bangs while I was downstairs filming, I

651
00:34:04,600 --> 00:34:05,719
Speaker 3: looked exactly like that.

652
00:34:06,360 --> 00:34:09,319
Speaker 2: Well, the one thing Meredith Mars is always going to

653
00:34:09,360 --> 00:34:13,919
Speaker 2: give us is anger with messy hair walking out the door.

654
00:34:14,480 --> 00:34:17,960
Speaker 2: So I appreciated that. And the scenes for next week

655
00:34:18,480 --> 00:34:25,279
Speaker 2: it looks good. I'm ready, I'm ready.